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1
00:00:14,714 --> 00:00:16,483
[WOMAN]
I'M A GREAT ACTRESS.
2
00:00:16,516 --> 00:00:18,284
I'M A GREAT ACTRESS.
3
00:00:18,318 --> 00:00:19,519
I AM A GREAT ACTRESS.
4
00:00:32,399 --> 00:00:33,433
[WOMAN #1]
ALL RIGHT, SO NEXT
5
00:00:33,466 --> 00:00:36,369
IS JULES JENSON.
6
00:00:37,671 --> 00:00:39,239
HEY.
7
00:00:43,209 --> 00:00:48,214
[SHOES TAPPING]
8
00:00:51,151 --> 00:00:52,719
JUST... STOP.
9
00:00:52,752 --> 00:00:54,621
THAT'S...
YEAH, STOP. SORRY.
10
00:00:54,654 --> 00:00:56,489
WELL, SEE, I KNOW
YOU'RE ALSO CASTING
11
00:00:56,523 --> 00:00:58,291
DISNEY'S
NEW MUSICAL MOVIE.
SO I THOUGHT--
12
00:00:58,324 --> 00:00:59,459
DO YOU KNOW
THE LYRICAL PIECE?
13
00:00:59,492 --> 00:01:00,694
YEP.
14
00:01:07,467 --> 00:01:11,604
[MUSIC PLAYS]
15
00:01:11,638 --> 00:01:14,474
SORRY, WILL YOU DEMONSTRATE
THE CHOREOGRAPHY REAL QUICK?
16
00:01:14,507 --> 00:01:17,510
I'M JUST, I'M HAVING TROUBLE
REMEMBERING HOW IT STARTS.
17
00:01:17,544 --> 00:01:20,280
LET'S, YEP.
18
00:01:20,313 --> 00:01:21,414
THANKS, OLIVIA.
19
00:01:41,267 --> 00:01:43,636
GOT IT, YEP.
THAT'S WHAT I REMEMBERED,
THANK YOU.
20
00:02:01,421 --> 00:02:03,423
AND THANK YOU, YEP.
21
00:02:03,456 --> 00:02:05,258
THAT'S...
22
00:02:05,291 --> 00:02:06,726
THANK YOU.
23
00:02:06,760 --> 00:02:09,529
UMM...
24
00:02:09,562 --> 00:02:12,632
CAN YOU...
CAN YOU PLEASE JUST
FREESTYLE FOR US?
25
00:02:12,665 --> 00:02:13,800
YES.
26
00:02:13,833 --> 00:02:16,269
ALL RIGHT.
27
00:02:16,302 --> 00:02:17,270
[UPBEAT MUSIC PLAYS]
28
00:02:17,303 --> 00:02:18,438
[FINGERS SNAPPING]
29
00:02:26,279 --> 00:02:27,380
ALL RIGHT, NOPE.
YOU KNOW WHAT,
30
00:02:27,414 --> 00:02:28,748
THAT'S ENOUGH.
THANK YOU.
31
00:02:36,523 --> 00:02:39,292
MICHAELA, MY LOGIC
WASN'T COMPLETELY BAD.
32
00:02:39,325 --> 00:02:40,627
I MEAN, SHE IS CASTING
33
00:02:40,660 --> 00:02:42,429
DISNEY'S NEW MUSICAL
MOVIE, RIGHT NOW.
34
00:02:42,462 --> 00:02:44,297
BUT THIS AUDITION
WASN'T FOR THAT.
35
00:02:44,330 --> 00:02:45,999
OKAY, WHAT I THINK IS,
IT'S REALLY IMPORTANT
36
00:02:46,032 --> 00:02:47,567
TO CREATE YOUR OWN BREAKS
IN THIS BUSINESS.
37
00:02:47,600 --> 00:02:49,302
AND THAT'S WHAT I DID
THIS MORNING.
38
00:02:49,336 --> 00:02:52,772
IS I CREATED
MY OWN BREAK.
39
00:02:52,806 --> 00:02:54,841
I WASN'T TOTALLY LYING
ABOUT MY DANCE TRAINING.
40
00:02:54,874 --> 00:02:56,710
I DID DO MUSICAL THEATER
AT MY OLD CHILD--
41
00:02:56,743 --> 00:03:00,447
JULES, YOU'VE HAD ONE JOB
IN THREE YEARS.
42
00:03:00,480 --> 00:03:01,614
OKAY? IN A PLAY.
43
00:03:01,648 --> 00:03:04,551
BUT I JUST
DID THE PLAY.
44
00:03:04,584 --> 00:03:07,454
SO WHO KNOWS WHAT'S
GONNA HAPPEN NOW.
45
00:03:07,487 --> 00:03:11,424
I THINK IT'S TIME
YOU DO SOMETHING ELSE.
46
00:03:11,458 --> 00:03:13,360
WELL-- THAT'S SILLY.
47
00:03:13,393 --> 00:03:15,428
'CAUSE I'M AN ACTRESS
AND THAT'S WHAT I DO.
48
00:03:15,462 --> 00:03:16,830
I'M LETTING YOU GO.
49
00:03:21,401 --> 00:03:23,603
[RECORDING]
FIRST MESSAGE.
50
00:03:23,636 --> 00:03:26,339
[WOMAN ON PHONE] HI, HONEY,
I JUST HAD THE BEST IDEA
FOR OUR BIRTHDAY PARTY.
51
00:03:26,373 --> 00:03:28,274
YOUR TABLES WILL HAVE
30 PINK ROSES,
52
00:03:28,308 --> 00:03:31,344
AND MY TABLES WITH HAVE
60 RED ROSES, ISN'T IT CUTE?
53
00:03:31,378 --> 00:03:33,613
NOW CALL ME,
WE'RE TWO WEEKS OUT.
54
00:03:33,646 --> 00:03:35,815
-[RECORDING] SECOND MESSAGE.
-[WOMAN ON PHONE] WHAT ARE
YOU DOING TODAY?
55
00:03:35,849 --> 00:03:38,318
I HAVE TO WORK OUT
AT SOME POINT.
56
00:03:38,351 --> 00:03:41,421
I'M UP FOR THIS ACTION FILM
WHERE I PUNCH GUYS LIKE
THE WHOLE MOVIE.
57
00:03:46,526 --> 00:03:48,495
MM.
58
00:03:48,528 --> 00:03:49,763
[RETCHES]
59
00:03:49,796 --> 00:03:51,498
[GROANS]
60
00:04:02,709 --> 00:04:05,278
[MUSICAL RINGTONE PLAYS]
61
00:04:13,119 --> 00:04:14,721
HI, MOM.
62
00:04:16,790 --> 00:04:18,692
UHH. I KNOW.
63
00:04:18,725 --> 00:04:20,660
I MEANT
TO CALL YOU EARLIER.
64
00:04:20,694 --> 00:04:21,795
I FORGOT.
65
00:04:21,828 --> 00:04:26,399
I MADE PLANS ALREADY.
66
00:04:26,433 --> 00:04:29,369
THE AUDITION WAS GOOD.
67
00:04:29,402 --> 00:04:32,739
I HAVE TO GO, THOUGH.
CAN I CALL YOU LATER?
68
00:04:32,772 --> 00:04:34,808
LOVE YOU, TOO.
69
00:04:34,841 --> 00:04:37,344
MM. BYE.
70
00:04:38,411 --> 00:04:41,414
UGH.
71
00:04:41,448 --> 00:04:44,718
IF I TOLD MY MOM
HOW TODAY REALLY WENT,
SHE'D WORRY.
72
00:04:47,153 --> 00:04:49,356
EVEN CATE BLANCHETT
AND MERYL STREEP
73
00:04:49,389 --> 00:04:50,924
HAVE BEEN REJECTED.
74
00:04:50,957 --> 00:04:52,692
IN THIS INDUSTRY,
ANYTHING CAN HAPPEN.
75
00:04:52,726 --> 00:04:54,627
ONE MINUTE
YOU CAN BE A NOBODY,
76
00:04:54,661 --> 00:04:56,563
AND THE NEXT THING YOU KNOW
YOU'RE OFF TO VANCOUVER
77
00:04:56,596 --> 00:04:57,931
TO SHOOT A MOVIE.
78
00:04:59,666 --> 00:05:03,570
I AM A GREAT ACTRESS.
79
00:05:03,603 --> 00:05:04,637
THERE ARE
TWO KINDS OF PEOPLE,
80
00:05:04,671 --> 00:05:06,706
BELIEVERS AND DREAMERS.
81
00:05:06,740 --> 00:05:08,708
I'M A BELIEVER.
82
00:05:08,742 --> 00:05:10,877
BELIEVERS MAKE
THINGS HAPPEN.
83
00:05:16,750 --> 00:05:18,451
[WHINES]
84
00:05:18,485 --> 00:05:19,786
HI, MAXIE.
85
00:05:19,819 --> 00:05:23,390
HI, YOU WANT
TO GO ON A WALK?
86
00:05:23,423 --> 00:05:25,625
YEAH. YOU GOTTA
GO POO POOS, MAXIE?
87
00:05:31,431 --> 00:05:33,633
-HUH.
-HOLLA.
88
00:05:33,667 --> 00:05:35,702
[MAN YELLS]
Y'ALL BET--
HOW 'BOUT A FREE DOG?
89
00:05:35,735 --> 00:05:37,771
* DOLLAR HOT DOG
90
00:05:37,804 --> 00:05:39,606
[GIGGLES]
91
00:05:39,639 --> 00:05:41,174
YOU WERE THINKING
ABOUT IMPROVISING
A TAP DANCE
92
00:05:41,207 --> 00:05:42,409
THAT THEY WEREN'T
ASKING FOR.
93
00:05:42,442 --> 00:05:43,576
DID YOU DO IT?
94
00:05:43,610 --> 00:05:45,412
-YEAH.
-WHAT?
95
00:05:45,445 --> 00:05:47,180
AND IT WORKED?
IT WENT WELL?
96
00:05:47,213 --> 00:05:48,848
-YEAH...
-WELL, WHAT DID
MICHAELA THINK?
97
00:05:48,882 --> 00:05:50,450
SHE GOTTA
BE THRILLED, RIGHT?
98
00:05:50,483 --> 00:05:51,885
YEAH...
99
00:05:51,918 --> 00:05:53,720
JULES, WE HAVE
THE SAME MANAGER.
100
00:05:53,753 --> 00:05:55,622
WHY DID YOU ASK
IF YOU ALREADY KNEW?
101
00:05:55,655 --> 00:05:56,990
BECAUSE I WANTED TO SEE
IF YOU'D STILL LIE TO ME.
102
00:05:57,023 --> 00:05:59,726
AND YOU DID. IT HURTS.
103
00:05:59,759 --> 00:06:01,761
FRIEND.
104
00:06:01,795 --> 00:06:04,764
-I'VE SEEN
YOU SHIT YOUR PANTS.
-[LAUGHS]
105
00:06:04,798 --> 00:06:06,833
THANK YOU.
THANK YOU.
106
00:06:06,866 --> 00:06:08,601
YEP, THAT WAS
A PROUD MOMENT.
107
00:06:08,635 --> 00:06:10,670
-AND I HAD IBS...
-UH-HUH.
108
00:06:10,704 --> 00:06:14,641
IT WAS A TERRIBLE TIME
MY STOMACH WAS HURT
ALL THE TIME.
109
00:06:14,674 --> 00:06:15,909
I COULDN'T CONTROL IT.
110
00:06:15,942 --> 00:06:17,877
OKAY. I'M NOT
HERE TO JUDGE.
111
00:06:17,911 --> 00:06:19,512
MY POINT IS
JUST DON'T LIE
TO ME, OKAY?
112
00:06:19,546 --> 00:06:20,747
-I'M SORRY.
-PROMISE?
113
00:06:20,780 --> 00:06:22,415
I REALLY AM, YES.
114
00:06:43,570 --> 00:06:45,672
[INSTRUCTOR]
COME HIGH ON TO THE BALLS
OF YOUR FEET.
115
00:06:45,705 --> 00:06:47,640
BEND YOUR KNEES,
COME DOWN AT LEAST
A THIRD OF THE WAY
116
00:06:47,674 --> 00:06:48,808
FROM WHERE YOU STARTED.
117
00:06:48,842 --> 00:06:51,011
COME DOWN AN INCH.
AND UP AN INCH.
118
00:06:51,044 --> 00:06:54,781
DOWN AND UP.
CONTINUE.
119
00:06:54,814 --> 00:06:57,617
PULL YOUR ABDOMINALS IN.
120
00:06:57,650 --> 00:07:00,553
MARA, THAT LOOKS
BEAUTIFUL, NICE DEPTH.
121
00:07:00,587 --> 00:07:03,690
JULES, UP RIGHT YOUR SPINE AND
DROP YOUR TAILBONE A LITTLE
MORE.
122
00:07:03,723 --> 00:07:05,692
EVEN A LITTLE MORE.
KEEP YOUR HEELS HIGH.
123
00:07:05,725 --> 00:07:07,827
STAY IN IT.
BEND DOWN A LITTLE FASTER.
124
00:07:07,861 --> 00:07:09,996
DOWN ONE, TWO.
LAST TEN.
125
00:07:10,030 --> 00:07:11,831
THREE, FOUR.
STAY IN IT.
126
00:07:11,865 --> 00:07:13,566
FIVE, YOU GOT IT. SIX.
127
00:07:13,600 --> 00:07:16,102
DOWN SEVEN.
EIGHT. NINE.
128
00:07:16,136 --> 00:07:17,570
RELEASE, YOU'RE DONE.
129
00:07:17,604 --> 00:07:18,772
-AHH.
-GREAT WORK.
130
00:07:18,805 --> 00:07:19,973
FANTASTIC WORK, EVERYONE.
131
00:07:20,006 --> 00:07:21,708
THAT HURTS.
132
00:07:21,741 --> 00:07:24,110
OH, MY GOD,
MY STOMACH HURTS BAD.
133
00:07:24,144 --> 00:07:26,046
OWW.
134
00:07:26,079 --> 00:07:28,581
[SIGHS]
DO YOU FEEL LIKE
YOU'RE GONNA DIE?
135
00:07:28,615 --> 00:07:29,983
-ARE YOU TALKING TO ME?
-YEAH.
136
00:07:30,016 --> 00:07:31,584
-WHAT?
-DO YOU HAVE WATER?
137
00:07:31,618 --> 00:07:32,886
NO.
138
00:07:38,658 --> 00:07:39,926
RICK'S NOT HERE.
139
00:07:42,896 --> 00:07:44,664
THANK YOU FOR PAYING
FOR THE CLASS.
140
00:07:44,698 --> 00:07:47,667
BABE, YOU DON'T HAVE
TO THANK ME.
141
00:07:47,701 --> 00:07:49,302
MM.
142
00:07:49,336 --> 00:07:50,704
SO...
143
00:07:50,737 --> 00:07:52,138
NEW YORK WAS GOOD?
144
00:07:52,172 --> 00:07:54,841
OKAY, APPARENTLY
WOODY ALLEN IS LIKE
OBSESSED WITH ME
145
00:07:54,874 --> 00:07:56,810
AND RICK IS SURE
HE'S GONNA PUT ME
IN HIS NEXT FILM.
146
00:07:56,843 --> 00:07:58,578
THAT'S SO AWESOME.
147
00:07:58,611 --> 00:08:00,847
WHAT'S UP WITH YOU?
148
00:08:00,880 --> 00:08:04,617
I'M LOOKING
FOR A NEW AGENT.
149
00:08:04,651 --> 00:08:05,685
MICHAELA DROPPED ME,
150
00:08:05,719 --> 00:08:06,686
BUT I WAS GONNA
LEAVE HER ANYWAY
151
00:08:06,720 --> 00:08:08,088
SO IT'S A GOOD THING.
152
00:08:08,121 --> 00:08:09,756
OKAY, SO YOU SHOULD
TOTALLY COME
153
00:08:09,789 --> 00:08:10,757
TO RICK'S BIRTHDAY PARTY
TOMORROW NIGHT.
154
00:08:10,790 --> 00:08:12,859
RICK HATES ME.
155
00:08:12,892 --> 00:08:15,795
HE ALWAYS FORGETS
THAT HE'S MET ME BEFORE,
IT'S EMBARRASSING.
156
00:08:15,829 --> 00:08:18,331
JULES, THAT'S NOT TRUE.
AND HE'S CHANGED.
157
00:08:18,365 --> 00:08:21,001
OKAY, I MEAN,
I'M BASICALLY LIVING
WITH HIM NOW.
158
00:08:21,034 --> 00:08:22,836
YOU KNOW?
IT'S LIKE I'VE REBOOTED
HIS HEART.
159
00:08:22,869 --> 00:08:25,739
I'LL JUST HAVE HIM TAKE
A MEETING WITH YOU.
160
00:08:25,772 --> 00:08:28,141
WELL, I CAN DO IT MYSELF.
YOU HELP ME SO MUCH.
161
00:08:28,174 --> 00:08:29,909
WILL YOU STOP THAT?
162
00:08:29,943 --> 00:08:31,678
ALL I'M DOING IS GETTING
YOU INTO HIS OFFICE.
163
00:08:31,711 --> 00:08:34,080
YOU'RE GONNA HAVE
TO DO THE REST.
164
00:08:34,114 --> 00:08:35,081
THANK YOU.
165
00:08:35,115 --> 00:08:38,084
[PHONE WHISTLES]
166
00:08:38,118 --> 00:08:39,853
OKAY, DID I TELL YOU
LENA DUNHAM STARTED
167
00:08:39,886 --> 00:08:41,087
FOLLOWING ME ON TWITTER?
168
00:08:41,121 --> 00:08:44,858
SHE HAS LIKE 1.4 MILLION
TWITTER FOLLOWERS.
169
00:08:44,891 --> 00:08:47,160
HOW MANY PEOPLE
ARE FOLLOWING YOU?
170
00:08:47,193 --> 00:08:48,695
14.
171
00:08:49,863 --> 00:08:51,998
I'LL CERTAINLY CONSIDER IT.
172
00:08:52,032 --> 00:08:53,667
THAT'S LOVELY.
173
00:08:53,700 --> 00:08:55,669
YEAH, THANK YOU, PETER.
174
00:08:55,702 --> 00:08:57,003
BYE.
175
00:08:57,037 --> 00:08:58,738
HEY.
176
00:08:58,772 --> 00:09:00,707
PETER GOODMAN WANTS ME
TO BE A JUDGE
177
00:09:00,740 --> 00:09:03,743
ON HIS NEW A&E SHOW
ABOUT GROUNDBREAKING
PAINTERS.
178
00:09:03,777 --> 00:09:06,946
AH, OH, MY GOD.
179
00:09:06,980 --> 00:09:09,082
YOU'RE GONNA
BE ON TV?
180
00:09:09,115 --> 00:09:10,950
I'VE NEVER BEEN ON TV
AND I'M AN ACTRESS.
181
00:09:10,984 --> 00:09:12,886
-AH!
-WELL, NOTHING'S
FINAL YET.
182
00:09:12,919 --> 00:09:14,020
WOULD THAT BOTHER YOU?
183
00:09:14,054 --> 00:09:15,922
NO. IT'S AWESOME.
184
00:09:15,955 --> 00:09:17,190
GREAT.
185
00:09:17,223 --> 00:09:18,591
COME HERE, I WANT
TO SHOW YOU SOMETHING.
186
00:09:21,227 --> 00:09:23,129
THAT'S NEW.
187
00:09:23,163 --> 00:09:25,665
I FOUND THIS LOVELY
FEMALE ARTIST,
188
00:09:25,699 --> 00:09:26,966
AMERICA MARTIN.
189
00:09:27,000 --> 00:09:29,969
I CAN'T WAIT
FOR YOU TO MEET HER.
190
00:09:30,003 --> 00:09:32,205
ARE YOU UPSET
ABOUT THE TV THING?
191
00:09:32,238 --> 00:09:34,074
NO.
I'M...
192
00:09:34,107 --> 00:09:37,777
NOTHING, MOM.
IT'S GREAT.
193
00:09:37,811 --> 00:09:41,881
WELL, SHERRY AND LIZ WILL BE
HERE ANY MOMENT AND THEN WE
CAN GET STARTED.
194
00:09:41,915 --> 00:09:44,117
I CAN'T STAY,
I HAVE TO GO GET
A SPRAY TAN
195
00:09:44,150 --> 00:09:45,719
AND BUY A DRESS
196
00:09:45,752 --> 00:09:46,953
FOR MARA'S
BOYFRIEND/AGENT'S
197
00:09:46,986 --> 00:09:49,189
BIRTHDAY PARTY
TOMORROW.
198
00:09:49,222 --> 00:09:52,692
-YOU DON'T NEED
A SPRAY TAN.
-MOM. PLEASE.
199
00:09:52,726 --> 00:09:54,994
THIS IS A VERY SPECIAL
BIRTHDAY FOR US BOTH.
200
00:09:55,028 --> 00:09:56,730
I KNOW THAT.
201
00:09:56,763 --> 00:09:59,799
WELL, I WISH YOU COULD
PARTICIPATE IN THE PLANNING.
202
00:09:59,833 --> 00:10:03,770
I NEVER SEE YOU ANYMORE.
203
00:10:03,803 --> 00:10:05,672
I CAN'T WAIT
ANY LONGER.
204
00:10:05,705 --> 00:10:08,808
GOT TO GIVE YOU THIS.
205
00:10:08,842 --> 00:10:09,943
NANA'S RING.
206
00:10:09,976 --> 00:10:11,177
YEAH, I HAD IT CLEANED.
207
00:10:11,211 --> 00:10:13,913
SHE GAVE IT TO ME
ON MY 30TH BIRTHDAY.
208
00:10:13,947 --> 00:10:15,815
YOU KNOW, YOU COULD
WEAR THAT AS A NECKLACE.
209
00:10:15,849 --> 00:10:17,217
HMM.
210
00:10:17,250 --> 00:10:18,218
[PHONE RINGS]
211
00:10:18,251 --> 00:10:21,021
OH. SORRY.
HELLO?
212
00:10:21,054 --> 00:10:23,056
MY NANA DIED
WHEN I WAS TWO.
213
00:10:23,089 --> 00:10:25,225
SHE WAS A FAMOUS
STAGE ACTRESS.
214
00:10:25,258 --> 00:10:29,162
MY MOM SAYS
I'M A LOT LIKE HER.
215
00:10:29,195 --> 00:10:33,767
[WOMAN #3] AND SO I REALLY
DON'T UNDERSTAND WHY YOU
HAD TO TAKE THE FALL...
216
00:10:33,800 --> 00:10:34,868
HEY.
217
00:10:34,901 --> 00:10:36,770
WE'RE HERE.
[GIGGLING]
218
00:10:36,803 --> 00:10:37,937
-HI.
-[LAUGHING]
219
00:10:37,971 --> 00:10:39,806
I ORDERED THE CAKES.
220
00:10:39,839 --> 00:10:42,909
WE ARE GOING TO HAVE
A GLUTEN-FREE CAKE,
221
00:10:42,942 --> 00:10:45,879
AN AGAVE SWEETENED CAKE,
AND VEGAN CUPCAKES.
222
00:10:45,912 --> 00:10:47,280
ISN'T THAT FABULOUS?
223
00:10:47,313 --> 00:10:48,815
AND THEN WE'RE GONNA
HAVE THE REAL CAKE.
224
00:10:48,848 --> 00:10:50,717
WITH SUGAR AND FLOUR
AND LOTS OF FAT.
225
00:10:50,750 --> 00:10:52,952
SO ARE YOU BRINGING
ANYBODY SPECIAL?
226
00:10:52,986 --> 00:10:54,254
NO.
227
00:10:54,287 --> 00:10:55,889
I STILL DON'T
HAVE A BOYFRIEND.
228
00:10:55,922 --> 00:10:57,123
A GIRLFRIEND?
229
00:10:57,157 --> 00:10:58,491
YOU KNOW,
YOU'RE RIDICULOUS.
230
00:10:58,525 --> 00:10:59,926
JULIE CAN'T STAY
TO HELP TODAY
231
00:10:59,959 --> 00:11:02,028
BECAUSE SHE'S GOT
TO GO GET A TAN.
232
00:11:02,062 --> 00:11:03,930
MOM.
233
00:11:03,963 --> 00:11:07,000
WE PROTESTED
FOR WOMEN'S RIGHTS
FOR DECADES
234
00:11:07,033 --> 00:11:09,769
SO THAT YOU CAN GO
SLAP THAT ORANGE SHIT
ALL OVER YOUR SKIN.
235
00:11:09,803 --> 00:11:11,071
THANK YOU.
236
00:11:11,104 --> 00:11:12,906
[GIGGLING]
237
00:11:12,939 --> 00:11:14,140
[SPRAYS]
238
00:11:19,179 --> 00:11:20,880
[SPRAYING CONTINUES]
239
00:11:37,197 --> 00:11:39,199
* WHEN I WAS A GIRL
240
00:11:39,232 --> 00:11:42,135
* SPENDING ALL MY TIME
241
00:11:42,168 --> 00:11:45,005
HON, YOU'RE NOT
EVEN TALKING TO ANY--
242
00:11:45,038 --> 00:11:47,107
OH, MY GOD,
YOU ARE SO CHEAP.
243
00:11:47,140 --> 00:11:49,142
I CAN'T AFFORD
A $900 DRESS.
244
00:11:49,175 --> 00:11:51,244
WELL, MAYBE YOU SHOULDN'T
HAVE BOUGHT IT.
245
00:11:51,277 --> 00:11:53,113
LOOK, JUST MINGLE.
246
00:11:53,146 --> 00:11:55,048
YOU KNOW,
TALK TO PEOPLE.
BE BOLD.
247
00:11:55,081 --> 00:11:57,150
TELL PEOPLE WHO YOU ARE
AND DON'T LET THEM FORGET IT.
248
00:11:57,183 --> 00:11:58,218
HERE'S RICK.
249
00:11:58,251 --> 00:12:00,553
HI, BABY.
250
00:12:00,587 --> 00:12:01,988
HEY, BABE.
251
00:12:02,022 --> 00:12:04,991
HAPPY BIRTHDAY.
252
00:12:05,025 --> 00:12:06,059
WHO ARE YOU?
253
00:12:06,092 --> 00:12:07,961
I'M JULES.
254
00:12:07,994 --> 00:12:09,262
BABY, YOU REMEMBER JULES.
255
00:12:09,295 --> 00:12:10,930
SHE WAS
MY FIRST ROOMMATE
IN L.A.
256
00:12:10,964 --> 00:12:13,033
SHE'S THE ONE
I WAS TELLING YOU ABOUT.
257
00:12:13,066 --> 00:12:16,836
YOU TWO SHOULD
REALLY TALK.
258
00:12:16,870 --> 00:12:19,572
COME BY MY OFFICE
ON MONDAY.
259
00:12:19,606 --> 00:12:22,175
THANK YOU SO MUCH, RICK.
I REALLY APPRECIATE THIS.
260
00:12:22,208 --> 00:12:24,077
[RICK]
JEFF, HEY LET ME GET
YOU A BOTTLE.
261
00:12:24,110 --> 00:12:26,913
-[MAN] HEY, MARA!
MARA!
-HI.
262
00:12:26,946 --> 00:12:27,914
[TINKLING]
263
00:12:27,947 --> 00:12:28,982
DID YOU HEAR RICK?
264
00:12:29,015 --> 00:12:31,317
I HAVE A MEETING
ON MONDAY.
265
00:12:31,351 --> 00:12:32,919
HE'S REALLY BIG.
266
00:12:32,952 --> 00:12:35,121
LIKE A BIG DEAL.
267
00:12:38,224 --> 00:12:40,026
[SQUEALS]
268
00:12:40,060 --> 00:12:41,895
[FLUSHES]
269
00:12:43,029 --> 00:12:44,964
[GIGGLING]
270
00:12:48,201 --> 00:12:51,004
AT THESE THINGS,
IF YOU'RE NOT SOMEBODY,
PEOPLE IGNORE YOU.
271
00:12:51,037 --> 00:12:53,073
BUT AT LEAST
272
00:12:53,106 --> 00:12:56,176
I'M IN THE SAME
SOCIAL CIRCLE,
YOU KNOW.
273
00:12:56,209 --> 00:12:59,346
MY MOM ALWAYS SAYS
A RISING TIDE LIFTS
ALL BOATS.
274
00:13:03,950 --> 00:13:06,886
HI.
275
00:13:06,920 --> 00:13:08,121
OKAY...
276
00:13:08,154 --> 00:13:09,923
SCOOT HERE.
277
00:13:09,956 --> 00:13:10,990
[MARA]
THERE YOU ARE.
278
00:13:11,024 --> 00:13:12,292
RICK WANTS
EVERYBODY OUT
279
00:13:12,325 --> 00:13:13,393
SO WE'RE GOING
TO BRECK'S HOUSE.
280
00:13:13,426 --> 00:13:14,961
WAIT. REALLY?
BRECK ANDREWS?
281
00:13:14,994 --> 00:13:16,162
DO NOT GET WEIRD ON ME.
282
00:13:16,196 --> 00:13:18,231
I LOVE BRECK ANDREWS.
283
00:13:20,367 --> 00:13:22,369
OKAY, YEP.
BABE, JUST GO WITHOUT ME.
284
00:13:22,402 --> 00:13:24,337
WAIT...
I DON'T EVEN KNOW BRECK.
285
00:13:24,371 --> 00:13:26,106
HON, RICK WANTS ME
TO COME HOME.
286
00:13:26,139 --> 00:13:29,876
JUST GO MAKE
NEW FRIENDS.
287
00:13:29,909 --> 00:13:32,112
WHAT, BABY?
NO, NO. I'M COMING HOME
RIGHT BACK.
288
00:13:32,145 --> 00:13:34,447
-WAIT, MARA.
-I'LL BE THERE
IN LIKE FIVE MINUTES.
289
00:13:34,481 --> 00:13:37,484
BUT...
290
00:13:37,517 --> 00:13:40,954
* TONIGHT I AM
YOUR RAGING GOD *
291
00:13:40,987 --> 00:13:43,256
* IN THE BACKYARD
OF A BOUGH *
292
00:13:43,289 --> 00:13:44,891
* WHERE CRICKET SPIRITS
CHARM THE DARK *
293
00:13:44,924 --> 00:13:47,093
[KNOCKING]
294
00:13:47,127 --> 00:13:50,964
* I MULLING OVER
THE MYTH OF A MAN *
295
00:13:50,997 --> 00:13:52,465
* IN THE MIDDLE
OF MY MIND *
296
00:13:52,499 --> 00:13:55,368
* HUMAN SIRENS
MADE OF LONGING LIGHT *
297
00:13:55,402 --> 00:13:57,370
[KNOCKING]
298
00:13:57,404 --> 00:14:00,940
* WE TOSS OUR GRINS
TOWARDS THE CORNERS
OF OUR EYES *
299
00:14:00,974 --> 00:14:02,442
* GATHERED IN A KISS
300
00:14:02,475 --> 00:14:06,279
* A MORSEL OF FIRE
301
00:14:06,312 --> 00:14:09,115
* I WANT YOU
SO BE BRAVE *
302
00:14:09,149 --> 00:14:12,185
-OH, HEY.
-HEY.
303
00:14:12,218 --> 00:14:13,219
WHO ARE YOU?
304
00:14:16,956 --> 00:14:19,092
I...
305
00:14:19,125 --> 00:14:21,261
AHEM.
306
00:14:21,294 --> 00:14:23,963
I WAS AT RICK'S
WITH EVERYONE...
307
00:14:23,997 --> 00:14:26,966
MY FRIEND MARA,
HE'S DATING MY FRIEND MARA.
308
00:14:27,000 --> 00:14:30,470
AND SHE DROPPED ME OFF
BECAUSE SHE SAID YOU'RE
HAVING PEOPLE OVER.
309
00:14:30,503 --> 00:14:33,173
MM. NO.
310
00:14:33,206 --> 00:14:34,541
I JUST TEXTED HER
TO COME BACK,
311
00:14:34,574 --> 00:14:38,011
SO SHE SHOULD BE
COMING RIGHT BACK.
312
00:14:38,044 --> 00:14:40,947
ALL RIGHT.
313
00:14:40,980 --> 00:14:42,282
HOW DO YOU KNOW RICK?
314
00:14:42,315 --> 00:14:44,150
OH, HE'S DATING
MY FRIEND MARA.
315
00:14:44,184 --> 00:14:45,385
WHICH YOU KNOW,
I JUST SAID THAT.
316
00:14:45,418 --> 00:14:46,453
UM...
317
00:14:46,486 --> 00:14:48,421
HE'S HER AGENT TOO.
318
00:14:48,455 --> 00:14:50,523
AND... I HAVE A MEETING
WITH HIM ON MONDAY.
319
00:14:50,557 --> 00:14:54,294
I'M AN ACTOR--
ACTRESS. ACTOR.
320
00:14:54,327 --> 00:14:57,030
WELL, RICK WAS MY AGENT
WHEN I WAS FIRST
STARTING OUT.
321
00:14:57,063 --> 00:14:59,165
HE'S A SMART GUY.
322
00:14:59,199 --> 00:15:03,236
* THE HEART IS WILD
LET'S NOT BEHAVE *
323
00:15:03,269 --> 00:15:05,472
I'LL JUST--
I'LL WAIT RIGHT HERE.
324
00:15:09,209 --> 00:15:11,444
YOU GOT SOME...
325
00:15:11,478 --> 00:15:13,013
TOILET PAPER STUCK.
326
00:15:13,046 --> 00:15:15,181
OH MY G-- OH...
OH, GOD...
327
00:15:15,215 --> 00:15:16,983
UM...
328
00:15:17,017 --> 00:15:19,019
I DON'T KNOW
HOW THAT HAPPENED.
329
00:15:19,052 --> 00:15:22,188
I WENT PEE, AND THAT WAS
LIKE TWO HOURS AGO.
330
00:15:22,222 --> 00:15:25,025
SO... THAT'S
AWESOME FOR ME.
331
00:15:25,058 --> 00:15:28,361
AND BY AWESOME,
I MEAN EMBARRASSING.
332
00:15:28,395 --> 00:15:30,063
YOU WANT TO COME IN
FOR A GLASS
333
00:15:30,096 --> 00:15:33,233
WHILE YOU WAIT?
334
00:15:33,266 --> 00:15:35,335
YES.
335
00:15:35,368 --> 00:15:39,372
OH. [GIGGLES]
336
00:15:39,406 --> 00:15:41,074
[SIGHS]
337
00:15:42,308 --> 00:15:45,578
* I WANT YOU
SO BE BRAVE *
338
00:15:47,180 --> 00:15:49,482
* THE HEART IS WILD
339
00:15:49,516 --> 00:15:52,485
* LET'S NOT BEHAVE
340
00:15:55,155 --> 00:15:57,357
I... I LIKE THAT TABLE.
341
00:15:57,390 --> 00:15:59,059
THAT'S...
342
00:15:59,092 --> 00:16:00,360
I MEAN I LIKE
EVERYTHING IN HERE.
343
00:16:00,393 --> 00:16:02,595
YOU HAVE A REALLY
BEAUTIFUL HOME.
344
00:16:02,629 --> 00:16:05,532
THANKS. YOU KNOW,
I MADE THAT TABLE.
345
00:16:05,565 --> 00:16:09,436
-FROM SCRATCH?
-MM-HMM.
346
00:16:09,469 --> 00:16:11,538
[YAWNS]
347
00:16:11,571 --> 00:16:15,342
I'M SO SORRY,
MY FRIEND MARA SHOULD
BE HERE REALLY SOON.
348
00:16:15,375 --> 00:16:17,510
NO, I'M SORRY,
I DON'T MEAN TO BE RUDE.
349
00:16:17,544 --> 00:16:20,246
I'M JET-LAGGED.
I JUST GOT BACK
FROM LONDON.
350
00:16:20,280 --> 00:16:23,516
OH, WERE YOU WORKING
ON A FILM THERE?
351
00:16:23,550 --> 00:16:25,185
NO, I WAS GIVING
A SPEECH
352
00:16:25,218 --> 00:16:27,387
AT THE DRAMA DEPARTMENT
AT RADA.
353
00:16:27,420 --> 00:16:28,455
I WENT TO SCHOOL THERE.
354
00:16:28,488 --> 00:16:31,257
-SHAKESPEARE?
-YEAH.
355
00:16:31,291 --> 00:16:33,126
YOU'RE... SMART.
356
00:16:33,159 --> 00:16:34,327
HMM.
357
00:16:40,166 --> 00:16:41,401
AHH.
358
00:16:44,304 --> 00:16:46,406
IS IT COOL
IF YOU SHOW
YOURSELF OUT?
359
00:16:46,439 --> 00:16:48,575
JUST SO TIRED.
I HAVE TO GET SOME SLEEP.
360
00:16:48,608 --> 00:16:50,276
I HAVE A PHOTO SHOOT
IN THE MORNING.
361
00:16:50,310 --> 00:16:52,545
OH, YEAH, OF COURSE.
362
00:16:52,579 --> 00:16:56,149
DON'T WORRY,
I'M NOT GONNA STEAL
ANYTHING.
363
00:16:56,182 --> 00:16:57,350
THAT SOUNDED LIKE
I WAS GONNA STEAL SOMETHING.
364
00:16:57,384 --> 00:16:59,285
I'M NOT, I JUST...
365
00:16:59,319 --> 00:17:03,523
BECAUSE YOU DON'T KNOW ME,
I WANTED TO REASSURE YOU.
366
00:17:03,556 --> 00:17:05,058
OKAY...
367
00:17:07,560 --> 00:17:09,696
ALL RIGHT, WELL,
GOOD NIGHT.
368
00:17:09,729 --> 00:17:11,164
GOOD NIGHT.
369
00:17:11,197 --> 00:17:12,332
DON'T STEAL ANYTHING.
370
00:17:12,365 --> 00:17:13,533
[GIGGLES]
371
00:17:13,566 --> 00:17:15,168
ALL RIGHT.
372
00:17:15,201 --> 00:17:17,637
I WON'T.
[GIGGLES]
373
00:17:21,474 --> 00:17:23,476
[DOOR CLANKS]
374
00:17:30,717 --> 00:17:32,485
[PHONE RECORDING]
IT'S MARA. YOU KNOW
WHAT TO DO.
375
00:17:32,519 --> 00:17:34,621
-[BEEPS]
-MARA, NO ONE IS HERE.
376
00:17:34,654 --> 00:17:36,456
I'M AT BRECK'S
BY MYSELF.
377
00:17:36,489 --> 00:17:38,358
HE JUST WENT TO BED.
IT IS SO EMBARRASSING.
378
00:17:38,391 --> 00:17:40,427
WILL YOU COME BACK
AND PICK ME UP PLEASE?
379
00:17:40,460 --> 00:17:42,095
THANK YOU.
380
00:17:54,708 --> 00:17:56,476
[PHONE RECORDING]
HI, IT'S ERIC.
381
00:17:56,509 --> 00:17:58,611
BE KIND, DON'T LITTER.
LEAVE A MESSAGE.
382
00:17:58,645 --> 00:18:01,348
ERIC, WILL YOU CALL ME BACK
RIGHT AWAY?
383
00:18:01,381 --> 00:18:03,383
I NEED A FAVOR.
I NEED A RIDE.
384
00:18:03,416 --> 00:18:05,452
I DON'T KNOW--
I DON'T KNOW WHERE I AM.
385
00:18:05,485 --> 00:18:07,220
BUT IT'S SUPER IMPORTANT
THAT YOU CALL ME BACK.
386
00:18:07,253 --> 00:18:08,922
LIKE RIGHT NOW.
PLEASE PLEASE PLEASE.
THANK YOU.
387
00:18:08,955 --> 00:18:11,391
THIS IS 9-1-1 9-1-1.
388
00:18:27,474 --> 00:18:29,442
THAT'S HIS EX,
GENEVIEVE WILSON.
389
00:18:29,476 --> 00:18:31,578
SHE CHEATED ON HIM.
390
00:18:31,611 --> 00:18:33,646
MARA AND HER USED
TO BE FRIENDS.
391
00:18:33,680 --> 00:18:36,149
I KNOW THEY BROKE UP,
I DON'T KNOW WHY HE HAS
HER IN A FRAME.
392
00:18:39,419 --> 00:18:42,722
HE GOT AN OSCAR NOMINATION
WHEN HE WAS 17.
393
00:18:42,756 --> 00:18:44,391
[WHISPERS]
I LOVE HIM SO MUCH.
394
00:18:44,424 --> 00:18:46,326
I LOVE HIM SO MUCH.
395
00:18:52,298 --> 00:18:53,500
-[CLANGS]
-[SPLASHES]
396
00:18:53,533 --> 00:18:54,701
[GASPS]
397
00:18:54,734 --> 00:18:56,703
SHIT.
398
00:19:08,014 --> 00:19:10,750
[DOOR CLOSES]
399
00:19:12,352 --> 00:19:14,187
-[SHOWER RUNNING]
-[GASPS]
400
00:19:18,258 --> 00:19:20,460
OH, MY GOD.
I FELL ASLEEP.
401
00:19:20,493 --> 00:19:22,595
HE'S GOING
TO THINK I'M CRAZY.
402
00:19:26,299 --> 00:19:28,635
MY PHONE'S DEAD.
403
00:19:36,343 --> 00:19:37,744
[PHONE BUZZES]
404
00:20:01,801 --> 00:20:03,603
ERIC, THANK GOD YOU ANSWERED.
405
00:20:03,636 --> 00:20:05,472
LOOK, I NEED A RIDE.
LISTEN, LISTEN.
406
00:20:05,505 --> 00:20:06,773
MY PHONE'S GONNA DIE.
407
00:20:06,806 --> 00:20:08,742
I'M AT THIS GUY,
BRECK ANDREW'S HOUSE.
408
00:20:08,775 --> 00:20:12,579
YEAH. AND CAN YOU
PICK ME UP AT THE BOTTOM
OF LAUREL CANYON?
409
00:20:12,612 --> 00:20:15,248
YES. THAT GAS STATION.
PERFECT, THANK YOU.
410
00:20:19,319 --> 00:20:21,321
ERIC, LISTEN.
411
00:20:21,354 --> 00:20:22,655
BRECK DIDN'T EVEN
TRY ANYTHING WHEN I
WAS OVER THERE.
412
00:20:22,689 --> 00:20:23,690
WE'RE TALKING
ABOUT THIS AGAIN.
413
00:20:23,723 --> 00:20:25,358
-YES.
-WHY?
414
00:20:25,392 --> 00:20:27,394
-WHAT'S WRONG WITH ME?
-NOTHING.
415
00:20:27,427 --> 00:20:29,796
MARA SAYS I DON'T
GIVE OFF THAT SEXY,
CAREFREE VIBE.
416
00:20:29,829 --> 00:20:31,898
WHICH I DON'T
THINK I DO.
417
00:20:31,931 --> 00:20:34,768
BECAUSE I'M GONNA
BE 30 AND I'VE NEVER HAD
A ONE NIGHT STAND.
418
00:20:34,801 --> 00:20:36,436
THAT'S WEIRD.
419
00:20:36,469 --> 00:20:37,871
IT'S NOT WEIRD.
I THINK IT'S SWEET.
420
00:20:37,904 --> 00:20:38,872
IT'S CUTE.
421
00:20:38,905 --> 00:20:41,508
BRECK'S LIKE A MAN.
422
00:20:41,541 --> 00:20:43,677
HE'S LIKE A MAN'S MAN.
423
00:20:43,710 --> 00:20:46,346
-HE MAKES FURNITURE
FROM SCRATCH.
-OH, WOW.
424
00:20:46,379 --> 00:20:47,747
AND HE WENT TO RADA.
425
00:20:47,781 --> 00:20:49,349
AND HE'S SO TALENTED.
426
00:20:49,382 --> 00:20:50,517
OKAY, THEN SLEEP WITH HIM.
427
00:20:50,550 --> 00:20:51,718
I WANNA SLEEP WITH HIM.
428
00:20:51,751 --> 00:20:53,586
OKAY THEN.
COOL. HAVE FUN.
429
00:20:53,620 --> 00:20:56,356
BUT I WANT HIM
TO BE MY BOYFRIEND.
430
00:20:56,389 --> 00:20:57,524
THERE'S YOUR PROBLEM.
431
00:20:57,557 --> 00:21:01,594
I WANT HIM TO WANT
TO MARRY ME.
432
00:21:01,628 --> 00:21:04,798
AND I WANT US
TO HAVE BABIES.
433
00:21:04,831 --> 00:21:06,433
[SLURPS]
434
00:21:08,368 --> 00:21:10,337
[PHONE RINGS]
435
00:21:13,573 --> 00:21:16,543
-ALL RIGHT, LISTEN, JAMIE,
WE CAN SIT HERE--
-IT'S JULES.
436
00:21:16,576 --> 00:21:17,644
WHAT?
437
00:21:17,677 --> 00:21:19,646
I'M JULES.
438
00:21:19,679 --> 00:21:22,549
OKAY. JULES, WE CAN
SIT HERE AND BULLSHIT
FOR A FEW MINUTES
439
00:21:22,582 --> 00:21:25,618
BUT ALL I REALLY NEED
TO KNOW IS IF YOU'RE
TALENTED.
440
00:21:25,652 --> 00:21:26,820
I AM.
441
00:21:26,853 --> 00:21:29,856
THAT WASN'T
A QUESTION.
442
00:21:29,889 --> 00:21:32,826
JEFF, HEY.
RICK SILVER.
443
00:21:32,859 --> 00:21:34,661
[LAUGHS]
444
00:21:34,694 --> 00:21:37,464
I KNOW, CAN YOU BELIEVE
I'M STANDING?
445
00:21:37,497 --> 00:21:38,832
ALL RIGHT.
UH, LISTEN.
446
00:21:38,865 --> 00:21:42,402
UM, I AM GOING TO SEND YOU
SOMEONE TOMORROW.
447
00:21:42,435 --> 00:21:45,472
[LAUGHS]
448
00:21:45,505 --> 00:21:47,407
I CAN'T BELIEVE
YOU DID THAT.
449
00:21:47,440 --> 00:21:48,541
IT WAS
WITH YOUR TEETH TOO.
450
00:21:48,575 --> 00:21:49,676
ALL RIGHT BUDDY,
WE'LL SEE YOU--
451
00:21:49,709 --> 00:21:51,644
ALL RIGHT,
OKAY BYE.
452
00:21:51,678 --> 00:21:53,613
YOU HAVE A MEETING
WITH JEFF FREDRICK.
453
00:21:53,646 --> 00:21:55,582
HE CASTS
ALL THE SHOWS
FOR HBO.
454
00:21:55,615 --> 00:21:57,851
IF HE LIKES YOU,
WE'LL TALK.
455
00:22:07,794 --> 00:22:10,430
DO YOU LIKE MY HAIR?
456
00:22:10,463 --> 00:22:11,698
GREAT ACTORS CHANGE
THEIR HAIRSTYLE
457
00:22:11,731 --> 00:22:13,733
FOR EVERY FILM.
458
00:22:13,767 --> 00:22:18,171
JEFF IS GOING
TO BE IMPRESSED AND KNOW
THAT I'M VERSATILE.
459
00:22:18,204 --> 00:22:19,906
WHEN I TOOK CLASSES
AT THE GROUNDLINGS,
460
00:22:19,939 --> 00:22:22,475
WE'D START EVERY SCENE
BY YELLING, "YAY."
461
00:22:22,509 --> 00:22:24,577
'CAUSE WHEN YOU HAVE
HIGH ENERGY PEOPLE BELIEVE
YOU'RE CONFIDENT.
462
00:22:24,611 --> 00:22:26,946
AND WHEN
YOU'RE CONFIDENT,
YOU GET THE JOB.
463
00:22:26,980 --> 00:22:28,682
I GET EMBARRASSED
TO DO IT AT AUDITIONS.
464
00:22:28,715 --> 00:22:32,452
BUT IT REALLY HELPS,
AND WHO CARS RIGHT?
465
00:22:40,994 --> 00:22:42,595
[SIGHS]
466
00:22:42,629 --> 00:22:46,900
UH, ARE YOU AUDITIONING
FOR JEFF FREDERICK?
467
00:22:47,934 --> 00:22:50,203
SO HOW FAR ALONG
ARE YOU?
468
00:22:50,236 --> 00:22:52,806
-25 WEEKS.
-AWW.
469
00:22:52,839 --> 00:22:57,811
[MUSIC PLAYS]
470
00:23:06,820 --> 00:23:08,221
UM...
471
00:23:08,254 --> 00:23:11,658
RICK DID NOT TELL ME
THAT YOU WERE PREGNANT.
472
00:23:11,691 --> 00:23:12,826
25 WEEKS.
473
00:23:12,859 --> 00:23:14,461
AWW.
474
00:23:14,494 --> 00:23:16,563
WELL, CONGRATULATIONS.
475
00:23:16,596 --> 00:23:18,531
AHH...
476
00:23:18,565 --> 00:23:19,532
RICK TOLD YOU
THAT YOU'RE NOT ACTUALLY
AUDITIONING
477
00:23:19,566 --> 00:23:22,569
FOR THIS TODAY, RIGHT?
478
00:23:22,602 --> 00:23:25,705
THAT THIS IS JUST
THE BEST MATERIAL I CAN
GET ON SHORT NOTICE
479
00:23:25,739 --> 00:23:29,809
AND GET A SENSE
OF... YOU. OKAY.
480
00:23:29,843 --> 00:23:31,911
GOOD. ALL RIGHT.
481
00:23:31,945 --> 00:23:33,747
WELL...
ARE YOU READY?
482
00:23:33,780 --> 00:23:36,850
I WILL READ WITH YOU.
483
00:23:36,883 --> 00:23:39,853
[SINGS]
YAY!
484
00:23:39,886 --> 00:23:41,521
[SIGHS]
485
00:23:45,692 --> 00:23:47,927
AHEM, PENNY YOU'RE
A DIRTY LITTLE WHORE,
486
00:23:47,961 --> 00:23:49,829
GET OUT OF MY HOUSE.
487
00:23:49,863 --> 00:23:52,932
I'LL KILL MYSELF.
RIGHT HERE.
488
00:23:52,966 --> 00:23:56,269
I MEAN IT.
RIGHT HERE. RIGHT NOW.
489
00:23:56,302 --> 00:23:57,637
[CRIES]
490
00:23:57,671 --> 00:24:00,907
I'M NOT PLAYING GAMES.
491
00:24:00,940 --> 00:24:03,977
OWW.
I'M LEAVING YOU.
492
00:24:04,010 --> 00:24:06,713
AND I'M NEVER GONNA
LET YOU SEE YOUR BABY.
493
00:24:06,746 --> 00:24:07,981
DO YOU HEAR ME?
494
00:24:08,014 --> 00:24:10,083
I'M LEAVING YOU.
495
00:24:10,116 --> 00:24:12,986
[CRIES]
496
00:24:13,019 --> 00:24:16,956
OW.
497
00:24:16,990 --> 00:24:19,693
WHERE ARE YOU GOING?
498
00:24:19,726 --> 00:24:23,296
FRED, I LOVE YOU.
FREDDY!
499
00:24:23,329 --> 00:24:26,599
FREDDY!
500
00:24:29,169 --> 00:24:30,603
I...
501
00:24:30,637 --> 00:24:33,573
WELL...
502
00:24:33,606 --> 00:24:36,109
HE DOESN'T HIT HER
IN THIS SCRIPT.
503
00:24:36,142 --> 00:24:39,746
I THOUGHT I'D
UP THE STAKES.
504
00:24:39,779 --> 00:24:41,047
I...
505
00:24:41,081 --> 00:24:44,150
YEAH...
TO GET PUNCHED
IN THE...
506
00:24:44,184 --> 00:24:46,586
...IN THE CHILD
DOES DO THAT.
507
00:24:46,619 --> 00:24:51,324
BUT I'M NOT A 100% SURE IF
THAT'S WHAT WE'RE GOING FOR.
508
00:24:51,358 --> 00:24:53,026
YES. OKAY, SO YOU'VE DONE
A LOT OF THEATER.
509
00:24:53,059 --> 00:24:55,028
THAT'S REALLY GREAT.
YOU KNOW...
510
00:24:55,061 --> 00:24:58,965
FOR FILM, WHEN THE CAMERA
IS RIGHT THERE,
511
00:24:58,998 --> 00:25:02,335
UH, IT PICKS UP
EVERY LITTLE TINY THING,
SO YOU CAN...
512
00:25:02,369 --> 00:25:04,637
YOU DON'T HAVE
TO BE SO... BIG.
513
00:25:04,671 --> 00:25:08,108
SHE'S TRYING
TO GET A REACTION?
514
00:25:08,141 --> 00:25:10,610
'CAUSE SHE LOVES HIM.
515
00:25:10,643 --> 00:25:12,912
YEAH.
516
00:25:12,946 --> 00:25:15,715
-CAN I DO IT AGAIN?
-YEAH.
517
00:25:15,749 --> 00:25:19,619
AHEM.
518
00:25:19,652 --> 00:25:21,588
PENNY, YOU'RE
A DIRTY LITTLE WHORE.
519
00:25:21,621 --> 00:25:22,922
GET OUT OF MY HOUSE.
520
00:25:22,956 --> 00:25:24,958
I'LL KILL MYSELF.
RIGHT HERE.
521
00:25:24,991 --> 00:25:29,796
I MEAN IT,
RIGHT HERE, RIGHT NOW.
522
00:25:29,829 --> 00:25:31,798
I'M NOT PLAYING GAMES.
523
00:25:31,831 --> 00:25:34,601
I'M LEAVING YOU
AND I'M NEVER GONNA LET YOU
SEE YOUR BABY...
524
00:25:34,634 --> 00:25:36,036
OKAY, I'M JUST GONNA
STOP YOU RIGHT THERE.
525
00:25:36,069 --> 00:25:38,805
UM...
526
00:25:38,838 --> 00:25:40,940
I THINK YOU'RE...
YOU'RE...
527
00:25:40,974 --> 00:25:43,209
YOU REALLY TOOK MY NOTE
SO THAT'S GOOD,
528
00:25:43,243 --> 00:25:45,945
BUT I THINK YOU TOOK IT
TO THE EXTREME.
529
00:25:45,979 --> 00:25:50,083
I THINK MAYBE THERE'S
A PLACE THAT'S IN BETWEEN.
530
00:25:50,116 --> 00:25:53,219
WHERE IT'S NOT QUITE SO BIG,
BUT I CAN STILL UNDERSTAND
WHAT YOU'RE SAYING.
531
00:25:53,253 --> 00:25:56,723
AHH.
532
00:25:56,756 --> 00:25:59,926
CAN I JUST DO THE ENDING AGAIN?
533
00:25:59,959 --> 00:26:01,961
'CAUSE SHE'S TRYING
TO KILL HERSELF.
534
00:26:01,995 --> 00:26:03,163
AND I HAVE AN IDEA.
535
00:26:03,196 --> 00:26:05,832
YEAH. YEAH.
536
00:26:05,865 --> 00:26:07,834
AHEM. ALL RIGHT.
537
00:26:12,238 --> 00:26:15,141
[PANTING]
538
00:26:21,181 --> 00:26:24,017
IMITATES GUNSHOTS]
539
00:26:24,050 --> 00:26:25,652
OH.
540
00:26:25,685 --> 00:26:26,820
[GROANS]
541
00:26:26,853 --> 00:26:30,890
[BALLOON HISSES]
542
00:26:30,924 --> 00:26:35,628
[GROANING CONTINUES]
543
00:26:44,771 --> 00:26:46,873
[CRIES]
544
00:26:50,877 --> 00:26:53,146
YOU LIED TO ME
ABOUT BEING PREGNANT.
545
00:26:53,179 --> 00:26:56,649
YEAH.
IT'S A BEACH BALL.
546
00:27:02,222 --> 00:27:05,692
[MUSIC PLAYS]
547
00:27:15,135 --> 00:27:17,037
EDWARD NORTON PRETENDED
TO BE THE CHARACTER
548
00:27:17,070 --> 00:27:18,304
WHEN HE AUDITIONED
FOR "PRIMAL FEAR"
549
00:27:18,338 --> 00:27:20,240
AND HE GOT NOMINATED
FOR AN OSCAR.
550
00:27:20,273 --> 00:27:22,475
YOU'RE NOT EDWARD NORTON.
551
00:27:22,509 --> 00:27:25,011
DON'T DO IT AGAIN.
552
00:27:25,045 --> 00:27:26,913
AGAIN?
553
00:27:26,946 --> 00:27:29,049
I LIKE THAT YOU
TOOK A RISK.
554
00:27:29,082 --> 00:27:31,785
YOU HAVE A MEETING
WITH KYRA HARDING
THIS MONDAY.
555
00:27:31,818 --> 00:27:33,787
THANK YOU.
556
00:27:33,820 --> 00:27:34,821
I DON'T MAKE A HABIT
OF SEEING CLIENTS
ON MY DAY OFF.
557
00:27:34,854 --> 00:27:36,489
-IS THAT CLEAR?
-YES.
558
00:27:36,523 --> 00:27:38,191
MY ASSISTANT WILL
GET YOU THE SCRIPT.
559
00:27:38,224 --> 00:27:40,960
IT'S A COMEDY SERIES
ABOUT WOMEN IN THE MILITARY.
560
00:27:40,994 --> 00:27:43,263
JUST TO BE CLEAR
THIS TIME, AM I AUDITIONING
FOR THE ROLE,
561
00:27:43,296 --> 00:27:44,898
OR JUST THERE
TO READ FOR KYRA?
562
00:27:44,931 --> 00:27:48,001
YOU'RE AUDITIONING.
563
00:27:48,034 --> 00:27:49,803
-HI, MARA.
-HI.
564
00:27:49,836 --> 00:27:51,071
HEY, I GOTTA
MAKE A CALL
565
00:27:51,104 --> 00:27:52,072
AND THEN I'LL
BE READY TO GO.
566
00:27:52,105 --> 00:27:54,040
-OKAY, BABE?
-OKAY.
567
00:27:54,074 --> 00:27:55,208
DO YOU WANT THIS?
I DON'T EVEN KNOW WHERE
I GOT IT,
568
00:27:55,241 --> 00:27:57,243
BUT IT DOESN'T
FIT ANYMORE.
569
00:27:57,277 --> 00:27:58,745
HE HATES ME.
570
00:27:58,778 --> 00:28:00,513
WELL, JULES, YOU LIED.
571
00:28:00,547 --> 00:28:02,148
ONLY BECAUSE I WANTED
TO GET THE PART.
572
00:28:02,182 --> 00:28:04,017
LOOK, DON'T WORRY
ABOUT THAT.
573
00:28:04,050 --> 00:28:07,187
YOU KNOW?
JUST BE YOURSELF.
574
00:28:07,220 --> 00:28:08,521
HAVE YOU CALLED
BRECK YET?
575
00:28:08,555 --> 00:28:11,224
NO.
I'M NOT EVEN HIS TYPE.
576
00:28:11,257 --> 00:28:12,759
DIDN'T YOU SAY
HE AND GENEVIEVE
577
00:28:12,792 --> 00:28:15,328
WERE INTO LIKE WHIPS
AND CHAINS
578
00:28:15,362 --> 00:28:16,830
AND LIKE S&M STUFF?
579
00:28:16,863 --> 00:28:18,765
SERIOUSLY JUST CALL HIM.
580
00:28:18,798 --> 00:28:20,867
I'M NOT
GOING TO CALL HIM.
581
00:28:25,138 --> 00:28:27,841
HEY BRECK,
IT'S JULES.
582
00:28:27,874 --> 00:28:30,110
I GOT YOUR NUMBER
FROM MY FRIEND MARA.
583
00:28:30,143 --> 00:28:32,846
AND... UM...
584
00:28:36,349 --> 00:28:38,251
[PHONE RECORDING]
MESSAGE ERASED.
585
00:28:38,284 --> 00:28:40,286
-AT THE TONE,
PLEASE RERECORD YOUR MESSAGE.
-[BEEPS]
586
00:28:40,320 --> 00:28:43,056
WHAT'S UP?
IT'S JULES.
587
00:28:43,089 --> 00:28:45,258
I MET YOU
THE OTHER NIGHT.
588
00:28:45,291 --> 00:28:46,960
AFTER RICK'S PARTY.
589
00:28:46,993 --> 00:28:48,995
I HAD TOILET PAPER
COMING OUT OF MY DRESS.
590
00:28:49,029 --> 00:28:50,096
[LAUGHS]
591
00:28:50,130 --> 00:28:52,999
SO THAT'S STUPID.
592
00:28:53,033 --> 00:28:54,367
[PHONE RECORDING]
MESSAGE ERASED.
593
00:28:54,401 --> 00:28:56,803
AT THE TONE,
PLEASE RERECORD
YOUR MESSAGE.
594
00:28:56,836 --> 00:28:57,804
[BEEPS]
595
00:28:57,837 --> 00:28:59,939
HEY BRECK. IT'S JULES.
596
00:28:59,973 --> 00:29:01,341
YOU DON'T
REALLY KNOW ME.
597
00:29:01,374 --> 00:29:04,811
UM, THAT SOUNDS CREEPY.
598
00:29:04,844 --> 00:29:07,147
BUT I MET YOU
THE OTHER NIGHT.
599
00:29:07,180 --> 00:29:09,015
AND I STAYED
AT YOUR HOUSE,
600
00:29:09,049 --> 00:29:12,886
WHICH YOU
DON'T KNOW EITHER.
THIS IS SO...
601
00:29:12,919 --> 00:29:14,287
[PHONE RECORDING]
MESSAGE ERASED.
602
00:29:14,320 --> 00:29:16,156
AT THE TONE,
PLEASE RERECORD
YOUR MESSAGE.
603
00:29:16,189 --> 00:29:18,191
-[BEEPS]
-HI, BRECK.
604
00:29:20,927 --> 00:29:23,129
AHH.
605
00:29:23,163 --> 00:29:24,864
[PHONE RECORDING]
MESSAGE ERASED.
606
00:29:24,898 --> 00:29:26,599
AT THE TONE,
PLEASE RERECORD
YOUR MESSAGE.
607
00:29:26,633 --> 00:29:28,001
[BEEPS]
608
00:29:28,034 --> 00:29:29,903
HEY, BRECK.
IT'S JULES.
609
00:29:29,936 --> 00:29:31,204
I MET YOU
THE OTHER NIGHT.
610
00:29:31,237 --> 00:29:33,173
I'M FRIENDS
WITH RICK AND MARA.
611
00:29:33,206 --> 00:29:35,141
ONLY MARA.
612
00:29:35,175 --> 00:29:37,310
BUT SHE SAID
I SHOULD CALL YOU
AND SAY, "HI."
613
00:29:37,344 --> 00:29:39,946
SO "HI."
UH...
614
00:29:39,979 --> 00:29:43,817
I JUST WANTED TO KNOW
IF YOU WANTED TO HAVE COFFEE
OR SOMETHING SOMETIME.
615
00:29:45,085 --> 00:29:46,886
I'M PRETTY FLEXIBLE...
616
00:29:46,920 --> 00:29:48,922
WITH MY SCHEDULE.
THAT'S SOUNDED WEIRD.
617
00:29:48,955 --> 00:29:50,390
LIKE I'M FLEXIBLE
IN A KINKY WAY.
618
00:29:50,423 --> 00:29:52,926
UH, DON'T WORRY.
I'M NOT A PHONE SEX GIRL.
619
00:29:52,959 --> 00:29:54,961
I MEAN, I CAN BE
620
00:29:54,994 --> 00:29:56,463
IF YOU'RE
INTO THAT SORT OF THING.
621
00:29:56,496 --> 00:29:59,866
UH, I'VE
DONE IT BEFORE.
ONCE.
622
00:29:59,899 --> 00:30:01,167
AND I'M TALKING
ABOUT PHONE SEX,
623
00:30:01,201 --> 00:30:03,303
WHY DON'T I TELL HIM
ABOUT ANAL SEX?
624
00:30:03,336 --> 00:30:05,372
[PHONE RECORDING]
YOUR MESSAGE HAS BEEN SENT.
625
00:30:05,405 --> 00:30:07,941
[SCREAMS]
626
00:30:07,974 --> 00:30:11,211
* TAKE IT SLOWLY
627
00:30:11,244 --> 00:30:15,081
* YOU KNOW MY NAME
628
00:30:15,115 --> 00:30:16,082
-* YOU KNOW WHERE TO FIND ME
-[KNOCKING]
629
00:30:16,116 --> 00:30:18,651
IT'S ERIC.
630
00:30:18,685 --> 00:30:20,920
SINGLE.
631
00:30:20,954 --> 00:30:22,255
I'M HOMELESS.
632
00:30:22,288 --> 00:30:23,356
AND I'M GONNA BE
IN A HOT DOG SUIT
633
00:30:23,390 --> 00:30:26,292
AT 8:00 AM TOMORROW.
634
00:30:26,326 --> 00:30:27,994
YOU REALLY WANTED
TO MARRY HER?
635
00:30:32,265 --> 00:30:33,433
NO...
636
00:30:37,470 --> 00:30:40,006
WHAT'S...
637
00:30:40,040 --> 00:30:41,341
GOING ON OVER THERE?
638
00:30:41,374 --> 00:30:42,976
[LAUGHS]
639
00:30:43,009 --> 00:30:44,678
MY STOMACH HURTS.
640
00:30:44,711 --> 00:30:46,279
I ATE AN ENTIRE
BOX OF MINTS
641
00:30:46,312 --> 00:30:49,082
IN LIKE A HALF AN HOUR.
642
00:30:49,115 --> 00:30:52,252
SO SHE'S LIKE ALREADY
ON INSTAGRAM.
643
00:30:52,285 --> 00:30:54,921
POSTING PICTURES OF HER
AND SOME OTHER GUY.
644
00:30:54,954 --> 00:30:56,456
SHE'S MANIPULATIVE.
645
00:31:01,027 --> 00:31:03,329
YOU'VE BEEN HERE
ALMOST A YEAR.
646
00:31:03,363 --> 00:31:05,231
SHOULDN'T YOU
UNPACK YOUR STUFF?
647
00:31:05,265 --> 00:31:06,933
I'M GOING TO MOVE
TO ABBOT KINNEY
648
00:31:06,966 --> 00:31:09,469
AS SOON
AS I CAN AFFORD IT.
649
00:31:09,502 --> 00:31:12,072
YOU'RE LIKE YOUR MOM,
PUT UP WALLPAPER.
650
00:31:12,105 --> 00:31:15,008
[PHONE BUZZES]
651
00:31:15,041 --> 00:31:16,009
ALL RIGHT, IT'S HER.
652
00:31:16,042 --> 00:31:17,310
DON'T ANSWER.
653
00:31:21,381 --> 00:31:23,116
HI, KIM.
654
00:31:23,149 --> 00:31:25,251
NO, JUST...
655
00:31:25,285 --> 00:31:28,154
OVER AT JULES'S.
656
00:31:28,188 --> 00:31:29,989
KIM SAYS, "HI."
657
00:31:30,023 --> 00:31:32,192
JULES SAYS, "HI."
658
00:31:32,225 --> 00:31:36,463
[BOTH]
AHH.
659
00:31:44,004 --> 00:31:46,139
THIS WAY.
THIS WAY.
660
00:31:46,172 --> 00:31:47,374
HEY.
661
00:31:47,407 --> 00:31:48,441
YOU WERE IN A PLAY
AT THE MALIBU PLAYHOUSE
662
00:31:48,475 --> 00:31:49,576
LAST MONTH, RIGHT?
663
00:31:49,609 --> 00:31:51,244
YEAH.
I WAS. HI.
664
00:31:51,277 --> 00:31:53,446
OH, MY GOD,
YOU WERE AMAZING.
665
00:31:53,480 --> 00:31:55,081
THANK YOU.
666
00:31:55,115 --> 00:31:56,249
I ALWAYS SEE YOU
WHEN I'M RUNNING.
667
00:31:56,282 --> 00:31:57,417
AND DO YOU LIVE
AROUND HERE?
668
00:31:57,450 --> 00:31:59,052
I'M A PERSONAL ASSISTANT
669
00:31:59,085 --> 00:32:00,320
FOR AN ATTORNEY
IN THE NEIGHBORHOOD.
670
00:32:00,353 --> 00:32:02,055
I'VE ACTUALLY
NEVER MET HER.
671
00:32:02,088 --> 00:32:03,456
MY HUSBAND AND I
THOUGHT YOU WERE
THE BEST THING
672
00:32:03,490 --> 00:32:04,524
ABOUT THAT PLAY.
673
00:32:04,557 --> 00:32:06,226
THANK YOU, SERIOUSLY.
674
00:32:06,259 --> 00:32:07,360
YEAH, I WENT TO SCHOOL
FOR ACTING,
675
00:32:07,394 --> 00:32:09,029
AND I USED
TO DO A LITTLE BIT.
676
00:32:09,062 --> 00:32:11,464
BUT THEN I GOT MARRIED
AND HAD KIDS AND...
677
00:32:11,498 --> 00:32:13,333
YOU KNOW,
NOW I'M AN EDITOR.
YOU KNOW HOW IT GOES.
678
00:32:13,366 --> 00:32:16,169
-YOU SHOULD
GO BACK TO IT.
-NO. [CHUCKLES]
679
00:32:16,202 --> 00:32:17,771
YOU SHOULD.
680
00:32:17,804 --> 00:32:19,773
-NO, YOU.
YOU ARE REALLY GOOD.
-THANK YOU.
681
00:32:19,806 --> 00:32:22,108
-I'M GRETA.
-I'M JULES.
682
00:32:22,142 --> 00:32:23,443
JULES JENSON.
683
00:32:23,476 --> 00:32:25,311
WELL, HAVE
A GOOD DAY.
684
00:32:27,814 --> 00:32:29,149
GO ON.
685
00:32:36,523 --> 00:32:39,025
MY FAVORITE
ALBERT EINSTEIN
QUOTE SAYS,
686
00:32:39,059 --> 00:32:41,161
"EVERYTHING IS ENERGY.
THAT'S ALL THERE IS TO IT.
687
00:32:41,194 --> 00:32:43,229
MATCH THE FREQUENCY
OF THE REALITY YOU WANT
688
00:32:43,263 --> 00:32:45,432
AND YOU CANNOT HELP
BUT GET THAT REALITY."
689
00:32:47,434 --> 00:32:49,035
[KNOCKING]
690
00:32:49,069 --> 00:32:52,272
[BEVERLY]
JULES, I'M HERE.
691
00:32:52,305 --> 00:32:56,109
HEY.
692
00:32:56,142 --> 00:33:00,113
I WANT TO GET YOUR OPINION
ON WHAT TO WEAR TODAY.
693
00:33:00,146 --> 00:33:02,549
AND HONEY, WHY DON'T
WE LOOK FOR A DAY NEXT WEEK
694
00:33:02,582 --> 00:33:07,120
WHEN I CAN COME OVER
AND HELP MAKE THIS PLACE
A LITTLE MORE HOMEY.
695
00:33:07,153 --> 00:33:08,521
BUY YOU A BED FRAME.
696
00:33:08,555 --> 00:33:11,091
THERE'S NO POINT,
I'LL BE MOVING SOON.
697
00:33:11,124 --> 00:33:13,393
I DON'T WANT YOU
TO BUY ME ANYTHING.
698
00:33:13,426 --> 00:33:14,594
I DON'T NEED
ANY MORE PLANTS.
699
00:33:14,627 --> 00:33:17,297
THEY JUST DIE ON ME.
700
00:33:27,607 --> 00:33:29,609
YOU DON'T WANT
MY PAINTINGS?
701
00:33:29,642 --> 00:33:33,546
UH, IT'S KIND OF WEIRD
TO HAVE PAINTINGS UP
OF MYSELF.
702
00:33:33,580 --> 00:33:36,282
WELL, THAT NEVER
BOTHERED YOU BEFORE.
703
00:33:36,316 --> 00:33:38,284
I MEAN,
I PAINTED THEM
FOR YOU.
704
00:33:38,318 --> 00:33:39,853
I'LL PUT THEM BACK UP.
705
00:33:39,886 --> 00:33:41,087
I DIDN'T REALIZE THEY'D
MAKE YOU THIS UPSET.
706
00:33:41,121 --> 00:33:42,655
OH, NO NO NO.
707
00:33:42,689 --> 00:33:45,225
I DON'T WANT YOU
TO HANG THEM IF YOU'RE
EMBARRASSED.
708
00:33:53,166 --> 00:33:54,467
[DOOR SLAMS]
709
00:34:06,479 --> 00:34:08,281
GREAT.
710
00:34:08,314 --> 00:34:10,450
[MUSIC PLAYS]
711
00:34:10,483 --> 00:34:13,119
I HATE MY HAIR,
I'M SO BLOATED.
712
00:34:13,153 --> 00:34:14,187
WELL, I HOPE YOU BRING
THIS LOVELY MOOD
713
00:34:14,220 --> 00:34:15,555
TO THE PARTY.
714
00:34:20,160 --> 00:34:22,395
-HEY.
-OH, COME ON.
715
00:34:22,429 --> 00:34:24,130
HEY.
716
00:34:24,164 --> 00:34:25,598
SO RICK'S HAVING
THIS LITTLE BARBECUE THING
717
00:34:25,632 --> 00:34:27,267
AND YOU KNOW
WHO'S GONNA BE THERE?
718
00:34:27,300 --> 00:34:29,436
HEY, ERIC.
719
00:34:29,469 --> 00:34:32,739
YEAH, IT'S JULES
AND HER MOM'S BIRTHDAY
PARTY TODAY, SO...
720
00:34:32,772 --> 00:34:34,908
-I GUESS YOU FORGOT.
-SHIT.
721
00:34:34,941 --> 00:34:36,609
OKAY. SO WE'LL JUST GO
TO THE BARBECUE
722
00:34:36,643 --> 00:34:38,511
AND THEN WE CAN GO
TO YOUR PARTY THING
AFTERWARD.
723
00:34:38,545 --> 00:34:40,347
-YEAH.
-NO, PARTY
ALREADY STARTED.
724
00:34:40,380 --> 00:34:42,182
WE'RE HEADING
OUT NOW.
725
00:34:42,215 --> 00:34:43,616
YEAH. THIS IS
SORT OF ABOUT HER CAREER
THOUGH, SO...
726
00:34:43,650 --> 00:34:45,518
WELL, COULD WE
GO TO MY PARTY
IN LIKE AN HOUR?
727
00:34:45,552 --> 00:34:47,754
OKAY.
728
00:34:47,787 --> 00:34:49,422
JULES, YOU'RE
KIDDING, RIGHT?
729
00:34:49,456 --> 00:34:50,924
-ARE YOU SERIOUS?
-I'M GONNA GO SAY, "HI."
730
00:34:50,957 --> 00:34:51,925
AND THEN I'LL
BE RIGHT BEHIND YOU.
731
00:34:51,958 --> 00:34:53,493
JULES...
732
00:34:53,526 --> 00:34:54,494
-NO.
-I'LL BE
RIGHT BEHIND YOU.
733
00:34:54,527 --> 00:34:56,162
ARE YOU FOR REAL?
734
00:35:00,367 --> 00:35:02,369
HI.
735
00:35:02,402 --> 00:35:04,437
YOU'RE A LITTLE
OVERDRESSED FOR A BARBECUE.
736
00:35:04,471 --> 00:35:06,740
OH, I HAVE A THING
AFTER THIS.
737
00:35:06,773 --> 00:35:09,242
IT'S MY MOM'S 60TH BIRTHDAY
AND MY BIRTHDAY.
738
00:35:09,275 --> 00:35:11,945
WE WERE BORN
ON THE SAME DAY.
739
00:35:11,978 --> 00:35:13,413
GOOD TALK.
740
00:35:14,681 --> 00:35:17,183
OKAY, SO BRECK'S HERE.
741
00:35:17,217 --> 00:35:18,418
AND SO IS GENEVIEVE.
742
00:35:18,451 --> 00:35:19,686
AND YOU MIGHT WANT
TO AVOID THEM BOTH.
743
00:35:19,719 --> 00:35:21,454
WHY?
744
00:35:21,488 --> 00:35:23,456
I MIGHT HAVE TOLD HER
YOU WERE SLEEPING WITH HIM.
745
00:35:23,490 --> 00:35:24,657
WHAT? WHY?
746
00:35:24,691 --> 00:35:26,292
I WANTED TO MAKE YOU
LOOK GOOD, OKAY?
747
00:35:26,326 --> 00:35:27,527
I WAS A LITTLE
OVER ZEALOUS.
748
00:35:27,560 --> 00:35:29,295
AND SHE'S PISSED?
749
00:35:29,329 --> 00:35:30,630
I WILL FIX THIS.
750
00:35:30,663 --> 00:35:32,632
LAST TIME YOU PARTIED
WITH GENEVIEVE
751
00:35:32,665 --> 00:35:35,435
YOU SAID SHE WHACKED
SOME GIRL IN THE HEAD
WITH HER STILETTO
752
00:35:35,468 --> 00:35:36,569
BECAUSE SHE WAS
FLIRTING WITH BRECK.
753
00:35:36,603 --> 00:35:39,439
YEAH, IT GOT BLOODY.
754
00:35:39,472 --> 00:35:40,674
I'M GONNA GO HIDE
IN THE BATHROOM.
755
00:35:40,707 --> 00:35:42,442
OKAY.
756
00:35:48,581 --> 00:35:50,216
I'M NOT A FIGHTER.
757
00:35:50,250 --> 00:35:53,319
-I HAVE A PRETTY
POWERFUL KICK THOUGH--
-OWW.
758
00:35:53,353 --> 00:35:55,288
OH, MY GOD, PLEASE.
PLEASE DON'T HIT ME.
759
00:35:55,321 --> 00:35:56,389
I DIDN'T SLEEP
WITH BRECK.
760
00:35:56,423 --> 00:35:58,258
SHUT UP.
761
00:35:58,291 --> 00:36:01,795
HOLY SHIT.
IS THAT MY DRESS?
762
00:36:01,828 --> 00:36:04,264
THAT'S MY FUCKING DRESS.
763
00:36:04,297 --> 00:36:05,298
THAT DRESS
WAS MADE FOR ME.
764
00:36:05,331 --> 00:36:07,734
DID BRECK
GIVE IT TO YOU?
765
00:36:07,767 --> 00:36:09,569
TAKE IT OFF.
766
00:36:09,602 --> 00:36:13,506
CAN WE JUST GO
TO THE BATHROOM
AND TALK?
767
00:36:13,540 --> 00:36:14,708
TAKE IT OFF HERE.
768
00:36:24,484 --> 00:36:26,353
[PARTY GOERS GASP]
769
00:36:26,386 --> 00:36:27,721
IT'S MY DRESS.
770
00:36:27,754 --> 00:36:29,556
[MAN]
OH, CAT FIGHT!
771
00:36:29,589 --> 00:36:31,791
-[CROWD GASPING]
-STUPID FUCKING GIRL!
772
00:36:31,825 --> 00:36:34,461
-[MAN] DID YOU SEE THAT?
-[WOMAN] LOOK AT HER GRANNY
PANTIES.
773
00:36:34,494 --> 00:36:37,364
DON'T SLEEP
WITH MY FUCKING BOYFRIEND.
774
00:36:56,383 --> 00:36:57,450
HEY.
775
00:36:57,484 --> 00:36:59,619
OH, HEY.
776
00:36:59,652 --> 00:37:01,855
ARE YOU OKAY?
HERE TAKE THIS.
777
00:37:01,888 --> 00:37:03,490
AH.
778
00:37:03,523 --> 00:37:06,659
MAN, GEN IS WHACKED OUT
OF HER MIND RIGHT NOW.
779
00:37:06,693 --> 00:37:08,595
SORRY YOU SOMEHOW
GOT INVOLVED.
780
00:37:08,628 --> 00:37:11,531
OH, NO,
781
00:37:11,564 --> 00:37:13,066
I DIDN'T KNOW
IT WAS HER DRESS,
YOU KNOW.
782
00:37:13,099 --> 00:37:16,636
LIKE MY FRIEND MARA
JUST GAVE IT TO ME.
783
00:37:16,670 --> 00:37:18,705
WELL, MARA JUST YELLED
AT HER ON YOUR BEHALF.
784
00:37:18,738 --> 00:37:21,408
SHE'S TAKING
HER HOME NOW SO...
785
00:37:21,441 --> 00:37:22,642
MARA'S MY RIDE.
786
00:37:22,676 --> 00:37:24,778
WELL, I CAN TAKE YOU HOME
IF YOU WANT.
787
00:37:24,811 --> 00:37:27,714
UM.
788
00:37:27,747 --> 00:37:29,549
OH. SHIT.
789
00:37:29,582 --> 00:37:31,484
I MISSED
MY BIRTHDAY PARTY.
790
00:37:31,518 --> 00:37:33,720
-IT'S YOUR
BIRTHDAY TODAY?
-YEAH.
791
00:37:33,753 --> 00:37:36,322
-AND YOU MISSED
YOUR BIRTHDAY PARTY?
-YEAH.
792
00:37:36,356 --> 00:37:37,590
UM...
793
00:37:37,624 --> 00:37:39,426
THEY PLANNED THIS EVENT
FOR ME AND MY MOM.
794
00:37:39,459 --> 00:37:41,361
AND I...
795
00:37:41,394 --> 00:37:43,863
DIDN'T SHOW UP.
796
00:37:43,897 --> 00:37:45,565
THAT SUCKS.
797
00:37:45,598 --> 00:37:47,567
YEAH, IT DOES.
798
00:37:50,470 --> 00:37:53,406
UM, OH. AH...
799
00:37:53,440 --> 00:37:56,843
I'M NOT WEIRD,
JUST IGNORE MY UNDERWEAR.
800
00:37:56,876 --> 00:37:58,778
I'M ON MY PERIOD,
801
00:37:58,812 --> 00:38:00,680
AND I DIDN'T WANNA
WEAR MY SEXY UNDERWEAR
802
00:38:00,714 --> 00:38:02,649
'CAUSE IT GETS STAINED
WHEN I'M LIKE HEAVY.
803
00:38:02,682 --> 00:38:04,484
I MEAN, I'M NOT NORMALLY
LIKE HEAVY, HEAVY.
804
00:38:04,517 --> 00:38:05,919
I JUST...
805
00:38:05,952 --> 00:38:08,488
TOO MUCH INFORMATION.
806
00:38:08,521 --> 00:38:10,690
I...
807
00:38:10,724 --> 00:38:11,791
I JUST DON'T
WANT YOU TO THINK
808
00:38:11,825 --> 00:38:13,693
I WAS LIKE
A LITTLE GIRL.
809
00:38:13,727 --> 00:38:15,895
YEAH, NO.
I DIDN'T THINK THAT.
810
00:38:15,929 --> 00:38:17,864
OH. GOOD.
811
00:38:38,618 --> 00:38:41,588
SO YOU HAVE
A THING TONIGHT?
812
00:38:41,621 --> 00:38:43,423
YEAH, I HAVE
THIS DUMB FUNCTION THING
813
00:38:43,456 --> 00:38:44,591
I HAVE TO GO TO.
814
00:38:44,624 --> 00:38:47,861
BUT I CAN HANG
FOR A LITTLE BIT.
815
00:38:47,894 --> 00:38:49,629
MY...
816
00:38:49,662 --> 00:38:52,832
PLACE IS NOT
AS BEAUTIFUL AS YOUR HOME.
817
00:38:52,866 --> 00:38:54,734
HMM.
818
00:38:54,768 --> 00:38:56,469
I'LL BE MOVING SOON.
819
00:38:56,503 --> 00:38:58,738
MAYBE LIKE VENICE OR...
820
00:38:58,772 --> 00:39:00,974
NO, IT'S NICE.
I LIKE IT.
821
00:39:01,007 --> 00:39:03,476
IT'S CUTE.
822
00:39:06,212 --> 00:39:08,448
SO YOU'RE NOT
A PHONE SEX GIRL, HUH?
823
00:39:11,584 --> 00:39:12,786
-NO.
-NO?
824
00:39:12,819 --> 00:39:14,187
[BOTH CHUCKLE]
825
00:39:14,220 --> 00:39:15,755
YEAH.
826
00:39:15,789 --> 00:39:16,890
NO PHONE SEX
FOR YOU?
827
00:39:16,923 --> 00:39:20,460
YEAH. I SAID THAT.
828
00:39:20,493 --> 00:39:21,695
WELL.
829
00:39:21,728 --> 00:39:24,864
OH, MY GOD.
I FEEL SO EMBARRASSED.
830
00:39:24,898 --> 00:39:27,467
ANYWAY.
I KNOW YOU KNOW THAT--
831
00:39:27,500 --> 00:39:28,902
I MEAN, I THINK
YOU'RE AN AMAZING ACTOR.
832
00:39:28,935 --> 00:39:33,740
BUT LIKE SERIOUSLY,
IN THAT LAST FILM YOU DID
833
00:39:33,773 --> 00:39:36,409
YOU DID THAT SCENE,
LIKE WHEN YOUR MOM HIT YOU.
834
00:39:38,878 --> 00:39:40,780
I REALLY...
835
00:39:40,814 --> 00:39:44,517
LIKE I REALLY THOUGHT
LIKE YOU HAD ACTUALLY
BEEN ABUSED.
836
00:39:45,952 --> 00:39:48,655
WELL, I KINDA WAS.
837
00:39:48,688 --> 00:39:51,858
WHAT DO YOU MEAN?
838
00:39:51,891 --> 00:39:53,927
I MEAN,
I WAS KIND OF ABUSED.
839
00:39:53,960 --> 00:39:57,597
MY MOM USED
TO HIT ME.
840
00:39:57,630 --> 00:39:59,499
SHE WAS
A PSYCHOPATH,
ACTUALLY.
841
00:39:59,532 --> 00:40:03,036
SHE WAS A...
YEAH.
842
00:40:03,069 --> 00:40:06,239
I MEAN, I LEFT HOME
WHEN I WAS 15.
843
00:40:06,272 --> 00:40:09,009
AND I HAVEN'T TALKED TO HER
IN MAYBE 20 YEARS.
844
00:40:11,778 --> 00:40:14,814
I REALLY ADMIRE YOU.
845
00:40:14,848 --> 00:40:17,017
YOU DON'T EVEN KNOW ME.
846
00:40:17,050 --> 00:40:18,852
I KNOW THAT YOU
GIVE PEOPLE YOUR COAT
847
00:40:18,885 --> 00:40:20,787
WHEN THEY'RE
BASICALLY NAKED.
848
00:40:20,820 --> 00:40:22,055
WELL, THAT'S TRUE.
849
00:40:22,088 --> 00:40:25,558
-YEAH.
-YEAH. I DO,
I DO THAT.
850
00:40:25,592 --> 00:40:27,560
WELL, WHAT ABOUT YOU?
851
00:40:27,594 --> 00:40:29,262
YOU HAVE COOL PARENTS?
852
00:40:29,295 --> 00:40:32,032
UH, WELL MY DAD LEFT
WHEN I WAS SEVEN.
853
00:40:32,065 --> 00:40:34,734
BUT BOTH MY PARENTS
ARE ARTISTS.
854
00:40:34,768 --> 00:40:37,003
MY...
MY DAD LEFT MY MOM
855
00:40:37,037 --> 00:40:39,806
'CAUSE HE COULDN'T
HANDLE HER SUCCESS.
856
00:40:39,839 --> 00:40:43,009
HMM.
THAT SUCKS.
857
00:40:43,043 --> 00:40:46,046
MY MOM ALWAYS SAYS,
YOU HAVE TO STAY OPEN
AFTER PAIN,
858
00:40:46,079 --> 00:40:48,982
SHE SAYS THAT'S
WHAT ART IS ABOUT.
859
00:40:51,117 --> 00:40:54,754
[CHUCKLES]
860
00:40:56,856 --> 00:40:58,758
YOU'RE DIFFERENT
THAN MOST GIRLS I MEET.
861
00:41:09,569 --> 00:41:11,805
I'M SORRY.
862
00:41:11,838 --> 00:41:13,773
THAT WAS WEIRD.
863
00:41:29,756 --> 00:41:31,057
[DOOR CLACKS]
864
00:41:34,828 --> 00:41:36,629
MM-HMM.
865
00:41:36,663 --> 00:41:38,898
I'LL BE RIGHT BACK.
866
00:41:38,932 --> 00:41:41,634
ERIC. ERIC.
867
00:41:41,668 --> 00:41:44,337
WILL YOU WAIT?
868
00:41:44,371 --> 00:41:46,673
[WHISPERS]
NICE JACKET.
869
00:42:07,227 --> 00:42:10,630
OH, GOD.
870
00:42:10,663 --> 00:42:14,367
SO I LIKE TO MAKE
VISION BOARDS.
871
00:42:14,401 --> 00:42:16,202
IT'S A COMPLIMENT.
872
00:42:16,236 --> 00:42:19,005
YOU'RE WEIRD.
IT'S NOT A BAD THING.
873
00:42:22,742 --> 00:42:26,813
[MUSIC PLAYS]
874
00:42:26,846 --> 00:42:29,849
I CAN BE WILD.
875
00:42:29,883 --> 00:42:31,785
OH, YEAH?
876
00:42:31,818 --> 00:42:34,688
DO YOU WANT TO THROW ME UP
AGAINST THE WALL?
877
00:42:34,721 --> 00:42:36,022
[SMACKS]
878
00:42:36,056 --> 00:42:37,824
[CHUCKLES]
879
00:42:37,857 --> 00:42:41,661
[MUSIC CONTINUES]
880
00:42:52,005 --> 00:42:54,708
JUST A REMINDER,
I'M ON MY PERIOD.
881
00:42:54,741 --> 00:42:56,843
OH, YEAH.
882
00:42:56,876 --> 00:43:00,146
WANNA TAKE THIS
TO THE SHOWER?
883
00:43:00,180 --> 00:43:02,115
ONE PROBLEM,
884
00:43:02,148 --> 00:43:04,084
IF I GET MY HAIR WET,
I HAVE TO IMMEDIATELY
BLOW IT DRY
885
00:43:04,117 --> 00:43:06,152
BECAUSE OTHERWISE
IT GETS FRIZZY.
886
00:43:06,186 --> 00:43:09,889
AND THEN ONCE ITS DRY
I HAVE TO IMMEDIATELY
PUT IN VELCRO ROLLERS.
887
00:43:09,923 --> 00:43:11,791
OKAY.
888
00:43:11,825 --> 00:43:16,162
[MUSIC CONTINUES]
889
00:43:16,196 --> 00:43:19,766
[PHONE BUZZES]
890
00:43:22,302 --> 00:43:24,671
I HAVE TO GO,
I'M SORRY, I'M REALLY LATE.
891
00:43:24,704 --> 00:43:26,006
THEY KEEP CALLING ME.
892
00:43:26,039 --> 00:43:28,074
-YOU HAVE TO LEAVE
RIGHT NOW?
-YEAH.
893
00:43:28,108 --> 00:43:31,011
-OKAY.
-SORRY.
894
00:43:31,044 --> 00:43:32,746
YOU'RE SO CUTE.
895
00:43:34,080 --> 00:43:37,050
I HAVE YOUR NUMBER,
I'LL CALL YOU, OKAY?
896
00:43:52,032 --> 00:43:53,700
[DOOR CLACKS]
897
00:43:57,871 --> 00:43:59,105
ERIC SAID YOU WERE SICK.
898
00:44:08,181 --> 00:44:10,950
150 PEOPLE
899
00:44:10,984 --> 00:44:13,753
SHOWED UP YESTERDAY
TO CELEBRATE OUR BIRTHDAY.
900
00:44:13,787 --> 00:44:15,789
CELEBRATE?
THAT I'M 30 YEARS OLD,
901
00:44:15,822 --> 00:44:17,957
AND IN THE EXACT
SAME PLACE I WAS AT 21.
902
00:44:20,093 --> 00:44:23,329
YOU HAVE GOT TO STOP
BEING SO HARD ON YOURSELF.
903
00:44:23,363 --> 00:44:25,999
WHERE YOU ARE
IN YOUR CAREER
IS PERFECT.
904
00:44:26,032 --> 00:44:27,867
YOU SOLD
YOUR FIRST PAINTING
AT 21.
905
00:44:27,901 --> 00:44:30,804
YOU HAVE TO TRUST
THAT THE RIGHT ROLES
ARE COMING.
906
00:44:30,837 --> 00:44:32,138
PLEASE DON'T SCHOOL ME
ABOUT AN INDUSTRY
907
00:44:32,172 --> 00:44:35,775
YOU KNOW NOTHING ABOUT.
908
00:44:35,809 --> 00:44:37,811
I KNOW ABOUT BEING
AN ARTIST.
909
00:44:37,844 --> 00:44:40,213
AND IT'S NOT
ABOUT BEING PERFECT.
910
00:44:40,246 --> 00:44:42,949
IT'S ABOUT PEELING
AWAY THE LAYERS
911
00:44:42,982 --> 00:44:44,951
AND SHOWING
SOMETHING INSIDE
912
00:44:44,984 --> 00:44:47,187
THAT PEOPLE CAN
RELATE TO.
913
00:44:47,220 --> 00:44:49,356
YOU'RE CONSTANTLY
ON MY CASE ABOUT THE KIND
OF WOMAN I SHOULD BE.
914
00:44:49,389 --> 00:44:52,125
I'M NEVER GOING TO LIVE UP
TO YOUR EXPECTATIONS.
915
00:44:52,158 --> 00:44:54,194
HONEY, I DON'T HAVE
ANY EXPECTATIONS.
916
00:44:54,227 --> 00:44:56,029
WHENEVER I'M AROUND YOU,
I FEEL SMALL
917
00:44:56,062 --> 00:44:57,897
AND I'M DONE FEELING
THAT WAY.
918
00:44:57,931 --> 00:45:00,066
I'M FINALLY MAKING THINGS
HAPPEN FOR MYSELF,
919
00:45:00,100 --> 00:45:02,102
AND I'M NOT
GONNA FEEL BAD ABOUT IT.
920
00:45:02,135 --> 00:45:04,270
I NEED TO FOCUS
ON ME RIGHT NOW.
921
00:45:04,304 --> 00:45:08,141
AND I THINK IT'S BEST
IF WE DON'T SEE EACH OTHER
FOR A WHILE.
922
00:45:12,045 --> 00:45:14,848
I MIGHT BE SMALL.
923
00:45:14,881 --> 00:45:16,249
[GRUNTS]
924
00:45:16,282 --> 00:45:18,084
OH, I MIGHT BE SMALL.
925
00:45:22,389 --> 00:45:26,793
WHENEVER YOU'RE READY.
926
00:45:26,826 --> 00:45:29,929
I MIGHT BE SMALL
BUT I'M STRONG, SIR.
927
00:45:29,963 --> 00:45:31,264
YOU DON'T HAVE
WHAT IT TAKES.
928
00:45:31,297 --> 00:45:32,866
THAT'S BULLSHIT, SIR.
929
00:45:32,899 --> 00:45:34,267
I'M SORRY, BUT IT IS.
930
00:45:34,300 --> 00:45:36,136
GIVE ME A CHANCE
TO PROVE YOU WRONG.
931
00:45:36,169 --> 00:45:40,006
AND I'LL SHOW YOU
THAT I CAN DO IT.
932
00:45:40,040 --> 00:45:41,941
WATCH OUT, SIR.
933
00:45:41,975 --> 00:45:43,309
I WANNA FIGHT
FOR MY COUNTRY.
934
00:45:46,880 --> 00:45:49,049
ONE.
935
00:45:49,082 --> 00:45:50,383
TWO.
936
00:45:52,852 --> 00:45:55,021
THREE.
937
00:45:55,055 --> 00:45:57,023
YEAH.
938
00:45:57,057 --> 00:45:59,426
GET OUT OF OFFICE
AND PACK YOUR BAGS,
THAT'S AN ORDER.
939
00:45:59,459 --> 00:46:01,928
YOU'RE MAKING
A BIG MISTAKE, SIR.
940
00:46:07,200 --> 00:46:11,071
WELL, YOU'RE THE FIRST
TO DO PUSHUPS.
941
00:46:11,104 --> 00:46:15,308
SHE'LL DO WHATEVER IT TAKES
TO BE TAKEN SERIOUSLY.
942
00:46:15,342 --> 00:46:17,177
DID RICK TELL YOU
THIS SHOW IS MODELED
943
00:46:17,210 --> 00:46:19,145
AFTER THE MOVIE,
"PRIVATE BENJAMIN"?
944
00:46:19,179 --> 00:46:21,348
YES. BUT I WAS INSPIRED
945
00:46:21,381 --> 00:46:24,184
BY HILARY SWANK'S
OSCAR WINNING PERFORMANCE
IN, "BOYS DON'T CRY."
946
00:46:24,217 --> 00:46:27,020
I THOUGHT IT WAS
A STRONGER CHOICE.
947
00:46:27,053 --> 00:46:30,357
I RESPECT YOUR CHOICE,
BUT THIS CHARACTER IS BUBBLY
948
00:46:30,390 --> 00:46:32,292
AND VERY MUCH LIKES
BEING A GIRL.
949
00:46:32,325 --> 00:46:33,860
THANK YOU
FOR COMING IN.
950
00:46:33,893 --> 00:46:35,128
I CAN DO IT AGAIN
THE WAY YOU WANT.
951
00:46:35,161 --> 00:46:36,629
WE'RE OUT OF TIME.
952
00:46:36,663 --> 00:46:38,064
OH...
953
00:46:41,034 --> 00:46:42,235
THAT WAS AWESOME.
954
00:46:45,071 --> 00:46:46,239
THAT WAS AWESOME.
955
00:46:54,114 --> 00:46:56,349
YOU DON'T WORK
UNTIL NOVEMBER,
YOU DON'T GO...
956
00:46:56,383 --> 00:46:59,052
WHICH IS WHY I WANNA
SPEND THIS TIME WORKING
WITH THIS DIRECTOR.
957
00:46:59,085 --> 00:47:01,287
THERE'S NO MONEY
IN THERE.
958
00:47:01,321 --> 00:47:02,956
[MAN]
I WANT TO AT LEAST
GIVE IT A SHOT.
959
00:47:02,989 --> 00:47:04,257
I UNDERSTAND.
960
00:47:04,290 --> 00:47:06,926
-HI.
-I TOLD YOU NOT
TO DRIVE HERE.
961
00:47:06,960 --> 00:47:08,395
I WAS TRYING TO MAKE
A STRONG CHOICE--
962
00:47:08,428 --> 00:47:11,097
I-- LA LA LA LA.
ZIP IT. ZIP IT.
963
00:47:11,131 --> 00:47:12,932
YOU WERE TRYING.
964
00:47:12,966 --> 00:47:14,267
YOU WERE TRYING.
YOU DON'T TRUST YOURSELF.
965
00:47:14,300 --> 00:47:16,369
THEREFORE, YOUR WORK
IS NOT COMPELLING. OKAY?
966
00:47:16,403 --> 00:47:18,238
AND LIKE I TOLD YOU
ON THE PHONE,
967
00:47:18,271 --> 00:47:21,975
WHEN I TOLD YOU
NOT TO DRIVE OVER HERE
TO MY OFFICE.
968
00:47:22,008 --> 00:47:23,977
I CANNOT REPRESENT YOU.
969
00:47:24,010 --> 00:47:25,912
I CAN GET A JOB.
970
00:47:25,945 --> 00:47:28,214
I GAVE YOU TWO CHANCES.
971
00:47:28,248 --> 00:47:30,417
YOU BLEW THEM.
972
00:47:30,450 --> 00:47:32,952
LEAVE.
973
00:47:41,494 --> 00:47:44,431
-WHO IS THAT?
-THAT? THAT IS NO ONE.
THAT IS NO ONE.
974
00:47:47,300 --> 00:47:50,136
[MUSICAL RINGTONE PLAYS]
975
00:47:54,174 --> 00:47:56,176
[MUSICAL RINGTONE PLAYS]
976
00:48:01,748 --> 00:48:05,018
HEY.
977
00:48:05,051 --> 00:48:09,022
OH, IT'S COOL.
I FIGURED YOU WERE BUSY.
978
00:48:09,055 --> 00:48:10,223
TODAY?
979
00:48:10,256 --> 00:48:11,991
YEAH.
980
00:48:12,025 --> 00:48:15,328
I'M-- OKAY.
OKAY.
981
00:48:15,362 --> 00:48:18,131
BYE.
982
00:48:18,164 --> 00:48:20,100
BRECK WANTS
TO HANG OUT TODAY.
983
00:48:20,133 --> 00:48:22,969
[MUSIC PLAYS]
984
00:48:27,040 --> 00:48:30,010
HE'S ON HIS WAY
AND HE DOESN'T KNOW
I'M HERE.
985
00:48:58,071 --> 00:49:00,373
[SNORES]
986
00:49:00,407 --> 00:49:02,409
[DOOR CLANKS]
987
00:49:02,442 --> 00:49:04,544
[BRECK]
GEN, YOU CAN'T KEEP COMING
IN AND OUT OF MY LIFE
988
00:49:04,577 --> 00:49:07,047
-LIKE THIS.
-GENEVIEVE'S HERE.
989
00:49:07,080 --> 00:49:08,481
[BRECK]
I THOUGHT YOU WERE
IN NEW YORK.
990
00:49:08,515 --> 00:49:10,083
WITH A NEW GUY.
991
00:49:10,116 --> 00:49:11,551
[GENEVIEVE]
I MISSED YOU.
992
00:49:11,584 --> 00:49:13,353
[BRECK]
GENEVIEVE, YOU HAVE TO GO.
I HAVE SOMEONE...
993
00:49:13,386 --> 00:49:15,088
[GENEVIEVE]
YOU'RE FUCKING
SOMEBODY ELSE?
994
00:49:15,121 --> 00:49:16,322
[BRECK]
YOU AND I ARE
NOT TOGETHER,
995
00:49:16,356 --> 00:49:18,324
YOU CHEATED ON ME,
YOU REMEMBER THAT?
996
00:49:18,358 --> 00:49:20,293
[GENEVIEVE] MARA SAID
YOU LIKED THAT BLONDE GIRL
FROM THE PARTY.
997
00:49:20,326 --> 00:49:22,462
[BRECK]
MARA DOESN'T KNOW
WHAT SHE'S TALKING ABOUT.
998
00:49:22,495 --> 00:49:25,065
[GENEVIEVE]
SHE'S A NOBODY, NOT TO MENTION
SHE LOOKS LIKE SHE'S 12.
999
00:49:25,098 --> 00:49:27,133
[BRECK]
I'M NOT WITH HER!
1000
00:49:27,167 --> 00:49:30,370
[GENEVIEVE]
THAT'S GONNA DO WONDERS
FOR YOUR CAREER, BABE.
1001
00:49:30,403 --> 00:49:32,472
[BRECK]
I HUNG OUT WITH HER
ONE NIGHT.
1002
00:49:32,505 --> 00:49:35,208
ONE NIGHT.
AND I WAS BORED.
1003
00:49:35,241 --> 00:49:36,509
[WHIMPERS]
1004
00:49:36,543 --> 00:49:37,644
[GENEVIEVE]
THEN YOU DON'T LIKE HER?
1005
00:49:37,677 --> 00:49:39,813
[BRECK]
I DON'T EVEN KNOW HER.
1006
00:49:39,846 --> 00:49:41,448
[CRIES]
1007
00:49:41,481 --> 00:49:43,550
AHH.
1008
00:50:00,700 --> 00:50:03,136
GIVE ME ONE MORE CHANCE.
1009
00:50:03,169 --> 00:50:04,404
I'M NOT ASKING
TO BE YOUR CLIENT,
1010
00:50:04,437 --> 00:50:06,239
I'M ASKING
FOR ONE MORE AUDITION.
1011
00:50:06,272 --> 00:50:08,074
YOU'RE A ROOKIE.
1012
00:50:08,108 --> 00:50:09,476
YOU SAID YOU WERE LOOKING
FOR SOMEONE WHO WAS PASSIONATE
1013
00:50:09,509 --> 00:50:12,112
AND PERSISTENT ENOUGH
TO LAST IN THIS BUSINESS.
1014
00:50:12,145 --> 00:50:15,281
I AM THAT PERSON.
1015
00:50:15,315 --> 00:50:17,417
I'M NOT GIVING UP
SO WE CAN DO THIS AGAIN
TOMORROW.
1016
00:50:17,450 --> 00:50:20,854
DO NOT THROW A TANTRUM
IN MY OFFICE.
1017
00:50:20,887 --> 00:50:23,223
HAVEN'T YOU EVER WANTED
SOMETHING SO BAD,
1018
00:50:23,256 --> 00:50:25,325
THAT YOU MESSED IT UP?
1019
00:50:27,327 --> 00:50:29,162
ONE LAST SHOT.
1020
00:50:34,434 --> 00:50:36,169
[TAPPING]
1021
00:50:46,479 --> 00:50:49,482
ARE WE NOT
FRIENDS ANYMORE?
1022
00:50:49,516 --> 00:50:53,286
I AM MOVING
BACK TO SEATTLE.
1023
00:50:53,319 --> 00:50:55,155
WHEN WERE YOU GONNA TELL ME?
1024
00:50:55,188 --> 00:50:57,624
I JUST DID.
1025
00:50:57,657 --> 00:50:59,225
IT ALL
JUST HAPPENED, JULES.
1026
00:50:59,259 --> 00:51:01,895
SO YOU'RE GIVING UP
ON ACTING?
1027
00:51:01,928 --> 00:51:03,396
WHAT ACTING?
1028
00:51:03,430 --> 00:51:05,331
RIGHT NOW,
I'M IN A HOT DOG SUIT.
1029
00:51:05,365 --> 00:51:07,267
WE PROMISED EACH OTHER
WE WEREN'T GONNA SETTLE
1030
00:51:07,300 --> 00:51:08,668
WITH SOME PLAN-B CAREER.
1031
00:51:08,702 --> 00:51:11,404
I'M MAKING A LIVING
AS A HUMAN BILLBOARD.
1032
00:51:11,438 --> 00:51:15,508
ME TOO. BUT WE'RE
MAKING 150 FOR THREE HOURS
WHICH IS AMAZING.
1033
00:51:15,542 --> 00:51:17,210
AND IT'S JUST
UNTIL WE MAKE IT.
1034
00:51:17,243 --> 00:51:18,578
YOU MISSED
YOUR OWN PARTY
1035
00:51:18,611 --> 00:51:20,747
TO GO HAVE SEX
WITH SOME CELEBRITY.
1036
00:51:20,780 --> 00:51:22,749
LIKE, I'M NOT
REALLY SURE WHAT
1037
00:51:22,782 --> 00:51:25,151
OR WHO YOUR PRIORITIES
ARE ANYMORE.
1038
00:51:25,185 --> 00:51:28,488
WE DIDN'T HAVE SEX,
BUT THANK YOU FOR THINKING
SO HIGHLY OF ME.
1039
00:51:28,521 --> 00:51:31,157
I DO THINK
HIGHLY OF YOU.
1040
00:51:32,625 --> 00:51:36,696
ARE YOU GOING TO SEATTLE
BECAUSE YOU'RE MAD AT ME?
1041
00:51:36,730 --> 00:51:40,266
NOT EVERYTHING
IS ABOUT YOU, JULES.
1042
00:51:50,543 --> 00:51:52,145
[MAN]
WHERE'S YOUR FRIEND?
1043
00:52:01,388 --> 00:52:04,224
RICK GOT ME AN AUDITION.
1044
00:52:04,257 --> 00:52:06,159
[MUSICAL RINGTONE PLAYS]
1045
00:52:11,765 --> 00:52:14,267
WHAT?
1046
00:52:14,300 --> 00:52:17,604
I HAVE TO DO
A SOUTH AFRICAN ACCENT.
1047
00:52:17,637 --> 00:52:20,306
HE DID THIS ON PURPOSE.
1048
00:52:25,779 --> 00:52:27,247
I'LL LEARN IT.
1049
00:52:27,280 --> 00:52:29,315
I HAVE FOUR DAYS.
1050
00:52:29,349 --> 00:52:31,184
I CAN DO THIS.
1051
00:52:32,018 --> 00:52:34,554
OOH, GOOD.
1052
00:52:34,587 --> 00:52:36,489
[SOUTH AFRICAN ACCENT]
MAXIE, DO YOU BELIEVE
I'M FROM SOUTH AFRICA?
1053
00:52:36,523 --> 00:52:38,792
DON'T MESS WITH ME.
1054
00:52:38,825 --> 00:52:42,629
I'VE-- I'VE WORKED--
I'VE WORKED IN THIS TOWNSHIP
FOR 15 YEARS.
1055
00:52:42,662 --> 00:52:45,532
YEARS... YEARS.
1056
00:52:45,565 --> 00:52:48,702
AFRICA. THIS IS AFRICA.
T-I-A.
1057
00:52:48,735 --> 00:52:50,403
T-I-A.
1058
00:52:50,437 --> 00:52:52,305
[MUSIC PLAYS]
1059
00:52:52,339 --> 00:52:54,841
[MAN]
I LIKE THOSE BUNS.
1060
00:52:54,874 --> 00:52:56,343
WILL YOU VISUALIZE ME
1061
00:52:56,376 --> 00:52:59,579
DOING GREAT
AT MY AUDITION TOMORROW?
1062
00:52:59,612 --> 00:53:01,414
IT'LL HELP
IF YOU BELIEVE
IN ME TOO.
1063
00:53:08,855 --> 00:53:10,824
ARE YOU DOING IT?
1064
00:53:10,857 --> 00:53:12,459
[SOUTH AFRICAN ACCENT]
DON'T MESS WITH ME.
1065
00:53:12,492 --> 00:53:13,460
I'VE WORKED
IN THIS TOWNSHIP--
1066
00:53:13,493 --> 00:53:15,829
TOWNSHIP...
1067
00:53:15,862 --> 00:53:18,498
I'VE WORKED
IN THIS TOWNSHIP
FOR 15 YEARS.
1068
00:53:18,531 --> 00:53:21,568
YOU CAN'T JUST COME IN HERE
WITH YOUR NEW IDEAS.
1069
00:53:21,601 --> 00:53:23,370
YES. T-I-A.
1070
00:53:29,676 --> 00:53:31,544
I BROUGHT YOU A GIFT.
1071
00:53:31,578 --> 00:53:34,314
YOU DON'T
LOOK DESPERATE.
1072
00:53:34,347 --> 00:53:36,483
WELL, SET IT DOWN.
1073
00:53:36,516 --> 00:53:39,552
LOOK, HONEY,
I'M GONNA TELL YOU
SOMETHING HERE.
1074
00:53:39,586 --> 00:53:43,823
A WOMAN IN THIS INDUSTRY
HAS TO BE STRONG AND BRAVE
1075
00:53:43,857 --> 00:53:46,493
AND DON'T EVER
BRING ME FLOWERS.
1076
00:53:46,526 --> 00:53:48,628
I HATE PLANTS.
1077
00:53:48,661 --> 00:53:50,864
I MEAN, BLACK THUMBS DOWN
TO THAT AS A GIFT.
1078
00:53:50,897 --> 00:53:52,799
LIKE PET PEEVE,
THEY TRACT DIRT.
1079
00:53:52,832 --> 00:53:55,068
THERE'S... THERE'S A LIST...
I DON'T HAVE TIME.
1080
00:53:55,101 --> 00:53:56,503
YOU DON'T HAVE TIME--
LET'S DO THE SCENE.
1081
00:53:56,536 --> 00:53:57,637
AND I BET
YOU'RE OFF BOOK
1082
00:53:57,671 --> 00:53:59,472
SO LET'S START NOW
AND...
1083
00:54:02,108 --> 00:54:03,543
GO.
1084
00:54:06,413 --> 00:54:08,381
[SOUTHERN ACCENT]
DON'T MESS WITH ME?
1085
00:54:08,415 --> 00:54:10,850
I'VE WORKED
IN THIS TOWNSHIP
FOR 15 YEARS.
1086
00:54:10,884 --> 00:54:13,386
SOUTHERN.
THAT'S A SOUTHERN ACCENT.
1087
00:54:13,420 --> 00:54:15,088
IT'S SOUTH AFRICAN.
1088
00:54:15,121 --> 00:54:16,790
OH, YEAH. SOMETIMES
IT TAKES ME A MINUTE
TO FIND IT.
1089
00:54:16,823 --> 00:54:19,926
THAT'S OKAY.
WE'LL DO IT AGAIN.
1090
00:54:19,959 --> 00:54:21,661
[BRITISH ACCENT]
DON'T MESS WITH ME.
1091
00:54:21,695 --> 00:54:24,798
I'VE WORKED
IN THIS TOWNSHIP
FOR 15 YEARS.
1092
00:54:24,831 --> 00:54:27,534
YOU CAN'T JUST COME IN HERE
WITH YOUR NEW IDEAS--
1093
00:54:27,567 --> 00:54:29,769
[COCKNEY ACCENT]
THAT'S... THAT'S
ENGLISH, INNIT?
1094
00:54:29,803 --> 00:54:30,837
YEAH.
1095
00:54:30,870 --> 00:54:33,406
[PENCIL SCRATCHES]
1096
00:54:33,440 --> 00:54:36,643
-[RUSSIAN ACCENT] DON'T--
-I DON'T KNOW WHAT THAT IS.
1097
00:54:36,676 --> 00:54:38,645
NEVER HEARD IT.
1098
00:54:38,678 --> 00:54:41,948
[GERMAN ACCENT]
I'VE WORKED IN THIS TOWNSHIP
FOR 15 YEARS.
1099
00:54:41,981 --> 00:54:43,783
YOU CAN'T
JUST COME IN HERE--
1100
00:54:43,817 --> 00:54:45,685
I'M JUST TRANSITIONING.
1101
00:54:45,719 --> 00:54:47,354
I'M--
1102
00:54:47,387 --> 00:54:50,523
CHANGE AWAY.
1103
00:54:50,557 --> 00:54:54,961
[PENCIL SCRATCHING]
1104
00:54:54,994 --> 00:54:56,730
CAN YOU STOP WRITING?
1105
00:54:56,763 --> 00:54:57,897
EXCUSE ME?
1106
00:54:57,931 --> 00:54:59,432
I JUST CAN'T FOCUS.
1107
00:54:59,466 --> 00:55:01,568
OH, THIS IS THE PROBLEM.
1108
00:55:01,601 --> 00:55:05,438
HA-HA.
THIS IS THE PROBLEM.
1109
00:55:05,472 --> 00:55:06,673
OH, OKAY.
1110
00:55:17,650 --> 00:55:20,153
WHAT'S THAT?
DID I-- ARE YOU?
1111
00:55:20,186 --> 00:55:22,389
DID YOU?
DID I MISS SOMETHING?
1112
00:55:25,625 --> 00:55:26,860
SORRY.
1113
00:55:30,463 --> 00:55:33,500
I'M WASTING YOUR TIME.
1114
00:55:33,533 --> 00:55:35,168
-I MEAN
REALLY SORRY--
-OH.
1115
00:55:35,201 --> 00:55:37,470
-OH SHOOT.
-YOU KNOW WHAT,
NO NO NO NO NO.
1116
00:55:37,504 --> 00:55:38,805
GO AHEAD,
IT'S TO BE EXPECTED,
YOU DIDN'T JUST LEAVE IT.
1117
00:55:38,838 --> 00:55:40,540
THAT'S GREAT.
YOU LET YOURSELF OUT.
1118
00:55:40,573 --> 00:55:43,977
HAVE A GOOD DAY.
BYE. GREAT JOB. YEP.
MM-HMM.
1119
00:56:22,716 --> 00:56:24,984
I'M A GREAT ACTRESS.
1120
00:56:28,922 --> 00:56:30,557
[CRASHES]
1121
00:56:46,072 --> 00:56:47,941
I'M SORRY
I LET YOU DOWN.
1122
00:56:51,978 --> 00:56:53,813
GOD, WHAT WERE YOU
EVEN DOING THERE?
1123
00:56:53,847 --> 00:56:56,249
YOU AND BRECK HAVE
BARELY EVEN KISSED.
1124
00:56:56,282 --> 00:56:57,650
I THOUGHT
WE HAD A THING.
1125
00:56:57,684 --> 00:56:59,052
STILL JULES,
YOU WERE TRESPASSING.
1126
00:56:59,085 --> 00:57:01,554
YOU WERE THE ONE
THAT TOLD ME WHERE
THE KEY WAS.
1127
00:57:01,588 --> 00:57:03,957
WELL, I REGRET THAT.
1128
00:57:03,990 --> 00:57:06,993
LOOK, WHATEVER, YOU'RE
BETTER THAN GENEVIEVE ANYWAY.
1129
00:57:07,027 --> 00:57:08,862
SHE'S NOT EVEN
THAT GOOD OF A KISSER.
1130
00:57:08,895 --> 00:57:10,964
WHEN WERE YOU
WITH GIRLS?
1131
00:57:10,997 --> 00:57:13,033
IT WAS A REALLY
BEAUTIFUL PHASE.
1132
00:57:13,066 --> 00:57:15,001
HAVE YOU EVER
LIKED ME THAT WAY?
1133
00:57:15,035 --> 00:57:16,736
NO, YOU'RE NOT
REALLY MY TYPE.
1134
00:57:16,770 --> 00:57:18,872
WHAT'S WRONG WITH ME?
1135
00:57:18,905 --> 00:57:20,573
WE'RE BOTH
JUST FEM TOPS, YOU KNOW.
SO IT WOULDN'T WORK.
1136
00:57:20,607 --> 00:57:23,743
GENEVIEVE WAS A FEM BOTTOM
SO IT WORKED.
1137
00:57:23,777 --> 00:57:25,078
I'M A BOTTOM.
1138
00:57:25,111 --> 00:57:27,580
NO, I'M PRETTY SURE
YOU'RE A TOP.
1139
00:57:27,614 --> 00:57:30,617
OH, MY GOD,
WHAT ARE YOU DOING?
1140
00:57:30,650 --> 00:57:32,118
JULES, YOU DON'T HAVE TO HIDE
BEHIND A WIG.
1141
00:57:32,152 --> 00:57:33,687
I TOLD RICK
I WAS BRINGING YOU.
1142
00:57:33,720 --> 00:57:35,588
I'M GOING TO
APOLOGIZE TO RICK.
1143
00:57:35,622 --> 00:57:40,126
DO NOT APOLOGIZE, OKAY?
IT MAKES YOU LOOK WEAK.
1144
00:57:40,160 --> 00:57:45,999
* WHEN YOU'RE WISHFUL,
IT SHOWS ME HOW GOOD IT GETS *
1145
00:57:46,032 --> 00:57:50,637
* WHY EVEN TRY WHEN WISHES
AIN'T PROMISES? *
1146
00:57:52,138 --> 00:57:56,743
* I ROMANTICIZE JUST
WHAT THIS REALLY IS *
1147
00:57:59,946 --> 00:58:01,014
IS IT DUMB TO THINK
1148
00:58:01,047 --> 00:58:03,616
MY DREAMS WILL
STILL COME TRUE?
1149
00:58:03,650 --> 00:58:07,020
I'M LIKE... LIKE THAT
"AMERICAN IDOL" PERSON
1150
00:58:07,053 --> 00:58:08,988
WHO THINKS
THEY'RE TALENTED
1151
00:58:09,022 --> 00:58:11,658
BUT REALLY THEY'RE JUST
EMBARRASSING THEMSELVES?
1152
00:58:25,138 --> 00:58:27,907
YOU KNOW,
WHO'S MEAN?
1153
00:58:27,941 --> 00:58:29,743
LIKE REALLY MEAN.
1154
00:58:29,776 --> 00:58:31,611
LIKE REALLY,
REALLY, REALLY MEAN.
1155
00:58:34,881 --> 00:58:36,683
I SAY THE MEANEST THINGS
TO MYSELF
1156
00:58:36,716 --> 00:58:38,118
ABOUT MYSELF.
1157
00:58:55,802 --> 00:58:58,738
-HEY.
-HEY.
1158
00:58:59,839 --> 00:59:01,808
I'M NOT A GOOD PERSON.
1159
00:59:03,410 --> 00:59:04,944
YOU KNOW THAT QUOTE,
1160
00:59:04,978 --> 00:59:08,815
MY MOM ALWAYS HAS
THIS QUOTE ABOUT THE TIDES.
1161
00:59:08,848 --> 00:59:10,684
NO WAIT.
1162
00:59:10,717 --> 00:59:12,385
SHIPS RISING.
1163
00:59:12,419 --> 00:59:14,020
NO...
1164
00:59:14,054 --> 00:59:16,656
BOATS LIFT, YOU KNOW.
1165
00:59:16,690 --> 00:59:20,060
IT'S THAT IDEA
THAT WHEN PEOPLE DO GOOD,
YOU DO GOOD TOO.
1166
00:59:20,093 --> 00:59:21,728
BUT LIKE I DON'T
FEEL GOOD
1167
00:59:21,761 --> 00:59:23,196
WHEN OTHER SHIPS
ARE RISING.
1168
00:59:23,229 --> 00:59:26,833
I FEEL LIKE
I'M DROWNING,
YOU KNOW?
1169
00:59:26,866 --> 00:59:28,868
I JUST BOOKED
AN HBO SERIES.
1170
00:59:31,871 --> 00:59:33,106
[SIGHS]
1171
00:59:33,139 --> 00:59:36,810
I'M REALLY
NOT HAPPY FOR YOU.
1172
00:59:36,843 --> 00:59:39,979
I HAVE THIS LIKE
DEEP AGONY OF WONDERING
WHAT YOU'RE DOING RIGHT
1173
00:59:40,013 --> 00:59:41,648
AND WHAT
I'M DOING WRONG.
1174
00:59:44,017 --> 00:59:46,152
I'M GONNA GRAB
ANOTHER DRINK.
1175
00:59:53,159 --> 00:59:55,128
COOL HAIR.
1176
00:59:55,161 --> 00:59:57,197
THANK YOU.
1177
00:59:57,230 --> 01:00:00,100
I'M REALLY NOT
GOOD COMPANY RIGHT NOW.
1178
01:00:00,133 --> 01:00:02,002
NO, I CAN'T IMAGINE
THAT'S TRUE.
1179
01:00:02,035 --> 01:00:03,770
COME HERE.
1180
01:00:06,272 --> 01:00:09,642
FALCON WANTS
TO LOOK AT YOU.
1181
01:00:17,150 --> 01:00:19,152
NOW YOU'RE DOING GOOD.
1182
01:00:21,054 --> 01:00:22,922
YOU FLY AWAY WITH ME?
1183
01:00:25,859 --> 01:00:28,028
COME ON.
1184
01:00:28,061 --> 01:00:32,265
* BUT TELL ME HOW MANY
BROKEN HEARTS *
1185
01:00:32,298 --> 01:00:34,868
* DOES IT TAKE
1186
01:00:34,901 --> 01:00:37,203
* TO GET A BREAK?
1187
01:00:37,237 --> 01:00:39,773
OW.
1188
01:00:39,806 --> 01:00:43,076
WHERE ARE WE?
1189
01:00:51,184 --> 01:00:53,953
-SIT HERE?
-YEAH.
1190
01:00:53,987 --> 01:00:57,824
I DON'T KNOW IF RICK
LIKES TO HAVE PEOPLE
DOWN HERE WITHOUT HIM.
1191
01:00:58,992 --> 01:01:00,226
HE'S MY AGENT.
1192
01:01:00,260 --> 01:01:02,295
HE DOESN'T CARE.
1193
01:01:02,328 --> 01:01:04,097
YOU'RE SO PRETTY.
1194
01:01:06,866 --> 01:01:09,169
I WANNA HAVE
A ONE NIGHT STAND.
[HICCUPS]
1195
01:01:10,970 --> 01:01:13,106
I CAN TOTALLY
ASSIST YOU WITH THAT.
1196
01:01:21,948 --> 01:01:25,085
OH, I NEED YOU
TO WEAR A CONDOM.
1197
01:01:25,118 --> 01:01:26,252
MAGIC TRICK.
1198
01:01:30,223 --> 01:01:31,224
[IMITATES EXPLOSION]
1199
01:01:31,257 --> 01:01:32,525
YEAH...
1200
01:01:32,559 --> 01:01:33,993
[LAUGHS]
1201
01:01:35,395 --> 01:01:39,232
FALCON'S GONNA
FLY YOU TO THE MOON.
1202
01:01:39,265 --> 01:01:40,900
YOU'RE GONNA GET IT.
1203
01:01:40,934 --> 01:01:42,769
OH, WAIT,
CAN YOU MAKE SURE
1204
01:01:42,802 --> 01:01:45,038
YOU DON'T GET CUM
ON MY DRESS.
1205
01:01:45,071 --> 01:01:48,875
I NEED TO RETURN IT.
1206
01:01:48,908 --> 01:01:51,111
HEY. I THOUGHT BY NOW--
1207
01:01:51,144 --> 01:01:52,545
HEY. I THOUGHT BY NOW
1208
01:01:52,579 --> 01:01:55,081
I'D BE IN A LOVING
RELATIONSHIP
1209
01:01:55,115 --> 01:01:58,385
WHERE YOU WAKE UP
AND GET COFFEE TOGETHER
1210
01:01:58,418 --> 01:01:59,986
AND YOU HAVE
DIRTY HAIR.
1211
01:02:00,020 --> 01:02:01,888
CAN YOU PLEASE
STOP TALKING?
1212
01:02:01,921 --> 01:02:05,025
SORRY.
1213
01:02:05,058 --> 01:02:07,227
[GROANS]
1214
01:02:09,596 --> 01:02:10,797
FUCK YEAH.
1215
01:02:10,830 --> 01:02:12,832
[PANTING]
1216
01:02:12,866 --> 01:02:14,134
HALF OF ME JUST WANTS
TO BEAT THE SHIT OUT
OF YOU RIGHT NOW.
1217
01:02:15,335 --> 01:02:18,138
AND THE OTHER HALF?
1218
01:02:18,171 --> 01:02:19,372
[GROANS]
1219
01:02:19,406 --> 01:02:21,241
OH, WHAT THE FUCK, RICK?
1220
01:02:21,274 --> 01:02:22,275
WHAT THE--
1221
01:02:22,308 --> 01:02:24,177
OH SEE.
I'M A BOTTOM.
1222
01:02:24,210 --> 01:02:26,279
WHAT IS WRONG WITH YOU?
1223
01:02:26,312 --> 01:02:28,848
THANK GOD.
GET UP.
1224
01:02:28,882 --> 01:02:29,849
[RETCHES]
1225
01:02:29,883 --> 01:02:31,918
OH MY GOD, JULES.
1226
01:02:31,951 --> 01:02:33,420
I CAN'T THROW UP.
1227
01:02:33,453 --> 01:02:35,021
GET UP.
1228
01:02:35,055 --> 01:02:37,924
COME ON, I'M GONNA
CALL YOU A CAR.
1229
01:02:39,859 --> 01:02:41,895
NO. OFF ME.
1230
01:03:08,088 --> 01:03:10,623
HEY.
1231
01:03:10,657 --> 01:03:13,927
WAKE WAKE WAKE.
1232
01:03:13,960 --> 01:03:15,862
HEY, LITTLE ONE.
1233
01:03:18,965 --> 01:03:20,333
OPEN YOUR EYES.
1234
01:03:24,671 --> 01:03:27,073
WHERE ARE WE?
1235
01:03:27,107 --> 01:03:30,877
STAYING
AT MY GRANDMA'S PLACE
FOR A FEW WEEKS.
1236
01:03:30,910 --> 01:03:32,212
[CHUCKLES]
1237
01:03:32,245 --> 01:03:35,448
YOU PASSED OUT ON ME
LAST NIGHT.
1238
01:03:35,482 --> 01:03:36,983
DO YOU WANNA HAVE SEX?
1239
01:03:37,017 --> 01:03:39,219
I HAVE TO GO.
1240
01:03:39,252 --> 01:03:41,454
[CHUCKLES]
1241
01:03:41,488 --> 01:03:45,225
NO, BUT SERIOUSLY,
DO YOU WANNA GIVE ME
A BLOW JOB?
1242
01:03:45,258 --> 01:03:47,093
I HAVE TO GO.
1243
01:03:47,127 --> 01:03:48,428
HEY.
1244
01:03:48,461 --> 01:03:49,429
SHH SHH SHH.
1245
01:03:49,462 --> 01:03:51,097
HEY.
1246
01:03:51,131 --> 01:03:52,432
YOU SUCK.
1247
01:03:54,167 --> 01:03:56,970
I OBVIOUSLY DON'T MEAN
THAT LITERALLY.
1248
01:03:57,003 --> 01:03:58,171
[OLD WOMAN]
SHUT UP!
1249
01:03:58,204 --> 01:04:00,273
SORRY FOR YELLING, GRAMS.
1250
01:04:09,549 --> 01:04:11,151
[DRESS RIPS]
1251
01:04:43,450 --> 01:04:47,354
[PHONE RECORDING]
JULIE, IT'S...
IT'S LIZ.
1252
01:04:50,557 --> 01:04:53,159
SOMETHING'S HAPPENED AND...
1253
01:04:53,193 --> 01:04:56,463
YOU NEED TO COME
TO THE HOSPITAL, SWEETIE.
1254
01:04:56,496 --> 01:04:59,366
UM...
1255
01:04:59,399 --> 01:05:02,268
YOUR MOM
FELL DOWN THE STAIRS.
1256
01:05:02,302 --> 01:05:04,971
IN HER ART STUDIO.
1257
01:05:14,114 --> 01:05:16,349
[SHERRY IN PHONE RECORDING]
JULIE, HONEY.
1258
01:05:16,383 --> 01:05:19,419
IT'S SHERRY.
1259
01:05:19,452 --> 01:05:22,255
YOUR MOM'S
IN A COMA.
1260
01:05:23,556 --> 01:05:25,425
YOU NEED TO COME
DOWN HERE, DEAR.
1261
01:05:28,228 --> 01:05:30,096
THE DOCTORS WANNA
TALK TO YOU AND...
1262
01:05:37,804 --> 01:05:39,973
[MUSIC PLAYS]
1263
01:05:57,357 --> 01:06:00,160
[KNOCKING]
1264
01:06:05,832 --> 01:06:08,134
[KNOCKING]
1265
01:06:09,135 --> 01:06:10,403
IT'S OPEN.
1266
01:06:39,566 --> 01:06:41,167
[SNIFFLES]
1267
01:06:59,486 --> 01:07:03,423
SHE HASN'T EVEN EATEN
THE FIRST ONE YET.
1268
01:07:03,456 --> 01:07:06,659
JULIE, WHY DON'T YOU COME
WITH US TO THE HOSPITAL?
1269
01:07:06,693 --> 01:07:09,062
I'M GOOD HERE.
1270
01:07:12,132 --> 01:07:13,533
SO AUGUST...
1271
01:07:13,566 --> 01:07:16,569
DON'T MAKE MEANINGLESS
CONVERSATION RIGHT NOW.
1272
01:07:16,603 --> 01:07:20,306
IT'S INSULTING.
1273
01:07:20,340 --> 01:07:22,175
[CRIES] I DON'T KNOW
WHAT ELSE TO DO.
1274
01:07:22,208 --> 01:07:24,444
NEITHER DO I.
1275
01:07:24,477 --> 01:07:26,346
I THINK
I'M GONNA BE SICK.
1276
01:07:26,379 --> 01:07:28,081
[SOBBING]
1277
01:07:35,288 --> 01:07:37,323
WILL YOU GUYS GO?
1278
01:07:37,357 --> 01:07:39,259
ARE YOU COMING WITH US?
1279
01:07:39,292 --> 01:07:42,696
ME STAYING
AT THE HOSPITAL
WON'T HELP.
1280
01:07:42,729 --> 01:07:46,366
THAT'S WHAT YOU DO
WHEN YOU CARE ABOUT SOMEONE.
1281
01:07:46,399 --> 01:07:48,601
YOU SHOW UP
AND YOU SIT THERE.
1282
01:07:48,635 --> 01:07:50,503
SHERRY...
1283
01:07:50,537 --> 01:07:51,604
BUT YOU DON'T KNOW
ANYTHING ABOUT THAT
DO YOU?
1284
01:07:51,638 --> 01:07:53,340
[LIZ WHISPERS]
SHERRY...
1285
01:07:53,373 --> 01:07:55,675
[LIZ]
I'M UPSET.
LET ME TALK.
1286
01:07:55,709 --> 01:07:57,711
WE WAITED
FOR YOU ALL DAY.
1287
01:07:57,744 --> 01:08:00,513
YOU DIDN'T EVEN CALL.
1288
01:08:00,547 --> 01:08:04,417
JUST LIKE WE WERE WAITING
FOR YOU AT YOUR OWN PARTY.
1289
01:08:04,451 --> 01:08:06,753
WE PLANNED THAT PARTY
FOR A MONTH.
1290
01:08:06,786 --> 01:08:09,322
YOUR MOTHER
WAS HEARTBROKEN.
1291
01:08:11,524 --> 01:08:12,759
IF THIS WERE YOU,
1292
01:08:12,792 --> 01:08:15,395
SHE WOULD BE GLUED
TO YOUR SIDE.
1293
01:08:15,428 --> 01:08:18,398
[VOICES ECHO]
1294
01:08:18,431 --> 01:08:20,266
I DON'T KNOW
WHAT ELSE TO DO.
1295
01:08:20,300 --> 01:08:22,469
YOUR MOTHER WAS
HEARTBROKEN.
1296
01:09:06,579 --> 01:09:08,548
JULES. HEY.
1297
01:09:08,581 --> 01:09:11,217
I WAS HOPING
I'D RUN INTO YOU.
1298
01:09:11,251 --> 01:09:13,219
MY DEAR FRIEND,
KYRA KNOWS YOU.
1299
01:09:13,253 --> 01:09:15,689
YEAH, YOU AUDITIONED
FOR HER AS A MAN,
OR SOMETHING.
1300
01:09:15,722 --> 01:09:17,424
OH, NO, BUT YEAH.
1301
01:09:17,457 --> 01:09:19,492
ANYWAYS, SHE'S
PRODUCING THIS FILM
1302
01:09:19,526 --> 01:09:21,728
AND I READ THE SCRIPT
AND I WAS THINKING OF YOU.
1303
01:09:21,761 --> 01:09:25,265
THERE'S THIS PART,
IT'S JUST LIKE THE PART
YOU PLAYED IN THE PLAY.
1304
01:09:25,298 --> 01:09:27,267
AND THEY'RE HAVING
ALL THIS TROUBLE GETTING
THE FILM MADE
1305
01:09:27,300 --> 01:09:28,601
AND THEY'RE
RECASTING.
1306
01:09:28,635 --> 01:09:30,437
OKAY, SO RAVED
ABOUT YOU.
1307
01:09:30,470 --> 01:09:32,238
SO JULES JENSON,
RIGHT?
1308
01:09:32,272 --> 01:09:33,673
-YEAH.
-OKAY.
1309
01:09:33,707 --> 01:09:35,709
WELL, SHE'S
GONNA CALL YOU.
1310
01:09:35,742 --> 01:09:37,444
[GIGGLES]
1311
01:09:37,477 --> 01:09:38,611
THANK YOU.
1312
01:09:38,645 --> 01:09:40,280
BREAK A LEG.
1313
01:09:44,584 --> 01:09:46,753
[MUSIC PLAYS]
1314
01:09:59,366 --> 01:10:02,268
[PHONE BUZZES]
1315
01:10:08,808 --> 01:10:10,777
[WHIRRING]
1316
01:10:39,539 --> 01:10:41,708
* WHAT IS RIGHT
AND WHAT IS WRONG? *
1317
01:10:41,741 --> 01:10:43,843
* BY THE LAW, BY THE LAND
1318
01:10:43,877 --> 01:10:45,845
* WHAT IS RIGHT
AND WHAT IS WRONG? *
1319
01:10:45,879 --> 01:10:47,681
* BY THE LAW
1320
01:10:51,418 --> 01:10:53,787
I CAN'T GET READY
WITH YOU WATCHING ME.
1321
01:10:53,820 --> 01:10:56,656
* TELL HER STAY
1322
01:10:56,690 --> 01:11:01,795
* AND LIGHTER SCHEMES ALONE
ADORE THE RISING SUN *
1323
01:11:01,828 --> 01:11:04,798
* AND LEAVE A GIRL UNDONE,
TO HER FATE *
1324
01:11:04,831 --> 01:11:08,368
* TO HER FATE AND LEAVE
A GIRL UNDONE... *
1325
01:11:08,401 --> 01:11:09,736
[SIGHS]
1326
01:11:16,576 --> 01:11:18,678
HI, GUYS, HI.
1327
01:11:18,712 --> 01:11:19,746
-HEY.
-HEY.
1328
01:11:19,779 --> 01:11:20,814
I KNOW YOU.
1329
01:11:20,847 --> 01:11:22,716
THIS IS JULES JENSON.
1330
01:11:22,749 --> 01:11:24,484
I'M NOT SURE
WHAT CHOICES YOU MADE
FOR THIS,
1331
01:11:24,517 --> 01:11:25,685
BUT I CAN TELL YOU
RIGHT NOW
1332
01:11:25,719 --> 01:11:29,122
THE WIG IS NOT RIGHT
FOR THIS ROLE.
1333
01:11:29,155 --> 01:11:30,724
SO... WELL.
1334
01:11:30,757 --> 01:11:33,526
SEE I HAD
THIS BRILLIANT IDEA
TO DYE MY HAIR,
1335
01:11:33,560 --> 01:11:35,128
AND THEN IT TURNED OUT
TO BE AN AWFUL IDEA.
1336
01:11:35,161 --> 01:11:36,429
SO...
1337
01:11:36,463 --> 01:11:37,931
UM...
1338
01:11:37,964 --> 01:11:39,866
I'LL JUST TAKE IT OFF.
1339
01:11:42,435 --> 01:11:44,437
ALL RIGHT.
WE'RE TAPING THIS.
1340
01:11:44,471 --> 01:11:45,972
BRECK IS PLAYING
THE ROLE OF ZACH
IN THE FILM.
1341
01:11:46,006 --> 01:11:48,708
SO YOU'LL BE READING
WITH HIM.
1342
01:11:48,742 --> 01:11:50,377
-YOU READY?
-YEAH.
1343
01:11:53,913 --> 01:11:58,618
SHE'S SERIOUS, ZACH.
SHE'S GOING TO MAKE ME
GO TO COLORADO.
1344
01:11:58,651 --> 01:12:00,653
AH. CAN I START AGAIN?
1345
01:12:00,687 --> 01:12:03,456
SURE.
1346
01:12:03,490 --> 01:12:07,627
[SIGHS]
1347
01:12:07,660 --> 01:12:08,895
SHE'S SERIOUS, ZACH.
1348
01:12:08,928 --> 01:12:12,599
SHE'S GOING TO MAKE ME
GO TO COLORADO.
1349
01:12:12,632 --> 01:12:14,601
SHE'S SERIOUS, ZACH.
1350
01:12:14,634 --> 01:12:16,636
SHE'S GOING TO MAKE ME
TO GO COLORADO.
1351
01:12:16,670 --> 01:12:19,005
SHE...
1352
01:12:19,039 --> 01:12:20,774
I KNOW
MY LINES, I DO.
1353
01:12:20,807 --> 01:12:22,742
I KNOW THEM.
1354
01:12:22,776 --> 01:12:24,744
CAN I START AGAIN?
1355
01:12:24,778 --> 01:12:25,945
ONE MORE TIME.
1356
01:12:31,785 --> 01:12:33,753
SHE'S SERIOUS, ZACH.
1357
01:12:33,787 --> 01:12:35,455
SHE'S GOING TO MAKE ME
GO TO COLORADO.
1358
01:12:35,488 --> 01:12:36,990
SHE'S SERIOUS, ZACH!
1359
01:12:37,023 --> 01:12:38,658
SHE'S GOING--
SHE WANTS ME--
1360
01:12:38,692 --> 01:12:40,660
SHE'S GOING TO MAKE US--
1361
01:12:40,694 --> 01:12:42,696
FUCK.
1362
01:12:42,729 --> 01:12:43,963
FUCK!
1363
01:12:43,997 --> 01:12:46,199
SORRY.
1364
01:12:46,232 --> 01:12:47,867
[PANTING]
1365
01:12:47,901 --> 01:12:48,902
SORRY.
1366
01:12:48,935 --> 01:12:50,804
UHH...
1367
01:12:53,039 --> 01:12:57,610
GOD, I'M TRYING NOT
TO APOLOGIZE ALL THE TIME
BECAUSE IT'S WEAK...
1368
01:12:57,644 --> 01:12:59,879
UM, I SHOULD THOUGH
IN THIS CASE.
1369
01:12:59,913 --> 01:13:01,514
SO I'M SORRY.
1370
01:13:01,548 --> 01:13:02,916
I...
1371
01:13:02,949 --> 01:13:04,651
IT'S JUST...
1372
01:13:04,684 --> 01:13:06,920
UM...
1373
01:13:06,953 --> 01:13:10,423
I CAN'T FOCUS.
1374
01:13:12,025 --> 01:13:13,626
IT'S JUST...
1375
01:13:13,660 --> 01:13:16,896
LOOK, MY MOM'S
IN A COMA.
1376
01:13:16,930 --> 01:13:18,698
AND THEY DON'T KNOW
IF SHE'S GONNA WAKE UP.
1377
01:13:18,732 --> 01:13:20,533
AND I...
1378
01:13:22,969 --> 01:13:24,738
SHE'S LIKE THE STRONGEST
WOMAN I KNOW.
1379
01:13:24,771 --> 01:13:28,041
AND I...
1380
01:13:28,074 --> 01:13:32,846
JUST NEED HER TO WAKE UP
BECAUSE SHE HAS TO.
1381
01:13:32,879 --> 01:13:34,581
WHY DON'T YOU
COME BACK?
1382
01:13:34,614 --> 01:13:37,917
NO. NO, NO.
I CAN DO THIS.
1383
01:13:37,951 --> 01:13:39,986
I'M GONNA DO THIS.
1384
01:13:40,020 --> 01:13:41,955
BECAUSE OTHERWISE
EVERYTHING ELSE I'VE DONE
IS FOR NOTHING.
1385
01:13:41,988 --> 01:13:44,691
SO...
1386
01:13:44,724 --> 01:13:46,760
I JUST AM...
1387
01:13:46,793 --> 01:13:49,896
I FEEL LIKE I'M GONNA
BE SICK FOR A SECOND.
1388
01:13:49,929 --> 01:13:52,065
[PANTING]
1389
01:13:52,098 --> 01:13:53,800
FUCK.
1390
01:13:53,833 --> 01:13:56,503
[CRIES]
FUCK.
1391
01:13:56,536 --> 01:13:58,571
[SOBBING]
1392
01:13:58,605 --> 01:14:01,708
SHE'S MY MOM,
AND I RUN.
1393
01:14:01,741 --> 01:14:05,645
[SOBBING]
1394
01:14:38,645 --> 01:14:40,947
SHE'S SERIOUS, ZACH.
1395
01:14:47,354 --> 01:14:51,624
SHE'S GOING TO MAKE ME
GO TO COLORADO.
1396
01:14:51,658 --> 01:14:53,660
SHE THINKS IT'LL HELP
WITH OUR RELATIONSHIP.
1397
01:14:57,597 --> 01:15:00,767
BUT IF WE GET MARRIED,
THEN I WON'T HAVE TO GO.
1398
01:15:03,870 --> 01:15:07,173
UNLESS YOU WANT
TO LOSE ME.
1399
01:15:07,207 --> 01:15:09,776
ZACH, SAY SOMETHING.
1400
01:15:09,809 --> 01:15:12,979
I THINK YOU SHOULD GO
LIVE WITH YOUR MOM.
1401
01:15:13,013 --> 01:15:16,016
SHE WAS JUST TRYING
TO GET CLOSER TO YOU.
1402
01:15:16,049 --> 01:15:18,184
WHY ARE YOU
DEFENDING HER?
1403
01:15:18,218 --> 01:15:20,687
I'M NOT.
1404
01:15:20,720 --> 01:15:22,589
I JUST THINK
YOU'LL REGRET THIS.
1405
01:15:25,859 --> 01:15:27,727
I JUST THOUGHT
YOU WANTED TO BE WITH ME.
1406
01:15:31,064 --> 01:15:34,668
I'M GONNA LEAVE
SO YOU CAN THINK
ABOUT THIS.
1407
01:15:34,701 --> 01:15:36,703
WAIT, ZACH.
1408
01:15:39,239 --> 01:15:40,907
EVERYTHING'S
SLIPPING AWAY.
1409
01:15:44,244 --> 01:15:47,013
I CAN'T HOLD ON
TO ANYTHING.
1410
01:15:47,047 --> 01:15:49,716
YOU'RE THE ONE THING
IN MY LIFE
1411
01:15:49,749 --> 01:15:51,584
THAT IS GOOD.
1412
01:16:06,733 --> 01:16:08,635
THANK YOU FOR SEEING ME.
1413
01:16:11,705 --> 01:16:13,673
UM...
1414
01:16:13,707 --> 01:16:16,876
I WAS THE ONE
THAT DECORATED YOUR ROOM.
1415
01:16:16,910 --> 01:16:18,945
I'M SORRY
THAT I TRESPASSED.
1416
01:16:28,121 --> 01:16:32,025
I ALSO SPILLED WINE
IN THE LIVING ROOM.
1417
01:16:32,058 --> 01:16:34,194
AND THEN I MOVED SOME
FURNITURE TO COVER IT.
1418
01:16:41,768 --> 01:16:42,969
WOW.
1419
01:17:04,157 --> 01:17:05,959
MOM,
I'M SUPPORTING YOU.
1420
01:17:05,992 --> 01:17:07,127
YOU'RE SUPPORTING CAST.
1421
01:17:07,160 --> 01:17:08,728
ALWAYS SUPPORTING YOU.
1422
01:17:08,762 --> 01:17:09,863
OKAY.
1423
01:17:09,896 --> 01:17:11,865
GET THAT
TORN CORNER, FIRST.
1424
01:17:11,898 --> 01:17:14,067
NEVER PINCH.
1425
01:17:14,100 --> 01:17:17,771
IT GOT A LITTLE WRINKLY.
1426
01:17:17,804 --> 01:17:19,139
MOM, IT MATCHES PERFECTLY.
1427
01:17:19,172 --> 01:17:20,774
DOES IT?
1428
01:17:20,807 --> 01:17:22,942
MOM, IT'S GOOD.
1429
01:17:22,976 --> 01:17:24,277
WE DID IT.
1430
01:17:24,310 --> 01:17:26,880
[LAUGHS]
1431
01:17:45,899 --> 01:17:47,100
HI.
1432
01:17:50,770 --> 01:17:52,939
SO I WENT
TO THE HOSPITAL FIRST,
1433
01:17:52,972 --> 01:17:56,242
FIGURING YOU
MIGHT BE THERE.
1434
01:17:56,276 --> 01:17:58,011
AND I RAN
INTO LIZ AND SHERRY
1435
01:17:58,044 --> 01:18:00,880
AND THEY'RE
FREAKING OUT.
1436
01:18:00,914 --> 01:18:02,716
SAID YOU HADN'T
VISITED YOUR MOM YET.
1437
01:18:06,986 --> 01:18:09,856
YOU GOTTA DEAL
WITH IT.
1438
01:18:09,889 --> 01:18:12,992
YOU GOTTA
GO VISIT HER.
1439
01:18:23,069 --> 01:18:24,938
YOU CAN WEAR IT WHEN YOU--
IT'S LIKE YOU CAN--
1440
01:18:24,971 --> 01:18:26,072
I CAN TEACH YOU
HOW TO DO IT.
1441
01:18:26,106 --> 01:18:28,108
AND YOU CAN DO IT
WHEN YOU PAINT.
1442
01:18:28,141 --> 01:18:30,243
-OH REALLY?
-YEAH, BECAUSE YOU CAN JUST
DO IT REALLY QUICKLY
1443
01:18:30,276 --> 01:18:32,879
-AND THEN...
-JUST KEEPS IT UP
AND OUT OF THE WAY.
1444
01:18:32,912 --> 01:18:34,080
YEAH.
1445
01:18:42,589 --> 01:18:44,991
[PHONE BUZZES]
1446
01:18:45,025 --> 01:18:46,993
[MUTTERS]
1447
01:18:49,162 --> 01:18:50,363
HELLO?
1448
01:18:53,366 --> 01:18:56,036
HI, KYRA.
1449
01:18:56,069 --> 01:18:57,871
UM...
1450
01:18:57,904 --> 01:19:02,075
HMM?
1451
01:19:02,108 --> 01:19:04,110
UH, WHAT?
1452
01:19:07,213 --> 01:19:08,948
YOU'RE--
THEY WHAT?
1453
01:19:12,886 --> 01:19:14,854
YOU'RE--
WAIT, WHAT?
1454
01:19:17,090 --> 01:19:19,893
UH-HUH...
1455
01:19:19,926 --> 01:19:24,030
UH-HUH.
1456
01:19:24,064 --> 01:19:27,867
UH, TOMORROW.
OKAY. YEAH, SURE.
1457
01:19:27,901 --> 01:19:29,269
NO, I'M--
1458
01:19:29,302 --> 01:19:31,137
YES. I'M SURE.
1459
01:19:35,208 --> 01:19:37,410
THANK YOU.
1460
01:19:37,444 --> 01:19:40,080
YEAH, THANK YOU
SO MUCH. BYE.
1461
01:19:40,113 --> 01:19:41,848
[PANTING]
1462
01:19:44,984 --> 01:19:47,954
I GOT THE PART.
1463
01:19:47,987 --> 01:19:50,890
I'M GONNA BE
A LEAD IN A MOVIE.
1464
01:20:46,312 --> 01:20:47,514
BEVERLY JENSON.
1465
01:20:47,547 --> 01:20:49,382
ROOM 205.
1466
01:21:20,447 --> 01:21:22,048
HI, MAMA.
1467
01:21:34,461 --> 01:21:37,163
I GOT A PART
IN A FILM.
1468
01:21:40,600 --> 01:21:44,004
WE'RE FILMING
IN THE NEXT FOUR MONTHS
IN LONDON.
1469
01:21:51,344 --> 01:21:53,146
I'M THE LEAD.
1470
01:22:04,290 --> 01:22:06,192
[SOBBING]
1471
01:22:11,331 --> 01:22:13,199
THEY SAY IT'S
A PRETTY DEMANDING
SCHEDULE,
1472
01:22:13,233 --> 01:22:16,236
BUT I'M GONNA COME BACK
AS OFTEN AS I CAN, OKAY?
1473
01:22:25,512 --> 01:22:28,114
[CRYING]
1474
01:22:36,423 --> 01:22:39,159
ALL RIGHT, FOLKS.
HERE WE ARE. TERMINAL THREE.
1475
01:22:39,192 --> 01:22:41,261
UH.
1476
01:22:48,401 --> 01:22:49,402
YOU OKAY?
1477
01:22:49,436 --> 01:22:51,204
YEAH, UM...
1478
01:23:01,081 --> 01:23:03,316
UM...
1479
01:23:03,350 --> 01:23:07,053
I CAN'T GO.
1480
01:23:08,555 --> 01:23:12,592
I WANT TO STAY HERE
WITH ME MOM.
1481
01:23:14,427 --> 01:23:16,396
REALLY?
1482
01:23:16,429 --> 01:23:18,298
YEAH.
1483
01:23:22,402 --> 01:23:24,571
ARE YOU SURE
ABOUT THIS?
1484
01:23:24,604 --> 01:23:26,406
YEAH.
1485
01:23:29,442 --> 01:23:32,278
OKAY.
1486
01:23:37,550 --> 01:23:39,252
WELL...
1487
01:23:39,285 --> 01:23:41,087
GOOD LUCK.
1488
01:23:42,889 --> 01:23:44,457
THANKS.
1489
01:23:53,433 --> 01:23:55,201
[WHISPERS]
MOM.
1490
01:23:56,336 --> 01:23:59,439
I'M NOT GOING ANYWHERE.
1491
01:24:10,350 --> 01:24:12,652
LOOK, I TALKED TO KYRA.
1492
01:24:16,222 --> 01:24:18,692
SHE LIKES YOU.
1493
01:24:18,725 --> 01:24:22,362
SHE UNDERSTANDS.
1494
01:24:24,164 --> 01:24:25,398
SHE SHOWED ME YOUR TAPE.
1495
01:24:29,235 --> 01:24:30,603
I...
1496
01:24:30,637 --> 01:24:33,206
I THOUGHT IT WAS
INCREDIBLE ACTUALLY.
1497
01:24:37,410 --> 01:24:38,611
THANK YOU.
1498
01:24:42,315 --> 01:24:44,484
I LOST MY MOM
TO CANCER LAST YEAR.
1499
01:24:44,517 --> 01:24:46,286
I GET IT.
1500
01:24:51,224 --> 01:24:53,226
IS THAT WHY
YOU WANTED TO SEE ME?
1501
01:24:56,262 --> 01:24:57,564
I WANTED TO SEE YOU
1502
01:24:57,597 --> 01:24:59,666
BECAUSE I'D LIKE
TO REPRESENT YOU.
1503
01:25:04,237 --> 01:25:07,607
I COULD FAIL
MY NEXT AUDITION.
1504
01:25:07,640 --> 01:25:09,409
THAT'S GREAT.
1505
01:25:10,443 --> 01:25:12,779
WHY IS THAT GREAT?
1506
01:25:12,812 --> 01:25:15,348
WELL, BECAUSE
YOU COULDN'T BEFORE.
1507
01:25:18,585 --> 01:25:21,254
ALL OF THESE PROJECTS
ARE SHOOTING HERE IN LA.
1508
01:25:21,287 --> 01:25:25,191
AND WON'T TAKE YOU AWAY
FROM YOU MOM.
1509
01:25:25,225 --> 01:25:27,727
LET ME KNOW IF YOU RESPOND
TO ANY OF THEM.
1510
01:25:32,265 --> 01:25:34,267
THANK YOU.
1511
01:25:34,300 --> 01:25:37,404
SO... GET THE HELL
OUT OF MY OFFICE,
WOULD YA?
1512
01:25:37,437 --> 01:25:39,172
[GIGGLES]
1513
01:25:47,714 --> 01:25:50,583
I WROTE THIS POEM.
1514
01:25:50,617 --> 01:25:54,421
I MAY NOT BE WORTHY,
BUT AT LEAST I AM ALIVE.
1515
01:25:54,454 --> 01:25:56,456
AND SHE MAY
NEVER WAKE UP.
1516
01:25:56,489 --> 01:25:59,559
BUT AT LEAST
I HAVE TRIED.
1517
01:25:59,592 --> 01:26:01,361
AND IF SHE DOESN'T
WAKE UP
1518
01:26:01,394 --> 01:26:03,630
BY THEN
I'LL HAVE DIED.
1519
01:26:03,663 --> 01:26:05,699
BUT FOR NOW
I MIGHT BE WORTHY.
1520
01:26:05,732 --> 01:26:08,234
AND FOR NOW
I AM ALIVE.
1521
01:26:11,471 --> 01:26:15,475
* OH, I DON'T WEAR A CROWN
THAT YOU CAN SEE *
1522
01:26:16,643 --> 01:26:18,578
* AND THE ONLY GOWN I OWN
1523
01:26:18,611 --> 01:26:21,848
* MY MAMA MADE
WHEN I WAS 17 *
1524
01:26:21,881 --> 01:26:24,384
* NO, I SIMPER
WITHIN MY FEET *
1525
01:26:24,417 --> 01:26:27,354
* BUT I GO BAREFOOT ANYWAY
1526
01:26:29,756 --> 01:26:32,525
* AND MY HORSE DON'T
HAVE A CARRIAGE *
1527
01:26:32,559 --> 01:26:35,762
* BUT OH HE'S
STRONG AND BRAVE *
1528
01:26:35,795 --> 01:26:37,697
* SO YOU MIGHT
LOOK AT ME *
1529
01:26:37,731 --> 01:26:41,735
* AND NOT THINK
MUCH AT ALL *
1530
01:26:41,768 --> 01:26:44,404
* AND YOU MIGHT THINK
THAT CASTLES *
1531
01:26:44,437 --> 01:26:46,639
* ONLY COME BIG
AND TALL *
1532
01:26:46,673 --> 01:26:48,742
* YOU MIGHT DISAGREE
WITH MY MAMA *
1533
01:26:48,775 --> 01:26:52,245
* BUT WE HAVE ALL
WE COULD EVER WANT *
1534
01:26:54,714 --> 01:26:57,484
* AND YOU MIGHT LAUGH
BUT I DARE THINK *
1535
01:26:57,517 --> 01:27:00,620
* THESE HIGH
AND MIGHTY THOUGHTS *
1536
01:27:00,653 --> 01:27:03,823
* BUT WHEN I WALK
THROUGH MY KINGDOM *
1537
01:27:03,857 --> 01:27:06,626
* ALL THE GRASSES BOW
1538
01:27:06,659 --> 01:27:08,828
* THE BIRDS ANNOUNCE
MY ARRIVAL *
1539
01:27:08,862 --> 01:27:12,465
* AND WHEN I LEAVE
THE COYOTES HOWL *
1540
01:27:14,467 --> 01:27:16,870
* I WAVE
AT MY LOYAL TREES *
1541
01:27:16,903 --> 01:27:20,707
* AND THEY WAVE BACK
WITH A BREEZE *
1542
01:27:20,740 --> 01:27:25,578
* AND SOME DAYS IT SEEMS
THE SUNSHINE'S JUST FOR ME *
1543
01:27:25,612 --> 01:27:27,313
* NO ONE ELSE KNOWS
1544
01:27:27,347 --> 01:27:30,316
* BUT I'M A PRINCESS
OF THIS PRAIRIE *
1545
01:27:35,488 --> 01:27:37,691
* DADDY WORKED SO HARD
1546
01:27:37,724 --> 01:27:40,560
* AND NEVER DID
EARN MUCH *
1547
01:27:40,593 --> 01:27:42,796
* BUT WHEN HE CAME
HOME AT NIGHT *
1548
01:27:42,829 --> 01:27:46,533
* HE RULED HIS HOUSE
WITH LOVE *
1549
01:27:46,566 --> 01:27:49,669
* HE AND MAMA SAID
THERE WAS NOTHING *
1550
01:27:49,703 --> 01:27:51,905
* THAT I COULDN'T DO
1551
01:27:55,141 --> 01:27:57,410
* WITH ONE SMILE
1552
01:27:57,444 --> 01:28:00,747
* I COULD CHANGE
THE ENTIRE WORLD *
1553
01:28:00,780 --> 01:28:03,950
* BUT WHEN I WALK
THROUGH MY KINGDOM *
1554
01:28:03,983 --> 01:28:06,586
* ALL THE GRASSES BOW
1555
01:28:06,619 --> 01:28:08,688
* THE BIRDS ANNOUNCE
MY ARRIVAL *
1556
01:28:08,722 --> 01:28:12,726
* AND WHEN I LEAVE
THE COYOTES HOWL *
1557
01:28:13,993 --> 01:28:16,730
* I WAVE
AT MY LOYAL TREES *
1558
01:28:16,763 --> 01:28:20,567
* AND THEY WAVE BACK
WITH A BREEZE *
1559
01:28:20,600 --> 01:28:25,438
* AND TO ME MY MAMA
AND DADDY ARE ROYALTY *
1560
01:28:25,472 --> 01:28:26,840
* NO ONE ELSE KNOWS
1561
01:28:26,873 --> 01:28:29,843
* BUT I'M A PRINCESS
OF THIS PRAIRIE *
1562
01:28:33,813 --> 01:28:35,415
* I'M TELLING YOU
1563
01:28:35,448 --> 01:28:38,385
* KINGS AND QUEENS...
1564
01:28:38,418 --> 01:28:42,589
* DEAR LITTLE FIREFLY,
CAN I CAPTURE YOU? *
1565
01:28:42,622 --> 01:28:45,592
* COME TAKE A SEAT
IN MY MASON JAR *
1566
01:28:45,625 --> 01:28:47,827
* I WANNA RAP TO YOU
1567
01:28:47,861 --> 01:28:51,598
* TONIGHT I AM
YOUR RAGING GOD *
1568
01:28:51,631 --> 01:28:53,433
* IN THE BACKYARD
OF A BOUGH *
1569
01:28:53,466 --> 01:28:56,970
* WHERE CRICKET SPIRITS
CHARM THE DARK *
1570
01:28:57,003 --> 01:29:00,807
* I'M MULLING OVER
THE MYTH OF A MAN *
1571
01:29:00,840 --> 01:29:02,676
* IN THE MIDDLE OF MY MIND
1572
01:29:02,709 --> 01:29:06,179
* HUMAN SIRENS
MADE OF LONGING LIGHT *
1573
01:29:06,212 --> 01:29:08,415
* WE TOSS OUR GRINS
1574
01:29:08,448 --> 01:29:10,784
* TOWARDS THE CORNER
OF OUR EYES *
1575
01:29:10,817 --> 01:29:12,686
* GATHERED IN A KISS
1576
01:29:12,719 --> 01:29:16,489
* A MORSEL OF FIRE
1577
01:29:16,523 --> 01:29:18,658
* I WANT YOU
1578
01:29:18,692 --> 01:29:20,994
* SO BE BRAVE
1579
01:29:21,027 --> 01:29:23,596
* THE HEART IS WILD
1580
01:29:23,630 --> 01:29:25,899
* LET'S NOT BEHAVE
1581
01:29:25,932 --> 01:29:28,468
* I WANT YOU
1582
01:29:28,501 --> 01:29:30,770
* SO BE BRAVE
1583
01:29:30,804 --> 01:29:33,039
* THE HEART IS WILD
1584
01:29:33,073 --> 01:29:34,774
* LET'S NOT BEHAVE
1585
01:29:44,684 --> 01:29:48,588
* BURNING SHELTERS
MADE OF SKIN *
1586
01:29:48,621 --> 01:29:51,658
* YOUR MOAN IS
A MEMORIZED POEM *
1587
01:29:51,691 --> 01:29:53,960
* FLOWING FROM THE HEART
1588
01:29:53,993 --> 01:29:58,665
* A RIVER
OF BLUE VIOLET FLAME *
1589
01:29:58,698 --> 01:30:00,767
* I'M DRIBBLING LOVE
1590
01:30:00,800 --> 01:30:02,702
* I'M TREMBLING DRUNK
1591
01:30:04,504 --> 01:30:06,673
* I WANT YOU
1592
01:30:06,706 --> 01:30:08,975
* SO BE BRAVE
1593
01:30:09,009 --> 01:30:11,578
* THE HEART IS WILD
1594
01:30:11,611 --> 01:30:13,847
* LET'S NOT BEHAVE
1595
01:30:13,880 --> 01:30:16,049
* I WANT YOU
1596
01:30:16,082 --> 01:30:18,718
* SO BE BRAVE
1597
01:30:18,752 --> 01:30:20,954
* THE HEART IS WILD
1598
01:30:20,987 --> 01:30:22,722
* LET'S NOT BEHAVE
1599
01:30:27,994 --> 01:30:30,563
* WELCOME
TO OUR PAST LIVES *
1600
01:30:30,597 --> 01:30:32,065
* NEVER REALIZED
1601
01:30:37,737 --> 01:30:40,674
* WELCOME
TO OUR PAST LIVES *
1602
01:30:40,707 --> 01:30:42,842
* NEVER REALIZED
1603
01:30:42,876 --> 01:30:45,011
* I WANT YOU
1604
01:30:45,045 --> 01:30:47,714
* SO BE BRAVE
1605
01:30:47,747 --> 01:30:49,949
* THE HEART IS WILD
1606
01:30:49,983 --> 01:30:52,285
* LET'S NOT BEHAVE
1607
01:30:52,318 --> 01:30:54,688
* I WANT YOU
1608
01:30:54,721 --> 01:30:56,990
* SO BE BRAVE
1609
01:30:57,023 --> 01:30:59,592
* THE HEART IS WILD
1610
01:30:59,626 --> 01:31:01,995
* LET'S NOT BEHAVE
1611
01:31:02,028 --> 01:31:06,599
* DEAR LITTLE FIREFLY
CAN I CAPTURE YOU? *
1612
01:31:06,633 --> 01:31:09,936
* COME TAKE A SEAT
IN MY MASON JAR *
1613
01:31:09,969 --> 01:31:12,706
* I WANNA RAP TO YOU.
102227
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