1
00:00:57,417 --> 00:01:01,166
( squawking )

2
00:01:40,709 --> 00:01:42,375
MUM, MUM, I
CAUGHT A YABBY.

3
00:01:42,500 --> 00:01:44,458
YOU WANT TO SEE IT?

4
00:01:44,625 --> 00:01:45,709
I DO, OPAL.

5
00:01:45,834 --> 00:01:47,208
BRING IT OVER HERE.

6
00:01:47,333 --> 00:01:49,583
IT'S GOOD-LOOKING;
ANOTHER ONE'S BY THAT TREE.

7
00:01:49,667 --> 00:01:52,417
OPAL, LEAVE THE POOR
YABBIES ALONE.

8
00:01:52,500 --> 00:01:55,375
JASPER CAN PUT ONE
IN HIS PUDDLE.

9
00:01:55,500 --> 00:01:58,166
DON'T GIVE JASPER
A YABBY, OPAL.

10
00:02:02,500 --> 00:02:03,542
( hissing )

11
00:02:05,875 --> 00:02:07,125
OPAL, MOMMY'S COMING.

12
00:02:07,250 --> 00:02:08,166
JASPER

13
00:02:08,333 --> 00:02:09,959
YOU STAY RIGHT THERE.

14
00:02:10,083 --> 00:02:11,500
OPAL, DON'T MOVE.

15
00:02:11,667 --> 00:02:13,917
MUM, HURRY.

16
00:02:14,041 --> 00:02:15,417
OPAL, DON'T
MOVE. OPAL...

17
00:02:17,417 --> 00:02:18,625
( grunts )

18
00:02:18,750 --> 00:02:19,417
( screams )

19
00:02:23,125 --> 00:02:24,291
OH.

20
00:02:24,500 --> 00:02:26,291
( crying )

21
00:02:26,458 --> 00:02:28,166
STOP THIS
CRYING, OPAL.

22
00:02:28,333 --> 00:02:29,667
YOU WEREN'T HURT.

23
00:02:29,834 --> 00:02:31,166
Man:
WHAT HAPPENED?

24
00:02:31,333 --> 00:02:32,500
WHY'D SHE SCREAM?

25
00:02:32,667 --> 00:02:35,041
DAD, IT WAS A SNAKE,
AND MOM KILLED IT.

26
00:02:35,166 --> 00:02:37,709
AND I'M NOT HURT,
BUT I'M SCARED ALL OVER.

27
00:02:37,875 --> 00:02:39,166
YOU ALL RIGHT, GLADWYN?

28
00:02:39,333 --> 00:02:41,709
EH, NO HARM DONE,
EXCEPT TO THE SNAKE.

29
00:02:43,208 --> 00:02:46,083
WOULDN'T BE THE BUSH
WITHOUT SNAKES.

30
00:02:46,208 --> 00:02:47,834
EVERYBODY'S SCARED WITLESS

31
00:02:47,959 --> 00:02:49,792
BUT YOU.

32
00:02:49,875 --> 00:02:51,667
TAKE HER INSIDE
AND HAVE A REST.

33
00:02:51,792 --> 00:02:52,792
I'LL FINISH THAT.

34
00:02:52,875 --> 00:02:54,083
NO, SHE WANTS YOU.

35
00:02:54,208 --> 00:02:55,041
I'LL FINISH HERE.

36
00:02:55,166 --> 00:02:56,709
THEN WE'LL LOAD THE PALMS UP.

37
00:02:58,291 --> 00:02:59,959
DON'T BABY HER, LARRY.

38
00:03:00,083 --> 00:03:02,000
JUST MAKE IT HARD FOR HER

39
00:03:02,125 --> 00:03:03,583
WHEN SHE GROWS UP.

40
00:03:03,709 --> 00:03:05,208
GOT TO BE TOUGH.

41
00:03:05,375 --> 00:03:07,125
( sighs )

42
00:03:12,667 --> 00:03:14,041
( sighs )

43
00:03:16,792 --> 00:03:19,166
OH, JAZZY.

44
00:03:19,250 --> 00:03:21,125
AW...

45
00:03:23,333 --> 00:03:26,667
WHAT WOULD I DO
IF I LOST ONE OF YOU, EH?

46
00:03:26,750 --> 00:03:28,000
WHAT WOULD I DO?

47
00:03:28,083 --> 00:03:30,291
YOU'D LOOK FOR US?

48
00:03:32,208 --> 00:03:33,375
THAT'S RIGHT.

49
00:03:33,458 --> 00:03:36,333
I'D LOOK FOR YOU FOREVER.

50
00:03:40,583 --> 00:03:44,041
YOU CAN HOLD IT, JASPER,
BUT YOU HAVE TO BE GENTLE.

51
00:03:44,166 --> 00:03:45,667
I'LL BE CAREFUL, OPAL.

52
00:03:45,792 --> 00:03:47,375
OH, HE'S GOT AWAY!

53
00:03:47,500 --> 00:03:49,125
WAIT, JASPER!
DON'T HIT HIM!

54
00:03:49,250 --> 00:03:50,458
HELLO, SWEETHEART.

55
00:03:50,583 --> 00:03:51,709
HI.

56
00:03:51,834 --> 00:03:53,208
GOOD DAY AT SCHOOL?

57
00:03:53,291 --> 00:03:54,375
YEP.

58
00:03:54,500 --> 00:03:56,041
WHAT'S IN THE MAIL?

59
00:03:56,166 --> 00:03:57,583
UM...

60
00:03:57,709 --> 00:03:59,583
A LETTER POSTMARKED
FROM SYDNEY.

61
00:03:59,709 --> 00:04:01,291
WHO DO YOU KNOW
FROM SYDNEY?

62
00:04:01,417 --> 00:04:02,417
I DON'T KNOW.

63
00:04:02,542 --> 00:04:03,959
I'LL LOOK
AT IT TONIGHT.

64
00:04:04,083 --> 00:04:06,625
PEARL, WHY DON'T
YOU GO INSIDE
AND GET CHANGED

65
00:04:06,750 --> 00:04:08,041
SO YOU CAN
HELP MAMA.

66
00:04:08,166 --> 00:04:10,333
( gunshot )

67
00:04:10,458 --> 00:04:13,333
THAT GOWD GADREY AGAIN.

68
00:04:13,458 --> 00:04:14,792
LARRY, BE CAREFUL.

69
00:04:14,917 --> 00:04:16,959
HE'S DANGEROUS
WITH THAT GUN.

70
00:04:17,083 --> 00:04:18,500
HE'S GOT NO AIM.

71
00:04:18,625 --> 00:04:21,417
WELL, I WON'T HAVE HIM
TARGET-SHOOTING SO CLOSE TO US.

72
00:04:21,500 --> 00:04:23,917
DON'T WORRY.
I'LL JUST BE A FEW MINUTES.

73
00:04:24,000 --> 00:04:25,250
HE'S JUST A BOY.

74
00:04:25,333 --> 00:04:26,583
( gunshot )

75
00:04:26,709 --> 00:04:29,458
HE'S GOING
TO BE ALL RIGHT.

76
00:04:29,625 --> 00:04:31,083
ISN'T HE, MUM?

77
00:04:31,208 --> 00:04:32,208
YEAH.

78
00:04:38,166 --> 00:04:39,333
( sighs )

79
00:04:43,625 --> 00:04:45,125
I THOUGHT WE AGREED

80
00:04:45,291 --> 00:04:47,583
YOU WOULDN'T SHOOT
UP HERE ANYMORE, GOWD.

81
00:04:47,667 --> 00:04:48,792
I'M SORRY, MR. RICHARD.

82
00:04:48,959 --> 00:04:50,250
AM I DISTURBING YOU?

83
00:04:50,333 --> 00:04:52,834
YOU KNOW YOU'RE SHOOTING
TOO CLOSE TO MY PLACE.

84
00:04:53,000 --> 00:04:55,041
WHAT IF ONE OF THOSE
BULLETS WENT ASTRAY?

85
00:04:55,208 --> 00:04:56,709
YOU'RE NOT
THAT GOOD A SHOT.

86
00:04:56,875 --> 00:04:58,959
WELL, MAYBE YOU'D LIKE
TO TALK TO MY FATHER

87
00:04:59,041 --> 00:05:01,125
THE NEXT TIME YOU NEED
TO USE THE PHONE.

88
00:05:01,250 --> 00:05:03,125
( snickers )

89
00:05:03,208 --> 00:05:04,458
MAYBE I WILL.

90
00:05:04,583 --> 00:05:06,792
BUT UNTIL THEN,
I'LL JUST PREVENT YOU

91
00:05:06,917 --> 00:05:09,375
FROM DOING SOMETHING
YOU MIGHT REGRET.

92
00:05:09,500 --> 00:05:11,792
HEY, YOU CAN'T
TAKE MY RIFLE.

93
00:05:12,000 --> 00:05:14,792
TELL YOUR FATHER
I'LL GIVE IT TO HIM...

94
00:05:14,917 --> 00:05:18,083
THE NEXT TIME
I NEED TO USE THE PHONE.

95
00:05:25,500 --> 00:05:29,375
( Larry singing )

96
00:05:49,959 --> 00:05:51,417
OPAL, MOVE YOUR PAINTS.

97
00:05:51,500 --> 00:05:52,959
I CAN'T SET YOUR PLACE.

98
00:05:53,083 --> 00:05:54,667
I DON'T WANT
MY PLACE SET.

99
00:05:54,750 --> 00:05:56,208
I'M PAINTING A PICTURE.

100
00:05:56,291 --> 00:05:57,583
MUM, MAKE HER MOVE.

101
00:05:57,709 --> 00:05:58,959
OPAL, TAKE
YOUR PAINTS

102
00:05:59,083 --> 00:06:01,041
OUT ONTO THE VERANDA
SO WE CAN EAT.

103
00:06:01,208 --> 00:06:04,375
AND WHILE YOU'RE THERE,
YOU AND JAZZY PICK UP YOUR TOYS

104
00:06:04,458 --> 00:06:06,375
AND PUT THEM
IN THE BOX.

105
00:06:11,166 --> 00:06:12,667
( sighs )

106
00:06:12,750 --> 00:06:15,875
SHOULD'VE STARTED COOKING
THE WATER SOONER.

107
00:06:16,000 --> 00:06:18,375
HARDLY WARM ENOUGH
TO HAVE A BATH.

108
00:06:18,500 --> 00:06:19,917
I TOOK MINE COLD.

109
00:06:20,041 --> 00:06:22,875
EH, BUT YOU'RE MADE OF
TOUGHER STUFF, AREN'T YOU?

110
00:06:22,959 --> 00:06:24,041
GO ON.

111
00:06:24,166 --> 00:06:26,166
SIT DOWN AND KEEP
OUT OF TROUBLE.

112
00:06:34,250 --> 00:06:36,709
I PUT GOWD'S GUN UP THERE
IN THE RAFTERS

113
00:06:36,834 --> 00:06:39,709
SO THAT WE'D KEEP IT
OUT OF THE WAY OF THE KIDS.

114
00:06:39,834 --> 00:06:41,333
THAT CRACK
ABOUT THE PHONE...

115
00:06:41,458 --> 00:06:44,208
HE'S REALLY GETTING A
MOUTH ON HIM, ISN'T HE?

116
00:06:44,291 --> 00:06:46,542
I MEAN, I DON'T WANT
TO USE THEIR PHONE.

117
00:06:46,625 --> 00:06:49,625
I'D MUCH PREFER TO GO
INTO TOWN AND RING FROM THERE.

118
00:06:49,750 --> 00:06:52,834
NOT THAT WE... WE DON'T NEED
A PHONE HERE, DO WE?

119
00:06:52,959 --> 00:06:53,750
DO WE?

120
00:07:02,000 --> 00:07:06,750
Gladwyn reading:
"BUT I'VE JUST BEEN TOLD
THAT THE CANCER HAS SPREAD.

121
00:07:06,875 --> 00:07:10,375
"SO BY THE TIME YOU READ THIS,
I'LL PROBABLY BE GONE.

122
00:07:10,500 --> 00:07:13,667
"DESPITE WHAT'S HAPPENED
BETWEEN US, LARRY

123
00:07:13,834 --> 00:07:15,750
"I KNOW YOU WANT
OUR DAUGHTER

124
00:07:15,834 --> 00:07:17,959
TO HAVE A HOME
AND A FAMILY."

125
00:07:18,083 --> 00:07:20,041
WHAT CHOICE
DID SHE GIVE YOU?

126
00:07:20,166 --> 00:07:22,166
I WANT HER BACK, GLAD.

127
00:07:24,333 --> 00:07:26,917
WHEN WAS THE LAST
TIME YOU SAW HER?

128
00:07:27,000 --> 00:07:28,250
SHE ABOUT THREE?

129
00:07:28,375 --> 00:07:29,667
MM-HMM.

130
00:07:31,834 --> 00:07:33,667
I THINK ABOUT HER
EVERY DAY.

131
00:07:33,792 --> 00:07:35,166
( sighs )

132
00:07:35,291 --> 00:07:36,834
BUT YOU'RE
REMEMBERING A BABY.

133
00:07:36,959 --> 00:07:38,542
SHE'S A TEENAGER NOW.

134
00:07:38,667 --> 00:07:42,417
SHE'S BEEN LIVING WITH THAT
HOPELESS DREAMER OF A MOTHER.

135
00:07:42,542 --> 00:07:44,875
SHE'S BEEN LIVING
WITH MUSICIANS.

136
00:07:45,000 --> 00:07:47,917
SHE'S BEEN HANGING
AROUND NIGHTCLUBS...

137
00:07:48,041 --> 00:07:51,333
ALL SO THAT CHERYL
CAN BECOME A LOUNGE SINGER.

138
00:07:51,500 --> 00:07:56,375
I MEAN, YOU HAVEN'T HEARD FROM
EITHER OF THEM FOR 12 YEARS.

139
00:07:56,500 --> 00:07:57,792
( sighs )

140
00:07:57,917 --> 00:07:59,375
HAVE YOU?

141
00:07:59,500 --> 00:08:00,917
NO.

142
00:08:02,375 --> 00:08:04,250
( sighs )

143
00:08:04,375 --> 00:08:06,291
LARRY, I'VE SEEN WHAT CAN HAPPEN

144
00:08:06,417 --> 00:08:08,917
WHEN A STRANGER
IS BROUGHT INTO A FAMILY.

145
00:08:09,041 --> 00:08:10,125
IT CHANGES THINGS.

146
00:08:10,250 --> 00:08:12,834
WHAT-WHAT INFLUENCES
IS SHE GOING TO HAVE?

147
00:08:12,959 --> 00:08:14,750
WHAT IF SHE'S LIKE HER MOTHER?

148
00:08:18,083 --> 00:08:20,583
I'M SORRY.

149
00:08:23,250 --> 00:08:25,083
( sighs )

150
00:08:25,208 --> 00:08:27,250
I KNOW YOU LOVED HER.

151
00:08:28,959 --> 00:08:31,959
I KNOW YOU
LOVED HER.

152
00:08:40,041 --> 00:08:41,834
YOU'RE THE ONE I LOVE, GLAD.

153
00:08:41,917 --> 00:08:45,542
AFTER ALL THESE YEARS,
YOU SHOULD KNOW THAT.

154
00:08:47,375 --> 00:08:48,875
( sighs )

155
00:08:49,000 --> 00:08:52,333
HASN'T SHE GOT SOME OTHER
RELATION SHE CAN GO WITH?

156
00:08:52,417 --> 00:08:55,834
YOU OF ALL PEOPLE
SHOULD UNDERSTAND THIS.

157
00:08:55,875 --> 00:08:59,166
HER MOTHER'S DYING,
MAY BE DEAD ALREADY.

158
00:08:59,291 --> 00:09:01,709
SHE'S GOT
NO PLACE ELSE TO GO.

159
00:09:01,834 --> 00:09:03,709
ANY CHILD OF MINE
WILL HAVE A HOME

160
00:09:03,834 --> 00:09:05,333
AS LONG AS I'M ALIVE, GLAD.

161
00:09:07,083 --> 00:09:08,375
LARA IS MY CHILD.

162
00:09:08,500 --> 00:09:11,375
AND SO ARE OPAL,
PEARL AND JAZZY
YOUR CHILDREN.

163
00:09:11,500 --> 00:09:13,709
HOW IS THIS GOING
TO AFFECT THEM?

164
00:09:13,834 --> 00:09:16,458
I'M TRYING TO PROTECT
OUR CHILDREN, LARRY.

165
00:09:16,583 --> 00:09:18,834
I DON'T WANT THEM HURT.

166
00:09:18,959 --> 00:09:22,375
I WANT THEM TO HAVE
WHAT I NEVER HAD GROWING UP.

167
00:09:22,500 --> 00:09:24,583
I WANT THEM TO FEEL SECURE.

168
00:09:27,834 --> 00:09:29,333
DO YOU THINK SHE LOOKS

169
00:09:29,458 --> 00:09:31,208
LIKE DAD?

170
00:09:31,333 --> 00:09:33,792
SHUT UP, PEST, AND GO TO SLEEP.

171
00:09:40,000 --> 00:09:42,500
HOW COULD YOU HAVE MARRIED
ANYONE ELSE BESIDES MUM?

172
00:09:42,625 --> 00:09:44,083
IT WAS A LONG
TIME AGO, PEARL

173
00:09:44,208 --> 00:09:45,667
BEFORE I EVER
MET YOUR MOTHER.

174
00:09:45,792 --> 00:09:47,083
DID YOU LOVE HER?

175
00:09:47,208 --> 00:09:48,333
I DID.

176
00:09:48,458 --> 00:09:50,583
BUT I LOVE YOUR MOTHER NOW.

177
00:09:50,709 --> 00:09:53,333
HOW COULD YOU
KEEP IT A SECRET?

178
00:09:53,458 --> 00:09:54,959
THAT YOU HAD A DAUGHTER

179
00:09:55,125 --> 00:09:56,166
BEFORE ME?

180
00:09:56,333 --> 00:09:58,083
I NEVER KNEW
WHERE SHE WAS, PEARL

181
00:09:58,208 --> 00:09:59,834
OR IF I'D EVER SEE HER AGAIN.

182
00:10:00,000 --> 00:10:02,333
THERE WAS NO REASON
TO TELL YOU UNTIL NOW.

183
00:10:02,500 --> 00:10:04,834
SINCE YOU HAD HER FIRST,
DO YOU LOVE HER MORE?

184
00:10:04,959 --> 00:10:06,417
IS THAT WHY YOU'RE

185
00:10:06,542 --> 00:10:07,750
BRINGING HER HERE?

186
00:10:07,875 --> 00:10:09,333
COME HERE, HONEY.

187
00:10:09,500 --> 00:10:10,792
COME HERE.

188
00:10:10,917 --> 00:10:12,750
SIT DOWN, SWEETHEART.
COME ON.

189
00:10:12,875 --> 00:10:15,583
I COULD NEVER LOVE ANYONE
MORE THAN I LOVE YOU.

190
00:10:15,709 --> 00:10:17,834
THEN DON'T LET HER
COME HERE, DADDY.

191
00:10:17,959 --> 00:10:19,417
I DON'T WANT HER TO COME.

192
00:10:19,500 --> 00:10:21,291
PEARL...

193
00:10:21,458 --> 00:10:22,750
YOU LOVE ME?

194
00:10:22,834 --> 00:10:27,166
THEN I'LL ASK YOU WHAT
I'VE ASKED YOUR MUM.

195
00:10:27,333 --> 00:10:30,125
JUST GIVE LARA A CHANCE.

196
00:10:30,250 --> 00:10:32,125
FOR ME.

197
00:10:32,250 --> 00:10:34,208
ALL RIGHT, PEARL?

198
00:10:34,333 --> 00:10:35,959
PEARL, HONEY...

199
00:10:36,083 --> 00:10:37,083
HONEY...

200
00:10:46,417 --> 00:10:47,542
OPAL...

201
00:10:49,291 --> 00:10:51,667
YOU'VE BEEN AWFULLY QUIET.

202
00:10:51,834 --> 00:10:53,000
WHAT DO YOU THINK?

203
00:10:53,166 --> 00:10:55,458
I THINK ANY SISTER'S
BETTER THAN PEARL.

204
00:10:55,542 --> 00:10:56,834
( chuckles )

205
00:10:56,959 --> 00:10:58,417
WELL, THAT'S A START.

206
00:11:00,125 --> 00:11:01,750
THAT'S A START.

207
00:11:05,417 --> 00:11:07,750
OH, PEARL.

208
00:11:07,834 --> 00:11:11,583
LOOK, YOU DON'T HAVE
TO WORRY.

209
00:11:11,709 --> 00:11:14,667
DAD AND ME, WE'RE GOING
TO SORT IT ALL OUT.

210
00:11:14,750 --> 00:11:17,750
EVERYTHING'S GOING
TO BE OKAY, HONEY.

211
00:11:17,875 --> 00:11:20,250
BUT HOW COULD
HE DO THIS TO ME?

212
00:11:20,375 --> 00:11:22,041
TO US?

213
00:12:04,250 --> 00:12:05,750
LARA?

214
00:12:05,875 --> 00:12:07,333
LARA RITCHIE?

215
00:12:09,667 --> 00:12:11,417
I'M YOUR DAD.

216
00:12:18,458 --> 00:12:19,917
NICE TO MEET YOU.

217
00:12:24,792 --> 00:12:26,166
THOSE YOURS?

218
00:13:10,834 --> 00:13:12,375
THAT YOUR MOTHER'S?

219
00:13:15,834 --> 00:13:17,125
I'M SORRY, LARA.

220
00:13:17,250 --> 00:13:19,625
I KNOW WHAT
A TERRIBLE THING IT IS

221
00:13:19,750 --> 00:13:21,417
TO LOSE YOUR MOTHER SO YOUNG.

222
00:13:30,458 --> 00:13:32,583
YOU LOOK LIKE CHERYL, ACTUALLY.

223
00:13:33,917 --> 00:13:35,875
AROUND THE EYES, MOSTLY.

224
00:13:39,500 --> 00:13:42,875
SHE WAS SUCH A BEAUTY
THE FIRST TIME I SAW HER.

225
00:13:43,000 --> 00:13:44,959
THAT LAUGH...

226
00:13:45,083 --> 00:13:47,250
I CAN STILL REMEMBER
THAT LAUGH...

227
00:13:47,375 --> 00:13:48,500
AND THOSE DREAMS.

228
00:13:48,625 --> 00:13:50,500
SHE WAS ALWAYS
FULL OF DREAMS--

229
00:13:50,667 --> 00:13:52,917
GOING TO THE STATES
AND SINGING AND ALL.

230
00:13:55,083 --> 00:13:59,250
WELL, I RECKON SHE GOT TO DO
SOME OF IT, DIDN'T SHE?

231
00:14:05,000 --> 00:14:07,000
WAS SHE A GOOD MOTHER, LARA?

232
00:14:07,125 --> 00:14:09,041
DID SHE TAKE CARE OF YOU?

233
00:14:09,166 --> 00:14:12,417
WHEN SHE FOUND OUT
I HAD TROUBLE LEARNING TO READ

234
00:14:12,542 --> 00:14:14,250
SHE TOOK A JOB BOOKKEEPING

235
00:14:14,333 --> 00:14:16,417
SO SHE COULD READ WITH ME
AT NIGHT.

236
00:14:16,500 --> 00:14:19,375
WE READ ABOUT
WONDERFUL PLACES

237
00:14:19,458 --> 00:14:21,083
WITH STRANGE NAMES.

238
00:14:21,208 --> 00:14:25,542
WE TALKED ABOUT HOW SOMEDAY
WE'D VISIT THOSE PLACES.

239
00:14:25,667 --> 00:14:30,041
THERE WERE SO MANY THINGS
WE WERE GOING TO DO.

240
00:14:30,166 --> 00:14:32,875
WE WEREN'T FINISHED YET.

241
00:14:35,208 --> 00:14:37,333
SHE WAS A GOOD PERSON.

242
00:14:37,458 --> 00:14:39,834
SHE DIDN'T DESERVE TO DIE.

243
00:15:12,959 --> 00:15:13,875
TAKE A BREAK?

244
00:15:14,000 --> 00:15:15,166
STRETCH YOUR LEGS?

245
00:15:18,458 --> 00:15:19,709
COME ON.

246
00:15:19,875 --> 00:15:21,375
WE GOT A LONG WAY TO GO.

247
00:15:24,166 --> 00:15:25,625
I'M SORRY.

248
00:15:37,500 --> 00:15:40,208
DID YOU GET THE SILVER DOLLAR
IN THE STATES?

249
00:15:41,458 --> 00:15:43,917
YOU SAVING UP
FOR SOMETHING SPECIAL?

250
00:15:44,041 --> 00:15:45,458
IT'S NOT TO SPEND.

251
00:15:45,625 --> 00:15:49,125
SHE KEPT IT TO REMIND US
OF OUR DREAMS.

252
00:15:49,250 --> 00:15:51,041
IT'S ALL I'VE GOT LEFT.

253
00:16:24,500 --> 00:16:27,875
WE GOT A CHANCE AT THE LAND
AND JUST DECIDED TO DO IT

254
00:16:28,000 --> 00:16:31,083
SORT OF WILLY-NILLY,
AND THE NAME STUCK.

255
00:16:31,208 --> 00:16:32,625
WE RAISE THOSE POTTED PALMS

256
00:16:32,750 --> 00:16:35,291
YOU SEE IN HOTELS
AND RESTAURANTS, NIGHTCLUBS.

257
00:16:35,458 --> 00:16:37,625
WE JUST BOUGHT
SOME NEW PLANTING STOCK

258
00:16:37,750 --> 00:16:40,875
FOR THE MORE EXOTIC PALMS--
YOU KNOW, MORE EXPENSIVE.

259
00:16:41,041 --> 00:16:44,417
WE MAKE MORE MONEY,
BUT WE NEED ANOTHER 40 ACRES.

260
00:16:44,542 --> 00:16:45,750
THE LAND'S AVAILABLE.

261
00:16:45,875 --> 00:16:46,959
WE JUST...

262
00:16:47,083 --> 00:16:48,875
WE'RE JUST WAITING
ON THIS LOAN.

263
00:17:07,333 --> 00:17:09,250
YOU'LL LIKE IT OUT HERE

264
00:17:09,333 --> 00:17:10,250
IN THE WOLLONGAT

265
00:17:10,333 --> 00:17:11,667
ONCE YOU
GET USED TO IT.

266
00:17:11,750 --> 00:17:13,208
IT DOESN'T MATTER TO ME.

267
00:17:13,291 --> 00:17:15,208
I CAN ALWAYS GO TO AN ORPHANAGE.

268
00:17:15,291 --> 00:17:16,667
ONE SET OF STRANGERS

269
00:17:16,792 --> 00:17:19,417
IS THE SAME
AS ANOTHER.

270
00:17:22,458 --> 00:17:24,208
LET'S GET ONE THING STRAIGHT:

271
00:17:24,333 --> 00:17:26,583
YOU'RE NOT GOING
TO AN ORPHANAGE, LARA

272
00:17:26,709 --> 00:17:28,291
AND WE'RE NOT STRANGERS.

273
00:17:28,417 --> 00:17:29,750
I'M YOUR FATHER.

274
00:17:29,917 --> 00:17:32,500
I KNOW YOU'RE SCARED,
BUT I'LL TAKE CARE OF YOU.

275
00:17:35,625 --> 00:17:39,041
WHEN YOUR MOTHER TOOK YOU
AND LEFT ME FOR THAT MUSICIAN...

276
00:17:39,166 --> 00:17:40,041
WALTER.

277
00:17:40,166 --> 00:17:41,166
YEAH.

278
00:17:42,875 --> 00:17:44,959
I LOOKED FOR YOU, LARA.

279
00:17:45,083 --> 00:17:48,417
FOR YEARS, ALL OVER
THIS COUNTRY, I LOOKED FOR YOU.

280
00:17:48,542 --> 00:17:50,083
YOU'RE MY CHILD.

281
00:17:50,208 --> 00:17:51,375
I LOVE YOU.

282
00:17:51,500 --> 00:17:54,000
I'VE LOVED YOU
FROM THE DAY YOU WERE BORN.

283
00:17:56,750 --> 00:17:58,792
YOU LOOKED FOR ME?

284
00:17:58,917 --> 00:18:00,000
YES.

285
00:18:01,792 --> 00:18:05,500
WELL, I... DIDN'T HAVE THE MONEY
TO FOLLOW YOU TO THE STATES.

286
00:18:05,667 --> 00:18:07,208
YOU WERE REALLY GONE THEN.

287
00:18:12,417 --> 00:18:14,500
YOU WON'T REMEMBER THIS, BUT...

288
00:18:14,625 --> 00:18:16,875
YOU USED TO KISS ME
THROUGH THE GLASS

289
00:18:17,000 --> 00:18:18,750
WHEN I WENT TO WORK.

290
00:18:18,834 --> 00:18:22,208
THE GLASS WAS ALWAYS
SMUDGED THERE FROM YOUR KISSES.

291
00:18:23,834 --> 00:18:25,417
YOU WERE SUCH A LITTLE MITE.

292
00:18:25,542 --> 00:18:27,333
ONLY THREE.

293
00:18:27,458 --> 00:18:30,834
BUT THE LAST TIME I SAW YOU,
YOU WERE STANDING THERE

294
00:18:31,000 --> 00:18:32,959
KISSING...

295
00:18:39,000 --> 00:18:40,709
Opal:
WHAT DO YOU THINK, MUM?

296
00:18:42,750 --> 00:18:44,375
MUM?

297
00:18:46,834 --> 00:18:49,000
I THINK WE SHOULD
PUT IT ON THE WALL.

298
00:18:49,125 --> 00:18:50,041
ON THE WALL?!

299
00:18:50,208 --> 00:18:51,542
MM-HMM.
REALLY?!

300
00:18:51,709 --> 00:18:52,709
JASPER, SHE'S GOING

301
00:18:52,875 --> 00:18:54,458
TO PUT MY PICTURE ON THE WALL!

302
00:18:54,583 --> 00:18:56,208
GO AWAY, PEST.

303
00:18:56,375 --> 00:18:58,959
I DON'T CARE
WHAT YOU SAY, PEARL.

304
00:18:59,125 --> 00:19:00,625
MUM LIKED MY PICTURE...

305
00:19:00,750 --> 00:19:02,834
AND DAD'S BRINGING
ME A NEW SISTER.

306
00:19:02,959 --> 00:19:04,542
SHE'S NOT YOUR SISTER.

307
00:19:04,709 --> 00:19:06,750
SHE'S GOT THE SAME NAME...
RITCHIE.

308
00:19:06,875 --> 00:19:08,208
WE'RE ALL RITCHIES.

309
00:19:11,166 --> 00:19:13,917
WHEN I MET GLADWYN, SHE HELPED
ME PULL MYSELF TOGETHER.

310
00:19:16,125 --> 00:19:18,333
WE HAVE THREE KIDS NOW.

311
00:19:18,458 --> 00:19:19,875
PEARL, OPAL
AND JASPER.

312
00:19:20,041 --> 00:19:22,542
YOU NAMED THEM ALL
AFTER JEWELS?

313
00:19:22,709 --> 00:19:24,542
SHE DID.

314
00:19:24,667 --> 00:19:26,625
SHE SURE DID.

315
00:19:26,709 --> 00:19:28,417
I WAS NAMED AFTER YOU,
WASN'T I?

316
00:19:33,041 --> 00:19:34,959
AND I REMEMBER THE WINDOW.

317
00:19:57,041 --> 00:19:58,709
( sighs )

318
00:19:58,792 --> 00:20:00,375
WELL, IT ISN'T
FINISHED YET.

319
00:20:00,458 --> 00:20:01,709
THE BATHROOM'S OUTSIDE

320
00:20:01,792 --> 00:20:04,333
BUT WE CAN HEAT
THE BATH WATER NOW.

321
00:20:04,417 --> 00:20:06,875
I BUILT A STOVE
UNDERNEATH THE TANK.

322
00:20:06,959 --> 00:20:08,709
THERE THEY ARE, LARA.

323
00:20:08,875 --> 00:20:10,166
YOUR FAMILY.

324
00:20:19,583 --> 00:20:21,333
GLADWYN?

325
00:20:21,458 --> 00:20:23,875
PEARL? OPAL?

326
00:20:24,000 --> 00:20:26,166
JASPER?

327
00:20:29,291 --> 00:20:30,792
THIS IS LARA.

328
00:20:30,917 --> 00:20:33,166
LARA.

329
00:20:37,709 --> 00:20:38,834
COME INSIDE.

330
00:20:38,959 --> 00:20:40,959
YOU MUST BE THIRSTY.

331
00:20:44,625 --> 00:20:46,625
HELLO, LARA. I'M OPAL.

332
00:20:46,750 --> 00:20:47,709
WHAT'S IN THE BOX?

333
00:20:47,792 --> 00:20:48,750
DON'T MIND OPAL.

334
00:20:48,917 --> 00:20:51,709
SHE'S JUST CURIOUS
ABOUT EVERYTHING.

335
00:20:58,000 --> 00:20:59,083
NOW...

336
00:20:59,208 --> 00:21:01,208
YOU CAN SLEEP IN HERE
WITH THE REST OF US

337
00:21:01,333 --> 00:21:02,917
OR YOU CAN HAVE
THE VERANDA.

338
00:21:03,041 --> 00:21:04,291
IT'S NOT VERY PRIVATE

339
00:21:04,458 --> 00:21:06,875
SINCE WE GO IN AND OUT
THROUGH THE BACK, BUT...

340
00:21:07,000 --> 00:21:08,583
IT'S NICE AND AIRY
OUT HERE.

341
00:21:08,709 --> 00:21:11,875
IF IT RAINS, YOU JUST
PUT THE BLINDS DOWN.

342
00:21:12,000 --> 00:21:13,875
YOU'D BE
OFF TO YOURSELF A BIT.

343
00:21:16,125 --> 00:21:18,667
I'D, UM...I'D RATHER
BE OUT HERE.

344
00:21:20,625 --> 00:21:23,792
NOW, YOU CAN PUT YOUR THINGS...
IN HERE.

345
00:21:23,959 --> 00:21:25,834
GLADWYN CLEARED IT FOR YOU.

346
00:21:27,959 --> 00:21:30,834
WELL, I'LL, UH...
LET YOU GET SETTLED.

347
00:21:46,834 --> 00:21:47,959
FAMILY, GLADWYN

348
00:21:48,125 --> 00:21:49,500
JUST LIKE YOU
ALWAYS WANTED.

349
00:21:49,667 --> 00:21:52,208
WE'VE GOT A FAMILY.

350
00:21:52,333 --> 00:21:54,375
( both chuckling )

351
00:21:54,500 --> 00:21:56,959
PEARL, GET SOME
CUPS AND SAUCERS.

352
00:21:57,125 --> 00:21:58,542
SIX.
OKAY.

353
00:21:58,667 --> 00:22:01,333
I'M GOING OUTSIDE
TO CHECK THE IRRIGATION LINES.

354
00:22:01,500 --> 00:22:02,625
I'LL BE RIGHT BACK.

355
00:22:02,750 --> 00:22:03,750
MM-HMM.

356
00:22:07,625 --> 00:22:08,834
Opal:
DON'T WORRY, LARA.

357
00:22:08,959 --> 00:22:11,041
I WON'T LET JASPER
TOUCH ANYTHING.

358
00:22:16,375 --> 00:22:17,750
MUM'S GOT A CLOSET.

359
00:22:17,875 --> 00:22:20,041
MAYBE YOU CAN HANG
THEM UP IN HER ROOM.

360
00:22:26,750 --> 00:22:28,125
CAN I SEE WHAT'S
IN THE BOX?

361
00:22:37,166 --> 00:22:38,458
THIS IS MY MOTHER

362
00:22:38,583 --> 00:22:40,583
SINGING IN A CLUB
IN MELBOURNE.

363
00:22:40,667 --> 00:22:42,458
AND THIS IS
WHEN SHE WAS SIX.

364
00:22:42,583 --> 00:22:45,166
HER FRONT TEETH
WERE OUT.

365
00:22:45,291 --> 00:22:46,834
ISN'T THAT MY DAD
WITH YOUR MUM?

366
00:22:46,959 --> 00:22:49,166
WE DON'T KNOW

367
00:22:49,250 --> 00:22:52,000
WHAT OUR MUM
LOOKED LIKE WHEN
SHE WAS LITTLE.

368
00:22:52,125 --> 00:22:53,500
SHE DOESN'T HAVE
ANY PICTURES.

369
00:22:53,625 --> 00:22:54,583
OPAL?

370
00:22:54,709 --> 00:22:57,083
SHOW LARA
THE BATH HOUSE.

371
00:23:03,750 --> 00:23:05,792
Opal:
COME ON.

372
00:23:05,917 --> 00:23:09,667
( chickens cackling )

373
00:23:09,792 --> 00:23:13,083
OPAL? I'LL SHOW HER.

374
00:23:13,208 --> 00:23:14,834
YOU GO AND TIDY
OUT YOUR PAINTS.

375
00:23:14,959 --> 00:23:15,875
MOM...

376
00:23:16,000 --> 00:23:16,917
AWAY YOU GO.

377
00:23:22,500 --> 00:23:25,208
IF YOU WANT HOT
WATER FOR YOUR BATH

378
00:23:25,333 --> 00:23:29,417
YOU'RE TO LIGHT THE FIRE
IN HERE IN ADVANCE.

379
00:23:29,542 --> 00:23:32,834
OTHERWISE, YOU TAKE
IT COLD AS IT COMES
OUT OF THE TANK.

380
00:23:32,959 --> 00:23:34,375
IF YOU COME OUT HERE
AT NIGHT

381
00:23:34,458 --> 00:23:36,834
ALWAYS BRING A LIGHT
AND A STICK FOR ANIMALS.

382
00:23:39,208 --> 00:23:41,291
NO GOING PAST THE DAM
AT NIGHT

383
00:23:41,417 --> 00:23:45,250
NOT WITH ALL THE THINGS
THAT COME OUT AFTER DARK.

384
00:23:45,333 --> 00:23:47,667
THIS TAP HERE IS FOR WASHING
MUD OFF YOURSELF

385
00:23:47,792 --> 00:23:50,000
AFTER YOU'VE BEEN WORKING
IN THE PADDOCK.

386
00:23:52,375 --> 00:23:54,083
AND THESE ARE
THE PALMS.

387
00:23:54,208 --> 00:23:55,458
WE IRRIGATE THIS PADDOCK

388
00:23:55,583 --> 00:23:56,792
OUT OF THAT DAM.

389
00:23:56,959 --> 00:23:59,000
WE'RE STARTING A NEW
PADDOCK OVER THERE.

390
00:23:59,166 --> 00:24:01,583
WE HAVEN'T GOT
THE PIPES IN YET

391
00:24:01,709 --> 00:24:03,542
SO WE HAVE TO CARRY
THE WATER BY HAND.

392
00:24:03,667 --> 00:24:06,458
YOU WON'T LOOK LIKE SUCH
A CITY GIRL AFTER A FEW WEEKS.

393
00:24:06,583 --> 00:24:07,834
YOU CAN HELP OPAL
WITH THESE.

394
00:24:07,959 --> 00:24:09,959
GATHER THE EGGS,
FEED THEM, WATER THEM.

395
00:24:10,125 --> 00:24:11,917
BUT NEVER STICK
YOUR HAND IN A NEST

396
00:24:12,041 --> 00:24:13,333
WITHOUT CHECKING
FOR SNAKES.

397
00:24:16,125 --> 00:24:18,917
YOU CAN HELP PEARL
TEND THE HORSES.

398
00:24:19,041 --> 00:24:20,458
( whinnies softly )

399
00:24:20,542 --> 00:24:22,375
I HOPE YOU
RIDE BAREBACK.

400
00:24:47,125 --> 00:24:49,875
( crickets chirping )

401
00:24:50,041 --> 00:24:52,542
( bird calls echoing )

402
00:24:56,500 --> 00:24:58,458
I'M HERE NOW.

403
00:24:58,625 --> 00:25:00,458
AND I'LL TAKE CARE
OF YOU, LOVE.

404
00:25:00,542 --> 00:25:02,083
DON'T BE SCARED.

405
00:25:24,250 --> 00:25:26,792
YOU PROMISED
YOU WOULDN'T LEAVE ME.

406
00:25:29,125 --> 00:25:30,709
YOU PROMISED.

407
00:25:41,291 --> 00:25:44,166
YOU WEREN'T
EXACTLY WARM TO HER.

408
00:25:44,291 --> 00:25:45,709
WHAT WAS I
SUPPOSED TO DO?

409
00:25:45,834 --> 00:25:48,250
Larry:
SHE'S JUST A KID--

410
00:25:48,375 --> 00:25:50,834
LIKE PEARL, LIKE OPAL.

411
00:25:50,959 --> 00:25:52,125
JUST TRY AND
ACCEPT HER.

412
00:25:52,250 --> 00:25:53,792
DID YOU SEE HER WITH OPAL?

413
00:25:53,917 --> 00:25:55,083
SHE'S A STRANGER.

414
00:25:55,208 --> 00:25:58,583
LIKE IT OR NOT, LARRY

415
00:25:58,709 --> 00:26:01,375
SHE COULD BE GONE
IN A MONTH.

416
00:26:01,500 --> 00:26:03,709
IT HAPPENS.

417
00:26:03,834 --> 00:26:06,542
NONE OF US KNOWS IF THIS
IS GOING TO WORK OUT.

418
00:26:06,667 --> 00:26:08,667
IT HAS TO WORK, GLAD.

419
00:26:14,625 --> 00:26:15,834
AND IT WILL.

420
00:26:17,792 --> 00:26:19,417
BUT NOT WITHOUT YOU.

421
00:26:25,792 --> 00:26:28,041
( screen door creaks open
and closes )

422
00:26:45,458 --> 00:26:46,875
( screams )

423
00:26:49,500 --> 00:26:51,750
ALL THOSE FANCY
SHOES YOU BROUGHT

424
00:26:51,875 --> 00:26:54,291
AND NOT A DECENT
PAIR AMONG THEM.

425
00:26:54,458 --> 00:26:58,041
I THINK IT'S TIME TO QUIT
FOR THE DAY, GIRLS.

426
00:26:58,166 --> 00:26:59,834
GLAD, LET'S COOL OFF.

427
00:26:59,959 --> 00:27:02,375
LAST ONE IN'S
A ROTTEN EGG!

428
00:27:02,500 --> 00:27:04,041
YOU MIGHT AS
WELL JUMP IN.

429
00:27:04,166 --> 00:27:06,166
THOSE SHORTS ARE
A TOTAL LOSS.

430
00:27:12,000 --> 00:27:13,875
COME ON. COME ON.

431
00:27:20,667 --> 00:27:22,041
Opal:
COME ON!

432
00:27:22,166 --> 00:27:24,041
TAKE YOUR SINGLET
OFF, QUICK!

433
00:27:24,166 --> 00:27:25,041
IT'S STUCK!

434
00:27:25,166 --> 00:27:26,458
LET ME GET
MY BOOTS OFF.

435
00:27:26,583 --> 00:27:27,458
IT'S BEAUTIFUL.

436
00:27:27,625 --> 00:27:29,000
Jasper:
IT'S SO WARM.

437
00:27:29,166 --> 00:27:31,542
Larry:
ALL RIGHT, YOU GIRLS,
HERE WE COME.

438
00:27:31,667 --> 00:27:32,959
Jasper:
COME ON, OPAL.

439
00:27:33,125 --> 00:27:34,375
Larry:
ONE, TWO, THREE.

440
00:27:36,000 --> 00:27:37,583
HERE. TAKE MY HAND.

441
00:27:37,750 --> 00:27:39,083
Jasper:
GET WET, EVERYBODY.

442
00:27:39,250 --> 00:27:40,875
Larry:
OH, IT FEELS GOOD.

443
00:27:41,000 --> 00:27:43,792
DOESN'T THAT FEEL GOOD
BETWEEN YOUR TOES?

444
00:27:43,917 --> 00:27:45,875
READY, SET, GO.

445
00:27:51,500 --> 00:27:53,375
( laughing )

446
00:27:53,500 --> 00:27:56,250
( distant playful laughter )

447
00:28:01,208 --> 00:28:04,208
I GUESS WE KNOW WHICH ONE
HE REALLY LOVES, DON'T WE?

448
00:28:04,375 --> 00:28:06,250
PEARL, YOU KNOW YOUR
FATHER ADORES YOU.

449
00:28:08,625 --> 00:28:11,208
Larry:
I'M GOING TO
DUNK HER!

450
00:28:11,333 --> 00:28:13,417
I'M GOING
TO GET YOU!

451
00:28:13,500 --> 00:28:14,750
Lara:
GOTCHA!

452
00:28:14,875 --> 00:28:16,125
( squawks )

453
00:28:27,125 --> 00:28:29,917
CAN'T IGNORE
PEARL LIKE THAT.

454
00:28:31,500 --> 00:28:32,750
I'M NOT IGNORING HER, AM I?

455
00:28:35,166 --> 00:28:37,500
WELL, IT'S ONLY BEEN
A COUPLE OF DAYS.

456
00:28:37,625 --> 00:28:38,917
LARA NEEDS THE EXTRA HELP.

457
00:28:39,041 --> 00:28:40,625
PEARL NEEDS YOU.

458
00:28:40,750 --> 00:28:42,250
SHE'S GOOD AND HURT NOW.

459
00:28:44,166 --> 00:28:46,041
ARE YOU GOING TO TAKE
THE MILK CANS?

460
00:28:46,166 --> 00:28:47,375
CAN I COME?

461
00:28:47,458 --> 00:28:49,375
YES, YOU CAN COME;
EVERYONE CAN COME.

462
00:28:49,500 --> 00:28:50,709
PEARL! JASPER!

463
00:28:50,834 --> 00:28:52,709
WE'RE GOING TO
TAKE THE MILK CANS!

464
00:28:52,834 --> 00:28:55,291
COME ON, LARA!

465
00:28:55,417 --> 00:28:57,000
LARA, YOU, TOO! COME ON!

466
00:28:57,125 --> 00:28:59,667
WE'RE GOING

467
00:28:59,792 --> 00:29:00,917
FOR A LITTLE DRIVE.

468
00:29:01,083 --> 00:29:02,959
PEARL? PEARL,
HOP IN THE FRONT SEAT.

469
00:29:03,083 --> 00:29:05,500
DAD'S GOING TO TAKE YOU

470
00:29:05,625 --> 00:29:07,083
FOR A DRIVING LESSON.

471
00:29:21,625 --> 00:29:23,333
Opal:
SHE'S GOING TO KILL US ALL!

472
00:29:23,500 --> 00:29:25,667
GO FASTER,
PEARL, FASTER!

473
00:29:25,834 --> 00:29:28,000
SHUSH, OPAL,
FOR PETE'S SAKE.

474
00:29:28,125 --> 00:29:29,375
OKAY, RIGHT.
RIGHT, HONEY.

475
00:29:29,500 --> 00:29:30,375
RIGHT. GOOD, GOOD.

476
00:29:30,500 --> 00:29:31,875
OKAY, TOO MUCH, TOO MUCH.

477
00:29:32,000 --> 00:29:34,375
OKAY, BACK, LOVE.
BACK, LOVE.

478
00:29:34,500 --> 00:29:35,917
THERE YOU GO. NOW STRAIGHT.

479
00:29:36,041 --> 00:29:37,250
JUST STRAIGHT AND STEADY.

480
00:29:37,375 --> 00:29:38,834
RIGHT THERE. ATTAGIRL.

481
00:29:39,000 --> 00:29:40,333
YOU'RE DOING GREAT.

482
00:29:40,458 --> 00:29:42,667
I WANT TO STOP, DADDY;
I DON'T LIKE THIS.

483
00:29:42,792 --> 00:29:45,333
OH, PEARL, COME ON,
SHOW A LITTLE SPUNK.

484
00:29:45,458 --> 00:29:47,792
IT'S ALL RIGHT,
SWEETHEART. OKAY.

485
00:29:54,500 --> 00:29:57,917
OKAY... JASPER,
RECKON YOU'RE NEXT.

486
00:29:58,041 --> 00:29:59,166
JASPER'S TOO LITTLE.

487
00:29:59,291 --> 00:30:00,625
LARA. LARA NEXT.

488
00:30:00,709 --> 00:30:01,542
LARA, YOU, NOW.

489
00:30:01,667 --> 00:30:03,083
COME ON, GIVE IT A TRY.

490
00:30:21,000 --> 00:30:22,834
ALL RIGHT.

491
00:30:22,959 --> 00:30:24,458
HERE'S THE CLUTCH,
THE BRAKE...

492
00:30:24,583 --> 00:30:25,417
I KNOW.

493
00:30:27,125 --> 00:30:28,959
MUM SHOWED ME ON HER LITTLE CAR

494
00:30:29,041 --> 00:30:31,166
IN CASE I HAD TO DRIVE HER
TO THE DOCTOR.

495
00:30:33,333 --> 00:30:36,417
THIS'LL HANDLE A BIT
DIFFERENTLY, BUT YOU'LL GET IT.

496
00:30:36,542 --> 00:30:38,250
DOWN THAT FIRE TRAIL
ON THE RIGHT

497
00:30:38,375 --> 00:30:39,625
TO GADREYS'.

498
00:30:39,750 --> 00:30:41,709
JUST TAKE YOUR TIME,
NICE AND EASY.

499
00:31:05,250 --> 00:31:06,333
THIS IS PRINCE

500
00:31:06,458 --> 00:31:09,291
AND THAT'S REX,
AND THEY USED TO HAVE JAKE

501
00:31:09,417 --> 00:31:11,166
BUT HE'S GONE NOW.

502
00:31:11,291 --> 00:31:12,375
HE WAS MY FAVORITE.

503
00:31:12,500 --> 00:31:13,291
OKAY, KIDS.

504
00:31:14,583 --> 00:31:15,458
TIME TO GO.

505
00:31:17,166 --> 00:31:19,166
I HAD NO CHOICE, BILL.

506
00:31:20,667 --> 00:31:22,625
( sighs )

507
00:31:22,750 --> 00:31:25,625
GOWD WAS JUST SHOOTING
TOO CLOSE TO MY PLACE.

508
00:31:25,750 --> 00:31:28,875
YEAH, WELL,
I'M SORRY, MATE.

509
00:31:29,000 --> 00:31:30,125
GOWD'S A GOOD BOY--

510
00:31:30,250 --> 00:31:32,375
DOES WELL AT SCHOOL,
TEACHERS LIKE HIM--

511
00:31:32,500 --> 00:31:35,375
BUT HE HAS GOT A BIT
OF A WILD STREAK.

512
00:31:35,500 --> 00:31:38,208
IMAGINE WE ALL DO
AT THAT AGE, EH?

513
00:31:38,333 --> 00:31:39,291
JUST DOESN'T ALWAYS

514
00:31:39,417 --> 00:31:41,458
THINK THINGS
THROUGH, I RECKON.

515
00:31:41,583 --> 00:31:42,792
OH.

516
00:31:42,917 --> 00:31:44,000
I'LL TALK TO HIM.

517
00:31:45,583 --> 00:31:47,041
I'M AWFULLY SORRY

518
00:31:47,166 --> 00:31:48,625
ABOUT THE GUN,
MRS. RITCHIE.

519
00:31:48,750 --> 00:31:50,125
I NEVER MEANT

520
00:31:50,250 --> 00:31:51,458
TO SCARE ANYONE.

521
00:31:51,583 --> 00:31:53,458
YEAH, WELL, IT
WON'T HAPPEN AGAIN.

522
00:31:53,583 --> 00:31:54,750
I KNOW THAT.

523
00:32:01,041 --> 00:32:02,458
YOU SETTLED
ON THAT LAND YET?

524
00:32:02,583 --> 00:32:04,291
GETTING THE LOAN
TOMORROW.

525
00:32:04,458 --> 00:32:05,375
HEY.

526
00:32:14,375 --> 00:32:17,250
Woman:
MR. COOPER'S CLAIM ON THAT LAND
ISN'T SETTLED.

527
00:32:17,375 --> 00:32:18,709
Larry:
WHO'S MR. COOPER?

528
00:32:18,834 --> 00:32:20,166
ED MILLER
OWNS THAT LAND.

529
00:32:20,291 --> 00:32:22,542
HE DOES OWN THE LAND,
WHICH HE INHERITED

530
00:32:22,667 --> 00:32:23,917
FROM HIS GRANDFATHER

531
00:32:24,041 --> 00:32:26,166
BUT HIS COUSIN, MR. COOPER,
ALSO INHERITED

532
00:32:26,291 --> 00:32:28,792
AN INTEREST IN THE LAND
FROM THE SAME GRANDFATHER.

533
00:32:28,959 --> 00:32:30,792
SO UNTIL MR. COOPER'S CLAIM
IS SETTLED

534
00:32:30,959 --> 00:32:34,458
WE CAN'T LEND YOU THE MONEY
TO BUY THE 40 ACRES.

535
00:32:34,625 --> 00:32:36,041
HOW MUCH DOES COOPER WANT?

536
00:32:36,166 --> 00:32:37,458
WELL, NO ONE KNOWS.

537
00:32:37,625 --> 00:32:39,667
LAST ANYONE HEARD,
HE WAS IN THE OUTBACK

538
00:32:39,834 --> 00:32:41,583
MAKING A LIVING
CHASING BRUMBIES.

539
00:32:41,709 --> 00:32:43,959
NOT MANY PHONES OUT THERE
PAST ALICE SPRINGS.

540
00:32:44,083 --> 00:32:45,542
YOU MEAN WE HAVE TO GO

541
00:32:45,667 --> 00:32:46,583
AND FIND HIM?

542
00:32:46,709 --> 00:32:47,917
OH, NO, NOT AT ALL.

543
00:32:48,041 --> 00:32:49,375
WE CAN ELIMINATE HIS CLAIM

544
00:32:49,542 --> 00:32:51,625
BY PUBLISHED NOTIFICATION
IN NEWSPAPERS

545
00:32:51,750 --> 00:32:53,125
AND A SUIT TO QUIT TITLE.

546
00:32:53,208 --> 00:32:54,125
PROBLEM SOLVED.

547
00:32:54,208 --> 00:32:55,208
THAT'S A RELIEF.

548
00:32:55,333 --> 00:32:56,500
WE'VE GOT
2,000 YOUNG PALMS

549
00:32:56,667 --> 00:32:58,000
PAID FOR
AND ON THEIR WAY.

550
00:32:58,166 --> 00:32:59,041
VERY EXPENSIVE ONES.

551
00:32:59,166 --> 00:33:00,458
THE ENTIRE LEGAL PROCESS

552
00:33:00,667 --> 00:33:03,208
SHOULD BE FINISHED
IN SIX MONTHS, LESS THAN YEAR

553
00:33:03,333 --> 00:33:04,625
CERTAINLY.
SIX MONTHS?

554
00:33:04,834 --> 00:33:07,750
THAT'S THE WHOLE
PLANTING SEASON.

555
00:33:07,875 --> 00:33:09,166
WE'LL MISS
A YEAR'S INCOME.

556
00:33:09,291 --> 00:33:10,250
SEE THE DILEMMA?

557
00:33:16,417 --> 00:33:18,875
WE'VE GOT TO GET THOSE
SEEDLINGS IN THE GROUND

558
00:33:19,000 --> 00:33:21,041
WITHIN THE NEXT TWO
MONTHS AT THE MOST.

559
00:33:21,166 --> 00:33:23,417
OH, MY LOVE,
YOU'RE GOING TO HAVE TO GO

560
00:33:23,542 --> 00:33:24,709
AND FIND MR. COOPER.

561
00:33:30,208 --> 00:33:32,500
Larry:
IT'S ONLY A
COUPLE OF WEEKS.

562
00:33:32,583 --> 00:33:34,750
YOU HELP YOUR MOM OUT
LIKE YOU ALWAYS DO

563
00:33:34,875 --> 00:33:37,917
AND I'LL CALL GADREYS
AS OFTEN AS I CAN.

564
00:33:38,041 --> 00:33:39,417
BUT WHY DO YOU
HAVE TO BE GONE

565
00:33:39,542 --> 00:33:40,667
SO LONG, DADDY?

566
00:33:40,792 --> 00:33:43,875
WELL, IT'S A LONG WAYS
ON BAD ROAD, HONEY.

567
00:33:44,000 --> 00:33:46,208
I'LL BE LUCKY
IF MY TEETH DON'T RATTLE

568
00:33:46,333 --> 00:33:47,750
RIGHT OUT OF MY HEAD.

569
00:33:47,875 --> 00:33:48,625
( chuckles )

570
00:33:50,333 --> 00:33:51,834
( chuckles )

571
00:33:51,959 --> 00:33:53,375
OH, COME ON-- IT'S A JOKE.

572
00:33:53,500 --> 00:33:54,792
( chuckles )

573
00:34:14,834 --> 00:34:16,417
CAN'T TAKE
ALL THE CASH...

574
00:34:16,542 --> 00:34:18,375
YOU'LL NEED IT.

575
00:34:18,500 --> 00:34:20,959
WE'LL BE OKAY.

576
00:34:21,083 --> 00:34:22,500
( sighs )

577
00:34:22,625 --> 00:34:25,083
AND I'LL CLEAR SOME OF
THE BUSH FROM THAT LAND

578
00:34:25,208 --> 00:34:26,792
EVEN THOUGH WE
DON'T OWN IT YET

579
00:34:26,917 --> 00:34:30,041
SO WE CAN PLANT AS
SOON AS YOU GET BACK.

580
00:34:30,166 --> 00:34:32,333
WE'VE NEVER BEEN
APART FOR SO LONG.

581
00:34:34,792 --> 00:34:36,709
I KNOW.

582
00:34:36,834 --> 00:34:40,667
( romantic music playing )

583
00:35:23,667 --> 00:35:24,625
( Larry groans )

584
00:35:24,750 --> 00:35:26,000
I WANT KISSES.

585
00:35:26,125 --> 00:35:27,208
YOU TAKE CARE

586
00:35:27,375 --> 00:35:28,333
OF YOUR MAMA, JAZZY.

587
00:35:28,500 --> 00:35:29,500
YEP.

588
00:35:29,625 --> 00:35:30,667
LOVE YOU, DADDY.

589
00:35:30,792 --> 00:35:31,625
LOVE YOU,
TOO, DAD.

590
00:35:31,792 --> 00:35:33,542
I LOVE YOU, TOO.

591
00:35:33,667 --> 00:35:36,166
YOU'RE GOING
TO BE FINE, LARA.

592
00:35:36,333 --> 00:35:37,667
COME HERE, HONEY.

593
00:35:37,834 --> 00:35:38,667
I LOVE YOU.

594
00:35:38,792 --> 00:35:39,875
I LOVE YOU, TOO.

595
00:35:51,834 --> 00:35:53,333
WE'LL BE OKAY.

596
00:35:53,458 --> 00:35:55,250
CALL WHEN YOU
FIND MR. COOPER.

597
00:35:57,792 --> 00:35:58,625
BYE.

598
00:35:58,750 --> 00:36:00,375
BYE, DAD.

599
00:36:00,500 --> 00:36:01,834
BYE, DAD!
BYE!

600
00:36:03,083 --> 00:36:04,500
BYE, DADDY!

601
00:36:11,542 --> 00:36:13,542
DADDY'S
GONE NOW.

602
00:36:20,667 --> 00:36:23,709
WELL, WE CAN'T STAND
HERE ALL DAY.

603
00:36:23,834 --> 00:36:26,375
PEARL,
FEED THE HORSES.

604
00:36:26,500 --> 00:36:27,709
OPAL, GATHER
THE EGGS.

605
00:36:27,834 --> 00:36:30,166
TAKE JASPER
WITH YOU.

606
00:36:30,291 --> 00:36:31,250
( clears throat )

607
00:36:31,333 --> 00:36:32,375
AND, LARA...

608
00:36:34,625 --> 00:36:37,500
UH, WHY DON'T YOU
WATER THE FAR PADDOCK.

609
00:36:37,625 --> 00:36:39,125
THE BUCKET'S
ON THE BRIDGE.

610
00:36:40,750 --> 00:36:42,375
WHY DO YOU GIVE ME

611
00:36:42,500 --> 00:36:43,792
THE HARDEST JOB?

612
00:36:48,083 --> 00:36:49,667
ALL RIGHT.

613
00:36:49,750 --> 00:36:51,083
IF YOU'D RATHER

614
00:36:51,208 --> 00:36:53,875
PEARL CAN SHOW YOU HOW
TO FEED THE HORSES NOW.

615
00:36:54,000 --> 00:36:56,417
THEN YOU CAN BOTH DO
THE WATERING AFTER THAT.

616
00:38:05,250 --> 00:38:06,667
Boy:
NEIL'S BACK.

617
00:38:06,792 --> 00:38:08,458
Girl:
HAVE THEY STARTED
THE STORIES YET?

618
00:38:08,625 --> 00:38:10,875
RUN MORE AND TALK LESS,
AND YOU'LL FIND OUT.

619
00:38:18,208 --> 00:38:20,792
YOU SEE, IN
THE DREAMTIME,

620
00:38:20,917 --> 00:38:25,291
THE RAINBOW SERPENT
MOVED ACROSS THE LAND

621
00:38:25,500 --> 00:38:28,000
AND THE TRACKS SHE LEFT BEHIND
FILLED WITH WATER

622
00:38:28,166 --> 00:38:30,208
AND FORMED THE RIVERS
AND THE LAKES.

623
00:38:30,333 --> 00:38:31,458
AND THE TREES

624
00:38:31,583 --> 00:38:33,500
AND THE GRASS
BEGAN TO GROW

625
00:38:33,625 --> 00:38:35,125
AND THE ANIMALS, BIRDS

626
00:38:35,208 --> 00:38:36,625
AND REPTILES CAME ALSO.

627
00:38:36,750 --> 00:38:38,417
IT WAS A TIME OF HAPPINESS

628
00:38:38,542 --> 00:38:42,208
AND EVERYONE KNEW WHO THEY WERE
AND THE LAW OF THE LAND.

629
00:38:42,333 --> 00:38:43,875
HOW DO YOU KNOW ALL THIS?

630
00:38:44,000 --> 00:38:45,333
WE HAVE TO
KNOW THIS

631
00:38:45,458 --> 00:38:47,208
BECAUSE
TRADITIONALLY,
MY PEOPLE

632
00:38:47,375 --> 00:38:48,250
WERE NOMADIC.

633
00:38:48,417 --> 00:38:49,500
THEY WERE WANDERERS.

634
00:38:49,625 --> 00:38:50,875
Girl:
WHY DO YOU WANDER?

635
00:38:51,041 --> 00:38:53,333
WOULDN'T IT BE EASIER
JUST TO STAY HOME?

636
00:38:54,917 --> 00:38:57,834
THE LAND IS OUR HOME.

637
00:38:57,959 --> 00:39:00,625
AND WE CARE FOR THE LAND.

638
00:39:00,709 --> 00:39:02,208
WE LOVE IT
AND PROTECT IT

639
00:39:02,291 --> 00:39:04,083
AS IT LOVES
AND PROTECTS US.

640
00:39:04,208 --> 00:39:06,917
ALSO GIVES US SHELTER
AND GIVES US FOOD.

641
00:39:07,041 --> 00:39:09,041
SEE, WE BELONG TOGETHER

642
00:39:09,125 --> 00:39:13,125
AND KNOWING WHERE YOU BELONG
IS VERY IMPORTANT.

643
00:39:14,792 --> 00:39:17,375
Girl:
WHERE DID YOUR PEOPLE
COME FROM?

644
00:39:17,500 --> 00:39:20,750
EACH PERSON HAS A NAME
THAT RELATES TO THE LAND

645
00:39:20,834 --> 00:39:22,208
TO PROTECT THEM.

646
00:39:22,375 --> 00:39:23,667
AND WE HAVE A TOTEM

647
00:39:23,750 --> 00:39:26,750
AND WE KNOW WHO WE ARE
WHEN WE UNDERSTAND OUR TOTEM.

648
00:39:26,875 --> 00:39:27,959
WHAT'S YOUR TOTEM?

649
00:39:28,083 --> 00:39:31,166
YOU DON'T TELL ANYBODY
WHAT YOUR TOTEM IS.

650
00:39:31,291 --> 00:39:32,583
Girl:
I KNOW. IT'S A KOALA.

651
00:39:32,709 --> 00:39:33,583
NAH.

652
00:39:33,709 --> 00:39:35,333
KANGAROO.
NAH.

653
00:39:35,417 --> 00:39:36,375
IT'S A POSSUM.

654
00:39:36,542 --> 00:39:37,875
NAH.

655
00:39:37,959 --> 00:39:38,959
IT'S A WOMBAT.

656
00:39:39,083 --> 00:39:40,375
Girl:
I KNOW.

657
00:39:40,500 --> 00:39:41,667
IT'S A DINGO.

658
00:39:47,333 --> 00:39:49,166
SEE, MY TOTEM...

659
00:39:49,291 --> 00:39:51,458
IS MY BEST FRIEND.

660
00:39:51,583 --> 00:39:53,208
IT TEACHES ME TO BE BRAVE.

661
00:39:53,333 --> 00:39:54,792
IT TELLS ME

662
00:39:54,917 --> 00:39:57,625
THAT I HAVE ALL THE
COURAGE THAT I NEED.

663
00:39:57,750 --> 00:39:59,417
SOMETIMES,
YOU GET LOST

664
00:39:59,542 --> 00:40:01,375
AND SOMETIMES,
YOU HAVE

665
00:40:01,500 --> 00:40:04,333
TO REACH DEEPER DOWN TO FIND IT.

666
00:40:04,458 --> 00:40:05,834
( bell ringing )

667
00:40:05,959 --> 00:40:07,834
OKAY, THAT'S
IT, GUYS.

668
00:40:15,583 --> 00:40:16,667
PATIENCE.

669
00:40:18,333 --> 00:40:20,792
SOMETIMES PEOPLE HAVE TO WAIT
A LITTLE LONGER.

670
00:40:34,834 --> 00:40:36,083
IS THAT BREAD?

671
00:40:36,208 --> 00:40:37,667
IT'S DAMPER.

672
00:40:37,834 --> 00:40:39,625
NEVER SEEN BREAD
LIKE THAT BEFORE.

673
00:40:39,792 --> 00:40:40,917
WHY DIDN'T IT PUFF UP?

674
00:40:41,041 --> 00:40:42,500
'CAUSE I RAN
OUT OF YEAST.

675
00:40:42,667 --> 00:40:43,625
YEAST COSTS MONEY.

676
00:40:43,750 --> 00:40:45,125
WHAT'S YEAST?

677
00:40:46,667 --> 00:40:47,583
( sighs )

678
00:40:47,667 --> 00:40:49,250
AREN'T THERE SOME
TOYS OF YOURS

679
00:40:49,458 --> 00:40:51,417
YOU'VE GOT TO PICK
UP FROM THE VERANDA?

680
00:40:51,542 --> 00:40:52,458
GO ON.

681
00:40:52,625 --> 00:40:53,959
( sighs )

682
00:40:58,875 --> 00:41:01,125
JAZZY, COME HERE.

683
00:41:01,208 --> 00:41:02,834
MMM.

684
00:41:03,000 --> 00:41:06,375
OH, I'M SO
TIRED, JAZZY.

685
00:41:08,041 --> 00:41:09,959
ARE YOU TIRED?

686
00:41:10,041 --> 00:41:11,375
NO, MUM.

687
00:41:11,500 --> 00:41:12,500
( laughs softly )

688
00:41:38,583 --> 00:41:40,458
PEARLIE-GIRL
TELLS ME

689
00:41:40,542 --> 00:41:42,917
YOU HAVE A
SILVER DOLLAR.

690
00:41:43,041 --> 00:41:45,875
ALWAYS WANTED AN
AMERICAN SILVER DOLLAR.

691
00:41:46,041 --> 00:41:47,417
GIVE IT TO ME.

692
00:41:47,542 --> 00:41:49,166
NO.

693
00:41:49,291 --> 00:41:50,709
IT WAS MY MOTHER'S.

694
00:41:50,834 --> 00:41:52,875
BRING IT TO SCHOOL...

695
00:41:52,959 --> 00:41:54,667
OR YOU'LL BE SORRY.

696
00:41:54,750 --> 00:41:57,208
IF YOU DON'T BELIEVE
ME, ASK PEARL.

697
00:41:59,750 --> 00:42:02,709
AND I WOULDN'T TELL
MRS. RITCHIE ABOUT THIS.

698
00:42:02,792 --> 00:42:04,750
THEN I'D HAVE TO
THINK OF SOMETHING

699
00:42:04,834 --> 00:42:06,041
TO TELL HER ABOUT YOU--

700
00:42:06,208 --> 00:42:08,208
SOMETHING THAT'D GET
YOU INTO TROUBLE.

701
00:42:28,208 --> 00:42:31,333
( thunder rumbling )

702
00:42:31,458 --> 00:42:32,792
LARA!

703
00:42:32,917 --> 00:42:33,875
CHANGE YOUR CLOTHES

704
00:42:34,000 --> 00:42:36,166
AND HELP PEARL
BEFORE THE STORM BREAKS!

705
00:42:42,166 --> 00:42:44,125
MOM, JASPER'S PULLING

706
00:42:44,250 --> 00:42:46,083
THE LETTUCE,
NOT THE WEEDS!

707
00:42:46,208 --> 00:42:48,125
JASPER, YOU KNOW THE DIFFERENCE.

708
00:42:48,250 --> 00:42:50,208
DON'T PULL OUT THE LETTUCES.

709
00:42:50,333 --> 00:42:51,458
( grunting )

710
00:42:51,583 --> 00:42:53,208
UNLESS YOU WANT TO STARVE.

711
00:42:53,333 --> 00:42:55,458
HOW COULD YOU
TELL HIM, PEARL?

712
00:42:55,583 --> 00:42:59,291
HOW DID YOU EVEN KNOW
I HAD A SILVER DOLLAR?

713
00:42:59,417 --> 00:43:01,375
I NEVER DID ANYTHING TO YOU.

714
00:43:01,500 --> 00:43:03,458
I DIDN'T WANT TO COME HERE.

715
00:43:03,583 --> 00:43:06,500
I JUST DIDN'T WANT TO GO
TO AN ORPHANAGE.

716
00:43:06,667 --> 00:43:09,000
WELL, MAYBE YOU WILL NOW.

717
00:43:09,166 --> 00:43:10,834
I WISH YOU WOULD.

718
00:43:10,959 --> 00:43:13,417
HE'S MY FATHER, NOT YOURS.

719
00:43:13,542 --> 00:43:15,208
I WISH YOU WERE DEAD.

720
00:43:56,083 --> 00:43:59,250
( thunder rumbling )

721
00:44:01,542 --> 00:44:04,417
( dingo barking )

722
00:44:24,166 --> 00:44:25,625
( kissing sound ):
COME ON.

723
00:44:25,750 --> 00:44:27,291
COME ON, COME ON.

724
00:44:27,417 --> 00:44:28,417
HELLO.

725
00:44:28,500 --> 00:44:29,667
COME ON.

726
00:44:29,750 --> 00:44:30,917
HELLO.

727
00:44:31,041 --> 00:44:32,250
WHAT'S YOUR NAME?

728
00:44:32,375 --> 00:44:33,583
DO YOU HAVE ONE?

729
00:44:33,667 --> 00:44:36,333
NICE DINGO OUGHT TO HAVE A NAME.

730
00:44:36,417 --> 00:44:38,709
( thunder rumbling )

731
00:44:38,834 --> 00:44:40,375
THAT THUNDER DOESN'T SCARE YOU?

732
00:44:40,542 --> 00:44:41,542
NO?

733
00:44:41,625 --> 00:44:42,750
( laughs softly )

734
00:44:42,875 --> 00:44:44,208
YOU CAME WITH IT.

735
00:44:44,333 --> 00:44:46,083
I'LL CALL YOU "WITH THUNDER."

736
00:44:48,291 --> 00:44:49,375
NO. "THUNDER WITH."

737
00:44:49,458 --> 00:44:50,583
I LIKE THAT BETTER.

738
00:44:50,667 --> 00:44:52,500
DO YOU LIKE THAT? THUNDERWITH?

739
00:44:52,625 --> 00:44:53,750
( chuckling )

740
00:44:53,834 --> 00:44:55,750
COME ON, THUNDERWITH,
BEFORE IT RAINS.

741
00:45:22,417 --> 00:45:23,834
( yipping )

742
00:45:36,625 --> 00:45:39,458
( hammering )

743
00:45:45,417 --> 00:45:46,792
GO ON, MATE.

744
00:45:46,917 --> 00:45:49,333
THAT PART'LL HAVE
TO COME OUT FROM ADELAIDE.

745
00:45:49,458 --> 00:45:50,417
TAKE ABOUT A WEEK.

746
00:45:50,542 --> 00:45:51,750
'COURSE YOU'RE WELCOME

747
00:45:51,917 --> 00:45:54,041
TO CHECK OUT MY
SPARE PARTS DIVISION.

748
00:45:57,333 --> 00:45:59,583
ANY PLACE I CAN TAKE
A SHOWER AROUND HERE?

749
00:45:59,709 --> 00:46:00,834
THE PUB.

750
00:46:01,000 --> 00:46:03,166
THEY'LL CHARGE YOU
LIKE A WOUNDED BULL.

751
00:46:03,333 --> 00:46:05,375
NAH, YOU'RE BETTER OFF
STAYING HERE.

752
00:46:05,500 --> 00:46:07,125
KEEP YOUR DOOR CLOSED,
THOUGH.

753
00:46:07,291 --> 00:46:08,333
DINGOES, YOU KNOW.

754
00:46:08,500 --> 00:46:10,875
THEY WALK RIGHT IN ON YOU.

755
00:46:13,333 --> 00:46:15,333
THAT'LL BE $90 FOR THE WEEK.

756
00:46:15,500 --> 00:46:17,417
SHOWER IN THERE,
I'LL GIVE YOU 25.

757
00:46:17,542 --> 00:46:19,417
YOU CAN PAY AS YOU GO.

758
00:46:19,500 --> 00:46:21,959
I'LL TRUST YOU.

759
00:46:22,083 --> 00:46:24,500
( sighs )

760
00:46:26,834 --> 00:46:28,458
THAT INCLUDES BREAKFAST.

761
00:46:28,625 --> 00:46:29,917
TOAST AND A CUPPA.

762
00:46:30,041 --> 00:46:32,000
I'LL THROW IN THE VEGEMITE.

763
00:46:32,166 --> 00:46:33,375
VEGEMITE.

764
00:46:35,041 --> 00:46:37,583
THE WEEK'LL BE OVER
BEFORE YOU KNOW IT.

765
00:46:40,667 --> 00:46:43,083
RIGHT.

766
00:47:03,166 --> 00:47:05,166
JAZZY.

767
00:47:06,834 --> 00:47:09,041
( sighs )

768
00:47:09,208 --> 00:47:10,667
OH, WHY ISN'T SHE BACK?

769
00:47:10,792 --> 00:47:13,875
I'M GOING TO HAVE TO GO
OUT IN THIS AND FIND HER.

770
00:47:13,959 --> 00:47:15,792
YEP, YOU GO LOOK
FOR HER, MOM.

771
00:47:15,917 --> 00:47:17,083
I'LL WATCH JAZZY.

772
00:47:17,166 --> 00:47:18,417
BUT WHO'LL WATCH YOU?

773
00:47:18,500 --> 00:47:20,750
SHE MIGHT BE LOST
OR DROWNDED.

774
00:47:20,834 --> 00:47:22,542
DROWNED, STUPID.

775
00:47:22,709 --> 00:47:24,250
YOU'RE STUPID.

776
00:47:24,333 --> 00:47:25,667
OH, SHUSH.

777
00:47:25,792 --> 00:47:28,667
I'VE GOT ENOUGH ON MY MIND
WITHOUT LISTENING TO YOU TWO.

778
00:47:28,792 --> 00:47:29,750
PEARL, WATCH OPAL.

779
00:47:29,834 --> 00:47:30,959
BOTH OF YOU WATCH JAZZY.

780
00:47:32,083 --> 00:47:34,166
OH, WHERE ON EARTH
HAVE YOU BEEN?!

781
00:47:34,250 --> 00:47:35,208
SORRY.

782
00:47:35,291 --> 00:47:36,709
I LOST TRACK OF TIME.

783
00:47:36,792 --> 00:47:39,083
WELL, DIDN'T YOU SEE
IT GETTING DARK?

784
00:47:39,208 --> 00:47:41,917
LOOK, I'M JUST FINE, OKAY?

785
00:47:44,041 --> 00:47:48,166
LARA, I WAS AFRAID
YOU WERE LOST OR HURT

786
00:47:48,291 --> 00:47:49,875
OR... LEECHES!

787
00:47:49,959 --> 00:47:51,041
YOU'VE GOT
LEECHES!

788
00:47:51,125 --> 00:47:53,333
GET THEM OFF!
GET THEM OFF!

789
00:47:53,417 --> 00:47:54,458
SALT SHAKER, OPAL.

790
00:47:59,458 --> 00:48:01,208
Opal:
THEY COME OUT WHEN IT RAINS

791
00:48:01,333 --> 00:48:03,125
BUT THEY MELT
WHEN YOU SALT THEM.

792
00:48:04,667 --> 00:48:05,792
Jasper:
YUCK!

793
00:48:08,333 --> 00:48:10,375
SEE? JUST RED SPOTS NOW.

794
00:48:10,500 --> 00:48:12,542
GO AND DRY OFF
BEFORE YOU GET A COLD.

795
00:48:12,667 --> 00:48:14,208
COME AND HAVE
YOUR DINNER

796
00:48:14,333 --> 00:48:16,667
THEN GET TO BED--
I'VE HAD ENOUGH FOR ONE NIGHT.

797
00:48:20,375 --> 00:48:22,166
( thunder rumbling )

798
00:48:35,625 --> 00:48:37,667
WILL YOU READ
ME MY BOOK?

799
00:48:37,792 --> 00:48:38,834
( chuckling )

800
00:48:38,959 --> 00:48:40,291
OKAY.

801
00:48:43,375 --> 00:48:45,792
MY MUM USED
TO READ TO ME.

802
00:48:45,959 --> 00:48:47,375
EVERY NIGHT.

803
00:48:47,500 --> 00:48:50,333
YOU MISS YOUR
MUM, DON'T YOU?

804
00:48:50,458 --> 00:48:52,041
I KNEW YOU DID.

805
00:48:52,166 --> 00:48:53,750
I MISS OUR DAD, TOO.

806
00:48:53,875 --> 00:48:56,083
I GET AFRAID
WHEN HE'S GONE.

807
00:48:56,166 --> 00:48:58,000
ME TOO, OPAL.

808
00:48:58,125 --> 00:49:00,000
ME, TOO.

809
00:49:01,458 --> 00:49:03,917
MY MUM USED TO MAKE ME
CLOSE MY EYES

810
00:49:04,041 --> 00:49:05,458
SO I COULD IMAGINE.

811
00:49:05,583 --> 00:49:07,208
THEN YOU WON'T BE AFRAID.

812
00:49:10,500 --> 00:49:13,709
"HERE ARE THE ADVENTURES
OF SNUGGLEPOT AND CUDDLEPIE.

813
00:49:13,834 --> 00:49:17,333
"THEY WERE FOSTER BROTHERS,
AND THIS IS HOW IT CAME ABOUT.

814
00:49:17,458 --> 00:49:19,583
"WHEN CUDDLEPIE
WAS VERY SMALL--

815
00:49:19,709 --> 00:49:21,709
"THAT IS,
WHEN HE HAD ONLY BEEN

816
00:49:21,875 --> 00:49:24,959
"OUT OF THE BUD A FEW HOURS--
A GREAT WIND AROSE

817
00:49:25,083 --> 00:49:27,583
"AND LIFTING HIM
OUT OF HIS MOTHER'S ARMS

818
00:49:27,709 --> 00:49:30,667
"CARRIED HIM FAR
ACROSS THE TOPS OF MANY TREES

819
00:49:30,792 --> 00:49:32,792
"AND LEFT HIM IN A SPIDERWEB.

820
00:49:32,875 --> 00:49:35,750
THIS SAVED HIS LIFE,
BUT AGAIN, HE NEARLY LOST IT."

821
00:49:55,000 --> 00:49:55,750
GO ON.

822
00:49:59,083 --> 00:50:00,875
( phone ringing )

823
00:50:01,000 --> 00:50:02,333
( computer printing )

824
00:50:05,333 --> 00:50:07,041
WHAT ARE WE DOING HERE?

825
00:50:07,166 --> 00:50:08,792
WE'VE BEEN HERE FOREVER.

826
00:50:11,542 --> 00:50:13,875
SHUT UP
AND SIT STILL.

827
00:50:13,959 --> 00:50:17,250
WE DON'T ACTUALLY
NEED THE MONEY, YOU UNDERSTAND.

828
00:50:17,333 --> 00:50:18,458
IT'S JUST A LOAN

829
00:50:18,583 --> 00:50:20,375
TILL MY HUSBAND
GETS BACK.

830
00:50:20,542 --> 00:50:22,667
IT SAYS HERE
YOU'VE GOT THREE CHILDREN.

831
00:50:22,792 --> 00:50:25,458
I, UH, THOUGHT I SAW YOU
COME IN WITH FOUR.

832
00:50:25,583 --> 00:50:26,875
OH, THE OLDEST
ISN'T MINE.

833
00:50:27,041 --> 00:50:28,917
SHE'S JUST STAYING
WITH US FOR A WHILE.

834
00:50:29,041 --> 00:50:30,208
WELL, CALL
BACK TOMORROW.

835
00:50:30,291 --> 00:50:32,166
I'LL HAVE SOME
CASH FOR YOU--
SOMETHING

836
00:50:32,250 --> 00:50:33,417
TO TIDE YOU OVER.

837
00:50:33,542 --> 00:50:34,792
OH, THANK YOU
VERY MUCH.

838
00:50:36,125 --> 00:50:36,959
GOOD-BYE.

839
00:50:57,959 --> 00:51:00,375
LARA, WHERE ARE YOU GOING?

840
00:51:00,458 --> 00:51:01,750
LARA?

841
00:51:01,875 --> 00:51:03,542
( birds chirping )

842
00:51:03,667 --> 00:51:05,208
WHAT'S WRONG WITH HER?

843
00:51:05,333 --> 00:51:08,667
SHE HEARD YOU TELL THAT MAN
SHE WASN'T YOURS.

844
00:51:12,125 --> 00:51:13,000
OH...

845
00:51:14,959 --> 00:51:16,709
THUNDERWITH?

846
00:51:16,834 --> 00:51:18,125
( birds chirping )

847
00:51:22,166 --> 00:51:24,041
THUNDERWITH?
THUNDERWITH?

848
00:51:24,166 --> 00:51:25,166
( barking )

849
00:51:25,333 --> 00:51:26,166
COME ON.

850
00:51:26,333 --> 00:51:27,917
( kissing sounds )

851
00:51:28,041 --> 00:51:28,834
( barks )

852
00:51:34,500 --> 00:51:36,333
TAKE ME AWAY, THUNDERWITH...

853
00:51:36,458 --> 00:51:38,208
ANYWHERE.

854
00:51:38,333 --> 00:51:39,792
( sniffling )

855
00:52:07,291 --> 00:52:09,166
( barking )

856
00:52:09,333 --> 00:52:11,083
( whimpering )

857
00:52:12,709 --> 00:52:14,250
I DON'T WANT
TO GO IN THERE.

858
00:52:24,500 --> 00:52:25,750
( whimpering )

859
00:52:31,458 --> 00:52:33,291
IT'S ABORIGINE.

860
00:52:33,375 --> 00:52:35,125
IT'S A DINGO...

861
00:52:35,250 --> 00:52:36,709
( whimpering )

862
00:52:38,542 --> 00:52:39,709
A TOTEM.

863
00:52:41,583 --> 00:52:42,709
( dog whimpering )

864
00:52:44,792 --> 00:52:47,083
HELP ME TO BE BRAVE,
THUNDERWITH.

865
00:52:47,166 --> 00:52:49,750
HELP ME TO BE BRAVE
TILL DAD GETS BACK.

866
00:52:54,834 --> 00:52:55,792
( sighs )

867
00:53:14,333 --> 00:53:15,583
( engine starting )

868
00:53:22,959 --> 00:53:24,834
LOOK AT HIS
LONG TOES.

869
00:53:24,917 --> 00:53:25,792
DO YOU LIKE HIM?

870
00:53:25,917 --> 00:53:27,000
Jasper:
YEAH.

871
00:53:27,125 --> 00:53:29,166
OPAL, YOU GOING
TO HELP PEARL WEED

872
00:53:29,291 --> 00:53:30,542
THE PADDOCK?
MM-HMM.

873
00:53:30,667 --> 00:53:32,250
WELL, THEN, PUT SKINKY AWAY NOW.

874
00:53:32,375 --> 00:53:33,375
WHERE'S LARA?

875
00:53:33,500 --> 00:53:35,291
NOT HERE WHEN
THERE'S WORK TO DO.

876
00:53:35,417 --> 00:53:36,583
OPAL, GO AND FIND LARA.

877
00:53:36,709 --> 00:53:38,500
PEARL, YOU GET
THE TOOLS READY.

878
00:53:40,834 --> 00:53:41,917
( water gurgling )

879
00:53:43,083 --> 00:53:45,125
LARA?!

880
00:53:46,583 --> 00:53:48,458
LARA?!

881
00:53:52,417 --> 00:53:53,667
LARA?!

882
00:54:05,125 --> 00:54:06,625
ARE YOU BURYING
A TREASURE?

883
00:54:08,291 --> 00:54:10,166
IT'S A TREASURE,
A PIRATE TREASURE!

884
00:54:10,291 --> 00:54:14,667
YOU CAN'T TELL ANYONE--
NOT PEARL, NOT JASPER, NOBODY.

885
00:54:14,792 --> 00:54:16,500
NOBODY... NEVER.

886
00:54:16,625 --> 00:54:18,792
IT'S OUR PERSONAL
FAMILY SECRET.

887
00:54:18,917 --> 00:54:20,041
WE'LL BE PIRATES

888
00:54:20,166 --> 00:54:22,000
AND PROTECT IT
WITH OUR LIVES.

889
00:54:22,166 --> 00:54:24,125
I'VE NEVER HAD
SUCH A GOOD SECRET.

890
00:54:26,792 --> 00:54:27,583
COME ON.

891
00:54:27,709 --> 00:54:28,709
MUM WANTS US TO WEED.

892
00:54:34,500 --> 00:54:36,917
YOU COULD CHECK
AT MAGILL'S, MATE

893
00:54:37,000 --> 00:54:39,083
JUST DOWN THE ROAD,
ABOUT 200 K.

894
00:54:39,208 --> 00:54:40,750
HE BUYS BRUMBIES OFF HIM.

895
00:54:40,917 --> 00:54:41,875
THANKS FOR YOUR HELP.

896
00:54:42,000 --> 00:54:43,667
YOU'RE THE FIRST PERSON I'VE MET

897
00:54:43,792 --> 00:54:44,917
WHO ACTUALLY KNOWS HIM.

898
00:54:45,000 --> 00:54:46,166
YEAH.

899
00:55:01,542 --> 00:55:03,333
I WON'T BE TOO LONG, GIRLS.

900
00:55:03,500 --> 00:55:05,667
Opal:
CAN'T I COME, TOO?

901
00:55:05,834 --> 00:55:07,417
NO, DARLING, IT'S TOO HOT.

902
00:55:07,542 --> 00:55:09,166
YOU STAY HERE
AND HELP LARA.

903
00:55:09,333 --> 00:55:10,542
YOU'RE DOING
A GREAT JOB.

904
00:55:10,709 --> 00:55:11,709
BYE.

905
00:55:17,333 --> 00:55:18,542
I'LL FINISH THIS.

906
00:55:18,667 --> 00:55:19,792
YOU JUST PLAY.

907
00:55:20,000 --> 00:55:21,500
THANKS, LARA.

908
00:55:26,083 --> 00:55:28,208
OPAL'S CHICKEN CHIPS,
DID YOU REMEMBER?

909
00:55:33,583 --> 00:55:34,583
FOR LARA?

910
00:55:47,125 --> 00:55:48,750
( birds chirping )

911
00:55:48,875 --> 00:55:50,750
Jasper:
IS IT A SKUNK?

912
00:55:50,875 --> 00:55:52,750
IS IT AN
AUSTRALIAN ANIMAL?
NO.

913
00:55:52,875 --> 00:55:53,917
YES.

914
00:55:55,875 --> 00:55:57,709
Jasper:
IS IT... A...?

915
00:56:14,291 --> 00:56:15,792
JASPER, STAY IN THE CAR.

916
00:56:28,166 --> 00:56:29,375
( grunts )

917
00:56:29,500 --> 00:56:31,625
Gladwyn:
HOW COULD YOU
LET THIS HAPPEN?

918
00:56:31,750 --> 00:56:33,542
WHY DIDN'T YOU GET THE HOSE?

919
00:56:33,667 --> 00:56:35,375
I JUST LOOKED UP
AND OPAL WAS CRYING

920
00:56:35,500 --> 00:56:36,917
AND EVERYTHING
WAS ON FIRE.

921
00:56:37,041 --> 00:56:38,542
I DIDN'T KNOW

922
00:56:38,667 --> 00:56:39,667
THERE WAS A HOSE!

923
00:56:39,792 --> 00:56:42,834
( screaming )

924
00:56:43,750 --> 00:56:45,041
OH, MY GOD, OPAL!

925
00:56:45,166 --> 00:56:46,291
( screaming )

926
00:56:46,417 --> 00:56:47,375
OPAL, STOP!

927
00:56:47,500 --> 00:56:49,500
DON'T RUN.
YOU'RE MAKING IT WORSE!

928
00:56:49,625 --> 00:56:51,417
( screaming )

929
00:56:51,542 --> 00:56:52,542
OPAL, STAY DOWN!

930
00:56:52,625 --> 00:56:54,709
( moaning )

931
00:56:54,834 --> 00:56:56,125
( Opal screaming )

932
00:56:58,834 --> 00:57:00,917
MY GOD!

933
00:57:01,041 --> 00:57:02,000
OH, OPAL

934
00:57:02,166 --> 00:57:03,208
WHERE ARE YOU HURT?

935
00:57:05,417 --> 00:57:06,750
OH, OH, THANK HEAVEN...

936
00:57:06,875 --> 00:57:08,583
JUST PINK IN
A FEW PLACES.

937
00:57:08,667 --> 00:57:09,583
MUM...

938
00:57:09,667 --> 00:57:10,542
( screaming )

939
00:57:14,917 --> 00:57:16,208
( whimpers )

940
00:57:18,375 --> 00:57:20,750
( crying )

941
00:57:20,875 --> 00:57:21,834
( water running )

942
00:57:23,709 --> 00:57:24,917
TAKE THAT TO LARA.

943
00:57:25,000 --> 00:57:27,667
SHE JUST SAVED
YOUR SISTER, PEARL. MOVE!

944
00:57:35,792 --> 00:57:38,375
MUM HAS US PUT
BURNS IN WATER.

945
00:57:38,500 --> 00:57:40,041
IT COOLS THEM DOWN.

946
00:57:41,417 --> 00:57:42,583
( sniffles )

947
00:57:44,250 --> 00:57:46,458
OPAL'S ALWAYS GETTING INTO IT.

948
00:57:46,583 --> 00:57:49,166
SHE NEEDS WATCHING
MORE THAN JASPER.

949
00:58:32,291 --> 00:58:35,041
OPAL TOLD ME SHE WAS TRYING
TO LIGHT THE FIRE

950
00:58:35,125 --> 00:58:36,333
UNDER THE WATER TANK.

951
00:58:36,458 --> 00:58:39,375
SHE WANTED TO GET CLEANED UP
ALL BY HERSELF...

952
00:58:39,500 --> 00:58:40,542
LIKE A BIG GIRL.

953
00:58:40,667 --> 00:58:42,250
( chuckles )

954
00:58:42,333 --> 00:58:44,125
ALWAYS THE LITTLE ADVENTURER.

955
00:58:53,709 --> 00:58:56,583
OPAL SCARES ME
TO DEATH SOMETIMES...

956
00:58:56,709 --> 00:59:01,291
BUT SHE CAN MAKE ME LAUGH
MORE THAN ANY CHILD I EVER KNEW.

957
00:59:15,834 --> 00:59:17,041
WE'RE HAVING...

958
00:59:17,125 --> 00:59:20,291
SPAGHETTI AND MEATBALLS
FOR DINNER, SO...

959
00:59:20,417 --> 00:59:21,709
I'LL CUT YOURS UP

960
00:59:21,792 --> 00:59:25,000
SO YOU DON'T HAVE TO TWIRL IT
WITH A FORK.

961
00:59:33,125 --> 00:59:35,000
CHIP, LARA?

962
00:59:35,125 --> 00:59:36,083
YOU CAN'T TOUCH IT.

963
00:59:36,250 --> 00:59:37,667
THE SALT WILL
STING YOUR HANDS.

964
00:59:39,917 --> 00:59:42,000
LOVE YOU, LARA.

965
00:59:42,125 --> 00:59:43,625
LOVE YOU, TOO, OPAL.

966
00:59:47,709 --> 00:59:48,625
( clears throat )

967
00:59:52,542 --> 00:59:53,458
( horn honks )

968
01:00:11,834 --> 01:00:12,667
G'DAY, BILL.

969
01:00:12,792 --> 01:00:13,625
GLADWYN.

970
01:00:15,542 --> 01:00:17,625
LARRY SAID YOU'D GET
HIM ON THAT NUMBER

971
01:00:17,792 --> 01:00:18,792
ABOUT 4:00.

972
01:00:18,959 --> 01:00:20,417
THINK YOU MIGHT
BE COMING OVER?

973
01:00:20,542 --> 01:00:22,458
WELL, I GOT TO GO
TO THE POST OFFICE

974
01:00:22,625 --> 01:00:24,166
SO I MIGHT CALL HIM
FROM THERE.

975
01:00:24,291 --> 01:00:25,208
THANKS, ANYWAY.

976
01:00:25,333 --> 01:00:26,250
YOU'VE BEEN BUSY.

977
01:00:26,333 --> 01:00:27,750
YEP.

978
01:00:27,834 --> 01:00:28,834
BYE.

979
01:00:29,000 --> 01:00:29,917
BYE!

980
01:00:41,667 --> 01:00:44,041
I'LL CATCH YOU ALONE
SOMETIME, LARA

981
01:00:44,166 --> 01:00:45,542
AND AFTER THAT

982
01:00:45,667 --> 01:00:47,917
YOU'LL WANT TO GIVE ME
THAT SILVER DOLLAR.

983
01:00:50,208 --> 01:00:51,500
WON'T SHE, PEARL?

984
01:00:56,667 --> 01:00:59,083
I'M SO SORRY I TOLD HIM, LARA.

985
01:00:59,208 --> 01:01:01,500
I SHOULD NEVER HAVE DONE IT.

986
01:01:01,667 --> 01:01:05,083
BUT... YOU'VE GOT TO GIVE IT
TO HIM NOW.

987
01:01:05,208 --> 01:01:06,834
IT'S JUST A COIN.

988
01:01:06,959 --> 01:01:09,041
NO, IT ISN'T.

989
01:01:09,166 --> 01:01:11,875
IT WAS MY MOTHER'S,
AND I WON'T GIVE IT TO HIM.

990
01:01:12,000 --> 01:01:13,750
HE LIVES ON OUR ROAD.

991
01:01:13,875 --> 01:01:15,917
HE RIDES OUR BUS.

992
01:01:16,000 --> 01:01:18,709
HE COULD HURT YOU, LARA,
AND I THINK HE WOULD.

993
01:01:32,125 --> 01:01:33,750
( horn honking )

994
01:01:40,458 --> 01:01:41,417
HURRY UP!

995
01:01:41,542 --> 01:01:43,542
WE'RE GOING
TO CALL DAD.

996
01:01:51,083 --> 01:01:52,875
YOU MEAN YOU HAVE
TO WAIT FOR HIM

997
01:01:53,000 --> 01:01:54,208
TO COME OUT
OF THE BUSH?

998
01:01:54,291 --> 01:01:55,959
WHEN?

999
01:01:58,125 --> 01:01:59,583
OH, THAT'S
NOT SO BAD.

1000
01:02:02,375 --> 01:02:04,542
YEAH, BUT
I'LL MISS YOU.

1001
01:02:04,667 --> 01:02:05,542
I'LL MISS YOU.

1002
01:02:05,667 --> 01:02:06,834
MUM? MUM.

1003
01:02:06,959 --> 01:02:09,375
OKAY. THE KIDS ALL WANT
TO HAVE A TALK TO YOU.

1004
01:02:09,500 --> 01:02:11,542
OKAY? SEE YOU SOON.

1005
01:02:11,667 --> 01:02:14,417
OKAY. YOUR DAD WANTS
TO TALK TO YOU.

1006
01:02:14,542 --> 01:02:16,041
HI, DAD?
WHERE ARE YOU?

1007
01:02:16,166 --> 01:02:18,125
YOU, TOO,
LARA. GO ON.

1008
01:02:18,250 --> 01:02:20,291
WHERE'S THAT?

1009
01:02:20,417 --> 01:02:21,166
OH.

1010
01:02:33,417 --> 01:02:34,542
Opal:
LOOK, JASPER.

1011
01:02:38,667 --> 01:02:40,083
Jasper:
DID YOU MAKE
IT, OPAL?

1012
01:02:40,166 --> 01:02:41,000
MUM?

1013
01:02:41,125 --> 01:02:42,834
HMM?

1014
01:02:43,000 --> 01:02:44,875
THERE'S SOMETHING
I NEED TO TELL YOU.

1015
01:02:47,166 --> 01:02:48,333
IT'S GOWD, MUM.

1016
01:02:48,500 --> 01:02:49,667
HE'S BOTHERING
LARA AND...

1017
01:02:49,792 --> 01:02:52,041
WHAT DO YOU MEAN,
"BOTHERING"?

1018
01:02:52,166 --> 01:02:55,250
YOU KNOW, MAKING FUN OF HER
IN FRONT OF THE OTHER KIDS

1019
01:02:55,375 --> 01:02:57,250
TEASING HER AND STUFF.

1020
01:02:57,375 --> 01:03:00,709
WELL... YOU GIRLS
CAN LOOK AFTER THAT, CAN'T YOU?

1021
01:03:00,834 --> 01:03:02,166
BUT I'M AFRAID OF HIM.

1022
01:03:02,291 --> 01:03:03,375
SO IS LARA.

1023
01:03:04,792 --> 01:03:05,834
( sighs )

1024
01:03:05,959 --> 01:03:06,834
OH, DEAR.

1025
01:03:08,875 --> 01:03:10,083
I'M SCARED OF HIM, TOO.

1026
01:03:10,166 --> 01:03:13,125
GOWD'S A BULLY, BUT
HE'S A COWARD, TOO.

1027
01:03:13,250 --> 01:03:16,625
BEHIND EVERY BULLY
IS A COWARD.

1028
01:03:16,750 --> 01:03:18,375
I RECKON IF YOU
STAND UP TO HIM

1029
01:03:18,500 --> 01:03:20,125
HE'LL BACK OFF. TRULY.

1030
01:03:20,250 --> 01:03:21,125
Jasper:
MUM!

1031
01:03:21,250 --> 01:03:22,166
YEAH?

1032
01:03:22,333 --> 01:03:23,333
CAN YOU COME HERE?

1033
01:03:23,500 --> 01:03:25,500
LOOK. WE'LL TALK
ABOUT THIS LATER, OKAY?

1034
01:03:25,625 --> 01:03:28,458
SHE JUST WANTS US
TO BE BRAVE.

1035
01:03:28,583 --> 01:03:31,166
SHE ALWAYS SAYS
WE HAVE TO BE STRONG.

1036
01:03:31,291 --> 01:03:32,875
SHE'D HAVE HELPED YOU.

1037
01:03:33,000 --> 01:03:34,166
SHE HAS OTHER REASONS

1038
01:03:34,333 --> 01:03:35,583
FOR NOT WANTING
TO HELP ME.

1039
01:03:43,917 --> 01:03:46,166
( quietly ):
I'M NOT GOING
TO GIVE IT TO HIM.

1040
01:03:46,291 --> 01:03:48,125
IF YOU JUST GIVE
IT TO HIM NOW

1041
01:03:48,250 --> 01:03:50,875
DAD WILL GET IT BACK FOR
YOU WHEN HE GETS HOME.

1042
01:03:51,000 --> 01:03:53,792
AND IF GOWD LOSES IT
OR SPENDS IT? THEN WHAT?

1043
01:03:53,875 --> 01:03:56,417
IT'S GONE FOREVER.

1044
01:03:56,500 --> 01:03:59,458
IF YOU DON'T GIVE THAT
SILVER DOLLAR TO GOWD

1045
01:03:59,542 --> 01:04:01,083
HE'LL COME AFTER
ME TO GET IT

1046
01:04:01,166 --> 01:04:02,125
AND I'M AFRAID.

1047
01:04:04,417 --> 01:04:06,500
I WANT MUM TO BE
PROUD OF ME, LARA.

1048
01:04:06,583 --> 01:04:08,875
I DON'T WANT HER TO
KNOW WHAT I'VE DONE

1049
01:04:08,959 --> 01:04:11,709
OR HOW SCARED I AM.

1050
01:04:11,875 --> 01:04:13,166
OKAY, BUT YOU'LL HAVE

1051
01:04:13,250 --> 01:04:15,417
TO HELP ME DIG IT UP...
TONIGHT.

1052
01:04:15,500 --> 01:04:17,458
CAN'T WE DO IT
IN THE MORNING?

1053
01:04:17,583 --> 01:04:19,959
I DON'T WANT OPAL TO SEE US.

1054
01:04:20,083 --> 01:04:21,792
YOU GOT ME INTO THIS, PEARL.

1055
01:04:27,333 --> 01:04:29,875
YOU'RE MAKING
TOO MUCH NOISE.

1056
01:04:29,959 --> 01:04:32,917
IF MUM CATCHES US OUT HERE,
WE'LL WISH FOR GOWD.

1057
01:04:33,041 --> 01:04:34,542
THEN BE QUIET, PEARL

1058
01:04:34,667 --> 01:04:36,542
AND TRY TO HOLD
THE LIGHT STILL.

1059
01:04:41,208 --> 01:04:42,709
GOOD.

1060
01:04:42,834 --> 01:04:44,500
LET'S GO HOME.

1061
01:04:47,917 --> 01:04:49,291
LEAVE THE SPADE.

1062
01:04:49,417 --> 01:04:52,500
I'LL PUT IT AWAY
IN THE MORNING.

1063
01:04:54,083 --> 01:04:56,458
WHAT ARE YOU TWO
DOING OUT HERE?

1064
01:04:56,583 --> 01:04:57,667
GET INSIDE, PEARL.

1065
01:05:05,458 --> 01:05:09,458
NOW, PEARL NEVER HAD
ANY TROUBLE WITH GOWD

1066
01:05:09,583 --> 01:05:11,542
SHE NEVER SNEAKED OUT
AT NIGHT

1067
01:05:11,667 --> 01:05:13,375
BEFORE YOU CAME HERE.

1068
01:05:13,500 --> 01:05:15,125
I WANT TO KNOW WHAT'S GOING ON.

1069
01:05:15,250 --> 01:05:17,041
I DON'T HAVE
TO TELL YOU ANYTHING.

1070
01:05:17,166 --> 01:05:18,208
YOU'RE NOT MY MOTHER.

1071
01:05:18,333 --> 01:05:19,375
NO, I'M NOT

1072
01:05:19,500 --> 01:05:21,542
BUT THIS IS MY HOUSE

1073
01:05:21,709 --> 01:05:25,250
AND WHILE YOU LIVE HERE,
YOU'LL LIVE BY MY RULES.

1074
01:05:25,458 --> 01:05:27,458
IT'S NOT YOUR HOUSE,
IT'S MY FATHER'S.

1075
01:05:27,625 --> 01:05:28,542
YOU HANG ON...

1076
01:05:28,667 --> 01:05:29,959
MY MOTHER WAS
THE ONE HE LOVED

1077
01:05:30,125 --> 01:05:31,917
THE ONE HE FOLLOWED
AND YOU KNOW IT.

1078
01:05:32,000 --> 01:05:33,208
THAT'S WHY YOU HATE ME.

1079
01:05:33,333 --> 01:05:35,750
I HEARD WHAT YOU SAID
TO THAT GOVERNMENT MAN.

1080
01:05:35,959 --> 01:05:38,166
YOU CAN TRY AND SEND
ME TO SOME ORPHANAGE

1081
01:05:38,291 --> 01:05:39,417
SEE IF I CARE.

1082
01:05:39,542 --> 01:05:42,000
YOU CAN'T EVEN IMAGINE
WHAT IT'S LIKE FOR ME

1083
01:05:42,125 --> 01:05:43,834
TO WATCH MY
BEAUTIFUL MOTHER DIE

1084
01:05:44,000 --> 01:05:44,917
AND THEN FIND MYSELF

1085
01:05:45,041 --> 01:05:46,917
STUCK IN THE ROTTEN
BUSH WITH YOU.

1086
01:05:47,000 --> 01:05:49,166
BUT MY FATHER LOVES ME
AND HE UNDERSTANDS

1087
01:05:49,291 --> 01:05:50,500
AND WHEN HE GETS BACK

1088
01:05:50,625 --> 01:05:52,458
THINGS ARE GOING
TO CHANGE AROUND HERE.

1089
01:05:54,792 --> 01:05:58,500
WELL, UNTIL HE GETS BACK

1090
01:05:58,667 --> 01:06:00,500
YOU GOING TO SPEND
THE NIGHT OUT HERE

1091
01:06:00,667 --> 01:06:02,333
OR YOU GOING TO COME INSIDE?

1092
01:06:03,542 --> 01:06:05,500
I WANT TO GO
TO THE BATHROOM.

1093
01:06:05,667 --> 01:06:08,208
WELL, THEN, I'LL WAIT.

1094
01:06:08,333 --> 01:06:09,250
SUIT YOURSELF.

1095
01:06:09,375 --> 01:06:10,166
MM-HMM.

1096
01:07:00,792 --> 01:07:03,834
AFTER LUNCH, I WANT YOU
TO CLEAR A SPACE IN THE SHADE

1097
01:07:03,959 --> 01:07:05,250
FOR THE NEW PALMS.

1098
01:07:05,333 --> 01:07:06,750
THEY'LL BE HERE, WHAT--

1099
01:07:06,834 --> 01:07:08,500
TOMORROW OR THE NEXT DAY
OR SOMETHING?

1100
01:07:08,625 --> 01:07:10,041
WHAT ABOUT
BELOW THE DAM?

1101
01:07:10,166 --> 01:07:11,959
OH, YEAH. THAT
'S A GOOD IDEA.

1102
01:07:36,542 --> 01:07:38,333
( brakes squealing )

1103
01:07:50,458 --> 01:07:52,166
G'DAY.

1104
01:07:52,291 --> 01:07:54,083
I THOUGHT YOU WERE
FROM THE NURSERY.

1105
01:07:54,250 --> 01:07:56,500
NO. JUST A FEW BOXES,
MRS. RITCHIE.

1106
01:07:58,417 --> 01:07:59,542
"TO LARA."

1107
01:07:59,667 --> 01:08:01,875
WHO'S LARA?

1108
01:08:02,000 --> 01:08:04,000
UM...

1109
01:08:04,166 --> 01:08:06,250
PUT THEM IN THE SHED
FOR NOW.

1110
01:08:07,458 --> 01:08:08,375
JUST SIGN THERE.

1111
01:08:23,166 --> 01:08:26,125
DO WE HAVE TO FINISH
ALL THIS BETWEEN THE TREES?

1112
01:08:28,166 --> 01:08:29,291
( groaning ):
OH.

1113
01:08:31,792 --> 01:08:34,458
I WISH I WAS STILL
LITTLE LIKE JASPER.

1114
01:08:34,625 --> 01:08:36,583
YOU'RE STILL
SORT OF LITTLE.

1115
01:08:36,750 --> 01:08:38,583
BUT NOT LITTLE ENOUGH.

1116
01:08:38,667 --> 01:08:40,291
( thunder rumbling )

1117
01:08:52,000 --> 01:08:53,208
( screams )

1118
01:08:54,834 --> 01:08:56,125
MUM.

1119
01:08:56,291 --> 01:08:58,750
( thunder rumbling )

1120
01:09:13,000 --> 01:09:14,041
Pearl:
MUM?

1121
01:09:16,750 --> 01:09:18,333
PEARL, GET SOME TOWELS.

1122
01:09:18,458 --> 01:09:19,417
GET SOME TOWELS

1123
01:09:19,542 --> 01:09:21,375
AND TAKE OPAL AND JASPER
TO THE TRUCK

1124
01:09:21,542 --> 01:09:22,709
AND GET MOVING!

1125
01:09:22,875 --> 01:09:23,750
LARA.

1126
01:09:23,917 --> 01:09:25,709
LARA, GET THAT STICK.

1127
01:09:25,875 --> 01:09:29,083
I DON'T WANT THE CHILDREN
TO SEE ME LIKE THIS.

1128
01:09:32,542 --> 01:09:33,583
HELP ME UP.

1129
01:09:38,709 --> 01:09:40,834
( groaning )

1130
01:09:40,917 --> 01:09:43,125
( thunder rumbling )

1131
01:09:58,917 --> 01:10:00,792
( crying )

1132
01:10:02,333 --> 01:10:04,458
( engine starting )

1133
01:10:18,542 --> 01:10:20,875
( Jasper whimpering )

1134
01:10:21,000 --> 01:10:23,333
MUM, ARE YOU GOING TO BE
ALL RIGHT?

1135
01:10:23,458 --> 01:10:24,542
I'LL BE...

1136
01:10:24,667 --> 01:10:26,125
I'LL BE FINE, PEARL.

1137
01:10:26,250 --> 01:10:28,000
I CAN LOOK AFTER MYSELF.

1138
01:10:33,458 --> 01:10:35,250
MUM, YOU NEARLY
WENT OFF THE ROAD.

1139
01:10:35,375 --> 01:10:36,375
I'M FINE, PEARL.

1140
01:10:36,500 --> 01:10:37,500
( Opal screams )

1141
01:10:37,625 --> 01:10:39,500
MUM, YOU'RE DYING!

1142
01:10:43,583 --> 01:10:45,083
( screaming )

1143
01:10:46,792 --> 01:10:49,667
LARA, YOU'VE GOT TO DRIVE.

1144
01:10:49,792 --> 01:10:51,500
I CAN'T DRIVE
ON THE MAIN ROAD.

1145
01:10:51,667 --> 01:10:52,542
LARA, HURRY.

1146
01:10:52,667 --> 01:10:53,750
MUM'S DYING.

1147
01:11:09,500 --> 01:11:10,375
HURRY, LARA.

1148
01:11:16,792 --> 01:11:18,917
QUICK.

1149
01:11:19,083 --> 01:11:21,542
( gears grinding )

1150
01:11:52,875 --> 01:11:54,500
HURRY, LARA, HURRY.

1151
01:11:54,667 --> 01:11:56,458
WHERE AM I GOING?

1152
01:11:56,583 --> 01:11:58,917
I DON'T KNOW WHERE
THE HOSPITAL IS.

1153
01:11:59,041 --> 01:12:01,667
TURN RIGHT AT THE NEXT ROAD.

1154
01:12:14,625 --> 01:12:16,417
( monitor beeping )

1155
01:12:20,500 --> 01:12:21,917
Opal:
WHAT IF SHE DIES?

1156
01:12:22,041 --> 01:12:23,500
OPAL.

1157
01:12:23,625 --> 01:12:25,000
MUM'S MOTHER DIED

1158
01:12:25,083 --> 01:12:27,000
WHEN SHE WAS NINE.

1159
01:12:27,125 --> 01:12:29,542
DAD SAYS IT WAS THE
WORST DAY OF HER LIFE.

1160
01:12:29,709 --> 01:12:31,709
SHE WAS NEVER REALLY
HAPPY AGAIN.

1161
01:12:31,792 --> 01:12:33,041
UNTIL SHE MET DAD.

1162
01:12:33,125 --> 01:12:34,709
THEN SHE WAS HAPPY.

1163
01:12:34,792 --> 01:12:37,959
THAT'S WHAT SHE
ALWAYS SAYS WHEN
THEY'RE DANCING.

1164
01:12:38,083 --> 01:12:39,959
THE MUSIC ALWAYS
WAKES ME UP

1165
01:12:40,083 --> 01:12:41,667
BUT I DON'T TELL.

1166
01:12:41,792 --> 01:12:43,709
I LIKE TO WATCH THEM DANCE.

1167
01:12:43,792 --> 01:12:45,083
MAKES ME HAPPY, TOO.

1168
01:12:47,125 --> 01:12:48,125
IS IT LIKE THAT, LARA?

1169
01:12:49,750 --> 01:12:51,625
WAS IT THE WORST DAY
OF YOUR LIFE?

1170
01:13:31,458 --> 01:13:33,333
PLEASE DON'T DIE, MUM.

1171
01:13:33,458 --> 01:13:36,667
OH, OPAL...

1172
01:13:36,834 --> 01:13:38,959
I'M NOT GOING
TO DIE, DARLING.

1173
01:13:51,250 --> 01:13:53,667
( galloping horses approaching)

1174
01:13:53,792 --> 01:13:56,333
( man whistling )

1175
01:13:56,458 --> 01:13:57,667
( urging horses on )

1176
01:13:57,834 --> 01:13:59,166
( whistling )

1177
01:13:59,291 --> 01:14:02,500
( horses whinnying )

1178
01:14:02,625 --> 01:14:04,291
( urging horses on )

1179
01:14:04,458 --> 01:14:05,834
( whistling )

1180
01:14:07,792 --> 01:14:09,959
HEY!

1181
01:14:10,083 --> 01:14:11,208
( urging horses on )

1182
01:14:20,959 --> 01:14:23,834
( whistling )

1183
01:14:23,959 --> 01:14:25,250
( urging horses on )

1184
01:14:28,834 --> 01:14:30,291
( whistling )

1185
01:14:30,500 --> 01:14:31,625
THAT'S IT!

1186
01:14:31,750 --> 01:14:33,250
GO! GO! YEAH! YEAH! GOOD!

1187
01:14:40,834 --> 01:14:42,083
MR. COOPER.

1188
01:14:43,500 --> 01:14:45,959
YOU DON'T LOOK
LIKE A COPPER

1189
01:14:46,083 --> 01:14:47,625
OR A BANK MANAGER.

1190
01:14:47,750 --> 01:14:50,959
THE TRUCK'S NOT FLASHY ENOUGH
FOR AN ALIMONY CHASER.

1191
01:14:51,083 --> 01:14:51,959
(chuckles)

1192
01:14:52,083 --> 01:14:53,000
YOU'RE AFTER HORSES?

1193
01:14:53,125 --> 01:14:54,458
NO, I'M NOT.

1194
01:14:54,625 --> 01:14:57,750
I'M HERE ABOUT SOME LAND
YOU HAVE CLAIM TO.

1195
01:14:57,875 --> 01:14:59,667
I GOT CLAIM TO SOME LAND?

1196
01:15:03,458 --> 01:15:05,250
MUST BE WORTH
SOMETHING TO YOU,

1197
01:15:05,375 --> 01:15:07,041
COMING ALL THIS WAY.

1198
01:15:07,208 --> 01:15:09,583
HOW LONG YOU'VE
BEEN LOOKING FOR ME?
EH, A LITTLE WHILE.

1199
01:15:09,667 --> 01:15:11,583
BUSH TELEGRAPH SAYS THREE WEEKS.

1200
01:15:11,667 --> 01:15:13,750
(chuckles):
WELL...

1201
01:15:13,834 --> 01:15:16,208
WE CAN CUT OFF YOUR CLAIM
BY PUBLICATION NOTICE

1202
01:15:16,333 --> 01:15:18,208
AND A COURT PROCEEDING,
IT'D JUST TAKE TOO LONG.

1203
01:15:18,333 --> 01:15:20,667
WOULDN'T BE VERY FAIR
EITHER, WOULD IT?

1204
01:15:20,750 --> 01:15:22,542
NO.

1205
01:15:22,667 --> 01:15:24,458
THIS HORSE BUSINESS...

1206
01:15:24,583 --> 01:15:25,959
PRETTY HARD ON AN OLD BLOKE.

1207
01:15:26,083 --> 01:15:27,208
I'M LOOKING FOR A WAY OUT.

1208
01:15:27,333 --> 01:15:28,709
I CAN'T AFFORD TO PAY

1209
01:15:28,834 --> 01:15:30,542
FOR YOUR RETIREMENT, MR. COOPER.

1210
01:15:30,667 --> 01:15:32,667
THIS EASY LIFE--

1211
01:15:32,792 --> 01:15:34,208
LIKE A TASTE OF THAT.

1212
01:15:34,333 --> 01:15:36,500
YES, SIR, MR. RITCHIE.

1213
01:15:36,625 --> 01:15:40,500
I RECKON IT WOULD JUST BE
THE ANSWER TO A MAN'S PRAYERS.

1214
01:15:40,625 --> 01:15:42,542
( music playing softly )

1215
01:15:47,041 --> 01:15:49,250
I JUST WANTED TO SAY THANK YOU.

1216
01:16:19,291 --> 01:16:22,000
THIS IS THE LAST
OF THEM, MUM.

1217
01:16:22,125 --> 01:16:23,458
GOOD WORK.

1218
01:16:23,583 --> 01:16:26,917
NOW LET'S
GET CLEANED UP

1219
01:16:27,041 --> 01:16:29,458
AND HAVE AN
EARLY TEA AND
GET TO BED.

1220
01:16:29,583 --> 01:16:32,083
I DON'T WANT YOU TO MISS
ANY MORE DAYS OF SCHOOL

1221
01:16:32,208 --> 01:16:33,709
'CAUSE OF ME, OKAY?

1222
01:16:59,750 --> 01:17:01,959
( rooster crowing )

1223
01:17:20,000 --> 01:17:21,500
( knocking )

1224
01:17:21,667 --> 01:17:22,917
Opal:
LARA, OPEN UP.

1225
01:17:23,041 --> 01:17:23,834
IT'S ME.

1226
01:17:29,333 --> 01:17:31,000
I FOUND IT UNDER A TOWEL.

1227
01:17:31,166 --> 01:17:33,041
I THOUGHT IT WAS OUR
PERSONAL TREASURE.

1228
01:17:33,166 --> 01:17:34,667
WE'RE GOING TO BE PIRATES

1229
01:17:34,792 --> 01:17:36,208
AND PROTECT IT
WITH OUR LIVES.

1230
01:17:36,375 --> 01:17:39,166
OPAL, IT'S JUST A COIN,
NOT A TREASURE.

1231
01:17:39,291 --> 01:17:40,959
IT'S A TREASURE TO ME.

1232
01:17:41,083 --> 01:17:43,667
IT WAS THE BEST
SECRET I EVER HAD

1233
01:17:43,792 --> 01:17:45,125
AND IT BELONGS TO US.

1234
01:17:45,250 --> 01:17:46,166
YOU SAID SO.

1235
01:17:46,291 --> 01:17:47,542
Pearl:
HURRY UP, LARA.

1236
01:17:47,667 --> 01:17:49,083
WE'RE GOING TO MISS
THE BUS.

1237
01:17:51,542 --> 01:17:52,750
YOU'RE RIGHT, OPAL.

1238
01:17:52,875 --> 01:17:54,166
IT IS OUR TREASURE

1239
01:17:54,250 --> 01:17:56,667
AND WE WON'T LET ANYBODY
TAKE IT AWAY FROM US.

1240
01:17:56,750 --> 01:17:59,250
YOU GO AND HIDE IT AGAIN--
ANY SECRET PLACE YOU WANT.

1241
01:18:08,375 --> 01:18:10,083
SO WHEN HE SHOWS UP
FOR THE BUS

1242
01:18:10,208 --> 01:18:12,125
YOU JUST GIVE IT
TO HIM AND RUN.

1243
01:18:12,250 --> 01:18:13,542
I'M NOT GIVING IT
TO HIM.

1244
01:18:13,667 --> 01:18:14,834
I DON'T HAVE IT.

1245
01:18:14,959 --> 01:18:16,542
WHAT?!

1246
01:18:16,667 --> 01:18:18,208
WHERE'S MY SILVER DOLLAR, LARA?

1247
01:18:18,333 --> 01:18:20,583
I'LL NEVER GIVE IT
TO YOU.

1248
01:18:20,709 --> 01:18:23,542
DO IT
OR WORSE'LL HAPPEN TO YOU.

1249
01:18:23,667 --> 01:18:25,417
WON'T IT, PEARL?

1250
01:18:25,542 --> 01:18:27,458
TELL HIM
WHERE IT IS.

1251
01:18:31,208 --> 01:18:32,709
GIVE IT
TO ME NOW!

1252
01:18:32,834 --> 01:18:34,375
I'LL GIVE YOU NOTHING.

1253
01:18:34,458 --> 01:18:35,375
PEARL!

1254
01:18:35,500 --> 01:18:37,625
GIVE IT TO ME.

1255
01:18:37,750 --> 01:18:39,959
GET OFF!

1256
01:18:40,083 --> 01:18:41,166
OW!

1257
01:18:51,834 --> 01:18:53,917
( bus approaching )

1258
01:19:07,417 --> 01:19:08,250
Pearl:
MUM.

1259
01:19:08,375 --> 01:19:09,625
WHAT'S HAPPENED?

1260
01:19:09,750 --> 01:19:11,792
WHY AREN'T YOU ON THE BUS?

1261
01:19:11,917 --> 01:19:13,709
GOWD ATTACKED US, BUT
WE STOOD UP TO HIM

1262
01:19:13,834 --> 01:19:15,917
AND HE RAN LIKE YOU
SAID. DIDN'T HE, LARA?

1263
01:19:16,000 --> 01:19:17,417
WHAT DO YOU MEAN

1264
01:19:17,542 --> 01:19:18,709
GOWD ATTACKED YOU?

1265
01:19:21,041 --> 01:19:23,959
OH, FIRST SNEAKING OUT,
NOW FIGHTING.

1266
01:19:24,125 --> 01:19:25,250
WHAT NEXT?

1267
01:19:25,375 --> 01:19:26,250
LARA.

1268
01:19:26,375 --> 01:19:27,250
MUM...

1269
01:19:27,375 --> 01:19:28,667
WHAT?

1270
01:19:28,834 --> 01:19:30,250
LARA DIDN'T DO
ANYTHING WRONG.

1271
01:19:30,458 --> 01:19:32,250
I TOLD GOWD SHE HAD
A SILVER DOLLAR.

1272
01:19:32,375 --> 01:19:34,000
I DID IT TO MAKE
TROUBLE FOR HER.

1273
01:19:34,166 --> 01:19:35,500
WHAT ARE YOU
TALKING ABOUT?

1274
01:19:35,625 --> 01:19:36,834
I DIDN'T WANT HER HERE.

1275
01:19:37,000 --> 01:19:38,750
I WAS TRYING TO MAKE
TROUBLE FOR HER

1276
01:19:38,834 --> 01:19:39,917
SO SHE'D HAVE
TO LEAVE.

1277
01:19:40,041 --> 01:19:40,917
SORRY.

1278
01:19:41,041 --> 01:19:42,250
PEARL.

1279
01:19:42,375 --> 01:19:44,041
THOUGHT IT'S WHAT
YOU WANTED, TOO.

1280
01:19:48,625 --> 01:19:49,625
GO AND FIND HER.

1281
01:19:49,750 --> 01:19:51,834
TRY AND GET HER
TO COME HOME.

1282
01:19:53,667 --> 01:19:55,709
Gowd:
I NEVER TOUCHED THEM.

1283
01:19:55,834 --> 01:19:57,792
IT'S THAT LARA,
MRS. RITCHIE.

1284
01:19:57,917 --> 01:20:01,333
SHE'S ALWAYS COMING AROUND
TRYING TO TALK TO ME.

1285
01:20:01,500 --> 01:20:02,709
UP THE HILL?

1286
01:20:02,834 --> 01:20:04,667
YEAH, AND I GUESS SHE
COULDN'T STAND IT

1287
01:20:04,834 --> 01:20:06,875
WHEN I WOULDN'T PAY
ANY ATTENTION TO HER

1288
01:20:07,000 --> 01:20:09,667
SO SHE HAD TO MAKE
UP A STORY ABOUT
A SILVER DOLLAR

1289
01:20:09,834 --> 01:20:12,667
AND GOT PEARL TO
GO ALONG WITH IT
TO GET ME PUNISHED.

1290
01:20:12,792 --> 01:20:14,458
WHAT'S A SILVER
DOLLAR TO ME?

1291
01:20:14,583 --> 01:20:17,166
YEAH, BUT I'VE SEEN
THE BRUISES ON LARA'S ARM

1292
01:20:17,333 --> 01:20:18,709
AND PEARL DOESN'T LIE.

1293
01:20:18,834 --> 01:20:20,792
LARA COULD HAVE
BRUISED HER ARM HERSELF.

1294
01:20:20,917 --> 01:20:23,041
PEARL'S BEEN SPENDING
A LOT OF TIME WITH LARA.

1295
01:20:23,166 --> 01:20:24,625
PEARL'S CHANGED.

1296
01:20:24,750 --> 01:20:27,250
I DON'T THINK SHE'S
THE SAME GIRL SHE USED TO BE.

1297
01:20:29,542 --> 01:20:32,959
YEAH. WELL, LARRY
COMES HOME THIS WEEK

1298
01:20:33,125 --> 01:20:36,542
SO I'LL HAVE TO TELL HIM
ABOUT IT, BILL.

1299
01:20:36,667 --> 01:20:38,875
WE BOTH WILL.

1300
01:20:39,000 --> 01:20:40,542
I KNOW WHAT IT'S
LIKE, GLADWYN

1301
01:20:40,625 --> 01:20:43,667
NOT KNOWING HOW
TO HANDLE A CHILD
WHO'S LOST A MOTHER.

1302
01:20:43,750 --> 01:20:45,500
I MEAN, I HAVEN'T
HAD THE HEART

1303
01:20:45,625 --> 01:20:48,083
TO BE STRICT WITH GOWD
SINCE HIS MOTHER DIED.

1304
01:20:48,208 --> 01:20:50,000
A LOT OF PEOPLE
LOSE THEIR MOTHERS.

1305
01:20:50,125 --> 01:20:52,333
THERE'S NO EXCUSE
FOR THAT KIND OF BEHAVIOR.

1306
01:20:52,458 --> 01:20:53,709
YEAH. WELL, THEY SAY

1307
01:20:53,834 --> 01:20:55,542
THE APPLE DOESN'T FALL
FAR FROM THE TREE

1308
01:20:55,709 --> 01:20:58,000
AND WHAT I'VE HEARD
ABOUT LARA'S MOTHER...

1309
01:20:58,083 --> 01:20:59,375
WHAT ARE YOU
GOING TO DO?

1310
01:20:59,458 --> 01:21:02,208
WELL, I'LL GET
TO THE BOTTOM
OF IT, SOMEHOW.

1311
01:21:02,291 --> 01:21:03,542
THANKS, BILL.

1312
01:21:03,625 --> 01:21:05,667
Bill:
TAKE CARE.

1313
01:21:05,792 --> 01:21:06,875
YEAH. SEE YA.

1314
01:21:10,417 --> 01:21:11,750
GO ON.

1315
01:21:17,792 --> 01:21:19,667
I HOPE HE COMES SOON.

1316
01:21:19,792 --> 01:21:20,750
MM-HMM.

1317
01:21:20,917 --> 01:21:22,458
COME AND EAT, YOU TWO.

1318
01:21:22,583 --> 01:21:26,041
THE MESSAGE SAID THAT
HE'D BE HOME SOME TIME TODAY.

1319
01:21:26,125 --> 01:21:27,667
IT MIGHTN'T BE FOR HOURS.

1320
01:21:27,792 --> 01:21:28,667
COME ON.

1321
01:21:28,792 --> 01:21:29,583
LARA.

1322
01:21:39,333 --> 01:21:41,166
HE'S HOME! HE'S HOME!

1323
01:21:57,959 --> 01:21:59,750
DAD! DAD!

1324
01:21:59,875 --> 01:22:00,875
COME HERE.

1325
01:22:01,000 --> 01:22:03,000
I WANT TO KISS YOU.

1326
01:22:03,125 --> 01:22:04,792
HEY, JASPER.

1327
01:22:04,959 --> 01:22:06,500
OH, PEARL, HONEY

1328
01:22:06,625 --> 01:22:08,417
I MISSED YOU, SWEETHEART.

1329
01:22:08,500 --> 01:22:09,709
I MISSED YOU, TOO.

1330
01:22:11,166 --> 01:22:13,667
YOU LOOK AWFUL.

1331
01:22:13,834 --> 01:22:15,375
I DROVE ALL NIGHT.

1332
01:22:17,000 --> 01:22:19,166
DID YOU SEE ANY BRUMBIES, DAD?

1333
01:22:19,291 --> 01:22:20,166
DOZENS OF THEM.

1334
01:22:20,291 --> 01:22:21,583
LOOKS LIKE SOMETHING WILD

1335
01:22:21,667 --> 01:22:23,083
BIT YOUR MUM, TOO.

1336
01:22:23,166 --> 01:22:24,250
SHE CUT IT WITH THE AX.

1337
01:22:24,375 --> 01:22:26,125
IT WAS JUST A
COUPLE OF STITCHES.

1338
01:22:26,291 --> 01:22:27,250
SO, THE LAND...?

1339
01:22:27,333 --> 01:22:29,625
IT TOOK ALL WE HAD,
BUT IT WAS FAIR.

1340
01:22:29,792 --> 01:22:33,709
COOPER'S GOT THIS WILD IDEA
ABOUT THE EASY LIFE, YOU KNOW.

1341
01:22:35,458 --> 01:22:36,834
SO IS IT OURS?

1342
01:22:38,125 --> 01:22:38,792
OH!

1343
01:22:38,959 --> 01:22:40,875
I GOTCHA.

1344
01:22:43,959 --> 01:22:45,750
ALL RIGHT.
BREAKFAST.

1345
01:22:45,875 --> 01:22:47,041
LARA, SWEETHEART.

1346
01:22:47,166 --> 01:22:49,417
Gladwyn:
WE'VE GOT A LOT
PALMS TO PLANT.

1347
01:23:16,625 --> 01:23:18,834
JASSIE, COME ON. LET'S GO.

1348
01:23:18,959 --> 01:23:21,500
Jasper:
OKAY, MUM.

1349
01:23:21,667 --> 01:23:24,667
ALL RIGHT, EVERYBODY,
THAT'S ENOUGH.

1350
01:23:24,792 --> 01:23:26,083
GET CLEANED UP
FOR TEA.

1351
01:23:26,208 --> 01:23:28,125
NOW CAN YOU TELL US
ABOUT THE BRUMBIES?

1352
01:23:28,250 --> 01:23:29,750
RIGHT AFTER TEA, SWEETHEART.

1353
01:23:29,875 --> 01:23:33,166
DID YOUR TEETH
RATTLE LIKE
YOU SAID?

1354
01:23:33,250 --> 01:23:34,667
ARE THEY LOOSE?

1355
01:23:34,792 --> 01:23:35,917
OH, YEAH.

1356
01:23:36,000 --> 01:23:36,875
CAN I SEE?

1357
01:23:37,041 --> 01:23:38,333
GO AHEAD.

1358
01:23:38,458 --> 01:23:40,166
THEY'RE NOT
LOOSE, DAD.

1359
01:23:40,250 --> 01:23:41,458
NO, I GUESS NOT.

1360
01:23:41,583 --> 01:23:43,542
I THINK YOU'RE
TEASING ME.

1361
01:23:43,667 --> 01:23:45,208
HOW MANY BRUMBIES
DID YOU SEE?

1362
01:23:45,291 --> 01:23:46,250
HUNDREDS.

1363
01:23:46,375 --> 01:23:47,208
DID YOU RIDE ONE?

1364
01:23:47,333 --> 01:23:48,542
NOT A ONE.

1365
01:23:48,625 --> 01:23:49,875
WHY NOT?

1366
01:23:50,000 --> 01:23:51,834
I'M GOING TO GIVE
THESE TO THE HORSES

1367
01:23:51,959 --> 01:23:53,291
TO CELEBRATE
DAD BEING HOME.

1368
01:23:53,417 --> 01:23:55,125
LET LARA HELP YOU.

1369
01:24:02,834 --> 01:24:04,500
YOU'RE DRY ENOUGH.

1370
01:24:04,583 --> 01:24:06,667
THERE YOU GO.

1371
01:24:06,834 --> 01:24:08,709
I'M GOING
TO GET SOME TEA.

1372
01:24:08,792 --> 01:24:09,667
DAD!

1373
01:24:15,875 --> 01:24:17,208
DAD'S HOME, THUNDERWITH

1374
01:24:17,333 --> 01:24:20,000
BUT IT'S NOT WHAT
I THOUGHT IT WOULD BE LIKE.

1375
01:24:21,208 --> 01:24:22,875
NOTHING SEEMS THE SAME.

1376
01:24:23,000 --> 01:24:24,291
THINGS HAVE CHANGED

1377
01:24:24,417 --> 01:24:26,917
AT WILLY-NILLY.

1378
01:24:27,041 --> 01:24:29,375
LARA RITCHIE,
WHAT A SURPRISE.

1379
01:24:29,458 --> 01:24:31,542
SO YOU DO COME UP HERE.

1380
01:24:31,667 --> 01:24:32,583
JAKE, COME.

1381
01:24:38,291 --> 01:24:39,917
JAKE!

1382
01:24:40,041 --> 01:24:41,375
THIS IS MY DOG.

1383
01:24:41,500 --> 01:24:42,834
THAT'S JAKE,
YOU IDIOT.

1384
01:24:42,959 --> 01:24:44,166
MY FATHER'S OLD DOG.

1385
01:24:44,333 --> 01:24:46,500
IT SHOULD HAVE BEEN
PUT DOWN LONG AGO.

1386
01:24:46,667 --> 01:24:48,333
COME HERE,
YOU MISERABLE HOUND.

1387
01:24:49,959 --> 01:24:54,166
I TOLD YOU... HE'S MY DOG.

1388
01:24:54,291 --> 01:24:56,458
THE DOG IS MINE
AND I'LL GET HIM

1389
01:24:56,625 --> 01:24:59,417
JUST LIKE I'LL GET
YOUR PRECIOUS SILVER DOLLAR.

1390
01:24:59,542 --> 01:25:02,458
I'LL NEVER GIVE
THAT SILVER DOLLAR TO YOU.

1391
01:25:02,625 --> 01:25:05,125
IT'S ALL I'VE GOT LEFT
OF MY MOTHER.

1392
01:25:07,291 --> 01:25:09,375
THUNDERWITH, COME.

1393
01:25:09,500 --> 01:25:10,875
GOOD DOG.

1394
01:25:11,000 --> 01:25:11,792
STOP.

1395
01:25:11,917 --> 01:25:13,375
SEE, GOWD, YOU'RE NOBODY

1396
01:25:13,500 --> 01:25:15,000
AND NOTHING TO US.

1397
01:25:15,125 --> 01:25:16,250
Gowd:
I SAID STOP!

1398
01:25:16,333 --> 01:25:17,792
NOW!

1399
01:25:17,959 --> 01:25:18,542
GOWD, NO!

1400
01:25:20,583 --> 01:25:21,500
LARA!

1401
01:25:25,834 --> 01:25:28,875
DAD, I SAW LARA
GO UP ON THE HILL.

1402
01:25:29,000 --> 01:25:30,458
TAKE OPAL AND JASPER

1403
01:25:30,583 --> 01:25:33,041
AND GET IN THE HOUSE
WITH YOUR MUM.

1404
01:25:40,667 --> 01:25:42,542
LARA!

1405
01:25:46,834 --> 01:25:48,917
IS SHE HURT?

1406
01:25:52,583 --> 01:25:55,208
HE'S DEAD.

1407
01:25:55,333 --> 01:25:57,333
GOWD KILLED HIM.

1408
01:25:57,458 --> 01:26:00,625
GOWD KILLED HIS OWN DOG?

1409
01:26:00,792 --> 01:26:04,166
NOT HIS DOG... MY DOG.

1410
01:26:04,291 --> 01:26:07,583
HE KILLED THUNDERWITH.

1411
01:26:10,750 --> 01:26:14,208
THERE'S BEEN SOME TROUBLE
BETWEEN HER AND GOWD.

1412
01:26:14,291 --> 01:26:17,875
I TOLD HER TO STAND UP
TO HIM AND SHE DID AND...

1413
01:26:18,000 --> 01:26:21,583
THIS IS
WHAT HAPPENED.

1414
01:27:10,625 --> 01:27:13,500
WE'LL BURY HIM
TOMORROW, LARA

1415
01:27:13,625 --> 01:27:15,000
WHEREVER YOU LIKE.

1416
01:27:28,125 --> 01:27:30,500
YOU CAN STAY OUTSIDE
HERE FOR A WHILE.

1417
01:27:35,291 --> 01:27:37,166
MAYBE WE CAN
TALK LATER...

1418
01:27:37,291 --> 01:27:38,792
IF YOU FEEL
UP TO IT.

1419
01:27:52,166 --> 01:27:54,333
ISN'T THIS YOUR
MUM'S HANDWRITING?

1420
01:28:00,458 --> 01:28:02,166
SHE MUST HAVE
BOXED THEM UP

1421
01:28:02,291 --> 01:28:05,417
BEFORE SHE WENT
TO THE HOSPITAL.

1422
01:28:05,542 --> 01:28:07,375
HOW LONG HAVE THEY
BEEN HERE?

1423
01:28:09,875 --> 01:28:11,041
NOT LONG.

1424
01:28:12,625 --> 01:28:14,291
YOU DIDN'T KNOW THEY CAME?

1425
01:28:15,792 --> 01:28:16,875
NO.

1426
01:28:19,000 --> 01:28:21,083
GLADWYN DIDN'T TELL ME.

1427
01:28:23,291 --> 01:28:26,542
GLADWYN DOESN'T WANT
ANYTHING HERE OF MY MOTHER'S...

1428
01:28:29,834 --> 01:28:31,041
INCLUDING ME.

1429
01:28:33,667 --> 01:28:35,333
THAT'S NOT
TRUE, LARA.

1430
01:28:41,417 --> 01:28:42,834
THAT'S NOT TRUE.

1431
01:28:59,625 --> 01:29:01,709
GLADWYN...

1432
01:29:03,333 --> 01:29:05,333
WHAT HAPPENED WHILE I WAS GONE?

1433
01:29:05,458 --> 01:29:08,083
WHY DIDN'T YOU TELL HER
ABOUT THOSE BOXES?

1434
01:29:15,875 --> 01:29:18,542
I TOLD YOU THIS COULDN'T WORK
WITHOUT YOU.

1435
01:29:28,208 --> 01:29:32,041
YOU LEFT ME ALONE
WITH A FARM

1436
01:29:32,166 --> 01:29:35,375
WITH THREE CHILDREN
AND A STRANGER.

1437
01:29:35,542 --> 01:29:37,875
A STRANGER

1438
01:29:38,000 --> 01:29:42,375
WHO EVERY TIME I LOOK AT HER,
SHE REMINDS ME OF HER MOTHER.

1439
01:29:42,500 --> 01:29:47,166
EVERY DAY, SHE'S A
CONSTANT REMINDER.

1440
01:29:48,834 --> 01:29:49,959
GLADWYN...

1441
01:29:51,417 --> 01:29:52,834
CHERYL IS NO THREAT.

1442
01:29:52,959 --> 01:29:54,000
SHE NEVER HAS BEEN.

1443
01:29:54,125 --> 01:29:55,417
OH, COME ON.

1444
01:29:56,792 --> 01:29:59,375
YOU HAVE A PERFECT
MEMORY OF HER, YOU KNOW

1445
01:29:59,500 --> 01:30:00,875
AND THEN HERE'S ME.

1446
01:30:00,959 --> 01:30:03,166
YOU KNOW, I'VE GOT
A... A CUT LEG

1447
01:30:03,291 --> 01:30:04,792
I'VE GOT TIRED EYES

1448
01:30:04,917 --> 01:30:06,500
I'VE GOT A BAD TEMPER...

1449
01:30:06,625 --> 01:30:08,792
BUT SHE'S NOT
REAL ANYMORE.

1450
01:30:08,917 --> 01:30:11,208
I'M REAL, AND SHE
DOESN'T NEED YOU, LARRY.

1451
01:30:11,291 --> 01:30:12,333
I NEED YOU.

1452
01:30:14,625 --> 01:30:16,333
JUST SHUT UP A WHILE.

1453
01:30:18,125 --> 01:30:19,959
DON'T BE SO AFRAID.

1454
01:30:21,125 --> 01:30:23,375
WHEN WILL YOU LEARN,
GLADWYN?

1455
01:30:24,792 --> 01:30:27,375
WHEN WILL YOU
EVER, EVER LEARN?

1456
01:30:36,333 --> 01:30:39,625
THE BOXES CAME THE DAY
I CUT MY LEG, BY THE WAY.

1457
01:30:44,333 --> 01:30:45,583
Opal:
DAD...

1458
01:30:45,709 --> 01:30:46,709
WAIT.

1459
01:31:25,875 --> 01:31:27,333
LARA, WHAT ARE YOU DOING?

1460
01:31:27,458 --> 01:31:30,542
I'M GOING TO SYDNEY,
TO AN ORPHANAGE.

1461
01:31:30,667 --> 01:31:33,250
I'LL BE ALL RIGHT.

1462
01:31:35,333 --> 01:31:37,834
GOWD WON'T BOTHER YOU
ANYMORE, HONEY.

1463
01:31:37,959 --> 01:31:40,208
IT'S NOT GOWD.

1464
01:31:40,333 --> 01:31:43,208
LOOK, LARA, I KNOW
YOU'VE HAD A ROUGH START HERE

1465
01:31:43,333 --> 01:31:45,041
AND I'M SORRY FOR THAT

1466
01:31:45,166 --> 01:31:46,417
BUT I LOVE YOU, HONEY.

1467
01:31:46,500 --> 01:31:48,208
CAN'T YOU GIVE US
ANOTHER CHANCE?

1468
01:31:48,333 --> 01:31:51,417
Lara:
I WON'T STAY
WHERE I'M NOT WANTED.

1469
01:32:00,792 --> 01:32:03,291
SO YOU'RE WILLING
TO WALK OUT ON OPAL?

1470
01:32:05,709 --> 01:32:06,458
HUH?

1471
01:32:08,542 --> 01:32:11,333
PEARL AND JASSIE?

1472
01:32:11,458 --> 01:32:13,583
ME? YOU WILLING
TO WALK OUT ON ME?

1473
01:32:13,709 --> 01:32:16,166
IF YOU WON'T HELP ME,
I'LL JUST WALK UP TO THE ROAD

1474
01:32:16,291 --> 01:32:18,542
IN THE MIDDLE OF THE NIGHT
AND GO ON MY OWN.

1475
01:32:18,667 --> 01:32:20,709
OH, YOU WANT TO GO ON YOUR OWN.

1476
01:32:24,333 --> 01:32:28,041
WELL, YOU SHOULD TALK TO GLADWYN
ABOUT BEING ON YOUR OWN.

1477
01:32:28,125 --> 01:32:32,083
SHE GREW UP IN
ORPHAN HOMES, LARA

1478
01:32:32,208 --> 01:32:35,041
ALWAYS GOING FROM
ONE HOME TO ANOTHER

1479
01:32:35,166 --> 01:32:36,792
ALWAYS LIVING
WITH STRANGERS

1480
01:32:36,917 --> 01:32:38,917
NEVER KNOWING WHERE
OR FOR HOW LONG

1481
01:32:39,041 --> 01:32:41,458
BEFORE SHE'D BE
MOVED ON TO SOMEONE ELSE.

1482
01:32:41,583 --> 01:32:44,709
EVEN NOW, AFTER ALL THESE YEARS,
SHE'S STILL AFRAID OF LOSING ME.

1483
01:32:44,834 --> 01:32:45,959
SHE'S AFRAID, HONEY.

1484
01:32:46,083 --> 01:32:48,041
AFRAID THAT
SOMEHOW, SOME WAY

1485
01:32:48,166 --> 01:32:50,250
YOUR BEING HERE
WILL TAKE AWAY

1486
01:32:50,417 --> 01:32:52,792
THE ONE FAMILY SHE'S
EVER REALLY KNOWN.

1487
01:32:55,125 --> 01:32:56,583
BUT YOU WANT TO GO.

1488
01:32:59,959 --> 01:33:02,250
AS LONG AS THUNDERWITH
WAS HERE...

1489
01:33:05,583 --> 01:33:07,625
I FELT THAT I BELONGED HERE.

1490
01:33:09,625 --> 01:33:10,709
NOW...

1491
01:33:13,792 --> 01:33:16,333
I HAVE TO LEAVE.

1492
01:33:22,000 --> 01:33:24,333
WELL, LET ME JUST TAKE CARE
OF A FEW THINGS

1493
01:33:24,500 --> 01:33:27,792
AND, UH...
I'LL DRIVE YOU MYSELF.

1494
01:33:31,458 --> 01:33:35,583
I'D LIKE TO KNOW WHERE YOU ARE;
THAT YOU'RE IN A GOOD PLACE...

1495
01:33:35,709 --> 01:33:37,333
IF THERE IS SUCH A THING.

1496
01:34:08,667 --> 01:34:11,208
COULD I JUST HAVE A
MINUTE WITH YOU, LARA?

1497
01:34:17,458 --> 01:34:21,375
I DON'T WANT YOUR FATHER
TO SUFFER AGAIN

1498
01:34:21,542 --> 01:34:24,083
THE WAY HE DID WHEN
HE LOST YOU BEFORE.

1499
01:34:27,583 --> 01:34:31,375
WHEN I MET HIM,
HE WAS A BROKEN MAN.

1500
01:34:31,500 --> 01:34:32,917
SO, UH...

1501
01:34:33,000 --> 01:34:34,542
( clears throat )

1502
01:34:34,667 --> 01:34:37,625
IT'S PARTLY FOR HIS SAKE
I'M ASKING YOU TO STAY.

1503
01:34:44,041 --> 01:34:47,000
I'VE DONE A LOT OF TALK
ABOUT FACING YOUR FEARS.

1504
01:34:47,125 --> 01:34:49,375
I SUPPOSE
IT'S TIME I FACE MY OWN.

1505
01:34:52,041 --> 01:34:54,542
I MISJUDGED YOU...

1506
01:34:54,667 --> 01:34:57,458
AND I ADDED
TO YOUR UNHAPPINESS HERE.

1507
01:34:59,834 --> 01:35:02,083
I FOUGHT TO KEEP YOU AWAY

1508
01:35:02,208 --> 01:35:06,125
SO YOUR COMING HERE
WAS VERY HARD FOR ME

1509
01:35:06,250 --> 01:35:08,917
BUT, UM...

1510
01:35:09,041 --> 01:35:12,709
WELL, PEOPLE CAN'T ALWAYS
CHANGE SO FAST

1511
01:35:12,834 --> 01:35:14,709
AND, UM, THEY CAN'T ALWAYS BE

1512
01:35:14,834 --> 01:35:17,083
THE SORT OF PEOPLE
THEY SHOULD BE.

1513
01:35:19,625 --> 01:35:23,750
I HAVE A BIT OF TROUBLE
SHOWING MY FEELINGS.

1514
01:35:26,333 --> 01:35:27,917
I'M SORRY, LARA.

1515
01:35:28,041 --> 01:35:29,875
I DON'T WANT YOU
TO GO TO A HOME.

1516
01:35:29,959 --> 01:35:31,500
YOU BELONG HERE.

1517
01:35:33,709 --> 01:35:36,000
BUT YOU DON'T LIKE ME, GLADWYN.

1518
01:35:36,125 --> 01:35:39,000
NO, I DO LIKE YOU. VERY MUCH.

1519
01:35:39,125 --> 01:35:41,917
YOU HAVE A BIG HEART
AND YOU'RE VERY BRAVE.

1520
01:35:42,041 --> 01:35:43,709
IT TOOK A LOT OF COURAGE

1521
01:35:43,834 --> 01:35:46,291
TO COME HERE ALONE
TO A HOUSE FULL OF STRANGERS

1522
01:35:46,417 --> 01:35:48,500
AND YOU STOOD
UP TO GOWD

1523
01:35:48,625 --> 01:35:50,834
AND YOU DRAGGED ME
TO THE HOSPITAL

1524
01:35:50,959 --> 01:35:54,959
WHEN I WAS BLEEDING
HALF TO DEATH NEXT TO YOU.

1525
01:35:55,083 --> 01:35:57,041
YOU SAVED OPAL.

1526
01:35:59,333 --> 01:36:01,250
BUT I WAS AFRAID...

1527
01:36:01,333 --> 01:36:03,041
ALL THOSE TIMES.

1528
01:36:05,834 --> 01:36:08,333
WELL, MAYBE THAT'S
WHAT COURAGE IS, YOU KNOW?

1529
01:36:08,458 --> 01:36:09,875
MAYBE IT'S NOT, UM...

1530
01:36:12,083 --> 01:36:13,333
NOT BEING AFRAID.

1531
01:36:13,458 --> 01:36:16,250
MAYBE IT'S, UH...
OVERCOMING YOUR FEAR.

1532
01:36:16,375 --> 01:36:18,875
MAYBE THAT'S
THE COURAGEOUS THING.

1533
01:36:21,291 --> 01:36:22,792
MY MOM WAS BRAVE...

1534
01:36:24,542 --> 01:36:25,959
ALWAYS...

1535
01:36:28,959 --> 01:36:30,875
EVEN AT THE END.

1536
01:36:32,959 --> 01:36:36,125
I BET SHE WAS.

1537
01:36:41,000 --> 01:36:43,208
YOU KNOW,
WE'VE BOTH LOST MOTHERS.

1538
01:36:46,000 --> 01:36:47,959
MAYBE WHEN WE GET AFRAID

1539
01:36:48,166 --> 01:36:51,166
WE'LL... WE CAN HELP EACH OTHER
THROUGH THAT...

1540
01:36:51,333 --> 01:36:52,583
IF YOU WANT.

1541
01:37:15,041 --> 01:37:16,583
HELLO.

1542
01:37:16,709 --> 01:37:20,250
UM, WE NEED YOU TO BRING
LARA'S BED IN FROM THE VERANDA

1543
01:37:20,333 --> 01:37:21,917
INTO HERE.

1544
01:37:22,000 --> 01:37:24,125
SHE WANTS TO SLEEP
WITH THE KIDS.

1545
01:37:42,083 --> 01:37:43,959
QUICK, JASSIE, QUICK!

1546
01:37:46,417 --> 01:37:47,959
HURRY!

1547
01:38:00,250 --> 01:38:02,083
LARA, HE'S HERE!
HE'S HERE!
OPAL...

1548
01:38:15,333 --> 01:38:16,542
UH, LARA...

1549
01:38:16,667 --> 01:38:19,250
I FELT REALLY BAD
ABOUT GOWD.

1550
01:38:19,375 --> 01:38:21,000
WELL, HE'LL
THINK TWICE

1551
01:38:21,125 --> 01:38:24,041
BEFORE HE TRIES
SOMETHING LIKE THAT ON AGAIN.

1552
01:38:24,166 --> 01:38:25,583
BUT STILL...
BILL...

1553
01:38:25,709 --> 01:38:27,166
UH, ANYWAY...

1554
01:38:27,291 --> 01:38:28,792
UH, JAKE...

1555
01:38:28,917 --> 01:38:30,834
I MEAN, THUNDERWITH, UH...

1556
01:38:30,959 --> 01:38:33,959
HE COMES FROM A LITTER
UP BY ST. GEORGE

1557
01:38:34,083 --> 01:38:36,041
AND FROM THE BERRIGANS,
IN FACT,

1558
01:38:36,166 --> 01:38:38,333
BUT I HAD TO WAIT FOR THEM
TO GET OLD ENOUGH

1559
01:38:38,500 --> 01:38:39,583
BEFORE I COULD TAKE THEM

1560
01:38:39,709 --> 01:38:41,333
OFF THEIR MOTHER,
BUT I REALLY...

1561
01:38:41,458 --> 01:38:42,709
OH, OKAY.

1562
01:38:45,959 --> 01:38:47,625
Opal:
LOOK, LARA,
HE'S FOR YOU!

1563
01:38:47,792 --> 01:38:48,917
( barking )

1564
01:38:49,041 --> 01:38:51,000
( both laughing )


