1
00:02:09,900 --> 00:02:13,320
Well, can we not print the rest?

2
00:02:13,640 --> 00:02:17,180
Well, unfortunately, neither Samoilov nor
We won't find Vladimirov anymore, so

3
00:02:17,180 --> 00:02:18,500
We will film Matyukhin.

4
00:02:21,540 --> 00:02:22,540
Yes.

5
00:02:35,720 --> 00:02:37,260
Where did this come from?

6
00:02:40,140 --> 00:02:41,960
Do you know her? With whom?

7
00:02:42,760 --> 00:02:45,440
Maryana, this is Maryana. This is mine
Maryana.

8
00:02:47,580 --> 00:02:48,580
Yes?

9
00:02:48,820 --> 00:02:49,820
Yes.

10
00:02:50,720 --> 00:02:51,720
Do you know each other?

11
00:02:54,960 --> 00:02:55,960
No.

12
00:02:56,760 --> 00:02:57,760
How?

13
00:02:58,460 --> 00:02:59,460
Here she is.

14
00:02:59,940 --> 00:03:01,920
How's your photo of her?

15
00:03:05,480 --> 00:03:06,960
Wait. Now.

16
00:03:07,320 --> 00:03:08,740
What about Maryana?

17
00:03:13,290 --> 00:03:14,810
Ah, well, here’s the beginning of the film.

18
00:03:15,810 --> 00:03:16,990
Yes, yes, yes, yes, yes.

19
00:03:18,390 --> 00:03:24,210
I was testing the new camera and
photographed landscapes.

20
00:03:24,690 --> 00:03:26,190
I see a beautiful girl.

21
00:03:28,590 --> 00:03:29,590
Wait.

22
00:03:30,050 --> 00:03:31,630
She is with the Latins of the past.

23
00:03:31,950 --> 00:03:32,990
What did you ask?

24
00:03:34,890 --> 00:03:35,950
I don't remember anymore.

25
00:03:40,510 --> 00:03:41,510
Well, remember.

26
00:03:41,960 --> 00:03:44,960
Why did you ask her to pose? Nobody
another, namely her.

27
00:03:45,520 --> 00:03:46,600
But there was no one there.

28
00:03:52,700 --> 00:03:53,960
Was she alone or with someone?

29
00:03:54,740 --> 00:03:55,740
One.

30
00:03:57,120 --> 00:03:58,120
And what did you say?

31
00:04:00,360 --> 00:04:04,980
I said, girl, let me
I need to take a photo for work.

32
00:04:05,460 --> 00:04:10,240
She said, of course, just quickly, I
I'm in a hurry.

33
00:04:14,570 --> 00:04:15,890
And what were you talking about?

34
00:04:17,149 --> 00:04:18,149
Nothing.

35
00:04:19,649 --> 00:04:20,649
To the right, to the left.

36
00:04:21,350 --> 00:04:24,290
Thanks to everyone for questioning me.

37
00:04:29,010 --> 00:04:30,010
What?

38
00:04:32,990 --> 00:04:34,930
It's just strange that she immediately
agreed.

39
00:04:35,510 --> 00:04:37,030
Unfamiliar man in the park.

40
00:04:38,610 --> 00:04:39,790
I pestered her.

41
00:04:40,030 --> 00:04:42,290
Did I grab your hands to the tree?
pressed?

42
00:04:44,110 --> 00:04:45,110
Asked for help.

43
00:04:45,370 --> 00:04:46,510
He asked politely.

44
00:04:47,110 --> 00:04:48,770
I still had to refuse.

45
00:04:49,410 --> 00:04:50,590
Or not, of course.

46
00:04:54,050 --> 00:04:55,430
She won't remember me.

47
00:04:56,230 --> 00:04:58,210
Five minutes, click, that's it.

48
00:04:59,190 --> 00:05:00,990
Sorry, you're acting like a jerk.

49
00:05:03,130 --> 00:05:04,130
That's for sure.

50
00:05:06,610 --> 00:05:09,170
I try not to think, but I’m not afraid. Crazy
got off.

51
00:05:11,090 --> 00:05:13,030
I can't work at all. Think about it.

52
00:05:14,120 --> 00:05:15,340
There’s some immediate pressure.

53
00:05:16,760 --> 00:05:19,880
Eh, old man, remember.

54
00:05:21,660 --> 00:05:23,880
Everything goes into creativity, everything goes into the piggy bank.

55
00:05:24,660 --> 00:05:26,280
Yes, such creativity.

56
00:05:29,460 --> 00:05:30,460
I'll take the photo.

57
00:05:33,900 --> 00:05:35,060
You'll see.

58
00:05:36,600 --> 00:05:38,340
She will still be my wife.

59
00:06:15,720 --> 00:06:20,740
No. No, Egor, no. You're my word
gave. What is this?

60
00:06:22,480 --> 00:06:24,100
No, no and no.

61
00:06:40,880 --> 00:06:41,880
So who is this?

62
00:06:42,700 --> 00:06:43,780
Veginochka Mark.

63
00:06:44,340 --> 00:06:46,460
This is Maryan Pichugin.

64
00:06:47,320 --> 00:06:49,780
Student, third year. Symphony of Moscow State University.

65
00:06:51,900 --> 00:06:55,660
And Fyodor Andreevich knows what you want
try out for the main role

66
00:06:55,660 --> 00:06:57,240
unprofessional artist?

67
00:06:58,980 --> 00:07:05,320
Let's do a test first, shall we? That's it
no, that's enough. We'll talk to you first

68
00:07:05,320 --> 00:07:06,420
Fedor Andreevich.

69
00:07:06,650 --> 00:07:10,370
Well, Reginochka Markovna. No, well,
Reginochka Markovna. I'm tired of you. Well,

70
00:07:10,430 --> 00:07:12,530
Reginochka Markovna. You gave me your word.

71
00:07:15,690 --> 00:07:16,690
Vitya.

72
00:07:17,890 --> 00:07:19,310
Vitya, please forgive me.

73
00:07:22,890 --> 00:07:26,470
I know you probably don't want to
see me more.

74
00:07:29,310 --> 00:07:31,610
But I couldn’t help but see you again.

75
00:08:29,610 --> 00:08:30,830
Is it okay, what do we have?

76
00:08:32,110 --> 00:08:35,049
Songs, dances? She's dancing at school
I was studying.

77
00:08:36,830 --> 00:08:39,230
We are rehearsing. Sing for her at all
someone else can.

78
00:08:39,490 --> 00:08:41,230
The Zabudnik Laevsky sings so beautifully.

79
00:08:42,510 --> 00:08:44,049
Look at the image.

80
00:08:44,650 --> 00:08:50,430
What a pure look. Well, come on now
everyone with a pure movie look sharpen.

81
00:08:52,530 --> 00:08:53,530
Girlfriend?

82
00:08:57,270 --> 00:08:58,900
Daughter-in-law? Well, what does it have to do with it?

83
00:09:00,060 --> 00:09:02,320
Makomaya, look at her face.

84
00:09:04,460 --> 00:09:05,660
Is there another option?

85
00:09:07,240 --> 00:09:08,480
Matyukhina. No.

86
00:09:10,620 --> 00:09:11,620
Or maybe

87
00:09:13,980 --> 00:09:15,540
Ateyev? No please.

88
00:09:17,540 --> 00:09:22,220
Fedor Andreevich, no one will give us
postpone filming. Someone needs to be removed.

89
00:09:23,760 --> 00:09:25,920
Well? Tell me, Egor.

90
00:09:26,730 --> 00:09:27,730
Aren't you ashamed?

91
00:09:29,050 --> 00:09:30,790
Nadya, please go.

92
00:09:31,010 --> 00:09:32,010
We are working.

93
00:09:32,670 --> 00:09:33,750
I know your work.

94
00:09:36,530 --> 00:09:41,910
Regina McMon, make an appointment for tomorrow
samples and call me, I'll come.

95
00:09:50,250 --> 00:09:51,930
Vitya, what do you have here?

96
00:09:54,870 --> 00:09:55,870
Film.

97
00:09:58,790 --> 00:10:00,110
Why in the refrigerator?

98
00:10:01,730 --> 00:10:04,470
It must be stored at a certain
temperature.

99
00:10:07,850 --> 00:10:10,630
Well, do you want me to go to the store?
I'll cook something for us.

100
00:10:11,730 --> 00:10:14,590
Maybe it's better if we leave the house and go
Shall we eat somewhere?

101
00:10:18,870 --> 00:10:19,870
Walk.

102
00:10:21,650 --> 00:10:22,830
Where does she wear it?

103
00:10:23,090 --> 00:10:24,210
For Alexander?

104
00:10:24,450 --> 00:10:25,510
May she come.

105
00:10:25,750 --> 00:10:26,930
Where will she go?

106
00:10:27,880 --> 00:10:32,320
He's probably out with his girlfriend. Not everything
They have to cram polyamides at night.

107
00:10:37,180 --> 00:10:38,700
Hello. Are you waiting for me?

108
00:10:38,980 --> 00:10:39,980
I don't need you.

109
00:10:40,340 --> 00:10:42,860
Your sister, where is she? For the main role
want to try.

110
00:10:43,380 --> 00:10:44,700
Marusya? Yes.

111
00:10:45,620 --> 00:10:46,760
Think about where she could be?

112
00:10:47,200 --> 00:10:50,620
So, why did you decide that she
will you agree to participate in this?

113
00:10:50,880 --> 00:10:51,940
Did you ask her?

114
00:10:52,880 --> 00:10:53,880
No.

115
00:10:55,000 --> 00:10:56,080
Hello grandma. Hello.

116
00:11:00,080 --> 00:11:01,980
You know, I wanted a dog so badly.

117
00:11:03,620 --> 00:11:06,880
But it turned out that the grandmother had wool
her suffocation.

118
00:11:08,640 --> 00:11:11,540
Well, then I came here.

119
00:11:11,820 --> 00:11:15,900
They gave me a puppy. We are here for them
border guards were trained.

120
00:11:17,620 --> 00:11:18,640
Are you interested?

121
00:11:18,980 --> 00:11:23,340
In general, he was very kind.

122
00:11:24,000 --> 00:11:25,840
But so clumsy.

123
00:11:26,990 --> 00:11:30,370
And this unfortunate lane is an obstacle
I couldn't get through to the end.

124
00:11:31,370 --> 00:11:34,890
In general, I was even happy when he
I broke my paw during the exam because

125
00:11:34,890 --> 00:11:36,050
Well, what kind of border guard is he?

126
00:11:36,750 --> 00:11:39,070
Spies immediately killed him at the border.

127
00:11:39,370 --> 00:11:41,990
And here everyone loved him in the club
left.

128
00:11:42,410 --> 00:11:44,030
Dick, do you understand where we've come?

129
00:11:44,590 --> 00:11:45,590
Where?

130
00:11:46,510 --> 00:11:48,530
We came to meet Tyoma.

131
00:11:50,610 --> 00:11:52,310
Here or where? Here.

132
00:12:02,920 --> 00:12:07,260
What, this borderline should be written as a Subject
tomorrow? No, well, in general, generally in trezor

133
00:12:07,260 --> 00:12:09,100
officially. Well, what kind of trezor is this?

134
00:12:09,940 --> 00:12:12,600
Here you go. Topic, meet Vitya.

135
00:12:13,280 --> 00:12:14,280
Look at Vitya.

136
00:12:16,660 --> 00:12:17,660
Pet him.

137
00:12:19,760 --> 00:12:20,760
Vitya.

138
00:12:21,340 --> 00:12:23,960
He just doesn't know you yet. Look,
what a good one.

139
00:12:24,580 --> 00:12:25,580
So what are you doing?

140
00:12:25,760 --> 00:12:27,280
Well, pet it, don’t be afraid, well.

141
00:12:30,660 --> 00:12:31,660
Vitya!

142
00:12:33,660 --> 00:12:36,380
Show me. He needs to be bandaged quickly.

143
00:12:37,580 --> 00:12:39,080
We need to stay.

144
00:12:40,840 --> 00:12:41,840
What?

145
00:12:43,100 --> 00:12:44,140
Vitya, what?

146
00:12:44,900 --> 00:12:46,200
Don't follow me.

147
00:12:49,560 --> 00:12:51,040
And don't call, that's it.

148
00:12:55,780 --> 00:13:00,440
Regina Markovna, I... Yes, I will find it, I will find it.

149
00:13:01,000 --> 00:13:02,080
I'll see you tomorrow for sure.

150
00:13:05,380 --> 00:13:06,380
Fine.

151
00:13:06,780 --> 00:13:07,780
Today is good.

152
00:13:08,520 --> 00:13:09,520
I'll call.

153
00:13:13,420 --> 00:13:15,300
Think, Sanechka, where she could be, huh?

154
00:13:15,840 --> 00:13:17,160
The fate of the painting is being decided.

155
00:13:19,440 --> 00:13:20,680
Maybe she's with him?

156
00:13:23,440 --> 00:13:25,140
Why are you so calm, huh?

157
00:13:30,880 --> 00:13:32,360
Hello. I'm on business.

158
00:13:32,900 --> 00:13:37,740
Marjan, you are perfect for one of
roles in our film. We want to appoint

159
00:13:37,740 --> 00:13:38,740
tests for tomorrow.

160
00:13:39,740 --> 00:13:40,740
Movie?

161
00:13:42,300 --> 00:13:43,420
The roles are very interesting.

162
00:13:47,140 --> 00:13:48,340
But I'm not an actress.

163
00:13:49,180 --> 00:13:51,800
We don't need an actress. We need here
just like you.

164
00:13:52,600 --> 00:13:53,840
Okay, I'll try.

165
00:13:54,660 --> 00:13:56,180
So you agree? Yes.

166
00:14:01,160 --> 00:14:03,900
Once upon a time there lived a husband and wife.

167
00:14:04,320 --> 00:14:08,100
They had a daughter Mashenka and a son
Vanyushka.

168
00:14:11,000 --> 00:14:17,520
Once upon a time, father and mother gathered in the city
and they tell Masha,

169
00:14:17,700 --> 00:14:24,180
Well, daughter, be smart, don’t go anywhere
run away, don’t leave your brother alone.

170
00:14:24,220 --> 00:14:25,860
Do you see it in the picture?

171
00:14:37,949 --> 00:14:39,150
Dad. Hello.

172
00:14:41,150 --> 00:14:42,150
Well, finally.

173
00:14:42,890 --> 00:14:44,130
Dad, happy birthday.

174
00:14:45,830 --> 00:14:46,830
Thank you.

175
00:14:47,330 --> 00:14:51,430
And I gave my grandfather that same driftwood. He
I immediately guessed that it was cosmic

176
00:14:51,430 --> 00:14:53,230
satellite Well, it can't be.

177
00:14:53,470 --> 00:14:54,930
Hello. Hello.

178
00:14:55,170 --> 00:14:56,870
This is your little brother.

179
00:14:57,490 --> 00:15:01,070
He drew me a pooping cat as a gift.
Dad!

180
00:15:01,390 --> 00:15:02,390
Come to me.

181
00:15:05,490 --> 00:15:10,230
Hello, Victor. Well I don't know how
you, and my patience is over. Very

182
00:15:10,230 --> 00:15:13,490
I want to have a snack and especially a drink.

183
00:15:13,750 --> 00:15:14,830
Victor, here.

184
00:15:15,250 --> 00:15:16,250
Where am I going?

185
00:15:16,550 --> 00:15:17,850
To me, of course.

186
00:15:18,210 --> 00:15:19,210
Well,

187
00:15:22,870 --> 00:15:24,630
swoop in.

188
00:15:37,520 --> 00:15:38,520
What's wrong with the hand?

189
00:15:40,220 --> 00:15:41,440
Never mind.

190
00:15:43,080 --> 00:15:44,480
That's it, that's enough.

191
00:15:45,100 --> 00:15:47,540
Otherwise I won’t get into the frames.

192
00:15:48,200 --> 00:15:50,860
But that's what wide-angle is for.
lens.

193
00:15:51,220 --> 00:15:54,140
Don't you dare offend my beloved daughter-in-law.

194
00:15:57,320 --> 00:16:02,260
Sergey Viktorovich, I, unfortunately,
I can’t speak thick, but I want to

195
00:16:02,260 --> 00:16:05,340
wish you good health and that everything goes well for you
it was good.

196
00:16:06,220 --> 00:16:07,220
Happy birthday.

197
00:16:07,420 --> 00:16:09,920
Thank you. Happy birthday, grandpa.

198
00:16:10,120 --> 00:16:11,120
Hooray!

199
00:16:17,740 --> 00:16:20,700
Inga says, are you going to make a movie?

200
00:16:22,700 --> 00:16:25,080
About the merger of village and city.

201
00:16:25,460 --> 00:16:28,840
Here is a typical representative of the village before
by you.

202
00:16:29,740 --> 00:16:33,260
This is a comedy. Well, an unusual comedy.

203
00:16:33,860 --> 00:16:39,080
Director. Fedor Krivitsky? Well, there's no
only Krivitsky. We have Egor.

204
00:16:39,200 --> 00:16:42,440
Ball. Young but very talented.

205
00:16:43,500 --> 00:16:50,220
And when you get rid of yours
teenage habit of not recognizing

206
00:16:50,220 --> 00:16:53,720
authorities? You're already 36.

207
00:16:54,580 --> 00:16:57,900
Well, for your 72 we’ll still have time to drink.

208
00:17:00,280 --> 00:17:04,319
And now I would like to drink to my mother.

209
00:17:06,240 --> 00:17:10,859
which, while you were doing rocket
installations, was the soul of this house.

210
00:17:11,180 --> 00:17:17,500
She has not been with us for 22 years, and I,
I've probably never seen it in my entire life

211
00:17:17,500 --> 00:17:22,440
even close to being so beautiful and
amazing woman.

212
00:17:23,079 --> 00:17:24,460
I haven't met.

213
00:17:33,710 --> 00:17:35,710
But you may, in this sense, have more
lucky.

214
00:17:36,530 --> 00:17:38,430
It's all amazing.

215
00:17:41,010 --> 00:17:42,330
It turns out you can eat chicken.

216
00:17:43,090 --> 00:17:45,590
She chews, and look, she doesn't drip
blood.

217
00:17:53,810 --> 00:17:55,790
Don't look, everything is fine, smoke.

218
00:18:02,030 --> 00:18:03,550
How similar they are after all.

219
00:18:04,390 --> 00:18:08,330
They meet once a year and still don’t
they can do it without offending each other.

220
00:18:10,470 --> 00:18:11,470
Nothing yet today.

221
00:18:12,110 --> 00:18:13,610
But because Vitya has a job.

222
00:18:14,530 --> 00:18:19,390
All energy goes into work, not into
competition with sarcasm.

223
00:18:25,270 --> 00:18:28,370
Well, tell me, Stanislav, why
new reward for you?

224
00:18:28,590 --> 00:18:30,090
You called my dad alone.

225
00:18:30,760 --> 00:18:32,320
Dad, thank you, that's enough for you too.

226
00:18:33,000 --> 00:18:33,859
Well, no.

227
00:18:33,860 --> 00:18:35,320
I probably didn't deserve it.

228
00:18:36,280 --> 00:18:42,680
Dad, can my brother, Uncle Vita,
ask for something? Stanislav,

229
00:18:42,680 --> 00:18:49,600
Uncle Vitya is not used to using
family ties. Understood?

230
00:18:50,660 --> 00:18:51,660
Run and play.

231
00:18:56,860 --> 00:19:00,000
You know that I can't stand tobacco
smoke.

232
00:19:03,080 --> 00:19:04,080
Sorry, dad.

233
00:19:05,820 --> 00:19:08,080
You shouldn't insult Nina.

234
00:19:10,000 --> 00:19:11,240
Nina is amazing.

235
00:19:12,900 --> 00:19:15,020
Meek, sacrificial.

236
00:19:16,420 --> 00:19:21,420
I can only hope that when I
When I’m 70 years old, I’ll find myself such a wife.

237
00:19:22,160 --> 00:19:25,760
After all, I don’t want to be with you at all
quarrel, especially today.

238
00:19:26,340 --> 00:19:30,880
I'm glad you came. You know that I
I love you. Did a lot for me.

239
00:19:33,000 --> 00:19:34,820
By the way, I did something.

240
00:19:35,980 --> 00:19:41,420
Raised you and your older brother
worthy, decent people.

241
00:19:46,600 --> 00:19:48,820
What are you spending your life on?

242
00:19:49,160 --> 00:19:54,720
Look, you're wasting gold
years. And now you are busy with the wrong things.

243
00:19:54,960 --> 00:19:59,780
This is what you should think about, not
what happened 18 years ago.

244
00:20:00,560 --> 00:20:03,340
Yes, of course, you know better than me,
what I need, what I don’t need.

245
00:20:03,600 --> 00:20:09,220
What's right and what's wrong. That's if
If I could go back to that day now, I would

246
00:20:09,220 --> 00:20:14,420
did exactly the same. And I'm sure that
Mom would approve of me. Not for mom

247
00:20:14,420 --> 00:20:15,420
speak. Fine?

248
00:20:16,800 --> 00:20:19,640
Eat in Satsiva and don’t have to speak for it.

249
00:20:20,180 --> 00:20:24,180
You are talking to your father. I have in
home.

250
00:20:24,560 --> 00:20:26,960
By the way, on my birthday.

251
00:20:27,220 --> 00:20:28,580
And stop drinking.

252
00:20:28,910 --> 00:20:30,510
I need to remove your bags under your eyes.

253
00:21:00,250 --> 00:21:01,250
Hello.

254
00:21:01,790 --> 00:21:02,790
Hello.

255
00:21:11,610 --> 00:21:15,350
Well, who are we trying now?

256
00:21:20,270 --> 00:21:21,290
I've already hung it up.

257
00:21:21,650 --> 00:21:23,230
There have been no tests yet.

258
00:21:23,750 --> 00:21:28,090
We've reached it. For the main role of girls with
we take the streets.

259
00:21:36,990 --> 00:21:38,150
Egor, can I see you for a minute?

260
00:21:40,230 --> 00:21:44,130
Where do you go? Light, who will stand,
huh? Listen, this is not your film, this is ours.

261
00:21:44,130 --> 00:21:47,330
film. If you invite to the main
the role of a non-professional actress, you

262
00:21:47,330 --> 00:21:48,370
must consult with me.

263
00:21:50,890 --> 00:21:51,890
Vitya, what are you doing?

264
00:21:53,790 --> 00:21:54,790
All?

265
00:21:55,630 --> 00:21:56,850
Can we talk normally?

266
00:21:58,390 --> 00:22:01,790
Now explain to me why, with what
why should I consult with you? C

267
00:22:01,790 --> 00:22:02,790
what the hell? Yes.

268
00:22:02,910 --> 00:22:05,830
Because it’s not for you to take it off, but for me to take it off
shoot. Yes? Yes. And I should drive it around

269
00:22:05,830 --> 00:22:08,430
dots, and I should expose the light to it.
If you invite a person from the street,

270
00:22:08,550 --> 00:22:12,790
who doesn't understand a damn thing about movies...
Come on, Vit. Vitorio de Sico films

271
00:22:12,790 --> 00:22:16,130
ordinary workers from the factory, if only you
I saw them play amazingly.

272
00:22:20,430 --> 00:22:21,430
Where is she?

273
00:22:22,130 --> 00:22:23,130
Putting on makeup.

274
00:22:24,910 --> 00:22:25,910
Thank you.

275
00:22:31,400 --> 00:22:32,700
Lisa, plant to the site.

276
00:22:33,400 --> 00:22:34,900
Urgently. Went.

277
00:22:38,660 --> 00:22:43,680
How did you find me here?

278
00:22:48,220 --> 00:22:50,560
A director I know called me to audition.

279
00:22:50,920 --> 00:22:52,460
Girl and foreman, did you hear?

280
00:22:53,240 --> 00:22:54,580
I shoot from cinema.

281
00:22:57,020 --> 00:22:59,660
No one in the group should know about us.

282
00:23:03,440 --> 00:23:04,500
Do you know Yegor?

283
00:23:05,840 --> 00:23:08,460
Yes, I know Yegor. I know how he feels about you
applies.

284
00:23:09,260 --> 00:23:13,540
He saw my photo of you. I
said I don't know you, what is this

285
00:23:13,540 --> 00:23:14,540
random photo.

286
00:23:17,180 --> 00:23:18,280
Why are you looking at me?

287
00:23:18,980 --> 00:23:20,300
You tell me everything too.

288
00:23:22,500 --> 00:23:24,240
So that's why you want to leave me?

289
00:23:27,060 --> 00:23:28,740
So as not to quarrel with the director?

290
00:23:29,500 --> 00:23:30,540
Make your own movie?

291
00:23:34,030 --> 00:23:36,930
No one in the group should know about us.

292
00:23:39,030 --> 00:23:40,330
Will I come today?

293
00:23:43,590 --> 00:23:44,670
I'll call.

294
00:23:55,510 --> 00:23:57,750
You don't have to rush, Lucy is already there
worth it.

295
00:23:58,190 --> 00:23:59,190
Who's standing?

296
00:24:02,570 --> 00:24:03,570
Take everything off!

297
00:24:04,360 --> 00:24:05,820
And close the curtains.

298
00:24:07,200 --> 00:24:10,000
Lucy, who is it that puts on our lights?

299
00:24:10,760 --> 00:24:15,100
Don't you know the joke? Where are you going?
monkey? Yegor Ilyich told me.

300
00:24:15,440 --> 00:24:20,860
Let Yegor Ilyich command his own
artists. And you fry pancakes. And don't you dare

301
00:24:20,860 --> 00:24:22,120
touch my light. This is understandable.

302
00:24:23,580 --> 00:24:24,580
Ta-da.

303
00:24:34,920 --> 00:24:35,920
Hello.

304
00:24:37,240 --> 00:24:38,760
Will you start filming soon?

305
00:24:40,860 --> 00:24:42,280
Goodbye.

306
00:24:42,500 --> 00:24:44,700
All actors have already been confirmed.

307
00:24:46,880 --> 00:24:48,340
I don't care.

308
00:24:48,540 --> 00:24:53,120
But with your operator I would like
have a chat.

309
00:24:53,860 --> 00:24:55,460
Where can I find it?

310
00:24:57,600 --> 00:25:01,160
They're having a test. They are in the first pavilion.

311
00:25:11,360 --> 00:25:12,360
Please introduce yourself.

312
00:25:14,100 --> 00:25:16,580
Taridze Georgy Ivanovich, director
paintings.

313
00:25:18,240 --> 00:25:19,240
What article?

314
00:25:20,240 --> 00:25:21,820
58th, paragraph 2.

315
00:25:23,280 --> 00:25:24,280
Political? Yes.

316
00:25:25,760 --> 00:25:26,880
How many years did you sit there?

317
00:25:27,460 --> 00:25:28,460
Six.

318
00:25:35,460 --> 00:25:36,460
Please have a seat.

319
00:25:37,760 --> 00:25:38,760
Thank you.

320
00:25:42,540 --> 00:25:46,060
Did you know Konstantin Parshin?
Yes.

321
00:25:50,000 --> 00:25:54,240
Tell me, is Khrustalev often with him?
quarreled?

322
00:25:54,760 --> 00:25:58,040
Maybe someday it came down to it
even before the fight?

323
00:25:59,100 --> 00:26:01,940
Not really. What do you? Why were you so surprised?

324
00:26:03,280 --> 00:26:07,720
Meanwhile, Viktor Khrustalev once
noted in a similar story.

325
00:26:09,200 --> 00:26:14,940
For many years, filming with director Sinchuk,
suddenly right during shooting

326
00:26:14,940 --> 00:26:18,060
There was an ugly fight.

327
00:26:19,120 --> 00:26:22,740
Khrustalev even shouted to Sinchukov, “I’ll kill you”
you. Are you aware of this story?

328
00:26:23,220 --> 00:26:26,180
Yes, but... Well, of course, you know. Certainly.

329
00:26:27,420 --> 00:26:30,640
You were the director on that film.

330
00:26:32,940 --> 00:26:34,940
Yes, he screamed in anger.

331
00:26:35,900 --> 00:26:38,460
Like any normal man.

332
00:26:38,700 --> 00:26:39,880
screams when angry.

333
00:26:45,120 --> 00:26:47,420
This means Khrustalev is in the first pavilion.
Yes.

334
00:26:51,280 --> 00:26:52,680
Thank you, I... Until

335
00:26:52,680 --> 00:27:00,100
meetings.

336
00:27:18,610 --> 00:27:21,350
Gennady Petrovich, a personal request to you.

337
00:27:21,770 --> 00:27:24,930
You will help her. In my own way, in an acting way.

338
00:27:25,430 --> 00:27:26,430
Fine?

339
00:27:27,030 --> 00:27:28,890
Well, it depends how much you pay.

340
00:27:29,970 --> 00:27:35,070
For 50 rubles I will set the desired degree. For 100
I can pull out the whole scene.

341
00:27:38,150 --> 00:27:41,050
Yes, I will help, I will help.

342
00:27:42,290 --> 00:27:43,290
Please.

343
00:27:48,080 --> 00:27:49,080
Here we are.

344
00:27:49,620 --> 00:27:56,260
This is Maryanochka Pichugina, our Marusya
Egorovich, Victor

345
00:27:56,260 --> 00:27:58,100
Sergeevich Khrustalev, our operator.

346
00:27:58,500 --> 00:27:59,800
Hello. Hello.

347
00:28:00,720 --> 00:28:01,840
What should I do?

348
00:28:03,120 --> 00:28:05,440
But go there, please.
Let's go.

349
00:28:16,940 --> 00:28:21,100
And you just have to say what’s there
written. You don't need to play anything at all.

350
00:28:21,420 --> 00:28:23,860
Just understand the situation.

351
00:28:25,000 --> 00:28:26,680
Well, are we ready?

352
00:28:27,560 --> 00:28:28,720
Let's film.

353
00:28:29,420 --> 00:28:30,700
We are finishing the amendments.

354
00:28:35,680 --> 00:28:38,240
They left the frame. Yes, beautiful, beautiful.

355
00:28:47,180 --> 00:28:48,380
Motor. Eat.

356
00:28:49,180 --> 00:28:51,780
Brigadier girl, Marusya's sample and
Michael, one-one.

357
00:28:53,720 --> 00:28:54,740
Don't break your nose.

358
00:29:01,020 --> 00:29:02,020
Let's start.

359
00:29:04,740 --> 00:29:07,000
Yakushev, one piece, Varova, two pieces.

360
00:29:08,440 --> 00:29:10,360
So, we haven’t forgotten anyone, let’s start first.

361
00:29:10,740 --> 00:29:13,860
Marus, I have to tell you.

362
00:29:15,430 --> 00:29:16,630
Tamara Nikolaevna.

363
00:29:18,490 --> 00:29:20,650
Or did we not want to invite her to the wedding?

364
00:29:21,290 --> 00:29:26,550
Don't you think we're a little...
Maybe the girl from the accounting department

365
00:29:26,550 --> 00:29:27,550
called? Listen.

366
00:29:30,390 --> 00:29:33,110
We're in a bit of a hurry with this wedding.

367
00:29:34,550 --> 00:29:35,710
Why are we in a hurry?

368
00:29:36,150 --> 00:29:39,970
Last Saturday in September. This is very
convenient time. We're actually in a hurry.

369
00:29:41,370 --> 00:29:43,150
Wedding. This is very important.

370
00:29:44,990 --> 00:29:45,990
Responsible moment.

371
00:29:46,330 --> 00:29:48,010
This is a once in a lifetime experience.

372
00:29:49,030 --> 00:29:50,210
You understand?

373
00:29:54,570 --> 00:29:56,410
I don't think we're ready yet.

374
00:29:57,270 --> 00:29:58,370
We need time.

375
00:30:04,790 --> 00:30:06,050
What about the dress?

376
00:30:09,610 --> 00:30:11,910
So this is what is most important to you.

377
00:30:14,980 --> 00:30:16,840
Dress, guests, gifts.

378
00:30:20,460 --> 00:30:21,800
I was wrong about you.

379
00:30:24,180 --> 00:30:25,560
Goodbye. Misha.

380
00:30:29,240 --> 00:30:31,540
Misha, explain to me what happened.

381
00:30:33,680 --> 00:30:34,740
Marusya, I'm sorry.

382
00:30:35,920 --> 00:30:36,920
I can't.

383
00:30:59,690 --> 00:31:06,670
We need to call Tamara Nikolaevna, she...
She is very

384
00:31:06,710 --> 00:31:08,590
very good person.

385
00:31:20,170 --> 00:31:22,230
Stop! Cut!

386
00:31:22,870 --> 00:31:28,030
Maryan, you... Oh, well...

387
00:31:28,650 --> 00:31:29,650
What did I say?

388
00:31:30,150 --> 00:31:33,190
A? Leonid Markovich! I don’t know exactly what
say.

389
00:31:35,570 --> 00:31:37,990
Fyodor Andreevich, what did I say?

390
00:31:58,990 --> 00:32:03,350
Well, comrades, we wish we had more of these
chemists, right?

391
00:32:34,160 --> 00:32:38,420
I came to look at yours
the wonderful world of cinema.

392
00:32:39,960 --> 00:32:44,580
I’m a layman, but here I’m surrounded by celestials.

393
00:32:47,460 --> 00:32:53,460
Tell me, is it true that this is possible?
it’s easy to fight with the director on this one,

394
00:32:53,500 --> 00:32:55,340
what's his name, on the set?

395
00:32:56,100 --> 00:32:59,180
And is this normal in the world of cinema?

396
00:33:00,620 --> 00:33:02,680
Well, with a friend from college.

397
00:33:03,130 --> 00:33:04,130
What are you asking for?

398
00:33:04,890 --> 00:33:06,170
I didn’t him, he me.

399
00:33:07,630 --> 00:33:08,870
What is he asking you for?

400
00:33:09,070 --> 00:33:10,170
I slept with his wife.

401
00:33:12,850 --> 00:33:14,630
What does this have to do with death?
Bones?

402
00:33:16,250 --> 00:33:18,710
Well, the most direct.

403
00:33:19,990 --> 00:33:26,690
We found a witness who said that
before his death Parshin was not in the room

404
00:33:26,690 --> 00:33:27,690
one.

405
00:33:28,070 --> 00:33:29,810
I already told you, I wasn't there.

406
00:33:31,530 --> 00:33:38,510
But that’s exactly what we’re talking about tomorrow
We'll talk in my office at 17.00.

407
00:33:39,030 --> 00:33:40,670
Why tomorrow? Let's do it today.

408
00:33:40,990 --> 00:33:42,890
Let's do it now, well, since you're here.

409
00:33:45,390 --> 00:33:47,770
Well, let me decide. Well, it's true
huh?

410
00:33:48,850 --> 00:33:51,050
When and where will we talk to you?

411
00:33:52,190 --> 00:33:55,890
17.00 tomorrow in my office.

412
00:34:17,179 --> 00:34:19,500
Meeting fellow soldiers, not a penny for me,
well, that's awkward.

413
00:34:24,760 --> 00:34:25,860
Thank you, friend, thank you.

414
00:34:30,159 --> 00:34:31,159
Have you heard it already?

415
00:34:34,239 --> 00:34:35,360
Tomorrow they will call in for questioning.

416
00:34:52,170 --> 00:34:53,170
Sat quickly.

417
00:34:56,110 --> 00:34:57,590
But I wasn't there, Gaia.

418
00:35:01,230 --> 00:35:01,970
You

419
00:35:01,970 --> 00:35:11,990
what

420
00:35:11,990 --> 00:35:12,990
are you doing?

421
00:35:15,810 --> 00:35:17,850
The main thing is to talk less.

422
00:35:18,450 --> 00:35:19,570
No numbers.

423
00:35:20,620 --> 00:35:22,220
And no details.

424
00:35:22,440 --> 00:35:23,440
All.

425
00:35:24,360 --> 00:35:25,360
Well, come on.

426
00:35:39,880 --> 00:35:40,940
Let me hide it.

427
00:35:42,000 --> 00:35:44,820
You don't even smoke. Hello Lesha. Hello.

428
00:35:45,360 --> 00:35:49,100
First one thing, then another.

429
00:35:49,480 --> 00:35:51,060
Thank God, we found the heroine.

430
00:35:51,280 --> 00:35:52,840
This is how you need to dress her.

431
00:35:53,100 --> 00:35:54,100
Nataline rags.

432
00:35:55,180 --> 00:35:56,860
Some museum exhibits.

433
00:35:57,620 --> 00:35:58,820
Amateur artistic activity.

434
00:35:59,220 --> 00:36:00,820
Wait, this one came to you.

435
00:36:01,440 --> 00:36:05,560
Sasha. Sancia? Well, he seems talented.

436
00:36:06,040 --> 00:36:07,040
Here it is.

437
00:36:07,760 --> 00:36:11,960
Fyodor Andreevich stuck to his...
Olga Filippovna.

438
00:36:12,660 --> 00:36:14,000
The eighth picture together.

439
00:36:14,360 --> 00:36:15,840
No, I won't smoke.

440
00:36:17,020 --> 00:36:18,020
Fedya.

441
00:36:25,360 --> 00:36:26,600
Well, I'll talk to Fedya.

442
00:36:43,080 --> 00:36:44,080
Liu,

443
00:36:50,340 --> 00:36:51,340
what's wrong with you?

444
00:36:52,460 --> 00:36:53,460
Did something happen?

445
00:36:56,640 --> 00:36:58,200
Nagy, it’s just sad.

446
00:37:00,480 --> 00:37:01,480
It doesn't happen.

447
00:37:05,120 --> 00:37:07,220
I don’t know, maybe we’re already going on an expedition.

448
00:37:09,100 --> 00:37:10,100
AND?

449
00:37:11,940 --> 00:37:13,380
That is, someone remains here.

450
00:37:14,540 --> 00:37:15,740
Some person. Nagy!

451
00:37:17,240 --> 00:37:18,360
There is no one, no.

452
00:37:20,160 --> 00:37:22,060
There are no cars, no, and never will be.

453
00:37:22,300 --> 00:37:23,800
So, Lyusenka, give it in order. Then
there is...

454
00:37:24,970 --> 00:37:26,530
Still, there is some kind of sympathy.

455
00:37:27,030 --> 00:37:28,630
Nagy! Well, what did you ask?

456
00:37:29,990 --> 00:37:31,850
Wait, why can't there be any
relationships?

457
00:37:32,170 --> 00:37:33,990
Because a person can work for us
in the picture.

458
00:37:36,370 --> 00:37:37,670
Wonderful costume designer.

459
00:37:38,950 --> 00:37:40,550
But Senya doesn’t want your brother.

460
00:37:41,350 --> 00:37:42,350
Don't want to?

461
00:37:43,810 --> 00:37:44,810
Well, coffee.

462
00:37:49,830 --> 00:37:50,830
Wait.

463
00:37:51,450 --> 00:37:52,450
Nagy, calm down.

464
00:37:53,530 --> 00:37:54,530
I can't.

465
00:37:54,610 --> 00:37:55,610
Nagy!

466
00:38:28,180 --> 00:38:30,100
Lucy, what do you think of the idea?

467
00:38:30,760 --> 00:38:33,440
I should get a picture of this guy
young.

468
00:38:34,760 --> 00:38:35,780
What's his name?

469
00:38:36,500 --> 00:38:37,800
Who brought the sketches.

470
00:38:40,940 --> 00:38:41,940
Alexander, it seems.

471
00:38:42,520 --> 00:38:43,960
Alexander. Here.

472
00:38:44,460 --> 00:38:45,480
We need to take it.

473
00:38:47,760 --> 00:38:49,060
Was that a good idea?

474
00:38:50,260 --> 00:38:53,560
The picture just needs fresh blood, Lucy.

475
00:38:55,720 --> 00:38:57,220
No, in general it works well with color.

476
00:39:00,760 --> 00:39:05,440
Of course, the costume designers
It's too early.

477
00:39:07,000 --> 00:39:09,980
But for the costume designers it’s fine.

478
00:39:15,100 --> 00:39:16,100
Work.

479
00:39:18,180 --> 00:39:19,180
I went to work.

480
00:39:36,750 --> 00:39:39,090
What a harmonica player Vasya is.

481
00:39:42,010 --> 00:39:46,230
Olga Filippovna, it still seems to me
that in the village with feathers in a cap is no longer

482
00:39:46,230 --> 00:39:47,230
walking.

483
00:39:47,330 --> 00:39:48,570
They go to the cinema.

484
00:39:52,390 --> 00:39:53,390
Are you working? Yes.

485
00:39:54,190 --> 00:39:55,830
Well done. Hello, Fedor Andreevich.

486
00:39:56,090 --> 00:39:57,490
I brought this guy to you.

487
00:39:58,370 --> 00:39:59,370
Will you take it with estimer?

488
00:40:02,570 --> 00:40:03,570
Someone's son.

489
00:40:06,670 --> 00:40:09,550
Lover? Yes, just a good guy.

490
00:40:09,850 --> 00:40:11,050
Freelance artist.

491
00:40:11,310 --> 00:40:15,390
Dreams of working in cinema. That's it, off I go.

492
00:40:16,950 --> 00:40:18,790
Hello, Alexander.

493
00:40:19,330 --> 00:40:21,430
What kind of dressers do we have?

494
00:40:22,110 --> 00:40:24,530
It is an honor to work with you.

495
00:40:26,970 --> 00:40:32,670
So, costume designer Alexander. You can
Sancho? Now get the task.

496
00:40:34,150 --> 00:40:35,330
Do you know how to iron?

497
00:40:36,750 --> 00:40:39,550
Yes, of course Great

498
00:41:05,670 --> 00:41:07,150
Look, I'm sorry, I'm not distracting you.

499
00:41:07,570 --> 00:41:09,750
Tell me, do you like these feathers?

500
00:41:18,490 --> 00:41:22,770
Can I show you something?

501
00:41:24,550 --> 00:41:25,550
Show me.

502
00:41:27,270 --> 00:41:30,070
You are Vasya the accordionist, aren't you? You can just
Ruslan.

503
00:41:31,710 --> 00:41:32,710
Sancho.

504
00:41:47,020 --> 00:41:50,560
You're like Dior Christian Diorych.

505
00:41:51,920 --> 00:41:52,920
Stop it.

506
00:41:53,200 --> 00:41:55,960
This... I have Marusya like this.

507
00:41:56,300 --> 00:41:58,400
Look, this is really, really cool.

508
00:41:59,000 --> 00:42:00,780
But there is no way in hell this will be allowed.

509
00:42:14,040 --> 00:42:15,040
Olechka.

510
00:42:16,060 --> 00:42:21,220
It was your costume designer who brought me the sketches.

511
00:42:23,560 --> 00:42:27,300
Olya. He brought me my painting
sketches.

512
00:42:27,920 --> 00:42:29,600
And okay, that would be good.

513
00:42:31,120 --> 00:42:36,020
But this is licentiousness. Well, where is it
licentiousness? What?

514
00:42:37,700 --> 00:42:39,880
Did he see all this?

515
00:42:44,810 --> 00:42:45,810
What are you doing?

516
00:42:45,990 --> 00:42:49,830
You've seen it all, right? Well, Olechka, well
what are you shouting?

517
00:42:50,710 --> 00:42:53,830
Calm down, calm down. Let's sit down
calmly. Do you like it?

518
00:42:54,650 --> 00:42:58,530
This is the promiscuity that is imposed
us Hollywood.

519
00:42:59,930 --> 00:43:06,930
This... I wouldn't be surprised if this one is yours
the dresser listens to “The Voice” at night

520
00:43:06,930 --> 00:43:09,470
America." Who are we making a movie about?

521
00:43:09,730 --> 00:43:10,910
About dudes.

522
00:43:11,430 --> 00:43:13,430
And I was thinking about the working class.

523
00:43:13,900 --> 00:43:17,000
About the working peasantry. Olechka
Filippovna.

524
00:43:18,900 --> 00:43:25,280
Calm down. No need to raise your voice.
In my opinion, in our costume designer's sketches

525
00:43:25,280 --> 00:43:27,500
there is a rational grain.

526
00:43:29,940 --> 00:43:30,940
Eat?

527
00:43:33,500 --> 00:43:35,920
Do you like this rational grain?

528
00:43:38,260 --> 00:43:40,800
And we have nothing to talk about then.

529
00:43:41,320 --> 00:43:42,680
Get out of the way!

530
00:43:43,000 --> 00:43:44,000
I took it for a ride.

531
00:43:50,960 --> 00:43:53,120
Drive away? No need.

532
00:43:56,280 --> 00:44:01,040
I offered to eat and discuss, and she
refused.

533
00:44:08,860 --> 00:44:10,900
That's enough. Ashamed.

534
00:44:12,110 --> 00:44:13,110
Read, read.

535
00:44:17,070 --> 00:44:18,070
Read, read.

536
00:44:26,410 --> 00:44:33,170
If it weren't you, but someone else,
Tomorrow they would have already assembled the party for you, they began

537
00:44:33,170 --> 00:44:37,870
find out what the hell you brought
group of ideological enemy.

538
00:44:38,970 --> 00:44:40,190
Like Janelle.

539
00:44:44,880 --> 00:44:46,160
I'll take a picture of myself.

540
00:44:48,780 --> 00:44:50,060
Why did she do this?

541
00:44:50,420 --> 00:44:53,200
Well, Fedya, this is the third question.

542
00:44:53,540 --> 00:44:57,100
And the first two, as always, who is to blame and
what to do.

543
00:44:58,200 --> 00:45:02,460
Fedya, you have always been clear. Here
partisanship, there is nationality here.

544
00:45:04,400 --> 00:45:07,840
I guess the intern is muddying the waters, huh?

545
00:45:10,460 --> 00:45:12,600
Semyon Vasilievich, why the extreme
look?

546
00:45:13,740 --> 00:45:19,200
We need to kick her out to hell
so that she thinks first, and then

547
00:45:19,200 --> 00:45:20,520
I scribbled slander.

548
00:45:20,860 --> 00:45:22,900
Quiet, can we kick you out? Why not?

549
00:45:23,900 --> 00:45:30,280
Just remember, Fedya, our Olga
Filippovna left the paintings twice.

550
00:45:30,800 --> 00:45:37,080
The director's first time not only from cinema,
kicked out of the party, but the second time at all

551
00:45:37,080 --> 00:45:38,080
imprisoned.

552
00:45:41,140 --> 00:45:42,180
When was this?

553
00:45:42,730 --> 00:45:44,110
Stalin number eight years ago.

554
00:45:44,790 --> 00:45:46,070
Not for everyone.

555
00:45:49,970 --> 00:45:52,090
What kind of bitch face took them?

556
00:45:52,430 --> 00:45:55,050
I rolled them up a month ago, look for them!

557
00:45:56,410 --> 00:45:57,730
What did you say?

558
00:45:59,130 --> 00:46:00,710
I don't care!

559
00:46:01,170 --> 00:46:02,170
Please!

560
00:46:04,330 --> 00:46:05,330
Hello.

561
00:46:06,330 --> 00:46:08,830
Hello. He gave our filters to someone.

562
00:46:10,590 --> 00:46:11,590
Horror.

563
00:46:25,790 --> 00:46:26,790
Sit down.

564
00:46:35,210 --> 00:46:38,410
You don’t know what the phrase “Luce” means
say thank you"?

565
00:46:39,170 --> 00:46:40,550
Regardless of who speaks and to whom.

566
00:46:43,090 --> 00:46:45,010
What if Fedor Andreevich is for me?

567
00:46:47,570 --> 00:46:48,570
I have no idea.

568
00:46:53,010 --> 00:46:54,150
Thank you, Lucy.

569
00:46:56,560 --> 00:46:58,660
I'm an artist from tomorrow
suits.

570
00:46:59,340 --> 00:47:00,340
Come on.

571
00:47:04,060 --> 00:47:06,380
And where does this old otter go?

572
00:47:08,360 --> 00:47:10,140
Fyodor Andreevich said she is here more
doesn't work.

573
00:47:26,450 --> 00:47:31,250
Viktor Sergeevich, for the last time
I ask you don't want anything for me

574
00:47:31,250 --> 00:47:33,410
tell? And I have nothing to tell.

575
00:47:33,930 --> 00:47:38,590
And about the witness, no one could tell me
see that night in Kostya's room. But

576
00:47:38,590 --> 00:47:40,570
he could hear.

577
00:47:41,570 --> 00:47:43,510
This is what you didn’t take into account.

578
00:47:44,770 --> 00:47:48,890
Sitting in the next room, he heard
Kostya was talking to someone literally behind

579
00:47:48,890 --> 00:47:50,550
a few minutes before he died.

580
00:47:50,950 --> 00:47:51,950
Funny twist, huh?

581
00:47:52,830 --> 00:47:54,690
But if there was anyone there, it wasn't me.

582
00:47:55,280 --> 00:47:58,020
Well then you have nothing to worry about at all.

583
00:47:58,400 --> 00:48:02,740
We will now record your voice and give you
listen to witnesses. And if you're not there

584
00:48:02,740 --> 00:48:05,060
it was, he your voice was not late.

585
00:48:14,740 --> 00:48:18,760
Well, let's get started, Viktor Sergeevich? you
do you like poetry?

586
00:48:19,100 --> 00:48:22,340
No. In vain. It's very fashionable now.

587
00:48:30,510 --> 00:48:31,510
Are you kidding me?

588
00:48:31,570 --> 00:48:33,830
What kind of jokes, Viktor Sergeevich?

589
00:48:34,230 --> 00:48:36,610
This is called an investigative experiment.

590
00:48:37,350 --> 00:48:38,350
Please begin.

591
00:48:43,630 --> 00:48:45,430
This is what's happening to me.

592
00:48:46,230 --> 00:48:52,310
My old friend doesn't come to see me. And he walks
in a small bustle in a varied thread.

593
00:48:55,010 --> 00:48:58,810
And he goes somewhere with the wrong people. And too
understands this.

594
00:49:00,010 --> 00:49:03,870
And our discord cannot be explained, And we both suffer
we are with him.

595
00:49:05,090 --> 00:49:10,770
This is what's happening to me, not at all
so he comes to me, hands on my shoulders

596
00:49:10,770 --> 00:49:13,050
puts, And steals from another.

597
00:49:13,850 --> 00:49:19,690
Otherwise, tell me, for God’s sake, on whose shoulders
lay down my hands, the one that I stole,

598
00:49:19,750 --> 00:49:21,770
The scaffold will also be stolen.

599
00:49:22,810 --> 00:49:29,210
He won’t immediately respond with the same thing, and will live with
himself in the struggle, And unconsciously outlines,

600
00:49:29,690 --> 00:49:30,990
someone distant to yourself.

601
00:49:31,470 --> 00:49:37,730
Oh, how many nervous, sick, unnecessary
connections, friendships, unnecessary.

602
00:49:37,850 --> 00:49:44,370
Oh, someone come outside, strangers
connectivity and

603
00:49:44,370 --> 00:49:46,410
the disunity of our souls.

604
00:49:46,610 --> 00:49:52,210
If you could understand what's in my soul,

605
00:49:52,310 --> 00:49:57,690
how she flies after.

606
00:49:58,360 --> 00:50:03,500
Behind you If you

607
00:50:03,500 --> 00:50:07,820
experienced the same thing

608
00:50:07,820 --> 00:50:13,620
You would know what it is

609
00:50:13,620 --> 00:50:20,260
love oh how I was

610
00:50:20,260 --> 00:50:23,900
in love, my friend, so what now?

611
00:50:26,700 --> 00:50:32,240
I thought it was spring, but here it is now.

612
00:50:34,220 --> 00:50:39,960
Oh, how I was in love, my friend, and what
now?

613
00:50:41,940 --> 00:50:48,180
I thought it was spring, but here it is now.

614
00:50:50,700 --> 00:50:53,580
Come to me.

615
00:50:54,620 --> 00:50:59,660
At least on the edge, at least in a dream

616
00:50:59,660 --> 00:51:03,440
flying halfway across the country,

617
00:51:03,640 --> 00:51:09,760
I'll fall into you

618
00:51:09,760 --> 00:51:15,720
white pebble in depth

619
00:51:15,720 --> 00:51:19,680
your extraterrestrial eyes.

620
00:51:33,380 --> 00:51:34,380
Yes.

621
00:51:36,380 --> 00:51:37,380
Yes.

622
00:51:41,520 --> 00:51:42,920
Well, congratulations.

623
00:51:44,540 --> 00:51:46,140
Now you can work normally.

624
00:51:47,900 --> 00:51:49,600
Yes, I'll be at the studio at nine.

625
00:51:52,000 --> 00:51:53,000
Yes.

626
00:52:00,300 --> 00:52:01,680
You've been approved for the role.

627
00:52:09,450 --> 00:52:11,050
Now we definitely can't be together.

