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♪ ♪
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♪ ♪
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[Narrator] Bugs are awesome!
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[ding]
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But they're also really small,
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which makes the challenge
of filming them...
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[Crewmember] Ow!
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[Narrator] ...enormous.
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[Camera operator]
Oh, my boot's coming off.
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[Narrator] Our team of 450,
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including dozens of
world class scientists...
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[Scientist] Hey!
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[Narrator] ...brave
the gnarliest landscapes
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across the globe.
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[Camera operator] Probably
the most difficult environment
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I've had to shoot in.
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[Narrator] Filming
over 130 different species,
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our crew must push the limits
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of a new generation
of camera technology,
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to take you closer than ever
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and bring the most
extraordinary miniature dramas
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to life.
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♪ ♪
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♪ ♪
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New York!
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Not the first place
you'd think to find bugs,
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but this place is
crawling with them.
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And our big city crew
is braving new heights
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to film this bold
jumping spider.
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♪ ♪
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♪ ♪
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He's trying to protect
his penthouse
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from an unwanted intruder.
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♪ ♪
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[siren]
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[Crewmember] He's gone over.
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[Crewmember]
He's gone over.
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[Narrator] Thankfully...
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[Crewmember]
Oh, wow, look at that.
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[Narrator] Our jumping spider
is in safe hands.
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[Frank Somma]
My previous career,
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I was a New York City
firefighter.
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[Narrator] But today,
Frank is working
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as our spidey
stunt coordinator.
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[Frank] We're in Manhattan, on
the top of a 22-story building.
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View is excellent.
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[Narrator] Turns out heights
are no big deal for this bug.
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But for the crew
and their equipment...
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[Crewmember] Go for it.
[Frank] Good?
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[Crewmember] Yep.
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[Narrator] ...falling 250 feet
off this high rise
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would be less than optimal.
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[Frank] Don't lean over
the wall too much.
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[laughs]
[Crewmember] Me?
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[Frank] Yeah, you.
[Crewmember] Oh, I'm good.
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[Narrator] Frank thinks
jumping spiders
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are easy to love,
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especially when seen up close.
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Too cute!
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[Frank] They almost seem
to have a personality.
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They have excellent vision.
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They'll look at you
with these puppy dog eyes;
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eight of 'em.
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[Narrator] But they have
a mind of their own.
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[Frank] Unlike people
or larger animals,
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you can't really train them.
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I just try to guide 'em
in a certain direction.
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[Narrator] The biggest stunt
our spider has to do today
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is a leap
20 times his body length.
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Seriously?
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♪ ♪
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♪ ♪
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Oops.
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Fortunately, when you've got
a built-in safety line,
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it's a softer landing.
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Alright. Take two.
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[ding]
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It's not every day a spider
gets to ride in an elevator.
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♪ ♪
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Okay.
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This one's for really real.
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♪ ♪
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Crushed it!
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Because he does this
kind of thing every day.
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[Frank] What's life like for
a jumping spider in New York?
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Hectic.
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[laughs]
Just like every New Yorker!
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[Narrator] No crew or cameras
have taken a fall.
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So, what do we say, Frank?
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[Frank] That's a wrap!
[chuckles]
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[Narrator] From the concrete
jungle to the real jungle,
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there's more bugs here
per square foot
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than any other place on Earth.
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But that doesn't mean
they're easy to find.
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Especially at night.
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And when they're one
of Costa Rica's top predators,
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it's straight-up scary.
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[Andrew Stephenson] Everything
that is dangerous in the forest
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comes out at nighttime.
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We, we need to watch out
for snakes,
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not just on the ground,
but also overhead,
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and the carnivores:
the jaguars, the ocelots.
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They all come out at night
to hunt as well.
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[Narrator] It's not just
one creature
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that Andrew's searching for...
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it's a swarm.
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Army ants!
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[Andrew] These ants are
such efficient hunters,
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that if they don't move home
every single night,
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they're gonna run out of food
in the forest,
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so these are pretty much
the apex predator
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in this environment.
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[Narrator] But even an army
can be tough to track down.
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Unless...
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[Andrew] Just a minute.
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[Narrator]
...you know where to look.
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Andrew's found the ants'
temporary base camp.
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[Andrew] We've got a fantastic
bivouac building up,
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just in the roots
of this buttress root tree,
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and that's a really
impressive sight.
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You never get bored
finding this in the forest.
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It's almost like
a butcher shop in there.
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They're all chopping up
the limbs and the bodies
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of the animals
that they bring in.
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[Narrator] Oh. Fun.
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The next hurdle will be
filming the army ants
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as they head out to hunt.
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[Andrew] So, we need to be there
right when dawn comes.
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[Narrator] While we wait for
the rest of the crew to arrive,
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let's hit pause
on this ant story
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and catch up with our other
teams around the world.
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♪ ♪
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Like in the Australian bush,
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on fire,
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or this quaint pond in England.
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[Crewmember] Action!
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[Narrator] Or this tropical
island off Borneo,
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where finding our bug stars
seems to be a breeze.
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[Crewmember] There's just loads
around here, yeah.
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[Narrator] But filming them
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is going to be difficult.
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[Lucia Chmurova] So, we are
on an island called Pulau Tiga,
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which is a small island
off Sabah,
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and we are here to film
some tiger beetles.
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[Narrator]
This tiger beetle species
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has never been filmed before.
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And for good reason.
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[zooming]
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They can really move.
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[Lucia] So, just for reference,
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people can run
six body lengths a second.
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With tiger beetles, they can run
over 170 body lengths.
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So, that means that they are
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roughly 20 times faster
than people.
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♪ ♪
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[Dale Hudson] There's a lot
at stake with this gear.
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Working with electronic
equipment next to salt water
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is never ideal.
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Woo-hoo-hoo-hoo!
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[Narrator] The plan
is to place a beetle
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directly in front
of the camera.
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How tough can that be?
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[Lucia] Nope!
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You need to be quite
patient with them.
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They kind of react
to your body movement,
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so to try to get close enough
to them to be able to catch them
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is very hard.
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And nope!
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Nothing.
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[Narrator] Oh, man.
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This could take a while.
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Patience alone won't be enough
to film this next bug.
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Our jungle team needs
a bug whisperer to call him in.
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♪ ♪
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Orchid bees can travel
over 15 miles a day.
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So, the chances of seeing
this tiny green bug
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in a gigantic green forest?
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[John Capener] Be very lucky
to find one, let alone film one.
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But you can at least
get them to come to you.
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[Narrator]
Enticing the orchid bees
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is the job
of local expert Carlos.
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[Carlos Alberto Hernandez Vélez]
It's a privilege to be here,
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and it's a very special place,
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because every time
that you come here,
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you'll see another species
that you haven't seen
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in, in some time.
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So, I recognize and feel like
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they are like my friends
or something.
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It's like, "Hey! I haven't
seen you in a while!"
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[Narrator] Orchid bees
love orchids, obviously.
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The problem is, they're
normally found way up there.
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Luckily, Carlos has
his own collection.
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[John] That's where
we want it, isn't it?
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[Carlos] Yeah, this is
a good spot, and that one is...
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[John] That's fine.
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[Carlos] It's attractive.
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[Narrator] On their own,
these orchids might attract
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only a few bees a day.
199
00:10:17,116 --> 00:10:20,036
So, the crew could be waiting,
like, forever
200
00:10:20,119 --> 00:10:21,996
to get the shots they need.
201
00:10:24,457 --> 00:10:26,000
But don't stress.
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00:10:26,083 --> 00:10:29,754
Carlos has a secret solution.
203
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[Carlos] So, I have
my collection of scents here.
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This is a very attractive one.
205
00:10:36,469 --> 00:10:41,432
So, a male bee, they are
attracted to different perfumes.
206
00:10:41,515 --> 00:10:44,185
And I think there's a bee
already here.
207
00:10:44,268 --> 00:10:46,937
[humming]
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00:10:47,063 --> 00:10:49,732
I can hear him.
209
00:10:49,815 --> 00:10:51,192
There it is.
210
00:10:51,275 --> 00:10:55,112
[humming]
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00:10:55,196 --> 00:10:57,198
Oh, this is a big one.
212
00:11:00,242 --> 00:11:02,953
Hey!
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00:11:03,037 --> 00:11:04,872
We have a bee.
214
00:11:04,955 --> 00:11:08,125
[Narrator] Orchid bees collect
a variety of scents,
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00:11:08,209 --> 00:11:11,629
store them in pouches
on their hind legs
216
00:11:11,712 --> 00:11:15,049
and blend them to make
an alluring perfume.
217
00:11:17,093 --> 00:11:20,513
All to charm a lady bee.
218
00:11:20,596 --> 00:11:22,181
Ooh la la!
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00:11:22,264 --> 00:11:28,396
♪ ♪
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00:11:28,479 --> 00:11:32,274
The rarer the fragrance,
the better.
221
00:11:32,358 --> 00:11:34,610
[John] This time,
we'll be ready to go.
222
00:11:34,694 --> 00:11:37,279
Just stick some on that.
223
00:11:37,363 --> 00:11:40,241
[Narrator] When you all
kinda look the same,
224
00:11:40,324 --> 00:11:42,868
it helps to smell unique.
225
00:11:44,662 --> 00:11:47,957
And thanks to Carlos'
love potions,
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00:11:48,040 --> 00:11:50,418
there's bees aplenty.
227
00:11:50,501 --> 00:11:54,130
♪ ♪
228
00:11:54,213 --> 00:11:56,757
[John] Orchid bees are
such fun to work with,
229
00:11:56,841 --> 00:11:59,051
because you're actually
giving them something new
230
00:11:59,135 --> 00:12:00,469
that they're excited about,
231
00:12:00,553 --> 00:12:02,972
and in return,
we get to film them a bit.
232
00:12:03,055 --> 00:12:05,516
It feels like a great tradeoff.
233
00:12:07,518 --> 00:12:09,687
Yeah. Yeah, I think we got it.
234
00:12:09,770 --> 00:12:11,856
[buzzing]
235
00:12:11,939 --> 00:12:14,442
♪ ♪
236
00:12:14,525 --> 00:12:15,985
[Narrator] There are no
magical techniques
237
00:12:16,068 --> 00:12:18,863
for filming our next character.
238
00:12:18,946 --> 00:12:22,867
Found in one of the most
inhospitable places on Earth
239
00:12:22,950 --> 00:12:27,204
is this bug-eyed fish.
240
00:12:27,288 --> 00:12:32,334
Mudskippers thrive here
in the mangroves of Malaysia.
241
00:12:34,462 --> 00:12:36,714
But reaching their gloopy home,
242
00:12:36,797 --> 00:12:38,674
where they battle
for territory...
243
00:12:38,758 --> 00:12:40,468
[Mudskipper] Hey!
244
00:12:40,551 --> 00:12:42,261
[Will Foster-Grundy]
Oh, my boot's coming off!
245
00:12:42,344 --> 00:12:43,637
[Narrator]
...is proving to be...
246
00:12:43,721 --> 00:12:44,638
[groans]
247
00:12:44,722 --> 00:12:45,931
...a struggle.
248
00:12:46,015 --> 00:12:51,562
♪ ♪
249
00:12:51,645 --> 00:12:55,775
[Will] The glamorous life
of a wildlife filmmaker.
250
00:12:55,858 --> 00:13:00,654
[Narrator] This mud is
unskippable for humans.
251
00:13:00,738 --> 00:13:04,742
Crawling and slithering,
though, are still on the table.
252
00:13:04,825 --> 00:13:08,996
♪ ♪
253
00:13:09,079 --> 00:13:10,873
And eventually...
254
00:13:12,792 --> 00:13:17,755
Will the cameraman
is in the perfect position
255
00:13:17,838 --> 00:13:21,717
to film these sloppy standoffs.
256
00:13:21,801 --> 00:13:24,720
[Will] So, I've got a bit
of nice light, thank goodness.
257
00:13:24,804 --> 00:13:28,808
The mudskippers
are out in force.
258
00:13:28,891 --> 00:13:32,812
All hopping around,
marking their territory.
259
00:13:32,895 --> 00:13:36,232
But the main issue is
that behind me, over here,
260
00:13:36,315 --> 00:13:39,527
the tide is coming in fast,
so the kit could be in jeopardy,
261
00:13:39,610 --> 00:13:42,363
or I could, worse, and I could
be stuck in the mud.
262
00:13:45,074 --> 00:13:47,535
[Narrator]
Time for a hasty retreat.
263
00:13:47,618 --> 00:13:50,996
♪ ♪
264
00:13:51,080 --> 00:13:52,456
[Will] When you finally
get setup,
265
00:13:52,540 --> 00:13:54,667
and you've got
a bit of nice light,
266
00:13:54,750 --> 00:13:58,254
and the skippers
just start to interact,
267
00:13:58,337 --> 00:14:01,966
the tide comes up
at rapid speed,
268
00:14:02,049 --> 00:14:03,968
and I have to bail out
as quickly as possible
269
00:14:04,051 --> 00:14:07,471
before the equipment and myself
gets buried under the water.
270
00:14:07,555 --> 00:14:09,807
So, whilst it's great
to finally be out
271
00:14:09,890 --> 00:14:12,518
and actually filming
on the mudflats,
272
00:14:12,601 --> 00:14:17,481
we got pushed out within
probably 25 minutes.
273
00:14:17,565 --> 00:14:21,151
The most difficult environment
I've had to shoot in.
274
00:14:29,076 --> 00:14:31,287
[Narrator] Newsflash
from the beach in Borneo!
275
00:14:31,370 --> 00:14:32,872
[Lucia] Mmm!
276
00:14:32,955 --> 00:14:37,126
[Narrator] Lucia finally scored
a tiger beetle.
277
00:14:37,209 --> 00:14:41,380
Dale wants to film it up close
as it escapes from the waves.
278
00:14:43,507 --> 00:14:46,844
[Dale] That's looking
great there.
279
00:14:46,927 --> 00:14:49,346
Waiting for waves.
280
00:14:49,430 --> 00:14:50,723
This could be it.
281
00:14:50,806 --> 00:14:56,228
♪ ♪
282
00:14:56,312 --> 00:14:59,189
Pbbbt! He was off.
283
00:14:59,273 --> 00:15:00,900
We have more, don't we?
284
00:15:00,983 --> 00:15:02,443
[Lucia] Nope.
285
00:15:04,278 --> 00:15:06,822
[Narrator] These guys just
do not take direction.
286
00:15:06,906 --> 00:15:09,533
[Bug] Hee hee hee hee!
287
00:15:09,617 --> 00:15:12,369
[Narrator] Hopefully
by the time we come back,
288
00:15:12,453 --> 00:15:15,748
they'll have found
a more cooperative beetle.
289
00:15:19,585 --> 00:15:22,254
Over in this backyard in Texas,
290
00:15:22,338 --> 00:15:25,799
there's one bug that's not
just uncooperative,
291
00:15:25,883 --> 00:15:28,677
it's downright despised.
292
00:15:28,761 --> 00:15:32,139
[Matt Langbehn] I love bugs.
I think they're super cool.
293
00:15:32,222 --> 00:15:35,100
But my least favorite ones
to work with are fire ants,
294
00:15:35,184 --> 00:15:39,605
and the reason for that is
fire ants sting.
295
00:15:39,688 --> 00:15:41,690
[Narrator] But the crew
are trying to look past
296
00:15:41,774 --> 00:15:44,360
their bad rep.
297
00:15:44,443 --> 00:15:45,945
[Alex Hemingway] It wasn't until
we visited the location,
298
00:15:46,028 --> 00:15:50,741
in fact, the first shoot,
that we, in a way, struck gold.
299
00:15:50,824 --> 00:15:55,079
[Narrator] When our team turned
on the unused water feature,
300
00:15:55,162 --> 00:15:58,540
they found a large colony
of fire ants.
301
00:15:58,624 --> 00:16:00,542
[Sean Doyle] Literally,
thousands and thousands of ants
302
00:16:00,626 --> 00:16:02,419
started pouring out.
303
00:16:02,503 --> 00:16:04,546
It was crazy.
304
00:16:04,630 --> 00:16:07,341
[Narrator] The crew saw the
perfect opportunity to showcase
305
00:16:07,424 --> 00:16:12,513
how extraordinary these
little menaces actually are.
306
00:16:12,596 --> 00:16:14,098
[Alex H.] I think once
you use the technology
307
00:16:14,181 --> 00:16:17,351
that we have at our disposal,
cameras that can slow down time,
308
00:16:17,434 --> 00:16:20,229
lenses that can shrink us down
and be in their world,
309
00:16:20,312 --> 00:16:22,606
you start to very quickly
see these things
310
00:16:22,690 --> 00:16:24,984
in a very different light.
311
00:16:25,067 --> 00:16:26,735
[Narrator] And nothing
is more inspiring
312
00:16:26,819 --> 00:16:31,198
than a strong community spirit
in the face of danger.
313
00:16:31,281 --> 00:16:33,492
[Alex Jones] You'll see ants
climbing onto each other,
314
00:16:33,575 --> 00:16:35,536
clinging on like this
with their little legs,
315
00:16:35,619 --> 00:16:37,496
and eventually, they all prevail
316
00:16:37,579 --> 00:16:41,000
and save themselves
during a flood.
317
00:16:43,002 --> 00:16:45,212
[Sean O'Donnell] Rather than
being like a collection of ants,
318
00:16:45,295 --> 00:16:47,965
it's almost like the mass
kind of behaves
319
00:16:48,048 --> 00:16:51,135
as a semi-solid object.
320
00:16:53,595 --> 00:16:54,513
[Alex J.] Whoa!
321
00:16:54,596 --> 00:16:56,432
[Matt] Okay, that looks...
322
00:16:56,515 --> 00:16:58,475
That's so cool!
323
00:16:58,559 --> 00:16:59,601
[Sean] It looked pretty cool.
[Crewmember] Yeah?
324
00:16:59,685 --> 00:17:01,103
[Sean] Yeah, yeah.
325
00:17:02,855 --> 00:17:05,399
[Narrator] Mayday!
326
00:17:07,651 --> 00:17:12,656
These incredible shots reveal
how the ants stick together.
327
00:17:12,740 --> 00:17:15,909
Each taking
its turn underwater,
328
00:17:15,993 --> 00:17:18,954
sometimes for hours at a time.
329
00:17:19,038 --> 00:17:20,205
Displaying the qualities
330
00:17:20,289 --> 00:17:23,917
that have helped fire ants
take on America.
331
00:17:24,001 --> 00:17:25,919
[Sean] The way they're able
to do these amazing things
332
00:17:26,003 --> 00:17:27,337
is pretty impressive,
333
00:17:27,421 --> 00:17:29,673
and it'd be nice to see
people recognize that,
334
00:17:29,757 --> 00:17:32,342
rather than just
see them as a pest.
335
00:17:32,426 --> 00:17:33,886
[Narrator] And the last
pool obstacle
336
00:17:33,969 --> 00:17:38,599
for our rafting fire ants
is a human.
337
00:17:38,682 --> 00:17:40,893
[Alex J.] Can you bring them
closer toward me, to me?
338
00:17:40,976 --> 00:17:43,729
[Swimmer] This is a highlight
of my life. [chuckles]
339
00:17:45,606 --> 00:17:46,940
[Alex J.] That was great!
340
00:17:47,024 --> 00:17:49,777
[Alex H.] Oh, my god!
That was so cool!
341
00:17:49,860 --> 00:17:51,028
[Swimmer] I forgot it was there!
342
00:17:51,111 --> 00:17:53,197
I'm like, thank god
I didn't knock it over!
343
00:17:53,280 --> 00:17:54,823
[Alex H.] I was like, "Ah-ah!"
344
00:17:54,907 --> 00:17:55,824
[laughter]
345
00:17:55,908 --> 00:17:58,869
Nerves of steel.
346
00:17:58,952 --> 00:18:01,455
[Narrator] Fire ants
may still be hated,
347
00:18:01,538 --> 00:18:04,500
but once filmed like this,
you gotta admit,
348
00:18:04,583 --> 00:18:07,002
these guys are
pretty impressive.
349
00:18:08,754 --> 00:18:10,214
Land ahoy!
350
00:18:10,297 --> 00:18:17,137
♪ ♪
351
00:18:17,221 --> 00:18:21,934
When you see the world
from a bug's perspective,
352
00:18:22,017 --> 00:18:26,939
you realize just how big
their obstacles really are.
353
00:18:27,022 --> 00:18:28,816
Biggest of them all?
354
00:18:28,899 --> 00:18:33,445
A six-ton African elephant.
355
00:18:33,529 --> 00:18:37,658
Dung beetles live
beneath their feet.
356
00:18:37,741 --> 00:18:39,785
But filming this
close encounter
357
00:18:39,868 --> 00:18:42,287
requires some serious prep.
358
00:18:42,371 --> 00:18:46,125
♪ ♪
359
00:18:46,208 --> 00:18:48,794
First up...
360
00:18:48,877 --> 00:18:52,548
make sure our star
gets VIP treatment.
361
00:18:52,631 --> 00:18:53,841
[Nthabiseng "Tumi" Mathikge]
We washed her,
362
00:18:53,924 --> 00:18:57,386
'cause they're always
covered in soil and dung,
363
00:18:57,469 --> 00:18:59,555
and it becomes difficult
to just see
364
00:18:59,638 --> 00:19:03,183
that really beautiful
purple color that they have,
365
00:19:03,267 --> 00:19:08,105
so, once she's on set, you can
just admire her, you know?
366
00:19:08,188 --> 00:19:10,232
[Narrator] Totally gorgeous.
367
00:19:10,315 --> 00:19:12,693
Time to get down to business.
368
00:19:12,776 --> 00:19:15,946
[Nat Sharman] So, ideally,
we want to set up camera,
369
00:19:16,029 --> 00:19:18,198
and then an elephant foot
will come into frame.
370
00:19:18,282 --> 00:19:19,324
[Tumi] It will be great to see,
371
00:19:19,408 --> 00:19:22,703
like, the contrast
between a huge animal,
372
00:19:22,786 --> 00:19:26,415
such as an elephant, and really
small, teeny-tiny dung beetle.
373
00:19:26,498 --> 00:19:28,917
We want to see
the sort of interactions
374
00:19:29,001 --> 00:19:31,128
that she'll be having.
375
00:19:33,463 --> 00:19:35,424
[Narrator]
Getting the camera this close
376
00:19:35,507 --> 00:19:38,844
also puts our crew
in the squish zone.
377
00:19:40,721 --> 00:19:44,808
Luckily, this orphaned elephant
is used to humans.
378
00:19:46,727 --> 00:19:48,353
But the dung beetle's
safety depends
379
00:19:48,437 --> 00:19:51,982
on one more thing
falling into place.
380
00:19:52,065 --> 00:19:55,986
♪ ♪
381
00:19:56,069 --> 00:19:57,696
[Nat] You're gonna
get pooing now.
382
00:19:57,779 --> 00:19:58,697
[splat]
383
00:19:58,780 --> 00:19:59,740
[Narrator] Ah-ha!
384
00:19:59,823 --> 00:20:02,201
The perfect crash mat.
385
00:20:03,744 --> 00:20:06,872
Hot out of the oven.
386
00:20:06,955 --> 00:20:08,332
[Nat] And turning.
387
00:20:10,083 --> 00:20:13,795
Okay, dung beetle in
when you can.
388
00:20:13,879 --> 00:20:17,299
[Narrator] And as long as our
dung beetle has a poop cushion,
389
00:20:17,382 --> 00:20:19,843
she'll live to tell the tale.
390
00:20:19,927 --> 00:20:22,387
♪ ♪
391
00:20:22,471 --> 00:20:27,017
♪ ♪
392
00:20:27,100 --> 00:20:28,393
[Nat] She's thinking
that the camera is.
393
00:20:28,477 --> 00:20:29,519
[Crewmember] Yeah.
394
00:20:29,603 --> 00:20:30,938
[Nat] Will you take
those boxes off?
395
00:20:31,063 --> 00:20:32,522
[Crewmember] Yeah, I think
the boxes are confusing him.
396
00:20:32,606 --> 00:20:35,817
[Nat] The boxes are
to protect my camera.
397
00:20:35,901 --> 00:20:37,945
[Narrator] Take two.
398
00:20:38,028 --> 00:20:40,197
[Nat] You ready?
Okay, we ready to go, Sean?
399
00:20:40,280 --> 00:20:41,365
[Sean] Okay.
[Nat] And turning.
400
00:20:41,448 --> 00:20:42,407
[Crewmember] Come.
401
00:20:42,491 --> 00:20:44,117
[Nat] You guys ready? Let's go.
402
00:20:47,496 --> 00:20:48,789
Whoa!
403
00:20:52,334 --> 00:20:55,128
[Narrator] The elephant
has played his part.
404
00:20:55,212 --> 00:20:57,381
As for our dung beetle?
405
00:20:59,466 --> 00:21:00,425
[Crew] Yay!
406
00:21:00,509 --> 00:21:01,426
[Crewmember]
Oh, that's brilliant.
407
00:21:01,510 --> 00:21:03,971
Excellent, look at that!
Perfect!
408
00:21:04,054 --> 00:21:05,180
[Nat] She's alright,
completely alright.
409
00:21:05,264 --> 00:21:06,598
[Tumi] Yeah.
410
00:21:09,935 --> 00:21:14,564
[Narrator] Dawn at last
in Costa Rica.
411
00:21:14,648 --> 00:21:16,400
The camera crew
has set out early
412
00:21:16,483 --> 00:21:19,569
to film the army ants
on the hunt.
413
00:21:19,653 --> 00:21:21,280
Remember these guys?
414
00:21:24,741 --> 00:21:28,453
But looks like they're
late to the party.
415
00:21:28,537 --> 00:21:31,248
The ants got up even earlier.
416
00:21:31,331 --> 00:21:34,876
They're already on the march!
417
00:21:34,960 --> 00:21:36,503
To get the shots they want,
418
00:21:36,586 --> 00:21:40,132
the crew needs
to get ahead of them.
419
00:21:40,215 --> 00:21:43,010
Not easy with all this
fancy camera gear.
420
00:21:43,093 --> 00:21:46,054
[Alex J.] All of these vines
catch on everything.
421
00:21:46,138 --> 00:21:48,598
All the tripod legs,
your legs, everything.
422
00:21:48,682 --> 00:21:53,145
♪ ♪
423
00:21:53,228 --> 00:21:55,230
So, we tried to move
in front of the wave,
424
00:21:55,314 --> 00:21:57,524
but as soon as we put
the equipment down,
425
00:21:57,607 --> 00:22:01,403
they're already passing by us.
426
00:22:01,486 --> 00:22:06,950
[Narrator] This is pushing
the team to breaking point.
427
00:22:07,034 --> 00:22:08,285
[Alex J.] Ow!
428
00:22:08,368 --> 00:22:10,495
[Andrew] You really wouldn't
want to be much longer
429
00:22:10,579 --> 00:22:14,499
where Alex is crouched
'cause he's gonna get eaten.
430
00:22:14,583 --> 00:22:16,793
We've got ants all round us.
431
00:22:16,877 --> 00:22:18,754
They're actually dropping on us,
432
00:22:18,837 --> 00:22:21,256
and obviously you can see
the problems we're having.
433
00:22:21,340 --> 00:22:22,341
[Crewmember] Ow!
434
00:22:22,424 --> 00:22:25,260
[Andrew] Army ants
will bite and sting.
435
00:22:25,344 --> 00:22:27,387
They have both weapons
at their disposal,
436
00:22:27,471 --> 00:22:29,306
but the closer we get in,
the better shots we get,
437
00:22:29,389 --> 00:22:33,477
so it's a case of just
grinning and bearing it
438
00:22:33,560 --> 00:22:38,190
and just putting up with
the pain and getting the shots.
439
00:22:38,273 --> 00:22:39,691
[Alex J.] Whoa, look at that.
440
00:22:39,775 --> 00:22:42,110
That's sick!
441
00:22:43,862 --> 00:22:45,614
I think we've definitely
got the shot.
442
00:22:45,697 --> 00:22:46,907
It's pretty exciting.
443
00:22:46,990 --> 00:22:48,325
Constantly we're running
around and everything,
444
00:22:48,408 --> 00:22:52,788
but yeah, once you get it,
it's pretty epic.
445
00:22:52,871 --> 00:22:55,165
[Narrator] Thanks to Andrew's
"ants-pertise,"
446
00:22:55,248 --> 00:23:00,003
and the crew's persistence,
it's mission accomplished.
447
00:23:02,214 --> 00:23:05,801
Can the same be said
for the Borneo beach crew?
448
00:23:05,884 --> 00:23:08,512
Not really.
449
00:23:08,595 --> 00:23:10,013
They're still here,
450
00:23:10,097 --> 00:23:14,476
trying to film a tiger beetle
escaping waves.
451
00:23:14,559 --> 00:23:16,520
[Dale] That's great,
that's great.
452
00:23:16,603 --> 00:23:18,230
Wave coming, wave coming.
453
00:23:20,565 --> 00:23:22,192
Come on, come on.
454
00:23:22,275 --> 00:23:23,360
Yeah!
455
00:23:23,443 --> 00:23:25,570
[Narrator] Finally!
The perfect shot!
456
00:23:25,654 --> 00:23:26,947
[Dale] That looked good!
457
00:23:29,282 --> 00:23:31,743
[Narrator]
But it has taken all day.
458
00:23:34,746 --> 00:23:37,749
Perhaps it's time to test
a new approach.
459
00:23:37,833 --> 00:23:41,253
[bee buzzing]
460
00:23:41,336 --> 00:23:43,505
On this peaceful British farm,
461
00:23:43,588 --> 00:23:46,007
filming the world
of a bumblebee
462
00:23:46,091 --> 00:23:49,428
is giving our camera crew
quite a buzz.
463
00:23:49,511 --> 00:23:53,223
♪ ♪
464
00:23:53,306 --> 00:23:57,102
They're attempting to mimic
a forager bee in flight.
465
00:24:00,105 --> 00:24:02,232
But it's pushing their
most advanced technology
466
00:24:02,315 --> 00:24:04,484
to the limits.
467
00:24:04,568 --> 00:24:06,695
[Dr. Adrian Thomas] So, you've
got hundreds of millions
468
00:24:06,778 --> 00:24:08,155
of years of evolution
469
00:24:08,238 --> 00:24:12,701
that's honed biological systems
to work beautifully,
470
00:24:12,784 --> 00:24:14,369
and it may be just
too difficult to do,
471
00:24:14,453 --> 00:24:17,289
even with the technology
we've got now.
472
00:24:17,372 --> 00:24:19,040
[Narrator] This drone
has been souped up
473
00:24:19,124 --> 00:24:22,669
to reveal what it's like
to fly like a bee.
474
00:24:22,752 --> 00:24:25,505
♪ ♪
475
00:24:25,589 --> 00:24:29,593
It can easily match its speed,
476
00:24:29,676 --> 00:24:31,261
but it'll need to up its game
477
00:24:31,344 --> 00:24:34,639
to mimic the bee's
lack of depth perception.
478
00:24:36,725 --> 00:24:39,102
[Adrian] So, unlike us, where
we've got eyes widely spaced
479
00:24:39,186 --> 00:24:41,062
so we can do stereo,
480
00:24:41,146 --> 00:24:44,566
we can work out distances by
how the eyes converge on things,
481
00:24:44,649 --> 00:24:47,569
they can't do that, so they
have to shift the whole body.
482
00:24:47,652 --> 00:24:49,029
So, if there's a flower
that they're going to,
483
00:24:49,112 --> 00:24:54,075
they'll just maneuver around it,
go, "Oh, there it is."
484
00:24:54,159 --> 00:24:56,620
[Narrator] Alright.
Let's try this one again.
485
00:24:56,703 --> 00:24:58,163
[Adrian] Going up.
486
00:24:58,246 --> 00:25:01,625
♪ ♪
487
00:25:01,708 --> 00:25:06,129
Little shot of the crew there,
and back to the ivy.
488
00:25:06,213 --> 00:25:08,798
Mm, that's quite, it's quite
a nice bumblebee speed,
489
00:25:08,882 --> 00:25:10,592
really, isn't it?
490
00:25:10,675 --> 00:25:11,927
Oh, it's going
under the tractor.
491
00:25:12,010 --> 00:25:12,928
Interesting.
492
00:25:13,011 --> 00:25:14,221
[Crewmember] Oh, that's lovely.
493
00:25:14,304 --> 00:25:16,348
[Adrian] And through
the middle of the gap. Nice.
494
00:25:16,431 --> 00:25:18,141
I mean, a bumblebee would
definitely go under it, no?
495
00:25:18,225 --> 00:25:19,142
[Crewmember] Yeah.
496
00:25:19,226 --> 00:25:20,810
[Adrian]
Very happy place for them.
497
00:25:20,894 --> 00:25:22,729
I'm very impressed with that.
[Crewmember] Tighter.
498
00:25:22,812 --> 00:25:25,106
[Adrian] It's the right speed,
it's the right height.
499
00:25:25,190 --> 00:25:27,442
Yeah, I'm, I think
this is really nice.
500
00:25:27,526 --> 00:25:28,777
[Crewmember]
And then into the flowers.
501
00:25:28,860 --> 00:25:30,779
So, we can give these
a little nudge, potentially.
502
00:25:30,862 --> 00:25:33,657
There you go.
Right into that flower.
503
00:25:33,740 --> 00:25:36,034
I think we've done that.
Yeah, that's good. [laughs]
504
00:25:36,117 --> 00:25:37,410
[Crewmember]
Do you want another one?
505
00:25:37,494 --> 00:25:38,828
[Crewmember] If we've got enough
battery for another pass
506
00:25:38,912 --> 00:25:40,956
through the tractor,
then that'd be cool.
507
00:25:41,039 --> 00:25:42,666
Okay. But that was impressive.
508
00:25:42,749 --> 00:25:45,752
We're actually getting
the camera right in there.
509
00:25:45,835 --> 00:25:49,214
Okay, coming up
through the tractor.
510
00:25:49,297 --> 00:25:51,424
[crash]
511
00:25:51,508 --> 00:25:53,385
[Narrator]
Nailed the flight path,
512
00:25:53,468 --> 00:25:56,054
but not the flight time.
513
00:25:56,137 --> 00:25:58,640
With a battery life
of just three minutes,
514
00:25:58,723 --> 00:26:01,101
our drones have some
serious evolving to do
515
00:26:01,184 --> 00:26:04,646
to match the bumblebee's
endurance.
516
00:26:04,729 --> 00:26:08,400
They can stay on the grind
up to six hours a day.
517
00:26:08,483 --> 00:26:14,531
♪ ♪
518
00:26:14,614 --> 00:26:17,909
During the making
of A Real Bug's Life,
519
00:26:17,993 --> 00:26:21,162
caring for bugs has been
critical to our team.
520
00:26:23,999 --> 00:26:25,500
[Lucia] I'm releasing
the beetles
521
00:26:25,584 --> 00:26:27,669
after the whole day of shooting,
522
00:26:27,752 --> 00:26:30,380
just making sure that we release
them in the same place
523
00:26:30,463 --> 00:26:32,340
where we caught them
in the morning.
524
00:26:32,424 --> 00:26:34,134
Here you go.
525
00:26:34,217 --> 00:26:36,595
[Narrator]
Some of the bugs we filmed...
526
00:26:36,678 --> 00:26:39,472
[Crewmember] It's very pretty.
527
00:26:39,556 --> 00:26:41,808
[Narrator] ...have been
easy to love.
528
00:26:41,891 --> 00:26:45,604
[Lynn Faust] Almost everybody
I've ever met likes fireflies.
529
00:26:45,687 --> 00:26:47,063
And here's a little guy
right here.
530
00:26:47,147 --> 00:26:50,150
He's attracted to the camera.
531
00:26:50,233 --> 00:26:53,361
He's going,
"Well, I'll check that out."
532
00:26:53,445 --> 00:26:57,741
Fireflies represent nature
at its best, in a way.
533
00:26:57,824 --> 00:27:00,410
They're not dangerous,
they don't carry disease.
534
00:27:00,493 --> 00:27:02,495
They're not hurting
our food crops,
535
00:27:02,579 --> 00:27:04,080
and they're just
a thing of beauty.
536
00:27:04,164 --> 00:27:07,334
They give a charismatic
and tangible benefit
537
00:27:07,417 --> 00:27:09,336
to everyone's life.
538
00:27:09,419 --> 00:27:11,296
They're like little ambassadors
539
00:27:11,379 --> 00:27:15,759
to bring people
back into nature.
540
00:27:15,842 --> 00:27:18,511
[Narrator] But not all bugs
have this level of support.
541
00:27:20,221 --> 00:27:21,640
And they need our help.
542
00:27:23,808 --> 00:27:28,647
Over 40% of our insect species
are in decline.
543
00:27:28,730 --> 00:27:32,901
At this rate, many bugs
could vanish within a century.
544
00:27:34,861 --> 00:27:36,196
[Michael Carr] There are
some really big concerns
545
00:27:36,279 --> 00:27:40,408
with insect conservation
moving forward.
546
00:27:40,492 --> 00:27:43,536
Habitat loss, light pollution,
urbanization,
547
00:27:43,620 --> 00:27:45,080
destruction of soils.
548
00:27:45,163 --> 00:27:48,124
Even just removing wood
from forests like this one
549
00:27:48,208 --> 00:27:51,586
can be the one thing
some insects need
550
00:27:51,670 --> 00:27:54,089
to keep their
reproductive cycle going,
551
00:27:54,172 --> 00:27:57,092
so there's a lot
of work to be done.
552
00:27:57,175 --> 00:27:59,302
What we're doing tonight:
trying to find the stag beetles.
553
00:27:59,386 --> 00:28:02,263
Figuring out where they are
and what they really like to do
554
00:28:02,347 --> 00:28:04,140
and where they like to be.
555
00:28:04,224 --> 00:28:07,936
♪ ♪
556
00:28:08,019 --> 00:28:09,187
Look at this guy!
557
00:28:09,270 --> 00:28:10,730
Oh, my god!
558
00:28:10,814 --> 00:28:13,274
He's a really fun beetle
to have.
559
00:28:13,358 --> 00:28:14,609
It's almost incomprehensible
560
00:28:14,693 --> 00:28:19,072
just how diverse
the insect world is.
561
00:28:19,155 --> 00:28:21,199
Right along the back is probably
one of the prettiest moths
562
00:28:21,282 --> 00:28:22,784
we'll actually get tonight,
563
00:28:22,867 --> 00:28:24,661
in my own personal opinion.
564
00:28:24,744 --> 00:28:27,247
A giant leopard moth.
565
00:28:27,330 --> 00:28:28,623
I know a lot of people
see insects
566
00:28:28,707 --> 00:28:30,792
as these are small,
insignificant pests,
567
00:28:30,875 --> 00:28:34,254
but they don't see
the really beneficial things.
568
00:28:34,337 --> 00:28:38,299
Getting people more exposed
to some of the more beautiful
569
00:28:38,383 --> 00:28:40,635
and inspiring insects
of the world
570
00:28:40,719 --> 00:28:43,638
is a good way to kinda step
their perceptions away from,
571
00:28:43,722 --> 00:28:46,349
"Ew, cockroach," to "Wow."
572
00:28:46,433 --> 00:28:48,685
Sometimes the fantastical
is right under your nose.
573
00:28:48,768 --> 00:28:50,270
You just gotta look for it.
574
00:28:51,563 --> 00:28:53,815
[Narrator]
But don't get too close.
575
00:28:53,898 --> 00:28:55,275
[Michael] I don't think
I ever walk out of this
576
00:28:55,358 --> 00:28:58,027
without swallowing
a couple of bugs.
577
00:28:58,111 --> 00:29:00,864
[laughs]
Extra protein!
578
00:29:02,657 --> 00:29:04,701
[Narrator] We hope that
by revealing the stories
579
00:29:04,784 --> 00:29:07,203
of these incredible creatures,
580
00:29:07,287 --> 00:29:11,207
we can help inspire
a new generation of bug fans.
581
00:29:11,291 --> 00:29:12,792
[Carlos] Bye-bye.
582
00:29:12,876 --> 00:29:16,087
[Narrator] Because bugs
aren't just awesome;
583
00:29:16,171 --> 00:29:18,840
for sustaining life
on this planet,
584
00:29:18,923 --> 00:29:21,342
they are essential.
585
00:29:22,969 --> 00:29:29,100
♪ ♪
586
00:29:29,184 --> 00:29:34,773
♪ ♪
587
00:29:36,357 --> 00:29:40,987
♪ ♪
588
00:29:41,070 --> 00:29:47,744
♪ ♪
589
00:29:47,827 --> 00:29:49,287
♪ ♪
590
00:29:50,330 --> 00:29:52,248
♪ ♪
43726
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