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1
00:00:10,443 --> 00:00:13,513
[INDISTINCT ANNOUNCEMENT
OVER PA]
2
00:00:13,546 --> 00:00:17,717
[MUSIC PLAYING]
3
00:00:17,751 --> 00:00:20,720
[INDISTINCT ANNOUNCEMENT
CONTINUES]
4
00:00:31,197 --> 00:00:33,700
[MAN SPEAKING INDISTINCTLY
OVER PA]
5
00:00:37,437 --> 00:00:39,205
I LIKE YOUR GLASSES.
6
00:00:41,608 --> 00:00:42,709
OH.
[CHUCKLES]
7
00:00:42,742 --> 00:00:44,844
THANKS.
DORKY.
8
00:00:44,878 --> 00:00:47,180
NO, THEY'RE CUTE.
9
00:00:56,756 --> 00:00:58,425
DO I RECOGNIZE YOU?
10
00:00:58,458 --> 00:01:02,529
I'M SURE I'VE SEEN YOU
SOMEWHERE BEFORE.
11
00:01:02,562 --> 00:01:05,331
YOU-- CHOPSTICKS?
12
00:01:06,666 --> 00:01:09,302
CHOPSTICKS?
NO, WHAT'S THAT?
13
00:01:09,335 --> 00:01:10,637
IT'S A BAR.
14
00:01:12,238 --> 00:01:14,808
IT'S A GAY BAR.
15
00:01:14,841 --> 00:01:18,778
OH, NO, NO.
YOU DEFINITELY DIDN'T
SEE ME THERE.
16
00:01:26,653 --> 00:01:29,722
I LIKE YOUR ACCENT.
17
00:01:29,756 --> 00:01:31,491
THANKS.
18
00:01:31,524 --> 00:01:32,859
I LIKE YOURS.
19
00:01:35,261 --> 00:01:36,896
I DON'T HAVE ONE.
20
00:01:36,930 --> 00:01:39,199
TO ME, YOU DO.
21
00:01:42,402 --> 00:01:45,505
[INDISTINCT ANNOUNCEMENT
OVER PA]
22
00:01:45,538 --> 00:01:46,873
WANNA HAVE A BABY?
23
00:01:50,410 --> 00:01:53,346
YOU DID NOT SAY THAT.
24
00:01:53,379 --> 00:01:55,515
YEAH, I'M PRETTY
SURE I DID.
25
00:01:55,548 --> 00:01:58,885
NO, NO, I THINK IT
TOOK ABOUT TWO YEARS
TO GET TO THAT STAGE.
26
00:01:58,918 --> 00:02:02,188
I THINK WE HAD A FEW OBSTACLES
TO GET THROUGH FIRST,
27
00:02:02,222 --> 00:02:05,492
LIKE THE WHOLE
GIRL-ON-GIRL THING.
28
00:02:05,525 --> 00:02:10,396
OH, NO, I THINK WE STRADDLED
THAT HUMP QUITE NICELY.
29
00:02:10,430 --> 00:02:13,900
YEAH, WELL, IT WASN'T
WITHOUT ITS OBSTACLES.
30
00:02:13,933 --> 00:02:16,903
NO, LIKE,
OUR FIRST KISS.
31
00:02:18,404 --> 00:02:19,706
I DON'T REMEMBER THAT.
32
00:02:19,739 --> 00:02:21,908
-NO?
-UH-UH.
33
00:02:21,941 --> 00:02:24,310
LET ME REMIND YOU.
34
00:02:46,833 --> 00:02:48,801
[WOMAN]
IT'S SO CRAZY HOW WE
CAN DO THIS NOWADAYS.
35
00:02:48,835 --> 00:02:51,638
I MEAN, WE CAN ACTUALLY
FIND A FATHER ON A LAPTOP.
36
00:02:51,671 --> 00:02:53,573
[WOMAN 2]
SPERM DONOR.
37
00:02:53,606 --> 00:02:56,976
I'M REALLY GETTING SICK
OF SAYING THE WORD "SPERM."
38
00:02:57,010 --> 00:02:59,546
LOOK AT THAT GUY.
39
00:02:59,579 --> 00:03:01,347
-HIM?
-MM-HMM.
40
00:03:02,715 --> 00:03:06,553
YEAH, YEAH, HE'S CUTE.
41
00:03:06,586 --> 00:03:08,955
ALL RIGHT.
42
00:03:08,988 --> 00:03:10,990
WELL, THERE'S DAD.
43
00:03:11,024 --> 00:03:14,427
WAIT A SECOND.
WE GOTTA READ UP ON THE GUY,
44
00:03:14,460 --> 00:03:16,996
-SEE WHAT'S GOING ON.
-OKAY, WELL,
45
00:03:17,030 --> 00:03:22,335
SAYS HE PLAYS BASKETBALL,
HE'S VEGETARIAN.
46
00:03:22,368 --> 00:03:26,739
COMBINED WITH YOU THAT BABY
WILL BE HALF VEGETARIAN.
47
00:03:28,608 --> 00:03:31,010
OH, WAIT,
LOOK AT THIS GUY.
48
00:03:33,346 --> 00:03:36,783
IS HE...
CHINESE OR SOMETHING?
49
00:03:36,816 --> 00:03:38,251
I DON'T KNOW.
50
00:03:40,053 --> 00:03:41,754
OH, YEAH.
51
00:03:41,788 --> 00:03:45,325
MOTHER, JAPANESE,
FATHER, GERMAN.
52
00:03:45,358 --> 00:03:47,894
HMM.
WONDERFUL.
53
00:03:47,927 --> 00:03:50,763
OUR TWO GREATEST ENEMIES.
54
00:03:50,797 --> 00:03:52,765
IT'S NOT 1942 ANYMORE.
55
00:03:52,799 --> 00:03:55,835
WELL, EITHER WAY,
I GOTTA START TAKING NOTES.
56
00:03:55,868 --> 00:03:58,771
OKAY, WELL,
YOU TAKE YOUR NOTES,
57
00:03:58,805 --> 00:04:04,611
AND IF YOU GET BORED,
I'M GONNA BE IN THE PAINT ROOM.
58
00:04:04,644 --> 00:04:08,915
COME ON, BABE.
I'M NOT JUST DOING THIS
FOR ME HERE.
59
00:04:08,948 --> 00:04:10,917
-THIS IS FOR US.
-OH, I KNOW,
60
00:04:10,950 --> 00:04:13,386
BUT YOU CAN
WHITTLE IT DOWN.
61
00:04:13,419 --> 00:04:15,521
I TRUST YOU.
YOU CAN THINK OF YOURSELF
AS A...
62
00:04:15,555 --> 00:04:18,524
CASTING DIRECTOR,
ALL RIGHT?
63
00:04:18,558 --> 00:04:21,661
AND THEN WE'LL PICK TOGETHER,
PROMISE.
64
00:04:21,694 --> 00:04:23,062
I LOVE YOU.
65
00:04:28,101 --> 00:04:30,770
HMM.
66
00:04:30,803 --> 00:04:32,405
ALL RIGHT.
67
00:04:32,438 --> 00:04:35,642
PLEASE STAND ON YOUR MARK
AND SLATE YOUR NAME.
68
00:04:35,675 --> 00:04:39,812
[DEEP VOICE]
HELLO. I'M JACK HUNKY.
69
00:04:39,846 --> 00:04:42,915
[NORMAL VOICE]
HI, JACK, LET ME
SEE YOUR PROFILES.
70
00:04:42,949 --> 00:04:46,085
OH, GOOD, GOOD.
OH, THAT'S REALLY NICE.
71
00:04:46,119 --> 00:04:48,988
NOW DROP YOUR PANTS.
72
00:04:49,022 --> 00:04:50,657
[SIGHS]
73
00:04:52,458 --> 00:04:54,327
♪ YOU'RE NOT MY TYPE
74
00:04:56,129 --> 00:04:59,699
♪ I'M NOT YOURS
75
00:04:59,732 --> 00:05:03,436
♪ YOU'RE AN OPEN WINDOW
76
00:05:03,469 --> 00:05:05,705
♪ AND I'M A CLOSED DOOR
77
00:05:07,140 --> 00:05:10,443
♪ YOU'RE SO OPTIMISTIC
78
00:05:10,476 --> 00:05:14,380
♪ I CAN'T SEE WHY...
79
00:05:14,414 --> 00:05:16,082
YOU SLEPT IN
YOUR PAINTING SHIRT AGAIN.
80
00:05:16,115 --> 00:05:19,652
IT'S DRY PAINT.
81
00:05:19,686 --> 00:05:21,054
NICE ASS.
82
00:05:21,087 --> 00:05:23,690
[CHUCKLES]
KISS IT.
83
00:05:23,723 --> 00:05:26,693
HEY, UM...
84
00:05:26,726 --> 00:05:29,996
I GOT UP THIS MORNING,
I WAS THINKING ABOUT
SOMETHING, YOU KNOW.
85
00:05:30,029 --> 00:05:32,765
I WAS GOING OVER
ALL THOSE GUYS AGAIN.
86
00:05:32,799 --> 00:05:36,069
YOU WANT THE SWIMMER GUY,
DON'T YOU?
87
00:05:36,102 --> 00:05:38,104
WHAT IF WE DIDN'T
GO WITH ANY OF THEM?
88
00:05:38,137 --> 00:05:40,573
WHAT, YOU MEAN
A NEW DONOR PLACE?
89
00:05:41,908 --> 00:05:44,877
WELL, WHAT IF WE WENT
WITH SOMEBODY
90
00:05:44,911 --> 00:05:47,980
YOU KNOW, WE--
WE ACTUALLY KNOW?
91
00:05:48,014 --> 00:05:49,549
SOMEONE REAL.
92
00:05:51,684 --> 00:05:56,489
WHAT, YOU MEAN
ACTUALLY GET IT
FROM AN ACTUAL BLOKE
93
00:05:56,522 --> 00:05:58,858
WE ACTUALLY KNOW?
94
00:05:58,891 --> 00:06:00,460
LOOK, LAST NIGHT
YOU COULD HARDLY CARE ABOUT
95
00:06:00,493 --> 00:06:02,028
WHO I PICKED OFF
THAT DONOR WEBSITE.
96
00:06:02,061 --> 00:06:04,063
-NO, THAT'S NOT TRUE.
-I DON'T BLAME YOU.
97
00:06:04,097 --> 00:06:06,799
IT'S WEIRD.
98
00:06:06,833 --> 00:06:10,903
I GUESS I JUST ALWAYS
THOUGHT I'D GET PREGNANT
THE OLD-FASHIONED WAY.
99
00:06:10,937 --> 00:06:13,172
THAT SOMETHING
YOU'RE GONNA MISS?
100
00:06:13,206 --> 00:06:17,176
NO, NO, NO.
101
00:06:17,210 --> 00:06:19,912
NO, I JUST...
102
00:06:19,946 --> 00:06:22,515
I WONDER IF IT'S SOMETHING
YOU'LL EVER MISS.
103
00:06:22,548 --> 00:06:26,185
YOU CAN'T MISS SOMETHING
THAT YOU'VE NEVER WANTED.
104
00:06:26,219 --> 00:06:27,520
YEAH.
105
00:06:29,689 --> 00:06:32,625
YOU GOT SOMEONE
IN MIND?
106
00:06:32,658 --> 00:06:36,529
-[JON] BEAUTIFULS.
-HEY, JON.
107
00:06:36,562 --> 00:06:39,532
WHAT'S GOING DOWN,
BESIDES YOURSELVES?
108
00:06:39,565 --> 00:06:41,000
-[LAUGHS]
-COME ON IN.
109
00:06:41,033 --> 00:06:43,169
-GET IN THERE.
-LOOKING GOOD, THOUGH.
110
00:06:43,202 --> 00:06:44,771
I LIKE THAT.
111
00:06:47,573 --> 00:06:49,509
[JON]
ARE YOU GUYS ABREAST,
SO TO SPEAK,
112
00:06:49,542 --> 00:06:52,512
OF THIS NEW NUDITY LAW
IN SAN FRANCISCO?
113
00:06:52,545 --> 00:06:54,680
-OH, YEAH, YEAH, I AM.
-NO, WHAT LAW?
114
00:06:54,714 --> 00:06:57,550
WELL, NOW YOU CAN
STRUT YOUR JUNK OUTSIDE
IN THE CITY.
115
00:06:57,583 --> 00:06:59,552
-YEAH.
-NO WAY.
116
00:06:59,585 --> 00:07:01,821
AND I'M THE LAST GUY
TO ASK ANOTHER GUY TO PUT
THEIR CLOTHES BACK ON
117
00:07:01,854 --> 00:07:05,091
BUT HAVE YOU SEEN THE PEOPLE
THAT ARE ACTUALLY GOING
WITH THIS TREND?
118
00:07:05,124 --> 00:07:08,561
I SWEAR TO GOD,
THE LAW NEEDS TO BE:
YOU GET A TRENCH COAT,
119
00:07:08,594 --> 00:07:11,664
SIX-WEEK DIET PLAN,
AND A WORKOUT AT THE GYM.
120
00:07:11,697 --> 00:07:13,666
YEAH, I WALKED OUTSIDE
OF MY BUILDING YESTERDAY
121
00:07:13,699 --> 00:07:16,702
TO A 65-YEAR-OLD JOGGER
WEARING ONLY HIS IPAD
AND TENNIS SHOES.
122
00:07:16,736 --> 00:07:18,871
-YOU DID NOT.
-WAS HE CUTE?
123
00:07:18,905 --> 00:07:20,573
[BOTH LAUGH]
124
00:07:20,606 --> 00:07:22,842
I'M SKIPPING LUNCH.
END OF CONVERSATION.
125
00:07:22,875 --> 00:07:25,578
YEAH, SO--
HEY, GRANDMA.
126
00:07:25,611 --> 00:07:29,015
THESE ARE MY FRIENDS
RIGHT HERE,
127
00:07:29,048 --> 00:07:30,716
CHARLIE AND CERINA.
128
00:07:30,750 --> 00:07:32,985
-HI, GREAT TO MEET YOU.
-HI, NICE TO MEET YOU.
129
00:07:33,019 --> 00:07:34,854
YOU WANT TO OFFER THEM
A CUP OF TEA?
130
00:07:34,887 --> 00:07:36,856
WOULD YOU LIKE TO HAVE
A CUP OF TEA?
131
00:07:36,889 --> 00:07:39,725
-NO, NO, WE'RE FINE.
-WE CAN'T STAY LONG.
132
00:07:39,759 --> 00:07:42,762
NO, THEY DON'T DRINK TEA,
GRANDMA, THEY'RE LESBIANS.
133
00:07:45,998 --> 00:07:47,767
I DON'T KNOW
WHAT TO DO NOW.
134
00:07:47,800 --> 00:07:50,136
GO AND WASH
MY DISHES, GRANDMA.
135
00:07:53,206 --> 00:07:55,842
LESBIANS DON'T DRINK TEA?
LESBIANS?
136
00:07:55,875 --> 00:07:57,743
WHEN DID
YOUR GRANDMA GET HERE?
137
00:07:57,777 --> 00:08:01,147
SHE HELPS PAY THE RENT
AND DO CHORES.
138
00:08:01,180 --> 00:08:02,715
YOU MAKE HER DO CHORES?
139
00:08:02,748 --> 00:08:04,550
WELL, WHAT IS SHE GONNA DO?
I MEAN,
140
00:08:04,584 --> 00:08:06,752
IT'S EITHER THAT
OR IT'S BACK TO STRIPPING,
141
00:08:06,786 --> 00:08:10,022
AND I DON'T THINK
SHE CAN POLE DANCE ANYMORE.
142
00:08:10,056 --> 00:08:13,059
HEY, GRANDMA.
GRANDMA!
143
00:08:14,760 --> 00:08:17,763
HEY, GRANDMA,
DO ME A POLE DANCING MOVE.
144
00:08:17,797 --> 00:08:20,833
SHOW SOME WHAT?
145
00:08:20,867 --> 00:08:24,070
ALL RIGHT, GRANDMA.
GET OUT OF HERE.
146
00:08:24,103 --> 00:08:28,007
POLE DANCING?
WHAT THE HELL IS
HE TALKING ABOUT?
147
00:08:29,809 --> 00:08:32,044
I THINK SHE WAS GETTING
A LITTLE ANTSY BACK IN NEW YORK,
148
00:08:32,078 --> 00:08:34,647
AND SHE WAS SENT OUT
TO CHECK ON ME
149
00:08:34,680 --> 00:08:38,651
AND... I'M THE LAST GRANDSON
AND ALL THAT, SO...
150
00:08:38,684 --> 00:08:42,655
THEY WANT TO KNOW WHY
I HAVEN'T HAD ANY KIDS YET.
151
00:08:42,688 --> 00:08:45,024
BUT, UM...
152
00:08:45,057 --> 00:08:46,792
YEAH, SO...
153
00:08:52,231 --> 00:08:54,066
AH, YOU KNOW.
154
00:08:54,100 --> 00:08:56,102
SO WHAT ARE YOU GUYS
DOING HERE, ANYWAY?
155
00:08:57,336 --> 00:08:59,038
-UM...
-WELL...
156
00:08:59,071 --> 00:09:00,973
-WE, UH...
-WE WANTED TO ASK
YOU SOMETHING.
157
00:09:01,007 --> 00:09:04,911
YEAH.
SOMETHING THAT INVOLVES...
158
00:09:04,944 --> 00:09:07,213
YOUR SPERM.
159
00:09:07,246 --> 00:09:09,315
I'M REALLY GETTING SICK
OF THAT WORD.
160
00:09:09,348 --> 00:09:11,250
[MAN]
NOW, SIS,
161
00:09:11,284 --> 00:09:14,921
YOU'RE GONNA HAVE A GAY GUY
IMPREGNATE A SOMEWHAT-LESBIAN
162
00:09:14,954 --> 00:09:16,989
TO HAVE A CHILD
WITH HER MOST-DEFINITELY,
163
00:09:17,023 --> 00:09:19,759
UTTERLY, COMPLETELY
LESBIAN GIRLFRIEND?
164
00:09:19,792 --> 00:09:22,828
THIS IS HOW THE WORLD
IS GONNA RID ITSELF
OF STRAIGHT PEOPLE.
165
00:09:22,862 --> 00:09:26,933
AH, WHAT DO YOU CARE?
YOU'RE ASEXUAL.
166
00:09:26,966 --> 00:09:29,035
WORKAHOLIC'S MORE
LIKE THE TERM.
167
00:09:29,068 --> 00:09:32,238
BESIDES, MOM AND DAD
ARE GONNA BE THE ONES
THAT TRIP OUT ON THIS.
168
00:09:32,271 --> 00:09:34,340
THEY'RE STILL HOPING
THAT YOU'RE GONNA BANG
YOUR HEAD AGAIN
169
00:09:34,373 --> 00:09:37,376
AND SOMEDAY REDISCOVER
THE JOYS OF THE MALE ANATOMY.
170
00:09:37,410 --> 00:09:40,146
OH-HO,
I REMEMBER THEM WELL.
171
00:09:40,179 --> 00:09:44,116
LEO, A WOMAN'S SEXUALITY
IS A LITTLE BIT MORE FLUID
THAN A MAN'S.
172
00:09:44,150 --> 00:09:46,986
-HMM.
-THINGS LIKE THIS HAPPEN.
173
00:09:47,019 --> 00:09:50,222
ANYWAY, OLD NEWS.
NEW NEWS IS THIS BABY THING.
174
00:09:50,256 --> 00:09:53,225
YOU THINK IT'S GONNA GO OVER
LIKE A BAD MEAL?
175
00:09:53,259 --> 00:09:55,728
WHO KNOWS?
THE LAST THING
MOM AND DAD WANT
176
00:09:55,761 --> 00:09:58,331
IS TO NOT BE UNCONDITIONALLY
LOVING PARENTS IN THEIR
NEIGHBORS' EYES,
177
00:09:58,364 --> 00:10:01,133
SO YOU HAVE THEIR REPUTATION
GOING FOR YOU.
178
00:10:01,167 --> 00:10:03,336
WELL, I'M NOT
TOO CONCERNED ANYWAYS.
179
00:10:03,369 --> 00:10:05,371
WE AREN'T KIDS ANYMORE.
180
00:10:05,404 --> 00:10:07,707
WE GREW UP LIKE GOOD KIDS,
AND IF THEY WANT TO BE
GOOD PARENTS,
181
00:10:07,740 --> 00:10:09,709
-THEY'LL LEARN TO BE PROUD.
-MM-HMM.
182
00:10:09,742 --> 00:10:14,313
BESIDES, THEY GOT OVER YOU
NOT GOING GREEN ON SOME
OF YOUR BILLS.
183
00:10:14,347 --> 00:10:16,849
I THOUGHT YOU PROMISED
NOT TO BRING THAT UP AGAIN.
184
00:10:16,882 --> 00:10:18,884
I'M SO MAD AT YOU.
YOU'RE SO MEAN.
185
00:10:18,918 --> 00:10:20,019
DORK.
186
00:10:21,387 --> 00:10:24,156
-YOU REALLY NEED A PRIUS.
-UGH.
187
00:11:03,496 --> 00:11:06,966
[MUMBLES]
188
00:11:40,332 --> 00:11:41,867
[KNOCK ON DOOR]
189
00:11:43,002 --> 00:11:45,037
[JON]
HELLO?
190
00:11:45,071 --> 00:11:47,840
GIRLS, THE DOOR WAS OPEN.
191
00:11:47,873 --> 00:11:51,377
DUDE, YOU COULDN'T--
YOU NEED TO KNOCK BEFORE YOU...
192
00:11:51,410 --> 00:11:52,978
-COME IN.
-SERIOUSLY.
193
00:11:53,012 --> 00:11:55,047
I'M SORRY,
THE DOOR WAS OPEN.
194
00:11:55,081 --> 00:11:58,384
GOOD.
[CHUCKLES]
195
00:11:58,417 --> 00:11:59,985
WHAT'S GOING ON?
HOW IS EVERYTHING?
196
00:12:00,019 --> 00:12:01,854
JUST COOKING DINNER.
197
00:12:01,887 --> 00:12:03,255
I'M NOT HUNGRY,
THOUGH, THANKS.
198
00:12:03,289 --> 00:12:05,558
YOU EVER
HEARD OF KNOCKING?
199
00:12:05,591 --> 00:12:08,828
WELL, THAT'S FUNNY,
'CAUSE I GOT DINNER PLANS,
SO I'M NOT GONNA--
200
00:12:11,130 --> 00:12:12,498
IS THAT A PANTY?
201
00:12:14,500 --> 00:12:16,102
-UH...
-MINE.
202
00:12:16,135 --> 00:12:18,070
WE KEEP 'EM
IN THE KITCHEN, SOMETIMES.
203
00:12:18,104 --> 00:12:20,906
BEAUTIFUL.
CAN I GET A DRINK?
I NEED A DRINK.
204
00:12:22,041 --> 00:12:23,909
YEAH, HELP YOURSELF.
205
00:12:29,215 --> 00:12:32,151
WE BETTER GET USED
TO THIS INTERRUPTION THING.
206
00:12:34,620 --> 00:12:35,554
[THUMP]
207
00:12:36,856 --> 00:12:37,556
[THUMP]
208
00:12:39,091 --> 00:12:40,025
[THUMP]
209
00:12:42,128 --> 00:12:43,028
[THUMP]
210
00:12:44,196 --> 00:12:45,064
[THUMP]
211
00:13:00,579 --> 00:13:02,448
YOU DRINK, JON?
212
00:13:02,481 --> 00:13:05,284
ONLY WHEN I'M NERVOUS
OR ABOUT TO GET INTIMATE.
213
00:13:08,521 --> 00:13:11,490
YOU'RE NOT LOOKING
TO GET INTIMATE,
ARE YOU, JON?
214
00:13:17,062 --> 00:13:22,001
THE OTHER DAY WHEN
YOU CAME TO ME AND YOU ASKED
FOR MY TOOTHPASTE,
215
00:13:22,034 --> 00:13:24,970
I NEVER THOUGHT
ANYBODY WOULD EVER ASK ME
FOR SOMETHING LIKE THAT.
216
00:13:27,373 --> 00:13:30,142
I WENT HOME
AND I THOUGHT ABOUT THIS.
217
00:13:30,176 --> 00:13:32,344
WHEN I MOVED
FROM THE EAST COAST,
218
00:13:32,378 --> 00:13:34,947
I WANTED TO GO SOMEWHERE
WHERE I COULD THINK
219
00:13:34,980 --> 00:13:38,951
AND TRY AND FIND MYSELF.
I MEAN, YOU KNOW.
220
00:13:38,984 --> 00:13:41,620
I'M SO CONFUSED,
221
00:13:41,654 --> 00:13:46,058
SO THE THOUGHT
OF HAVING A BABY GROW UP...
222
00:13:46,091 --> 00:13:48,027
WHAT IF IT ENDS UP
CONFUSED LIKE ME?
223
00:13:50,596 --> 00:13:52,498
-[BOTH] JON.
-NO, IT'S--
224
00:13:52,531 --> 00:13:55,367
WE TOTALLY GET IT.
IT'S OKAY.
225
00:13:55,401 --> 00:13:56,936
-WE UNDERSTAND.
-NO, WAIT A MINUTE.
226
00:13:56,969 --> 00:13:58,237
I'M NOT SAYING
I'M NOT INTERESTED--
227
00:13:58,270 --> 00:13:59,638
JON, IF YOU
WEREN'T INTERESTED,
228
00:13:59,672 --> 00:14:01,040
YOU WOULDN'T HAVE ACCEPTED
IN THE FIRST PLACE.
229
00:14:01,073 --> 00:14:03,375
WE GET IT.
IT'S COOL.
230
00:14:03,409 --> 00:14:05,978
-YOU GET IT?
-IT'S FINE.
231
00:14:13,419 --> 00:14:16,188
I'M STARTING TO FEEL
REALLY CRAPPY ABOUT THIS.
232
00:14:48,721 --> 00:14:51,156
-YOU'RE STILL HERE?
-YEAH.
233
00:14:51,190 --> 00:14:52,658
TOOK THE DAY OFF.
234
00:14:52,691 --> 00:14:56,028
I GOT A BUNCH OF STUFF
I GOTTA TAKE CARE OF.
235
00:14:56,061 --> 00:14:57,596
WHAT'S UP?
236
00:15:00,599 --> 00:15:04,136
YOU KNOW.
237
00:15:04,169 --> 00:15:06,639
IT'S JUST FUNNY HOW...
[SIGHS]
238
00:15:06,672 --> 00:15:08,741
YOU CAN BE RAISED
IN A FAMILY
239
00:15:08,774 --> 00:15:10,542
WHERE YOU'RE THINKING
OF YOUR ACCOMPLISHMENTS
240
00:15:10,576 --> 00:15:12,511
BEFORE YOUR EGGS AND HAM
EVERY SINGLE MORNING,
241
00:15:12,544 --> 00:15:16,081
AND THEN YOU LOOK
BACK AT THE THINGS THAT
REALLY MATTER AND...
242
00:15:17,716 --> 00:15:19,952
SOMEHOW YOU NEVER
SAW THEM THROUGH.
243
00:15:24,623 --> 00:15:27,159
HEY.
244
00:15:27,192 --> 00:15:28,961
WE'LL FIGURE
THIS OUT, OKAY?
245
00:15:31,363 --> 00:15:33,599
I'LL SEE YOU TONIGHT.
246
00:15:33,632 --> 00:15:35,067
CHIN UP.
247
00:15:55,054 --> 00:16:01,493
♪ I WISH WE HAD THE TIME
248
00:16:01,527 --> 00:16:04,229
♪ SO I COULD
HAVE A CHANCE ♪
249
00:16:04,263 --> 00:16:08,734
♪ TO SAY GOODBYE
250
00:16:08,767 --> 00:16:11,737
♪ BUT AS A RIVER FLOWS
251
00:16:11,770 --> 00:16:15,240
♪ I HAVE TO LET YOU GO
252
00:16:15,274 --> 00:16:18,477
♪ I WANNA LET YOU GO
253
00:16:18,510 --> 00:16:24,116
♪ EVERY DAY I LET YOU GO
A LITTLE MORE. ♪
254
00:16:25,684 --> 00:16:28,487
[LEO]
JOSH?
IT'S JOSH.
255
00:16:28,520 --> 00:16:31,223
OKAY, OKAY, OKAY.
THIS IS AWESOME.
256
00:16:31,256 --> 00:16:34,360
SO GIRL/GAY GIRL,
COMBO CHOICE NUMBER ONE
IS OUT.
257
00:16:34,393 --> 00:16:36,362
THAT'S NO LONGER HAPPENING,
RIGHT? OKAY?
258
00:16:36,395 --> 00:16:39,765
NOW IT'S EX-BOYFRIEND
IMPREGNATES EX-GIRLFRIEND
259
00:16:39,798 --> 00:16:44,069
SO EX-GIRLFRIEND
CAN HAVE CHILD BABY
WITH NEW GIRLFRIEND.
260
00:16:44,103 --> 00:16:46,271
OH, I DON'T EVEN KNOW
IF HE WOULD AGREE TO IT.
261
00:16:46,305 --> 00:16:48,807
I HAVEN'T SPOKEN TO HIM
IN, LIKE, TWO YEARS!
262
00:16:48,841 --> 00:16:51,410
I'M JUST ASKING YOU
WHAT YOU'RE THINKING.
263
00:16:51,443 --> 00:16:53,145
-TRUTHFULLY?
-YEAH?
264
00:16:53,178 --> 00:16:55,180
I SO HOPE
IT DOESN'T WORK OUT,
265
00:16:55,214 --> 00:16:57,683
'CAUSE I CAN'T
WAIT TO HEAR WHAT YOU
COME UP WITH NEXT.
266
00:16:57,716 --> 00:16:59,518
GONNA GET ME
HIT BY A CAR.
267
00:16:59,551 --> 00:17:02,821
I'M JUST ASKING YOU
WHAT YOU ARE THINKING.
ADVICE.
268
00:17:02,855 --> 00:17:05,157
ABOUT JOSH?
I THINK HE'S A GREAT GUY.
269
00:17:05,190 --> 00:17:07,693
OF COURSE, NOT AS ATTRACTIVE
AS YOUR CURRENT LOVER.
270
00:17:07,726 --> 00:17:11,430
HE HAD, LIKE, ONE COLD
IN THE TWO YEARS WE DATED.
271
00:17:11,463 --> 00:17:13,098
THAT'S JUST UNHEARD OF.
272
00:17:13,132 --> 00:17:14,566
I MEAN, THAT'S
SOME STURDY CONSTITUTION.
273
00:17:14,600 --> 00:17:16,168
-STRONG ANTIBODIES.
-MM-HMM.
274
00:17:16,201 --> 00:17:19,438
HE HAD STRONG HAIR.
BIG FOLLICLES.
275
00:17:19,471 --> 00:17:23,108
THAT MAN WAS ALWAYS
IN A GOOD MOOD, NO MATTER WHAT.
276
00:17:23,142 --> 00:17:26,445
I MEAN, THAT IS JUST
SOME SERIOUS CORTISOL AND
NOREPINEPHRINE LEVELS.
277
00:17:26,478 --> 00:17:28,747
HE'S A PERSON,
NOT A NUTRITIONAL LABEL,
YOU KNOW THAT, RIGHT?
278
00:17:28,781 --> 00:17:30,315
RIGHT, RIGHT.
I KNOW, I KNOW.
279
00:17:30,349 --> 00:17:33,485
YOU KNOW, HE--
HE WAS A WELL-MADE PERSON.
280
00:17:33,519 --> 00:17:35,320
-HIS WHOLE FAMILY WAS.
-UH-HUH.
281
00:17:35,354 --> 00:17:37,856
YOU JUST DON'T FIND THAT
ON THE DONOR WEBSITES ANYMORE.
282
00:17:37,890 --> 00:17:41,326
SO IF JOSH WAS ALL THIS
AND THAT AND EVERYTHING...
283
00:17:41,360 --> 00:17:44,296
-YEAH.
-...WHY DID YOU LEAVE HIM?
284
00:17:52,271 --> 00:17:56,208
[CHARLIE] YOUR PARENTS
DON'T LIKE BEING AROUND US
TOGETHER TOO LONG, DO THEY?
285
00:17:56,241 --> 00:17:58,610
NO.
NO, YOU KNOW
THAT'S NOT IT.
286
00:17:58,644 --> 00:18:00,312
IT'S JUST THAT, YOU KNOW,
287
00:18:00,345 --> 00:18:01,747
THEY HAD TO BE AT THE SALON
BEFORE 10:00 PM
288
00:18:01,780 --> 00:18:04,216
SO THEY COULD GET
THEIR COMPLIMENTARY MASSAGES.
289
00:18:06,618 --> 00:18:09,254
HEY, UM, HAVE YOU HEARD
FROM ERIN LATELY?
290
00:18:09,288 --> 00:18:14,359
ERIN? NO,
NOT IN A COUPLE OF MONTHS.
291
00:18:14,393 --> 00:18:17,463
-WHY?
-JUST WONDERING, I GUESS.
292
00:18:17,496 --> 00:18:21,233
YOU KNOW, IT'S OKAY TO BE
FRIENDS WITH YOUR EXES, RIGHT?
293
00:18:21,266 --> 00:18:23,502
YEAH.
294
00:18:23,535 --> 00:18:25,938
YOU DON'T THINK I STILL HAVE
FEELINGS FOR ERIN, DO YOU?
295
00:18:25,971 --> 00:18:30,576
NO, I'M JUST--
I'D UNDERSTAND IF YOU DID.
SHE'S HOT.
296
00:18:32,344 --> 00:18:36,148
OKAY.
SHE'S JUST A SILLY STRIPPER.
297
00:18:37,282 --> 00:18:39,818
YEAH.
SILLY STRIPPERS.
298
00:18:42,354 --> 00:18:44,623
CERINA...
299
00:18:44,656 --> 00:18:46,558
CERINA,
WHAT'S THE MATTER?
300
00:18:50,562 --> 00:18:53,265
I GOT ANOTHER IDEA
FOR A SPERM DONOR.
301
00:18:53,298 --> 00:18:56,902
OKAY, WELL,
YOU'RE SAYING "SPERM" AGAIN,
SO IT MUST BE GOOD.
302
00:18:56,935 --> 00:18:59,671
I DON'T EVEN KNOW IF HE WOULD
AGREE TO SOMETHING LIKE THIS.
303
00:18:59,705 --> 00:19:00,839
WHO?
304
00:19:03,709 --> 00:19:05,444
I GOT THE IDEA
TO ASK JOSH HORN.
305
00:19:08,714 --> 00:19:10,516
JOSH HORN.
306
00:19:10,549 --> 00:19:12,251
I KNOW,
IT'S A SILLY IDEA,
307
00:19:12,284 --> 00:19:15,521
BUT IT--
WE'RE RUNNING OUT OF OPTIONS.
308
00:19:15,554 --> 00:19:17,689
BUT YOUR EX-BOYFRIEND?
309
00:19:20,726 --> 00:19:23,295
I MEAN, I KNOW.
I DON'T EVEN KNOW
IF HE WOULD AGREE TO IT.
310
00:19:23,328 --> 00:19:25,564
IT'S JUST--
COME ON.
311
00:19:25,597 --> 00:19:27,266
[SIGHS]
312
00:19:27,299 --> 00:19:30,402
NO, I'M--
COME ON, I WANT TO HEAR IT.
313
00:19:30,435 --> 00:19:34,306
I WANT TO KNOW WHY
THE GUY YOU SAID WAS LIKE
THE BOHEMIAN POSTER CHILD
314
00:19:34,339 --> 00:19:37,876
IS GONNA BE THE RIGHT MAN
TO FATHER YOUR BABY.
315
00:19:37,910 --> 00:19:39,444
NOT FATHER, DONOR,
316
00:19:39,478 --> 00:19:41,780
AND NOT MY BABY,
OUR BABY.
317
00:19:41,813 --> 00:19:44,750
I KNOW, I GET IT.
I SAID A LOT OF THINGS.
318
00:19:44,783 --> 00:19:46,985
I WAS HURT OVER LOVE.
319
00:19:49,621 --> 00:19:52,424
YOU'VE SAID THINGS ABOUT ERIN
BEFORE, YOU KNOW, REMEMBER?
320
00:19:52,457 --> 00:19:55,627
YEAH, SHE ALMOST
MADE ME STRAIGHT.
321
00:19:56,929 --> 00:19:59,565
-ALMOST.
-[BOTH CHUCKLE]
322
00:19:59,598 --> 00:20:01,867
WELL, I GET IT,
WE HAD OUR UPS AND DOWNS,
323
00:20:01,900 --> 00:20:05,003
BUT NO RECEDING HAIRLINE.
324
00:20:05,037 --> 00:20:06,405
IT'S IMPORTANT.
325
00:20:08,840 --> 00:20:10,742
[SIGHS]
326
00:20:10,776 --> 00:20:14,746
CERINA, YOU'RE GONNA BE
THE ONE THAT CARRIES
THIS BABY, SO...
327
00:20:14,780 --> 00:20:18,984
YOU'RE THE ONE
THAT SHOULD CHOOSE THE FATHER.
328
00:20:19,017 --> 00:20:21,353
YOU KNOW I WANTED YOU
TO CARRY THIS CHILD.
329
00:20:21,386 --> 00:20:23,655
YEAH, WE WENT
OVER THAT ONCE.
330
00:20:30,829 --> 00:20:33,498
SOME PEOPLE HAVE PARENTS.
331
00:20:33,532 --> 00:20:38,403
YOU KNOW, GOOD OR BAD,
THEY HAVE PEOPLE TO DRAW
EXPERIENCES FROM.
332
00:20:40,072 --> 00:20:44,476
I TOLD YOU BEFORE,
I WASN'T BORN.
333
00:20:44,509 --> 00:20:46,678
I JUST WOKE UP ONE DAY
AND I WAS AN ADULT.
334
00:20:51,583 --> 00:20:54,553
THERE'S NO NURTURE
IN MY BLOOD.
335
00:20:59,558 --> 00:21:03,629
COME ON.
LET'S GO GET US A MAN
TO BOSS AROUND.
336
00:21:04,830 --> 00:21:06,965
YES, YES!
337
00:21:27,452 --> 00:21:31,690
[CHARLIE]
THIS IS WHERE
YOUR EX-BOYFRIEND LIVES.
338
00:21:31,723 --> 00:21:35,694
WELL, I GUESS
THE ODDS THAT JOSH IS
THE NEXT BILL GATES ARE OUT.
339
00:21:35,727 --> 00:21:38,597
[CERINA]
YEAH, I THINK
HIS ASPIRATIONS
340
00:21:38,630 --> 00:21:42,634
WERE ALWAYS A LITTLE MORE
CREATIVE THAN LUCRATIVE.
341
00:21:42,668 --> 00:21:44,970
YOU KNOW, USUALLY
IT'S THE GIRL TURNING UP
ON THE GUY'S PORCH
342
00:21:45,003 --> 00:21:47,506
AND SAYING, "I WANT YOU
TO KNOW I'M PREGNANT."
343
00:21:47,539 --> 00:21:51,343
NOT, "I WANT YOU TO KNOW,
I WANT TO GET PREGNANT."
344
00:21:53,045 --> 00:21:54,846
YOU GOING IN?
345
00:21:56,882 --> 00:21:59,851
-WE ARE GOING IN.
-OH, HELL NO, NO.
346
00:21:59,885 --> 00:22:02,721
I WILL HELP DELIVER
THE BABY AND ALL OF THAT JAZZ,
347
00:22:02,754 --> 00:22:04,756
BUT I AM NOT GONNA HELP
RECRUIT THE MAN.
348
00:22:04,790 --> 00:22:06,858
[CERINA SCOFFS]
349
00:22:06,892 --> 00:22:08,427
CHICKEN.
350
00:22:08,460 --> 00:22:09,795
[JOSH]
NO, I UNDERSTAND IT.
351
00:22:09,828 --> 00:22:11,863
I GET THAT,
I GET IT, I GET IT, I GET IT.
352
00:22:11,897 --> 00:22:13,732
-RIGHT.
-OH, THAT'S HIM.
353
00:22:13,765 --> 00:22:15,067
[JOSH]
RIGHT, RIGHT, RIGHT,
RIGHT, RIGHT.
354
00:22:15,100 --> 00:22:17,102
[CHARLIE]
THAT'S HIM?
355
00:22:17,135 --> 00:22:20,572
-HE LOOKS KIND OF...
-RIGHT, RIGHT, RIGHT.
356
00:22:20,605 --> 00:22:22,607
...DIRTY.
357
00:22:22,641 --> 00:22:24,009
HE WASN'T BORN THAT WAY.
358
00:22:24,042 --> 00:22:26,011
I WILL-- GIVE ME ANOTHER WEEK,
ANOTHER WEEK.
359
00:22:26,044 --> 00:22:28,814
-THAT'S ALL I NEED.
-ALL RIGHT, WELL,
GO GET HIM, TIGER.
360
00:22:28,847 --> 00:22:30,549
YOU NEVER KNOW,
MIGHT GET LUCKY.
361
00:22:30,582 --> 00:22:32,951
MIGHT HAVE A VIAL
IN HIS REFRIGERATOR.
362
00:22:32,984 --> 00:22:35,921
[JOSH]
NO, I KNOW, I LOVE YOU GUYS.
YOU GUYS ARE GREAT.
363
00:22:40,158 --> 00:22:41,860
YEAH, I GET IT, I GET IT.
I JUST TOLD YOU,
364
00:22:41,893 --> 00:22:44,096
I DON'T-- I'M NOT
A PEOPLE PHOTOGRAPHER.
365
00:22:44,129 --> 00:22:47,032
YOU KNOW, I DO
LANDSCAPES AND OBJECTS.
366
00:22:47,065 --> 00:22:49,034
THINGS THAT DON'T MOVE.
367
00:22:49,067 --> 00:22:52,637
RIGHT, WELL, YOU KNOW,
PEOPLE ARE JUST TOO HARD
FOR ME TO CAPTURE.
368
00:22:52,671 --> 00:22:55,774
YEAH, WELL, I'LL PUT
A SQUIRREL IN THE TREE, OKAY?
369
00:22:58,043 --> 00:22:59,444
YEAH, I KNOW,
BUT FOR 200 BUCKS,
370
00:22:59,478 --> 00:23:01,480
WHAT DO YOU EXPECT,
ANSEL ADAMS?
371
00:23:06,985 --> 00:23:08,920
-OKAY, WELL...
-[URINATING]
372
00:23:12,591 --> 00:23:14,059
[SIGHS]
373
00:23:14,092 --> 00:23:15,660
RIGHT, ALL RIGHT,
WELL, I'LL TELL YOU WHAT,
374
00:23:15,694 --> 00:23:17,062
YEAH, I'M STILL
DOWN AT THE CLOTHING STORE,
375
00:23:17,095 --> 00:23:19,664
AND YOU KNOW,
THEY GIVE ME SOME HOURS THERE,
376
00:23:19,698 --> 00:23:21,199
SO I'LL, UH...
377
00:23:21,233 --> 00:23:22,834
OOH, YEAH.
378
00:23:24,102 --> 00:23:25,170
CAN I...
379
00:23:27,739 --> 00:23:29,975
CALL YOU BACK
IN A MINUTE?
380
00:23:32,577 --> 00:23:33,979
SURPRISE.
381
00:23:35,714 --> 00:23:37,215
COME ON, GIRLFRIEND.
382
00:23:37,249 --> 00:23:39,618
SERVE HIM
THAT SILVER PLATTER.
383
00:23:41,853 --> 00:23:43,088
HI, JOSH.
384
00:23:45,090 --> 00:23:46,558
HI.
385
00:23:48,126 --> 00:23:49,628
THIS YOUR PLACE?
386
00:23:50,996 --> 00:23:53,565
YEAH, I GOT SOME, UM...
387
00:23:53,598 --> 00:23:55,667
I GOT SOME ROOMMATES,
BUT, UH,
388
00:23:55,700 --> 00:23:57,602
THIS IS WHERE I CRASH.
389
00:24:00,272 --> 00:24:01,740
NICE.
390
00:24:05,877 --> 00:24:07,012
CERINA...
391
00:24:09,815 --> 00:24:11,583
WHAT ARE YOU DOING
OUT HERE?
392
00:24:11,616 --> 00:24:13,852
[CHUCKLES]
WELL, I--
393
00:24:17,022 --> 00:24:18,256
IS THAT ME?
394
00:24:21,626 --> 00:24:23,728
OH, THAT WAS--
395
00:24:23,762 --> 00:24:25,864
I WAS LOOKING FOR THAT.
I WAS THROWING ALL
THIS STUFF AWAY,
396
00:24:25,897 --> 00:24:29,501
AND THAT WAS ONE OF THE THINGS
THAT I WAS GONNA, YOU KNOW,
THROW AWAY.
397
00:24:37,042 --> 00:24:39,711
WELL...
[CHUCKLES]
398
00:24:39,744 --> 00:24:40,979
QUESTION FOR YOU.
399
00:24:45,851 --> 00:24:47,085
WOULD YOU SELL ME
A CUP OF YOUR--
400
00:24:47,118 --> 00:24:49,654
I EVEN FEEL AWKWARD.
401
00:24:56,761 --> 00:24:59,564
WELL, WHAT HAPPENED?
402
00:24:59,598 --> 00:25:01,900
DID HE TELL YOU THERE'S A LONG
WAITING LIST OR SOMETHING?
403
00:25:01,933 --> 00:25:04,035
IT'S REALLY NOT A--
404
00:25:04,069 --> 00:25:06,638
THIS WAS A DUMB IDEA.
405
00:25:06,671 --> 00:25:08,874
-LET'S GO.
-HEY.
406
00:25:16,948 --> 00:25:18,783
-LOOK--
-NO, LISTEN, I--
407
00:25:18,817 --> 00:25:22,287
-NO, LOOK.
-OKAY, I'LL LISTEN,
OR LOOK.
408
00:25:25,090 --> 00:25:27,125
I HAVEN'T SEEN YOU
IN A LONG TIME
409
00:25:27,158 --> 00:25:30,929
AND THEN YOU JUST KIND
OF SHOW UP HERE AND--
410
00:25:30,962 --> 00:25:34,032
I MEAN, THIS WHOLE IDEA
OF YOU HANDING ME MONEY
411
00:25:34,065 --> 00:25:36,768
AND ME HANDING YOU
A CUP OF MY--
412
00:25:36,801 --> 00:25:39,738
LOOK, I KNOW, I PROBABLY DIDN'T
THINK IT THAT FAR THROUGH.
413
00:25:39,771 --> 00:25:43,308
MAYBE I SHOULD HAVE SAT ON
THE WHOLE IDEA A LITTLE
WHILE LONGER
414
00:25:43,341 --> 00:25:45,710
BEFORE JUST GOING
TO LOOK FOR YOU.
415
00:25:48,680 --> 00:25:50,682
WHY-- WHY ME?
I DON'T UNDERSTAND.
416
00:25:50,715 --> 00:25:52,384
I MEAN, THERE'S GOTTA BE
PLENTY OF GUYS OUT THERE
417
00:25:52,417 --> 00:25:55,353
WITH A LOT LESS
QUALITIES YOU DISLIKE.
418
00:25:55,387 --> 00:25:59,291
I DON'T DISLIKE YOU, JOSH.
419
00:25:59,324 --> 00:26:02,761
LOOK, YOU HAVE A LOT
OF GREAT QUALITIES,
420
00:26:02,794 --> 00:26:08,366
AND YOU'RE GOOD-NATURED,
I MEAN, HEALTHY.
421
00:26:08,400 --> 00:26:11,703
I DON'T KNOW,
MAYBE YOU JUST SEEMED
LIKE A GOOD CANDIDATE
422
00:26:11,736 --> 00:26:14,239
FOR MORE, UM, JOSHES.
423
00:26:17,809 --> 00:26:19,244
WELL, I'M FLATTERED.
424
00:26:19,277 --> 00:26:21,246
I MEAN, I GUESS
THAT'S WHAT I AM.
425
00:26:21,279 --> 00:26:24,983
I JUST-- CAN I HAVE A DAY
TO THINK ABOUT THIS?
426
00:26:25,016 --> 00:26:28,153
-JUST--
-YEAH, OF COURSE.
OF COURSE.
427
00:26:31,389 --> 00:26:32,891
THIS IS CHARLIE.
428
00:26:35,894 --> 00:26:38,830
[BOTH]
HI.
429
00:26:38,863 --> 00:26:40,799
[JON]
THIS DOESN'T GET
ANY BETTER FOR ME, ALL RIGHT?
430
00:26:40,832 --> 00:26:44,302
MY THREE BEAUTIFUL WOMEN
IN THE LAUNDROMAT.
THIS IS IT.
431
00:26:44,336 --> 00:26:46,204
-RIGHT, GRANDMA?
-RIGHT.
432
00:26:46,237 --> 00:26:48,373
-YOU ALL RIGHT?
-YEAH.
433
00:26:48,406 --> 00:26:50,241
KEEP FOLDING.
434
00:26:50,275 --> 00:26:52,844
I DON'T CARE
HOW BEAUTIFUL YOU ARE.
435
00:26:52,877 --> 00:26:56,114
[CHARLIE]
JON, YOU DON'T NEED
TO KEEP FLATTERING US.
436
00:26:56,147 --> 00:26:58,183
WE DO STILL LOVE YOU.
437
00:26:58,216 --> 00:27:00,719
I CAN'T STOP THINKING ABOUT
THIS WHOLE THING, ALL RIGHT?
438
00:27:00,752 --> 00:27:03,188
I JUST CAN'T
THINK STRAIGHT ABOUT IT.
439
00:27:05,090 --> 00:27:07,125
YOU GET THAT, STRAIGHT?
440
00:27:07,158 --> 00:27:08,293
IT'S FUNNY.
441
00:27:08,326 --> 00:27:10,395
[CERINA]
NOW YOU CAN BECOME
ALL THE MAN YOU WANT TO BE
442
00:27:10,428 --> 00:27:12,397
WITHOUT A BABY
IN THE REAR VIEW MIRROR.
443
00:27:12,430 --> 00:27:14,332
[JON]
WELL, THAT'S RIGHT,
THAT'S WHAT I MEAN, OKAY?
444
00:27:14,366 --> 00:27:17,102
NOW YOU JUST GO ON
THE INTERNET, ANONYMOUSLY,
445
00:27:17,135 --> 00:27:19,104
YOU HAVE A ONE-NIGHT STAND,
YOU HAVE A BABY,
446
00:27:19,137 --> 00:27:21,906
AND THAT'S A LITTLE LESS
COMPLICATED, RIGHT?
447
00:27:21,940 --> 00:27:24,976
[CHARLIE]
YEAH, WE MIGHT NOT BE GOING
DOWN THAT ROUTE ANYMORE.
448
00:27:25,010 --> 00:27:26,311
[JON]
WELL, WHAT DO YOU MEAN?
449
00:27:28,213 --> 00:27:30,048
YOU SPOKE
TO YOUR EX-BOYFRIEND?
450
00:27:31,950 --> 00:27:33,018
REALLY?
451
00:27:35,353 --> 00:27:37,188
I DIDN'T KNOW
ANYTHING ABOUT THIS.
452
00:27:39,491 --> 00:27:42,727
WELL, DON'T YOU THINK
THIS IS A LITTLE ODD?
453
00:27:42,761 --> 00:27:44,062
WELL, DID HE ACCEPT?
454
00:27:45,964 --> 00:27:48,933
[CERINA]
NOT YET.
WE'LL FIND OUT TOMORROW.
455
00:27:48,967 --> 00:27:50,769
[JON]
SO HE DIDN'T ACCEPT YET.
456
00:27:50,802 --> 00:27:52,170
[CERINA]
YEAH, THANKS
FOR REMINDING ME.
457
00:27:52,203 --> 00:27:54,439
[JON]
OKAY, LOOK,
I WAS JUST SAYING,
458
00:27:54,472 --> 00:27:56,041
BECAUSE I THOUGHT YOU
WERE GONNA GO ON
459
00:27:56,074 --> 00:27:59,077
SOME MATCH-SEMEN.COM
WEBSITE, THAT'S ALL.
460
00:27:59,110 --> 00:28:00,945
[CERINA]
CAN'T WE JUST ALL
SHUT THE HELL UP
461
00:28:00,979 --> 00:28:02,914
AND FOCUS
ON THE LAUNDRY, OKAY?
462
00:28:02,947 --> 00:28:05,250
HURRY UP, GRANDMA,
I GOTTA GET OUTTA HERE.
463
00:28:05,283 --> 00:28:06,918
[GRANDMA]
ALL RIGHTY.
464
00:28:06,951 --> 00:28:09,220
-WHOO!
-WHAT'S THE MATTER
WITH YOU?
465
00:28:13,258 --> 00:28:17,328
♪ THESE STREETS
ARE LONELY ♪
466
00:28:17,362 --> 00:28:19,397
♪ ANOTHER FACE
IN THE CROWD ♪
467
00:28:21,399 --> 00:28:23,968
♪ BUT I'VE GOT
MY GUITAR ♪
468
00:28:25,870 --> 00:28:28,273
♪ AND I'M SINGING IT
OUT LOUD ♪
469
00:28:29,908 --> 00:28:32,510
♪ WELL, I'VE LEARNED
MY LESSON ♪
470
00:28:34,279 --> 00:28:36,281
♪ ALWAYS LISTEN
TO THE CALL ♪
471
00:28:38,349 --> 00:28:41,152
♪ EVEN THOUGH
IT MAY KILL ME ♪
472
00:28:42,854 --> 00:28:45,156
♪ I WON'T BE SORRY
WHEN I FALL ♪
473
00:28:46,591 --> 00:28:50,962
♪ I'LL BE LAUGHING
WHEN I FALL ♪
474
00:28:50,995 --> 00:28:55,233
♪ ALL ALONE
WITH MY BAGS UNPACKED ♪
475
00:28:55,266 --> 00:28:57,902
♪ I STILL STARE
AT THE WALL ♪
476
00:28:59,437 --> 00:29:03,541
♪ I DON'T KNOW
WHEN MY DAY WILL COME ♪
477
00:29:03,575 --> 00:29:07,879
♪ AND I DON'T CARE
AT ALL ♪
478
00:29:07,912 --> 00:29:12,117
♪ I KNOW I'M NEVER
LOOKING BACK ♪
479
00:29:12,150 --> 00:29:14,853
♪ THIS TRAIN IS
RIGHT ON TRACK... ♪
480
00:29:14,886 --> 00:29:16,254
[PHONE RINGS]
481
00:29:18,189 --> 00:29:20,859
HELLO?
HEY, JOSH.
482
00:29:25,096 --> 00:29:26,197
UH-HUH.
483
00:29:28,333 --> 00:29:30,869
OH, OH, MY GOD.
YEAH, THAT--
484
00:29:30,902 --> 00:29:32,904
I MEAN, THAT--
THAT'S GREAT.
485
00:29:32,937 --> 00:29:34,072
UH-HUH.
486
00:29:38,910 --> 00:29:39,978
UH-HUH.
487
00:29:41,446 --> 00:29:43,915
YOU DON'T--
OH, JOSH, I CAN'T EVEN--
488
00:29:43,948 --> 00:29:45,550
I CAN'T EVEN
THANK YOU ENOUGH.
489
00:29:45,583 --> 00:29:49,354
YEAH, THIS WILL MEAN
SO MUCH TO US.
490
00:29:51,055 --> 00:29:53,057
OKAY, THANKS.
491
00:29:54,459 --> 00:29:56,928
OH, MY GOD, YES!
492
00:29:56,961 --> 00:29:58,897
[BOTH LAUGHING]
493
00:30:13,244 --> 00:30:14,312
WHOO!
494
00:30:17,248 --> 00:30:19,350
♪ SHE SAID HER NAME
WAS BILLIE ♪
495
00:30:19,384 --> 00:30:22,487
♪ AS SHE LOOKED UP
FROM HER DRINK ♪
496
00:30:22,520 --> 00:30:25,356
♪ A SMILE ON HER FACE
497
00:30:25,390 --> 00:30:27,892
♪ SHE KNEW HIM
498
00:30:27,926 --> 00:30:30,395
♪ HE COULDN'T
QUITE REMEMBER ♪
499
00:30:30,428 --> 00:30:33,231
♪ WHEN THEY'D MET UP
AT THAT PLACE ♪
500
00:30:33,264 --> 00:30:36,167
♪ HE WAS A YOUNG BOY
501
00:30:36,201 --> 00:30:38,603
♪ SHE WAS A FOOL
502
00:30:38,636 --> 00:30:41,506
♪ AND THEY GOT HIGH
503
00:30:41,539 --> 00:30:44,609
♪ THE NIGHT FLEW BY
504
00:30:44,642 --> 00:30:49,113
♪ AND SHE WISHED THAT HE
WOULD NEVER LET HER GO ♪
505
00:30:50,715 --> 00:30:53,585
♪ DOO, DOO, DOO, DOO,
DOO, DOO, DOO, DOO ♪
506
00:30:53,618 --> 00:30:56,287
♪ DOO, DOO, DOO,
DOO, DOO... ♪
507
00:30:56,321 --> 00:30:59,390
WHAT ARE YOU DOING?
508
00:30:59,424 --> 00:31:01,125
I'M DRAWING.
509
00:31:01,159 --> 00:31:02,660
OH, GOD, REALLY?
I HOPE IT'S NOT ME,
510
00:31:02,694 --> 00:31:06,130
BECAUSE I'M GONNA LOOK
LIKE A DIRTY MAID.
511
00:31:06,164 --> 00:31:08,700
NOW THAT IS A SERIES
OF PAINTINGS THAT I COULD
GET INTO.
512
00:31:08,733 --> 00:31:11,369
HEY, LISTEN, WE GOTTA GET
THE BOXES OUT OF THE ATTIC.
513
00:31:11,402 --> 00:31:12,637
YEAH, I DID IT.
514
00:31:12,670 --> 00:31:14,672
OH, OKAY.
515
00:31:14,706 --> 00:31:16,574
OH, THE GUEST ROOM BLINDS,
WE GOTTA FIX THAT,
516
00:31:16,608 --> 00:31:18,109
BECAUSE THE LIGHT
COMES RIGHT THROUGH.
517
00:31:18,142 --> 00:31:19,310
YEAH, THEY'RE DONE.
518
00:31:21,179 --> 00:31:22,347
REALLY?
519
00:31:22,380 --> 00:31:26,251
WELL, THANK YOU.
APPRECIATE IT.
520
00:31:26,284 --> 00:31:31,289
YOU, UH, WANT ME
TO PAINT SOME FLUFFY CLOUDS
ON THE CEILING, TOO?
521
00:31:31,322 --> 00:31:34,058
I DON'T KNOW, MAYBE
A BABY MOBILE ABOVE HIS BED,
522
00:31:34,092 --> 00:31:36,628
OR SOME FLUFFY TOYS?
523
00:31:39,464 --> 00:31:41,666
HE'S NOT THE ACTUAL BABY,
CERINA, HE'S A HOUSEGUEST.
524
00:31:41,699 --> 00:31:43,134
HE'S COMING
FOR A COUPLE OF WEEKS.
525
00:31:43,167 --> 00:31:45,069
HE'S GONNA BE
POKED AND PRODDED,
526
00:31:45,103 --> 00:31:48,940
AND HE'S MAYBE
GONNA BECOME THE COW
TO OUR DAIRY FARM.
527
00:31:50,742 --> 00:31:52,644
IS THERE NO ROMANCE
IN THIS FOR YOU?
528
00:31:54,345 --> 00:31:55,713
IS THERE FOR YOU?
529
00:32:02,387 --> 00:32:03,554
[SIGHS]
530
00:32:30,381 --> 00:32:31,449
WANT TO SEE YOUR ROOM?
531
00:32:31,482 --> 00:32:33,117
MM-HMM, YEAH.
532
00:32:34,686 --> 00:32:37,255
-WHAT DO YOU THINK?
-OF WHAT?
533
00:32:37,288 --> 00:32:38,489
OF HIM!
534
00:32:39,791 --> 00:32:43,127
SO FAR, I THINK
HE WALKS PRETTY GOOD.
535
00:32:56,841 --> 00:33:00,511
SO YOU KNOW, LEO AND I
ACTUALLY HAVE OFFICES DOWN
THE STREET FROM EACH OTHER.
536
00:33:00,545 --> 00:33:02,647
I MEAN, SOMETIMES I FEEL LIKE
WE'RE JUST LITTLE KIDS AGAIN
537
00:33:02,680 --> 00:33:04,282
WITH ADJOINING ROOMS.
538
00:33:04,315 --> 00:33:06,584
AND I GET TO SEE HIM
SO MUCH, IT'S AWESOME.
539
00:33:11,556 --> 00:33:12,657
THANKS.
540
00:33:15,426 --> 00:33:18,463
[CLEARS THROAT]
YOU KNOW, HE LIKES YOU.
541
00:33:18,496 --> 00:33:20,531
LEO DOES, YOU KNOW.
542
00:33:20,565 --> 00:33:23,768
HE ALWAYS THOUGHT
THAT YOU WERE THE COOL BROTHER
THAT HE NEVER HAD.
543
00:33:23,801 --> 00:33:25,570
NO, NOT THAT I WASN'T
A COOL SISTER AND ALL,
544
00:33:25,603 --> 00:33:28,272
BUT, YOU KNOW, HE JUST ALWAYS
NEEDED THAT MALE ENERGY
545
00:33:28,306 --> 00:33:32,276
OR MALE CAMARADERIE THING.
546
00:33:32,310 --> 00:33:34,679
AND YOU KNOW,
I WAS JUST SO GIRLY.
547
00:33:37,315 --> 00:33:39,450
SO, UH, JOSH.
548
00:33:39,484 --> 00:33:41,219
WHAT HAVE YOU BEEN
UP TO LATELY?
549
00:33:44,322 --> 00:33:49,193
WELL, SINCE...
I LAST SAW YOU,
550
00:33:49,227 --> 00:33:50,728
I MOVED DOWN
TO L.A. FOR A WHILE,
551
00:33:50,762 --> 00:33:54,565
AND TRIED TO START A BAND.
552
00:33:54,599 --> 00:33:55,867
A BAND?
553
00:33:55,900 --> 00:33:59,437
YEAH, I ALWAYS HAD
A DREAM ABOUT DOING
554
00:33:59,470 --> 00:34:02,707
THE ROCK-STAR-ON-THE-ROAD
THING, YOU KNOW?
555
00:34:02,740 --> 00:34:06,344
YOU PLAYED AN INSTRUMENT?
556
00:34:06,377 --> 00:34:11,582
YOU, UH, YOU BOUGHT ME
A GUITAR FOR CHRISTMAS
ONE YEAR, REMEMBER?
557
00:34:11,616 --> 00:34:14,118
IT'S ALL RIGHT.
I KIND OF GOT INTO IT
MORE LATER
558
00:34:14,152 --> 00:34:17,321
AFTER--
AFTER I SAW YOU,
559
00:34:17,355 --> 00:34:19,824
AND UM...
AH, YOU KNOW.
560
00:34:19,857 --> 00:34:22,727
IT WAS ALL RIGHT.
IT GAVE ME SOME FOCUS
AND DIRECTION AT THE TIME.
561
00:34:22,760 --> 00:34:25,696
KIND OF GONE MORE INTO
THE PHOTOGRAPHY THING LATELY.
562
00:34:25,730 --> 00:34:27,732
THAT'S AWESOME.
I JUST...
563
00:34:27,765 --> 00:34:30,735
KINDA ALWAYS
THOUGHT YOU WANTED
TO GET INTO FILMS.
564
00:34:30,768 --> 00:34:33,337
HMM. YEAH,
WELL, I TRIED THAT BUSINESS.
565
00:34:33,371 --> 00:34:36,674
THOSE GUYS ARE, LIKE, CRAZY
AND IT WAS TOO MUCH.
566
00:34:36,707 --> 00:34:38,876
-GOTCHA.
-SO...
567
00:34:38,910 --> 00:34:41,345
HOW DID THE ROAD ARTIST
THING PAN OUT?
568
00:34:41,379 --> 00:34:44,615
[CLEARS THROAT]
WELL, THREE TOURS OF GILROY,
569
00:34:44,649 --> 00:34:47,218
FIVE GROUPIES,
AND I GOT A MUSIC VIDEO--
570
00:34:47,251 --> 00:34:48,619
HALF MUSIC VIDEO DONE.
571
00:34:48,653 --> 00:34:51,222
ACTUALLY, I HAVE IT
ON DVD HERE IF YOU GUYS
WANT TO CHECK IT OUT.
572
00:34:51,255 --> 00:34:52,356
IT'S PRETTY GOOD.
573
00:34:52,390 --> 00:34:54,192
THAT'S AWESOME!
574
00:34:54,225 --> 00:34:55,793
THAT'S REALLY GOOD.
575
00:34:55,827 --> 00:34:57,595
I DIDN'T EVEN KNOW
YOU WERE SO NATURALLY
TALENTED
576
00:34:57,628 --> 00:34:59,697
IN THE THINGS I DIDN'T KNOW
YOU WERE TALENTED IN.
577
00:35:02,400 --> 00:35:05,503
WELL, NOT REALLY,
BUT THANKS.
578
00:35:05,536 --> 00:35:07,705
YOU--
WOW, YOUR FAMILY,
THEY MUST ALL HAVE, LIKE,
579
00:35:07,738 --> 00:35:10,641
THIS ARTIST'S STREAK
GOING THROUGH THEM
BECAUSE--
580
00:35:10,675 --> 00:35:13,611
WELL, LET'S SEE,
MY MOM'S A CPA,
581
00:35:13,644 --> 00:35:15,613
MY BROTHER TESTS SOIL
FOR A CONSTRUCTION COMPANY,
582
00:35:15,646 --> 00:35:17,248
-SO I'M NOT--
-YEAH.
583
00:35:17,281 --> 00:35:19,517
THAT'S AWESOME
THAT HE DOES THAT, YOU KNOW,
584
00:35:19,550 --> 00:35:23,521
THAT'S REALLY COOL.
I JUST DIDN'T EVEN KNOW
HE DID THOSE KIND OF THINGS.
585
00:35:23,554 --> 00:35:26,157
YOU'RE A LOVE-YOUR-JOB
KIND OF GUY, THEN?
586
00:35:31,262 --> 00:35:32,930
I FEEL EVERYBODY
WHO HAS PASSION
587
00:35:32,964 --> 00:35:35,299
SHOULD AT LEAST TRY
AND PUT IT TO WORK.
588
00:35:38,636 --> 00:35:43,341
AND WHAT IF YOUR PASSION'S
AN UNDESIRED COMMODITY?
589
00:35:43,374 --> 00:35:44,275
WHAT THEN?
590
00:35:46,711 --> 00:35:48,880
I FEEL
IF YOU'VE GOT PASSION,
591
00:35:48,913 --> 00:35:50,481
SOMEBODY'S GONNA WANT IT.
592
00:35:59,924 --> 00:36:01,826
RIGHT.
RIGHT, RIGHT, RIGHT.
593
00:36:01,859 --> 00:36:05,296
YOU KNOW, AND SOMETIMES
YOU ARTISTS NEED A BREAK
FROM CREATING,
594
00:36:05,329 --> 00:36:07,398
UH, TO MAKE MONEY,
AND...
595
00:36:07,431 --> 00:36:09,967
IT REALLY WORKS OUT
FOR THIS WHOLE ARRANGEMENT,
596
00:36:10,001 --> 00:36:12,303
BECAUSE YOU NEED MONEY
TO KEEP CREATING,
597
00:36:12,336 --> 00:36:15,740
AND WE NEED... STUFF,
TO KEEP PROCREATING.
598
00:36:18,709 --> 00:36:22,480
SO...
HOW'S THE HELP?
599
00:36:30,621 --> 00:36:32,590
WELL, UH,
GOOD NIGHT, JOSH.
600
00:36:32,623 --> 00:36:34,292
SLEEP TIGHT.
601
00:36:34,325 --> 00:36:36,994
OH, THANKS.
YOU SLEEP TIGHT, TOO,
602
00:36:37,028 --> 00:36:40,598
OR, I MEAN, YOU KNOW,
I'M NOT TELLING YOU
TO GO TO SLEEP,
603
00:36:40,631 --> 00:36:42,600
BUT I'M JUST--
I'M JUST--
604
00:36:42,633 --> 00:36:45,603
YEAH, YEAH, SLEEP--
ALL RIGHT, I'LL SEE YOU
TOMORROW.
605
00:37:03,321 --> 00:37:04,388
[CAMERA CLICKS]
606
00:37:07,792 --> 00:37:10,328
[CERINA]
HEY.
607
00:37:10,361 --> 00:37:11,796
HEY.
608
00:37:13,397 --> 00:37:15,032
[CERINA]
SO HOW'D IT GO?
609
00:37:15,066 --> 00:37:20,037
OH, IT'S NOT TOO--
OH, THAT.
610
00:37:20,071 --> 00:37:21,772
-YEAH.
-WELL,
611
00:37:21,806 --> 00:37:23,841
PRETTY GOOD
IF YOU'RE A DARTBOARD.
612
00:37:23,874 --> 00:37:28,779
WELL, I GUESS WE'LL FIND OUT
IF YOU GOT ANY, UH...
613
00:37:28,813 --> 00:37:32,383
STDS?
YEAH, NO.
614
00:37:32,416 --> 00:37:35,553
YOU DON'T HAVE TO WORRY
ABOUT THAT, 'CAUSE TO GET STDS,
YOU GOTTA...
615
00:37:40,524 --> 00:37:42,526
WHAT'S WITH THE TREE?
616
00:37:42,560 --> 00:37:45,329
I'M DOING SOME GRAPHICS
FOR THIS HOLISTIC MASSAGE
PLACE BY ME.
617
00:37:45,363 --> 00:37:48,599
IT'S-- I MEAN,
IT'S NOT THE HAPPY ENDING
KIND OF MASSAGE,
618
00:37:48,633 --> 00:37:51,335
JUST THE REGULAR--
THE SAD ENDING KIND.
619
00:37:53,704 --> 00:37:55,706
WELL, WHY THE TREE, THEN?
620
00:37:55,740 --> 00:37:58,542
OH, 'CAUSE IT'S CALLED
"THE TREE-TMENT CENTER,"
YOU KNOW?
621
00:37:58,576 --> 00:38:00,611
THEY'RE LIKE
THE GREEN KIND OF PEOPLE,
622
00:38:00,645 --> 00:38:02,380
AND SO THEY WANT
TO HAVE A TREE IN IT,
623
00:38:02,413 --> 00:38:04,715
BUT THEY ALSO WANT
TO PUT A PERSON IN IT AND--
624
00:38:06,083 --> 00:38:07,885
YOU GET IN THAT TREE.
625
00:38:07,918 --> 00:38:10,488
OH, NO.
NO, NO, NOT ME, NO.
626
00:38:10,521 --> 00:38:12,923
OH, NO, COME ON!
GET IN THE TREE,
WHY NOT?
627
00:38:12,957 --> 00:38:14,892
OH, COME ON,
YOU REMEMBER.
628
00:38:14,925 --> 00:38:17,495
I FELL ON MY HEAD,
CRACKED MY SKULL OPEN
WHEN I WAS EIGHT.
629
00:38:17,528 --> 00:38:19,563
NO, NO.
630
00:38:19,597 --> 00:38:24,702
AND I THOUGHT YOU SAID
YOU WEREN'T GOOD AT SHOOTING
PEOPLE, ANYWAYS.
631
00:38:24,735 --> 00:38:27,972
WELL... YOU KNOW, WE'LL BOTH
CONFRONT OUR WEAKNESSES.
632
00:38:28,005 --> 00:38:30,107
OH, NO.
NO THANKS.
633
00:38:30,141 --> 00:38:32,443
COME ON, IF THERE'S
ANYBODY I'M GONNA TAKE
A GREAT PICTURE OF,
634
00:38:32,476 --> 00:38:34,578
IT'S GONNA BE YOU.
635
00:38:34,612 --> 00:38:38,115
HMM.
THANKS, WELL...
636
00:38:38,149 --> 00:38:41,452
MAYBE I'LL HIRE YOU TO TAKE
SOME PICTURES OF CHARLIE AND I.
637
00:38:43,154 --> 00:38:46,457
AHH.
SHE'S A NICE GIRL.
638
00:38:46,490 --> 00:38:49,694
-CHARLIE?
-YEAH, SHE'S COOL.
639
00:38:49,727 --> 00:38:51,595
YEAH, I AGREE.
640
00:38:52,963 --> 00:38:54,365
SHE'S, UM...
641
00:38:56,133 --> 00:38:57,034
WHAT?
642
00:38:59,170 --> 00:39:00,604
I WAS GONNA--
[CHUCKLES]
643
00:39:00,638 --> 00:39:02,139
I WAS GONNA SAY
SHE'S NOT YOUR TYPE,
644
00:39:02,173 --> 00:39:04,608
BUT THEN, I DON'T THINK
HER ENTIRE BODY WAS YOUR TYPE.
645
00:39:04,642 --> 00:39:06,510
WHY DON'T YOU THINK
SHE'S MY TYPE?
646
00:39:09,513 --> 00:39:11,716
I DON'T KNOW, I GUESS...
647
00:39:11,749 --> 00:39:14,819
IF I THOUGHT YOU WERE GONNA
GO IN THAT DIRECTION
AT ANY POINT,
648
00:39:14,852 --> 00:39:19,957
I GUESS SHE WASN'T THE GIRL
THAT I NECESSARILY PICTURED
YOU GOING AFTER.
649
00:39:19,990 --> 00:39:22,827
AND WHAT TYPE OF GIRL
DID YOU SEE ME GOING AFTER?
650
00:39:26,063 --> 00:39:28,766
WELL, THAT'S KIND OF HARD
TO PINPOINT, 'CAUSE TRUTHFULLY,
651
00:39:28,799 --> 00:39:31,035
YOU GOING AFTER
SOMEBODY ELSE
652
00:39:31,068 --> 00:39:33,504
WASN'T SOMETHING
I THOUGHT ABOUT TOO MUCH.
653
00:39:37,708 --> 00:39:40,010
I GOTTA ASK YOU SOMETHING.
654
00:39:40,044 --> 00:39:41,479
WHAT?
655
00:39:44,215 --> 00:39:47,051
ARE YOU WITH CHARLIE...
656
00:39:47,084 --> 00:39:49,120
CHARLIE, WHAT?
657
00:39:49,153 --> 00:39:51,989
ARE--
ARE YOU WITH CHARLIE
658
00:39:52,022 --> 00:39:57,027
BECAUSE I HAD ASKED--
BECAUSE I WANTED YOU AND I...
659
00:39:57,061 --> 00:39:58,462
WHAT?
660
00:40:00,631 --> 00:40:03,634
HOW--
WHAT?
661
00:40:03,667 --> 00:40:06,103
ARE YOU WITH CHARLIE
BECAUSE I ASKED YOU
TO HAVE A THREESOME?
662
00:40:08,939 --> 00:40:10,508
[LAUGHS]
663
00:40:10,541 --> 00:40:13,477
YOU NEVER TOLD ME
THAT YOU HAD A THREE-WAY.
664
00:40:13,511 --> 00:40:17,681
-YOU?
-WELL, IT WAS MORE OF
A TWO-AND-A-HALF WAY.
665
00:40:17,715 --> 00:40:19,817
LOOK, I WAS UP
FOR THE WHOLE IDEA,
666
00:40:19,850 --> 00:40:23,220
ONLY I BROUGHT IN SOMEBODY
THAT WAS A LITTLE BIT MORE
HARDCORE THAN YOU,
667
00:40:23,254 --> 00:40:27,558
AND POOR LITTLE JOSH
JUST ENDED UP GETTING
A LIVE SHOW.
668
00:40:27,591 --> 00:40:30,795
NOT THAT HE WAS
COMPLAINING MUCH.
669
00:40:30,828 --> 00:40:33,531
SO THAT IS
THE LITTLE EXPERIENCE
670
00:40:33,564 --> 00:40:35,833
THAT YOU TOLD ME
ABOUT WHEN WE MET.
671
00:40:35,866 --> 00:40:39,670
YEAH.
AND THAT WAS IT.
672
00:40:39,703 --> 00:40:41,572
ONLY NOW HE'S WONDERING
IF HE'S THE ONE
673
00:40:41,605 --> 00:40:44,241
THAT LED ME DOWN THE PATH
OF LEAST RESISTANCE.
674
00:40:44,275 --> 00:40:47,077
TYPICAL BLOKE TO THINK
IT WAS SOMEHOW HIM
675
00:40:47,111 --> 00:40:49,980
THAT MADE YOU WANT
TO BE WITH A WOMAN.
676
00:40:50,014 --> 00:40:51,949
OKAY, HE'S NOT LIKE THAT.
677
00:40:51,982 --> 00:40:54,819
LOOK, HE WAS PROBABLY
JUST TRYING TO MAKE
SOMETHING BETTER
678
00:40:54,852 --> 00:40:56,587
THAT HE KNEW WAS ALREADY
FALLING APART,
679
00:40:56,620 --> 00:41:01,125
AND NOW HE'S JUST TRYING
TO PIECE IT ALL TOGETHER.
680
00:41:02,827 --> 00:41:05,262
CERINA,
YOU ARE HERE WITH ME
681
00:41:05,296 --> 00:41:06,864
BECAUSE YOU WANT
TO BE, RIGHT?
682
00:41:06,897 --> 00:41:09,867
I MEAN, THAT'S--
683
00:41:09,900 --> 00:41:11,836
THAT'S NOT EVEN
A QUESTION FOR YOU, IS IT?
684
00:41:11,869 --> 00:41:15,673
OH, CHARLIE,
DON'T THINK LIKE THAT, OKAY?
685
00:41:15,706 --> 00:41:17,942
HE'S HERE
BECAUSE, SIMPLY,
686
00:41:17,975 --> 00:41:19,777
I WANT HIM
TO GET ME PREGNANT.
687
00:41:20,878 --> 00:41:22,780
GOOD.
688
00:41:22,813 --> 00:41:24,648
BECAUSE FOR A MINUTE
I THOUGHT IT WAS FOR
SOMETHING IMMORAL.
689
00:41:59,950 --> 00:42:01,185
WHAT ARE YOU
DOING IN HERE?
690
00:42:03,921 --> 00:42:05,856
OH, THIS IS
REALLY INTERESTING.
691
00:42:05,890 --> 00:42:09,159
I SAW THIS
DOLLY PARTON.
692
00:42:09,193 --> 00:42:11,729
A WHAT?
693
00:42:11,762 --> 00:42:14,164
REMINDS ME OF A DOLLY PARTON.
IT'S A ROSE.
694
00:42:14,198 --> 00:42:17,268
I WAS TAKING THIS
BOTANICAL SEMESTER FOR
THIS CHARCOAL CLASS ONE TIME,
695
00:42:17,301 --> 00:42:19,303
AND THEY STUDIED
THIS SUCKER TO DEATH,
696
00:42:19,336 --> 00:42:21,639
BUT IT WAS--
KINDA STRUCK ME THAT WAY,
697
00:42:21,672 --> 00:42:23,674
LIKE, UH--
LET ME SEE, WHAT WAS IT?
698
00:42:23,707 --> 00:42:26,343
WARM CLIMATES.
IT'S KIND OF LIKE AN ORANGE--
699
00:42:26,377 --> 00:42:28,112
IT'S NOT FINISHED.
700
00:42:30,681 --> 00:42:32,349
OH.
701
00:42:32,383 --> 00:42:33,951
SORRY.
702
00:42:33,984 --> 00:42:35,319
I GOT A LOT OF
UNFINISHED SONGS, YOU KNOW.
703
00:42:35,352 --> 00:42:37,621
SOMETIMES THINGS
TAKE TIME.
704
00:42:37,655 --> 00:42:40,824
LOOK, JOSH,
YOU'RE A GUEST IN MY HOUSE
AND EVERYTHING,
705
00:42:40,858 --> 00:42:43,360
AND I REALLY APPRECIATE
YOU HELPING US,
706
00:42:43,394 --> 00:42:46,964
BUT PLEASE DON'T
GO LOOKING THROUGH PEOPLE'S
PRIVATE THINGS.
707
00:42:46,997 --> 00:42:49,700
SORRY, I WAS JUST--
708
00:42:49,733 --> 00:42:51,135
JUST WALKING BY.
709
00:42:52,803 --> 00:42:53,971
OKAY.
710
00:42:56,240 --> 00:42:57,741
ALL RIGHT, OKAY.
711
00:43:10,254 --> 00:43:12,990
HE WAS LOOKING
THROUGH MY STUFF.
712
00:43:13,023 --> 00:43:14,191
WHAT WAS THAT?
713
00:43:14,224 --> 00:43:17,962
YOUR BOYFRIEND.
714
00:43:17,995 --> 00:43:19,396
LOOKING THROUGH
MY PAINTINGS.
715
00:43:22,199 --> 00:43:24,268
I WANT YOU TO TELL HIM
THAT IF HE HAS EVEN
A COLD SORE
716
00:43:24,301 --> 00:43:26,136
SHOW UP ON
THOSE TESTS TOMORROW,
717
00:43:26,170 --> 00:43:29,106
HE IS HEADING STRAIGHT BACK
TO THAT ART COLONY BY THE SEA.
718
00:43:29,139 --> 00:43:32,977
CHARLIE,
IT'S JUST ONE PAINTING.
719
00:43:33,010 --> 00:43:34,912
JUST ONE PAINTING?
720
00:43:36,914 --> 00:43:40,884
CERINA, YOU HAVE MEMORIES,
DON'T YOU?
721
00:43:40,918 --> 00:43:44,121
NOW, IF ALL THOSE MEMORIES
WERE WIPED FROM YOUR MIND,
722
00:43:44,154 --> 00:43:46,056
WOULD YOU BE
THE SAME PERSON AGAIN?
723
00:43:48,459 --> 00:43:54,164
I HAVE ONE REAL MEMORY
OF MY DAD.
724
00:43:54,198 --> 00:43:59,269
AND IT'S OF A PLACE
THAT HE TOOK ME TO
IN THE CITY,
725
00:43:59,303 --> 00:44:01,338
MAYBE HALF A DOZEN TIMES.
726
00:44:05,209 --> 00:44:07,444
AND IT WAS
OUR MAGIC PLACE.
727
00:44:12,516 --> 00:44:15,853
AND IT WAS WHERE WE WENT
JUST TO BE OURSELVES.
728
00:44:19,223 --> 00:44:22,793
AND WHEN HE DIED,
HE TOOK THAT PLACE...
729
00:44:22,826 --> 00:44:26,196
HE TOOK THAT PLACE AND HE TOOK
ALL OF ITS MAGIC WITH HIM
730
00:44:26,230 --> 00:44:30,968
BECAUSE I WAS TOO YOUNG
TO EVEN REMEMBER WHERE IT WAS.
731
00:44:36,340 --> 00:44:40,844
SO I MOVE HALFWAY
ACROSS THE WORLD...
732
00:44:40,878 --> 00:44:45,349
AND SOMETIMES I STILL
TAKE A DIFFERENT ROUTE
HOME FROM WORK
733
00:44:45,382 --> 00:44:48,986
JUST IN CASE
I FIND IT AGAIN.
734
00:44:51,121 --> 00:44:55,993
AND ALL I HAVE
TO REMEMBER THAT PLACE BY
IS THOSE PAINTINGS.
735
00:45:00,164 --> 00:45:03,967
AND YOU TELL ME
IT'S JUST A PAINTING.
736
00:45:05,269 --> 00:45:07,004
IT'S NOT JUST A PAINTING.
737
00:45:30,561 --> 00:45:32,362
[JOSH]
LET ME SHOW YOU.
738
00:45:32,396 --> 00:45:34,264
-DO LIKE THAT.
-OKAY.
739
00:45:34,298 --> 00:45:35,833
THAT'S THE FOCUS.
740
00:45:35,866 --> 00:45:37,234
-IT SAYS "FOCUS" RIGHT THERE.
-OH, OKAY.
741
00:45:37,267 --> 00:45:39,136
YOU CAN TRY IT IF YOU WANT,
JUST HIT THE BUTTON THERE.
742
00:45:39,169 --> 00:45:40,237
OKAY.
743
00:45:40,270 --> 00:45:42,372
I'D LIKE
TO GET A CAMERA.
744
00:45:44,074 --> 00:45:46,543
-YEAH?
-IT'S PRETTY COOL.
745
00:45:46,577 --> 00:45:48,979
TAKING PICTURES
OF YOUR FRIENDS, YOU KNOW?
746
00:45:49,012 --> 00:45:51,882
YEAH, PEOPLE ARE
A LITTLE HARDER, YOU KNOW?
747
00:45:51,915 --> 00:45:56,019
IT'S KIND OF HARD
TO GET 'EM IN THE BEST LIGHT
ALL THE TIME, YOU KNOW?
748
00:45:56,053 --> 00:45:57,187
REALLY?
749
00:45:59,289 --> 00:46:01,024
GUESS YOU JUST GOTTA TRY.
750
00:46:02,459 --> 00:46:04,194
[JOSH]
YOU SEE IN THE THING
IN THE CENTER THERE,
751
00:46:04,228 --> 00:46:05,295
KIND OF FOCUSING
UP IN THE MIDDLE,
752
00:46:05,329 --> 00:46:07,164
-THAT LITTLE DOT?
-[BOY] YEAH, YEAH.
753
00:46:07,197 --> 00:46:09,566
AND YOU JUST [CLICKS TONGUE],
SNAP AWAY.
754
00:46:12,603 --> 00:46:15,539
ALL RIGHT, WELL,
THANKS FOR YOUR TIME.
APPRECIATE IT.
755
00:46:15,572 --> 00:46:17,441
OH, NO PROBLEM.
756
00:46:17,474 --> 00:46:20,911
-I GUESS I'LL SEE YOU AROUND?
-YEAH, SEE ME AROUND... TREES.
757
00:46:20,944 --> 00:46:23,147
[BOY]
KEEP ON TAKING
PICTURES OF TREES.
758
00:46:23,180 --> 00:46:24,915
-YEAH.
-GUESS I'LL SEE YOU LATER.
759
00:46:24,948 --> 00:46:27,050
ALL RIGHT, MAN, TAKE CARE.
WATCH OUT FOR THE WOLVES.
760
00:46:27,084 --> 00:46:29,186
[BOY] OKAY.
761
00:46:29,219 --> 00:46:32,589
I'M NOT GONNA GIVE YOU
CREDIT FOR THAT SHOT,
I'M GONNA USE IT.
762
00:46:32,623 --> 00:46:34,124
I'M JUST KIDDING.
IT'S JUST A JOKE.
763
00:46:34,158 --> 00:46:35,459
-OH, OKAY.
-IT'S A PHOTOGRAPHER JOKE.
764
00:46:35,492 --> 00:46:36,827
-I REALLY DON'T EVEN CARE.
-OH, OKAY.
765
00:46:39,363 --> 00:46:41,064
-HEY.
-HEY.
766
00:46:41,098 --> 00:46:42,533
WHO'S, UM--
WHO'S THAT?
767
00:46:42,566 --> 00:46:44,635
THAT IS A FUTURE
GANG BANGER
768
00:46:44,668 --> 00:46:46,937
WHO JUST HAD, LIKE,
A MINUTE OF HOPE
IN HIS LIFE.
769
00:46:46,970 --> 00:46:49,072
[CHUCKLES]
WOW.
770
00:46:49,106 --> 00:46:52,309
YOU COULD USE
JUST A LITTLE BIT
MORE OPTIMISM.
771
00:46:52,342 --> 00:46:55,279
SPEAKING OF WHICH,
I GOT YOUR TEST RESULTS BACK,
772
00:46:55,312 --> 00:46:57,614
AND YOU'RE ALL GOOD.
YOU'RE ONE CLEAN GUY.
773
00:46:57,648 --> 00:47:00,450
AH, LET ME SEE THAT.
LET ME SEE THAT.
774
00:47:02,986 --> 00:47:05,989
AH, HEPATITIS B, NEGATIVE.
775
00:47:06,023 --> 00:47:08,625
HTLV, NEGATIVE.
776
00:47:08,659 --> 00:47:12,496
CYTOMEGALOVIRUS,
NEGATIVE.
777
00:47:12,529 --> 00:47:14,631
HALLELUJAH.
778
00:47:14,665 --> 00:47:16,967
CYSTIC FIBROSIS,
NEGATIVE.
779
00:47:17,000 --> 00:47:19,503
I HAVE NO IDEA
WHAT THALASSEMIA IS,
780
00:47:19,536 --> 00:47:21,238
BUT I'M GLAD
I DON'T HAVE IT.
781
00:47:21,271 --> 00:47:23,240
THIS IS GOOD.
GLAD TO HEAR IT.
782
00:47:24,975 --> 00:47:26,343
FINE, SO...
783
00:47:28,679 --> 00:47:32,182
SO, YOU WANT
TO GO CELEBRATE?
784
00:47:32,216 --> 00:47:34,318
OKAY, SOUNDS GOOD.
IT'S JUST, UM--
785
00:47:34,351 --> 00:47:36,420
I'LL TAKE YOU OUT TO DINNER
TO THAT SUSHI PLACE YOU KEEP
TALKING ABOUT.
786
00:47:36,453 --> 00:47:38,956
YOU KNOW, THAT--
787
00:47:38,989 --> 00:47:41,658
YOU WANT TO TAKE ME TO...
788
00:47:41,692 --> 00:47:44,561
LISTEN, JOSH, NOW THAT
YOU'RE CLEAN AND HEALTHY,
789
00:47:44,595 --> 00:47:46,530
I THINK THERE'S A FEW
OTHER STEPS WE NEED
TO TALK ABOUT.
790
00:47:46,563 --> 00:47:48,632
[BOTH CHUCKLE]
791
00:47:48,665 --> 00:47:50,934
RIGHT, BUT WE'RE NOT EXACTLY
GOING TO DO THAT BEFORE DINNER,
ARE WE?
792
00:47:50,968 --> 00:47:52,002
SO...
793
00:47:58,342 --> 00:48:01,945
CHARLIE MAY BE
A WOMAN, JOSH,
794
00:48:01,979 --> 00:48:04,281
BUT I'M WITH HER.
795
00:48:04,314 --> 00:48:06,984
MAYBE SOMEHOW THIS DOESN'T
FEEL REAL TO YOU
796
00:48:07,017 --> 00:48:08,452
BECAUSE SHE'S NOT A GUY.
797
00:48:08,485 --> 00:48:10,988
SHE'S AS REAL AS ANY GUY
I'VE EVER KNOWN.
798
00:48:22,466 --> 00:48:24,301
WANT ME TO GET UP
IN THAT TREE?
799
00:48:25,469 --> 00:48:27,537
GONNA TAKE
SOME RISKS, HUH?
800
00:48:27,571 --> 00:48:29,573
WHY NOT?
801
00:48:29,606 --> 00:48:31,241
LIFE'S FULL OF THEM, RIGHT?
802
00:48:38,582 --> 00:48:42,452
ALL RIGHT, YOU'RE GONNA
HAVE TO HELP ME HERE.
803
00:48:42,486 --> 00:48:43,620
OH, GOD.
804
00:48:45,222 --> 00:48:47,057
AAH!
805
00:48:47,090 --> 00:48:50,060
-[DOGS BARKING]
-SEE, THEY DON'T LIKE ME
GOING UP EITHER.
806
00:48:50,093 --> 00:48:51,595
IT'S ALL RIGHT,
ONE STEP AT A TIME,
THERE YOU GO.
807
00:48:51,628 --> 00:48:52,529
OKAY.
808
00:48:55,632 --> 00:48:58,035
OKAY,
THAT'S GOOD,
THAT'S GOOD.
809
00:49:01,505 --> 00:49:03,140
ALL RIGHT,
THAT'S GOOD.
810
00:49:03,173 --> 00:49:04,641
LET'S GET THIS ON.
811
00:49:06,143 --> 00:49:07,577
HOW'S THIS?
812
00:49:07,611 --> 00:49:09,346
OH, YEAH, LOOK AT YOU.
OOP, I GOTTA GET MY...
813
00:49:09,379 --> 00:49:11,081
DAMN SETTING ON HERE.
814
00:49:11,114 --> 00:49:12,215
OH, YOU LOOK GREAT.
815
00:49:12,249 --> 00:49:13,750
[CAMERA CLICKS]
816
00:49:16,386 --> 00:49:20,257
HEY, UH, I WAS SORRY
ABOUT CHARLIE'S PAINTINGS
817
00:49:20,290 --> 00:49:22,759
AND WHATEVER
HAPPENED THAT DAY.
818
00:49:22,793 --> 00:49:26,496
OH, IT'S FINE,
SHE'S JUST--
819
00:49:26,530 --> 00:49:28,632
THEY'RE IMPORTANT
TO HER.
820
00:49:28,665 --> 00:49:30,133
SHE LOSE SOMEBODY?
821
00:49:32,235 --> 00:49:33,403
HOW DO YOU KNOW?
822
00:49:35,272 --> 00:49:36,606
I COULD JUST TELL.
823
00:49:38,208 --> 00:49:40,243
HER FATHER.
824
00:49:40,277 --> 00:49:43,380
HE DIED WHEN SHE WAS TEN.
825
00:49:43,413 --> 00:49:45,115
THEY USED TO TRAVEL HERE
ALL THE TIME FOR BUSINESS,
826
00:49:45,148 --> 00:49:46,650
AND HE'D TAKE HER ALONG,
827
00:49:46,683 --> 00:49:50,454
AND THEN HE'D TAKE HER
TO THIS PARK OR SOMETHING.
828
00:49:53,423 --> 00:49:56,426
SO, ALL THOSE
BROKEN IMAGES YOU SEE
829
00:49:56,460 --> 00:50:00,430
ARE JUST HER TRYING TO RECALL
THE ONE PLACE SHE REMEMBERS
SHARING WITH HIM.
830
00:50:02,265 --> 00:50:03,300
WHAT?
831
00:50:06,303 --> 00:50:08,672
I DON'T KNOW IF IT EVER
ACTUALLY REALLY EXISTED,
832
00:50:08,705 --> 00:50:13,310
OR IS IT SOMETHING
THAT SHE NEEDS TO REMEMBER.
833
00:50:16,179 --> 00:50:18,815
IT'S REAL.
834
00:50:18,849 --> 00:50:21,385
YOU DON'T SEARCH THAT HARD
FOR SOMETHING THAT'S NOT REAL.
835
00:50:23,253 --> 00:50:24,154
YEAH.
836
00:50:25,689 --> 00:50:29,593
OKAY, I THINK
I'M READY TO GET DOWN.
837
00:50:33,196 --> 00:50:35,499
HERE YOU GO.
838
00:50:35,532 --> 00:50:38,635
-ALL RIGHTY.
-ALL RIGHT, THANKS.
839
00:50:38,668 --> 00:50:39,803
YOU'RE WELCOME.
840
00:50:41,271 --> 00:50:43,140
HEY LISTEN, UM...
841
00:50:43,173 --> 00:50:46,543
TOMORROW WITH MY PARENTS,
842
00:50:46,576 --> 00:50:50,280
JUST KEEP THAT WHOLE DONATING
THING OFF THE TABLE, OKAY?
843
00:50:50,313 --> 00:50:55,152
OH, WE'RE GONNA DO
THE OLD "EX DROPS INTO TOWN"
ROUTINE, HUH?
844
00:50:55,185 --> 00:50:56,753
RIGHT.
845
00:50:58,922 --> 00:51:00,857
[WATER RUNNING]
846
00:51:13,904 --> 00:51:15,872
HEY.
847
00:51:15,906 --> 00:51:17,474
SORRY, I DIDN'T--
848
00:51:17,507 --> 00:51:20,610
YEAH, YOU THOUGHT
IT WAS CERINA.
849
00:51:20,644 --> 00:51:22,846
NO.
850
00:51:22,879 --> 00:51:24,714
NO, I WAS ACTUALLY
LOOKING FOR THE KITCHEN,
851
00:51:24,748 --> 00:51:26,483
I WAS JUST TRYING TO--
852
00:51:26,516 --> 00:51:28,218
KITCHEN, THAT WAY.
853
00:51:30,320 --> 00:51:32,222
SO CONFUSING
IN HERE SOMETIMES.
854
00:51:38,929 --> 00:51:41,498
I'M JUST--
I WANT TO RAISE A TOAST
855
00:51:41,531 --> 00:51:43,834
AND SAY I'M SO HAPPY
I'M AT THE--
856
00:51:43,867 --> 00:51:46,770
-TRY THAT BACK.
-[MAN] THANK YOU, THANK YOU.
857
00:51:46,803 --> 00:51:48,905
[MAN]
THAT WAS WELL DONE.
WELL TOASTED.
858
00:51:48,939 --> 00:51:50,907
-THANK YOU.
-CHEERS.
859
00:51:50,941 --> 00:51:54,211
I WOULD JUST--
I'M REALLY SO HAPPY
860
00:51:54,244 --> 00:51:55,378
THAT MY PARENTS
CAME TO VISIT,
861
00:51:55,412 --> 00:51:57,314
AND I HAVE
MY BROTHER WITH ME,
862
00:51:57,347 --> 00:52:01,651
AND UM, MY CHARLIE,
863
00:52:01,685 --> 00:52:04,321
AND US FRIENDS.
864
00:52:04,354 --> 00:52:06,656
-JOSH, IT'S AN--
-[JOSH] AN OLD FRIEND.
865
00:52:06,690 --> 00:52:09,292
-OLD FRIEND.
-SO, JOSH, SO WHAT--
866
00:52:09,326 --> 00:52:11,294
WHAT BROUGHT YOU
BACK UP HERE?
867
00:52:11,328 --> 00:52:14,197
[JOSH]
WELL, ACTUALLY,
IT WAS SO WEIRD, BECAUSE
868
00:52:14,231 --> 00:52:16,766
WE JUST HAPPENED
TO RUN INTO EACH OTHER
AND JUST--
869
00:52:16,800 --> 00:52:17,934
NO, WAIT A MINUTE.
870
00:52:17,968 --> 00:52:21,404
WOULD YOU STOP
TOUCHING ME NOW?
871
00:52:21,438 --> 00:52:22,506
DID YOU TELL THEM
ABOUT THE--
872
00:52:25,342 --> 00:52:27,911
YOU'RE-- I WAS JUST GONNA
TELL THEM ABOUT THAT TIME
873
00:52:27,944 --> 00:52:29,679
WHEN YOU GOT SO DRUNK.
874
00:52:29,713 --> 00:52:31,281
-WHAT, WHAT'S WRONG?
-NO.
875
00:52:31,314 --> 00:52:32,916
-DID I DO ANYTHING WRONG?
-YOU KINDA DID.
876
00:52:32,949 --> 00:52:35,385
I'M NOT USED TO THIS KIND
OF TOUCHING ALL THE TIME.
877
00:52:35,418 --> 00:52:36,786
I'M SHOWING YOU AFFECTION,
THAT'S ALL.
878
00:52:36,820 --> 00:52:38,755
YEAH,
BUT IT'S TOO MUCH.
879
00:52:38,788 --> 00:52:42,359
GIRL'S PARENTS ARE HERE.
CAN YOU STEP AWAY
A LITTLE BIT?
880
00:52:42,392 --> 00:52:45,695
SO REMIND ME
OF YOUR FIRST NAMES AGAIN.
881
00:52:45,729 --> 00:52:47,831
I'M NOT SO GOOD WITH NAMES.
882
00:52:47,864 --> 00:52:50,433
-BEN.
-BEN AND...
883
00:52:50,467 --> 00:52:51,835
-I'M JON.
-BEN AND JON.
884
00:52:51,868 --> 00:52:54,471
I SHOULD BE ABLE
TO REMEMBER THAT.
885
00:52:54,504 --> 00:52:56,373
YEAH, IT'S EASY.
LIKE "BJ."
886
00:52:58,608 --> 00:53:00,310
-THANK YOU SO MUCH.
-YEAH, YEAH.
887
00:53:00,343 --> 00:53:01,678
-THANK YOU.
-THIS WAS SO MUCH FUN.
888
00:53:01,711 --> 00:53:02,979
-ARE YOU KIDDING ME?
-IT WAS HYSTERICAL.
889
00:53:03,013 --> 00:53:05,415
SHE'S COMMENTED
ON MY HAIR LIKE TEN TIMES.
890
00:53:05,448 --> 00:53:07,450
-YOU'RE KIDDING ME, THAT'S--
-WHAT DO YOU EXPECT
HER TO DO?
891
00:53:07,484 --> 00:53:09,719
YOU KNOW WHEN
SHE SAYS SHE LIKES SOMETHING,
THAT MEANS SHE HATES IT.
892
00:53:09,753 --> 00:53:11,588
[MOM]
SO, JOSH,
IT'S GREAT TO SEE YOU.
893
00:53:11,621 --> 00:53:13,256
IT'S SO NICE TO SEE YOU.
894
00:53:13,290 --> 00:53:14,591
[JOSH]
YEAH, NO, IT'S GREAT
TO SEE YOU GUYS.
895
00:53:14,624 --> 00:53:16,526
-YOU NEVER CHANGE.
-YOU'RE SO SWEET, JOSH.
896
00:53:16,560 --> 00:53:17,994
OH, I AM, OKAY.
897
00:53:18,028 --> 00:53:20,330
YOU LOOK REALLY WELL, HON.
898
00:53:20,363 --> 00:53:23,333
YOU'RE STILL DIGGING
ON MY SISTER, HUH?
899
00:53:23,366 --> 00:53:26,703
WOW. IT MUST BE PRETTY WEIRD
LIVING UNDER THE SAME ROOF
900
00:53:26,736 --> 00:53:29,039
WITH A GIRL
THAT YOU TOTALLY WANT
901
00:53:29,072 --> 00:53:32,375
AND KNOWING SHE'S
COMPLETELY SHACKING UP
WITH ANOTHER HOT CHICK.
902
00:53:32,409 --> 00:53:34,010
NO? WELL, LIKE, WHAT DO
YOU DO TO GET HER BACK?
903
00:53:34,044 --> 00:53:37,347
DO YOU ACT MORE MASCULINE
OR DO YOU ACT MORE FEMININE?
904
00:53:37,380 --> 00:53:38,882
IT'S, LIKE,
HARD TO FIGURE OUT.
905
00:53:38,915 --> 00:53:40,750
[MOM]
AND YOU TOO, JOSH.
906
00:53:40,784 --> 00:53:42,719
WE'LL HAVE TO FACEBOOK
FRIEND EACH OTHER.
907
00:53:42,752 --> 00:53:44,888
-[JOSH] OH, YEAH.
-[WOMAN] OH, NO,
THAT'S UNNECESSARY.
908
00:53:44,921 --> 00:53:46,723
-THAT'D BE PRETTY FUNNY.
-[CERINA] MOM.
909
00:53:46,756 --> 00:53:49,025
WHY ARE YOU
BEING SO JEALOUS?
910
00:53:49,059 --> 00:53:51,494
-I'M NOT JEALOUS.
-YEAH, YOU ARE.
911
00:53:51,528 --> 00:53:53,997
-THESE ARE MY FRIENDS.
-OH, MY GOD.
912
00:53:54,030 --> 00:53:57,767
HERE WE GO.
I CAN'T BELIEVE YOU'RE
SUCH AN ASS RIGHT NOW.
913
00:54:01,438 --> 00:54:05,308
-THIS IS NOT WORKING OUT.
-I GUESS NOT.
914
00:54:05,342 --> 00:54:09,079
CERINA, HONEY,
I MISS OUR MUSEUM TRIPS
SO MUCH.
915
00:54:09,112 --> 00:54:11,047
YEAH, ANY TIME.
YOU JUST LET ME KNOW.
916
00:54:11,081 --> 00:54:12,916
YOU KNOW,
YOU'RE THE BUSY ONE.
917
00:54:12,949 --> 00:54:15,051
WHO'S YOUR FAVORITE ARTIST,
THEN, LIZZIE?
918
00:54:15,085 --> 00:54:17,787
OH, UH, MATISSE.
919
00:54:17,821 --> 00:54:21,057
[CHARLIE]
I ACTUALLY STUDIED
MATISSE IN COLLEGE.
920
00:54:21,091 --> 00:54:25,629
DID MATISSE
FOR MY LAST SEMESTER
IN ART COLLEGE.
921
00:54:25,662 --> 00:54:28,064
-I LOVE HIS WORK.
-THAT'S-- THAT'S SWEET.
922
00:54:28,098 --> 00:54:32,535
SO-- SO--
CAN WE PLAN SOMETHING?
I'D LOVE TO.
923
00:54:32,569 --> 00:54:35,805
THE THREE OF US,
YOU, ME, AND LEO,
LIKE OLD TIMES.
924
00:54:35,839 --> 00:54:38,942
WELL, LET'S BRING CHARLIE.
SHE COULD TEACH US
A FEW THINGS.
925
00:54:38,975 --> 00:54:41,544
[LIZZIE]
JUST MAYBE THE THREE OF US,
I THOUGHT.
926
00:54:41,578 --> 00:54:43,613
-OR JUST A--
-MOM.
927
00:54:43,647 --> 00:54:45,915
-THIS IS TOO MUCH FOR ME.
-WHAT? TOO MUCH, WHAT?
928
00:54:45,949 --> 00:54:50,387
THAT'S EXACTLY WHAT IT SAYS
IN THE STAGES OF COMING OUT.
929
00:54:50,420 --> 00:54:52,055
OH, MY GOD, WHAT ARE YOU,
MY THERAPIST NOW?
930
00:54:52,088 --> 00:54:54,758
JOHN, WE'RE JUST TOUCHING.
WHAT ARE YOU TALKING ABOUT?
931
00:54:54,791 --> 00:54:57,894
JUST TOUCHING.
ALL OF A SUDDEN
THAT'S ACCEPTABLE?
932
00:54:57,927 --> 00:55:01,564
WHAT, WAS I STICKING
MY TONGUE DOWN YOUR THROAT
OR SOMETHING LIKE THAT?
933
00:55:01,598 --> 00:55:03,566
STRAIGHT TO TONGUE
WITH YOU, RIGHT?
934
00:55:03,600 --> 00:55:07,804
[LIZZIE] SO I REALLY WANT
TO HEAR MORE ABOUT
YOUR PHOTOS.
935
00:55:07,837 --> 00:55:10,707
[JOSH]
WELL, I ACTUALLY TOOK A COUPLE
OF HER WHILE I WAS HERE
936
00:55:10,740 --> 00:55:12,542
AND THEY LOOK
REALLY COOL.
937
00:55:12,575 --> 00:55:15,945
[LIZZIE]
YOU KNOW, YOU USED
TO TAKE THE BEST PHOTOS
938
00:55:15,979 --> 00:55:18,882
OF YOU TWO TOGETHER.
939
00:55:18,915 --> 00:55:21,451
YEAH, WELL, UM,
THAT WAS A LONG TIME AGO.
940
00:55:21,484 --> 00:55:22,952
[LIZZIE]
YEAH, IT WAS LIKE,
I DON'T KNOW,
941
00:55:22,986 --> 00:55:24,587
BUT THEY WERE WONDERFUL.
942
00:55:24,621 --> 00:55:26,122
-JUST, YOU KNOW.
-TAKE IT EASY.
943
00:55:26,156 --> 00:55:27,857
THE OTHER THING,
THAT'S LIKE YOUR THIRD GLASS.
944
00:55:27,891 --> 00:55:29,426
[CERINA]
PLEASE HAVE MY BACK.
YOU'RE MY BROTHER.
945
00:55:29,459 --> 00:55:30,827
-I DO HAVE YOUR BACK.
-I ASKED YOU TO--
946
00:55:30,860 --> 00:55:32,796
-BUT DO ME A FAVOR.
-DON'T CALL ME OUT.
947
00:55:32,829 --> 00:55:35,398
I WON'T CALL YOU OUT,
BUT NEXT TIME YOU DO
A DINNER PARTY,
948
00:55:35,432 --> 00:55:37,067
TAKE A COOKING CLASS
FIRST, OKAY?
949
00:55:37,100 --> 00:55:38,435
YOU'RE AN ASSHOLE.
950
00:55:38,468 --> 00:55:40,704
I AM LOVING THIS, GUYS,
HONESTLY.
951
00:55:40,737 --> 00:55:43,440
-IT'S REALLY--
-DON'T WE MAKE
A CUTE COUPLE?
952
00:55:43,473 --> 00:55:45,475
YOU DO LOOK CUTE.
JON!
953
00:55:45,508 --> 00:55:47,477
RETHINKING
THE WHOLE SPERM--
954
00:55:47,510 --> 00:55:49,479
THIS IS NOT
A MÉNAGE À TROIS, JON.
955
00:55:49,512 --> 00:55:51,114
I'M NOT SURE
WHAT'S GOING ON HERE.
956
00:55:51,147 --> 00:55:53,717
I JUST WANT TO TALK
TO YOU ABOUT THE THING...
957
00:55:53,750 --> 00:55:55,852
ALL RIGHT, WE CAN--
WE CAN TALK.
958
00:55:55,885 --> 00:55:58,188
YOU WANT TO GO IN THE OTHER--
YOU WANT TO GO IN THE KITCHEN
AND TALK?
959
00:55:58,221 --> 00:55:59,756
HOW ABOUT THE BEDROOM?
960
00:55:59,789 --> 00:56:02,025
SO WHAT HAVE YOU BEEN UP TO
LATELY, CHARLIE?
961
00:56:02,058 --> 00:56:07,030
UM, I MEAN, I'M JUST--
I'M STILL WORKING AT
THE TATTOO PARLOR.
962
00:56:07,063 --> 00:56:09,866
AH, SO, I WANTED
TO KNOW MORE ABOUT
963
00:56:09,899 --> 00:56:11,601
WHAT YOU'RE DOING
CREATIVELY.
964
00:56:11,634 --> 00:56:13,870
YOU WERE ALWAYS SO CREATIVE.
965
00:56:13,903 --> 00:56:17,140
-MOM. MOM.
-[WOMAN] WAIT.
966
00:56:17,173 --> 00:56:20,009
[JOSH]
YOU KNOW, THERE'S A COUPLE
OF PIECES THAT CHARLIE HAS
967
00:56:20,043 --> 00:56:23,179
THAT I LOOKED AT,
AND I THOUGHT
968
00:56:23,213 --> 00:56:25,181
SHOULD BE IN A MUSEUM.
969
00:56:25,215 --> 00:56:28,184
NO, SERIOUSLY.
THERE'S ONE, THOUGH,
SHE'S GOT A REAL EYE
970
00:56:28,218 --> 00:56:30,553
FOR DIMENSION,
YOU KNOW,
971
00:56:30,587 --> 00:56:33,490
'CAUSE IN THE THAI CULTURE
THERE'S AN ART
972
00:56:33,523 --> 00:56:37,060
TO TAKING TWO DIMENSION
AND MAKING IT LOOK ALMOST
KIND OF THREE DIMENSIONS.
973
00:56:37,093 --> 00:56:40,163
SHE'S ACTUALLY KIND OF
GOT A SKILL LIKE THAT THAT
I THINK'S PRETTY IMPRESSIVE.
974
00:56:40,196 --> 00:56:42,799
WELL, I DON'T KNOW
ABOUT THAT.
975
00:56:42,832 --> 00:56:45,235
YOU'RE SO CREATIVE,
JOSH.
976
00:56:45,268 --> 00:56:48,171
WELL, SO'S CHARLIE.
977
00:56:48,204 --> 00:56:50,507
[LIZZIE]
I REALLY CAN'T WAIT
TO SEE YOUR PHOTOS.
978
00:56:50,540 --> 00:56:52,609
YOU WILL HAVE
TO SEND ME SOME.
979
00:56:53,843 --> 00:56:56,045
FACEBOOK!
[CHUCKLES]
980
00:56:56,079 --> 00:56:58,615
YOUR MOM AND I
HAVE A LONG DRIVE.
981
00:56:58,648 --> 00:57:00,550
YEAH, ABOUT
A FOUR HOUR DRIVE,
982
00:57:00,583 --> 00:57:02,652
SO YOU KNOW, I GET
A LITTLE BIT OF A MIGRAINE,
YOU KNOW...
983
00:57:02,685 --> 00:57:04,220
-DO YOU WANT
SOMETHING FOR IT?
-NO, NO, NO.
984
00:57:04,254 --> 00:57:06,055
-I HAVE MY OWN MEDICATION.
-SHE'S GONNA SLEEP
IN THE CAR.
985
00:57:06,089 --> 00:57:08,691
AND I'LL DRIVE,
AND YOU'LL BE FINE.
986
00:57:08,725 --> 00:57:11,528
-I DO LIKE THE CUT, HONEY.
-OH, GOOD.
987
00:57:11,561 --> 00:57:13,496
-YOU LOOK GREAT, HONEY.
-THANKS.
988
00:57:13,530 --> 00:57:14,931
YOUR STRAPS SHOW
A LITTLE BIT, THERE YOU GO.
989
00:57:14,964 --> 00:57:17,167
-YEAH, SO WE'LL HAVE TO--
-SOMETHING.
990
00:57:17,200 --> 00:57:19,936
IF YOU-- IF YOUR HEAD
IS HURTING I CAN GIVE YOU
SOMETHING, I REALLY CAN--
991
00:57:19,969 --> 00:57:22,672
[LIZZIE]
IT'S OKAY.
YEAH, I'M FINE.
992
00:57:22,705 --> 00:57:24,974
-NO, SHE'LL BE FINE.
-DAD, YOU KNOW WHEN SHE SAYS
SHE'S FINE SHE'S NOT FINE.
993
00:57:25,008 --> 00:57:27,777
-NO, I'M FINE. I'LL BE FINE.
-NO, SHE'LL SLEEP IN THE CAR,
994
00:57:27,811 --> 00:57:29,979
AND YOU KNOW,
IF WE NEED TO STOP
SOMEWHERE ON THE WAY,
995
00:57:30,013 --> 00:57:31,815
-WE CAN--
-I HAVE STUFF HERE.
996
00:57:31,848 --> 00:57:33,716
I MEAN,
IT'S PERFECTLY OKAY.
997
00:57:33,750 --> 00:57:37,120
YOU'RE MAKING
MY HEAD WORSE, DARLING,
IT'S HURTING.
998
00:57:37,153 --> 00:57:40,757
-I'M JUST TRYING TO HELP.
-NO, IT'S-- I'LL BE FINE.
999
00:57:40,790 --> 00:57:43,760
I DON'T KNOW, MAYBE IT WAS
SOMETHING IN THE SOUP.
1000
00:58:33,276 --> 00:58:35,812
I GOTTA GET THIS
UNCOMFORTABLE DRESS OFF.
1001
00:58:50,059 --> 00:58:51,728
I'M GOING NOW.
1002
00:59:02,071 --> 00:59:03,106
[DOOR CLOSES]
1003
00:59:07,777 --> 00:59:12,181
I DIDN'T KNOW YOU WERE
TAKING THOSE SNEAKY PHOTOGRAPHS
THAT YOU WERE TALKING ABOUT.
1004
00:59:14,918 --> 00:59:18,821
YOU'LL HAVE
TO SHOW 'EM TO ME.
1005
00:59:18,855 --> 00:59:20,156
LIKE TO SEE 'EM.
1006
00:59:22,392 --> 00:59:24,727
ALL RIGHT,
I'LL SHOW 'EM TO YOU.
1007
00:59:30,800 --> 00:59:32,235
I THINK HE WAS DRINKING
A LITTLE BIT.
1008
00:59:32,268 --> 00:59:35,104
MAYBE I SHOULD GO
WALK WITH HIM OUT THERE.
1009
00:59:35,138 --> 00:59:36,839
THAT'D BE NICE,
YOU KNOW.
1010
00:59:46,049 --> 00:59:46,983
[DOOR CLOSES]
1011
00:59:50,386 --> 00:59:52,855
YES, YES.
1012
00:59:52,889 --> 00:59:55,892
AMIGO,
YES, YES.
1013
00:59:57,060 --> 00:59:59,729
HEY, HOW'S IT GOING?
1014
00:59:59,762 --> 01:00:00,997
YOU ALL RIGHT?
1015
01:00:01,030 --> 01:00:02,865
WHAT ARE YOU DOING HERE?
1016
01:00:02,899 --> 01:00:04,233
I JUST SAW
YOU WALKED OFF,
1017
01:00:04,267 --> 01:00:06,369
SO I THOUGHT,
YOU KNOW,
1018
01:00:06,402 --> 01:00:08,004
I'D COME BY AND SAY HI.
1019
01:00:11,941 --> 01:00:14,377
YOU ALL RIGHT?
YOU FEELIN' OKAY?
1020
01:00:14,410 --> 01:00:17,380
FEELIN' ALL RIGHT.
HOW ARE YOU FEELING?
1021
01:00:19,182 --> 01:00:22,185
DOING ALL RIGHT.
YEAH.
1022
01:00:27,890 --> 01:00:29,792
YOU TAKING THE--
YOU GONNA TAKE THE TRAIN?
1023
01:00:29,826 --> 01:00:31,728
-NO, I'M GONNA WALK.
-YOU'LL WALK.
1024
01:00:33,396 --> 01:00:34,931
YOU LIVE FAR FROM HERE?
1025
01:00:37,500 --> 01:00:39,335
10 MINUTES THAT WAY.
1026
01:00:41,337 --> 01:00:43,172
WELL...
1027
01:00:43,206 --> 01:00:45,975
YOU KNOW THOSE GIRLS
ARE MY BEST FRIENDS, RIGHT?
1028
01:00:49,012 --> 01:00:49,912
YEAH.
1029
01:00:51,948 --> 01:00:54,784
WHAT YOU GUYS ARE GETTING INTO,
IT MEANS A LOT TO THEM.
1030
01:00:57,520 --> 01:00:59,889
YEAH, I KNOW.
1031
01:00:59,922 --> 01:01:02,091
IT'S AN HONOR,
YOU KNOW THAT.
1032
01:01:03,960 --> 01:01:06,295
YEAH, I GET
THAT IT'S AN HONOR.
1033
01:01:09,832 --> 01:01:11,067
YEAH, I GOT IT.
1034
01:01:13,536 --> 01:01:16,806
YOU LOOK LIKE
A STRAIGHT-UP GUY TO ME.
1035
01:01:16,839 --> 01:01:21,044
BUT LET ME TELL YOU SOMETHING,
DECISIONS ARE DIFFICULT.
1036
01:01:21,077 --> 01:01:24,047
-I AGREE.
-EVEN THE EASY ONES.
1037
01:01:24,080 --> 01:01:28,084
YOU KNOW, YOU WANT
TO GO TO A STRIP JOINT,
1038
01:01:28,117 --> 01:01:31,120
OR YOU WANT TO GO
TO A VOLLEYBALL COURT.
1039
01:01:31,154 --> 01:01:36,192
THEY MAY SEEM EASY
ON THE SURFACE BUT EVEN THOSE
HAVE GOT REPERCUSSIONS.
1040
01:01:36,225 --> 01:01:39,095
I'M A REPERCUSSED
PERSON, JOSH.
1041
01:01:39,128 --> 01:01:41,030
I'VE BEEN REPERCUSSED,
1042
01:01:41,064 --> 01:01:44,133
BECAUSE OF MY DECISIONS,
YOU UNDERSTAND.
1043
01:01:45,868 --> 01:01:49,072
SOMETIMES THE MOST
DIFFICULT CHOICE, JOSH,
1044
01:01:49,105 --> 01:01:52,508
IS... MAKING A CHOICE.
1045
01:01:54,410 --> 01:01:56,112
AM I MAKING MYSELF CLEAR?
1046
01:02:00,016 --> 01:02:01,417
UM, A LITTLE BIT.
1047
01:02:07,123 --> 01:02:08,458
THOSE ARE COOL DOGS.
1048
01:02:13,563 --> 01:02:15,198
WANNA GO GET A DRINK?
1049
01:02:15,231 --> 01:02:18,034
-WHAT?
-WANNA GET A DRINK?
1050
01:02:20,069 --> 01:02:22,438
ALL RIGHT, YOU--
ALL RIGHT.
1051
01:02:25,842 --> 01:02:28,044
WAIT A MINUTE.
1052
01:02:53,603 --> 01:02:55,605
AWW.
1053
01:02:55,638 --> 01:02:58,207
JON'S FIRST SLEEPOVER.
1054
01:02:59,876 --> 01:03:01,944
OUR BABY'S GROWN UP.
1055
01:03:05,948 --> 01:03:07,450
[CLEARS THROAT LOUDLY]
1056
01:03:07,483 --> 01:03:10,052
[COUGHS]
1057
01:03:24,500 --> 01:03:25,835
MORNING.
1058
01:03:42,952 --> 01:03:44,353
OH, BROTHER.
1059
01:03:44,387 --> 01:03:46,389
WHAT?
1060
01:03:46,422 --> 01:03:49,492
I'M JUST READING
THE DOS AND DON'TS
ON THIS SPERM DONOR THING.
1061
01:03:49,525 --> 01:03:54,096
DID YOU MISS THE
"DON'T BE A DONOR FOR
YOUR EX-GIRLFRIEND" PART?
1062
01:03:54,130 --> 01:03:55,531
NO, LOOK.
1063
01:03:58,367 --> 01:04:01,437
-"PARKING IS AVAILABLE."
-NO, BELOW THAT.
1064
01:04:04,540 --> 01:04:08,344
"YOU NEED TO HAVE A MINIMUM
OF 48 TO 72 HOURS ABSTINENCE
1065
01:04:08,377 --> 01:04:13,015
BECAUSE THIS WILL PROVIDE
THE SPECIMEN WITH THE HIGHEST
OPTIMAL SPERM COUNT.
1066
01:04:13,049 --> 01:04:15,985
IF THE SPECIMEN IS PROVIDED
WITH LESS ABSTINENCE
THAN 48 HOURS,
1067
01:04:16,018 --> 01:04:18,621
THE SPERM COUNT
WILL BE DECREASED
BY VARYING PERCENTAGES,
1068
01:04:18,654 --> 01:04:20,690
AND THEREFORE
MAY NOT BE APPROVED
1069
01:04:20,723 --> 01:04:24,026
BY THE BASB
QUALITY STANDARDS."
1070
01:04:26,028 --> 01:04:28,664
WELL, HE'S BEEN HERE
FOR THREE DAYS.
1071
01:04:28,698 --> 01:04:30,132
SO?
1072
01:04:30,166 --> 01:04:32,335
WELL, SO
HE CAN'T HAVE DONE...
1073
01:04:34,337 --> 01:04:37,373
OH, NO,
HE WOULDN'T HAVE.
NO WAY.
1074
01:04:40,142 --> 01:04:42,411
HE WAS OUTSIDE THE BATHROOM
WHEN I WAS TAKING A SHOWER.
1075
01:04:42,445 --> 01:04:44,380
HE WAS WHAT?
1076
01:04:44,413 --> 01:04:46,682
AND I THINK HE THOUGHT
IT WAS YOU.
1077
01:04:48,451 --> 01:04:49,619
REALLY?
1078
01:04:53,623 --> 01:04:57,693
WELL, I MEAN, YOU'RE JUST
GOING TO HAVE TO ASK HIM.
1079
01:04:57,727 --> 01:04:59,028
I CAN'T DO THAT.
1080
01:04:59,061 --> 01:05:01,130
OF COURSE YOU CAN.
1081
01:05:01,163 --> 01:05:02,298
WHAT'S THE PROBLEM?
1082
01:05:04,567 --> 01:05:07,103
ARE YOU MORE COMFORTABLE
WITH THE VERNACULAR?
1083
01:05:07,136 --> 01:05:12,308
I DON'T KNOW, SAY,
"BEEN ANSWERING THE BONER PHONE
LATELY, JOSH?"
1084
01:05:12,341 --> 01:05:15,645
"BEEN WALKING WILLIE
THE ONE-EYED WONDER WORM?"
1085
01:05:17,313 --> 01:05:19,048
"SPANKING THE MONKEY?"
1086
01:05:19,081 --> 01:05:21,317
OR "SHAKING HANDS
WITH THE UNEMPLOYED?"
1087
01:05:21,350 --> 01:05:23,319
I'M GONNA HAVE
TO TALK TO HIM.
1088
01:05:24,420 --> 01:05:27,056
"HAND-TO-GLAND COMBAT?"
1089
01:05:27,089 --> 01:05:29,191
"DOING THE ROMAN HELMET
RUMBA?"
1090
01:05:31,460 --> 01:05:33,729
"SQUEEZING THE CREAM
FROM THE FLESH TWINKIE?"
1091
01:05:35,364 --> 01:05:37,500
OH, GOD,
THAT IS DISGUSTING.
1092
01:05:40,236 --> 01:05:41,537
DID YOU SLEEP OKAY?
1093
01:05:43,172 --> 01:05:45,608
YEAH, IT WAS FINE,
THANKS.
1094
01:05:45,641 --> 01:05:48,210
'CAUSE WE...
KINDA JUST FELL ASLEEP--
1095
01:05:48,244 --> 01:05:51,747
NO, I THINK WE MUST'VE JUST
FALLEN RIGHT ASLEEP THERE.
1096
01:05:51,781 --> 01:05:54,150
-YEAH, WE DID.
-I WAS JUST OUT.
1097
01:05:54,183 --> 01:05:57,153
-I WAS PRETTY TIRED.
-TIRED, REALLY TIRED
LAST NIGHT.
1098
01:05:57,186 --> 01:05:58,621
MUST'VE BEEN FROM
WALKING A LOT,
1099
01:05:58,654 --> 01:06:00,089
'CAUSE WE JUST KEPT
WALKING THE WHOLE TIME.
1100
01:06:00,122 --> 01:06:01,691
WE DID, RIGHT?
1101
01:06:01,724 --> 01:06:04,493
I DON'T THINK WE DID ANYTHING
ELSE, WE JUST WALKED.
1102
01:06:04,527 --> 01:06:08,764
-AROUND TOWN.
-THAT'S COOL,
I NEEDED SOME EXERCISE.
1103
01:06:08,798 --> 01:06:11,634
HAD A LITTLE BIT TO DRINK,
AND THAT WAS PRETTY GOOD.
1104
01:06:11,667 --> 01:06:14,470
THAT'S WHY-- YOU KNOW,
YOU SAY THINGS WHEN
YOU'RE DRUNK,
1105
01:06:14,503 --> 01:06:17,239
SO-- IT'S KIND OF FUNNY,
BUT IT'S ALL GOOD,
IT'S ALL GOOD.
1106
01:06:17,273 --> 01:06:18,507
YOU KNOW, YOU FORGET
THOSE KIND OF NIGHTS.
1107
01:06:18,541 --> 01:06:19,508
I DIDN'T REALLY
SAY ANYTHING,
1108
01:06:19,542 --> 01:06:21,143
'CAUSE I WAS SLEEPING.
1109
01:06:22,545 --> 01:06:27,283
BABE! COME ON,
WE'VE GOTTA GO.
1110
01:06:27,316 --> 01:06:29,819
SORRY, I JUST HAD TO PACK
A FEW THINGS, FOOD AND STUFF,
SO...
1111
01:06:29,852 --> 01:06:32,254
FOOD AND STUFF?
1112
01:06:32,288 --> 01:06:33,789
IT'S JOSH
IN THE PORN RAG ROOM,
1113
01:06:33,823 --> 01:06:35,658
IT'S NOT SHAKESPEARE
IN THE PARK.
1114
01:06:35,691 --> 01:06:38,294
I KNOW,
THIS IS FOR LATER.
1115
01:06:38,327 --> 01:06:41,297
I JUST-- I THOUGHT WE'D GO
TO PETALUMA AFTER HE'S DONE.
1116
01:06:41,330 --> 01:06:43,232
SUCH A GIRL.
1117
01:06:49,538 --> 01:06:51,674
JOSH!
1118
01:06:57,847 --> 01:06:59,682
HEY, WE GOTTA GO.
1119
01:06:59,715 --> 01:07:02,184
YEAH, YEAH, YEAH.
RIGHT, RIGHT, RIGHT.
JUST A MINUTE.
1120
01:07:05,154 --> 01:07:06,422
ARE YOU OKAY?
1121
01:07:06,455 --> 01:07:09,525
FINE, FINE.
1122
01:07:09,558 --> 01:07:11,260
NO, YOU'RE NOT.
I KNOW YOU BETTER THAN THAT,
1123
01:07:11,293 --> 01:07:12,461
SO WHAT IS IT?
1124
01:07:13,729 --> 01:07:17,566
WELL, I--
IT'S JUST--
1125
01:07:17,600 --> 01:07:22,538
DO YOU HAVE ANY IDEA WHAT
THEY'VE CALLED THESE ROOMS
I GOTTA GO INTO?
1126
01:07:22,571 --> 01:07:24,440
MASTURBATORIUMS?
1127
01:07:24,473 --> 01:07:26,375
EXACTLY.
1128
01:07:26,409 --> 01:07:28,711
NOW I GOTTA GO DOWN THERE,
STRUT THROUGH THIS LONG
WHITE HALL
1129
01:07:28,744 --> 01:07:29,845
WITH THESE HOT NURSES--
1130
01:07:29,879 --> 01:07:31,580
THERE'S NO HOT NURSES.
1131
01:07:31,614 --> 01:07:33,682
I KNOW, I KNOW.
I'M JUST DOING THAT
1132
01:07:33,716 --> 01:07:35,718
SO I CAN DEAL WITH THIS
FOR A MINUTE.
1133
01:07:35,751 --> 01:07:39,121
I GOTTA GO DOWN THIS HALL
WITH SOME SOMEWHAT
GOOD-LOOKING WOMEN
1134
01:07:39,155 --> 01:07:42,625
TO A ROOM
WITH A NEON SIGN ABOVE IT
THAT SAYS "MASTURBATORIUM."
1135
01:07:42,658 --> 01:07:45,327
I MEAN, COME ON,
THAT'S LIKE A FREUDIAN
NIGHTMARE.
1136
01:07:45,361 --> 01:07:49,165
JOSH, DID YOU NOT
THINK THIS THROUGH?
1137
01:07:49,198 --> 01:07:52,902
I THOUGHT IT
THROUGH MOST OF IT.
1138
01:07:52,935 --> 01:07:55,604
LOOK, I DON'T REMEMBER
YOU EVER HAVING A PROBLEM
1139
01:07:55,638 --> 01:07:57,807
BEING NAKED
IN FRONT OF ANYBODY.
1140
01:07:57,840 --> 01:07:59,375
YES, EXACTLY.
1141
01:07:59,408 --> 01:08:01,177
IF NURSE HEIDI WERE TO
COME INTO THAT ROOM WITH ME,
1142
01:08:01,210 --> 01:08:03,179
YOU COULD SELL
FREAKIN' TICKETS.
1143
01:08:03,212 --> 01:08:05,181
I MEAN, AS A MATTER OF FACT,
I THINK WITH THAT SLIGHT
ADJUSTMENT,
1144
01:08:05,214 --> 01:08:08,751
BUSINESS WOULD BE A-BOOMIN'
DOWN AT THE BAY AREA
SPERM BANK.
1145
01:08:08,784 --> 01:08:12,721
JOSH, HOW DID YOU THINK
THE SPERM WAS GONNA GET IN ME?
1146
01:08:21,697 --> 01:08:23,899
LOOK, IF HE DOESN'T
WANT TO DO IT,
1147
01:08:23,933 --> 01:08:28,604
THEN WE JUST KICK HIM
AND HIS GUN-SHY GREAT WHITE
KNUCKLER OUT OF HERE.
1148
01:08:28,637 --> 01:08:30,506
ENOUGH
WITH THE EUPHEMISMS.
1149
01:08:30,539 --> 01:08:31,674
I'M SORRY.
1150
01:08:33,809 --> 01:08:35,144
I DON'T KNOW.
1151
01:08:37,680 --> 01:08:40,483
MAYBE THE REALITY OF IT ALL
JUST HIT HIM, YOU KNOW?
1152
01:08:40,516 --> 01:08:43,652
A WEEK AGO, HE WAS
JUST AN ARTIST ROAMING FREE
1153
01:08:43,686 --> 01:08:45,821
AND NOW...
1154
01:08:50,793 --> 01:08:52,795
OH, LOOK.
1155
01:08:52,828 --> 01:08:54,230
WHAT?
1156
01:08:54,263 --> 01:08:57,266
WE CAN DO THIS AT HOME.
1157
01:08:57,299 --> 01:08:59,802
THERE'S A PUNCH
IN THE MUNCHKIN HOME KIT?
1158
01:09:01,370 --> 01:09:05,407
I'M SORRY, I JUST WANTED
TO USE THAT ONE.
1159
01:09:05,441 --> 01:09:08,410
I MEAN, WE CAN DO THIS HERE.
HE DOESN'T HAVE TO GO
INTO THE OFFICE.
1160
01:09:08,444 --> 01:09:12,815
THAT MEANS...
WE HAVE ANOTHER OPTION.
1161
01:09:12,848 --> 01:09:16,418
YEAH, BUT WE HAVE AN HOUR
TO GET IT TO THE OFFICE.
1162
01:09:16,452 --> 01:09:19,188
WE CAN MAKE IT.
STRAIGHT SHOT DOWN
THE FREEWAY.
1163
01:09:21,023 --> 01:09:24,693
SORRY, I'M JUST VISUALIZING US
SHOOTING DOWN THE FREEWAY.
1164
01:09:24,727 --> 01:09:26,962
WE CAN DO IT.
1165
01:09:26,996 --> 01:09:28,364
WE CAN DO IT!
1166
01:09:31,300 --> 01:09:33,936
I'M DRIVING.
YOU'RE HOLDING IT.
1167
01:09:35,804 --> 01:09:37,339
THIS IS SO MUCH BETTER.
1168
01:09:47,583 --> 01:09:50,953
WELL, EVEN I KNOW
HE'S NOT GONNA WANT US
STANDING OUT HERE.
1169
01:09:50,986 --> 01:09:54,757
-HE CAN'T HEAR US.
-I CAN HEAR YOU.
1170
01:09:57,626 --> 01:10:00,663
THIS IS NOT
SO MUCH BETTER.
1171
01:10:00,696 --> 01:10:02,531
WE CAN GET
NURSES' OUTFITS.
1172
01:10:09,772 --> 01:10:10,906
HEY.
1173
01:10:12,441 --> 01:10:13,676
HEY.
1174
01:10:13,709 --> 01:10:15,744
LOOK, UM...
1175
01:10:15,778 --> 01:10:18,647
YOU DON'T HAVE TO DO THIS
IF YOU DON'T WANT TO.
1176
01:10:21,517 --> 01:10:24,453
THAT'S NOT IT.
1177
01:10:24,486 --> 01:10:27,389
'CAUSE IF THERE WAS A TIME
TO GO, JOSH, IT WOULD BE NOW.
1178
01:10:31,427 --> 01:10:35,798
YOU KNOW THERE ARE LEDGES
IN LIFE THAT WE WALK ON AND...
1179
01:10:37,666 --> 01:10:41,003
SOMETIMES IF YOU
CROSS OVER ONE,
1180
01:10:41,036 --> 01:10:43,539
IT'S BLOODY HARD
TO GET BACK.
1181
01:10:50,446 --> 01:10:53,549
I USED TO THINK I COULD
SEE THOSE LEDGES PRETTY
WELL, YOU KNOW?
1182
01:10:56,418 --> 01:10:58,320
AND THEN SOMETIMES
LIFE IS SORT OF...
1183
01:10:58,354 --> 01:11:01,290
YOU KNOW, SCREWS UP
YOUR DEPTH PERCEPTION
OR SOMETHING.
1184
01:11:04,927 --> 01:11:07,396
[CHARLIE]
WHAT IS THIS ABOUT?
1185
01:11:07,429 --> 01:11:08,664
[CERINA]
I DON'T KNOW EXACTLY.
1186
01:11:08,697 --> 01:11:10,032
HE LEFT A NOTE.
1187
01:11:10,065 --> 01:11:11,667
HE ALWAYS USED
TO LEAVE NOTES,
1188
01:11:11,700 --> 01:11:13,936
SAID THEY WERE MORE PERSONAL
THAN PHONE MESSAGES.
1189
01:11:15,604 --> 01:11:18,540
THIS NOTE SAID, "IF TWO
WALK EAST THREE BLOCKS,
1190
01:11:18,574 --> 01:11:21,910
THEN TWO TURN RIGHT
FOUR BLOCKS,
1191
01:11:21,944 --> 01:11:24,647
THEN TWO WILL BECOME THREE."
1192
01:11:24,680 --> 01:11:26,415
THAT'S HORRIBLE.
1193
01:11:26,448 --> 01:11:29,752
OH, THERE HE IS,
MR. NOTES-R-US.
1194
01:11:29,785 --> 01:11:32,821
WELL, YOU FIGURE IT OUT.
1195
01:11:32,855 --> 01:11:33,989
WOULDN'T GO THAT FAR.
1196
01:11:35,958 --> 01:11:38,060
YEAH, UM,
WHY ARE WE HERE, JOSH?
1197
01:11:38,093 --> 01:11:40,496
WHAT'S WITH THE PARK?
1198
01:11:40,529 --> 01:11:41,997
OKAY, WELL, FIRST OFF
I BROUGHT YOU HERE
1199
01:11:42,031 --> 01:11:45,100
BECAUSE
I WANTED TO APOLOGIZE
FOR THE OTHER DAY.
1200
01:11:45,134 --> 01:11:46,969
BECAUSE I DIDN'T
READ THE FINE PRINT,
1201
01:11:47,002 --> 01:11:50,105
AND, UH, IT KINDA
THREW ME OFF.
1202
01:11:50,139 --> 01:11:52,641
THIS CLINICAL THING...
1203
01:11:52,675 --> 01:11:55,411
I DON'T KNOW, MAYBE
I JUST NEED TO WRAP MY HEAD
AROUND IT A LITTLE BIT.
1204
01:11:55,444 --> 01:11:58,614
BUT IN THE MEANTIME,
I THOUGHT MAYBE, POSSIBLY,
1205
01:11:58,647 --> 01:12:00,449
WE COULD DO
A LITTLE BONDING.
1206
01:12:00,482 --> 01:12:02,818
BONDING.
1207
01:12:02,851 --> 01:12:05,120
LIKE... LIKE
WHAT KIND OF BONDING?
1208
01:12:05,154 --> 01:12:07,690
WELL...
[CLEARS THROAT]
1209
01:12:07,723 --> 01:12:10,559
...IN SOME COUNTRIES,
THEY CHOP DOWN TREES TO BOND,
1210
01:12:10,592 --> 01:12:12,528
BUT I DIDN'T THINK,
YOU KNOW, BERKELEY WOULD BE
TOO GOOD WITH THAT.
1211
01:12:12,561 --> 01:12:16,598
SO I GOT A BETTER IDEA:
SPORTS.
1212
01:12:18,767 --> 01:12:20,469
JOSH, SPORTS?
1213
01:12:20,502 --> 01:12:22,838
AND, IN HONOR OF
OUR BRITISH TEAM HERE,
1214
01:12:22,871 --> 01:12:24,606
I BROUGHT ALONG
A SOCCER BALL.
1215
01:12:24,640 --> 01:12:27,710
OR BETTER KNOWN IN YOUR COUNTRY
AS A FOOTBALL.
1216
01:12:27,743 --> 01:12:30,779
YEAH, WE'RE NOT GERMAN,
AND THAT'S NOT A FOOTBALL.
1217
01:12:32,181 --> 01:12:34,016
THIS?
ARE YOU SURE?
1218
01:12:34,049 --> 01:12:35,851
[CHARLIE]
I'M SURE.
1219
01:12:35,884 --> 01:12:37,786
I DON'T KNOW, IT'S A LITTLE
ROUND, LIKE A FOOTBALL.
1220
01:12:37,820 --> 01:12:40,889
IT'S GOT AIR IN IT.
IT BOUNCES.
1221
01:12:40,923 --> 01:12:43,759
IT'S PRETTY SIMILAR.
1222
01:12:43,792 --> 01:12:45,394
DON'T WANT
TO DISCRIMINATE.
1223
01:12:51,600 --> 01:12:55,504
YOU DO REALIZE
YOU'VE TOTALLY JUST MET
YOUR MATCH.
1224
01:12:55,537 --> 01:12:57,506
OHH!
1225
01:12:57,539 --> 01:12:59,908
BADASS, ALL RIGHT.
1226
01:12:59,942 --> 01:13:01,777
OH, I SHOULDN'T
HAVE FALLEN FOR THAT.
1227
01:13:01,810 --> 01:13:03,612
♪ YOU MAKE ME GIDDY
1228
01:13:03,645 --> 01:13:04,980
♪ I WANT TO STAY UP
ALL NIGHT... ♪
1229
01:13:05,013 --> 01:13:06,749
HEY, WHERE'D YOU LEARN THEM
TRICKY FEET--
1230
01:13:06,782 --> 01:13:08,751
I'LL SHOW YOU HOW
THEY DO IT IN NORTH LONDON.
1231
01:13:08,784 --> 01:13:11,720
OH, YOU SHOW ME.
I'LL SHOW YOU HOW WE DO IT
IN NORTH AMERICA.
1232
01:13:11,754 --> 01:13:13,655
♪ YOU MAKE ME GIDDY
1233
01:13:13,689 --> 01:13:16,792
I WANT TO SHOW YOU
MY FAVORITE POEMS ♪
1234
01:13:16,825 --> 01:13:21,663
♪ AND THEN YOU WOULD GO
AND WRITE ME YOUR OWN ♪
1235
01:13:21,697 --> 01:13:23,665
♪ YOU MAKE ME GIDDY
1236
01:13:23,699 --> 01:13:25,734
♪ I WANT TO LIGHT UP
YOUR LIFE ♪
1237
01:13:25,768 --> 01:13:27,669
♪ LIKE YOU BLAZED
INTO MINE ♪
1238
01:13:27,703 --> 01:13:31,740
♪ AND TOGETHER
WE'D BURN THE PLACE DOWN ♪
1239
01:13:31,774 --> 01:13:36,812
♪ YOU MAKE ME GIDDY,
DON'T MAKE ME WAIT AROUND... ♪
1240
01:13:36,845 --> 01:13:39,815
ALL RIGHT, COME ON, READY?
THIS IS CALLED...
1241
01:13:39,848 --> 01:13:41,650
♪ YOU MAKE ME GIDDY
1242
01:13:41,683 --> 01:13:42,985
♪ I WANT TO START A
REVOLUTION... ♪
1243
01:13:43,018 --> 01:13:44,686
YOU'VE GOTTA KICK
WITH THE INNER PART
1244
01:13:44,720 --> 01:13:46,555
OF YOUR FOOT, BABE,
NOT YOUR TOE.
1245
01:13:46,588 --> 01:13:48,624
COME ON DOWN.
COME AND GET IT.
1246
01:13:48,657 --> 01:13:51,193
WHOA, OH, OH, OH,
DAMN IT.
1247
01:13:51,226 --> 01:13:53,562
♪ I WANT TO SPREAD OUT
MY WINGS ♪
1248
01:13:53,595 --> 01:13:56,832
-♪ AND GO DO BIGGER THINGS...
-WHERE'S THE BALL?
1249
01:13:56,865 --> 01:13:59,701
♪ AND I'D FLY
AND I'D SING ABOUT LOVE... ♪
1250
01:13:59,735 --> 01:14:02,604
THEY AREN'T GONNA MAKE
A GOOD MOMMY DOING THAT.
1251
01:14:04,740 --> 01:14:07,676
♪ IN OUR KINGDOM
WOULD BE RINGING ♪
1252
01:14:07,709 --> 01:14:09,678
♪ YOU MAKE ME GIDDY
1253
01:14:09,711 --> 01:14:11,647
♪ I WANT TO LIGHT UP
YOUR LIFE ♪
1254
01:14:11,680 --> 01:14:13,715
♪ LIKE YOU BLAZED
INTO MINE ♪
1255
01:14:13,749 --> 01:14:17,019
♪ AND TOGETHER
WE'D BURN THE PLACE DOWN... ♪
1256
01:14:20,155 --> 01:14:22,090
GOOD JOB, BABE.
PROUD OF YOU.
1257
01:14:27,896 --> 01:14:29,131
SEXY?
1258
01:14:30,866 --> 01:14:32,267
[LEO]
LIKE, WHAT ARE YOU DOING?
1259
01:14:32,301 --> 01:14:34,236
SERIOUSLY, MAN.
I'VE BEEN DYING
TO ASK YOU THAT.
1260
01:14:34,269 --> 01:14:35,771
LIKE, WHAT ARE YOU DOING?
1261
01:14:35,804 --> 01:14:37,139
[JOSH]
WITH WHAT?
WHAT DO YOU MEAN?
1262
01:14:37,172 --> 01:14:38,740
[LEO]
YOU KNOW THIS THING
WITH CERINA AND CHARLIE,
1263
01:14:38,774 --> 01:14:41,043
IT'S FOR REAL, RIGHT?
1264
01:14:41,076 --> 01:14:43,278
THEY'RE EACH OTHERS'.
I MEAN,
1265
01:14:43,312 --> 01:14:47,082
THIS ISN'T LIKE A COLLEGE
EXPERIMENT OR ANYTHING
LIKE THAT,
1266
01:14:47,115 --> 01:14:50,619
-I MEAN--
-I GET THAT IT'S NOT
A COLLEGE EXPERIMENT.
1267
01:14:50,652 --> 01:14:52,955
OKAY, WELL, I SPEND
A LOT OF TIME WITH HER,
1268
01:14:52,988 --> 01:14:57,593
YOU KNOW, AND BELIEVE
IN LESBIAN LOVE NOW FOR REAL,
1269
01:14:57,626 --> 01:15:00,996
SO THEY'RE--
THEY'RE THE REAL DEAL, MAN.
1270
01:15:01,029 --> 01:15:03,632
I MEAN,
YOU GET IT, RIGHT?
1271
01:15:03,665 --> 01:15:06,001
-I MEAN--
-YEAH, OKAY, I GET IT.
1272
01:15:06,034 --> 01:15:08,070
-ALL RIGHT, WE'RE COOL?
WE'RE COOL?
-WE'RE COOL, BROTHER.
1273
01:15:08,103 --> 01:15:09,905
ALL RIGHT, MAN, COOL.
1274
01:15:09,938 --> 01:15:12,007
-ALL RIGHT, NO PROBLEM.
-[LAUGHS]
1275
01:15:12,040 --> 01:15:14,343
-NO PROBLEM.
-ALL RIGHT, MAN,
SEE YOU AROUND.
1276
01:15:14,376 --> 01:15:16,111
YOU WANT TO RACE BACK
TO THE CAR?
1277
01:15:16,144 --> 01:15:17,846
NO, GO AHEAD, MAN.
I'M GONNA GET A DRINK
OF WATER.
1278
01:15:17,880 --> 01:15:19,615
ALL RIGHT.
SEE YOU BACK THERE.
1279
01:15:19,648 --> 01:15:21,950
ALL RIGHT, SEE YOU.
SEE YOU.
1280
01:15:35,063 --> 01:15:37,032
[CERINA ON RECORDING]
HEY, YOU'VE REACHED
CERINA AND CHARLIE.
1281
01:15:37,065 --> 01:15:39,167
LEAVE A MESSAGE
AND WE'LL GET BACK TO YOU
AS SOON AS WE CAN.
1282
01:15:39,201 --> 01:15:40,802
BYE-BYE!
1283
01:15:40,836 --> 01:15:42,604
[BEEP]
1284
01:15:42,638 --> 01:15:47,109
HEY, CERINA AND CHARLIE,
IT'S JOSH.
1285
01:15:48,944 --> 01:15:52,781
UM...I'M SURE
YOU NOTICED THAT, UH,
1286
01:15:52,814 --> 01:15:54,149
MY STUFF WAS GONE,
1287
01:15:54,182 --> 01:15:56,084
AND, UM...
1288
01:15:56,118 --> 01:16:00,889
I WAS GONNA LEAVE YOU GUYS
A NOTE, BUT I JUST...
1289
01:16:00,923 --> 01:16:03,191
I COULDN'T THINK OF
ANYTHING WITTY TO SAY.
1290
01:16:04,993 --> 01:16:09,064
SO I GUESS THIS IS
MY NEXT BRAVEST STEP.
1291
01:16:10,999 --> 01:16:16,772
YOU BOTH, UH--
YOU'RE REALLY SOMETHING.
1292
01:16:16,805 --> 01:16:21,810
I CAME IN NOT KNOWING
WHAT TO EXPECT FROM YOU TWO
1293
01:16:21,843 --> 01:16:26,281
AND... I GUESS I'M LEAVING
NOT KNOWING WHAT TO EXPECT
FROM ME.
1294
01:16:28,150 --> 01:16:33,789
I'M FLATTERED AND HONORED
THAT YOU FELT I WAS--
1295
01:16:33,822 --> 01:16:37,392
[SIGHS]
THAT I WAS WORTHY
OF THIS GREAT THING
1296
01:16:37,426 --> 01:16:38,894
THAT YOU TWO ARE DOING.
1297
01:16:40,429 --> 01:16:44,099
AND I'M SORRY IF I
DIDN'T LIVE UP TO THAT.
1298
01:16:46,868 --> 01:16:50,005
BUT I WISH YOU BOTH
THE BEST...
1299
01:16:50,038 --> 01:16:54,309
BECAUSE IF ANYBODY'S
CAPABLE OF IT,
IT'S YOU TWO.
1300
01:16:55,911 --> 01:16:59,181
OKAY.
BYE.
1301
01:18:48,256 --> 01:18:50,258
[JON]
YOU'RE STARTING TO BE
TOO NICE TO ME, GRANDMA.
1302
01:18:50,292 --> 01:18:52,060
[GRANDMA]
NO, I'M NOT BEING
NICE TO YOU.
1303
01:18:52,094 --> 01:18:56,298
I'M TELLING YOU THAT
THAT'S THE WAY I SEE IT.
1304
01:18:57,966 --> 01:19:00,368
YOU THINK I WOULD BE
A GOOD FATHER, GRANDMA?
1305
01:19:00,402 --> 01:19:04,372
I THINK YOU'D
HAVE THINGS TO LEARN,
BUT SO DOES EVERY DAD.
1306
01:19:04,406 --> 01:19:09,978
AND THERE'S THOSE THINGS
THAT COME UP THAT ARE
UNEXPECTED,
1307
01:19:10,011 --> 01:19:12,981
AND YOU'RE PRETTY GOOD
IN AN EMERGENCY.
1308
01:19:13,014 --> 01:19:15,550
I DON'T THINK I CAN HANDLE
EMERGENCIES, GRANDMA.
1309
01:19:15,584 --> 01:19:20,088
OH, WELL, YOU DON'T HAVE
TO WORRY ABOUT EMERGENCIES.
1310
01:19:20,122 --> 01:19:23,291
IF THEY COME, YOU HAVE A REACT--
YOU KNOW, YOU GO FOR IT
1311
01:19:23,325 --> 01:19:26,495
RIGHT THERE AND THEN,
THAT'S ALL THERE IS TO IT.
1312
01:19:26,528 --> 01:19:30,398
YOU DON'T EVEN HAVE TO THINK
ABOUT IT AHEAD OF TIME.
1313
01:19:30,432 --> 01:19:32,901
BECAUSE YOU DON'T KNOW
WHEN IT'S GONNA HAPPEN.
1314
01:19:32,934 --> 01:19:34,803
YOU DON'T KNOW
WHAT IT'S GONNA BE.
1315
01:19:38,507 --> 01:19:41,042
I CAN'T BE
A GOOD FATHER, GRANDMA.
1316
01:19:41,076 --> 01:19:44,579
THE RESPONSIBILITY MEANS
THAT YOU'RE GONNA HAVE
TO STAY SOMETIMES
1317
01:19:44,613 --> 01:19:46,548
WHEN IT'S VERY
UNCOMFORTABLE
1318
01:19:46,581 --> 01:19:48,483
AND YOU DON'T WANT
TO STAY.
1319
01:19:48,517 --> 01:19:51,520
SO IT'S GROWING UP.
IT'S CALLED GROWING UP,
1320
01:19:51,553 --> 01:19:54,422
AND-- AND I KNOW
YOU'RE A MAN.
1321
01:19:54,456 --> 01:19:56,992
SEE, I WOULDN'T WORRY
ABOUT THAT PART OF IT.
1322
01:19:57,025 --> 01:19:59,561
JUST EASE OFF
A LITTLE BIT.
1323
01:19:59,594 --> 01:20:02,097
YOU'RE WORTHY OF THIS.
1324
01:20:04,366 --> 01:20:06,535
WHY DO VAGINAS
EVEN EXIST?
1325
01:20:06,568 --> 01:20:08,069
[GRANDMA]
SAY IT AGAIN?
1326
01:20:08,103 --> 01:20:11,072
I SAID, "WHY DO VAGINAS
EVEN EXIST?" GRANDMA.
1327
01:20:11,106 --> 01:20:14,476
WHY DO VAGINAS
EVEN EXIST?
1328
01:20:14,509 --> 01:20:17,612
WELL, UM...
[CLEARS THROAT]
1329
01:20:17,646 --> 01:20:21,216
EXPLAIN THAT TO ME,
BECAUSE I DON'T KNOW
1330
01:20:21,249 --> 01:20:25,220
[STAMMERS]
WHAT IT MEANS
1331
01:20:25,253 --> 01:20:27,155
TO LIKE OR DISLIKE
A VAGINA.
1332
01:20:27,189 --> 01:20:31,092
I'M JUST A LITTLE CONFUSED.
IT'S A LONG STORY, GRANDMA.
1333
01:20:31,126 --> 01:20:33,929
WHAT'S WRONG
WITH WHAT I'M DOING?
1334
01:20:33,962 --> 01:20:36,198
[JON]
IT'S BEAUTIFUL.
I LOVE IT.
1335
01:20:36,231 --> 01:20:38,400
ALL RIGHT,
THEN WHAT'S WRONG?
1336
01:20:39,501 --> 01:20:41,970
STAY WITH IT, BABE.
1337
01:20:44,539 --> 01:20:46,508
I THINK I MIGHT BE GAY.
1338
01:20:53,381 --> 01:20:56,518
WELL, THAT DOESN'T MEAN
YOU CAN'T BE A GOOD FATHER.
1339
01:21:10,165 --> 01:21:12,167
THANKS, GRANDMA.
1340
01:21:33,188 --> 01:21:37,926
[DOOR OPENS, CLOSES]
1341
01:21:43,465 --> 01:21:45,300
-HI.
-HI.
1342
01:21:47,202 --> 01:21:48,570
JUST GONNA
TALK TO THAT GUY.
1343
01:21:48,603 --> 01:21:50,405
-GO FOR IT.
-THANKS.
1344
01:22:02,417 --> 01:22:03,685
JOSH?
1345
01:22:10,191 --> 01:22:11,493
HOW ARE YOU?
1346
01:22:13,762 --> 01:22:15,196
I'M ALL RIGHT.
1347
01:22:17,232 --> 01:22:19,034
WHAT ARE YOU DOING HERE?
1348
01:22:19,067 --> 01:22:21,503
YOU'RE NOT AN EASY MAN TO FIND,
I'LL TELL YOU THAT.
1349
01:22:23,772 --> 01:22:25,106
NICE STORE, THOUGH.
1350
01:22:27,375 --> 01:22:28,977
PAYS THE RENT.
1351
01:22:30,645 --> 01:22:31,980
OH, YEAH?
1352
01:22:35,317 --> 01:22:38,053
I'M NOT SURE I FINISHED
MY STORY THE OTHER NIGHT.
1353
01:22:39,254 --> 01:22:41,556
-STORY?
-YEAH.
1354
01:22:41,589 --> 01:22:43,725
I WAS WATCHING
A MOVIE THE OTHER NIGHT,
1355
01:22:43,758 --> 01:22:45,427
WITH COWBOYS.
1356
01:22:47,529 --> 01:22:50,165
AND THIS ONE COWBOY
RIDES INTO A TOWN,
1357
01:22:50,198 --> 01:22:52,767
AND HE'S BIG
AND HE'S STRONG,
1358
01:22:52,801 --> 01:22:55,036
AND YOU THINK
HE'S GONNA HELP THEM.
1359
01:22:55,070 --> 01:22:58,473
AND HE DOES.
1360
01:22:58,506 --> 01:23:01,376
I WAS THINKING,
THOUGH, CAN YOU IMAGINE
IF THE COWBOY DECIDED
1361
01:23:01,409 --> 01:23:02,644
TO GET BACK ON THE HORSE,
1362
01:23:02,677 --> 01:23:06,214
BEFORE HE HELPED
EVERYBODY OUT,
1363
01:23:06,247 --> 01:23:08,149
AND RODE OUT OF TOWN?
1364
01:23:10,385 --> 01:23:12,287
THAT'S NOT
A HAPPY ENDING, JOSH.
1365
01:23:14,389 --> 01:23:17,359
I GUESS IN THIS MOVIE
THE COWBOY GOES BACK
TO HIS RANCH,
1366
01:23:17,392 --> 01:23:23,298
HANGS OUT, AND THINKS,
"MAYBE I SHOULD HAVE HELPED
THOSE LESBIANS."
1367
01:23:24,766 --> 01:23:28,103
WHAT KIND OF MOVIE
WOULD THAT BE, JOSH?
1368
01:23:28,136 --> 01:23:30,305
NOT THE HAPPY ENDING
I WOULD LIKE.
1369
01:23:32,607 --> 01:23:35,176
AND I THINK SOMETIMES
WE NEED HAPPY ENDINGS.
1370
01:23:36,711 --> 01:23:40,115
ESPECIALLY WHEN
THE COWBOY'S BIG AND STRONG.
1371
01:23:42,650 --> 01:23:43,651
THAT, UM--
1372
01:23:46,287 --> 01:23:49,524
THAT'S A PRETTY--
THAT'S A CRAPPY STORY.
1373
01:23:53,862 --> 01:23:55,730
HE WAS A BIG,
STRONG COWBOY.
1374
01:24:06,608 --> 01:24:08,209
DISCO INFERNO?
1375
01:24:10,345 --> 01:24:12,313
THAT IS
A REALLY NICE SHIRT.
1376
01:24:13,415 --> 01:24:14,616
IT'S EIGHT BUCKS.
1377
01:24:17,218 --> 01:24:18,753
I'LL GIVE YOU FIVE FOR IT.
1378
01:24:25,160 --> 01:24:30,198
♪ EVERYWHERE YOU GO,
YOU'RE ALWAYS LOOKING BACK ♪
1379
01:24:30,231 --> 01:24:36,204
♪ EVERY TEAR YOU SHED
IS DRY... ♪
1380
01:24:36,237 --> 01:24:38,206
[CERINA ON RECORDING]
HEY, YOU'VE REACHED
CERINA AND CHARLIE.
1381
01:24:38,239 --> 01:24:40,341
LEAVE A MESSAGE
AND WE'LL GET BACK TO YOU
AS SOON AS WE CAN.
1382
01:24:40,375 --> 01:24:43,812
BYE-BYE!
[BEEP]
1383
01:24:43,845 --> 01:24:47,615
[JOSH]
HEY, CERINA AND CHARLIE,
IT'S JOSH.
1384
01:24:47,649 --> 01:24:49,751
I'M, UH,
BACK IN TOWN,
1385
01:24:49,784 --> 01:24:52,854
AND I REALLY WANTED
TO TALK TO YOU GUYS.
1386
01:24:52,887 --> 01:24:55,623
SO I WAS THINKING TOMORROW
MORNING AT MAYBE 10:00,
1387
01:24:55,657 --> 01:24:58,193
YOU COULD MEET ME
UP AT TILDEN PARK.
1388
01:24:58,226 --> 01:25:00,495
IT'S UP AT THE TOP
OF ALVARADO ROAD.
1389
01:25:00,528 --> 01:25:03,331
I'LL BE WAITING RIGHT PAST
THE BASKETBALL COURTS THERE.
1390
01:25:08,369 --> 01:25:10,238
[CERINA]
CHARLIE, WAIT UP!
1391
01:25:10,271 --> 01:25:12,340
[CHARLIE]
I'M GOING TO FIND HIM.
1392
01:25:12,373 --> 01:25:14,876
WHY?
WHY ARE YOU SO ANGRY?
1393
01:25:14,909 --> 01:25:18,379
JUST BECAUSE YOU LIKE HIM
DOESN'T MEAN THAT I HAVE TO!
1394
01:25:18,413 --> 01:25:21,249
IT DOESN'T MEAN
I STILL LIKE HIM.
1395
01:25:21,282 --> 01:25:23,384
AND WHY DON'T
YOU LIKE HIM?
1396
01:25:23,418 --> 01:25:25,653
WHY, CERINA?
1397
01:25:25,687 --> 01:25:28,790
WELL, BECAUSE HE'S AN ARTIST,
AND HE'S A LITTLE BIT
OFF THE WALL,
1398
01:25:28,823 --> 01:25:31,259
AND A LITTLE BIT CRAZY?
1399
01:25:31,292 --> 01:25:33,394
OR IS IT
BECAUSE HE'S FREE?
1400
01:25:35,697 --> 01:25:37,398
LOOK, HE CAN'T
JUST TURN UP HERE
1401
01:25:37,432 --> 01:25:39,534
AND MAKE ME FEEL
ALL UNDERSTOOD FOR A MOMENT
1402
01:25:39,567 --> 01:25:41,569
AND THEN JUST LEAVE!
1403
01:25:45,673 --> 01:25:47,842
[INDISTINCT CHATTER]
1404
01:25:49,944 --> 01:25:52,380
-CHARLIE...
-THERE HE IS.
1405
01:25:53,681 --> 01:25:54,649
HEY.
1406
01:25:56,618 --> 01:25:58,653
WHY ARE YOU
EVEN BACK HERE?
1407
01:25:58,686 --> 01:26:01,289
YOU ALREADY LEFT.
1408
01:26:01,322 --> 01:26:02,857
I TOLD YOU
WHEN YOU SHOULD GO.
1409
01:26:06,861 --> 01:26:08,696
I KNOW.
1410
01:26:08,730 --> 01:26:09,998
I KNOW YOU DID,
AND I'M SORRY,
1411
01:26:10,031 --> 01:26:13,968
AND THAT--
THAT'S WHY I'M BACK.
1412
01:26:14,002 --> 01:26:15,436
OH, SO YOU--
1413
01:26:15,470 --> 01:26:17,639
SO YOU CAN TELL US
SOME MORE--
1414
01:26:17,672 --> 01:26:20,441
SOME MORE BEAUTIFUL LIES
ABOUT LIFE.
1415
01:26:20,475 --> 01:26:23,978
CHARLIE, NONE OF THOSE
WERE LIES.
1416
01:26:24,012 --> 01:26:25,980
THEN WHAT WAS?
1417
01:26:32,020 --> 01:26:33,621
MY BRAVERY.
1418
01:26:36,624 --> 01:26:40,595
ALWAYS SEEMS TO BE THE FIRST
THING TO GO WHEN YOU'RE...
1419
01:26:40,628 --> 01:26:45,433
CONFUSED ABOUT YOUR FEELINGS
FOR SOMEBODY.
1420
01:26:45,466 --> 01:26:48,636
SO YOU DID COME BACK HERE
BECAUSE YOU STILL HAVE
FEELINGS FOR HER.
1421
01:26:53,474 --> 01:26:55,376
YES.
1422
01:26:57,378 --> 01:27:00,481
YES, MAYBE,
AT FIRST I DID.
1423
01:27:02,717 --> 01:27:04,652
AND THEN I MET YOU.
1424
01:27:06,788 --> 01:27:09,257
AND I SAW YOU TWO
TOGETHER...
1425
01:27:14,395 --> 01:27:16,631
AND I GUESS THAT'S
WHAT I WANTED TO HAVE.
1426
01:27:18,666 --> 01:27:21,903
AND I SUPPOSE
I THOUGHT I'D NEVER--
1427
01:27:21,936 --> 01:27:25,607
I'D NEVER GET IT
IF I DIDN'T KNOW WHY SHE LEFT.
1428
01:27:32,947 --> 01:27:34,916
YOU TELL HIM.
1429
01:27:34,949 --> 01:27:36,884
YOU TELL HIM, CERINA.
1430
01:27:36,918 --> 01:27:38,653
YEAH, YOU CAN.
1431
01:27:38,686 --> 01:27:41,356
YOU DON'T MAKE
A WORD OF IT UP.
HE NEEDS TO KNOW.
1432
01:27:43,925 --> 01:27:46,527
HE NEEDS TO KNOW
SO HE CAN MOVE ON
WITH HIS LIFE.
1433
01:27:48,630 --> 01:27:52,400
AND IT MIGHT BE DONE NOW,
1434
01:27:52,433 --> 01:27:54,902
BUT HE NEEDS TO KNOW
THAT FOR--
1435
01:27:54,936 --> 01:27:58,673
FOR A MOMENT, AT LEAST,
HE WAS IMPORTANT TO YOU.
1436
01:28:00,041 --> 01:28:02,543
AND THAT FOR A MOMENT,
HE DID GOOD.
1437
01:28:06,514 --> 01:28:10,018
IF YOU DON'T TELL HIM THAT,
HE'S JUST GONNA KEEP SEARCHING
1438
01:28:10,051 --> 01:28:13,388
AND STAYING AND WAITING...
1439
01:28:16,724 --> 01:28:18,593
AND WAITING.
1440
01:28:23,665 --> 01:28:25,700
TELL HIM.
1441
01:28:25,733 --> 01:28:27,969
I DON'T--
I DON'T KNOW WHY WE--
1442
01:28:28,002 --> 01:28:31,072
ALL COME TOGETHER.
1443
01:28:31,105 --> 01:28:34,108
I CAN'T EVEN PIECE
TOGETHER WHY
1444
01:28:34,142 --> 01:28:36,577
WE FELL APART.
1445
01:28:38,012 --> 01:28:41,749
MAYBE I CHASE
WHAT I'M MOST AFRAID OF.
1446
01:28:44,419 --> 01:28:46,454
MAYBE I GOT SCARED
AND I RAN.
1447
01:28:46,487 --> 01:28:49,090
I RAN BEFORE
YOU COULD SEE MY FLAWS,
1448
01:28:49,123 --> 01:28:51,359
BEFORE YOU WOULD RUN.
1449
01:28:52,994 --> 01:28:55,697
THE PEOPLE THAT YOU REMEMBER,
THAT YOU LOOK BACK ON,
1450
01:28:55,730 --> 01:28:59,400
THEY LEAVE A MARK,
1451
01:28:59,434 --> 01:29:02,537
WHETHER A WRINKLE
OR A SCAR...
1452
01:29:04,138 --> 01:29:10,111
BUT YOU'LL ALWAYS--
YOU'LL ALWAYS REMEMBER.
1453
01:29:10,144 --> 01:29:13,081
AND I KNOW RIGHT NOW
WHAT I WANT.
1454
01:29:13,114 --> 01:29:15,783
MAYBE I DIDN'T KNOW THEN
BUT NOW I KNOW.
1455
01:29:19,921 --> 01:29:23,024
I KNOW I DON'T WANT
TO BE WITHOUT YOU.
1456
01:29:42,009 --> 01:29:42,977
CHARLIE.
1457
01:32:38,853 --> 01:32:40,821
-[JOSH] WHERE'D YOU GET THAT?
-[CHARLIE] WHAT?
1458
01:32:40,855 --> 01:32:43,691
-THAT HURT GOING IN?
-YEAH, A LITTLE BIT.
1459
01:32:43,724 --> 01:32:45,960
MY GOD,
OOH, DON'T DO THAT.
1460
01:32:45,993 --> 01:32:48,362
YOU EVER DONE, LIKE,
A PAINT FIGHT BEFORE?
1461
01:32:48,396 --> 01:32:50,698
NO, AND I DON'T WANT
TO HAVE ONE HERE.
1462
01:32:50,731 --> 01:32:53,834
NO, WE COULD
HAVE A PAINT FIGHT,
IT'S GREAT.
1463
01:32:53,868 --> 01:32:57,171
YEAH, NO, I--
1464
01:32:57,204 --> 01:32:58,973
DO YOU PAINT?
1465
01:32:59,006 --> 01:33:00,841
[JOSH]
UM...
1466
01:33:00,875 --> 01:33:02,276
CAN WE, LIKE, DO, LIKE,
A RAINBOW ON YOU?
1467
01:33:02,310 --> 01:33:03,711
YOU CANNOT PAINT MY FACE.
1468
01:33:03,744 --> 01:33:04,979
OH, COME ON, I MEAN,
JUST A LITTLE--
1469
01:33:05,012 --> 01:33:06,948
NO, YOU DON'T.
I'LL GET YOU.
1470
01:33:06,981 --> 01:33:08,316
ALL RIGHT, ALL RIGHT,
ALL RIGHT, ALL RIGHT.
1471
01:33:08,349 --> 01:33:10,151
NO, OKAY, OKAY, OKAY.
I GOT IT, I GOT IT.
1472
01:33:17,291 --> 01:33:18,759
WHAT'S UP?
1473
01:33:20,328 --> 01:33:21,629
UM...
1474
01:33:25,766 --> 01:33:27,301
I WANT TO TALK TO YOU.
1475
01:33:30,771 --> 01:33:33,641
[MUSIC PLAYING]
1476
01:34:08,042 --> 01:34:09,310
HEY.
1477
01:34:09,343 --> 01:34:10,911
-MORNING.
-GOOD MORNING.
1478
01:34:10,945 --> 01:34:13,447
-GOOD MORNING.
-GOOD MORNING.
1479
01:34:13,481 --> 01:34:15,983
-YOU CRAZY KIDS.
-WITH THE DOOR OPEN.
1480
01:34:16,017 --> 01:34:17,284
THIS ONE?
OH YEAH,
1481
01:34:17,318 --> 01:34:19,420
'CAUSE WHEN YOU CLOSE IT
IT GETS SO HOT.
1482
01:34:19,453 --> 01:34:21,989
DID I MAKE YOU GUYS
FREEZE LAST NIGHT?
1483
01:34:22,023 --> 01:34:23,858
-I'M THE READER.
-YOU'RE THE READER.
1484
01:34:23,891 --> 01:34:26,093
-AND YOU'RE THE WHAT?
-SHE'S THE PAINTER.
1485
01:35:09,136 --> 01:35:14,375
♪ YOU'VE GOT A QUESTION
YOUR HEART WANTS
THE ANSWER TO ♪
1486
01:35:14,408 --> 01:35:17,845
♪ YOU FEEL IT
BURNING INSIDE ♪
1487
01:35:19,880 --> 01:35:25,086
♪ AND I WOULD HOLD IT FOR YOU
IF YOU'D ASK ME TO ♪
1488
01:35:25,119 --> 01:35:28,923
♪ IF YOU COULD SWALLOW
YOUR PRIDE ♪
1489
01:35:28,956 --> 01:35:32,460
♪ YOU'D SEE LOVE
1490
01:35:32,493 --> 01:35:34,995
♪ LOVE
1491
01:35:35,029 --> 01:35:38,165
♪ LO-OO-VE
1492
01:35:46,307 --> 01:35:51,879
♪ IF YOU COULD OPEN YOUR EYES
TO THE TRUTH OF THINGS ♪
1493
01:35:51,912 --> 01:35:55,116
♪ YOU'D SEE WE'RE
ALL MADE OF LIGHT ♪
1494
01:35:57,084 --> 01:36:02,523
♪ EVEN WINTER GIVES BIRTH
TO A BREATH OF SPRING ♪
1495
01:36:02,556 --> 01:36:06,393
♪ YOU ONLY SEE STARS
AT NIGHT ♪
1496
01:36:06,427 --> 01:36:09,430
♪ YOU'D SEE LOVE
1497
01:36:09,463 --> 01:36:11,932
♪ LO-OO-VE
1498
01:36:11,966 --> 01:36:17,037
♪ LOVE
1499
01:36:17,071 --> 01:36:18,939
♪ YOU'D SEE LOVE
1500
01:36:20,107 --> 01:36:22,877
♪ LOVE
1501
01:36:22,910 --> 01:36:27,381
♪ LO-OO-VE
1502
01:36:27,414 --> 01:36:30,284
♪ YOU'D SEE LOVE
1503
01:36:35,456 --> 01:36:38,325
♪ YOU'D SEE LOVE
1504
01:36:38,359 --> 01:36:44,031
♪ I'LL PATCH THE HOLES
IN YOUR HEART ♪
1505
01:36:44,064 --> 01:36:49,136
♪ GLUE TOGETHER
THE BROKEN PARTS ♪
1506
01:36:49,170 --> 01:36:51,906
♪ DON'T FORGET
1507
01:36:51,939 --> 01:36:56,343
♪ YOU'RE A PART
OF MY LOVE ♪
1508
01:37:05,085 --> 01:37:06,620
♪ YOU'D SEE LOVE
1509
01:37:08,389 --> 01:37:10,658
♪ LOVE
1510
01:37:10,691 --> 01:37:15,563
♪ LO-OO-VE
1511
01:37:15,596 --> 01:37:17,865
♪ YOU'D SEE LOVE
1512
01:37:19,266 --> 01:37:21,502
♪ LOVE
1513
01:37:21,535 --> 01:37:26,307
♪ LOVE
1514
01:37:26,340 --> 01:37:31,512
♪ YOU'D SEE LOVE
1515
01:37:31,545 --> 01:37:34,548
♪ YOU'D SEE
LOVE ♪
1516
01:37:34,582 --> 01:37:37,117
♪ SEE LOVE
1517
01:37:37,151 --> 01:37:39,620
♪ YOU'D SEE LOVE
1518
01:37:39,653 --> 01:37:45,125
♪ YOU'D SEE
LOVE ♪
1519
01:37:45,159 --> 01:37:48,529
♪ YOU'D SEE LOVE.
113221
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