1
00:00:16,080 --> 00:00:19,440
- [door opening buzzer]
- [mischievous music]

2
00:00:19,520 --> 00:00:22,280
- [indistinct words]
- [a door opens]

3
00:00:22,360 --> 00:00:23,880
[buzzer]

4
00:00:25,400 --> 00:00:28,560
- [a man gasps]
- [metallic clicking sound]

5
00:00:36,200 --> 00:00:38,440
- [buzzer]
- [door opens]

6
00:00:38,520 --> 00:00:40,520
[indistinct words]

7
00:00:41,640 --> 00:00:43,120
[door slams]

8
00:00:43,200 --> 00:00:44,440
[moans]

9
00:00:45,320 --> 00:00:47,480
[playful music continues]

10
00:00:50,320 --> 00:00:51,520
What?

11
00:00:52,120 --> 00:00:55,480
You're out in a week.
You can tell us now.

12
00:00:56,080 --> 00:00:59,080
- Pellegrini, four years ago?
- [chuckles]

13
00:00:59,600 --> 00:01:03,240
How many times am I going to tell you?
I didn't do anything.

14
00:01:04,120 --> 00:01:05,760
[airplane engines]

15
00:01:10,600 --> 00:01:11,920
[Assane] Hurry up.

16
00:01:12,920 --> 00:01:15,000
- [gasps]
- [tension music]

17
00:01:17,440 --> 00:01:18,960
[Pellegrini gasps]

18
00:01:19,040 --> 00:01:21,480
- [vehicle beeps]
- [Pellegrini gasps]

19
00:01:22,880 --> 00:01:25,440
- [Assane whispers] Come on. Magnify yourself.
- [gasps]

20
00:01:27,800 --> 00:01:30,160
[beeps continue]

21
00:01:30,240 --> 00:01:32,480
- Get dressed!
- [Pellegrini gasps]

22
00:01:32,560 --> 00:01:34,560
[suspense music]

23
00:01:36,960 --> 00:01:40,480
- [Assane] Argentina. As expected.
- Perfect !

24
00:01:40,560 --> 00:01:43,280
No extradition agreement
with France.

25
00:01:43,360 --> 00:01:47,160
- In 13 hours, you're there.
- I'm going to miss you, my little Assane.

26
00:01:47,240 --> 00:01:49,720
[beeps getting louder]

27
00:01:49,800 --> 00:01:51,160
[snap]

28
00:01:51,240 --> 00:01:54,560
- [music calms down]
- Oh, damn, long live freedom.

29
00:01:54,640 --> 00:01:56,160
[crescendo]

30
00:01:56,240 --> 00:02:00,080
Okay, let's admit. I escaped
with Pellegrini four years ago.

31
00:02:01,480 --> 00:02:05,800
- Why would I come back?
- Some say you're up to something.

32
00:02:05,880 --> 00:02:09,120
You are holding your own, there,
you pretend, but in fact...

33
00:02:09,200 --> 00:02:10,240
you have a plan.

34
00:02:10,320 --> 00:02:12,240
[soft music]

35
00:02:12,320 --> 00:02:14,160
You watch too many movies.

36
00:02:14,240 --> 00:02:16,040
[crescendo]

37
00:02:16,120 --> 00:02:17,920
[metallic shocks]

38
00:02:25,360 --> 00:02:28,560
- [buzzer]
- [squeaking]

39
00:02:28,640 --> 00:02:30,640
[noise in the distance]

40
00:02:32,760 --> 00:02:36,240
- [door creaks and slams]
- [Assane] Are you okay, buddy?

41
00:02:36,320 --> 00:02:37,560
- And you ?
- Yeah.

42
00:02:39,000 --> 00:02:42,000
- [sighs] What's up?
- Look, always the same.

43
00:02:42,080 --> 00:02:43,840
Without you, it's vacation.

44
00:02:43,920 --> 00:02:47,040
[laughs] Don't worry. I'm going out soon.

45
00:02:47,760 --> 00:02:49,960
- That's to say ?
- Next Monday.

46
00:02:51,320 --> 00:02:54,040
Remission of sentence. Exemplary conduct.

47
00:02:54,640 --> 00:02:56,200
- That's great.
- [chuckles]

48
00:02:56,280 --> 00:02:59,280
- You didn't tell me.
- I wanted to surprise you.

49
00:02:59,360 --> 00:03:03,000
It's a nice surprise. I'm happy.
What are you going to do?

50
00:03:03,080 --> 00:03:04,240
[soft music]

51
00:03:04,320 --> 00:03:05,760
Taking care of my son.

52
00:03:06,360 --> 00:03:07,680
Find him.

53
00:03:08,680 --> 00:03:11,080
And finally try to be a normal father.

54
00:03:12,480 --> 00:03:14,240
This is what needs to be done.

55
00:03:15,960 --> 00:03:18,160
Is it serious? No more nonsense?

56
00:03:19,120 --> 00:03:21,880
Lupin, it's over. Case closed.

57
00:03:25,000 --> 00:03:27,560
[rap: “Zipo”
by Jules Thorel Guillan and LYMS]

58
00:03:27,640 --> 00:03:30,320
♪ I took out the iron
Took out my pair, put on the light ♪

59
00:03:30,400 --> 00:03:34,480
♪ Without a flashlight, nothing to do
I killed the game, screwed the game… ♪

60
00:03:34,560 --> 00:03:35,720
[we knock]

61
00:03:35,800 --> 00:03:37,640
- [him] No!
- [woman] Raoul?

62
00:03:37,720 --> 00:03:39,440
No, mom, I told you “no”!

63
00:03:39,520 --> 00:03:42,160
- You can't do that!
- [rapping continues]

64
00:03:42,240 --> 00:03:45,920
- If I say "no", don't come in!
- What are you doing ? Aren't you at work?

65
00:03:46,000 --> 00:03:47,560
[sighs]

66
00:03:47,640 --> 00:03:48,680
Oh… [gasps]

67
00:03:48,760 --> 00:03:50,680
- [music stops]
- [him] No.

68
00:03:52,520 --> 00:03:53,640
Well, why?

69
00:03:56,160 --> 00:03:58,040
- I resigned.
- For what ?

70
00:03:58,120 --> 00:04:00,680
The boss was busting his balls.
He spoke badly.

71
00:04:00,760 --> 00:04:04,000
- Hey, hey! You too speak badly.
- Sorry.

72
00:04:04,800 --> 00:04:09,240
[sighs] But that changes nothing,
Dad is coming out soon and we are going to Dakar.

73
00:04:11,320 --> 00:04:12,920
So I should have left.

74
00:04:13,000 --> 00:04:17,360
- We have to throw him a party.
- To tell him the news?

75
00:04:17,440 --> 00:04:18,640
[he giggles]

76
00:04:18,720 --> 00:04:20,360
Well, you'll have to.

77
00:04:20,440 --> 00:04:22,000
[suspense notes]

78
00:04:22,080 --> 00:04:23,920
- LOL.
- [the rap resumes]

79
00:04:24,000 --> 00:04:26,000
Can I finish my sport? THANKS !

80
00:04:26,080 --> 00:04:28,920
♪ I'm still the same
I'm serious in the zone... ♪

81
00:04:29,000 --> 00:04:30,720
- [sighs]
- [music stops]

82
00:04:31,760 --> 00:04:33,360
[not approaching]

83
00:04:33,440 --> 00:04:37,240
- [woman] Is the catalog progressing?
- Um… Yeah. I'm at the end.

84
00:04:39,200 --> 00:04:41,680
[melancholy notes]

85
00:04:41,760 --> 00:04:44,560
- [mischievous music]
- [bark]

86
00:04:44,640 --> 00:04:46,960
- [groans]
- [Ben] He's jealous.

87
00:04:47,040 --> 00:04:49,440
- He'll get used to it, don't worry.
- Yes…

88
00:04:49,520 --> 00:04:52,640
[barks, squeaks]

89
00:04:52,720 --> 00:04:55,000
[SNCF jingle]

90
00:04:55,520 --> 00:04:58,720
[man] Sorry. Pardon.
Sorry, excuse me.

91
00:04:58,800 --> 00:05:00,200
[woman] He's late.

92
00:05:00,280 --> 00:05:03,720
[him] Is it true?
This training is going to be cool! Ooh!

93
00:05:03,800 --> 00:05:05,640
- I had sandwiches.
- THANKS.

94
00:05:05,720 --> 00:05:07,280
- [he sighs]
- [brouhaha]

95
00:05:07,360 --> 00:05:09,240
- Your ticket.
- [SNCF jingle]

96
00:05:09,320 --> 00:05:10,840
[sizzling]

97
00:05:11,520 --> 00:05:13,520
[dozens of notifications]

98
00:05:15,680 --> 00:05:19,080
- [her] What the hell is this?
- [notifications burst]

99
00:05:19,160 --> 00:05:20,120
[vibrate]

100
00:05:23,040 --> 00:05:24,240
[vibrate]

101
00:05:24,320 --> 00:05:26,120
[her] Damn, it's a hack.

102
00:05:26,200 --> 00:05:27,760
[the crackling continues]

103
00:05:30,040 --> 00:05:31,680
Hello everyone, it's Lupin.

104
00:05:31,760 --> 00:05:33,400
I missed you ?

105
00:05:33,480 --> 00:05:38,160
Four years without hearing from me.
Did you think I was going to give up?

106
00:05:38,240 --> 00:05:39,600
[refutes] Error.

107
00:05:40,320 --> 00:05:42,840
I come back with a nice surprise.

108
00:05:42,920 --> 00:05:46,400
- Look at.
- I know you're eager to know.

109
00:05:46,480 --> 00:05:50,640
Today I will escape from prison
to steal two museums

110
00:05:50,720 --> 00:05:53,040
in two different cities.

111
00:05:53,120 --> 00:05:55,440
Do you think it's impossible?

112
00:05:55,520 --> 00:05:57,800
Impossible is not Lupine, let's see.

113
00:05:57,880 --> 00:05:59,600
This is how it's going to happen.

114
00:05:59,680 --> 00:06:01,800
At the Petit Palais museum in Avignon,

115
00:06:01,880 --> 00:06:04,360
I will steal the canvas
of the Theft of the Storage Unit.

116
00:06:04,440 --> 00:06:08,640
But at the same time,
at the Natural History Museum in Paris,

117
00:06:08,720 --> 00:06:11,320
I will steal the Grand Sapphire of Louis XIV.

118
00:06:12,000 --> 00:06:15,400
Boldness, panache and fantasy.

119
00:06:16,080 --> 00:06:17,520
It's all me!

120
00:06:17,600 --> 00:06:19,200
Ah! I almost forgot.

121
00:06:19,280 --> 00:06:22,400
I will achieve this impossible shot
at 8 p.m. sharp.

122
00:06:22,480 --> 00:06:24,600
Either in exactly…

123
00:06:24,680 --> 00:06:26,160
60 minutes.

124
00:06:26,240 --> 00:06:27,960
[tick-tock]

125
00:06:28,040 --> 00:06:30,120
[mysterious music]

126
00:06:30,200 --> 00:06:31,480
[sizzling]

127
00:06:33,680 --> 00:06:35,720
[music fades]

128
00:06:37,440 --> 00:06:39,200
- [Belkacem] OK, thank you.
- SO ?

129
00:06:39,280 --> 00:06:43,040
All phones in Paris
and Île-de-France were hacked.

130
00:06:43,120 --> 00:06:44,080
Damn.

131
00:06:44,160 --> 00:06:46,720
The gentleman burglar
hit very hard

132
00:06:46,800 --> 00:06:50,480
with this massive hacking
never seen before in France.

133
00:06:50,560 --> 00:06:53,320
The Ministry of the Interior
opens a crisis unit,

134
00:06:53,400 --> 00:06:56,280
- and talks about a security breach...
- [door opens]

135
00:06:56,360 --> 00:06:58,520
- [Claire] Raoul, are you there?
- [snap]

136
00:06:58,600 --> 00:07:01,120
- [her] Are you okay?
- … special dispatch on site.

137
00:07:01,200 --> 00:07:03,680
- How are you ?
- [report] … the situation is tense.

138
00:07:03,760 --> 00:07:08,680
The police will proceed
to the immediate evacuation of the museum where…

139
00:07:08,760 --> 00:07:10,840
- [her] Where are you going?
- [Raoul] Did you know?

140
00:07:10,920 --> 00:07:14,320
[reporter] … table representing
a spectacular burglary...

141
00:07:14,400 --> 00:07:17,160
- Sorry?
- That he was planning all this, did you know?

142
00:07:18,360 --> 00:07:21,560
No way. A few days away
of its release, it's insane!

143
00:07:22,840 --> 00:07:24,080
Well, Raoul!

144
00:07:24,160 --> 00:07:26,480
[reporter] …security is reinforced.

145
00:07:26,560 --> 00:07:29,760
We stay put
to keep you informed...

146
00:07:29,840 --> 00:07:31,160
[ominous crescendo]

147
00:07:31,240 --> 00:07:32,600
[suspense music]

148
00:07:32,680 --> 00:07:35,080
Real threat or simple PR stunt,

149
00:07:35,160 --> 00:07:37,800
the police take this seriously
and mobilizes.

150
00:07:37,880 --> 00:07:40,520
Teams are deployed
on the targeted sites.

151
00:07:40,600 --> 00:07:44,640
I will stay there to inform you
of the evolution of the situation.

152
00:07:44,720 --> 00:07:48,000
Ladies and gentlemen, please!
Go out in silence.

153
00:07:48,080 --> 00:07:50,480
[policeman 1] We hurry!
Faster!

154
00:07:50,560 --> 00:07:52,080
Follow my colleague.

155
00:07:52,160 --> 00:07:54,400
[Belkacem] Commissioner,
the BRI is at the Museum.

156
00:07:54,480 --> 00:07:56,000
[mermaids]

157
00:07:56,080 --> 00:07:58,400
[tension music]

158
00:07:58,480 --> 00:08:01,640
- How much time is left?
- [her] Forty-five minutes.

159
00:08:05,920 --> 00:08:07,920
[gasps]

160
00:08:11,040 --> 00:08:13,720
- Over there.
- [policeman 2] We'll hurry, thank you.

161
00:08:13,800 --> 00:08:15,760
[indistinct words]

162
00:08:35,880 --> 00:08:37,720
[music quiets down]

163
00:08:37,800 --> 00:08:41,800
We have no information
on the prison that holds Assane Diop.

164
00:08:41,880 --> 00:08:43,640
Given the circumstances,

165
00:08:43,720 --> 00:08:46,680
measures have surely
taken to prevent escape

166
00:08:46,760 --> 00:08:49,280
- of the gentleman burglar.
- [buzzer]

167
00:08:54,960 --> 00:08:56,280
Open the cell.

168
00:08:58,960 --> 00:08:59,800
[buzzer]

169
00:08:59,880 --> 00:09:04,760
- Diop! Hands behind your back.
- Guys… I had nothing to do with this.

170
00:09:04,840 --> 00:09:06,080
I tell you…

171
00:09:06,160 --> 00:09:09,480
Why would I do that?
I'm going out in four days!

172
00:09:10,160 --> 00:09:14,720
Another one of your dirty tricks, Diop?
Are you making us look like idiots?

173
00:09:14,800 --> 00:09:17,920
Not at all, on the contrary.
I have nothing to do with it.

174
00:09:18,000 --> 00:09:21,160
The person behind it all
makes me take the blame.

175
00:09:21,240 --> 00:09:23,960
Keep me locked in my cell,
you will see.

176
00:09:24,040 --> 00:09:25,840
We have planned what is needed.

177
00:09:25,920 --> 00:09:27,480
[tension notes]

178
00:09:27,560 --> 00:09:29,840
- [director] Equip it for me!
- [crescendo]

179
00:09:29,920 --> 00:09:31,920
[suspense music]

180
00:09:43,040 --> 00:09:45,000
[elevator door closes]

181
00:09:45,080 --> 00:09:47,200
[journalist] One week before its release,

182
00:09:47,280 --> 00:09:51,360
and after four years of driving
exemplary, the one we call…

183
00:09:51,440 --> 00:09:53,360
It's completely crazy.

184
00:09:53,440 --> 00:09:56,640
- Do you think it could be him?
- I don't know.

185
00:09:56,720 --> 00:10:00,720
- It’s the style, but the method…
- One question is on all…

186
00:10:00,800 --> 00:10:01,760
It's new.

187
00:10:01,840 --> 00:10:04,640
What is happening
in the head of Assane Diop?

188
00:10:04,720 --> 00:10:08,360
[reporter] Objects targeted this evening:
the sapphire of Louis XIV…

189
00:10:08,440 --> 00:10:11,160
Assane never
chose his targets by chance.

190
00:10:11,240 --> 00:10:12,880
The sapphire, the paintings,

191
00:10:12,960 --> 00:10:15,480
things related to the kings of France,
does that speak to you?

192
00:10:15,560 --> 00:10:18,360
- [crescendo]
- [soft and mysterious music]

193
00:10:18,440 --> 00:10:22,560
The theft of the Wardrobe.
September 1792.

194
00:10:22,640 --> 00:10:24,600
The biggest burglary in France.

195
00:10:24,680 --> 00:10:26,720
It seems to be a fake burglary.

196
00:10:26,800 --> 00:10:30,200
The noble families would have
secretly passed on the treasure.

197
00:10:30,280 --> 00:10:34,160
The treasure would still exist,
but we never found him.

198
00:10:34,240 --> 00:10:38,240
But seriously, the treasure
of all the kings of France. Can you imagine?

199
00:10:38,320 --> 00:10:41,800
[Claire, echoing] Well, are you with me?
Oh, Ben! I'm talking to you!

200
00:10:41,880 --> 00:10:43,520
Yes, sorry. What were you saying?

201
00:10:43,600 --> 00:10:45,920
Has Assane ever told you about this painting?

202
00:10:46,520 --> 00:10:48,640
No. That doesn't mean anything to me.

203
00:10:48,720 --> 00:10:50,520
[crescendo]

204
00:10:56,640 --> 00:10:58,800
[suspense music]

205
00:10:58,880 --> 00:11:01,240
I love doing this job
for a long time,

206
00:11:01,320 --> 00:11:05,400
the psychological profile of criminals
like you remains a mystery.

207
00:11:06,000 --> 00:11:09,080
You don't believe me,
but I have nothing to do with it.

208
00:11:09,160 --> 00:11:12,880
Pull out all the stops to keep me here,
you'll see it's not me.

209
00:11:14,080 --> 00:11:17,800
- On the other hand, the camisole…
- [director] Rest assured, Mr. Diop,

210
00:11:17,880 --> 00:11:21,360
the administration has just provided us
a security system

211
00:11:21,440 --> 00:11:23,760
designed for inmates like you.

212
00:11:24,360 --> 00:11:25,800
You will not be disappointed.

213
00:11:25,880 --> 00:11:27,920
- [inmate 1] Lupin!
- [inmate 2] Lupin!

214
00:11:28,000 --> 00:11:31,640
- [indistinct cries]
- [metallic shocks]

215
00:11:32,440 --> 00:11:33,520
Ah, there, okay.

216
00:11:33,600 --> 00:11:35,000
[screams continue]

217
00:11:36,640 --> 00:11:39,440
[director] Verre Securit,
three centimeters.

218
00:11:40,040 --> 00:11:43,600
Six-point steel hanging system,
high carbon content.

219
00:11:43,680 --> 00:11:45,880
- [shocks]
- [brouhaha]

220
00:11:45,960 --> 00:11:47,520
[a man shouts]

221
00:11:48,640 --> 00:11:52,000
- [director] Tamper-proof lock.
- [repeated shocks]

222
00:11:52,080 --> 00:11:54,120
[director] Acoustic sealing.

223
00:11:55,480 --> 00:11:58,720
You will be under surveillance
permanent of 80 prisoners,

224
00:11:58,800 --> 00:12:02,000
and ten guards ready to intervene
at the slightest suspicion.

225
00:12:02,080 --> 00:12:04,160
- [action music]
- [inmate 3] Come on!

226
00:12:04,240 --> 00:12:06,960
- [screams]
- [indistinct words]

227
00:12:08,000 --> 00:12:09,440
If you like.

228
00:12:09,520 --> 00:12:11,720
- [dramatic music]
- [screams]

229
00:12:17,360 --> 00:12:19,040
[music intensifies]

230
00:12:23,800 --> 00:12:25,120
[Assane] Well done.

231
00:12:26,200 --> 00:12:28,560
You weren't used to me,
and it's perfect.

232
00:12:28,640 --> 00:12:30,680
Good luck in escaping.

233
00:12:30,760 --> 00:12:33,120
[muffled cries]

234
00:12:36,000 --> 00:12:38,960
- [screams of the inmates]
- In nine minutes.

235
00:12:39,040 --> 00:12:42,120
- [continuous ticking]
- [dramatic music]

236
00:12:45,960 --> 00:12:47,600
- [click]
- [lock]

237
00:12:47,680 --> 00:12:49,760
[screams continue]

238
00:12:49,840 --> 00:12:53,320
- [metallic shocks]
- [ticking continues]

239
00:12:53,400 --> 00:12:56,520
[the ticking takes over]

240
00:12:56,600 --> 00:12:58,400
[dark, dramatic music]

241
00:13:00,200 --> 00:13:01,680
[ticking continues]

242
00:13:10,840 --> 00:13:13,080
[the ticking takes over]

243
00:13:16,480 --> 00:13:17,440
[Guédira sighs]

244
00:13:18,760 --> 00:13:19,680
Fifteen seconds.

245
00:13:19,760 --> 00:13:22,080
[dark, dramatic music]

246
00:13:23,440 --> 00:13:25,840
- [inmates] Ten…
- Don't do that, Assane.

247
00:13:25,920 --> 00:13:29,200
…nine, eight,

248
00:13:29,800 --> 00:13:32,240
seven, six,

249
00:13:32,320 --> 00:13:35,160
five, four...

250
00:13:35,240 --> 00:13:38,160
- [I accuse grunts]
- … three, two,

251
00:13:38,240 --> 00:13:39,800
one!

252
00:13:39,880 --> 00:13:41,560
[the ticking takes over]

253
00:13:41,640 --> 00:13:43,640
- [switch click]
- [silence]

254
00:13:43,720 --> 00:13:45,320
[continuous alarm]

255
00:13:48,040 --> 00:13:50,760
[switch clicks]

256
00:13:50,840 --> 00:13:51,880
[sizzling]

257
00:13:51,960 --> 00:13:53,520
[breathing]

258
00:13:54,320 --> 00:13:56,000
[switch click]

259
00:13:56,080 --> 00:13:57,880
[switch click]

260
00:13:57,960 --> 00:14:01,040
- [whirring]
- [guardian 1] He has disappeared!

261
00:14:01,120 --> 00:14:03,520
[guardian 2] Where is he? He was there!

262
00:14:03,600 --> 00:14:05,000
But it's not possible!

263
00:14:05,080 --> 00:14:07,680
Where is he? Where is he?

264
00:14:07,760 --> 00:14:10,640
- [police officer] The painting has disappeared.
- Go over there.

265
00:14:10,720 --> 00:14:13,400
[epic music]

266
00:14:14,840 --> 00:14:16,040
[door opens]

267
00:14:16,120 --> 00:14:17,160
[Belkacem] There!

268
00:14:17,240 --> 00:14:19,240
[action music]

269
00:14:20,400 --> 00:14:23,280
Find it for me!
He can't be far away. Come on.

270
00:14:23,360 --> 00:14:25,400
He can't just pass out like that!

271
00:14:25,480 --> 00:14:28,760
- Find it for me!
- [guardian 2] Hey, look for him!

272
00:14:28,840 --> 00:14:31,280
- [alarm]
- [screams of the inmates]

273
00:14:32,200 --> 00:14:34,960
- What is that?
- [guardian 3] It's a mutiny!

274
00:14:35,040 --> 00:14:36,640
[director] Reinforcements!

275
00:14:36,720 --> 00:14:39,680
Mutiny!
Mutiny, we need reinforcements, quickly!

276
00:14:39,760 --> 00:14:41,440
[guardian 4] Received, we're coming.

277
00:14:41,520 --> 00:14:44,680
- [suspense music]
- [continuous alarm]

278
00:14:45,800 --> 00:14:48,840
- [music calms down]
- [gasps]

279
00:14:48,920 --> 00:14:51,800
[she] Diop, stop or I’ll shoot!
He's here!

280
00:14:51,880 --> 00:14:53,480
[breathy music]

281
00:14:53,560 --> 00:14:55,080
[Guédira] Sofia, wait!

282
00:14:57,400 --> 00:15:00,000
- [protests]
- [continuous alarm]

283
00:15:01,560 --> 00:15:06,280
- [groan]
- [inmate] Go ahead! You dirty bastard...

284
00:15:08,240 --> 00:15:10,560
- [music calms down]
- [Guédira gasps]

285
00:15:12,960 --> 00:15:15,120
[soft tension music]

286
00:15:17,680 --> 00:15:19,360
[gasps]

287
00:15:24,000 --> 00:15:24,960
[Guedira] Sofia?

288
00:15:25,040 --> 00:15:27,040
[continuous alarm]

289
00:15:30,000 --> 00:15:32,680
- [guardian] In your cells!
- It's not possible!

290
00:15:32,760 --> 00:15:34,360
[protests]

291
00:15:34,440 --> 00:15:35,920
[indistinct screams]

292
00:15:36,000 --> 00:15:38,720
- Your mother, bastard!
- [guardian] In your cells!

293
00:15:40,120 --> 00:15:42,480
[music intensifies]

294
00:15:47,440 --> 00:15:49,440
[music quiets down]

295
00:15:50,080 --> 00:15:51,320
[gasps]

296
00:15:54,920 --> 00:15:56,400
[music fades]

297
00:15:56,480 --> 00:15:57,920
[sighs]

298
00:15:58,000 --> 00:16:00,960
[Sofia] Assane, stop or I… [screams]

299
00:16:01,040 --> 00:16:03,280
[broken glass]

300
00:16:03,800 --> 00:16:07,000
[Guédira] Sofia!
Oh, no, help! Help!

301
00:16:07,080 --> 00:16:08,760
[gasps]

302
00:16:08,840 --> 00:16:12,760
- [tension music]
- [Guédira] No, no!

303
00:16:12,840 --> 00:16:15,080
No ! [moans]

304
00:16:15,160 --> 00:16:16,440
Help!

305
00:16:16,520 --> 00:16:18,800
[whispers] Hey, Sofia, can you hear me?

306
00:16:18,880 --> 00:16:20,240
Sofia, answer me.

307
00:16:20,320 --> 00:16:22,320
[dramatic music]

308
00:16:23,800 --> 00:16:24,960
[shaky breathing]

309
00:16:26,560 --> 00:16:28,520
[guardian] Back off! Back off!

310
00:16:28,600 --> 00:16:30,080
[clamors]

311
00:16:30,160 --> 00:16:32,240
[continuous alarm]

312
00:16:32,320 --> 00:16:34,120
[indistinct words]

313
00:16:34,920 --> 00:16:36,560
[switch click]

314
00:16:36,640 --> 00:16:38,640
[lull]

315
00:16:40,800 --> 00:16:42,000
Chief, look.

316
00:16:42,080 --> 00:16:44,440
[tension music]

317
00:16:45,880 --> 00:16:48,240
- [whispers]
- [detainee] He abuses.

318
00:16:49,080 --> 00:16:50,960
He is… He is…

319
00:16:51,040 --> 00:16:52,920
He wasn't there anymore! [gasps]

320
00:16:53,000 --> 00:16:55,000
[muffled indistinct words]

321
00:16:56,160 --> 00:16:57,200
Do they see me?

322
00:16:59,480 --> 00:17:01,320
- [laughs]
- Lupin!

323
00:17:01,400 --> 00:17:03,920
- [indistinct words]
- Yeah!

324
00:17:04,000 --> 00:17:09,320
- [inmates] Lupin! Lupin! Lupin!
- [epic music]

325
00:17:09,400 --> 00:17:14,840
[inmates] Lupin! Lupin! Lupin! Lupin!

326
00:17:14,920 --> 00:17:17,960
Lupin! Lupin! Lupin! Lupin!

327
00:17:18,040 --> 00:17:20,040
[inaudible words]

328
00:17:22,960 --> 00:17:25,920
[the inmates continue
to chant “Lupin!”]

329
00:17:27,000 --> 00:17:28,920
[inaudible words]

330
00:17:29,520 --> 00:17:30,760
It's not me!

331
00:17:31,960 --> 00:17:33,800
[epic music continues]

332
00:17:36,560 --> 00:17:38,560
[music intensifies]

333
00:17:46,200 --> 00:17:47,800
[music fades]

334
00:17:49,640 --> 00:17:51,640
[keys clicking]

335
00:17:58,240 --> 00:18:00,920
- [buzzer]
- [squeaking]

336
00:18:02,080 --> 00:18:05,760
- [Guédira] What did you do? Eh ?
- [snap]

337
00:18:05,840 --> 00:18:08,840
- Why did you do that to Sofia?
- It's not me.

338
00:18:10,320 --> 00:18:11,480
Stop lying.

339
00:18:12,080 --> 00:18:14,440
- We saw you at the museum.
- I didn't go out.

340
00:18:14,520 --> 00:18:18,560
She is between life and death.
Lupin has always been a liar...

341
00:18:20,320 --> 00:18:21,600
but never a murderer.

342
00:18:22,440 --> 00:18:23,560
Exactly.

343
00:18:24,720 --> 00:18:26,000
That's not Lupin.

344
00:18:27,520 --> 00:18:30,120
- So it's not me.
- [gasps]

345
00:18:34,280 --> 00:18:36,760
- Will you let me tell you?
- [gasps]

346
00:18:38,880 --> 00:18:39,920
I'm listening to you.

347
00:18:42,840 --> 00:18:44,600
Transparent LED walls.

348
00:18:45,200 --> 00:18:48,840
- To create the illusion of disappearance.
- [suspense music]

349
00:18:48,920 --> 00:18:50,160
It's not possible!

350
00:18:50,760 --> 00:18:52,640
Once the wall is active,

351
00:18:52,720 --> 00:18:56,040
inside the cube
is no longer visible from the outside.

352
00:18:56,120 --> 00:18:57,920
Where is he? Look for it!

353
00:18:58,000 --> 00:19:00,120
A bit like a one-way mirror.

354
00:19:01,720 --> 00:19:03,320
Breakdown of perceptions.

355
00:19:06,400 --> 00:19:08,080
[indistinct words]

356
00:19:09,560 --> 00:19:11,440
Like magic tricks.

357
00:19:14,200 --> 00:19:16,200
I'll explain the mechanism to you.

358
00:19:16,280 --> 00:19:20,600
The metal uprights of the cage
are equipped with mini-projectors.

359
00:19:20,680 --> 00:19:24,600
To take control of the system,
whoever is behind all this has infiltrated

360
00:19:24,680 --> 00:19:27,000
the prison computer network.

361
00:19:27,080 --> 00:19:30,800
That's how he controlled
the video stream sent to the screens.

362
00:19:30,880 --> 00:19:32,800
By taking control of the prison,

363
00:19:32,880 --> 00:19:36,080
at 8 p.m. he cut the power
for a few seconds.

364
00:19:36,160 --> 00:19:37,800
Enough to activate the screens

365
00:19:37,880 --> 00:19:41,280
who now planned
the images of the empty cube.

366
00:19:41,920 --> 00:19:47,240
But be careful, the illusion works
only if you don't open the cube.

367
00:19:47,840 --> 00:19:50,240
And obviously, he has everything planned.

368
00:19:50,320 --> 00:19:52,360
To prevent the cube from opening…

369
00:19:52,440 --> 00:19:55,640
- [buzzer]
- …he opened the cells.

370
00:19:55,720 --> 00:19:58,560
[clamors]

371
00:19:59,600 --> 00:20:02,520
- [alarm]
- [guardian] Where do they come from?

372
00:20:02,600 --> 00:20:04,400
[breathy music]

373
00:20:05,000 --> 00:20:06,880
Mutiny!
We need reinforcements!

374
00:20:07,480 --> 00:20:09,960
I broke away
to signal my presence.

375
00:20:12,320 --> 00:20:14,320
[protests]

376
00:20:15,160 --> 00:20:17,120
[epic music]

377
00:20:20,200 --> 00:20:22,880
Oh! Guys, I'm here!

378
00:20:22,960 --> 00:20:26,200
It was soundproof, no way
to communicate with the outside world.

379
00:20:26,280 --> 00:20:28,600
I am here ! Oh !

380
00:20:28,680 --> 00:20:30,960
[echoing] I'm here!

381
00:20:31,040 --> 00:20:32,720
His plan was perfect.

382
00:20:32,800 --> 00:20:36,120
- [tension music]
- Whatever, your story.

383
00:20:36,920 --> 00:20:38,240
I don't believe you.

384
00:20:40,400 --> 00:20:41,640
- [buzzer]
- [click]

385
00:20:44,480 --> 00:20:45,560
I checked.

386
00:20:47,120 --> 00:20:50,480
It's not the administration
who sent us the cube.

387
00:20:50,560 --> 00:20:52,160
The stamps are fake.

388
00:20:52,240 --> 00:20:54,280
[Guédira sighs]

389
00:20:54,880 --> 00:20:56,400
[mysterious music]

390
00:20:59,400 --> 00:21:01,080
[the director sighs]

391
00:21:02,880 --> 00:21:03,920
[snap]

392
00:21:08,000 --> 00:21:11,480
OK for LED walls,
but that doesn't tell me it's not you.

393
00:21:12,200 --> 00:21:14,720
- Go on.
- Whoever it is, he's strong.

394
00:21:15,480 --> 00:21:18,000
But not enough
to be in two places at once.

395
00:21:18,080 --> 00:21:21,200
The only museum where we saw it,
it’s the one in Paris.

396
00:21:21,920 --> 00:21:24,120
He stole the painting in Avignon before.

397
00:21:28,200 --> 00:21:29,840
The only problem, Assane,

398
00:21:31,200 --> 00:21:34,160
there are ten cops
who saw the painting.

399
00:21:34,240 --> 00:21:37,640
Fire alarms
in Avignon have been initiated?

400
00:21:37,720 --> 00:21:39,800
[alarm]

401
00:21:41,200 --> 00:21:42,080
Yes.

402
00:21:42,160 --> 00:21:44,400
[suspense music]

403
00:21:44,480 --> 00:21:46,600
So, I know how he did it.

404
00:21:46,680 --> 00:21:50,520
The painting in Avignon was a fake.
Printed on water-soluble canvas.

405
00:21:50,600 --> 00:21:51,920
Hydro what?

406
00:21:52,000 --> 00:21:54,000
Which dissolves on contact with water.

407
00:21:55,520 --> 00:21:59,560
Analyzes water evacuation systems,
you will find residue there.

408
00:22:01,680 --> 00:22:04,200
These are my techniques, my signature.

409
00:22:04,280 --> 00:22:07,280
We are dealing with a copycat, Guédira.

410
00:22:07,360 --> 00:22:11,680
Someone goes to great lengths
to make me accuse.

411
00:22:12,600 --> 00:22:14,560
[melancholic music]

412
00:22:17,320 --> 00:22:19,080
We'll check it all out, then.

413
00:22:20,480 --> 00:22:21,920
[crescendo]

414
00:22:22,000 --> 00:22:24,720
- [Guédira] Search the library.
- Hold.

415
00:22:26,280 --> 00:22:27,600
[crash]

416
00:22:28,400 --> 00:22:30,120
[crash]

417
00:22:51,480 --> 00:22:53,920
[echoing crash]

418
00:22:54,440 --> 00:22:56,520
[police officer] We found something.

419
00:22:56,600 --> 00:22:58,480
[tension music]

420
00:23:00,240 --> 00:23:01,680
[Guédira] What is that?

421
00:23:03,280 --> 00:23:05,640
Why would I hide this here?

422
00:23:07,960 --> 00:23:09,680
Who would blame you that much?

423
00:23:13,000 --> 00:23:16,560
Pellegrini. He's the only one who has the means.
And that's pretty crazy.

424
00:23:16,640 --> 00:23:18,680
I don't understand there. Pellegrini?

425
00:23:18,760 --> 00:23:20,520
[tension music continues]

426
00:23:22,080 --> 00:23:24,120
Did you escape him four years ago?

427
00:23:25,400 --> 00:23:26,480
Yeah.

428
00:23:29,320 --> 00:23:31,080
Where did you send it?

429
00:23:32,560 --> 00:23:33,560
Far.

430
00:23:33,640 --> 00:23:35,400
- [crescendo]
- [snap]

431
00:23:36,320 --> 00:23:38,160
Oh damn, long live freedom.

432
00:23:39,520 --> 00:23:41,720
[whirring]

433
00:23:41,800 --> 00:23:44,440
- Is the merchandise inside?
- Yeah, it's settled.

434
00:23:44,520 --> 00:23:46,560
- It's with pleasure.
- [Assane laughs]

435
00:23:46,640 --> 00:23:47,880
[upbeat music]

436
00:23:47,960 --> 00:23:51,680
- [ring]
- [Assane] Well settled, Hubert?

437
00:23:51,760 --> 00:23:54,120
You remember
when you made it disappear

438
00:23:54,200 --> 00:23:57,160
the proof that linked you
to the Kuala Lumpur attack?

439
00:23:57,240 --> 00:23:58,560
It was well played.

440
00:23:58,640 --> 00:24:02,160
Impossible to charge you in France.
But in Malaysia, it's different.

441
00:24:02,760 --> 00:24:05,400
- What do you want ?
- Keep my family safe.

442
00:24:05,480 --> 00:24:08,640
Far from you.
To serve my sentence, peacefully.

443
00:24:10,040 --> 00:24:12,120
You're going to be fine there, Hubert.

444
00:24:12,200 --> 00:24:15,080
There, no convention
extradition with France.

445
00:24:15,160 --> 00:24:19,040
- You're going to have a great retirement.
- It's not over, Assane.

446
00:24:19,120 --> 00:24:22,920
- It's not finished.
- Oh yeah. I'm going to miss you too.

447
00:24:23,000 --> 00:24:25,000
[suspense music]

448
00:24:28,640 --> 00:24:30,160
[reverse beep]

449
00:24:30,240 --> 00:24:32,080
[epic music]

450
00:24:39,240 --> 00:24:40,840
[crescendo]

451
00:24:40,920 --> 00:24:42,720
Not enough, apparently.

452
00:24:42,800 --> 00:24:45,120
- [music fades]
- [notification]

453
00:24:46,200 --> 00:24:47,840
[Guédira sighs]

454
00:24:50,640 --> 00:24:52,000
You were there.

455
00:24:54,440 --> 00:24:56,760
You were this close to having me.

456
00:24:56,840 --> 00:24:58,120
What is this?

457
00:24:58,200 --> 00:25:01,280
[dark note]

458
00:25:03,000 --> 00:25:04,360
[Guédira] It’s you, there.

459
00:25:05,440 --> 00:25:07,080
Listen to me carefully, Assane.

460
00:25:07,160 --> 00:25:10,000
Did you have fun?
Because it’s ten rods minimum.

461
00:25:10,080 --> 00:25:12,600
- [tension music]
- [Guédira sighs]

462
00:25:15,200 --> 00:25:17,080
[not walking away]

463
00:25:17,160 --> 00:25:18,720
[sighs]

464
00:25:18,800 --> 00:25:21,800
[journalist] New information
on the Lupine affair.

465
00:25:21,880 --> 00:25:24,880
There is no longer any doubt,
It’s good Assane Diop

466
00:25:24,960 --> 00:25:26,960
who made this masterful move.

467
00:25:27,040 --> 00:25:29,760
- Diop is also responsible…
- [squeak]

468
00:25:29,840 --> 00:25:32,560
…of the fall of the policewoman
present this evening.

469
00:25:32,640 --> 00:25:35,280
[squeals, moans]

470
00:25:35,360 --> 00:25:38,920
This spectacular hacking
of the population alert system

471
00:25:39,000 --> 00:25:41,960
concerns the brigade's experts
of the fight against…

472
00:25:42,040 --> 00:25:43,560
[door opens]

473
00:25:43,640 --> 00:25:47,840
It relaunches the debate on control
inmates in French prisons.

474
00:25:48,440 --> 00:25:52,360
Less than a week away
of his release from prison and four years…

475
00:25:52,440 --> 00:25:53,320
[sighs]

476
00:25:53,400 --> 00:25:58,400
… irreproachable, the gentleman burglar
turns the table over and reduces it to nothing

477
00:25:58,480 --> 00:26:01,360
all his efforts
to return to a normal life.

478
00:26:01,440 --> 00:26:03,560
A question is on everyone's lips:

479
00:26:03,640 --> 00:26:06,960
what happened
in the head of Assane Diop?

480
00:26:07,040 --> 00:26:09,680
- [gasps]
- [key beeps]

481
00:26:09,760 --> 00:26:13,320
- [melancholy music]
- [respirator pump]

482
00:26:14,120 --> 00:26:17,240
- [door opens]
- [device beeps]

483
00:26:30,040 --> 00:26:31,360
I'm sorry.

484
00:26:33,640 --> 00:26:35,520
Assane would never have done that.

485
00:26:41,240 --> 00:26:43,240
[melancholy music continues]

486
00:26:55,640 --> 00:26:57,640
[musk intensifies]

487
00:27:14,960 --> 00:27:18,400
- [crescendo]
- [mermaids in the distance]

488
00:27:18,480 --> 00:27:19,960
[music fades]

489
00:27:26,680 --> 00:27:28,320
[melancholic music]

490
00:27:28,400 --> 00:27:30,680
[Assane] Thanks for coming, big guy.

491
00:27:33,680 --> 00:27:35,640
I came because I don't understand anything.

492
00:27:35,720 --> 00:27:38,600
- What ?
- Well, I don’t know, you…

493
00:27:38,680 --> 00:27:41,360
You say you need to go to prison...

494
00:27:41,440 --> 00:27:43,280
so that we can be safe,

495
00:27:43,360 --> 00:27:45,040
and there you are in front of me.

496
00:27:45,120 --> 00:27:46,760
So, I don't know.

497
00:27:46,840 --> 00:27:48,520
Have you changed your mind again?

498
00:27:52,200 --> 00:27:54,240
[Assane] Prison was my choice.

499
00:27:54,320 --> 00:27:56,720
I get out and come back whenever I want.

500
00:27:56,800 --> 00:27:59,320
But I decided to serve my sentence.

501
00:27:59,400 --> 00:28:01,720
To put an end to Lupine once and for all.

502
00:28:02,400 --> 00:28:06,640
And after that, if you want,
I'm going to try to become your father again.

503
00:28:09,040 --> 00:28:10,520
We can go to Senegal.

504
00:28:10,600 --> 00:28:12,800
[melancholy music continues]

505
00:28:13,880 --> 00:28:16,520
You always wanted
know your origins, therefore…

506
00:28:17,480 --> 00:28:19,080
I suggest this to you.

507
00:28:19,160 --> 00:28:23,360
I go out and bring you
on your grandfather's land.

508
00:28:23,960 --> 00:28:27,120
I made a lot of promises
that I didn't keep.

509
00:28:27,200 --> 00:28:29,440
But I'll make this one for you, Raoul.

510
00:28:29,520 --> 00:28:31,960
What do you say? Shall we do this?

511
00:28:35,280 --> 00:28:37,160
[Guédira] Listen to me carefully, Assane.

512
00:28:37,240 --> 00:28:40,160
Did you have fun?
Because it’s ten rods minimum.

513
00:28:42,040 --> 00:28:43,480
[music fades]

514
00:28:43,560 --> 00:28:46,000
[dark note]

515
00:28:46,080 --> 00:28:47,520
[sizzling]

516
00:28:47,600 --> 00:28:49,760
It will be transferred to the Vosges.

517
00:28:53,680 --> 00:28:58,080
QHS. High security area.
Ah, he will suffer.

518
00:28:59,200 --> 00:29:01,040
It's cold there.

519
00:29:02,080 --> 00:29:03,720
Even summer. [sighs]

520
00:29:06,160 --> 00:29:09,560
I know what I'm talking about,
because my wife is from there, so…

521
00:29:09,640 --> 00:29:12,320
We go there every year to see his mother.

522
00:29:12,400 --> 00:29:14,600
It peels. You can't know.

523
00:29:14,680 --> 00:29:18,200
We go there in winter anyway,
because hey… for skiing.

524
00:29:18,920 --> 00:29:22,320
But I don't like skiing.
So, I stay with my mother-in-law.

525
00:29:22,400 --> 00:29:23,640
Are you scrambling there?

526
00:29:23,720 --> 00:29:27,280
I can't do it. I forgot
my car keys inside...

527
00:29:27,360 --> 00:29:30,000
- [guardian] Leave it to me.
- [clicking]

528
00:29:30,080 --> 00:29:34,120
[goalkeeper] I'm going to give it a little shot.
Oh, damn! [sighs]

529
00:29:34,200 --> 00:29:37,760
- [mysterious note]
- [the guard exclaims]

530
00:29:40,680 --> 00:29:42,520
Diop escaped again.

531
00:29:47,640 --> 00:29:50,600
[crescendo]

532
00:29:50,680 --> 00:29:53,440
- [action music]
- [engine whirring]

533
00:29:58,880 --> 00:30:00,880
[drone whirring]

534
00:30:04,440 --> 00:30:05,720
[music quiets down]

535
00:30:05,800 --> 00:30:07,800
[soft, melancholic music]

536
00:30:09,200 --> 00:30:11,200
[mermaids in the distance]

537
00:30:19,280 --> 00:30:21,800
[clicking]

538
00:30:21,880 --> 00:30:24,400
- [crash]
- [indistinct words in the distance]

539
00:30:24,480 --> 00:30:26,280
[music stops]

540
00:30:35,560 --> 00:30:39,360
- [man] Finally, I am your father!
- [woman] Don’t put yourself in this state.

541
00:30:39,440 --> 00:30:44,160
- I did it for the good of the family.
- [her] The Pellegrini lineage, yes.

542
00:30:44,240 --> 00:30:47,640
[Pellegrini] We didn't agree
on Diop, but calls the lawyer.

543
00:30:47,720 --> 00:30:49,440
Just a phone call and €10,000.

544
00:30:49,520 --> 00:30:53,200
- [she] I don't want to. [laughs]
- Juliette, be reasonable.

545
00:30:53,280 --> 00:30:55,480
- Don't leave me like this.
- [her] Hmm.

546
00:30:56,240 --> 00:30:58,000
- Juliet?
- Assane?

547
00:30:58,080 --> 00:31:01,880
- Juliet…
- Oh! [laughs] Is that you?

548
00:31:01,960 --> 00:31:05,240
- Well, then? Are you on the run?
- Is it Assane? Pass it to me!

549
00:31:05,320 --> 00:31:06,440
[mysterious music]

550
00:31:06,520 --> 00:31:09,320
- [she] Nice disguise.
- Where is he?

551
00:31:10,320 --> 00:31:11,440
Who is that?

552
00:31:11,520 --> 00:31:14,520
- Your father.
- But where you sent him.

553
00:31:16,960 --> 00:31:20,360
- Well, look, eh. [laughs]
- Okay, it's okay.

554
00:31:20,440 --> 00:31:23,120
You won. You have won.
Shall we move on?

555
00:31:24,320 --> 00:31:27,760
What do you want in exchange?
proof of my innocence.

556
00:31:27,840 --> 00:31:31,240
It's what ? Am I on my own?
What's the plan?

557
00:31:31,320 --> 00:31:32,920
[snickers]

558
00:31:33,000 --> 00:31:34,960
Didn't you become paranoid in prison?

559
00:31:35,680 --> 00:31:40,400
If it was me who wanted
hurt you, you would have felt it pass.

560
00:31:44,560 --> 00:31:45,680
Well…

561
00:31:46,280 --> 00:31:48,880
- Dad, Assane wants to talk to you.
- [Pellegrini] Ah.

562
00:31:48,960 --> 00:31:52,560
Assane, Assane,
tell Juliette to take me home.

563
00:31:53,320 --> 00:31:56,360
Here there is a lawyer
who can take me out of the country,

564
00:31:56,440 --> 00:32:00,920
just pay for it.
Juliette doesn't want to. Come on, help me!

565
00:32:01,520 --> 00:32:05,000
Hey... I swear you'll hear
never talk about me again.

566
00:32:05,080 --> 00:32:07,960
Assane, please help me!

567
00:32:08,040 --> 00:32:10,440
- Help me, Assane…
- [tablet turns off]

568
00:32:11,080 --> 00:32:12,320
Fatigue.

569
00:32:13,520 --> 00:32:17,080
I don't understand.
Why don't you release him?

570
00:32:17,160 --> 00:32:19,400
This is the worst rubbish, father.

571
00:32:19,480 --> 00:32:21,040
He's fine where he is.

572
00:32:21,120 --> 00:32:24,520
By sending him there,
you gave me a wonderful gift.

573
00:32:25,520 --> 00:32:27,920
- THANKS.
- [soft and mysterious music]

574
00:32:29,160 --> 00:32:33,600
Okay, but if I understand correctly,
Thefts aren't your thing, then?

575
00:32:34,520 --> 00:32:35,920
No.

576
00:32:36,000 --> 00:32:38,160
Another enemy than my father?

577
00:32:39,840 --> 00:32:41,400
[music fades]

578
00:32:41,480 --> 00:32:45,160
If you need anything,
don't hesitate.

579
00:32:46,040 --> 00:32:48,440
[enigmatic music]

580
00:32:53,680 --> 00:32:55,040
[snap]

581
00:32:58,000 --> 00:33:02,760
- [engine whirr]
- [repeated beeps]

582
00:33:04,360 --> 00:33:05,800
[crash]

583
00:33:09,440 --> 00:33:11,440
[music becomes rhythmic]

584
00:33:24,400 --> 00:33:26,400
[whirring]

585
00:33:26,480 --> 00:33:28,080
[music fades]

586
00:33:32,880 --> 00:33:34,000
[Assane] Who are you?

587
00:33:35,600 --> 00:33:37,320
[whirring continues]

588
00:33:39,880 --> 00:33:41,080
[connection beep]

589
00:33:41,160 --> 00:33:44,440
[Assane's voice] If I were you,
I wouldn't hang around here.

590
00:33:44,520 --> 00:33:46,680
The police will arrive.

591
00:33:46,760 --> 00:33:49,080
[mermaids]

592
00:33:49,160 --> 00:33:52,080
We will resume our discussion
a little later.

593
00:33:53,520 --> 00:33:57,040
- [Assane gasps]
- [suspense music]

594
00:33:57,120 --> 00:33:58,360
[moans]

595
00:34:02,360 --> 00:34:04,000
[music quiets down]

596
00:34:09,560 --> 00:34:11,280
[connection beep]

597
00:34:11,360 --> 00:34:15,680
- [Assane's voice] Still impatient.
- [whirring]

598
00:34:16,280 --> 00:34:19,440
- [Assane] What do you want from me?
- I just want to play with you.

599
00:34:19,520 --> 00:34:21,640
I don't want to play.

600
00:34:21,720 --> 00:34:25,400
-Who said you had a choice?
- I don't know what you want,

601
00:34:25,480 --> 00:34:28,200
but you took it
to the wrong person.

602
00:34:28,280 --> 00:34:30,080
I'll find you.

603
00:34:30,160 --> 00:34:33,480
I'm going to shine a light on you.
You won't be able to hide anymore.

604
00:34:33,560 --> 00:34:34,920
Lupine against Lupine.

605
00:34:35,920 --> 00:34:37,840
That's a game that I like.

606
00:34:38,480 --> 00:34:41,280
No. Trust me, you won't like it.

607
00:34:41,360 --> 00:34:44,320
[music stops
on a dramatic note]

608
00:34:44,400 --> 00:34:46,400
[paced suspense music]

609
00:37:12,080 --> 00:37:14,160
[end of music]