All language subtitles for Sarah T. - Portrait of a Teenage Alcoholic - 1975 - Drame_track3_eng

(upbeat music)

I Come on, America J'

J' The time is now J'

I The place to be is right where you are J'

I 'Cause everywhere you go J'

I Everything that you see J'

I Belongs to you and it belongs to me I

- [Marvin] There are
approximately 1/2 million preteen

and teenage alcoholics
in this country today,

and the number is growing.

Three out of every four
teenagers do some drinking.

One out of 20 has a
serious drinking problem.

One in 1O will become an alcoholic.

J' You can go where you wanna go J'

I Do what you wanna do J"

I See what you wanna see J'

I Courey's will be there J'

- [Marvin] Alcohol-related arrests

of young people have increased
700% in the past four years.

It may take an adult 15
years to become an alcoholic.

It takes a teenager 15 months.

I So go where you wanna go J'

I Be what you wanna be J'

I Happiness is Courey's Beer. I

- [Marvin] You find them in schools,

on the beach, in your own home.

This is Sarah Travis.

She's 15 years old.

She's an alcoholic

(man laughing)

- How ya doing, Sarah?

- [Sarah] Not so good, how 'bout you?

- Oh okay.

- [Woman] Oh, it's so wonderful
to bring to him that way.

- Yeah, it is.

(woman laughing)

Wouldn't you say so?
- Sarah, how do you

like your new school?

- It's okay.
- I'll bet you're making

tons of new friends.
- How 'bout you get us

a couple of fresh ones, will ya, honey?

- Hi, honey.
- You're so cute.

- How ya doing in school, huh?

- He's cute.
- You know, JoAnne,

she looks like you.

- Hey, how does it feel
to be a grandmother, huh?

- Fine, since Liz Taylor
made it fashionable.

- Yeah but Liz Taylor didn't let herself

become a babysitter, right?

- Right.
- Well, that was her loss.

Nancy can leave him with us

anytime she wants to.
- Oh (laughs)!

- She has your smile (laughs).

- It's he not her.

That's he.

- [Man] Hey, look at this little boy.

_ Wayne?

(baby crying)

- Mom, Mom I think he needs changing.

Can I change him?

- Do you want to honey?

- He's my nephew, isn't he?

(baby laughing)

I'll bet you're as glad to
be out of there as I am, huh?

Did they ask you the same
dumb questions they asked me?

How do you like your new school?

Nice girl like you must
be dating lots of boys.

I mean, how would they
like it if I asked them

if they were having any
good love affairs lately?

Well, I promise you,

when you grow up I'll never ask you

how you like your new school.

Okay?

- Sarah, Matt wants to
introduce you to Mr. Peterson.

- See what I mean?

- Oh honey, come on, please
try to make a good impression.

You know how important this is to Matt.

(baby babbles)

- Sarah, Sarah, honey,

I don't think you've met Mr. Peterson.

You know, his son goes to
the same high school as you.

- Ray, Ray Peterson, have you met him?

- I don't think so.

- Well, you will, but you
gotta watch out for him.

I know he's my son

but I still feel it's my duty to warn you.

He, uh, well, you know,

comes on a little strong with the girls,

but he's a nice kid.

I don't want to think anything of it.

You know, he doesn't smoke
dope, doesn't eat pills.

(doorbell ringing)

- Oh, I'll get that.

- Oh Matt, you finished with that?

- Thanks.

- Well, how about it, Sarah?

Shall I, shall I give
Ray your phone number?

- Well, actually, Mr. Peterson,

I don't really like blind dates.

I'm sure Ray doesn't either.

- Mm, okay, can I at
least buy you a drink?

You can have a drink,

because I made Matt a vice president.

She could have a drink

to help celebrate Matt
becoming vice president,

can't she?
- Sure.

She can have anything she wants,

as long as it's ginger ale.

- [Mr. Peterson] Well, mother knows best,

so ginger ale, it's gonna be.

Here we go, a little of that right there,

and a little somethin' to
help the medicine go down.

(Mr. Peterson laughs)

(Mr. Peterson grunts)

Bob, where are you goin'?

I want to ask you about that,

I want to ask you about
that airport contract.

(gentle music)

- You must hate nights like this.

- Like what?

- These parties, you know,
serving all these people.

- No, it's not so bad

- Come on.

- Qkay.

It's not my favorite
way to spend an evening,

but like the man says,
that's what I'm paid for.

- Qkay.

Go out and earn some money.

- Thanks, baby.
- Okay.

(guests laughing)
(guests chattering)

(dramatic music)

(Sarah sighs)

- Sarah, is that all you're
eating for breakfast?

Oh, Matt, that must have
been some terrific party.

You know, I think we went
through two cases of scotch.

- Here, this'll help.

(JoAnne sighs)

And this.
(JoAnne moans)

- Sarah, isn't this the clay you try out

for the glee club?
- Mm-hmm.

- [JoAnne] Did you pick
out what you're gonna sing?

- Not yet.

- (laughs) Did you see your boss?

(laughs) Did you see old
million-dollar Peterson trying

to make it out to his
silver-gray limousine.

- [Matt] What about you
Mrs. What's-Her-Name?

- [JoAnne] What about her?

- That lady holds her
liquor like a broken glass.

- (chuckles) Too bad she
doesn't have your hollow leg.

' [Matt] COmplaining?

- No, impressed.

I've never seen a man drink
so much and still be able

to do 40 push-ups before bed (chuckles).

(gentle music)

- [Ken] (laughs) Come
on, Marilyn, hurry up!

- [Girl] Hey, come on,
come on, get in here.

Come on, Marilyn, look,
you're gonna make us late.

(solemn music)

Come on, get with it!

Oh, look, Marilyn, come on already.

- [Ken] Come on, we've gotta hit the road.

(solemn music)

- You'll be fine, love.

You'll like it here.

You just wait and see.

- I sure hope so.

- Now go on to school, baby.

_ Qkay, bye-

- [Margaret] Bye.

(gentle music)

I And so I beg you I

I Let it be me J"

- Hey, she's really good.
- She's all right.

- Okay.
- That's fine, Judy, great.

That's very good.

Now you know, glee club
meets Tuesdays and Thursdays

at noon, okay?

- Oh sure.
- All right.

Let's see, Sarah Travis is next.

Uh, Sarah Travis, is she here?

- Yeah.

- [Lisa] Well, if you're not ready, Sarah,

we can come back to you.

- No, I'm ready.

Could you hold these?
- Mm-hmm.

- Thanks.

- Okay, thank you.

- Here you go.
- Oh thank you, Lisa.

("It's Too Late")

J' Stayed in bed all morning
just to pass the time J'

J' There's something wrong here J'

I There can be no denying J'

J' One of us is changing or maybe we J'

Could you start again, please?

- Thank you for trying out, Sarah.

Um, Harriet Bernstein is next.

- If I could just try once more.

- Oh you do that,

but you come back and see
us next semester, okay>

Harriet Bernstein.

All right.

J' When I fall in love J'

J' It will be forever J'

J' For I'll never J'

(solemn music)

- You coming in or not?

(gentle music)

- Hello, Richard Travis's room, please.

But he's got to be there.

Can you ring the lobby?

But he's got to be around.

No, no messages.

(somber music)

(sobs) Daddy.

(doorbell rings)

- Hi, I've got a delivery for Mrs. Hodges.

- Oh, I'll take it.

What is it?
- I'm sorry, pal.

I can't leave it with you.

It's booze.

- Oh.
- Is your mom home?

- Yeah, come on in.

She's in the shower.

(water pattering)

Delivery from the liquor store, Mom!

What do we do, huh?

OkaY-

She said leave it on
the dining room table.

The money's in there.

- Okay, that's $8.73 with the tax.

(solemn music)
(water pattering)

(dramatic music)

- Well, if he's not in his room,

can you try the restaurant, please?

I know it's a long distance call,

but you can take it out of my allowance.

- Oh honey, you know that's not necessary.

You can call your
father, anytime you want.

But you can't expect him
to come all the way back

from San Francisco just because--

- He'll come.

- Even if he does, then what?

- Well, maybe he can arrange it,

so I can go back to my old school.

- Why would you want to go
back to the old school anyway?

You weren't so happy there.

- Could you try the lobby then, please?

It's important.

- You were always complaining.

Have you forgotten so soon?

Honey, listen, maybe if
you tried to talk to Matt.

- I don't want to talk to Matt.

I want to talk to my father.

- Why do you treat Matt
as if he doesn't exist?

He tries to be nice to you.

He's trying to make a life for us.

' Daddy?

It's me Sarah.

Wait hold on a minute.

Please.

Daddy, how are you?

- Hello, I'm home!

- [JoAnne] Hi, hon.

- Ugh, now what kind of a face is that

to greet a vice president?

Anything wrong?
- No, not really.

- [Sarah] Hi, Matt.

- Oh, have you two been
sniping at each other again?

- Sarah, honey, I just hate
to see you set yourself up

for a disappointment, that's all.

- I know, Mom, but you're wrong.

He's coming, day after
tomorrow, just to see me,

just like I knew he would.

My daddy's coming.

I guess things aren't as
bad as I thought they'd be.

- Yeah, from the way you
sounded on the telephone,

I thought I was gonna find a
little puddle of salty tears.

- Oh, are you mad at me,
Dad, I mean, you know,

for dragging you all the
way down here for nothing?

- Where'd you ever get
the idea you're nothing?

Honey, you're one of the most
important things in the world,

I mean, you and your sister

and of course my grandson.

Aren't you supposed to
be in classes, today?

You're not cutting, are you?

- What are you doin' away from work?

You do still have a job, don't ya?

- Ah, it's bright.

Is this bright?
- Dad?

You do still have a job, don't ya?

- Well, not exactly, no.

No, not exactly.
- Aw, Dad.

- Come on, grab me a beer

before you start sounding
like your mother.

- Out on the street?

- There you go.

I'll use this.

Dump that, will you?

(Richard laughs)

So there I was walking across
the San Gabriel River Bridge,

and I stopped right in the middle of it,

and I said, Richard, what
the hell are you doing

with your life?

You're dragging your
aspirations up and down a state.

You're selling art
supplies to other people

for them to use.

You see, that's what gets me, sweetheart.

I got a lot of talent, I mean, a lot more

than those kids coming out of art school.

I mean, it wasn't my fault I
had responsibilities, you know.

I had to get a straight job.

I don't want you to blame your mother.

Now, I'm not doing that, now.

So there I was, standing in
the middle of the bridge,

and I said it myself, Richard,
what what would happen?

What would be the
earth-shaking consequences

if you took the sample
case and just threw it

as far as you could?

- You didn't.

(laughs) You did?

- Yeah.
- (laughs) Daddy!

- Well, that's one

of the reasons I don't work there anymore.

- What are you gonna do now?

- Hmm, well, I'll tell
ya what I'd like to do.

- Go to Oregon?

- (laughs) Perfect time for it.

- Oh for both of us.

I'd love it.

- Get a little place out
in the backwoods somewhere,

lay in some canvas and some decent oils

and maybe get a horse

for you or something.
- Oh Daddy,

you could just paint all day.
- Mm-hmm.

- You wouldn't worry about delivery dates

or sales quotas.
- Sounds pretty good, huh?

- Aw, Daddy, let's do it.

Let's just pack up and leave.

(Richard laughs)
(solemn music)

- Yeah.

What about your mother?

She seems to think I have a
corrupting influence on you.

You think, for a moment,
she'd give up custody.

(solemn music)

Hmm?

- I guess not.

(solemn music)

- We'll do it, honey.

- When?

- Soon, one day soon, really, I promise.

(laughs) Hey, hey, listen.

Hold it.

In the meantime,

I want you to go and get yourself one

of the nicest outfits you can find.

I want you to really
look good at that party.

- But Daddy, this is $50.

You don't even have a job.

- Ah, come on, don't worry about that.

I already got something better lined up.

Let's take a look in here.

- I don't, Daddy!
- Yeah, yeah!

(Sarah laughs)

Third largest art supply
house in the state,

I'm gonna be a district manager.

How about this now?

Hey, this is it, huh?

Look at this!

- Well, I don't know.

It's not so cute.

Why don't we look around?

- Oh come on, now what are fathers for?

How often do I get to see you anyhow?

Here.

- (laughs) $100!

Oh Daddy, I love you!

- I love you, too, baby.

- [Nancy] Who you going
out with tonight, Sarah?

- Just a gLIY-

- Not just a guy at all.

He happens to be vice
president of the junior class

and captain of the swimming team.

' [Nancy] Ooh.

- How'd you know that?

- Oh, his mother may
have mentioned it to me.

- Is that how you got
fixed up with him, Sarah,

through his mother?

- No, he called and asked me.

Wait, I didn't know you knew his mother.

- Oh, I've met her a couple of times.

- Well, you never told me that.

- [JoAnne] Didn't I?

- Mom, you didn't happen to mention

to her anything about Ken taking me out

or anything like that, did you?

- Oh, no, why would I
do a thing like that?

I mean, I did mention that we have kids

about the same age,
and wouldn't it be nice

if sometime they--
- Oh I knew it!

I knew he wouldn't be interested in me.

- Sarah, stop that.

- Well, how could you do
a thing like that to me.

- I was only trying to help.

We're new in the neighborhood,

and you don't know many of the kids,

and the situation just sort of came up.

- You mean you made it come up.

- Sarah, I have never tried to stop you

from making your own friends.

I did this for you.

Can't you appreciate that?

- No, and I'm not going.

- [JoAnne] Sarah!

- Look, I've had it.

I'm just gonna lock myself in a room,

and when he comes, you can just tell him--

- Tell him what?

(Sarah groans)

Sarah, I have gone to a lot
of trouble to arrange this.

If you embarrass me, so help me, I'll--

(doorbell rings)

(Sarah groans)

Now look, you stay there, young lady.

- Sarah, listen now, honey.

Mom went to a lot of trouble for this.

- Yes.
- Mrs. Hodges, is Sarah ready?

- You must be Ken.
- Yes, ma'am.

- Well, come on in.

Sarah will be ready in a minute.

(Ken grunts)

- [Nancy] You'll have a good time, anyway,

so why don't you just go, okay?

Come on.
- Oh, hi.

- Hi.

(Ken coughs)

- Well, we better get going.

(JoAnne sighs)

- [JoAnne] Have a good time, you two.

- [Sarah] Good night, Mom.

- That's a nice truck you have, Ken.

- Oh, thanks.
- You're welcome.

- You got a nice mom.

- I'm sorry for gettin'
you dragged into this.

- Forget it.

- Listen, you can drop me
in a movie if you'd like.

_ Hey, it's okay.

Come on, we'll have fun, anyhow.

(gentle music)
(guests chattering)

- How's the, uh, mercy date going?

- Qkay.

- You, uh, want to dance with me?

- You know I do.

Just, just wouldn't be fair to her.

- Oh yeah, right,

never interfere with a, uh, social worker

in the pursuance of his duty.

- Ken, we got things to do.

(gentle music)
(man whistles)

- Hey, Charlie, over here!
- Hey, hey, dingbat!

(guest chattering)

- Weren't you at the glee
club try-outs, the other day?

- Yeah.

- Shame you didn't make it.

(gentle music)

Are you looking for Ken?

- No, no, I'm not.

Excuse me.

(guests chattering)
(gentle music)

- [Ken] Hey, Sarah, where ya goin'?

Sarah?

- I'm gonna go home.
- Go home?

What, how're you gonna get there?

- Take a bus or something.

- Hey, come on, look,

we can have a good time, okay, come on.

- All right.

- [Ray] Hey, Ken, how ya doing?

_ Hey, Ray.

Hey, fix her one, too, will ya?

- Hey, look, Ken, if my
clad catches on to this--

- Cool out, Ray, she's my date, okay?

- Qkay.

- Well, maybe I shouldn't.

- Oh come on, just one, it wont hurt you.

That's all we're gonna have.

- Okay, just one.

(upbeat rock music)

(guests cheering)

- All right!

(guests cheering)

- Hey, Ed, have you seen Sarah?

- No, she was right behind me when I left.

(gentle music)

J' You preach the word of God J'

J' This man of God like no one has seen J'

I 'Cause on Sundays, babies cryin' J"

J' And farmers dozed and
winter's breeze above you J"

J' But no one J'

- There you are.

(guests chattering)

J' A year of Sundays J'

(switch clicks)
- Hey!

- Hey, what are you doin?
- Hey, we can watch.

- No, Billy's playing.
(slow guitar music)

- All right!
- Yes!

- Uh, hey, Sarah Travis,

I think Billy's playing your song.

- Did you arrange it for me?

How sweet.

- Well, why don't you go join in?

I'm sure he wouldn't mind.

(gentle guitar music)

- I think I will.

("It's Too Late")

J' Stayed in bed all morning
just to pass the time J'

J' There's something wrong here J'

I There can be no denying J'

J' One of us is changing J'

I Or maybe we just stop tryin' J'

I And it's too late, baby J'

I Now it's too late J'

I Though, we really did try to make it J'

I Something inside has died J'

J' And I can't hide, and
I just can't fake it J'

I Oh no, no, no, no, no, no J'

- Hey, Sarah, that was really far out.

- Hey, that was great!
- All right!

(guests chattering)

- Hey, Sarah, that was really nice.

HEY, where you going now?

- I have to put this away.

I think I'll stay a while.

- Well, all right.

(upbeat music)

(gentle music)

- I'm gonna eat some more.

Why don't you eat something?

HEY-

Sarah, you're not getting high, are you?

- I'm fine.

- Maybe I shouldn't have
given you anything to drink.

- I'm fine.

(gentle music)

- If you don't eat,

how are you gonna grow
up to be big and strong?

Raquel Welch always ate
all her potato salad.

I mean, if you don't
get all your vitamins,

how are you gonna ride
your bicycle to school?

(gentle music)

Sarah!

(Sarah laughs)

- [Sarah] It's too, is it late?

- [Ken] It's so late.

Come on.
- Bye!

- Hey, Ken, is that you?
- Yes, sir.

- Oh, what's the trouble?

- Oh nothing, nothing.

It's just Sarah's not feeling too well.

- No.

(Sarah squeaking)

- Now come on, do you, do you have a key?

- Oh I don't know.

Well, let me see here.

Oh hi, Mom.

Hi, Dad.

This is Ken.

He's got a horse.
- Sarah!

- Look, it's my fault.

Some of the kids got to drinking a little,

and I, well, I convinced Sarah to--

- To go along with the crowd.

- Oh we sure did.
- Yes, ma'am.

(Sarah giggles)
- All right, son,

you run along.

I think you've done enough damage

for one night.
- Yes, sir.

- Oh bye!

(Ken sighs)

- Mr. Hodges!

- [JoAnne] Get yourself in the house.

- Sorry.

- Whoops.
- Off to bed

with you, Miss.

We'll talk about this in the morning.

(Sarah laughs)

(toothbrush scraping)

- She okay?

- I don't know why she's not throwing up.

It worries me that that
girl's so easily led.

- So she had little to drink?

At least she's not into drugs.

- Thank God for that.

- [Sarah] Good morning.

Oh, did I miss breakfast?

Oh, what time is it, anyway?

Whew!
- I didn't think

you'd be hungry, this morning.

- Oh, I'm starved.

There's no bacon left, huh?

Oh, about last night?

Guess you're not too
pleased about it, huh?

- Should we be?

15 years old and you come home

from a party roaring drunk.

- I wasn't drunk.

I had a few drinks, that's all.

- Of all the places

to pull a stunt like that, the Petersons!

You have embarrassed us.

You've made a fool of yourself
at Matt's boss's house.

- JoAnne!

We agreed I'd handle it.

Look, Sarah,

I know I'm not your father.

(JoAnne sighs)

And I've never tried to
take his place, have I?

But I think I have to
take some responsibility

for handling discipline around here.

Now it seems to me that
any boy that gives liquor

to a fifteen-year-old is
not the kind of boy for you.

- What makes you think
it was all his fault?

- Well, if it wasn't his fault,

then whose fault was it?

Did he give you the liquor, or didn't he?

- Don't you think your
mother's entitled to an answer?

All right, then.

I think the punishment in this case,

if it's to have any meaning at all,

should give you time to
think about what you've done.

So I'm gonna keep you in
the house for two weeks.

No going out, no seeing
your friends after school,

no movies on the weekend.

If that seems unfair to
you, I'd like you to say so.

- Is the trial over?

- [Matt] Yes.

- Am I excused?

- Yes.

- Sarah!

- He's not my father!

He's just somebody you sleep with!

(door slams)

(slow rock music)

- Sarah.

(knuckles rapping)

Oh!

You almost got me.

Come on out.

- I can't.

I'm grounded for two weeks.

- You're kidding.

That's kinda heavy, isn't it?

Half the kids at that
party went home loaded.

- Well, my mom didn't
think it was too cute.

- I guess it wouldn't help
if I talked to her, would it?

- Let's just say, right now,

she'd rather went out
with the Zodiac Killer.

(Ken groans)

Well, that's too bad.

Well, I was hoping we could go meet Daisy.

' [Sarah] Daisy?

- My horse.

Are you sure you can't get out on parole?

- Maybe if I called Matt.

- [Ken] Matt?

- He's my stepfather.

- Oh, right, we've met.

- And apologized to Matt and Mom

and promised to never do it again.

- Well, would that be so tough?

- Do you really want me to?

(hooves clopping)

- Come on (clicks),
come on, Daisy, come on.

(Daisy whinnies)
(Sarah grunts)

She's old (chuckles), about 11.

That's why I got her so cheap.

Of course, the best part of it is

she's got a lot of good stuff in her,

and she loves me.

- (laughs) I guess you love her, too.

- Well, we're not engaged or anything.

- Aw, come on, don't be embarrassed.

I think it's great that you
care about somethin' that much.

- Let's go for a ride.

- Oh wait a minute, I've
never been on a horse before.

I've never even patted one,

well, except for a
pony, when I was little.

- Hey, come on, come on.

Are you comin' up, or
do I have to get a rope?

- What do I do?

- Put your foot in the stirrup.

- All right.
- Hand on the pummel.

And I'll give you a good yank.

Come on!

There you go.
(Sarah laughs)

(Sarah squeals)

Ready?
- Oh go slow.

Come on (clicks), come on then!

Come on, Daisy, come on!

(gentle music)

Hey, Sarah.

I gotta tell you the truth.

When my mom first got on me to call you,

I wasn't altogether pleased.

You know what I mean?

- [Sarah] Yeah.

- [Ken] I don't know, at school,

you seem so out of it.

That's not what I mean.

HEY-

- [Sarah] That's okay.

I guess I sort of was.

(gentle music)

- But that party, you came on singing

and really super.

You're different, Sarah,

different from what I expected

and a lot different from
the girls around here.

(gentle music)

I guess I,

I guess I just like that.

(gentle music)

(students chattering)

- [Girl] Hey, here comes Sarah.

- [Boy] Hey, Sarah, how's it going?

' HeY, Sarah!
_ Hey! Sarah,

how you doing?
- That's a pretty coat.

- You know, you really
sang super, Saturday night.

- You really tied one on.

- Thanks.
- Boy, I bet your parents

really raised hell when you got home.

- They sure did, but I
talked them out of it.

- Oh wow, how'd you do that?

- Well, I reminded them

of the times I've seen them like that.

- What do you mean?

- Drunk.
- And it worked?

- It sure did.

- Wow.
- Wow.

- I'm really gonna have
to try that sometime.

- You do, 'cause it worked, man.

- See you guys later.

- See you later, Sarah.
- Buh-bye.

(engine revs)

- Oh no.

- Why're you stopping?

- Look who's here, it's your mom's car.

- Oh, okay, I'll get out then.

(door squeaks)

(engine revs)

- You're so-
- I'm home!

- [JoAnne] Well, then who took it?

Just tell me that.

If you didn't take it, who did?

- [Margaret] I don't know, Mrs. Hodges.

- You asked why I,

you asked why I'm letting you go.

Now that's why.

Please, let's not make
this any more painful

than it has to be.

- I never touched the liquor Mrs. Hodges.

- Mom, see, it's all a mistake.

- It's no mistake.

My husband says the liquor's been watered.

Now you can't fool a real
scotch drinker about that,

and there's been no one else
around here to get into it.

- Well then, what would it matter

if we gave her another chance?

- I'm sorry, Margaret.

We won't be needing your
services any longer.

Now I have to meet Matt for dinner.

There's some chicken in the
refrigerator for you, honey.

We'll be back later.

- Bye, Sarah.

' [JoAnne] Bye, honey!

(door clacks)

(solemn music)

(water pattering)

- [Sarah] How much is that?

- I'll just wait till
your mother comes out

if you don't mind.

- Oh, no, I don't mind.

Of course, my mother's one
of the longest shower-takers

in Western civilization.

We're trying to get her

in the Guinness Book of World Records.

- Well, that's one of the
advantages of being the boss.

I've got all the time in the world.

- Look, mister,

I'll tell you the truth.

My mother's not here.

- Yeah, I know.

- Well, see, it was my father's birth...

Uh, look, if you tell her,

I'm gonna get in a lot of trouble.

- Look, if I left this stuff here,

I could get in a lot of trouble.

I could lose my license.

- I'm sorry.

I guess I didn't think about that.

- Yeah, what time do you
expect your mother back?

- Mister, please.

Please, mister.

(man sighs)

- All right.

I'll let you get away
with this, just this once,

but if you ever try
anything like this again,

so help me, I'll--
- I won't.

I promise.

- Yeah.

Oh by the way,

you better turn off the shower.

(solemn music)

(Sarah groans)
(solemn music)

(students chattering)

- [Ken] What, you takin'
to drinking cologne now?

- You taking up spying on people?

- Could I taste that?

- You a cop or somethin'?

- You sure turned on to
that stuff pretty fast.

- With this party Saturday night,

are we gonna drive

or take Daisy?
- Hey, Sarah, look,

you got me a little worried.

Don't you think that drinking in school,

I mean, right in the open,
isn't that a little dumb?

- Aren't you a little square?

I mean, go out on the lunch court,

half the thermoses smell of booze.

So it's not such a major crime.

- I don't care.

I don't care about that.

I only, I don't like
seeing you do it, okay?

- Remember, you're the
one that got me started.

'Am I?

- Aw, Kenny, I'm sorry.

You don't want me to do it anymore,

so I won't, okay?

- Hey, Sarah, better get over
to the counselor's office.

The guidance counselor wants to see you.

- What for?
- I don't know,

but you better hurry
up and get over there.

Your mom's waiting for ya.

- My mother?
- Yeah, good luck.

- Will you call me?
- Sure.

- Bye.
- It's okay.

- I think you know what
the problem is, Sarah.

You've been cutting classes.

- I told Mrs. Farrell
there's been a mistake

and that you'd clear it up.

- Um, well, last week, I, I had to go

to the library, a few times,

to finish a report on overpopulation.

And then, well, I got my period,

so I went to lie down in a
friend's car for a while.

- Why didn't you go to the nurse's office?

- I guess I should've.

Mom, it's all a mistake,

and it only happened a few times.

Tell her you said it was okay.

- Mrs. Hodges, is this your signature

on these absent excuses?

- Mom, don't you remember when you told me

to write those out for you?

- No.

- Uh, Sarah, it's almost
time for your class.

WhY ¢l°I1't you go now?

Your mother and I will try
to sort this out, okay?

Go on, go on.

(JoAnne sighs)

(solemn music)

- You've made your point.

Now it's up to me, isn't it?

- She refuses to strip for gym.

She seems distracted.

She has mediocre grades.

She just does enough to get by.

Now Sarah is a girl with a
high IQ and a lot of potential.

Something's wrong.

- It's a new school situation.

- I saw her records from the last school.

- I'll have my husband talk to her

as soon as he gets home, tonight.

- I don't quite think that's the answer.

She has trouble fitting
in with the other kids.

Her moods are erratic.

She seems depressed, sometimes.

- Well, she's a teenager.

It's one of the prerogatives of that age.

I used to get depressed if
I got a pimple on my chin.

- Mrs. Hodges, last year we had a teenager

who was depressed about
a slight case of acne.

He hanged himself.

- Well, there must have been
something else wrong with him.

- Not necessarily.

I mean, some kids just handle
things better than others.

His parents just thought
it was a passing phase.

Mrs. Hodges, perhaps,

some professional counseling might help.

- I don't think so.

- Mrs. Hodges, the records show
you were recently remarried,

two years ago, and--
- That's right

And do the records also show
the kind of man I married.

My husband is decent and hardworking.

He cares for Sarah.

He tries to be a positive influence

on her.
- Mrs. Hodges,

I didn't mean to--
- Has anybody bothered

to put into the records
that I have managed somehow

to raise another daughter
who is happily married

and has a new baby and
never tried to hang herself.

I don't know what it is about you people.

You've got to believe that every kid

from a divorced home is a candidate

for nine years on a psychiatrist's couch.

That's it, isn't it?

Well, maybe if the school did its job,

maybe if you made learning
a little more interesting,

got rid of some of the
distractions, maybe if you did that,

instead of passing out
the dime-store psychology,

every time you have a
simple discipline problem--

- I am not trying to be a
dime-store psychologist.

(JoAnne sighs)

- Well, even if you don't,

my husband knows how to
handle that sort of thing.

- Oh he loves it!

- (chuckles) He should.

His aunt mad it for him in prison.

- Oh, I'd say you got off easy.

They're letting you go to
the beach party, aren't they?

- Mm-hmm.

- Who you going with?

- Oh just some of the kids.

- No special boy?

- Not really.

- Hey, come on, what are big sisters for?

- [Sarah] Well...

- Well, is he cute?

Is he tall?

- He's just the most super
guy in school, that's all.

Can you believe somebody like
that'd be interested in me?

- Oh why shouldn't he be?

- Got three days?

I'll list all the reasons.

- I'm just surprised Mom
hasn't mentioned it to me.

- Oh, well, um, mom hasn't met him yet.

- Doesn't he come by the
house to pick you up?

- Well, he, he doesn't live nearby.

He goes to a different school.

- You said he goes to your school.

- Oh; Clid I?

- Sarah, you're not
talking about that creep

who got you drunk that
night, Ken What's-His-Name?

- He's not a creep.
(baby cries)

- Oh Sarah!

- He's not like that at all, honest.

It wasn't this fault, anyway.

You're not gonna tell Mom, are you?

What our big sisters for, you said.

Promise you won't tell?

Promise?
- All right, Sarah, I promise.

- I think I'd better go.

- Sarah!

But why can't you just tell mom about it?

Why can't you be straight with her?

She'll understand.

- No, she won't.

She never has.

Seems all I ever do is
manage to embarrass her.

Sometimes I don't even think
she likes me very much.

- I swear you sound more
like Daddy every day.

- Yeah, well, now I'm
beginning to understand

what he had to live through.

- What about her?

What about what she had to live through?

Believe me, Sarah, you
just weren't old enough

to know what was going on between them.

- Yes, I was.

She made him a, a salesman!

(baby cries)

- He was a dreamer!

And she tried to make him into a husband.

Is that so wrong?

- Yes.

Yes!

(solemn music)
(baby crying)

- Sarah!

(solemn music)

Sarah!

(solemn music)

(Daisy neighs)

- She's a little scared of lights.

I'm gonna walk her across.

(car horn honks)

Whoa, whoa, whoa.

(tires screech)

Thank you.

- Hey, you gllYs!

(all yelling)

Special treat, tonight, sports fans!

Don't drop it, I only got one.

Count of three, one-

' [All] Two!

Three!

(all cheering)
- Let's go!

- [Boy] Give it over here!

(all chattering)

Get the wine!
- Get it open!

(all cheering)

- Hey, what are they doing?
- Huh?

- What are they doing?
- Oh, that's Ray's

famous watermelon trick.

He plugs up the side of the thing

and pours in about a
quart and a half of gin.

- No kidding?
- No kidding.

- Let's go!

' [RaY] Hey, what's happening?

' [GM] Hey, how you doing?

- [Boy] You guys are up.

' [Boy] Let's do it!

(guests cheering)

- Hey, Sarah, slow down.

Leave a little for the rest of us orphans.

(laughs) Come on.

Hey!
- How ya doin'?

- Hey, Sarah.

Sarah, come here.

I want to talk to you, come on.

- Yeah, go on.
- Come on, let's drink it!

- [Ken] Aren't you going
at it a little heavy?

- [Sarah] Do you have
to get on my back, too?

I get enough at home from my mother.

- [Ken] (sighs) Why do you have to lie?

I never expected that from you, Sarah.

- Lie? About what?

- About drinking, about
that I got you started,

letting me take the
blame that first night.

- Oh, that.

- Yeah, that.

You don't drink like a beginner, Sarah.

- Well, I'm glad you know.

It's been a real hassle on me.

But if my mother ever found out--

- Look, I don't care
about taking the blame.

- [Sarah] You don't?

- I care about you.

I care that you seem to need that stuff.

- Oh come on, you make me sound

like some major alcoholic freak.

Look, I don't see purple
cockroaches climbing the walls.

Look, I take a drink
every once in a while,

'cause it makes me feel good,

makes all those hassles about my parents

and the stuff in school go
down just a little bit easier.

- But why do you have to
drink when you're with me?

- I don't have to drink.

I can quit anytime I feel like it.

I just don't feel like it.

- Qkay.

Well, let's go back to the fire.

- Let's not.

' Why not?

- Because.

(gentle music)

(lips smack)

I'll stop if you want me to.

(gentle music)

- We pay that service enough money.

You think they'd keep it clean.

- Oh they're all that way.

You know that.

- Hey, honey, as soon as I finish this,

your mother and I going for a swim.

You want to join us?

- Oh no, I can't I'm gonna go babysitting.

- Hey, what are you gonna do

with all that money you're makin'?

- I don't know.

- Listen, there's a sale
on TV sets at Gordon's.

I'd be willing to match what you've got.

Would you like a new
color set for your room?

- Really?
- Uh-huh.

' Super!

- Okay, talk about it later.

(car horn honks)

- Oh, that must be for me.

- Oh Sarah, I almost forgot.

Your father called and
asked me to tell you

that he's sorry but he
can't make it this weekend.

Well look, honey, I thought that you

and Matt and I could
do something together.

- He's probably got a good reason.

Wait, it's probably that new job,

that new job has been waiting for.

He's gonna be a district manager (laughs)!

Perfect, bye, Mom.

Bye, Matt!

(door clacks)

Hi, Mr. Tyler.
- Hi, honey.

- Sorry, I'm late.

Do you think I can have a
friend over to study tonight?

- Oh, I don't see why not.
- Thanks.

(crickets chirping)

The other night at the beach party...

- Yeah?

- Well, well, it was kinda special to me.

- It was for me too.

- No, I mean like, well, like I've never,

well, you know what I mean.

- Well, me neither.

- (laughs) That's what I thought.

- Hey (laughs)-

- Why aren't we going together?

- We're just not.

- Then why don't we?

- I thought the guy was supposed

to ask the girl that.

- I haven't had a drink since the party.

- Good.

- Is that all you could say, good?

- You said you weren't a booze freak.

I believe you.

- Then why didn't you
call me till last night?

- Sarah, look, come on,

if I don't get at least B in chemistry,

I can kiss veterinary college goodbye,

so let's just do our homework, okay?

- I love you.

Do you love me?

D0 you?

- That's a little strong, isn't it?

We've only known each other a few weeks.

- Not if you feel it.

- I like things the way they are.

It's been good so far.

Why do you wanna push?

OkaY-

(Ken sighs)

I like you, Sarah.

I maybe even like you
more than any other girl,

but that doesn't mean that we--

- What other girl?

- [Ken] Well, you know.

- No, I don't know.

Have you been seeing other girls?

- Well, some.

- Why?

I haven't been seein' other guys!

- We never had that kind
of understanding, Sarah.

- Who, Marilyn?

Have you been seeing Marilyn?

- (sighs) Hey, I don't need this.

- Oh, I should've known
you were just using me.

(baby cries)

Oh, now look what you've clone.

- Hey, look, I think I'd better go, okay?

- I think that's a great idea.

Come on, baby.

Go back to your stupid Marilyn

and tell her what a fool I've been.

(baby crying)

Come on.

(baby crying)

Kenny, come back!

(car door thuds)

I didn't mean it!
(baby cries)

(engine revs)

Now what am I gonna do?

(baby cries)

All right, I'll get your bottle.

(solemn music)

(Sarah sighs)

No, he's got to be
there, just let it ring.

No, just a little longer, please.

No, he's gotta be there, just let it ring.

Just let it ring!

Oh Daddy!

Oh Eric.

(sobs) Thirsty, huh?

- [Fred] What, you forget the house keys?

- [Mrs. Tyler] No, I have the car keys.

- [Fred] I thought you took the house keys

when you took the car keys.
- Oh honey!

- It's okay.

Sarah will let us in.

(knuckles rap)

(Eric cries)

- Sarah!

Sarah!
- Sarah!

- Sarah, what is it?
- Sarah!

- What's the matter?

" "Ev, Sarah!

' [Eric] (cries) Mommy!

(glass clatters)

- It's all right, honey.

It's all right, honey.

Yeah, shh, shh, shh.

- What is it?
(Eric crying)

- Sarah?

- Okay, okay, shh.

What is it?
(Eric crying)

Oh, baby, don't cry.

Shh, Shh, shh.

- Sarah, wake up!
- What is it?

- Mr. Tyler--
- Sarah, get up now!

- Sarah, what got into you?

How could you have been so irresponsible?

You're just lucky Fred Tyler
didn't call the police.

Do you know that?

This is going to be all
over the neighborhood.

It's gonna be all over Matt's office.

Just what was in your
mind when you decided

to pull such a stupid stunt?

Answer me.

Don't you have anything to say?

- Oh I think I'm gonna be sick.

- Good.

I hope you get so hung over you'll be

in bed for a week.

Then maybe that'll give you something

to think about next time.

You sit there.

Did he get drunk, too?

- Who?
- You know who,

that Ken character

and don't bother telling me
you haven't been seeing him,

because I know otherwise.

- Did Nancy tell you that?

She promised.
- Never mind who told me.

It was for your own good.

- I told you last week what
had to be done, JoAnne.

Now do you agree with me?

- What?

What has to be done?

Who you calling?

- His parents.

- Matt's going to tell
them to keep that son

of theirs away from my daughter,

that he's got her drinking
and God knows what else.

- Don't.

You can't.

Ken has nothing to do with my drinking.

- Sarah, don't try to protect him.

It won't work.

- Do you remember after
the Christmas party

when I was real sick

and the doctor said over stomach flu?

And when you fired Margaret

for getting into the liquor?

Who do you think really drank it?

Mom, listen to me.

I've been drinking for
nearly two years now,

almost every day.

I've snuck booze from the house.

And I've stolen it from liquor stores.

I've even taken money from your purse.

Who knows?

Probably would've drunk rubbing alcohol

if I couldn't get my
hands on anything else.

- You're lying.

Why?

(Sarah sighs)

- I don't know.

- You don't have much faith in
shrinks, do you, Mrs. Hodges?

- Well, I--
- No, no, that's all right.

That's all right.

Some days, I have doubts of my own.

Now would you tell me again please.

Why did you come?

- The guidance counselor
at Sarah's school thought

that there might be
something wrong with Sarah.

And well, I'm ready to admit that now,

some sort of behavior problem.

- Hmm.

Sarah tells you she's been
drinking almost every day

for nearly two years, and you
call it a behavior problem?

- Well, she wasn't picked up out

of some Skid Row bar, you know.

I mean, she's only 15.

You want to tell me she's
an alcoholic or something?

- That's not my judgment to make.

- Well, then who's gonna decide?

Sara?
- That's right.

Seems to me, a fifteen-year-old

who drinks every clay has a lot to say

that nobody is listening to.

- Believe me, Doctor, I've listened.

- Have you heard?

Kids develop alcohol
problems like anybody else,

because they're troubled
or lonely or frightened.

Booze helps them to live,
to face social situations,

to get through the clay, and it works,

for a while, and then it stops working,

because alcohol is a mean and sneaky drug.

First, it giveth.

Then it taketh away.

And one day, you know,
it's gonna kill you.

- What can we do?

- We can get Sarah's father down here.

The four of us can go to
work on this thing together.

- I wouldn't count on getting him here.

- Well, try, it's important.

There's something important
that Sarah has to do,

on her own.

- She'll do it.

- Now, Sarah, if we're gonna
accomplish anything, Sarah,

you have got to get off the booze.

It sets up a wall between us.

- She's not going to be
doing any more drinking.

I'll see to that.
- Not you, Mrs. Hodges.

Sarah.

- What about you?

Aren't you going t0 help?

- Of course, I will,

but the first step has
got to be Sarah's alone.

Now I'm sure both of you have heard

about Alcoholics Anonymous.

- Oh no, I'm sorry.

That's where I draw the line.

- Then you know about AA.

- Sure, bunch of boozers
somebody scraped up,

out of the gutter.

She goes there she'll
learn more about drinking

than she ever knew before.

- (laughs) I wouldn't worry
about that, Mrs. Hodges.

We're a country of whiskey-heads.

Sarah gets permission to
drink every time she sees you

and your husband hoist that
old five o'clock pick-me-up.

- You're not going to lay
that on me, Dr. Kittredge.

I'm not even sure I did the
right thing in coming here.

I mean, I bring you a child
with emotional problems,

and you try to make her out
to be some kind of wino.

- And before you'll admit

that she might have a drinking problem,

you'd sooner see her as crazy, right,

some kind of a head case?

Mrs. Hodges, it's not
anything to be ashamed of.

- Sarah, I think we better go.

- I think it's time Sarah
started thinking for herself.

Sarah, I'd like to talk to
you alone for a few minutes.

How do you feel about that?

- I'll stay.

- I'll wait outside.

- Well?

- Well what?

(Marvin chuckles)

- Do you think you're an alcoholic?

- No, no, I'm not.

- Hmm, all right.

- Do you believe me?

- (laughs) Well, it doesn't
matter what I believe in.

Something you have to know about yourself.

- Oh, then I guess I won't
be coming back here anymore.

- Suit yourself.

- If I was a, well, I'm not,

but if I was, how could I tell?

- Well, you cross the
kind of imaginary line.

You begin doing things
that are destructive

to yourself and the people around you.

When you recognize that, then you know.

- Well, I don't do any of those things,

and I can quit drinking whenever I like.

- Do you ever get the
shakes, Sarah, cold sweats?

Do you ever feel like
you can't get out of bed

and face the day without
getting a little booze,

Y0" KHOW, iLISt an eye-opener?

Did you have a drink today
before you came here?

Sarah, would you like to show me

that you can stop drinking for good,

never take another swallow?

- The creep gave me that piece of paper,

wants me to go to some
cruddy old AA meeting.

- (sighs) If you want to
know the truth, Sarah,

I don't think it's such a bad idea.

- Aw, gee, I'm just
surrounded by traitors.

- Sarah, if you're not an alcoholic,

what are you afraid of
going to a meeting for?

- Why should I, just to please him, hmm?

- How about to please me?

(people chattering)

- Hey, here's a new face.

Hi, I'm Bobby.

- Hi.

Am I in the right place?

- If you're looking for
the AA meeting, you are.

- I thought maybe it was a
school dance or somethin'.

- Close.

You got a name?

- Sarah.

- Come on, Sarah, I'll put
you in touch with a doughnut.

(Sarah chuckles)

Hey, don't hog the punch.

Here's your doughnut.

- Oh (chuckles), thank you.

- Uh, Carol.

Carol, this is Sarah.

- Hi.
- Hi.

- Uh, see that she gets
properly nourished.

I got to get my head
together for this ordeal.

- Qkay.

- Pretty smart little kid, isn't he?

- Mm, he sure is.

He'll be starting high school next year.

- You're kidding.
- Mm-mm.

Uh, you don't want that douhgnut?

- Mm, no (laughs)-

- Okay, then how about
some coffee or punch?

- Punch, please.

- Qkay.

Your first meeting?

- Mm-hmm, and my last.

- Yeah, I remember the first
day I came through those doors.

I said to myself, this
place is a leper colony,

and I'm no leper.

- Want some?
- Mm, no, thanks.

What I am is an alcoholic.

- What I'm not is an alcoholic.

- Then congratulations, Sarah.

That makes you one of the lucky ones.

- Look, if I was, I'd say so, huh.

- Sure, nothing hard about
admitting your hooked,

except then you gotta give up the booze.

And Lord knows no dedicated,

hardworking alcoholic wants to do that.

- I wouldn't know about that, right?

- The trouble is I didn't
admit it soon enough.

See, I was drunk, one night,

and I was driving my
brother's car, and oh hell,

you didn't come here to
listen to drunk stories.

(hands clapping)

- Okay, everybody, let's settle down,

grab a chair, relax.

- Bobby.

- You're not really like
them, a little kid like you?

- We have a birthday tonight.

We're celebrating one year
of a new life and sobriety.

Bobby R.

(Qroup applauds)

- Yay!
(Qroup applauds)

I Happy birthday to you J'

I Happy birthday to you J'

I Happy birthday, clear Bobby J'

I Happy birthday to you J'

I Keep coming back J'

- Yay!
(all applaud)

- Hi, my name is Bobby R.

_ [All] Hi, Bobby R.

- And I'm an alcoholic.

I want to thank everybody for the cake.

I couldn't have gotten it without you,

your help and your patience
and your understanding.

I want to thank you for the hardest year

of my life and the best.

I want to thank you for my life.

I may be only 11, but
my liver thinks it's 60.

(group laughs)

See, I started drinking, ooh,

about the time I started to walk.

My brothers would bet
me to sipping pop wine,

just for the fun of seeing
the little kid get sloshed.

By the time I was 9,
I'm bringing milk laced

with scotch to school in my thermos.

But I wasn't the only
kid doing that, either.

Some days half the class would be smashed,

and the school would never know it.

They were too busy sniffing

around the bathrooms for pot smoke.

I found the hardest part

of being a drunk was the lying,

lying to everybody,

my folks, your friends,
even lying to yourself.

You'd figured they wouldn't
have cared, my folks.

After all, they thought
it was kind of funny,

little kid begging sips of beer

and when I snitched Uncle
Mike's cocktail glass

and hid in the closet with it.

But when I came to them and said,

Mom, Dad, guess what, I'm an alcoholic,

they didn't think that was so amusing,

for they'd rather I'd
had been anything else,

a cat burglar, a communist.

It was hard for me to admit it to myself.

But it wasn't their problem anymore.

It was mine.

And I had to kick and
crawl and puke my way

to the place where I can finally admit it

and lose enough friends and
do badly enough in school

and get so damn disgusted
with myself and hate myself,

where I can finally look
in the mirror and say,

face it, man, you're an alcoholic,

and if you don't get some
help, you're gonna die.

(solemn music)

- Sarah!

Hope we see you again.

(solemn music)

- [Richard] Horseback with a bunch

of people.
- Oh come on, Richard!

- [Richard] I never get to see her.

- [JoAnne] You slip 100
bucks into her purse,

and then you're off to San Francisco,

but you leave the problems behind,

with me.
- Yeah, I have seen

what a terrific job you've
been doing with her.

- [JoAnne] Oh, I suppose
you could've done better.

- Yeah, I think I could.

I'm not forgetting how you
turned Nancy against me.

- Nancy did not need any help from me.

She was old enough to remember

how it was when you were around.

- Yeah, and what about Sarah?

I give my baby to you and what's-his-name,

and you make her so damned
unhappy she starts boozing

before she's old enough
to give up paper dolls.

- [JoAnne] Oh no, you don't.

You're not gonna blame
me for that, Richard.

I'm not the one who filled her head

with all those beer bottle dreams

about painting in the Oregon woods.

- [Richard] What the hell
would you know about dreams?

The only dream you ever had
was locking some poor slob

into a nine-hour slot,
so you could sit around

until noon, in your housecoat.

- How would you know how
long I ever sat around?

You were never there long enough

to find out.
- All right, all right,

come on now, let's take it easy, okay.

Hey, Sarah, you got anything
to say about all this?

You've got a voice, you
know, an equal voice.

That's what family therapy is all about.

Okay, let's try it this way.

What would you say to your folks

if you could get them to listen

to you, for once, really listen?

Mom, what I wish is...

Come on.

- Mom, I wish that you and
dad wouldn't fight so much,

and that you still loved each other,

most, that we were still all together.

- Honey, you know that's impossible.

- Well, then,

I wish you'd love me for what I am,

not expect me to be Nancy
or somebody I'm not.

' [Marvin] Dad?

- [Sarah] Daddy, Daddy, I love you,

and I want to come live with you now.

- Oh Sarah, you know your
mother'd never go for that.

- Yes, I will.

- You will what?

- I'll let her go with you, Richard.

Obviously, I haven't done
a very good job with Sarah.

I thought I did.

I tried.

- Don't tell me.

Tell her.

- Sarah, I do love you,

the best way I know how,

but maybe some kind of a
change would be better for you.

So I give you my permission

to go live with your father.

- Mr. Travis.

- Oh sweetheart, uh,

you know how much I
want you to be with me.

I mean, you know that.

But, ah, yeah, I'm on the
road almost all the time.

I live out of a suitcase.

Now what kind of life
would that be for you, hmm?

And don't you really think it'd be better

for, for a girl to live with her mother.

I mean, that seems much more natural.

And I can hardly take care of myself,

much less the 15-year-old girl.

You can certainly understand
that, can't you, hmm?

Can't you?

Well, what's everybody looking at?

It wasn't my idea to come here, you know.

You want somebody to hang the blame on.

I can understand that.

Well, it's not gonna be me.

You're not gonna embarrass me
in front of my little girl.

No way.

You're gonna have to find
somebody else to hang it on.

(door slams)

(somber music)

- Okay, just hold it.

What do you think you're gonna do with?

- Nothing.
- Oh, nothing?

- I was gonna buy it from you.

- You were gonna pay for
this, right, with money?

And you think I'm gonna sell it

11° Y0", Your age, right?

Listen, I want to tell ya.

I want ya out of here, and
I don't want ya coming back

or I'm gonna call the police.
- Yeah, I understand.

- [Clerk] Do you understand that?

Qut!

(engine rumbles)

- Ooh, I'll get.
- All right.

- Hand him your coins.
- There's a brown.

- So we got, uh, two six-packs,
of bottle of Tingles,

some Cameron Castle
and three potato chips.

- Right.
- Baked potatoes?

- Okay, that'll be a 10°/o
charge for the ID, also.

- Get out of here.
- No way!

- Hey, do you think you could
buy me a fifth of vodka?

I've got the money here.

- Uh, no, I, I don't think so.

- I'll do anything you want, please.

- How's that again, baby?

- I'll do anything that you want.

(guys laughing)

- [Blonde Guy] Say, how 'bout a slug

of that?
- Can't hold it, huh?

' HEY, ¢0I11e 0n, I paid, too.

Let me have some.

- Right, you did.

Here you go, Sarah.

- Oh!
- Don't spill

that stuff, man.
- Come on.

- What, over here, over here.

- Come on!

(guys laughing)

Hey, come on, you guys, this is not funny!

' HeY, Sarah, woo!

- Whoa, don't spill it!
- Come on!

- One more time!
(guys laughing)

- Come on, please!
- The baby wants her bottle.

- Hey, just stop!
- Let her have it, huh?

- Come on, come on, come on.
- Come on!

(sobs) I want it.
- She's crying.

- You promised!

You promised!

- That's right.

You made some promises too, you know.

(laughs) All right,
friends, step right up.

The name of the game's Spin the Bottle.

Winner gets the first go around (laughs).

(bottle clattering)

- Hey!
- Hey!

- There, there.
- That's our man.

- No, man, I don't think so, come on.

It's just the game, let
her have her bottle,

let's go.
- What's the matter?

You're gonna hurt the
little lady's feelings.

- Hey, come on, Rog, he's right.

Just lay off her.

- Yeah, come on, man, we
don't need this stuff, huh.

- (laughs) Well, I guess
I win the kewpie doll.

What do you know (laughs)?

(engine rumbling)

Oh Sarah, you forgot your bottle.

(engine revs)

(solemn music)

(Sarah cries)

(dramatic music)

(Sarah coughing)

(dramatic music)

(Sarah groaning)
(intense music)

- I got your message at the airport.

Now where's she gone, huh?
- I don't know.

She's just gone.
- How long,

how long has she been gone?
- All day!

Matt's talking to the police again now.

- JoAnne.

They don't have anything to report yet.

Come on in, Richard.

- Okay, thank you.

(Daisy nickers)

- [Ken] Come on.

(crickets chirping)

Now hang in there, Daisy.

I'm gonna tell Mom I'm gonna
feed you before we eat.

(Daisy nickers)

Hey, Mom, Mom!

(solemn music)

(Sarah grunting)

(solemn music)

(Daisy whinnies)
(Sarah grunting)

(gentle music)

- Oh Why?

Why doesn't nobody like me, Daisy (sobs)?

(somber music)
(Sarah sobbing)

(Sarah grunts)
(bottle clatters)

(Daisy whinnies)

(dramatic music)

Come on, Daisy!

Come on!

(dramatic music)
(Sarah grunting)

- Sarah?

Sarah!

Sarah!

(dramatic music)

(Sarah grunting)

Sarah!

(dramatic music)
(Sarah grunting)

- [Sarah] Come on, Daisy!

(car horn honks)

(Sarah yells)

(tires screeching)

(horns honking)

- Treat a kid like a neurotic,
she starts acting like one.

- She ran away because you rejected her.

- I rejected her?

You're the one who rejected her.

You're the one who said you didn't care

whether she stayed or left.

- You have about as much sensitivity

as a--
- As a what?

- Take it easy, JoAnne, here.

Come on, Richard.

We're all rational adults here.

Sarah will be all right.

Here, have some of this.

It'll help.

- Thanks, I'll pass.

(police radio chattering)

(Ken sobbing)

(Daisy grunts)

- No chance, buddy.

- Hey, come on, just a chance.

That's all I want, just a chance.

- Son, come with me.

(Ken sobs)

Look, I'm gonna have to--
- Hey.

You gotta do something, please.

- Look, don't want the
horse to suffer, do ya?

(gun fires)

(Sarah sobs)

- Kenny.

I'm sorry, I'm sorry, Ken.

I killed Daisy.

Ken, look at me.

I'm sorry I'm alive.

(Sarah cries)

- Hey, hey, you, come back here!

- I'll get her.

Clean this traffic up.

(Sarah crying)
(police radio chatters)

(Sarah gagging)

(Sarah coughs)

- Please, please (cries).

(Sarah pants)

Now, now, are you gonna lock me up?

- [Marvin] What for, Sarah?

Come on, come on, you're not crazy.

- What am I then?

Everything I do is wrong.

I'm just not, just not a normal person.

I hurt the people I love.

I destroy everything I touch.

(metal clatters)

- [Marvin] You've crossed
that imaginary line, remember?

You're just beginning to recognize it.

- [Sarah] I killed Ken's horse.

- [Marvin] That's right, you did.

- [Sarah] He may never forgive me for it.

- [Marvin] He may not.

- I picked up a guy for a bottle of booze.

- Well, that's something you're gonna have

to forgive yourself for.

- I feel so sick.

(Sarah sighs)

Why, why was I even put in the world

if I have to feel so rotten all the time.

Do something!

Help me!

- I can't.

- What kind of doctor are you?

- Look, you have a choice, Sarah.

You can sink into the bottom
of a bottle and drown,

or you can climb out.

Now I can't make that choice for you.

I can't badger you or frighten
you or coax you into it.

No amount of therapy or love

or gin and tonic is gonna make you do it.

You have to do it alone.

- But I can't do it alone.

- All you have to do is
it take the first step.

After that, there'll
be people to help you.

I'll help you.

Come on, come on.

- You won't!

(Marvin coughs)

- You know the word, Sarah.

I can't say them for you.

I can't believe them for you.

- You're no doctor!

You're just mean, and you're ugly,

and you like to watch people suffer.

Now just get out here.

- All right.

There's some people
outside waiting for you.

- Get out!

(solemn music)

- I know.

It must have been awful for you, honey.

But things are going to be different

from now on you, you'll see.

And the first thing we have

to do is just all forget
this ever happened.

Come on.

(solemn music)

- Hello, honey.

I, I don't know what came over me

in that therapy session.

I (chuckles), I got
kinda rattled, I guess.

But if my little girl wants to come up

and live with me in San Francisco,

well, when I get that job nailed
down, in a couple of weeks,

we'll talk about it.

- Mom, Dad,

it won't work the old way,

because, well (sighs),

it's what I am.

I'm an alcoholic.

(gentle music)

- Sarah, don't be foolish.

(gentle music)

- Well, honey, we, we all got problems.

We can talk 'em out.

- I'm an alcoholic.

(gentle music)

- [Marvin] You've only got
to take the first step.

After that, there'll
be people to help you.

(gentle music)