1
00:00:01,965 --> 00:00:04,685
(tree crackling)

2
00:00:07,525 --> 00:00:10,005
(suspenseful music)

3
00:00:10,005 --> 00:00:11,405
(horse neighs)

4
00:00:11,405 --> 00:00:12,885
- Hey!

5
00:00:12,885 --> 00:00:14,605
What're you doing with my horse?

6
00:00:14,605 --> 00:00:15,605
(suspenseful music)

7
00:00:15,605 --> 00:00:16,445
(horse neighs)

8
00:00:16,445 --> 00:00:18,805
(suspenseful music)

9
00:00:18,805 --> 00:00:20,205
Hey what're you doin'?

10
00:00:20,205 --> 00:00:23,205
(suspenseful music)

11
00:00:36,365 --> 00:00:37,525
Don't take him, mister.

12
00:00:38,925 --> 00:00:40,765
I can't work without my horse.

13
00:00:40,765 --> 00:00:41,925
- It's not much of a horse.

14
00:00:41,925 --> 00:00:43,165
- It'll do.

15
00:00:43,205 --> 00:00:44,925
- [Amos] Oh, please!

16
00:00:44,925 --> 00:00:47,925
(suspenseful music)

17
00:00:51,245 --> 00:00:52,445
- There's somebody coming!

18
00:00:52,445 --> 00:00:55,085
(suspenseful music)

19
00:00:55,085 --> 00:00:55,965
(horse neighs)

20
00:00:55,965 --> 00:00:57,005
- What is it, Beauty?

21
00:00:57,885 --> 00:00:59,365
Well, tell me.

22
00:00:59,365 --> 00:01:00,405
Show me, boy.

23
00:01:00,405 --> 00:01:03,485
(suspenseful music)

24
00:01:03,485 --> 00:01:04,845
(horse neighs)

25
00:01:04,845 --> 00:01:06,365
(suspenseful music)

26
00:01:06,365 --> 00:01:09,005
- Quick, they've, they've taken my horse!

27
00:01:09,005 --> 00:01:09,885
Up there!

28
00:01:09,885 --> 00:01:10,685
They've got masks on.

29
00:01:10,685 --> 00:01:11,525
- Come on, Beauty.

30
00:01:11,525 --> 00:01:12,365
- Be careful doctor.

31
00:01:12,365 --> 00:01:15,045
(intense music)

32
00:01:20,565 --> 00:01:25,565
(intense music)
(horse neighs)

33
00:01:26,285 --> 00:01:31,285
(intense music)
(hooves thudding)

34
00:01:42,245 --> 00:01:43,365
- [Bandit] Split up!

35
00:01:43,365 --> 00:01:45,965
(bright music)

36
00:01:52,165 --> 00:01:54,605
(horse neighs)

37
00:01:54,605 --> 00:01:57,005
(man crying)

38
00:01:59,285 --> 00:02:02,005
(man whimpering)

39
00:02:05,285 --> 00:02:07,045
- When did you do this?

40
00:02:07,045 --> 00:02:08,445
- Go to the Devil!

41
00:02:08,445 --> 00:02:09,925
- Don't be a fool, man.

42
00:02:09,925 --> 00:02:12,685
(horse neighing)

43
00:02:14,365 --> 00:02:16,445
(dramatic music)

44
00:02:16,445 --> 00:02:18,645
- Don't you be a fool neither, mister.

45
00:02:18,645 --> 00:02:21,405
(sinister music)

46
00:02:24,805 --> 00:02:27,725
(theatrical music)

47
00:03:00,365 --> 00:03:03,685
(tense classical music)

48
00:03:11,005 --> 00:03:12,285
(Albert speaks indistinctly)

49
00:03:12,285 --> 00:03:14,485
- Who are you supposed to
be, Albert? Dick Turpin?

50
00:03:14,485 --> 00:03:15,485
- [Albert] Dick Turp...I'm Jack Stepany!

51
00:03:16,605 --> 00:03:17,845
- Oh, who is he?

52
00:03:17,845 --> 00:03:21,605
- Oh come on, Vicky! Everyone
knows who Jack Stepany is!

53
00:03:21,605 --> 00:03:23,125
Hand over your valuables,

54
00:03:23,125 --> 00:03:26,365
or I'll blast you both
to kingdom come, ha ha!

55
00:03:26,365 --> 00:03:30,925
- Oh, spare us Mr. Stepany!
We are but humble folk.

56
00:03:30,965 --> 00:03:33,165
- You can't be Stepany.

57
00:03:33,165 --> 00:03:34,005
- [Albert] Why not?

58
00:03:34,005 --> 00:03:35,485
- He was caught last week.

59
00:03:36,885 --> 00:03:40,485
(dramatic classical music)

60
00:03:42,405 --> 00:03:45,485
- You're in luck, he's a doctor.

61
00:03:47,285 --> 00:03:49,045
(sinister music)

62
00:03:49,045 --> 00:03:50,245
- Get on your horse.

63
00:03:50,285 --> 00:03:51,525
- Now, listen to me-

64
00:03:51,525 --> 00:03:53,885
- I said, get on your horse.

65
00:03:53,885 --> 00:03:58,885
(horses galloping)
(horse neighs)

66
00:04:00,325 --> 00:04:02,445
(gate clanking)

67
00:04:02,445 --> 00:04:05,045
- Well, see, I strangled
the warder, didn't 1?

68
00:04:05,045 --> 00:04:06,445
And then I knocked out (indistinct)

69
00:04:06,445 --> 00:04:09,205
Jumped over the prison
wall, and here I am.

70
00:04:09,205 --> 00:04:11,965
Up to my old tricks again, ha ha ha!

71
00:04:11,965 --> 00:04:12,965
- Stop, hey!

72
00:04:12,965 --> 00:04:14,205
Hey!

73
00:04:14,205 --> 00:04:15,685
Give it back!

74
00:04:15,685 --> 00:04:17,525
- All right, all right,
all right. I surrender!

75
00:04:17,525 --> 00:04:19,365
- Not so noisy!

76
00:04:19,365 --> 00:04:20,925
- Sorry, Amy.

77
00:04:20,925 --> 00:04:22,205
- He's Jack Stepany.

78
00:04:22,205 --> 00:04:23,045
- Is he?

79
00:04:23,045 --> 00:04:24,885
- They say he's got a
hidden hoard of treasure,

80
00:04:24,885 --> 00:04:26,205
and jewellery somewhere.

81
00:04:26,205 --> 00:04:27,405
- Who has?

82
00:04:27,405 --> 00:04:29,445
- [Children] Jack Stepany!

83
00:04:29,445 --> 00:04:33,045
(sinister classical music)

84
00:04:42,405 --> 00:04:47,405
(bright upbeat music)
(hooves thudding)

85
00:04:54,005 --> 00:04:57,005
(suspenseful music)

86
00:05:07,285 --> 00:05:09,165
(horse neighs)

87
00:05:09,165 --> 00:05:12,165
(suspenseful music)

88
00:05:15,365 --> 00:05:16,205
- Easy.

89
00:05:17,045 --> 00:05:18,365
(man whimpers)

90
00:05:18,365 --> 00:05:19,205
- Oh!

91
00:05:19,205 --> 00:05:20,365
- Here you go.

92
00:05:21,325 --> 00:05:26,325
(man whimpering)
(suspenseful music)

93
00:05:36,725 --> 00:05:38,965
- This wound's infected; poisoned.

94
00:05:39,805 --> 00:05:42,845
- Well, you're a doctor.
Do something about it!

95
00:05:42,845 --> 00:05:44,125
- I'll, uh, have to go
and get antiseptic to do-

96
00:05:44,125 --> 00:05:46,405
- You're not going nowhere.

97
00:05:46,445 --> 00:05:48,925
That's just a trick so you
can blab to the police.

98
00:05:53,245 --> 00:05:55,005
- If you neglect this much longer,

99
00:05:55,005 --> 00:05:56,445
there's a danger of gangrene,

100
00:05:57,485 --> 00:05:58,365
that'll kill you.

101
00:06:01,405 --> 00:06:02,965
You can go.

102
00:06:02,965 --> 00:06:04,725
- [Bandit] (scoffs) Well, I'm
not going, it's too risky

103
00:06:04,725 --> 00:06:06,645
- Black Beauty will lead you.

104
00:06:07,645 --> 00:06:08,765
- Who?

105
00:06:08,765 --> 00:06:09,605
(Beauty chatters)

106
00:06:09,605 --> 00:06:10,805
- [James] My horse.

107
00:06:10,805 --> 00:06:14,445
(dramatic classical music)

108
00:06:14,445 --> 00:06:16,485
Put this note onto Black Beauty's saddle

109
00:06:16,485 --> 00:06:18,525
and he'll take it to my housekeeper.

110
00:06:18,525 --> 00:06:19,765
It'll tell her where to leave

111
00:06:19,765 --> 00:06:21,965
the medical supplies that I require.

112
00:06:21,965 --> 00:06:24,485
(dramatic classical music)
(hooves thudding)

113
00:06:24,485 --> 00:06:27,125
- "Stepany had long eluded
the most vigilant efforts

114
00:06:27,125 --> 00:06:29,045
of our dauntless constabulary."

115
00:06:29,045 --> 00:06:30,285
- Oh, what's that mean?

116
00:06:30,285 --> 00:06:32,485
- The bobbies couldn't catch him!

117
00:06:32,485 --> 00:06:34,485
- And why don't you say so?

118
00:06:34,485 --> 00:06:37,165
- "Was apprehended in a
public house near Willingbray

119
00:06:37,165 --> 00:06:38,805
after a fierce fight."

120
00:06:38,805 --> 00:06:40,245
- Cor!

121
00:06:40,245 --> 00:06:42,205
- "Two men believed to be accomplices

122
00:06:42,205 --> 00:06:44,005
escaped in the fracas.”

123
00:06:44,045 --> 00:06:45,485
- What's a fracas?

124
00:06:45,485 --> 00:06:46,605
- A cab.

125
00:06:46,605 --> 00:06:47,525
- Oh.

126
00:06:47,525 --> 00:06:51,045
(sinister classical music)
(horse neighs)

127
00:06:51,045 --> 00:06:54,045
(suspenseful music)

128
00:07:06,045 --> 00:07:11,045
(bright upbeat music)
(hooves thudding)

129
00:07:20,045 --> 00:07:22,125
- Beauty, where's father?

130
00:07:22,125 --> 00:07:25,125
(Beauty neighs)

131
00:07:25,125 --> 00:07:27,565
(paper rustling)

132
00:07:27,565 --> 00:07:28,405
- What's wrong?

133
00:07:29,725 --> 00:07:31,725
Is father all right?

134
00:07:31,725 --> 00:07:32,645
- Yeah, he's with a patient.

135
00:07:32,645 --> 00:07:33,725
- Where?

136
00:07:33,725 --> 00:07:34,925
- He doesn't say.

137
00:07:34,925 --> 00:07:36,485
- But what patient?

138
00:07:36,485 --> 00:07:38,125
- What does he say, Amy?

139
00:07:38,125 --> 00:07:39,805
(Beauty chitters)

140
00:07:39,805 --> 00:07:41,285
Something's wrong.

141
00:07:41,285 --> 00:07:42,445
(Beauty grunts)

142
00:07:42,445 --> 00:07:45,205
- They had guns, and-and
their faces was hid!

143
00:07:45,205 --> 00:07:47,045
- And they took your horse.

144
00:07:47,045 --> 00:07:51,125
- Yeah, and-and-and the
doctor, he went off after them.

145
00:07:51,125 --> 00:07:51,965
- Doctor?

146
00:07:53,285 --> 00:07:54,525
A doctor Gordon?

147
00:07:54,525 --> 00:07:55,445
- Doctor.

148
00:07:55,445 --> 00:07:57,365
- So what happened then?

149
00:07:57,365 --> 00:07:58,725
- Dunno.

150
00:07:58,725 --> 00:08:00,365
- Well, did the doctor come back?

151
00:08:01,645 --> 00:08:03,885
Yeah, well I'm going up to your cottage.

152
00:08:03,885 --> 00:08:05,725
You return to the scene of the crime.

153
00:08:09,045 --> 00:08:12,645
(sinister classical music)

154
00:08:16,325 --> 00:08:18,805
- We must do just as your father asks,

155
00:08:18,805 --> 00:08:21,285
and he was most insistent
that you should stay here.

156
00:08:21,285 --> 00:08:22,365
I shant be long!

157
00:08:23,605 --> 00:08:25,085
- [Vicky] I'm going to follow her.

158
00:08:25,085 --> 00:08:26,445
- We'll come too.

159
00:08:26,445 --> 00:08:29,245
- No, you won't. I'm the oldest.

160
00:08:29,245 --> 00:08:31,205
Father's in danger, I know he is.

161
00:08:31,205 --> 00:08:32,045
(Beauty neighs)

162
00:08:32,045 --> 00:08:32,885
I'm going.

163
00:08:34,325 --> 00:08:35,925
- But Vicky!

164
00:08:35,925 --> 00:08:37,725
- And you're staying here.

165
00:08:38,805 --> 00:08:40,605
(Beauty neighs)

166
00:08:40,605 --> 00:08:43,445
(hooves thudding)

167
00:08:45,965 --> 00:08:49,525
(sinister classical music)

168
00:09:11,125 --> 00:09:14,685
(dramatic classical music)

169
00:09:32,925 --> 00:09:35,565
(Beauty neighs)

170
00:09:40,125 --> 00:09:45,125
(dramatic classical music)
(hooves thudding)

171
00:09:53,325 --> 00:09:55,005
- [Amy] Vicky!

172
00:09:55,005 --> 00:09:56,925
- [Albert} Vicky!

173
00:09:56,925 --> 00:09:58,805
- Go on, you two, go on.

174
00:09:58,805 --> 00:10:02,405
(sinister classical music)

175
00:10:03,285 --> 00:10:04,525
- Where's he got to?

176
00:10:04,525 --> 00:10:05,845
If you've booked us.

177
00:10:05,845 --> 00:10:08,485
- Why did you take Amos's horse?

178
00:10:08,525 --> 00:10:09,765
- That's our business.

179
00:10:10,925 --> 00:10:12,445
Oh, this leg's on fire!

180
00:10:12,445 --> 00:10:14,165
- I told you, sit down and rest.

181
00:10:22,485 --> 00:10:25,325
(horse galloping)

182
00:10:26,245 --> 00:10:29,645
- And I felt, I felt all the
time I was being watched.

183
00:10:30,645 --> 00:10:32,005
- Hm.

184
00:10:32,045 --> 00:10:35,205
So, all we know is that
one of them is wounded.

185
00:10:35,205 --> 00:10:36,725
- What about Vicky?

186
00:10:36,725 --> 00:10:38,045
- Well, if she followed the man

187
00:10:38,045 --> 00:10:39,525
who picked up the medical supplies,

188
00:10:39,525 --> 00:10:41,765
she's most likely a
prisoner herself by now.

189
00:10:42,805 --> 00:10:43,765
- Oh.

190
00:10:43,805 --> 00:10:46,285
- Don't worry, Amy. We'll find them.

191
00:10:46,285 --> 00:10:47,125
Come on, Albert.

192
00:10:47,125 --> 00:10:48,085
- Right.

193
00:10:48,925 --> 00:10:50,525
- You heard what the boy said,

194
00:10:50,525 --> 00:10:52,165
don't worry, we'll find them.

195
00:10:53,165 --> 00:10:57,125
(dramatic classical music)

196
00:10:57,125 --> 00:11:01,365
(bright suspenseful music)
(horse galloping)

197
00:11:01,365 --> 00:11:02,205
(horse neighs)

198
00:11:02,205 --> 00:11:05,325
(bright music)

199
00:11:05,325 --> 00:11:07,165
- Right, which way, Beauty?

200
00:11:07,165 --> 00:11:08,605
(Beauty neighs)

201
00:11:08,605 --> 00:11:09,805
(tender music)

202
00:11:09,805 --> 00:11:10,845
It's up to you, boy.

203
00:11:11,805 --> 00:11:14,245
(somber classical music)

204
00:11:14,245 --> 00:11:17,645
(bright classical music)

205
00:11:25,845 --> 00:11:28,005
(suspenseful music)

206
00:11:28,005 --> 00:11:30,525
(door clanks)

207
00:11:34,765 --> 00:11:35,925
- Did you get the stuff?

208
00:11:35,925 --> 00:11:36,725
- Yeah.

209
00:11:41,205 --> 00:11:43,685
- Yeah, yeah. Here's this.

210
00:11:43,685 --> 00:11:46,005
- Well, don't you think
you ought to untie me?

211
00:11:48,765 --> 00:11:49,605
(horse neighs)

212
00:11:49,605 --> 00:11:50,445
- Shh!

213
00:11:51,685 --> 00:11:52,485
- Uh-I-

214
00:11:52,485 --> 00:11:53,325
- Shut Up!

215
00:11:53,325 --> 00:11:55,685
(sinister classical music)

216
00:11:55,685 --> 00:11:58,085
(suspenseful music)
(horse neighs)

217
00:11:58,085 --> 00:12:01,085
(suspenseful music)

218
00:12:19,045 --> 00:12:21,285
Vicky gasps)
('worse neighs)

219
00:12:21,285 --> 00:12:23,725
(suspenseful music)

220
00:12:23,725 --> 00:12:24,565
- Vicky!

221
00:12:27,085 --> 00:12:28,285
You disobeyed me.

222
00:12:28,285 --> 00:12:29,485
- I had to find you.

223
00:12:29,485 --> 00:12:31,685
- Oh, it's all right
darling, it's all right.

224
00:12:31,685 --> 00:12:32,525
- Tie her up.

225
00:12:32,525 --> 00:12:33,365
- No!

226
00:12:33,365 --> 00:12:36,525
If you want that leg treated,
she'll have to help me.

227
00:12:36,525 --> 00:12:39,525
(suspenseful music)

228
00:12:45,125 --> 00:12:45,965
(horse neighs)

229
00:12:45,965 --> 00:12:48,965
(suspenseful music)

230
00:12:52,725 --> 00:12:55,005
There. I've done all I can.

231
00:12:55,005 --> 00:12:56,965
- Now look, he's got to be able to ride.

232
00:12:56,965 --> 00:13:00,485
- Don't be so stupid, he
can't ride with a fever!

233
00:13:00,485 --> 00:13:01,325
- Well how long is that gonna last?

234
00:13:01,325 --> 00:13:02,485
- I don't know.

235
00:13:02,485 --> 00:13:04,565
- Well, tomorrow. I mean,
I'll come by tomorrow.

236
00:13:04,605 --> 00:13:08,485
- I tell you I don't know!

237
00:13:08,485 --> 00:13:11,325
(Beauty chitters)

238
00:13:13,285 --> 00:13:15,565
- I tell you, it's our
only chance tomorrow

239
00:13:15,565 --> 00:13:17,765
and I can't do it on my own!

240
00:13:17,765 --> 00:13:20,045
- I know. (panting)

241
00:13:20,045 --> 00:13:21,805
I'll, I'll, I'll be alright.

242
00:13:21,805 --> 00:13:24,605
- Supposing you're not
all right, what then, eh?

243
00:13:27,445 --> 00:13:29,045
You'd better be alright.

244
00:13:31,765 --> 00:13:34,765
He better be alright,
doctor, for your sake.

245
00:13:34,805 --> 00:13:35,765
Or you owe me.

246
00:13:36,725 --> 00:13:39,725
(suspenseful music)

247
00:13:49,285 --> 00:13:51,325
- I think it could work.

248
00:13:51,365 --> 00:13:52,965
- Oh, you haven't got much time.

249
00:13:54,725 --> 00:13:56,485
- Well, we haven't got much choice.

250
00:13:57,445 --> 00:13:58,765
- All right.

251
00:13:58,765 --> 00:13:59,885
So as we can risk it?

252
00:14:02,205 --> 00:14:03,645
- Well, it's our last chance.

253
00:14:07,765 --> 00:14:09,325
- [Bandit] Alright you?

254
00:14:09,365 --> 00:14:10,165
Wake her up.

255
00:14:12,965 --> 00:14:14,405
- Vicky.

256
00:14:14,405 --> 00:14:15,245
- Mm.

257
00:14:21,885 --> 00:14:24,285
- He's too ill, so you'll have to go.

258
00:14:25,205 --> 00:14:26,125
- What do you mean?

259
00:14:26,125 --> 00:14:28,005
- You and me, we're going for a ride.

260
00:14:29,565 --> 00:14:30,405
Oh, no, no, no, no.

261
00:14:30,405 --> 00:14:31,485
She stays.

262
00:14:31,485 --> 00:14:32,605
- No!

263
00:14:32,645 --> 00:14:34,525
- I said she stays.

264
00:14:35,645 --> 00:14:37,965
If we get back alright,
then you will both go.

265
00:14:38,965 --> 00:14:40,045
- And if I refuse?

266
00:14:41,125 --> 00:14:44,805
- Then you won't go
anywhere, either of you.

267
00:14:44,805 --> 00:14:47,485
(dramatic music)

268
00:14:47,525 --> 00:14:49,165
- [James] Where do we go?

269
00:14:49,165 --> 00:14:50,525
- [Bandit] You ever heard
of a place called Westwick?

270
00:14:50,565 --> 00:14:52,605
- [James] Yes, it's a prison.

271
00:14:52,605 --> 00:14:54,525
- [Bandit] Well, there's a
van leaving there this morning

272
00:14:54,525 --> 00:14:56,245
for Willingbray sizes.

273
00:14:56,245 --> 00:14:59,645
- Yeah, taking a, a friend of ours.

274
00:14:59,645 --> 00:15:01,405
- He forgot to pay us.

275
00:15:01,405 --> 00:15:03,005
- And he's got plenty.

276
00:15:03,005 --> 00:15:05,725
- Somewhere safe.

277
00:15:06,725 --> 00:15:09,485
- He'll get a rare
surprise with our old Jack.

278
00:15:10,525 --> 00:15:11,365
- Jack?

279
00:15:11,365 --> 00:15:12,685
- Yeah.

280
00:15:12,725 --> 00:15:13,525
Jack Stepany.

281
00:15:14,405 --> 00:15:15,845
(suspenseful music)

282
00:15:15,845 --> 00:15:17,605
But if there's only two of them,

283
00:15:17,645 --> 00:15:19,405
why did they want three horses?

284
00:15:19,405 --> 00:15:21,845
- But we don't know that
there are only two of 'em lad.

285
00:15:21,845 --> 00:15:23,325
(somber music)

286
00:15:23,325 --> 00:15:24,725
Which way they go, Amos?

287
00:15:24,725 --> 00:15:25,565
- Through there.

288
00:15:26,645 --> 00:15:27,805
Will you catch 'em?

289
00:15:27,805 --> 00:15:29,085
- Yeah, of course we will.

290
00:15:32,885 --> 00:15:34,325
- Come on.

291
00:15:34,325 --> 00:15:37,325
(footsteps tapping)

292
00:15:39,205 --> 00:15:40,525
- You take the extra horse,

293
00:15:42,725 --> 00:15:45,285
I'll cover the driver and the guards,

294
00:15:45,285 --> 00:15:46,925
open up the back and get him out.

295
00:15:49,885 --> 00:15:51,245
- There'll be no bloodshed.

296
00:15:52,405 --> 00:15:54,525
- Not so long as
everybody behaves himself.

297
00:15:56,685 --> 00:15:57,525
It's time.

298
00:16:03,085 --> 00:16:04,005
- Be brave.

299
00:16:04,885 --> 00:16:06,445
I'm coming back.

300
00:16:06,445 --> 00:16:10,285
(suspenseful music)

301
00:16:10,285 --> 00:16:11,605
(door clanks)

302
00:16:11,605 --> 00:16:14,605
(suspenseful music)

303
00:16:19,805 --> 00:16:21,565
- Come on, get on, move on.

304
00:16:21,565 --> 00:16:26,565
(suspenseful music)
(hooves thudding)

305
00:16:27,805 --> 00:16:28,925
(horse neighs)

306
00:16:28,925 --> 00:16:31,525
(bright music)

307
00:16:44,845 --> 00:16:45,685
- Shh!

308
00:16:45,685 --> 00:16:46,525
Listen.

309
00:16:46,525 --> 00:16:51,125
(hooves thudding)
(bright music)

310
00:16:51,125 --> 00:16:53,125
Someone's coming. Come on.

311
00:16:53,125 --> 00:16:58,125
(bright music)
(hooves thudding)

312
00:17:01,165 --> 00:17:04,645
(suspenseful music)

313
00:17:04,645 --> 00:17:09,645
(horse neighs)
(suspenseful music)

314
00:17:18,925 --> 00:17:21,925
(horse neighs)

315
00:17:21,925 --> 00:17:22,765
- Beauty.

316
00:17:22,765 --> 00:17:24,445
- (sighs) He must have escaped.

317
00:17:24,445 --> 00:17:26,285
He'll know the way!

318
00:17:26,285 --> 00:17:27,605
(horse neighs)

319
00:17:27,605 --> 00:17:29,405
- We've got to find PC Dickens.

320
00:17:29,405 --> 00:17:32,165
- But he's miles back, and
we can't tackle them alone.

321
00:17:33,125 --> 00:17:34,245
Can we?

322
00:17:34,245 --> 00:17:35,325
(horse neighs)

323
00:17:35,325 --> 00:17:37,325
- We can keep an eye on them, couldn't we?

324
00:17:37,325 --> 00:17:39,005
Until reinforcement arrive.

325
00:17:39,005 --> 00:17:40,005
- Yeah.

326
00:17:40,005 --> 00:17:41,925
(suspenseful music)

327
00:17:41,925 --> 00:17:44,525
(bright music)

328
00:17:50,765 --> 00:17:53,765
(suspenseful music)

329
00:18:08,365 --> 00:18:13,365
(hooves tapping)
(tender music

330
00:18:17,965 --> 00:18:20,525
- What makes you so sure
your friend's coming back?

331
00:18:24,085 --> 00:18:25,925
He doesn't need you anymore, does he?

332
00:18:29,125 --> 00:18:30,005
- He'll be back.

333
00:18:32,205 --> 00:18:34,805
- Suppose he makes a bargain with Stepany?

334
00:18:37,365 --> 00:18:39,205
- He wouldn't!

335
00:18:39,205 --> 00:18:40,765
- Why not?

336
00:18:40,805 --> 00:18:42,125
This place is dangerous.

337
00:18:42,965 --> 00:18:45,605
Half the police in the country
are looking for us by now.

338
00:18:45,605 --> 00:18:46,765
And he's left you here,

339
00:18:48,125 --> 00:18:48,965
the scapegoat.

340
00:18:50,045 --> 00:18:51,565
- Shut up.

341
00:18:51,565 --> 00:18:52,685
Shut up!

342
00:18:52,685 --> 00:18:55,285
(horse neighs)

343
00:18:55,285 --> 00:18:56,365
- [Albert] Beauty, come back.

344
00:18:56,365 --> 00:18:57,605
He'll give us away.

345
00:18:57,605 --> 00:18:59,485
(horse neighs)

346
00:18:59,525 --> 00:19:01,085
- It's Beauty!

347
00:19:01,085 --> 00:19:02,525
He's brought help.

348
00:19:02,525 --> 00:19:04,285
(horse neighs)

349
00:19:04,285 --> 00:19:05,605
You're trapped, they're all
around, you're (indistinct).

350
00:19:05,645 --> 00:19:07,685
- I'm taking (indistinct).

351
00:19:07,685 --> 00:19:10,285
(horse neighs)

352
00:19:11,965 --> 00:19:14,045
(suspenseful music)

353
00:19:14,045 --> 00:19:15,445
(bandit speaking indistinctly)

354
00:19:15,445 --> 00:19:16,645
- Where are you, folks?

355
00:19:16,685 --> 00:19:19,005
(suspenseful music)

356
00:19:19,005 --> 00:19:21,245
- Vicky, are you all right?

357
00:19:21,245 --> 00:19:22,125
(indistinct)

358
00:19:22,125 --> 00:19:22,965
Where's father.

359
00:19:22,965 --> 00:19:24,805
- Oh, he is with the other
man, rescuing Jack Stepany.

360
00:19:24,805 --> 00:19:25,645
- Stepany?

361
00:19:25,645 --> 00:19:26,685
- Yes. Quick, untie me.

362
00:19:27,725 --> 00:19:28,525
- Where?

363
00:19:28,525 --> 00:19:31,325
- Oh, they're taking
him from Westwick Prison

364
00:19:31,325 --> 00:19:32,325
to Willingbray.

365
00:19:32,325 --> 00:19:33,245
- Willingbray?

366
00:19:33,245 --> 00:19:34,085
- Yes.

367
00:19:34,085 --> 00:19:34,885
You, Kelvin!

368
00:19:35,805 --> 00:19:37,605
Beauty, don't let him.

369
00:19:38,525 --> 00:19:39,605
- Kelvin!

370
00:19:39,605 --> 00:19:41,165
(horse neighs)

371
00:19:41,165 --> 00:19:42,325
- Kevin!

372
00:19:42,325 --> 00:19:43,165
(suspenseful music)

373
00:19:43,165 --> 00:19:44,525
I'm the oldest.

374
00:19:44,525 --> 00:19:47,525
(carriage clanking)

375
00:19:49,445 --> 00:19:50,925
(suspenseful music)

376
00:19:50,925 --> 00:19:52,725
- Now remember, no tricks

377
00:19:52,725 --> 00:19:54,685
if you want that girl of yours to live.

378
00:19:55,805 --> 00:19:56,765
- How much longer?

379
00:19:58,565 --> 00:20:01,285
- Should be any time now,
if they left promptly.

380
00:20:01,285 --> 00:20:02,525
I'll just settle down, mister.

381
00:20:02,565 --> 00:20:05,405
It's easy. Easy as winking.

382
00:20:05,405 --> 00:20:10,405
(bright music)
(hooves thudding)

383
00:20:49,485 --> 00:20:52,485
(suspenseful music)

384
00:20:56,645 --> 00:21:00,325
(carriage clanking)

385
00:21:00,325 --> 00:21:02,325
(suspenseful music)

386
00:21:02,325 --> 00:21:05,685
(hooves thudding)
(bright music)

387
00:21:05,725 --> 00:21:06,925
- Kelvin!

388
00:21:06,925 --> 00:21:08,045
(hooves thudding)

389
00:21:08,085 --> 00:21:09,605
- [Bandit] Are you kidding?

390
00:21:09,605 --> 00:21:11,125
(gunshots cracking)

391
00:21:11,125 --> 00:21:12,565
(horse neighs)

392
00:21:12,565 --> 00:21:13,405
(Kelvin thuds)

393
00:21:13,445 --> 00:21:16,005
(bright music)

394
00:21:22,445 --> 00:21:23,445
(blow thuds)

395
00:21:23,445 --> 00:21:26,045
(horse neighs)

396
00:21:29,645 --> 00:21:31,125
- Beauty!

397
00:21:31,125 --> 00:21:33,045
(horse neighs)

398
00:21:33,045 --> 00:21:33,885
(suspenseful music)

399
00:21:33,885 --> 00:21:35,165
- Go, get off.

400
00:21:35,165 --> 00:21:36,645
(horse neighs)

401
00:21:36,645 --> 00:21:38,045
Go.

402
00:21:38,045 --> 00:21:40,965
Get off (indistinct).

403
00:21:40,965 --> 00:21:42,365
(horse neighs)

404
00:21:42,365 --> 00:21:45,045
(bandit speaking indistinctly)

405
00:21:45,045 --> 00:21:46,325
- Kelvin.

406
00:21:46,365 --> 00:21:47,485
- There's a man with a gun.

407
00:21:47,485 --> 00:21:50,765
- Now don't you worry,
Beauty's taking care of him.

408
00:21:50,765 --> 00:21:55,765
(horse neighs)
(bright music)

409
00:21:57,605 --> 00:22:00,445
(hooves thudding)

410
00:22:01,925 --> 00:22:04,485
(bright music)

411
00:22:08,525 --> 00:22:09,965
(tender music)

412
00:22:09,965 --> 00:22:12,485
- That's good. That's good.

413
00:22:12,485 --> 00:22:14,725
So you caught up with the
buttons that I got you?

414
00:22:14,725 --> 00:22:17,245
- Yes, Amos. All the buttons
are under lock and key.

415
00:22:17,285 --> 00:22:18,965
- Oh, he is a nice horse as Fred.

416
00:22:20,085 --> 00:22:22,125
Oh, we weren't too much
trouble, you bringing him back?

417
00:22:22,125 --> 00:22:25,045
- No, of course not.
All in the day's work.

418
00:22:25,045 --> 00:22:26,605
Hey Kevin.

419
00:22:26,605 --> 00:22:27,925
- You know Black Beauty, my boy.

420
00:22:27,925 --> 00:22:29,405
But I did miss you.

421
00:22:30,965 --> 00:22:31,805
Bye then, doctor.
- Bye.

422
00:22:31,805 --> 00:22:32,845
- Bye Kevin.
- Bye.

423
00:22:32,885 --> 00:22:33,685
- [Amos] Come on.

424
00:22:33,685 --> 00:22:36,285
(bright music)

425
00:22:37,605 --> 00:22:39,405
- All right, Beauty. That's enough.

426
00:22:39,405 --> 00:22:41,045
Come on, you'll get fat.

427
00:22:41,925 --> 00:22:42,925
Can't have that.

428
00:22:42,925 --> 00:22:43,765
(bright music)

429
00:22:43,765 --> 00:22:45,125
(horse neighs)

430
00:22:45,125 --> 00:22:47,005
I said go away.

431
00:22:47,045 --> 00:22:48,245
That's enough, Beauty.

432
00:22:48,245 --> 00:22:50,845
(tender music)

433
00:22:57,725 --> 00:23:00,405
(bright music)


