1 00:00:11,219 --> 00:00:12,219 Wait. 2 00:00:12,960 --> 00:00:14,160 Give me just one kiss. 3 00:00:26,800 --> 00:00:28,460 You are my only jewel. 4 00:00:42,640 --> 00:00:43,720 You're sleeping. 5 00:00:45,260 --> 00:00:46,660 You're dreaming. 6 00:00:48,140 --> 00:00:53,760 But our whole life has been a dream, experienced in reality by others 7 00:00:53,760 --> 00:00:54,760 people. 8 00:00:55,580 --> 00:01:02,320 Only love, mine, will be able to death lead us by the hand to ours 9 00:01:02,320 --> 00:01:03,320 real life. 10 00:01:06,620 --> 00:01:07,620 Together. 11 00:01:13,450 --> 00:01:14,450 Oh! 12 00:03:37,000 --> 00:03:38,560 My name is Francesco Malcom. 13 00:03:38,900 --> 00:03:40,080 I'm a hard actor. 14 00:03:40,600 --> 00:03:45,020 It's right that I specify it, because the story I want to tell you is linked 15 00:03:45,020 --> 00:03:47,520 in an indissoluble way to my work environment. 16 00:03:48,480 --> 00:03:53,300 An environment on which there are often written, with a sarcasm, many, too many 17 00:03:53,300 --> 00:03:54,300 things. 18 00:03:55,020 --> 00:03:58,880 Ours is a world built on direct and sincere relationships, because direct 19 00:03:58,880 --> 00:04:01,080 and sincere are the means of communication we use. 20 00:04:01,680 --> 00:04:04,340 And direct and sincere is what we are asked for. 21 00:04:06,280 --> 00:04:11,140 Between actors and actresses, it's easy to have friends, true friends, with whom 22 00:04:11,140 --> 00:04:13,720 to build relationships of affection, sympathy, and esteem. 23 00:04:14,540 --> 00:04:18,540 And these feelings are the iron curtain that protects us and defends us from the 24 00:04:18,540 --> 00:04:22,480 external environment, an environment that often denigrates or condemns us. 25 00:04:23,580 --> 00:04:28,200 Fanny is one of them, a dear and sweet friend with whom to share moments of joy 26 00:04:28,200 --> 00:04:32,400 and sadness, and from whom to find comfort for the pains that suddenly 27 00:04:32,400 --> 00:04:33,540 scratch our lives. 28 00:04:35,400 --> 00:04:37,260 Even Silvio was one of us. 29 00:04:37,640 --> 00:04:41,220 And when he left us, we felt fragile, defenseless. 30 00:04:41,700 --> 00:04:44,860 His disappearance created a void that will be impossible to fill. 31 00:04:46,360 --> 00:04:52,520 This story is the scenario of our life, our work, and the imponderable that 32 00:04:52,520 --> 00:04:54,220 constantly surrounds us. 33 00:07:30,320 --> 00:07:31,320 Yes. 34 00:12:10,760 --> 00:12:11,760 And these? 35 00:12:15,440 --> 00:12:17,220 It looks in good condition. 36 00:12:19,120 --> 00:12:20,720 But look how strange it is. 37 00:12:26,780 --> 00:12:29,760 But who could have lost a videotape in the middle of the woods? 38 00:12:31,100 --> 00:12:35,040 In an American film, at least, there would have been evidence of a plot to 39 00:12:35,040 --> 00:12:36,040 kill the president. 40 00:12:50,540 --> 00:12:51,940 No. 41 00:12:58,500 --> 00:13:00,660 Remigio. No. 42 00:13:08,120 --> 00:13:10,480 With this camera I will shoot a small backstage. 43 00:13:10,920 --> 00:13:16,300 To start, this is Alban, owner of the villa where we will shoot my film. 44 00:13:16,580 --> 00:13:17,820 The word is up to him. Greetings. 45 00:13:18,760 --> 00:13:22,180 Well, thank you, Remigio. Mi I present, I am Alban Sieri. 46 00:13:23,180 --> 00:13:26,580 Former hardcore actor of, I would say, a few years ago. 47 00:13:27,040 --> 00:13:32,440 Yes, it's been a long time since I stopped doing this profession to make way for 48 00:13:32,440 --> 00:13:33,960 a generation of young actors. 49 00:13:34,280 --> 00:13:36,600 I managed to buy this one magnificent villa. 50 00:13:37,240 --> 00:13:42,040 of the twelfth century that we use for mainly burning productions, but 51 00:13:42,040 --> 00:13:44,220 also for other settings cinematic. 52 00:13:44,560 --> 00:13:48,220 And this is thanks to its beauty and so many possibilities it offers. 53 00:13:48,500 --> 00:13:53,660 And I hope my humble abode can contribute to your enjoyment. Vi 54 00:13:53,660 --> 00:13:54,660 greeting. 55 00:14:01,319 --> 00:14:02,219 It's simple. 56 00:14:02,220 --> 00:14:03,500 I want you to use your fingers. 57 00:14:04,060 --> 00:14:06,480 If you stay with your wrist like this, I can't see anything. 58 00:14:06,840 --> 00:14:08,960 The camera starts from here and approaches slowly. 59 00:14:09,580 --> 00:14:12,260 So I frame you in a narrow field. What am I supposed to do if you don't frame 60 00:14:12,260 --> 00:14:14,240 me too? Listen, no one asked your opinion, okay? 61 00:14:15,160 --> 00:14:19,100 I don't want to give you any opinion. I can't put a mannequin in your place, do 62 00:14:19,100 --> 00:14:20,100 you understand the difference? 63 00:14:20,280 --> 00:14:21,280 Okay? 64 00:14:21,900 --> 00:14:22,900 Engine. 65 00:14:23,920 --> 00:14:24,920 Action. 66 00:14:31,790 --> 00:14:34,330 I don't remember if Silvio took part in this film. 67 00:14:35,570 --> 00:14:40,330 I only remember that he shot his last film there, in the Villa Vialban. 68 00:14:42,590 --> 00:14:44,450 But why did I find this cassette? 69 00:14:47,650 --> 00:14:53,990 This is Vivienne, the protagonist of my film. A nice and very available girl. I 70 00:14:53,990 --> 00:14:55,050 want you to know her better. 71 00:14:55,610 --> 00:14:56,610 Here she is. 72 00:15:41,520 --> 00:15:42,520 Very nice, isn't it? 73 00:17:15,339 --> 00:17:16,740 Eyes. 74 00:17:52,360 --> 00:17:53,760 Oh. 75 00:18:22,990 --> 00:18:25,010 Come on, Remigio, come here instead of me. 76 00:18:25,450 --> 00:18:26,830 Go away, young man. 77 00:18:29,410 --> 00:18:30,530 You can continue. 78 00:18:30,910 --> 00:18:32,550 I've warmed you up. It's your turn. 79 00:18:33,270 --> 00:18:34,270 Thank you. 80 00:18:54,860 --> 00:18:56,900 I told you I wanted to. 81 00:18:58,840 --> 00:18:59,960 Go on, have fun. 82 00:19:02,700 --> 00:19:03,720 Get back to work. 83 00:19:04,420 --> 00:19:05,420 There. 84 00:23:50,880 --> 00:23:53,100 Guardala com'è calda. Vuole anche te. 85 00:23:53,500 --> 00:23:54,500 Vieni. 86 00:23:55,600 --> 00:23:56,600 Vieni, Albana. 87 00:23:58,080 --> 00:23:59,080 Vieni. 88 00:24:07,520 --> 00:24:08,700 Sì, vieni, Albana. 89 00:24:09,500 --> 00:24:10,500 Tocca a te adesso. 90 00:24:14,280 --> 00:24:17,440 I saw you, you know. 91 00:24:18,400 --> 00:24:19,520 Truly perfect. 92 00:24:19,950 --> 00:24:23,910 And you too, brilliant. You really are brilliant. Thank you. I'll try to imitate you. 93 00:25:40,979 --> 00:25:42,620 She was nice to me too. 94 00:26:04,139 --> 00:26:05,139 Ah! 95 00:26:06,880 --> 00:26:07,880 Ah! 96 00:26:10,300 --> 00:26:11,300 Ah! 97 00:26:12,680 --> 00:26:13,680 Ah! 98 00:26:14,260 --> 00:26:15,560 Ah! Ah! 99 00:26:16,040 --> 00:26:19,680 Ah! Ah! Ah! Ah! 100 00:26:20,020 --> 00:26:21,020 Ah! Ah! 101 00:26:21,200 --> 00:26:23,020 Ah! Ah! Ah! 102 00:26:24,820 --> 00:26:28,260 Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! 103 00:26:28,260 --> 00:26:28,280 Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! 104 00:26:28,280 --> 00:26:28,280 Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! 105 00:26:28,280 --> 00:26:28,280 Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! 106 00:26:28,280 --> 00:26:28,619 Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! 107 00:26:28,620 --> 00:26:29,199 Ah! Ah! 108 00:26:29,200 --> 00:26:30,200 Ah! 109 00:26:30,500 --> 00:26:32,280 Ah! Ah! 110 00:26:32,560 --> 00:26:35,960 Ah! And Silvio has nothing to do with this film nothing. 111 00:26:39,160 --> 00:26:41,100 And what is here? 112 00:26:42,360 --> 00:26:43,880 Ah, dear Remigio! 113 00:26:44,140 --> 00:26:46,680 Hi, I'm here with this beauty Miss. 114 00:26:49,640 --> 00:26:51,100 Look at those beautiful tits. 115 00:26:53,080 --> 00:26:55,200 Send a nice kiss there. HI. 116 00:26:55,600 --> 00:26:58,100 HI. Oh, see you later, huh? 117 00:27:01,440 --> 00:27:02,780 Oh, how nice. 118 00:27:03,940 --> 00:27:05,840 Look, they're hard. 119 00:27:07,500 --> 00:27:10,460 They look like alabaster. 120 00:27:13,900 --> 00:27:19,660 How beautiful you are. 121 00:27:23,220 --> 00:27:26,940 Do you like sex? 122 00:27:27,240 --> 00:27:29,020 Yes. Oh, do you like sex? 123 00:27:29,420 --> 00:27:31,580 And then it's beautiful, beautiful, do do you understand? 124 00:27:34,440 --> 00:27:36,220 What a wonderful breast you have. 125 00:27:37,160 --> 00:27:39,360 Hi, how's it going? Everything is fine? 126 00:27:39,560 --> 00:27:40,660 And you? Yes, yes. 127 00:27:44,780 --> 00:27:50,540 But how come... Sorry, there's a problem with the... with the belt. I just don't know 128 00:27:50,540 --> 00:27:52,360 how do you... Oh, like that? 129 00:27:54,560 --> 00:27:56,480 Oh, look at this. 130 00:27:57,640 --> 00:27:59,220 Delicious, come on, come on. Come here. 131 00:27:59,820 --> 00:28:00,820 So, from behind. 132 00:28:01,040 --> 00:28:02,260 Show him your ass. 133 00:28:07,580 --> 00:28:09,940 Oh, my goodness! 134 00:28:11,360 --> 00:28:12,620 Come here. 135 00:29:46,379 --> 00:29:47,780 um 136 00:30:28,840 --> 00:30:29,840 Sick! 137 00:35:49,420 --> 00:35:50,420 Oh. 138 00:37:19,690 --> 00:37:21,410 What were they shooting here? 139 00:37:24,050 --> 00:37:27,370 Congratulations to the director of photography. 140 00:37:40,570 --> 00:37:43,110 Who is that? 141 00:37:45,190 --> 00:37:47,470 Silvio? What is he doing? 142 00:37:48,970 --> 00:37:50,410 Eh, don't pay attention to it. 143 00:37:50,610 --> 00:37:52,610 He must have had a few too many glasses. 144 00:37:57,090 --> 00:37:59,430 But what is he doing dressed up like that? 145 00:38:04,370 --> 00:38:06,350 You can't see anything anymore. But why? 146 00:38:08,890 --> 00:38:10,830 What does that image mean? 147 00:38:14,000 --> 00:38:18,020 You are Dora Venter, one of the biggest European porn stars of the moment. 148 00:38:18,820 --> 00:38:20,800 Exclusively for us, in this backstage. 149 00:38:23,600 --> 00:38:24,600 Hi. 150 00:38:30,840 --> 00:38:31,840 Here, 151 00:38:33,560 --> 00:38:34,560 this is better. 152 00:38:38,240 --> 00:38:39,380 Yes, perfect. 153 00:38:41,820 --> 00:38:42,820 It's my turn. 154 00:38:43,150 --> 00:38:44,210 Yes, she's ready. 155 00:38:45,290 --> 00:38:46,730 I'm a little excited. 156 00:38:47,030 --> 00:38:48,950 Please, come on. Yes. 157 00:38:49,550 --> 00:38:50,790 Hello. HI. 158 00:46:41,130 --> 00:46:42,590 It's not a coincidence. 159 00:46:42,950 --> 00:46:44,970 Maybe Silvio wants to communicate with me. 160 00:46:45,290 --> 00:46:47,430 I have to call Remigio and have him explain. 161 00:46:48,250 --> 00:46:50,590 Hello, Remigio. I'm back. It's about time. 162 00:46:50,870 --> 00:46:52,030 Look what guys I found. 163 00:46:53,330 --> 00:46:56,630 Fantastic. Really? The first, Marisa. 164 00:46:57,110 --> 00:46:58,110 Go. 165 00:46:58,770 --> 00:46:59,770 Courage, huh? 166 00:47:00,170 --> 00:47:01,750 Cute. Cute, right? 167 00:47:02,610 --> 00:47:06,250 And Gabi. Look at Gabi how beautiful she is. Oh mama. 168 00:47:07,070 --> 00:47:08,350 And finally... 169 00:47:09,520 --> 00:47:11,160 Solange! Go Bella! 170 00:47:11,780 --> 00:47:15,060 Huh? What girls, right? Yes, yes, cute. 171 00:47:15,260 --> 00:47:16,420 Beautiful, huh? Do you like them? 172 00:47:16,740 --> 00:47:18,380 Yes. Look at this little ass. 173 00:47:18,720 --> 00:47:20,140 Look at this stuff. Huh? 174 00:47:20,760 --> 00:47:23,100 And then... Come here. 175 00:47:24,640 --> 00:47:25,820 Look at that butt. 176 00:47:26,060 --> 00:47:27,320 Look, soda, huh? 177 00:47:27,580 --> 00:47:31,260 And this... Ah, this is fantastic. Look here. 178 00:47:31,560 --> 00:47:33,900 Huh? He already wants me, I guarantee it. 179 00:47:34,120 --> 00:47:35,240 Now let's get started. 180 00:47:36,100 --> 00:47:38,540 But... but I'll start first. Agree? 181 00:47:39,120 --> 00:47:40,120 So, come here. 182 00:47:41,420 --> 00:47:46,900 So... Look, I'll start and then me you come. 183 00:47:47,760 --> 00:47:48,760 So, come here. 184 00:47:49,200 --> 00:47:50,560 Yes. Turn around like this. 185 00:47:51,920 --> 00:47:54,460 Show your asses. 186 00:47:56,360 --> 00:47:58,880 So. You see who brought you, huh? 187 00:47:59,860 --> 00:48:00,940 Was I good? 188 00:48:01,420 --> 00:48:02,420 Excellent. 189 00:48:03,280 --> 00:48:04,880 I can't wait to fuck them. 190 00:48:08,320 --> 00:48:09,320 Remigio, do you want to come? 191 00:48:10,180 --> 00:48:11,300 You win, come on. 192 00:48:12,860 --> 00:48:13,860 Pretty. 193 00:48:14,600 --> 00:48:15,960 Come here, let me touch you. 194 00:48:16,920 --> 00:48:18,220 No, come here. 195 00:48:25,520 --> 00:48:26,520 Let's see what's here. 196 00:48:31,540 --> 00:48:36,020 Is there only one parade? 197 00:48:38,200 --> 00:48:39,340 These tear me apart. 198 00:48:59,380 --> 00:49:00,380 Come, come. 199 00:49:00,480 --> 00:49:01,480 You come too. 200 00:49:06,340 --> 00:49:07,500 Come, come here. 201 00:49:07,960 --> 00:49:08,960 Here I am. 202 00:49:10,060 --> 00:49:11,540 Now I'm going to the room. 203 00:49:12,540 --> 00:49:13,600 Remigio, come here. 204 00:49:14,000 --> 00:49:15,000 All right? 205 00:49:20,500 --> 00:49:21,500 Come, come here. 206 00:49:23,020 --> 00:49:24,020 From mine. 207 00:49:25,960 --> 00:49:26,960 Here you are. 208 00:49:27,580 --> 00:49:28,580 Beautiful. 209 00:49:29,140 --> 00:49:30,140 All three. 210 00:49:31,180 --> 00:49:32,180 Cute. 211 00:49:54,129 --> 00:49:56,930 Thank you. 212 00:50:09,560 --> 00:50:11,200 Are you strong, Remigio? 213 00:50:11,540 --> 00:50:13,080 Yes. Wait. 214 00:50:14,420 --> 00:50:16,420 Here. Yes. 215 00:50:23,780 --> 00:50:25,020 Hold on, I'll get closer. 216 00:50:39,160 --> 00:50:40,160 I'm coming to you, huh? 217 00:50:41,860 --> 00:50:42,900 How beautiful you are. 218 00:50:44,700 --> 00:50:45,960 What is here? 219 00:50:50,320 --> 00:50:52,080 Hey, what are you doing so close? 220 00:50:52,360 --> 00:50:53,360 Walk away. 221 00:50:55,720 --> 00:50:58,120 And don't bother, go away. 222 00:52:14,549 --> 00:52:15,950 God! God! God! God! 223 00:53:06,470 --> 00:53:07,870 No. 224 00:54:32,300 --> 00:54:33,300 Thank you. 225 00:55:20,810 --> 00:55:21,810 Something. 226 00:57:23,530 --> 00:57:24,530 Love. 227 00:58:14,890 --> 00:58:16,290 Eka. 228 00:58:36,000 --> 00:58:38,120 Oh. Oh. 229 00:58:38,800 --> 00:58:40,800 Oh. Oh. Oh. Oh. 230 00:58:41,540 --> 00:58:42,860 Oh. 231 00:59:15,340 --> 00:59:17,020 I need to talk to Remigio. 232 00:59:17,640 --> 00:59:22,180 I want to know if that strange disguise of Silvio has something to do with him 233 00:59:22,180 --> 00:59:23,180 son. 234 00:59:28,660 --> 00:59:31,900 Hello, I'm Francesco Malcom. Can I talk to Remigio? 235 00:59:32,460 --> 00:59:35,960 Francesco, how are you? I'm fine, but quite well. And you? 236 00:59:37,280 --> 00:59:38,280 What do you want? 237 00:59:38,920 --> 00:59:42,340 After the tragedy of Silvio, I can't find peace. 238 00:59:43,780 --> 00:59:46,840 Unfortunately... A drama that has us everyone is shocked. 239 00:59:47,700 --> 00:59:51,580 Anyway, Remigio, look, I have you called because I have something of yours. 240 00:59:51,860 --> 00:59:52,860 What? 241 00:59:53,040 --> 00:59:57,020 A videotape that has been recorded in the villa of Albano, where he died 242 00:59:57,020 --> 00:59:58,480 Silvio. What? 243 00:59:59,020 --> 01:00:01,740 But where did you find it? It's a life that I'm looking. 244 01:00:02,660 --> 01:00:06,260 Look, I'll tell you when I see you. E then, look, you will never believe where there is 245 01:00:06,260 --> 01:00:07,260 'I found it. 246 01:00:07,720 --> 01:00:10,720 Anyway, listen, Remigio, I have you also called to ask you a question. 247 01:00:11,980 --> 01:00:13,540 It's not that in your film... 248 01:00:13,930 --> 01:00:16,190 Did you accidentally shoot a few scenes with Silvio? 249 01:00:19,190 --> 01:00:23,090 Yes, it seems like the last one to me, the one with Tara Young. 250 01:00:24,330 --> 01:00:29,530 It's strange, you know, because in the cassette a at a certain point the face of appeared 251 01:00:29,530 --> 01:00:31,070 Silvio, but without a reason. 252 01:00:31,790 --> 01:00:36,510 He's dressed strangely and then there cassette stops. There's something that 253 01:00:36,510 --> 01:00:39,850 it's not clear to me. Anyway tomorrow we'll be there let's see you at the door. I thank you, 254 01:00:39,850 --> 01:00:40,850 Francis. HI. 255 01:00:41,050 --> 01:00:42,210 Hello, Remigio. See you soon. 256 01:00:48,160 --> 01:00:49,380 It's a message from Sio. 257 01:00:50,720 --> 01:00:52,420 Yes, it's a message from Sio. 258 01:00:52,920 --> 01:00:54,020 He wants to tell me something. 259 01:01:15,680 --> 01:01:18,480 Hmm. Hmm. 260 01:03:10,110 --> 01:03:11,510 Oh. 261 01:03:50,860 --> 01:03:52,280 Oh, God. 262 01:04:47,470 --> 01:04:48,470 Oh. 263 01:05:39,549 --> 01:05:42,350 uh oh 264 01:06:00,819 --> 01:06:02,640 I love you. 265 01:06:36,610 --> 01:06:38,010 No. 266 01:07:22,819 --> 01:07:24,220 Thank you. 267 01:08:03,980 --> 01:08:05,340 Oh, 268 01:08:07,060 --> 01:08:08,540 God, Peter. 269 01:08:41,580 --> 01:08:44,380 Oh, God. 270 01:08:59,370 --> 01:09:00,370 No. 271 01:09:56,110 --> 01:09:57,110 But what does it mean? 272 01:10:00,070 --> 01:10:01,070 Francis! 273 01:10:01,890 --> 01:10:02,890 Francis! Francis! 274 01:10:04,770 --> 01:10:07,950 You know, it's very sad to see this house so empty. 275 01:10:09,250 --> 01:10:10,870 There's almost no one left. 276 01:10:13,110 --> 01:10:14,890 There's always a strange atmosphere. 277 01:10:16,710 --> 01:10:18,050 After what happened to Silvio. 278 01:10:20,670 --> 01:10:21,810 Yes, I think so. 279 01:10:23,070 --> 01:10:24,550 You know, at the bank... 280 01:10:25,150 --> 01:10:26,990 Silvio was my dearest friend. 281 01:10:28,350 --> 01:10:31,350 And for this I would like to ask you a favor. 282 01:10:31,670 --> 01:10:32,670 Tell me. 283 01:10:33,230 --> 01:10:35,830 I'd like to sleep here tonight. 284 01:10:36,650 --> 01:10:39,650 But I would like to be alone. Do you think that is it possible? 285 01:10:41,450 --> 01:10:42,770 Sure, here are the keys. 286 01:10:44,750 --> 01:10:46,730 You're still here, I can feel it. 287 01:10:47,090 --> 01:10:48,510 And I want to meet you. 288 01:11:00,379 --> 01:11:01,379 Silvio? 289 01:11:01,880 --> 01:11:02,880 Silvio, are you here? 290 01:11:03,380 --> 01:11:04,380 What am I doing? 291 01:11:06,520 --> 01:11:08,020 I feel so tired. 292 01:11:10,640 --> 01:11:11,660 What's happening to me? 293 01:11:49,130 --> 01:11:50,650 Who are you? What do you want from me? 294 01:11:51,190 --> 01:11:54,770 Perhaps I remind you of your friend Silvio. 295 01:11:55,250 --> 01:11:58,430 And in fact we look a lot alike. 296 01:11:59,190 --> 01:12:03,570 But he was only the last of my many descendants. 297 01:12:04,370 --> 01:12:05,510 What did you do to him? 298 01:12:06,170 --> 01:12:08,270 I would have liked to let him live. 299 01:12:08,710 --> 01:12:12,790 And instead I had to give him eternal peace. 300 01:12:14,870 --> 01:12:17,390 Why did you ask me to come here? 301 01:12:17,770 --> 01:12:22,630 A long, long time ago, I killed him out of love. 302 01:12:23,170 --> 01:12:29,630 And that gesture made him look at me and at all my strife. 303 01:12:29,830 --> 01:12:31,690 A terrible curse. 304 01:12:34,230 --> 01:12:40,210 He turned us into vampires soaked in blood and revenge. 305 01:12:43,910 --> 01:12:47,050 But I killed them all. 306 01:12:50,839 --> 01:12:53,580 Silvio, was my last descendant. 307 01:12:55,820 --> 01:12:57,300 What do you want from me? 308 01:12:57,600 --> 01:12:59,160 You have to kill me. 309 01:13:01,980 --> 01:13:03,940 Give me eternal peace. 310 01:13:04,640 --> 01:13:06,160 Save my soul. 311 01:13:07,340 --> 01:13:09,620 Stick this dagger into my heart. 312 01:13:13,560 --> 01:13:16,380 Now my mission is over. 313 01:13:19,150 --> 01:13:20,150 UGH!