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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,480 --> 00:00:13,550 [INDISTINCT ANNOUNCEMENT OVER PA] 2 00:00:13,590 --> 00:00:17,760 [MUSIC PLAYING] 3 00:00:17,790 --> 00:00:20,760 [INDISTINCT ANNOUNCEMENT CONTINUES] 4 00:00:31,240 --> 00:00:33,740 [MAN SPEAKING INDISTINCTLY OVER PA] 5 00:00:37,480 --> 00:00:39,250 I LIKE YOUR GLASSES. 6 00:00:41,650 --> 00:00:42,750 OH. [CHUCKLES] 7 00:00:42,780 --> 00:00:44,890 THANKS. DORKY. 8 00:00:44,920 --> 00:00:47,220 NO, THEY'RE CUTE. 9 00:00:56,800 --> 00:00:58,470 DO I RECOGNIZE YOU? 10 00:00:58,500 --> 00:01:02,570 I'M SURE I'VE SEEN YOU SOMEWHERE BEFORE. 11 00:01:02,600 --> 00:01:05,370 YOU-- CHOPSTICKS? 12 00:01:06,710 --> 00:01:09,340 CHOPSTICKS? NO, WHAT'S THAT? 13 00:01:09,380 --> 00:01:10,680 IT'S A BAR. 14 00:01:12,280 --> 00:01:14,850 IT'S A GAY BAR. 15 00:01:14,880 --> 00:01:18,820 OH, NO, NO. YOU DEFINITELY DIDN'T SEE ME THERE. 16 00:01:26,690 --> 00:01:29,760 I LIKE YOUR ACCENT. 17 00:01:29,800 --> 00:01:31,530 THANKS. 18 00:01:31,570 --> 00:01:32,900 I LIKE YOURS. 19 00:01:35,300 --> 00:01:36,940 I DON'T HAVE ONE. 20 00:01:36,970 --> 00:01:39,240 TO ME, YOU DO. 21 00:01:42,440 --> 00:01:45,550 [INDISTINCT ANNOUNCEMENT OVER PA] 22 00:01:45,580 --> 00:01:46,910 WANNA HAVE A BABY? 23 00:01:50,450 --> 00:01:53,390 YOU DID NOT SAY THAT. 24 00:01:53,420 --> 00:01:55,560 YEAH, I'M PRETTY SURE I DID. 25 00:01:55,590 --> 00:01:58,930 NO, NO, I THINK IT TOOK ABOUT TWO YEARS TO GET TO THAT STAGE. 26 00:01:58,960 --> 00:02:02,230 I THINK WE HAD A FEW OBSTACLES TO GET THROUGH FIRST, 27 00:02:02,260 --> 00:02:05,530 LIKE THE WHOLE GIRL-ON-GIRL THING. 28 00:02:05,570 --> 00:02:10,440 OH, NO, I THINK WE STRADDLED THAT HUMP QUITE NICELY. 29 00:02:10,470 --> 00:02:13,940 YEAH, WELL, IT WASN'T WITHOUT ITS OBSTACLES. 30 00:02:13,970 --> 00:02:16,940 NO, LIKE, OUR FIRST KISS. 31 00:02:18,450 --> 00:02:19,750 I DON'T REMEMBER THAT. 32 00:02:19,780 --> 00:02:21,950 -NO? -UH-UH. 33 00:02:21,980 --> 00:02:24,350 LET ME REMIND YOU. 34 00:02:46,870 --> 00:02:48,840 [WOMAN] IT'S SO CRAZY HOW WE CAN DO THIS NOWADAYS. 35 00:02:48,880 --> 00:02:51,680 I MEAN, WE CAN ACTUALLY FIND A FATHER ON A LAPTOP. 36 00:02:51,710 --> 00:02:53,610 [WOMAN 2] SPERM DONOR. 37 00:02:53,650 --> 00:02:57,020 I'M REALLY GETTING SICK OF SAYING THE WORD "SPERM." 38 00:02:57,050 --> 00:02:59,590 LOOK AT THAT GUY. 39 00:02:59,620 --> 00:03:01,390 -HIM? -MM-HMM. 40 00:03:02,760 --> 00:03:06,590 YEAH, YEAH, HE'S CUTE. 41 00:03:06,630 --> 00:03:09,000 ALL RIGHT. 42 00:03:09,030 --> 00:03:11,030 WELL, THERE'S DAD. 43 00:03:11,070 --> 00:03:14,470 WAIT A SECOND. WE GOTTA READ UP ON THE GUY, 44 00:03:14,500 --> 00:03:17,040 -SEE WHAT'S GOING ON. -OKAY, WELL, 45 00:03:17,070 --> 00:03:22,380 SAYS HE PLAYS BASKETBALL, HE'S VEGETARIAN. 46 00:03:22,410 --> 00:03:26,780 COMBINED WITH YOU THAT BABY WILL BE HALF VEGETARIAN. 47 00:03:28,650 --> 00:03:31,050 OH, WAIT, LOOK AT THIS GUY. 48 00:03:33,390 --> 00:03:36,820 IS HE... CHINESE OR SOMETHING? 49 00:03:36,860 --> 00:03:38,290 I DON'T KNOW. 50 00:03:40,090 --> 00:03:41,800 OH, YEAH. 51 00:03:41,830 --> 00:03:45,370 MOTHER, JAPANESE, FATHER, GERMAN. 52 00:03:45,400 --> 00:03:47,940 HMM. WONDERFUL. 53 00:03:47,970 --> 00:03:50,800 OUR TWO GREATEST ENEMIES. 54 00:03:50,840 --> 00:03:52,810 IT'S NOT 1942 ANYMORE. 55 00:03:52,840 --> 00:03:55,880 WELL, EITHER WAY, I GOTTA START TAKING NOTES. 56 00:03:55,910 --> 00:03:58,810 OKAY, WELL, YOU TAKE YOUR NOTES, 57 00:03:58,850 --> 00:04:04,650 AND IF YOU GET BORED, I'M GONNA BE IN THE PAINT ROOM. 58 00:04:04,690 --> 00:04:08,960 COME ON, BABE. I'M NOT JUST DOING THIS FOR ME HERE. 59 00:04:08,990 --> 00:04:10,960 -THIS IS FOR US. -OH, I KNOW, 60 00:04:10,990 --> 00:04:13,430 BUT YOU CAN WHITTLE IT DOWN. 61 00:04:13,460 --> 00:04:15,560 I TRUST YOU. YOU CAN THINK OF YOURSELF AS A... 62 00:04:15,600 --> 00:04:18,570 CASTING DIRECTOR, ALL RIGHT? 63 00:04:18,600 --> 00:04:21,700 AND THEN WE'LL PICK TOGETHER, PROMISE. 64 00:04:21,740 --> 00:04:23,100 I LOVE YOU. 65 00:04:28,140 --> 00:04:30,810 HMM. 66 00:04:30,840 --> 00:04:32,450 ALL RIGHT. 67 00:04:32,480 --> 00:04:35,680 PLEASE STAND ON YOUR MARK AND SLATE YOUR NAME. 68 00:04:35,720 --> 00:04:39,850 [DEEP VOICE] HELLO. I'M JACK HUNKY. 69 00:04:39,890 --> 00:04:42,960 [NORMAL VOICE] HI, JACK, LET ME SEE YOUR PROFILES. 70 00:04:42,990 --> 00:04:46,130 OH, GOOD, GOOD. OH, THAT'S REALLY NICE. 71 00:04:46,160 --> 00:04:49,030 NOW DROP YOUR PANTS. 72 00:04:49,060 --> 00:04:50,700 [SIGHS] 73 00:04:52,500 --> 00:04:54,370 ♪ YOU'RE NOT MY TYPE 74 00:04:56,170 --> 00:04:59,740 ♪ I'M NOT YOURS 75 00:04:59,770 --> 00:05:03,480 ♪ YOU'RE AN OPEN WINDOW 76 00:05:03,510 --> 00:05:05,750 ♪ AND I'M A CLOSED DOOR 77 00:05:07,180 --> 00:05:10,480 ♪ YOU'RE SO OPTIMISTIC 78 00:05:10,520 --> 00:05:14,420 ♪ I CAN'T SEE WHY... 79 00:05:14,460 --> 00:05:16,120 YOU SLEPT IN YOUR PAINTING SHIRT AGAIN. 80 00:05:16,160 --> 00:05:19,690 IT'S DRY PAINT. 81 00:05:19,730 --> 00:05:21,100 NICE ASS. 82 00:05:21,130 --> 00:05:23,730 [CHUCKLES] KISS IT. 83 00:05:23,760 --> 00:05:26,730 HEY, UM... 84 00:05:26,770 --> 00:05:30,040 I GOT UP THIS MORNING, I WAS THINKING ABOUT SOMETHING, YOU KNOW. 85 00:05:30,070 --> 00:05:32,810 I WAS GOING OVER ALL THOSE GUYS AGAIN. 86 00:05:32,840 --> 00:05:36,110 YOU WANT THE SWIMMER GUY, DON'T YOU? 87 00:05:36,140 --> 00:05:38,150 WHAT IF WE DIDN'T GO WITH ANY OF THEM? 88 00:05:38,180 --> 00:05:40,610 WHAT, YOU MEAN A NEW DONOR PLACE? 89 00:05:41,950 --> 00:05:44,920 WELL, WHAT IF WE WENT WITH SOMEBODY 90 00:05:44,950 --> 00:05:48,020 YOU KNOW, WE-- WE ACTUALLY KNOW? 91 00:05:48,060 --> 00:05:49,590 SOMEONE REAL. 92 00:05:51,730 --> 00:05:56,530 WHAT, YOU MEAN ACTUALLY GET IT FROM AN ACTUAL BLOKE 93 00:05:56,560 --> 00:05:58,900 WE ACTUALLY KNOW? 94 00:05:58,930 --> 00:06:00,500 LOOK, LAST NIGHT YOU COULD HARDLY CARE ABOUT 95 00:06:00,530 --> 00:06:02,070 WHO I PICKED OFF THAT DONOR WEBSITE. 96 00:06:02,100 --> 00:06:04,100 -NO, THAT'S NOT TRUE. -I DON'T BLAME YOU. 97 00:06:04,140 --> 00:06:06,840 IT'S WEIRD. 98 00:06:06,870 --> 00:06:10,940 I GUESS I JUST ALWAYS THOUGHT I'D GET PREGNANT THE OLD-FASHIONED WAY. 99 00:06:10,980 --> 00:06:13,210 THAT SOMETHING YOU'RE GONNA MISS? 100 00:06:13,250 --> 00:06:17,220 NO, NO, NO. 101 00:06:17,250 --> 00:06:19,950 NO, I JUST... 102 00:06:19,990 --> 00:06:22,560 I WONDER IF IT'S SOMETHING YOU'LL EVER MISS. 103 00:06:22,590 --> 00:06:26,230 YOU CAN'T MISS SOMETHING THAT YOU'VE NEVER WANTED. 104 00:06:26,260 --> 00:06:27,560 YEAH. 105 00:06:29,730 --> 00:06:32,670 YOU GOT SOMEONE IN MIND? 106 00:06:32,700 --> 00:06:36,570 -[JON] BEAUTIFULS. -HEY, JON. 107 00:06:36,600 --> 00:06:39,570 WHAT'S GOING DOWN, BESIDES YOURSELVES? 108 00:06:39,610 --> 00:06:41,040 -[LAUGHS] -COME ON IN. 109 00:06:41,070 --> 00:06:43,210 -GET IN THERE. -LOOKING GOOD, THOUGH. 110 00:06:43,240 --> 00:06:44,810 I LIKE THAT. 111 00:06:47,610 --> 00:06:49,550 [JON] ARE YOU GUYS ABREAST, SO TO SPEAK, 112 00:06:49,580 --> 00:06:52,550 OF THIS NEW NUDITY LAW IN SAN FRANCISCO? 113 00:06:52,590 --> 00:06:54,720 -OH, YEAH, YEAH, I AM. -NO, WHAT LAW? 114 00:06:54,760 --> 00:06:57,590 WELL, NOW YOU CAN STRUT YOUR JUNK OUTSIDE IN THE CITY. 115 00:06:57,620 --> 00:06:59,590 -YEAH. -NO WAY. 116 00:06:59,630 --> 00:07:01,860 AND I'M THE LAST GUY TO ASK ANOTHER GUY TO PUT THEIR CLOTHES BACK ON 117 00:07:01,900 --> 00:07:05,130 BUT HAVE YOU SEEN THE PEOPLE THAT ARE ACTUALLY GOING WITH THIS TREND? 118 00:07:05,170 --> 00:07:08,600 I SWEAR TO GOD, THE LAW NEEDS TO BE: YOU GET A TRENCH COAT, 119 00:07:08,640 --> 00:07:11,710 SIX-WEEK DIET PLAN, AND A WORKOUT AT THE GYM. 120 00:07:11,740 --> 00:07:13,710 YEAH, I WALKED OUTSIDE OF MY BUILDING YESTERDAY 121 00:07:13,740 --> 00:07:16,740 TO A 65-YEAR-OLD JOGGER WEARING ONLY HIS IPAD AND TENNIS SHOES. 122 00:07:16,780 --> 00:07:18,910 -YOU DID NOT. -WAS HE CUTE? 123 00:07:18,950 --> 00:07:20,610 [BOTH LAUGH] 124 00:07:20,650 --> 00:07:22,880 I'M SKIPPING LUNCH. END OF CONVERSATION. 125 00:07:22,920 --> 00:07:25,620 YEAH, SO-- HEY, GRANDMA. 126 00:07:25,650 --> 00:07:29,060 THESE ARE MY FRIENDS RIGHT HERE, 127 00:07:29,090 --> 00:07:30,760 CHARLIE AND CERINA. 128 00:07:30,790 --> 00:07:33,030 -HI, GREAT TO MEET YOU. -HI, NICE TO MEET YOU. 129 00:07:33,060 --> 00:07:34,900 YOU WANT TO OFFER THEM A CUP OF TEA? 130 00:07:34,930 --> 00:07:36,900 WOULD YOU LIKE TO HAVE A CUP OF TEA? 131 00:07:36,930 --> 00:07:39,770 -NO, NO, WE'RE FINE. -WE CAN'T STAY LONG. 132 00:07:39,800 --> 00:07:42,800 NO, THEY DON'T DRINK TEA, GRANDMA, THEY'RE LESBIANS. 133 00:07:46,040 --> 00:07:47,810 I DON'T KNOW WHAT TO DO NOW. 134 00:07:47,840 --> 00:07:50,180 GO AND WASH MY DISHES, GRANDMA. 135 00:07:53,250 --> 00:07:55,880 LESBIANS DON'T DRINK TEA? LESBIANS? 136 00:07:55,920 --> 00:07:57,780 WHEN DID YOUR GRANDMA GET HERE? 137 00:07:57,820 --> 00:08:01,190 SHE HELPS PAY THE RENT AND DO CHORES. 138 00:08:01,220 --> 00:08:02,760 YOU MAKE HER DO CHORES? 139 00:08:02,790 --> 00:08:04,590 WELL, WHAT IS SHE GONNA DO? I MEAN, 140 00:08:04,630 --> 00:08:06,790 IT'S EITHER THAT OR IT'S BACK TO STRIPPING, 141 00:08:06,830 --> 00:08:10,060 AND I DON'T THINK SHE CAN POLE DANCE ANYMORE. 142 00:08:10,100 --> 00:08:13,100 HEY, GRANDMA. GRANDMA! 143 00:08:14,800 --> 00:08:17,800 HEY, GRANDMA, DO ME A POLE DANCING MOVE. 144 00:08:17,840 --> 00:08:20,870 SHOW SOME WHAT? 145 00:08:20,910 --> 00:08:24,110 ALL RIGHT, GRANDMA. GET OUT OF HERE. 146 00:08:24,140 --> 00:08:28,050 POLE DANCING? WHAT THE HELL IS HE TALKING ABOUT? 147 00:08:29,850 --> 00:08:32,090 I THINK SHE WAS GETTING A LITTLE ANTSY BACK IN NEW YORK, 148 00:08:32,120 --> 00:08:34,690 AND SHE WAS SENT OUT TO CHECK ON ME 149 00:08:34,720 --> 00:08:38,690 AND... I'M THE LAST GRANDSON AND ALL THAT, SO... 150 00:08:38,730 --> 00:08:42,700 THEY WANT TO KNOW WHY I HAVEN'T HAD ANY KIDS YET. 151 00:08:42,730 --> 00:08:45,070 BUT, UM... 152 00:08:45,100 --> 00:08:46,830 YEAH, SO... 153 00:08:52,270 --> 00:08:54,110 AH, YOU KNOW. 154 00:08:54,140 --> 00:08:56,140 SO WHAT ARE YOU GUYS DOING HERE, ANYWAY? 155 00:08:57,380 --> 00:08:59,080 -UM... -WELL... 156 00:08:59,110 --> 00:09:01,010 -WE, UH... -WE WANTED TO ASK YOU SOMETHING. 157 00:09:01,050 --> 00:09:04,950 YEAH. SOMETHING THAT INVOLVES... 158 00:09:04,990 --> 00:09:07,250 YOUR SPERM. 159 00:09:07,290 --> 00:09:09,360 I'M REALLY GETTING SICK OF THAT WORD. 160 00:09:09,390 --> 00:09:11,290 [MAN] NOW, SIS, 161 00:09:11,330 --> 00:09:14,960 YOU'RE GONNA HAVE A GAY GUY IMPREGNATE A SOMEWHAT-LESBIAN 162 00:09:15,000 --> 00:09:17,030 TO HAVE A CHILD WITH HER MOST-DEFINITELY, 163 00:09:17,060 --> 00:09:19,800 UTTERLY, COMPLETELY LESBIAN GIRLFRIEND? 164 00:09:19,830 --> 00:09:22,870 THIS IS HOW THE WORLD IS GONNA RID ITSELF OF STRAIGHT PEOPLE. 165 00:09:22,900 --> 00:09:26,970 AH, WHAT DO YOU CARE? YOU'RE ASEXUAL. 166 00:09:27,010 --> 00:09:29,080 WORKAHOLIC'S MORE LIKE THE TERM. 167 00:09:29,110 --> 00:09:32,280 BESIDES, MOM AND DAD ARE GONNA BE THE ONES THAT TRIP OUT ON THIS. 168 00:09:32,310 --> 00:09:34,380 THEY'RE STILL HOPING THAT YOU'RE GONNA BANG YOUR HEAD AGAIN 169 00:09:34,410 --> 00:09:37,420 AND SOMEDAY REDISCOVER THE JOYS OF THE MALE ANATOMY. 170 00:09:37,450 --> 00:09:40,190 OH-HO, I REMEMBER THEM WELL. 171 00:09:40,220 --> 00:09:44,160 LEO, A WOMAN'S SEXUALITY IS A LITTLE BIT MORE FLUID THAN A MAN'S. 172 00:09:44,190 --> 00:09:47,030 -HMM. -THINGS LIKE THIS HAPPEN. 173 00:09:47,060 --> 00:09:50,260 ANYWAY, OLD NEWS. NEW NEWS IS THIS BABY THING. 174 00:09:50,300 --> 00:09:53,270 YOU THINK IT'S GONNA GO OVER LIKE A BAD MEAL? 175 00:09:53,300 --> 00:09:55,770 WHO KNOWS? THE LAST THING MOM AND DAD WANT 176 00:09:55,800 --> 00:09:58,370 IS TO NOT BE UNCONDITIONALLY LOVING PARENTS IN THEIR NEIGHBORS' EYES, 177 00:09:58,410 --> 00:10:01,170 SO YOU HAVE THEIR REPUTATION GOING FOR YOU. 178 00:10:01,210 --> 00:10:03,380 WELL, I'M NOT TOO CONCERNED ANYWAYS. 179 00:10:03,410 --> 00:10:05,410 WE AREN'T KIDS ANYMORE. 180 00:10:05,450 --> 00:10:07,750 WE GREW UP LIKE GOOD KIDS, AND IF THEY WANT TO BE GOOD PARENTS, 181 00:10:07,780 --> 00:10:09,750 -THEY'LL LEARN TO BE PROUD. -MM-HMM. 182 00:10:09,780 --> 00:10:14,350 BESIDES, THEY GOT OVER YOU NOT GOING GREEN ON SOME OF YOUR BILLS. 183 00:10:14,390 --> 00:10:16,890 I THOUGHT YOU PROMISED NOT TO BRING THAT UP AGAIN. 184 00:10:16,920 --> 00:10:18,930 I'M SO MAD AT YOU. YOU'RE SO MEAN. 185 00:10:18,960 --> 00:10:20,060 DORK. 186 00:10:21,430 --> 00:10:24,200 -YOU REALLY NEED A PRIUS. -UGH. 187 00:11:03,540 --> 00:11:07,010 [MUMBLES] 188 00:11:40,370 --> 00:11:41,910 [KNOCK ON DOOR] 189 00:11:43,040 --> 00:11:45,080 [JON] HELLO? 190 00:11:45,110 --> 00:11:47,880 GIRLS, THE DOOR WAS OPEN. 191 00:11:47,910 --> 00:11:51,420 DUDE, YOU COULDN'T-- YOU NEED TO KNOCK BEFORE YOU... 192 00:11:51,450 --> 00:11:53,020 -COME IN. -SERIOUSLY. 193 00:11:53,050 --> 00:11:55,090 I'M SORRY, THE DOOR WAS OPEN. 194 00:11:55,120 --> 00:11:58,430 GOOD. [CHUCKLES] 195 00:11:58,460 --> 00:12:00,030 WHAT'S GOING ON? HOW IS EVERYTHING? 196 00:12:00,060 --> 00:12:01,900 JUST COOKING DINNER. 197 00:12:01,930 --> 00:12:03,300 I'M NOT HUNGRY, THOUGH, THANKS. 198 00:12:03,330 --> 00:12:05,600 YOU EVER HEARD OF KNOCKING? 199 00:12:05,630 --> 00:12:08,870 WELL, THAT'S FUNNY, 'CAUSE I GOT DINNER PLANS, SO I'M NOT GONNA-- 200 00:12:11,170 --> 00:12:12,540 IS THAT A PANTY? 201 00:12:14,540 --> 00:12:16,140 -UH... -MINE. 202 00:12:16,180 --> 00:12:18,110 WE KEEP 'EM IN THE KITCHEN, SOMETIMES. 203 00:12:18,150 --> 00:12:20,950 BEAUTIFUL. CAN I GET A DRINK? I NEED A DRINK. 204 00:12:22,080 --> 00:12:23,950 YEAH, HELP YOURSELF. 205 00:12:29,260 --> 00:12:32,190 WE BETTER GET USED TO THIS INTERRUPTION THING. 206 00:12:34,660 --> 00:12:35,600 [THUMP] 207 00:12:36,900 --> 00:12:37,600 [THUMP] 208 00:12:39,130 --> 00:12:40,070 [THUMP] 209 00:12:42,170 --> 00:12:43,070 [THUMP] 210 00:12:44,240 --> 00:12:45,110 [THUMP] 211 00:13:00,620 --> 00:13:02,490 YOU DRINK, JON? 212 00:13:02,520 --> 00:13:05,330 ONLY WHEN I'M NERVOUS OR ABOUT TO GET INTIMATE. 213 00:13:08,560 --> 00:13:11,530 YOU'RE NOT LOOKING TO GET INTIMATE, ARE YOU, JON? 214 00:13:17,100 --> 00:13:22,040 THE OTHER DAY WHEN YOU CAME TO ME AND YOU ASKED FOR MY TOOTHPASTE, 215 00:13:22,080 --> 00:13:25,010 I NEVER THOUGHT ANYBODY WOULD EVER ASK ME FOR SOMETHING LIKE THAT. 216 00:13:27,410 --> 00:13:30,180 I WENT HOME AND I THOUGHT ABOUT THIS. 217 00:13:30,220 --> 00:13:32,390 WHEN I MOVED FROM THE EAST COAST, 218 00:13:32,420 --> 00:13:34,990 I WANTED TO GO SOMEWHERE WHERE I COULD THINK 219 00:13:35,020 --> 00:13:38,990 AND TRY AND FIND MYSELF. I MEAN, YOU KNOW. 220 00:13:39,030 --> 00:13:41,660 I'M SO CONFUSED, 221 00:13:41,700 --> 00:13:46,100 SO THE THOUGHT OF HAVING A BABY GROW UP... 222 00:13:46,130 --> 00:13:48,070 WHAT IF IT ENDS UP CONFUSED LIKE ME? 223 00:13:50,640 --> 00:13:52,540 -[BOTH] JON. -NO, IT'S-- 224 00:13:52,570 --> 00:13:55,410 WE TOTALLY GET IT. IT'S OKAY. 225 00:13:55,440 --> 00:13:56,980 -WE UNDERSTAND. -NO, WAIT A MINUTE. 226 00:13:57,010 --> 00:13:58,280 I'M NOT SAYING I'M NOT INTERESTED-- 227 00:13:58,310 --> 00:13:59,680 JON, IF YOU WEREN'T INTERESTED, 228 00:13:59,710 --> 00:14:01,080 YOU WOULDN'T HAVE ACCEPTED IN THE FIRST PLACE. 229 00:14:01,110 --> 00:14:03,420 WE GET IT. IT'S COOL. 230 00:14:03,450 --> 00:14:06,020 -YOU GET IT? -IT'S FINE. 231 00:14:13,460 --> 00:14:16,230 I'M STARTING TO FEEL REALLY CRAPPY ABOUT THIS. 232 00:14:48,760 --> 00:14:51,200 -YOU'RE STILL HERE? -YEAH. 233 00:14:51,230 --> 00:14:52,700 TOOK THE DAY OFF. 234 00:14:52,730 --> 00:14:56,070 I GOT A BUNCH OF STUFF I GOTTA TAKE CARE OF. 235 00:14:56,100 --> 00:14:57,640 WHAT'S UP? 236 00:15:00,640 --> 00:15:04,180 YOU KNOW. 237 00:15:04,210 --> 00:15:06,680 IT'S JUST FUNNY HOW... [SIGHS] 238 00:15:06,710 --> 00:15:08,780 YOU CAN BE RAISED IN A FAMILY 239 00:15:08,820 --> 00:15:10,580 WHERE YOU'RE THINKING OF YOUR ACCOMPLISHMENTS 240 00:15:10,620 --> 00:15:12,550 BEFORE YOUR EGGS AND HAM EVERY SINGLE MORNING, 241 00:15:12,590 --> 00:15:16,120 AND THEN YOU LOOK BACK AT THE THINGS THAT REALLY MATTER AND... 242 00:15:17,760 --> 00:15:19,990 SOMEHOW YOU NEVER SAW THEM THROUGH. 243 00:15:24,660 --> 00:15:27,200 HEY. 244 00:15:27,230 --> 00:15:29,000 WE'LL FIGURE THIS OUT, OKAY? 245 00:15:31,400 --> 00:15:33,640 I'LL SEE YOU TONIGHT. 246 00:15:33,670 --> 00:15:35,110 CHIN UP. 247 00:15:55,100 --> 00:16:01,530 ♪ I WISH WE HAD THE TIME 248 00:16:01,570 --> 00:16:04,270 ♪ SO I COULD HAVE A CHANCE ♪ 249 00:16:04,300 --> 00:16:08,780 ♪ TO SAY GOODBYE 250 00:16:08,810 --> 00:16:11,780 ♪ BUT AS A RIVER FLOWS 251 00:16:11,810 --> 00:16:15,280 ♪ I HAVE TO LET YOU GO 252 00:16:15,320 --> 00:16:18,520 ♪ I WANNA LET YOU GO 253 00:16:18,550 --> 00:16:24,160 ♪ EVERY DAY I LET YOU GO A LITTLE MORE. ♪ 254 00:16:25,730 --> 00:16:28,530 [LEO] JOSH? IT'S JOSH. 255 00:16:28,560 --> 00:16:31,260 OKAY, OKAY, OKAY. THIS IS AWESOME. 256 00:16:31,300 --> 00:16:34,400 SO GIRL/GAY GIRL, COMBO CHOICE NUMBER ONE IS OUT. 257 00:16:34,430 --> 00:16:36,400 THAT'S NO LONGER HAPPENING, RIGHT? OKAY? 258 00:16:36,440 --> 00:16:39,810 NOW IT'S EX-BOYFRIEND IMPREGNATES EX-GIRLFRIEND 259 00:16:39,840 --> 00:16:44,110 SO EX-GIRLFRIEND CAN HAVE CHILD BABY WITH NEW GIRLFRIEND. 260 00:16:44,140 --> 00:16:46,310 OH, I DON'T EVEN KNOW IF HE WOULD AGREE TO IT. 261 00:16:46,350 --> 00:16:48,850 I HAVEN'T SPOKEN TO HIM IN, LIKE, TWO YEARS! 262 00:16:48,880 --> 00:16:51,450 I'M JUST ASKING YOU WHAT YOU'RE THINKING. 263 00:16:51,480 --> 00:16:53,190 -TRUTHFULLY? -YEAH? 264 00:16:53,220 --> 00:16:55,220 I SO HOPE IT DOESN'T WORK OUT, 265 00:16:55,260 --> 00:16:57,720 'CAUSE I CAN'T WAIT TO HEAR WHAT YOU COME UP WITH NEXT. 266 00:16:57,760 --> 00:16:59,560 GONNA GET ME HIT BY A CAR. 267 00:16:59,590 --> 00:17:02,860 I'M JUST ASKING YOU WHAT YOU ARE THINKING. ADVICE. 268 00:17:02,900 --> 00:17:05,200 ABOUT JOSH? I THINK HE'S A GREAT GUY. 269 00:17:05,230 --> 00:17:07,730 OF COURSE, NOT AS ATTRACTIVE AS YOUR CURRENT LOVER. 270 00:17:07,770 --> 00:17:11,470 HE HAD, LIKE, ONE COLD IN THE TWO YEARS WE DATED. 271 00:17:11,500 --> 00:17:13,140 THAT'S JUST UNHEARD OF. 272 00:17:13,170 --> 00:17:14,610 I MEAN, THAT'S SOME STURDY CONSTITUTION. 273 00:17:14,640 --> 00:17:16,210 -STRONG ANTIBODIES. -MM-HMM. 274 00:17:16,240 --> 00:17:19,480 HE HAD STRONG HAIR. BIG FOLLICLES. 275 00:17:19,510 --> 00:17:23,150 THAT MAN WAS ALWAYS IN A GOOD MOOD, NO MATTER WHAT. 276 00:17:23,180 --> 00:17:26,490 I MEAN, THAT IS JUST SOME SERIOUS CORTISOL AND NOREPINEPHRINE LEVELS. 277 00:17:26,520 --> 00:17:28,790 HE'S A PERSON, NOT A NUTRITIONAL LABEL, YOU KNOW THAT, RIGHT? 278 00:17:28,820 --> 00:17:30,360 RIGHT, RIGHT. I KNOW, I KNOW. 279 00:17:30,390 --> 00:17:33,530 YOU KNOW, HE-- HE WAS A WELL-MADE PERSON. 280 00:17:33,560 --> 00:17:35,360 -HIS WHOLE FAMILY WAS. -UH-HUH. 281 00:17:35,400 --> 00:17:37,900 YOU JUST DON'T FIND THAT ON THE DONOR WEBSITES ANYMORE. 282 00:17:37,930 --> 00:17:41,370 SO IF JOSH WAS ALL THIS AND THAT AND EVERYTHING... 283 00:17:41,400 --> 00:17:44,340 -YEAH. -...WHY DID YOU LEAVE HIM? 284 00:17:52,310 --> 00:17:56,250 [CHARLIE] YOUR PARENTS DON'T LIKE BEING AROUND US TOGETHER TOO LONG, DO THEY? 285 00:17:56,280 --> 00:17:58,650 NO. NO, YOU KNOW THAT'S NOT IT. 286 00:17:58,690 --> 00:18:00,350 IT'S JUST THAT, YOU KNOW, 287 00:18:00,390 --> 00:18:01,790 THEY HAD TO BE AT THE SALON BEFORE 10:00 PM 288 00:18:01,820 --> 00:18:04,260 SO THEY COULD GET THEIR COMPLIMENTARY MASSAGES. 289 00:18:06,660 --> 00:18:09,300 HEY, UM, HAVE YOU HEARD FROM ERIN LATELY? 290 00:18:09,330 --> 00:18:14,400 ERIN? NO, NOT IN A COUPLE OF MONTHS. 291 00:18:14,430 --> 00:18:17,500 -WHY? -JUST WONDERING, I GUESS. 292 00:18:17,540 --> 00:18:21,270 YOU KNOW, IT'S OKAY TO BE FRIENDS WITH YOUR EXES, RIGHT? 293 00:18:21,310 --> 00:18:23,540 YEAH. 294 00:18:23,580 --> 00:18:25,980 YOU DON'T THINK I STILL HAVE FEELINGS FOR ERIN, DO YOU? 295 00:18:26,010 --> 00:18:30,620 NO, I'M JUST-- I'D UNDERSTAND IF YOU DID. SHE'S HOT. 296 00:18:32,390 --> 00:18:36,190 OKAY. SHE'S JUST A SILLY STRIPPER. 297 00:18:37,320 --> 00:18:39,860 YEAH. SILLY STRIPPERS. 298 00:18:42,400 --> 00:18:44,660 CERINA... 299 00:18:44,700 --> 00:18:46,600 CERINA, WHAT'S THE MATTER? 300 00:18:50,600 --> 00:18:53,310 I GOT ANOTHER IDEA FOR A SPERM DONOR. 301 00:18:53,340 --> 00:18:56,940 OKAY, WELL, YOU'RE SAYING "SPERM" AGAIN, SO IT MUST BE GOOD. 302 00:18:56,980 --> 00:18:59,710 I DON'T EVEN KNOW IF HE WOULD AGREE TO SOMETHING LIKE THIS. 303 00:18:59,750 --> 00:19:00,880 WHO? 304 00:19:03,750 --> 00:19:05,490 I GOT THE IDEA TO ASK JOSH HORN. 305 00:19:08,760 --> 00:19:10,560 JOSH HORN. 306 00:19:10,590 --> 00:19:12,290 I KNOW, IT'S A SILLY IDEA, 307 00:19:12,330 --> 00:19:15,560 BUT IT-- WE'RE RUNNING OUT OF OPTIONS. 308 00:19:15,600 --> 00:19:17,730 BUT YOUR EX-BOYFRIEND? 309 00:19:20,770 --> 00:19:23,340 I MEAN, I KNOW. I DON'T EVEN KNOW IF HE WOULD AGREE TO IT. 310 00:19:23,370 --> 00:19:25,610 IT'S JUST-- COME ON. 311 00:19:25,640 --> 00:19:27,310 [SIGHS] 312 00:19:27,340 --> 00:19:30,440 NO, I'M-- COME ON, I WANT TO HEAR IT. 313 00:19:30,480 --> 00:19:34,350 I WANT TO KNOW WHY THE GUY YOU SAID WAS LIKE THE BOHEMIAN POSTER CHILD 314 00:19:34,380 --> 00:19:37,920 IS GONNA BE THE RIGHT MAN TO FATHER YOUR BABY. 315 00:19:37,950 --> 00:19:39,490 NOT FATHER, DONOR, 316 00:19:39,520 --> 00:19:41,820 AND NOT MY BABY, OUR BABY. 317 00:19:41,850 --> 00:19:44,790 I KNOW, I GET IT. I SAID A LOT OF THINGS. 318 00:19:44,820 --> 00:19:47,030 I WAS HURT OVER LOVE. 319 00:19:49,660 --> 00:19:52,470 YOU'VE SAID THINGS ABOUT ERIN BEFORE, YOU KNOW, REMEMBER? 320 00:19:52,500 --> 00:19:55,670 YEAH, SHE ALMOST MADE ME STRAIGHT. 321 00:19:56,970 --> 00:19:59,610 -ALMOST. -[BOTH CHUCKLE] 322 00:19:59,640 --> 00:20:01,910 WELL, I GET IT, WE HAD OUR UPS AND DOWNS, 323 00:20:01,940 --> 00:20:05,040 BUT NO RECEDING HAIRLINE. 324 00:20:05,080 --> 00:20:06,450 IT'S IMPORTANT. 325 00:20:08,880 --> 00:20:10,780 [SIGHS] 326 00:20:10,820 --> 00:20:14,790 CERINA, YOU'RE GONNA BE THE ONE THAT CARRIES THIS BABY, SO... 327 00:20:14,820 --> 00:20:19,030 YOU'RE THE ONE THAT SHOULD CHOOSE THE FATHER. 328 00:20:19,060 --> 00:20:21,390 YOU KNOW I WANTED YOU TO CARRY THIS CHILD. 329 00:20:21,430 --> 00:20:23,700 YEAH, WE WENT OVER THAT ONCE. 330 00:20:30,870 --> 00:20:33,540 SOME PEOPLE HAVE PARENTS. 331 00:20:33,570 --> 00:20:38,440 YOU KNOW, GOOD OR BAD, THEY HAVE PEOPLE TO DRAW EXPERIENCES FROM. 332 00:20:40,110 --> 00:20:44,520 I TOLD YOU BEFORE, I WASN'T BORN. 333 00:20:44,550 --> 00:20:46,720 I JUST WOKE UP ONE DAY AND I WAS AN ADULT. 334 00:20:51,620 --> 00:20:54,590 THERE'S NO NURTURE IN MY BLOOD. 335 00:20:59,600 --> 00:21:03,670 COME ON. LET'S GO GET US A MAN TO BOSS AROUND. 336 00:21:04,870 --> 00:21:07,010 YES, YES! 337 00:21:27,490 --> 00:21:31,730 [CHARLIE] THIS IS WHERE YOUR EX-BOYFRIEND LIVES. 338 00:21:31,760 --> 00:21:35,740 WELL, I GUESS THE ODDS THAT JOSH IS THE NEXT BILL GATES ARE OUT. 339 00:21:35,770 --> 00:21:38,640 [CERINA] YEAH, I THINK HIS ASPIRATIONS 340 00:21:38,670 --> 00:21:42,680 WERE ALWAYS A LITTLE MORE CREATIVE THAN LUCRATIVE. 341 00:21:42,710 --> 00:21:45,010 YOU KNOW, USUALLY IT'S THE GIRL TURNING UP ON THE GUY'S PORCH 342 00:21:45,040 --> 00:21:47,550 AND SAYING, "I WANT YOU TO KNOW I'M PREGNANT." 343 00:21:47,580 --> 00:21:51,380 NOT, "I WANT YOU TO KNOW, I WANT TO GET PREGNANT." 344 00:21:53,090 --> 00:21:54,890 YOU GOING IN? 345 00:21:56,920 --> 00:21:59,890 -WE ARE GOING IN. -OH, HELL NO, NO. 346 00:21:59,930 --> 00:22:02,760 I WILL HELP DELIVER THE BABY AND ALL OF THAT JAZZ, 347 00:22:02,800 --> 00:22:04,800 BUT I AM NOT GONNA HELP RECRUIT THE MAN. 348 00:22:04,830 --> 00:22:06,900 [CERINA SCOFFS] 349 00:22:06,930 --> 00:22:08,470 CHICKEN. 350 00:22:08,500 --> 00:22:09,840 [JOSH] NO, I UNDERSTAND IT. 351 00:22:09,870 --> 00:22:11,900 I GET THAT, I GET IT, I GET IT, I GET IT. 352 00:22:11,940 --> 00:22:13,770 -RIGHT. -OH, THAT'S HIM. 353 00:22:13,810 --> 00:22:15,110 [JOSH] RIGHT, RIGHT, RIGHT, RIGHT, RIGHT. 354 00:22:15,140 --> 00:22:17,140 [CHARLIE] THAT'S HIM? 355 00:22:17,180 --> 00:22:20,610 -HE LOOKS KIND OF... -RIGHT, RIGHT, RIGHT. 356 00:22:20,650 --> 00:22:22,650 ...DIRTY. 357 00:22:22,680 --> 00:22:24,050 HE WASN'T BORN THAT WAY. 358 00:22:24,080 --> 00:22:26,050 I WILL-- GIVE ME ANOTHER WEEK, ANOTHER WEEK. 359 00:22:26,090 --> 00:22:28,860 -THAT'S ALL I NEED. -ALL RIGHT, WELL, GO GET HIM, TIGER. 360 00:22:28,890 --> 00:22:30,590 YOU NEVER KNOW, MIGHT GET LUCKY. 361 00:22:30,620 --> 00:22:32,990 MIGHT HAVE A VIAL IN HIS REFRIGERATOR. 362 00:22:33,030 --> 00:22:35,960 [JOSH] NO, I KNOW, I LOVE YOU GUYS. YOU GUYS ARE GREAT. 363 00:22:40,200 --> 00:22:41,900 YEAH, I GET IT, I GET IT. I JUST TOLD YOU, 364 00:22:41,930 --> 00:22:44,140 I DON'T-- I'M NOT A PEOPLE PHOTOGRAPHER. 365 00:22:44,170 --> 00:22:47,070 YOU KNOW, I DO LANDSCAPES AND OBJECTS. 366 00:22:47,110 --> 00:22:49,080 THINGS THAT DON'T MOVE. 367 00:22:49,110 --> 00:22:52,680 RIGHT, WELL, YOU KNOW, PEOPLE ARE JUST TOO HARD FOR ME TO CAPTURE. 368 00:22:52,710 --> 00:22:55,820 YEAH, WELL, I'LL PUT A SQUIRREL IN THE TREE, OKAY? 369 00:22:58,080 --> 00:22:59,490 YEAH, I KNOW, BUT FOR 200 BUCKS, 370 00:22:59,520 --> 00:23:01,520 WHAT DO YOU EXPECT, ANSEL ADAMS? 371 00:23:07,030 --> 00:23:08,960 -OKAY, WELL... -[URINATING] 372 00:23:12,630 --> 00:23:14,100 [SIGHS] 373 00:23:14,130 --> 00:23:15,700 RIGHT, ALL RIGHT, WELL, I'LL TELL YOU WHAT, 374 00:23:15,740 --> 00:23:17,100 YEAH, I'M STILL DOWN AT THE CLOTHING STORE, 375 00:23:17,140 --> 00:23:19,710 AND YOU KNOW, THEY GIVE ME SOME HOURS THERE, 376 00:23:19,740 --> 00:23:21,240 SO I'LL, UH... 377 00:23:21,270 --> 00:23:22,880 OOH, YEAH. 378 00:23:24,140 --> 00:23:25,210 CAN I... 379 00:23:27,780 --> 00:23:30,020 CALL YOU BACK IN A MINUTE? 380 00:23:32,620 --> 00:23:34,020 SURPRISE. 381 00:23:35,760 --> 00:23:37,260 COME ON, GIRLFRIEND. 382 00:23:37,290 --> 00:23:39,660 SERVE HIM THAT SILVER PLATTER. 383 00:23:41,890 --> 00:23:43,130 HI, JOSH. 384 00:23:45,130 --> 00:23:46,600 HI. 385 00:23:48,170 --> 00:23:49,670 THIS YOUR PLACE? 386 00:23:51,040 --> 00:23:53,610 YEAH, I GOT SOME, UM... 387 00:23:53,640 --> 00:23:55,710 I GOT SOME ROOMMATES, BUT, UH, 388 00:23:55,740 --> 00:23:57,640 THIS IS WHERE I CRASH. 389 00:24:00,310 --> 00:24:01,780 NICE. 390 00:24:05,920 --> 00:24:07,050 CERINA... 391 00:24:09,860 --> 00:24:11,620 WHAT ARE YOU DOING OUT HERE? 392 00:24:11,660 --> 00:24:13,890 [CHUCKLES] WELL, I-- 393 00:24:17,060 --> 00:24:18,300 IS THAT ME? 394 00:24:21,670 --> 00:24:23,770 OH, THAT WAS-- 395 00:24:23,800 --> 00:24:25,910 I WAS LOOKING FOR THAT. I WAS THROWING ALL THIS STUFF AWAY, 396 00:24:25,940 --> 00:24:29,540 AND THAT WAS ONE OF THE THINGS THAT I WAS GONNA, YOU KNOW, THROW AWAY. 397 00:24:37,080 --> 00:24:39,750 WELL... [CHUCKLES] 398 00:24:39,790 --> 00:24:41,020 QUESTION FOR YOU. 399 00:24:45,890 --> 00:24:47,130 WOULD YOU SELL ME A CUP OF YOUR-- 400 00:24:47,160 --> 00:24:49,700 I EVEN FEEL AWKWARD. 401 00:24:56,800 --> 00:24:59,610 WELL, WHAT HAPPENED? 402 00:24:59,640 --> 00:25:01,940 DID HE TELL YOU THERE'S A LONG WAITING LIST OR SOMETHING? 403 00:25:01,970 --> 00:25:04,080 IT'S REALLY NOT A-- 404 00:25:04,110 --> 00:25:06,680 THIS WAS A DUMB IDEA. 405 00:25:06,710 --> 00:25:08,920 -LET'S GO. -HEY. 406 00:25:16,990 --> 00:25:18,820 -LOOK-- -NO, LISTEN, I-- 407 00:25:18,860 --> 00:25:22,330 -NO, LOOK. -OKAY, I'LL LISTEN, OR LOOK. 408 00:25:25,130 --> 00:25:27,170 I HAVEN'T SEEN YOU IN A LONG TIME 409 00:25:27,200 --> 00:25:30,970 AND THEN YOU JUST KIND OF SHOW UP HERE AND-- 410 00:25:31,000 --> 00:25:34,070 I MEAN, THIS WHOLE IDEA OF YOU HANDING ME MONEY 411 00:25:34,110 --> 00:25:36,810 AND ME HANDING YOU A CUP OF MY-- 412 00:25:36,840 --> 00:25:39,780 LOOK, I KNOW, I PROBABLY DIDN'T THINK IT THAT FAR THROUGH. 413 00:25:39,810 --> 00:25:43,350 MAYBE I SHOULD HAVE SAT ON THE WHOLE IDEA A LITTLE WHILE LONGER 414 00:25:43,380 --> 00:25:45,750 BEFORE JUST GOING TO LOOK FOR YOU. 415 00:25:48,720 --> 00:25:50,720 WHY-- WHY ME? I DON'T UNDERSTAND. 416 00:25:50,760 --> 00:25:52,430 I MEAN, THERE'S GOTTA BE PLENTY OF GUYS OUT THERE 417 00:25:52,460 --> 00:25:55,390 WITH A LOT LESS QUALITIES YOU DISLIKE. 418 00:25:55,430 --> 00:25:59,330 I DON'T DISLIKE YOU, JOSH. 419 00:25:59,370 --> 00:26:02,800 LOOK, YOU HAVE A LOT OF GREAT QUALITIES, 420 00:26:02,840 --> 00:26:08,410 AND YOU'RE GOOD-NATURED, I MEAN, HEALTHY. 421 00:26:08,440 --> 00:26:11,740 I DON'T KNOW, MAYBE YOU JUST SEEMED LIKE A GOOD CANDIDATE 422 00:26:11,780 --> 00:26:14,280 FOR MORE, UM, JOSHES. 423 00:26:17,850 --> 00:26:19,290 WELL, I'M FLATTERED. 424 00:26:19,320 --> 00:26:21,290 I MEAN, I GUESS THAT'S WHAT I AM. 425 00:26:21,320 --> 00:26:25,020 I JUST-- CAN I HAVE A DAY TO THINK ABOUT THIS? 426 00:26:25,060 --> 00:26:28,190 -JUST-- -YEAH, OF COURSE. OF COURSE. 427 00:26:31,430 --> 00:26:32,930 THIS IS CHARLIE. 428 00:26:35,940 --> 00:26:38,870 [BOTH] HI. 429 00:26:38,900 --> 00:26:40,840 [JON] THIS DOESN'T GET ANY BETTER FOR ME, ALL RIGHT? 430 00:26:40,870 --> 00:26:44,340 MY THREE BEAUTIFUL WOMEN IN THE LAUNDROMAT. THIS IS IT. 431 00:26:44,380 --> 00:26:46,250 -RIGHT, GRANDMA? -RIGHT. 432 00:26:46,280 --> 00:26:48,410 -YOU ALL RIGHT? -YEAH. 433 00:26:48,450 --> 00:26:50,280 KEEP FOLDING. 434 00:26:50,320 --> 00:26:52,890 I DON'T CARE HOW BEAUTIFUL YOU ARE. 435 00:26:52,920 --> 00:26:56,160 [CHARLIE] JON, YOU DON'T NEED TO KEEP FLATTERING US. 436 00:26:56,190 --> 00:26:58,220 WE DO STILL LOVE YOU. 437 00:26:58,260 --> 00:27:00,760 I CAN'T STOP THINKING ABOUT THIS WHOLE THING, ALL RIGHT? 438 00:27:00,790 --> 00:27:03,230 I JUST CAN'T THINK STRAIGHT ABOUT IT. 439 00:27:05,130 --> 00:27:07,170 YOU GET THAT, STRAIGHT? 440 00:27:07,200 --> 00:27:08,330 IT'S FUNNY. 441 00:27:08,370 --> 00:27:10,440 [CERINA] NOW YOU CAN BECOME ALL THE MAN YOU WANT TO BE 442 00:27:10,470 --> 00:27:12,440 WITHOUT A BABY IN THE REAR VIEW MIRROR. 443 00:27:12,470 --> 00:27:14,370 [JON] WELL, THAT'S RIGHT, THAT'S WHAT I MEAN, OKAY? 444 00:27:14,410 --> 00:27:17,140 NOW YOU JUST GO ON THE INTERNET, ANONYMOUSLY, 445 00:27:17,180 --> 00:27:19,150 YOU HAVE A ONE-NIGHT STAND, YOU HAVE A BABY, 446 00:27:19,180 --> 00:27:21,950 AND THAT'S A LITTLE LESS COMPLICATED, RIGHT? 447 00:27:21,980 --> 00:27:25,020 [CHARLIE] YEAH, WE MIGHT NOT BE GOING DOWN THAT ROUTE ANYMORE. 448 00:27:25,050 --> 00:27:26,350 [JON] WELL, WHAT DO YOU MEAN? 449 00:27:28,250 --> 00:27:30,090 YOU SPOKE TO YOUR EX-BOYFRIEND? 450 00:27:31,990 --> 00:27:33,060 REALLY? 451 00:27:35,390 --> 00:27:37,230 I DIDN'T KNOW ANYTHING ABOUT THIS. 452 00:27:39,530 --> 00:27:42,770 WELL, DON'T YOU THINK THIS IS A LITTLE ODD? 453 00:27:42,800 --> 00:27:44,100 WELL, DID HE ACCEPT? 454 00:27:46,010 --> 00:27:48,970 [CERINA] NOT YET. WE'LL FIND OUT TOMORROW. 455 00:27:49,010 --> 00:27:50,810 [JON] SO HE DIDN'T ACCEPT YET. 456 00:27:50,840 --> 00:27:52,210 [CERINA] YEAH, THANKS FOR REMINDING ME. 457 00:27:52,240 --> 00:27:54,480 [JON] OKAY, LOOK, I WAS JUST SAYING, 458 00:27:54,510 --> 00:27:56,080 BECAUSE I THOUGHT YOU WERE GONNA GO ON 459 00:27:56,120 --> 00:27:59,120 SOME MATCH-SEMEN.COM WEBSITE, THAT'S ALL. 460 00:27:59,150 --> 00:28:00,990 [CERINA] CAN'T WE JUST ALL SHUT THE HELL UP 461 00:28:01,020 --> 00:28:02,960 AND FOCUS ON THE LAUNDRY, OKAY? 462 00:28:02,990 --> 00:28:05,290 HURRY UP, GRANDMA, I GOTTA GET OUTTA HERE. 463 00:28:05,320 --> 00:28:06,960 [GRANDMA] ALL RIGHTY. 464 00:28:06,990 --> 00:28:09,260 -WHOO! -WHAT'S THE MATTER WITH YOU? 465 00:28:13,300 --> 00:28:17,370 ♪ THESE STREETS ARE LONELY ♪ 466 00:28:17,400 --> 00:28:19,440 ♪ ANOTHER FACE IN THE CROWD ♪ 467 00:28:21,440 --> 00:28:24,010 ♪ BUT I'VE GOT MY GUITAR ♪ 468 00:28:25,910 --> 00:28:28,310 ♪ AND I'M SINGING IT OUT LOUD ♪ 469 00:28:29,950 --> 00:28:32,550 ♪ WELL, I'VE LEARNED MY LESSON ♪ 470 00:28:34,320 --> 00:28:36,320 ♪ ALWAYS LISTEN TO THE CALL ♪ 471 00:28:38,390 --> 00:28:41,190 ♪ EVEN THOUGH IT MAY KILL ME ♪ 472 00:28:42,900 --> 00:28:45,200 ♪ I WON'T BE SORRY WHEN I FALL ♪ 473 00:28:46,630 --> 00:28:51,000 ♪ I'LL BE LAUGHING WHEN I FALL ♪ 474 00:28:51,040 --> 00:28:55,270 ♪ ALL ALONE WITH MY BAGS UNPACKED ♪ 475 00:28:55,310 --> 00:28:57,940 ♪ I STILL STARE AT THE WALL ♪ 476 00:28:59,480 --> 00:29:03,580 ♪ I DON'T KNOW WHEN MY DAY WILL COME ♪ 477 00:29:03,620 --> 00:29:07,920 ♪ AND I DON'T CARE AT ALL ♪ 478 00:29:07,950 --> 00:29:12,160 ♪ I KNOW I'M NEVER LOOKING BACK ♪ 479 00:29:12,190 --> 00:29:14,890 ♪ THIS TRAIN IS RIGHT ON TRACK... ♪ 480 00:29:14,930 --> 00:29:16,300 [PHONE RINGS] 481 00:29:18,230 --> 00:29:20,900 HELLO? HEY, JOSH. 482 00:29:25,140 --> 00:29:26,240 UH-HUH. 483 00:29:28,370 --> 00:29:30,910 OH, OH, MY GOD. YEAH, THAT-- 484 00:29:30,940 --> 00:29:32,950 I MEAN, THAT-- THAT'S GREAT. 485 00:29:32,980 --> 00:29:34,110 UH-HUH. 486 00:29:38,950 --> 00:29:40,020 UH-HUH. 487 00:29:41,490 --> 00:29:43,960 YOU DON'T-- OH, JOSH, I CAN'T EVEN-- 488 00:29:43,990 --> 00:29:45,590 I CAN'T EVEN THANK YOU ENOUGH. 489 00:29:45,620 --> 00:29:49,400 YEAH, THIS WILL MEAN SO MUCH TO US. 490 00:29:51,100 --> 00:29:53,100 OKAY, THANKS. 491 00:29:54,500 --> 00:29:56,970 OH, MY GOD, YES! 492 00:29:57,000 --> 00:29:58,940 [BOTH LAUGHING] 493 00:30:13,290 --> 00:30:14,350 WHOO! 494 00:30:17,290 --> 00:30:19,390 ♪ SHE SAID HER NAME WAS BILLIE ♪ 495 00:30:19,430 --> 00:30:22,530 ♪ AS SHE LOOKED UP FROM HER DRINK ♪ 496 00:30:22,560 --> 00:30:25,400 ♪ A SMILE ON HER FACE 497 00:30:25,430 --> 00:30:27,930 ♪ SHE KNEW HIM 498 00:30:27,970 --> 00:30:30,440 ♪ HE COULDN'T QUITE REMEMBER ♪ 499 00:30:30,470 --> 00:30:33,270 ♪ WHEN THEY'D MET UP AT THAT PLACE ♪ 500 00:30:33,310 --> 00:30:36,210 ♪ HE WAS A YOUNG BOY 501 00:30:36,240 --> 00:30:38,640 ♪ SHE WAS A FOOL 502 00:30:38,680 --> 00:30:41,550 ♪ AND THEY GOT HIGH 503 00:30:41,580 --> 00:30:44,650 ♪ THE NIGHT FLEW BY 504 00:30:44,680 --> 00:30:49,150 ♪ AND SHE WISHED THAT HE WOULD NEVER LET HER GO ♪ 505 00:30:50,760 --> 00:30:53,630 ♪ DOO, DOO, DOO, DOO, DOO, DOO, DOO, DOO ♪ 506 00:30:53,660 --> 00:30:56,330 ♪ DOO, DOO, DOO, DOO, DOO... ♪ 507 00:30:56,360 --> 00:30:59,430 WHAT ARE YOU DOING? 508 00:30:59,470 --> 00:31:01,170 I'M DRAWING. 509 00:31:01,200 --> 00:31:02,700 OH, GOD, REALLY? I HOPE IT'S NOT ME, 510 00:31:02,740 --> 00:31:06,170 BECAUSE I'M GONNA LOOK LIKE A DIRTY MAID. 511 00:31:06,210 --> 00:31:08,740 NOW THAT IS A SERIES OF PAINTINGS THAT I COULD GET INTO. 512 00:31:08,770 --> 00:31:11,410 HEY, LISTEN, WE GOTTA GET THE BOXES OUT OF THE ATTIC. 513 00:31:11,440 --> 00:31:12,680 YEAH, I DID IT. 514 00:31:12,710 --> 00:31:14,710 OH, OKAY. 515 00:31:14,750 --> 00:31:16,620 OH, THE GUEST ROOM BLINDS, WE GOTTA FIX THAT, 516 00:31:16,650 --> 00:31:18,150 BECAUSE THE LIGHT COMES RIGHT THROUGH. 517 00:31:18,180 --> 00:31:19,350 YEAH, THEY'RE DONE. 518 00:31:21,220 --> 00:31:22,390 REALLY? 519 00:31:22,420 --> 00:31:26,290 WELL, THANK YOU. APPRECIATE IT. 520 00:31:26,330 --> 00:31:31,330 YOU, UH, WANT ME TO PAINT SOME FLUFFY CLOUDS ON THE CEILING, TOO? 521 00:31:31,360 --> 00:31:34,100 I DON'T KNOW, MAYBE A BABY MOBILE ABOVE HIS BED, 522 00:31:34,130 --> 00:31:36,670 OR SOME FLUFFY TOYS? 523 00:31:39,510 --> 00:31:41,710 HE'S NOT THE ACTUAL BABY, CERINA, HE'S A HOUSEGUEST. 524 00:31:41,740 --> 00:31:43,180 HE'S COMING FOR A COUPLE OF WEEKS. 525 00:31:43,210 --> 00:31:45,110 HE'S GONNA BE POKED AND PRODDED, 526 00:31:45,140 --> 00:31:48,980 AND HE'S MAYBE GONNA BECOME THE COW TO OUR DAIRY FARM. 527 00:31:50,780 --> 00:31:52,690 IS THERE NO ROMANCE IN THIS FOR YOU? 528 00:31:54,390 --> 00:31:55,750 IS THERE FOR YOU? 529 00:32:02,430 --> 00:32:03,600 [SIGHS] 530 00:32:30,420 --> 00:32:31,490 WANT TO SEE YOUR ROOM? 531 00:32:31,520 --> 00:32:33,160 MM-HMM, YEAH. 532 00:32:34,730 --> 00:32:37,300 -WHAT DO YOU THINK? -OF WHAT? 533 00:32:37,330 --> 00:32:38,530 OF HIM! 534 00:32:39,830 --> 00:32:43,170 SO FAR, I THINK HE WALKS PRETTY GOOD. 535 00:32:56,880 --> 00:33:00,550 SO YOU KNOW, LEO AND I ACTUALLY HAVE OFFICES DOWN THE STREET FROM EACH OTHER. 536 00:33:00,590 --> 00:33:02,690 I MEAN, SOMETIMES I FEEL LIKE WE'RE JUST LITTLE KIDS AGAIN 537 00:33:02,720 --> 00:33:04,320 WITH ADJOINING ROOMS. 538 00:33:04,360 --> 00:33:06,630 AND I GET TO SEE HIM SO MUCH, IT'S AWESOME. 539 00:33:11,600 --> 00:33:12,700 THANKS. 540 00:33:15,470 --> 00:33:18,500 [CLEARS THROAT] YOU KNOW, HE LIKES YOU. 541 00:33:18,540 --> 00:33:20,570 LEO DOES, YOU KNOW. 542 00:33:20,610 --> 00:33:23,810 HE ALWAYS THOUGHT THAT YOU WERE THE COOL BROTHER THAT HE NEVER HAD. 543 00:33:23,840 --> 00:33:25,610 NO, NOT THAT I WASN'T A COOL SISTER AND ALL, 544 00:33:25,640 --> 00:33:28,310 BUT, YOU KNOW, HE JUST ALWAYS NEEDED THAT MALE ENERGY 545 00:33:28,350 --> 00:33:32,320 OR MALE CAMARADERIE THING. 546 00:33:32,350 --> 00:33:34,720 AND YOU KNOW, I WAS JUST SO GIRLY. 547 00:33:37,360 --> 00:33:39,490 SO, UH, JOSH. 548 00:33:39,530 --> 00:33:41,260 WHAT HAVE YOU BEEN UP TO LATELY? 549 00:33:44,360 --> 00:33:49,230 WELL, SINCE... I LAST SAW YOU, 550 00:33:49,270 --> 00:33:50,770 I MOVED DOWN TO L.A. FOR A WHILE, 551 00:33:50,800 --> 00:33:54,610 AND TRIED TO START A BAND. 552 00:33:54,640 --> 00:33:55,910 A BAND? 553 00:33:55,940 --> 00:33:59,480 YEAH, I ALWAYS HAD A DREAM ABOUT DOING 554 00:33:59,510 --> 00:34:02,750 THE ROCK-STAR-ON-THE-ROAD THING, YOU KNOW? 555 00:34:02,780 --> 00:34:06,390 YOU PLAYED AN INSTRUMENT? 556 00:34:06,420 --> 00:34:11,620 YOU, UH, YOU BOUGHT ME A GUITAR FOR CHRISTMAS ONE YEAR, REMEMBER? 557 00:34:11,660 --> 00:34:14,160 IT'S ALL RIGHT. I KIND OF GOT INTO IT MORE LATER 558 00:34:14,190 --> 00:34:17,360 AFTER-- AFTER I SAW YOU, 559 00:34:17,400 --> 00:34:19,870 AND UM... AH, YOU KNOW. 560 00:34:19,900 --> 00:34:22,770 IT WAS ALL RIGHT. IT GAVE ME SOME FOCUS AND DIRECTION AT THE TIME. 561 00:34:22,800 --> 00:34:25,740 KIND OF GONE MORE INTO THE PHOTOGRAPHY THING LATELY. 562 00:34:25,770 --> 00:34:27,770 THAT'S AWESOME. I JUST... 563 00:34:27,810 --> 00:34:30,780 KINDA ALWAYS THOUGHT YOU WANTED TO GET INTO FILMS. 564 00:34:30,810 --> 00:34:33,380 HMM. YEAH, WELL, I TRIED THAT BUSINESS. 565 00:34:33,410 --> 00:34:36,720 THOSE GUYS ARE, LIKE, CRAZY AND IT WAS TOO MUCH. 566 00:34:36,750 --> 00:34:38,920 -GOTCHA. -SO... 567 00:34:38,950 --> 00:34:41,390 HOW DID THE ROAD ARTIST THING PAN OUT? 568 00:34:41,420 --> 00:34:44,660 [CLEARS THROAT] WELL, THREE TOURS OF GILROY, 569 00:34:44,690 --> 00:34:47,260 FIVE GROUPIES, AND I GOT A MUSIC VIDEO-- 570 00:34:47,290 --> 00:34:48,660 HALF MUSIC VIDEO DONE. 571 00:34:48,690 --> 00:34:51,260 ACTUALLY, I HAVE IT ON DVD HERE IF YOU GUYS WANT TO CHECK IT OUT. 572 00:34:51,300 --> 00:34:52,400 IT'S PRETTY GOOD. 573 00:34:52,430 --> 00:34:54,230 THAT'S AWESOME! 574 00:34:54,270 --> 00:34:55,830 THAT'S REALLY GOOD. 575 00:34:55,870 --> 00:34:57,640 I DIDN'T EVEN KNOW YOU WERE SO NATURALLY TALENTED 576 00:34:57,670 --> 00:34:59,740 IN THE THINGS I DIDN'T KNOW YOU WERE TALENTED IN. 577 00:35:02,440 --> 00:35:05,540 WELL, NOT REALLY, BUT THANKS. 578 00:35:05,580 --> 00:35:07,750 YOU-- WOW, YOUR FAMILY, THEY MUST ALL HAVE, LIKE, 579 00:35:07,780 --> 00:35:10,680 THIS ARTIST'S STREAK GOING THROUGH THEM BECAUSE-- 580 00:35:10,720 --> 00:35:13,650 WELL, LET'S SEE, MY MOM'S A CPA, 581 00:35:13,690 --> 00:35:15,650 MY BROTHER TESTS SOIL FOR A CONSTRUCTION COMPANY, 582 00:35:15,690 --> 00:35:17,290 -SO I'M NOT-- -YEAH. 583 00:35:17,320 --> 00:35:19,560 THAT'S AWESOME THAT HE DOES THAT, YOU KNOW, 584 00:35:19,590 --> 00:35:23,560 THAT'S REALLY COOL. I JUST DIDN'T EVEN KNOW HE DID THOSE KIND OF THINGS. 585 00:35:23,600 --> 00:35:26,200 YOU'RE A LOVE-YOUR-JOB KIND OF GUY, THEN? 586 00:35:31,300 --> 00:35:32,970 I FEEL EVERYBODY WHO HAS PASSION 587 00:35:33,010 --> 00:35:35,340 SHOULD AT LEAST TRY AND PUT IT TO WORK. 588 00:35:38,680 --> 00:35:43,380 AND WHAT IF YOUR PASSION'S AN UNDESIRED COMMODITY? 589 00:35:43,420 --> 00:35:44,320 WHAT THEN? 590 00:35:46,750 --> 00:35:48,920 I FEEL IF YOU'VE GOT PASSION, 591 00:35:48,950 --> 00:35:50,520 SOMEBODY'S GONNA WANT IT. 592 00:35:59,970 --> 00:36:01,870 RIGHT. RIGHT, RIGHT, RIGHT. 593 00:36:01,900 --> 00:36:05,340 YOU KNOW, AND SOMETIMES YOU ARTISTS NEED A BREAK FROM CREATING, 594 00:36:05,370 --> 00:36:07,440 UH, TO MAKE MONEY, AND... 595 00:36:07,470 --> 00:36:10,010 IT REALLY WORKS OUT FOR THIS WHOLE ARRANGEMENT, 596 00:36:10,040 --> 00:36:12,340 BECAUSE YOU NEED MONEY TO KEEP CREATING, 597 00:36:12,380 --> 00:36:15,780 AND WE NEED... STUFF, TO KEEP PROCREATING. 598 00:36:18,750 --> 00:36:22,520 SO... HOW'S THE HELP? 599 00:36:30,660 --> 00:36:32,630 WELL, UH, GOOD NIGHT, JOSH. 600 00:36:32,660 --> 00:36:34,330 SLEEP TIGHT. 601 00:36:34,370 --> 00:36:37,040 OH, THANKS. YOU SLEEP TIGHT, TOO, 602 00:36:37,070 --> 00:36:40,640 OR, I MEAN, YOU KNOW, I'M NOT TELLING YOU TO GO TO SLEEP, 603 00:36:40,670 --> 00:36:42,640 BUT I'M JUST-- I'M JUST-- 604 00:36:42,670 --> 00:36:45,640 YEAH, YEAH, SLEEP-- ALL RIGHT, I'LL SEE YOU TOMORROW. 605 00:37:03,360 --> 00:37:04,430 [CAMERA CLICKS] 606 00:37:07,830 --> 00:37:10,370 [CERINA] HEY. 607 00:37:10,400 --> 00:37:11,840 HEY. 608 00:37:13,440 --> 00:37:15,070 [CERINA] SO HOW'D IT GO? 609 00:37:15,110 --> 00:37:20,080 OH, IT'S NOT TOO-- OH, THAT. 610 00:37:20,110 --> 00:37:21,810 -YEAH. -WELL, 611 00:37:21,850 --> 00:37:23,880 PRETTY GOOD IF YOU'RE A DARTBOARD. 612 00:37:23,920 --> 00:37:28,820 WELL, I GUESS WE'LL FIND OUT IF YOU GOT ANY, UH... 613 00:37:28,850 --> 00:37:32,420 STDS? YEAH, NO. 614 00:37:32,460 --> 00:37:35,590 YOU DON'T HAVE TO WORRY ABOUT THAT, 'CAUSE TO GET STDS, YOU GOTTA... 615 00:37:40,570 --> 00:37:42,570 WHAT'S WITH THE TREE? 616 00:37:42,600 --> 00:37:45,370 I'M DOING SOME GRAPHICS FOR THIS HOLISTIC MASSAGE PLACE BY ME. 617 00:37:45,400 --> 00:37:48,640 IT'S-- I MEAN, IT'S NOT THE HAPPY ENDING KIND OF MASSAGE, 618 00:37:48,670 --> 00:37:51,380 JUST THE REGULAR-- THE SAD ENDING KIND. 619 00:37:53,750 --> 00:37:55,750 WELL, WHY THE TREE, THEN? 620 00:37:55,780 --> 00:37:58,580 OH, 'CAUSE IT'S CALLED "THE TREE-TMENT CENTER," YOU KNOW? 621 00:37:58,620 --> 00:38:00,650 THEY'RE LIKE THE GREEN KIND OF PEOPLE, 622 00:38:00,690 --> 00:38:02,420 AND SO THEY WANT TO HAVE A TREE IN IT, 623 00:38:02,450 --> 00:38:04,760 BUT THEY ALSO WANT TO PUT A PERSON IN IT AND-- 624 00:38:06,120 --> 00:38:07,930 YOU GET IN THAT TREE. 625 00:38:07,960 --> 00:38:10,530 OH, NO. NO, NO, NOT ME, NO. 626 00:38:10,560 --> 00:38:12,960 OH, NO, COME ON! GET IN THE TREE, WHY NOT? 627 00:38:13,000 --> 00:38:14,930 OH, COME ON, YOU REMEMBER. 628 00:38:14,970 --> 00:38:17,540 I FELL ON MY HEAD, CRACKED MY SKULL OPEN WHEN I WAS EIGHT. 629 00:38:17,570 --> 00:38:19,600 NO, NO. 630 00:38:19,640 --> 00:38:24,740 AND I THOUGHT YOU SAID YOU WEREN'T GOOD AT SHOOTING PEOPLE, ANYWAYS. 631 00:38:24,780 --> 00:38:28,010 WELL... YOU KNOW, WE'LL BOTH CONFRONT OUR WEAKNESSES. 632 00:38:28,050 --> 00:38:30,150 OH, NO. NO THANKS. 633 00:38:30,180 --> 00:38:32,480 COME ON, IF THERE'S ANYBODY I'M GONNA TAKE A GREAT PICTURE OF, 634 00:38:32,520 --> 00:38:34,620 IT'S GONNA BE YOU. 635 00:38:34,650 --> 00:38:38,160 HMM. THANKS, WELL... 636 00:38:38,190 --> 00:38:41,490 MAYBE I'LL HIRE YOU TO TAKE SOME PICTURES OF CHARLIE AND I. 637 00:38:43,200 --> 00:38:46,500 AHH. SHE'S A NICE GIRL. 638 00:38:46,530 --> 00:38:49,740 -CHARLIE? -YEAH, SHE'S COOL. 639 00:38:49,770 --> 00:38:51,640 YEAH, I AGREE. 640 00:38:53,000 --> 00:38:54,410 SHE'S, UM... 641 00:38:56,170 --> 00:38:57,080 WHAT? 642 00:38:59,210 --> 00:39:00,650 I WAS GONNA-- [CHUCKLES] 643 00:39:00,680 --> 00:39:02,180 I WAS GONNA SAY SHE'S NOT YOUR TYPE, 644 00:39:02,210 --> 00:39:04,650 BUT THEN, I DON'T THINK HER ENTIRE BODY WAS YOUR TYPE. 645 00:39:04,680 --> 00:39:06,550 WHY DON'T YOU THINK SHE'S MY TYPE? 646 00:39:09,550 --> 00:39:11,760 I DON'T KNOW, I GUESS... 647 00:39:11,790 --> 00:39:14,860 IF I THOUGHT YOU WERE GONNA GO IN THAT DIRECTION AT ANY POINT, 648 00:39:14,890 --> 00:39:20,000 I GUESS SHE WASN'T THE GIRL THAT I NECESSARILY PICTURED YOU GOING AFTER. 649 00:39:20,030 --> 00:39:22,870 AND WHAT TYPE OF GIRL DID YOU SEE ME GOING AFTER? 650 00:39:26,100 --> 00:39:28,810 WELL, THAT'S KIND OF HARD TO PINPOINT, 'CAUSE TRUTHFULLY, 651 00:39:28,840 --> 00:39:31,080 YOU GOING AFTER SOMEBODY ELSE 652 00:39:31,110 --> 00:39:33,550 WASN'T SOMETHING I THOUGHT ABOUT TOO MUCH. 653 00:39:37,750 --> 00:39:40,050 I GOTTA ASK YOU SOMETHING. 654 00:39:40,090 --> 00:39:41,520 WHAT? 655 00:39:44,260 --> 00:39:47,090 ARE YOU WITH CHARLIE... 656 00:39:47,130 --> 00:39:49,160 CHARLIE, WHAT? 657 00:39:49,190 --> 00:39:52,030 ARE-- ARE YOU WITH CHARLIE 658 00:39:52,060 --> 00:39:57,070 BECAUSE I HAD ASKED-- BECAUSE I WANTED YOU AND I... 659 00:39:57,100 --> 00:39:58,500 WHAT? 660 00:40:00,670 --> 00:40:03,680 HOW-- WHAT? 661 00:40:03,710 --> 00:40:06,140 ARE YOU WITH CHARLIE BECAUSE I ASKED YOU TO HAVE A THREESOME? 662 00:40:08,980 --> 00:40:10,550 [LAUGHS] 663 00:40:10,580 --> 00:40:13,520 YOU NEVER TOLD ME THAT YOU HAD A THREE-WAY. 664 00:40:13,550 --> 00:40:17,720 -YOU? -WELL, IT WAS MORE OF A TWO-AND-A-HALF WAY. 665 00:40:17,760 --> 00:40:19,860 LOOK, I WAS UP FOR THE WHOLE IDEA, 666 00:40:19,890 --> 00:40:23,260 ONLY I BROUGHT IN SOMEBODY THAT WAS A LITTLE BIT MORE HARDCORE THAN YOU, 667 00:40:23,300 --> 00:40:27,600 AND POOR LITTLE JOSH JUST ENDED UP GETTING A LIVE SHOW. 668 00:40:27,630 --> 00:40:30,840 NOT THAT HE WAS COMPLAINING MUCH. 669 00:40:30,870 --> 00:40:33,570 SO THAT IS THE LITTLE EXPERIENCE 670 00:40:33,610 --> 00:40:35,870 THAT YOU TOLD ME ABOUT WHEN WE MET. 671 00:40:35,910 --> 00:40:39,710 YEAH. AND THAT WAS IT. 672 00:40:39,740 --> 00:40:41,610 ONLY NOW HE'S WONDERING IF HE'S THE ONE 673 00:40:41,650 --> 00:40:44,280 THAT LED ME DOWN THE PATH OF LEAST RESISTANCE. 674 00:40:44,320 --> 00:40:47,120 TYPICAL BLOKE TO THINK IT WAS SOMEHOW HIM 675 00:40:47,150 --> 00:40:50,020 THAT MADE YOU WANT TO BE WITH A WOMAN. 676 00:40:50,060 --> 00:40:51,990 OKAY, HE'S NOT LIKE THAT. 677 00:40:52,020 --> 00:40:54,860 LOOK, HE WAS PROBABLY JUST TRYING TO MAKE SOMETHING BETTER 678 00:40:54,890 --> 00:40:56,630 THAT HE KNEW WAS ALREADY FALLING APART, 679 00:40:56,660 --> 00:41:01,170 AND NOW HE'S JUST TRYING TO PIECE IT ALL TOGETHER. 680 00:41:02,870 --> 00:41:05,300 CERINA, YOU ARE HERE WITH ME 681 00:41:05,340 --> 00:41:06,910 BECAUSE YOU WANT TO BE, RIGHT? 682 00:41:06,940 --> 00:41:09,910 I MEAN, THAT'S-- 683 00:41:09,940 --> 00:41:11,880 THAT'S NOT EVEN A QUESTION FOR YOU, IS IT? 684 00:41:11,910 --> 00:41:15,710 OH, CHARLIE, DON'T THINK LIKE THAT, OKAY? 685 00:41:15,750 --> 00:41:17,980 HE'S HERE BECAUSE, SIMPLY, 686 00:41:18,020 --> 00:41:19,820 I WANT HIM TO GET ME PREGNANT. 687 00:41:20,920 --> 00:41:22,820 GOOD. 688 00:41:22,850 --> 00:41:24,690 BECAUSE FOR A MINUTE I THOUGHT IT WAS FOR SOMETHING IMMORAL. 689 00:41:59,990 --> 00:42:01,230 WHAT ARE YOU DOING IN HERE? 690 00:42:03,960 --> 00:42:05,900 OH, THIS IS REALLY INTERESTING. 691 00:42:05,930 --> 00:42:09,200 I SAW THIS DOLLY PARTON. 692 00:42:09,230 --> 00:42:11,770 A WHAT? 693 00:42:11,800 --> 00:42:14,210 REMINDS ME OF A DOLLY PARTON. IT'S A ROSE. 694 00:42:14,240 --> 00:42:17,310 I WAS TAKING THIS BOTANICAL SEMESTER FOR THIS CHARCOAL CLASS ONE TIME, 695 00:42:17,340 --> 00:42:19,340 AND THEY STUDIED THIS SUCKER TO DEATH, 696 00:42:19,380 --> 00:42:21,680 BUT IT WAS-- KINDA STRUCK ME THAT WAY, 697 00:42:21,710 --> 00:42:23,720 LIKE, UH-- LET ME SEE, WHAT WAS IT? 698 00:42:23,750 --> 00:42:26,380 WARM CLIMATES. IT'S KIND OF LIKE AN ORANGE-- 699 00:42:26,420 --> 00:42:28,150 IT'S NOT FINISHED. 700 00:42:30,720 --> 00:42:32,390 OH. 701 00:42:32,420 --> 00:42:33,990 SORRY. 702 00:42:34,030 --> 00:42:35,360 I GOT A LOT OF UNFINISHED SONGS, YOU KNOW. 703 00:42:35,390 --> 00:42:37,660 SOMETIMES THINGS TAKE TIME. 704 00:42:37,700 --> 00:42:40,870 LOOK, JOSH, YOU'RE A GUEST IN MY HOUSE AND EVERYTHING, 705 00:42:40,900 --> 00:42:43,400 AND I REALLY APPRECIATE YOU HELPING US, 706 00:42:43,440 --> 00:42:47,010 BUT PLEASE DON'T GO LOOKING THROUGH PEOPLE'S PRIVATE THINGS. 707 00:42:47,040 --> 00:42:49,740 SORRY, I WAS JUST-- 708 00:42:49,770 --> 00:42:51,180 JUST WALKING BY. 709 00:42:52,840 --> 00:42:54,010 OKAY. 710 00:42:56,280 --> 00:42:57,780 ALL RIGHT, OKAY. 711 00:43:10,300 --> 00:43:13,030 HE WAS LOOKING THROUGH MY STUFF. 712 00:43:13,060 --> 00:43:14,230 WHAT WAS THAT? 713 00:43:14,270 --> 00:43:18,000 YOUR BOYFRIEND. 714 00:43:18,040 --> 00:43:19,440 LOOKING THROUGH MY PAINTINGS. 715 00:43:22,240 --> 00:43:24,310 I WANT YOU TO TELL HIM THAT IF HE HAS EVEN A COLD SORE 716 00:43:24,340 --> 00:43:26,180 SHOW UP ON THOSE TESTS TOMORROW, 717 00:43:26,210 --> 00:43:29,150 HE IS HEADING STRAIGHT BACK TO THAT ART COLONY BY THE SEA. 718 00:43:29,180 --> 00:43:33,020 CHARLIE, IT'S JUST ONE PAINTING. 719 00:43:33,050 --> 00:43:34,950 JUST ONE PAINTING? 720 00:43:36,960 --> 00:43:40,930 CERINA, YOU HAVE MEMORIES, DON'T YOU? 721 00:43:40,960 --> 00:43:44,160 NOW, IF ALL THOSE MEMORIES WERE WIPED FROM YOUR MIND, 722 00:43:44,200 --> 00:43:46,100 WOULD YOU BE THE SAME PERSON AGAIN? 723 00:43:48,500 --> 00:43:54,210 I HAVE ONE REAL MEMORY OF MY DAD. 724 00:43:54,240 --> 00:43:59,310 AND IT'S OF A PLACE THAT HE TOOK ME TO IN THE CITY, 725 00:43:59,340 --> 00:44:01,380 MAYBE HALF A DOZEN TIMES. 726 00:44:05,250 --> 00:44:07,490 AND IT WAS OUR MAGIC PLACE. 727 00:44:12,560 --> 00:44:15,890 AND IT WAS WHERE WE WENT JUST TO BE OURSELVES. 728 00:44:19,260 --> 00:44:22,830 AND WHEN HE DIED, HE TOOK THAT PLACE... 729 00:44:22,870 --> 00:44:26,240 HE TOOK THAT PLACE AND HE TOOK ALL OF ITS MAGIC WITH HIM 730 00:44:26,270 --> 00:44:31,010 BECAUSE I WAS TOO YOUNG TO EVEN REMEMBER WHERE IT WAS. 731 00:44:36,380 --> 00:44:40,890 SO I MOVE HALFWAY ACROSS THE WORLD... 732 00:44:40,920 --> 00:44:45,390 AND SOMETIMES I STILL TAKE A DIFFERENT ROUTE HOME FROM WORK 733 00:44:45,420 --> 00:44:49,030 JUST IN CASE I FIND IT AGAIN. 734 00:44:51,160 --> 00:44:56,030 AND ALL I HAVE TO REMEMBER THAT PLACE BY IS THOSE PAINTINGS. 735 00:45:00,210 --> 00:45:04,010 AND YOU TELL ME IT'S JUST A PAINTING. 736 00:45:05,310 --> 00:45:07,050 IT'S NOT JUST A PAINTING. 737 00:45:30,600 --> 00:45:32,400 [JOSH] LET ME SHOW YOU. 738 00:45:32,440 --> 00:45:34,310 -DO LIKE THAT. -OKAY. 739 00:45:34,340 --> 00:45:35,870 THAT'S THE FOCUS. 740 00:45:35,910 --> 00:45:37,280 -IT SAYS "FOCUS" RIGHT THERE. -OH, OKAY. 741 00:45:37,310 --> 00:45:39,180 YOU CAN TRY IT IF YOU WANT, JUST HIT THE BUTTON THERE. 742 00:45:39,210 --> 00:45:40,280 OKAY. 743 00:45:40,310 --> 00:45:42,410 I'D LIKE TO GET A CAMERA. 744 00:45:44,120 --> 00:45:46,580 -YEAH? -IT'S PRETTY COOL. 745 00:45:46,620 --> 00:45:49,020 TAKING PICTURES OF YOUR FRIENDS, YOU KNOW? 746 00:45:49,050 --> 00:45:51,920 YEAH, PEOPLE ARE A LITTLE HARDER, YOU KNOW? 747 00:45:51,960 --> 00:45:56,060 IT'S KIND OF HARD TO GET 'EM IN THE BEST LIGHT ALL THE TIME, YOU KNOW? 748 00:45:56,090 --> 00:45:57,230 REALLY? 749 00:45:59,330 --> 00:46:01,070 GUESS YOU JUST GOTTA TRY. 750 00:46:02,500 --> 00:46:04,240 [JOSH] YOU SEE IN THE THING IN THE CENTER THERE, 751 00:46:04,270 --> 00:46:05,340 KIND OF FOCUSING UP IN THE MIDDLE, 752 00:46:05,370 --> 00:46:07,210 -THAT LITTLE DOT? -[BOY] YEAH, YEAH. 753 00:46:07,240 --> 00:46:09,610 AND YOU JUST [CLICKS TONGUE], SNAP AWAY. 754 00:46:12,640 --> 00:46:15,580 ALL RIGHT, WELL, THANKS FOR YOUR TIME. APPRECIATE IT. 755 00:46:15,610 --> 00:46:17,480 OH, NO PROBLEM. 756 00:46:17,520 --> 00:46:20,950 -I GUESS I'LL SEE YOU AROUND? -YEAH, SEE ME AROUND... TREES. 757 00:46:20,990 --> 00:46:23,190 [BOY] KEEP ON TAKING PICTURES OF TREES. 758 00:46:23,220 --> 00:46:24,960 -YEAH. -GUESS I'LL SEE YOU LATER. 759 00:46:24,990 --> 00:46:27,090 ALL RIGHT, MAN, TAKE CARE. WATCH OUT FOR THE WOLVES. 760 00:46:27,130 --> 00:46:29,230 [BOY] OKAY. 761 00:46:29,260 --> 00:46:32,630 I'M NOT GONNA GIVE YOU CREDIT FOR THAT SHOT, I'M GONNA USE IT. 762 00:46:32,660 --> 00:46:34,170 I'M JUST KIDDING. IT'S JUST A JOKE. 763 00:46:34,200 --> 00:46:35,500 -OH, OKAY. -IT'S A PHOTOGRAPHER JOKE. 764 00:46:35,530 --> 00:46:36,870 -I REALLY DON'T EVEN CARE. -OH, OKAY. 765 00:46:39,400 --> 00:46:41,110 -HEY. -HEY. 766 00:46:41,140 --> 00:46:42,570 WHO'S, UM-- WHO'S THAT? 767 00:46:42,610 --> 00:46:44,680 THAT IS A FUTURE GANG BANGER 768 00:46:44,710 --> 00:46:46,980 WHO JUST HAD, LIKE, A MINUTE OF HOPE IN HIS LIFE. 769 00:46:47,010 --> 00:46:49,110 [CHUCKLES] WOW. 770 00:46:49,150 --> 00:46:52,350 YOU COULD USE JUST A LITTLE BIT MORE OPTIMISM. 771 00:46:52,380 --> 00:46:55,320 SPEAKING OF WHICH, I GOT YOUR TEST RESULTS BACK, 772 00:46:55,350 --> 00:46:57,660 AND YOU'RE ALL GOOD. YOU'RE ONE CLEAN GUY. 773 00:46:57,690 --> 00:47:00,490 AH, LET ME SEE THAT. LET ME SEE THAT. 774 00:47:03,030 --> 00:47:06,030 AH, HEPATITIS B, NEGATIVE. 775 00:47:06,060 --> 00:47:08,670 HTLV, NEGATIVE. 776 00:47:08,700 --> 00:47:12,540 CYTOMEGALOVIRUS, NEGATIVE. 777 00:47:12,570 --> 00:47:14,670 HALLELUJAH. 778 00:47:14,710 --> 00:47:17,010 CYSTIC FIBROSIS, NEGATIVE. 779 00:47:17,040 --> 00:47:19,540 I HAVE NO IDEA WHAT THALASSEMIA IS, 780 00:47:19,580 --> 00:47:21,280 BUT I'M GLAD I DON'T HAVE IT. 781 00:47:21,310 --> 00:47:23,280 THIS IS GOOD. GLAD TO HEAR IT. 782 00:47:25,020 --> 00:47:26,380 FINE, SO... 783 00:47:28,720 --> 00:47:32,220 SO, YOU WANT TO GO CELEBRATE? 784 00:47:32,260 --> 00:47:34,360 OKAY, SOUNDS GOOD. IT'S JUST, UM-- 785 00:47:34,390 --> 00:47:36,460 I'LL TAKE YOU OUT TO DINNER TO THAT SUSHI PLACE YOU KEEP TALKING ABOUT. 786 00:47:36,490 --> 00:47:39,000 YOU KNOW, THAT-- 787 00:47:39,030 --> 00:47:41,700 YOU WANT TO TAKE ME TO... 788 00:47:41,730 --> 00:47:44,600 LISTEN, JOSH, NOW THAT YOU'RE CLEAN AND HEALTHY, 789 00:47:44,640 --> 00:47:46,570 I THINK THERE'S A FEW OTHER STEPS WE NEED TO TALK ABOUT. 790 00:47:46,600 --> 00:47:48,670 [BOTH CHUCKLE] 791 00:47:48,710 --> 00:47:50,980 RIGHT, BUT WE'RE NOT EXACTLY GOING TO DO THAT BEFORE DINNER, ARE WE? 792 00:47:51,010 --> 00:47:52,040 SO... 793 00:47:58,380 --> 00:48:01,990 CHARLIE MAY BE A WOMAN, JOSH, 794 00:48:02,020 --> 00:48:04,320 BUT I'M WITH HER. 795 00:48:04,360 --> 00:48:07,030 MAYBE SOMEHOW THIS DOESN'T FEEL REAL TO YOU 796 00:48:07,060 --> 00:48:08,490 BECAUSE SHE'S NOT A GUY. 797 00:48:08,530 --> 00:48:11,030 SHE'S AS REAL AS ANY GUY I'VE EVER KNOWN. 798 00:48:22,510 --> 00:48:24,340 WANT ME TO GET UP IN THAT TREE? 799 00:48:25,510 --> 00:48:27,580 GONNA TAKE SOME RISKS, HUH? 800 00:48:27,610 --> 00:48:29,610 WHY NOT? 801 00:48:29,650 --> 00:48:31,280 LIFE'S FULL OF THEM, RIGHT? 802 00:48:38,620 --> 00:48:42,490 ALL RIGHT, YOU'RE GONNA HAVE TO HELP ME HERE. 803 00:48:42,530 --> 00:48:43,660 OH, GOD. 804 00:48:45,260 --> 00:48:47,100 AAH! 805 00:48:47,130 --> 00:48:50,100 -[DOGS BARKING] -SEE, THEY DON'T LIKE ME GOING UP EITHER. 806 00:48:50,130 --> 00:48:51,640 IT'S ALL RIGHT, ONE STEP AT A TIME, THERE YOU GO. 807 00:48:51,670 --> 00:48:52,570 OKAY. 808 00:48:55,670 --> 00:48:58,080 OKAY, THAT'S GOOD, THAT'S GOOD. 809 00:49:01,550 --> 00:49:03,180 ALL RIGHT, THAT'S GOOD. 810 00:49:03,210 --> 00:49:04,680 LET'S GET THIS ON. 811 00:49:06,180 --> 00:49:07,620 HOW'S THIS? 812 00:49:07,650 --> 00:49:09,390 OH, YEAH, LOOK AT YOU. OOP, I GOTTA GET MY... 813 00:49:09,420 --> 00:49:11,120 DAMN SETTING ON HERE. 814 00:49:11,160 --> 00:49:12,260 OH, YOU LOOK GREAT. 815 00:49:12,290 --> 00:49:13,790 [CAMERA CLICKS] 816 00:49:16,430 --> 00:49:20,300 HEY, UH, I WAS SORRY ABOUT CHARLIE'S PAINTINGS 817 00:49:20,330 --> 00:49:22,800 AND WHATEVER HAPPENED THAT DAY. 818 00:49:22,830 --> 00:49:26,540 OH, IT'S FINE, SHE'S JUST-- 819 00:49:26,570 --> 00:49:28,670 THEY'RE IMPORTANT TO HER. 820 00:49:28,710 --> 00:49:30,170 SHE LOSE SOMEBODY? 821 00:49:32,280 --> 00:49:33,440 HOW DO YOU KNOW? 822 00:49:35,310 --> 00:49:36,650 I COULD JUST TELL. 823 00:49:38,250 --> 00:49:40,280 HER FATHER. 824 00:49:40,320 --> 00:49:43,420 HE DIED WHEN SHE WAS TEN. 825 00:49:43,450 --> 00:49:45,160 THEY USED TO TRAVEL HERE ALL THE TIME FOR BUSINESS, 826 00:49:45,190 --> 00:49:46,690 AND HE'D TAKE HER ALONG, 827 00:49:46,720 --> 00:49:50,500 AND THEN HE'D TAKE HER TO THIS PARK OR SOMETHING. 828 00:49:53,460 --> 00:49:56,470 SO, ALL THOSE BROKEN IMAGES YOU SEE 829 00:49:56,500 --> 00:50:00,470 ARE JUST HER TRYING TO RECALL THE ONE PLACE SHE REMEMBERS SHARING WITH HIM. 830 00:50:02,310 --> 00:50:03,340 WHAT? 831 00:50:06,340 --> 00:50:08,710 I DON'T KNOW IF IT EVER ACTUALLY REALLY EXISTED, 832 00:50:08,750 --> 00:50:13,350 OR IS IT SOMETHING THAT SHE NEEDS TO REMEMBER. 833 00:50:16,220 --> 00:50:18,860 IT'S REAL. 834 00:50:18,890 --> 00:50:21,430 YOU DON'T SEARCH THAT HARD FOR SOMETHING THAT'S NOT REAL. 835 00:50:23,290 --> 00:50:24,200 YEAH. 836 00:50:25,730 --> 00:50:29,630 OKAY, I THINK I'M READY TO GET DOWN. 837 00:50:33,240 --> 00:50:35,540 HERE YOU GO. 838 00:50:35,570 --> 00:50:38,680 -ALL RIGHTY. -ALL RIGHT, THANKS. 839 00:50:38,710 --> 00:50:39,840 YOU'RE WELCOME. 840 00:50:41,310 --> 00:50:43,180 HEY LISTEN, UM... 841 00:50:43,210 --> 00:50:46,580 TOMORROW WITH MY PARENTS, 842 00:50:46,620 --> 00:50:50,320 JUST KEEP THAT WHOLE DONATING THING OFF THE TABLE, OKAY? 843 00:50:50,350 --> 00:50:55,190 OH, WE'RE GONNA DO THE OLD "EX DROPS INTO TOWN" ROUTINE, HUH? 844 00:50:55,230 --> 00:50:56,790 RIGHT. 845 00:50:58,960 --> 00:51:00,900 [WATER RUNNING] 846 00:51:13,950 --> 00:51:15,910 HEY. 847 00:51:15,950 --> 00:51:17,520 SORRY, I DIDN'T-- 848 00:51:17,550 --> 00:51:20,650 YEAH, YOU THOUGHT IT WAS CERINA. 849 00:51:20,690 --> 00:51:22,890 NO. 850 00:51:22,920 --> 00:51:24,760 NO, I WAS ACTUALLY LOOKING FOR THE KITCHEN, 851 00:51:24,790 --> 00:51:26,520 I WAS JUST TRYING TO-- 852 00:51:26,560 --> 00:51:28,260 KITCHEN, THAT WAY. 853 00:51:30,360 --> 00:51:32,260 SO CONFUSING IN HERE SOMETIMES. 854 00:51:38,970 --> 00:51:41,540 I'M JUST-- I WANT TO RAISE A TOAST 855 00:51:41,570 --> 00:51:43,880 AND SAY I'M SO HAPPY I'M AT THE-- 856 00:51:43,910 --> 00:51:46,810 -TRY THAT BACK. -[MAN] THANK YOU, THANK YOU. 857 00:51:46,840 --> 00:51:48,950 [MAN] THAT WAS WELL DONE. WELL TOASTED. 858 00:51:48,980 --> 00:51:50,950 -THANK YOU. -CHEERS. 859 00:51:50,980 --> 00:51:54,250 I WOULD JUST-- I'M REALLY SO HAPPY 860 00:51:54,290 --> 00:51:55,420 THAT MY PARENTS CAME TO VISIT, 861 00:51:55,450 --> 00:51:57,360 AND I HAVE MY BROTHER WITH ME, 862 00:51:57,390 --> 00:52:01,690 AND UM, MY CHARLIE, 863 00:52:01,730 --> 00:52:04,360 AND US FRIENDS. 864 00:52:04,400 --> 00:52:06,700 -JOSH, IT'S AN-- -[JOSH] AN OLD FRIEND. 865 00:52:06,730 --> 00:52:09,330 -OLD FRIEND. -SO, JOSH, SO WHAT-- 866 00:52:09,370 --> 00:52:11,340 WHAT BROUGHT YOU BACK UP HERE? 867 00:52:11,370 --> 00:52:14,240 [JOSH] WELL, ACTUALLY, IT WAS SO WEIRD, BECAUSE 868 00:52:14,270 --> 00:52:16,810 WE JUST HAPPENED TO RUN INTO EACH OTHER AND JUST-- 869 00:52:16,840 --> 00:52:17,980 NO, WAIT A MINUTE. 870 00:52:18,010 --> 00:52:21,450 WOULD YOU STOP TOUCHING ME NOW? 871 00:52:21,480 --> 00:52:22,550 DID YOU TELL THEM ABOUT THE-- 872 00:52:25,380 --> 00:52:27,950 YOU'RE-- I WAS JUST GONNA TELL THEM ABOUT THAT TIME 873 00:52:27,990 --> 00:52:29,720 WHEN YOU GOT SO DRUNK. 874 00:52:29,750 --> 00:52:31,320 -WHAT, WHAT'S WRONG? -NO. 875 00:52:31,360 --> 00:52:32,960 -DID I DO ANYTHING WRONG? -YOU KINDA DID. 876 00:52:32,990 --> 00:52:35,430 I'M NOT USED TO THIS KIND OF TOUCHING ALL THE TIME. 877 00:52:35,460 --> 00:52:36,830 I'M SHOWING YOU AFFECTION, THAT'S ALL. 878 00:52:36,860 --> 00:52:38,800 YEAH, BUT IT'S TOO MUCH. 879 00:52:38,830 --> 00:52:42,400 GIRL'S PARENTS ARE HERE. CAN YOU STEP AWAY A LITTLE BIT? 880 00:52:42,430 --> 00:52:45,740 SO REMIND ME OF YOUR FIRST NAMES AGAIN. 881 00:52:45,770 --> 00:52:47,870 I'M NOT SO GOOD WITH NAMES. 882 00:52:47,910 --> 00:52:50,470 -BEN. -BEN AND... 883 00:52:50,510 --> 00:52:51,880 -I'M JON. -BEN AND JON. 884 00:52:51,910 --> 00:52:54,510 I SHOULD BE ABLE TO REMEMBER THAT. 885 00:52:54,550 --> 00:52:56,410 YEAH, IT'S EASY. LIKE "BJ." 886 00:52:58,650 --> 00:53:00,350 -THANK YOU SO MUCH. -YEAH, YEAH. 887 00:53:00,380 --> 00:53:01,720 -THANK YOU. -THIS WAS SO MUCH FUN. 888 00:53:01,750 --> 00:53:03,020 -ARE YOU KIDDING ME? -IT WAS HYSTERICAL. 889 00:53:03,050 --> 00:53:05,460 SHE'S COMMENTED ON MY HAIR LIKE TEN TIMES. 890 00:53:05,490 --> 00:53:07,490 -YOU'RE KIDDING ME, THAT'S-- -WHAT DO YOU EXPECT HER TO DO? 891 00:53:07,530 --> 00:53:09,760 YOU KNOW WHEN SHE SAYS SHE LIKES SOMETHING, THAT MEANS SHE HATES IT. 892 00:53:09,790 --> 00:53:11,630 [MOM] SO, JOSH, IT'S GREAT TO SEE YOU. 893 00:53:11,660 --> 00:53:13,300 IT'S SO NICE TO SEE YOU. 894 00:53:13,330 --> 00:53:14,630 [JOSH] YEAH, NO, IT'S GREAT TO SEE YOU GUYS. 895 00:53:14,670 --> 00:53:16,570 -YOU NEVER CHANGE. -YOU'RE SO SWEET, JOSH. 896 00:53:16,600 --> 00:53:18,040 OH, I AM, OKAY. 897 00:53:18,070 --> 00:53:20,370 YOU LOOK REALLY WELL, HON. 898 00:53:20,400 --> 00:53:23,370 YOU'RE STILL DIGGING ON MY SISTER, HUH? 899 00:53:23,410 --> 00:53:26,740 WOW. IT MUST BE PRETTY WEIRD LIVING UNDER THE SAME ROOF 900 00:53:26,780 --> 00:53:29,080 WITH A GIRL THAT YOU TOTALLY WANT 901 00:53:29,110 --> 00:53:32,420 AND KNOWING SHE'S COMPLETELY SHACKING UP WITH ANOTHER HOT CHICK. 902 00:53:32,450 --> 00:53:34,050 NO? WELL, LIKE, WHAT DO YOU DO TO GET HER BACK? 903 00:53:34,090 --> 00:53:37,390 DO YOU ACT MORE MASCULINE OR DO YOU ACT MORE FEMININE? 904 00:53:37,420 --> 00:53:38,920 IT'S, LIKE, HARD TO FIGURE OUT. 905 00:53:38,960 --> 00:53:40,790 [MOM] AND YOU TOO, JOSH. 906 00:53:40,830 --> 00:53:42,760 WE'LL HAVE TO FACEBOOK FRIEND EACH OTHER. 907 00:53:42,790 --> 00:53:44,930 -[JOSH] OH, YEAH. -[WOMAN] OH, NO, THAT'S UNNECESSARY. 908 00:53:44,960 --> 00:53:46,760 -THAT'D BE PRETTY FUNNY. -[CERINA] MOM. 909 00:53:46,800 --> 00:53:49,070 WHY ARE YOU BEING SO JEALOUS? 910 00:53:49,100 --> 00:53:51,540 -I'M NOT JEALOUS. -YEAH, YOU ARE. 911 00:53:51,570 --> 00:53:54,040 -THESE ARE MY FRIENDS. -OH, MY GOD. 912 00:53:54,070 --> 00:53:57,810 HERE WE GO. I CAN'T BELIEVE YOU'RE SUCH AN ASS RIGHT NOW. 913 00:54:01,480 --> 00:54:05,350 -THIS IS NOT WORKING OUT. -I GUESS NOT. 914 00:54:05,380 --> 00:54:09,120 CERINA, HONEY, I MISS OUR MUSEUM TRIPS SO MUCH. 915 00:54:09,150 --> 00:54:11,090 YEAH, ANY TIME. YOU JUST LET ME KNOW. 916 00:54:11,120 --> 00:54:12,960 YOU KNOW, YOU'RE THE BUSY ONE. 917 00:54:12,990 --> 00:54:15,090 WHO'S YOUR FAVORITE ARTIST, THEN, LIZZIE? 918 00:54:15,130 --> 00:54:17,830 OH, UH, MATISSE. 919 00:54:17,860 --> 00:54:21,100 [CHARLIE] I ACTUALLY STUDIED MATISSE IN COLLEGE. 920 00:54:21,130 --> 00:54:25,670 DID MATISSE FOR MY LAST SEMESTER IN ART COLLEGE. 921 00:54:25,700 --> 00:54:28,110 -I LOVE HIS WORK. -THAT'S-- THAT'S SWEET. 922 00:54:28,140 --> 00:54:32,580 SO-- SO-- CAN WE PLAN SOMETHING? I'D LOVE TO. 923 00:54:32,610 --> 00:54:35,850 THE THREE OF US, YOU, ME, AND LEO, LIKE OLD TIMES. 924 00:54:35,880 --> 00:54:38,980 WELL, LET'S BRING CHARLIE. SHE COULD TEACH US A FEW THINGS. 925 00:54:39,020 --> 00:54:41,590 [LIZZIE] JUST MAYBE THE THREE OF US, I THOUGHT. 926 00:54:41,620 --> 00:54:43,650 -OR JUST A-- -MOM. 927 00:54:43,690 --> 00:54:45,960 -THIS IS TOO MUCH FOR ME. -WHAT? TOO MUCH, WHAT? 928 00:54:45,990 --> 00:54:50,430 THAT'S EXACTLY WHAT IT SAYS IN THE STAGES OF COMING OUT. 929 00:54:50,460 --> 00:54:52,100 OH, MY GOD, WHAT ARE YOU, MY THERAPIST NOW? 930 00:54:52,130 --> 00:54:54,800 JOHN, WE'RE JUST TOUCHING. WHAT ARE YOU TALKING ABOUT? 931 00:54:54,830 --> 00:54:57,940 JUST TOUCHING. ALL OF A SUDDEN THAT'S ACCEPTABLE? 932 00:54:57,970 --> 00:55:01,610 WHAT, WAS I STICKING MY TONGUE DOWN YOUR THROAT OR SOMETHING LIKE THAT? 933 00:55:01,640 --> 00:55:03,610 STRAIGHT TO TONGUE WITH YOU, RIGHT? 934 00:55:03,640 --> 00:55:07,850 [LIZZIE] SO I REALLY WANT TO HEAR MORE ABOUT YOUR PHOTOS. 935 00:55:07,880 --> 00:55:10,750 [JOSH] WELL, I ACTUALLY TOOK A COUPLE OF HER WHILE I WAS HERE 936 00:55:10,780 --> 00:55:12,580 AND THEY LOOK REALLY COOL. 937 00:55:12,620 --> 00:55:15,990 [LIZZIE] YOU KNOW, YOU USED TO TAKE THE BEST PHOTOS 938 00:55:16,020 --> 00:55:18,920 OF YOU TWO TOGETHER. 939 00:55:18,960 --> 00:55:21,490 YEAH, WELL, UM, THAT WAS A LONG TIME AGO. 940 00:55:21,530 --> 00:55:22,990 [LIZZIE] YEAH, IT WAS LIKE, I DON'T KNOW, 941 00:55:23,030 --> 00:55:24,630 BUT THEY WERE WONDERFUL. 942 00:55:24,660 --> 00:55:26,160 -JUST, YOU KNOW. -TAKE IT EASY. 943 00:55:26,200 --> 00:55:27,900 THE OTHER THING, THAT'S LIKE YOUR THIRD GLASS. 944 00:55:27,930 --> 00:55:29,470 [CERINA] PLEASE HAVE MY BACK. YOU'RE MY BROTHER. 945 00:55:29,500 --> 00:55:30,870 -I DO HAVE YOUR BACK. -I ASKED YOU TO-- 946 00:55:30,900 --> 00:55:32,840 -BUT DO ME A FAVOR. -DON'T CALL ME OUT. 947 00:55:32,870 --> 00:55:35,440 I WON'T CALL YOU OUT, BUT NEXT TIME YOU DO A DINNER PARTY, 948 00:55:35,470 --> 00:55:37,110 TAKE A COOKING CLASS FIRST, OKAY? 949 00:55:37,140 --> 00:55:38,480 YOU'RE AN ASSHOLE. 950 00:55:38,510 --> 00:55:40,750 I AM LOVING THIS, GUYS, HONESTLY. 951 00:55:40,780 --> 00:55:43,480 -IT'S REALLY-- -DON'T WE MAKE A CUTE COUPLE? 952 00:55:43,510 --> 00:55:45,520 YOU DO LOOK CUTE. JON! 953 00:55:45,550 --> 00:55:47,520 RETHINKING THE WHOLE SPERM-- 954 00:55:47,550 --> 00:55:49,520 THIS IS NOT A MÉNAGE À TROIS, JON. 955 00:55:49,550 --> 00:55:51,160 I'M NOT SURE WHAT'S GOING ON HERE. 956 00:55:51,190 --> 00:55:53,760 I JUST WANT TO TALK TO YOU ABOUT THE THING... 957 00:55:53,790 --> 00:55:55,890 ALL RIGHT, WE CAN-- WE CAN TALK. 958 00:55:55,930 --> 00:55:58,230 YOU WANT TO GO IN THE OTHER-- YOU WANT TO GO IN THE KITCHEN AND TALK? 959 00:55:58,260 --> 00:55:59,800 HOW ABOUT THE BEDROOM? 960 00:55:59,830 --> 00:56:02,070 SO WHAT HAVE YOU BEEN UP TO LATELY, CHARLIE? 961 00:56:02,100 --> 00:56:07,070 UM, I MEAN, I'M JUST-- I'M STILL WORKING AT THE TATTOO PARLOR. 962 00:56:07,100 --> 00:56:09,910 AH, SO, I WANTED TO KNOW MORE ABOUT 963 00:56:09,940 --> 00:56:11,640 WHAT YOU'RE DOING CREATIVELY. 964 00:56:11,680 --> 00:56:13,910 YOU WERE ALWAYS SO CREATIVE. 965 00:56:13,940 --> 00:56:17,180 -MOM. MOM. -[WOMAN] WAIT. 966 00:56:17,210 --> 00:56:20,050 [JOSH] YOU KNOW, THERE'S A COUPLE OF PIECES THAT CHARLIE HAS 967 00:56:20,080 --> 00:56:23,220 THAT I LOOKED AT, AND I THOUGHT 968 00:56:23,250 --> 00:56:25,220 SHOULD BE IN A MUSEUM. 969 00:56:25,260 --> 00:56:28,230 NO, SERIOUSLY. THERE'S ONE, THOUGH, SHE'S GOT A REAL EYE 970 00:56:28,260 --> 00:56:30,590 FOR DIMENSION, YOU KNOW, 971 00:56:30,630 --> 00:56:33,530 'CAUSE IN THE THAI CULTURE THERE'S AN ART 972 00:56:33,560 --> 00:56:37,100 TO TAKING TWO DIMENSION AND MAKING IT LOOK ALMOST KIND OF THREE DIMENSIONS. 973 00:56:37,130 --> 00:56:40,200 SHE'S ACTUALLY KIND OF GOT A SKILL LIKE THAT THAT I THINK'S PRETTY IMPRESSIVE. 974 00:56:40,240 --> 00:56:42,840 WELL, I DON'T KNOW ABOUT THAT. 975 00:56:42,870 --> 00:56:45,280 YOU'RE SO CREATIVE, JOSH. 976 00:56:45,310 --> 00:56:48,210 WELL, SO'S CHARLIE. 977 00:56:48,250 --> 00:56:50,550 [LIZZIE] I REALLY CAN'T WAIT TO SEE YOUR PHOTOS. 978 00:56:50,580 --> 00:56:52,650 YOU WILL HAVE TO SEND ME SOME. 979 00:56:53,880 --> 00:56:56,090 FACEBOOK! [CHUCKLES] 980 00:56:56,120 --> 00:56:58,660 YOUR MOM AND I HAVE A LONG DRIVE. 981 00:56:58,690 --> 00:57:00,590 YEAH, ABOUT A FOUR HOUR DRIVE, 982 00:57:00,620 --> 00:57:02,690 SO YOU KNOW, I GET A LITTLE BIT OF A MIGRAINE, YOU KNOW... 983 00:57:02,730 --> 00:57:04,260 -DO YOU WANT SOMETHING FOR IT? -NO, NO, NO. 984 00:57:04,300 --> 00:57:06,100 -I HAVE MY OWN MEDICATION. -SHE'S GONNA SLEEP IN THE CAR. 985 00:57:06,130 --> 00:57:08,730 AND I'LL DRIVE, AND YOU'LL BE FINE. 986 00:57:08,770 --> 00:57:11,570 -I DO LIKE THE CUT, HONEY. -OH, GOOD. 987 00:57:11,600 --> 00:57:13,540 -YOU LOOK GREAT, HONEY. -THANKS. 988 00:57:13,570 --> 00:57:14,970 YOUR STRAPS SHOW A LITTLE BIT, THERE YOU GO. 989 00:57:15,010 --> 00:57:17,210 -YEAH, SO WE'LL HAVE TO-- -SOMETHING. 990 00:57:17,240 --> 00:57:19,980 IF YOU-- IF YOUR HEAD IS HURTING I CAN GIVE YOU SOMETHING, I REALLY CAN-- 991 00:57:20,010 --> 00:57:22,710 [LIZZIE] IT'S OKAY. YEAH, I'M FINE. 992 00:57:22,750 --> 00:57:25,020 -NO, SHE'LL BE FINE. -DAD, YOU KNOW WHEN SHE SAYS SHE'S FINE SHE'S NOT FINE. 993 00:57:25,050 --> 00:57:27,820 -NO, I'M FINE. I'LL BE FINE. -NO, SHE'LL SLEEP IN THE CAR, 994 00:57:27,850 --> 00:57:30,020 AND YOU KNOW, IF WE NEED TO STOP SOMEWHERE ON THE WAY, 995 00:57:30,050 --> 00:57:31,860 -WE CAN-- -I HAVE STUFF HERE. 996 00:57:31,890 --> 00:57:33,760 I MEAN, IT'S PERFECTLY OKAY. 997 00:57:33,790 --> 00:57:37,160 YOU'RE MAKING MY HEAD WORSE, DARLING, IT'S HURTING. 998 00:57:37,190 --> 00:57:40,800 -I'M JUST TRYING TO HELP. -NO, IT'S-- I'LL BE FINE. 999 00:57:40,830 --> 00:57:43,800 I DON'T KNOW, MAYBE IT WAS SOMETHING IN THE SOUP. 1000 00:58:33,320 --> 00:58:35,850 I GOTTA GET THIS UNCOMFORTABLE DRESS OFF. 1001 00:58:50,100 --> 00:58:51,770 I'M GOING NOW. 1002 00:59:02,110 --> 00:59:03,150 [DOOR CLOSES] 1003 00:59:07,820 --> 00:59:12,220 I DIDN'T KNOW YOU WERE TAKING THOSE SNEAKY PHOTOGRAPHS THAT YOU WERE TALKING ABOUT. 1004 00:59:14,960 --> 00:59:18,860 YOU'LL HAVE TO SHOW 'EM TO ME. 1005 00:59:18,900 --> 00:59:20,200 LIKE TO SEE 'EM. 1006 00:59:22,430 --> 00:59:24,770 ALL RIGHT, I'LL SHOW 'EM TO YOU. 1007 00:59:30,840 --> 00:59:32,280 I THINK HE WAS DRINKING A LITTLE BIT. 1008 00:59:32,310 --> 00:59:35,150 MAYBE I SHOULD GO WALK WITH HIM OUT THERE. 1009 00:59:35,180 --> 00:59:36,880 THAT'D BE NICE, YOU KNOW. 1010 00:59:46,090 --> 00:59:47,020 [DOOR CLOSES] 1011 00:59:50,430 --> 00:59:52,900 YES, YES. 1012 00:59:52,930 --> 00:59:55,930 AMIGO, YES, YES. 1013 00:59:57,100 --> 00:59:59,770 HEY, HOW'S IT GOING? 1014 00:59:59,800 --> 01:00:01,040 YOU ALL RIGHT? 1015 01:00:01,070 --> 01:00:02,910 WHAT ARE YOU DOING HERE? 1016 01:00:02,940 --> 01:00:04,270 I JUST SAW YOU WALKED OFF, 1017 01:00:04,310 --> 01:00:06,410 SO I THOUGHT, YOU KNOW, 1018 01:00:06,440 --> 01:00:08,050 I'D COME BY AND SAY HI. 1019 01:00:11,980 --> 01:00:14,420 YOU ALL RIGHT? YOU FEELIN' OKAY? 1020 01:00:14,450 --> 01:00:17,420 FEELIN' ALL RIGHT. HOW ARE YOU FEELING? 1021 01:00:19,220 --> 01:00:22,230 DOING ALL RIGHT. YEAH. 1022 01:00:27,930 --> 01:00:29,830 YOU TAKING THE-- YOU GONNA TAKE THE TRAIN? 1023 01:00:29,870 --> 01:00:31,770 -NO, I'M GONNA WALK. -YOU'LL WALK. 1024 01:00:33,440 --> 01:00:34,970 YOU LIVE FAR FROM HERE? 1025 01:00:37,540 --> 01:00:39,380 10 MINUTES THAT WAY. 1026 01:00:41,380 --> 01:00:43,210 WELL... 1027 01:00:43,250 --> 01:00:46,020 YOU KNOW THOSE GIRLS ARE MY BEST FRIENDS, RIGHT? 1028 01:00:49,050 --> 01:00:49,950 YEAH. 1029 01:00:51,990 --> 01:00:54,830 WHAT YOU GUYS ARE GETTING INTO, IT MEANS A LOT TO THEM. 1030 01:00:57,560 --> 01:00:59,930 YEAH, I KNOW. 1031 01:00:59,960 --> 01:01:02,130 IT'S AN HONOR, YOU KNOW THAT. 1032 01:01:04,000 --> 01:01:06,340 YEAH, I GET THAT IT'S AN HONOR. 1033 01:01:09,870 --> 01:01:11,110 YEAH, I GOT IT. 1034 01:01:13,580 --> 01:01:16,850 YOU LOOK LIKE A STRAIGHT-UP GUY TO ME. 1035 01:01:16,880 --> 01:01:21,090 BUT LET ME TELL YOU SOMETHING, DECISIONS ARE DIFFICULT. 1036 01:01:21,120 --> 01:01:24,090 -I AGREE. -EVEN THE EASY ONES. 1037 01:01:24,120 --> 01:01:28,130 YOU KNOW, YOU WANT TO GO TO A STRIP JOINT, 1038 01:01:28,160 --> 01:01:31,160 OR YOU WANT TO GO TO A VOLLEYBALL COURT. 1039 01:01:31,200 --> 01:01:36,230 THEY MAY SEEM EASY ON THE SURFACE BUT EVEN THOSE HAVE GOT REPERCUSSIONS. 1040 01:01:36,270 --> 01:01:39,140 I'M A REPERCUSSED PERSON, JOSH. 1041 01:01:39,170 --> 01:01:41,070 I'VE BEEN REPERCUSSED, 1042 01:01:41,110 --> 01:01:44,170 BECAUSE OF MY DECISIONS, YOU UNDERSTAND. 1043 01:01:45,910 --> 01:01:49,110 SOMETIMES THE MOST DIFFICULT CHOICE, JOSH, 1044 01:01:49,150 --> 01:01:52,550 IS... MAKING A CHOICE. 1045 01:01:54,450 --> 01:01:56,150 AM I MAKING MYSELF CLEAR? 1046 01:02:00,060 --> 01:02:01,460 UM, A LITTLE BIT. 1047 01:02:07,160 --> 01:02:08,500 THOSE ARE COOL DOGS. 1048 01:02:13,600 --> 01:02:15,240 WANNA GO GET A DRINK? 1049 01:02:15,270 --> 01:02:18,080 -WHAT? -WANNA GET A DRINK? 1050 01:02:20,110 --> 01:02:22,480 ALL RIGHT, YOU-- ALL RIGHT. 1051 01:02:25,880 --> 01:02:28,090 WAIT A MINUTE. 1052 01:02:53,640 --> 01:02:55,650 AWW. 1053 01:02:55,680 --> 01:02:58,250 JON'S FIRST SLEEPOVER. 1054 01:02:59,920 --> 01:03:01,990 OUR BABY'S GROWN UP. 1055 01:03:05,990 --> 01:03:07,490 [CLEARS THROAT LOUDLY] 1056 01:03:07,520 --> 01:03:10,090 [COUGHS] 1057 01:03:24,540 --> 01:03:25,880 MORNING. 1058 01:03:42,990 --> 01:03:44,390 OH, BROTHER. 1059 01:03:44,430 --> 01:03:46,430 WHAT? 1060 01:03:46,460 --> 01:03:49,530 I'M JUST READING THE DOS AND DON'TS ON THIS SPERM DONOR THING. 1061 01:03:49,570 --> 01:03:54,140 DID YOU MISS THE "DON'T BE A DONOR FOR YOUR EX-GIRLFRIEND" PART? 1062 01:03:54,170 --> 01:03:55,570 NO, LOOK. 1063 01:03:58,410 --> 01:04:01,480 -"PARKING IS AVAILABLE." -NO, BELOW THAT. 1064 01:04:04,580 --> 01:04:08,390 "YOU NEED TO HAVE A MINIMUM OF 48 TO 72 HOURS ABSTINENCE 1065 01:04:08,420 --> 01:04:13,060 BECAUSE THIS WILL PROVIDE THE SPECIMEN WITH THE HIGHEST OPTIMAL SPERM COUNT. 1066 01:04:13,090 --> 01:04:16,030 IF THE SPECIMEN IS PROVIDED WITH LESS ABSTINENCE THAN 48 HOURS, 1067 01:04:16,060 --> 01:04:18,660 THE SPERM COUNT WILL BE DECREASED BY VARYING PERCENTAGES, 1068 01:04:18,700 --> 01:04:20,730 AND THEREFORE MAY NOT BE APPROVED 1069 01:04:20,760 --> 01:04:24,070 BY THE BASB QUALITY STANDARDS." 1070 01:04:26,070 --> 01:04:28,710 WELL, HE'S BEEN HERE FOR THREE DAYS. 1071 01:04:28,740 --> 01:04:30,170 SO? 1072 01:04:30,210 --> 01:04:32,380 WELL, SO HE CAN'T HAVE DONE... 1073 01:04:34,380 --> 01:04:37,410 OH, NO, HE WOULDN'T HAVE. NO WAY. 1074 01:04:40,180 --> 01:04:42,450 HE WAS OUTSIDE THE BATHROOM WHEN I WAS TAKING A SHOWER. 1075 01:04:42,490 --> 01:04:44,420 HE WAS WHAT? 1076 01:04:44,450 --> 01:04:46,720 AND I THINK HE THOUGHT IT WAS YOU. 1077 01:04:48,490 --> 01:04:49,660 REALLY? 1078 01:04:53,660 --> 01:04:57,730 WELL, I MEAN, YOU'RE JUST GOING TO HAVE TO ASK HIM. 1079 01:04:57,770 --> 01:04:59,070 I CAN'T DO THAT. 1080 01:04:59,100 --> 01:05:01,170 OF COURSE YOU CAN. 1081 01:05:01,200 --> 01:05:02,340 WHAT'S THE PROBLEM? 1082 01:05:04,610 --> 01:05:07,140 ARE YOU MORE COMFORTABLE WITH THE VERNACULAR? 1083 01:05:07,180 --> 01:05:12,350 I DON'T KNOW, SAY, "BEEN ANSWERING THE BONER PHONE LATELY, JOSH?" 1084 01:05:12,380 --> 01:05:15,690 "BEEN WALKING WILLIE THE ONE-EYED WONDER WORM?" 1085 01:05:17,350 --> 01:05:19,090 "SPANKING THE MONKEY?" 1086 01:05:19,120 --> 01:05:21,360 OR "SHAKING HANDS WITH THE UNEMPLOYED?" 1087 01:05:21,390 --> 01:05:23,360 I'M GONNA HAVE TO TALK TO HIM. 1088 01:05:24,460 --> 01:05:27,100 "HAND-TO-GLAND COMBAT?" 1089 01:05:27,130 --> 01:05:29,230 "DOING THE ROMAN HELMET RUMBA?" 1090 01:05:31,500 --> 01:05:33,770 "SQUEEZING THE CREAM FROM THE FLESH TWINKIE?" 1091 01:05:35,410 --> 01:05:37,540 OH, GOD, THAT IS DISGUSTING. 1092 01:05:40,280 --> 01:05:41,580 DID YOU SLEEP OKAY? 1093 01:05:43,210 --> 01:05:45,650 YEAH, IT WAS FINE, THANKS. 1094 01:05:45,680 --> 01:05:48,250 'CAUSE WE... KINDA JUST FELL ASLEEP-- 1095 01:05:48,290 --> 01:05:51,790 NO, I THINK WE MUST'VE JUST FALLEN RIGHT ASLEEP THERE. 1096 01:05:51,820 --> 01:05:54,190 -YEAH, WE DID. -I WAS JUST OUT. 1097 01:05:54,220 --> 01:05:57,190 -I WAS PRETTY TIRED. -TIRED, REALLY TIRED LAST NIGHT. 1098 01:05:57,230 --> 01:05:58,660 MUST'VE BEEN FROM WALKING A LOT, 1099 01:05:58,700 --> 01:06:00,130 'CAUSE WE JUST KEPT WALKING THE WHOLE TIME. 1100 01:06:00,160 --> 01:06:01,730 WE DID, RIGHT? 1101 01:06:01,770 --> 01:06:04,530 I DON'T THINK WE DID ANYTHING ELSE, WE JUST WALKED. 1102 01:06:04,570 --> 01:06:08,810 -AROUND TOWN. -THAT'S COOL, I NEEDED SOME EXERCISE. 1103 01:06:08,840 --> 01:06:11,680 HAD A LITTLE BIT TO DRINK, AND THAT WAS PRETTY GOOD. 1104 01:06:11,710 --> 01:06:14,510 THAT'S WHY-- YOU KNOW, YOU SAY THINGS WHEN YOU'RE DRUNK, 1105 01:06:14,540 --> 01:06:17,280 SO-- IT'S KIND OF FUNNY, BUT IT'S ALL GOOD, IT'S ALL GOOD. 1106 01:06:17,310 --> 01:06:18,550 YOU KNOW, YOU FORGET THOSE KIND OF NIGHTS. 1107 01:06:18,580 --> 01:06:19,550 I DIDN'T REALLY SAY ANYTHING, 1108 01:06:19,580 --> 01:06:21,180 'CAUSE I WAS SLEEPING. 1109 01:06:22,590 --> 01:06:27,320 BABE! COME ON, WE'VE GOTTA GO. 1110 01:06:27,360 --> 01:06:29,860 SORRY, I JUST HAD TO PACK A FEW THINGS, FOOD AND STUFF, SO... 1111 01:06:29,890 --> 01:06:32,300 FOOD AND STUFF? 1112 01:06:32,330 --> 01:06:33,830 IT'S JOSH IN THE PORN RAG ROOM, 1113 01:06:33,860 --> 01:06:35,700 IT'S NOT SHAKESPEARE IN THE PARK. 1114 01:06:35,730 --> 01:06:38,340 I KNOW, THIS IS FOR LATER. 1115 01:06:38,370 --> 01:06:41,340 I JUST-- I THOUGHT WE'D GO TO PETALUMA AFTER HE'S DONE. 1116 01:06:41,370 --> 01:06:43,270 SUCH A GIRL. 1117 01:06:49,580 --> 01:06:51,720 JOSH! 1118 01:06:57,890 --> 01:06:59,720 HEY, WE GOTTA GO. 1119 01:06:59,760 --> 01:07:02,230 YEAH, YEAH, YEAH. RIGHT, RIGHT, RIGHT. JUST A MINUTE. 1120 01:07:05,200 --> 01:07:06,460 ARE YOU OKAY? 1121 01:07:06,500 --> 01:07:09,570 FINE, FINE. 1122 01:07:09,600 --> 01:07:11,300 NO, YOU'RE NOT. I KNOW YOU BETTER THAN THAT, 1123 01:07:11,330 --> 01:07:12,500 SO WHAT IS IT? 1124 01:07:13,770 --> 01:07:17,610 WELL, I-- IT'S JUST-- 1125 01:07:17,640 --> 01:07:22,580 DO YOU HAVE ANY IDEA WHAT THEY'VE CALLED THESE ROOMS I GOTTA GO INTO? 1126 01:07:22,610 --> 01:07:24,480 MASTURBATORIUMS? 1127 01:07:24,510 --> 01:07:26,420 EXACTLY. 1128 01:07:26,450 --> 01:07:28,750 NOW I GOTTA GO DOWN THERE, STRUT THROUGH THIS LONG WHITE HALL 1129 01:07:28,790 --> 01:07:29,890 WITH THESE HOT NURSES-- 1130 01:07:29,920 --> 01:07:31,620 THERE'S NO HOT NURSES. 1131 01:07:31,660 --> 01:07:33,720 I KNOW, I KNOW. I'M JUST DOING THAT 1132 01:07:33,760 --> 01:07:35,760 SO I CAN DEAL WITH THIS FOR A MINUTE. 1133 01:07:35,790 --> 01:07:39,160 I GOTTA GO DOWN THIS HALL WITH SOME SOMEWHAT GOOD-LOOKING WOMEN 1134 01:07:39,200 --> 01:07:42,670 TO A ROOM WITH A NEON SIGN ABOVE IT THAT SAYS "MASTURBATORIUM." 1135 01:07:42,700 --> 01:07:45,370 I MEAN, COME ON, THAT'S LIKE A FREUDIAN NIGHTMARE. 1136 01:07:45,400 --> 01:07:49,210 JOSH, DID YOU NOT THINK THIS THROUGH? 1137 01:07:49,240 --> 01:07:52,940 I THOUGHT IT THROUGH MOST OF IT. 1138 01:07:52,980 --> 01:07:55,650 LOOK, I DON'T REMEMBER YOU EVER HAVING A PROBLEM 1139 01:07:55,680 --> 01:07:57,850 BEING NAKED IN FRONT OF ANYBODY. 1140 01:07:57,880 --> 01:07:59,420 YES, EXACTLY. 1141 01:07:59,450 --> 01:08:01,220 IF NURSE HEIDI WERE TO COME INTO THAT ROOM WITH ME, 1142 01:08:01,250 --> 01:08:03,220 YOU COULD SELL FREAKIN' TICKETS. 1143 01:08:03,250 --> 01:08:05,220 I MEAN, AS A MATTER OF FACT, I THINK WITH THAT SLIGHT ADJUSTMENT, 1144 01:08:05,260 --> 01:08:08,790 BUSINESS WOULD BE A-BOOMIN' DOWN AT THE BAY AREA SPERM BANK. 1145 01:08:08,830 --> 01:08:12,760 JOSH, HOW DID YOU THINK THE SPERM WAS GONNA GET IN ME? 1146 01:08:21,740 --> 01:08:23,940 LOOK, IF HE DOESN'T WANT TO DO IT, 1147 01:08:23,970 --> 01:08:28,650 THEN WE JUST KICK HIM AND HIS GUN-SHY GREAT WHITE KNUCKLER OUT OF HERE. 1148 01:08:28,680 --> 01:08:30,550 ENOUGH WITH THE EUPHEMISMS. 1149 01:08:30,580 --> 01:08:31,720 I'M SORRY. 1150 01:08:33,850 --> 01:08:35,190 I DON'T KNOW. 1151 01:08:37,720 --> 01:08:40,520 MAYBE THE REALITY OF IT ALL JUST HIT HIM, YOU KNOW? 1152 01:08:40,560 --> 01:08:43,690 A WEEK AGO, HE WAS JUST AN ARTIST ROAMING FREE 1153 01:08:43,730 --> 01:08:45,860 AND NOW... 1154 01:08:50,830 --> 01:08:52,840 OH, LOOK. 1155 01:08:52,870 --> 01:08:54,270 WHAT? 1156 01:08:54,300 --> 01:08:57,310 WE CAN DO THIS AT HOME. 1157 01:08:57,340 --> 01:08:59,840 THERE'S A PUNCH IN THE MUNCHKIN HOME KIT? 1158 01:09:01,410 --> 01:09:05,450 I'M SORRY, I JUST WANTED TO USE THAT ONE. 1159 01:09:05,480 --> 01:09:08,450 I MEAN, WE CAN DO THIS HERE. HE DOESN'T HAVE TO GO INTO THE OFFICE. 1160 01:09:08,490 --> 01:09:12,860 THAT MEANS... WE HAVE ANOTHER OPTION. 1161 01:09:12,890 --> 01:09:16,460 YEAH, BUT WE HAVE AN HOUR TO GET IT TO THE OFFICE. 1162 01:09:16,490 --> 01:09:19,230 WE CAN MAKE IT. STRAIGHT SHOT DOWN THE FREEWAY. 1163 01:09:21,060 --> 01:09:24,730 SORRY, I'M JUST VISUALIZING US SHOOTING DOWN THE FREEWAY. 1164 01:09:24,770 --> 01:09:27,000 WE CAN DO IT. 1165 01:09:27,040 --> 01:09:28,410 WE CAN DO IT! 1166 01:09:31,340 --> 01:09:33,980 I'M DRIVING. YOU'RE HOLDING IT. 1167 01:09:35,850 --> 01:09:37,380 THIS IS SO MUCH BETTER. 1168 01:09:47,620 --> 01:09:50,990 WELL, EVEN I KNOW HE'S NOT GONNA WANT US STANDING OUT HERE. 1169 01:09:51,030 --> 01:09:54,800 -HE CAN'T HEAR US. -I CAN HEAR YOU. 1170 01:09:57,670 --> 01:10:00,700 THIS IS NOT SO MUCH BETTER. 1171 01:10:00,740 --> 01:10:02,570 WE CAN GET NURSES' OUTFITS. 1172 01:10:09,810 --> 01:10:10,950 HEY. 1173 01:10:12,480 --> 01:10:13,720 HEY. 1174 01:10:13,750 --> 01:10:15,790 LOOK, UM... 1175 01:10:15,820 --> 01:10:18,690 YOU DON'T HAVE TO DO THIS IF YOU DON'T WANT TO. 1176 01:10:21,560 --> 01:10:24,490 THAT'S NOT IT. 1177 01:10:24,530 --> 01:10:27,430 'CAUSE IF THERE WAS A TIME TO GO, JOSH, IT WOULD BE NOW. 1178 01:10:31,470 --> 01:10:35,840 YOU KNOW THERE ARE LEDGES IN LIFE THAT WE WALK ON AND... 1179 01:10:37,710 --> 01:10:41,040 SOMETIMES IF YOU CROSS OVER ONE, 1180 01:10:41,080 --> 01:10:43,580 IT'S BLOODY HARD TO GET BACK. 1181 01:10:50,490 --> 01:10:53,590 I USED TO THINK I COULD SEE THOSE LEDGES PRETTY WELL, YOU KNOW? 1182 01:10:56,460 --> 01:10:58,360 AND THEN SOMETIMES LIFE IS SORT OF... 1183 01:10:58,400 --> 01:11:01,330 YOU KNOW, SCREWS UP YOUR DEPTH PERCEPTION OR SOMETHING. 1184 01:11:04,970 --> 01:11:07,440 [CHARLIE] WHAT IS THIS ABOUT? 1185 01:11:07,470 --> 01:11:08,710 [CERINA] I DON'T KNOW EXACTLY. 1186 01:11:08,740 --> 01:11:10,070 HE LEFT A NOTE. 1187 01:11:10,110 --> 01:11:11,710 HE ALWAYS USED TO LEAVE NOTES, 1188 01:11:11,740 --> 01:11:13,980 SAID THEY WERE MORE PERSONAL THAN PHONE MESSAGES. 1189 01:11:15,650 --> 01:11:18,580 THIS NOTE SAID, "IF TWO WALK EAST THREE BLOCKS, 1190 01:11:18,620 --> 01:11:21,950 THEN TWO TURN RIGHT FOUR BLOCKS, 1191 01:11:21,990 --> 01:11:24,690 THEN TWO WILL BECOME THREE." 1192 01:11:24,720 --> 01:11:26,460 THAT'S HORRIBLE. 1193 01:11:26,490 --> 01:11:29,790 OH, THERE HE IS, MR. NOTES-R-US. 1194 01:11:29,830 --> 01:11:32,860 WELL, YOU FIGURE IT OUT. 1195 01:11:32,900 --> 01:11:34,030 WOULDN'T GO THAT FAR. 1196 01:11:36,000 --> 01:11:38,100 YEAH, UM, WHY ARE WE HERE, JOSH? 1197 01:11:38,130 --> 01:11:40,540 WHAT'S WITH THE PARK? 1198 01:11:40,570 --> 01:11:42,040 OKAY, WELL, FIRST OFF I BROUGHT YOU HERE 1199 01:11:42,070 --> 01:11:45,140 BECAUSE I WANTED TO APOLOGIZE FOR THE OTHER DAY. 1200 01:11:45,180 --> 01:11:47,010 BECAUSE I DIDN'T READ THE FINE PRINT, 1201 01:11:47,040 --> 01:11:50,150 AND, UH, IT KINDA THREW ME OFF. 1202 01:11:50,180 --> 01:11:52,680 THIS CLINICAL THING... 1203 01:11:52,720 --> 01:11:55,450 I DON'T KNOW, MAYBE I JUST NEED TO WRAP MY HEAD AROUND IT A LITTLE BIT. 1204 01:11:55,490 --> 01:11:58,660 BUT IN THE MEANTIME, I THOUGHT MAYBE, POSSIBLY, 1205 01:11:58,690 --> 01:12:00,490 WE COULD DO A LITTLE BONDING. 1206 01:12:00,520 --> 01:12:02,860 BONDING. 1207 01:12:02,890 --> 01:12:05,160 LIKE... LIKE WHAT KIND OF BONDING? 1208 01:12:05,200 --> 01:12:07,730 WELL... [CLEARS THROAT] 1209 01:12:07,760 --> 01:12:10,600 ...IN SOME COUNTRIES, THEY CHOP DOWN TREES TO BOND, 1210 01:12:10,630 --> 01:12:12,570 BUT I DIDN'T THINK, YOU KNOW, BERKELEY WOULD BE TOO GOOD WITH THAT. 1211 01:12:12,600 --> 01:12:16,640 SO I GOT A BETTER IDEA: SPORTS. 1212 01:12:18,810 --> 01:12:20,510 JOSH, SPORTS? 1213 01:12:20,540 --> 01:12:22,880 AND, IN HONOR OF OUR BRITISH TEAM HERE, 1214 01:12:22,910 --> 01:12:24,650 I BROUGHT ALONG A SOCCER BALL. 1215 01:12:24,680 --> 01:12:27,750 OR BETTER KNOWN IN YOUR COUNTRY AS A FOOTBALL. 1216 01:12:27,780 --> 01:12:30,820 YEAH, WE'RE NOT GERMAN, AND THAT'S NOT A FOOTBALL. 1217 01:12:32,220 --> 01:12:34,060 THIS? ARE YOU SURE? 1218 01:12:34,090 --> 01:12:35,890 [CHARLIE] I'M SURE. 1219 01:12:35,930 --> 01:12:37,830 I DON'T KNOW, IT'S A LITTLE ROUND, LIKE A FOOTBALL. 1220 01:12:37,860 --> 01:12:40,930 IT'S GOT AIR IN IT. IT BOUNCES. 1221 01:12:40,960 --> 01:12:43,800 IT'S PRETTY SIMILAR. 1222 01:12:43,830 --> 01:12:45,440 DON'T WANT TO DISCRIMINATE. 1223 01:12:51,640 --> 01:12:55,550 YOU DO REALIZE YOU'VE TOTALLY JUST MET YOUR MATCH. 1224 01:12:55,580 --> 01:12:57,550 OHH! 1225 01:12:57,580 --> 01:12:59,950 BADASS, ALL RIGHT. 1226 01:12:59,980 --> 01:13:01,820 OH, I SHOULDN'T HAVE FALLEN FOR THAT. 1227 01:13:01,850 --> 01:13:03,650 ♪ YOU MAKE ME GIDDY 1228 01:13:03,690 --> 01:13:05,020 ♪ I WANT TO STAY UP ALL NIGHT... ♪ 1229 01:13:05,050 --> 01:13:06,790 HEY, WHERE'D YOU LEARN THEM TRICKY FEET-- 1230 01:13:06,820 --> 01:13:08,790 I'LL SHOW YOU HOW THEY DO IT IN NORTH LONDON. 1231 01:13:08,830 --> 01:13:11,760 OH, YOU SHOW ME. I'LL SHOW YOU HOW WE DO IT IN NORTH AMERICA. 1232 01:13:11,800 --> 01:13:13,700 ♪ YOU MAKE ME GIDDY 1233 01:13:13,730 --> 01:13:16,830 I WANT TO SHOW YOU MY FAVORITE POEMS ♪ 1234 01:13:16,870 --> 01:13:21,700 ♪ AND THEN YOU WOULD GO AND WRITE ME YOUR OWN ♪ 1235 01:13:21,740 --> 01:13:23,710 ♪ YOU MAKE ME GIDDY 1236 01:13:23,740 --> 01:13:25,780 ♪ I WANT TO LIGHT UP YOUR LIFE ♪ 1237 01:13:25,810 --> 01:13:27,710 ♪ LIKE YOU BLAZED INTO MINE ♪ 1238 01:13:27,740 --> 01:13:31,780 ♪ AND TOGETHER WE'D BURN THE PLACE DOWN ♪ 1239 01:13:31,820 --> 01:13:36,850 ♪ YOU MAKE ME GIDDY, DON'T MAKE ME WAIT AROUND... ♪ 1240 01:13:36,890 --> 01:13:39,860 ALL RIGHT, COME ON, READY? THIS IS CALLED... 1241 01:13:39,890 --> 01:13:41,690 ♪ YOU MAKE ME GIDDY 1242 01:13:41,720 --> 01:13:43,030 ♪ I WANT TO START A REVOLUTION... ♪ 1243 01:13:43,060 --> 01:13:44,730 YOU'VE GOTTA KICK WITH THE INNER PART 1244 01:13:44,760 --> 01:13:46,600 OF YOUR FOOT, BABE, NOT YOUR TOE. 1245 01:13:46,630 --> 01:13:48,670 COME ON DOWN. COME AND GET IT. 1246 01:13:48,700 --> 01:13:51,230 WHOA, OH, OH, OH, DAMN IT. 1247 01:13:51,270 --> 01:13:53,600 ♪ I WANT TO SPREAD OUT MY WINGS ♪ 1248 01:13:53,640 --> 01:13:56,870 -♪ AND GO DO BIGGER THINGS... -WHERE'S THE BALL? 1249 01:13:56,910 --> 01:13:59,740 ♪ AND I'D FLY AND I'D SING ABOUT LOVE... ♪ 1250 01:13:59,780 --> 01:14:02,650 THEY AREN'T GONNA MAKE A GOOD MOMMY DOING THAT. 1251 01:14:04,780 --> 01:14:07,720 ♪ IN OUR KINGDOM WOULD BE RINGING ♪ 1252 01:14:07,750 --> 01:14:09,720 ♪ YOU MAKE ME GIDDY 1253 01:14:09,750 --> 01:14:11,690 ♪ I WANT TO LIGHT UP YOUR LIFE ♪ 1254 01:14:11,720 --> 01:14:13,760 ♪ LIKE YOU BLAZED INTO MINE ♪ 1255 01:14:13,790 --> 01:14:17,060 ♪ AND TOGETHER WE'D BURN THE PLACE DOWN... ♪ 1256 01:14:20,200 --> 01:14:22,130 GOOD JOB, BABE. PROUD OF YOU. 1257 01:14:27,940 --> 01:14:29,170 SEXY? 1258 01:14:30,910 --> 01:14:32,310 [LEO] LIKE, WHAT ARE YOU DOING? 1259 01:14:32,340 --> 01:14:34,280 SERIOUSLY, MAN. I'VE BEEN DYING TO ASK YOU THAT. 1260 01:14:34,310 --> 01:14:35,810 LIKE, WHAT ARE YOU DOING? 1261 01:14:35,850 --> 01:14:37,180 [JOSH] WITH WHAT? WHAT DO YOU MEAN? 1262 01:14:37,210 --> 01:14:38,780 [LEO] YOU KNOW THIS THING WITH CERINA AND CHARLIE, 1263 01:14:38,820 --> 01:14:41,080 IT'S FOR REAL, RIGHT? 1264 01:14:41,120 --> 01:14:43,320 THEY'RE EACH OTHERS'. I MEAN, 1265 01:14:43,350 --> 01:14:47,120 THIS ISN'T LIKE A COLLEGE EXPERIMENT OR ANYTHING LIKE THAT, 1266 01:14:47,160 --> 01:14:50,660 -I MEAN-- -I GET THAT IT'S NOT A COLLEGE EXPERIMENT. 1267 01:14:50,690 --> 01:14:53,000 OKAY, WELL, I SPEND A LOT OF TIME WITH HER, 1268 01:14:53,030 --> 01:14:57,630 YOU KNOW, AND BELIEVE IN LESBIAN LOVE NOW FOR REAL, 1269 01:14:57,670 --> 01:15:01,040 SO THEY'RE-- THEY'RE THE REAL DEAL, MAN. 1270 01:15:01,070 --> 01:15:03,670 I MEAN, YOU GET IT, RIGHT? 1271 01:15:03,710 --> 01:15:06,040 -I MEAN-- -YEAH, OKAY, I GET IT. 1272 01:15:06,080 --> 01:15:08,110 -ALL RIGHT, WE'RE COOL? WE'RE COOL? -WE'RE COOL, BROTHER. 1273 01:15:08,140 --> 01:15:09,950 ALL RIGHT, MAN, COOL. 1274 01:15:09,980 --> 01:15:12,050 -ALL RIGHT, NO PROBLEM. -[LAUGHS] 1275 01:15:12,080 --> 01:15:14,380 -NO PROBLEM. -ALL RIGHT, MAN, SEE YOU AROUND. 1276 01:15:14,420 --> 01:15:16,150 YOU WANT TO RACE BACK TO THE CAR? 1277 01:15:16,190 --> 01:15:17,890 NO, GO AHEAD, MAN. I'M GONNA GET A DRINK OF WATER. 1278 01:15:17,920 --> 01:15:19,660 ALL RIGHT. SEE YOU BACK THERE. 1279 01:15:19,690 --> 01:15:21,990 ALL RIGHT, SEE YOU. SEE YOU. 1280 01:15:35,100 --> 01:15:37,070 [CERINA ON RECORDING] HEY, YOU'VE REACHED CERINA AND CHARLIE. 1281 01:15:37,110 --> 01:15:39,210 LEAVE A MESSAGE AND WE'LL GET BACK TO YOU AS SOON AS WE CAN. 1282 01:15:39,240 --> 01:15:40,840 BYE-BYE! 1283 01:15:40,880 --> 01:15:42,650 [BEEP] 1284 01:15:42,680 --> 01:15:47,150 HEY, CERINA AND CHARLIE, IT'S JOSH. 1285 01:15:48,990 --> 01:15:52,820 UM...I'M SURE YOU NOTICED THAT, UH, 1286 01:15:52,860 --> 01:15:54,190 MY STUFF WAS GONE, 1287 01:15:54,220 --> 01:15:56,130 AND, UM... 1288 01:15:56,160 --> 01:16:00,930 I WAS GONNA LEAVE YOU GUYS A NOTE, BUT I JUST... 1289 01:16:00,960 --> 01:16:03,230 I COULDN'T THINK OF ANYTHING WITTY TO SAY. 1290 01:16:05,030 --> 01:16:09,110 SO I GUESS THIS IS MY NEXT BRAVEST STEP. 1291 01:16:11,040 --> 01:16:16,810 YOU BOTH, UH-- YOU'RE REALLY SOMETHING. 1292 01:16:16,850 --> 01:16:21,850 I CAME IN NOT KNOWING WHAT TO EXPECT FROM YOU TWO 1293 01:16:21,880 --> 01:16:26,320 AND... I GUESS I'M LEAVING NOT KNOWING WHAT TO EXPECT FROM ME. 1294 01:16:28,190 --> 01:16:33,830 I'M FLATTERED AND HONORED THAT YOU FELT I WAS-- 1295 01:16:33,860 --> 01:16:37,430 [SIGHS] THAT I WAS WORTHY OF THIS GREAT THING 1296 01:16:37,470 --> 01:16:38,940 THAT YOU TWO ARE DOING. 1297 01:16:40,470 --> 01:16:44,140 AND I'M SORRY IF I DIDN'T LIVE UP TO THAT. 1298 01:16:46,910 --> 01:16:50,050 BUT I WISH YOU BOTH THE BEST... 1299 01:16:50,080 --> 01:16:54,350 BECAUSE IF ANYBODY'S CAPABLE OF IT, IT'S YOU TWO. 1300 01:16:55,950 --> 01:16:59,220 OKAY. BYE. 1301 01:18:48,300 --> 01:18:50,300 [JON] YOU'RE STARTING TO BE TOO NICE TO ME, GRANDMA. 1302 01:18:50,330 --> 01:18:52,100 [GRANDMA] NO, I'M NOT BEING NICE TO YOU. 1303 01:18:52,140 --> 01:18:56,340 I'M TELLING YOU THAT THAT'S THE WAY I SEE IT. 1304 01:18:58,010 --> 01:19:00,410 YOU THINK I WOULD BE A GOOD FATHER, GRANDMA? 1305 01:19:00,440 --> 01:19:04,410 I THINK YOU'D HAVE THINGS TO LEARN, BUT SO DOES EVERY DAD. 1306 01:19:04,450 --> 01:19:10,020 AND THERE'S THOSE THINGS THAT COME UP THAT ARE UNEXPECTED, 1307 01:19:10,050 --> 01:19:13,020 AND YOU'RE PRETTY GOOD IN AN EMERGENCY. 1308 01:19:13,060 --> 01:19:15,590 I DON'T THINK I CAN HANDLE EMERGENCIES, GRANDMA. 1309 01:19:15,630 --> 01:19:20,130 OH, WELL, YOU DON'T HAVE TO WORRY ABOUT EMERGENCIES. 1310 01:19:20,160 --> 01:19:23,330 IF THEY COME, YOU HAVE A REACT-- YOU KNOW, YOU GO FOR IT 1311 01:19:23,370 --> 01:19:26,540 RIGHT THERE AND THEN, THAT'S ALL THERE IS TO IT. 1312 01:19:26,570 --> 01:19:30,440 YOU DON'T EVEN HAVE TO THINK ABOUT IT AHEAD OF TIME. 1313 01:19:30,470 --> 01:19:32,940 BECAUSE YOU DON'T KNOW WHEN IT'S GONNA HAPPEN. 1314 01:19:32,980 --> 01:19:34,840 YOU DON'T KNOW WHAT IT'S GONNA BE. 1315 01:19:38,550 --> 01:19:41,080 I CAN'T BE A GOOD FATHER, GRANDMA. 1316 01:19:41,120 --> 01:19:44,620 THE RESPONSIBILITY MEANS THAT YOU'RE GONNA HAVE TO STAY SOMETIMES 1317 01:19:44,650 --> 01:19:46,590 WHEN IT'S VERY UNCOMFORTABLE 1318 01:19:46,620 --> 01:19:48,520 AND YOU DON'T WANT TO STAY. 1319 01:19:48,560 --> 01:19:51,560 SO IT'S GROWING UP. IT'S CALLED GROWING UP, 1320 01:19:51,590 --> 01:19:54,460 AND-- AND I KNOW YOU'RE A MAN. 1321 01:19:54,500 --> 01:19:57,030 SEE, I WOULDN'T WORRY ABOUT THAT PART OF IT. 1322 01:19:57,070 --> 01:19:59,600 JUST EASE OFF A LITTLE BIT. 1323 01:19:59,640 --> 01:20:02,140 YOU'RE WORTHY OF THIS. 1324 01:20:04,410 --> 01:20:06,580 WHY DO VAGINAS EVEN EXIST? 1325 01:20:06,610 --> 01:20:08,110 [GRANDMA] SAY IT AGAIN? 1326 01:20:08,140 --> 01:20:11,110 I SAID, "WHY DO VAGINAS EVEN EXIST?" GRANDMA. 1327 01:20:11,150 --> 01:20:14,520 WHY DO VAGINAS EVEN EXIST? 1328 01:20:14,550 --> 01:20:17,650 WELL, UM... [CLEARS THROAT] 1329 01:20:17,690 --> 01:20:21,260 EXPLAIN THAT TO ME, BECAUSE I DON'T KNOW 1330 01:20:21,290 --> 01:20:25,260 [STAMMERS] WHAT IT MEANS 1331 01:20:25,290 --> 01:20:27,200 TO LIKE OR DISLIKE A VAGINA. 1332 01:20:27,230 --> 01:20:31,130 I'M JUST A LITTLE CONFUSED. IT'S A LONG STORY, GRANDMA. 1333 01:20:31,170 --> 01:20:33,970 WHAT'S WRONG WITH WHAT I'M DOING? 1334 01:20:34,000 --> 01:20:36,240 [JON] IT'S BEAUTIFUL. I LOVE IT. 1335 01:20:36,270 --> 01:20:38,440 ALL RIGHT, THEN WHAT'S WRONG? 1336 01:20:39,540 --> 01:20:42,010 STAY WITH IT, BABE. 1337 01:20:44,580 --> 01:20:46,550 I THINK I MIGHT BE GAY. 1338 01:20:53,420 --> 01:20:56,560 WELL, THAT DOESN'T MEAN YOU CAN'T BE A GOOD FATHER. 1339 01:21:10,210 --> 01:21:12,210 THANKS, GRANDMA. 1340 01:21:33,230 --> 01:21:37,970 [DOOR OPENS, CLOSES] 1341 01:21:43,510 --> 01:21:45,340 -HI. -HI. 1342 01:21:47,240 --> 01:21:48,610 JUST GONNA TALK TO THAT GUY. 1343 01:21:48,640 --> 01:21:50,450 -GO FOR IT. -THANKS. 1344 01:22:02,460 --> 01:22:03,730 JOSH? 1345 01:22:10,230 --> 01:22:11,530 HOW ARE YOU? 1346 01:22:13,800 --> 01:22:15,240 I'M ALL RIGHT. 1347 01:22:17,270 --> 01:22:19,080 WHAT ARE YOU DOING HERE? 1348 01:22:19,110 --> 01:22:21,540 YOU'RE NOT AN EASY MAN TO FIND, I'LL TELL YOU THAT. 1349 01:22:23,810 --> 01:22:25,150 NICE STORE, THOUGH. 1350 01:22:27,420 --> 01:22:29,020 PAYS THE RENT. 1351 01:22:30,690 --> 01:22:32,020 OH, YEAH? 1352 01:22:35,360 --> 01:22:38,090 I'M NOT SURE I FINISHED MY STORY THE OTHER NIGHT. 1353 01:22:39,300 --> 01:22:41,600 -STORY? -YEAH. 1354 01:22:41,630 --> 01:22:43,770 I WAS WATCHING A MOVIE THE OTHER NIGHT, 1355 01:22:43,800 --> 01:22:45,470 WITH COWBOYS. 1356 01:22:47,570 --> 01:22:50,210 AND THIS ONE COWBOY RIDES INTO A TOWN, 1357 01:22:50,240 --> 01:22:52,810 AND HE'S BIG AND HE'S STRONG, 1358 01:22:52,840 --> 01:22:55,080 AND YOU THINK HE'S GONNA HELP THEM. 1359 01:22:55,110 --> 01:22:58,510 AND HE DOES. 1360 01:22:58,550 --> 01:23:01,420 I WAS THINKING, THOUGH, CAN YOU IMAGINE IF THE COWBOY DECIDED 1361 01:23:01,450 --> 01:23:02,690 TO GET BACK ON THE HORSE, 1362 01:23:02,720 --> 01:23:06,260 BEFORE HE HELPED EVERYBODY OUT, 1363 01:23:06,290 --> 01:23:08,190 AND RODE OUT OF TOWN? 1364 01:23:10,430 --> 01:23:12,330 THAT'S NOT A HAPPY ENDING, JOSH. 1365 01:23:14,430 --> 01:23:17,400 I GUESS IN THIS MOVIE THE COWBOY GOES BACK TO HIS RANCH, 1366 01:23:17,430 --> 01:23:23,340 HANGS OUT, AND THINKS, "MAYBE I SHOULD HAVE HELPED THOSE LESBIANS." 1367 01:23:24,810 --> 01:23:28,140 WHAT KIND OF MOVIE WOULD THAT BE, JOSH? 1368 01:23:28,180 --> 01:23:30,350 NOT THE HAPPY ENDING I WOULD LIKE. 1369 01:23:32,650 --> 01:23:35,220 AND I THINK SOMETIMES WE NEED HAPPY ENDINGS. 1370 01:23:36,750 --> 01:23:40,160 ESPECIALLY WHEN THE COWBOY'S BIG AND STRONG. 1371 01:23:42,690 --> 01:23:43,690 THAT, UM-- 1372 01:23:46,330 --> 01:23:49,570 THAT'S A PRETTY-- THAT'S A CRAPPY STORY. 1373 01:23:53,900 --> 01:23:55,770 HE WAS A BIG, STRONG COWBOY. 1374 01:24:06,650 --> 01:24:08,250 DISCO INFERNO? 1375 01:24:10,390 --> 01:24:12,350 THAT IS A REALLY NICE SHIRT. 1376 01:24:13,460 --> 01:24:14,660 IT'S EIGHT BUCKS. 1377 01:24:17,260 --> 01:24:18,790 I'LL GIVE YOU FIVE FOR IT. 1378 01:24:25,200 --> 01:24:30,240 ♪ EVERYWHERE YOU GO, YOU'RE ALWAYS LOOKING BACK ♪ 1379 01:24:30,270 --> 01:24:36,250 ♪ EVERY TEAR YOU SHED IS DRY... ♪ 1380 01:24:36,280 --> 01:24:38,250 [CERINA ON RECORDING] HEY, YOU'VE REACHED CERINA AND CHARLIE. 1381 01:24:38,280 --> 01:24:40,380 LEAVE A MESSAGE AND WE'LL GET BACK TO YOU AS SOON AS WE CAN. 1382 01:24:40,420 --> 01:24:43,850 BYE-BYE! [BEEP] 1383 01:24:43,890 --> 01:24:47,660 [JOSH] HEY, CERINA AND CHARLIE, IT'S JOSH. 1384 01:24:47,690 --> 01:24:49,790 I'M, UH, BACK IN TOWN, 1385 01:24:49,830 --> 01:24:52,900 AND I REALLY WANTED TO TALK TO YOU GUYS. 1386 01:24:52,930 --> 01:24:55,660 SO I WAS THINKING TOMORROW MORNING AT MAYBE 10:00, 1387 01:24:55,700 --> 01:24:58,230 YOU COULD MEET ME UP AT TILDEN PARK. 1388 01:24:58,270 --> 01:25:00,540 IT'S UP AT THE TOP OF ALVARADO ROAD. 1389 01:25:00,570 --> 01:25:03,370 I'LL BE WAITING RIGHT PAST THE BASKETBALL COURTS THERE. 1390 01:25:08,410 --> 01:25:10,280 [CERINA] CHARLIE, WAIT UP! 1391 01:25:10,310 --> 01:25:12,380 [CHARLIE] I'M GOING TO FIND HIM. 1392 01:25:12,410 --> 01:25:14,920 WHY? WHY ARE YOU SO ANGRY? 1393 01:25:14,950 --> 01:25:18,420 JUST BECAUSE YOU LIKE HIM DOESN'T MEAN THAT I HAVE TO! 1394 01:25:18,450 --> 01:25:21,290 IT DOESN'T MEAN I STILL LIKE HIM. 1395 01:25:21,320 --> 01:25:23,430 AND WHY DON'T YOU LIKE HIM? 1396 01:25:23,460 --> 01:25:25,690 WHY, CERINA? 1397 01:25:25,730 --> 01:25:28,830 WELL, BECAUSE HE'S AN ARTIST, AND HE'S A LITTLE BIT OFF THE WALL, 1398 01:25:28,860 --> 01:25:31,300 AND A LITTLE BIT CRAZY? 1399 01:25:31,330 --> 01:25:33,440 OR IS IT BECAUSE HE'S FREE? 1400 01:25:35,740 --> 01:25:37,440 LOOK, HE CAN'T JUST TURN UP HERE 1401 01:25:37,470 --> 01:25:39,580 AND MAKE ME FEEL ALL UNDERSTOOD FOR A MOMENT 1402 01:25:39,610 --> 01:25:41,610 AND THEN JUST LEAVE! 1403 01:25:45,710 --> 01:25:47,880 [INDISTINCT CHATTER] 1404 01:25:49,990 --> 01:25:52,420 -CHARLIE... -THERE HE IS. 1405 01:25:53,720 --> 01:25:54,690 HEY. 1406 01:25:56,660 --> 01:25:58,690 WHY ARE YOU EVEN BACK HERE? 1407 01:25:58,730 --> 01:26:01,330 YOU ALREADY LEFT. 1408 01:26:01,360 --> 01:26:02,900 I TOLD YOU WHEN YOU SHOULD GO. 1409 01:26:06,900 --> 01:26:08,740 I KNOW. 1410 01:26:08,770 --> 01:26:10,040 I KNOW YOU DID, AND I'M SORRY, 1411 01:26:10,070 --> 01:26:14,010 AND THAT-- THAT'S WHY I'M BACK. 1412 01:26:14,040 --> 01:26:15,480 OH, SO YOU-- 1413 01:26:15,510 --> 01:26:17,680 SO YOU CAN TELL US SOME MORE-- 1414 01:26:17,710 --> 01:26:20,480 SOME MORE BEAUTIFUL LIES ABOUT LIFE. 1415 01:26:20,520 --> 01:26:24,020 CHARLIE, NONE OF THOSE WERE LIES. 1416 01:26:24,050 --> 01:26:26,020 THEN WHAT WAS? 1417 01:26:32,060 --> 01:26:33,660 MY BRAVERY. 1418 01:26:36,670 --> 01:26:40,640 ALWAYS SEEMS TO BE THE FIRST THING TO GO WHEN YOU'RE... 1419 01:26:40,670 --> 01:26:45,470 CONFUSED ABOUT YOUR FEELINGS FOR SOMEBODY. 1420 01:26:45,510 --> 01:26:48,680 SO YOU DID COME BACK HERE BECAUSE YOU STILL HAVE FEELINGS FOR HER. 1421 01:26:53,520 --> 01:26:55,420 YES. 1422 01:26:57,420 --> 01:27:00,520 YES, MAYBE, AT FIRST I DID. 1423 01:27:02,760 --> 01:27:04,690 AND THEN I MET YOU. 1424 01:27:06,830 --> 01:27:09,300 AND I SAW YOU TWO TOGETHER... 1425 01:27:14,440 --> 01:27:16,670 AND I GUESS THAT'S WHAT I WANTED TO HAVE. 1426 01:27:18,710 --> 01:27:21,940 AND I SUPPOSE I THOUGHT I'D NEVER-- 1427 01:27:21,980 --> 01:27:25,650 I'D NEVER GET IT IF I DIDN'T KNOW WHY SHE LEFT. 1428 01:27:32,990 --> 01:27:34,960 YOU TELL HIM. 1429 01:27:34,990 --> 01:27:36,930 YOU TELL HIM, CERINA. 1430 01:27:36,960 --> 01:27:38,690 YEAH, YOU CAN. 1431 01:27:38,730 --> 01:27:41,400 YOU DON'T MAKE A WORD OF IT UP. HE NEEDS TO KNOW. 1432 01:27:43,970 --> 01:27:46,570 HE NEEDS TO KNOW SO HE CAN MOVE ON WITH HIS LIFE. 1433 01:27:48,670 --> 01:27:52,440 AND IT MIGHT BE DONE NOW, 1434 01:27:52,470 --> 01:27:54,940 BUT HE NEEDS TO KNOW THAT FOR-- 1435 01:27:54,980 --> 01:27:58,710 FOR A MOMENT, AT LEAST, HE WAS IMPORTANT TO YOU. 1436 01:28:00,080 --> 01:28:02,580 AND THAT FOR A MOMENT, HE DID GOOD. 1437 01:28:06,560 --> 01:28:10,060 IF YOU DON'T TELL HIM THAT, HE'S JUST GONNA KEEP SEARCHING 1438 01:28:10,090 --> 01:28:13,430 AND STAYING AND WAITING... 1439 01:28:16,770 --> 01:28:18,630 AND WAITING. 1440 01:28:23,710 --> 01:28:25,740 TELL HIM. 1441 01:28:25,770 --> 01:28:28,010 I DON'T-- I DON'T KNOW WHY WE-- 1442 01:28:28,040 --> 01:28:31,110 ALL COME TOGETHER. 1443 01:28:31,150 --> 01:28:34,150 I CAN'T EVEN PIECE TOGETHER WHY 1444 01:28:34,180 --> 01:28:36,620 WE FELL APART. 1445 01:28:38,050 --> 01:28:41,790 MAYBE I CHASE WHAT I'M MOST AFRAID OF. 1446 01:28:44,460 --> 01:28:46,500 MAYBE I GOT SCARED AND I RAN. 1447 01:28:46,530 --> 01:28:49,130 I RAN BEFORE YOU COULD SEE MY FLAWS, 1448 01:28:49,160 --> 01:28:51,400 BEFORE YOU WOULD RUN. 1449 01:28:53,040 --> 01:28:55,740 THE PEOPLE THAT YOU REMEMBER, THAT YOU LOOK BACK ON, 1450 01:28:55,770 --> 01:28:59,440 THEY LEAVE A MARK, 1451 01:28:59,480 --> 01:29:02,580 WHETHER A WRINKLE OR A SCAR... 1452 01:29:04,180 --> 01:29:10,150 BUT YOU'LL ALWAYS-- YOU'LL ALWAYS REMEMBER. 1453 01:29:10,190 --> 01:29:13,120 AND I KNOW RIGHT NOW WHAT I WANT. 1454 01:29:13,160 --> 01:29:15,820 MAYBE I DIDN'T KNOW THEN BUT NOW I KNOW. 1455 01:29:19,960 --> 01:29:23,070 I KNOW I DON'T WANT TO BE WITHOUT YOU. 1456 01:29:42,050 --> 01:29:43,020 CHARLIE. 1457 01:32:38,890 --> 01:32:40,860 -[JOSH] WHERE'D YOU GET THAT? -[CHARLIE] WHAT? 1458 01:32:40,900 --> 01:32:43,730 -THAT HURT GOING IN? -YEAH, A LITTLE BIT. 1459 01:32:43,770 --> 01:32:46,000 MY GOD, OOH, DON'T DO THAT. 1460 01:32:46,030 --> 01:32:48,400 YOU EVER DONE, LIKE, A PAINT FIGHT BEFORE? 1461 01:32:48,440 --> 01:32:50,740 NO, AND I DON'T WANT TO HAVE ONE HERE. 1462 01:32:50,770 --> 01:32:53,880 NO, WE COULD HAVE A PAINT FIGHT, IT'S GREAT. 1463 01:32:53,910 --> 01:32:57,210 YEAH, NO, I-- 1464 01:32:57,250 --> 01:32:59,010 DO YOU PAINT? 1465 01:32:59,050 --> 01:33:00,880 [JOSH] UM... 1466 01:33:00,920 --> 01:33:02,320 CAN WE, LIKE, DO, LIKE, A RAINBOW ON YOU? 1467 01:33:02,350 --> 01:33:03,750 YOU CANNOT PAINT MY FACE. 1468 01:33:03,790 --> 01:33:05,020 OH, COME ON, I MEAN, JUST A LITTLE-- 1469 01:33:05,050 --> 01:33:06,990 NO, YOU DON'T. I'LL GET YOU. 1470 01:33:07,020 --> 01:33:08,360 ALL RIGHT, ALL RIGHT, ALL RIGHT, ALL RIGHT. 1471 01:33:08,390 --> 01:33:10,190 NO, OKAY, OKAY, OKAY. I GOT IT, I GOT IT. 1472 01:33:17,330 --> 01:33:18,800 WHAT'S UP? 1473 01:33:20,370 --> 01:33:21,670 UM... 1474 01:33:25,810 --> 01:33:27,340 I WANT TO TALK TO YOU. 1475 01:33:30,810 --> 01:33:33,680 [MUSIC PLAYING] 1476 01:34:08,080 --> 01:34:09,350 HEY. 1477 01:34:09,380 --> 01:34:10,950 -MORNING. -GOOD MORNING. 1478 01:34:10,990 --> 01:34:13,490 -GOOD MORNING. -GOOD MORNING. 1479 01:34:13,520 --> 01:34:16,020 -YOU CRAZY KIDS. -WITH THE DOOR OPEN. 1480 01:34:16,060 --> 01:34:17,330 THIS ONE? OH YEAH, 1481 01:34:17,360 --> 01:34:19,460 'CAUSE WHEN YOU CLOSE IT IT GETS SO HOT. 1482 01:34:19,490 --> 01:34:22,030 DID I MAKE YOU GUYS FREEZE LAST NIGHT? 1483 01:34:22,060 --> 01:34:23,900 -I'M THE READER. -YOU'RE THE READER. 1484 01:34:23,930 --> 01:34:26,130 -AND YOU'RE THE WHAT? -SHE'S THE PAINTER. 1485 01:35:09,180 --> 01:35:14,420 ♪ YOU'VE GOT A QUESTION YOUR HEART WANTS THE ANSWER TO ♪ 1486 01:35:14,450 --> 01:35:17,890 ♪ YOU FEEL IT BURNING INSIDE ♪ 1487 01:35:19,920 --> 01:35:25,130 ♪ AND I WOULD HOLD IT FOR YOU IF YOU'D ASK ME TO ♪ 1488 01:35:25,160 --> 01:35:28,960 ♪ IF YOU COULD SWALLOW YOUR PRIDE ♪ 1489 01:35:29,000 --> 01:35:32,500 ♪ YOU'D SEE LOVE 1490 01:35:32,530 --> 01:35:35,040 ♪ LOVE 1491 01:35:35,070 --> 01:35:38,210 ♪ LO-OO-VE 1492 01:35:46,350 --> 01:35:51,920 ♪ IF YOU COULD OPEN YOUR EYES TO THE TRUTH OF THINGS ♪ 1493 01:35:51,950 --> 01:35:55,160 ♪ YOU'D SEE WE'RE ALL MADE OF LIGHT ♪ 1494 01:35:57,130 --> 01:36:02,560 ♪ EVEN WINTER GIVES BIRTH TO A BREATH OF SPRING ♪ 1495 01:36:02,600 --> 01:36:06,430 ♪ YOU ONLY SEE STARS AT NIGHT ♪ 1496 01:36:06,470 --> 01:36:09,470 ♪ YOU'D SEE LOVE 1497 01:36:09,500 --> 01:36:11,970 ♪ LO-OO-VE 1498 01:36:12,010 --> 01:36:17,080 ♪ LOVE 1499 01:36:17,110 --> 01:36:18,980 ♪ YOU'D SEE LOVE 1500 01:36:20,150 --> 01:36:22,920 ♪ LOVE 1501 01:36:22,950 --> 01:36:27,420 ♪ LO-OO-VE 1502 01:36:27,460 --> 01:36:30,330 ♪ YOU'D SEE LOVE 1503 01:36:35,500 --> 01:36:38,370 ♪ YOU'D SEE LOVE 1504 01:36:38,400 --> 01:36:44,070 ♪ I'LL PATCH THE HOLES IN YOUR HEART ♪ 1505 01:36:44,110 --> 01:36:49,180 ♪ GLUE TOGETHER THE BROKEN PARTS ♪ 1506 01:36:49,210 --> 01:36:51,950 ♪ DON'T FORGET 1507 01:36:51,980 --> 01:36:56,380 ♪ YOU'RE A PART OF MY LOVE ♪ 1508 01:37:05,130 --> 01:37:06,660 ♪ YOU'D SEE LOVE 1509 01:37:08,430 --> 01:37:10,700 ♪ LOVE 1510 01:37:10,730 --> 01:37:15,600 ♪ LO-OO-VE 1511 01:37:15,640 --> 01:37:17,910 ♪ YOU'D SEE LOVE 1512 01:37:19,310 --> 01:37:21,540 ♪ LOVE 1513 01:37:21,580 --> 01:37:26,350 ♪ LOVE 1514 01:37:26,380 --> 01:37:31,550 ♪ YOU'D SEE LOVE 1515 01:37:31,590 --> 01:37:34,590 ♪ YOU'D SEE LOVE ♪ 1516 01:37:34,620 --> 01:37:37,160 ♪ SEE LOVE 1517 01:37:37,190 --> 01:37:39,660 ♪ YOU'D SEE LOVE 1518 01:37:39,690 --> 01:37:45,170 ♪ YOU'D SEE LOVE ♪ 1519 01:37:45,200 --> 01:37:48,570 ♪ YOU'D SEE LOVE. 113203