Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:09,600 --> 00:01:11,440
But if you want one that really kicks,
2
00:01:11,520 --> 00:01:13,1000
check this out. It's the Kurtz & Core 800
3
00:01:13,1000 --> 00:01:14,960
Music Workstation.
4
00:01:16,560 --> 00:01:19,480
Sweet. Full MIDI interface, 400
5
00:01:19,480 --> 00:01:22,320
voices, 128 tracks, and 60
6
00:01:22,320 --> 00:01:25,200
gigs of memory. How much for all this?
7
00:01:25,520 --> 00:01:27,960
You got a car?Sell it.
8
00:01:28,400 --> 00:01:30,400
Hey, I was gonna buy that. Well, that's
9
00:01:30,400 --> 00:01:32,360
tough. I'm doing my own inventory.
10
00:01:33,840 --> 00:01:36,080
Dude, if he wants to buy the... Hey, man,
11
00:01:36,080 --> 00:01:36,880
you don't work here.
12
00:01:39,200 --> 00:01:41,760
No foolish, Sherlock. Bam!
13
00:01:42,160 --> 00:01:44,800
Another metahuman freakout. Time for this
14
00:01:44,800 --> 00:01:45,840
hero to get on the ball.
15
00:01:49,1000 --> 00:01:52,560
The name's Replicon. I can be
16
00:01:52,680 --> 00:01:55,600
anyone or anything. All I gotta
17
00:01:55,600 --> 00:01:56,400
do is this.
18
00:02:00,640 --> 00:02:02,160
Then I can squash you like a bug.
19
00:02:07,1000 --> 00:02:08,240
Uh-oh.
20
00:02:13,520 --> 00:02:16,160
Adam. Static. Adam?
21
00:02:16,680 --> 00:02:19,600
Marvin?You
22
00:02:19,600 --> 00:02:21,600
know each other?He and I were producing
23
00:02:21,600 --> 00:02:23,680
partners back in the day. Yo, Marv,
24
00:02:23,680 --> 00:02:25,800
reality check. We were stock clerks at
25
00:02:25,800 --> 00:02:28,560
Stone Gas, a record store. We just jammed
26
00:02:28,560 --> 00:02:30,360
sometimes after work till I figured out
27
00:02:30,360 --> 00:02:32,640
he was all talk and no walk. Well, why
28
00:02:32,640 --> 00:02:35,040
walk?When you can fly.
29
00:02:49,200 --> 00:02:51,920
Come on, he's getting away. Talk about
30
00:02:51,920 --> 00:02:52,560
heavy metal.
31
00:02:55,1000 --> 00:02:58,160
Which way did he go?Don't know. You try
32
00:02:58,160 --> 00:02:58,560
to park.
33
00:03:01,920 --> 00:03:03,200
It's not easy to hide something that
34
00:03:03,200 --> 00:03:03,440
ugly. You
35
00:03:08,720 --> 00:03:10,560
can't catch me, fly boy. Well,
36
00:03:17,200 --> 00:03:19,360
is that a yawn or an elephant mating call?
37
00:03:19,520 --> 00:03:22,320
Sorry, man. I didn't get much sleep last
38
00:03:22,320 --> 00:03:25,280
night. Uh, all that overtime patrol, huh
39
00:03:25,760 --> 00:03:27,760
That was nothing. I had to listen to
40
00:03:27,760 --> 00:03:29,840
Sharon play Adam's music all night long.
41
00:03:30,640 --> 00:03:33,080
My hands sore from banging on the wall. I
42
00:03:33,080 --> 00:03:34,480
thought you liked Adam's beats. My
43
00:03:34,720 --> 00:03:36,320
brother gets tired of hearing the same
44
00:03:36,320 --> 00:03:38,960
song over and over. Even country would
45
00:03:38,960 --> 00:03:40,960
have been a nice change of pace. And now
46
00:03:41,040 --> 00:03:42,320
you know what you can get Sharon for her
47
00:03:42,320 --> 00:03:45,280
birthday: a set of headphones. Yeah,
48
00:03:45,280 --> 00:03:45,1000
and a muzzle.
49
00:03:49,920 --> 00:03:52,880
Daisy, what are you doing?Mr. C told us
50
00:03:52,880 --> 00:03:55,280
to update the class website. With 10
51
00:03:55,280 --> 00:03:57,560
pages on the Backstreet Boys?We're not
52
00:03:57,560 --> 00:03:59,240
doing a fan magazine. We're supposed to
53
00:03:59,240 --> 00:04:01,640
be writing news. This isn't news. It's a
54
00:04:01,640 --> 00:04:03,600
feature article about the impact popular
55
00:04:03,600 --> 00:04:05,920
music has on society. We're just using
56
00:04:05,920 --> 00:04:08,560
the Backstreet Boys as an example. Click
57
00:04:08,560 --> 00:04:10,840
here for Nick's new haircut. Kevin and
58
00:04:10,840 --> 00:04:13,280
Brian's weddings, Howie's acting job,
59
00:04:13,920 --> 00:04:16,560
and of course, AJ's tattoos.
60
00:04:19,600 --> 00:04:20,880
You think we're just a couple of
61
00:04:20,880 --> 00:04:22,920
mindless, giggling fans, don't you?You
62
00:04:22,920 --> 00:04:25,360
know, I find that insulting. Insulting
63
00:04:25,360 --> 00:04:28,160
and demeaning. Okay, okay, sorry.
64
00:04:28,640 --> 00:04:31,520
Honest, we apologize. Well, you'd better.
65
00:04:32,560 --> 00:04:34,560
Though, I do think AJ looks better with
66
00:04:34,560 --> 00:04:36,720
just the mustache. Definitely, you know
67
00:04:36,720 --> 00:04:38,800
that's why I don't mind... Hey,
68
00:04:39,720 --> 00:04:40,320
wait a minute.
69
00:04:46,240 --> 00:04:47,880
Open the jar. Open the jar.
70
00:04:51,1000 --> 00:04:52,1000
Everybody... Oh...
71
00:04:56,960 --> 00:04:59,640
HuhThe phone.
72
00:05:00,640 --> 00:05:03,240
This is Chef Virgin. Virgil, it's Adam.
73
00:05:03,440 --> 00:05:05,840
Is Sharon there?No, she's not. Can't you
74
00:05:05,840 --> 00:05:08,360
tell by my good moves?Shoot. I left
75
00:05:08,360 --> 00:05:10,400
Sharon my new demo CD, but I need it back
76
00:05:10,480 --> 00:05:12,720
now. Well, I can bring it.
77
00:05:15,920 --> 00:05:18,880
Anna?Okay,
78
00:05:18,880 --> 00:05:20,440
I'll give you the directions, but you've
79
00:05:20,440 --> 00:05:22,080
got to come by yourself, understand?
80
00:05:23,920 --> 00:05:26,880
This must be it. Why all the secrecy?
81
00:05:29,920 --> 00:05:31,760
Subrosa Studios. Help me I direct your
82
00:05:31,760 --> 00:05:34,360
call. Subrosa Studios. One moment,
83
00:05:34,360 --> 00:05:37,280
please. Subrosa Studios. No, Mr.
84
00:05:37,280 --> 00:05:39,360
Biggs can be reached at D-Town Records.
85
00:05:39,800 --> 00:05:42,560
Subrosa Studios. Got the CD?Right
86
00:05:42,560 --> 00:05:44,1000
here. Thanks, man. Catch you later. Oh, I
87
00:05:44,1000 --> 00:05:46,400
didn't know there was a recording studio
88
00:05:46,400 --> 00:05:48,480
here. Yeah, it's kind of a trade secret
89
00:05:48,480 --> 00:05:50,680
now, if you don't mind. Slow down. I want
90
00:05:50,680 --> 00:05:53,200
to check it out. Yo, Adam, you got them
91
00:05:53,200 --> 00:05:55,920
tunes yet?Whoa. Yo, A.J.
92
00:05:55,920 --> 00:05:58,400
McClain, you're a Backstreet Boy.
93
00:05:58,720 --> 00:06:00,720
Right on both counts. Now, let me guess,
94
00:06:00,800 --> 00:06:03,760
you have all our CDs. Well, actually,
95
00:06:03,760 --> 00:06:06,760
no. But all the girls
96
00:06:06,760 --> 00:06:08,480
at school, they're crazy about you.
97
00:06:08,880 --> 00:06:11,040
That's cool. Well, I'll catch you later.
98
00:06:11,680 --> 00:06:13,920
One question. Why are you with him?We're
99
00:06:14,480 --> 00:06:16,160
thinking about using one of Adam's songs
100
00:06:16,160 --> 00:06:18,960
on our next CD. AJ McClain to Studio One.
101
00:06:19,200 --> 00:06:19,600
Later.
102
00:06:23,120 --> 00:06:25,840
No way! Adam, this could be it for you,
103
00:06:25,840 --> 00:06:28,240
man. I know. That's why we gotta keep
104
00:06:28,240 --> 00:06:30,240
this on the down low. No one knows AJ is
105
00:06:30,240 --> 00:06:31,1000
in town, and I want it to stay that way.
106
00:06:32,480 --> 00:06:35,120
Got it. No problem. Trust me, my lips are
107
00:06:35,120 --> 00:06:37,600
sealed. Richie, you will not
108
00:06:37,600 --> 00:06:39,040
believe who I just saw.
109
00:06:43,200 --> 00:06:45,600
No, I'm telling you, he's going to want
110
00:06:45,600 --> 00:06:48,280
to see me. I got my demo right here. The
111
00:06:48,320 --> 00:06:51,320
name's Marvin Roper. I don't care
112
00:06:51,320 --> 00:06:53,280
if you're Stevie Wonder. You don't have
113
00:06:53,280 --> 00:06:55,280
an appointment. You don't see Mr. Biggs.
114
00:06:55,680 --> 00:06:57,120
Now leave the building or we will have to
115
00:06:57,120 --> 00:06:59,760
call the police. Oh, yeahWell,
116
00:06:59,760 --> 00:07:01,920
someday I'm gonna run this joint, and you
117
00:07:01,920 --> 00:07:03,120
two are gonna be sorry.
118
00:07:10,080 --> 00:07:12,960
Mr. Biggs?Hey, boys. Earning your pay?
119
00:07:13,120 --> 00:07:15,760
Keeping the riffraff out?Uh, yes, sir.
120
00:07:16,080 --> 00:07:18,880
Good. By the way, you're fired.
121
00:07:32,720 --> 00:07:34,840
Adam's got it, Lester. I'd sign him if I
122
00:07:34,840 --> 00:07:37,280
were you. That's how I pray it's coming
123
00:07:37,280 --> 00:07:40,080
from A.J. McClain. Hi, Rita Velasquez,
124
00:07:40,080 --> 00:07:42,680
Artists and Relations. So, Adam, do you
125
00:07:42,680 --> 00:07:45,360
have a demo tape or a CD?Right here.
126
00:07:45,600 --> 00:07:47,760
I'm telling you, it's hot. I'll give it a
127
00:07:47,760 --> 00:07:49,600
listen and we'll talk later, okay?
128
00:07:51,200 --> 00:07:53,440
Excuse me. Yo, J-Lo.
129
00:07:54,400 --> 00:07:56,720
Thanks, man. Glad to help. I hope it all
130
00:07:56,720 --> 00:07:57,280
works out.
131
00:08:01,280 --> 00:08:02,480
Not if I couldn't open.
132
00:08:08,520 --> 00:08:10,320
And while the Backstreet Boys may not be
133
00:08:10,320 --> 00:08:12,640
fully appreciated by a very few of our
134
00:08:12,720 --> 00:08:15,600
more close-minded, immature reactionary
135
00:08:16,720 --> 00:08:18,720
mm-hmm peers, clearly they have become
136
00:08:18,720 --> 00:08:20,400
the preeminent musical performers of
137
00:08:20,400 --> 00:08:22,440
their generation. Still working on your
138
00:08:22,440 --> 00:08:24,880
Backstreet Boys shrine?We're busy,
139
00:08:24,880 --> 00:08:27,440
Richie. It's too bad, 'cause I know
140
00:08:27,440 --> 00:08:29,520
something about a certain group that you
141
00:08:29,520 --> 00:08:32,080
might want to hear. But I ain't talkin'.
142
00:08:35,400 --> 00:08:36,960
What could you possibly know about the
143
00:08:36,960 --> 00:08:38,440
Backstreet Boys that we don't
144
00:08:40,960 --> 00:08:43,440
know?location. What do you mean?
145
00:08:43,920 --> 00:08:46,720
HuhI will say no more. Yep. Once I
146
00:08:46,720 --> 00:08:48,560
lock a secret in the old Foley vault, it
147
00:08:48,560 --> 00:08:49,600
stays locked.
148
00:08:51,680 --> 00:08:54,120
Mm-hmmWell, then... Who's up for a
149
00:08:54,120 --> 00:08:55,120
cheeseburger?
150
00:09:01,600 --> 00:09:04,400
That looks good. Hey,
151
00:09:04,400 --> 00:09:06,920
we're eating in an hour. Yeah, I saw what
152
00:09:06,920 --> 00:09:08,440
you were making. I'm building up my
153
00:09:08,480 --> 00:09:11,280
strength. Oh, Daisy
154
00:09:11,280 --> 00:09:13,520
called. Something about a big scoop.
155
00:09:20,400 --> 00:09:23,120
What are you doing?Logging onto the class
156
00:09:23,120 --> 00:09:25,360
website. You can't do that. Uh, the whole
157
00:09:25,360 --> 00:09:27,520
site crashed. Trust me, there's nothing
158
00:09:27,520 --> 00:09:29,840
to see. Richie, let go of the chair.
159
00:09:32,640 --> 00:09:34,640
Uh, see, Vee, it's like this. You're with
160
00:09:34,640 --> 00:09:36,440
friends, you relax a little, next thing
161
00:09:36,440 --> 00:09:39,040
you know.. Richie?You told him about
162
00:09:39,040 --> 00:09:41,920
AJ?Me?No. 'Course not.
163
00:09:42,160 --> 00:09:44,720
Informed sources indicate that AJ McClain
164
00:09:44,720 --> 00:09:46,920
is here in Dakota. Richie! That's another
165
00:09:46,920 --> 00:09:49,040
confirmed rumor, that's all. They posted
166
00:09:49,040 --> 00:09:51,560
the address of the recording studio. It's
167
00:09:51,560 --> 00:09:53,200
not my fault. Daisy and Frieda, they
168
00:09:53,200 --> 00:09:55,040
forced me to talk. It was a double chili
169
00:09:55,040 --> 00:09:56,640
cheeseburger with grilled onions.
170
00:10:08,360 --> 00:10:10,800
I'm gonna get Virgil. I'm so gonna get
171
00:10:10,800 --> 00:10:12,560
him. Lester, we have a real situation
172
00:10:12,560 --> 00:10:14,240
here. What if they wrecked the studio?
173
00:10:14,480 --> 00:10:15,1000
Think of the expense. Think of the
174
00:10:15,1000 --> 00:10:18,080
lawsuits. Think of the publicity.
175
00:10:18,960 --> 00:10:20,800
In Dakota Today, Agent McLean and his new
176
00:10:20,800 --> 00:10:22,640
discovery, Adam Evans, were surrounded by
177
00:10:22,640 --> 00:10:25,360
devoted fans. Lester,
178
00:10:25,520 --> 00:10:28,080
cancel the call to 9-1-1 to send a
179
00:10:28,080 --> 00:10:30,080
photographer. They're the back way out.
180
00:10:30,560 --> 00:10:31,280
Lead on.
181
00:10:43,199 --> 00:10:46,199
That's him. Okay, let's be
182
00:10:46,199 --> 00:10:48,799
cool. Remember, we're members of the
183
00:10:48,799 --> 00:10:51,319
press. Right. Total professionals.
184
00:10:59,919 --> 00:11:02,239
Run! I'll hold him back, if you say so.
185
00:11:15,999 --> 00:11:16,119
Wait.
186
00:11:20,199 --> 00:11:22,759
We're reporters. He's so huge.
187
00:11:23,359 --> 00:11:23,639
I know.
188
00:11:31,119 --> 00:11:32,879
OK. I'm dead.
189
00:11:41,279 --> 00:11:42,719
Thanks for getting me out of there, man.
190
00:11:43,399 --> 00:11:44,959
Guess you get a lot of fans, too. Oh,
191
00:11:44,959 --> 00:11:46,239
yeah. Can't keep them off me.
192
00:11:52,959 --> 00:11:55,319
So, you guys on tour or something?No, I'm
193
00:11:55,359 --> 00:11:56,799
here meeting with this songwriter, Adam
194
00:11:56,799 --> 00:11:59,039
Evans. You ever met him?Uh-huhWhen he's
195
00:11:59,039 --> 00:12:01,199
not writing tunes, he's my sidekick,
196
00:12:01,439 --> 00:12:03,759
Rubber Band Man. That explains the purple
197
00:12:03,759 --> 00:12:05,999
underpants. Anyway, I think Adam's beats
198
00:12:05,999 --> 00:12:07,599
are on the one, and he's great to work
199
00:12:07,599 --> 00:12:09,919
with. Well, I might disagree about the
200
00:12:09,919 --> 00:12:12,239
work with part, but I gotta admit, I like
201
00:12:12,239 --> 00:12:14,719
Adam's music. Anyway, I better jet. Uh,
202
00:12:17,519 --> 00:12:19,839
would you mind?It's for a friend. What's
203
00:12:19,839 --> 00:12:22,519
her name?Uh, just make it out to
204
00:12:22,559 --> 00:12:24,879
V. Thanks.
205
00:12:25,279 --> 00:12:28,239
Anytime. See
206
00:12:28,239 --> 00:12:28,319
ya.
207
00:12:34,799 --> 00:12:37,039
What's up, AJ?Meet AJ.
208
00:12:38,319 --> 00:12:40,599
I can't believe you've lost Adam Evans
209
00:12:40,639 --> 00:12:43,359
and AJ McLean. I didn't lose them. They
210
00:12:43,359 --> 00:12:46,319
ran away. Ran where?How about right here,
211
00:12:46,319 --> 00:12:49,279
Lester, babe?AJ,
212
00:12:49,519 --> 00:12:51,679
where have you been?In my hotel room,
213
00:12:51,679 --> 00:12:54,119
chilling. But I called and called.
214
00:12:54,559 --> 00:12:55,799
Then you must have called the wrong
215
00:12:55,799 --> 00:12:58,719
number, sweetie. HuhSee, I've been
216
00:12:58,719 --> 00:13:00,199
thinking over this Adam Evans deal,
217
00:13:00,199 --> 00:13:02,079
Lester. And you and me got to talk. Ah,
218
00:13:10,919 --> 00:13:13,839
grub. Adam!
219
00:13:14,479 --> 00:13:16,319
Man, I'm sorry for running my big, fat
220
00:13:16,319 --> 00:13:18,079
mouth about AJ, especially to the one
221
00:13:18,079 --> 00:13:19,519
person with a bigger, fatter mouth than
222
00:13:19,519 --> 00:13:19,839
me.
223
00:13:23,199 --> 00:13:25,319
HmmZip it, Virgil. Hey, I'm just trying
224
00:13:25,319 --> 00:13:27,639
to apologize. He doesn't want to hear it
225
00:13:27,639 --> 00:13:30,239
right now. What happened?The deal's off.
226
00:13:30,479 --> 00:13:32,239
A.J. doesn't like my stuff after all.
227
00:13:32,559 --> 00:13:34,559
What?That's what the record company said.
228
00:13:34,559 --> 00:13:36,479
I thought he was feeling me, but I was
229
00:13:36,479 --> 00:13:38,079
getting played like a sucker this whole
230
00:13:38,079 --> 00:13:41,039
time. I can't believe it. Your music's
231
00:13:41,039 --> 00:13:42,279
tight, Adam. There's gotta be some
232
00:13:42,279 --> 00:13:44,639
mistake. Nah. This came straight from the
233
00:13:44,639 --> 00:13:46,559
horse's mouth. No! Adam! What?I'm
234
00:13:47,519 --> 00:13:47,799
number
235
00:13:53,679 --> 00:13:53,799
one.
236
00:14:07,919 --> 00:14:09,999
So, what do you think there, Lesma Man?
237
00:14:10,159 --> 00:14:12,959
Slamming, right?Uh, it's not
238
00:14:13,039 --> 00:14:15,119
quite what I thought it was gonna be. I
239
00:14:15,119 --> 00:14:17,079
hear you, LB. It gets better and better
240
00:14:17,079 --> 00:14:18,919
every time I hear it, too. That's not
241
00:14:18,919 --> 00:14:20,959
what I mean. Do you really like this?
242
00:14:21,039 --> 00:14:22,879
Because it's not what I was expecting to
243
00:14:22,879 --> 00:14:25,039
get from you. Are you dissing this demo?
244
00:14:25,279 --> 00:14:27,279
Look, AJ, I've been in this business a
245
00:14:27,279 --> 00:14:30,159
long time. This ear has made me big
246
00:14:30,159 --> 00:14:32,399
money. Frankly, this track isn't in the
247
00:14:32,399 --> 00:14:34,519
same league as Adam's. You're forgetting
248
00:14:34,519 --> 00:14:36,639
who I am, man. I want this Marvin guy
249
00:14:36,639 --> 00:14:38,479
signed. That's what's going to make me
250
00:14:38,479 --> 00:14:40,679
happy. And if I'm not happy, I'm out of
251
00:14:40,679 --> 00:14:43,159
here. Like that. Hey,
252
00:14:43,559 --> 00:14:45,439
whatever you want, AJ. He's as good as
253
00:14:45,439 --> 00:14:47,839
signed. Pleasure doing business with you,
254
00:14:47,839 --> 00:14:48,479
LB.
255
00:14:56,919 --> 00:14:57,679
Looking good, baby.
256
00:15:03,439 --> 00:15:05,439
I don't care what you say, Virgil. AJ's
257
00:15:05,439 --> 00:15:07,759
not like that. I know you and Daisy have
258
00:15:07,759 --> 00:15:09,679
mad love for the guy, but he is just
259
00:15:09,679 --> 00:15:12,319
fickle and two-faced. Just because we all
260
00:15:12,319 --> 00:15:14,599
like Adam's sound doesn't mean AJ has to.
261
00:15:14,599 --> 00:15:17,559
She's got a point, V. Way to
262
00:15:17,559 --> 00:15:20,319
be on my side, bro. Shh! He's on the
263
00:15:20,319 --> 00:15:23,239
news. Turn it up. Yeah, I
264
00:15:23,239 --> 00:15:25,519
was working with this Evans dude. But it
265
00:15:25,519 --> 00:15:27,359
just wasn't happening, you knowOkay,
266
00:15:27,359 --> 00:15:28,879
maybe he had some flow, but it was
267
00:15:28,879 --> 00:15:31,519
like... generic. Me?I'm all about the
268
00:15:31,519 --> 00:15:33,999
real. Know what I'm saying?Yeah, right.
269
00:15:34,319 --> 00:15:36,879
That's weird. What?His tattoo.
270
00:15:37,359 --> 00:15:38,759
I thought the Chinese symbols were on the
271
00:15:38,799 --> 00:15:41,039
other arm. Yeah, they are.
272
00:15:56,879 --> 00:15:59,039
Adam. Yo, ecstatic, man.
273
00:16:10,479 --> 00:16:10,879
Adam?
274
00:16:23,439 --> 00:16:26,439
Hello?Rich?V. I couldn't sleep.
275
00:16:27,119 --> 00:16:29,519
Oh. Thank you for sharing that
276
00:16:29,599 --> 00:16:32,239
important information. Good night.
277
00:16:32,559 --> 00:16:35,119
Rich, stay focused, will you?This AJ
278
00:16:35,119 --> 00:16:37,159
thing is really bugging me. I think that
279
00:16:37,159 --> 00:16:39,959
was Replicon we saw on TV, not AJ. You
280
00:16:39,959 --> 00:16:42,599
serious?I checked. Like Frida said, his
281
00:16:42,599 --> 00:16:45,399
tattoo was on the wrong arm. I figure
282
00:16:45,399 --> 00:16:47,439
Replicon was facing AJ when he disguised
283
00:16:47,439 --> 00:16:49,599
himself, so everything got flip-flopped.
284
00:16:50,119 --> 00:16:52,799
Yeah, sure. Like, in a mirror. Then
285
00:16:52,799 --> 00:16:54,599
where's the real AJ?I checked the
286
00:16:54,599 --> 00:16:56,919
recording studio. AJ wasn't there. Went
287
00:16:56,919 --> 00:16:59,119
by his hotel. Same thing. Now I'm at
288
00:16:59,119 --> 00:17:01,239
Adam's place, and he's gone, too. Ah,
289
00:17:01,519 --> 00:17:03,359
poor Adam's probably still down about his
290
00:17:03,359 --> 00:17:05,999
deal going bad. There he was, so
291
00:17:05,999 --> 00:17:07,959
close to seeing his face in every record
292
00:17:07,959 --> 00:17:10,079
store across the country. Record store?
293
00:17:10,639 --> 00:17:13,119
That's it! Rich, I need an address for a
294
00:17:13,119 --> 00:17:15,999
store called Stone Gas Records. On it.
295
00:17:18,559 --> 00:17:20,479
Man, I only hope Replicon hasn't gone
296
00:17:20,479 --> 00:17:22,879
wacko on AJ. You and me both, bro.
297
00:17:45,039 --> 00:17:47,519
Your Backstreet Bum. Good news.
298
00:17:47,759 --> 00:17:49,439
Lester Biggs is going to sign Marvin
299
00:17:49,439 --> 00:17:51,919
Roper me to an overall deal.
300
00:17:52,079 --> 00:17:55,079
Mansions. Super stretch limos. I'm moving
301
00:17:55,079 --> 00:17:57,759
way up on you. Yeah, to a penthouse
302
00:17:57,759 --> 00:18:00,719
prison cell. Peep out
303
00:18:00,719 --> 00:18:03,319
the funny pop star. After I'm done with
304
00:18:03,319 --> 00:18:05,999
you, you won't be laughing. Trust me. Is
305
00:18:05,999 --> 00:18:08,079
that right?See, I was just keeping you
306
00:18:08,079 --> 00:18:10,119
around so I could make sure my imitation
307
00:18:10,119 --> 00:18:12,199
that you look real. But now that I got my
308
00:18:12,239 --> 00:18:13,079
contract...
309
00:18:16,439 --> 00:18:19,159
...all you're good for its lunchmeat. Ah
310
00:18:34,639 --> 00:18:36,159
Sold over, Popstar.
311
00:18:48,359 --> 00:18:50,319
Keep your paws to yourself, fur-vert!
312
00:18:53,519 --> 00:18:55,479
How'd you find us?Adam mentioned that he
313
00:18:55,479 --> 00:18:57,039
worked in this record store with Replicon
314
00:18:57,039 --> 00:18:58,999
a long time ago. Now to get you out of
315
00:18:58,999 --> 00:18:59,359
here.
316
00:19:04,719 --> 00:19:07,719
ah Electricity doesn't work on
317
00:19:07,719 --> 00:19:08,639
wood static.
318
00:19:15,879 --> 00:19:17,279
You're running out of room, hero.
319
00:19:24,959 --> 00:19:26,959
That tickles. Now let's see how this
320
00:19:26,959 --> 00:19:27,319
feels.
321
00:19:40,159 --> 00:19:42,159
Thanks. That must have been some wicked
322
00:19:42,159 --> 00:19:44,959
reverb you fed him. Nope, just his own
323
00:19:44,959 --> 00:19:45,839
bad music.
324
00:19:54,159 --> 00:19:55,919
I've waited a long time, but this deal
325
00:19:55,919 --> 00:19:57,519
proves that if you stick to your dreams,
326
00:19:57,679 --> 00:19:59,719
it'll come true. Our friend is going to
327
00:19:59,719 --> 00:20:02,319
be a star. Think of the possibilities,
328
00:20:02,319 --> 00:20:04,759
Vee. Backstage passes, hobnobbing with
329
00:20:04,759 --> 00:20:07,519
celebs, craft service munchies. Richie,
330
00:20:07,599 --> 00:20:09,679
he's in a tough business. You know, one
331
00:20:09,679 --> 00:20:10,999
day you're a hit, the next you're in the
332
00:20:10,999 --> 00:20:11,759
closeout bin.
333
00:20:14,399 --> 00:20:17,359
Hey, guys. Hey, guys. Who is that on
334
00:20:17,359 --> 00:20:20,239
your shirt?Adam, of course. He's so
335
00:20:20,319 --> 00:20:22,959
cool. Then again, there's nothing wrong
336
00:20:22,959 --> 00:20:25,199
with being a one-hit wonder. My name is
337
00:20:25,199 --> 00:20:27,479
Virgil, and I'm here to say nobody sings
338
00:20:27,599 --> 00:20:30,599
and raps my wing. I'm his pal Richie, and
339
00:20:30,599 --> 00:20:32,959
I must agree, together we make great
340
00:20:32,959 --> 00:20:35,399
harmony. Harmony, harmony, harmony,
341
00:20:35,399 --> 00:20:37,039
harmony, harmony, harmony, harmony.
342
00:20:39,279 --> 00:20:41,359
Wow! Yeah. What the, what the, what the--
343
00:20:44,559 --> 00:20:47,279
Friends of yours. Nope. Never seen him.
23690
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof