Sex Shame and Tears 1999 720p HMAX WEB-DL x264-ESub Hollymoviehd-2025-02-18T20 21 42 subtitles – 100+ languages (SRT)

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Original subtitles

[The day after the shooting]

[I'm going to the beach]

Are you done?

No, I need my Tamagotchi, my Givan head and my food box.

Careful with the door.

You're not going to bring anything.

Wait, wait.

What do you want to drink?

You have to celebrate the arrival of the nomad.

Well, nomad, plumber, mime, waiter, translator, driver, limo, stripper,

driver, driver, art dealer, drug dealer, and chifu.

What?

Well, well, well, I'm going to the beach.

Wait, wait.

But you're seven years old, you developed professionally.

No, no, no, no, I don't want you to be scared.

It was exclusively my trip to Placel.

I think I'm getting dizzy.

Don't worry, you're going to the beach.

It's very good.

Perfect.

No, no, no, no, don't worry, you'll have a good breath.

What do you want to drink?

I have tequila, whiskey, ginger ale, minotinto, and...

Again?

What do you want to drink?

I have tequila, whiskey, ginger ale, minotinto...

And again?

Well, let's not fight.

You're going to the beach, right?

What?

I'll get dizzy or something?

No, don't you ever talk to your wife.

It's not what you think.

You're back.

Ana is fine with me.

I'm fine with Ana, so don't start with your bad habits.

Okay.

(Phone rings)

Figa?

It's not here.

Who gave it to you?

It was for you.

You thought it wasn't here?

Carlitos, do you have any problems?

Who gave it to me?

I don't know. I didn't want to leave a message.

Then don't answer.

Leave the recorder.

Did you hear the message I left you?

I'll tell you if you're angry.

What's wrong with you?

I'm not angry.

Don't mix things up.

You were the one who talked about orgasms.

You're the one who always gets upset.

Don't mix things up.

You're the mother of me.

Where can I take a shower?

Let go of me.

Enough!

(Panting)

You're so smart.

You're so stupid.

You're blind.

(Panting)

Excuse me. Where can I take a shower?

What was missing in the scene?

The eggs of a man!

Hey, you're a fool!

Calm down, Carlitos.

I've been taking a shower for five days.

I'm European.

-I'm European. -Get off me!

-I'm European. -I'm European.

Don't get in my way. I'm European.

I'm European.

(Panting)

Carlitos,

what's the hot water?

(Panting)

Thank you.

Carlitos!

(Panting)

-Don't lie to me. -I'm a son.

What are you doing here?

Ana,

why did you do all that in front of Tomás?

Why?

It's always easy for you.

I'll get you back when you need it.

-I'm tired. -Why are you tired?

Hey, talk!

Answer me.

Why are you tired?

I want your condition.

I'll tell Tomás.

-You don't understand. -Don't answer me.

Why didn't you let him go?

He has a good mood.

He knows how to be in love.

He has talent.

He's a clown.

-But... -Don't tell me no.

You know he's sad.

Why do you have to see him again?

You're a stupid man!

Why can't I

love you as I love you?

I'll tell you how I love you.

"The End"

Persepore!

I'm glad you're here.

-Are you married? -No, I'm a princess.

There's always a second chance.

-I don't like Greeks. -I'm a Roman.

What would you like if I stole the lions?

We're going to film them in the next episode.

And you're going to take a picture with them.

-What do you want with me? -I want to go to the studio.

-I want to go to the studio. -I want to go to the studio.

Wait, wait.

I have a gift for you.

-Let's see. -You're a slogan.

-Of course. -You need to make a comic.

-How do you make a comic? -How do you make a comic?

-Let's see. -Let's see.

Are you okay?

Maria.

What are you doing here?

I'm going to the studio.

I can go in alone or I need to be in the group.

Go away.

Maria.

-What time is it? -23.

Nairobi, Frankfurt, New York, Mexico.

Nairobi?

What are you doing so far?

We always said that while we were far away, we would be a great couple.

I'm interested in you.

Now that I'm a zookeeper.

Yes, yes, I forgot.

I was studying.

Maniles, chimpanzees.

And my husband.

You got married.

That's great.

Where's your husband?

He's buried.

I'm sorry, I didn't know.

What happened?

He's a metaphor.

I left him.

But if I were with you, you would have told me that you got married to him.

Michael, that's English.

Well, it is English.

I've never seen a man cry so much.

Poor thing.

I don't know why I'm telling you all these things.

Did I fall asleep?

Or did you get me nervous?

How long will you be here in Mexico?

I'll be here in a month.

At a friend's house.

I don't want to go out with my family.

You know how it is.

Yes.

But then I'll work for the zookeeper of San Diego.

They didn't let me go.

The thing is that they offer me a lot of money, although they only have a mandarin.

I don't know why I'm going to San Diego.

This is full of wild animals.

You didn't make the movie.

But you already had everything.

But, Maria, it's just that...

Now I work for an agency in Tuecia.

Don't tell me.

What?

Actually, this is an agency party.

Maria, you know that you don't have to survive.

You have to adapt.

You understand me, right?

Besides, who is the murderer in this country?

Who is he?

Unfortunately, what makes me so similar is the police.

We're not in touch with...

with the ideas, with creativity.

With what we always look for.

Social commitment.

Besides, I married Andrea.

And now she's my wife.

I have to be comfortable, with certain looks, dresses, travels.

You married Andrea Maldonado.

Yes, why?

But...

What's wrong?

I've never seen myself.

It's just that she was the most...

I see his weapon.

If you're tired, I can take you home.

I'm going to the hospital.

But Maria...

No, my friend Marisa is not with me.

I can stay at your house.

Marisa.

(Priority)

You took me out of the party for this.

Did you find it?

Here it is.

Look, Andrea.

It's the origin of the Trio Guajara.

Why are you so slow?

Don't you see that Maria is dying?

Hey, Miguel, it's really complicated.

Maybe I should go to a hotel.

I don't know any hotels.

I'm going this way.

I don't think...

I don't think anything.

I'm going this way.

We want you to stay at home.

Miguel explained all the details to me.

You'll be very happy in the next room.

Since we don't have children yet,

the apartment is a bit big, right?

Read it.

Don't you see that the lady wants to come?

Yes.

Elena.

What's wrong with you?

Get out of the way!

(Squeals)

You look so beautiful.

Why are you so indisciplined?

That's why.

(Squeals)

If you don't go to the mountains,

you'll be in my bed.

What kind of Muslim are you?

I was thinking about how to get out of your room.

But I don't think I can...

I can't.

- And Carlos? - Don't worry.

He's not here.

He's gone.

We haven't talked for a long time.

How are you?

I was impressed. I've never been in a city forbidden.

I'm Carlos the Jarrón.

The dishes, the lamp, the slippers.

Well, the apartment is hers.

Damn it! I can't leave the window open.

I still love you.

Come.

You're my home.

(Squeals)

What is this?

It's called Cyril.

It's a ball, Cyril.

(Squeals)

You think I'm alone?

Look at me.

I'm an optimist.

It was the greatest love of your life, right?

Maybe that's how you can get out of the mistake you live in.

I made a mistake with you.

Please let me sleep.

Maybe you don't like it anymore.

You don't have a refreshing smile or a coconut oil.

If you're not the type of woman you like now,

you can be jealous.

What you say is jealous.

You can't be.

Of course, right?

Maybe the stupidest, even more stupid than me.

And I still think I can get a lost case.

I beg you, my love.

Let's go to bed.

Please, Miguel.

With all the coke you put in, I don't think you can sleep.

You think I don't realize you're trapped?

Shut up, you little brat.

Hey, you little brat.

I'm sorry.

(I'm sorry.)

Remember when you were free and you had me in your mind?

And you told me you were going to explain the world to me.

I never knew what you were going to say.

I'm sorry.

Hey, if we try the composure,

do you think you can cure the infelicity with needles?

I'm going to the living room.

I'm going to pick you up, Santa Maria.

Don't wake up.

Shut up.

Why do I want to talk?

Miguel has been wearing your shirts for five years

and you can't see me for a night to talk about something.

She's the only one in the secret office.

Shut up.

Open your legs.

Let go of me.

Why did you take my sleep?

I'm going to make a little sacrifice.

Let go of me.

You're going to keep talking.

You little brat.

My bad.

You're always sleeping with a bad animal.

A bad animal.

A full one.

My wife.

Let go of me.

Open your legs.

I'm going to make a little sacrifice.

Open your legs.

Mom.

You woke up.

You left the window open.

The barrier.

Good night.

(Hong-joong)

Why?

Why are you so sad?

Why are you crying?

(Hong-joong)

Can't you sleep?

I can't either.

Yes, Borracha.

What happened to you, Miguel?

(Hong-joong)

You're not sick.

You didn't smoke.

I'm sorry.

(Hong-joong)

Now!

Faster!

Now!

You were good.

(Chuckles)

Camero, Miguelito, how are you?

I want to introduce Carlos Elorio.

He has a great business for you.

Thank you.

How did you change the city?

This is like Wall Street.

Here.

I'll do what I'm going to ask for.

Miguelito, look at this.

I'm sorry.

Andrea, is this the first time I come?

I can't recommend you anything.

Why do you tolerate that I treat you like this?

What do you care?

Oh, a serrano fillet!

I don't try it for years.

It's very bad.

I'm sorry.

A serrano fillet for the lady and for me a guachinango for the board.

No broccoli.

We're not going to wait for Miguel.

It's late. We're in a hurry.

Do you know there are animals that can't reproduce when they are in captivity?

Your platic is so interesting.

The feeling of confinement returns to the violent males and females.

A couple of mandriles can kill themselves in these circumstances.

And without a direct one?

Why did you come?

That doesn't matter.

How does it matter?

Do you remember Minotauro?

That weird guy, half bull, it seems to be the one now half publicity?

Well, that guy devoured women.

If not, he would die.

Do you understand?

You have to keep listening to yourself, right?

If I know that you went to the university without...

I'm going to the bathroom.

What's wrong?

Sorry, Maria.

I was with Ramiro Hernández.

Maria Ramiro Hernández, the director of the bank of commerce.

The other day I won the golf.

My best ones were eight.

What a selfish guy.

You're barely realizing it, honey.

You're all selfish, Susana.

The problem is not that man.

You're my life.

He'll never change.

So what?

Put it in the bag.

What?

Yes, paint the bag.

I can't.

I'll explain something.

The problem number one of men is the ego.

It's such a big problem that you can't do it at least twice a week.

I don't dare to, Pilar.

You know what?

I need a little bit of cold water.

Okay, I'll do it.

Do you like to have a little bit of cold water?

There's the restaurant's table.

Go and tell them to invite you to the Maguay's lunch.

Besides, they gave us money.

Tell them to give us money.

You're divorced.

That's not what you were looking for.

(The Maguay's lunch)

Ria!

Be careful.

Please, please.

It's my loan.

I'll be right back.

(The Maguay's lunch)

One more.

(The Maguay's lunch)

Hey, where are you going?

No, sir!

Sir!

What the hell is wrong with you?

What's wrong with me? I was at the stadium.

Hey, why didn't you see us? We were there.

Of course I did.

Why didn't you say hi?

You're a chemist. Get out of my house!

Calm down. Calm down.

I'm serious.

You hurt my love.

The carpet.

I'm tired of this.

Why don't we try?

Why don't you try putting your butt here?

Hey, those aren't fashion.

You're not that big either.

Hey, no, Carlos.

Carlos!

Ana, wait.

Wait, let's clarify this.

What did you see in the stadium?

They were kissing.

She started.

You were kissing us!

Wait, wait. That's not good.

You're a bad guy.

You're looking for someone.

You're a bad guy.

Why don't you leave?

It's okay.

Carlos.

I'm very sad.

You're still the same.

You don't change anything.

You have to control your anger.

You bastard!

Carlos, I'm going to give you a piece of advice.

You have to do this.

You're still the same.

Look, I'm tired of telling you about the university.

Ana, she's not going to divorce you.

No, but she's an obsessive.

-I'm going to give you a piece of advice. -Look at her, Carlos.

She doesn't do this.

But if I tell you a thousand times,

I can give her other things that she only thinks about.

You're a bad guy.

Give her a bad guy, because you're so selfish.

-Listen to me! -Don't you dare!

Ana told me that you need to put less resistance.

Carlos, stop thinking about yourself all day.

What you need is a lover.

And I'm not.

I can't be thinking about anything else all day.

Carlos...

Don't you dare!

You can, but you don't want to.

I've tried, but I want more and more.

-You're a bad guy. -Shut up!

I'm not the only one who knows what I need.

And you know what I need?

A fresh air.

Ana...

Laquie...

It's what you provoke.

Don't worry about me. I'm leaving.

-You're going with her, right? -Don't worry.

From now on, I don't want to know anything about women.

Of course! I don't want to know anything about women.

-Where are you going? -Don't you dare!

Idiot!

Hey!

(Sam-yeong)

(Sharp in the middle of the night)

Andrea.

I'm sorry.

I don't know what happened.

I've been feeling...

I'm sorry.

There's nothing between Miguel and me.

I'm sorry.

Andrea, don't leave me.

I'm sorry.

Don't worry.

It wasn't your fault.

It's the drop that hit Ramon.

I want you to open the office before you leave.

See you.

Thank you.

- Here. - Thank you.

Thank you.

Carlos, I want to ask you for a favor.

I'll send you my address.

Okay.

Where are you taking me?

Alboloya, please.

There, there.

Carlos.

You can stay.

Miguel always talked about you.

Did he write it down?

No.

He wrote me a letter five years ago.

I don't think I even married you.

Nothing else?

He called me several times in bed.

The day he went to my family's house to ask for my hand, he didn't know what he did.

He called me "Maria".

You don't know how much I hated you.

Don't worry.

I don't mind.

I have no idea what you're telling me.

I know you're going to be ridiculous.

But stay.

What?

I don't want you to go to New York with him.

- He said that to you. - Yes.

No, no.

But he's going to invite you to do something if I know him.

I'm a stupid.

I'm a stupid idiot.

What's up, Miguel?

Are you going on vacation?

- How are you, guys? - Fine, you?

Fine, fine.

No, no.

I'm going on vacation.

I'm going to get a little bit of a break this morning.

- Yes. - We're going to cancel it.

Don't worry.

Ana also had problems and went on vacation.

- Where are you going? - I don't know.

I don't know. I guess.

I'm going to find a apartment.

- I'm going with Andrea. - What?

I told you to turn off the phone.

Why is that my name?

You can die of hunger for the rest of you.

And there's you.

There's you where you have the right to be, you idiot.

- Miguel. - Yes.

Is Andrea here?

Yes.

Thank you.

- Carlitos, Ana and you too. - We're done.

You know what this is going to be about?

You're going to go up with Andrea and go...

Why don't you stay at home for a few days?

- No, no, no. - Why pay for a hotel?

No, no.

Besides, I don't want to know anything about Andrea.

We're closing the curtains.

Besides, they say you cook very well.

I'm a man, I'm a man.

A man?

I'm leaving.

I'll get you a drink.

One more.

Girls, come on.

Look, Miguel, this is for you.

One more.

Let's see.

Mancipation of ex-posts.

Oh, Clarita.

With you and without a husband, life is going to be much easier.

Let's drink.

For men.

- Let's drink. - Oh, I mean, for objects.

Right, my father?

Cheers.

But if you don't know how to drink, man,

in half an hour you'll cry, don't be so nervous.

How much do you drink?

What a beautiful eyes.

Let's drink.

Do you think God made women like that

or was it one of his small mistakes?

Small?

If it wasn't for the mother, man.

Carlitos, what do you think? Do you think God...

He's avoiding it.

(Clarita)

Do you have the music, Andrea?

This is not it.

Look, Clarita, Clarita, look.

- Look. - Yes.

Let go of that, Clarita. Go.

Yes, yes.

Do you think science shows that there are only three types of men?

Of course.

My father, my little father, and those bastards.

No, no, no, no. One.

Those who promise you what they'll never give you.

They've given me every promise.

One, two.

Those who want to be a lady on the table, a bitch in bed.

That's why I've always been a lady in bed

and a bitch in bed.

No, and three.

I said three.

Those who seek a mother like the one who asks for limosna.

Those are the worst.

Come on, come on, come on.

Carlitos, where are you? Come here.

Clero, Clero.

What's wrong with these old bitches?

They don't understand that monogamy makes us moody.

Resignation, Miguel, resignation. That's how God wanted it.

What? That's how God wanted it?

You're the ones who promise me...

No, no, no, no.

Excuse me, maestro, but what kind of God are you talking about?

If I don't get involved with your God, you don't get involved with mine.

No, I want to explain to you something, Carlitos.

Don't call me Carlites.

Okay, don't call me Carlitos.

Let me tell you, don't call me Carlitos.

If I change my woman, it's not a promise.

It's to find a woman.

Oh, oh, oh.

What?

Yes, yes, yes, yes. A woman.

A virgin woman.

She's a virgin woman. She's a virgin woman. She's a virgin woman.

She's a virgin woman. She's a virgin woman.

She enjoys wonderful stories with me.

I make love because I'm a very social person.

But mine, mine, mine, mine, mine, is the jacket.

Come on, come on.

You're such a fool.

According to the science demonstration,

if men were to be proportionately superior to the size of their breasts,

would they be able to understand something?

Oh, no.

And Carlitos was great.

And Liku?

Yes.

Ma'am.

What's Liku?

What's wrong with you, ma'am?

I don't look good with my Georgia, ma'am.

No, no, no. Come on.

You know, there are two things women do very well.

One is to remove the media, and the other is to remove time.

And Clitoris, Miguelito?

Clitoris, what?

What do you mean, Miguel?

Why are you hiding it?

Honestly, how many hours have you lost trying to find a Clitoris?

Tomás.

I haven't found Clitoris.

And more or less where you've been looking for him.

I'm going to kill you.

They're pigs.

They're friends with dogs.

And here, look here, they were all naked.

They were emptying the refrigerator, but they were running away.

No, no, no.

They don't know how I feel.

They're looking at me in the bathroom.

They tried to throw me into all the dirty, filthy things.

Third true scientist.

Just like they see the world.

No, they're not vulgaris.

That's what they are.

Hey, hey, stop it.

Enough.

I don't understand.

How can they be involved in a meeting with a bitch or two?

And then they quietly get into our beds.

And they're perverts.

They're sexual maniacs, children of their own race.

Stop drinking, Andrea.

But it's true.

The only thing you can do is to get in touch with women.

Well, it's logical.

They're pure instinct.

They're mammals.

I'm here!

Wow, I feel like a hamster.

The heels, right?

Don't you realize?

Sherry, they're trying to seduce us.

And if we forgive them...

Feet, feet, feet.

Come here.

[The first day of the meeting]

Hello.

Is Carlos here?

He asked me to come here.

He ran away.

But he doesn't want to wait for you.

[The first day of the meeting]

Are you alone?

Yes.

I'm alone.

What's wrong?

Do you need some clothes?

Yes, Anna and Andrea.

I don't know what you're doing.

Breakfast,

gum, and sometimes liquor.

Oh, Fabio and Andrea.

I need to get dressed.

Oh, yes.

And that's why I need you.

Yes, I know you.

Our sex has very few advantages.

So we don't have to be more skilled than you.

As a first step, your wife is learning

subtle art of indifference.

I hate you.

Honey,

don't you know how I like you?

I don't.

I'm sorry.

I'm going to change.

Miguel.

Yes.

Would you look at me again?

What happened?

Nothing.

Would you look at me again?

No.

Why?

Maria,

everything has changed.

Yes.

I told you that since I arrived,

you're no longer the same.

Indeed, I'm no longer the same.

I don't care about your security,

your theories,

your indifference.

I'm not a good person.

I prefer to live with people who are wrong.

Can I keep dressed?

What if we try again?

Sounds good, right?

Yes.

I'm coming.

Hello.

I'm looking for Ana.

She's asleep.

Do you want her to wake up?

No, no.

God.

Can I come in?

Yes.

You're so cute.

Are you comfortable?

Do you want something to drink?

No, I'm not.

I'll get you some ice.

Come on, Andrea.

Can you give her some ice?

Take it.

What do you want?

Do you like it?

What?

You drink it.

Actually, I'm Francisco Tomar Rufo Di Calabria.

Really?

Hey, no.

I'm going to ask you not to drink at my house.

And much less this time.

Fine, fine.

You're right.

Just for today.

I'm sorry, but you're going to have to go.

Look at me.

I have to dress.

Ana won't wake up.

Fine, fine.

You know what love is about?

It's about giving the house to the gods.

Oh, God.

You see, in the kitchen, there's the fire god.

The bread god.

The verbal god.

The butter god.

The potato god.

The knife god.

The kitchen is the paradise where love leads.

You're so cute.

Come on.

Men are a piece of shit, really.

That hypocrite of mine, thinking she was my friend.

Andrea.

Are you going to leave like this?

Andrea.

I'm not like the rest of the men.

I do believe in women.

That's why when I look at all these men,

I can see the money, the intelligence, the power, everything.

When I see Miguel doing those things, you know what I feel?

I feel a deep disgust.

A great emptiness.

I feel ashamed of myself.

Believe me, Andrea.

I can help you.

I want to help you.

(Sobbing)

Hey, you're scaring me.

Miguel, what are you doing here?

I'm here for some drinks.

Andrea.

He's in his room. Come in.

Do you want a drink?

No.

Miguel.

When do you need the pictures you asked me to take?

In a week.

Tell Andrea to get them in the car.

I can't keep paying the living room or the super.

You're right.

He should have gone to the living room or the super.

Cover yourself.

Go.

Calm down.

You're a son of a bitch.

Don't be a fool.

You're sleeping.

Go away!

What?

(Sobbing)

Do you want some salt?

Thanks.

It's good.

Shut up.

What if we forget about women?

We've been about to take our eyes off of them.

Let's not.

I'm sorry. I was very calm.

This guy started to want to kill me.

Shut up, you bastard!

Keep going.

Our lives don't satisfy us.

Our love relationships are...

precarious.

mediocre.

Or simply they don't exist.

I think the most convenient thing at this moment is that we get back together.

-Bitch. -No!

-Castles. -Castles?

Yes.

Like illuminated.

-Yes. -So...

Yes, Anna. Yes.

-Well, can you call us? -No.

-Can you send us a pass? -No.

That's all. Nothing.

Oh, my God.

Andrea, for the fifth time.

I don't know you saw through the window,

but I already told you that Miguel and I didn't do anything.

Don't be an extremist.

Are you with me or with them?

With you.

Who's house is it?

-It's not here. -It's not here.

Well, from now on, this house is forbidden to enter the male sex.

Why do I say it?

I don't think I have the idea.

-Oh, my God. -Andrea!

-Oh, my God. -But how can I put it like this?

Not a man in three months.

-What's up? -Three.

It's for our good, girls.

Let's toast.

-No?

Because through the audacity,

we find the way to happiness.

Oh, my God, why are you abandoning us?

I don't know.

It's been more than 15 minutes.

There are people who stay like this for more than 15 days.

And what? Are they given a prize?

I have a meeting in the office.

See you there.

I can't, brother.

I can't with this from the scene.

And less with this smog, all this dust.

You can't, I can't.

-I'll take you. -Don't you feel it?

Yes, Mom, Carlota.

You have to be a good man.

Yes, auntie. Please bring me a gram.

I'll make you a pancake.

Where are you going?

I don't need to meditate anymore.

Take it and call Mom. The world will end.

You're not going to find what you're looking for.

I'm not going to find what I'm looking for.

-Explain. -But why don't you understand?

Understand what?

That you won't get anywhere.

Tomás, you've spent your life fornicating.

Like if you'd notice a point with every costum.

Your school has always been the one.

If you like it, do it.

With whoever you want, whenever you want.

-If you don't, you're afraid. -Fear what?

To get rid of you.

Don't be afraid.

No, Mom.

Tomás has been throwing your energy like a rock for years.

Because deep down, the only thing that happens is that you're panicking.

That you're looking as bad as you are.

You're not saying anything.

I can understand your clothes.

It's gotten better.

[Spanish]

Our food is limited.

The paladar and the gula, the female gem of the light, are exited.

The spiritual purity begins in the stomach, food and plastic.

For example, the grain of the solar plexus.

We're going to remove it overnight.

It's not sweet, but it's good.

It's good.

Do you have more lemon?

No, thanks.

But we should have stayed in the...

In what mother of God?

In what?

What you didn't hear.

What our guide said about the food.

You're a pig!

The only thing that's made me your food is to get me fat on my back.

And the lice.

Thanks, handsome.

You don't understand anything.

You know what he did last night?

What?

He got a stomachache.

He heard it from my room.

No, it's hard for him to work.

She got it every day.

Oh, Carlos.

With that smart name.

Sex has nothing to do with the head.

No, that's the thing.

They're fighting.

And the worst of all is that sex always wins the head.

They're already fighting.

Hey, no!

Get the hell out of here!

What's the matter, miss?

Andrea!

Tomás, I'm still cleaning.

I still have to wear all these clothes.

I have to wash the dishes, wash the bathroom, and turn on the oven for the bread.

If you don't want it, you don't have it at home.

Oh, no. I love it, miss.

I love to see how we've been getting into each other.

Don't you read the silence?

Think about it.

Silence is the basis of sound.

Continence is the basis of sex.

Stop behaving like an idiot.

Listen to me, Carlos.

Listen to me, you idiot.

I'm getting pissed off for helping you and Miguel.

You guys were just doing shit, right?

I love you, Carlos?

Come here.

Why do you blame all the poor women who do shit?

No, Carlos. No.

That's not love.

In love, you open up.

You become vulnerable.

On the contrary, nothing happens, Carlos.

And what I saw a month ago was something completely different.

Ana and you couldn't talk if you didn't bring the suit.

Now you understand why she left.

It's not elementary.

Tomás!

What happened?

I can turn on my radio, ma'am.

Mr. Mendesaván, here's the original.

They took the light off and they changed the blue one.

I can use it.

What's the matter?

Ma'am.

What's the matter?

I can't give it to you.

Don't you understand Spanish?

Yes, ma'am.

(Somber music)

You want to change the music?

No, Tomás.

I can't play it.

Okay.

(Somber music)

(Speaking Spanish)

Carlito!

I need Konyak and the gram.

If you want, I can give you some room in the pool.

You know I love you, right?

You're right, Tomás.

All I wanted was for her to play it.

What are you waiting for?

All you have to do is cross the street.

(Speaking Spanish)

I never know anything about any woman.

What the hell do you want to know?

I don't understand how a magazine asks me for a test on love.

When I don't have the slightest idea what that is.

Why am I here?

Come.

(Somber music)

(Speaking Spanish)

Michael. Michael.

No, I'm not shouting.

Michael.

But...

Yes, but...

I love you.

Please.

I've changed a lot.

Believe me. Believe me. Believe me.

I've changed a lot. I can take the first flight.

Yes, Michael.

Michael. No, no.

Don't hug me. Michael. Michael.

Michael. Michael.

South Africa, right?

English.

You married the passport.

Shut up.

Love doesn't exist, right, doctor?

Leave me alone.

Why didn't you tell me you'd leave him?

Because that's how it was.

You were crying and crying.

What are you thinking about?

What?

(Somber music)

Why are you so cold and calculating?

I don't know.

I do.

Because you want to be like them.

But to go against them.

Against you.

We're women, Maria.

You look so pretty.

Why are you laughing?

Nothing.

You're not a good girl.

You're a woman.

What does that have to do with you?

Our two paths.

Pretty or unfaithful.

You know what we should do?

We should make a military effort

so that we can be like men.

We should have done the same thing.

But you're not a good girl.

Then explain to me

why every time the bad guys see me,

they feel that I'm a bad guy

or despise me.

Forget it.

I'm not going to go back to Michael.

Even if he's going to.

Some of you know what orgasm is.

What orgasm is?

Who is this?

I don't know.

It's a beauty.

Is this it?

Well...

This...

I knew it in the convention.

I think it's a hood.

It's not a hood.

I don't remember anything.

Why don't you stop bothering me?

You took it out in the cave.

Yes, I did.

Excuse me.

Tomás?

What the hell?

I left the tapioca biscuit.

Sorry.

I'm going out.

I haven't talked about my new clothes.

Oh, my dear.

I'm your mother.

I'm not your mother.

Oh, my.

I'm sorry.

I don't understand.

Listen.

If you break me,

I'll break you three.

Besides, you should open the windows.

It smells like funerary.

What's wrong with you?

Please, don't do this.

Tomás!

I'm going to kill you.

Stop it.

It's a hood.

Oh, no.

He lives there.

And he's called a little.

He's waiting for you in the driver's seat.

Oh, the driver's seat.

He's a little stupid.

I'm about to change him for the father of this woman.

Do you think a woman like me

will make him sleep in separate beds?

He's a guy who's a fool.

That's how it is, Carlos.

Let's see if you can talk to your uncle about the job.

If you were really his friends,

they would take him to a table dance.

Oh, my life.

When are you going to be a fool, Carlos?

There's a world out there.

Mom.

What?

I need...

Mani?

Oh, no.

You have him from yesterday.

Cut that hair.

Carlitos, your mom keeps you.

She doesn't pay us any money.

She used to pay us all.

But you're here now, Miguelito.

I'm hungry.

You're so pretty, Marranita.

Let's see.

She's my mom, you idiot.

Did you throw her out or do you not remember?

Look at her.

I had never known anyone else.

I never did it because I was hot.

You probably did it because you helped her.

No, Mom.

Really?

I didn't like her because

I didn't want to know if she was able to love me.

Really?

I wanted to know if...

I don't know, maybe when...

Oh, forget it, Mom.

With some chemilito.

Nothing, nothing.

And Andrea?

I always hurt her.

Anna, please.

I never cared.

I think she never found out.

I always thought my screams were a pleasure.

And you never treated me...

My vagina is too narrow.

And what did you feel?

At first I hurt a lot.

But then nothing.

And then nothing.

Well, yes.

I did feel something.

I felt like I was dead inside,

and I was thrown out while he was going up and down and I was squeezing myself.

Andrea, you don't have to continue.

And then you know what I thought?

I thought I was another woman.

That Miguel's body was not mine.

It was one of his many friends.

And then when I looked at him...

I looked at him like he was enjoying himself.

And he looked so beautiful.

Yes, yes, yes.

I was all hot.

We almost didn't talk.

We just...

Well, it's not true.

Your intimacy was telling me.

You know, right?

That's how women are.

And I...

I was telling my jokes.

And...

My anecdotes.

My...

Things about men.

Or anything.

That's when I started to get too angry.

I didn't want to see them again.

When you started to get angry, what?

I don't know.

The...

The truth, right?

The...

The inept.

The passive.

I'm a super official.

You're too dramatic.

Why don't we go to the movies?

Later.

Later?

Why the hell do you have to justify everything?

Yes, Miguel.

We know you've betrayed your ideals.

That everything you thought you could do was crap.

But you're all shit.

You have a lot of money. You have a lot of success.

Yes, and there are many women I've been lying to myself.

You know what's so ridiculous and you want to get dressed and get out of it?

Because we only have to think about taking, taking, taking.

Who makes us believe in orgasms?

In my case, for example,

at that time,

I've always known that my mind and my partner's mind

any woman

is miles away from miles away.

My God, poor Andrea.

Why did you have to be so rude?

Sometimes...

Sometimes I like to have 12 years of life.

Too many entities in this house.

I'm even the mother and you see...

I'm going to break the eggs for that son of a bitch.

Miguel doesn't blame everything that happens to you in life.

Huh?

I forgot to bring you this.

Who brought it?

A messenger.

Oh, Miguel.

-Budu? -No.

He gave it to me every month to make me happy, according to him.

I've always wanted a son.

But I'm a woman.

I feel guilty that I'm leaving this house.

Do you think something will change?

Because that's why we're here.

Dispressed with nuns for two weeks.

It was your idea, not mine.

I'm not talking about that, Ana.

Nobody has that damage, a little less sex.

Sex?

Sex is the key to the world.

I'm not my own.

I'm a fanatic of orgasm.

That little explosion where you can find the meaning of everything.

-That's so exaggerated. -No, Andrea.

For me, it's like...

Like the photo?

It's about collecting moments.

That's what life is about.

Oh, my, my, my.

And Carlos?

He was very strange.

He was so excited.

But he didn't feel pleasure.

You know what he said?

"She's a bullet, like the nose sounds."

I was so sensitive.

I was told so many things.

You see?

He was an excellent lover in the sentimental aspect.

But a failure in the technical aspect.

It's a shame.

It was a game.

"Trio de pendejas en busca del tiempo perdido."

I'm going to look for him.

Your case is still in the middle.

"Trio de pendejas en busca del tiempo perdido."

"Oh, what a fear. The moon."

"Trio de pendejas en busca del tiempo perdido."

"What's wrong with you?"

"I'm done."

"You're not done. You just have to start over."

"With you?"

"You're drunk."

"Let's go. I'll help you get up. Come on."

"It's all broken."

"Come here."

"It's all broken."

"You're going to break the walls."

"Open the door."

"I don't have the strength to open it."

"I don't have anything to open it."

"I can't escape today."

"You love me, don't you?"

"Of course I love you."

"I won't take it anymore."

"Please hug me."

"Come here."

"No."

"What's wrong with you?"

"Are you sick?"

"Don't get in."

"What's wrong?"

"I'm going to look for someone."

"Why Anna?"

"Wait. I can't find her."

"I found her downstairs."

"I helped her climb the stairs."

"What stairs? You're not going to get in my house."

"Yes, yes."

"I'm sorry. What's wrong with you?"

"I didn't touch Anna."

"I came to look for you, you idiot."

"I'm sorry."

"I'm so lucky. You didn't have to miss her."

"You have Anna."

"I'm not a fool."

"You're not going to get in my house."

"I don't care about you anymore."

"I love women too."

"I'm happy with anyone who says I'm not that important."

"You son of a bitch."

"If you're capable of loving someone, you're important."

"It's easy."

"It's easy to call each other's little affection."

"And to mark the pictures of the children who were at school."

"Why do you want this wonderful woman?"

"To show her the dinner with your friends."

"That's love, my dear writer."

"Give me back my money!"

"You're a fool. You want to be a fool."

"Shut up!"

"Do you remember?"

"Nothing we found was satisfying."

"Nothing."

"You just resist for a few moments and leave."

"Shut up!"

"That phrase is yours."

"It's the first time I've heard this kind of thing and I'm so upset."

"So, if I can scream, I know what life is about."

"I'm going to get in your house."

"Don't let me explain."

"I have no idea."

(Heavy breathing)

Do what you want.

I don't care about your problems.

(Laughs)

Of course.

If I were born in a story that nobody cares about,

I'm just a bird.

That's why I can only fly.

Poor thing.

You're a romantic.

Get out of here.

(Sighs)

I'm so sorry that my only friend has changed so much.

(Sighs)

Take care of him.

Dad!

(Door opens)

You're writing it.

I promised.

And you're going to visit me in the snow.

I promised.

But now, with the work, I don't know if it's going to be good.

You're crazy!

(Sighs)

Thank you.

Thank you for everything.

Thank you.

Have a good trip.

Andrea!

Remember, you only have one thing to do.

I miss you.

I have other things to do.

Can I come in?

Yes, of course.

(Sighs)

Maybe I should change my bed.

(Sighs)

I've taken all my things.

I left the keys in the bed.

Goodbye.

No, no, Miguel.

No more.

(Sighs)

We'll try again.

You sound so good.

Goodbye, Miguel.

(Door opens)

(Sighs)

(Door opens)

(Door closes)

(Sighs)

(Door opens)

(Door closes)

I'm leaving.

Take it.

Did you publish it?

Yes.

page 99.

Sex, pudor and tears.

Sex.

But you know what sex is.

Ana.

The fund.

Are you coming for your things?

Yes.

Your brother.

I'll take care of it.

Did you say yes?

When I'm on the phone, I'll send you the number.

Okay.

Goodbye.

Are you going to forgive me?

(Sighs)

What are you looking at?

My ass.

It's my tears.

I want to make you love.

(Sighs)

What did you do to me?

Cry.

You're so stupid.

They're playing.

Honey.

There's going to be a lot of people here.

Who's so stupid now?

(Sighs)

I love you.

Let's go tomorrow.

(Sighs)

(Door opens)

(Sighs)

Thank you for watching!

I'll go look for a way out.

Honestly, I'm sorry.

It's fine to ask me, but I'm sorry.

But I'm sorry.

Don't try to force me.

It's fine, because it's a promise.

I'm sorry.

I won't.

You are about to give up,

I'll get it.

I'm going to play a game or not.

When will you come back?

You want to see me big,

despite how weak I am.

And if I touch you deep down,

you take me out again.

That's why I'm staying.

I want to be strong and love you.

That's why I'm here.

You've been living all your life.

Living from suffering.

And I still can't find

what would be good for me.

To give you much more

and give me everything.

Sex or whore or soul,

I don't care.

When will you come back?

Sex or whore or soul,

I don't care.

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