1
00:01:31,308 --> 00:01:33,789
Film is magic.</i>

2
00:01:33,832 --> 00:01:37,009
<i>And in the right hands,
a weapon.</i>

3
00:01:39,925 --> 00:01:43,842
<i>Hello?</i>
Yeah, you called me?
From the Vogue?

4
00:02:24,796 --> 00:02:28,365
You are late. Mr. Bellinger
is waiting for you.

5
00:03:17,240 --> 00:03:19,329
Mr. Sweetman.

6
00:03:19,373 --> 00:03:22,202
Mr. Bellinger.

7
00:03:22,245 --> 00:03:23,420
Wow, you have
an incredible collection.

8
00:03:23,464 --> 00:03:25,770
Thank you.

9
00:03:25,814 --> 00:03:29,339
I'm sure you have
some rare pieces of your own.

10
00:03:29,383 --> 00:03:31,515
Not really.
It's too expensive.

11
00:03:31,559 --> 00:03:37,260
Must be a torture--
hunting down pieces
for others,

12
00:03:37,304 --> 00:03:40,350
to have something
in your hands, only to
give it up immediately.

13
00:03:40,394 --> 00:03:42,439
Well, there's perks.

14
00:03:42,483 --> 00:03:45,529
When I track down a rare print,
I get to screen it.

15
00:03:45,573 --> 00:03:48,837
Quality-assurance purposes,
of course.
Of course.

16
00:03:51,579 --> 00:03:54,277
<i>La Fin Absolue
du Monde.</i>

17
00:03:54,321 --> 00:03:56,018
The absolute end
of the world.

18
00:03:56,061 --> 00:03:58,455
What do you know
about it?

19
00:03:58,499 --> 00:04:02,067
I know it played once,
opening night premiere,

20
00:04:02,111 --> 00:04:05,506
the <i>Festival International
du Cinema Fantastique
de Sitges.</i>

21
00:04:05,549 --> 00:04:09,205
Violence erupted
in the theater.

22
00:04:09,249 --> 00:04:12,382
When Hans Backovic,
the director, tried
to get it out of the country,

23
00:04:12,426 --> 00:04:15,080
the government seized it
and destroyed it,

24
00:04:15,124 --> 00:04:19,650
not realizing it was
a work in progress
and his only print.

25
00:04:19,694 --> 00:04:24,655
He quit the business.
That film's only been seen
by that one audience.

26
00:04:24,699 --> 00:04:26,266
You did your homework.

27
00:04:26,309 --> 00:04:30,095
But the government
didn't destroy the film.

28
00:04:36,754 --> 00:04:38,452
What's this?

29
00:04:41,063 --> 00:04:43,021
A prop from the film.

30
00:04:46,155 --> 00:04:49,550
I'm a bit obsessive about
<i>La Fin Absolue du Monde.</i>

31
00:04:49,593 --> 00:04:51,203
Why this particular film?

32
00:04:51,247 --> 00:04:56,339
I have a collection
of over 8,000 films,

33
00:04:56,383 --> 00:04:58,820
the most extreme images,

34
00:04:58,863 --> 00:05:02,345
created by some of the most
obscure filmmakers from
around the world.

35
00:05:02,389 --> 00:05:06,175
I'm not about to drag you
up here in the middle
of the night

36
00:05:06,218 --> 00:05:10,266
for something that made
a schoolgirl dizzy.

37
00:05:10,310 --> 00:05:13,313
I'm talking about
real power.

38
00:05:16,228 --> 00:05:19,275
Were you at the festival
- when this played?
- Yes.

39
00:05:19,319 --> 00:05:21,886
I even had tickets
for the screening.

40
00:05:21,930 --> 00:05:26,282
But I had seen
Backovic's previous work
and I wasn't impressed.

41
00:05:26,326 --> 00:05:30,330
So I went to see
the first <i>Dr. Phibes</i> instead,

42
00:05:30,373 --> 00:05:34,029
hoping to meet
Vincent Price.

43
00:05:34,072 --> 00:05:38,729
In '83, the Rotterdam Festival
announced a screening.

44
00:05:38,773 --> 00:05:43,343
By the time I'd flown there,
they had canceled it,
saying it was an error.

45
00:05:43,386 --> 00:05:47,477
The fact that the venue
had burned down must have had
something to do with it.

46
00:05:51,829 --> 00:05:54,658
Every mention of the film
since '71,

47
00:05:54,702 --> 00:05:57,400
every rumor about
underground screenings,

48
00:05:57,444 --> 00:06:00,838
the official report
from Sitges, Mr. Sweetman.

49
00:06:02,013 --> 00:06:03,406
Why are you giving me this?

50
00:06:06,714 --> 00:06:08,063
Isn't it obvious?

51
00:06:09,630 --> 00:06:12,154
I want you to find
the print for me.

52
00:06:14,461 --> 00:06:17,594
Finding a rare print
can be costly, even under
the best circumstances.

53
00:06:17,638 --> 00:06:21,163
<i>La Fin Absolue du Monde</i>
is-- it's infamous.

54
00:06:21,206 --> 00:06:22,773
It's rarer than rare.

55
00:06:22,817 --> 00:06:24,993
If there was a print of that
out there, I'd know it.

56
00:06:26,995 --> 00:06:29,214
It is out there,

57
00:06:29,258 --> 00:06:31,434
believe me.

58
00:06:31,478 --> 00:06:33,131
My sources
are unimpeachable.

59
00:06:35,960 --> 00:06:37,571
Follow me.

60
00:06:39,224 --> 00:06:41,183
I have to show you something.

61
00:06:55,719 --> 00:07:00,420
As you can see,
I collect more than movies,
Mr. Sweetman.

62
00:07:02,813 --> 00:07:05,773
Meet one of the stars
of <i>La Fin Absolue du Monde.</i>

63
00:07:22,703 --> 00:07:27,185
Tell Mr. Sweetman
what you told me.

64
00:07:28,404 --> 00:07:31,407
We are a part of the film,

65
00:07:31,451 --> 00:07:35,324
bound to the negative,
like soul to flesh.

66
00:07:35,367 --> 00:07:40,416
If it had been destroyed,
we would know.

67
00:07:40,460 --> 00:07:43,071
I did terrible things
in my life.

68
00:07:43,114 --> 00:07:46,988
I know full well
what will happen

69
00:07:47,031 --> 00:07:49,991
to this desiccated cobweb
I call a soul.

70
00:07:50,034 --> 00:07:55,213
Call me crazy, but I wanted
at least a taste of heaven

71
00:07:55,257 --> 00:07:58,347
before an eternity
of hell.

72
00:08:00,784 --> 00:08:03,526
Money is no object.

73
00:08:03,570 --> 00:08:06,094
I pay all your expenses

74
00:08:06,137 --> 00:08:08,357
and $100,000 on top.

75
00:08:10,707 --> 00:08:13,536
I'm not a well man,

76
00:08:13,580 --> 00:08:16,278
and my days are numbered.

77
00:08:16,321 --> 00:08:20,108
But I don't want to die
without having seen this film.

78
00:08:22,806 --> 00:08:24,112
Why me?

79
00:08:24,155 --> 00:08:27,768
Because you have great taste
as a programmer.

80
00:08:29,770 --> 00:08:31,772
Your theater is
a shit box.

81
00:08:31,815 --> 00:08:35,558
You have 800 seats,

82
00:08:35,602 --> 00:08:38,126
and you are happy to sell
50 tickets a night.

83
00:08:41,303 --> 00:08:43,044
Find this copy for me.

84
00:08:44,393 --> 00:08:46,656
And after I've seen it,

85
00:08:46,700 --> 00:08:49,529
I'll give it to you
for a two-weeks' run.

86
00:08:49,572 --> 00:08:52,401
I promise I wouldn't give it
to any other theater.

87
00:09:00,757 --> 00:09:02,498
You need it.

88
00:09:03,673 --> 00:09:05,196
200,000.

89
00:09:12,552 --> 00:09:14,031
200,000.

90
00:09:15,467 --> 00:09:16,860
A deal?

91
00:09:51,808 --> 00:09:53,593
There you are,
you son of a bitch.

92
00:10:33,589 --> 00:10:37,245
♪ Kirby Sweetman</i>

93
00:10:37,288 --> 00:10:40,901
<i>♪ Is my sweet man</i>

94
00:10:46,036 --> 00:10:48,691
Are you my sweet man, Kirby?

95
00:10:52,216 --> 00:10:55,089
Will you take care
of me, always?

96
00:11:06,491 --> 00:11:08,537
Hey, Timpson, what's up?

97
00:11:08,580 --> 00:11:11,279
Our last show will be over
in about 15 minutes.

98
00:11:11,322 --> 00:11:12,846
<i>Profondo Rosso,</i>
ready to go.

99
00:11:14,586 --> 00:11:17,154
Did you, uh--
- you get your souvenir?
- Dude.

100
00:11:17,198 --> 00:11:20,114
It's Argento.
Had to do it.

101
00:11:20,157 --> 00:11:23,508
What's it with you
and the cigarette burns?

102
00:11:23,552 --> 00:11:26,729
When you're watching a film
and one of those bugs appears,
it lets you know,

103
00:11:26,773 --> 00:11:29,210
you know? Something's
gonna happen.

104
00:11:29,253 --> 00:11:32,082
"Hold on. Here it comes."

105
00:11:32,126 --> 00:11:34,955
You take 'em out...

106
00:11:34,998 --> 00:11:36,739
all of a sudden, it's anarchy.

107
00:11:36,783 --> 00:11:41,048
All right, Mr. Anarchy,
try not to burn the place down
when I'm away.

108
00:11:41,091 --> 00:11:44,573
Did you get a new client?
Yeah, yeah.

109
00:11:44,616 --> 00:11:46,967
An incredible offer.
The guy kind of freaks me out.

110
00:11:47,010 --> 00:11:49,796
What film is it this time?

111
00:11:49,839 --> 00:11:51,319
<i>La Fin Absolue du Monde.</i>

112
00:11:55,758 --> 00:11:56,846
No shit?

113
00:11:59,022 --> 00:11:59,980
No shit.

114
00:12:26,528 --> 00:12:30,401
Kirby knows absolutely
everything about movies.</i>

115
00:12:30,445 --> 00:12:33,709
<i>And the theater--
It's beautiful.</i>

116
00:12:33,753 --> 00:12:35,798
It just needs a little work.

117
00:12:35,842 --> 00:12:39,236
Yeah. We could do it ourselves.

118
00:12:39,280 --> 00:12:40,934
Think of it
as a wedding present.

119
00:12:40,977 --> 00:12:44,589
Okay?

120
00:12:44,633 --> 00:12:48,376
Why don't you wait in the car,
sweetheart, while Kirby and I
work out the details?

121
00:12:48,419 --> 00:12:49,986
Okay.

122
00:13:06,002 --> 00:13:08,788
This is not a gift.
It's a loan.

123
00:13:14,097 --> 00:13:16,056
Get your shit together.

124
00:13:16,099 --> 00:13:18,754
Get her shit together.

125
00:13:20,887 --> 00:13:22,627
Don't make me sorry.

126
00:13:57,837 --> 00:14:00,709
Excuse me, sir,
but we're not open yet.

127
00:14:02,015 --> 00:14:05,148
Oh, Mr. Matthews.

128
00:14:05,192 --> 00:14:08,108
Listen, Kirby's not here
right now.

129
00:14:08,151 --> 00:14:10,066
I-I can tell
him you came--

130
00:14:12,416 --> 00:14:14,114
Oh, wow, look at that.

131
00:14:15,724 --> 00:14:18,596
You're a hard man
to get hold of.

132
00:14:18,640 --> 00:14:20,729
It's almost like
you're avoiding me.

133
00:14:20,772 --> 00:14:23,123
Why would I avoid you?
You're so much fun
to be around.

134
00:14:24,472 --> 00:14:26,604
We need to talk.

135
00:14:26,648 --> 00:14:30,739
Look, I don't have time
to talk to you right now.
How about a check for 200,000?

136
00:14:30,782 --> 00:14:32,697
Got time to talk about that?
I'll get you
your money.

137
00:14:32,741 --> 00:14:34,743
When?
Soon!

138
00:14:34,786 --> 00:14:37,746
No, I don't believe that.

139
00:14:37,789 --> 00:14:39,966
I don't believe
anything you say.

140
00:14:40,009 --> 00:14:45,362
Look, I know that
you're not gonna go away
until I get you your money,

141
00:14:45,406 --> 00:14:48,757
but every time you stop by,
every time you call,

142
00:14:48,800 --> 00:14:51,107
I feel like I'm getting
cut open.

143
00:14:51,151 --> 00:14:54,067
I see Annie's face every day,
all day long.

144
00:14:54,110 --> 00:14:57,461
You have no idea
what I'm going through
to get you out of my life.

145
00:14:57,505 --> 00:15:01,988
You've got one week.
If you can't get the money,

146
00:15:02,031 --> 00:15:04,947
I'll take great delight
in coming down here

147
00:15:04,991 --> 00:15:08,777
and tearing
this shit hole down.

148
00:15:32,279 --> 00:15:33,497
A.K. Meyers.

149
00:15:35,238 --> 00:15:38,546
I've read all this guy's shit.
Good critic.

150
00:15:38,589 --> 00:15:40,635
Big fan of the esoteric.

151
00:15:40,678 --> 00:15:43,638
Out of all Kale's disciples,
the most original thinker.

152
00:15:43,681 --> 00:15:48,295
"In order to fully appreciate
<i>La Fin Absolue du Monde,</i>

153
00:15:48,338 --> 00:15:51,167
"one must understand
the context in which
it premiered.

154
00:15:51,211 --> 00:15:54,344
"The Sitges Festival is still
young, but there is a boldness
to their programming

155
00:15:54,388 --> 00:15:57,391
"that makes this
an essential stop for any fan

156
00:15:57,434 --> 00:16:00,611
"of what are typically
thought of as lesser genres:

157
00:16:00,655 --> 00:16:04,093
science fiction, fantasy
or horror."

158
00:16:04,137 --> 00:16:08,010
What's he up to these days?
I don't know.

159
00:16:08,054 --> 00:16:12,101
He lives upstate in New York,
kind of a recluse.
I'll tell you when I get back.

160
00:17:15,860 --> 00:17:18,254
Mr. Meyers, can I speak
to you, please?
Go away.

161
00:17:18,298 --> 00:17:20,561
It's important.
It'll just take a minute.

162
00:17:20,604 --> 00:17:22,737
Who sent you?

163
00:17:22,780 --> 00:17:24,739
No one sent me. It's about
something you wrote.
It's about a review.

164
00:17:24,782 --> 00:17:27,350
I'm done with all that.
I won't discuss any review.

165
00:17:27,394 --> 00:17:30,005
It's about <i>La Fin
Absolue du Monde.</i>

166
00:17:37,447 --> 00:17:40,189
Mr. Meyers, did they
pass out any press notes
at the Sitges screening?

167
00:17:40,233 --> 00:17:41,451
They did.

168
00:17:41,495 --> 00:17:44,541
Did you happen to save
- any of those?
- I did.

169
00:17:44,585 --> 00:17:47,936
I'd love to read those or
anything else you have on
<i>La Fin Absolue du Monde.</i>

170
00:17:47,979 --> 00:17:50,112
Dangerous.

171
00:17:50,156 --> 00:17:53,072
Backovic said, "Film, in
the right hands, is a weapon."

172
00:17:53,115 --> 00:17:54,116
He was right.

173
00:18:02,429 --> 00:18:07,260
<i>"La Fin Absolue du Monde</i>
is not a movie,
but more like a bullet

174
00:18:07,303 --> 00:18:11,090
"fired directly into
the collective brain pan
of all those assembled,

175
00:18:11,133 --> 00:18:13,353
and the only rational response
is violence."

176
00:18:13,396 --> 00:18:15,790
We trust filmmakers.

177
00:18:15,833 --> 00:18:19,315
We sit in the dark,
daring them to affect us,

178
00:18:19,359 --> 00:18:22,101
secure in the knowledge
that they won't go too far.

179
00:18:22,144 --> 00:18:26,148
I've read your review
twice on the plane

180
00:18:26,192 --> 00:18:28,498
and I still have no idea
what this movie's about.

181
00:18:28,542 --> 00:18:30,805
Hans Backovic was a terrorist.

182
00:18:30,848 --> 00:18:34,374
He abused that trust
we place in filmmakers.

183
00:18:34,417 --> 00:18:38,204
He didn't want to hurt
his audience, he wanted
to destroy them completely.

184
00:18:38,247 --> 00:18:42,208
I've seen extreme gore
and it never made me crazy
or violent.

185
00:18:42,251 --> 00:18:45,298
What is it about
<i>La Fin Absolue du Monde</i>
that is so dangerous?

186
00:18:45,341 --> 00:18:48,605
Backovic was brilliant.
Yeah, but all that violence
in the theater,

187
00:18:48,649 --> 00:18:50,041
that was all
exaggerated, right?

188
00:18:53,436 --> 00:18:56,787
If anything, the incident
was downplayed.

189
00:18:56,831 --> 00:19:00,443
I watched four people die.

190
00:19:00,487 --> 00:19:03,707
It smelled like
a slaughterhouse.

191
00:19:03,751 --> 00:19:07,015
The center aisle
was slick with blood.

192
00:19:07,058 --> 00:19:10,323
Backovic knew
what he was doing.

193
00:19:10,366 --> 00:19:12,760
When Stravinsky's "The Rite
of Spring" premiered to riots,

194
00:19:12,803 --> 00:19:14,892
it was an accident.

195
00:19:14,936 --> 00:19:18,896
<i>La Fin Absolue du Monde</i>
was no accident.
He told me so.

196
00:19:18,940 --> 00:19:21,334
Wait. You spoke
to Backovic?

197
00:19:21,377 --> 00:19:23,510
At the start of the festival.

198
00:19:23,553 --> 00:19:26,861
He told me exactly
what was going to happen.

199
00:19:26,904 --> 00:19:28,428
I recorded the whole interview.

200
00:19:28,471 --> 00:19:30,081
Could I listen
to that tape?

201
00:19:32,562 --> 00:19:37,132
People weren't ready.
They still aren't.

202
00:19:37,176 --> 00:19:39,221
That review I published
was a joke.

203
00:19:39,265 --> 00:19:42,006
It doesn't begin
to describe the film.

204
00:19:42,050 --> 00:19:45,140
I was given the opportunity
to be the messenger
and I failed.

205
00:19:47,838 --> 00:19:49,710
But you'll see.

206
00:19:49,753 --> 00:19:54,018
People will understand
as soon as I finish
my new review.

207
00:19:56,151 --> 00:19:58,240
Is that what this is,
all of this?

208
00:19:58,284 --> 00:20:01,896
That one review?
Almost finished now.

209
00:20:05,247 --> 00:20:07,728
There's a chance that
there still may be
a print out there.

210
00:20:09,991 --> 00:20:12,602
I was hired to find it.

211
00:20:12,646 --> 00:20:14,038
To what purpose?

212
00:20:14,082 --> 00:20:15,779
To show it.

213
00:20:26,312 --> 00:20:28,357
You should know
what you're getting into.

214
00:20:31,752 --> 00:20:33,797
You're right.

215
00:20:33,841 --> 00:20:36,539
The film is still alive.

216
00:20:36,583 --> 00:20:41,152
Even if they tried
to destroy it, they couldn't.

217
00:20:41,196 --> 00:20:43,677
Some films are meant
to be seen.

218
00:20:45,069 --> 00:20:46,027
These--

219
00:20:46,070 --> 00:20:49,900
These will change
your life.

220
00:20:52,468 --> 00:20:53,730
Now, promise me.

221
00:20:53,774 --> 00:20:56,211
Promise me,
when you find the film,

222
00:20:56,255 --> 00:20:58,082
you'll let me see it again.

223
00:20:58,126 --> 00:21:02,739
I've dreamed about it
every night for 30 years,

224
00:21:02,783 --> 00:21:04,915
laying eyes on it again.

225
00:21:09,703 --> 00:21:13,489
Once you start this,
you can't just shake it off

226
00:21:13,533 --> 00:21:15,143
and walk away.

227
00:21:17,101 --> 00:21:18,799
It gets inside you.

228
00:21:30,941 --> 00:21:34,467
Mr. Backovic, this is
your third feature film.</i>

229
00:21:34,510 --> 00:21:39,167
Well, I prefer not
to categorize any film.</i>

230
00:21:39,210 --> 00:21:41,343
<i>What difference
does running time make?</i>

231
00:21:41,387 --> 00:21:43,737
<i>The mechanics of film,
the language,</i>

232
00:21:43,780 --> 00:21:45,608
<i>that is what matters.</i>

233
00:21:45,652 --> 00:21:48,176
Your work, so far,
has been experimental.</i>

234
00:21:48,219 --> 00:21:50,744
<i>You eschew
conventional narrative.</i>

235
00:21:50,787 --> 00:21:52,659
Narrative is dead.</i>

236
00:21:52,702 --> 00:21:55,575
<i>Hollywood is shit.</i>

237
00:21:55,618 --> 00:21:57,794
<i>Film, it's not
entertainment.</i>

238
00:22:51,631 --> 00:22:54,285
Bonjour, Monsieur Sweetman.
This is your wake-up call.</i>

239
00:22:57,027 --> 00:22:58,159
Oh, fuck.

240
00:23:08,125 --> 00:23:11,607
So, you're on the hunt
again, Kirby?
Yeah, but this is different.

241
00:23:11,651 --> 00:23:14,044
I'm looking for something
that may not even
exist anymore.

242
00:23:14,088 --> 00:23:16,699
You chose an inopportune time,
I'm afraid.

243
00:23:16,743 --> 00:23:20,921
We are reorganizing
the archives. Everything's
in boxes, as you can see.

244
00:23:20,964 --> 00:23:23,924
But if you give me the title--
<i>La Fin Absolue du Monde.</i>

245
00:23:29,233 --> 00:23:31,714
Maybe I need to brush up
on my French, but did you
just call me a name?

246
00:23:31,758 --> 00:23:33,890
Who asked you to do this?
A private collector.

247
00:23:33,934 --> 00:23:36,893
Then he's the fool.
Don't help him.
I may not have a choice.

248
00:23:36,937 --> 00:23:39,940
I'm up to my neck in debt.
This one job could turn
everything around.

249
00:23:39,983 --> 00:23:43,030
Don't do it for
the money, Kirby.
It's not worth it.

250
00:23:43,073 --> 00:23:46,076
This guy came to me
because he heard
I could find anything.

251
00:23:46,120 --> 00:23:48,165
I'd kind of like
to prove him right.

252
00:23:48,209 --> 00:23:50,429
Besides, I'd like to see
the film.

253
00:23:50,472 --> 00:23:55,651
How much do you know about
<i>La Fin Absolue du Monde</i>
and Hans Backovic?

254
00:23:55,695 --> 00:23:58,567
Not enough. I talked
to A.K. Meyers about it.

255
00:23:58,611 --> 00:24:02,528
Nice choice.
Most people start with Sitges
and try to track it that way.

256
00:24:02,571 --> 00:24:05,095
Most people?

257
00:24:05,139 --> 00:24:08,882
You don't think you're
the first to look
for this film, do you?

258
00:24:08,925 --> 00:24:11,885
If you know so much about it,
why don't you try to help me
find it?

259
00:24:11,928 --> 00:24:16,542
You can use my assistant's
office next door.
But it's not in there.

260
00:24:16,585 --> 00:24:19,066
You have to earn this movie.

261
00:24:47,790 --> 00:24:50,619
What do you know about
Patton League?
The cinematographer?

262
00:24:50,663 --> 00:24:52,621
Yeah. You think
he can help me?

263
00:24:52,665 --> 00:24:55,798
A tragic story, that.
He went blind after
they made the movie.

264
00:24:55,842 --> 00:24:59,628
As I understand, he won't
even speak Backovic's name.

265
00:24:59,672 --> 00:25:03,153
The last person to ask him
about <i>La Fin Absolue du Monde</i>

266
00:25:03,197 --> 00:25:07,070
needed six stitches
from where League smacked him
with his cane.

267
00:25:07,114 --> 00:25:09,290
What's with all the mystery?

268
00:25:09,333 --> 00:25:12,902
There's a wall of silence
around this film,
around Backovic's whole life!

269
00:25:12,946 --> 00:25:16,253
If I could just talk to him
for a secon--
He's dead.

270
00:25:16,297 --> 00:25:18,255
There's no records
that he's dead.
Trust me.

271
00:25:18,299 --> 00:25:20,562
Backovic is quite dead.

272
00:25:20,606 --> 00:25:22,956
Who told you that?
His family? His friends?

273
00:25:22,999 --> 00:25:24,566
Anybody maybe you could
introduce me to?

274
00:25:24,610 --> 00:25:26,133
I'm sorry,
I can tell you no more.

275
00:26:28,891 --> 00:26:30,240
Henri.

276
00:26:30,284 --> 00:26:33,287
You disappoint me.
You should not be here.

277
00:26:33,330 --> 00:26:37,117
I thought we were friends.
But you know more
than you're telling me.

278
00:26:37,160 --> 00:26:40,120
That film that you're holding--
that's one of Backovic's
short films, isn't it?

279
00:26:40,163 --> 00:26:43,558
You do not understand.
I don't understand anything
that's happening to me.

280
00:26:43,602 --> 00:26:45,865
Last night I saw something I--
A circle?

281
00:26:45,908 --> 00:26:48,215
Huh? Like the reel change
in a movie?

282
00:26:50,347 --> 00:26:51,000
Yeah.

283
00:26:52,785 --> 00:26:54,090
Then it's started.

284
00:26:54,134 --> 00:26:56,179
You're already in it.

285
00:26:56,223 --> 00:26:57,659
It's only going to
get worse from here.

286
00:26:57,703 --> 00:27:00,575
What's started?
What's happening to me?

287
00:27:00,619 --> 00:27:03,578
The more you look
for this film, the more
you will see those burns.

288
00:27:03,622 --> 00:27:06,842
You'll pay for every step
closer you'll take.

289
00:27:06,886 --> 00:27:08,278
I'm trying
to do you a favor.

290
00:27:08,322 --> 00:27:10,672
I'm telling you to walk away
because I like you, Kirby.

291
00:27:10,716 --> 00:27:14,981
I've been where you are
right now. I've felt
that same building curiosity,

292
00:27:15,024 --> 00:27:17,505
like an unscratchable itch.

293
00:27:17,548 --> 00:27:20,377
I had to know.

294
00:27:20,421 --> 00:27:22,031
I had to see it.

295
00:27:26,079 --> 00:27:29,125
I was the projectionist
at a private screening
in 1988.

296
00:27:30,866 --> 00:27:33,129
The faces in that room--

297
00:27:33,173 --> 00:27:36,089
Famous, beautiful people
from all over Europe.

298
00:27:37,699 --> 00:27:39,875
When I threaded the film
into the projector,

299
00:27:39,919 --> 00:27:42,878
I saw those same dots
you described.

300
00:27:42,922 --> 00:27:45,185
And when I actually
started it running...

301
00:27:46,795 --> 00:27:49,755
I lost my nerve,
I looked away.

302
00:27:52,235 --> 00:27:55,456
It was playing right there,
right in front of me,

303
00:27:55,499 --> 00:27:58,502
and I was too frightened
to watch.

304
00:28:01,636 --> 00:28:06,075
When the screaming started
and the smell of blood hit me,

305
00:28:06,119 --> 00:28:08,730
I tried to stop the film.

306
00:28:08,774 --> 00:28:12,516
The projector wouldn't
shut off and I grabbed
the film to rip it out

307
00:28:12,560 --> 00:28:14,780
and then I saw
those same circles.

308
00:28:14,823 --> 00:28:17,783
And... I don't know.

309
00:28:18,827 --> 00:28:20,699
I must have blacked out.

310
00:28:20,742 --> 00:28:23,005
Time seemed to drop away.

311
00:28:25,921 --> 00:28:30,665
When I came to, the film
was over and my hand... Look,

312
00:28:30,709 --> 00:28:34,843
I appreciate you trying
to protect me, I really do.
But I need this.

313
00:28:34,887 --> 00:28:38,499
I won't watch the film,
and I won't play it
at my theater.

314
00:28:38,542 --> 00:28:40,240
I'll give it to this collector
and I'll walk away.

315
00:28:48,378 --> 00:28:51,642
If I were you,
I would not call this number.

316
00:28:51,686 --> 00:28:54,907
This man has
an excellent collection,
but he's dangerous.

317
00:28:54,950 --> 00:28:56,256
Does he have the film?

318
00:28:56,299 --> 00:28:58,562
No.

319
00:28:58,606 --> 00:29:03,089
But he does have items
given to him by
the Backovic estate.

320
00:29:03,132 --> 00:29:04,830
God knows why.

321
00:29:04,873 --> 00:29:07,876
He can get in touch
with them for you.

322
00:30:31,830 --> 00:30:36,486
It's not for me.
It's for a client.

323
00:30:36,530 --> 00:30:39,446
But you're curious,
aren't you?

324
00:30:39,489 --> 00:30:42,797
If Henri sent you to me,
then you've had
your first glimpses.

325
00:30:42,841 --> 00:30:46,670
Glimpses?
Glimpses of what?

326
00:30:47,933 --> 00:30:50,544
It's different
for everyone.

327
00:30:50,587 --> 00:30:52,981
What you see isn't
the important part.

328
00:30:53,025 --> 00:30:55,244
It's the way you change.

329
00:30:55,288 --> 00:30:57,856
It's what the film
does to you that matters.

330
00:30:57,899 --> 00:31:00,946
Have you seen the film?
No.

331
00:31:02,643 --> 00:31:05,080
Would you if you got
the chance?

332
00:31:05,124 --> 00:31:06,125
Of course.

333
00:31:08,649 --> 00:31:11,086
Is it true that you
keep in contact
with the Backovic estate?

334
00:31:12,653 --> 00:31:15,786
I've got a number
I've called a few times.

335
00:31:15,830 --> 00:31:18,964
I've managed to pry
a few items loose.

336
00:31:19,007 --> 00:31:22,489
Backovic's widow can be
difficult to deal with.

337
00:31:24,883 --> 00:31:26,580
I admire a man
like Backovic--

338
00:31:26,623 --> 00:31:30,236
unafraid to transgress,

339
00:31:30,279 --> 00:31:33,630
in life and in art.

340
00:31:34,805 --> 00:31:36,068
You see,

341
00:31:36,111 --> 00:31:39,245
I've always wanted
to make my own films.

342
00:31:41,595 --> 00:31:43,510
But I detest the falseness
of Hollywood.

343
00:31:45,599 --> 00:31:48,732
I would rather die
than make something false.

344
00:31:48,776 --> 00:31:50,299
Don't you agree?

345
00:31:52,693 --> 00:31:54,477
Yeah. Sure.

346
00:32:31,601 --> 00:32:33,995
Don't leave, Mr. Sweetman.

347
00:32:34,039 --> 00:32:36,041
There's so much more
for us to talk about.

348
00:32:38,260 --> 00:32:41,046
What is it that
you Americans say, huh?

349
00:32:41,089 --> 00:32:43,178
"Relax."

350
00:32:43,222 --> 00:32:45,006
"Chill out."

351
00:32:58,715 --> 00:33:02,763
The blade of a splicing table
can be used to create a lie

352
00:33:02,806 --> 00:33:06,549
or to tell the truth.

353
00:33:06,593 --> 00:33:10,075
It all depends
whose hand it's in.

354
00:33:10,118 --> 00:33:13,426
This may be larger than
an actual splicing blade,

355
00:33:13,469 --> 00:33:15,776
but you get the point.

356
00:33:24,654 --> 00:33:26,395
I believe in truth.

357
00:33:40,496 --> 00:33:41,671
One take.

358
00:33:41,715 --> 00:33:45,153
One uninterrupted shot.

359
00:33:45,197 --> 00:33:47,025
The only cut
was to her.

360
00:33:51,725 --> 00:33:54,945
I turned her into art.

361
00:33:54,989 --> 00:33:59,254
Something happens when
you point the camera
at something terrible.

362
00:33:59,298 --> 00:34:02,214
The resulting film
takes on power.

363
00:34:05,521 --> 00:34:08,394
No, it doesn't!
Cinema isn't powerful.

364
00:34:08,437 --> 00:34:11,571
It doesn't reveal
some hidden truth.
It's just fuckin' murder!

365
00:34:17,272 --> 00:34:20,275
You're not listening to me,
my friend.

366
00:34:20,319 --> 00:34:23,017
You come all this way,

367
00:34:23,061 --> 00:34:25,846
then you don't listen.

368
00:34:25,889 --> 00:34:29,154
You want to understand why
<i>La Fin Absolue du Monde</i>

369
00:34:29,197 --> 00:34:30,894
tore through the audiences.

370
00:34:32,896 --> 00:34:35,290
Backovic was
an exceptional editor.

371
00:34:35,334 --> 00:34:39,642
He understood the value
of a cut.

372
00:34:39,686 --> 00:34:42,819
But there was more to it.

373
00:34:42,863 --> 00:34:47,433
They say the movie
works subliminally
as you're watching.

374
00:34:47,476 --> 00:34:51,959
But the thing that made
the film a weapon?

375
00:34:52,002 --> 00:34:54,440
Blood.

376
00:34:54,483 --> 00:34:56,746
Spilt blood.

377
00:34:59,227 --> 00:35:03,275
What if you got hold
of an angel,

378
00:35:03,318 --> 00:35:05,886
a divine being
with the blood of God

379
00:35:05,929 --> 00:35:08,280
flowing through its veins?

380
00:35:08,323 --> 00:35:12,458
And what if you
sacrificed it... on camera?

381
00:35:15,896 --> 00:35:17,811
Something that profound,

382
00:35:17,854 --> 00:35:19,682
that personal--

383
00:35:19,726 --> 00:35:23,773
it changes everyone
who was part of putting
it on film

384
00:35:23,817 --> 00:35:25,558
and everyone who sees it.

385
00:35:25,601 --> 00:35:28,735
The closer you get
to the film,

386
00:35:28,778 --> 00:35:31,868
the more you'll be changed too.

387
00:35:31,912 --> 00:35:34,958
This was Backovic's secret.

388
00:35:36,525 --> 00:35:39,485
"Film is magic," he said.

389
00:35:39,528 --> 00:35:41,051
And he was right.

390
00:35:42,923 --> 00:35:44,620
What is it you see?

391
00:35:46,883 --> 00:35:49,756
Who is it who haunts you?

392
00:35:49,799 --> 00:35:52,846
Will they be waiting for
you on the other side?

393
00:36:08,862 --> 00:36:11,430
Fuck you.

394
00:36:11,473 --> 00:36:14,781
Fuck me? Fuck me?
Huh?

395
00:36:14,824 --> 00:36:15,999
Fuck you, psycho!

396
00:36:16,043 --> 00:36:19,351
Tell me where
the film is.

397
00:36:19,394 --> 00:36:22,092
Tell me who to talk to!
No!

398
00:36:22,136 --> 00:36:23,268
You have the film?

399
00:36:23,311 --> 00:36:26,096
Katja!

400
00:36:57,998 --> 00:37:01,958
Ah, <i>bonjour.</i> Can you connect me
to Air France, <i>si vous plais?</i>

401
00:37:21,848 --> 00:37:24,677
<i>Yes?</i>
Miss Backovic, can I speak
to you for a minute?

402
00:37:24,720 --> 00:37:26,679
I've come a long way.

403
00:37:46,742 --> 00:37:48,657
Are you my sweet man, Kirby?

404
00:37:50,920 --> 00:37:53,662
Will you take care
of me always?

405
00:38:00,626 --> 00:38:01,888
You're not real.

406
00:38:29,655 --> 00:38:33,180
You saw something that
upset you. In the elevator?

407
00:38:33,223 --> 00:38:36,009
You could say that.
Yet now you are here.

408
00:38:36,052 --> 00:38:40,013
You must want this very badly.
You're the first one to ever
make it this far.

409
00:38:40,056 --> 00:38:44,060
I didn't expect you
to be here. I thought you'd
be in Europe somewhere.

410
00:38:44,104 --> 00:38:47,150
This is still very much his
house. He's in every room.

411
00:38:47,194 --> 00:38:51,633
Hans moved us here because
he thought it would become
a place to make films

412
00:38:51,677 --> 00:38:54,375
more affordably
than Hollywood could.

413
00:38:54,419 --> 00:38:56,029
Twenty years later,
he's right.

414
00:38:56,072 --> 00:38:58,727
I have so many questions.

415
00:38:58,771 --> 00:39:02,340
I'm not sure I have
the answers you're
looking for.

416
00:39:02,383 --> 00:39:05,168
But we'll see.

417
00:39:05,212 --> 00:39:07,910
Do you have a print of
<i>La Fin Absolue du Monde?</i>

418
00:39:07,954 --> 00:39:10,217
That's not what
you want to know.

419
00:39:10,260 --> 00:39:13,481
You want to know if
the stories about
the film are true.

420
00:39:13,525 --> 00:39:14,656
Are they?

421
00:39:16,266 --> 00:39:18,486
Yes. Unfortunately.

422
00:39:20,358 --> 00:39:23,273
Why are you looking
for the film?
I'm being paid to.

423
00:39:23,317 --> 00:39:25,406
That is just an excuse.

424
00:39:25,450 --> 00:39:27,713
If someone paid you
to kill a man, would you?

425
00:39:27,756 --> 00:39:30,019
No, of course not.

426
00:39:30,063 --> 00:39:32,239
But you have been warned
about this.

427
00:39:32,282 --> 00:39:35,416
<i>La Fin Absolue du Monde</i>
is no ordinary film.

428
00:39:35,460 --> 00:39:39,464
That's what everyone keeps
telling me, like I'm going
to back off or something.

429
00:39:39,507 --> 00:39:42,423
I don't want to see an ordinary
film. I want to see
something extraordinary.

430
00:39:44,686 --> 00:39:47,820
You sound exactly like Hans.

431
00:39:47,863 --> 00:39:51,998
He would do anything
to make his films stand out.

432
00:39:52,041 --> 00:39:55,828
Who produced the film?
You're very direct.

433
00:39:55,871 --> 00:39:57,133
I just wanna hear
somebody say it.

434
00:39:59,005 --> 00:40:02,835
I asked Hans
the same question, many times.

435
00:40:02,878 --> 00:40:06,491
"The producers of this film
produce many other things:

436
00:40:06,534 --> 00:40:09,624
chaos, sorrow,
suffering, famine."

437
00:40:12,018 --> 00:40:13,715
What does that mean?
The devil?

438
00:40:13,759 --> 00:40:16,283
Hans never put a name on it.

439
00:40:16,326 --> 00:40:20,418
"Evil is evil," he would say.
"Does a name really matter?"

440
00:40:23,464 --> 00:40:24,770
Come with me.

441
00:40:24,813 --> 00:40:27,773
I have something to show you.

442
00:40:42,875 --> 00:40:44,529
This is nice.

443
00:40:44,572 --> 00:40:48,576
He kept it all
state of the art
until the year he died.

444
00:40:48,620 --> 00:40:51,536
How did he die? There was
no official obituary.

445
00:40:55,453 --> 00:40:57,977
Hans...

446
00:40:58,020 --> 00:41:01,023
became obsessed with
<i>La Fin Absolue du Monde.</i>

447
00:41:01,067 --> 00:41:03,591
During the last year
of his life,

448
00:41:03,635 --> 00:41:05,854
all he did was watch it,

449
00:41:05,898 --> 00:41:06,986
like a punishment.

450
00:41:09,423 --> 00:41:11,947
<i>In the end,
he got too close to the fire.</i>

451
00:41:11,991 --> 00:41:16,082
<i>The film was too effective.</i>

452
00:41:17,475 --> 00:41:21,522
<i>It, um-- It got inside him.</i>

453
00:41:21,566 --> 00:41:23,306
<i>It made him crazy.</i>

454
00:41:26,832 --> 00:41:30,879
He stopped by the kitchen
on the way to find me...

455
00:41:30,923 --> 00:41:33,055
in the bedroom.

456
00:41:33,099 --> 00:41:34,535
He meant to kill us both.

457
00:41:36,102 --> 00:41:39,758
But when he cut my throat...

458
00:41:39,801 --> 00:41:41,237
he only disfigured me.

459
00:41:41,281 --> 00:41:43,849
When he cut his own throat...

460
00:41:45,590 --> 00:41:46,895
he died.

461
00:41:48,244 --> 00:41:50,029
I'm not sure I got
the better deal.

462
00:41:51,552 --> 00:41:56,252
I was left to take care of
<i>La Fin Absolue du Monde.</i>

463
00:41:56,296 --> 00:42:00,039
I hate that film.
And I understand its power.

464
00:42:00,082 --> 00:42:02,563
I wish it had never
been made.

465
00:42:04,913 --> 00:42:08,134
Do you understand
what that's like, Kirby?

466
00:42:08,177 --> 00:42:10,266
Wanting to do penance
for something

467
00:42:10,310 --> 00:42:13,052
but knowing
it's too late.

468
00:42:18,536 --> 00:42:20,320
Yeah.

469
00:42:20,363 --> 00:42:21,930
I do.

470
00:42:21,974 --> 00:42:26,239
People said terrible things
about Hans.

471
00:42:26,282 --> 00:42:30,678
Some people said
he deserved his death.

472
00:42:30,722 --> 00:42:33,159
Maybe he did.

473
00:42:33,202 --> 00:42:35,770
But I miss him... terribly.

474
00:42:37,903 --> 00:42:41,646
Miss Backovic--
Oh. Katja.

475
00:42:41,689 --> 00:42:44,605
Katja, um...

476
00:42:44,649 --> 00:42:45,911
can I watch
the film?

477
00:42:53,745 --> 00:42:55,398
I put it here.

478
00:42:57,009 --> 00:42:59,577
I hate even having it
in the house.

479
00:43:01,927 --> 00:43:05,365
Ever since I've been tracking
this, I've been seeing flashes.

480
00:43:05,408 --> 00:43:09,717
Circles with images
inside of them.
The cigarette burns?

481
00:43:09,761 --> 00:43:12,720
Yeah. And every time
I see them, something--

482
00:43:12,764 --> 00:43:15,114
Terrible things happen.
When did they start?

483
00:43:16,681 --> 00:43:19,422
I heard a tape
of an interview with Hans.

484
00:43:19,466 --> 00:43:21,686
Ever since I heard his voice--
You were marked.

485
00:43:23,949 --> 00:43:27,822
That's how potent
<i>La Fin Absolue du Monde</i> is.

486
00:43:27,866 --> 00:43:30,520
It doesn't just affect you
when you're watching it.

487
00:43:30,564 --> 00:43:32,914
As soon as you start
getting close to it,

488
00:43:32,958 --> 00:43:35,351
it rubs off on you,

489
00:43:35,395 --> 00:43:38,398
like you're stepping
into quicksand.

490
00:43:38,441 --> 00:43:40,705
So go ahead,
take the film.

491
00:43:42,358 --> 00:43:43,621
It's already too late.

492
00:44:35,673 --> 00:44:37,675
I can feel it.

493
00:44:42,984 --> 00:44:44,943
It's worth every penny.

494
00:47:03,037 --> 00:47:03,951
Fuck!

495
00:47:09,000 --> 00:47:11,611
Timpson, yeah,
I just got back.

496
00:47:11,654 --> 00:47:14,701
I'm standing in front
of the theater right now.
Where the fuck are you?

497
00:47:14,744 --> 00:47:17,922
You were here? When
did he come back and
put the chains on?

498
00:47:17,965 --> 00:47:19,662
He said I had two weeks.

499
00:47:19,706 --> 00:47:22,709
All right, all right.
Relax, relax.
I've got the money.

500
00:47:22,752 --> 00:47:26,365
We'll be back
in business by tomorrow.
I'll take care of it.

501
00:47:26,408 --> 00:47:29,020
Yeah, I'm fuckin' pissed!

502
00:47:29,063 --> 00:47:31,631
No, man, I'm not
pissed at you.
All right. Bye.

503
00:47:36,505 --> 00:47:38,856
Hello?

504
00:47:38,899 --> 00:47:41,032
Bellinger?

505
00:47:41,075 --> 00:47:43,730
Yeah, but wai-wai-wait.
What happened?

506
00:47:43,773 --> 00:47:45,079
All right.
I'm coming right now.

507
00:48:15,457 --> 00:48:17,503
Mr. Bellinger!
Mr. Bellinger!

508
00:48:19,635 --> 00:48:23,988
Mr. Bellinger called me.
You brought the film
to this house!

509
00:48:24,031 --> 00:48:25,815
Look, I don't want
any trouble, all right?

510
00:48:25,859 --> 00:48:28,253
But you brought trouble
to this house, didn't you?

511
00:48:29,819 --> 00:48:31,125
And now you're back.

512
00:48:31,169 --> 00:48:32,300
Hell...

513
00:48:33,780 --> 00:48:37,958
I know what you want.
You want to see the movie.

514
00:48:38,002 --> 00:48:40,787
No, I don't.
Yes, you do.

515
00:48:40,830 --> 00:48:43,746
I hope you get
what you want,

516
00:48:43,790 --> 00:48:46,053
what you deserve!

517
00:49:36,756 --> 00:49:39,541
Bellinger?

518
00:49:44,285 --> 00:49:47,375
You missed the good part.
What's going on?

519
00:49:50,378 --> 00:49:54,469
Oh, nothing.
And everything is all right.

520
00:49:55,949 --> 00:49:58,038
You sure? Maybe I should
call a doctor.

521
00:50:00,475 --> 00:50:02,738
I have done terrible things
in my life.

522
00:50:05,828 --> 00:50:08,266
You don't make as much money
as I have...

523
00:50:10,790 --> 00:50:12,313
without burying a few bodies.

524
00:50:15,795 --> 00:50:18,015
You only can sleep at night...

525
00:50:19,755 --> 00:50:21,453
if they stay buried.

526
00:50:22,889 --> 00:50:24,369
They never do.

527
00:50:25,979 --> 00:50:27,459
You watched
<i>La Fin Absolue du Monde?</i>

528
00:50:27,502 --> 00:50:29,983
Yeah.

529
00:50:30,027 --> 00:50:33,987
I highly recommend it.

530
00:50:34,031 --> 00:50:37,034
It's... not a movie, however.

531
00:50:39,036 --> 00:50:41,603
It's a preview.

532
00:50:41,647 --> 00:50:45,999
It's the coming attractions
of the soul.

533
00:50:48,610 --> 00:50:49,524
In my case...

534
00:50:51,483 --> 00:50:55,095
a hell of an ending.

535
00:50:56,836 --> 00:50:59,839
You said on the phone
you needed help.

536
00:50:59,882 --> 00:51:02,189
I was going to ask you

537
00:51:02,233 --> 00:51:05,932
to find another movie
for me.

538
00:51:05,975 --> 00:51:09,022
After all, you did
a good job with this one.

539
00:51:11,590 --> 00:51:13,070
I don't need it anymore.

540
00:51:14,897 --> 00:51:18,466
I have been... inspired.

541
00:51:20,555 --> 00:51:24,124
I made my own movie.

542
00:52:07,080 --> 00:52:09,387
Jesus, Walter,
what are you doing?
What's going on here?

543
00:52:09,430 --> 00:52:13,086
What filthy fucking thing--
What is this?

544
00:52:13,130 --> 00:52:15,349
We don't wanna be here now!
You're right.

545
00:52:15,393 --> 00:52:18,831
Lately I've been spending
a lot of time doing things
I never would have expected.

546
00:52:18,874 --> 00:52:23,096
Like sitting outside your
theater for days at a time,
with a loaded gun

547
00:52:23,140 --> 00:52:27,187
or letting my business go
to hell while I figure out
ways to ruin your life.

548
00:52:27,231 --> 00:52:29,711
I didn't want
to throw my life away.

549
00:52:29,755 --> 00:52:33,628
But now, if you get
shot here,

550
00:52:33,672 --> 00:52:36,327
what's it matter,
who's going to notice?

551
00:52:36,370 --> 00:52:41,245
Just one more freak
on a stack of bodies tomorrow.

552
00:52:41,288 --> 00:52:43,682
Hey!

553
00:53:13,146 --> 00:53:15,366
No.

554
00:54:37,274 --> 00:54:39,624
Annie, baby!
Daddy?

555
00:54:41,190 --> 00:54:44,237
Hush, hush.
Daddy's here.

556
00:54:44,281 --> 00:54:46,500
Things'll be fine.
Everything's gonna be fine.

557
00:54:46,544 --> 00:54:48,676
Daddy?
I'm right here.
I'm right here.

558
00:54:50,678 --> 00:54:52,941
I'm so cold.

559
00:54:52,985 --> 00:54:55,553
Everything's fine.

560
00:54:55,596 --> 00:54:56,989
I'll get you out of here.

561
00:54:58,556 --> 00:55:01,080
Daddy?

562
00:55:01,123 --> 00:55:03,430
I'm sorry, honey.

563
00:55:03,474 --> 00:55:05,911
Everything will be
okay now, okay?

564
00:55:05,954 --> 00:55:08,740
I'm-- I'm hungry.

565
00:55:25,409 --> 00:55:28,107
I see now.
I understand.

566
00:55:29,500 --> 00:55:31,328
Annie?

567
00:55:31,371 --> 00:55:33,982
What's happening?
She was just here!

568
00:55:34,026 --> 00:55:37,334
Of course she was,
'cause you won't let her go.

569
00:55:37,377 --> 00:55:39,510
I loved her.

570
00:55:39,553 --> 00:55:42,643
I loved her too!
But I see now,

571
00:55:42,687 --> 00:55:45,080
since we can't
both let her go,

572
00:55:45,124 --> 00:55:47,300
it's like we're killing her
over and over again.

573
00:55:47,344 --> 00:55:50,303
And we'll never let her go.

574
00:55:50,347 --> 00:55:53,393
Not until we're both dead.

575
00:55:58,703 --> 00:56:02,141
Here's your fucking money.

576
00:56:21,726 --> 00:56:24,598
I love you. I'm sorry.

577
00:57:00,504 --> 00:57:03,594
Thank you... for this.

578
00:57:15,519 --> 00:57:17,912
Closed-Captioned By
J.R. Media Services, Inc.
Burbank, CA


