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[ FANFARE PLAYS ]

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>> AUGUST 3rd.

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JULY 12th.

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MAY 13th.

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DATES, LADIES AND GENTLEMEN --

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DATES.

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WHAT ARE THESE NUMBERS THAT

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SHAPE OUR HISTORY?

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WHO ARE THE PLAYERS, AND WHAT IS

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THE SPORT?

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AMONG THE TOILING MASSES, FEW

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WILL RISE, AND AMONG THEM, EVEN

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FEWER WILL SECURE A PLACE IN THE

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ANNALS OF HISTORY.

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WHAT ARE THESE IMMORTALS WHOSE

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GREAT MINDS LIVE ON CENTURIES

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AFTER THEIR DYING DAY?

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LET US LOOK NOW INTO THE LIFE OF

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ONE SUCH MAN.

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LADIES AND GENTLEMEN, THE

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EXTRAORDINARY LIFE AND TIMES OF

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K. ROTH BINEW.

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WHERE IS GLORY BORN, YOU ASK?

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HERE.

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K. ROTH BINEW FOUGHT HIS WAY

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INTO THE WORLD WITH HIS

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PERCEPTIONS FULLY INTACT AND

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THOUGHT ON BIRTH THE

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FOLLOWING...

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"MY MOTHER'S CRY RANG OUT WITH

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MY OWN -- A CHORUS OF SORROW AND

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PAIN.

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IF BIRTH IS VIOLENT, WHAT WILL

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BE THE REST?"

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ALMA BINEW, WHILE COMPLETELY

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OVERBEARING AND SOMETIMES CRUEL,

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PROVED TO BE HIS HARSHEST

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CRITIC -- EXCEPT FOR HIS

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BROTHER, KARL, OF COURSE, WHO

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WAS HARSH BOTH CRITICALLY AND

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PHYSICALLY.

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BUT IT ONLY MADE HIM STRONGER,

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AND IF HE EVER TRIES IT AGAIN,

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KARL WILL BE VERY, VERY SORRY.

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LAMPERT BINEW, A BRILLIANT AND

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GROSSLY MISUNDERSTOOD GENIUS,

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WOULD PROVIDE K. ROTH WITH THE

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NECESSARY FOUNDATIONS FOR WHAT

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WOULD ONE DAY BE HIS BRAIN.

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>> FATHER, WHAT IS THE KEY TO A

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GOOD LIFE?

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>> WELL, K. ROTH, DON'T YOU

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WORRY YOUR LITTLE HEAD.

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SOMEDAY I'LL EXPLAIN IT ALL TO

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YOU IN A BRIEF BUT POWERFUL

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MONOLOGUE.

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NOW, HOW ABOUT WE GO AND FIND

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YOU A PIECE OF WIRE, HUH?

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>> WHEN LAMPERT BINEW DID NOT

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RETURN HOME ONE FATEFUL DAY,

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K. ROTH WAS LEFT TO FIND THE

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BRIEF BUT POWERFUL MONOLOGUE ON

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HIS OWN.

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ABANDONED BY THE ONE PERSON WHO

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UNDERSTOOD HIM, K. ROTH RETREATS

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INTO A DEEP SADNESS...

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ONLY TO BE REVIVED BY THE GOOD

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GRACES OF YOUNG LOVE.

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THOUGH DISTANT IN YEARS, K. ROTH

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AND HIS NANNY, MARLA, SHARED A

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LOVE UNRIVALED IN THE HISTORY OF

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MAN -- TRULY THE GREATEST LOVE

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AFFAIR NEVER TO BE CONSUMMATED.

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BUT EVEN LOVE TOOK A BACK SEAT

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TO HIS NEW FRIEND, ALCOHOL.

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IT WAS AT THIS POINT THAT HE

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STOPPED MAKING FRIENDS AND

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DECIDED TO FOCUS ON HIS ARTISTIC

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ENDEAVORS -- 22 NOVELS, LADIES

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AND GENTLEMEN, 16 THOUGHT

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PIECES, AND OVER 2,000

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UNCLASSIFIED ART HAPPENINGS.

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WHILE THE ARTS CONTROLLED AND

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SHAPED HIS LIFE, THERE WERE

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TIMES WHEN THEY DID NOT PAY THE

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BILLS.

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HE WAS EMPLOYED AS A BELLBOY,

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LONGSHOREMAN, BENEVOLENT

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DICTATOR OF AN ART FARM, AND

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MENTAL PATIENT.

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BY A TWIST THAT CAN ONLY BE

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ASCRIBED TO FATE, HE FINDS

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HIMSELF WRITING MATH WORD

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PROBLEMS FOR A MAJOR TEXTBOOK

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COMPANY.

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TURNING THE INDUSTRY ON ITS

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HEAD, BINEW WAS THE FIRST TO

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ATTRIBUTE PERSONALITIES TO

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NUMBERS, SOMETHING THAT WAS

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THOUGHT TO BE STUPID ONLY YEARS

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EARLIER.

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BUT EVEN A GREAT MAN IS NOT FREE

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FROM THE INVISIBLE PATHOGENS

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THAT ATTACK THE BODY LIKE A

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BRIGADE OF BLOODTHIRSTY REBELS,

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AND ONE THING ALL GREAT MEN CAN

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COUNT ON IS THAT SOMEDAY THEY

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WILL GET BAD NEWS FROM A DOCTOR.

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>> K. ROTH BINEW IS DYING OF A

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YET-TO-BE-NAMED, GRAVE, VAGUE

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DISEASE.

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IT IS ALMOST AS GRAVE IN ITS

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VAGUENESS AS IT IS VAGUE IN ITS

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GRAVENESS.

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WHAT WE DO KNOW FOR SURE IS THAT

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THE DISEASE IS PUNCTUAL AND

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DEADLY.

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>> WHICH BRINGS US TO TODAY,

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LADIES AND GENTLEMEN.

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ALAS, AS THE SUN SETS ON

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K. ROTH BINEW, WE ASK OURSELVES,

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WILL OUR HERO GO INTO THE VOID

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WITHOUT FINDING THE BRIEF BUT

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POWERFUL MONOLOGUE?

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WILL HIS GREATNESS BE

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RECOGNIZED?

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[ ROOSTER CROWS ]

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[ ROOSTER CROWS ]

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>> [ MUMBLING ]

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NO.

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NO.

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AH.

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GABRIEL, WHERE IS THAT FATHER OF

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YOURS?

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I HAVE AN INVITATION FOR HIM.

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>> GET AWAY FROM MY KID, BINEW.

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GABE, GET INSIDE.

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>> REGINALD, I AM LEAVING THE

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WORLD TODAY, AND I WOULD LIKE TO

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INVITE YOU TO MY GOING-AWAY

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PARTY.

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>> IF ONLY THAT WERE TRUE,

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BINEW, THIS NEIGHBORHOOD WOULD

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BE LIVABLE AGAIN.

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>> OH, REGINALD, LET US PUT

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ASIDE OUR PETTY QUARRELS.

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TODAY MY MIND LEANS TOWARDS THE

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PERPETUAL.

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SO, WITH THIS INVITATION AND

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THIS HANDSHAKE, I OFFER YOU MY

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FRIENDSHIP.

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>> NOT IN A MILLION YEARS,

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BINEW!

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I'VE ENDURED YOUR NONSENSE FOR

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FAR TOO LONG!

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TODAY IS YOUR DAY OF RECKONING!

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>> AH, THAT'S THE STUFF, REGGIE.

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FIRST THING IN THE MORNING, I

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LIKE TO GET EMPTY THREATS FROM A

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SHALLOW MAN.

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IT GETS MY BLOOD GOING.

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>> YOU'RE MINE, BINEW.

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>> JUST REMEMBER TO SHOW UP AT

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THE WAKE, REGINALD.

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THERE'LL BE A SURPRISE WAITING

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FOR YOU.

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>> SIR.

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>> AH! MY RIDE.

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>> YOU...

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YOU MAKE ME NERVOUS.

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>> FAREWELL, REGGIE.

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AW, MILLS, IT -- IT SEEMS JUST

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LIKE YESTERDAY THAT I FOUND YOU

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COWERING IN THAT BROOM CLOSET.

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POOR CHILD.

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YOU COULDN'T SPEAK, LET ALONE

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WRITE.

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>> AND YOU GAVE ME SOUP, SIR, A

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WARM BLANKET, AND A DICTIONARY.

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>> AND I HAVEN'T BEEN ABLE TO

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SHAKE YOU SINCE.

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LOOK AT YOU NOW -- MY BEST

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FRIEND, ON-THE-RISE BIOGRAPHER,

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AND POET EXTRAORDINAIRE.

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>> YES, SIR.

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IN FACT, I'VE OFTEN THOUGHT

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THAT IF IT WASN'T FOR YOU --

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>> THE ROAD, MAN! THE ROAD!

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MILLS! A QUOTE FROM MY FATHER.

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"I DRINK TO BRING MYSELF DOWN TO

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THE LEVEL OF THE COMMON MAN.

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BUT REMEMBER, THE COMMON MAN

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DRINKS, SO I MUST DRINK TWICE AS

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MUCH.

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I AM A BIG ADVOCATE OF AN EVEN

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PLAYING FIELD."

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OH, YOUR INSTINCTS ARE

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INCORRECT, LIQUORSMITH.

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BUT, BEING A SPORTING MAN, I

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WILL GIVE YOU ONE MORE CHANCE TO

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GUESS WHAT I'LL BE PURCHASING.

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>> WELL, WHAT ARE WE BETTING

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TODAY?

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>> THIS VEST.

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>> I DON'T LIKE THE VEST.

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HOW ABOUT THAT TIE?

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>> ALL RIGHT.

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MY TIE FOR...YOUR GLASSES.

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>> YOU'RE ON.

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>> OH. WRONG AGAIN,

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LIQUORSMITH.

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MILLS, COLLECT THE SPOILS.

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>> GLASSES, PLEASE.

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>> REALLY?

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>> YES.

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>> I CAN'T SEE VERY WELL WITHOUT

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THEM, AND THEY'RE MY ONLY PAIR.

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>> WELL, IT SEEMS YOU HAVE FOUND

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YOURSELF IN QUITE A PREDICAMENT,

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LIQUORSMITH.

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AND HERE I AM WITH THIS

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PERFECTLY USELESS PAIR OF

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GLASSES.

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>> YEAH, YOU JUST WON THEM IN

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THE BET.

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>> YES.

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>> AS A-A NEUTRAL THIRD PARTY,

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IT SEEMS THAT YOU EACH HAVE WHAT

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THE OTHER DESIRES.

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SO, GENTLEMEN, MAY I SUGGEST A-A

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BARTER?

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>> EXCELLENT IDEA.

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>> UH, I MIGHT BE INTERESTED IN

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A BARTER.

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>> TELL YOU WHAT, LIQUORSMITH --

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I WILL GIVE YOU THESE GLASSES

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FOR YOUR FINEST BOTTLE OF

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STUBBORN GROUSE BOURBON.

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>> [ GROANS ] GROUSE?

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>> YES, THE STUBBORN GROUSE.

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>> COME ON, K. ROTH.

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>> WELL, THESE DO LOOK QUITE

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CHARMING ON ME, DON'T THEY,

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MILLS?

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>> PERFECT FIT, SIR.

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>> GROUSE.

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>> GLASSES.

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>> THANK YOU.

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>> MIND IF I HAVE A SIP?

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>> NO.

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[ CORK POPS ]

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>> HERE'S AN INVITATION TO HIS

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WAKE TONIGHT.

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I HOPE YOU CAN MAKE IT.

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I KNOW IT'S SHORT NOTICE, BUT

256
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THE DOCTOR ONLY TOLD HIM A FEW

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DAYS AGO, AND HE HADN'T ACCEPTED

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THE WHOLE AFFAIR UNTIL LATE LAST

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NIGHT.

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>> THERE'LL BE DRINKS, HORS

261
00:10:26,894 --> 00:10:28,361
D'OEUVRES, AND MAYBE A LITTLE

262
00:10:28,361 --> 00:10:29,863
DANCING AFTER I KICK OFF.

263
00:10:29,863 --> 00:10:30,798
WHO KNOWS?

264
00:10:30,798 --> 00:10:32,399
>> I THOUGHT IT WAS VERY FUNNY,

265
00:10:32,399 --> 00:10:34,868
SIR.

266
00:10:34,868 --> 00:10:36,403
WELL, SIR, WHERE NEXT?

267
00:10:36,403 --> 00:10:37,971
>> TO THE RECREATION PARK,

268
00:10:37,971 --> 00:10:38,739
MILLS.

269
00:10:38,739 --> 00:10:40,440
I'VE HAD SOME BOURBON, WITH MORE

270
00:10:40,440 --> 00:10:41,241
ON THE WAY.

271
00:10:41,241 --> 00:10:45,345
I'M FEELING SPRIGHTLY NOW.

272
00:10:45,345 --> 00:10:47,214
THEY WILL THINK ME THE FOOL,

273
00:10:47,214 --> 00:10:49,249
MILLS, IN MY FINAL MOMENTS WITH

274
00:10:49,249 --> 00:10:52,385
A FATAL DISEASE EXERCISING.

275
00:10:52,385 --> 00:10:55,756
>> WHO ARE "THEY," SIR?

276
00:10:55,756 --> 00:10:57,390
THERE YOU GO. UPPER-TUPPER.

277
00:10:57,390 --> 00:10:58,391
>> ONE...

278
00:10:58,391 --> 00:11:01,094
THEY WILL CALL IT FUTILE, MILLS.

279
00:11:01,094 --> 00:11:03,330
THEY WILL SAY I AM MAD.

280
00:11:03,330 --> 00:11:05,899
AND MAD I MIGHT BE.

281
00:11:05,899 --> 00:11:07,234
>> AH, YOUR STAMINA IS

282
00:11:07,234 --> 00:11:08,268
INSPIRING, SIR.

283
00:11:08,268 --> 00:11:09,703
>> THANK YOU, MILLS.

284
00:11:09,703 --> 00:11:11,171
THOUGH MY HOURS ARE DWINDLING

285
00:11:11,171 --> 00:11:12,873
AND I AM DESPERATE FOR THE

286
00:11:12,873 --> 00:11:14,341
ANSWER, I REFUSE TO SHIRK THE

287
00:11:14,341 --> 00:11:15,909
RESPONSIBILITY I HAVE TO MY

288
00:11:15,909 --> 00:11:17,878
HUMAN BODY.

289
00:11:31,491 --> 00:11:32,960
HELLO!

290
00:11:32,960 --> 00:11:36,229
I'VE GOT BUSINESS FOR YOU!

291
00:11:39,366 --> 00:11:41,001
>> HOW MAY I HELP YOU?

292
00:11:41,001 --> 00:11:41,869
>> AH, YES.

293
00:11:41,869 --> 00:11:43,737
WE WERE WONDERING WHAT KIND OF

294
00:11:43,737 --> 00:11:45,739
BODY-DISPOSAL OPTIONS YOU CARRY.

295
00:11:45,739 --> 00:11:47,340
>> LET ME SAY FIRST I'M SORRY

296
00:11:47,340 --> 00:11:48,475
ABOUT YOUR LOSS.

297
00:11:48,475 --> 00:11:49,442
>> [ LAUGHS ]

298
00:11:49,442 --> 00:11:51,111
HAVEN'T LOST ANYTHING YET.

299
00:11:51,111 --> 00:11:53,346
I'M DYING TONIGHT.

300
00:11:53,346 --> 00:11:55,816
>> YOU'RE THE BODY?

301
00:11:55,816 --> 00:11:56,349
>> YES.

302
00:11:56,349 --> 00:11:57,885
WELL, I ADMIT THAT I

303
00:11:57,885 --> 00:11:59,820
PROCRASTINATED A LITTLE.

304
00:11:59,820 --> 00:12:01,889
>> USUALLY THE FAMILY TAKES CARE

305
00:12:01,889 --> 00:12:04,024
OF THAT AFTER THE DEATH.

306
00:12:04,024 --> 00:12:05,993
>> OH! SO, I AM EARLY AND WE

307
00:12:05,993 --> 00:12:07,861
WILL GET A DISCOUNT!

308
00:12:07,861 --> 00:12:11,064
>> UH, WELL, UH, PERHAPS WE

309
00:12:11,064 --> 00:12:12,299
COULD WORK S-SOMETHING --

310
00:12:12,299 --> 00:12:14,034
>> ARE YOU ALL RIGHT, FRIEND?

311
00:12:14,034 --> 00:12:15,903
YOU SEEM TO HAVE TRANSCENDED

312
00:12:15,903 --> 00:12:16,203
PALE.

313
00:12:16,203 --> 00:12:17,905
>> WELL, I-I MUST ADMIT I'VE

314
00:12:17,905 --> 00:12:19,973
NEVER DEALT WITH THE BODY BEFORE

315
00:12:19,973 --> 00:12:20,974
HE DIED.

316
00:12:20,974 --> 00:12:23,243
AND THIS WHOLE SITUATION IS

317
00:12:23,243 --> 00:12:25,412
MAKING ME...A BIT UNEASY.

318
00:12:25,412 --> 00:12:26,346
>> [ LAUGHS ]

319
00:12:26,346 --> 00:12:28,215
WELL, WHAT IS LIFE IF IT IS NOT

320
00:12:28,215 --> 00:12:29,016
UNEASY?

321
00:12:29,016 --> 00:12:30,784
SO, WHAT ARE THE VARIOUS FIRE

322
00:12:30,784 --> 00:12:31,251
OPTIONS?

323
00:12:31,251 --> 00:12:33,053
I'M SURE YOU HAVE STANDARD

324
00:12:33,053 --> 00:12:34,922
CREMATION, BUT WE WERE THINKING

325
00:12:34,922 --> 00:12:36,523
SOMETHING MORE ALONG THE LINES

326
00:12:36,523 --> 00:12:38,258
OF A FUNERAL PYRE IN THE TOWN

327
00:12:38,258 --> 00:12:39,092
SQUARE.

328
00:12:39,092 --> 00:12:40,560
>> [ CLEARS THROAT ]

329
00:12:40,560 --> 00:12:44,497
UNFORTUNATELY, OUR ONLY OPTIONS

330
00:12:44,497 --> 00:12:47,968
ARE CREMATION AND BURIAL.

331
00:12:47,968 --> 00:12:48,902
>> OR A VIKING CEREMONY.

332
00:12:48,902 --> 00:12:50,403
MILLS, TELL HIM ABOUT THE VIKING

333
00:12:50,403 --> 00:12:50,938
CEREMONY.

334
00:12:50,938 --> 00:12:52,405
>> OH, YES, THE VIKINGS USED TO

335
00:12:52,405 --> 00:12:53,974
PUT THE CARCASS ON A BOAT AND

336
00:12:53,974 --> 00:12:55,175
LIGHT IT ABLAZE AS IT WAS CAST

337
00:12:55,175 --> 00:12:55,943
OUT TO SEA.

338
00:12:55,943 --> 00:12:57,310
>> THAT'S EXACTLY WHAT I

339
00:12:57,310 --> 00:12:58,946
WANTED -- SOMETHING DRAMATIC!

340
00:12:58,946 --> 00:13:00,848
>> WE TEND TO SPECIALIZE IN THE

341
00:13:00,848 --> 00:13:02,015
MORE TRADITIONAL --

342
00:13:02,015 --> 00:13:03,516
>> OH, AND WHO WILL BE DOING MY

343
00:13:03,516 --> 00:13:04,451
MAKEUP?

344
00:13:04,451 --> 00:13:06,519
>> MY SON DOES ALL THE

345
00:13:06,519 --> 00:13:07,354
PREPARATION.

346
00:13:07,354 --> 00:13:09,122
>> TELL HIM TO GO EASY ON THE

347
00:13:09,122 --> 00:13:09,857
ROUGE.

348
00:13:09,857 --> 00:13:11,324
I TEND TO LOOK A BIT QUEALLY

349
00:13:11,324 --> 00:13:12,559
WITH TOO MUCH ROUGE.

350
00:13:12,559 --> 00:13:15,929
>> NO OFFENSE TO YOU, SIR, BUT

351
00:13:15,929 --> 00:13:17,097
WE HERE AT

352
00:13:17,097 --> 00:13:20,367
MOSSMAN'S FAMILY MORTUARY THINK

353
00:13:20,367 --> 00:13:22,035
THAT DEATH AND DYING ARE NOT

354
00:13:22,035 --> 00:13:23,270
EVEN REMOTELY IN THE

355
00:13:23,270 --> 00:13:24,938
NEIGHBORHOOD OF THINGS TO BE

356
00:13:24,938 --> 00:13:26,106
TAKEN LIGHTLY.

357
00:13:26,106 --> 00:13:27,207
[ ORGAN PLAYING SOMBER MUSIC ]

358
00:13:27,207 --> 00:13:30,844
>> THAT SONG...

359
00:13:30,844 --> 00:13:32,312
>> UM...

360
00:13:32,312 --> 00:13:34,114
MAY I SUGGEST TO YOU, SIR, THAT

361
00:13:34,114 --> 00:13:35,949
YOU TAKE YOUR BUSINESS TO ONE OF

362
00:13:35,949 --> 00:13:37,584
OUR COMPETITORS, WHO, BECAUSE

363
00:13:37,584 --> 00:13:40,988
THEY LACK A STRONG MORAL BASE,

364
00:13:40,988 --> 00:13:44,557
WILL OBLIGE YOUR EVERY REQUEST?

365
00:13:44,557 --> 00:13:48,328
DEATH IS A SERIOUS BUSINESS AND

366
00:13:48,328 --> 00:13:52,165
WILL BE TREATED AS SUCH UNTIL IT

367
00:13:52,165 --> 00:13:56,036
STOPS HAPPENING, WHICH WILL BE

368
00:13:56,036 --> 00:13:57,037
NEVER.

369
00:13:57,037 --> 00:13:58,405
>> FATHER'S COAT.

370
00:13:58,405 --> 00:13:59,539
>> EXCUSE ME?

371
00:13:59,539 --> 00:14:01,574
WHAT -- WHAT ARE YOU TALKING

372
00:14:01,574 --> 00:14:02,409
ABOUT?

373
00:14:02,409 --> 00:14:03,510
>> FATHER?

374
00:14:03,510 --> 00:14:04,411
>> SIR?

375
00:14:04,411 --> 00:14:06,146
>> I MUST INVESTIGATE.

376
00:14:06,146 --> 00:14:08,381
>> YOU CAN'T GO IN THERE!

377
00:14:08,381 --> 00:14:09,249
>> Shh!

378
00:14:09,249 --> 00:14:10,183
CAREFUL.

379
00:14:10,183 --> 00:14:13,120
>> FATHER?

380
00:14:13,120 --> 00:14:15,288
[ CROWD GASP, MUSIC STOPS ]

381
00:14:15,288 --> 00:14:16,256
[ LAUGHS ]

382
00:14:16,256 --> 00:14:18,291
WELL, I'M SURE THAT HE WAS A

383
00:14:18,291 --> 00:14:19,292
LOVELY MAN.

384
00:14:19,292 --> 00:14:20,160
>> WOMAN.

385
00:14:20,160 --> 00:14:21,028
>> WOMAN.

386
00:14:21,028 --> 00:14:23,263
AND BEING SOMEONE THAT IS DYING

387
00:14:23,263 --> 00:14:25,498
SOON, I LOOK FORWARD TO MEETING

388
00:14:25,498 --> 00:14:27,968
HER IN THE AFTERLIFE, WHICH

389
00:14:27,968 --> 00:14:29,569
MIGHT NOT EXIST.

390
00:14:29,569 --> 00:14:32,039
SORRY FOR THE INTERRUPTION.

391
00:14:32,039 --> 00:14:34,007
FATHER!

392
00:14:37,610 --> 00:14:39,346
>> COLLECT ALL THE STAMPS YOU

393
00:14:39,346 --> 00:14:40,013
CAN.

394
00:14:40,013 --> 00:14:41,915
IF YOU HAVE ALL THE POSTAGE, HOW

395
00:14:41,915 --> 00:14:43,450
CAN THEY SEND YOU THREATENING

396
00:14:43,450 --> 00:14:44,117
LETTERS?

397
00:14:44,117 --> 00:14:46,053
FOR TWO DAYS I CONTROLLED ALL

398
00:14:46,053 --> 00:14:46,920
THE POSTAGE.

399
00:14:46,920 --> 00:14:48,555
IT MIGHT HAVE GONE UNNOTICED BY

400
00:14:48,555 --> 00:14:50,357
MANY, BUT YOU HAVE NO IDEA HOW

401
00:14:50,357 --> 00:14:52,259
IT FEELS TO BE THE REASON

402
00:14:52,259 --> 00:14:54,627
SOMEONE'S NOT SENDING SOMETHING.

403
00:14:54,627 --> 00:14:56,997
THAT POWER -- VERY SEXUAL IN A

404
00:14:56,997 --> 00:14:57,364
WAY.

405
00:14:57,364 --> 00:14:59,432
>> FATHER, NOBODY LOVES YOUR

406
00:14:59,432 --> 00:15:01,935
BRILLIANT WISDOM MORE THAN I DO,

407
00:15:01,935 --> 00:15:04,404
BUT SOMETHING STILL ELUDES ME.

408
00:15:04,404 --> 00:15:07,040
PLEASE, TELL ME THE BRIEF BUT

409
00:15:07,040 --> 00:15:09,409
POWERFUL MONOLOGUE.

410
00:15:09,409 --> 00:15:12,579
>> OKAY, SON. I WILL.

411
00:15:12,579 --> 00:15:17,717
[ BABBLING ]

412
00:15:17,717 --> 00:15:19,419
>> I DO NOT UNDERSTAND YOU,

413
00:15:19,419 --> 00:15:20,087
FATHER.

414
00:15:20,087 --> 00:15:21,454
GENERALLY, I CARRY MY

415
00:15:21,454 --> 00:15:23,356
NONSENSE-TO-ENGLISH DICTIONARY

416
00:15:23,356 --> 00:15:25,325
IN MY DREAM WORLD, BUT I SEEM TO

417
00:15:25,325 --> 00:15:27,260
HAVE LEFT IT AT MY DREAM HOUSE.

418
00:15:27,260 --> 00:15:29,963
PLEASE, FATHER, TRANSLATE.

419
00:15:29,963 --> 00:15:31,664
PLEASE, TRANSLATE.

420
00:15:31,664 --> 00:15:34,201
PLEASE, FATHER, TRANSLATE!

421
00:15:34,201 --> 00:15:35,368
PLEASE!

422
00:15:35,368 --> 00:15:38,371
PLEASE, FATHER, TRANSLATE!

423
00:15:38,371 --> 00:15:40,007
TRANSLATE!

424
00:15:40,007 --> 00:15:40,974
PLEASE.

425
00:15:40,974 --> 00:15:43,076
TRANSLATE!

426
00:15:43,076 --> 00:15:46,679
>> SIR!

427
00:15:46,679 --> 00:15:49,016
>> MILLS, I WAS SO CLOSE TO THE

428
00:15:49,016 --> 00:15:50,017
ANSWER.

429
00:15:50,017 --> 00:15:52,019
I COULD HEAR THE WORDS, BUT I

430
00:15:52,019 --> 00:15:54,221
COULD NOT MAKE SENSE OF THEM.

431
00:15:54,221 --> 00:15:55,022
MY GOD!

432
00:15:55,022 --> 00:15:56,623
THEY WERE BEAUTIFUL.

433
00:15:56,623 --> 00:15:58,758
>> OH, SIR, YOU LOOK CRAZED.

434
00:15:58,758 --> 00:15:59,759
WIPE YOUR BROW.

435
00:15:59,759 --> 00:16:00,593
>> OH, YEAH.

436
00:16:00,593 --> 00:16:01,761
>> TIME IS MOVING.

437
00:16:01,761 --> 00:16:03,530
IF WE ARE TO COMPLETE OUR GOAL,

438
00:16:03,530 --> 00:16:05,132
WE MUST NOT CHASE PHANTOMS.

439
00:16:05,132 --> 00:16:06,766
>> MILLS, YOU ARE SO

440
00:16:06,766 --> 00:16:08,301
COOL-HEADED.

441
00:16:08,301 --> 00:16:10,437
I WOULD BE LOST WITHOUT YOU.

442
00:16:20,580 --> 00:16:22,549
>> SIR, YOUR RIDE.

443
00:16:25,052 --> 00:16:26,419
>> MILLS, STOP THE RICKSHAW.

444
00:16:26,419 --> 00:16:27,554
>> WHAT IS IT, SIR?

445
00:16:27,554 --> 00:16:29,322
>> I THINK YOU TOOK A WRONG TURN

446
00:16:29,322 --> 00:16:30,090
BACK THERE.

447
00:16:30,090 --> 00:16:30,757
>> DID I?

448
00:16:30,757 --> 00:16:32,359
>> YES.

449
00:16:32,359 --> 00:16:34,327
YOU KNOW THE DRILL.

450
00:16:39,132 --> 00:16:42,402
[ GROANS ]

451
00:16:42,402 --> 00:16:44,371
ALL RIGHT.

452
00:16:53,813 --> 00:16:55,448
YOU KNOW WHAT TO DO, MILLS.

453
00:16:55,448 --> 00:16:57,417
>> SIR.

454
00:17:13,833 --> 00:17:17,504
[ CLEARS THROAT ]

455
00:17:17,504 --> 00:17:18,505
>> WHO ARE YOU?

456
00:17:18,505 --> 00:17:19,772
>> I'M A VERY WEALTHY

457
00:17:19,772 --> 00:17:21,508
BUSINESSMAN FROM A-A VERY RICH

458
00:17:21,508 --> 00:17:23,810
PART OF THE COUNTRY.

459
00:17:23,810 --> 00:17:25,078
>> WHAT DO YOU WANT?

460
00:17:25,078 --> 00:17:26,479
>> I WOULD LIKE TO SPEND A LARGE

461
00:17:26,479 --> 00:17:27,814
PORTION OF MY DISPOSABLE INCOME

462
00:17:27,814 --> 00:17:30,183
ON CHICKENS.

463
00:17:30,183 --> 00:17:32,085
>> SOUNDS CRAZY!

464
00:17:32,085 --> 00:17:35,755
>> YES, WELL, I AM AN ECCENTRIC.

465
00:17:35,755 --> 00:17:37,224
>> YOU'RE AN ECCENTRIC?

466
00:17:37,224 --> 00:17:37,857
>> YES.

467
00:17:37,857 --> 00:17:39,826
>> OH.

468
00:17:43,796 --> 00:17:46,466
I'M AN ECCENTRIC, TOO.

469
00:17:46,466 --> 00:17:49,302
I KEEP ROAST BEEF IN MY POCKETS.

470
00:17:49,302 --> 00:17:49,736
SEE?

471
00:17:49,736 --> 00:17:50,303
>> YES.

472
00:17:50,303 --> 00:17:51,804
>> NOW, LET ME SHOW YOU THEM

473
00:17:51,804 --> 00:17:53,773
CHICKENS.

474
00:17:57,177 --> 00:17:59,146
[ CHICKENS BOCK ]

475
00:18:02,349 --> 00:18:04,651
IF YOU LOOK CLOSE, YOU'LL NOTICE

476
00:18:04,651 --> 00:18:06,653
THERE'S A DUCK AMONGST THEM

477
00:18:06,653 --> 00:18:07,520
CHICKENS.

478
00:18:07,520 --> 00:18:08,655
[ CHUCKLES ]

479
00:18:08,655 --> 00:18:10,723
I LIKE TO LAUGH AT THAT DUCK.

480
00:18:10,723 --> 00:18:12,425
WATCH.

481
00:18:12,425 --> 00:18:19,532
[ LAUGHING MANIACALLY ]

482
00:18:19,532 --> 00:18:20,833
NOW YOU TRY.

483
00:18:20,833 --> 00:18:21,668
>> ME?

484
00:18:21,668 --> 00:18:23,403
>> YEAH. GO AHEAD!

485
00:18:23,403 --> 00:18:25,638
COME ON!

486
00:18:25,638 --> 00:18:29,809
>> [ CLEARS THROAT ]

487
00:18:29,809 --> 00:18:34,447
[ LAUGHING NERVOUSLY ]

488
00:18:34,447 --> 00:18:35,815
>> OH, YES.

489
00:18:35,815 --> 00:18:38,618
YOU'RE A FINE SPECIMEN, YES.

490
00:18:38,618 --> 00:18:40,820
COME HERE. COME HERE.

491
00:18:40,820 --> 00:18:43,156
>> [ LAUGHING ]

492
00:18:43,156 --> 00:18:44,157
>> THAT'S GOOD.

493
00:18:44,157 --> 00:18:44,691
>> OKAY. GOOD.

494
00:18:44,691 --> 00:18:46,859
>> GOOD JOB.

495
00:18:46,859 --> 00:18:48,261
>> WHAT'S THAT MAN DOING?

496
00:18:48,261 --> 00:18:50,630
>> LOOKS LIKE HE'S -- HE'S GOT

497
00:18:50,630 --> 00:18:51,631
YOUR GOAT.

498
00:18:51,631 --> 00:18:53,866
UH, WELL, ANOTHER ECCENTRIC.

499
00:18:53,866 --> 00:18:59,806
>> [ LAUGHING MANIACALLY ]

500
00:18:59,806 --> 00:19:04,377
[ LAUGHING CONTINUES ]

501
00:19:04,377 --> 00:19:06,313
>> THANK YOU.

502
00:19:06,313 --> 00:19:09,282
>> "A PRE-PICNIC PRAYER POEM" BY

503
00:19:09,282 --> 00:19:11,851
MILLS JOQUIN.

504
00:19:11,851 --> 00:19:15,688
>> O, MAJESTIC GOAT, DIE QUIETLY

505
00:19:15,688 --> 00:19:18,891
ON YOUR STAKE AND TRUST THAT

506
00:19:18,891 --> 00:19:20,827
YOUR THROAT WILL BLEAT ON OUR

507
00:19:20,827 --> 00:19:22,662
PLATE.

508
00:19:22,662 --> 00:19:25,865
O, MAJESTIC GOAT, HAVE FAITH

509
00:19:25,865 --> 00:19:28,835
YOUR SURRENDER WILL SATE OUR

510
00:19:28,835 --> 00:19:31,938
TUMMY BOAT, WILL FEED OUR

511
00:19:31,938 --> 00:19:35,242
LUNCHEON SPLENDOR.

512
00:19:35,242 --> 00:19:37,210
O, MAJESTIC GOAT.

513
00:19:39,712 --> 00:19:40,947
>> MOST BEAUTIFUL CEREMONY,

514
00:19:40,947 --> 00:19:43,383
MILLS.

515
00:19:43,383 --> 00:19:45,518
WELL, THE GOAT HAS BEEN

516
00:19:45,518 --> 00:19:47,954
DISPATCHED, AND THE GODS ON

517
00:19:47,954 --> 00:19:51,891
OLYMPUS WILL BE PLEASED.

518
00:19:51,891 --> 00:19:53,626
>> AH, THE SUN, SIR.

519
00:19:53,626 --> 00:19:55,528
IT'S AT ITS HEIGHT.

520
00:19:55,528 --> 00:19:57,297
>> ISN'T IT ALWAYS, MILLS?

521
00:19:57,297 --> 00:19:58,431
>> NO, IT'S AT ITS APOGEE,

522
00:19:58,431 --> 00:19:59,566
SIR -- THE HIGHEST POINT.

523
00:19:59,566 --> 00:20:01,834
IT'S NOON.

524
00:20:01,834 --> 00:20:03,370
>> MY LAST APOGEE.

525
00:20:03,370 --> 00:20:04,671
PUT THAT IN YOUR EULOGY.

526
00:20:04,671 --> 00:20:06,239
>> OH, I'VE ALREADY WRITTEN IT,

527
00:20:06,239 --> 00:20:07,540
SIR, AND IT WOULDN'T FIT.

528
00:20:07,540 --> 00:20:08,975
>> BUT I LIKE HOW IT SOUNDS.

529
00:20:08,975 --> 00:20:09,942
>> WELL, I CAN'T, SIR.

530
00:20:09,942 --> 00:20:11,311
IT JUST WON'T FIT.

531
00:20:11,311 --> 00:20:12,879
>> THEN WHY MENTION IT, MILLS?

532
00:20:12,879 --> 00:20:14,547
WHY CONFUSE A DYING MAN?

533
00:20:14,547 --> 00:20:15,948
>> YOU'RE BEING IRRITABLE.

534
00:20:15,948 --> 00:20:17,784
YOU'RE PROBABLY JUST HUNGRY.

535
00:20:17,784 --> 00:20:19,552
>> DON'T TELL ME WHO'S HUNGRY!

536
00:20:19,552 --> 00:20:21,521
JUST DRIVE, YOU FOOL! DRIVE!

537
00:20:40,873 --> 00:20:42,275
I'M SORRY ABOUT THAT, MILLS.

538
00:20:42,275 --> 00:20:43,843
IT WAS THE SMELL OF THE GOAT AND

539
00:20:43,843 --> 00:20:44,777
THE ANTICIPATION.

540
00:20:44,777 --> 00:20:45,945
>> I TRY MY BEST, SIR.

541
00:20:45,945 --> 00:20:46,879
>> I KNOW YOU DO.

542
00:20:46,879 --> 00:20:47,947
>> I DO TRY MY VERY BEST.

543
00:20:47,947 --> 00:20:49,949
>> I KNOW YOU DO.

544
00:20:49,949 --> 00:20:51,551
IT'S JUST THAT MY TRUE LOVE

545
00:20:51,551 --> 00:20:52,985
MIGHT HAVE THE KNOWLEDGE THAT I

546
00:20:52,985 --> 00:20:54,754
SEEK, AND I DON'T EVEN KNOW IF

547
00:20:54,754 --> 00:20:56,323
SHE GOT MY LETTER.

548
00:20:56,323 --> 00:20:58,758
IT MIGHT BE THAT LOVE ITSELF IS

549
00:20:58,758 --> 00:20:59,859
THE ANSWER.

550
00:20:59,859 --> 00:21:01,828
LOVE IS GENERALLY BRIEF.

551
00:21:01,828 --> 00:21:03,330
LOVE IS POWERFUL.

552
00:21:03,330 --> 00:21:05,698
WHILE IT IS NOT A MONOLOGUE...

553
00:21:05,698 --> 00:21:06,933
[ BELL RINGING ]

554
00:21:06,933 --> 00:21:08,768
MY HEAVENS, MILLS.

555
00:21:08,768 --> 00:21:10,903
SHE HAS COME!

556
00:21:10,903 --> 00:21:12,805
ISN'T SHE BEAUTIFUL?

557
00:21:12,805 --> 00:21:14,341
FINISH SETTING UP.

558
00:21:14,341 --> 00:21:16,309
I MUST GREET HER.

559
00:21:29,822 --> 00:21:33,560
OH, MA.

560
00:21:33,560 --> 00:21:35,462
I AM VERY FLATTERED THAT YOU'VE

561
00:21:35,462 --> 00:21:36,963
ACCEPTED MY LAST-MINUTE

562
00:21:36,963 --> 00:21:37,797
INVITATION.

563
00:21:37,797 --> 00:21:39,399
I SEE YOU'VE BROUGHT YOUR

564
00:21:39,399 --> 00:21:39,866
HUSBAND.

565
00:21:39,866 --> 00:21:41,734
LUCKILY, THIS IS ONE OF 10

566
00:21:41,734 --> 00:21:43,470
SCENARIOS FOR WHICH I HAVE A

567
00:21:43,470 --> 00:21:47,607
PREPARED SPEECH.

568
00:21:47,607 --> 00:21:49,842
"YOUR WIFE, SIR, IS MY INITIAL

569
00:21:49,842 --> 00:21:50,810
TRUE LOVE.

570
00:21:50,810 --> 00:21:52,812
SHE IS SOMEONE THAT I HAVE

571
00:21:52,812 --> 00:21:54,947
FASCINATED, MASTURBATED, AND

572
00:21:54,947 --> 00:21:56,983
CONCENTRATED ON FOR MOST OF MY

573
00:21:56,983 --> 00:21:58,351
WAKING HOURS.

574
00:21:58,351 --> 00:22:00,653
SO, ON MY DEATHBED, WILL YOU NOT

575
00:22:00,653 --> 00:22:02,855
ALLOW US SOME TIME TOGETHER?"

576
00:22:02,855 --> 00:22:05,392
>> NO.

577
00:22:05,392 --> 00:22:05,925
>> NO?

578
00:22:05,925 --> 00:22:08,027
WELL, MY WHOLE LIFE'S BEEN

579
00:22:08,027 --> 00:22:08,895
AWKWARD.

580
00:22:08,895 --> 00:22:14,066
WHY SHOULD IT STOP NOW?

581
00:22:14,066 --> 00:22:16,068
SO, IT'S BEEN A LONG TIME.

582
00:22:16,068 --> 00:22:17,904
>> YES, IT HAS BEEN.

583
00:22:17,904 --> 00:22:19,839
>> WHEN DID YOU GET MARRIED?

584
00:22:19,839 --> 00:22:21,574
>> OH, DECADES AGO.

585
00:22:21,574 --> 00:22:22,675
>> ANY KIDS?

586
00:22:22,675 --> 00:22:22,975
>> TWO.

587
00:22:22,975 --> 00:22:24,644
>> WELL, THEY MUST BE AT LEAST

588
00:22:24,644 --> 00:22:25,478
HALF-BEAUTIFUL.

589
00:22:25,478 --> 00:22:26,913
HE DOESN'T LOOK LIKE HE COMES

590
00:22:26,913 --> 00:22:28,014
FROM VERY GOOD STOCK.

591
00:22:28,014 --> 00:22:28,981
>> I'M FRANCO-PRUSSIAN!

592
00:22:28,981 --> 00:22:30,583
>> WELL, THEN, YOU'RE POORLY

593
00:22:30,583 --> 00:22:33,753
MADE!

594
00:22:33,753 --> 00:22:35,688
DO YOU REMEMBER WHEN YOUR BOSOM

595
00:22:35,688 --> 00:22:37,490
WOULD BURN AND I WOULD RUB A

596
00:22:37,490 --> 00:22:38,958
SOOTHING SALVE UPON IT?

597
00:22:38,958 --> 00:22:40,593
>> OOH. THAT WOULD STING.

598
00:22:40,593 --> 00:22:42,529
>> YES, GENTLY MASSAGING IT IN,

599
00:22:42,529 --> 00:22:44,431
NURSING YOUR RICKETY SKIN BACK

600
00:22:44,431 --> 00:22:46,098
TO EVEN A SEMBLANCE OF HEALTH.

601
00:22:46,098 --> 00:22:47,834
>> WELL, I DID HAVE RICKETS

602
00:22:47,834 --> 00:22:48,568
THEN.

603
00:22:48,568 --> 00:22:50,470
>> AND NEVER HAVE RICKETS BEEN

604
00:22:50,470 --> 00:22:52,071
MORE EROTIC.

605
00:22:52,071 --> 00:22:52,839
AH. HERE WE ARE.

606
00:22:52,839 --> 00:22:54,140
>> AH. MR. BINEW, WELCOME BACK.

607
00:22:54,140 --> 00:22:55,141
OUR FAVORITE CUSTOMER.

608
00:22:55,141 --> 00:22:56,175
HOW ARE YOU TODAY, SIR?

609
00:22:56,175 --> 00:22:56,843
>> DOING WELL.

610
00:22:56,843 --> 00:22:57,944
AND YOU, MAîTRE D'?

611
00:22:57,944 --> 00:22:58,645
>> FINE, FINE.

612
00:22:58,645 --> 00:22:59,879
HOW MANY IN YOUR PARTY TODAY,

613
00:22:59,879 --> 00:23:00,046
SIR?

614
00:23:00,046 --> 00:23:01,514
>> IS IT GONNA BE TWO OR THREE,

615
00:23:01,514 --> 00:23:03,883
OLD MAN?

616
00:23:03,883 --> 00:23:06,085
THREE IT IS, MAîTRE D'.

617
00:23:06,085 --> 00:23:07,186
>> THREE?

618
00:23:07,186 --> 00:23:07,954
HUH.

619
00:23:07,954 --> 00:23:09,589
I BELIEVE THAT WOULD BE A

620
00:23:09,589 --> 00:23:10,757
20-MINUTE WAIT, SIR.

621
00:23:10,757 --> 00:23:11,491
>> REALLY?

622
00:23:11,491 --> 00:23:11,858
>> YES.

623
00:23:11,858 --> 00:23:14,761
>> WELL, MAYBE THIS $2 BILL WILL

624
00:23:14,761 --> 00:23:15,828
CHANGE YOUR TUNE.

625
00:23:15,828 --> 00:23:17,530
>> AH. WELL, I'LL CERTAINLY SEE

626
00:23:17,530 --> 00:23:18,665
WHAT I CAN DO, SIR.

627
00:23:18,665 --> 00:23:20,166
>> I'M IN PRETTY GOOD WITH THE

628
00:23:20,166 --> 00:23:21,200
MANAGEMENT, SO...

629
00:23:21,200 --> 00:23:22,835
>> HELLO. IT'S MR. BINEW.

630
00:23:22,835 --> 00:23:25,672
UH, NOW A PARTY OF THREE.

631
00:23:25,672 --> 00:23:27,674
WELL, YES, HE IS OUR FAVORITE

632
00:23:27,674 --> 00:23:28,841
CUSTOMER, SO...

633
00:23:28,841 --> 00:23:29,876
I DON'T CARE!

634
00:23:29,876 --> 00:23:31,043
MOVE THE MAYOR!

635
00:23:31,043 --> 00:23:32,479
TERRIBLY SORRY, SIR.

636
00:23:32,479 --> 00:23:33,980
YOUR TABLE IS NOW READY.

637
00:23:33,980 --> 00:23:35,948
>> MARLA, PLEASE.

638
00:23:42,021 --> 00:23:43,990
THANK YOU.

639
00:23:51,798 --> 00:23:53,065
AH.

640
00:23:53,065 --> 00:23:55,835
EXCEPT FOR A LIGHT SNACK LATER,

641
00:23:55,835 --> 00:23:58,037
THIS WILL BE MY LAST MEAL.

642
00:23:58,037 --> 00:24:00,473
MMM. THIS GOAT IS DELECTABLE.

643
00:24:00,473 --> 00:24:01,040
>> OH!

644
00:24:01,040 --> 00:24:03,075
>> [ CHUCKLING ]

645
00:24:03,075 --> 00:24:04,176
>> MR. BINEW.

646
00:24:04,176 --> 00:24:05,545
>> THANK YOU.

647
00:24:05,545 --> 00:24:06,913
>> CHEERS, MY LOVE.

648
00:24:06,913 --> 00:24:08,815
>> AND FOR YOU, SIR.

649
00:24:08,815 --> 00:24:10,783
>> TO US.

650
00:24:15,121 --> 00:24:16,956
DID YOU KNOW, OLD MAN, THAT IF

651
00:24:16,956 --> 00:24:18,825
YOUR BEAUTIFUL WIFE HAD NOT

652
00:24:18,825 --> 00:24:20,627
SAVED ME THOSE MANY MOONS AGO

653
00:24:20,627 --> 00:24:22,495
THAT I WOULD NOT BE HERE TODAY?

654
00:24:22,495 --> 00:24:24,130
FOR GOOD OR FOR ILL, THOSE ARE

655
00:24:24,130 --> 00:24:25,932
THE FACTS.

656
00:24:25,932 --> 00:24:27,700
FOR, YOU SEE, TONIGHT WILL NOT

657
00:24:27,700 --> 00:24:29,235
BE THE FIRST TIME I WILL HAVE

658
00:24:29,235 --> 00:24:30,036
DIED.

659
00:24:30,036 --> 00:24:32,939
>> YOU'RE DEADER THAN ME, YOU

660
00:24:32,939 --> 00:24:34,841
DRUNK SACK OF SHIT.

661
00:24:34,841 --> 00:24:37,644
>> NO, THE FIRST TIME WAS LONG

662
00:24:37,644 --> 00:24:38,878
AGO, OLD MAN.

663
00:24:38,878 --> 00:24:41,781
I WAS 9 YEARS OLD, AND SHE --

664
00:24:41,781 --> 00:24:44,250
WELL, SHE WAS TIMELESS.

665
00:24:44,250 --> 00:24:45,952
I WAS RIDING MY TRICYCLE AROUND

666
00:24:45,952 --> 00:24:46,686
OUR BACKYARD.

667
00:24:46,686 --> 00:24:47,754
WE WERE VERY WEALTHY.

668
00:24:47,754 --> 00:24:49,922
WE HAD A LINOLEUM BACKYARD.

669
00:24:49,922 --> 00:24:52,124
IN THE EXCITEMENT OF A TURN, I

670
00:24:52,124 --> 00:24:53,526
GOT CONFUSED.

671
00:24:53,526 --> 00:24:54,961
THE POOL WAS STILL.

672
00:24:54,961 --> 00:24:57,697
IT LOOKED LIKE A CONTINUATION OF

673
00:24:57,697 --> 00:24:58,898
THE LINOLEUM.

674
00:24:58,898 --> 00:25:00,867
Mills, finish the story.

675
00:25:00,867 --> 00:25:02,034
>> YES, SIR.

676
00:25:02,034 --> 00:25:03,536
[ CLEARS THROAT ]

677
00:25:03,536 --> 00:25:07,607
I PLUNGED IN HEADLONG AND

678
00:25:07,607 --> 00:25:10,209
FLOATED TO THE BOTTOM...

679
00:25:10,209 --> 00:25:11,911
IN THE DEEP END, OLD MAN --

680
00:25:11,911 --> 00:25:14,847
THE -- THE DEEP END.

681
00:25:14,847 --> 00:25:16,683
AND I LOOKED TO THE TOP, AND --

682
00:25:16,683 --> 00:25:19,251
AND THERE WAS THE SUN.

683
00:25:19,251 --> 00:25:20,987
I DID NOT MOVE, FOR I DECIDED IF

684
00:25:20,987 --> 00:25:22,889
THE SUN COULD WITNESS THE DEATH

685
00:25:22,889 --> 00:25:24,323
OF A CHILD AND NOT INTERVENE,

686
00:25:24,323 --> 00:25:27,794
THEN WHAT WAS THE POINT?

687
00:25:27,794 --> 00:25:29,028
OLD MAN, AS YOU PROBABLY KNOW,

688
00:25:29,028 --> 00:25:30,663
THE SUN STAYED IN THE SKY THAT

689
00:25:30,663 --> 00:25:31,030
DAY.

690
00:25:31,030 --> 00:25:32,264
IT DID NOT ALTER ITS PERPETUAL

691
00:25:32,264 --> 00:25:33,933
COURSE.

692
00:25:33,933 --> 00:25:35,568
AND I DIED AT THE BOTTOM OF THAT

693
00:25:35,568 --> 00:25:37,069
POOL.

694
00:25:37,069 --> 00:25:38,938
FOR 14 MINUTES, I WAS CLINICALLY

695
00:25:38,938 --> 00:25:40,907
ABSENT AS YOUR DEVOTED WIFE

696
00:25:40,907 --> 00:25:42,909
TRIED TO REVIVE ME.

697
00:25:42,909 --> 00:25:44,110
>> AT FIRST I THOUGHT IT WAS

698
00:25:44,110 --> 00:25:45,612
SIMPLY GRATITUDE, MARLA --

699
00:25:45,612 --> 00:25:47,179
GRATITUDE FOR BEING SAVED.

700
00:25:47,179 --> 00:25:49,315
BUT AS TIME WENT ON AND THE FIRE

701
00:25:49,315 --> 00:25:51,050
IN MY LOINS BURNED LIKE A

702
00:25:51,050 --> 00:25:53,052
THOUSAND ROMAN CANDLES, I KNEW

703
00:25:53,052 --> 00:25:55,121
THAT THIS FEELING WAS SOMETHING

704
00:25:55,121 --> 00:25:58,324
GREATER, SOMETHING PURE.

705
00:25:58,324 --> 00:26:00,059
IT WAS LOVE, MARLA.

706
00:26:00,059 --> 00:26:01,260
>> OH, K. ROTH...

707
00:26:01,260 --> 00:26:03,630
>> IT WAS THE ONLY TIME IN MY

708
00:26:03,630 --> 00:26:05,665
LIFE THAT I'VE EVER BEEN IN

709
00:26:05,665 --> 00:26:06,098
LOVE.

710
00:26:06,098 --> 00:26:08,367
SURE, I LOVE MILLS, TACOS, AND

711
00:26:08,367 --> 00:26:10,937
SOME OF THE MORE POPULAR ACTORS,

712
00:26:10,937 --> 00:26:13,372
BUT MY SINGULAR TRUE LOVE HAS

713
00:26:13,372 --> 00:26:15,007
ALWAYS BEEN YOU.

714
00:26:15,007 --> 00:26:18,110
>> AND YOU MINE, K. ROTH.

715
00:26:18,110 --> 00:26:19,879
>> IT WAS ONLY WHEN SHE PRESSED

716
00:26:19,879 --> 00:26:22,649
HER LIPS TO MINE...

717
00:26:22,649 --> 00:26:24,183
IT WAS ONLY WHEN SHE -- SHE

718
00:26:24,183 --> 00:26:26,152
SHARED HER BREATH AND THERE WERE

719
00:26:26,152 --> 00:26:28,154
TWO MOUTHS MET THAT I WAS JARRED

720
00:26:28,154 --> 00:26:31,357
BACK INTO EXISTENCE.

721
00:26:31,357 --> 00:26:34,661
AND IT IS THAT SINGLE BREATH AND

722
00:26:34,661 --> 00:26:36,963
IT IS THAT SINGLE KISS THAT HAS

723
00:26:36,963 --> 00:26:38,965
KEPT ME ALIVE UNTIL TODAY.

724
00:26:38,965 --> 00:26:39,932
>> [ GRUNTS ]

725
00:26:39,932 --> 00:26:43,102
HUH?

726
00:26:43,102 --> 00:26:45,337
>> OH, MARLA, YOU COULD MAKE A

727
00:26:45,337 --> 00:26:47,039
MAN FORGET HIS QUEST.

728
00:26:47,039 --> 00:26:49,341
NOW, THIS MIGHT BE THE SCHNAPPS

729
00:26:49,341 --> 00:26:51,744
BARKING, BUT I THINK THAT THE

730
00:26:51,744 --> 00:26:54,046
ANSWER RESTS ON YOUR SOFT LIPS,

731
00:26:54,046 --> 00:26:58,250
AND I LONG TO KNOW THE ANSWER.

732
00:26:58,250 --> 00:27:00,219
>> OH, KISS ME, K. ROTH.

733
00:27:06,993 --> 00:27:12,665
>> [ GROANING ]

734
00:27:12,665 --> 00:27:14,033
>> WELL, IT SEEMED TO GO WELL.

735
00:27:14,033 --> 00:27:15,401
>> I DON'T KNOW IF SHE GOT

736
00:27:15,401 --> 00:27:17,003
ANYTHING OUT OF IT, BUT MY GOAL

737
00:27:17,003 --> 00:27:18,938
IS COMPLETE.

738
00:27:18,938 --> 00:27:20,673
MILLS, I WONDER IF HANNIBAL FELT

739
00:27:20,673 --> 00:27:21,841
THIS EMPTY AFTER TAKING

740
00:27:21,841 --> 00:27:22,208
CARTHAGE.

741
00:27:22,208 --> 00:27:24,010
ALTHOUGH IT WAS PLEASANT TO

742
00:27:24,010 --> 00:27:26,078
TONGUE-KISS MY FORMER NANNY.

743
00:27:26,078 --> 00:27:26,946
AH. LET'S SEE.

744
00:27:26,946 --> 00:27:28,080
WHERE TO NEXT?

745
00:27:28,080 --> 00:27:29,749
YES! MILLS, MAKE HASTE TO THE

746
00:27:29,749 --> 00:27:30,349
PROSTITUTE.

747
00:27:30,349 --> 00:27:31,951
MY ERECTION IS STRONG, AND I

748
00:27:31,951 --> 00:27:33,986
WISH TO CELEBRATE MY MANHOOD TWO

749
00:27:33,986 --> 00:27:36,188
OR THREE FINAL TIMES.

750
00:27:36,188 --> 00:27:39,058
[ MOANING ]

751
00:27:39,058 --> 00:27:45,264
[ LAUGHING MANIACALLY ]

752
00:27:45,264 --> 00:27:47,834
OH, MY DARLING.

753
00:27:47,834 --> 00:27:52,071
YOU HAVE DONE A DYING MAN GOOD.

754
00:27:52,071 --> 00:27:56,108
MILLS, GET HER AN INVITATION.

755
00:27:56,108 --> 00:27:57,443
NOW, DON'T FORGET TO STOP BY

756
00:27:57,443 --> 00:27:58,745
LATER FOR THE WAKE.

757
00:27:58,745 --> 00:28:03,015
IT SHOULD BE A RIOT.

758
00:28:03,015 --> 00:28:04,717
HEY, MAYBE IN THE NEXT LIFE, YOU

759
00:28:04,717 --> 00:28:05,985
AND I COULD BE HUSBAND AND

760
00:28:05,985 --> 00:28:07,286
WIFE -- YOU KNOW, TAKE THE MONEY

761
00:28:07,286 --> 00:28:09,388
OUT OF THE EQUATION.

762
00:28:09,388 --> 00:28:11,323
>> IT'S $50 EXTRA FOR YOUR

763
00:28:11,323 --> 00:28:13,092
FRIEND.

764
00:28:13,092 --> 00:28:14,961
>> WHAT, MILLS?

765
00:28:14,961 --> 00:28:16,729
>> IT'S $50 EXTRA IF SOMEBODY

766
00:28:16,729 --> 00:28:17,129
WATCHES.

767
00:28:17,129 --> 00:28:18,330
>> [ Laughing ] OKAY.

768
00:28:18,330 --> 00:28:20,066
I THINK YOU'VE MISUNDERSTOOD THE

769
00:28:20,066 --> 00:28:21,167
SITUATION, MY LOVE.

770
00:28:21,167 --> 00:28:22,501
UH, THIS IS MILLS.

771
00:28:22,501 --> 00:28:24,503
HE IS MY MAN, MY CHAUFFEUR, MY

772
00:28:24,503 --> 00:28:25,437
BIOGRAPHER.

773
00:28:25,437 --> 00:28:27,740
HE WAS NOT HERE TO WATCH AS MUCH

774
00:28:27,740 --> 00:28:29,508
AS HE WAS HERE TO RECORD WHAT

775
00:28:29,508 --> 00:28:30,309
HAPPENED.

776
00:28:30,309 --> 00:28:33,145
SEE?

777
00:28:33,145 --> 00:28:34,180
>> I DON'T THINK YOU NEED

778
00:28:34,180 --> 00:28:35,381
ANOTHER PROBLEM IN HERE.

779
00:28:35,381 --> 00:28:37,116
>> NOW YOU'RE ESCALATING IT TO A

780
00:28:37,116 --> 00:28:38,217
HILLTOP IT NEED NOT REACH.

781
00:28:38,217 --> 00:28:39,786
>> JUST GIVE ME MY 50 BUCKS.

782
00:28:39,786 --> 00:28:41,020
>> I WILL NOT.

783
00:28:41,020 --> 00:28:43,022
BESIDES, MILLS ABHORS SEX!

784
00:28:43,022 --> 00:28:44,023
HE WOULD RATHER WATCH

785
00:28:44,023 --> 00:28:45,792
"LAWRENCE WELK" THAN YOU AND I

786
00:28:45,792 --> 00:28:46,392
GOING AT IT.

787
00:28:46,392 --> 00:28:48,060
IT WOULD BE LIKE PAYING $50 FOR

788
00:28:48,060 --> 00:28:50,029
HAVING HIM NOT WATCH.

789
00:28:50,029 --> 00:28:52,298
>> CALL IT WHATEVER YOU WANT...

790
00:28:52,298 --> 00:28:56,302
AFTER YOU GIVE ME THE $50.

791
00:28:56,302 --> 00:28:58,104
OR I'LL CALL MY PIMP!

792
00:28:58,104 --> 00:28:59,906
>> ALL RIGHT, ALL RIGHT.

793
00:28:59,906 --> 00:29:01,908
I ONLY HAVE THE APPROPRIATE

794
00:29:01,908 --> 00:29:03,442
AMOUNT FOR THE HOUR ON MY

795
00:29:03,442 --> 00:29:04,143
PERSON.

796
00:29:04,143 --> 00:29:06,245
LUCKILY, I DO HAVE MY CHECKBOOK

797
00:29:06,245 --> 00:29:08,047
DOWN IN THE RICKSHAW.

798
00:29:08,047 --> 00:29:10,016
IF YOU'LL JUST EXCUSE ME...

799
00:29:17,356 --> 00:29:19,125
>> WOULD YOU LIKE TO SEE MY BABY

800
00:29:19,125 --> 00:29:21,493
BIRD?

801
00:29:21,493 --> 00:29:22,361
LOOK.

802
00:29:22,361 --> 00:29:24,330
[ BLOWS ]

803
00:29:27,133 --> 00:29:28,267
>> HALFWAY THROUGH THE DAY,

804
00:29:28,267 --> 00:29:28,901
MILLS.

805
00:29:28,901 --> 00:29:29,468
FEELING GOOD.

806
00:29:29,468 --> 00:29:30,970
IF THINGS KEEP GOING AS WELL AS

807
00:29:30,970 --> 00:29:32,504
THEY HAVE BEEN, I SHOULD BE ABLE

808
00:29:32,504 --> 00:29:34,040
TO SECURE THE BRIEF BUT POWERFUL

809
00:29:34,040 --> 00:29:35,441
MONOLOGUE WITH A FEW HOURS TO

810
00:29:35,441 --> 00:29:36,375
SPARE.

811
00:29:36,375 --> 00:29:38,344
[ HORN HONKING ]

812
00:29:46,018 --> 00:29:47,286
>> HELLO, BINEW!

813
00:29:47,286 --> 00:29:48,454
>> REGINALD.

814
00:29:48,454 --> 00:29:50,356
>> PREPARE FOR BATTLE!

815
00:29:50,356 --> 00:29:52,191
>> NOT NOW, REGINALD.

816
00:29:52,191 --> 00:29:53,525
I'M VERY BUSY.

817
00:29:53,525 --> 00:29:56,128
>> THERE IS NO CONVENIENT TIME

818
00:29:56,128 --> 00:30:00,499
FOR WAR!

819
00:30:00,499 --> 00:30:02,434
PREPARE FIRST WAVE!

820
00:30:02,434 --> 00:30:05,204
>> WHAT DOES HE MEAN BY THAT?

821
00:30:05,204 --> 00:30:07,039
>> SMOKESCREEN!

822
00:30:07,039 --> 00:30:10,042
THE SMOKE IS A METAPHOR FOR YOUR

823
00:30:10,042 --> 00:30:12,178
INABILITY TO CLEARLY SEE

824
00:30:12,178 --> 00:30:13,145
REALITY!

825
00:30:13,145 --> 00:30:14,580
>> SMOKESCREEN, MILLS!

826
00:30:14,580 --> 00:30:16,148
MAINTAIN YOUR COURSE!

827
00:30:16,148 --> 00:30:17,383
IT WILL PASS.

828
00:30:17,383 --> 00:30:19,285
>> PREPARE SECOND WAVE!

829
00:30:19,285 --> 00:30:21,153
RUSTY NAILS!

830
00:30:21,153 --> 00:30:24,123
YOUR IDEAS, BINEW, ARE LIKE

831
00:30:24,123 --> 00:30:25,992
RUSTY NAILS...

832
00:30:25,992 --> 00:30:27,059
>> RUSTY NAILS, MILLS.

833
00:30:27,059 --> 00:30:28,494
>> ...SPREADING DISEASE THROUGH

834
00:30:28,494 --> 00:30:29,595
THE FOOT OF THE WORLD!

835
00:30:29,595 --> 00:30:30,897
>> YOU KNOW WHAT TO DO.

836
00:30:30,897 --> 00:30:32,164
>> THIRD WAVE!

837
00:30:32,164 --> 00:30:34,466
THIS IS BECAUSE IT'S JUST

838
00:30:34,466 --> 00:30:37,169
DISGUSTING TO THROW HAM STEAKS

839
00:30:37,169 --> 00:30:39,338
AT ANOTHER HUMAN BEING!

840
00:30:39,338 --> 00:30:40,572
HAM STEAKS!

841
00:30:40,572 --> 00:30:41,908
>> OH, NO.

842
00:30:41,908 --> 00:30:42,909
>> WHAT?

843
00:30:42,909 --> 00:30:44,176
>> HAM STEAKS.

844
00:30:44,176 --> 00:30:45,978
TAKE EVASIVE ACTION!

845
00:30:45,978 --> 00:30:47,313
>> HA!

846
00:30:47,313 --> 00:30:50,116
>> OH, MY GOD! OH!

847
00:30:50,116 --> 00:30:51,017
>> AAH!

848
00:30:51,017 --> 00:30:52,351
>> THIS IS DISGUSTING!

849
00:30:52,351 --> 00:30:54,286
>> I'VE WON THIS ONE, BINEW.

850
00:30:54,286 --> 00:30:56,122
>> STAY ON THE ROAD, MILLS.

851
00:30:56,122 --> 00:30:57,990
WATCH OUT FOR THE DITCH!

852
00:30:57,990 --> 00:31:02,028
[ CRASH ]

853
00:31:02,028 --> 00:31:04,330
HE KNOWS ALL OF MY WEAKNESSES,

854
00:31:04,330 --> 00:31:06,933
MILLS, BUT HE IS GOING TO PAY

855
00:31:06,933 --> 00:31:10,136
FOR THIS...IN THE STRANGEST OF

856
00:31:10,136 --> 00:31:12,104
WAYS.

857
00:31:14,240 --> 00:31:16,208
[ SIGHS ]

858
00:31:53,179 --> 00:31:55,181
LIBRARIAN, WE ONLY HAVE TIME FOR

859
00:31:55,181 --> 00:31:56,949
A BRIEF CEREMONY, SO PLEASE

860
00:31:56,949 --> 00:31:58,050
SMILE CONTINUOUSLY.

861
00:31:58,050 --> 00:32:00,019
IT IS MY SINCERE HONOR TO BE

862
00:32:00,019 --> 00:32:01,053
HERE AT THE --

863
00:32:01,053 --> 00:32:01,520
>> Shh!

864
00:32:01,520 --> 00:32:03,122
>> THE...

865
00:32:03,122 --> 00:32:04,456
>> THE PUBLIC LIBRARY.

866
00:32:04,456 --> 00:32:06,225
>> THE PUBLIC LIBRARY TO DONATE

867
00:32:06,225 --> 00:32:07,359
MY COMPLETE WORKS.

868
00:32:07,359 --> 00:32:09,061
LET US GO THROUGH THE CANON.

869
00:32:09,061 --> 00:32:10,562
WE START WHERE I DID, WITH

870
00:32:10,562 --> 00:32:12,398
"WHY COULD IT NOT HAVE BEEN ME?"

871
00:32:12,398 --> 00:32:14,033
WHICH HAS BEEN HAILED AS THE

872
00:32:14,033 --> 00:32:15,567
MOST COMPREHENSIVE LIST OF

873
00:32:15,567 --> 00:32:17,136
LOSING LOTTERY NUMBERS EVER

874
00:32:17,136 --> 00:32:18,037
COMPILED.

875
00:32:18,037 --> 00:32:19,105
>> NO, NO, SIR --

876
00:32:19,105 --> 00:32:20,239
>> AH! "WHAT'S YOUR PROBLEM?"...

877
00:32:20,239 --> 00:32:21,340
[ CAMERA SHUTTER CLICKS ]

878
00:32:21,340 --> 00:32:21,974
>> AAH!

879
00:32:21,974 --> 00:32:23,109
>> ...THE DEFINITIVE COLLECTION

880
00:32:23,109 --> 00:32:24,343
OF WORD PROBLEMS THAT I WROTE

881
00:32:24,343 --> 00:32:25,644
DURING MY ILLUSTRIOUS CAREER IN

882
00:32:25,644 --> 00:32:26,412
THAT INDUSTRY.

883
00:32:26,412 --> 00:32:27,513
"REMEMBRANCE OF DAWN."

884
00:32:27,513 --> 00:32:28,747
[ CAMERA SHUTTER CLICKS ]

885
00:32:28,747 --> 00:32:30,149
"TOO FAT TO BE A JOCKEY."

886
00:32:30,149 --> 00:32:31,183
[ CAMERA SHUTTER CLICKS ]

887
00:32:31,183 --> 00:32:32,151
AND "JACK'S PANTS."

888
00:32:32,151 --> 00:32:33,385
[ CAMERA SHUTTER CLICKS ]

889
00:32:33,385 --> 00:32:35,021
I DONATE ALL OF THESE TO THIS

890
00:32:35,021 --> 00:32:36,622
HALLOWED INSTITUTION, ASKING

891
00:32:36,622 --> 00:32:38,357
ONLY THAT ONCE A YEAR, SOMEBODY

892
00:32:38,357 --> 00:32:40,159
VISITS THEM WITH A DUSTER --

893
00:32:40,159 --> 00:32:41,593
UNLESS THEY'RE BEING READ, OF

894
00:32:41,593 --> 00:32:42,161
COURSE.

895
00:32:42,161 --> 00:32:46,165
IN THAT CASE, LET THEM BE.

896
00:32:46,165 --> 00:32:48,200
>> I AM SORRY, SIR, BUT THERE IS

897
00:32:48,200 --> 00:32:49,701
A PROTOCOL FOR DONATING BOOKS.

898
00:32:49,701 --> 00:32:51,437
WE DON'T JUST SLAP A NUMBER ON

899
00:32:51,437 --> 00:32:53,172
THEM AND SHOVE THEM ON THE

900
00:32:53,172 --> 00:32:53,739
SHELVES.

901
00:32:53,739 --> 00:32:56,042
>> WELL, THEN, LET'S PUT THESE

902
00:32:56,042 --> 00:32:58,177
BOOKS THROUGH THE OLD PROTOCOL.

903
00:32:58,177 --> 00:32:59,778
QUICKLY, THOUGH -- QUICKLY.

904
00:32:59,778 --> 00:33:02,148
>> THE PROBLEM WITH THE GENERAL

905
00:33:02,148 --> 00:33:03,715
PUBLIC, SIR, IS THAT THEY

906
00:33:03,715 --> 00:33:05,717
COMPLETELY UNDERESTIMATE THE

907
00:33:05,717 --> 00:33:07,486
DIFFICULTY AND SCOPE OF A

908
00:33:07,486 --> 00:33:09,021
LIBRARIAN'S JOB.

909
00:33:09,021 --> 00:33:12,024
[ BOTH LAUGH ]

910
00:33:12,024 --> 00:33:14,226
>> THE ONE THING THAT DOES NOT

911
00:33:14,226 --> 00:33:16,162
FALL UNDER MY JURISDICTION IS

912
00:33:16,162 --> 00:33:18,064
THE CHOOSING OF BOOKS.

913
00:33:18,064 --> 00:33:20,166
THAT'S DONE BY THE BOARD, AND

914
00:33:20,166 --> 00:33:22,034
THE PROCESS TAKES MONTHS.

915
00:33:22,034 --> 00:33:22,601
>> MONTHS?

916
00:33:22,601 --> 00:33:24,236
>> THIS IS A PUBLIC LIBRARY,

917
00:33:24,236 --> 00:33:24,670
SIR.

918
00:33:24,670 --> 00:33:26,572
ARE YOU GOING TO LEAVE IT TO THE

919
00:33:26,572 --> 00:33:28,274
PUBLIC TO CHOOSE WHAT THEY'RE

920
00:33:28,274 --> 00:33:29,241
GOING TO READ?

921
00:33:29,241 --> 00:33:30,109
[ LAUGHS ]

922
00:33:30,109 --> 00:33:31,343
THIS PLACE WOULD BE BRIMMING

923
00:33:31,343 --> 00:33:32,611
WITH PORNOGRAPHY AND GUN

924
00:33:32,611 --> 00:33:33,279
MAGAZINES.

925
00:33:33,279 --> 00:33:37,149
THE BOARD CHOOSES EVERYTHING.

926
00:33:37,149 --> 00:33:39,051
>> OH, YOU ARE RIGHT, LIBRARIAN.

927
00:33:39,051 --> 00:33:41,187
I WAS A FOOL TO THINK I COULD

928
00:33:41,187 --> 00:33:42,754
SIMPLY SAUNTER IN HERE AND

929
00:33:42,754 --> 00:33:44,156
DONATE MY BOOKS.

930
00:33:44,156 --> 00:33:45,624
[ LAUGHS SARCASTICALLY ]

931
00:33:45,624 --> 00:33:47,226
I'M SORRY TO WASTE YOUR

932
00:33:47,226 --> 00:33:49,128
IMPORTANT LIBRARIAN TIME.

933
00:33:49,128 --> 00:33:52,164
GOOD DAY, MADAME.

934
00:33:52,164 --> 00:33:54,300
>> YES.

935
00:33:54,300 --> 00:33:57,203
[ CLEARS THROAT ] UM...

936
00:33:57,203 --> 00:33:59,338
DO YOU HAVE ANY INFORMATION ON

937
00:33:59,338 --> 00:34:03,175
THE PENNSYLVANIA DUTCH?

938
00:34:03,175 --> 00:34:04,843
>> LET ME CHECK THE CATALOG.

939
00:34:04,843 --> 00:34:05,811
>> NO, NO, NO.

940
00:34:05,811 --> 00:34:07,146
I MEAN -- I MEAN YOU.

941
00:34:07,146 --> 00:34:09,148
DO YOU -- YOU PERSONALLY HAVE

942
00:34:09,148 --> 00:34:10,316
ANY INFORMATION ON THE

943
00:34:10,316 --> 00:34:11,550
PENNSYLVANIA DUTCH?

944
00:34:11,550 --> 00:34:13,385
>> UH, WELL, I BELIEVE THEY ARE

945
00:34:13,385 --> 00:34:15,154
KNOWN FOR THEIR FINE FURNITURE

946
00:34:15,154 --> 00:34:16,555
AND THEIR, UH, HOMEMADE

947
00:34:16,555 --> 00:34:17,523
BISCUITS.

948
00:34:17,523 --> 00:34:18,724
>> YES, YES.

949
00:34:18,724 --> 00:34:20,392
THAT'S PRETTY GOOD.

950
00:34:20,392 --> 00:34:21,193
YOU'D THINK WITH ALL THESE

951
00:34:21,193 --> 00:34:22,128
REFERENCE MATERIALS EVERYWHERE,

952
00:34:22,128 --> 00:34:23,129
YOU WOULDN'T GO THROUGH THE

953
00:34:23,129 --> 00:34:23,829
TROUBLE OF KEEPING ANYTHING IN

954
00:34:23,829 --> 00:34:24,563
YOUR BRAIN.

955
00:34:24,563 --> 00:34:25,464
>> AH, WELL...

956
00:34:25,464 --> 00:34:26,798
>> WHERE DO YOU KEEP THE

957
00:34:26,798 --> 00:34:27,566
MICROFICHE?

958
00:34:27,566 --> 00:34:28,667
>> IN THE BASEMENT.

959
00:34:28,667 --> 00:34:30,202
>> I WISH YOU KEPT IT AT THE

960
00:34:30,202 --> 00:34:30,669
DUMP.

961
00:34:30,669 --> 00:34:34,606
I HATE MICROFICHE.

962
00:34:34,606 --> 00:34:36,742
>> "B," "B," "B" --

963
00:34:36,742 --> 00:34:39,711
"B-I," "B-I, "B-I"...

964
00:34:39,711 --> 00:34:45,184
"BINEW."

965
00:34:45,184 --> 00:34:45,484
AH.

966
00:34:45,484 --> 00:34:47,119
>> I JUST HATE ANYTHING THAT HAS

967
00:34:47,119 --> 00:34:47,819
BEEN MINIATURIZED.

968
00:34:47,819 --> 00:34:49,255
THAT'S REALLY THE MAIN PROBLEM I

969
00:34:49,255 --> 00:34:49,888
HAVE WITH FICHE.

970
00:34:49,888 --> 00:34:52,491
>> HMM.

971
00:34:52,491 --> 00:34:54,460
>> YOUR BATHROOM IS CLEAN AND

972
00:34:54,460 --> 00:34:55,461
COMFORTABLE.

973
00:34:55,461 --> 00:34:57,496
GIVE MY REGARDS TO THE LIBRARY

974
00:34:57,496 --> 00:34:57,863
MAID.

975
00:34:57,863 --> 00:34:58,697
MILLS?

976
00:34:58,697 --> 00:35:00,432
[ CAMERA SHUTTER CLICKS ]

977
00:35:00,432 --> 00:35:01,433
>> [ GASPS ]

978
00:35:01,433 --> 00:35:05,271
>> [ LAUGHING MANIACALLY ]

979
00:35:05,271 --> 00:35:06,205
>> SIR, GET A PICTURE?

980
00:35:06,205 --> 00:35:06,705
>> PLEASE!

981
00:35:06,705 --> 00:35:07,739
[ CAMERA SHUTTER CLICKS ]

982
00:35:07,739 --> 00:35:09,308
[ BOTH LAUGHING ]

983
00:35:09,308 --> 00:35:09,875
>> YES, AND ANOTHER.

984
00:35:09,875 --> 00:35:10,842
LOOK PROUD.

985
00:35:10,842 --> 00:35:11,843
[ CAMERA SHUTTER CLICKS ]

986
00:35:11,843 --> 00:35:13,512
>> [ Laughing ] YEAH, WE GOT IT

987
00:35:13,512 --> 00:35:13,879
IN THERE.

988
00:35:13,879 --> 00:35:15,381
WE GOT THEM IN THERE, MILLS.

989
00:35:15,381 --> 00:35:16,282
WE GOT THEM IN --

990
00:35:16,282 --> 00:35:17,383
>> [ SCREAMS ]

991
00:35:17,383 --> 00:35:19,585
I TOLD YOU THAT WE CANNOT ACCEPT

992
00:35:19,585 --> 00:35:21,587
BOOKS THAT HAVE NOT BEEN READ

993
00:35:21,587 --> 00:35:23,389
AND APPROVED BY THE BOARD.

994
00:35:23,389 --> 00:35:25,591
>> WHO ARE THESE PEOPLE THAT GET

995
00:35:25,591 --> 00:35:27,459
TO CHOOSE WHAT PEOPLE READ?

996
00:35:27,459 --> 00:35:28,827
>> I DON'T MAKE THE RULES, SIR.

997
00:35:28,827 --> 00:35:29,928
>> ARE THEY THE COUSINS OF THE

998
00:35:29,928 --> 00:35:31,397
MAN WHO GETS TO CHOOSE WHAT'S

999
00:35:31,397 --> 00:35:32,564
GOING TO BE ON THE TOP 40?

1000
00:35:32,564 --> 00:35:33,432
>> I'M SORRY, SIR.

1001
00:35:33,432 --> 00:35:34,766
>> ARE THEY THE GODCHILDREN OF

1002
00:35:34,766 --> 00:35:35,934
THE PERSON IN CHARGE OF CHOOSING

1003
00:35:35,934 --> 00:35:37,269
WHAT COLORS WE WEAR EVERY

1004
00:35:37,269 --> 00:35:39,238
SEASON?

1005
00:35:39,238 --> 00:35:40,439
>> YOU DON'T MAKE A SINGLE

1006
00:35:40,439 --> 00:35:41,873
GODDAMN DECISION IN THIS LIFE IF

1007
00:35:41,873 --> 00:35:43,275
THE OPTIONS ARE ALWAYS GIVEN TO

1008
00:35:43,275 --> 00:35:44,276
YOU BY SOMEBODY ELSE.

1009
00:35:44,276 --> 00:35:46,178
DON'T YOU SEE, LIBRARIAN?

1010
00:35:46,178 --> 00:35:47,913
YOU HAVE THE POWER IN YOUR HANDS

1011
00:35:47,913 --> 00:35:50,182
TO GIVE THE PEOPLE SOMETHING

1012
00:35:50,182 --> 00:35:51,883
REAL, SOMETHING THAT HAS NOT

1013
00:35:51,883 --> 00:35:53,885
BEEN PRESORTED OR PROCESSED OR

1014
00:35:53,885 --> 00:35:55,621
EDITED BEYOND RECOGNITION!

1015
00:35:55,621 --> 00:35:56,955
>> SIR, YOU HAVE GOT TO

1016
00:35:56,955 --> 00:35:57,956
UNDERSTAND --

1017
00:35:57,956 --> 00:35:59,958
>> MAYBE THE BOOKS ARE A LITTLE

1018
00:35:59,958 --> 00:36:02,228
ROUGH, BUT MAYBE THAT'S WHAT THE

1019
00:36:02,228 --> 00:36:03,862
PEOPLE NEED TO STIR THEM.

1020
00:36:03,862 --> 00:36:04,596
COME ON.

1021
00:36:04,596 --> 00:36:06,598
FLEX YOUR MUSCLE AND ABUSE YOUR

1022
00:36:06,598 --> 00:36:08,867
POWER!

1023
00:36:08,867 --> 00:36:09,968
>> [ Voice breaking ] I CAN'T

1024
00:36:09,968 --> 00:36:13,405
TAKE THE BOOKS, SIR.

1025
00:36:13,405 --> 00:36:16,942
>> FINE, LIBRARIAN. YOU WIN.

1026
00:36:16,942 --> 00:36:18,977
I WILL TAKE MY BOOKS AWAY FROM

1027
00:36:18,977 --> 00:36:21,313
HERE, TOWARDS SOME DARK FUTURE,

1028
00:36:21,313 --> 00:36:23,349
WHERE THEY WILL KICK AROUND ON

1029
00:36:23,349 --> 00:36:25,817
THE THRIFT-STORE CIRCUIT AND

1030
00:36:25,817 --> 00:36:29,255
FINALLY END UP IN THE GARBAGE.

1031
00:36:29,255 --> 00:36:31,690
>> WELL, I AM SORRY, SIR, BUT

1032
00:36:31,690 --> 00:36:35,193
THE RULES ARE THE RULES.

1033
00:36:38,430 --> 00:36:40,699
>> NO, NO.

1034
00:36:40,699 --> 00:36:41,367
NO, NO, NO.

1035
00:36:41,367 --> 00:36:42,901
YOU MUST NOT LISTEN TO HER, SIR.

1036
00:36:42,901 --> 00:36:46,272
SHE KNOWS NOTHING.

1037
00:36:46,272 --> 00:36:47,973
READ TO ME FROM ONE -- ONE OF

1038
00:36:47,973 --> 00:36:49,908
YOUR CHILDREN'S STORIES, IN --

1039
00:36:49,908 --> 00:36:51,410
IN YOUR BIGGEST VOICE.

1040
00:36:51,410 --> 00:36:52,444
WHEN YOU WERE MAKING YOUR

1041
00:36:52,444 --> 00:36:53,712
SCHEDULE, IT WAS SOMETHING I WAS

1042
00:36:53,712 --> 00:36:54,913
GOING TO REQUEST, BUT I DIDN'T

1043
00:36:54,913 --> 00:36:59,585
WANT TO IMPOSE.

1044
00:36:59,585 --> 00:37:02,020
>> WELL, I SUPPOSE BETTER FOR

1045
00:37:02,020 --> 00:37:06,758
ONE THAN FOR NONE.

1046
00:37:06,758 --> 00:37:07,426
ALL RIGHT.

1047
00:37:07,426 --> 00:37:08,360
"JACK'S PANTS."

1048
00:37:08,360 --> 00:37:09,328
>> WAIT A MINUTE.

1049
00:37:09,328 --> 00:37:11,297
I AM GOING TO GET MY BLANKET.

1050
00:37:14,433 --> 00:37:16,402
Perfect.

1051
00:37:19,471 --> 00:37:20,939
>> OKAY. NOW, READY?

1052
00:37:20,939 --> 00:37:21,940
>> YES.

1053
00:37:21,940 --> 00:37:23,509
>> "JACK'S PANTS."

1054
00:37:23,509 --> 00:37:24,976
>> BY K. ROTH BINEW.

1055
00:37:24,976 --> 00:37:28,680
>> RIGHT. BY K. ROTH BINEW.

1056
00:37:30,882 --> 00:37:32,918
"ONCE THERE WAS A LITTLE ORPHAN

1057
00:37:32,918 --> 00:37:37,323
BOY WHO WAS VERY, VERY SAD.

1058
00:37:37,323 --> 00:37:39,024
WE WILL CALL HIM JACK."

1059
00:37:39,024 --> 00:37:39,825
>> "JACK."

1060
00:37:39,825 --> 00:37:41,860
>> "AND JACK WAS UTTERLY AND

1061
00:37:41,860 --> 00:37:44,963
COMPLETELY ALONE.

1062
00:37:44,963 --> 00:37:47,433
ONE DAY, WHILE SEARCHING FOR

1063
00:37:47,433 --> 00:37:49,701
FOOD AND FRIENDS IN A NEARBY

1064
00:37:49,701 --> 00:37:51,803
DUMPSTER, HE CAME ACROSS A

1065
00:37:51,803 --> 00:37:54,340
BRAND-NEW, PERFECT PAIR OF PLUM,

1066
00:37:54,340 --> 00:37:55,774
CORDUROY PANTS."

1067
00:37:55,774 --> 00:37:58,076
>> "OF PLUM, CORDUROY PANTS."

1068
00:37:58,076 --> 00:38:00,312
>> "THESE PANTS AND THIS BOY

1069
00:38:00,312 --> 00:38:03,915
WERE QUICK TO BECOME FRIENDS.

1070
00:38:03,915 --> 00:38:06,552
THEY WOULD GO EVERYWHERE, THE

1071
00:38:06,552 --> 00:38:07,986
PANTS AND JACK.

1072
00:38:07,986 --> 00:38:10,489
AND JACK VOWED TO ALWAYS WEAR

1073
00:38:10,489 --> 00:38:12,991
THE PANTS, AND THE PANTS VOWED

1074
00:38:12,991 --> 00:38:17,763
TO ALWAYS BE PANTS FOR JACK.

1075
00:38:17,763 --> 00:38:20,599
BUT JACK GREW UP, AS LITTLE BOYS

1076
00:38:20,599 --> 00:38:23,101
DO, AND THE PANTS DID NOT KEEP

1077
00:38:23,101 --> 00:38:25,837
THEIR PROMISE, FOR AS JACK'S

1078
00:38:25,837 --> 00:38:28,540
LEGS GREW LONG, THE PANTS GREW

1079
00:38:28,540 --> 00:38:31,977
SHORT, UNTIL HIS PERFECT, PLUM,

1080
00:38:31,977 --> 00:38:35,381
CORDUROY COMPANION BURST AT THE

1081
00:38:35,381 --> 00:38:36,548
SEAMS.

1082
00:38:36,548 --> 00:38:39,451
NOT ONLY HAD JACK BEEN BETRAYED

1083
00:38:39,451 --> 00:38:42,421
BY HIS BEST AND ONLY FRIEND, BUT

1084
00:38:42,421 --> 00:38:45,090
AS THE LAST STITCH CAME UNDONE,

1085
00:38:45,090 --> 00:38:47,993
JACK FOUND HIMSELF NAKED IN THE

1086
00:38:47,993 --> 00:38:49,761
TOWN SQUARE.

1087
00:38:49,761 --> 00:38:52,764
HE WAS QUICKLY PICKED UP FOR

1088
00:38:52,764 --> 00:38:55,401
PUBLIC INDECENCY AND WAS

1089
00:38:55,401 --> 00:38:58,804
SENTENCED TO THREE YEARS OF HARD

1090
00:38:58,804 --> 00:38:59,705
TIME.

1091
00:38:59,705 --> 00:39:02,741
BUT PRISON LIFE DID NOT AGREE

1092
00:39:02,741 --> 00:39:05,944
WITH JACK, AND SO ONE NIGHT, HE

1093
00:39:05,944 --> 00:39:08,847
HANGED HIMSELF WITH HIS NEW

1094
00:39:08,847 --> 00:39:13,485
FRIEND, PRISON-ISSUE SOCK."

1095
00:39:17,088 --> 00:39:19,124
>> THAT WAS WONDERFUL, SIR.

1096
00:39:19,124 --> 00:39:20,125
WONDERFUL.

1097
00:39:20,125 --> 00:39:21,126
>> I-I DON'T KNOW.

1098
00:39:21,126 --> 00:39:23,094
YOU REALLY HAVE TO PICK YOUR

1099
00:39:23,094 --> 00:39:23,662
GENRE.

1100
00:39:23,662 --> 00:39:25,431
IT -- IT STARTS OUT AS A-AN

1101
00:39:25,431 --> 00:39:26,565
INTRIGUING AND PLAYFUL

1102
00:39:26,565 --> 00:39:27,866
CHILDREN'S STORY BUT THEN

1103
00:39:27,866 --> 00:39:29,134
QUICKLY DESCENDS INTO A HIGHLY

1104
00:39:29,134 --> 00:39:30,836
CRITICAL EXPOSé ON OUR CURRENT

1105
00:39:30,836 --> 00:39:32,604
PENAL SYSTEM.

1106
00:39:32,604 --> 00:39:33,605
IT'LL SCARE THE CHILDREN AND

1107
00:39:33,605 --> 00:39:34,072
UPSET THE ADULTS.

1108
00:39:34,072 --> 00:39:35,140
AS A MEMBER OF THE BOARD THAT

1109
00:39:35,140 --> 00:39:36,074
CHOOSES THE BOOKS FOR THIS

1110
00:39:36,074 --> 00:39:38,043
LIBRARY, I DISAPPROVE.

1111
00:39:41,012 --> 00:39:44,550
>> WELL [SIGHS] THAT IS THAT.

1112
00:39:44,550 --> 00:39:45,551
[ CHUCKLES ]

1113
00:39:45,551 --> 00:39:47,653
IT HAS BEEN MADE BRAZENLY CLEAR

1114
00:39:47,653 --> 00:39:48,820
I AM A FAILURE!

1115
00:39:48,820 --> 00:39:50,822
>> NO, NO, NO, THERE IS STILL

1116
00:39:50,822 --> 00:39:51,723
HOPE, SIR.

1117
00:39:51,723 --> 00:39:53,592
ONE OTHER PERSON HEARD YOUR

1118
00:39:53,592 --> 00:39:54,025
STORY.

1119
00:39:54,025 --> 00:39:55,994
MISS, WHAT DID YOU THINK?

1120
00:39:55,994 --> 00:40:00,198
>> [ GRUNTS ]

1121
00:40:00,198 --> 00:40:01,633
>> WHY DID SHE BEAT ME SO?

1122
00:40:01,633 --> 00:40:03,101
IF YOU DIDN'T BITE HER, I DON'T

1123
00:40:03,101 --> 00:40:04,570
THINK I WOULD HAVE GOTTEN OUT OF

1124
00:40:04,570 --> 00:40:05,571
THERE ALIVE.

1125
00:40:05,571 --> 00:40:07,673
>> SHE TASTED QUITE GOOD, SIR.

1126
00:40:07,673 --> 00:40:09,875
>> OH, I HAVE SUFFERED TWO BLOWS

1127
00:40:09,875 --> 00:40:11,743
TODAY, ONE LITERARY AND ONE

1128
00:40:11,743 --> 00:40:12,578
PHYSICAL.

1129
00:40:12,578 --> 00:40:14,546
I DON'T KNOW WHICH ONE HURTS

1130
00:40:14,546 --> 00:40:15,146
MORE.

1131
00:40:15,146 --> 00:40:17,749
OW. OW!

1132
00:40:17,749 --> 00:40:19,150
OH, AND IT'S TOO MUCH FOR ME TO

1133
00:40:19,150 --> 00:40:20,719
BEAR, GOING INTO THE VOID

1134
00:40:20,719 --> 00:40:22,187
WITHOUT THE ANSWER AND UNSURE OF

1135
00:40:22,187 --> 00:40:23,555
MY LITERARY STANDING.

1136
00:40:23,555 --> 00:40:25,156
>> NO, SIR, DYING CAN ONLY HELP

1137
00:40:25,156 --> 00:40:25,891
YOUR CAUSE.

1138
00:40:25,891 --> 00:40:27,493
THINK OF -- OF KAFKA, VAN GOGH,

1139
00:40:27,493 --> 00:40:28,226
EMILY DICKINSON.

1140
00:40:28,226 --> 00:40:29,928
>> YOUR REASSURANCES ARE NOT

1141
00:40:29,928 --> 00:40:30,462
ENOUGH.

1142
00:40:30,462 --> 00:40:33,098
I MUST KNOW BEFORE I DIE.

1143
00:40:49,915 --> 00:40:51,883
>> [ SINGING OPERA ]

1144
00:41:18,677 --> 00:41:20,178
>> WHAT DO THEY SAY?

1145
00:41:20,178 --> 00:41:22,781
WHAT COULD THE FUTURE POSSIBLY

1146
00:41:22,781 --> 00:41:25,050
HOLD FOR THIS POOR, OLD SOD?

1147
00:41:25,050 --> 00:41:27,285
WHO, IF ANY, WILL REMEMBER HIM?

1148
00:41:27,285 --> 00:41:29,821
WILL HE, BEFORE THE SUN SETS,

1149
00:41:29,821 --> 00:41:31,957
SECURE THE ANSWER THAT HAS

1150
00:41:31,957 --> 00:41:34,993
ELUDED HIM SO?

1151
00:41:34,993 --> 00:41:37,863
>> YOU WILL EXPERIENCE A GREAT

1152
00:41:37,863 --> 00:41:39,765
LOSS SOON.

1153
00:41:39,765 --> 00:41:40,932
>> MY BODY.

1154
00:41:40,932 --> 00:41:43,635
>> FEAR NOT, FOR THIS WILL PASS.

1155
00:41:43,635 --> 00:41:46,071
>> I ALWAYS THOUGHT IT WOULD BE

1156
00:41:46,071 --> 00:41:48,540
MORE OF A PERMANENT THING.

1157
00:41:48,540 --> 00:41:51,076
>> WHEN THIS TIME OF DARKNESS IS

1158
00:41:51,076 --> 00:41:53,912
THROUGH, YOUR SOUL WILL SOAR TO

1159
00:41:53,912 --> 00:41:55,981
NEW HEIGHTS, AS IF A GREAT

1160
00:41:55,981 --> 00:41:58,016
WEIGHT HAS BEEN LIFTED.

1161
00:41:58,016 --> 00:42:00,852
AND IT WAS THAT WEIGHT THAT HAS

1162
00:42:00,852 --> 00:42:03,054
STIFLED YOU SO.

1163
00:42:03,054 --> 00:42:05,924
>> WITH MY BODY NO LONGER, I

1164
00:42:05,924 --> 00:42:08,727
WILL BE JUDGED BY WORD ALONE.

1165
00:42:08,727 --> 00:42:10,562
MILLS, MY PLACE IN HISTORY IS

1166
00:42:10,562 --> 00:42:10,996
SECURE.

1167
00:42:10,996 --> 00:42:11,897
>> HUSH!

1168
00:42:11,897 --> 00:42:13,832
>> I'M SORRY, BUT YOUR SPEAK IS

1169
00:42:13,832 --> 00:42:15,734
SO CRYPTIC, I MUST INTERPRET IT

1170
00:42:15,734 --> 00:42:16,134
ALOUD.

1171
00:42:16,134 --> 00:42:19,938
PLEASE, GO ON.

1172
00:42:19,938 --> 00:42:21,607
>> YOU WILL BE REMEMBERED BY

1173
00:42:21,607 --> 00:42:25,010
MANY FOR YOUR KINDNESS, YOUR

1174
00:42:25,010 --> 00:42:28,680
LOYALTY, AND YOUR PATIENCE.

1175
00:42:28,680 --> 00:42:30,048
>> THAT DOESN'T SOUND LIKE YOU,

1176
00:42:30,048 --> 00:42:30,215
SIR.

1177
00:42:30,215 --> 00:42:31,850
>> NOT AT ALL.

1178
00:42:31,850 --> 00:42:34,152
>> FOR YOUR WORK WITH THE

1179
00:42:34,152 --> 00:42:36,922
ELDERLY, YOU WILL BE GENEROUSLY

1180
00:42:36,922 --> 00:42:37,989
REWARDED.

1181
00:42:37,989 --> 00:42:39,925
>> THE ELDERLY, SIR?

1182
00:42:39,925 --> 00:42:41,627
>> I WILL NOT LISTEN TO THIS

1183
00:42:41,627 --> 00:42:42,060
DRIVEL!

1184
00:42:42,060 --> 00:42:43,629
TELL ME NOW, PSYCHIC!

1185
00:42:43,629 --> 00:42:45,296
WHAT IS THE BRIEF BUT POWERFUL

1186
00:42:45,296 --> 00:42:46,064
MONOLOGUE?

1187
00:42:46,064 --> 00:42:49,367
>> I AM DOING HIS CARDS!

1188
00:42:49,367 --> 00:42:50,301
>> REALLY?

1189
00:42:50,301 --> 00:42:51,036
>> YES.

1190
00:42:51,036 --> 00:42:53,038
AS A MATTER OF FACT, YOU'RE

1191
00:42:53,038 --> 00:42:55,140
GOING TO DO QUITE WELL FOR

1192
00:42:55,140 --> 00:42:56,007
YOURSELF.

1193
00:42:56,007 --> 00:42:57,743
>> WHAT ABOUT MY CARDS?

1194
00:42:57,743 --> 00:43:01,012
>> YOU CARDS?

1195
00:43:01,012 --> 00:43:03,081
ARE YOU SURE YOU WANT ME TO

1196
00:43:03,081 --> 00:43:04,115
READ YOUR CARDS?

1197
00:43:04,115 --> 00:43:06,084
>> WHY DO YOU THINK I'VE COME

1198
00:43:06,084 --> 00:43:08,153
HERE, PSYCHIC?

1199
00:43:08,153 --> 00:43:11,256
>> FINE, THEN.

1200
00:43:11,256 --> 00:43:13,224
YOU'RE NEXT.

1201
00:43:18,730 --> 00:43:22,668
[ ORGAN PLAYS ]

1202
00:43:22,668 --> 00:43:24,636
>> FLIP THAT CARD AGAIN.

1203
00:43:28,840 --> 00:43:32,978
[ ORGAN PLAYS ]

1204
00:43:32,978 --> 00:43:34,946
THAT ORGAN MEANS I'M DOOMED,

1205
00:43:34,946 --> 00:43:35,280
HUH?

1206
00:43:35,280 --> 00:43:39,084
>> THE CARD MEANS YOU'RE DOOMED.

1207
00:43:39,084 --> 00:43:42,988
THE ORGAN'S FOR EFFECT.

1208
00:43:42,988 --> 00:43:44,022
>> THAT WAS A BUST.

1209
00:43:44,022 --> 00:43:45,356
12 BUCKS, AND SHE TELLS ME WHAT

1210
00:43:45,356 --> 00:43:46,224
I ALREADY KNOW.

1211
00:43:46,224 --> 00:43:47,693
I HAVE BEEN HOSED, MILLS.

1212
00:43:47,693 --> 00:43:48,894
>> NO, NOT REALLY, SIR.

1213
00:43:48,894 --> 00:43:50,161
YOU ALSO GET THE STORY OF THE

1214
00:43:50,161 --> 00:43:50,829
THING.

1215
00:43:50,829 --> 00:43:52,230
WHY DO YOU THINK I PAID $100 FOR

1216
00:43:52,230 --> 00:43:53,799
A WATCH THAT ALWAYS BREAKS?

1217
00:43:53,799 --> 00:43:55,100
>> I REALLY DON'T KNOW, MILLS.

1218
00:43:55,100 --> 00:43:56,835
>> BECAUSE IT WAS BEING SOLD TO

1219
00:43:56,835 --> 00:43:58,136
ME BY A LEGLESS MAN NAMED

1220
00:43:58,136 --> 00:43:58,837
GRIMELHAUSEN.

1221
00:43:58,837 --> 00:44:00,205
>> WHAT ARE YOU TALKING ABOUT?!

1222
00:44:00,205 --> 00:44:01,139
RIDICULOSITY WILL NOT BE

1223
00:44:01,139 --> 00:44:01,907
TOLERATED.

1224
00:44:01,907 --> 00:44:03,041
>> NO, I PAID $5 FOR THE WATCH

1225
00:44:03,041 --> 00:44:04,442
AND $95 FOR THE STORY OF BUYING

1226
00:44:04,442 --> 00:44:05,911
THE WATCH FROM A LEGLESS MAN

1227
00:44:05,911 --> 00:44:06,812
NAMED GRIMELHAUSEN.

1228
00:44:06,812 --> 00:44:08,113
>> THAT'S AN AWFUL LOT TO PAY

1229
00:44:08,113 --> 00:44:09,180
FOR AN IDIOTIC STORY.

1230
00:44:09,180 --> 00:44:10,048
>> OH, NOT REALLY, SIR.

1231
00:44:10,048 --> 00:44:11,149
IT KILLS AT PARTIES.

1232
00:44:11,149 --> 00:44:12,884
>> NOT GOING SO WELL AT THIS

1233
00:44:12,884 --> 00:44:13,084
ONE.

1234
00:44:13,084 --> 00:44:14,052
>> ARE YOU SURE?

1235
00:44:14,052 --> 00:44:15,220
YOU'LL BE DEAD SOON.

1236
00:44:15,220 --> 00:44:17,088
>> BIOGRAPHER, KILL YOURSELF IN

1237
00:44:17,088 --> 00:44:18,289
CHILDHOOD, THE VICTIM OF A

1238
00:44:18,289 --> 00:44:20,158
MINING ACCIDENT, AT LEAST UNTIL

1239
00:44:20,158 --> 00:44:21,693
YOU APOLOGIZE FOR THAT JOKE.

1240
00:44:21,693 --> 00:44:23,128
WHEN YOU DO, HAVE YOURSELF

1241
00:44:23,128 --> 00:44:24,295
KILLED TWO YEARS LATER BY

1242
00:44:24,295 --> 00:44:28,900
SHARKS.

1243
00:44:28,900 --> 00:44:32,037
DID YOU JUST SAY THAT YOUR WATCH

1244
00:44:32,037 --> 00:44:33,939
ALWAYS BREAKS?

1245
00:44:33,939 --> 00:44:35,440
>> CONSTANTLY.

1246
00:44:35,440 --> 00:44:39,811
>> IS IT BROKEN NOW?

1247
00:44:39,811 --> 00:44:41,780
>> WHY, YES, IT IS.

1248
00:44:44,215 --> 00:44:46,417
>> A SNAIL IS MORE SWIFT, MILLS!

1249
00:44:46,417 --> 00:44:48,887
FASTER! FASTER!

1250
00:44:48,887 --> 00:44:51,289
>> I'M TRYING, SIR.

1251
00:44:51,289 --> 00:44:53,124
[ GRUNTING ]

1252
00:44:53,124 --> 00:44:56,161
>> COME ON, MAN!

1253
00:44:56,161 --> 00:44:58,163
BUT THIS IS NO SMALL SETBACK,

1254
00:44:58,163 --> 00:44:58,730
MILLS.

1255
00:44:58,730 --> 00:45:00,065
HOW AM I SUPPOSED TO GET

1256
00:45:00,065 --> 00:45:03,201
EVERYTHING DONE?

1257
00:45:03,201 --> 00:45:06,304
THIS HAS NO HANDS.

1258
00:45:06,304 --> 00:45:10,976
AND THIS HAS NO GEARS.

1259
00:45:10,976 --> 00:45:11,943
OH, MILLS...

1260
00:45:11,943 --> 00:45:12,510
>> WHAT?

1261
00:45:12,510 --> 00:45:14,312
[ CLOCKS TICKING ]

1262
00:45:14,312 --> 00:45:17,749
>> IT IS 9:30. I...

1263
00:45:17,749 --> 00:45:19,184
I'VE BEEN DEAD TWO HOURS.

1264
00:45:19,184 --> 00:45:20,351
>> NO, NO, NO, NO, SIR.

1265
00:45:20,351 --> 00:45:21,119
IT IS 1:30.

1266
00:45:21,119 --> 00:45:24,089
WE'RE HOURS AHEAD OF SCHEDULE.

1267
00:45:24,089 --> 00:45:26,124
>> THEY'RE ALL DIFFERENT!

1268
00:45:26,124 --> 00:45:29,060
WHICH ONE IS RIGHT?!

1269
00:45:29,060 --> 00:45:30,361
>> PERHAPS WE SHOULD TRUST THIS

1270
00:45:30,361 --> 00:45:31,129
ONE, SIR.

1271
00:45:31,129 --> 00:45:31,797
IT IS GOLD.

1272
00:45:31,797 --> 00:45:33,999
>> BUT THAT IS MADNESS, MILLS!

1273
00:45:33,999 --> 00:45:36,201
YOU, MAN -- WHAT TIME IS IT?

1274
00:45:36,201 --> 00:45:38,436
>> YOU HAVE TO BUY A WATCH TO

1275
00:45:38,436 --> 00:45:39,905
GET THE TIME.

1276
00:45:39,905 --> 00:45:40,438
>> I REFUSE.

1277
00:45:40,438 --> 00:45:42,073
IF I'M FORCED TO LIVE WITHIN THE

1278
00:45:42,073 --> 00:45:43,842
CONFINES OF TIME, THE LEAST YOU

1279
00:45:43,842 --> 00:45:45,911
COULD DO IS GIVE ME THE HOUR AND

1280
00:45:45,911 --> 00:45:47,946
MINUTE WE ARE IN FREE OF CHARGE!

1281
00:45:47,946 --> 00:45:52,017
>> TIME IS MY BUSINESS, AND TIME

1282
00:45:52,017 --> 00:45:54,285
BEING MY BUSINESS, I MUST CHARGE

1283
00:45:54,285 --> 00:45:55,220
FOR TIME.

1284
00:45:55,220 --> 00:45:57,322
>> OH, YOU ARE AN IMPUDENT

1285
00:45:57,322 --> 00:45:58,256
CLOCKMAKER.

1286
00:45:58,256 --> 00:46:00,258
BUT I CONCEDE TO YOUR IDIOCY.

1287
00:46:00,258 --> 00:46:01,860
MILLS, PAY THE MAN.

1288
00:46:01,860 --> 00:46:03,394
WHAT WATCH WILL THAT BUY?

1289
00:46:03,394 --> 00:46:05,196
>> THAT'S NOT ENOUGH FOR A

1290
00:46:05,196 --> 00:46:06,264
PROPER WATCH.

1291
00:46:06,264 --> 00:46:08,433
BUT FOR THAT PRICE, I WILL SELL

1292
00:46:08,433 --> 00:46:09,234
YOU THE TIME.

1293
00:46:09,234 --> 00:46:10,902
>> WELL, LET'S COMPLETE THE

1294
00:46:10,902 --> 00:46:11,903
TRANSACTION, MAN.

1295
00:46:11,903 --> 00:46:13,338
>> WITH THE AMOUNT YOU GAVE ME,

1296
00:46:13,338 --> 00:46:15,040
I CAN ONLY GIVE YOU THE TIME

1297
00:46:15,040 --> 00:46:15,273
ONCE.

1298
00:46:15,273 --> 00:46:17,075
>> FOR THE LOVE OF ALL THAT IS

1299
00:46:17,075 --> 00:46:19,978
SACRED, GIVE ME THE WATCH!

1300
00:46:19,978 --> 00:46:21,112
OH, MILLS...

1301
00:46:21,112 --> 00:46:22,047
>> WHAT?

1302
00:46:22,047 --> 00:46:24,382
>> IT IS 3:30.

1303
00:46:24,382 --> 00:46:27,085
FOUR HOURS LEFT.

1304
00:46:27,085 --> 00:46:29,154
I-I HOPED I HAD MORE TIME.

1305
00:46:29,154 --> 00:46:31,189
HERE I AM, SO FAR FROM THE

1306
00:46:31,189 --> 00:46:32,190
ANSWER.

1307
00:46:32,190 --> 00:46:33,925
>> GIVE ME THE WATCH!

1308
00:46:33,925 --> 00:46:36,027
>> SO MUCH TIME, BUT SO LITTLE

1309
00:46:36,027 --> 00:46:36,895
TIME.

1310
00:46:36,895 --> 00:46:37,829
>> SIR --

1311
00:46:37,829 --> 00:46:40,832
>> THE IRONY IS TOO THICK TO

1312
00:46:40,832 --> 00:46:41,132
IGNORE.

1313
00:46:41,132 --> 00:46:42,100
>> STOP THAT, SIR!

1314
00:46:42,100 --> 00:46:42,968
YOUR LIST!

1315
00:46:42,968 --> 00:46:44,269
>> THERE'S NO POINT IN HAVING A

1316
00:46:44,269 --> 00:46:45,837
LIST IF THERE IS NO TIME TO

1317
00:46:45,837 --> 00:46:46,972
COMPLETE IT.

1318
00:46:46,972 --> 00:46:49,074
IT IS A WONDER THAT PEOPLE GET

1319
00:46:49,074 --> 00:46:51,042
ANYTHING DONE AT ALL.

1320
00:46:51,042 --> 00:46:53,044
BESIDES, I-I'M FEELING A BIT

1321
00:46:53,044 --> 00:46:54,412
WOOZY AND WOULD LIKE SOME...

1322
00:46:54,412 --> 00:46:56,047
>> WHAT'S THE MATTER WITH YOUR

1323
00:46:56,047 --> 00:46:56,347
FRIEND?

1324
00:46:56,347 --> 00:46:58,216
>> ...MORE TIME!

1325
00:47:06,324 --> 00:47:08,226
FATHER, I HAVE FALLEN SLIGHTLY

1326
00:47:08,226 --> 00:47:09,060
BEHIND.

1327
00:47:09,060 --> 00:47:10,929
PLEASE, PLEASE, I HAVE NOT DONE

1328
00:47:10,929 --> 00:47:12,197
MUCH CARDIO LATELY.

1329
00:47:12,197 --> 00:47:12,964
I AM WEAK.

1330
00:47:12,964 --> 00:47:14,900
I CANNOT KEEP UP WITH YOUR BRISK

1331
00:47:14,900 --> 00:47:16,601
PACE.

1332
00:47:16,601 --> 00:47:21,272
FATHER...

1333
00:47:21,272 --> 00:47:22,407
WHOA.

1334
00:47:22,407 --> 00:47:23,208
DEMON.

1335
00:47:23,208 --> 00:47:25,476
MUST BE THE ROAD TO HADES.

1336
00:47:25,476 --> 00:47:27,979
OH. OH, THE BULLIES FROM MY

1337
00:47:27,979 --> 00:47:29,247
LIFE, TOGETHER.

1338
00:47:29,247 --> 00:47:31,149
THIS MUST BE THE END.

1339
00:47:31,149 --> 00:47:33,618
ALL OF THE WOMEN I'VE HAD SEX

1340
00:47:33,618 --> 00:47:35,453
WITH.

1341
00:47:35,453 --> 00:47:38,623
MOTHER, WHAT ARE YOU DOING HERE?

1342
00:47:38,623 --> 00:47:40,992
AND ROY?!

1343
00:47:40,992 --> 00:47:42,293
IT'S A GOOD THING THERE'S A

1344
00:47:42,293 --> 00:47:43,328
RECAP AT THE END.

1345
00:47:43,328 --> 00:47:46,898
I BARELY REMEMBER ANY OF THIS.

1346
00:47:46,898 --> 00:47:48,166
[ WOLVES HOWLING ]

1347
00:47:48,166 --> 00:47:49,400
OH! THANK GOD, MILLS.

1348
00:47:49,400 --> 00:47:51,169
MILLS, I DESPERATELY NEED A

1349
00:47:51,169 --> 00:47:51,937
RIDE.

1350
00:47:51,937 --> 00:47:53,538
MILLS, JUST UP TO THE FINISH

1351
00:47:53,538 --> 00:47:54,105
LINE.

1352
00:47:54,105 --> 00:47:56,174
>> THAT'S NOT MY FINISH LINE.

1353
00:47:56,174 --> 00:47:58,043
THAT'S YOUR FINISH LINE.

1354
00:47:58,043 --> 00:48:00,645
>> I'V WON THIS ONE, BINEW, FOR

1355
00:48:00,645 --> 00:48:03,148
ALL OF ETERNITY.

1356
00:48:03,148 --> 00:48:07,618
[ LAUGHING EVILLY ]

1357
00:48:07,618 --> 00:48:09,654
[ WOLF HOWLING ]

1358
00:48:16,061 --> 00:48:18,096
>> ALL THOSE SINNERS REPENT.

1359
00:48:18,096 --> 00:48:20,198
ALL YE WHO SEEK SALVATION,

1360
00:48:20,198 --> 00:48:22,067
COMETH UNTO THE LORD, FOR THE

1361
00:48:22,067 --> 00:48:23,601
LORD IS YOUR SAVIOR.

1362
00:48:23,601 --> 00:48:26,371
SO SPOKE CHRIST.

1363
00:48:26,371 --> 00:48:28,673
[ BELL TOLLS ]

1364
00:48:28,673 --> 00:48:30,708
>> THE LIGHT...

1365
00:48:30,708 --> 00:48:32,677
SO BRIGHT --

1366
00:48:32,677 --> 00:48:38,183
MUCH BRIGHTER THAN BEFORE.

1367
00:48:38,183 --> 00:48:40,285
THAT'S IT.

1368
00:48:40,285 --> 00:48:44,155
I'M...DEAD?

1369
00:48:44,155 --> 00:48:47,358
WELL, THAT WASN'T SO BAD.

1370
00:48:47,358 --> 00:48:48,093
MILLS!

1371
00:48:48,093 --> 00:48:48,493
>> YES?

1372
00:48:48,493 --> 00:48:49,694
>> HOW DID YOU DIE?

1373
00:48:49,694 --> 00:48:50,528
>> I DIDN'T.

1374
00:48:50,528 --> 00:48:51,596
>> BUT I'M DEAD.

1375
00:48:51,596 --> 00:48:53,164
>> NO, YOU'RE NOT, SIR.

1376
00:48:53,164 --> 00:48:54,632
>> WELL, THEN, WHAT WAS THAT

1377
00:48:54,632 --> 00:48:55,633
HEAVENLY VOICE?

1378
00:48:55,633 --> 00:48:57,002
>> OVER THERE, SIR.

1379
00:48:57,002 --> 00:48:58,403
THEY'RE MAKING SOME SORT OF

1380
00:48:58,403 --> 00:49:00,005
PRESENTATION.

1381
00:49:00,005 --> 00:49:01,639
>> "COME UNTO ME, ALL YE WHO

1382
00:49:01,639 --> 00:49:03,641
LABOUR AND ARE HEAVY LADEN, AND

1383
00:49:03,641 --> 00:49:05,476
I WILL GIVE YOU REST, FOR MY

1384
00:49:05,476 --> 00:49:07,212
YOKE IS EASY AND MY BURDEN

1385
00:49:07,212 --> 00:49:09,280
LIGHT."

1386
00:49:09,280 --> 00:49:12,183
>> All: SO SPOKE CHRIST!

1387
00:49:12,183 --> 00:49:14,552
>> SO, I'M ALIVE?

1388
00:49:14,552 --> 00:49:16,121
>> YES.

1389
00:49:16,121 --> 00:49:19,190
>> [ LAUGHING MANIACALLY ]

1390
00:49:19,190 --> 00:49:22,260
I AM STILL ALIVE!

1391
00:49:22,260 --> 00:49:26,731
[ LAUGHING MANIACALLY ]

1392
00:49:26,731 --> 00:49:28,099
YOU ARE ALIVE.

1393
00:49:28,099 --> 00:49:29,200
I AM ALIVE.

1394
00:49:29,200 --> 00:49:30,768
WE ARE ALL ALIVE!

1395
00:49:30,768 --> 00:49:32,037
[ LAUGHS ]

1396
00:49:32,037 --> 00:49:33,204
>> YES, MY BROTHER!

1397
00:49:33,204 --> 00:49:34,772
BY THE GRACE OF GOD, WE ARE ALL

1398
00:49:34,772 --> 00:49:35,306
ALIVE!

1399
00:49:35,306 --> 00:49:37,075
>> DO YOU REALLY THINK IT'S

1400
00:49:37,075 --> 00:49:37,675
GOD'S FAULT?

1401
00:49:37,675 --> 00:49:39,444
>> HE IS INFINITELY CHARITABLE.

1402
00:49:39,444 --> 00:49:40,411
>> TO EVERYONE?

1403
00:49:40,411 --> 00:49:42,080
>> GOD EMBRACES US ALL AS HIS

1404
00:49:42,080 --> 00:49:42,747
CHILDREN.

1405
00:49:42,747 --> 00:49:44,482
>> OH, YES, BUT SOME WOULD SAY

1406
00:49:44,482 --> 00:49:46,117
THAT I'VE BEEN A BAD MAN.

1407
00:49:46,117 --> 00:49:47,652
>> YOU ONLY NEED TO ACCEPT GOD

1408
00:49:47,652 --> 00:49:49,254
INTO YOUR HEART, AND HE WILL

1409
00:49:49,254 --> 00:49:51,256
FORGIVE YOU OF WHATEVER MISTAKES

1410
00:49:51,256 --> 00:49:52,190
YOU HAVE MADE IN THIS LIFE.

1411
00:49:52,190 --> 00:49:54,259
>> COME ON. ALL OF THEM?

1412
00:49:54,259 --> 00:49:55,426
>> ALL OF THEM.

1413
00:49:55,426 --> 00:49:58,129
>> WELL, HE SEEMS VERY POWERFUL.

1414
00:49:58,129 --> 00:50:00,165
WHAT ARE THE RULES AGAIN?

1415
00:50:00,165 --> 00:50:01,799
>> All: LOVE THY BROTHER!

1416
00:50:01,799 --> 00:50:04,269
>> BUT I HATE MY BROTHER, AND HE

1417
00:50:04,269 --> 00:50:05,136
HATES ME.

1418
00:50:05,136 --> 00:50:07,138
>> FORGIVE HIM, AS GOD DOES.

1419
00:50:07,138 --> 00:50:08,073
>> GO NOW.

1420
00:50:08,073 --> 00:50:10,208
STAND BEFORE YOUR BROTHER, FOR

1421
00:50:10,208 --> 00:50:12,277
WITH GOD'S LOVE, ALL QUARRELS

1422
00:50:12,277 --> 00:50:13,378
MAY BE RESOLVED.

1423
00:50:13,378 --> 00:50:15,346
>> HMM.

1424
00:50:35,733 --> 00:50:37,568
MY FATHER WAS A FOOL, MILLS, FOR

1425
00:50:37,568 --> 00:50:39,237
RAISING ME ON THE RELIGION OF

1426
00:50:39,237 --> 00:50:40,405
THE ANCIENT GREEKS.

1427
00:50:40,405 --> 00:50:42,240
I FEEL TERRIBLE ABOUT THAT GOAT.

1428
00:50:42,240 --> 00:50:44,075
WHAT DID YOU NAME THAT GOAT,

1429
00:50:44,075 --> 00:50:44,409
MILLS?

1430
00:50:44,409 --> 00:50:45,743
>> ZAZIMO, SIR.

1431
00:50:45,743 --> 00:50:48,246
>> I FEEL TERRIBLE ABOUT ZAZIMO.

1432
00:50:48,246 --> 00:50:50,681
BUT GOD FORGIVES, AND GOD KNOWS

1433
00:50:50,681 --> 00:50:53,284
I HAVE A JOB TO DO.

1434
00:50:53,284 --> 00:50:55,453
JESUS CHRIST, THIS IS A LONG

1435
00:50:55,453 --> 00:50:56,454
DRIVEWAY.

1436
00:50:56,454 --> 00:50:57,688
GOD DAMN IT!

1437
00:50:57,688 --> 00:50:59,324
JUST BROKE A RULE.

1438
00:50:59,324 --> 00:51:00,325
AW, SHIT!

1439
00:51:00,325 --> 00:51:02,293
MILLS, GO AHEAD AND FLOG ME.

1440
00:51:05,463 --> 00:51:06,664
>> [ CLEARS THROAT ]

1441
00:51:06,664 --> 00:51:08,433
>> SO, YOU SEE, THEY HAVE THIS

1442
00:51:08,433 --> 00:51:09,834
BOOK CALLED "THE BIBLE."

1443
00:51:09,834 --> 00:51:11,402
IT TELLS THE STORY OF A MAN

1444
00:51:11,402 --> 00:51:12,803
NAMED JESUS -- A MEXICAN

1445
00:51:12,803 --> 00:51:14,272
GENTLEMAN, I PRESUME.

1446
00:51:14,272 --> 00:51:15,806
I HAVEN'T READ IT YET, BUT THEY

1447
00:51:15,806 --> 00:51:17,275
SAY IT'S VERY POPULAR.

1448
00:51:17,275 --> 00:51:18,376
>> DON'T BE A JACKASS.

1449
00:51:18,376 --> 00:51:20,178
MOTHER RAISED US BOTH IN THE

1450
00:51:20,178 --> 00:51:20,578
CHURCH.

1451
00:51:20,578 --> 00:51:21,679
YOU WERE BAPTIZED.

1452
00:51:21,679 --> 00:51:23,348
>> ARE YOU TALKING ABOUT THAT

1453
00:51:23,348 --> 00:51:25,183
ROBED MAN THAT TRIED TO DROWN

1454
00:51:25,183 --> 00:51:27,552
ME?

1455
00:51:27,552 --> 00:51:30,221
WHAT A FOND REPRESSED MEMORY.

1456
00:51:30,221 --> 00:51:32,290
ANYHOW, THESE CHRISTIANS -- THEY

1457
00:51:32,290 --> 00:51:33,891
THOUGHT IT WOULD BE A GOOD IDEA

1458
00:51:33,891 --> 00:51:35,593
IF I CAME BY AND MADE AMENDS.

1459
00:51:35,593 --> 00:51:37,362
I ALSO WANTED TO TELL YOU THAT

1460
00:51:37,362 --> 00:51:41,132
I'LL BE DYING IN THREE HOURS.

1461
00:51:41,132 --> 00:51:42,233
>> DID YOU COME HERE

1462
00:51:42,233 --> 00:51:43,701
SPECIFICALLY TO UPSET MOTHER?

1463
00:51:43,701 --> 00:51:44,569
>> KARL --

1464
00:51:44,569 --> 00:51:46,337
>> DON'T "KARL" ME, KLAUS.

1465
00:51:46,337 --> 00:51:47,738
>> DON'T "KLAUS" ME.

1466
00:51:47,738 --> 00:51:48,773
IT'S "K. ROTH."

1467
00:51:48,773 --> 00:51:50,541
>> IT HAS BEEN SO NICE NOT

1468
00:51:50,541 --> 00:51:51,742
HAVING YOU HERE.

1469
00:51:51,742 --> 00:51:53,711
WE HAVEN'T MISSED YOU AT ALL.

1470
00:51:53,711 --> 00:51:55,546
>> NO MORE ANIMOSITY, KARL.

1471
00:51:55,546 --> 00:51:57,315
IT'S ALL BOURBON UNDER THE

1472
00:51:57,315 --> 00:51:59,784
BRIDGE AS FAR AS I'M CONCERNED.

1473
00:51:59,784 --> 00:52:01,252
HUG ME, KARL.

1474
00:52:01,252 --> 00:52:03,488
I WON'T BE AROUND MUCH LONGER.

1475
00:52:03,488 --> 00:52:05,890
>> YOU SMELL LIKE SHIT.

1476
00:52:05,890 --> 00:52:07,292
IS THAT BLOOD ON YOUR NECK?

1477
00:52:07,292 --> 00:52:08,193
>> AH, YES.

1478
00:52:08,193 --> 00:52:09,227
I WAS BEATEN EARLIER.

1479
00:52:09,227 --> 00:52:10,228
I PASSED OUT TWICE.

1480
00:52:10,228 --> 00:52:11,662
MILLS FLOGGED ME IN THE

1481
00:52:11,662 --> 00:52:12,263
DRIVEWAY.

1482
00:52:12,263 --> 00:52:13,798
THE BLOOD COULD BE FROM ANY OF

1483
00:52:13,798 --> 00:52:14,299
THOSE.

1484
00:52:14,299 --> 00:52:16,867
BUT THAT IS OF NO CONSEQUENCE.

1485
00:52:16,867 --> 00:52:19,370
I SIMPLY WANTED TO COME BY TO

1486
00:52:19,370 --> 00:52:20,705
SAY FAREWELL.

1487
00:52:20,705 --> 00:52:22,907
I'M SORRY THAT WE DIDN'T GET

1488
00:52:22,907 --> 00:52:24,442
ALONG BETTER.

1489
00:52:24,442 --> 00:52:25,610
>> YOU'RE NOT DYING.

1490
00:52:25,610 --> 00:52:27,312
IT'S ANOTHER ONE OF YOUR GODDAMN

1491
00:52:27,312 --> 00:52:27,912
SCHEMES.

1492
00:52:27,912 --> 00:52:29,514
>> I AM, KARL, AND I WANTED TO

1493
00:52:29,514 --> 00:52:31,249
INVITE YOU AND MOTHER TO THE

1494
00:52:31,249 --> 00:52:31,516
WAKE.

1495
00:52:31,516 --> 00:52:33,384
MILLS?

1496
00:52:33,384 --> 00:52:35,320
>> YOU'RE JUST LIKE YOUR

1497
00:52:35,320 --> 00:52:36,254
FATHER...

1498
00:52:36,254 --> 00:52:37,455
>> THANK YOU.

1499
00:52:37,455 --> 00:52:39,224
>> ...BUT CRAZIER.

1500
00:52:39,224 --> 00:52:39,957
>> MOTHER --

1501
00:52:39,957 --> 00:52:42,360
>> YOU HAVE EMBARRASSED THIS

1502
00:52:42,360 --> 00:52:42,960
FAMILY.

1503
00:52:42,960 --> 00:52:45,496
YOU ARE THE TOWN DRUNK AND THE

1504
00:52:45,496 --> 00:52:46,764
VILLAGE IDIOT.

1505
00:52:46,764 --> 00:52:48,933
YOU RIDE AROUND WITH YOUR MUTE

1506
00:52:48,933 --> 00:52:51,602
FRIEND ON THAT RICKSHAW, AND YOU

1507
00:52:51,602 --> 00:52:52,937
LIVE IN A MEN'S HOTEL.

1508
00:52:52,937 --> 00:52:54,739
WHEN YOU WERE YOUNGER, I THOUGHT

1509
00:52:54,739 --> 00:52:56,341
THERE WAS A POSSIBILITY THAT

1510
00:52:56,341 --> 00:52:57,875
YOU'D BE ALL RIGHT.

1511
00:52:57,875 --> 00:53:00,311
BUT WHAT KIND OF LIFE HAVE YOU

1512
00:53:00,311 --> 00:53:02,247
MADE FOR YOURSELF?

1513
00:53:02,247 --> 00:53:05,450
I HAVE WORRIED TOO LONG ABOUT

1514
00:53:05,450 --> 00:53:08,953
YOU, KLAUS, AND I AM TIRED NOW.

1515
00:53:08,953 --> 00:53:12,723
I'M VERY TIRED.

1516
00:53:12,723 --> 00:53:15,526
>> WE'RE BOTH VERY TIRED.

1517
00:53:15,526 --> 00:53:17,228
>> JUST THOUGHT I WOULD TRY TO

1518
00:53:17,228 --> 00:53:18,496
CONNECT WITH YOU BEFORE I DIE.

1519
00:53:18,496 --> 00:53:19,564
>> STOP SAYING THAT!

1520
00:53:19,564 --> 00:53:21,232
>> YOU'RE NOT DYING, JUST LIKE

1521
00:53:21,232 --> 00:53:22,567
YOU'RE NOT AN ARTIST AND YOU'RE

1522
00:53:22,567 --> 00:53:23,334
NOT A WRITER.

1523
00:53:23,334 --> 00:53:24,969
THIS IS ALL IN YOUR HEAD.

1524
00:53:24,969 --> 00:53:27,004
>> WELL, THERE'S NO POINT IN

1525
00:53:27,004 --> 00:53:29,407
TRYING TO CONNECT WITH YOU TWO.

1526
00:53:29,407 --> 00:53:31,542
YOU'VE HAD IT OUT FOR ME SINCE

1527
00:53:31,542 --> 00:53:33,444
THE BEGINNING, AND I CAN'T

1528
00:53:33,444 --> 00:53:34,679
FIGURE OUT WHY.

1529
00:53:34,679 --> 00:53:36,514
IF ONLY FATHER WERE HERE.

1530
00:53:36,514 --> 00:53:37,848
HE UNDERSTOOD ME.

1531
00:53:37,848 --> 00:53:39,484
>> YOU DROVE HIM AWAY!

1532
00:53:39,484 --> 00:53:41,619
WHY DO YOU THINK HE LEFT YOU ON

1533
00:53:41,619 --> 00:53:42,787
YOUR BIRTHDAY?

1534
00:53:42,787 --> 00:53:44,889
HE COULDN'T STAND ANOTHER YEAR

1535
00:53:44,889 --> 00:53:45,590
OF YOU.

1536
00:53:45,590 --> 00:53:47,825
>> YOU HAVE FIVE SECONDS TO TAKE

1537
00:53:47,825 --> 00:53:49,927
THAT BACK BEFORE I WALK OUT OF

1538
00:53:49,927 --> 00:53:51,896
HERE IN SILENCE.

1539
00:53:58,269 --> 00:54:02,973
I SEE.

1540
00:54:02,973 --> 00:54:07,645
MILLS?

1541
00:54:07,645 --> 00:54:09,980
>> YOU'RE NOT DYING, YOU KNOW.

1542
00:54:09,980 --> 00:54:14,452
YOU'RE NOT DYING!

1543
00:54:14,452 --> 00:54:16,287
IT'S -- IT'S ALL RIGHT, MOTHER.

1544
00:54:16,287 --> 00:54:17,688
HE JUST NEEDS TO GO AWAY FOR A

1545
00:54:17,688 --> 00:54:17,988
WHILE.

1546
00:54:17,988 --> 00:54:18,989
I'LL -- I'LL CALL

1547
00:54:18,989 --> 00:54:21,492
DR. SCHOENBERG.

1548
00:54:21,492 --> 00:54:22,960
>> I SHOULDN'T HAVE LISTENED TO

1549
00:54:22,960 --> 00:54:24,329
THOSE CHRISTIANS, MILLS.

1550
00:54:24,329 --> 00:54:24,995
MY FAMILY IS HORRIBLE.

1551
00:54:24,995 --> 00:54:26,597
>> WELL, IT WAS NICE THAT YOU

1552
00:54:26,597 --> 00:54:27,031
TRIED, SIR.

1553
00:54:27,031 --> 00:54:29,334
>> WHAT IS "NICE"?!

1554
00:54:29,334 --> 00:54:32,036
>> I DON'T KNOW, SIR.

1555
00:54:32,036 --> 00:54:33,738
>> I HAVE SEARCHED FOR THE

1556
00:54:33,738 --> 00:54:34,705
ANSWER IN LOVE.

1557
00:54:34,705 --> 00:54:35,773
IT WAS NOT THERE.

1558
00:54:35,773 --> 00:54:37,542
I KNOW IT WASN'T PRESENT WHEN I

1559
00:54:37,542 --> 00:54:39,043
SEARCHED FOR IT IN FAMILY, NOR

1560
00:54:39,043 --> 00:54:40,945
DID I FIND IT IN THE ARMS OF A

1561
00:54:40,945 --> 00:54:41,646
WOMAN.

1562
00:54:41,646 --> 00:54:43,981
SO, I ASK YOU, HAVE I WASTED MY

1563
00:54:43,981 --> 00:54:46,317
FINAL DAY SEARCHING IN VAIN?

1564
00:54:46,317 --> 00:54:48,353
MILLS, TIME?

1565
00:54:48,353 --> 00:54:49,687
>> 5:00, SIR.

1566
00:54:49,687 --> 00:54:51,556
>> OH. YOU GOT YOUR WATCH FIXED.

1567
00:54:51,556 --> 00:54:53,090
>> YES, WHILE YOU WERE PASSED

1568
00:54:53,090 --> 00:54:53,758
OUT.

1569
00:54:53,758 --> 00:54:55,526
>> HOW DID I GET OUT OF THERE

1570
00:54:55,526 --> 00:54:56,327
ANYHOW?

1571
00:54:56,327 --> 00:54:57,462
>> I CARRIED YOU.

1572
00:54:57,462 --> 00:54:58,829
>> LIKE A FIREMAN?

1573
00:54:58,829 --> 00:54:59,330
>> YES.

1574
00:54:59,330 --> 00:55:00,665
>> OH, I WOULD HAVE LIKED TO

1575
00:55:00,665 --> 00:55:01,466
HAVE SEEN THAT.

1576
00:55:01,466 --> 00:55:03,968
>> YES, IT WAS SOMETHING ELSE.

1577
00:55:03,968 --> 00:55:06,070
WELL, SIR, WHERE NEXT?

1578
00:55:06,070 --> 00:55:09,106
>> ALL HOPE IS LOST, MILLS.

1579
00:55:09,106 --> 00:55:11,075
TO THE SHIFTY MICK.

1580
00:55:24,355 --> 00:55:27,091
HOW MANY HOURS IN BARS, DOING

1581
00:55:27,091 --> 00:55:28,359
WHAT?

1582
00:55:28,359 --> 00:55:30,828
WALKING AROUND WITH A CUP,

1583
00:55:30,828 --> 00:55:33,998
POSING IN VARIOUS STANCES WITH A

1584
00:55:33,998 --> 00:55:36,033
CUP...

1585
00:55:36,033 --> 00:55:38,002
REFILLING THE CUP AND MOVING TO

1586
00:55:38,002 --> 00:55:39,437
ANOTHER PART OF THE ROOM,

1587
00:55:39,437 --> 00:55:41,138
PERHAPS THE CORNER, SO YOU CAN

1588
00:55:41,138 --> 00:55:42,907
SEE THE WHOLE ROOMFUL OF PEOPLE

1589
00:55:42,907 --> 00:55:44,108
WITH THEIR CUPS.

1590
00:55:44,108 --> 00:55:46,844
"THEY SURE ARE OUT TONIGHT," YOU

1591
00:55:46,844 --> 00:55:48,979
SAY TO THE MAN THAT POURS.

1592
00:55:48,979 --> 00:55:51,449
"THAT THEY ARE, THAT THEY ARE,"

1593
00:55:51,449 --> 00:55:53,951
HE SAYS, TOO BUSY FOR MORE SMALL

1594
00:55:53,951 --> 00:55:54,652
TALK.

1595
00:55:54,652 --> 00:55:57,054
CUPS TO FILL.

1596
00:55:57,054 --> 00:56:01,058
CUPS TO FILL.

1597
00:56:01,058 --> 00:56:02,893
>> WELL, THAT'S DEPRESSING.

1598
00:56:02,893 --> 00:56:04,929
>> USUALLY YOU'RE MORE JOVIAL.

1599
00:56:04,929 --> 00:56:05,996
>> I'M DYING UNFULFILLED, BOYS.

1600
00:56:05,996 --> 00:56:07,832
HUMOR ME.

1601
00:56:07,832 --> 00:56:09,734
>> PERHAPS IT'S NOT HOW YOU

1602
00:56:09,734 --> 00:56:11,101
LIVED BUT HOW YOU DIE.

1603
00:56:11,101 --> 00:56:13,070
>> IF YOU DIE HAPPY, YOU STAY

1604
00:56:13,070 --> 00:56:13,904
HAPPY.

1605
00:56:13,904 --> 00:56:15,706
IF YOU DIE IN SADNESS, YOU

1606
00:56:15,706 --> 00:56:17,007
REMAIN IN SADNESS.

1607
00:56:17,007 --> 00:56:19,043
>> HOW ARE YOU DYING, K. ROTH?

1608
00:56:19,043 --> 00:56:20,778
>> QUITE WELL, THANK YOU.

1609
00:56:20,778 --> 00:56:22,513
>> HOW ARE YOU REALLY DYING?

1610
00:56:22,513 --> 00:56:23,748
>> HOW AM I DYING?

1611
00:56:23,748 --> 00:56:24,181
>> YES.

1612
00:56:24,181 --> 00:56:25,616
>> HOW AM I DYING?!

1613
00:56:25,616 --> 00:56:27,184
>> THAT'S WHAT WE'RE ASKING.

1614
00:56:27,184 --> 00:56:28,953
>> I AM DYING AS YOU WERE

1615
00:56:28,953 --> 00:56:30,087
BORN -- PREMATURELY.

1616
00:56:30,087 --> 00:56:31,756
I AM DYING AS THE OWNER

1617
00:56:31,756 --> 00:56:33,691
DECORATED THIS BAR -- FOOLISHLY.

1618
00:56:33,691 --> 00:56:35,192
FINALLY, I AM DYING LIKE MY

1619
00:56:35,192 --> 00:56:39,797
DISEASE -- NAMELESS.

1620
00:56:39,797 --> 00:56:41,599
>> WHAT ABOUT K. ROTH BINEW AS A

1621
00:56:41,599 --> 00:56:42,099
NAME?

1622
00:56:42,099 --> 00:56:43,568
>> IT ALREADY IS MY NAME.

1623
00:56:43,568 --> 00:56:45,135
>> SOUNDS LIKE A DISEASE IF YOU

1624
00:56:45,135 --> 00:56:46,504
SAY IT FAST ENOUGH.

1625
00:56:46,504 --> 00:56:47,104
KROTHBINEW.

1626
00:56:47,104 --> 00:56:48,873
YOU TRY IT! SAY IT, K. ROTH!

1627
00:56:48,873 --> 00:56:50,007
SAY YOU GOT KROTHBINEW.

1628
00:56:50,007 --> 00:56:51,776
>> THAT WOULD BE RIDICULOUS.

1629
00:56:51,776 --> 00:56:52,510
>> COME ON!

1630
00:56:52,510 --> 00:56:53,511
>> IT'LL BE FUN!

1631
00:56:53,511 --> 00:56:55,846
>> ALL RIGHT.

1632
00:56:55,846 --> 00:56:56,547
READY?

1633
00:56:56,547 --> 00:56:57,081
>> YES.

1634
00:56:57,081 --> 00:56:59,183
>> YOU'D BETTER NOT COME TOO

1635
00:56:59,183 --> 00:57:00,050
CLOSE.

1636
00:57:00,050 --> 00:57:02,186
I'VE GOT KROTHBINEW, AND IT'S

1637
00:57:02,186 --> 00:57:03,721
AWFULLY CONTAGIOUS.

1638
00:57:03,721 --> 00:57:04,955
>> CONTAGIOUS?!

1639
00:57:04,955 --> 00:57:05,990
OH, MY GOD!

1640
00:57:05,990 --> 00:57:06,991
OH, MY GOD!

1641
00:57:06,991 --> 00:57:08,559
GET ME OUT OF HERE!

1642
00:57:08,559 --> 00:57:10,027
>> [ COUGHS ]

1643
00:57:10,027 --> 00:57:12,597
>> WELL, I'VE ALWAYS KNOWN HOW

1644
00:57:12,597 --> 00:57:14,565
TO DRIVE THE WOMEN AWAY.

1645
00:57:37,054 --> 00:57:38,756
>> SIR, YOUR RIDE.

1646
00:57:38,756 --> 00:57:40,791
>> THANKS FOR WAITING.

1647
00:57:40,791 --> 00:57:43,528
JUST THINK, YOU'LL NEVER HAVE TO

1648
00:57:43,528 --> 00:57:45,195
WAIT OUT HERE AGAIN.

1649
00:57:45,195 --> 00:57:49,133
>> IT'S QUITE ALL RIGHT, SIR.

1650
00:57:49,133 --> 00:57:50,034
IT'S GETTING LATE.

1651
00:57:50,034 --> 00:57:53,070
WE SHOULD GET YOU TO THE WAKE.

1652
00:57:53,070 --> 00:57:55,973
>> LOOK AT THE SKY, MILLS.

1653
00:57:55,973 --> 00:57:58,208
IT WILL BE DARK SOON.

1654
00:57:58,208 --> 00:58:00,277
>> YES, SIR. IT WILL.

1655
00:58:00,277 --> 00:58:03,514
>> MILLS, IF YOU DON'T MIND, I

1656
00:58:03,514 --> 00:58:06,083
WOULD LIKE SOME TIME ALONE.

1657
00:58:06,083 --> 00:58:09,219
>> YOU DON'T HAVE MUCH, SIR.

1658
00:58:09,219 --> 00:58:11,021
HURRY.

1659
00:58:11,021 --> 00:58:12,790
>> DON'T WORRY. [ CHUCKLES ]

1660
00:58:12,790 --> 00:58:14,892
ONE CANNOT MISS ONE'S OWN LIVING

1661
00:58:14,892 --> 00:58:18,028
WAKE -- NOT FOR THE WORLD.

1662
00:58:50,728 --> 00:58:54,298
* I'VE NEVER HAD A SWISS WHORE

1663
00:58:54,298 --> 00:58:59,203
OR A PROSTHETIC LEG *

1664
00:58:59,203 --> 00:59:02,206
* I'VE NEVER HEARD SOMEONE BEG

1665
00:59:02,206 --> 00:59:04,842
FOR MORE *

1666
00:59:04,842 --> 00:59:08,178
* I'VE BARELY HEARD PEOPLE BEG

1667
00:59:12,149 --> 00:59:15,820
* I'VE NEVER HAD A BEACH HOUSE

1668
00:59:15,820 --> 00:59:20,891
OR A MEAL IN A PILL *

1669
00:59:20,891 --> 00:59:23,894
* AND IT BOTHERS ME STILL THAT

1670
00:59:23,894 --> 00:59:26,731
I'VE NEVER BEEN TO GUAM *

1671
00:59:26,731 --> 00:59:29,233
* AND NOW I NEVER WILL

1672
00:59:55,125 --> 00:59:57,628
* I THOUGHT I'D LIVE TO SEE THE

1673
00:59:57,628 --> 00:59:58,295
FUTURE *

1674
00:59:58,295 --> 01:00:03,400
* OR AT LEAST A LITTLE BIT

1675
01:00:03,400 --> 01:00:06,971
OF IT NOW *

1676
01:00:06,971 --> 01:00:09,874
* MY LIFE IS OVER

1677
01:00:09,874 --> 01:00:13,243
* MY BRAIN AND BODY HAVE GONE

1678
01:00:13,243 --> 01:00:15,680
TO SHIT *

1679
01:00:15,680 --> 01:00:18,082
* AND NOW THE LIFE IS LEAKING

1680
01:00:18,082 --> 01:00:20,951
FROM MY BODY LIKE THE WATER

1681
01:00:20,951 --> 01:00:24,421
THROUGH A SIEVE *

1682
01:00:24,421 --> 01:00:27,224
* THERE WAS NOTHING THAT I GAVE

1683
01:00:27,224 --> 01:00:29,827
THIS WORLD *

1684
01:00:29,827 --> 01:00:35,099
* SO IT'S LIKE I NEVER LIVED

1685
01:00:35,099 --> 01:00:40,705
* SO IT'S LIKE I NEVER LIVED

1686
01:00:40,705 --> 01:00:46,210
* SO IT'S LIKE I NEVER LIVED

1687
01:00:46,210 --> 01:00:50,114
* SO IT'S LIKE I NEVER...

1688
01:00:50,114 --> 01:00:52,416
LIVED AT ALL *

1689
01:00:59,757 --> 01:01:01,125
>> Let us begin.

1690
01:01:01,125 --> 01:01:03,227
Let us begin our journey toward

1691
01:01:03,227 --> 01:01:05,696
the void -- the journey toward

1692
01:01:05,696 --> 01:01:06,363
the void.

1693
01:01:06,363 --> 01:01:08,999
Let us begin our journey toward

1694
01:01:08,999 --> 01:01:10,968
the void.

1695
01:01:19,844 --> 01:01:21,812
[ SOMBER MUSIC PLAYING ]

1696
01:01:30,888 --> 01:01:33,290
ALL OF YOU, FOR BETTER OR FOR

1697
01:01:33,290 --> 01:01:36,126
WORSE, ARE THE HUMAN BEINGS THAT

1698
01:01:36,126 --> 01:01:38,996
HAVE POPULATED K. ROTH BINEW'S

1699
01:01:38,996 --> 01:01:40,998
LIFE.

1700
01:01:40,998 --> 01:01:42,232
IT IS FOR THIS REASON THAT HE

1701
01:01:42,232 --> 01:01:44,001
FEELS IT IS APPROPRIATE THAT YOU

1702
01:01:44,001 --> 01:01:47,071
WITNESS HIS DEATH.

1703
01:01:47,071 --> 01:01:49,139
SO, LET US BEGIN OUR JOURNEY

1704
01:01:49,139 --> 01:01:51,175
TOWARDS THE VOID WITH

1705
01:01:51,175 --> 01:01:53,310
K. ROTH BINEW'S LIVING WAKE.

1706
01:01:53,310 --> 01:01:57,181
[ FANFARE PLAYS ]

1707
01:01:57,181 --> 01:01:59,283
LADIES AND GENTLEMEN...

1708
01:01:59,283 --> 01:02:01,251
THE IRISH BODY PLAY.

1709
01:02:10,194 --> 01:02:13,330
[ SNAPPING FINGERS ]

1710
01:02:13,330 --> 01:02:15,299
[ HEELS CLICKING ]

1711
01:02:26,510 --> 01:02:28,312
OH! [ LAUGHS ]

1712
01:02:28,312 --> 01:02:30,480
LOOK! A BUTTERFLY!

1713
01:02:30,480 --> 01:02:32,082
[ LAUGHS ]

1714
01:02:32,082 --> 01:02:33,483
OH.

1715
01:02:33,483 --> 01:02:34,819
[ SMOOCHES ]

1716
01:02:34,819 --> 01:02:36,153
[ FLUTE PLAYS ]

1717
01:02:36,153 --> 01:02:37,187
[ SIGHS ]

1718
01:02:37,187 --> 01:02:39,123
[ TROMBONE PLAYS ]

1719
01:02:39,123 --> 01:02:40,224
THANK YOU!

1720
01:02:40,224 --> 01:02:41,525
[ LAUGHS ] YES.

1721
01:02:41,525 --> 01:02:44,261
YEAH! THERE YOU GO!

1722
01:02:44,261 --> 01:02:45,162
THANK YOU!

1723
01:02:45,162 --> 01:02:46,163
THANK YOU VERY MUCH!

1724
01:02:46,163 --> 01:02:48,065
OH, LOOK, LADIES AND GENTLEMEN!

1725
01:02:48,065 --> 01:02:51,235
IT'S MILLS JOQUIN!

1726
01:02:51,235 --> 01:02:52,569
>> THANK YOU.

1727
01:02:52,569 --> 01:02:55,172
>> LADIES AND GENTLEMEN,

1728
01:02:55,172 --> 01:02:57,107
"IF I WAS REAL"...

1729
01:02:57,107 --> 01:02:59,076
>> BY K. ROTH BINEW.

1730
01:03:03,347 --> 01:03:06,016
* IF I WAS REAL, I'D GO TO THE

1731
01:03:06,016 --> 01:03:08,418
BAKERY TO GARNER SOME PASTRIES

1732
01:03:08,418 --> 01:03:10,220
FOR MY MORNING MEAL *

1733
01:03:10,220 --> 01:03:12,056
* AND IF I WAS REAL, I'D

1734
01:03:12,056 --> 01:03:13,323
PROBABLY HAVE BABIES *

1735
01:03:13,323 --> 01:03:15,425
* MOST LIKELY A LADY TO HAVE

1736
01:03:15,425 --> 01:03:16,493
BABIES WITH *

1737
01:03:16,493 --> 01:03:18,829
>> THEY LOVE ME OUT THERE.

1738
01:03:18,829 --> 01:03:21,131
I'VE GOT THEM RIGHT WHERE I WANT

1739
01:03:21,131 --> 01:03:22,032
THEM.

1740
01:03:22,032 --> 01:03:24,034
>> * IF I WAS REAL, I'D HAVE

1741
01:03:24,034 --> 01:03:25,202
MORE INSURANCE *

1742
01:03:25,202 --> 01:03:27,204
* AND IF I WAS REAL, I'D BE A

1743
01:03:27,204 --> 01:03:28,238
LOT LESS NERVOUS *

1744
01:03:28,238 --> 01:03:32,977
* I'M NOT REAL, I'M JUST BONES

1745
01:03:32,977 --> 01:03:35,212
* IF I WAS REAL, I'D HAVE ME A

1746
01:03:35,212 --> 01:03:37,982
PARTY, INVITE THE MOST BAWDY

1747
01:03:37,982 --> 01:03:39,383
WOMEN I KNOW *

1748
01:03:39,383 --> 01:03:41,952
* AND I'D HAVE THEM HOLD ME

1749
01:03:41,952 --> 01:03:45,289
FOREVER AND MAKE ME AS REAL AS

1750
01:03:45,289 --> 01:03:47,524
I'M NOT *

1751
01:03:47,524 --> 01:03:50,260
[ CLEARS THROAT ]

1752
01:03:50,260 --> 01:03:53,197
[ SCATTERED APPLAUSE ]

1753
01:03:53,197 --> 01:03:54,932
PERHAPS K. ROTH'S GREATEST

1754
01:03:54,932 --> 01:03:56,166
REGRET WAS THAT HE NEVER

1755
01:03:56,166 --> 01:03:58,168
PRODUCED THE ONE WORK HE ADAPTED

1756
01:03:58,168 --> 01:03:59,904
FOR THE STAGE, THE STORY OF AN

1757
01:03:59,904 --> 01:04:01,405
ANTEBELLUM SOUTHERN WOMAN AND

1758
01:04:01,405 --> 01:04:02,873
ALL OF HER TRIALS AND

1759
01:04:02,873 --> 01:04:04,141
TRIBULATIONS.

1760
01:04:04,141 --> 01:04:06,310
LADIES AND GENTLEMEN, FOR THE

1761
01:04:06,310 --> 01:04:09,146
FIRST TIME EVER, K. ROTH BINEW'S

1762
01:04:09,146 --> 01:04:10,881
ONE-WOMAN SHOW,

1763
01:04:10,881 --> 01:04:12,482
"REMEMBRANCE OF DAWN."

1764
01:04:12,482 --> 01:04:16,020
[ SLOW MUSIC PLAYS ]

1765
01:04:23,160 --> 01:04:24,294
[ Southern accent ] I DO

1766
01:04:24,294 --> 01:04:26,130
REMEMBER MY YOUTH, BEAUREGARD.

1767
01:04:26,130 --> 01:04:26,396
I DO.

1768
01:04:26,396 --> 01:04:28,232
WELL, I DON'T REMEMBER IT LIKE

1769
01:04:28,232 --> 01:04:29,166
MOST, WITH JOY.

1770
01:04:29,166 --> 01:04:32,469
NO, I REMEMBER IT WITH SADNESS.

1771
01:04:32,469 --> 01:04:34,238
SO MUCH HOPE THAT WAS

1772
01:04:34,238 --> 01:04:35,205
SQUANDERED.

1773
01:04:35,205 --> 01:04:37,274
SO MANY THINGS THAT WERE LEFT

1774
01:04:37,274 --> 01:04:40,044
UNDONE.

1775
01:04:40,044 --> 01:04:42,246
OH, HOW I REMEMBER.

1776
01:04:42,246 --> 01:04:45,315
OH, HOW I REMEMBER...

1777
01:04:45,315 --> 01:04:47,117
SWIMMING.

1778
01:04:47,117 --> 01:04:49,219
WE WOULD GO DOWN TO THE QUARRY.

1779
01:04:49,219 --> 01:04:50,687
THERE WAS ALWAYS SUCH GOOD

1780
01:04:50,687 --> 01:04:52,156
SWIMMING IN THE QUARRY.

1781
01:04:52,156 --> 01:04:54,124
MOTHER AND FATHER AND SISTER

1782
01:04:54,124 --> 01:04:54,959
WERE THERE.

1783
01:04:54,959 --> 01:04:56,526
AND FATHER WOULD WEAR ONE OF

1784
01:04:56,526 --> 01:04:58,328
THOSE FULL-BODY BATHING SUITS

1785
01:04:58,328 --> 01:05:00,197
THAT WENT OUT IN THE '20s.

1786
01:05:00,197 --> 01:05:01,999
OH, HE WOULD LOOK LIKE SUCH A

1787
01:05:01,999 --> 01:05:03,433
FOOL IN THAT BATHING SUIT.

1788
01:05:03,433 --> 01:05:05,402
BUT IT WAS ALL RIGHT, FOR HE HAD

1789
01:05:05,402 --> 01:05:07,571
NICE THIGHS.

1790
01:05:07,571 --> 01:05:09,539
AND SOMETIMES -- WELL, SOMETIMES

1791
01:05:09,539 --> 01:05:11,275
BILLY WOULD BE AT THE QUARRY.

1792
01:05:11,275 --> 01:05:12,977
BILLY ALWAYS SMELLED LIKE

1793
01:05:12,977 --> 01:05:13,543
APPLE PIE.

1794
01:05:13,543 --> 01:05:15,145
WE WEREN'T QUITE SURE WHY.

1795
01:05:15,145 --> 01:05:16,680
WE THOUGHT IT WAS MAYBE A

1796
01:05:16,680 --> 01:05:18,082
GLANDULAR DISORDER.

1797
01:05:18,082 --> 01:05:19,984
BUT IT WAS ALL RIGHT, BECAUSE HE

1798
01:05:19,984 --> 01:05:22,719
WAS SWEET ON ME, AND SISTER WAS

1799
01:05:22,719 --> 01:05:23,988
JEALOUS!

1800
01:05:23,988 --> 01:05:25,455
[ LAUGHS ]

1801
01:05:25,455 --> 01:05:27,624
AND WE WOULD WALK HOME THROUGH A

1802
01:05:27,624 --> 01:05:29,693
GREEN FIELD WITH THE SMELLS OF

1803
01:05:29,693 --> 01:05:31,728
SUMMER EVERYWHERE, THE CICADAS

1804
01:05:31,728 --> 01:05:33,630
SINGING THEIR LOVELY SUMMER

1805
01:05:33,630 --> 01:05:34,264
OPERA.

1806
01:05:34,264 --> 01:05:39,336
[ SCREECHING ]

1807
01:05:39,336 --> 01:05:42,606
IT WAS ALL SO FRESH, SO FULL OF

1808
01:05:42,606 --> 01:05:49,079
HOPE, SO UNTAINTED.

1809
01:05:49,079 --> 01:05:51,015
AND THEN I MET YOU, BEAUREGARD,

1810
01:05:51,015 --> 01:05:52,549
AND ALL THAT WAS PURE BECAME

1811
01:05:52,549 --> 01:05:54,218
POLLUTED, AND ALL THAT WAS

1812
01:05:54,218 --> 01:05:56,286
INNOCENT BECAME JADED, AND ALL

1813
01:05:56,286 --> 01:05:57,521
THOSE SUMMERS TURNED TO

1814
01:05:57,521 --> 01:05:59,489
WINTERS -- COLD, HATEFUL, BITTER

1815
01:05:59,489 --> 01:06:02,192
WINTERS WITH NO SPRING IN SIGHT!

1816
01:06:02,192 --> 01:06:05,129
YOU HAVE TAKEN MY YOUTH,

1817
01:06:05,129 --> 01:06:08,332
BEAUREGARD, WHICH I GOT OVER.

1818
01:06:08,332 --> 01:06:11,501
BUT I WILL NOT LET YOU TAKE MY

1819
01:06:11,501 --> 01:06:14,338
THREE BEAUTIFUL CHILDREN!

1820
01:06:14,338 --> 01:06:16,440
OH!

1821
01:06:16,440 --> 01:06:18,508
>> HE NEEDS AN AMBULANCE!

1822
01:06:18,508 --> 01:06:20,377
>> HE'S DEAD!

1823
01:06:20,377 --> 01:06:23,247
>> NO! NO!

1824
01:06:23,247 --> 01:06:24,348
>> OH, NO.

1825
01:06:24,348 --> 01:06:26,016
OH, NO, NO, NO!

1826
01:06:26,016 --> 01:06:27,751
NO, DA WAS FALLING.

1827
01:06:27,751 --> 01:06:29,019
DAWN FELL.

1828
01:06:29,019 --> 01:06:30,454
SHE USED MY BODY.

1829
01:06:30,454 --> 01:06:32,056
I'M ALL RIGHT.

1830
01:06:32,056 --> 01:06:33,257
I'M ALL RIGHT.

1831
01:06:33,257 --> 01:06:35,192
LADIES AND GENTLEMEN, MY TWO

1832
01:06:35,192 --> 01:06:37,161
FRIENDS FROM THE BAR WHOSE NAMES

1833
01:06:37,161 --> 01:06:38,328
COMPLETELY ESCAPE ME.

1834
01:06:38,328 --> 01:06:40,330
NOW, IF YOU'LL JUST EXCUSE ME

1835
01:06:40,330 --> 01:06:42,199
FOR A BRIEF MOMENT, THERE WILL

1836
01:06:42,199 --> 01:06:43,200
BE A QUICK CHANGE.

1837
01:06:43,200 --> 01:06:45,269
I WOULD LIKE TO REINTRODUCE TO

1838
01:06:45,269 --> 01:06:47,071
YOU THE MASTER OF CEREMONIES,

1839
01:06:47,071 --> 01:06:47,804
MILLS JOQUIN.

1840
01:06:47,804 --> 01:06:49,239
[ SCATTERED APPLAUSE ]

1841
01:06:49,239 --> 01:06:53,177
[ FANFARE PLAYS ]

1842
01:06:53,177 --> 01:06:54,411
>> THANK YOU.

1843
01:06:54,411 --> 01:07:01,251
UM, SO, THESE ARE ONIONS.

1844
01:07:01,251 --> 01:07:03,553
[ BAND PLAYS UP-TEMPO MUSIC ]

1845
01:07:03,553 --> 01:07:05,755
[ SOUR NOTE PLAYS, MUSIC STOPS ]

1846
01:07:05,755 --> 01:07:07,257
[ MUSIC RESUMES ]

1847
01:07:07,257 --> 01:07:09,326
>> SO EXCITING TO BE AT THE

1848
01:07:09,326 --> 01:07:11,295
BEGINNING OF A THING.

1849
01:07:11,295 --> 01:07:13,463
A DIFFERENT KIND OF EXCITEMENT

1850
01:07:13,463 --> 01:07:16,133
THAN THE END -- MORE HOPE, LESS

1851
01:07:16,133 --> 01:07:16,700
DREAD.

1852
01:07:16,700 --> 01:07:18,668
SO EXCITING TO BE AT THE

1853
01:07:18,668 --> 01:07:22,706
BEGINNING OF A THING.

1854
01:07:22,706 --> 01:07:24,408
>> AND NONE OF IT AS EXCITING AS

1855
01:07:24,408 --> 01:07:26,376
WHAT COMES NEXT.

1856
01:07:33,850 --> 01:07:36,853
>> YOU WENT AWAY, AND YOU STAYED

1857
01:07:36,853 --> 01:07:37,687
AWAY.

1858
01:07:37,687 --> 01:07:40,690
AND NOW YOU'RE HERE, AND WHAT DO

1859
01:07:40,690 --> 01:07:41,825
YOU WANT?

1860
01:07:41,825 --> 01:07:43,760
>> YOU WOULDN'T UNDERSTAND.

1861
01:07:43,760 --> 01:07:45,562
IT'S TOO MUCH TO TAKE IN.

1862
01:07:45,562 --> 01:07:47,697
>> OH, I UNDERSTAND PERFECTLY.

1863
01:07:47,697 --> 01:07:49,799
YOU LEFT ME ALONE IN THE WORLD

1864
01:07:49,799 --> 01:07:51,801
WITH A FAMILY THAT HATES ME.

1865
01:07:51,801 --> 01:07:54,138
YOU RUINED FATHERS AND MEN FOR

1866
01:07:54,138 --> 01:07:54,404
ME.

1867
01:07:54,404 --> 01:07:56,406
AND NOW, ON MY DEATHBED, YOU

1868
01:07:56,406 --> 01:07:58,242
WISH TO MAKE AMENDS.

1869
01:07:58,242 --> 01:08:00,544
WELL, LET ME SAY THIS, YOU

1870
01:08:00,544 --> 01:08:02,479
SMALL, SELFISH MAN --

1871
01:08:02,479 --> 01:08:04,381
>> K. ROTH, PLEASE.

1872
01:08:04,381 --> 01:08:06,650
>> LET ME SAY THIS, YOU SMALL,

1873
01:08:06,650 --> 01:08:07,851
SELFISH MAN!

1874
01:08:07,851 --> 01:08:09,819
YOU ARE NOT MY FATHER.

1875
01:08:09,819 --> 01:08:11,555
YOU ARE...AN ANTI-FATHER.

1876
01:08:11,555 --> 01:08:13,557
YOU ARE EVERYTHING A FATHER IS

1877
01:08:13,557 --> 01:08:14,258
NOT.

1878
01:08:14,258 --> 01:08:15,525
YOU LACK FATHER-NESS.

1879
01:08:15,525 --> 01:08:17,661
>> I KNEW YOU WOULD RESPOND LIKE

1880
01:08:17,661 --> 01:08:18,228
THIS.

1881
01:08:18,228 --> 01:08:20,364
>> YOU CAN TAKE YOUR BRIEF BUT

1882
01:08:20,364 --> 01:08:22,199
POWERFUL MONOLOGUE AND CHOKE ON

1883
01:08:22,199 --> 01:08:22,632
IT.

1884
01:08:22,632 --> 01:08:24,601
I WOULDN'T HAVE ENOUGH TIME TO

1885
01:08:24,601 --> 01:08:25,669
USE IT ANYHOW.

1886
01:08:25,669 --> 01:08:27,504
SO IF YOU'LL JUST BE ON YOUR

1887
01:08:27,504 --> 01:08:29,473
WAY, THE ENDING WON'T MAKE ANY

1888
01:08:29,473 --> 01:08:34,378
SENSE IF YOU MISSED THE MIDDLE.

1889
01:08:34,378 --> 01:08:36,346
>> KLAUS...

1890
01:08:36,346 --> 01:08:39,783
PLEASE, STEP OFF THE STAGE AND

1891
01:08:39,783 --> 01:08:41,851
COME BACK HERE TO TALK TO ME.

1892
01:08:41,851 --> 01:08:43,553
>> I DON'T HAVE TIME FOR YOUR

1893
01:08:43,553 --> 01:08:45,389
TORTUROUS BABBLE RIGHT NOW,

1894
01:08:45,389 --> 01:08:46,390
DR. SCHOENBERG.

1895
01:08:46,390 --> 01:08:47,457
VERY TIGHT SCHEDULE.

1896
01:08:47,457 --> 01:08:49,393
>> KLAUS, YOU ARE HAVING AN

1897
01:08:49,393 --> 01:08:51,628
EPISODE, JUST LIKE YOUR PREVIOUS

1898
01:08:51,628 --> 01:08:52,462
EPISODES.

1899
01:08:52,462 --> 01:08:54,564
>> PLEASE, KLAUS, GO WITH YOUR

1900
01:08:54,564 --> 01:08:55,532
DOCTOR NOW.

1901
01:08:55,532 --> 01:08:57,501
YOU JUST NEED SOME REST.

1902
01:08:57,501 --> 01:08:59,303
>> HE'S NOT MY DOCTOR.

1903
01:08:59,303 --> 01:09:01,438
THAT'S MY DOCTOR.

1904
01:09:01,438 --> 01:09:04,674
>> K. ROTH BINEW IS DYING OF A

1905
01:09:04,674 --> 01:09:07,844
YET-TO-BE-NAMED, GRAVE, VAGUE

1906
01:09:07,844 --> 01:09:09,279
DISEASE.

1907
01:09:09,279 --> 01:09:11,881
>> THANK YOU, DOCTOR.

1908
01:09:11,881 --> 01:09:13,217
>> 10 MINUTES.

1909
01:09:13,217 --> 01:09:16,453
>> TIME WAITS FOR NO MAN.

1910
01:09:16,453 --> 01:09:18,222
I'M SURE THAT SOME OF YOU HAD A

1911
01:09:18,222 --> 01:09:19,889
PROBLEM WITH THE WAY I WALKED

1912
01:09:19,889 --> 01:09:21,491
THROUGH THE WORLD, SO AT THE

1913
01:09:21,491 --> 01:09:23,260
END, THERE WILL BE A TWO-MINUTE

1914
01:09:23,260 --> 01:09:24,861
REBUTTAL, THOUGH I'M SURE IT

1915
01:09:24,861 --> 01:09:26,696
WILL BE VICIOUS, SO LET'S CUT IT

1916
01:09:26,696 --> 01:09:27,664
OUT ALTOGETHER.

1917
01:09:27,664 --> 01:09:28,765
>> GOD DAMN IT!

1918
01:09:28,765 --> 01:09:30,734
>> OLD MAN, YOU CAN TALK ABOUT

1919
01:09:30,734 --> 01:09:32,736
ME ALL YOU WANT AFTER I'M GONE.

1920
01:09:32,736 --> 01:09:34,371
IN FACT, I ENCOURAGE IT.

1921
01:09:34,371 --> 01:09:36,340
COLLECT YOURSELVES IN SMALL

1922
01:09:36,340 --> 01:09:38,408
GROUPS EVERY THURSDAY EVENING TO

1923
01:09:38,408 --> 01:09:39,576
DISCUSS ME AND MY IDEAS.

1924
01:09:39,576 --> 01:09:41,345
BUT DON'T FORGET TO RECRUIT FROM

1925
01:09:41,345 --> 01:09:42,679
THE LOCAL HIGH SCHOOLS.

1926
01:09:42,679 --> 01:09:44,248
PERHAPS MY WORLD VIEW WILL BE

1927
01:09:44,248 --> 01:09:45,849
MORE IN TUNE WITH THE YOUNGER

1928
01:09:45,849 --> 01:09:47,884
GENERATION.

1929
01:09:47,884 --> 01:09:51,255
OH, REGISTERED ON THE SCALE OF

1930
01:09:51,255 --> 01:09:54,824
HUMANITY, TO REGISTER NOT AS ONE

1931
01:09:54,824 --> 01:09:56,826
OF BILLIONS WHO PASSIVELY

1932
01:09:56,826 --> 01:09:58,762
CONSUMED BUT AS ONE WHO

1933
01:09:58,762 --> 01:10:00,864
PRODUCES, ONE WHO PRODUCED

1934
01:10:00,864 --> 01:10:03,300
SOMETHING PEOPLE CAN TURN TO FOR

1935
01:10:03,300 --> 01:10:06,736
THE WISDOM OF THE AGES, JUST TO

1936
01:10:06,736 --> 01:10:10,240
SEE A HAND FROM THE FUTURE REACH

1937
01:10:10,240 --> 01:10:13,310
FOR MY BOOK ON A SHELF...

1938
01:10:13,310 --> 01:10:16,613
SIMPLE, UNREALIZED FANTASIES ARE

1939
01:10:16,613 --> 01:10:21,351
NOW TOO OVERWHELMING TO PONDER.

1940
01:10:21,351 --> 01:10:22,452
>> NINE MINUTES.

1941
01:10:22,452 --> 01:10:24,388
>> I SHOULD WARN YOU, DEAR

1942
01:10:24,388 --> 01:10:26,623
FRIENDS, THAT SOMEWHERE IN THIS

1943
01:10:26,623 --> 01:10:28,792
AUDIENCE TONIGHT, LURKING, IS

1944
01:10:28,792 --> 01:10:30,560
MY ENEMY, THE BANE OF MY

1945
01:10:30,560 --> 01:10:32,729
SOON-TO-BE-OVER EXISTENCE, AND

1946
01:10:32,729 --> 01:10:34,531
HE IS NOT TO BE TRUSTED.

1947
01:10:34,531 --> 01:10:36,333
I KNOW YOU'RE OUT THERE,

1948
01:10:36,333 --> 01:10:37,401
REGINALD!

1949
01:10:37,401 --> 01:10:39,269
>> I'M RIGHT HERE, BINEW!

1950
01:10:39,269 --> 01:10:39,769
>> GOOD.

1951
01:10:39,769 --> 01:10:41,705
I WOULD LIKE TO TELL YOU HOW OUR

1952
01:10:41,705 --> 01:10:42,672
RIVALRY ENDS.

1953
01:10:42,672 --> 01:10:44,574
I'M SURE YOU THINK YOU HAVE WON

1954
01:10:44,574 --> 01:10:45,842
BECAUSE I AM DYING.

1955
01:10:45,842 --> 01:10:46,976
>> A LITTLE BIT.

1956
01:10:46,976 --> 01:10:48,712
>> WELL, YOU ARE WRONG, DEAR

1957
01:10:48,712 --> 01:10:49,513
FRIEND.

1958
01:10:49,513 --> 01:10:51,715
I HAVE WON, BECAUSE WHEN YOU

1959
01:10:51,715 --> 01:10:53,983
RETURN HOME TONIGHT, YOU WILL

1960
01:10:53,983 --> 01:10:56,386
FIND THAT I HAVE SHIT IN ALL OF

1961
01:10:56,386 --> 01:10:57,421
YOUR PANTS.

1962
01:10:57,421 --> 01:10:58,355
>> WHAT?!

1963
01:10:58,355 --> 01:10:59,556
[ SPECTATORS GROANS ]

1964
01:10:59,556 --> 01:11:01,291
>> I HAVE SHIT IN ALL OF YOUR

1965
01:11:01,291 --> 01:11:01,591
PANTS.

1966
01:11:01,591 --> 01:11:02,926
>> EVEN THE GABERDINES?!

1967
01:11:02,926 --> 01:11:03,927
>> YES, REGINALD.

1968
01:11:03,927 --> 01:11:05,529
AND THAT FEELING YOU HAVE WHEN

1969
01:11:05,529 --> 01:11:07,331
YOU REALIZE THAT I AM NOT

1970
01:11:07,331 --> 01:11:09,533
JOKING -- WHY, THAT IS EXACTLY

1971
01:11:09,533 --> 01:11:11,568
HOW AWFUL IT HAS BEEN TO LIVE

1972
01:11:11,568 --> 01:11:13,803
NEAR YOU ON THE PLANET EARTH FOR

1973
01:11:13,803 --> 01:11:15,372
THESE PAST FEW YEARS.

1974
01:11:15,372 --> 01:11:17,541
SO, REGINALD, IT SEEMS THAT OUR

1975
01:11:17,541 --> 01:11:20,977
CASE IS WELL RESTED.

1976
01:11:20,977 --> 01:11:24,948
[ SOMBER MUSIC PLAYING ]

1977
01:11:24,948 --> 01:11:26,082
BECAUSE HE HAS DECIDED TO

1978
01:11:26,082 --> 01:11:27,951
MAINTAIN HIS UNWELCOME PRESENCE,

1979
01:11:27,951 --> 01:11:29,619
I SEE NO REASON WHY I SHOULD NOT

1980
01:11:29,619 --> 01:11:30,454
INTRODUCE HIM.

1981
01:11:30,454 --> 01:11:32,088
HE IS, AFTER ALL, RESPONSIBLE

1982
01:11:32,088 --> 01:11:33,923
FOR MOST OF MY PERSONALITY

1983
01:11:33,923 --> 01:11:34,691
PROBLEMS.

1984
01:11:34,691 --> 01:11:36,660
LADIES AND GENTLEMEN, THE FATHER

1985
01:11:36,660 --> 01:11:37,894
THAT ABANDONED ME,

1986
01:11:37,894 --> 01:11:42,065
LAMPERT BINEW.

1987
01:11:42,065 --> 01:11:43,600
>> I DID NOT ABANDON YOU.

1988
01:11:43,600 --> 01:11:45,369
>> MAYBE THEY CHANGED THE

1989
01:11:45,369 --> 01:11:46,636
DEFINITION OF "ABANDON."

1990
01:11:46,636 --> 01:11:48,338
UH, PERHAPS "FORSAKE" OR

1991
01:11:48,338 --> 01:11:50,039
"DESERT."

1992
01:11:50,039 --> 01:11:50,774
>> EIGHT MINUTES.

1993
01:11:50,774 --> 01:11:51,941
>> FATHER, COME BACK IN EIGHT

1994
01:11:51,941 --> 01:11:52,175
MINUTES.

1995
01:11:52,175 --> 01:11:55,879
I'M BUSY RIGHT NOW.

1996
01:11:55,879 --> 01:11:57,481
BEFORE I FORGET, IF ANYBODY

1997
01:11:57,481 --> 01:11:59,015
WANTS TWO BLANKETS, HALF A

1998
01:11:59,015 --> 01:12:00,884
BOTTLE OF GIN, A TYPEWRITER, AND

1999
01:12:00,884 --> 01:12:02,686
A HOT PLATE, THEY'LL BE IN ROOM

2000
01:12:02,686 --> 01:12:04,554
NUMBER 8 AT MY BOARDING HOUSE.

2001
01:12:04,554 --> 01:12:05,789
BE CAREFUL.

2002
01:12:05,789 --> 01:12:08,358
THE TYPEWRITER IS CURSED.

2003
01:12:08,358 --> 01:12:10,627
IT ONLY TYPES OUT TRASH --

2004
01:12:10,627 --> 01:12:12,596
UNPUBLISHABLE TRASH.

2005
01:12:12,596 --> 01:12:14,364
YOU CAN GET THE KEY OFF OF MY

2006
01:12:14,364 --> 01:12:15,765
BODY AFTER THE WAKE, LEFT-HAND

2007
01:12:15,765 --> 01:12:16,666
POCKET.

2008
01:12:16,666 --> 01:12:19,102
THERE IS ALSO A CRISP $50 BILL

2009
01:12:19,102 --> 01:12:21,538
TAPED TO MY TESTICLES FOR

2010
01:12:21,538 --> 01:12:23,072
WHOEVER IS INTERESTED.

2011
01:12:23,072 --> 01:12:25,074
IT IS WELL TAPED, SO I IMAGINE

2012
01:12:25,074 --> 01:12:26,843
IT WILL REQUIRE SOME WORK.

2013
01:12:26,843 --> 01:12:30,480
NOT FOR THE SQUEAMISH.

2014
01:12:30,480 --> 01:12:32,916
MILLS, WHAT ARE YOU DOING?

2015
01:12:32,916 --> 01:12:34,551
THIS IS MY SHOW.

2016
01:12:34,551 --> 01:12:36,119
>> I'VE WRITTEN SOMETHING FOR

2017
01:12:36,119 --> 01:12:36,553
YOU.

2018
01:12:36,553 --> 01:12:38,455
>> WELL, I'M NOT FINISHED, AND I

2019
01:12:38,455 --> 01:12:39,456
DON'T HAVE MUCH TIME.

2020
01:12:39,456 --> 01:12:41,124
DON'T YOU THINK YOU COULD DO IT

2021
01:12:41,124 --> 01:12:41,991
WHEN I'M GONE?

2022
01:12:41,991 --> 01:12:42,492
>> NO.

2023
01:12:42,492 --> 01:12:44,127
[ Voice breaking ] IT WILL ONLY

2024
01:12:44,127 --> 01:12:46,796
TAKE A MOMENT, PLEASE.

2025
01:12:46,796 --> 01:12:48,765
>> ALL RIGHT.

2026
01:12:53,169 --> 01:12:55,138
[ VIOLIN PLAYING ]

2027
01:13:00,777 --> 01:13:05,148
>> "K. ROTH BINEW, MY KING, MY

2028
01:13:05,148 --> 01:13:09,753
LIGHT, YOUR DAY THE LAST HAS

2029
01:13:09,753 --> 01:13:12,922
COME.

2030
01:13:12,922 --> 01:13:15,959
AND AS YOUR BREATH DOTH SEEK ITS

2031
01:13:15,959 --> 01:13:21,965
DEATH UPON THE SETTING SUN, I

2032
01:13:21,965 --> 01:13:27,704
CAST MY SIGHTS TO FANCY FLIGHTS,

2033
01:13:27,704 --> 01:13:31,808
WHEN YOU AND I WERE YOUNG.

2034
01:13:31,808 --> 01:13:34,711
K. ROTH BINEW, MY KING, MY

2035
01:13:34,711 --> 01:13:39,015
LIGHT, WE WILL NOT MEET AGAIN.

2036
01:13:42,719 --> 01:13:46,823
K. ROTH BINEW, SO FALLS THE

2037
01:13:46,823 --> 01:13:50,460
NIGHT...

2038
01:13:50,460 --> 01:13:54,130
WHEN FALLS MY ONLY FRIEND."

2039
01:14:03,172 --> 01:14:05,141
>> THANK YOU, MILLS.

2040
01:14:14,518 --> 01:14:17,654
I SEE NOW WHY THE WAKE IS

2041
01:14:17,654 --> 01:14:21,157
TRADITIONALLY HELD AFTER DEATH.

2042
01:14:21,157 --> 01:14:24,093
MUCH QUIETER.

2043
01:14:24,093 --> 01:14:28,097
LESS PAINFUL.

2044
01:14:28,097 --> 01:14:29,799
YOU CAN FABRICATE THE

2045
01:14:29,799 --> 01:14:31,635
DISPOSITION OF THE DEAD.

2046
01:14:31,635 --> 01:14:33,803
YOU CANNOT HEAR THEM HOWLING

2047
01:14:33,803 --> 01:14:36,072
THEIR LAST BREATH IN DEFIANCE.

2048
01:14:36,072 --> 01:14:38,241
HOWL!

2049
01:14:38,241 --> 01:14:39,909
LIKE THAT.

2050
01:14:39,909 --> 01:14:42,646
HOWL!

2051
01:14:42,646 --> 01:14:44,748
THAT IS MY INTERPRETATION OF

2052
01:14:44,748 --> 01:14:47,250
DEFIANCE.

2053
01:14:47,250 --> 01:14:51,087
>> I DIED THAT DAY AT THE ZOO.

2054
01:14:51,087 --> 01:14:53,256
>> REALLY, FATHER, THIS CONSTANT

2055
01:14:53,256 --> 01:14:55,258
INTERRUPTION IS INEXCUSABLE.

2056
01:14:55,258 --> 01:14:57,260
>> I'D GOTTEN YOU A SMALL PANDA.

2057
01:14:57,260 --> 01:14:59,228
A STUFFED ANIMAL, OF COURSE.

2058
01:14:59,228 --> 01:15:01,531
WHILE LEAVING THE ZOO, SOMEONE

2059
01:15:01,531 --> 01:15:03,567
BUMPED ME, AND THE PANDA FELL

2060
01:15:03,567 --> 01:15:04,734
INTO A CAGE.

2061
01:15:04,734 --> 01:15:06,703
I WAS IN A HURRY, SO WITHOUT

2062
01:15:06,703 --> 01:15:08,872
THINKING, I CLIMBED THE FENCE.

2063
01:15:08,872 --> 01:15:11,074
AS I BENT DOWN TO GET THE PANDA,

2064
01:15:11,074 --> 01:15:13,176
I REALIZED I WAS SURROUNDED BY

2065
01:15:13,176 --> 01:15:15,144
BADGERS.

2066
01:15:15,144 --> 01:15:17,681
"WHY A CAGE FULL OF BADGERS?"

2067
01:15:17,681 --> 01:15:18,815
I THOUGHT.

2068
01:15:18,815 --> 01:15:21,585
"WHO WANTS TO LOOK AT A BADGER?"

2069
01:15:21,585 --> 01:15:23,887
FIRST THEY TORE THROUGH MY

2070
01:15:23,887 --> 01:15:26,556
CLOTHES, THEN MY SKIN, THEN THE

2071
01:15:26,556 --> 01:15:29,158
SINEW, THEN THE BONE.

2072
01:15:29,158 --> 01:15:31,194
I WAS COMPLETELY DEVOURED.

2073
01:15:31,194 --> 01:15:33,329
THE ONLY EVIDENCE REMAINING WAS

2074
01:15:33,329 --> 01:15:37,066
THE TOY PANDA...AND THE 10

2075
01:15:37,066 --> 01:15:41,070
BADGERS WITH BLOODY TEETH.

2076
01:15:41,070 --> 01:15:45,141
>> SO, YOU WOULD HAVE COME BACK?

2077
01:15:45,141 --> 01:15:47,711
>> YES.

2078
01:15:47,711 --> 01:15:49,879
>> AND YOU WOULD HAVE TOLD ME

2079
01:15:49,879 --> 01:15:51,180
WHAT IT ALL MEANT?

2080
01:15:51,180 --> 01:15:53,750
>> K. ROTH, LIFE IS NOT LIKE ONE

2081
01:15:53,750 --> 01:15:55,284
OF YOUR WORD PROBLEMS.

2082
01:15:55,284 --> 01:15:59,188
THERE'S NO EQUATION FOR LIFE.

2083
01:15:59,188 --> 01:16:03,126
>> I GUESS LIFE WOULD BE A VERY

2084
01:16:03,126 --> 01:16:05,629
LONG WORD PROBLEM.

2085
01:16:05,629 --> 01:16:07,731
BUT YOU IMPLIED THAT THERE WAS A

2086
01:16:07,731 --> 01:16:09,098
DEFINITIVE ANSWER.

2087
01:16:09,098 --> 01:16:10,967
>> THERE'S NO ANSWER, JUST A

2088
01:16:10,967 --> 01:16:13,036
DECISION -- A DECISION YOU MADE

2089
01:16:13,036 --> 01:16:14,137
LONG AGO, K. ROTH.

2090
01:16:14,137 --> 01:16:15,805
>> AND WHAT WAS THAT?

2091
01:16:15,805 --> 01:16:17,373
>> TO LIVE IN THE WORLD OF

2092
01:16:17,373 --> 01:16:19,242
POSSIBILITIES, TO EMBRACE

2093
01:16:19,242 --> 01:16:21,277
THOUGHTS AS SOMETHING NOT TO BE

2094
01:16:21,277 --> 01:16:23,880
IGNORED BUT SHOUTED FROM THE

2095
01:16:23,880 --> 01:16:25,181
HIGHEST TOWER.

2096
01:16:25,181 --> 01:16:27,150
>> SO...

2097
01:16:27,150 --> 01:16:30,386
YOU'RE DEAD...

2098
01:16:30,386 --> 01:16:33,089
RIGHT NOW?

2099
01:16:33,089 --> 01:16:34,691
>> I THOUGHT YOU FIGURED THAT

2100
01:16:34,691 --> 01:16:37,260
OUT IN THE TENT.

2101
01:16:37,260 --> 01:16:41,631
YES. NO ONE CAN SEE ME BUT YOU.

2102
01:16:41,631 --> 01:16:47,170
>> [ LAUGHING MANIACALLY ]

2103
01:16:47,170 --> 01:16:49,138
>> WHAT'S THE MATTER WITH HIM?

2104
01:16:54,811 --> 01:16:56,245
>> FIVE MINUTES.

2105
01:16:56,245 --> 01:16:58,114
>> [ Voice breaking ] OH.

2106
01:16:58,114 --> 01:17:00,717
OH, BUT I WAS SUPPOSED TO EARN

2107
01:17:00,717 --> 01:17:03,186
MY SEAT AT THE TABLE OF ETERNAL

2108
01:17:03,186 --> 01:17:04,654
LITERARY GREATS!

2109
01:17:04,654 --> 01:17:06,723
I HAVE NO GOAL COMPLETED!

2110
01:17:06,723 --> 01:17:08,291
>> YOU HAVE TRIED.

2111
01:17:08,291 --> 01:17:10,960
>> AND I HAVE FAILED.

2112
01:17:10,960 --> 01:17:13,262
I AM NOT A SCULPTOR.

2113
01:17:13,262 --> 01:17:15,765
I AM NOT A WRITER.

2114
01:17:15,765 --> 01:17:18,201
I AM NOT A PAINTER!

2115
01:17:18,201 --> 01:17:20,303
I AM NOT A DANCER!

2116
01:17:20,303 --> 01:17:25,775
I AM A STUPID, DRUNK, SCARED,

2117
01:17:25,775 --> 01:17:28,878
DYING MAN!

2118
01:17:28,878 --> 01:17:33,316
I AM...A DEAD MAN!

2119
01:17:33,316 --> 01:17:35,384
>> PERHAPS YOU ARE ALL OF THESE

2120
01:17:35,384 --> 01:17:37,721
THINGS, K. ROTH, BUT YOU HAVE

2121
01:17:37,721 --> 01:17:39,155
NEVER BEEN SCARED.

2122
01:17:39,155 --> 01:17:43,392
WHY SHOULD YOU BE NOW?

2123
01:17:43,392 --> 01:17:48,798
>> YOU'RE RIGHT, FATHER.

2124
01:17:48,798 --> 01:17:52,068
>> FOUR MINUTES.

2125
01:17:52,068 --> 01:17:56,139
>> I-I CAN BE STUPID.

2126
01:17:56,139 --> 01:17:58,074
[ LAUGHS MANIACALLY ]

2127
01:17:58,074 --> 01:18:00,176
AND -- AND I CAN BE DRUNK!

2128
01:18:00,176 --> 01:18:04,147
I'M KIND OF FACED RIGHT NOW!

2129
01:18:04,147 --> 01:18:07,183
BUT I WAS NOT, COULD NOT, HAVE

2130
01:18:07,183 --> 01:18:09,285
NEVER BEEN SCARED!

2131
01:18:09,285 --> 01:18:12,121
AND I VOW FOR THE NEXT FOUR

2132
01:18:12,121 --> 01:18:14,824
MINUTES, THINGS WILL BE NO

2133
01:18:14,824 --> 01:18:16,159
DIFFERENT!

2134
01:18:16,159 --> 01:18:18,094
>> THAT'S MY BOY.

2135
01:18:18,094 --> 01:18:22,832
>> [ LAUGHING MANIACALLY ]

2136
01:18:22,832 --> 01:18:25,769
I-I HAVE BECOME SO VERY STRANGE,

2137
01:18:25,769 --> 01:18:26,736
FATHER!

2138
01:18:26,736 --> 01:18:28,972
>> YOU HAVE ONLY BECOME

2139
01:18:28,972 --> 01:18:30,807
YOURSELF, K. ROTH.

2140
01:18:30,807 --> 01:18:32,408
COME NOW.

2141
01:18:32,408 --> 01:18:33,843
IT IS TIME TO FINISH.

2142
01:18:33,843 --> 01:18:35,044
>> WHOA, WHOA, WHOA.

2143
01:18:35,044 --> 01:18:36,813
COULD -- COULD I NOT JUST STAY A

2144
01:18:36,813 --> 01:18:37,513
LITTLE LONGER?

2145
01:18:37,513 --> 01:18:39,215
UM, MILLS WILL BE LOST WITHOUT

2146
01:18:39,215 --> 01:18:39,783
ME.

2147
01:18:39,783 --> 01:18:42,285
>> YOU KNOW IT'S TIME, K. ROTH.

2148
01:18:42,285 --> 01:18:44,387
[ SOMBER MUSIC PLAYS ]

2149
01:18:44,387 --> 01:18:46,255
THEY'RE PLAYING YOUR SONG,

2150
01:18:46,255 --> 01:18:47,223
K. ROTH.

2151
01:18:47,223 --> 01:18:48,958
>> THE ONE FROM EARLIER.

2152
01:18:48,958 --> 01:18:50,860
BUT I DON'T KNOW THE WORDS.

2153
01:18:50,860 --> 01:18:52,061
>> DON'T WORRY.

2154
01:18:52,061 --> 01:18:54,030
THEY'LL COME TO YOU.

2155
01:18:58,201 --> 01:19:00,036
>> * AND SO I TAKE MY

2156
01:19:00,036 --> 01:19:01,805
FINAL BOW *

2157
01:19:01,805 --> 01:19:03,372
* AND THOUGH THE CURTAIN'S

2158
01:19:03,372 --> 01:19:05,274
HALFWAY DOWN *

2159
01:19:05,274 --> 01:19:06,876
* I'LL SPEAK MY PIECE

2160
01:19:06,876 --> 01:19:09,212
* I'LL SHOUT IT OUT TO ALL OF

2161
01:19:09,212 --> 01:19:12,048
YOU WHO'VE GATHERED 'ROUND *

2162
01:19:12,048 --> 01:19:15,318
I DO KNOW IT!

2163
01:19:15,318 --> 01:19:17,921
* THREE-PIECE SUIT

2164
01:19:17,921 --> 01:19:20,023
* KERCHIEF PEEKING OUT

2165
01:19:20,023 --> 01:19:22,125
* SHOES TO BOOT

2166
01:19:22,125 --> 01:19:23,960
* YOU SEE ME, YOU KNOW

2167
01:19:23,960 --> 01:19:28,798
I-I-I-I-I-I-I'M... *

2168
01:19:28,798 --> 01:19:31,167
* DRESSED FOR DEATH

2169
01:19:31,167 --> 01:19:33,036
* GOT MY TICKET

2170
01:19:33,036 --> 01:19:36,105
* I'LL TAKE THE EXPRESS

2171
01:19:36,105 --> 01:19:38,241
* TO THE OTHER SIDE

2172
01:19:38,241 --> 01:19:40,343
* MY LAST BREATH

2173
01:19:40,343 --> 01:19:43,279
* WON'T BE WASTED ON YOU,

2174
01:19:43,279 --> 01:19:44,981
DEATH *

2175
01:19:44,981 --> 01:19:46,816
* I'M THE BETTER MAN

2176
01:19:46,816 --> 01:19:49,585
* AND WHEN I NO LONGER DWELL

2177
01:19:49,585 --> 01:19:52,421
INSIDE THIS WELL-WORN

2178
01:19:52,421 --> 01:19:54,223
HUMAN SHELL *

2179
01:19:54,223 --> 01:19:57,160
* I'LL EITHER LAUGH AT ALL

2180
01:19:57,160 --> 01:19:58,427
MY WOE *

2181
01:19:58,427 --> 01:20:00,429
* OR I'LL JUST BE DEAD

2182
01:20:00,429 --> 01:20:02,431
IT'S TOO BAD THE VAGINA'S NOT

2183
01:20:02,431 --> 01:20:04,233
MORE INVOLVED IN DEATH.

2184
01:20:04,233 --> 01:20:06,235
JUST AS I WAS GETTING USED TO

2185
01:20:06,235 --> 01:20:06,502
IT.

2186
01:20:06,502 --> 01:20:10,306
MILLS, BATON!

2187
01:20:10,306 --> 01:20:13,009
* DON'T BE SAD

2188
01:20:13,009 --> 01:20:15,411
* SIMPLY THINK OF THE TIMES

2189
01:20:15,411 --> 01:20:17,213
WE HAD *

2190
01:20:17,213 --> 01:20:19,883
* ALL THE LAUGHTER AND THE TEARS

2191
01:20:19,883 --> 01:20:21,517
WE SHED *

2192
01:20:21,517 --> 01:20:23,486
* EH, YOU WON'T REMEMBER THEM

2193
01:20:23,486 --> 01:20:26,189
WHEN YOU'RE DEAD *

2194
01:20:26,189 --> 01:20:27,991
* SO DRINK AND LAUGH AND LIVE

2195
01:20:27,991 --> 01:20:29,525
* 'CAUSE LIFE'S NOT SUPPOSED

2196
01:20:29,525 --> 01:20:35,364
TO BE AN EXERCISE IN MISERY *

2197
01:20:35,364 --> 01:20:39,135
* IT IS A CARNIVAL WHERE

2198
01:20:39,135 --> 01:20:42,505
EVERYTHING IS FREE *

2199
01:20:42,505 --> 01:20:44,207
I'D TELL YOU TO LOSE THE OLD

2200
01:20:44,207 --> 01:20:46,275
MAN, BUT SEEING AS I'M LEAVING,

2201
01:20:46,275 --> 01:20:48,111
WELL, MAYBE WE'LL RUN INTO EACH

2202
01:20:48,111 --> 01:20:49,312
OTHER IN THE VOID.

2203
01:20:49,312 --> 01:20:51,280
>> HEY!

2204
01:20:54,884 --> 01:20:57,320
>> * DRESSED FOR DEATH

2205
01:20:57,320 --> 01:21:00,189
* DON'T YOU SEE THAT I'M DRESSED

2206
01:21:00,189 --> 01:21:02,091
TO DIE? *

2207
01:21:02,091 --> 01:21:04,327
* AND IN PARTING, I HAVE ONE

2208
01:21:04,327 --> 01:21:06,495
REQUEST *

2209
01:21:06,495 --> 01:21:08,597
* SHOW YOUR FACE, DEATH, TO

2210
01:21:08,597 --> 01:21:11,200
THESE FEW GUESTS *

2211
01:21:11,200 --> 01:21:14,237
* BECAUSE THEY'LL MEET YOU, TOO,

2212
01:21:14,237 --> 01:21:15,404
SOMEDAY *

2213
01:21:15,404 --> 01:21:18,007
* IF YOU MEET THEM NOW, YOU'LL

2214
01:21:18,007 --> 01:21:20,309
GET IT OUT OF THE WAY *

2215
01:21:20,309 --> 01:21:22,645
* WHEN YOU MEET THEM AGAIN AND

2216
01:21:22,645 --> 01:21:25,381
IT'S THEIR TURN TO DIE, YOU'LL

2217
01:21:25,381 --> 01:21:27,416
BE OLD FRIENDS *

2218
01:21:27,416 --> 01:21:29,318
>> STOP THIS NONSENSE!

2219
01:21:29,318 --> 01:21:30,553
IT'S GONE TOO FAR.

2220
01:21:30,553 --> 01:21:32,221
>> IF YOU THINK THAT'S

2221
01:21:32,221 --> 01:21:34,357
RIDICULOUS, MOTHER, WAIT TILL

2222
01:21:34,357 --> 01:21:38,261
YOU SEE THE FINALE.

2223
01:21:38,261 --> 01:21:41,597
* TAKE ME NOW!

2224
01:21:41,597 --> 01:21:44,200
* I'M QUITE READY

2225
01:21:44,200 --> 01:21:47,370
* COME ON DOWN

2226
01:21:47,370 --> 01:21:50,306
* WITH YOUR BLADE AND YOUR LONG,

2227
01:21:50,306 --> 01:21:52,275
BLACK GOWN *

2228
01:21:52,275 --> 01:21:55,211
* A SMILE WILL GREET YOU, NOT

2229
01:21:55,211 --> 01:21:57,246
A FROWN *

2230
01:21:57,246 --> 01:22:01,117
* BECAUSE I'VE REFLECTED UPON

2231
01:22:01,117 --> 01:22:02,351
MY LIFE *

2232
01:22:02,351 --> 01:22:05,221
* AND I THINK IT'S DONE, AND I

2233
01:22:05,221 --> 01:22:07,090
THINK IT WAS RIGHT *

2234
01:22:07,090 --> 01:22:10,726
* AND IF I'D NEVER LIVED THIS

2235
01:22:10,726 --> 01:22:13,629
LIFE, IT WOULD HAVE NEVER BEEN

2236
01:22:13,629 --> 01:22:15,298
LIVED *

2237
01:22:31,447 --> 01:22:34,283
>> HE'S...DEAD.

2238
01:22:40,356 --> 01:22:41,557
>> I WAS RIGHT.

2239
01:22:41,557 --> 01:22:43,526
I WAS RIGHT.

2240
01:22:54,670 --> 01:22:57,340
>> I WILL TRY MY BEST TO GET

2241
01:22:57,340 --> 01:22:59,308
THEM IN.

2242
01:23:09,285 --> 01:23:11,254
>> I'M SORRY.

2243
01:23:21,464 --> 01:23:24,533
>> I LOVE YOU.

2244
01:23:27,770 --> 01:23:29,738
[ SMOOCHES ]

2245
01:23:37,646 --> 01:23:39,148
>> THAT'S WHAT YOU GET FOR

2246
01:23:39,148 --> 01:23:41,117
TRYING TO STEAL A MAN'S DAME.

2247
01:23:45,654 --> 01:23:47,290
>> YOU WERE ALL RIGHT.

2248
01:23:47,290 --> 01:23:49,258
A LITTLE STRANGE, BUT ALL RIGHT.

2249
01:23:54,397 --> 01:23:56,832
[ ZIPPER OPENS ]

2250
01:23:56,832 --> 01:23:57,700
[ TAPE RIPS ]

2251
01:23:57,700 --> 01:23:59,668
[ SPECTATORS GASP ]

2252
01:24:09,145 --> 01:24:11,114
[ WOLVES HOWLING ]

2253
01:24:31,700 --> 01:24:33,669
>> YEAH.

2254
01:24:45,448 --> 01:24:47,416
>> [ CRYING ]

2255
01:28:15,591 --> 01:28:17,560
[ "DRESSED FOR DEATH" PLAYING ]

2256
01:28:53,562 --> 01:28:54,630
>> [ TRILLS ]

2257
01:28:54,630 --> 01:28:55,698
>> [ LAUGHS ]

2258
01:28:55,698 --> 01:28:57,666
[ SPEAKING INDISTINCTLY ]

2259
01:29:04,840 --> 01:29:06,809
[ SCATTING ]

2260
01:29:24,126 --> 01:29:27,129
[ SCATTING CONTINUES ]

2261
01:29:27,129 --> 01:29:30,098
[ INSTRUMENTAL SOLO ]

2262
01:29:56,459 --> 01:29:58,126
[ SCATTING ]

2263
01:29:58,126 --> 01:30:00,496
* DRESSED FOR DEATH

2264
01:30:00,496 --> 01:30:02,498
* DON'T YOU SEE THAT I'M DRESSED

2265
01:30:02,498 --> 01:30:04,433
TO DIE? *

2266
01:30:04,433 --> 01:30:06,401
[ SCATTING ]

2267
01:30:16,479 --> 01:30:18,180
* IF YOU MEET THEM NOW, YOU'LL

2268
01:30:18,180 --> 01:30:20,148
GET IT OUT OF THE WAY *

2269
01:30:20,148 --> 01:30:23,719
* WHEN YOU MEET THEM AGAIN AND

2270
01:30:23,719 --> 01:30:26,722
IT'S THEIR TURN TO DIE... *

2271
01:30:26,722 --> 01:30:28,190
[ CLAPPING ]

2272
01:30:28,190 --> 01:30:30,693
>> WHOO!

2273
01:30:30,693 --> 01:30:32,160
>> [ SHOUTING INDISTINCTLY ]

2274
01:30:32,160 --> 01:30:34,463
[ ALL CHEERING ]

2275
01:30:34,463 --> 01:30:41,169
[ SHOUTING INDISTINCTLY ]

2276
01:30:41,169 --> 01:30:43,138
[ ALL CHEERING ]

2277
01:31:17,773 --> 01:31:18,907
[ BIRD SQUAWKS ]

2278
01:31:18,907 --> 01:31:19,608
>> YEAH!

2279
01:31:19,608 --> 01:31:21,209
>> YEAH!

2280
01:31:21,209 --> 01:31:26,515
>> [ WHISTLING ]

2281
01:31:26,515 --> 01:31:28,250
>> THANK YOU VERY MUCH!

2282
01:31:28,250 --> 01:31:29,952
>> WHOO!

2283
01:31:29,952 --> 01:31:32,788
>> ONE MORE TAKE, ONE MORE TAKE.

2284
01:31:32,788 --> 01:31:34,757
[ LAUGHTER ]