1 00:00:04,471 --> 00:00:05,773 - Previously on "The Hunting Party"... 2 00:00:06,774 --> 00:00:08,175 - It's called the Pit. It's home to the most 3 00:00:08,275 --> 00:00:09,878 dangerous and violent criminals in history, 4 00:00:09,944 --> 00:00:11,445 all of whom the world believes are dead. 5 00:00:11,579 --> 00:00:13,882 Or at least it was until the blast hit. 6 00:00:13,948 --> 00:00:15,617 [explosion booms] 7 00:00:15,717 --> 00:00:18,418 - I didn't serve, and I haven't been in the field. 8 00:00:18,485 --> 00:00:20,387 That was the first time I've ever drawn a weapon. 9 00:00:20,487 --> 00:00:22,222 You were impressive. 10 00:00:22,289 --> 00:00:24,324 - Are you gonna ask me out, or what? 11 00:00:24,391 --> 00:00:26,260 - No. 12 00:00:26,393 --> 00:00:27,929 Maybe. 13 00:00:28,028 --> 00:00:30,765 - You really think Lazarus attacked Cyrus's convoy? 14 00:00:30,832 --> 00:00:31,933 - I do. 15 00:00:32,032 --> 00:00:33,768 [gunshots] - We still don't have proof. 16 00:00:33,801 --> 00:00:35,503 - Well, we need to find some. 17 00:00:35,570 --> 00:00:37,539 [tense music] 18 00:00:39,674 --> 00:00:41,543 [smooth jazz music] 19 00:00:41,609 --> 00:00:44,012 [laughter] 20 00:00:44,077 --> 00:00:45,914 - You know what else I love about this city? 21 00:00:45,980 --> 00:00:47,180 About Boulder? - Yeah, what? 22 00:00:47,247 --> 00:00:49,182 - The cops on bicycles. 23 00:00:49,216 --> 00:00:50,618 How intimidating is that? 24 00:00:50,685 --> 00:00:51,819 All right, pull over. 25 00:00:51,886 --> 00:00:54,154 Ching, ching, ching, ching. 26 00:00:54,221 --> 00:00:55,790 What do they do when they arrest somebody? 27 00:00:55,857 --> 00:00:57,725 All right, in the basket. 28 00:00:57,825 --> 00:00:59,326 You can always tell the rookie cops. 29 00:00:59,393 --> 00:01:01,461 They're the ones with playing cards in their spokes. 30 00:01:01,495 --> 00:01:02,362 Halt! 31 00:01:02,429 --> 00:01:04,298 Diggy, diggy, diggy, diggy. 32 00:01:04,364 --> 00:01:06,534 [laughter] 33 00:01:06,601 --> 00:01:07,735 - Well, thank you, folks. 34 00:01:07,835 --> 00:01:09,102 Hope you have a wonderful evening. 35 00:01:09,202 --> 00:01:10,538 Say goodbye, Marvin. 36 00:01:10,605 --> 00:01:11,573 - Goodbye, Marvin. 37 00:01:11,639 --> 00:01:12,840 You've been great. 38 00:01:12,907 --> 00:01:15,710 [applause] - Thank you. 39 00:01:15,777 --> 00:01:17,411 Thank you. 40 00:01:17,477 --> 00:01:23,216 ♪ ♪ 41 00:01:23,283 --> 00:01:24,586 Great crowd tonight, kid. 42 00:01:24,652 --> 00:01:25,753 Break a leg. 43 00:01:25,853 --> 00:01:27,522 - Or a string. - [chuckles] 44 00:01:27,589 --> 00:01:28,756 ♪ ♪ 45 00:01:28,856 --> 00:01:30,290 - All right, all right. 46 00:01:30,424 --> 00:01:32,627 Please welcome to the stage our next performer-- 47 00:01:32,694 --> 00:01:34,461 a debut, in fact. 48 00:01:34,494 --> 00:01:37,966 Put your hands together for Dylan Myles and Lil Barney. 49 00:01:38,032 --> 00:01:45,238 ♪ ♪ 50 00:01:48,543 --> 00:01:50,078 - Hello. 51 00:01:50,143 --> 00:01:53,014 This is--this is Barney. 52 00:01:53,081 --> 00:01:54,582 I'm Dylan. 53 00:01:54,649 --> 00:01:57,652 So, um, Barney, 54 00:01:57,752 --> 00:01:59,821 what did you do last weekend? 55 00:01:59,854 --> 00:02:01,188 - I met a girl. 56 00:02:01,254 --> 00:02:03,457 Didn't go very well. 57 00:02:03,524 --> 00:02:04,559 - Oh, no. 58 00:02:04,626 --> 00:02:06,060 What happened, Barney? 59 00:02:06,126 --> 00:02:08,730 - She said I was too stiff. - [chuckles] 60 00:02:08,796 --> 00:02:11,699 [tense music] 61 00:02:11,799 --> 00:02:14,035 ♪ ♪ 62 00:02:14,134 --> 00:02:16,004 W-what? Um-- 63 00:02:16,104 --> 00:02:17,337 Why? 64 00:02:17,404 --> 00:02:19,439 I mean, 65 00:02:19,473 --> 00:02:21,375 why did she think you were too stiff? 66 00:02:21,441 --> 00:02:24,579 - Because I'm made of wood, dummy. 67 00:02:24,679 --> 00:02:27,247 ♪ ♪ 68 00:02:27,347 --> 00:02:29,951 - Bring Marvin back out, yeah? 69 00:02:30,051 --> 00:02:32,452 [cheers and applause] 70 00:02:32,553 --> 00:02:34,989 [jeering] 71 00:02:35,056 --> 00:02:37,257 ♪ ♪ 72 00:02:37,324 --> 00:02:39,459 - Looks like someone-- 73 00:02:39,527 --> 00:02:40,962 like someone-- 74 00:02:41,062 --> 00:02:42,764 - [imitates stuttering] 75 00:02:42,830 --> 00:02:45,700 Get off the stage, loser. 76 00:02:45,733 --> 00:02:48,603 [laughter] 77 00:02:48,703 --> 00:02:55,710 ♪ ♪ 78 00:02:57,145 --> 00:02:59,947 [pounding] 79 00:03:00,014 --> 00:03:03,718 - [panting] 80 00:03:03,751 --> 00:03:07,454 [laughter] 81 00:03:13,226 --> 00:03:16,130 - Somebody should teach that guy a lesson. 82 00:03:16,263 --> 00:03:19,967 [ominous music] 83 00:03:20,001 --> 00:03:22,136 - I was thinking the same thing. 84 00:03:22,235 --> 00:03:24,772 [music intensifies] 85 00:03:24,872 --> 00:03:27,374 ♪ ♪ 86 00:03:27,474 --> 00:03:31,045 [indistinct speech on TV] 87 00:03:31,112 --> 00:03:33,981 [TV continues indistinctly] 88 00:03:38,218 --> 00:03:40,555 [glass shatters] 89 00:03:40,621 --> 00:03:43,524 [tense music] 90 00:03:43,591 --> 00:03:47,762 ♪ ♪ 91 00:03:47,862 --> 00:03:50,898 [wind whooshing] 92 00:03:50,932 --> 00:03:54,035 [rustling] 93 00:03:54,168 --> 00:03:57,071 [chilling music] 94 00:03:57,171 --> 00:04:04,344 ♪ ♪ 95 00:04:11,152 --> 00:04:13,721 - Want to hear a joke? 96 00:04:13,755 --> 00:04:16,924 What's black and blue 97 00:04:17,058 --> 00:04:20,260 and red all over? 98 00:04:20,293 --> 00:04:22,597 - You are. [thuds] 99 00:04:24,565 --> 00:04:26,266 - I'd be interested in eating Thai, 100 00:04:26,333 --> 00:04:27,235 maybe Italian, something like-- 101 00:04:27,300 --> 00:04:28,703 [screams] 102 00:04:28,803 --> 00:04:35,810 ♪ ♪ 103 00:04:39,180 --> 00:04:41,983 - ♪ I will swing ♪ 104 00:04:42,116 --> 00:04:44,619 ♪ Swing that hammer ♪ 105 00:04:44,719 --> 00:04:46,821 - It doesn't matter what we think we know about Lazarus. 106 00:04:46,888 --> 00:04:48,656 Without definitive proof that she was involved 107 00:04:48,723 --> 00:04:51,491 in the attack on the convoy, we have nothing. 108 00:04:51,559 --> 00:04:53,360 - Then we get something. - [scoffs] 109 00:04:53,393 --> 00:04:56,063 Hey, she's way too smart to leave a paper trail. 110 00:04:56,130 --> 00:04:57,698 - Well, anything she does have-- 111 00:04:57,799 --> 00:04:59,734 flash drives, hard copies, whatever-- 112 00:04:59,801 --> 00:05:02,302 they'd be stashed at her place, which... 113 00:05:02,335 --> 00:05:04,238 only one of us has access to. 114 00:05:04,272 --> 00:05:06,207 - Mm. 115 00:05:06,306 --> 00:05:07,775 - So what are you gonna do? 116 00:05:07,842 --> 00:05:10,011 Invite yourself over and search her place 117 00:05:10,111 --> 00:05:11,746 while she burns another lasagna? 118 00:05:11,779 --> 00:05:14,749 - Shane, this is way too risky. No. 119 00:05:14,882 --> 00:05:18,219 - Why does dinner need to be at her place? 120 00:05:18,252 --> 00:05:20,353 If Shane invites her out somewhere, 121 00:05:20,387 --> 00:05:23,390 you two can go in, have a look around 122 00:05:23,456 --> 00:05:26,326 while he keeps her occupied. 123 00:05:26,459 --> 00:05:29,130 - I mean, I can text her right now. 124 00:05:29,163 --> 00:05:30,798 I'll have eyes on her the whole time. 125 00:05:30,865 --> 00:05:32,533 I can text you guys when we're leaving, 126 00:05:32,567 --> 00:05:34,602 make sure you got plenty of time to get out. 127 00:05:34,735 --> 00:05:37,638 [tense music] 128 00:05:37,738 --> 00:05:38,940 ♪ ♪ 129 00:05:39,006 --> 00:05:41,108 - All right, fine. 130 00:05:41,142 --> 00:05:42,610 - All right. [notification whooshes] 131 00:05:42,643 --> 00:05:43,443 Done. 132 00:05:43,476 --> 00:05:46,013 [phone buzzing] 133 00:05:47,281 --> 00:05:49,482 - Go for Hassani. 134 00:05:53,221 --> 00:05:55,355 - Hey, are you sure? 135 00:05:57,325 --> 00:05:58,960 - Of course. 136 00:05:58,993 --> 00:06:00,828 - That was Peck. We got work. 137 00:06:00,895 --> 00:06:05,465 ♪ ♪ 138 00:06:05,498 --> 00:06:06,834 - What have we got? 139 00:06:06,901 --> 00:06:08,603 - Puppet maker was shot in his workshop 140 00:06:08,669 --> 00:06:10,905 near Rapid City, South Dakota. 141 00:06:10,972 --> 00:06:12,740 - Did you say puppet maker? 142 00:06:12,840 --> 00:06:13,808 - I sure did. 143 00:06:13,875 --> 00:06:15,576 - We don't have crime scene photos yet, 144 00:06:15,610 --> 00:06:17,912 but that's our victim, Nicholas Fletcher. 145 00:06:18,012 --> 00:06:20,047 He's currently in a medically-induced coma, 146 00:06:20,114 --> 00:06:23,517 but fingerprints at the scene match Pit inmate H71. 147 00:06:23,584 --> 00:06:25,253 - Ah, Dylan Myles. 148 00:06:25,385 --> 00:06:27,188 - You want to take it from here? 149 00:06:27,288 --> 00:06:28,589 - Yeah. Believe it or not, 150 00:06:28,689 --> 00:06:30,490 our fugitive killer here, Mr. Myles, 151 00:06:30,558 --> 00:06:32,727 was actually an aspiring comedian. 152 00:06:32,760 --> 00:06:34,829 - Of course, because murder is hilarious. 153 00:06:34,896 --> 00:06:36,197 - Mm. 154 00:06:36,264 --> 00:06:38,332 As a kid, he was diagnosed with delayed language development 155 00:06:38,398 --> 00:06:39,834 and selective mutism. 156 00:06:39,934 --> 00:06:42,937 He was completely non-verbal until nearly ten years old. 157 00:06:43,037 --> 00:06:44,739 - That must have been tough on the playground. 158 00:06:44,772 --> 00:06:46,607 - The real breakthrough happened when he started 159 00:06:46,674 --> 00:06:49,110 communicating through one of his sister's dolls, 160 00:06:49,176 --> 00:06:50,878 a common form of projective play. 161 00:06:50,912 --> 00:06:52,546 As he matured, he developed the capacity 162 00:06:52,613 --> 00:06:54,282 to communicate for himself, but he still felt 163 00:06:54,348 --> 00:06:56,384 more comfortable speaking through his proxies. 164 00:06:56,449 --> 00:06:59,987 - But when did he go from talking dolls to murder? 165 00:07:00,021 --> 00:07:02,056 - June 5, 2015. 166 00:07:02,123 --> 00:07:03,991 - Dylan would perform at small comedy clubs 167 00:07:04,058 --> 00:07:05,259 all over the Midwest. 168 00:07:05,326 --> 00:07:07,061 All of his victims were people who 169 00:07:07,128 --> 00:07:08,663 heckled him during the show. 170 00:07:08,729 --> 00:07:10,398 He'd wait for a month or even up to a year 171 00:07:10,463 --> 00:07:12,199 before enacting revenge. 172 00:07:13,601 --> 00:07:15,102 - I can really see the anger. 173 00:07:15,202 --> 00:07:16,737 - And the humiliation. 174 00:07:16,837 --> 00:07:19,373 All he wanted was to connect with people through his act, 175 00:07:19,439 --> 00:07:21,409 which is why when he got teased or heckled, 176 00:07:21,474 --> 00:07:25,680 he would return the humiliation he felt on the victims tenfold, 177 00:07:25,780 --> 00:07:27,348 which is why a lot of the crime scenes 178 00:07:27,415 --> 00:07:28,683 happened in a public place. 179 00:07:28,749 --> 00:07:30,584 He wanted his victims to be seen. 180 00:07:30,651 --> 00:07:32,219 He wanted them to be remembered 181 00:07:32,253 --> 00:07:33,821 in their final moments of indignity. 182 00:07:33,921 --> 00:07:35,455 - Says here he killed seven victims 183 00:07:35,523 --> 00:07:36,824 over a two-year period. 184 00:07:36,891 --> 00:07:39,427 Is there any chance Dylan knew this dollmaker guy 185 00:07:39,492 --> 00:07:41,562 from back in the day? - We're looking into it. 186 00:07:41,629 --> 00:07:42,763 Get going to the crime scene. 187 00:07:42,830 --> 00:07:44,265 We'll send you what we find. 188 00:07:44,365 --> 00:07:47,168 [suspenseful music] 189 00:07:47,268 --> 00:07:49,203 ♪ ♪ 190 00:07:49,236 --> 00:07:52,073 [light music playing] 191 00:07:52,139 --> 00:07:54,842 ♪ ♪ 192 00:07:54,942 --> 00:07:56,844 - Ah. [chuckles] 193 00:07:56,944 --> 00:07:59,647 [bell chimes] 194 00:07:59,714 --> 00:08:01,582 Hello? 195 00:08:01,615 --> 00:08:05,786 - We're closed. 196 00:08:05,886 --> 00:08:12,893 ♪ ♪ 197 00:08:47,194 --> 00:08:49,196 [thuds] [floorboard creaks] 198 00:08:51,866 --> 00:08:53,234 - Excuse me. 199 00:08:53,267 --> 00:08:55,102 [ominous music] 200 00:08:55,169 --> 00:08:56,505 W-who are you? 201 00:08:56,570 --> 00:09:03,411 ♪ ♪ 202 00:09:03,444 --> 00:09:05,246 - I'm a big fan of your work. 203 00:09:05,312 --> 00:09:09,216 ♪ ♪ 204 00:09:09,350 --> 00:09:10,985 [chilling tone] 205 00:09:11,085 --> 00:09:15,656 ♪ ♪ 206 00:09:15,689 --> 00:09:18,859 [dramatic music] 207 00:09:18,959 --> 00:09:25,933 ♪ ♪ 208 00:09:32,673 --> 00:09:34,241 [The Chords' "Sh-Boom"] - ♪ Day dong da ding-dong ♪ 209 00:09:34,909 --> 00:09:36,343 ♪ Sha-lang da lang-a-lang ♪ 210 00:09:36,410 --> 00:09:38,846 [scatting] 211 00:09:38,946 --> 00:09:41,215 ♪ Oh, life could be a dream ♪ 212 00:09:41,315 --> 00:09:45,319 ♪ If I could take you up in paradise up above ♪ 213 00:09:45,386 --> 00:09:48,422 ♪ If you would tell me I'm the only one that you love ♪ 214 00:09:48,489 --> 00:09:49,657 ♪ Life could be a dream ♪ 215 00:09:49,723 --> 00:09:50,991 - I know what you're doing. 216 00:09:51,058 --> 00:09:53,160 - ♪ Hello, hello again, sh-boom ♪ 217 00:09:53,260 --> 00:09:54,328 - Where's Barney? 218 00:09:54,428 --> 00:09:56,197 These are not mine. 219 00:09:56,263 --> 00:09:57,965 Where's Barney? 220 00:09:58,065 --> 00:10:00,234 - ♪ My precious plans would come true ♪ 221 00:10:00,334 --> 00:10:03,671 ♪ If you would let me spend my whole life loving you ♪ 222 00:10:03,771 --> 00:10:08,709 ♪ Life could be a dream, sweetheart ♪ 223 00:10:08,776 --> 00:10:12,880 ♪ Now every time I look at you ♪ 224 00:10:12,947 --> 00:10:16,585 ♪ Something is on my mind ♪ 225 00:10:16,650 --> 00:10:20,154 ♪ If you do what I want you to ♪ 226 00:10:20,187 --> 00:10:23,124 [crashing] 227 00:10:24,391 --> 00:10:25,893 ♪ Sh-boom, sh-boom ♪ 228 00:10:25,960 --> 00:10:27,128 ♪ La-la-la-la-la-la la-la-la-la ♪ 229 00:10:27,161 --> 00:10:29,763 ♪ Sh-boom ♪ 230 00:10:29,797 --> 00:10:31,765 ♪ Sh-boom, sh-boom ♪ 231 00:10:31,832 --> 00:10:33,634 ♪ La-la-la-la-la-la la-la-la-la ♪ 232 00:10:33,667 --> 00:10:35,504 ♪ Sh-boom, sh-boom ♪ 233 00:10:35,604 --> 00:10:37,471 ♪ La-la-la-la-la-la la-la-la-la ♪ 234 00:10:37,539 --> 00:10:39,039 ♪ Sh-boom, sh-boom ♪ 235 00:10:39,140 --> 00:10:40,908 ♪ La-la-la-la-la-la la-la-la-la ♪ 236 00:10:40,941 --> 00:10:43,444 ♪ Sh-boom, sh-boom ♪ 237 00:10:43,512 --> 00:10:44,778 - I know what you're doing. 238 00:10:44,812 --> 00:10:46,046 I know what you're doing! 239 00:10:46,080 --> 00:10:48,415 [crashing] 240 00:10:48,482 --> 00:10:51,352 - ♪ Sh-boom, sh-boom ♪ 241 00:10:51,452 --> 00:10:52,353 - Where's Barney? 242 00:10:52,453 --> 00:10:53,854 Where's Barney? 243 00:10:56,357 --> 00:10:58,058 - ♪ Sh-boom, sh-boom ♪ 244 00:10:58,159 --> 00:10:59,628 ♪ La-la-la-la-la-la la-la-la-la ♪ 245 00:10:59,727 --> 00:11:00,629 ♪ Sh-boom ♪ 246 00:11:00,728 --> 00:11:03,697 [monitor beeping] 247 00:11:03,731 --> 00:11:07,434 - ♪ Every time I look at you ♪ 248 00:11:07,468 --> 00:11:10,871 ♪ Something is on my mind ♪ 249 00:11:10,971 --> 00:11:13,174 ♪ If you do what I want you to ♪ 250 00:11:13,240 --> 00:11:15,242 - What's you name? 251 00:11:15,309 --> 00:11:16,677 - Peter. 252 00:11:16,710 --> 00:11:18,412 - It's nice to meet you. 253 00:11:18,479 --> 00:11:22,249 - What does a guy have to do to get a drink around here? 254 00:11:22,349 --> 00:11:23,618 - You're funny. 255 00:11:23,717 --> 00:11:25,219 - No, I'm not. 256 00:11:25,319 --> 00:11:27,288 I'm hilarious. 257 00:11:27,321 --> 00:11:29,624 - ♪ Life could be a dream, sweetheart ♪ 258 00:11:29,723 --> 00:11:31,692 - I think we've had a breakthrough, Dylan. 259 00:11:31,792 --> 00:11:33,694 - ♪ Sweetheart ♪ 260 00:11:33,761 --> 00:11:35,630 - You know, he's really good at that. 261 00:11:35,729 --> 00:11:37,364 I couldn't even see his mouth move. 262 00:11:37,431 --> 00:11:40,834 - Um, that's what ventriloquism is. 263 00:11:40,868 --> 00:11:44,238 - Dude's doing group therapy with himself. 264 00:11:44,305 --> 00:11:48,042 As far as Pit treatments go, that feels pretty normal. 265 00:11:48,142 --> 00:11:50,377 I mean, look, the dolls are weird, 266 00:11:50,444 --> 00:11:52,112 but we've seen womb therapy. 267 00:11:52,179 --> 00:11:53,881 - Yeah, well, according to his file, 268 00:11:53,914 --> 00:11:55,684 typical therapies failed to yield any results. 269 00:11:55,783 --> 00:11:57,686 And Dylan refused to speak to the Pit doctors, 270 00:11:57,785 --> 00:11:59,787 so eventually they leaned into his comfort zone. 271 00:11:59,853 --> 00:12:01,088 There's a precedent. 272 00:12:01,155 --> 00:12:02,456 It's a variation of gestalt therapy's 273 00:12:02,489 --> 00:12:04,191 empty chair technique. 274 00:12:04,291 --> 00:12:05,627 - I heard of that. 275 00:12:05,726 --> 00:12:07,795 Basically, the patient has a conversation 276 00:12:07,895 --> 00:12:10,798 with an empty chair, which is supposed to represent 277 00:12:10,898 --> 00:12:13,200 the person he has a conflict with, 278 00:12:13,267 --> 00:12:16,337 giving them a chance to talk out their repressed emotions. 279 00:12:16,370 --> 00:12:17,539 - Yeah, you're right. 280 00:12:17,606 --> 00:12:18,939 So, Dylan, with the dummies, 281 00:12:18,973 --> 00:12:21,242 it allowed him to feel in control of every conversation, 282 00:12:21,342 --> 00:12:23,043 allowing him to externalize his inner world. 283 00:12:23,077 --> 00:12:25,379 - Because he can play patient and therapist. 284 00:12:25,479 --> 00:12:27,515 - He even went so far as to name the dummies. 285 00:12:27,582 --> 00:12:29,750 According to this, Peter and Debbie had 286 00:12:29,783 --> 00:12:31,885 fully developed personalities. 287 00:12:31,986 --> 00:12:34,589 So while Dylan's playing therapy with the dummies, 288 00:12:34,689 --> 00:12:36,223 the doctors have a unique insight 289 00:12:36,290 --> 00:12:38,459 into his core trauma, which was the public shame 290 00:12:38,492 --> 00:12:40,027 of being teased. 291 00:12:40,060 --> 00:12:41,829 - I can't really remember the first time he teased me. 292 00:12:41,929 --> 00:12:43,464 I was six or eight. 293 00:12:43,565 --> 00:12:45,567 - What do you remember? 294 00:12:45,667 --> 00:12:47,034 - Anger. 295 00:12:47,067 --> 00:12:48,670 - He shouldn't have treated you that way. 296 00:12:48,737 --> 00:12:50,437 - He got what he deserved. 297 00:12:50,505 --> 00:12:53,742 I punched him in the stomach, watched him gasp for air. 298 00:12:53,841 --> 00:12:56,443 It was hilarious. 299 00:12:56,511 --> 00:12:58,580 Hey, Dylan, want to hear a joke? 300 00:12:58,647 --> 00:13:00,347 - Sure, Peter, I'd love to. 301 00:13:00,414 --> 00:13:03,718 - What's the difference between a Lamborghini and a dead body? 302 00:13:03,817 --> 00:13:05,919 - I don't know, what? 303 00:13:05,986 --> 00:13:08,590 - I've never had a Lamborghini in my garage. 304 00:13:08,690 --> 00:13:11,458 [maniacal laughter] - [chuckles] 305 00:13:13,060 --> 00:13:14,361 - All right, that's enough of that. 306 00:13:14,461 --> 00:13:16,196 We get the point. 307 00:13:16,263 --> 00:13:20,000 - Well, at least he's not smashing the dummies, yeah? 308 00:13:20,067 --> 00:13:22,504 - Well, speaking of, it says here these dolls were 309 00:13:22,570 --> 00:13:25,139 handmade by Nicholas Fletcher. 310 00:13:26,741 --> 00:13:28,976 - Wait, the guy who Dylan just put in a coma? 311 00:13:29,043 --> 00:13:32,747 - He was special ordered by Pit doctors. 312 00:13:32,813 --> 00:13:36,383 - You think Dylan knew that? 313 00:13:36,483 --> 00:13:37,818 - That's right. 314 00:13:37,885 --> 00:13:39,453 Nicholas Fletcher signs the head stick 315 00:13:39,554 --> 00:13:40,921 on every doll he ever made. 316 00:13:40,988 --> 00:13:43,824 - I've been his assistant for five years now. 317 00:13:43,891 --> 00:13:46,661 I can't believe this happened to him. 318 00:13:46,695 --> 00:13:48,862 The guy is a legend. 319 00:13:48,929 --> 00:13:50,964 Nicholas Fletcher is the preeminent figure maker 320 00:13:50,998 --> 00:13:53,467 in the United States. 321 00:13:53,500 --> 00:13:55,570 You ever heard of Slappy Sammy? 322 00:13:55,637 --> 00:13:58,573 [somber music] 323 00:13:58,640 --> 00:14:00,007 ♪ ♪ 324 00:14:00,107 --> 00:14:01,975 Jeff Miller uses him in his act, 325 00:14:02,009 --> 00:14:03,410 and Nicholas made him. 326 00:14:03,477 --> 00:14:04,713 - So if you're in this world, 327 00:14:04,746 --> 00:14:06,213 you've definitely heard of Nicholas. 328 00:14:06,313 --> 00:14:07,981 - Oh, yeah. 329 00:14:11,786 --> 00:14:14,723 [ominous music] 330 00:14:14,789 --> 00:14:21,161 ♪ ♪ 331 00:14:21,228 --> 00:14:22,996 - Whoa. 332 00:14:23,063 --> 00:14:24,566 Thought this guy liked dolls. 333 00:14:24,666 --> 00:14:25,966 - Victim's blood. 334 00:14:27,968 --> 00:14:30,938 - This is definitely not what I expected. 335 00:14:31,038 --> 00:14:33,307 Pre-Pit Dylan, he would beat his victims to death, 336 00:14:33,407 --> 00:14:36,276 but then leave their homes relatively untouched. 337 00:14:36,377 --> 00:14:38,646 Now he's shooting an old man without laying a hand on him 338 00:14:38,713 --> 00:14:40,180 and trashing the whole shop? 339 00:14:40,247 --> 00:14:42,015 - It's like his early days at the Pit when he was 340 00:14:42,049 --> 00:14:44,819 smashing all his puppets. 341 00:14:44,885 --> 00:14:48,389 - Why come all the way here to do that, though? 342 00:14:48,455 --> 00:14:52,092 - None of these look like Debbie or Peter. 343 00:14:52,159 --> 00:14:53,762 ♪ ♪ 344 00:14:53,862 --> 00:14:55,963 - OK, you're Dylan. 345 00:14:56,029 --> 00:14:57,832 You leave the Pit and you lose your ventriloquist dummies 346 00:14:57,931 --> 00:14:59,199 in the blast. 347 00:14:59,266 --> 00:15:00,901 So you look up the guy that made them. 348 00:15:01,001 --> 00:15:03,003 You come here to repair or replace them. 349 00:15:03,070 --> 00:15:06,808 - But you don't find what you're looking for. 350 00:15:06,841 --> 00:15:10,911 So you go nuts and you trash the place. 351 00:15:10,978 --> 00:15:13,046 - So where does Dylan go from here? 352 00:15:14,481 --> 00:15:18,185 - I think Dylan came here to find another Peter and Debbie, 353 00:15:18,285 --> 00:15:21,723 and I don't think he's gonna stop looking until he does. 354 00:15:21,823 --> 00:15:23,157 Give me a sec. 355 00:15:24,826 --> 00:15:27,361 [doll squeaks] 356 00:15:27,461 --> 00:15:30,732 [pensive music] 357 00:15:30,832 --> 00:15:31,965 - Hi. 358 00:15:32,065 --> 00:15:34,001 I'm so sorry to bother you. 359 00:15:34,101 --> 00:15:36,236 I need to see Nicholas's sales records, 360 00:15:36,336 --> 00:15:37,772 names, numbers, 361 00:15:37,872 --> 00:15:39,674 anyone who might have bought a dummy from him. 362 00:15:39,774 --> 00:15:41,241 - I told the cops already. 363 00:15:41,341 --> 00:15:44,679 Nicholas's ledger, it's gone. 364 00:15:44,712 --> 00:15:46,947 - What about computer records? 365 00:15:46,980 --> 00:15:49,082 - No, Nicholas is old school. 366 00:15:49,116 --> 00:15:51,385 He only keeps handwritten records. 367 00:15:51,452 --> 00:15:52,986 Sorry. 368 00:15:53,053 --> 00:15:54,622 - Thank you. 369 00:15:54,656 --> 00:15:56,524 Hey, guys. 370 00:15:56,558 --> 00:15:59,126 Looks like Dylan stole Fletcher's sales ledger. 371 00:15:59,193 --> 00:16:00,895 If he's looking for another Debbie and Peter-- 372 00:16:00,994 --> 00:16:03,631 - That means anyone who's ever bought either of them 373 00:16:03,731 --> 00:16:06,400 is in danger. 374 00:16:06,467 --> 00:16:08,469 - Hey, Morales, I need you to scrub the internet. 375 00:16:08,536 --> 00:16:10,572 Look for anyone who's posted about or with 376 00:16:10,672 --> 00:16:12,072 a Peter and Debbie dummy. - On it. 377 00:16:12,172 --> 00:16:13,307 - Keep us posted, OK? 378 00:16:13,340 --> 00:16:14,809 - OK, get you something when I have it. 379 00:16:14,909 --> 00:16:22,082 ♪ ♪ 380 00:16:39,868 --> 00:16:40,969 - [screams] 381 00:16:41,068 --> 00:16:44,171 [chilling music] 382 00:16:44,271 --> 00:16:51,211 ♪ ♪ 383 00:16:56,885 --> 00:17:00,387 [floorboard creaks] 384 00:17:00,420 --> 00:17:07,427 ♪ ♪ 385 00:17:11,398 --> 00:17:12,600 [gasps] 386 00:17:12,700 --> 00:17:15,235 ♪ ♪ 387 00:17:18,773 --> 00:17:20,173 [helicopter whirring] 388 00:17:20,675 --> 00:17:24,012 [suspenseful music] 389 00:17:24,044 --> 00:17:26,079 - Got another one. Gary, Indiana. 390 00:17:26,179 --> 00:17:27,949 - Me too. Galveston, Texas. 391 00:17:28,016 --> 00:17:30,083 - But none of them are Peter or Debbies. 392 00:17:30,183 --> 00:17:31,385 - All right, get me addresses. 393 00:17:31,451 --> 00:17:33,153 I'll send the black and whites to keep a lookout. 394 00:17:33,220 --> 00:17:35,322 - I had no idea so many people had talking dolls. 395 00:17:35,355 --> 00:17:37,124 - Figures. - What does? 396 00:17:37,190 --> 00:17:41,128 - No, the community prefers the term figures over dolls. 397 00:17:41,194 --> 00:17:43,096 [computer beeps] 398 00:17:43,196 --> 00:17:44,799 - Oh, crud. - What is it? 399 00:17:44,832 --> 00:17:47,067 - A woman named Jane Hines was just found shot dead 400 00:17:47,134 --> 00:17:48,736 in her home 20 minutes from Fletcher's shop. 401 00:17:48,803 --> 00:17:49,938 - Is it our guy? 402 00:17:50,004 --> 00:17:51,906 - He was carrying a wooden figure. 403 00:17:51,973 --> 00:17:53,240 - Yeah, that'll do it. 404 00:17:53,307 --> 00:17:54,408 All right, get this to Bex. 405 00:17:54,509 --> 00:17:55,977 I'll call the locals and give them a heads up 406 00:17:56,076 --> 00:17:57,512 that the team's on the way. 407 00:17:57,612 --> 00:18:01,181 [distant siren blaring] [radio chatter] 408 00:18:01,214 --> 00:18:04,351 [somber music] 409 00:18:04,451 --> 00:18:07,722 ♪ ♪ 410 00:18:07,755 --> 00:18:10,725 [camera shutter clicking] 411 00:18:13,393 --> 00:18:15,697 - Jane didn't have any enemies. 412 00:18:15,763 --> 00:18:17,999 Everyone loved my sister. 413 00:18:18,066 --> 00:18:19,734 - I'm sure they did, ma'am. 414 00:18:21,401 --> 00:18:22,937 Y'all must be the Feds. 415 00:18:23,004 --> 00:18:24,271 We heard you were coming. 416 00:18:24,338 --> 00:18:26,040 - Yeah, your sergeant already briefed us. 417 00:18:26,106 --> 00:18:28,042 We'll take it from here. 418 00:18:28,108 --> 00:18:30,078 - I'm sorry for your loss, ma'am. 419 00:18:30,143 --> 00:18:33,848 ♪ ♪ 420 00:18:33,915 --> 00:18:35,516 - Why don't you give me a minute? 421 00:18:35,583 --> 00:18:36,784 - Sure, yeah. 422 00:18:40,688 --> 00:18:42,389 - It's Kari, right? 423 00:18:42,489 --> 00:18:43,625 - Yes. 424 00:18:43,725 --> 00:18:45,526 - Do you mind if I ask you a couple questions? 425 00:18:45,593 --> 00:18:46,828 - Of course. 426 00:18:46,894 --> 00:18:49,897 But I don't know anything. 427 00:18:49,964 --> 00:18:51,532 - You might know more than you think. 428 00:18:51,633 --> 00:18:54,368 ♪ ♪ 429 00:18:54,468 --> 00:18:58,171 This might sound odd, but did your sister own 430 00:18:58,238 --> 00:19:00,942 any dolls made by a man named Nicholas Fletcher? 431 00:19:01,042 --> 00:19:02,644 - A doll? 432 00:19:02,710 --> 00:19:04,045 No. 433 00:19:04,144 --> 00:19:06,681 Jane really wasn't the doll type. 434 00:19:06,781 --> 00:19:10,084 ♪ ♪ 435 00:19:10,183 --> 00:19:11,753 - What is it? 436 00:19:13,688 --> 00:19:17,257 - Well, that name, Nicholas Fletcher-- 437 00:19:17,324 --> 00:19:20,561 I've heard it before. 438 00:19:20,628 --> 00:19:23,631 [phone buzzing] 439 00:19:23,698 --> 00:19:25,198 - It's Lazarus. 440 00:19:25,265 --> 00:19:27,068 Says she leaves for DC tomorrow, 441 00:19:27,167 --> 00:19:28,803 but she's down for dinner tonight 442 00:19:28,903 --> 00:19:30,571 if we make it back in time. 443 00:19:30,605 --> 00:19:32,305 - Well, sounds like she's taking the bait. 444 00:19:32,406 --> 00:19:34,542 Nice work. - Hey. 445 00:19:34,609 --> 00:19:37,477 So turns out Jane didn't own a dummy, 446 00:19:37,545 --> 00:19:39,614 she was the inspiration for one. 447 00:19:39,714 --> 00:19:40,948 - What? 448 00:19:41,049 --> 00:19:42,917 - According to the sister, she met Nicholas at a county fair, 449 00:19:42,950 --> 00:19:45,019 and he asked if she would model for one of the dummies. 450 00:19:45,086 --> 00:19:47,655 - Debbie the dummy is based on Jane. 451 00:19:47,755 --> 00:19:49,524 I don't know why, but that makes all of this 452 00:19:49,590 --> 00:19:50,658 a lot creepier. 453 00:19:50,758 --> 00:19:52,960 - So maybe Dylan shows up, looking to meet 454 00:19:53,061 --> 00:19:54,529 the real-life version of his doll. 455 00:19:54,562 --> 00:19:56,430 He freaks her out, things go bad, and he kills her. 456 00:19:56,463 --> 00:19:58,132 - I mean, if a guy's showing up at my front doorstep 457 00:19:58,198 --> 00:19:59,399 saying he lived in a missile silo 458 00:19:59,499 --> 00:20:01,602 for eight years playing with a doll version of me, 459 00:20:01,636 --> 00:20:03,504 yeah, I think he might be nuts. 460 00:20:03,571 --> 00:20:04,706 - Yeah, sure. 461 00:20:04,772 --> 00:20:06,741 But if Jane rejected him or called him crazy, 462 00:20:06,841 --> 00:20:09,143 why didn't he beat her like he did all the other victims 463 00:20:09,209 --> 00:20:10,611 who humiliated him? 464 00:20:10,678 --> 00:20:11,946 - No, you're right. 465 00:20:12,013 --> 00:20:13,981 Shooting her in the head is perfunctory, not rage-driven. 466 00:20:14,082 --> 00:20:17,217 - But even if Dylan just came here looking for answers, 467 00:20:17,284 --> 00:20:19,187 how did he even know about this woman? 468 00:20:19,286 --> 00:20:20,588 - I spoke to Ronnie, 469 00:20:20,621 --> 00:20:21,923 Nicholas Fletcher's assistant. 470 00:20:21,956 --> 00:20:24,291 Apparently what makes every Nicholas Fletcher dummy 471 00:20:24,357 --> 00:20:25,993 so special is the fact that they're 472 00:20:26,094 --> 00:20:28,129 all based off of real people. 473 00:20:28,228 --> 00:20:29,997 That ledger wasn't just a bill of sales, 474 00:20:30,064 --> 00:20:33,067 it had a record of every real person whose likeness he used. 475 00:20:33,134 --> 00:20:34,702 - And now Dylan has that too. 476 00:20:34,802 --> 00:20:36,738 OK, so if Jane is the basis for the Debbie dummy, 477 00:20:36,838 --> 00:20:39,073 then we need to figure out who the inspiration for Peter is. 478 00:20:39,107 --> 00:20:40,975 That's where he's going next. 479 00:20:41,042 --> 00:20:43,945 [wild laughter on TV] 480 00:20:44,011 --> 00:20:47,314 [suspenseful music] 481 00:20:47,347 --> 00:20:51,052 - I actually like you a lot more now, Jeff. 482 00:20:51,119 --> 00:20:53,888 [laughter] 483 00:20:53,921 --> 00:20:58,059 So was it love at first sight? - Pretty much. 484 00:20:58,126 --> 00:21:00,228 - I asked Nicholas Fletcher very nicely 485 00:21:00,260 --> 00:21:01,763 to make me another Peter doll. 486 00:21:01,863 --> 00:21:03,097 Huh. 487 00:21:03,164 --> 00:21:05,600 And he still refused. 488 00:21:05,666 --> 00:21:09,203 - Are you gonna let me go when you're done? 489 00:21:09,269 --> 00:21:11,939 Please, talk to me. 490 00:21:12,039 --> 00:21:16,476 ♪ ♪ 491 00:21:16,511 --> 00:21:19,814 - That scar is new. 492 00:21:19,881 --> 00:21:22,282 What happened? 493 00:21:22,349 --> 00:21:24,552 - R-rock climbing. 494 00:21:24,652 --> 00:21:25,820 - Hmm. 495 00:21:25,887 --> 00:21:27,054 Interesting. 496 00:21:27,155 --> 00:21:29,223 I hear it's very dangerous. 497 00:21:29,322 --> 00:21:32,093 ♪ ♪ 498 00:21:32,160 --> 00:21:35,362 - [sobbing] 499 00:21:38,933 --> 00:21:41,569 - Please, stay still. 500 00:21:41,602 --> 00:21:45,305 Peter needs to look just like you. 501 00:21:45,372 --> 00:21:47,374 [chilling tone] 502 00:21:49,309 --> 00:21:51,045 - Hey. You get something? 503 00:21:51,112 --> 00:21:53,313 - Yeah, speaking to Fletcher's assistant got me thinking. 504 00:21:53,380 --> 00:21:55,283 So I checked into Jane's finances. 505 00:21:55,348 --> 00:21:57,285 - Smart. And? 506 00:21:57,350 --> 00:21:59,287 - And in Jane's bank statement, 507 00:21:59,386 --> 00:22:01,454 I found a $500 money order that Fletcher sent 508 00:22:01,556 --> 00:22:03,224 to her back in 2015. 509 00:22:03,291 --> 00:22:04,592 - So we can now then go-- - Already did. 510 00:22:04,659 --> 00:22:06,227 - Here are all the money orders 511 00:22:06,326 --> 00:22:07,327 that Nicholas Fletcher ever sent. 512 00:22:07,394 --> 00:22:09,564 And here are who he sent them to. 513 00:22:09,630 --> 00:22:11,265 - Morales, can you enlarge 514 00:22:11,364 --> 00:22:13,768 four in, second row from the bottom? 515 00:22:13,835 --> 00:22:17,271 Kind of looks like the Peter doll, right? 516 00:22:17,337 --> 00:22:18,606 - Keith Jones. 517 00:22:18,673 --> 00:22:20,508 - Looks like he's a Nebraska native. 518 00:22:20,575 --> 00:22:22,043 Lives just over the Wyoming state line in Scottsbluff. 519 00:22:22,109 --> 00:22:24,145 - I'll tell the team. 520 00:22:24,178 --> 00:22:25,880 - Then get your gun. 521 00:22:25,947 --> 00:22:27,347 You too, Ben. 522 00:22:27,380 --> 00:22:29,016 We're way closer than Bex and the team. 523 00:22:29,083 --> 00:22:30,785 I'll tell them we got this. 524 00:22:30,885 --> 00:22:33,788 [tense music] 525 00:22:33,888 --> 00:22:37,091 ♪ ♪ 526 00:22:37,158 --> 00:22:38,626 [tires screech] 527 00:22:40,862 --> 00:22:47,768 ♪ ♪ 528 00:22:52,874 --> 00:22:55,209 - Ben. 529 00:22:55,276 --> 00:23:02,449 ♪ ♪ 530 00:23:28,309 --> 00:23:35,415 ♪ ♪ 531 00:23:41,522 --> 00:23:43,925 - Looks like Dylan took off. 532 00:23:43,991 --> 00:23:45,126 Gun! 533 00:23:45,226 --> 00:23:47,862 [gunshots] 534 00:23:47,929 --> 00:23:49,030 [groans] 535 00:23:49,096 --> 00:23:50,197 [dramatic music] 536 00:23:50,264 --> 00:23:52,099 [gunshots] 537 00:23:52,199 --> 00:23:59,106 ♪ ♪ 538 00:24:01,909 --> 00:24:02,977 - Peck's hit. 539 00:24:03,044 --> 00:24:04,045 - Which way? 540 00:24:04,111 --> 00:24:05,478 - He went out the back. 541 00:24:05,546 --> 00:24:07,348 - [Peck groans] - You're gonna be OK. 542 00:24:07,381 --> 00:24:08,516 Just hang in there, John. 543 00:24:08,582 --> 00:24:10,518 We're gonna get you to a hospital. 544 00:24:10,584 --> 00:24:12,386 [breathing heavily] 545 00:24:12,452 --> 00:24:13,988 You got this. 546 00:24:14,055 --> 00:24:16,456 [dramatic music] 547 00:24:19,994 --> 00:24:21,461 [suspenseful music] 548 00:24:21,963 --> 00:24:23,064 - Dylan's in the wind. 549 00:24:23,097 --> 00:24:24,632 He had a car stashed out back. 550 00:24:24,699 --> 00:24:26,400 I lost him. How is he? 551 00:24:26,466 --> 00:24:28,002 - [groans] - He needs a hospital. 552 00:24:28,102 --> 00:24:29,704 Hep me get him outside. 553 00:24:29,804 --> 00:24:31,172 - [groaning] 554 00:24:31,238 --> 00:24:32,373 - OK. 555 00:24:32,406 --> 00:24:33,607 - We passed a hospital in Bluffside, 556 00:24:33,641 --> 00:24:34,709 just a few miles back. 557 00:24:34,809 --> 00:24:35,910 - Stay here. Secure the scene. 558 00:24:35,943 --> 00:24:37,411 Tell Bex and the guys what happened. 559 00:24:37,477 --> 00:24:39,080 We need to find Dylan. 560 00:24:39,113 --> 00:24:42,016 [jet engine whirring] 561 00:24:42,049 --> 00:24:43,117 - OK. 562 00:24:43,250 --> 00:24:45,286 One sec. 563 00:24:45,353 --> 00:24:47,154 - Yo. - Can you guys see me OK? 564 00:24:47,221 --> 00:24:48,456 - Yeah, we got you, Ben. What's up? 565 00:24:48,556 --> 00:24:50,524 - What happened? - Dylan ambushed us. 566 00:24:50,591 --> 00:24:52,093 Keith was dead before we got here, 567 00:24:52,159 --> 00:24:53,394 and Peck got shot. - What? 568 00:24:53,427 --> 00:24:54,528 Is he OK? - Where did he get hit? 569 00:24:54,562 --> 00:24:55,629 - Bullet clipped him in the side. 570 00:24:55,696 --> 00:24:56,797 He was bleeding a lot. 571 00:24:56,831 --> 00:24:58,032 - OK. Why aren't you with him? 572 00:24:58,132 --> 00:24:59,600 - Morales is taking him to the hospital. 573 00:24:59,667 --> 00:25:00,868 She asked me to stay behind and walk you 574 00:25:00,935 --> 00:25:02,470 through the crime scene. - Love that woman. 575 00:25:02,570 --> 00:25:04,105 All right, give it to us. 576 00:25:04,171 --> 00:25:05,373 - You seeing all this? 577 00:25:05,439 --> 00:25:07,208 - Uh-huh. 578 00:25:07,274 --> 00:25:08,509 Oh, what's that? 579 00:25:08,542 --> 00:25:09,810 - What? - No, back. 580 00:25:09,844 --> 00:25:11,746 The box on the table. Yeah. 581 00:25:11,812 --> 00:25:14,015 - It looks like a doll-making kit. 582 00:25:14,115 --> 00:25:15,983 Eyeballs, paint-- 583 00:25:16,050 --> 00:25:19,053 Dylan stole it from Nicholas Fletcher's shop. 584 00:25:19,120 --> 00:25:21,622 - He's remaking the dummies. 585 00:25:21,722 --> 00:25:22,857 He lost Peter and Debbie in the blast, 586 00:25:22,923 --> 00:25:24,692 so now he's visiting the inspirations 587 00:25:24,759 --> 00:25:26,327 that they were based on in order to remake them. 588 00:25:26,427 --> 00:25:27,762 I mean, look at the kit. 589 00:25:27,795 --> 00:25:30,031 You don't lug that around unless you're using it. 590 00:25:30,064 --> 00:25:31,899 There were some unfinished, blank-faced dummies 591 00:25:31,999 --> 00:25:33,134 at the workshop. 592 00:25:33,167 --> 00:25:34,503 That's why he went there. 593 00:25:34,535 --> 00:25:35,770 So now he's got the dummy, the dummy-making kit. 594 00:25:35,836 --> 00:25:37,605 He's remade Peter and Debbie. 595 00:25:37,671 --> 00:25:39,874 - OK, he's got his dolls, so where does he go next? 596 00:25:39,940 --> 00:25:41,642 - Oh, and why smash up the place? 597 00:25:41,709 --> 00:25:43,512 I mean, look at that TV. 598 00:25:43,577 --> 00:25:45,746 Looks like he's used it as a punching bag. 599 00:25:45,780 --> 00:25:48,482 - What are those videos on the ground? 600 00:25:48,517 --> 00:25:50,785 - It seems like a mixed bag of comedy shows, 601 00:25:50,851 --> 00:25:54,422 solo performances, bootleg specials, 602 00:25:54,455 --> 00:25:57,024 how-to comedian videos. 603 00:25:57,091 --> 00:25:58,459 - Wait, no, back it up. 604 00:25:58,527 --> 00:26:01,028 That open DVD, what is that? 605 00:26:01,095 --> 00:26:04,398 - "Live with Jeff Miller and Mr. Bonkers: 606 00:26:04,432 --> 00:26:06,400 A Killer Good Time." 607 00:26:06,467 --> 00:26:08,335 - You don't think Jeff modeled Mr. Bonkers 608 00:26:08,436 --> 00:26:10,505 after Dylan, do you? 609 00:26:10,604 --> 00:26:12,973 - That's exactly what I think. 610 00:26:13,074 --> 00:26:14,175 - Hi, everybody. 611 00:26:14,208 --> 00:26:16,243 I'm Jeff, and this is my friend, Mr. Bonkers. 612 00:26:16,343 --> 00:26:17,611 Come on out, Mr. Bonkers. 613 00:26:17,678 --> 00:26:19,847 Say hi. - I don't wanna. 614 00:26:19,880 --> 00:26:21,115 - Why not? 615 00:26:21,215 --> 00:26:22,616 What's there to be afraid of? 616 00:26:22,683 --> 00:26:25,186 - It's just so humiliating. 617 00:26:25,252 --> 00:26:26,387 - What? 618 00:26:26,454 --> 00:26:27,855 Nobody's gonna laugh at you. 619 00:26:27,888 --> 00:26:30,958 - I know. That's the trouble. 620 00:26:31,058 --> 00:26:33,794 No one laughs. 621 00:26:33,861 --> 00:26:34,929 - Well-- 622 00:26:34,995 --> 00:26:37,898 - But if I can't kill 'em with comedy, 623 00:26:37,965 --> 00:26:40,701 I'll hammer home the humor. 624 00:26:40,734 --> 00:26:43,804 [maniacal laughter] 625 00:26:43,904 --> 00:26:46,807 [applause] 626 00:26:46,874 --> 00:26:48,242 - That's a bit violent, isn't it? 627 00:26:48,375 --> 00:26:49,677 - And? 628 00:26:49,710 --> 00:26:51,245 - Well, you can't just go around killing people. 629 00:26:51,312 --> 00:26:52,713 - Why not? 630 00:26:52,746 --> 00:26:57,251 How do you think I got these nifty striped pajamas? 631 00:26:57,318 --> 00:26:59,887 [laughter] 632 00:26:59,954 --> 00:27:02,756 - I'm guessing Dylan wasn't too flattered about this. 633 00:27:02,857 --> 00:27:04,859 - Nope. It's the ultimate form of heckling. 634 00:27:04,892 --> 00:27:07,228 If anything could trigger Dylan's rage, it'd be this. 635 00:27:07,261 --> 00:27:08,662 So he gets out of the Pit, 636 00:27:08,762 --> 00:27:10,297 finds out that another comic got famous using him 637 00:27:10,431 --> 00:27:12,967 as the punchline. 638 00:27:13,033 --> 00:27:15,169 [tense music] 639 00:27:15,236 --> 00:27:16,470 He's going after Jeff next. 640 00:27:16,571 --> 00:27:22,743 ♪ ♪ 641 00:27:22,776 --> 00:27:26,080 - Well, here we are. 642 00:27:26,113 --> 00:27:28,415 Beautiful house. 643 00:27:28,482 --> 00:27:31,085 All that touring money, must be nice. 644 00:27:31,152 --> 00:27:33,187 You know, the first time I ever saw the special, 645 00:27:33,254 --> 00:27:36,190 I was hiding out in a shelter right after the blast. 646 00:27:36,290 --> 00:27:40,728 They had a Goodwill with all these $0.99 DVDs. 647 00:27:40,828 --> 00:27:43,397 - Oh, my God, with the sob story. 648 00:27:43,532 --> 00:27:45,199 Why are we sitting on our asses? 649 00:27:45,232 --> 00:27:46,700 - Be nice. 650 00:27:46,800 --> 00:27:49,336 Dylan needs time to process everything, find his voice. 651 00:27:49,403 --> 00:27:50,938 - I think he's changing his mind. 652 00:27:50,971 --> 00:27:51,972 - I'm not. 653 00:27:52,006 --> 00:27:53,407 - You're making the right decision. 654 00:27:53,440 --> 00:27:54,708 It's been a long time coming. 655 00:27:54,742 --> 00:27:57,546 This guy's gonna get what he deserves. 656 00:27:57,678 --> 00:27:59,446 - What do you think, Dr. Debbie? 657 00:27:59,480 --> 00:28:01,148 - It's like I always say, Dylan, 658 00:28:01,215 --> 00:28:03,184 you need to make your own decisions. 659 00:28:03,284 --> 00:28:04,553 - He's a hack. 660 00:28:04,619 --> 00:28:11,125 ♪ ♪ 661 00:28:11,192 --> 00:28:12,661 - I want to hurt him. 662 00:28:12,693 --> 00:28:15,095 - Then I think it's important that you hurt him. 663 00:28:15,196 --> 00:28:17,464 - I want him to feel exactly how I felt 664 00:28:17,532 --> 00:28:20,234 the first time I saw that video. 665 00:28:20,301 --> 00:28:22,469 Hey, Peter. 666 00:28:22,571 --> 00:28:24,071 Knock, knock. 667 00:28:24,171 --> 00:28:25,406 - Who's there? 668 00:28:25,472 --> 00:28:27,007 - I'm-a. 669 00:28:27,041 --> 00:28:28,275 - I'm-a who? 670 00:28:28,375 --> 00:28:31,845 ♪ ♪ 671 00:28:31,879 --> 00:28:35,115 - I'm-a go kill Jeff. 672 00:28:43,123 --> 00:28:45,926 [ominous music] 673 00:28:45,993 --> 00:28:53,000 ♪ ♪ 674 00:28:57,639 --> 00:28:59,106 [glass clinking] 675 00:29:05,145 --> 00:29:07,047 - Knock, knock. 676 00:29:07,147 --> 00:29:08,349 ♪ ♪ 677 00:29:08,415 --> 00:29:09,250 - You-- 678 00:29:09,383 --> 00:29:11,485 - No. 679 00:29:11,519 --> 00:29:12,853 That's not how the joke goes. 680 00:29:12,953 --> 00:29:14,922 - You shouldn't be here. I'm calling the cops. 681 00:29:15,022 --> 00:29:16,890 ♪ ♪ 682 00:29:16,924 --> 00:29:19,059 - I saw your act, Jeff. 683 00:29:19,126 --> 00:29:21,061 I gotta say, I didn't laugh. 684 00:29:21,161 --> 00:29:23,264 ♪ ♪ 685 00:29:27,001 --> 00:29:28,168 [siren blaring] 686 00:29:28,469 --> 00:29:29,436 - Morales. 687 00:29:29,504 --> 00:29:30,739 - Hey, Bex. 688 00:29:30,771 --> 00:29:32,239 - How's Peck? 689 00:29:32,373 --> 00:29:33,608 - He's still in surgery. 690 00:29:33,708 --> 00:29:35,409 He lost a lot of blood. 691 00:29:35,476 --> 00:29:37,478 I-I should have cleared the whole house before I-- 692 00:29:37,612 --> 00:29:39,079 - Hey, stop. 693 00:29:39,146 --> 00:29:41,315 Morales, none of this is your fault, OK? 694 00:29:41,348 --> 00:29:43,652 It was your quick thinking in getting him to the hospital, 695 00:29:43,685 --> 00:29:46,120 that is the reason he's alive. 696 00:29:46,186 --> 00:29:47,388 - Yeah. 697 00:29:47,454 --> 00:29:48,757 Yeah, OK. 698 00:29:48,856 --> 00:29:51,258 [tense music] 699 00:29:51,325 --> 00:29:54,562 - Look, I know that you and Peck are close, OK? 700 00:29:54,663 --> 00:29:55,764 When he comes out of surgery, 701 00:29:55,829 --> 00:29:56,897 it's gonna be your face 702 00:29:56,964 --> 00:29:58,899 that he wants to see. 703 00:30:00,401 --> 00:30:02,336 - Get this guy, Bex. 704 00:30:04,706 --> 00:30:06,340 - On it. 705 00:30:06,473 --> 00:30:13,447 ♪ ♪ 706 00:30:15,550 --> 00:30:18,285 - It was a joke. 707 00:30:18,319 --> 00:30:20,387 I thought you were dead. 708 00:30:20,487 --> 00:30:21,922 Please, 709 00:30:21,955 --> 00:30:24,592 just take the dummy. 710 00:30:24,659 --> 00:30:26,226 Let me go. 711 00:30:30,431 --> 00:30:32,366 - Stay still, please. 712 00:30:35,102 --> 00:30:37,971 - I'll do anything you want. 713 00:30:38,105 --> 00:30:39,373 Anything. 714 00:30:39,507 --> 00:30:44,445 ♪ ♪ 715 00:30:44,512 --> 00:30:46,815 - Jeff, 716 00:30:46,847 --> 00:30:48,182 meet Dead Jeff. 717 00:30:48,248 --> 00:30:53,220 ♪ ♪ 718 00:30:53,287 --> 00:30:56,423 What do you think? 719 00:30:56,457 --> 00:30:58,626 - You're insane. 720 00:30:58,727 --> 00:31:01,395 - I don't think he likes us. 721 00:31:01,495 --> 00:31:03,832 - Me neither. 722 00:31:03,864 --> 00:31:06,568 - And I don't care. 723 00:31:06,601 --> 00:31:08,135 - Me neither. 724 00:31:08,268 --> 00:31:10,871 ♪ ♪ 725 00:31:12,239 --> 00:31:14,174 - Hey, guys, police just got to the scene. 726 00:31:14,308 --> 00:31:15,876 Dylan and Jeff are both gone, 727 00:31:15,943 --> 00:31:17,344 but there's clear evidence of a struggle. 728 00:31:17,478 --> 00:31:19,313 - Is there a body? - No. 729 00:31:19,413 --> 00:31:20,782 And from the looks of it, 730 00:31:20,881 --> 00:31:22,316 this just became an abduction case. 731 00:31:22,349 --> 00:31:25,419 [dramatic music] 732 00:31:25,520 --> 00:31:27,488 [engine revs] 733 00:31:27,555 --> 00:31:30,424 [tense music] 734 00:31:30,558 --> 00:31:33,595 ♪ ♪ 735 00:31:33,728 --> 00:31:35,229 - Come on. 736 00:31:35,295 --> 00:31:37,431 Get up. 737 00:31:37,498 --> 00:31:40,434 - [panting] Please. 738 00:31:40,568 --> 00:31:44,938 ♪ ♪ 739 00:31:44,972 --> 00:31:47,374 [siren blaring, engine revving] 740 00:31:47,441 --> 00:31:49,544 - I sent you the security footage from Jeff's house. 741 00:31:49,677 --> 00:31:51,546 This is from 30 minutes ago. 742 00:31:51,613 --> 00:31:53,815 - He's keeping Jeff alive? 743 00:31:53,882 --> 00:31:55,282 - Well, he took him alive. 744 00:31:55,416 --> 00:31:57,117 Don't think the plan is to keep him that way. 745 00:31:57,217 --> 00:31:59,253 Question is, what is he gonna do with him? 746 00:31:59,319 --> 00:32:01,523 - OK, so Dylan's ultimate trigger is humiliation. 747 00:32:01,589 --> 00:32:03,390 It makes sense that he's going after Jeff. 748 00:32:03,457 --> 00:32:05,359 With Keith and Jane, their kills were pragmatic. 749 00:32:05,392 --> 00:32:06,661 He needed to remake his dummies. 750 00:32:06,728 --> 00:32:09,531 But Jeff is who he really wants. 751 00:32:09,597 --> 00:32:10,865 - Jeff! 752 00:32:10,899 --> 00:32:12,767 I didn't know you were coming in tonight. 753 00:32:12,834 --> 00:32:14,636 Hey, are you OK? 754 00:32:14,736 --> 00:32:16,871 [grunts, thuds] 755 00:32:16,937 --> 00:32:18,873 - You don't have to do this. 756 00:32:18,907 --> 00:32:20,742 - OK, well, if this is about humiliation 757 00:32:20,842 --> 00:32:22,710 like his other kills, then I would say 758 00:32:22,844 --> 00:32:24,746 he's planning something public. 759 00:32:24,879 --> 00:32:26,748 - For that, he'll need an audience. 760 00:32:26,815 --> 00:32:29,950 [indistinct chatter] 761 00:32:32,152 --> 00:32:35,222 [soft dramatic music] 762 00:32:35,355 --> 00:32:40,427 ♪ ♪ 763 00:32:40,562 --> 00:32:43,030 - Hello, folks. It's good to be back. 764 00:32:43,096 --> 00:32:45,432 We're gonna start the show a little early tonight. 765 00:32:45,499 --> 00:32:52,507 ♪ ♪ 766 00:32:55,309 --> 00:32:57,879 I want to introduce you to someone. 767 00:32:57,946 --> 00:33:00,414 This is Dead Jeff. 768 00:33:00,447 --> 00:33:03,317 [ominous music] 769 00:33:03,383 --> 00:33:04,752 ♪ ♪ 770 00:33:04,819 --> 00:33:05,887 Hey, Jeff. 771 00:33:05,920 --> 00:33:07,589 Looks like you had a rough night. 772 00:33:07,655 --> 00:33:08,923 - You should see the other guy. 773 00:33:08,957 --> 00:33:12,861 [laughter] 774 00:33:12,927 --> 00:33:15,663 [chilling music] 775 00:33:15,797 --> 00:33:17,397 - All right, Ben, what do you got? 776 00:33:17,431 --> 00:33:19,466 - There are 12 dedicated comedy clubs 777 00:33:19,567 --> 00:33:20,635 in the greater Denver area 778 00:33:20,702 --> 00:33:23,070 and another 18 venues promoting open mics tonight. 779 00:33:23,203 --> 00:33:24,639 We don't have time to check them all. 780 00:33:24,706 --> 00:33:27,074 - Wait, they both performed at a place in Boulder called 781 00:33:27,140 --> 00:33:29,276 the Colorado Comedy Club back in 2015. 782 00:33:29,343 --> 00:33:31,111 And it looks like a few years ago, 783 00:33:31,178 --> 00:33:32,479 Jeff Miller bought it. 784 00:33:32,614 --> 00:33:35,148 [suspenseful music] 785 00:33:35,215 --> 00:33:37,519 [siren blaring, engine revving] 786 00:33:37,619 --> 00:33:40,454 - You know Jeff, I don't think that was heaven. 787 00:33:40,487 --> 00:33:41,823 - Go to hell. 788 00:33:41,856 --> 00:33:45,092 [laughter] 789 00:33:47,394 --> 00:33:50,832 - How many of you recognize my friend here? 790 00:33:50,965 --> 00:33:52,967 Who knows who Dead Jeff is based on? 791 00:33:53,066 --> 00:33:54,569 - Jeff Miller. 792 00:33:54,636 --> 00:33:56,036 - You got it. 793 00:33:56,069 --> 00:33:58,171 This is Dead Jeff Miller. 794 00:33:58,205 --> 00:33:59,774 - Oh, you're hilarious. 795 00:34:02,544 --> 00:34:04,546 - But, you know, really, I should rename you 796 00:34:04,612 --> 00:34:06,648 Not Dead Yet Jeff. 797 00:34:06,681 --> 00:34:08,415 But what do you think? 798 00:34:08,482 --> 00:34:09,717 Should I kill him? 799 00:34:09,851 --> 00:34:13,353 ♪ ♪ 800 00:34:13,387 --> 00:34:14,923 I'm serious. 801 00:34:14,989 --> 00:34:17,659 Who here thinks I should kill Jeff? 802 00:34:17,725 --> 00:34:20,962 ♪ ♪ 803 00:34:20,995 --> 00:34:23,898 - Um, I don't. Does that count? 804 00:34:24,032 --> 00:34:27,001 [laughter] 805 00:34:27,035 --> 00:34:28,503 - No. 806 00:34:28,570 --> 00:34:29,971 Come on. 807 00:34:30,070 --> 00:34:31,739 Jeff "the Dud" Miller got famous 808 00:34:31,806 --> 00:34:33,007 off an act that wasn't his. 809 00:34:33,073 --> 00:34:34,207 He stole it. 810 00:34:34,341 --> 00:34:35,910 Did you all know that? 811 00:34:36,044 --> 00:34:38,513 Mr. Bonkers? 812 00:34:38,613 --> 00:34:40,447 Please. 813 00:34:40,515 --> 00:34:42,349 I say we kill him. 814 00:34:42,482 --> 00:34:47,087 ♪ ♪ 815 00:34:47,154 --> 00:34:48,957 Should I do it? 816 00:34:49,023 --> 00:34:50,658 - Whoo! 817 00:34:50,758 --> 00:34:52,392 [clapping] 818 00:34:52,492 --> 00:34:54,094 - Yeah? 819 00:34:54,127 --> 00:34:56,330 - No, no, don't do it! 820 00:34:58,032 --> 00:34:58,967 [crashes] 821 00:34:59,033 --> 00:35:01,903 [tense music] 822 00:35:02,036 --> 00:35:09,176 ♪ ♪ 823 00:35:17,652 --> 00:35:19,654 [tires screech, siren blares] 824 00:35:20,153 --> 00:35:22,991 [suspenseful music] 825 00:35:23,057 --> 00:35:24,859 ♪ ♪ 826 00:35:24,892 --> 00:35:26,226 - Hey, watch your background. 827 00:35:26,259 --> 00:35:27,962 It's full of friendlies in there. 828 00:35:28,029 --> 00:35:29,697 - Copy that. I'll circle around the front. 829 00:35:29,797 --> 00:35:32,767 ♪ ♪ 830 00:35:32,867 --> 00:35:35,503 - [panting] Yeah, all right. 831 00:35:38,706 --> 00:35:40,108 That was just the warm-up. 832 00:35:40,140 --> 00:35:41,843 Buckle up, everyone. 833 00:35:41,943 --> 00:35:44,746 ♪ ♪ 834 00:35:44,812 --> 00:35:46,948 [crowd gasping] 835 00:35:47,015 --> 00:35:49,249 [panicked murmuring] 836 00:35:49,349 --> 00:35:50,551 - I'm calling the cops. 837 00:35:50,618 --> 00:35:52,987 - This isn't funny. - Oh, I disagree. 838 00:35:53,087 --> 00:35:55,523 I think it's hilarious. 839 00:35:55,590 --> 00:35:58,092 [screaming] 840 00:35:58,158 --> 00:35:59,594 - FBI, drop your weapon! 841 00:35:59,661 --> 00:36:01,294 - Everyone out! Get out. Get out the nearest exit. 842 00:36:01,361 --> 00:36:02,563 Keep your head low. Stay calm. 843 00:36:02,597 --> 00:36:04,331 Keep your heads down. Keep moving. 844 00:36:04,431 --> 00:36:05,733 You're all right, just keep moving. 845 00:36:05,800 --> 00:36:08,002 Get out. Everybody out. 846 00:36:08,036 --> 00:36:09,570 - It's over, Dylan. 847 00:36:09,671 --> 00:36:11,204 You made your point, OK? 848 00:36:11,304 --> 00:36:12,940 Let him go. - My point? 849 00:36:13,041 --> 00:36:14,274 He's a hack. 850 00:36:14,341 --> 00:36:16,144 Got famous using me as a prop. 851 00:36:16,243 --> 00:36:18,012 - And you wanted to humiliate him in return, right? 852 00:36:18,079 --> 00:36:19,647 Well done, you did that. 853 00:36:19,681 --> 00:36:21,248 - Just one more step, 854 00:36:21,314 --> 00:36:23,718 and I pop his head like a cherry. 855 00:36:23,785 --> 00:36:25,252 - You're not gonna do that. 856 00:36:25,352 --> 00:36:26,854 Think about it, Dylan. 857 00:36:26,954 --> 00:36:28,321 What's worse than dying? 858 00:36:28,422 --> 00:36:29,924 Let him live with this. 859 00:36:29,991 --> 00:36:32,160 He's the idiot who got humiliated on his own stage 860 00:36:32,259 --> 00:36:33,393 by his own dummy. 861 00:36:33,460 --> 00:36:35,495 He will never recover from that. 862 00:36:35,596 --> 00:36:39,399 ♪ ♪ 863 00:36:39,499 --> 00:36:43,203 You want to humiliate him forever? 864 00:36:43,303 --> 00:36:44,906 Don't kill him. Let him live. 865 00:36:45,006 --> 00:36:47,274 ♪ ♪ 866 00:36:47,374 --> 00:36:50,511 Dylan, put the gun down. 867 00:36:50,611 --> 00:36:52,279 - You're right. 868 00:36:54,148 --> 00:36:56,117 My job is done. 869 00:36:56,184 --> 00:36:58,485 Hey, Jeff, what's red and full of holes? 870 00:37:00,220 --> 00:37:01,656 Me. [gun clicks] 871 00:37:01,756 --> 00:37:03,256 [dramatic music] 872 00:37:03,290 --> 00:37:05,793 [thuds] No! 873 00:37:05,827 --> 00:37:07,427 Don't send me back. 874 00:37:07,494 --> 00:37:08,696 - I got him. Shane, get the gun. 875 00:37:08,763 --> 00:37:09,831 - Copy. 876 00:37:12,033 --> 00:37:14,334 - You OK? - All right. 877 00:37:14,434 --> 00:37:16,003 - Yeah. - You sure? 878 00:37:16,070 --> 00:37:17,505 - Thank you. - Come on. 879 00:37:17,538 --> 00:37:19,272 - Hey, Ben, we're gonna need an ambulance. 880 00:37:19,372 --> 00:37:20,942 - Copy, contacting dispatch. 881 00:37:21,042 --> 00:37:22,910 ETA ten minutes. 882 00:37:23,010 --> 00:37:26,581 [soft music] 883 00:37:26,647 --> 00:37:27,882 - Easy there. 884 00:37:30,218 --> 00:37:33,588 Those are some pretty heavy painkillers. 885 00:37:33,688 --> 00:37:36,057 - These pills are good. [chuckles] 886 00:37:36,157 --> 00:37:37,491 [winces] 887 00:37:37,558 --> 00:37:40,695 - Let's get you to bed before they wear off. 888 00:37:40,728 --> 00:37:41,996 - That sounds nice. 889 00:37:44,232 --> 00:37:46,601 Have I told you how beautiful you are? 890 00:37:46,667 --> 00:37:48,569 - [chuckles] OK there, Casanova. 891 00:37:48,636 --> 00:37:50,705 You can tell me that when you're sober. 892 00:37:50,772 --> 00:37:52,173 - Okay. 893 00:37:52,240 --> 00:37:54,575 - Shane just sat down to dinner with Lazarus. 894 00:37:54,675 --> 00:37:55,576 - Got it. 895 00:37:55,676 --> 00:37:57,277 Find anything on Noah Cyrus and the convoy? 896 00:37:57,377 --> 00:37:59,113 - Nothing in there. 897 00:37:59,180 --> 00:38:02,016 [melancholy rock music] 898 00:38:02,083 --> 00:38:09,289 ♪ ♪ 899 00:38:13,261 --> 00:38:18,933 - ♪ Sweet like honey ♪ 900 00:38:19,000 --> 00:38:23,604 ♪ Taken from the blade ♪ 901 00:38:23,704 --> 00:38:28,308 ♪ ♪ 902 00:38:28,341 --> 00:38:33,548 ♪ Joy dies slowly ♪ 903 00:38:33,614 --> 00:38:38,152 ♪ Don't let it go to waste ♪ 904 00:38:38,252 --> 00:38:43,558 ♪ ♪ 905 00:38:43,624 --> 00:38:47,795 ♪ Oh ♪ 906 00:38:47,829 --> 00:38:49,197 - Searched everything. 907 00:38:49,297 --> 00:38:50,731 This place is clean. 908 00:38:50,832 --> 00:38:53,034 - Yeah, because she's too smart to leave anything around 909 00:38:53,134 --> 00:38:54,635 for us to find. 910 00:38:54,735 --> 00:38:57,305 ♪ ♪ 911 00:38:57,370 --> 00:38:59,339 - ♪ It's dangerous ♪ 912 00:38:59,439 --> 00:39:01,509 - [groans] Getting shot hurts. 913 00:39:01,609 --> 00:39:03,343 - I don't know what you expected. 914 00:39:03,376 --> 00:39:05,646 Here, let me help you. 915 00:39:05,680 --> 00:39:07,615 There we go. 916 00:39:07,648 --> 00:39:09,083 - [grunts] 917 00:39:10,585 --> 00:39:13,353 - Hey, what happened here? 918 00:39:15,690 --> 00:39:18,025 You been out shooting a rifle or something? 919 00:39:18,125 --> 00:39:20,427 - Shh. 920 00:39:20,528 --> 00:39:22,663 - Uh-- - [groaning] 921 00:39:22,697 --> 00:39:24,999 - But I-I thought that you said you-- 922 00:39:25,099 --> 00:39:26,901 you didn't shoot. - [grunts] 923 00:39:27,001 --> 00:39:29,804 Secret stuff. 924 00:39:29,837 --> 00:39:31,471 - What do you mean? 925 00:39:31,539 --> 00:39:34,108 - We don't talk about missions. 926 00:39:35,610 --> 00:39:41,249 - ♪ How far can we go ♪ 927 00:39:41,349 --> 00:39:45,586 ♪ Till there's nothing left ♪ 928 00:39:45,653 --> 00:39:52,660 ♪ ♪ 929 00:39:57,265 --> 00:39:59,100 ♪ It's dangerous ♪ 930 00:39:59,133 --> 00:40:01,736 [gunfire banging] 931 00:40:05,339 --> 00:40:07,241 - Tango down. All clear. 932 00:40:07,341 --> 00:40:08,943 ♪ ♪ 933 00:40:09,010 --> 00:40:10,578 In position. 934 00:40:10,678 --> 00:40:13,413 ♪ ♪ 935 00:40:13,514 --> 00:40:16,483 - Breach. Breach. 936 00:40:16,550 --> 00:40:18,886 [explosion booms] 937 00:40:18,953 --> 00:40:22,790 [dramatic music] 938 00:40:22,890 --> 00:40:25,526 [gunshots] 939 00:40:25,593 --> 00:40:27,862 - Target eliminated. 940 00:40:27,962 --> 00:40:34,936 ♪ ♪ 941 00:40:59,994 --> 00:41:02,930 [dramatic music] 942 00:41:02,997 --> 00:41:10,004 ♪ ♪