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Subtitling

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ST'501

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There's a beautiful dog for his daddy!
Come on Aldo, go get it!

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My child, are you a boy, are you a
girl? To say that I don't know anything about it.

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But whoever you are, you wonder
surely what the hell your father is doing in the

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desert.

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You need to know that I don't have
always been a child of the desert.

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Before being Arab, your father was
negro.

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But this is a long story.

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A nigger in the cinema is someone
who writes films and who does not sign them

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not. A humiliating state that your grandmother
put up with it even worse than me.

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He was the one who wrote it.

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He's my son.

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Oh well, there's no hiding it,
it's you. There's no need to shout it no

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more.

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Yes, that's totally you, Insta.

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You have to find it.

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Silence !

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But

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Yes, remember, you told me
when I had my fever. We don't care,

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madam.

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Yes, you are right.

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Listen, listen.

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We're leaving.

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Yes, but if I don't say it, no one
will never know it's you who has it

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done.

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His name is never written anywhere
this poor little one.

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Who says negro, says slave.

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And my slaver was him,
Georges Vallier.

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Ah, it's you. Between.

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Is it a scenario, straight away? Yes.
I worked until 4 a.m. and

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all day. Perfect, perfect.

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Say, big guy.

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The producers are there.

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And of course, you prefer that no one
don't see.

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That's the eternal problem. Should we
know before or not? This is the theory

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from the bucket of water.

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The theory of what?

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You will understand.

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Charles? What would I give
so that he sees me at least once?

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And now suppose you
ignore the presence of the bucket.

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What are you doing here?

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First theory, you didn't know
presence of the bucket. Sweet surprise effect

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equals laughter.

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Second version, a little less primary,
I would say. You know the existence

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from the bucket. And of course, he doesn't
still don't know.

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Here, my little Charles.

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Since you are so dedicated.

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Yes, yes, yes.

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You laugh in advance to see it happen
all dressed up.

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Smile, Charles.

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Smile.

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We savor what we know to be
the inevitable outcome.

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Come in, Charles.

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We are waiting for you.

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Laugh.

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And there you have it, you know the dilemma
now. Thanks, Charles, predisposed.

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Gentlemen, if the gentleman permits, I
believe that the gentleman has not done the trick

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of the question.

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Yes, no, but it's over, they have
inserted.

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Let him speak, Vallier, we know
never.

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These servants sometimes get you out of it
unpayable.

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I would like to point out a third
version, more elaborate, more

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Hitchcockian, to the extent that it
appeals to suspense.

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Pardon.

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If the gentleman would like to take his turn
in the hallway. How me? But you

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You're crazy, Jean.

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Well no, you don't need to pray, Valier.

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But yes, the bucket is empty.

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I put the bucket on the door.

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Monsieur doesn't know, I'm waiting
the arrival of the gentleman.

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I say to myself... But what is
sir? I'm waiting, I'm waiting.

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But it takes a while, sir.

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Sir ! It's true that this version
is more unexpected. You have to sign

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Dad, this is very important.

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Now's not the time.

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And again, you laugh less because
the bucket is empty.

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Okay then it's over.

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Fourth version.

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It changes everything with water.

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Do you understand? I'm tired of you
hides like a shameful illness.

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I am your syphilis.

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You tell me that precisely at the moment... At
moment what? An invitation to a

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cocktail given by Aldo Barazzuti.

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I asked you to go there at my
place.

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Aldo Barazzuti, do you realize?
It's the Italian actor who walks

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more at the moment.

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But what is it?

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I put a cork in, it must have popped.

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This

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y

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is, she is drowned.

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Us too.

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I'm going to go see.

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who is it

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this

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already? Mr. Georges Vallier.

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Who ? Mr. Georges Vallier.

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Fortunately. Who ? Oh my!

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So that makes me very, very, very
pleasure.

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Aldo Barazzuti, my respects.

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What an honor, what an honor! You know
that I have a lot of admiration for

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you. In my opinion ? But yes.

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Please allow me to borrow it from you.
a few moments? Like this, we will

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chat a little bit. Do you try to
the other side.

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There you go.

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So, you know everything about me.

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Of course.

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I came to Paris a few years ago
days and I know a lot about

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what is happening here.

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I know who is who and above all who does
what.

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Believe me.

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But then, you know Valier, all that?
But I know everything, Valier, all that,

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I... But... What's going on?
here? Yes, it's curious.

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Well, let's go somewhere else.

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So, do you like my house?
Very, very good.

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So.

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Martin.

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No.

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Well... Ah, both, all
two.

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That's it. THANKS.

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I've been following you for a long time
far.

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You are the person with whom
I would most like to make a film here.

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With me? But yes, with you.

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For what ? You look surprised.

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No, but... It's on the sofa that...
Yes, but what is this

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couch ? What is this
couch ? No, sir, I apologize.

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Sir ! But what is it,
this junk? I'm going out.

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Ah, ma'am, there you go.

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Your husband is too modest, he is more
known than he thinks.

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It's true, I always tell him that he
is too modest. You are a screwdriver,

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table.

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What is this ?

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It's not

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understand

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not. I was told that...

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I am

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Sorry,

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but I don't feel very well.

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Exactly, let's go back to the sofas
Louis XV.

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Don't insist.

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I'm sorry, but we have to
leave.

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Yes, you are right.

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Well, dear madam, my compliments.

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Dear gentlemen, we'll call you tomorrow.

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I tell you it's no good! I
you

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say it's not worth it!

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Why are you shouting like that? It's
annoying.

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Valier is a little bit.

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What misery.

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That's dishonest. This man is a
crook.

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This is passing off as validating.

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This is passing off as validating.

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Ah, who do I see appearing in this temple
physical effort? I spoke, it's

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important.

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But I'm very talented, my big boy, everything
gifted.

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I just said... I'll stop. And we
can you know what you are dreaming? Your

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collaboration. Or rather, my
exploitation.

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Because I'm fed up with yours
lives. Misunderstandings, stories of

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closet. Ah good, because for you, my
work comes down to your life.

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What do you call that, history?
of a type? T

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'what do you call it, history?
of a guy who sleeps with the best

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friend of his wife? And who doesn't know that
wife of the guy he sleeps with, sleeps with

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with his? What do you call that?

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A well-crafted comedy of manners.

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And not from now on.

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You will write your comedies of manners for yourself
all alone.

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If you arrive.

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You have to sign this, dad.

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You can see I'm busy.

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Mr. Barazzuti.

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Ah, it's you.

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How are you?

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Very good, thank you.

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Well, sit down, Mr.

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Georges Vallier.

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Who, me?

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Yes, yes, sit down.

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Good.

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Please allow me to call you
Georges Vallier Barazzuti.

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It looks very ceremonious. And then,
how important are the names? What

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that matters, it's the men that there are
below.

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So you want to write a credits
for me. You are absolutely right.

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A film by Aldo Barazut written by Georges
Vallier, superb poster, right? To

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By the way, I was thinking about something very
important.

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What I want is for my
author, he is very relaxed, at ease,

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and free from all worries.

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How about we go somewhere,
just you and me?

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A secluded corner, far from the telephone, far away
of everything, we will be fine.

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I heard about a small hotel in
Tunisia, very calm and very peaceful, where

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we can give ourselves to work, a
sort of monastic retreat.

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The little skin.

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There, yes, a kind of orsice.

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Finally, it's an image, because when
I work, I don't care about the decor.

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I don't raise my head above the
paper, because I have to tell you,

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my dear Valier, ah, here I am
calls Valier again.

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I have to get used to it,
George. My dear Georges, for me, a

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chenario is the 10% of inspiration and
90% perspiration.

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A little polishing.

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I feel like we're all going to get along well
both. You have character and I

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like it.

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But what else has she done?
dirty beast?

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I can no longer do without roofs.

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You keep quiet when you're a naughty dog.

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Oh no, seriously, Valérie, come on
with me.

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You know, my doggie, I'm not
free.

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But a few days on hand,
Valerie. Here, we are always in a hurry.

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I have to watch it all the time
paw. It's a dog's view, you

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report, both in the sun.

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We will take long walks.

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Valérie, I will sleep at the foot of your bed,
like this.

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And your wife?

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What are you going to say to him
women?

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The truth.

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who I speak with the French author
number one, and who can only work at

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sun. But you're sure she will come
not with you?

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She can't do it, the old woman.

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Asthma. But he's smart, my big guy
doggie, whenever he wants.

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Oh, Valerie.

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When you look at me like that, with your
beaten dog eyes, I can take it

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more.

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00:19:09,740 --> 00:19:15,940
But you want to let go of that?

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It's not okay, no, the death of the swan at nine
month? There is no age for

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swans.

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Charlotte! I am a dancer.

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I was made to be a swan and not
a laying hen.

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The swan is dead.

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Are you happy? Baradzouti? It's going very
good, but there is a little

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problem.

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Maître Raoul de Gros, here, in court
from Paris. Can I come in?

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Mr Renaud, I am happy to
inform that I am coming to carry out the

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seizure of your furniture.

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Please, gentlemen.

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Do your duty.

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As you thought you had to remain deaf
at my most imperative command, I

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see myself constrained today.

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On behalf of the Ministry of Justice.

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And under article 592 et seq.
of the code of civil procedure, which stipulates

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formally that... What is it
?

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The table there. We can't move it.

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Hello, hello.

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Big guys like you, let's see.

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What does that mean? The
armchair, there.

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Quickly.

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He is burned.

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NO !

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What is this comedy? I would like
first discuss the

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legal concept which distinguishes the
real estate furniture.

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Furniture, from the Latin mobilis, mobile,

250
00:23:44,410 --> 00:23:51,330
therefore implies that the seizure of movable property
is sometimes of consequence the seizure

251
00:23:51,330 --> 00:23:53,210
of what moves.

252
00:23:55,950 --> 00:23:56,950
Exactly that.

253
00:23:56,990 --> 00:24:03,890
It's still. It is therefore
real estate. From Latin, immobility.

254
00:24:04,270 --> 00:24:05,730
Who doesn't move.

255
00:24:08,510 --> 00:24:12,290
We'll see each other again.

256
00:24:13,170 --> 00:24:16,130
He moves.

257
00:24:17,890 --> 00:24:19,870
He moved. There.

258
00:24:21,310 --> 00:24:22,490
I felt it.

259
00:24:29,360 --> 00:24:35,320
What's the problem with Baradzouti?
It's

260
00:24:35,320 --> 00:24:39,800
that is to say that he wants us to go
Africa to write.

261
00:24:40,600 --> 00:24:44,980
So are you going to leave? For long?
Two, three days.

262
00:24:45,280 --> 00:24:46,380
It's not long.

263
00:24:47,080 --> 00:24:48,900
Then it’s important for my career.

264
00:24:50,160 --> 00:24:51,940
As long as I'm there for her
arrival.

265
00:24:52,820 --> 00:24:54,780
My plan, although daring, was
simple.

266
00:24:55,120 --> 00:24:59,100
I wrote a superb script, I
left Barazzuti panting in front of my

267
00:24:59,100 --> 00:25:02,920
talent and my imagination, and I
then revealed my true identity.

268
00:25:03,160 --> 00:25:07,040
It was enough for me to be the handsome one
Georges Vallier for a few days.

269
00:25:24,330 --> 00:25:25,390
You have come, my little pigeon.

270
00:25:25,690 --> 00:25:26,770
How nice, that.

271
00:25:27,810 --> 00:25:28,810
Dear Madam.

272
00:25:28,990 --> 00:25:31,110
Mr. Vallier, I must
say something.

273
00:25:31,410 --> 00:25:32,410
Open your suitcase, you.

274
00:25:32,890 --> 00:25:35,650
How, here? Oh dear, my asthma.

275
00:25:35,870 --> 00:25:37,650
Open, I tell you. Yes, my darling.

276
00:25:39,090 --> 00:25:43,630
You know, you are dealing with a
huge... I know it better than anyone,

277
00:25:43,750 --> 00:25:44,709
madam.

278
00:25:44,710 --> 00:25:48,930
But what you don't know,
maybe it's also a

279
00:25:48,930 --> 00:25:50,190
huge sloth.

280
00:25:50,710 --> 00:25:52,970
What is this?

281
00:25:55,020 --> 00:25:57,180
You don't need this to
work.

282
00:25:57,520 --> 00:25:58,520
But no.

283
00:25:58,700 --> 00:26:00,160
It's worse than customs.

284
00:26:01,780 --> 00:26:05,360
You know, if he had difficulties
to work, call me.

285
00:26:05,680 --> 00:26:08,580
Madam, I have no doubt that... Oh no,
no, I insist.

286
00:26:10,200 --> 00:26:11,600
You're not going on vacation.

287
00:26:11,880 --> 00:26:15,260
No. And that's a pen, right?

288
00:26:15,520 --> 00:26:19,120
But my little pigeon, if I wanted
take a vacation, I won't leave

289
00:26:19,120 --> 00:26:20,180
not with Mr. Josvalier.

290
00:26:21,440 --> 00:26:23,340
And who would you go with?

291
00:26:25,040 --> 00:26:26,660
But with you, my darling.

292
00:26:33,140 --> 00:26:34,140
So.

293
00:26:35,440 --> 00:26:38,580
You know what they are
women. Departure for Tunis,

294
00:26:38,580 --> 00:26:39,900
Tunisair flight 731.

295
00:26:40,620 --> 00:26:43,920
Immediate boarding for... We don't
wouldn't really need it. Let's go

296
00:26:43,920 --> 00:26:44,920
above all, to work.

297
00:26:48,520 --> 00:26:50,260
Valerie, love me.

298
00:26:54,190 --> 00:26:57,390
What is this? It's the Titi
to Valérie, that.

299
00:26:58,870 --> 00:27:00,390
Come on, say hello to Aldo, Titi.

300
00:27:00,790 --> 00:27:01,790
Say hello to him.

301
00:27:16,950 --> 00:27:21,370
So what? There is no one who opens the door to me
the door, at least? What is it,

302
00:27:21,370 --> 00:27:22,370
this hotel?

303
00:27:23,500 --> 00:27:27,200
Time to change, we start
work, my dear Aldo. Yes yes.

304
00:27:27,680 --> 00:27:34,680
How chic is that then? It will be fine

305
00:27:34,680 --> 00:27:35,680
very good.

306
00:27:35,800 --> 00:27:36,800
Alright.

307
00:27:38,900 --> 00:27:42,900
Well, I mean, they mulched you,
eh, Valier? Oh dear, but it's

308
00:27:42,900 --> 00:27:44,000
rickety, this thing.

309
00:27:44,680 --> 00:27:47,240
Well, I'm going to tell Aldo,
he will have a good laugh.

310
00:27:48,200 --> 00:27:49,200
That's what I was saying.

311
00:27:49,540 --> 00:27:50,640
What does that mean?

312
00:27:50,880 --> 00:27:54,340
You still don't have the pretension
to put Georges Vallier in this study,

313
00:27:54,480 --> 00:27:58,100
no? Ah, but we'll have to see when
even the reception. Call me there

314
00:27:58,100 --> 00:27:59,059
reception straight away.

315
00:27:59,060 --> 00:28:00,440
Hello ? Give me that.

316
00:28:00,820 --> 00:28:01,820
No, but...

317
00:28:19,240 --> 00:28:20,580
My cheraldo, sit there.

318
00:28:22,020 --> 00:28:23,520
Wait, I'm finishing a little sequence.

319
00:28:28,060 --> 00:28:30,660
Sit down, I think we're going to be
very good here to work.

320
00:28:31,180 --> 00:28:33,900
If we're not happy here, I don't know
where we will be good.

321
00:28:39,020 --> 00:28:43,600
You see, my chéraldo, since
I had the chance to meet you,

322
00:28:43,660 --> 00:28:48,080
even during the whole journey,
sit down, sit down.

323
00:28:48,570 --> 00:28:52,090
I have thought a lot about your
character and I have some thoughts to

324
00:28:52,090 --> 00:28:54,330
do you before we start
write it down.

325
00:28:54,830 --> 00:28:56,330
This room is superb.

326
00:28:57,530 --> 00:29:00,030
Eh ? I say she looks great.

327
00:29:01,090 --> 00:29:02,370
Um... yes.

328
00:29:03,750 --> 00:29:07,430
Yes, she is... Ah well, that is to say
that you know that when they knew that

329
00:29:07,430 --> 00:29:11,070
I was a valier, so... Ah, because
that they knew you were a valier?

330
00:29:11,070 --> 00:29:14,190
Um... yes, why? Nothing.

331
00:29:20,010 --> 00:29:25,030
Yes, so I was talking to you about your
character and here we approach a point

332
00:29:25,030 --> 00:29:26,030
very important.

333
00:29:26,210 --> 00:29:27,129
The entrance.

334
00:29:27,130 --> 00:29:28,170
Ah, finally.

335
00:29:30,030 --> 00:29:32,770
Oh dear, this room is great.

336
00:29:33,190 --> 00:29:35,350
We already know that. We are here to
work.

337
00:29:36,250 --> 00:29:41,430
Oh, it's huge, just say that.

338
00:29:41,890 --> 00:29:46,490
So what's wrong with my character?
? Nothing.

339
00:29:47,430 --> 00:29:48,430
Nothing.

340
00:29:48,840 --> 00:29:51,380
I mean, nothing. He doesn't have anything. He
is even good. He is even very, very

341
00:29:51,380 --> 00:29:54,840
good. No, what I would like to say,
is that it would be necessary to analyze the

342
00:29:54,840 --> 00:29:57,440
components. Well, say, it's
Hollywood, the bathroom.

343
00:29:59,540 --> 00:30:05,980
Yes, but... Ah yes, the components. He
should... It's a real swimming pool that

344
00:30:05,980 --> 00:30:11,360
'he has, the gentleman, eh, Titi? It's
who, the star, here? Yes, it's true.

345
00:30:11,900 --> 00:30:15,120
That's what I'm wondering too.
Who is the star here? But it is

346
00:30:15,120 --> 00:30:17,020
you, my dear Aléto. It's me. It's
you.

347
00:30:18,980 --> 00:30:19,980
Yes, yes, I understood.

348
00:30:20,840 --> 00:30:21,840
Come on.

349
00:30:28,900 --> 00:30:32,460
I am willing to admit that after this
morning of work, see you a little

350
00:30:32,460 --> 00:30:39,360
tired. And I want to recognize
that... Sorry? No, I said it,

351
00:30:39,400 --> 00:30:42,160
I'm willing to admit that we're seeing each other
a little tired, but tomorrow we work.

352
00:30:42,300 --> 00:30:43,360
But yes, we are not a day closer.

353
00:30:43,780 --> 00:30:44,780
Oh,

354
00:30:44,920 --> 00:30:46,780
Here they are, these two.

355
00:30:48,040 --> 00:30:49,040
Journalists.

356
00:30:50,920 --> 00:30:53,580
Mr. Vallier, it is you that I
wanted to see.

357
00:30:53,820 --> 00:30:57,220
You won't have an interview? No,
YOU ? Of course, but of course. Make

358
00:30:57,220 --> 00:30:58,660
-YOU. I'm happy with you
meet.

359
00:30:59,100 --> 00:31:04,340
I wanted you... We're going to move away
little.

360
00:31:06,240 --> 00:31:06,620
They

361
00:31:06,620 --> 00:31:15,540
have

362
00:31:15,540 --> 00:31:17,120
really nothing to put under the
dents.

363
00:31:17,960 --> 00:31:19,660
It's completely good. So now we
goes to the bottom.

364
00:31:20,100 --> 00:31:24,080
A photo with the foot on the chair.
Another one now, standing, with the

365
00:31:24,080 --> 00:31:25,080
foot on the chair.

366
00:31:25,440 --> 00:31:31,740
Another, standing on the chair. As
That. Alright.

367
00:31:32,600 --> 00:31:35,640
And the fourth, then you step back
now and you stand up

368
00:31:35,640 --> 00:31:38,200
there. Alright. Move forward. That's it, very
good. Arms crossed.

369
00:31:38,580 --> 00:31:39,720
Alright. Uncross your arms.

370
00:31:40,120 --> 00:31:41,059
It's perfect.

371
00:31:41,060 --> 00:31:41,819
Alright.

372
00:31:41,820 --> 00:31:44,580
But it doesn't matter if no one
recognizes my dog.

373
00:31:44,800 --> 00:31:45,840
Basta. Stop.

374
00:31:46,350 --> 00:31:53,150
What is this bastard doing?
so? Well, it

375
00:31:53,150 --> 00:31:55,450
It's Roger's. They agree to
interview you tomorrow.

376
00:31:55,770 --> 00:31:56,770
You are too good.

377
00:31:57,090 --> 00:31:59,730
Hey, you could thank him. This
couldn't have been easy.

378
00:32:00,290 --> 00:32:01,350
Nobody knows you here.

379
00:32:10,550 --> 00:32:13,430
Why are you making a face? To everything
chance.

380
00:32:29,580 --> 00:32:32,840
Do you know who you're talking to? To the big
Aldo Barazzuti.

381
00:32:33,520 --> 00:32:36,280
Go further, sir
Barazzuti.

382
00:32:36,680 --> 00:32:41,140
What is this straw?
shit ? They don't have a cinema here.

383
00:32:41,540 --> 00:32:42,540
It's sincere.

384
00:32:43,700 --> 00:32:44,700
Okay,

385
00:32:45,000 --> 00:32:46,000
I'm going to put the car away.

386
00:32:46,680 --> 00:32:48,280
Hurry up. We're not in pieces.

387
00:32:48,500 --> 00:32:49,500
Yes, yes, quickly, quickly.

388
00:32:49,620 --> 00:32:51,020
What were you laughing about all the time?
?

389
00:33:10,830 --> 00:33:13,710
Look, you see the gentleman over there,
who has a colorful shirt with a

390
00:33:13,710 --> 00:33:18,270
headband. Well, there will be... there will be
one, one dinar, each one for you.

391
00:33:18,830 --> 00:33:22,390
Here, if you...

392
00:33:22,390 --> 00:33:32,230
She

393
00:33:32,230 --> 00:33:33,350
Isn't Valérie here? No.

394
00:33:34,050 --> 00:33:36,170
She was starting to annoy me, I
sent for a ride.

395
00:33:37,490 --> 00:33:38,490
It's a shame.

396
00:33:38,530 --> 00:33:39,530
For what ?

397
00:33:40,450 --> 00:33:41,790
You know you are very well known here.

398
00:33:43,170 --> 00:33:48,190
Are you kidding me? Me, all
time, I met some Tunisians

399
00:33:48,190 --> 00:33:52,150
who recognized you. Oh yes ? And
recognized me? Oh yes.

400
00:33:53,690 --> 00:33:55,430
An autograph, Mr. Barazouti.

401
00:33:57,190 --> 00:34:03,390
Who, me? Yes, sir.

402
00:34:05,250 --> 00:34:06,250
That's good.

403
00:34:12,480 --> 00:34:15,780
So what did I tell you?
Yes, but a kid doesn't mean anything.

404
00:34:18,080 --> 00:34:19,679
Another kid, Mr. Boretti.

405
00:34:20,800 --> 00:34:25,400
Did you recognize Aldo Boretti? Well done,
well done.

406
00:34:26,320 --> 00:34:27,320
Give me.

407
00:34:28,900 --> 00:34:32,400
But what is Valéry doing? He
Is Valéry ever there? Well, here.

408
00:34:33,000 --> 00:34:34,000
So.

409
00:34:35,500 --> 00:34:38,940
I bet you want one too
autograph of Aldo Barazzutti, eh, ma

410
00:34:38,940 --> 00:34:42,080
little rascal. Listen, let
Mr. Barazzutti calm down. Let,

411
00:34:42,199 --> 00:34:46,639
let. When you're a star, you have to
bear the inconveniences, don't you

412
00:34:46,639 --> 00:34:47,699
not? Here, my little one.

413
00:34:48,860 --> 00:34:52,360
Champagne! But that's for me.

414
00:34:52,620 --> 00:34:55,280
But yes, Valérie. So, my God. Okay,
come on.

415
00:35:02,640 --> 00:35:03,680
As soon as we get to work.

416
00:35:08,300 --> 00:35:09,840
He wants to get on the bed
mistress.

417
00:35:10,540 --> 00:35:13,320
He knows he can't go up
on the bed to his mistress.

418
00:35:14,940 --> 00:35:16,300
No, he doesn't have the right.

419
00:35:21,060 --> 00:35:25,260
But what is he doing there? Ouch!
What does he take from his

420
00:35:25,260 --> 00:35:29,320
albettes, eh? Tweety! It's naughty,
huh? You're not alone here.

421
00:35:30,740 --> 00:35:31,740
Come on.

422
00:35:32,740 --> 00:35:33,760
Put it in the bathroom.

423
00:35:34,060 --> 00:35:35,300
We can't be quiet here.

424
00:35:35,520 --> 00:35:36,520
Oh no, there is no reason.

425
00:35:36,880 --> 00:35:40,900
Come on, Titi, wise, eh? That's it,
You don't bother anymore.

426
00:35:41,140 --> 00:35:42,140
Are you sure? Yes.

427
00:35:49,840 --> 00:35:54,560
Salvette! Tweety, sleep! Lay down,
sleep, sleep, you'll see, sleep!

428
00:36:11,440 --> 00:36:14,240
And what is happening? Well it's
Aldo and Titi, they fought.

429
00:36:14,980 --> 00:36:15,980
Like dogs.

430
00:36:16,960 --> 00:36:19,900
Aldo and Tweety? Yes, well it's over for me,
I don't want to see him anymore, eh, this guy.

431
00:36:21,180 --> 00:36:25,520
Do you mind if I sleep here? And
?

432
00:36:44,190 --> 00:36:48,470
Good morning. How are you ? Are you working well?
Yes, yes, it's okay.

433
00:36:50,390 --> 00:36:55,870
Are you still coming back the day after tomorrow? Yes,
why? Because you risk

434
00:36:55,870 --> 00:36:58,190
find the apartment a little empty in your opinion
tower.

435
00:36:58,470 --> 00:37:04,930
But what is happening? Master
Degros found an article in the Code which

436
00:37:04,930 --> 00:37:07,690
allows real estate to move.

437
00:37:09,030 --> 00:37:10,030
It doesn't bother me.

438
00:37:10,730 --> 00:37:14,150
It's more like electricity. But what,
electricity? Well, they cut it

439
00:37:14,150 --> 00:37:15,150
too.

440
00:37:15,350 --> 00:37:16,350
Like gas.

441
00:37:16,870 --> 00:37:18,710
Regardless, I'm doing very well with it.
gas camper.

442
00:37:19,810 --> 00:37:21,930
Finally, it is for the telephone that
I worry the most.

443
00:37:22,310 --> 00:37:23,790
I feel that he is holding a square wire.

444
00:37:24,730 --> 00:37:25,730
But don't worry.

445
00:37:26,410 --> 00:37:28,690
The main thing is that you work
good.

446
00:37:29,170 --> 00:37:31,890
Oh, but don't worry about that.

447
00:37:34,350 --> 00:37:35,350
Eh ? No, I say yes.

448
00:37:36,650 --> 00:37:40,030
What is this ? It's nothing, it's
jackals barking in the desert.

449
00:37:40,560 --> 00:37:42,380
There are plenty of them this season.

450
00:37:43,680 --> 00:37:49,880
Oh, mosquito! Charlotte, Charlotte,
my soul is crippled with remorse

451
00:37:49,880 --> 00:37:55,840
to know you are so far away, so alone, so
pregnant. You are not cold

452
00:37:55,840 --> 00:37:56,840
feet, you?

453
00:38:18,030 --> 00:38:19,090
Titi, he is punished.

454
00:38:19,550 --> 00:38:21,150
It's not like a man, eh, Titi.

455
00:38:31,750 --> 00:38:38,550
Can I put my foot there? There ? Well
yes, there.

456
00:38:40,330 --> 00:38:44,070
Well yes, but there, it's more the same as
when you asked me if you

457
00:38:44,070 --> 00:38:45,070
could put there.

458
00:38:48,940 --> 00:38:55,440
Fuck you, huh? But then, if
you could warm my shoulders,

459
00:38:55,440 --> 00:38:56,500
maybe I have time too.

460
00:38:57,780 --> 00:39:04,780
Oh ! Oh, the cow! Oh ! Oh, how is that?
hurts! But what is he

461
00:39:04,780 --> 00:39:07,980
is there? It's the last straw. It fits into the
Thumb and bam, here it comes.

462
00:39:08,200 --> 00:39:09,440
Fougoudou, fougoudou, it's going.

463
00:39:10,020 --> 00:39:13,340
The cow! When I think that in the
newspaper, they said that Valier is a

464
00:39:13,340 --> 00:39:17,160
seducer... Seducer, seducer...
In the street...

465
00:39:19,089 --> 00:39:20,390
That's right, I read it too.

466
00:39:23,430 --> 00:39:27,850
So what is the king waiting for?
animals? But I have some slack in my

467
00:39:27,850 --> 00:39:28,850
claws.

468
00:39:32,970 --> 00:39:34,450
But I'm going to sharpen them for you.

469
00:39:35,050 --> 00:39:36,850
The lion is tired this evening.

470
00:39:38,570 --> 00:39:43,470
So, isn't the safari over yet? He leaves
will go to ground, like a wounded animal

471
00:39:43,470 --> 00:39:44,470
in the dark.

472
00:39:51,660 --> 00:39:52,660
We breathe well here.

473
00:39:59,860 --> 00:40:01,780
This time I held him between four
eyes.

474
00:40:02,220 --> 00:40:05,600
He couldn't escape me anymore. I
felt like a good day's work

475
00:40:05,600 --> 00:40:07,240
intensive awaited us.

476
00:40:07,620 --> 00:40:13,020
I know this may not be yours
character, but... Come on, I'll tell you

477
00:40:13,020 --> 00:40:15,540
speaks. I've had a script for a long time
in mind.

478
00:40:15,800 --> 00:40:20,240
It is the story of a worker priest who
finds himself involved in a great conflict

479
00:40:20,240 --> 00:40:24,470
social. You have surely heard
talk about restructuring issues

480
00:40:24,470 --> 00:40:26,230
in the Lorraine Assyries.

481
00:40:27,210 --> 00:40:32,190
Good. I listen to you, I listen to you.
You understand, it's been years since

482
00:40:32,190 --> 00:40:36,130
French cinema is locked in
closets in your city. I would be wrong

483
00:40:36,130 --> 00:40:39,730
to complain about it, since I found there
fame and fortune.

484
00:40:41,450 --> 00:40:42,450
Certainly, certainly.

485
00:40:43,070 --> 00:40:47,910
But you see, I'm here how
I would say, of these eternal stories

486
00:40:47,910 --> 00:40:49,690
of Mary Deceived, I think.

487
00:40:50,480 --> 00:40:55,240
that it would be time to address in our
film current problems. unemployment,

488
00:40:55,300 --> 00:40:59,720
death, euthanasia, anything that
does not necessarily exclude comedy

489
00:40:59,720 --> 00:41:01,400
'elsewhere. It's, it's.

490
00:41:03,520 --> 00:41:09,540
You will object to me that we are worth
both millions in the

491
00:41:09,540 --> 00:41:11,680
comical. It's true, it's true.

492
00:41:11,920 --> 00:41:17,200
So there I shout, stop my chéraldo!
Let us not allow ourselves to be chained by our

493
00:41:17,200 --> 00:41:18,520
accounts in Swiss banks.

494
00:41:20,339 --> 00:41:26,160
I know there is a paradox in driving
Bentley and talking about the crisis, but

495
00:41:26,160 --> 00:41:29,760
finally, we know that cinema can
also be a political weapon.

496
00:41:30,380 --> 00:41:32,020
Yes, that’s very true.

497
00:41:32,480 --> 00:41:34,240
And the arms, how pretty they are
tense?

498
00:41:35,140 --> 00:41:37,160
Yes, yes, but straighten your legs too.

499
00:41:37,460 --> 00:41:40,940
Yes. The best subjects are those of
daily.

500
00:41:41,260 --> 00:41:42,660
Am I arched enough here?

501
00:41:42,860 --> 00:41:46,260
Yes, but you don't waddle.
We don't realize that, how

502
00:41:46,260 --> 00:41:48,320
I would say, the ridiculous is everywhere.

503
00:41:48,760 --> 00:41:54,140
And the rhythms? It won't bother you
counties? Counties? Yes, it helps me.

504
00:41:55,120 --> 00:41:59,600
Why not ? You will have the
the most expensive lifeguard in Paris.

505
00:42:00,180 --> 00:42:03,300
So let's go. One two three.

506
00:42:03,840 --> 00:42:07,280
One two three. Here, while I
follow, straighten your legs.

507
00:42:07,560 --> 00:42:09,540
One two three.

508
00:42:09,800 --> 00:42:14,700
Let's go. One two three. You could
teach my son a lesson afterwards?

509
00:42:23,020 --> 00:42:28,840
No, but there is... There is... There is
error. I... I'm not... I give

510
00:42:28,840 --> 00:42:33,440
a... No, no, but me, I... But yes,
yes, yes, yes, yes.

511
00:42:33,660 --> 00:42:37,380
He is an excellent teacher. And
first, I stop my hand. And the

512
00:42:37,380 --> 00:42:38,440
teacher, he takes the little one.

513
00:42:38,660 --> 00:42:39,760
Worthy, worthless, worthless.

514
00:42:40,840 --> 00:42:42,600
I'll leave.

515
00:42:43,980 --> 00:42:46,120
One two three.

516
00:42:47,100 --> 00:42:49,360
One two three.

517
00:42:49,860 --> 00:42:50,860
Stretch your arms.

518
00:42:51,000 --> 00:42:52,140
One, two.

519
00:42:52,830 --> 00:42:53,830
Three little idiots.

520
00:42:54,150 --> 00:42:56,390
One two three.

521
00:42:57,070 --> 00:42:59,390
One two three.

522
00:42:59,590 --> 00:43:00,509
Me, I'm sorry.

523
00:43:00,510 --> 00:43:01,510
Barazouti doesn't want to keep you.

524
00:43:01,670 --> 00:43:02,670
It's not up to me to do it.

525
00:43:03,470 --> 00:43:04,570
I'm here to work.

526
00:43:04,870 --> 00:43:06,050
But I don't bother anyone.

527
00:43:06,630 --> 00:43:09,650
If you bother me. I'm not going
spend all my nights in the

528
00:43:09,650 --> 00:43:11,250
fireplace. Come on, hop on.

529
00:43:12,710 --> 00:43:13,710
Here we go.

530
00:43:14,390 --> 00:43:16,510
Ouch. But I was in the water.

531
00:43:16,990 --> 00:43:22,050
It was last night that you could have had
fishing. I was tired.

532
00:43:50,240 --> 00:43:52,140
Admire the charm of this landscape.

533
00:43:52,800 --> 00:43:55,400
Your choice fell on this
huge palm grove.

534
00:43:55,980 --> 00:43:57,660
Without charm and without calm.

535
00:43:59,700 --> 00:44:00,260
Don't

536
00:44:00,260 --> 00:44:07,260
we panic

537
00:44:07,260 --> 00:44:08,260
not.

538
00:44:08,420 --> 00:44:11,740
Let us not allow ourselves to be swallowed up by
problems.

539
00:44:13,560 --> 00:44:14,720
Here is the swimming pool.

540
00:44:15,360 --> 00:44:16,360
Ah well yes, oh yes.

541
00:44:16,640 --> 00:44:20,560
The Bengali people are there, isolated,
calm. Isolated, it's perfect.

542
00:44:21,340 --> 00:44:22,720
It's great.

543
00:44:23,820 --> 00:44:25,000
Let's proceed methodically.

544
00:44:25,700 --> 00:44:30,200
Little A, Valier, who doesn't know that I
calls me Valier, must not see me.

545
00:44:31,000 --> 00:44:34,260
Little B, Barazouti, who doesn't know
Valier, since he thinks it's me,

546
00:44:34,380 --> 00:44:35,820
must not see Valier.

547
00:44:36,200 --> 00:44:41,240
Which is equivalent to A equals B, Valier does not
must not see Barazouti either.

548
00:44:41,440 --> 00:44:42,660
It's bright.

549
00:44:45,400 --> 00:44:49,020
Are you going to sleep, little one? Come do
sleep. Come on, that's it.

550
00:45:01,800 --> 00:45:08,200
Barazouti! Well what, Barazouti? She
was good? I thought about it. The plane, that

551
00:45:08,200 --> 00:45:09,200
can wait. Come on.

552
00:45:09,820 --> 00:45:15,860
Are we going to bed? You are still
special, Vallier, eh? But you have

553
00:45:15,860 --> 00:45:17,260
saw my suitcase? It will dry.

554
00:45:42,090 --> 00:45:43,090
I announce to you.

555
00:45:50,930 --> 00:45:57,470
This is the first time I've done this
effect on a woman.

556
00:46:01,750 --> 00:46:02,750
Quick, heaven.

557
00:46:05,750 --> 00:46:07,030
You don't have to stay there.

558
00:46:07,480 --> 00:46:11,320
For what ? You don't have to stay there, he
there is the sun. So what? It's terrible

559
00:46:11,320 --> 00:46:11,899
at this time.

560
00:46:11,900 --> 00:46:13,220
It hits, it drives you crazy.

561
00:46:13,820 --> 00:46:16,780
It's grumpy, the eyes sting, the blisters
everywhere.

562
00:46:17,460 --> 00:46:20,000
But we are good here, we can
work. No, we have to go back straight away

563
00:46:20,000 --> 00:46:22,100
continued. There are blisters everywhere.

564
00:46:22,700 --> 00:46:23,700
Quick, it hits.

565
00:46:33,060 --> 00:46:36,740
You don't plan to put on your tuxedo
? But yes, it's evening.

566
00:46:37,930 --> 00:46:38,610
You saw

567
00:46:38,610 --> 00:46:45,250
?

568
00:46:45,250 --> 00:46:50,370
It is not useful for

569
00:46:50,370 --> 00:46:56,750
Nothing. Have you seen the pants?

570
00:46:56,750 --> 00:47:01,170
? All we have to do is go to town.

571
00:47:16,490 --> 00:47:19,870
What else is coming to us?
piss this one off? We can have a

572
00:47:19,870 --> 00:47:20,870
autograph, Mr.

573
00:47:20,990 --> 00:47:25,410
Parasouti? Ah, now you know who
is Aldo Parasouti.

574
00:47:26,130 --> 00:47:28,170
There you go, it makes me very happy.

575
00:47:31,070 --> 00:47:34,930
You owe a dinar, huh? What is
is this dinar? No, no, it's because

576
00:47:34,930 --> 00:47:37,510
that it is the parking which is chargeable. Oh
Good ? So.

577
00:47:56,110 --> 00:47:59,090
But what did he buy that can
make you laugh? It's honey

578
00:47:59,090 --> 00:48:00,770
aphrodisiac. It's very good.

579
00:48:01,750 --> 00:48:04,010
It's very good when you're afraid of
lack of club.

580
00:48:06,210 --> 00:48:08,390
And to say that there are people who have
need that.

581
00:48:09,690 --> 00:48:10,930
They're not like me.

582
00:48:27,950 --> 00:48:31,170
What do you have in a tuxedo for
sir? I don't have a tuxedo, but

583
00:48:31,170 --> 00:48:34,150
I have pretty slippers. I can't
wear slippers with a tuxedo.

584
00:48:34,510 --> 00:48:39,870
Why not ? You have slippers
black? Hello mom? This time there it is

585
00:48:39,870 --> 00:48:41,070
is, I'm sure.

586
00:48:42,150 --> 00:48:45,230
He just told me I love you and bam, it worked
was like a big blow.

587
00:48:45,470 --> 00:48:46,750
I just woke up.

588
00:48:51,390 --> 00:48:53,390
I can't go to the casino like that
moi.

589
00:48:54,720 --> 00:48:59,460
Why not ? With a bow tie,
it's... Oh yes? At least like this,

590
00:48:59,520 --> 00:49:00,520
you won't look like a tourist.

591
00:49:00,920 --> 00:49:02,980
That's not bad. I like it.

592
00:49:03,460 --> 00:49:08,280
Do you want one too, dear George?
Ah, I... No.

593
00:49:08,660 --> 00:49:11,960
No, no, me, you know, like I
immediately looks disguised with this.

594
00:49:12,240 --> 00:49:13,320
That's not bad.

595
00:49:14,380 --> 00:49:15,380
Dear Amélie.

596
00:49:20,160 --> 00:49:23,220
But where did he go? Valier, where
are you ?

597
00:49:31,549 --> 00:49:36,270
George! Damn then! There you go, there you go!

598
00:49:36,270 --> 00:49:43,130
It's true that it doesn't suit me badly. Very
GOOD.

599
00:49:44,250 --> 00:49:47,630
If it rains, neither seen nor known, it is because
here.

600
00:49:50,930 --> 00:49:52,270
Gotta go back, right? Yes. This way.

601
00:50:17,420 --> 00:50:21,500
You know, my dear Georges, I
comes a metaphysical anguish.

602
00:50:23,500 --> 00:50:26,320
I'm afraid I'm going to run out of gordin tonight.

603
00:50:27,680 --> 00:50:29,200
What ?

604
00:50:30,590 --> 00:50:31,590
I need honey.

605
00:50:33,710 --> 00:50:37,870
Honey, you have to go back to work.

606
00:50:38,170 --> 00:50:40,270
We can't stay in town. We are going
end up being spotted.

607
00:50:40,590 --> 00:50:42,230
I mean, kids... Exactly.

608
00:50:42,550 --> 00:50:45,490
Here, everyone recognizes me,
asks the autogram. While you,

609
00:50:45,530 --> 00:50:46,530
you don't know anything about it.

610
00:50:46,950 --> 00:50:48,210
George, honey.

611
00:50:58,270 --> 00:50:59,270
Groupons, yes.

612
00:51:31,530 --> 00:51:33,770
Tonight, I'm going to make it for you.

613
00:52:47,560 --> 00:52:48,940
You shouldn't stay here. We have to go back to
Paris.

614
00:52:49,400 --> 00:52:51,880
Already ? And we couldn't even write a
line.

615
00:53:09,580 --> 00:53:10,580
Right here.

616
00:53:12,540 --> 00:53:13,540
You don't have to work.

617
00:53:15,200 --> 00:53:16,840
I feel disturbed.

618
00:53:17,400 --> 00:53:19,080
The search elsewhere, if your wife us
saw...

619
00:53:19,080 --> 00:53:26,100
The

620
00:53:26,100 --> 00:53:31,320
signs, the tuxedo, the pronnades...
It's not serious.

621
00:53:32,540 --> 00:53:36,240
It's not serious.

622
00:53:51,850 --> 00:53:52,850
We're leaving.

623
00:53:57,210 --> 00:53:58,210
Tomorrow, then.

624
00:53:59,510 --> 00:54:04,870
Because tonight there will be even more
more in the bush.

625
00:54:07,150 --> 00:54:08,530
I'll tell you one thing.

626
00:54:09,990 --> 00:54:13,330
I'll tell you one thing.

627
00:54:14,450 --> 00:54:19,530
My dear... My dear George.

628
00:54:19,930 --> 00:54:23,730
The beautiful mist of the swimming pool is its
birthday. Well, tonight it's okay

629
00:54:23,730 --> 00:54:24,730
be his party.

630
00:54:24,750 --> 00:54:28,210
We should start talking about the subject
a little bit, maybe, right? Of course.

631
00:54:29,670 --> 00:54:32,830
Pay attention to the turn, now,
huh?

632
00:54:32,830 --> 00:54:38,950
But what is it?

633
00:56:08,200 --> 00:56:09,200
I'm going to talk to my boyfriend.

634
00:56:10,360 --> 00:56:13,800
I prefer that.

635
00:56:31,980 --> 00:56:36,720
I finally had a few hours of work
in front of me.

636
00:56:38,960 --> 00:56:43,820
It's free! Shit ! What are you
would say about a walk on this big

637
00:56:43,820 --> 00:56:48,420
desert ship? It's finished! A
short walk to town? Not

638
00:56:48,420 --> 00:56:51,220
possible, the shaman is tired!
What does that mean, we can't

639
00:56:51,220 --> 00:56:55,020
take a walk, then? We will see the
director? Okay, so just a little

640
00:56:55,020 --> 00:56:56,580
tower. You are nice, Cornac.

641
00:56:56,960 --> 00:57:02,380
You can make this nobleman kneel
animal? Right away ? Come on, sleep

642
00:57:02,380 --> 00:57:05,820
! Come on, hold on, hold on! Here, sleep!
Come on !

643
00:57:17,250 --> 00:57:22,910
I don't know anything about it.

644
00:57:52,940 --> 00:57:56,100
Okay, now we'll have to warn
Baradzuti, his fiancée in the arms of

645
00:57:56,100 --> 00:57:57,500
Valier. No, no Valier.

646
00:57:57,720 --> 00:57:59,120
What am I saying? Valier is
me.

647
00:58:10,940 --> 00:58:17,840
And what year is that? No,
but do you realize? It's

648
00:58:17,840 --> 00:58:20,660
like Marignan. He still went
things happened that year.

649
00:58:21,700 --> 00:58:23,920
And who built it? Rachid the
Terrible.

650
00:58:24,880 --> 00:58:27,800
Why the Terrible? We never knew.
That's what's terrible.

651
00:58:28,040 --> 00:58:32,440
Is he stupid or what? No, my darling, don't
don't be racist.

652
00:58:34,960 --> 00:58:36,700
It's not because you're married to a
old barat.

653
00:58:49,960 --> 00:58:50,240
C

654
00:58:50,240 --> 00:58:59,480
is

655
00:58:59,480 --> 00:59:02,040
Madame Veil, that one? Oh no, sir,
we don't have a Mrs. Veil.

656
00:59:02,300 --> 00:59:03,300
Are you sure?

657
00:59:04,080 --> 00:59:05,280
He is accompanied by a child.

658
00:59:08,720 --> 00:59:11,480
How beautiful it is.

659
00:59:12,060 --> 00:59:13,620
So, what fresh inspiration.

660
00:59:16,020 --> 00:59:17,260
I'm really thirsty.

661
00:59:18,300 --> 00:59:22,320
Say, my friend, go get something
Something fresh for Madame. It's not

662
00:59:22,320 --> 00:59:23,840
too much. That deserves you. I did
diligence.

663
00:59:24,740 --> 00:59:25,740
Come on.

664
01:00:46,570 --> 01:00:48,710
What do you think? It's pretty,
that. You don't really like him.

665
01:00:48,930 --> 01:00:54,130
Or why not this one? He is
beautiful, don’t you think it is? For 10

666
01:00:54,130 --> 01:00:55,130
dinars, really.

667
01:00:55,670 --> 01:00:57,350
Very refined, no? Very refined.

668
01:00:58,590 --> 01:01:01,810
I'm not very keen, but hey,
this one, if you want it, it's yours.

669
01:01:02,250 --> 01:01:03,250
Very amusing, that.

670
01:01:03,690 --> 01:01:04,690
So what?

671
01:01:18,640 --> 01:01:21,640
That's superb. Quite designer.
Did you see?

672
01:01:21,640 --> 01:01:29,860
Say

673
01:01:29,860 --> 01:01:35,600
so, my good man! You don't mind
discuss for us? No,

674
01:01:36,300 --> 01:01:37,620
no, no, come, my boy, it's by
there.

675
01:01:41,620 --> 01:01:44,440
How much is that? It's 10 dinars.

676
01:01:44,760 --> 01:01:46,720
So. Now it's your turn.

677
01:01:47,440 --> 01:01:49,820
You will see, you who underestimate them,
they are very strong.

678
01:01:50,080 --> 01:01:52,120
We are children compared to them.
Go ahead, sir.

679
01:01:53,100 --> 01:01:57,320
That, 10 dinars? But what is this
mean? That, 10 dinars? But I

680
01:01:57,320 --> 01:01:58,320
don't believe my ears.

681
01:01:58,440 --> 01:02:02,000
10 dinars, but what do you want?
Do you want my client's skin? 10

682
01:02:02,000 --> 01:02:03,140
dinars are way too expensive.

683
01:02:03,360 --> 01:02:06,240
What do you want with your
funny accent? What do you want?

684
01:02:06,240 --> 01:02:07,240
That's too expensive.

685
01:02:07,320 --> 01:02:11,120
Do you want my ruin or what? You take the
store, you take a bed with it, you

686
01:02:11,120 --> 01:02:14,560
take everything, but you give me the price.
I'll give you the price. I tell you, by

687
01:02:14,560 --> 01:02:16,160
example, 6 dinars is enough. 6 dinars.

688
01:02:16,440 --> 01:02:20,520
But everything you come, you, false
brother, I said 8 dinars, that's all.

689
01:02:20,960 --> 01:02:22,560
100 8 dinars, I'll tell you that.

690
01:02:22,780 --> 01:02:24,740
It's 7 dinars or nothing.

691
01:02:28,260 --> 01:02:29,540
Okay, 7 dinars.

692
01:02:30,100 --> 01:02:31,920
And that's the job, 30% off.

693
01:02:32,860 --> 01:02:33,860
Yes, but it's broken.

694
01:02:34,480 --> 01:02:37,400
Let him do it, he knows better than you.
Okay, so listen, I'll tell you.

695
01:02:37,620 --> 01:02:41,780
We're going to talk quietly, we're not going to
get angry, we'll sit down. We are going to do

696
01:02:41,780 --> 01:02:43,080
the conversation together.

697
01:02:44,800 --> 01:02:45,800
What is this?

698
01:02:46,140 --> 01:02:47,420
That's 15 dinars.

699
01:02:48,760 --> 01:02:52,380
That, 15 dinars? So there, I said stop,
wet. I swear to you, it will end eventually

700
01:02:52,380 --> 01:02:54,520
cost us a lot more with this
guy there. No, but you don't leave too much,

701
01:02:54,520 --> 01:02:57,800
we're not far from getting along. So
there you go, that, you say 15 dinars, that, you say

702
01:02:57,800 --> 01:03:00,800
7 dinars. So I prefer that, 7
dinars, it's much more original.

703
01:03:01,080 --> 01:03:03,380
But my little man, you have to know
what are we talking about.

704
01:03:03,940 --> 01:03:05,820
Because I'm going to introduce you to something
thing.

705
01:03:06,800 --> 01:03:07,800
Look at this.

706
01:03:07,980 --> 01:03:10,120
That's almost all done by hand.

707
01:03:10,340 --> 01:03:13,440
But that too is done almost entirely
the hand. Here, look at the flourishes

708
01:03:13,440 --> 01:03:14,940
delicately turned artistic.

709
01:03:15,470 --> 01:03:16,670
Does he like it? I don't know.

710
01:03:17,190 --> 01:03:20,530
Certainly, but have you admired in front of
enameled eyes as I present the object

711
01:03:20,530 --> 01:03:24,270
here present that it is polychromy
? Polychromy, that? That's it, the

712
01:03:24,270 --> 01:03:26,770
polychromy? That, polychromy? That,
For me, polychromy is fragile. C

713
01:03:26,770 --> 01:03:27,790
It's too fragile for the boss.

714
01:03:28,230 --> 01:03:29,049
Wait, look.

715
01:03:29,050 --> 01:03:31,010
Ah, here, that! Take this instead,
boss.

716
01:03:31,270 --> 01:03:34,370
But that's very good. But it is
what, that? It's like one would say

717
01:03:34,370 --> 01:03:37,590
shepherd's trumpet. Very practical for
call the sheep.

718
01:03:37,990 --> 01:03:38,990
But we don't have any sheep.

719
01:03:39,190 --> 01:03:40,950
It even works without sheep. Look at.

720
01:03:46,290 --> 01:03:47,290
500 millimes.

721
01:03:47,470 --> 01:03:51,390
The trumpet? No, gray pepper. The
trumpet is 7 dinars.

722
01:03:51,870 --> 01:03:53,950
Ultimately, I prefer this dish. Yes,
very good. Go take this.

723
01:03:56,870 --> 01:04:00,110
That's 7 dinars.

724
01:04:03,190 --> 01:04:04,190
Plus 14.

725
01:04:53,589 --> 01:04:57,970
And you haven't changed yet?
That's right, you look disguised.

726
01:05:22,100 --> 01:05:27,720
I'm sorry, but I slipped. It's
honey.

727
01:05:28,040 --> 01:05:29,040
I slipped.

728
01:05:29,100 --> 01:05:34,920
We're good, right? Help me!
Help me! This woman is calling you

729
01:05:34,920 --> 01:05:35,920
Paris, sir. It's urgent.

730
01:05:36,180 --> 01:05:41,760
From Paris? He's my son.

731
01:05:42,500 --> 01:05:43,640
He's the one who did it.

732
01:05:44,160 --> 01:05:45,460
I think it's for this foam.

733
01:05:46,520 --> 01:05:48,440
Already ? You know, it's been nine months.

734
01:05:49,420 --> 01:05:50,900
Are you working well at least? Yes yes.

735
01:05:51,580 --> 01:05:56,500
We can't stop that. Not too much
problems? Problems? No, no, I

736
01:05:56,500 --> 01:05:57,760
don't know. My nursery, problem.

737
01:05:58,350 --> 01:06:02,530
Hello ? Oh no, don’t cut! Who is at
the device?

738
01:06:02,530 --> 01:06:08,690
Tonight, it's going to hit.

739
01:06:09,590 --> 01:06:10,790
Buckle up to the seat belts.

740
01:06:11,690 --> 01:06:13,190
Aldo is classy.

741
01:06:13,950 --> 01:06:17,890
Hop! Happy birthday to you, happy
birthday to you.

742
01:06:20,150 --> 01:06:25,810
Mr. Baratouti is in his room.

743
01:06:26,970 --> 01:06:27,970
Yes, sir.

744
01:06:28,110 --> 01:06:29,110
THANKS.

745
01:06:35,870 --> 01:06:36,870
Biguette, please.

746
01:06:37,430 --> 01:06:38,430
Well thank you, you.

747
01:06:42,010 --> 01:06:43,090
But it's my horn.

748
01:07:02,730 --> 01:07:05,450
Oh no, now is not the time! I believed
recognize someone.

749
01:07:09,450 --> 01:07:14,810
Come on! Parazouti now!
Fuck me then! There are things

750
01:07:14,810 --> 01:07:16,550
more urgent!

751
01:07:42,730 --> 01:07:44,690
The last time I saw him, he
was in the closet.

752
01:07:44,930 --> 01:07:47,050
In the closet, yes, that's it. You
know that it's my job,

753
01:07:47,050 --> 01:07:51,250
cupboards. I put some on every day
people in closets shaking

754
01:07:51,250 --> 01:07:53,050
afraid when you open them.

755
01:07:53,310 --> 01:07:54,410
Okay, you haven't seen it.

756
01:07:54,630 --> 01:07:56,370
It's not important. Got it.

757
01:07:57,270 --> 01:07:58,270
Good evening.

758
01:07:59,770 --> 01:08:03,710
Did you understand? You have
luck.

759
01:08:14,399 --> 01:08:17,740
The Italian, he is lying on the ground in
my room.

760
01:08:20,260 --> 01:08:27,120
What is... It's honey, you have to
annoy him.

761
01:08:27,279 --> 01:08:30,899
But what honey? It's for the club.
What's the stick, mom? This

762
01:08:30,899 --> 01:08:32,080
enough, you go to your room.

763
01:09:01,609 --> 01:09:05,710
Wouldn't it be time to
treat ourselves like animals? What is it

764
01:09:05,710 --> 01:09:10,870
like animals? Is he there? I don't
don't know what's going on, but there's a

765
01:09:10,870 --> 01:09:14,149
guy in the closet. But what
do you have everything this evening? Open, I know

766
01:09:14,149 --> 01:09:17,010
that you are there! Heaven, my husband.

767
01:09:17,250 --> 01:09:19,990
What did you just say there?
Heaven, my husband, why? For nothing.

768
01:09:20,810 --> 01:09:24,149
Open! Okay, the closet.

769
01:09:24,950 --> 01:09:25,950
All right.

770
01:09:32,270 --> 01:09:33,590
Ah, there you are, everyone, like you
see.

771
01:09:35,229 --> 01:09:37,170
Did you hear what she said? It's
she my husband.

772
01:09:37,410 --> 01:09:39,850
Ah, you must be happy.

773
01:09:40,109 --> 01:09:43,510
You who said that these are the replicas
theaters, eh, then? You claim

774
01:09:43,510 --> 01:09:46,770
still it doesn't exist, people
in the cupboards? Yes, but I find

775
01:09:46,770 --> 01:09:49,870
that it's always the same thing. Because I
bet you he'll tell her, I know that

776
01:09:49,870 --> 01:09:55,690
you have a lover. I know you have a
lover! It's not true, Raymond! He

777
01:09:55,690 --> 01:09:57,090
must recognize that dialogue is not
not theater.

778
01:09:58,010 --> 01:10:00,550
Now I will make him open the
closet.

779
01:10:01,270 --> 01:10:05,590
Go ahead, look! Everything is expected. You
want me to tell you? I'm bored, me

780
01:10:05,650 --> 01:10:06,509
in city streets.

781
01:10:06,510 --> 01:10:07,510
The door.

782
01:10:08,650 --> 01:10:12,530
Do you take me for an idiot? You see, even
he doesn't believe it. He doesn't have any

783
01:10:12,530 --> 01:10:13,530
skin. What are you doing ? Wait.

784
01:10:14,550 --> 01:10:17,070
Wait, wait, wait, wait,
wait! Wake up!

785
01:10:17,070 --> 01:10:23,730
You didn't tell me... What

786
01:10:23,730 --> 01:10:27,590
what are you doing there? Ah, but me... And
you? Ah, but I have nothing to reproach myself for.

787
01:10:27,970 --> 01:10:30,630
I've been sleeping with him for years
Madam, then when the gentleman arrives...

788
01:10:34,580 --> 01:10:37,360
You can't blame me for anything either.
because I sleep with her too.

789
01:10:37,520 --> 01:10:44,300
So when you arrive... We're all
both.

790
01:10:44,640 --> 01:10:48,000
Is there... I don't know because
that I have just arrived.

791
01:10:50,700 --> 01:10:52,680
Dad, there are plenty of cupboards. Oh,
That’s enough, you.

792
01:10:53,540 --> 01:10:54,540
As for you,

793
01:10:55,200 --> 01:10:56,280
I had populated because of the little one.

794
01:10:56,900 --> 01:10:58,080
We'll see each other later.

795
01:11:03,280 --> 01:11:05,970
Slut. You're cheating on me with him. And I
see one thing clearly.

796
01:11:09,010 --> 01:11:14,830
Occupy. When I think that I was
came back for your birthday, I don't

797
01:11:14,830 --> 01:11:15,830
I will never leave you alone again.

798
01:11:21,150 --> 01:11:22,510
Your behavior is shameful.

799
01:11:26,810 --> 01:11:27,890
Sir. Sir.

800
01:11:48,520 --> 01:11:52,140
I would like to apologize for everything
time.

801
01:11:52,960 --> 01:11:53,960
I introduce myself.

802
01:11:55,920 --> 01:11:56,920
Georges Vallier.

803
01:11:57,720 --> 01:12:01,360
George who? Now have a good sleep and
tomorrow we go back because here we do

804
01:12:01,360 --> 01:12:02,760
Nothing. And my beautiful cake?

805
01:12:03,210 --> 01:12:06,110
My beautiful cake. It's not the time to
think of cakes. But I have my

806
01:12:06,110 --> 01:12:07,570
little Georges, the light.

807
01:12:08,650 --> 01:12:09,650
There.

808
01:12:10,250 --> 01:12:11,790
My beautiful cake. Shit.

809
01:12:17,830 --> 01:12:19,750
I forbid you from talking to others
men.

810
01:12:20,550 --> 01:12:22,930
You are mine now.

811
01:12:35,850 --> 01:12:37,230
It's unbelievable the effect I can
do him to that one.

812
01:12:39,670 --> 01:12:39,990
C

813
01:12:39,990 --> 01:12:58,690
is

814
01:12:58,690 --> 01:13:00,010
sure, mom, sure.

815
01:13:00,310 --> 01:13:01,650
This is the man I was waiting for.

816
01:13:03,110 --> 01:13:07,040
When he took me back in his arms...
Like a great light that exploded

817
01:13:07,040 --> 01:13:08,040
in my head.

818
01:13:08,240 --> 01:13:09,560
Like the first time.

819
01:14:14,580 --> 01:14:18,840
You me? Yes, to you, stronzo.

820
01:14:49,550 --> 01:14:50,550
Breath.

821
01:14:51,390 --> 01:14:52,390
Breath.

822
01:16:15,820 --> 01:16:20,700
I come quickly, I have wings, when
it's you who calls me, because you are there

823
01:16:20,700 --> 01:16:25,380
more beautiful, my little Isabelle, because you
you are the most beautiful. Seeing how he is

824
01:16:25,380 --> 01:16:27,880
nice to him, it's not you who
would do that for me.

825
01:16:33,400 --> 01:16:35,500
You didn't tell me it was your
birthday.

826
01:16:37,780 --> 01:16:40,100
My big guy, it's going very well.

827
01:16:40,700 --> 01:16:44,160
I'm glad to see you, big guy
Aldo Baratuti.

828
01:16:44,840 --> 01:16:47,840
Well, you don't introduce me to your
friend?

829
01:16:47,840 --> 01:16:53,420
I'll tell you everything.

830
01:16:53,980 --> 01:16:56,380
Let me introduce myself, Pierre Renaud.

831
01:17:03,380 --> 01:17:07,040
What he wanted to tell you was that I
am his nigger.

832
01:17:08,020 --> 01:17:10,160
Ah, his nigger.

833
01:17:11,040 --> 01:17:13,140
I ask Mr. Pierre Renaud at
telephone.

834
01:17:14,960 --> 01:17:16,020
I think it's for me.

835
01:17:16,440 --> 01:17:17,440
Excuse me.

836
01:17:17,600 --> 01:17:18,600
It's me.

837
01:17:51,080 --> 01:17:52,080
I'm trying to poison myself now.

838
01:17:57,760 --> 01:17:58,240
What's going on

839
01:17:58,240 --> 01:18:12,500
?

840
01:18:12,500 --> 01:18:13,500
Nothing.

841
01:18:14,280 --> 01:18:16,380
My wife has just given birth. We are not going
make a drama out of it.

842
01:18:29,130 --> 01:18:31,070
The woman has slept, he doesn't want to do it
a drama.

843
01:18:31,670 --> 01:18:34,010
Why are you getting ready?
That's right, why are you making one,

844
01:18:34,070 --> 01:18:36,550
Valier? I don't worry about it.

845
01:18:37,250 --> 01:18:38,250
I don't care, then.

846
01:18:40,150 --> 01:18:41,150
I don't care.

847
01:18:43,850 --> 01:18:44,850
Ah, superb.

848
01:18:45,050 --> 01:18:50,090
So, is it a boy or a girl?
Ah, it's true, I forgot about him

849
01:18:50,090 --> 01:18:54,540
ask. But that's not true! You don't
You didn’t ask him! Finally, what

850
01:18:54,540 --> 01:18:56,660
What the hell does that mean to you, Valier? This
is not your child.

851
01:18:56,960 --> 01:19:02,620
Really, what does it matter to you?
Valier? I

852
01:19:02,620 --> 01:19:05,660
I know his name is Georges Valier.

853
01:19:06,880 --> 01:19:10,100
If I find him, I'll kill him.

854
01:19:11,840 --> 01:19:15,040
Well, Mr. Valier, here you are
in beautiful sheets.

855
01:19:15,680 --> 01:19:18,500
Hey, dad, look what I found on
mom's bed.

856
01:19:19,280 --> 01:19:20,480
She's not afraid, the Italian.

857
01:19:24,580 --> 01:19:30,980
George! George! My love

858
01:19:30,980 --> 01:19:32,020
!

859
01:19:48,780 --> 01:19:51,960
Autograph, Mr. Parazotti. But
yes, why not, an autograph.

860
01:19:52,180 --> 01:19:54,040
I even have photos there, in the
luggage.

861
01:19:54,440 --> 01:19:58,040
So, you recognized the great Aldo
Parazotti? No, I recognized the man

862
01:19:58,040 --> 01:20:04,240
ordinary. Look, it's not okay, man!
Hey, my dinard! Mr Parazotti!

863
01:20:04,240 --> 01:20:06,700
Hey, my dinard, Mr. Parazotti!

864
01:21:32,680 --> 01:21:33,680
Tonight, we're getting away.

865
01:21:34,740 --> 01:21:36,980
Do you have an idea? No.

866
01:21:38,260 --> 01:21:39,260
All right.

867
01:21:42,260 --> 01:21:43,580
Attention, everyone is ready.

868
01:21:43,820 --> 01:21:45,020
Everyone is seated well.

869
01:21:45,520 --> 01:21:46,520
Here we go.

870
01:21:47,420 --> 01:21:48,420
So.

871
01:21:49,080 --> 01:21:50,900
Mr. George. Mr. Aldo.

872
01:21:51,540 --> 01:21:55,000
Would you mind playing the sound for me?
Certainly, Mr. Aldo. Pardon. And

873
01:21:55,000 --> 01:21:56,440
now,

874
01:21:59,300 --> 01:22:00,560
Mr. George. Yes, Mr. Aldo.

875
01:22:00,880 --> 01:22:02,000
You want to get to the other side.

876
01:22:02,240 --> 01:22:03,139
On the other side.

877
01:22:03,140 --> 01:22:04,140
Look closely.

878
01:22:04,440 --> 01:22:09,140
And so, now, me, take a good look
what I do.

879
01:22:09,380 --> 01:22:10,780
I'm putting a lot of weight on that.

880
01:22:11,080 --> 01:22:15,660
And, ladies and gentlemen, look closely.
Mr. George, come in.

881
01:22:15,940 --> 01:22:16,940
Sir...

882
01:22:31,280 --> 01:22:34,620
Second version, a little less primary.
Mr. Aldo, are you with me?

883
01:22:34,620 --> 01:22:35,900
Are you going to cross to the other side, if
please you.

884
01:22:36,140 --> 01:22:43,040
And there you have it! And on the other side, me! I
close the door and I take the bucket again.

885
01:22:43,500 --> 01:22:46,820
Wait, I put... No, no, no!
There is too much water here, at home.

886
01:22:47,100 --> 01:22:49,100
Take camel piss instead, it's
better.

887
01:22:49,800 --> 01:22:50,800
Here, give me that.

888
01:22:52,280 --> 01:22:58,760
It won't be as funny, right? So, I

889
01:22:58,760 --> 01:23:00,340
put the bucket on...

890
01:23:00,880 --> 01:23:05,020
The door! Mr. Aldo, everyone
looks at us.

891
01:23:05,520 --> 01:23:08,760
Everyone is very wise, but he
you have to hurry anyway.

892
01:23:10,420 --> 01:23:15,560
And I'm waiting for Mr. Aldo. I'm waiting,
I wait, I wait, I wait, I

893
01:23:15,560 --> 01:23:16,560
'still waiting for Mr. Aldo.

894
01:23:16,780 --> 01:23:21,420
But what does he do? But
what is he doing? It's very long

895
01:23:21,420 --> 01:23:23,520
Mr. Aldo, I say it's long.

896
01:23:24,060 --> 01:23:28,360
So little friends, what is it?
does Mr. Aldo? What is he

897
01:23:28,360 --> 01:23:29,360
done?

898
01:23:44,469 --> 01:23:47,810
How dare you? I am the big one
Aldo Barazzuti.

899
01:23:49,010 --> 01:23:52,030
So let's see, the great Aldo Barazzuti.

900
01:23:54,170 --> 01:23:58,390
Your last film was... Good
clear behind the ears.

901
01:23:58,810 --> 01:23:59,810
Yes, sir.

902
01:24:01,070 --> 01:24:02,070
So, I read.

903
01:24:04,010 --> 01:24:06,590
Navran, dismaying spectacle.

904
01:24:07,970 --> 01:24:10,310
35 countries in Rome, on a Saturday evening.

905
01:24:12,450 --> 01:24:13,450
Trincede.

906
01:24:13,850 --> 01:24:19,810
And that, I read... Aldo Barazotti does not
more laughing than himself, a black belly.

907
01:24:21,290 --> 01:24:22,830
It's that day.

908
01:24:23,350 --> 01:24:24,350
Oh yes, I see.

909
01:24:24,650 --> 01:24:25,990
This one never loved me.

910
01:24:26,410 --> 01:24:27,450
That's not true.

911
01:24:29,420 --> 01:24:30,420
Bidambou!

912
01:25:12,810 --> 01:25:19,190
You were not passed off as...
Quiet!

913
01:25:19,190 --> 01:25:23,130
You, on the other hand, Mr. Vallier, you
interests me a lot.

914
01:25:24,170 --> 01:25:26,370
God knows I don't like
vaudevilles.

915
01:25:26,810 --> 01:25:28,750
You are wrong, my dear.

916
01:25:29,230 --> 01:25:30,450
It's you I'm keeping.

917
01:25:31,010 --> 01:25:34,950
I think your author name is small
bourgeois will serve to make known

918
01:25:34,950 --> 01:25:35,950
our just fight.

919
01:25:36,170 --> 01:25:37,670
As for the Italian, he can leave.

920
01:25:38,110 --> 01:25:42,530
THANKS. But I'm not George
Vallier, me! I am Pierre Renaud!

921
01:25:42,530 --> 01:25:47,790
Pierre Renaud! I have never been...
George! But my little George!

922
01:25:47,790 --> 01:25:51,450
Rock ! But what's the point of it all?
that? Let's see, it's huge.

923
01:25:51,730 --> 01:25:54,030
Look at me. Am I arguing?
? It's true.

924
01:25:54,250 --> 01:25:56,250
I'm no longer worth anything. I recognize it.

925
01:25:57,210 --> 01:25:58,570
I'm a bitch.

926
01:25:59,850 --> 01:26:01,290
So you are everything.

927
01:26:01,590 --> 01:26:02,590
They were right.

928
01:26:02,970 --> 01:26:08,370
We must bow, chief, before the
insight of these men of the desert.

929
01:26:08,550 --> 01:26:09,550
Hi !

930
01:26:18,800 --> 01:26:20,980
It's been a year now that Aldo has been
gone.

931
01:26:25,320 --> 01:26:27,660
No one still pays the ransom
Georges Vallier.

932
01:26:28,460 --> 01:26:31,760
Personally, that doesn't surprise me.
But the boss doesn't want to hear anything. I

933
01:26:31,760 --> 01:26:34,680
believe him to be very proud and incapable
to recognize your mistakes.

934
01:26:39,540 --> 01:26:40,780
And here we go again.

935
01:26:41,080 --> 01:26:44,020
I understood why they are called
nomads.

936
01:27:21,930 --> 01:27:23,550
I can ?

937
01:28:05,360 --> 01:28:06,360
I am free.

938
01:28:10,520 --> 01:28:13,900
I'll finally know if you're a girl
or a boy.

939
01:28:37,100 --> 01:28:38,180
Here's Dad, kids.

940
01:28:44,060 --> 01:28:45,660
My love !

941
01:30:03,820 --> 01:30:05,800
... ... ... ...