1
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[cereal crackles]

2
00:00:12,066 --> 00:00:14,566
PAT: Can you hear them? KITTY: Oh, yes.

3
00:00:14,766 --> 00:00:16,966
PAT: Snap, crackle and pop.

4
00:00:17,166 --> 00:00:19,800
MARY: They sounds like tiny people.

5
00:00:20,000 --> 00:00:23,833
[bubbles] "Help me, I can't swim!"

6
00:00:23,900 --> 00:00:25,533
ALISON: Guys, do you mind?

7
00:00:25,733 --> 00:00:26,900
MIKE: What are they doing?

8
00:00:27,133 --> 00:00:28,833
ALISON: Talking about the cereal.

9
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[grunting]

10
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ROBIN: Red man! Red man!

11
00:00:32,733 --> 00:00:35,100
ALISON: Postman's coming. MIKE: How do you...? Oh!

12
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KITTY: I'll go with you.

13
00:00:37,300 --> 00:00:41,933
♪ Friends together Fetch the post together... ♪

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MIKE: Cornflakes were actually invented

15
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to stop people from touching themselves, apparently.

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JULIAN: Never did like cornflakes.

17
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THOMAS: Give me an egg atop a cutlet any day of the diary.

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[toaster pops] Ooh!

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JULIAN: Toaster. THOMAS: Yes, I know, I wasn't scared.

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KITTY: ♪ Let me Read the post... ♪

21
00:00:58,333 --> 00:01:01,033
It's so exciting reading one's correspondences.

22
00:01:01,233 --> 00:01:03,233
I bet these are from all your admirers.

23
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I promise I won't tell Michael! MIKE: Anything interesting?

24
00:01:05,266 --> 00:01:08,400
ALISON: Red bill, red bill. Oh, normal bill.

25
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MIKE: Ooh! GHOSTS: Ooh!

26
00:01:12,800 --> 00:01:15,133
ALISON: They're looking for a house to film a new drama in.

27
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GHOSTS: [gasp]

28
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MIKE: I smell money!

29
00:01:19,200 --> 00:01:21,166
MARY: You can eat them now. ALISON: What?

30
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MARY: They have stopped calling out. They are dead.

31
00:01:47,000 --> 00:01:49,433
ALISON: Yeah, I mean, it really is an incredible place.

32
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The building itself is 15th-century.

33
00:01:53,033 --> 00:01:56,833
DIRECTOR: Wow. ALISON: 1469, to be precise.

34
00:01:57,033 --> 00:01:58,700
FANNY: Very good. But the facade is actually mid-16th.

35
00:01:58,900 --> 00:02:01,233
ALISON: But the facade is actually mid-16th.

36
00:02:01,466 --> 00:02:04,800
FANNY: 'Tis the finest house in the county.

37
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Tell her it's the finest house in the county.

38
00:02:06,733 --> 00:02:08,900
ALISON: I don't want to...

39
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blow our own trumpet,

40
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but some people say that it is the finest house in the county.

41
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Shall we go inside?

42
00:02:17,433 --> 00:02:19,433
CAPTAIN: I'm telling you, this is a bad idea.

43
00:02:19,633 --> 00:02:21,766
Actors lounging about the house,

44
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learning lines, wearing make-up,

45
00:02:24,666 --> 00:02:28,866
prancing about the place in loincloths, topless, oiled up.

46
00:02:29,066 --> 00:02:31,100
Kissing each other probably. KITTY: Oh, gosh!

47
00:02:31,300 --> 00:02:32,966
PAT: I don't think it's that kind of film, mate!

48
00:02:33,166 --> 00:02:35,266
ALISON: This was the banqueting hall.

49
00:02:35,466 --> 00:02:36,600
DIRECTOR: Great space. ROBIN: Boo!

50
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ALISON: [screams]

51
00:02:40,200 --> 00:02:42,133
Oh, I forgot to take out the bins.

52
00:02:42,333 --> 00:02:45,066
Anyway, what could I tell you about this room?

53
00:02:45,266 --> 00:02:47,333
FANNY: Henry VIII actually dined here.

54
00:02:47,533 --> 00:02:49,600
ALISON: Wow! Henry VIII actually dined here.

55
00:02:49,800 --> 00:02:53,766
Sorry, did I say "wow"? I'm just still amazed by that.

56
00:02:53,966 --> 00:02:55,833
DIRECTOR: No, it is wow. FANNY: Yeah.

57
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HUMPHREY: Yeah, you should've seen the banquet. He had swan.

58
00:02:58,766 --> 00:03:00,233
ALISON: He had swan. HUMPHREY: And hog.

59
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ALISON: And hog. HUMPHREY: And dumplings, And figs.

60
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ALISON: And figs. HUMPHREY: Absolutely stank out the privy.

61
00:03:05,033 --> 00:03:07,000
ALISON: And absolutely loved the place.

62
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Absolutely loved it. As do we!

63
00:03:10,500 --> 00:03:12,533
MIKE: Hmm. Shall we move on?

64
00:03:12,733 --> 00:03:15,300
HUMPHREY: UH, give us a lift? Mate?

65
00:03:15,500 --> 00:03:18,966
THOMAS: OK. HUMPHREY: Thank you. Yay!

66
00:03:19,166 --> 00:03:21,466
MIKE: What's the program, then? DIRECTOR: It's a period drama.

67
00:03:21,666 --> 00:03:23,100
MIKE: Oh, what period? FANNY: Stuart!

68
00:03:23,300 --> 00:03:24,433
HUMPHREY: Tudor! THOMAS: Regency!

69
00:03:24,633 --> 00:03:27,000
DIRECTOR: Regency. THOMAS: Yes!

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00:03:27,200 --> 00:03:29,600
Sorry! Got carried away!

71
00:03:29,800 --> 00:03:31,266
HUMPHREY: Oh, there you are!

72
00:03:31,466 --> 00:03:35,233
Are you a sight for sore--? Oh, you are kidding me?

73
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When I have control of the hands,

74
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I am gonna punch you so hard.

75
00:03:41,500 --> 00:03:43,200
DIRECTOR: I think this place is perfect, if you'd be willing

76
00:03:43,400 --> 00:03:44,700
to have us here for a couple of months.

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00:03:44,900 --> 00:03:46,300
ALISON: How much would you be offering?

78
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DIRECTOR: 3,000. MIKE: We'd have to sleep on it.

79
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DIRECTOR: 3,000 a day is the most we can offer. MIKE: A day?

80
00:03:51,300 --> 00:03:53,466
ALISON: [snores] Morning! I've just slept on it and I say yes!

81
00:03:53,666 --> 00:03:55,200
MIKE: And it's a yes from me! DIRECTOR: Great!

82
00:03:55,400 --> 00:03:57,700
Just to warn you, though, it is quite intrusive.

83
00:03:57,900 --> 00:04:00,033
Lots of personnel. PAT: Sounds fun.

84
00:04:00,233 --> 00:04:02,033
DIRECTOR: It can feel a bit like you're not welcome in your own home.

85
00:04:02,233 --> 00:04:03,566
FANNY: Absolutely outrageous. ALISON: We're used to that.

86
00:04:03,766 --> 00:04:05,400
MIKE: We've had building work going on.

87
00:04:05,600 --> 00:04:07,433
DIRECTOR: Is there anything structural we should know about?

88
00:04:07,633 --> 00:04:09,433
MIKE: Well, the floor in this room... ALISON: No, no, no!

89
00:04:09,633 --> 00:04:10,833
No, nothing structural.

90
00:04:11,033 --> 00:04:13,033
Everything's structurally sound as a pound!

91
00:04:13,233 --> 00:04:15,100
[stomps and timber creaks]

92
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DIRECTOR: We were looking at a property in the next village,

93
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but they're a big family

94
00:04:18,133 --> 00:04:20,300
and they had some issues about which rooms we could use.

95
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ALISON: Well, we're easy. You can film wherever you like, when you like.

96
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MIKE: 'Cos it's just the two of us.

97
00:04:25,766 --> 00:04:27,666
ALISON: Yeah...

98
00:04:31,433 --> 00:04:33,233
CAPTAIN: Oh, here they come. The riff-raff.

99
00:04:33,433 --> 00:04:35,866
The lags. This will be chaos.

100
00:04:45,500 --> 00:04:47,866
MAN: Morning. Mind your backs!

101
00:04:52,400 --> 00:04:56,233
ADAM: ADs on channel 2, please.

102
00:04:56,433 --> 00:04:58,233
MARY: Well, I'm keeping out of it.

103
00:04:58,433 --> 00:05:03,300
SEE: Yes, though I might just, uh...check.

104
00:05:03,500 --> 00:05:06,400
[clears throat]

105
00:05:06,600 --> 00:05:08,233
Um...

106
00:05:10,166 --> 00:05:12,766
PAT: Oh, that looks absolutely lovely, that, doesn't it?

107
00:05:12,966 --> 00:05:15,700
You going to put an egg on it? He's put an egg on it!

108
00:05:15,900 --> 00:05:18,000
[chuckles]

109
00:05:18,200 --> 00:05:19,566
WOMAN: Can I have some veggie sausages, please?

110
00:05:19,766 --> 00:05:21,900
On a roll. PAT: No, no, disgusting.

111
00:05:21,966 --> 00:05:26,866
MIKE: You be beautiful wigs that I ever did s...

112
00:05:27,066 --> 00:05:29,433
[retches]

113
00:05:29,633 --> 00:05:32,100
WOMAN 2: Have you left your tongs on, Tina?

114
00:05:32,300 --> 00:05:34,266
THOMAS: Is this meant to be 1820s?

115
00:05:34,466 --> 00:05:35,933
Those are Rococo chairs and tables.

116
00:05:36,133 --> 00:05:39,100
You can tell by the legs. They're Rococo legs.

117
00:05:39,300 --> 00:05:42,033
ADAM: Hi, I'm Adam, I'm the first assistant director.

118
00:05:42,233 --> 00:05:44,333
ALISON: Nice to meet you, hi. MIKE: Hi. Mike.

119
00:05:44,533 --> 00:05:46,833
ADAM: Sorry... What do you mean he's still in make-up?

120
00:05:47,033 --> 00:05:49,100
MIKE: We're not meant to have more than 15 people on this floor,

121
00:05:49,300 --> 00:05:51,100
and some of these things weigh as much as people, so that's...

122
00:05:51,300 --> 00:05:53,466
ALISON: It'll be fine. I'm sure that's an exaggeration.

123
00:05:53,666 --> 00:05:55,800
MIKE: But the survey said-- ALISON: The survey also said

124
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that we need to replace the drains, and we need this money to do that.

125
00:05:59,200 --> 00:06:03,533
There aren't that many people, anyway.

126
00:06:03,733 --> 00:06:05,833
As long as there isn't anything that's too heavy.

127
00:06:06,033 --> 00:06:07,866
MAN: Mind your backs!

128
00:06:08,100 --> 00:06:10,633
ALISON OK! You can store this in the other room, actually.

129
00:06:10,833 --> 00:06:12,300
It's easier for you then, isn't it?

130
00:06:12,500 --> 00:06:14,566
Just keep things a bit more uncluttered in here.

131
00:06:14,766 --> 00:06:17,066
The room just to the left. MAN: Can we just--?

132
00:06:17,266 --> 00:06:20,333
ROBIN: Little horse go clippy-clippy-clop.

133
00:06:20,533 --> 00:06:23,566
JULIAN: Oh, I see. Oh, hey!

134
00:06:23,766 --> 00:06:25,866
ROBIN: No! JULIAN: What's your business!

135
00:06:29,000 --> 00:06:31,466
ROBIN: Oh, you done it now, man.

136
00:06:31,666 --> 00:06:33,633
JULIAN: I suppose we should call it a day--

137
00:06:33,833 --> 00:06:36,033
Hello to you, sir!

138
00:06:36,233 --> 00:06:37,966
[chuckles]

139
00:06:38,166 --> 00:06:40,300
The gee-gees, come on, then. Let's have a bit of this.

140
00:06:40,500 --> 00:06:41,933
Come on.

141
00:06:42,166 --> 00:06:44,300
[grunts] OK.

142
00:06:44,500 --> 00:06:47,500
ADAM: That's an arrival on Toby. Just stepping out of the car.

143
00:06:56,700 --> 00:06:59,000
ALISON: Oh, my God. KITTY: Who is that?

144
00:06:59,200 --> 00:07:00,566
ALISON: Toby Nightingale.

145
00:07:00,766 --> 00:07:02,333
KITTY: He is-- ALISON: Hot, right?

146
00:07:02,533 --> 00:07:04,533
KITTY: It's certainly a lot of layers.

147
00:07:04,733 --> 00:07:09,166
THOMAS: No, Kitty, she means to say she's in love with him.

148
00:07:09,366 --> 00:07:10,833
A knife in my heart!

149
00:07:10,900 --> 00:07:12,366
KITTY: Look at all his servants.

150
00:07:12,566 --> 00:07:14,000
THOMAS: He looks preposterous.

151
00:07:14,200 --> 00:07:18,533
MIKE: 9, 10... He counts as two.

152
00:07:18,733 --> 00:07:21,433
What are you...?

153
00:07:22,966 --> 00:07:24,066
Ah.

154
00:07:24,266 --> 00:07:26,766
Oh, no. ADAM: Everything OK?

155
00:07:26,966 --> 00:07:28,600
MIKE: No. Yeah. Everything's fine.

156
00:07:28,800 --> 00:07:31,700
It's just Toby Nightingale, that's her free pass.

157
00:07:31,900 --> 00:07:33,600
ADAM: Free pass? Oh, right!

158
00:07:33,800 --> 00:07:35,433
Don't let him hear that.

159
00:07:35,633 --> 00:07:38,233
MIKE: Yeah, I won't. I definitely won't.

160
00:07:42,700 --> 00:07:44,033
THOMAS: Julian! I say, Julian!

161
00:07:44,233 --> 00:07:46,266
JULIAN: What do you want? I'm terribly busy.

162
00:07:46,466 --> 00:07:48,533
THOMAS: You wouldn't happen to know what a "free pass" means?

163
00:07:48,733 --> 00:07:50,366
- Something Michael said.

164
00:07:50,566 --> 00:07:52,166
JULIAN: Oh, yes. Samantha Fox was mine.

165
00:07:52,366 --> 00:07:54,933
I do hope she's still modeling. Very talented lady.

166
00:07:55,133 --> 00:07:58,133
THOMAS: Alison's is this actor fellow. What does it mean?

167
00:07:58,333 --> 00:08:01,366
JULIAN: Well, it's a sort of clause in a marriage contract,

168
00:08:01,566 --> 00:08:04,833
a named exception to the rule of monogamy.

169
00:08:05,033 --> 00:08:07,500
Sometimes there's a whole list of people

170
00:08:07,700 --> 00:08:10,466
with whom one can enter into congress without consequences.

171
00:08:10,666 --> 00:08:13,833
THOMAS: My God! JULIAN: Margot had 3 of the Gladiators on her list.

172
00:08:14,033 --> 00:08:17,433
Wolf, Cobra, and John Fashanu.

173
00:08:17,633 --> 00:08:21,366
THOMAS: You mean to say that this player, this minstrel,

174
00:08:21,566 --> 00:08:23,900
is allowed to bed fair Alison?

175
00:08:24,100 --> 00:08:27,900
JULIAN: He's her free pass.

176
00:08:32,633 --> 00:08:36,766
CREW MEMBER: I'll start here, and I think I'm going to approach...

177
00:08:36,966 --> 00:08:40,200
MARY: What are they feeding the metal cow?

178
00:08:40,400 --> 00:08:42,800
PAT: Oh! No, that's not a cow, Mary, no.

179
00:08:43,000 --> 00:08:44,633
That's called a camera. Yes.

180
00:08:44,833 --> 00:08:47,066
They're just cleaning the lens.

181
00:08:47,266 --> 00:08:49,066
MARY: That its mouth?

182
00:08:49,266 --> 00:08:52,666
PAT: No, no, no. That's its, um, eye.

183
00:08:52,866 --> 00:08:54,566
ADAM: OK, checks are happy.

184
00:08:54,766 --> 00:08:57,233
MARY: What does that mean?

185
00:08:57,433 --> 00:08:59,200
PAT: I thought you weren't interested?

186
00:08:59,400 --> 00:09:02,733
CAPTAIN: What? No, no, no, I just wanted to, you know?

187
00:09:02,933 --> 00:09:04,000
ADAM: Can we clear the frame now?

188
00:09:04,200 --> 00:09:06,333
First positions. Call for quiet.

189
00:09:06,533 --> 00:09:08,266
ASSISTANT: Quiet on set, please! CAPTAIN: That's extraordinary.

190
00:09:08,466 --> 00:09:10,300
ADAM: Camera set?

191
00:09:10,500 --> 00:09:12,300
MIKE: Huh! Getting a good look, are we?

192
00:09:12,500 --> 00:09:14,566
ADAM: Quiet! ALISON: Uh?

193
00:09:14,766 --> 00:09:16,066
THOMAS: Alison! ALISON: Shush.

194
00:09:16,266 --> 00:09:17,633
THOMAS: A word, if you please. ALISON: [shushes]

195
00:09:17,833 --> 00:09:22,633
THOMAS: Is it true that--? ALISON: Shush...

196
00:09:22,833 --> 00:09:25,866
Everyone.

197
00:09:27,900 --> 00:09:30,833
ADAM: Thank you.

198
00:09:31,033 --> 00:09:32,733
And action! CAPTAIN: Oh, that's very good.

199
00:09:32,933 --> 00:09:34,900
ACTRESS: They've left for London.

200
00:09:35,100 --> 00:09:36,766
It's a pity that such a sweet girl

201
00:09:36,966 --> 00:09:39,333
should have such low connections.

202
00:09:39,533 --> 00:09:42,000
MARY: Oh! She's a fancy flapjack.

203
00:09:42,200 --> 00:09:45,000
TOBY: Perhaps you are too harsh on your sex, Miss Jane.

204
00:09:45,200 --> 00:09:48,633
In truth, you have not had experience of all of society.

205
00:09:48,833 --> 00:09:52,000
I am beginning to believe that this severity

206
00:09:52,200 --> 00:09:54,266
is born from other distractions.

207
00:09:54,466 --> 00:09:57,266
[timber creaks]

208
00:09:57,466 --> 00:10:01,166
Do you find yourself distracted, Miss Jane?

209
00:10:01,366 --> 00:10:02,400
ACTRESS: My lord.

210
00:10:02,600 --> 00:10:04,333
KITTY: Kiss him!

211
00:10:08,200 --> 00:10:09,733
ACTOR: [clears throat] What is it?

212
00:10:09,933 --> 00:10:11,733
TOBY: Damn you! KITTY: What is it? Damn you!

213
00:10:11,933 --> 00:10:13,166
ACTOR: A letter for you, Lord Byron, sir.

214
00:10:13,366 --> 00:10:15,166
THOMAS: Byron? ADAM: Cut!

215
00:10:15,366 --> 00:10:18,766
MARY: Cut what? Oh, not my lace! THOMAS: Byron? Did he say Byron?

216
00:10:18,966 --> 00:10:20,500
KITTY: Isn't he going to read the letter?

217
00:10:20,700 --> 00:10:22,466
CAPTAIN: I'm sure Adam knows what he's doing.

218
00:10:22,666 --> 00:10:25,000
MIKE: That's one out, 3 in. ALISON: 4.

219
00:10:25,200 --> 00:10:27,833
MIKE: God, they're everywhere! THOMAS: This is about Byron?

220
00:10:28,033 --> 00:10:30,566
PAT: Well, yeah, I mean, the clue is in the title, mate.

221
00:10:30,766 --> 00:10:32,466
THOMAS: [gasps]

222
00:10:32,666 --> 00:10:37,933
What effrontery is this? I cannot and will not bear it!

223
00:10:38,133 --> 00:10:41,366
DIRECTOR: Can we take that key light up a little?

224
00:10:44,333 --> 00:10:49,033
ROBIN: Oh... You do light.

225
00:10:49,233 --> 00:10:51,633
[chuckles]

226
00:10:51,833 --> 00:10:53,966
MIKE: He's smaller in real life, isn't he? ALISON: Taller, if anything.

227
00:10:54,166 --> 00:10:56,300
KITTY: I wish I could see his calves.

228
00:10:56,500 --> 00:10:58,533
I bet he's got lovely calves.

229
00:10:58,733 --> 00:11:01,066
TOBY: Well, I thought that was rather good. TECH: No good for me.

230
00:11:01,266 --> 00:11:02,833
It sounds like there's a radio on somewhere.

231
00:11:03,033 --> 00:11:05,900
ADAM: Can we find out where--? ALISON: I'm on it.

232
00:11:06,100 --> 00:11:07,633
TECH: I can also hear a wood pigeon.

233
00:11:07,833 --> 00:11:08,933
ALISON: Yeah, good luck with that one, mate.

234
00:11:09,133 --> 00:11:10,800
TECH: What's up after this one?

235
00:11:11,000 --> 00:11:13,133
HARRY: We're in the bedroom for the sex scene.

236
00:11:13,333 --> 00:11:14,933
KITTY: Oh, my!

237
00:11:15,133 --> 00:11:16,933
ANNOUNCER: He's a cheeky horse.

238
00:11:17,133 --> 00:11:19,133
JULIAN: Oh.

239
00:11:19,333 --> 00:11:21,000
ALISON: Sorry, Julian, they can hear it on set.

240
00:11:21,200 --> 00:11:22,466
JULIAN: No, actually, this is important, I need to--

241
00:11:22,666 --> 00:11:24,466
Don't do that! I've got a bet on.

242
00:11:24,666 --> 00:11:26,633
ALISON: You've got a bet on? JULIAN: That's what I said.

243
00:11:26,833 --> 00:11:28,733
-You can't bet, you're dead. -All right, don't rub it in.

244
00:11:28,933 --> 00:11:30,833
It's a sportsman's bet with myself.

245
00:11:31,033 --> 00:11:35,233
Ooh, hold on a minute. You could put a bet on for me.

246
00:11:35,433 --> 00:11:37,100
ALISON: You haven't got any money, you're...

247
00:11:37,300 --> 00:11:38,766
JULIAN: Dead! I know, you just said that, I get it!

248
00:11:38,966 --> 00:11:40,366
But you could keep my winnings,

249
00:11:40,566 --> 00:11:42,633
maybe buy yourself a pretty little dress.

250
00:11:42,833 --> 00:11:45,433
Perhaps some make-up. Make yourself look nice.

251
00:11:45,633 --> 00:11:49,200
I really believe you have it in you, Alison.

252
00:11:49,400 --> 00:11:51,233
Just need a bit of help, that's all.

253
00:11:51,433 --> 00:11:52,800
ALISON: Wow. JULIAN: You're welcome.

254
00:11:53,000 --> 00:11:54,266
ALISON: Just keep the radio off, please.

255
00:11:54,466 --> 00:11:58,200
JULIAN: Will do! Mystery Queen 10 to 1!

256
00:12:00,200 --> 00:12:01,500
[grunts]

257
00:12:01,700 --> 00:12:04,000
ALISON: Sorted. ADAM: Thank you. OK!

258
00:12:04,200 --> 00:12:07,600
TECH: I can hear the radio again. ALISON: One sec!

259
00:12:07,800 --> 00:12:10,533
ANNOUNCER: Something was... ALISON: I told you to turn it off.

260
00:12:10,733 --> 00:12:13,966
JULIAN: No, actually, no, you didn't. You said--Uh! Hold on a moment!

261
00:12:14,166 --> 00:12:16,900
This is my house, too. I have a right to the amenities.

262
00:12:17,100 --> 00:12:20,933
JULIAN: This is an infringement of my-- ALISON: Write to your MP!

263
00:12:21,133 --> 00:12:23,000
JULIAN: She got me there.

264
00:12:23,200 --> 00:12:27,533
ALISON: Sorry about that. It won't happen again now.

265
00:12:27,733 --> 00:12:29,266
ADAM: OK.

266
00:12:29,466 --> 00:12:31,033
Let's not get behind. First positions, please!

267
00:12:31,233 --> 00:12:33,033
CAPTAIN: That's it, Adam, call them to order!

268
00:12:33,233 --> 00:12:36,000
TECH: Sound speed. CAPTAIN: Here we go, stand by! Settle.

269
00:12:36,200 --> 00:12:37,866
ADAM: And action! CAPTAIN: Action.

270
00:12:38,066 --> 00:12:40,066
ACTRESS: They've left for London.

271
00:12:40,266 --> 00:12:42,466
It's a pity that such a sweet girl

272
00:12:42,666 --> 00:12:44,333
should have such low connections.

273
00:12:44,533 --> 00:12:46,500
MARY: She said that before. PAT: Yes, that's because--

274
00:12:46,700 --> 00:12:48,333
CAPTAIN: Please, Pat. We're turning.

275
00:12:48,533 --> 00:12:52,300
TOBY: Perhaps you are too harsh on your sex, Miss Jane.

276
00:12:52,500 --> 00:12:56,566
In truth you have not had experience of all of society.

277
00:12:59,266 --> 00:13:02,200
I am beginning to believe that this severity

278
00:13:02,400 --> 00:13:04,633
is born of other distractions.

279
00:13:04,833 --> 00:13:06,500
[timber creaks]

280
00:13:06,700 --> 00:13:10,266
Do you find yourself distracted, Miss Jane?

281
00:13:12,100 --> 00:13:15,433
CAPTAIN: Robin! ALISON: For God's sake!

282
00:13:18,466 --> 00:13:21,900
Sorry. It was just a really good take, wasn't it?

283
00:13:22,100 --> 00:13:24,333
ADAM: Harry!

284
00:13:24,533 --> 00:13:26,366
HARRY: Sorry, I don't know why that happened. I'll sort it.

285
00:13:26,566 --> 00:13:29,000
ADAM: OK, let's cut and reset as quickly as possible, please.

286
00:13:29,066 --> 00:13:31,433
DIRECTOR: No, we don't have time. We'll just use the beginning of that one.

287
00:13:31,633 --> 00:13:33,266
Let's move on before we lose the day.

288
00:13:33,466 --> 00:13:35,566
ADAM: OK, moving on! Set up for the next shot, please.

289
00:13:35,766 --> 00:13:37,800
CAPTAIN: Moving on, please, everyone, moving on.

290
00:13:38,000 --> 00:13:39,700
DIRECTOR: Can I take a look at playback, please?

291
00:13:41,800 --> 00:13:43,533
MARY: 'Tis witchcraft.

292
00:13:43,733 --> 00:13:45,500
Their souls be captured in the window.

293
00:13:45,700 --> 00:13:47,833
PAT: Oh, no, no, no. It's all being recorded

294
00:13:48,033 --> 00:13:50,700
onto a video cassette.

295
00:13:50,900 --> 00:13:52,900
MARY: But how are they cleft in twain?

296
00:13:53,100 --> 00:13:55,733
They be there and there.

297
00:13:55,933 --> 00:13:58,566
PAT: What?

298
00:13:58,766 --> 00:14:03,766
[loud thud] MIKE: Oh, God.

299
00:14:03,966 --> 00:14:07,266
ALISON: Um...sorry if I distracted you there.

300
00:14:07,466 --> 00:14:10,466
TOBY: Oh, I didn't notice. I was completely in the scene.

301
00:14:10,666 --> 00:14:12,033
ALISON: Great.

302
00:14:12,233 --> 00:14:14,066
TOBY: We haven't met, have we?

303
00:14:14,266 --> 00:14:16,900
I'm Toby. ALISON: I--I--I'm Alison.

304
00:14:17,133 --> 00:14:19,233
Can I just say how good I thought you were

305
00:14:19,433 --> 00:14:20,533
in "The Shoe Shiner"?

306
00:14:20,733 --> 00:14:22,833
TOBY: Fire away.

307
00:14:22,900 --> 00:14:25,900
ALISON: Oh, uh, yeah. I just thought you were so good.

308
00:14:26,100 --> 00:14:28,133
It's actually one of my favorite films.

309
00:14:28,333 --> 00:14:29,933
MIKE: I'm Mike.

310
00:14:30,166 --> 00:14:31,733
ALISON: I completely believed that you were blind.

311
00:14:31,933 --> 00:14:34,733
TOBY: Thanks. I spent a week at a hotel for the blind.

312
00:14:34,933 --> 00:14:37,033
Wore a blindfold, really got to know the condition.

313
00:14:37,233 --> 00:14:39,366
One of the most rewarding times of my life.

314
00:14:39,566 --> 00:14:44,066
ALISON: Wow. TOBY: I tell you what, food never tasted so good.

315
00:14:44,266 --> 00:14:46,233
Now I always eat with my eyes closed.

316
00:14:46,433 --> 00:14:48,066
GAFFER: Mind your backs, please!

317
00:14:48,266 --> 00:14:50,200
MIKE: Whoa.

318
00:14:50,400 --> 00:14:53,100
Excuse me, Toby. TOBY: No problem.

319
00:14:53,300 --> 00:14:54,700
Nice to meet you, Abigail.

320
00:14:54,900 --> 00:14:56,833
ALISON: It's-- It's Alison.

321
00:14:56,900 --> 00:14:58,700
MIKE: That looks really heavy. Shall we just come clean?

322
00:14:58,900 --> 00:15:00,666
ALISON: What, and tell them that they're working on a death trap?

323
00:15:00,866 --> 00:15:03,300
Look, if you go outside, that's one less.

324
00:15:05,900 --> 00:15:07,533
MIKE: Both of us.

325
00:15:07,733 --> 00:15:09,866
ALISON: Fine.

326
00:15:20,466 --> 00:15:21,833
Curses!

327
00:15:22,033 --> 00:15:25,900
A pox on all of them apart from Alison.

328
00:15:26,100 --> 00:15:29,433
Finally!

329
00:15:29,633 --> 00:15:32,966
Come to coax me back, have you? It's no use!

330
00:15:33,166 --> 00:15:36,133
Nothing will persuade me to-- Oh, it's you.

331
00:15:36,333 --> 00:15:39,933
Go and get Alis-- Oh, he can't hear me.

332
00:15:40,133 --> 00:15:41,633
ADAM: Harry, can you hurry with that light, please?

333
00:15:41,833 --> 00:15:45,733
PAT: So the metal cow remembers what it sees...

334
00:15:45,933 --> 00:15:48,000
MARY: Through its one eye?

335
00:15:48,200 --> 00:15:49,833
PAT: Yeah, and it sends the memories through the cables...

336
00:15:50,033 --> 00:15:51,766
MARY: Worms. PAT: Worms, if you like.

337
00:15:51,966 --> 00:15:53,700
To the little window.

338
00:15:53,900 --> 00:15:57,800
MARY: Where the tiny peoples dance the memories.

339
00:15:58,000 --> 00:16:00,400
PAT: Yeah, if you like.

340
00:16:00,600 --> 00:16:02,633
ROBIN: Oh! Come to dadda.

341
00:16:02,833 --> 00:16:04,066
HARRY: There we go, that's all good.

342
00:16:04,266 --> 00:16:06,466
ROBIN: [grunts]

343
00:16:08,333 --> 00:16:10,533
[grunts]

344
00:16:10,733 --> 00:16:12,200
HARRY: Seems to be all right now.

345
00:16:12,400 --> 00:16:15,433
ADAM: Thanks, Harry. just one more, from the top.

346
00:16:15,633 --> 00:16:18,200
KITTY: I thought they were moving on? When are they moving on?

347
00:16:18,400 --> 00:16:21,200
PAT: Oh, they do lots of different camera angles. KITTY: How many?

348
00:16:21,400 --> 00:16:24,266
CAPTAIN: Quiet on set, please! ADAM: Quiet on set, please.

349
00:16:24,466 --> 00:16:25,766
MAN: Turning over. TECH: Sound speed.

350
00:16:25,966 --> 00:16:27,833
ADAM: And action! CAPTAIN: Action.

351
00:16:28,033 --> 00:16:29,900
ACTRESS: They've left for London.

352
00:16:30,133 --> 00:16:32,033
ACTRESS: It's a pity... CAPTAIN: Stand aside, Thorne!

353
00:16:32,233 --> 00:16:34,333
THOMAS: You really want to know what vexed me? GHOSTS: No!

354
00:16:34,533 --> 00:16:36,033
THOMAS: Fine, I'll tell you. CAPTAIN: [sighs]

355
00:16:36,233 --> 00:16:39,266
THOMAS: Lord Byron was my greatest foe.

356
00:16:39,466 --> 00:16:42,433
If I had flesh and this were Byron himself,

357
00:16:42,633 --> 00:16:45,400
I would damn well run him through!

358
00:16:45,600 --> 00:16:49,633
He stole my verse, my destiny,

359
00:16:49,833 --> 00:16:53,200
and now he is to steal the woman of my dreams!

360
00:16:53,400 --> 00:16:55,400
KITTY: You say every woman is the woman of your dreams.

361
00:16:55,600 --> 00:16:58,666
THOMAS: I have a lot of dreams! And most of them are about women...

362
00:16:58,866 --> 00:17:02,000
Apart from the one where I have the body of a crab.

363
00:17:02,200 --> 00:17:05,033
ACTOR: [clears throat] TOBY: What is it? Damn you!

364
00:17:05,233 --> 00:17:07,900
ACTOR: Begging your pardon. A letter for you, Lord Byron, sir.

365
00:17:08,100 --> 00:17:12,633
THOMAS: I will not tolerate this sordid pantomime in my house.

366
00:17:12,833 --> 00:17:17,633
Glorifying this charlatan! This cad!

367
00:17:17,833 --> 00:17:20,400
This wazzock! [gasps]

368
00:17:20,600 --> 00:17:23,866
KITTY: What's a wazzock? THOMAS: Pat says it!

369
00:17:24,066 --> 00:17:28,033
I'm going to drown myself in the lake.

370
00:17:28,233 --> 00:17:30,433
I mean it!

371
00:17:30,633 --> 00:17:32,100
ADAM: Cut! CAPTAIN: Cut there!

372
00:17:32,300 --> 00:17:33,700
ADAM: Right, we're going to take a couple of minutes,

373
00:17:33,900 --> 00:17:35,233
just to turn things around for the reverse.

374
00:17:35,433 --> 00:17:37,033
Actors, you can relax yourselves off.

375
00:17:37,233 --> 00:17:38,633
CAPTAIN: Right, that's two minutes, people,

376
00:17:38,833 --> 00:17:40,833
and then we're going to turn it round.

377
00:17:40,900 --> 00:17:44,500
Thank you very much. God, this is good.

378
00:17:48,533 --> 00:17:49,933
TOBY: Oh, hey, Abigail. ALISON: Oh, it's Alis--

379
00:17:50,166 --> 00:17:51,633
TOBY: I wonder if I could ask you a favor.

380
00:17:51,833 --> 00:17:53,900
I've got this scene later, I need to run the lines.

381
00:17:54,100 --> 00:17:56,000
I didn't want to ask her, because I find it can stifle spontaneity,

382
00:17:56,200 --> 00:17:58,200
and I want to keep it fresh and beautiful.

383
00:17:58,400 --> 00:18:00,066
I'm Lord Byron, obviously. ALISON: Yep.

384
00:18:00,266 --> 00:18:02,433
TOBY: I've thought of nothing but you all day.

385
00:18:02,633 --> 00:18:04,866
ALISON: Have you? Oh...

386
00:18:05,066 --> 00:18:06,766
TOBY: No, that's the scene, that's the first line.

387
00:18:06,966 --> 00:18:09,566
ALISON: Oh, oh! Oh! Of course!

388
00:18:09,766 --> 00:18:11,900
Why would you...? That's...OK!

389
00:18:12,100 --> 00:18:14,900
TOBY: I've thought of nothing but you all day. ALISON: Uh-huh.

390
00:18:15,133 --> 00:18:16,666
TOBY: Do not deny your feelings.

391
00:18:16,866 --> 00:18:18,300
ALISON: I do not. FANNY: Alison?

392
00:18:18,500 --> 00:18:20,466
TOBY: Oh, my heart.

393
00:18:20,666 --> 00:18:23,500
First, I will kiss your lips. FANNY: [gasps]

394
00:18:23,700 --> 00:18:27,600
TOBY: Then I will undress you. And then...

395
00:18:31,666 --> 00:18:34,566
And then...

396
00:19:05,333 --> 00:19:07,566
Squares!

397
00:19:10,000 --> 00:19:11,866
[toilet flushes]

398
00:19:18,266 --> 00:19:20,800
[radio playing] Ha! Bingo!

399
00:19:21,000 --> 00:19:22,866
DIRECTOR: Can we have some music on, please, Cathy?

400
00:19:23,066 --> 00:19:27,233
CATHY: My bus, my rules! I've got 20 quid on this!

401
00:19:27,433 --> 00:19:30,600
JULIAN: Ah, yes. [chuckles]

402
00:19:30,800 --> 00:19:33,133
FANNY: You are on a sinful path.

403
00:19:33,333 --> 00:19:35,233
ALISON: I can't talk about this now. It's not what you think it is.

404
00:19:35,433 --> 00:19:37,966
FANNY: Oh, I know all about this so-called free pass.

405
00:19:38,166 --> 00:19:41,233
Your husband may be satisfied, but, I tell you, I am not.

406
00:19:41,433 --> 00:19:43,833
The marriage vows are sacred, and I will not have you

407
00:19:44,033 --> 00:19:46,700
sullying the good name of this family

408
00:19:46,900 --> 00:19:49,000
with your wanton debauchery!

409
00:19:49,233 --> 00:19:50,866
ALISON: [sighs]

410
00:20:02,900 --> 00:20:04,100
MIKE: Hey! ALISON: Hi!

411
00:20:04,300 --> 00:20:06,600
MIKE: How's it going?

412
00:20:06,800 --> 00:20:08,300
ALISON: What are you wearing? MIKE: Oh, I thought I'd go for a run.

413
00:20:08,500 --> 00:20:10,433
ALISON: Now? You don't run. TOBY: Hey, going for a run?

414
00:20:10,633 --> 00:20:12,800
MIKE: Yeah, I like to keep in shape.

415
00:20:13,000 --> 00:20:14,333
TOBY: What are we talking? 5K?

416
00:20:14,533 --> 00:20:16,233
MIKE: [snorts] 10...at least.

417
00:20:16,433 --> 00:20:19,000
TOBY: Cool. I'm actually in training for my next project.

418
00:20:19,200 --> 00:20:21,466
I'm playing a mountain climber, so I'm mainly focusing on upper-body strength.

419
00:20:21,666 --> 00:20:25,133
MIKE: Yeah? Me--me, too.

420
00:20:25,333 --> 00:20:27,833
One--

421
00:20:27,900 --> 00:20:29,833
Why is that--?

422
00:20:30,033 --> 00:20:32,033
ALISON: Are you actually going up a real-life mountain?

423
00:20:32,233 --> 00:20:34,166
TOBY: Of course. ALISON: Mike couldn't do that.

424
00:20:34,366 --> 00:20:36,033
He's scared of heights. MIKE: I wouldn't say scared.

425
00:20:36,233 --> 00:20:40,533
TOBY: I love them, if anything. Don't faze me at all.

426
00:20:40,733 --> 00:20:43,466
ADAM: OK, back on in 5, everyone!

427
00:20:43,666 --> 00:20:46,400
MIKE: OK, well, I'd better get going.

428
00:20:46,600 --> 00:20:48,766
Keep an eye on the floor, yeah?

429
00:20:48,966 --> 00:20:51,666
ALISON: Enjoy your 10K.

430
00:20:51,866 --> 00:20:55,200
Oh, my God. How much does that thing weigh?

431
00:20:55,400 --> 00:20:57,533
GAFFER: Watch yourself, coming through.

432
00:20:57,733 --> 00:21:00,333
ALISON: Where have all these people come from? There's twice as many.

433
00:21:03,733 --> 00:21:06,433
ROBIN: [grunts and chuckles]

434
00:21:06,633 --> 00:21:09,033
In your face!

435
00:21:09,233 --> 00:21:11,433
CAPTAIN: Robin! What the bloody hell do you think you're playing at?

436
00:21:11,633 --> 00:21:13,566
ROBIN: Bigger boy made me do it. CAPTAIN: No! It's nonsense, and you know it!

437
00:21:13,766 --> 00:21:16,733
MARY: Yeah, I just think it's a shame we're not just pushing in

438
00:21:16,933 --> 00:21:18,966
for that moment there, just to capture the emotion.

439
00:21:19,166 --> 00:21:21,233
PAT: Well, I'm sure they know what they're doing, Mary.

440
00:21:21,433 --> 00:21:22,966
DIRECTOR: Will, can you just push in a little? Just get the emotion.

441
00:21:23,166 --> 00:21:25,566
WILL: Yeah, sure. PAT: Well done, Mary!

442
00:21:25,766 --> 00:21:28,866
KITTY: [sighs] This is taking for ever.

443
00:21:32,466 --> 00:21:34,866
MIKE: [pants]

444
00:21:43,566 --> 00:21:45,766
That's probably about 10K.

445
00:21:53,200 --> 00:21:56,433
Little short cut.

446
00:21:59,900 --> 00:22:01,400
Oh... Why is that?

447
00:22:01,600 --> 00:22:03,633
BOTH: First positions.

448
00:22:03,833 --> 00:22:06,866
ADAM: Thanks for your patience, everyone. This is the last set-up.

449
00:22:07,066 --> 00:22:10,433
Toby. Toby.

450
00:22:12,133 --> 00:22:14,066
Lord Byron? TOBY: Yes?

451
00:22:14,266 --> 00:22:16,433
ADAM: First positions.

452
00:22:18,200 --> 00:22:19,800
DIRECTOR: Turning. TECH: Sound speed!

453
00:22:20,000 --> 00:22:21,300
ADAM: And action. CAPTAIN: Action.

454
00:22:21,500 --> 00:22:26,033
ACTRESS: They've left for London.

455
00:22:26,233 --> 00:22:29,200
[creaking]

456
00:22:31,166 --> 00:22:35,733
TOBY: In truth, you have not had experience of all of society.

457
00:22:35,933 --> 00:22:38,466
I am beginning to believe that this severity

458
00:22:38,666 --> 00:22:42,666
is born from other distractions.

459
00:22:42,866 --> 00:22:46,500
[creaking]

460
00:22:52,166 --> 00:22:57,433
Do you find yourself distracted, Miss Jane?

461
00:23:05,700 --> 00:23:08,400
ACTRESS: My lord.

462
00:23:08,600 --> 00:23:10,833
DIRECTOR: And cut! ADAM: Scene complete.

463
00:23:12,300 --> 00:23:16,300
ALISON: [sigh]

464
00:23:16,500 --> 00:23:18,500
MIKE: That should hold it.

465
00:23:18,700 --> 00:23:20,833
CAPTAIN: Jolly good. Excellent work, everybody. Thank you.

466
00:23:20,900 --> 00:23:23,333
MARY: Thank you so much for your hard work today, everyone.

467
00:23:23,533 --> 00:23:26,333
It does not go unnoticed. Lovely working with you, thank you.

468
00:23:26,533 --> 00:23:29,400
ALISON: Thank God. KITTY: I thought they were never going to finish.

469
00:23:29,600 --> 00:23:31,433
ADAM: Moving on to the bedroom.

470
00:23:31,633 --> 00:23:34,466
Closed set, just essential crew, please, 'cos there'll be nudity.

471
00:23:34,666 --> 00:23:36,666
KITTY: I hope he has a hairy chest.

472
00:23:36,866 --> 00:23:38,900
CAPTAIN: Good Lord. [clears throat]

473
00:23:39,100 --> 00:23:43,333
OK, it's a closed set. There will be intercourse, apparently.

474
00:23:43,533 --> 00:23:45,200
RADIO: Next up, it's the main event of the day.

475
00:23:45,400 --> 00:23:47,833
This is the big one, the King Henry Stakes.

476
00:23:48,033 --> 00:23:50,766
As the riders line up, the atmosphere here is absolutely electric.

477
00:23:50,966 --> 00:23:53,766
JULIAN: Here we go! Fingers-fingers!

478
00:23:53,966 --> 00:23:55,700
CAPTAIN: There you are, Harry, straight through, yep.

479
00:23:55,900 --> 00:23:57,100
First door on the right, thank you.

480
00:23:57,300 --> 00:23:58,700
No, no, thank you.

481
00:23:58,900 --> 00:24:00,366
You heard Adam. It's a closed set.

482
00:24:00,566 --> 00:24:03,000
Essential crew only. Especially not you, Robin!

483
00:24:03,200 --> 00:24:05,766
ROBIN: I'll be good. PAT: There's no harm in it. They can't see us, mate.

484
00:24:05,966 --> 00:24:08,033
MARY: Yeah, we're ghosts, you warty old crunk.

485
00:24:08,233 --> 00:24:10,166
CAPTAIN: That is beside the point.

486
00:24:10,366 --> 00:24:12,666
Rules are rules, and young Adam deserves our every respect.

487
00:24:12,866 --> 00:24:15,300
ADAM: OK, if everyone's happy. Let's clear the room.

488
00:24:15,500 --> 00:24:18,633
ROBIN: [grunts] TOBY: [blows lips] Mah!

489
00:24:18,833 --> 00:24:20,833
CAPTAIN: Good Lord. TOBY: [yells]

490
00:24:21,033 --> 00:24:24,233
ROBIN: Why he do rain dance? MARY: The Devil plays with his strings!

491
00:24:24,433 --> 00:24:28,100
PAT: Oh, no, no, no, no. He's getting himself in the zone.

492
00:24:28,300 --> 00:24:29,900
CAPTAIN: Oh...

493
00:24:31,933 --> 00:24:33,600
KITTY: [giggles]

494
00:24:35,966 --> 00:24:37,400
MIKE: Fixed it!

495
00:24:37,600 --> 00:24:41,966
ALISON: Oh, great! Before or after the 10K?

496
00:24:42,166 --> 00:24:45,000
MIKE: Where's your free pass? ALISON: Are you...

497
00:24:45,200 --> 00:24:47,300
You're not actually jealous?

498
00:24:47,500 --> 00:24:51,866
MIKE: No. But, I mean, he is handsome.

499
00:24:56,500 --> 00:25:00,166
ADAM: And...action.

500
00:25:00,366 --> 00:25:04,000
CAPTAIN: No, thank you!

501
00:25:04,200 --> 00:25:06,533
TOBY: I've thought of nothing but you all day.

502
00:25:09,233 --> 00:25:11,533
KITTY: Yes!

503
00:25:11,733 --> 00:25:12,766
FANNY: What are you all doing here? PAT: We're not allowed in.

504
00:25:12,966 --> 00:25:15,333
They're making love. FANNY: What?!

505
00:25:15,533 --> 00:25:18,000
CAPTAIN: No, no, no, Fanny, no! No, Fanny!

506
00:25:18,200 --> 00:25:21,000
RADIO: Bradley's Misdemeanor challenged by the outsider, Mystery Queen.

507
00:25:21,200 --> 00:25:23,800
CATHY: Come on, Bradley! JULIAN: Come on, Mystery Queen!

508
00:25:24,000 --> 00:25:25,533
FANNY: [gasps] Alison!

509
00:25:25,733 --> 00:25:30,500
TOBY: First, I will kiss you-- [screams]

510
00:25:30,700 --> 00:25:32,500
RADIO: Mystery Queen on the nearside... BOTH: Come on!

511
00:25:32,700 --> 00:25:35,266
TOBY: Help! I can't pull myself up.

512
00:25:35,466 --> 00:25:36,800
BOTH: Come on!

513
00:25:37,000 --> 00:25:38,866
TOBY: [shrieking] MIKE: Stop kicking!

514
00:25:38,933 --> 00:25:40,600
BOTH: Come on!

515
00:25:40,800 --> 00:25:42,466
[electricity zaps] [screams]

516
00:25:42,666 --> 00:25:44,733
[radio turns off] JULIAN: Oh, come on!

517
00:25:44,933 --> 00:25:47,433
CAPTAIN: Robin! ROBIN: What? It wasn't me!

518
00:25:47,633 --> 00:25:49,466
TOBY: Have you got me? Have you got me?

519
00:25:49,666 --> 00:25:50,800
MIKE: Let yourself down. Slowly.

520
00:25:51,000 --> 00:25:52,766
TOBY: Have you got--?

521
00:25:52,966 --> 00:25:56,066
Oh, God. Oh, God.

522
00:25:56,300 --> 00:25:58,433
MIKE: You're fine now. You're all right now.

523
00:25:58,633 --> 00:26:01,866
Can we--? All right.

524
00:26:04,733 --> 00:26:06,100
ADAM: Someone get a medic in here.

525
00:26:06,300 --> 00:26:07,900
ADAM: Toby, are you OK? TOBY: No, I'm not.

526
00:26:08,133 --> 00:26:10,600
I could've died, and then where would you be?

527
00:26:10,800 --> 00:26:12,600
ALISON: Where did you get that from?

528
00:26:14,733 --> 00:26:17,400
MIKE: I think you know.

529
00:26:22,633 --> 00:26:24,000
CAPTAIN: That's a terrible shame.

530
00:26:24,200 --> 00:26:25,833
ALISON: I thought you didn't want them here?

531
00:26:26,033 --> 00:26:28,300
CAPTAIN: Not for me, for you. The money and so on.

532
00:26:28,500 --> 00:26:30,400
I shan't miss him--them!

533
00:26:30,600 --> 00:26:33,500
MARY: 'Tis back to boredom, I suppose.

534
00:26:33,700 --> 00:26:36,766
ROBIN: Oh, never bored with chess board.

535
00:26:36,966 --> 00:26:40,533
FANNY: Well, I think it quite the best to be free from distractions.

536
00:26:40,733 --> 00:26:42,500
ALISON: You do know that free pass thing's a joke?

537
00:26:42,700 --> 00:26:44,000
JULIAN: Wasn't in my marriage.

538
00:26:44,200 --> 00:26:47,700
MIKE: Goodbye, £96,000. ALISON: Yeah...

539
00:26:47,900 --> 00:26:50,133
Well, at least we won £100.

540
00:26:50,333 --> 00:26:52,733
Mystery Queen. I got a tip from a ghost.

541
00:26:52,933 --> 00:26:54,466
MIKE: That's how we can make money!

542
00:26:54,666 --> 00:26:56,166
ALISON: No, they're-- they're ghosts, Mike.

543
00:26:56,366 --> 00:26:59,500
I think you're thinking of time-travelers.

544
00:26:59,700 --> 00:27:00,766
MIKE: Oh...

545
00:27:00,966 --> 00:27:02,500
Yeah, but-- ALISON: No.

546
00:27:02,700 --> 00:27:03,866
KITTY: Well, Thomas will be glad they've gone.

547
00:27:04,066 --> 00:27:07,633
PAT: Yeah, perhaps someone should tell him.

548
00:27:09,966 --> 00:27:13,133
CAPTAIN: Come on, Pat. Chop-chop!

549
00:27:24,666 --> 00:27:27,166
THOMAS: [sighs]