1 00:00:02,520 --> 00:00:04,020 HI, I'D LIKE TO MAKE A RESERVATION 2 00:00:04,020 --> 00:00:05,520 ON YOUR NEXT FLIGHT TO PROVINCETOWN. 3 00:00:05,520 --> 00:00:08,530 UH, I'M SORRY, OUR COMPUTER'S TIED UP RIGHT NOW. 4 00:00:08,530 --> 00:00:11,030 [music playing] 5 00:00:11,530 --> 00:00:15,530 85,000 POINTS AND 3 SWORDS IN THE DRAGON'S EYE. 6 00:00:15,530 --> 00:00:16,530 BEAT THAT, YOU WEENIE. 7 00:00:18,200 --> 00:00:21,200 STEP ASIDE, YODA. YOU'RE IN THE WIZARD'S GLOW. 8 00:00:21,200 --> 00:00:24,210 NO. NO, NO. I--I NEED THIS COMPUTER FOR BUSINESS. 9 00:00:24,210 --> 00:00:26,210 OK, OK. KENNY, WE GOT AN IMPORTANT JOB TO DO. 10 00:00:26,210 --> 00:00:27,710 WHAT'S THAT? 11 00:00:27,710 --> 00:00:30,710 WE'VE GOT TO SNEAK INTO ROY'S PLANE AND CUT HOLES IN HIS AIRSICK BAGS. 12 00:00:32,220 --> 00:00:33,220 COOL. 13 00:00:35,220 --> 00:00:37,020 WHO ARE THOSE BOZOS? 14 00:00:37,020 --> 00:00:38,520 OUR PILOTS. 15 00:00:40,520 --> 00:00:41,520 NAME? 16 00:00:43,630 --> 00:00:45,630 [seagulls cawing] 17 00:01:48,320 --> 00:01:49,330 JOE? 18 00:01:49,330 --> 00:01:50,830 (Joe) I'M OUT IN THE HANGAR, HELEN. 19 00:01:50,830 --> 00:01:52,830 JOE, I NEED TO SEND SOME FLOWERS. 20 00:01:52,830 --> 00:01:54,660 WHERE DID YOU GET THOSE ROSES YOU SENT ME? 21 00:01:54,660 --> 00:01:57,670 UH, THE FLOWER BASKET OUT ON CLIFF ROAD. 22 00:01:57,670 --> 00:01:59,170 DO YOU HAVE THAT NUMBER? 23 00:01:59,170 --> 00:02:01,170 YEAH. IT'S IN MY PHONE BOOK. TOP RIGHT-HAND DRAWER. 24 00:02:04,110 --> 00:02:05,610 HERE, LET ME FIND THAT FOR YOU. 25 00:02:07,110 --> 00:02:09,750 THAT NUMBER IS 9-5-6-- EXCUSE ME. 26 00:02:10,250 --> 00:02:13,680 UH, WHY'D YOU RUN IN HERE AND GRAB THAT BOOK OUT OF MY HAND? 27 00:02:13,680 --> 00:02:15,990 NO REASON. JUST A CRAZY IMPULSE. 28 00:02:15,990 --> 00:02:17,250 YOU KNOW WHAT A MADCAP I AM. 29 00:02:18,150 --> 00:02:19,660 THAT'S HUBCAP. 30 00:02:21,520 --> 00:02:22,860 WHAT ARE YOU TRYIN' TO HIDE FROM ME? 31 00:02:23,290 --> 00:02:25,290 [laughing] OH, DON'T BE RIDICULOUS. 32 00:02:25,290 --> 00:02:27,800 HIDE SOMETHING? 33 00:02:27,800 --> 00:02:30,800 HELEN, YOU ARE BEING A LITTLE BIT PARANOID. 34 00:02:30,800 --> 00:02:32,800 YOU HAVE ABSOLUTELY NO REASON TO THINK 35 00:02:32,800 --> 00:02:34,770 THAT I'M TRYING TO HIDE SOMETHING FROM YOU. 36 00:02:34,770 --> 00:02:36,710 MY LIFE IS AN OPEN BOOK. 37 00:02:36,710 --> 00:02:37,610 [keys clinking] 38 00:02:37,940 --> 00:02:39,940 NOW, WHAT WAS THE QUESTION? 39 00:02:39,940 --> 00:02:41,440 [drawer rattling] OPEN UP THIS DAMN DRAWER. 40 00:02:41,440 --> 00:02:43,950 I WANNA KNOW WHAT'S IN HERE AND I WANNA KNOW RIGHT NOW. 41 00:02:43,950 --> 00:02:45,450 HEY, HEY, HELEN, STOP--STOP THAT. 42 00:02:45,950 --> 00:02:47,450 THAT BOOK IS PRIVATE. 43 00:02:47,450 --> 00:02:49,450 THERE ARE 2 KINDS OF PRIVATE, JOE. 44 00:02:49,450 --> 00:02:51,450 THERE'S THE KIND WHERE YOU HAVE NOTHING TO HIDE, 45 00:02:51,450 --> 00:02:52,960 NOBODY CARES DIDDLYSQUAT ABOUT THAT, 46 00:02:52,960 --> 00:02:55,460 AND THEN, THERE'S THE OTHER KIND, 47 00:02:55,460 --> 00:02:57,460 THE KIND THAT'S REALLY PRIVATE, 48 00:02:57,460 --> 00:03:00,430 THE KIND THAT MAKES YOUR FOREHEAD BREAK OUT IN A COLD SWEAT. 49 00:03:00,930 --> 00:03:02,430 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 50 00:03:04,430 --> 00:03:05,440 THANKS. 51 00:03:06,940 --> 00:03:08,440 HELEN, HOW WOULD YOU LIKE IT 52 00:03:08,440 --> 00:03:09,440 IF I WENT RIFLING THROUGH YOUR PURSE? 53 00:03:09,940 --> 00:03:11,740 I WOULDN'T MIND AT ALL, I HAVE NOTHING TO HIDE. 54 00:03:11,740 --> 00:03:13,480 ESPECIALLY FROM SOMEONE I CARE ABOUT. 55 00:03:13,480 --> 00:03:15,380 YOU TRYING TO TELL ME YOU HAVE ABSOLUTELY NOTHING IN THERE 56 00:03:15,380 --> 00:03:16,880 YOU WOULDN'T WANT ME TO SEE? 57 00:03:16,880 --> 00:03:18,380 NO, JOE, I HAVE NOTHING IN HERE. 58 00:03:18,880 --> 00:03:22,390 WHAT, I'VE GOT, LOOK, A BRUSH, MASCARA... 59 00:03:23,890 --> 00:03:26,020 WHOOPS! GOT TO GO. 60 00:03:26,020 --> 00:03:28,020 HEY, WAIT A MINUTE. WAIT A MINUTE. WHAT'S IN THERE? 61 00:03:28,020 --> 00:03:30,730 WHAT? NOTHING, JOE. JUST, YOU KNOW, USUAL GIRL STUFF. 62 00:03:30,730 --> 00:03:32,230 WHIPS AND CHAINS AND... 63 00:03:34,230 --> 00:03:36,230 A SELECTION OF SEXUAL DEVICES FROM THE FAR EAST. 64 00:03:38,300 --> 00:03:39,700 YOU'RE KIDDING, RIGHT? 65 00:03:39,700 --> 00:03:40,700 YEAH. YEAH. 66 00:03:43,810 --> 00:03:46,310 THIS IS DISGRACEFUL. 67 00:03:46,310 --> 00:03:47,810 WHAT'S THAT, ROY? 68 00:03:47,810 --> 00:03:48,810 IT SAYS HERE, 69 00:03:48,810 --> 00:03:52,820 "MISS NANTUCKET PICKLED AT STATE BEAUTY PAGEANT." 70 00:03:52,820 --> 00:03:54,320 I MEAN, HERE SHE IS, 71 00:03:54,320 --> 00:03:56,320 A REPRESENTATIVE OF THIS LOVELY ISLAND 72 00:03:56,320 --> 00:03:57,820 AND SHE GETS DRUNK AT THE PAGEANT. 73 00:03:58,690 --> 00:04:01,490 WELL, ACTUALLY, ROY, IT SAYS, 74 00:04:01,490 --> 00:04:04,860 "MISS NANTUCKET PICKED AT STATE BEAUTY PAGEANT," 75 00:04:04,860 --> 00:04:05,660 NOT PICKLED. 76 00:04:05,660 --> 00:04:07,160 GIVE ME THAT. 77 00:04:08,660 --> 00:04:10,170 OH, YOU'RE RIGHT. 78 00:04:10,670 --> 00:04:13,500 THAT'S GOOD FOR HER. 79 00:04:13,500 --> 00:04:16,170 HAVE YOU EVER CONSIDERED THAT YOU MIGHT NEED GLASSES, ROY? 80 00:04:16,470 --> 00:04:18,980 GLASSES? NO WAY. I DON'T NEED GLASSES. UH-UH. 81 00:04:18,980 --> 00:04:22,480 ROY, THE LOSS OF PHYSICAL PROWESS AS WE AGE 82 00:04:22,480 --> 00:04:25,050 SHOULD NOT BE A SOURCE OF SHAME, 83 00:04:25,050 --> 00:04:29,820 SOMETHING TO BE HIDDEN FROM THE PITY OF A YOUNGER, MORE CAPABLE WORLD. 84 00:04:29,820 --> 00:04:31,820 AS DYLAN ONCE SAID, 85 00:04:31,820 --> 00:04:34,760 "DO NOT GO GENTLE INTO THAT GOOD NIGHT. 86 00:04:34,760 --> 00:04:37,230 "RAGE, RAGE, 87 00:04:37,230 --> 00:04:38,730 FOR THE TIMES THEY ARE A-CHANGIN'." 88 00:04:41,500 --> 00:04:45,000 I THINK YOU'RE MIXING UP BOB DYLAN WITH DYLAN THOMAS. 89 00:04:45,000 --> 00:04:47,270 NO, THAT'S RIDICULOUS. 90 00:04:47,270 --> 00:04:50,270 DYLAN THOMAS WAS THE POET LAUREATE OF WALES. 91 00:04:50,270 --> 00:04:53,280 BOB DYLAN STARRED IN GILLIGAN'S ISLAND. 92 00:04:54,410 --> 00:04:56,780 NO, NO, NO, THAT'S BOB DENVER. 93 00:04:57,110 --> 00:05:01,120 NO, BOB DENVER IS THE ONE WHO SINGS ROCKY MOUNTAIN HIGH. 94 00:05:02,720 --> 00:05:04,220 OH, RIGHT, RIGHT. 95 00:05:05,760 --> 00:05:06,760 [phone ringing] 96 00:05:08,760 --> 00:05:12,200 WOW, LOOK WHAT JUST CAME IN FROM GATE ONE. 97 00:05:12,560 --> 00:05:13,560 UH! 98 00:05:13,560 --> 00:05:16,170 I COULDN'T EVEN IMAGINE TALKING TO A WOMAN LIKE THAT. 99 00:05:19,170 --> 00:05:20,170 WATCH THIS. 100 00:05:22,170 --> 00:05:24,170 UM, EXCUSE ME. 101 00:05:24,170 --> 00:05:26,680 UH, DO I KNOW YOU? 102 00:05:26,680 --> 00:05:28,180 ARE YOU A MODEL? 103 00:05:28,180 --> 00:05:29,680 WHAT'S A NICE GIRL LIKE YOU DOING IN A PLACE LIKE THIS? 104 00:05:29,680 --> 00:05:30,680 WHAT'S YOUR SIGN? 105 00:05:31,180 --> 00:05:32,980 DON'T YOU THINK YOU SHOULD HAVE THAT MOLE CHECKED? 106 00:05:32,980 --> 00:05:33,920 WHAT? 107 00:05:34,320 --> 00:05:35,820 NAH, I WAS JUST TRYIN' TO GET ALL THOSE HORRIBLE CLICHES 108 00:05:36,320 --> 00:05:37,120 OUT OF THE WAY. 109 00:05:37,120 --> 00:05:39,120 WELL, I'VE NEVER HEARD THE ONE ABOUT THE MOLE. 110 00:05:39,420 --> 00:05:41,660 OH, WELL, WORKS LIKE A CHARM IN EASTERN EUROPE. 111 00:05:43,260 --> 00:05:45,760 AH! BRIAN'S INCREDIBLE, ISN'T HE? 112 00:05:45,760 --> 00:05:49,100 I--I JUST HOPE THAT SOMEDAY I'M AS SUCCESSFUL WITH WOMEN AS HE IS. 113 00:05:49,400 --> 00:05:51,400 OH, WELL, SURE. SHOOT AT ANYTHING THAT MOVES. 114 00:05:51,400 --> 00:05:52,900 YOU'RE BOUND TO HIT SOMETHING. 115 00:05:54,040 --> 00:05:56,540 UH-HUH. SO, UH, YOU GOING OUT WITH HER? 116 00:05:56,540 --> 00:05:59,540 TONIGHT, DINNER ON ME, BUT NOT ITALIAN. 117 00:05:59,540 --> 00:06:02,510 THE MEATBALLS TEND TO ROLL OFF MY CHEST. 118 00:06:02,510 --> 00:06:04,510 WELL, IF YOU'RE IN THE MOOD FOR SOMETHING DEEP-FRIED, 119 00:06:04,510 --> 00:06:07,750 I'M WORKING THE DRIVE-THROUGH WINDOW AT AHAB'S FAST FISH. 120 00:06:07,750 --> 00:06:09,250 I DIDN'T KNOW YOU HAD A 2ND JOB. 121 00:06:09,250 --> 00:06:12,460 OH, NO OFFENSE, BUT YOUR BROTHER DOESN'T PAY VERY WELL. 122 00:06:13,460 --> 00:06:15,460 ARE THEY STILL HIRING? 123 00:06:22,230 --> 00:06:23,230 HELEN. YEAH? 124 00:06:24,200 --> 00:06:25,200 I CHANGED MY MIND. 125 00:06:25,700 --> 00:06:26,700 I THINK, AS LONG AS WE'RE DATING, 126 00:06:26,700 --> 00:06:29,210 WE SHOULDN'T HAVE ANY SECRETS, SO, HERE'S MY ADDRESS BOOK. 127 00:06:29,210 --> 00:06:30,670 YOU GO AHEAD AND LOOK IN IT. 128 00:06:30,670 --> 00:06:32,680 THAT'S OK, JOE. I DON'T NEED TO LOOK IN YOUR BOOK. 129 00:06:33,180 --> 00:06:34,680 I WANT YOU TO. NO, NO, NO, NO, NO, NO. 130 00:06:34,680 --> 00:06:36,750 NO, GO AHEAD. OK. 131 00:06:36,750 --> 00:06:38,750 THE SAME PAGE AS THE FLORIST YOU WERE LOOKING UP 132 00:06:38,750 --> 00:06:40,750 IS A NAME YOU MIGHT RECOGNIZE. 133 00:06:41,650 --> 00:06:43,520 NANCY FERGUSON? 134 00:06:43,520 --> 00:06:45,220 [chuckling] YEAH, THAT'S THE ONE. 135 00:06:45,220 --> 00:06:48,090 WHAT THE HELL IS NANCY FERGUSON DOING IN YOUR ADDRESS BOOK? 136 00:06:48,090 --> 00:06:51,530 WELL, TO BE TOTALLY HONEST, LAST SPRING, 137 00:06:51,530 --> 00:06:54,030 LONG BEFORE YOU AND I WERE EVEN THINKING ABOUT DATING, 138 00:06:54,030 --> 00:06:55,600 WE HAD AN AFFAIR. 139 00:06:55,900 --> 00:06:56,900 ...LY INNOCUOUS DATE. 140 00:06:58,130 --> 00:06:59,140 NANCY FERGUSON? 141 00:06:59,140 --> 00:07:00,640 COME ON, HELEN, 142 00:07:01,140 --> 00:07:02,140 YOU'RE THE ONE THAT WANTED TO LOOK IN MY ADDRESS BOOK. 143 00:07:02,140 --> 00:07:03,940 YOU MADE THIS BED, NOW YOU HAVE TO LIE IN IT. 144 00:07:03,940 --> 00:07:06,140 I CAN'T. NANCY FERGUSON'S BEEN THERE. 145 00:07:07,540 --> 00:07:10,050 AND WHAT IS THIS STAR BY HER NAME? 146 00:07:10,050 --> 00:07:11,550 UH, I... 147 00:07:13,050 --> 00:07:14,550 I WAS DOODLING. 148 00:07:15,820 --> 00:07:16,820 BET YOU WERE. 149 00:07:17,620 --> 00:07:18,890 COME ON, HELEN. 150 00:07:20,390 --> 00:07:22,890 OK, JOE, YOU'RE RIGHT. I'M SORRY. 151 00:07:22,890 --> 00:07:24,890 IT'S ALL IN THE PAST. 152 00:07:24,890 --> 00:07:26,400 GUESS IT COULD HAVE BEEN WORSE. 153 00:07:26,400 --> 00:07:27,900 IT COULD HAVE BEEN SHERRY SCUDDER. 154 00:07:27,900 --> 00:07:29,400 [chuckles] YEAH, SURE COULD HAVE BEEN. 155 00:07:31,770 --> 00:07:33,100 [clearing throat] HELEN... 156 00:07:35,170 --> 00:07:36,670 I LET YOU LOOK IN MY PHONE BOOK, 157 00:07:36,670 --> 00:07:39,310 SO, UH, NOW YOU GOTTA SHOW ME WHAT YOU'RE HIDING IN YOUR PURSE. 158 00:07:39,310 --> 00:07:40,810 FAT CHANCE. 159 00:07:40,810 --> 00:07:42,350 HEY, LOOK, HELEN, THAT'S NOT FAIR. 160 00:07:42,850 --> 00:07:45,350 FAIR? WELCOME TO THE WORLD OF ROMANCE, TOOTS. 161 00:07:46,850 --> 00:07:48,880 THEY'RE A FUN COUPLE, AREN'T THEY? 162 00:07:48,880 --> 00:07:50,890 WELL, IT'S STILL BETTER TO BE IN A RELATIONSHIP 163 00:07:51,390 --> 00:07:53,690 THAN OUT THERE, TROLLING THE SINGLES' BARS. 164 00:07:53,690 --> 00:07:56,960 IT'S TERRIFYING, HORRIBLE. IT'S LONELY OUT THERE. 165 00:07:56,960 --> 00:07:58,660 (Lowell) UH, I KNOW WHAT YOU MEAN, ROY. 166 00:07:58,930 --> 00:08:00,430 BEFORE I MET BUNNY, 167 00:08:00,430 --> 00:08:01,930 I CAN'T TELL YOU HOW MANY EVENINGS I SPENT 168 00:08:02,430 --> 00:08:04,430 SITTING AT THE KNIGHT AND CASTLE, 169 00:08:04,430 --> 00:08:07,440 WONDERING WHERE ALL THE GREAT WOMEN WERE. 170 00:08:07,440 --> 00:08:09,440 LOWELL, THE KNIGHT AND CASTLE IS A GAY HANGOUT. 171 00:08:14,980 --> 00:08:16,280 IT IS? 172 00:08:16,280 --> 00:08:20,180 WELL, THAT EXPLAINS THOSE PHONE MESSAGES FROM STEVE. 173 00:08:24,250 --> 00:08:26,260 WELL, YOU GUYS ARE RIGHT. IT'S TOUGH OUT THERE. 174 00:08:26,760 --> 00:08:29,060 OH, HACKETT, WHAT ARE YOU TALKIN' ABOUT? 175 00:08:29,060 --> 00:08:31,360 YOU DON'T SEEM TO HAVE ANY TROUBLE FINDING WOMEN. 176 00:08:31,860 --> 00:08:34,860 WELL, WOMEN, NO, BUT THE WOMAN. I MEAN, IT'S DIFFERENT. 177 00:08:34,860 --> 00:08:36,870 I MEAN, I'M A REASONABLY INTELLIGENT GUY. 178 00:08:36,870 --> 00:08:38,870 I HAD A SCHOLARSHIP TO PRINCETON, 179 00:08:38,870 --> 00:08:40,370 SPENT SOME TIME AT NASA. 180 00:08:40,870 --> 00:08:43,870 THERE'S EVEN A SMALL VILLAGE IN BELIZE WHERE I'M CONSIDERED A GOD. 181 00:08:45,310 --> 00:08:47,440 BUT I--I JUST DON'T KNOW WHERE TO FIND 182 00:08:47,440 --> 00:08:50,950 A--A SENSITIVE, ATTRACTIVE, INTELLIGENT WOMAN, YOU KNOW? 183 00:08:50,950 --> 00:08:51,950 (Melinda) HERE. 184 00:08:51,950 --> 00:08:54,080 [cup clattering] 185 00:08:54,080 --> 00:08:56,090 I--I--I BEG YOUR PARDON? 186 00:08:56,090 --> 00:08:59,090 WELL, I THINK I'M A SENSITIVE, 187 00:08:59,090 --> 00:09:01,690 ATTRACTIVE, INTELLIGENT WOMAN. 188 00:09:01,690 --> 00:09:04,190 AND WITH QUITE A HIGH OPINION OF HERSELF, I MIGHT ADD. 189 00:09:05,160 --> 00:09:07,160 I CAN'T BELIEVE WE HAVE SO MUCH IN COMMON. 190 00:09:08,160 --> 00:09:09,670 I'M MELINDA. HI. BRIAN. 191 00:09:09,670 --> 00:09:10,700 HI. HI. 192 00:09:10,700 --> 00:09:11,700 I DON'T USUALLY DO THIS. 193 00:09:11,700 --> 00:09:13,700 I MEAN, I'M NOT THE KIND OF WOMAN 194 00:09:13,700 --> 00:09:15,200 WHO HANGS AROUND AT AIRPORTS. 195 00:09:15,200 --> 00:09:17,210 YOU MEAN A TRAVELER? 196 00:09:17,510 --> 00:09:18,740 HEY, HEY, YOU'RE LAUGHIN' NOW. 197 00:09:18,740 --> 00:09:20,240 WHY DON'T YOU HAVE DINNER WITH ME TONIGHT 198 00:09:20,240 --> 00:09:23,010 AND YOU'LL BE SNORTING EXPENSIVE WINE OUT YOUR NOSE. 199 00:09:23,510 --> 00:09:25,510 HOW COULD A GIRL IN HER RIGHT MIND 200 00:09:25,510 --> 00:09:27,020 TURN DOWN AN INVITATION LIKE THAT? 201 00:09:27,020 --> 00:09:29,020 OOH, I LIKE HER. 202 00:09:29,020 --> 00:09:33,360 ANNOUNCING THE ARRIVAL OF SANDPIPER AIR FLIGHT 8 FROM HYANNIS. 203 00:09:33,360 --> 00:09:34,690 THAT'S MY FLIGHT. 204 00:09:34,690 --> 00:09:36,190 WHOA, W-WAIT A SECOND. YOU'RE NOT LEAVING, ARE YOU? 205 00:09:36,190 --> 00:09:37,690 OH, NO. NO, I'M MEETING SOMEBODY. 206 00:09:37,690 --> 00:09:39,200 OH. WELL, AFTER ALL WE'VE BEEN THROUGH, 207 00:09:39,200 --> 00:09:40,700 I THOUGHT I WAS THE MAN OF YOUR DREAMS. 208 00:09:41,200 --> 00:09:42,200 HI, MOM. HI, KENNY. 209 00:09:44,200 --> 00:09:46,700 MOM, KENNY. KENNY'S MOM. 210 00:09:47,200 --> 00:09:48,200 [exclaiming] 211 00:09:54,390 --> 00:09:56,390 [stammering] WELL, WOW! I DON'T BELIEVE THIS. 212 00:09:56,890 --> 00:09:58,760 YOU? YOU AND MY MOM ARE GOIN' OUT ON A DATE? 213 00:09:58,760 --> 00:10:01,000 BOY, YOU DON'T LOOK OLD ENOUGH TO BE KENNY'S MOTHER. 214 00:10:01,000 --> 00:10:03,500 OH, SHE IS, I SWEAR IT. THANK YOU, DEAR. 215 00:10:03,500 --> 00:10:06,170 SO, UH, YOU DON'T HAVE ANY PROBLEM WITH THIS, DO YOU, KENNY LAD? 216 00:10:06,170 --> 00:10:07,100 OH, WHAT? ARE YOU KIDDING? 217 00:10:07,100 --> 00:10:08,610 NO. NO, NO. I THINK IT'S GREAT. 218 00:10:09,110 --> 00:10:10,110 MOM, I GOTTA GO FILL OUT MY FLIGHT LOG. 219 00:10:10,110 --> 00:10:12,080 SO I'M GONNA MEET YOU AT THE CAR, OK? OK. 220 00:10:12,080 --> 00:10:14,380 SO, GREAT. I--I--I'LL PICK YOU UP AT 8:00, OK? 221 00:10:14,380 --> 00:10:16,550 GREAT. I'LL SEE YOU THEN. OK. 222 00:10:16,550 --> 00:10:18,280 I HOPE YOU LIKE CLOG DANCING. 223 00:10:18,280 --> 00:10:20,080 I HOPE YOU'RE KIDDING. 224 00:10:21,680 --> 00:10:22,690 [phone ringing] 225 00:10:23,190 --> 00:10:26,090 [whooping] IMAGINE THAT, ME DATIN' YOUR MOM. 226 00:10:26,090 --> 00:10:28,360 YOU STAY AWAY FROM MY MOTHER! 227 00:10:29,760 --> 00:10:31,160 WHAT? 228 00:10:31,160 --> 00:10:33,160 AND I--I KNOW WHAT YOU'RE LIKE. I KNOW HOW YOU TREAT WOMEN. 229 00:10:33,160 --> 00:10:35,670 WAIT A SECOND. WE-- WE'RE JUST GONNA GO OUT AND HAVE A NICE TIME. 230 00:10:35,670 --> 00:10:37,170 WHAT COULD POSSIBLY BE WRONG WITH THAT? 231 00:10:37,170 --> 00:10:39,670 WELL, FOR ONE THING, YOU ALREADY HAVE A DATE TONIGHT. 232 00:10:39,670 --> 00:10:41,100 I DO? 233 00:10:41,100 --> 00:10:42,610 YOU KNOW, THE GIRL FROM THE TERMINAL THIS MORNING? 234 00:10:42,610 --> 00:10:44,670 THE ONE YOU TREATED LIKE A PIECE OF MEAT? 235 00:10:44,670 --> 00:10:46,180 COULD YOU BE A LITTLE MORE SPECIFIC? 236 00:10:47,140 --> 00:10:48,650 THE BLONDE. 237 00:10:49,350 --> 00:10:51,350 OH, HER. 238 00:10:51,350 --> 00:10:53,850 A MINOR GLITCH. I'LL BRUSH HER OFF LIKE CRUMBS ON A PLACE MAT. 239 00:10:53,850 --> 00:10:56,020 OH, BRIAN, THAT'S EXACTLY WHAT I'M TALKING ABOUT. 240 00:10:56,020 --> 00:10:58,360 TONIGHT YOU'LL DUMP HER AND TOMORROW NIGHT, IT'LL BE MY MOM. 241 00:10:58,690 --> 00:11:00,460 HEY, Y-YOU GOT ME ALL WRONG, KID. 242 00:11:00,460 --> 00:11:01,960 I'M--I'M NOT THAT WAY AT ALL. 243 00:11:01,960 --> 00:11:04,460 WELL, I AM. BUT I CAN TURN IT ON AND OFF. 244 00:11:04,460 --> 00:11:07,460 COME ON, BRIAN. LOOK, MAKE ANY EXCUSE YOU HAVE TO, BUT GET OUT OF IT. 245 00:11:07,960 --> 00:11:09,470 KENNY, YOU KNOW, I THINK IT'S VERY NICE 246 00:11:09,470 --> 00:11:11,340 THE WAY YOU'RE LOOKIN' OUT FOR YOUR MOM AND ALL 247 00:11:11,330 --> 00:11:13,170 BUT, H-HOW CAN I PUT THIS? 248 00:11:13,170 --> 00:11:14,170 IT'S NONE OF YOUR BUSINESS. 249 00:11:14,670 --> 00:11:16,170 I'M WARNIN' YOU. IF YOU HURT HER, 250 00:11:16,170 --> 00:11:19,880 YOU WILL RUE THE DAY THAT YOU EVER MESSED WITH KENNETH MARGARET McELVEY. 251 00:11:20,380 --> 00:11:21,380 MARGARET? 252 00:11:22,850 --> 00:11:23,850 DON'T LAUGH. 253 00:11:23,850 --> 00:11:25,850 I WAS NAMED AFTER MY GREAT-GRANDMOTHER. 254 00:11:25,850 --> 00:11:28,150 SHE WAS AN INDIAN FIGHTER, SO YOU WATCH IT. 255 00:11:30,150 --> 00:11:31,660 [chuckling] 256 00:11:31,650 --> 00:11:33,660 NOT THE WORST-LOOKING MARGARET I EVER MET. 257 00:11:40,100 --> 00:11:43,100 UH, FAY, COULD YOU COME OVER HERE FOR A MINUTE? 258 00:11:43,600 --> 00:11:45,100 OH, SURE, ROY. 259 00:11:46,100 --> 00:11:48,610 I WANT YOUR OPINION ABOUT SOMETHING. 260 00:11:49,110 --> 00:11:52,110 I JUST FOUND OUT THAT I'M--I'M GONNA BE NEEDING GLASSES 261 00:11:52,110 --> 00:11:54,610 AND I--I BORROWED A PAIR OF THESE FRAMES 262 00:11:54,610 --> 00:11:56,110 TO SEE IF I LIKED THEM. 263 00:11:56,610 --> 00:11:58,620 WHAT DO YOU THINK? 264 00:11:58,620 --> 00:12:02,490 HEY, ROY, THAT'S A GREAT-LOOKING PAIR OF GLASSES. 265 00:12:02,820 --> 00:12:04,690 [chuckling] REALLY? THANKS. 266 00:12:04,690 --> 00:12:06,690 BOY, THOSE LENSES ARE SO CLEAR 267 00:12:06,690 --> 00:12:08,690 YOU'D SWEAR THEY WEREN'T IN THERE AT ALL. 268 00:12:12,200 --> 00:12:13,200 [screaming] 269 00:12:13,200 --> 00:12:16,000 OH. GAG GLASSES. OH, YOU GOT ME, ROY. 270 00:12:17,770 --> 00:12:19,270 WHAT'S NEW, KID? 271 00:12:19,270 --> 00:12:21,770 BEETLE BAILEY JUST GOT IN TROUBLE WITH THE SARGE. 272 00:12:21,770 --> 00:12:24,270 GEE, HOW DO THEY KEEP THAT STUFF FRESH? 273 00:12:25,780 --> 00:12:26,780 LOOK, BRIAN, 274 00:12:26,780 --> 00:12:28,780 I THINK I REALLY OWE YOU AN APOLOGY. 275 00:12:28,780 --> 00:12:30,780 I--I HAD NO--NO RIGHT TO SPEAK TO YOU THE WAY I DID. 276 00:12:30,780 --> 00:12:31,780 AW, DON'T WORRY ABOUT IT. 277 00:12:32,280 --> 00:12:33,280 YOUR MOM'S A TERRIFIC LADY. 278 00:12:33,280 --> 00:12:34,790 YOU JUST DIDN'T WANT TO SEE HER GET HURT. 279 00:12:34,780 --> 00:12:36,790 UH, WELL, SHE SURE DIDN'T. 280 00:12:36,790 --> 00:12:39,290 BETWEEN YOU AND ME, I THINK SHE HAS A LITTLE CRUSH ON YOU. 281 00:12:39,290 --> 00:12:41,790 OH, REALLY? YEAH. 282 00:12:41,790 --> 00:12:43,790 UH, YOU KNOW, I JUST HAD THIS FUNNY THOUGHT. WHAT? 283 00:12:43,790 --> 00:12:46,800 WHAT IF, UH, YOU AND MY MOM KEEP ON HAVIN' SUCH A GREAT TIME TOGETHER? 284 00:12:46,800 --> 00:12:48,800 THEN MAYBE, UH, SOMEDAY, YOU'D BE MY DAD. 285 00:12:48,800 --> 00:12:50,800 HEY, THAT'D BE SOMETHING, HUH? 286 00:12:52,300 --> 00:12:54,300 [both mumbling] 287 00:12:56,170 --> 00:12:57,710 [exclaiming] 288 00:12:57,710 --> 00:12:59,510 KILL ME, JOE. 289 00:12:59,780 --> 00:13:01,280 I'M KIND OF BUSY, BRIAN. MAYBE LATER. 290 00:13:01,740 --> 00:13:03,250 I WENT OUT ON A DATE WITH KENNY'S MOM 291 00:13:03,250 --> 00:13:05,250 AND I--I PROMISED KENNY I WOULDN'T HURT HER, YOU KNOW. 292 00:13:05,250 --> 00:13:07,880 AND NOW, THE WOMAN HAS A MASSIVE CRUSH ON ME. 293 00:13:07,880 --> 00:13:09,290 WHAT'S THE PROBLEM? 294 00:13:09,290 --> 00:13:10,720 SHE'S A LOX, JOE. 295 00:13:10,720 --> 00:13:12,090 WHOA, WAIT A MINUTE. W-WHAT WENT WRONG? 296 00:13:12,590 --> 00:13:14,590 EARLIER TODAY, YOU SAID, YOU THOUGHT YOU HAD A WINNER. 297 00:13:14,590 --> 00:13:16,590 LOOK, I'LL TELL YOU WHAT WENT WRONG. SHE CHANGED ON ME. 298 00:13:16,590 --> 00:13:18,600 IT WAS LIKE LON CHANEY DURING A FULL MOON. 299 00:13:18,600 --> 00:13:21,100 I MEAN, THE WOMAN 300 00:13:21,100 --> 00:13:23,530 IS UNABLE TO SHUT UP. 301 00:13:23,900 --> 00:13:25,400 SHE CANNOT STOP TALKING. 302 00:13:25,400 --> 00:13:28,370 SHE'S A HUMAN TAPE LOOP. IF SHE'S NOT TALKING ABOUT HERSELF, 303 00:13:28,370 --> 00:13:30,370 SHE'S TALKING ABOUT HER CAT OR HER GARDENER, 304 00:13:30,370 --> 00:13:31,840 OR HOW WONDERFUL HER EX-HUSBAND DENNIS IS 305 00:13:31,840 --> 00:13:34,180 AND SHE CAN'T UNDERSTAND WHY DENNIS RAN OUT ON HER. 306 00:13:34,180 --> 00:13:36,010 I'LL--I'LL TELL YOU WHY HE RAN OUT ON HER, JOE. 307 00:13:36,010 --> 00:13:38,010 DENNIS HAS 2 GOOD EARS. 308 00:13:40,520 --> 00:13:42,020 [groaning] 309 00:13:42,020 --> 00:13:44,590 WELL, KENNY WARNED ME TO STAY AWAY FROM HER. 310 00:13:44,590 --> 00:13:47,090 IF ONLY I HAD HEEDED THE WISDOM OF THAT CHILD. 311 00:13:47,090 --> 00:13:50,760 IF ONLY I HADN'T GONE OUT WITH HER. BUT, NO. 312 00:13:50,760 --> 00:13:53,260 WELL, IF IFS AND BUTS WERE CANDY AND NUTS, 313 00:13:53,260 --> 00:13:55,260 WE'D ALL HAVE A WONDERFUL CHRISTMAS. 314 00:14:03,110 --> 00:14:05,180 YOU'RE ENJOYING YOURSELF, AREN'T YOU? 315 00:14:05,170 --> 00:14:08,280 I HAVE SO FEW PLEASURES IN LIFE, ALLOW ME THIS. 316 00:14:08,280 --> 00:14:10,780 WHAT AM I GONNA DO? I DON'T WANNA HURT THE KID, 317 00:14:10,780 --> 00:14:14,220 BUT I'VE GOT TO DUMP HIS MOTHER LIKE A LOAD OF BAD ASPHALT. 318 00:14:14,220 --> 00:14:16,020 BREAK IT OFF, DON'T LET IT GO ANY FURTHER. 319 00:14:16,020 --> 00:14:19,160 CALL HIS MOTHER RIGHT NOW AND THEN EXPLAIN IT TO KENNY. HE'LL UNDERSTAND. 320 00:14:19,160 --> 00:14:21,160 [stammering] YEAH, YEAH, RIGHT. 321 00:14:21,660 --> 00:14:24,660 HONESTY IS THE WAY TO GO. ALL RIGHT? 322 00:14:26,660 --> 00:14:28,230 YEAH. 323 00:14:28,730 --> 00:14:30,730 HERE, UH, TELL HER YOU'RE FROM THE CENTER FOR DISEASE CONTROL IN ATLANTA. 324 00:14:31,230 --> 00:14:33,700 ASK HER IF SHE'S HAD ANY CONTACT AT ALL WITH A BRIAN HACKETT. 325 00:14:33,700 --> 00:14:35,100 [phone ringing] 326 00:14:35,100 --> 00:14:36,040 BRIAN. OK, OK, OK. 327 00:14:38,540 --> 00:14:40,540 HEY, MELINDA. 328 00:14:40,540 --> 00:14:43,050 HI, IT'S BRIAN-- IT'S-- YEAH-- IT'S-- 329 00:14:45,050 --> 00:14:47,050 [Melinda chattering on phone] 330 00:14:47,050 --> 00:14:48,050 YEAH. 331 00:14:52,290 --> 00:14:53,760 [people chattering] 332 00:14:53,760 --> 00:14:55,590 [airplane engine whirring] 333 00:15:00,560 --> 00:15:01,560 AHA! 334 00:15:01,560 --> 00:15:02,930 AHA, HER DIARY. 335 00:15:03,270 --> 00:15:04,270 [chuckling] 336 00:15:05,770 --> 00:15:06,770 WHAT? 337 00:15:07,770 --> 00:15:08,770 OH, NO. 338 00:15:09,210 --> 00:15:10,710 OH, MY GOD! 339 00:15:10,710 --> 00:15:12,210 JOE, WHAT ARE YOU DOIN'? 340 00:15:12,210 --> 00:15:13,210 WHAT AM I DOING? 341 00:15:13,710 --> 00:15:15,710 WHAT ARE YOU DOING? WHO THE HELL IS BOB 342 00:15:15,710 --> 00:15:18,050 AND WHY DID YOUR LOINS BURN FOR HIM LAST NIGHT? 343 00:15:19,680 --> 00:15:21,050 WHAT? ARE YOU NUTS? 344 00:15:21,350 --> 00:15:23,350 EXCUSE ME. I THINK I LEFT MY-- 345 00:15:23,350 --> 00:15:24,850 HEY, THAT'S MY PURSE. 346 00:15:24,850 --> 00:15:25,860 [stuttering] 347 00:15:25,860 --> 00:15:27,860 IT'S NOT YOUR PURSE. IT'S HER PURSE. 348 00:15:27,860 --> 00:15:28,860 IT IS NOT. 349 00:15:28,860 --> 00:15:31,360 SHE'S RIGHT. THIS IS MINE. 350 00:15:32,330 --> 00:15:34,330 YOU'RE READING MY DIARY. 351 00:15:35,330 --> 00:15:36,830 NO. I'M NOT, I SWEAR. 352 00:15:36,830 --> 00:15:38,340 I DON'T KNOW ANYTHING ABOUT YOUR LOINS. 353 00:15:42,710 --> 00:15:45,210 JOE HACKETT, I'M SURPRISED AT YOU. 354 00:15:45,210 --> 00:15:47,740 I-- I'M SORRY, I DON'T KNOW WHAT HAS GOTTEN INTO ME. 355 00:15:47,740 --> 00:15:50,750 I AM JUST OBSESSED WITH WHATEVER IT IS YOU'RE HIDING IN THERE. 356 00:15:50,750 --> 00:15:53,750 JOE, I'M NOT HIDING ANYTHING IN HERE. I WAS JUST TEASING YOU. 357 00:15:55,250 --> 00:15:56,750 OBVIOUSLY, YOU'RE NOT GONNA BELIEVE ME. 358 00:15:56,750 --> 00:15:59,260 OK, SO LET'S JUST TAKE A LOOK, SHALL WE? 359 00:15:59,260 --> 00:16:01,760 THERE, JOE. THERE IT ALL IS. 360 00:16:01,760 --> 00:16:04,260 SEE, THERE'S ALL MY DEEP, DARK SECRETS. 361 00:16:04,260 --> 00:16:05,760 [gasping] OH, WHAT'S THIS? 362 00:16:05,760 --> 00:16:07,200 LIPSTICK. 363 00:16:08,730 --> 00:16:11,270 I'M NEVER GONNA BE ABLE TO LOOK IN YOUR FACE AGAIN. 364 00:16:12,440 --> 00:16:13,840 [screaming] WHAT'S THIS? 365 00:16:13,840 --> 00:16:15,640 KEYS. 366 00:16:15,640 --> 00:16:17,410 (Helen) OH, THE SHAME OF IT. 367 00:16:17,410 --> 00:16:18,740 ARE YOU THROUGH? 368 00:16:18,740 --> 00:16:20,140 I DON'T KNOW, JOE. HAVE YOU SEEN ENOUGH? 369 00:16:20,480 --> 00:16:22,980 UH, OK, YOU WIN. I DON'T WANNA DO THIS ANYMORE. 370 00:16:22,980 --> 00:16:25,480 I'M EMBARRASSED ENOUGH THAT IT BECAME SO IMPORTANT TO ME. 371 00:16:25,980 --> 00:16:26,680 BUT NOW IT'S OVER. 372 00:16:26,680 --> 00:16:28,220 GOOD, JOE. 373 00:16:28,220 --> 00:16:29,720 HEY, HELEN, WHAT'S THAT? 374 00:16:30,220 --> 00:16:32,720 OH, MY GOD. I FORGOT THAT WAS STILL IN THERE. 375 00:16:32,720 --> 00:16:35,060 HEY, HEY, HELEN. WHAT IS-- WHAT IS THAT? NOTHING. 376 00:16:35,060 --> 00:16:35,990 HELEN? NOTHING. 377 00:16:35,990 --> 00:16:37,330 HELEN. 378 00:16:38,830 --> 00:16:40,830 THEY ARE A FUN COUPLE, AREN'T THEY? 379 00:16:41,800 --> 00:16:43,230 [phone ringing] 380 00:16:43,730 --> 00:16:46,040 OH, KENNY, KENNY, KENNY. JUST THE MAN I'M LOOKING FOR. 381 00:16:46,540 --> 00:16:48,040 UH... 382 00:16:48,540 --> 00:16:50,040 THERE'S NO EASY WAY OF SAYING THIS. 383 00:16:50,040 --> 00:16:52,210 SO, I GUESS, I'LL JUST COME RIGHT OUT AND SAY IT. 384 00:16:52,210 --> 00:16:54,080 UH, JUST GOT OFF THE PHONE WITH YOUR MOM. 385 00:16:54,510 --> 00:16:55,980 OH, YEAH? YEAH. 386 00:16:55,980 --> 00:16:58,780 AND I'M NOT GONNA BE SEEING HER ANYMORE. 387 00:16:58,780 --> 00:17:00,320 WHAT? 388 00:17:00,320 --> 00:17:03,220 YEAH, WE'VE DECIDED THAT IT JUST WOULDN'T WORK OUT. 389 00:17:03,590 --> 00:17:05,090 "WE DECIDED?" 390 00:17:05,090 --> 00:17:06,760 "WE DECIDED?" 391 00:17:06,760 --> 00:17:08,490 NO, NO, NO, YOU MEAN YOU DECIDED. I KNEW YOU'D DO THIS. 392 00:17:08,490 --> 00:17:09,990 OH, NO, KENNY, YOU DON'T UNDERSTAND. 393 00:17:09,990 --> 00:17:12,430 NO, NO, NO, I UNDERSTAND. WELL, I UNDERSTAND JUST FINE. 394 00:17:12,430 --> 00:17:13,930 YOU BROKE MY MOTHER'S HEART, 395 00:17:13,930 --> 00:17:15,430 AND I HOPE YOU DIE. 396 00:17:21,770 --> 00:17:23,270 WELL, I THINK THAT WENT PRETTY WELL. 397 00:17:27,640 --> 00:17:29,150 THANK YOU, SIR. 398 00:17:31,650 --> 00:17:32,650 [bell ringing] 399 00:17:33,650 --> 00:17:35,650 AHOY, MATEY, WELCOME TO AHAB'S. 400 00:17:35,650 --> 00:17:38,150 ARGH! MAY I TAKE YOUR ORDER, PLEASE? 401 00:17:38,150 --> 00:17:39,660 (Brian) HEY, KENNY. IT'S ME, BRIAN. 402 00:17:39,660 --> 00:17:43,030 UH, I JUST CAME TO TALK TO YOU FOR--FOR A SECOND. 403 00:17:43,030 --> 00:17:43,830 [crickets chirping] 404 00:17:45,260 --> 00:17:46,760 MAY I TAKE YOUR ORDER? 405 00:17:46,760 --> 00:17:48,930 UH, KENNY, I'M REALLY NOT HUNGRY. 406 00:17:48,930 --> 00:17:50,400 I JUST-- I JUST NEED TO TALK TO YOU. 407 00:17:50,400 --> 00:17:52,330 IF YOU'RE NOT GONNA ORDER, JUST DRIVE ON THROUGH. 408 00:17:52,340 --> 00:17:53,840 OH, KENNY, COME ON. 409 00:17:53,840 --> 00:17:54,840 I CAN'T HEAR YOU. 410 00:17:54,840 --> 00:17:56,340 SPEAK INTO THE WHALE'S BLOWHOLE. 411 00:17:57,770 --> 00:17:59,280 I DON'T WANT TO. 412 00:17:59,280 --> 00:18:00,780 I DON'T KNOW WHERE THIS WHALE'S BEEN. 413 00:18:03,150 --> 00:18:05,150 YEAH. UH, A-ALL RIGHT, YEAH, I'LL ORDER. 414 00:18:05,650 --> 00:18:09,350 UH, LET ME HAVE THE, UH, "THE FEEDING FRENZY." 415 00:18:09,350 --> 00:18:11,220 DO YOU WANT FRIES WITH THAT, SIR? 416 00:18:11,520 --> 00:18:14,520 A DISH CALLED "FEEDING FRENZY" DOESN'T COME WITH FRIES? 417 00:18:15,690 --> 00:18:17,630 NO. THAT'LL BE $4.75. 418 00:18:17,630 --> 00:18:20,130 DRIVE FORWARD AND PICK UP YOUR ORDER. 419 00:18:20,130 --> 00:18:21,560 [yelling] ONE FRENZY! 420 00:18:29,210 --> 00:18:32,210 [mimicking Popeye] OH, MY GOSH. 421 00:18:33,780 --> 00:18:34,780 KENNY. 422 00:18:35,910 --> 00:18:36,910 KENNY, COME ON. 423 00:18:36,910 --> 00:18:39,420 [stammering] WE GOTTA TALK ABOUT THIS NOW. 424 00:18:42,550 --> 00:18:44,120 OK. NOW, LOOK, 425 00:18:44,120 --> 00:18:46,620 WHEN I GO OUT WITH A WOMAN, 426 00:18:46,620 --> 00:18:48,620 I ALWAYS HOPE IT'S GONNA WORK OUT. 427 00:18:48,620 --> 00:18:50,630 OH, THAT IS SUCH A LIE. 428 00:18:50,630 --> 00:18:53,100 ALL YOU CARE ABOUT, ALL YOU WANT TO DO IS TAKE THEM OUT, 429 00:18:53,100 --> 00:18:55,100 HAVE YOUR WAY WITH THEM, THEN DUMP THEM. 430 00:18:55,100 --> 00:18:56,530 YOU DON'T CARE ABOUT THEIR FEELINGS. 431 00:18:56,530 --> 00:18:58,430 YOU KNOW, ALL YOU CARE ABOUT IS YOURSELF 432 00:18:58,430 --> 00:18:59,800 AND YOUR BASE ANIMAL NEEDS. 433 00:19:00,140 --> 00:19:01,140 [bell ringing] 434 00:19:01,140 --> 00:19:03,040 AHOY, MATEY, WELCOME TO AHAB'S. 435 00:19:03,040 --> 00:19:05,540 ARGH! MAY I TAKE YOUR ORDER? 436 00:19:05,540 --> 00:19:08,040 (man) 3 AHAB BURGERS AND A LARGE MOBY SHAKE. 437 00:19:08,040 --> 00:19:09,550 YOU DISGUST ME. 438 00:19:09,550 --> 00:19:12,050 OK, MAKE THAT 2 BURGERS AND A MEDIUM SHAKE. 439 00:19:14,050 --> 00:19:17,050 YOU KNOW, IF I WASN'T WORKIN' RIGHT NOW, 440 00:19:17,050 --> 00:19:19,420 I'D TAKE YOU OUT BACK AND BEAT THE SNOT OUT OF YOU. 441 00:19:19,420 --> 00:19:21,760 OH, REALLY? DO YOU WANNA HIT ME? 442 00:19:21,760 --> 00:19:22,760 WILL THAT MAKE YOU FEEL BETTER? 443 00:19:23,260 --> 00:19:24,730 I-IF YOU WANNA HIT ME, KID, 444 00:19:24,730 --> 00:19:26,160 GO, TAKE YOUR BEST SHOT. OH. 445 00:19:26,160 --> 00:19:28,230 OK, I'LL EVEN MAKE IT EASY FOR YOU, COME ON. 446 00:19:28,230 --> 00:19:29,730 [horn honking] HEY, WOULD YOU HOLD YOUR HORSES? 447 00:19:30,230 --> 00:19:31,230 I'M TALKING HERE, OK? 448 00:19:31,230 --> 00:19:34,040 COME ON, KID, COME ON, COME ON, HIT ME. GO AHEAD. 449 00:19:34,040 --> 00:19:35,370 [grunting] 450 00:19:36,870 --> 00:19:38,370 SORRY TO KEEP YOU WAITING, SIR. 451 00:19:38,370 --> 00:19:39,880 YOUR ORDER WILL BE READY IN A MINUTE. 452 00:19:39,880 --> 00:19:41,880 HEY, NO PROBLEM. TAKE YOUR TIME. 453 00:19:43,080 --> 00:19:44,380 OW! 454 00:19:47,150 --> 00:19:49,150 YOU DID IT. YOU ACTUALLY DID IT. 455 00:19:49,150 --> 00:19:51,620 WELL, YOU SAID I COULD. 456 00:19:51,620 --> 00:19:54,620 YEAH, BUT W-WHEN PEOPLE SAY, "GO AHEAD AND HIT ME," 457 00:19:54,620 --> 00:19:57,130 THEY DON'T ACTUALLY EXPECT THE OTHER PERSON TO DO IT. 458 00:19:58,130 --> 00:20:00,630 OH, MAN. 459 00:20:00,630 --> 00:20:03,500 YOU KNOW, FOR A LITTLE GUY, YOU GOT A PRETTY GOOD RIGHT, YOU KNOW. 460 00:20:04,500 --> 00:20:05,500 WELL, 461 00:20:05,500 --> 00:20:07,500 I HAD A ROLL OF QUARTERS IN MY HAND. 462 00:20:12,940 --> 00:20:16,450 WHICH REMINDS ME, YOU--YOU STILL OWE ME $4.75. 463 00:20:18,110 --> 00:20:20,120 YEP. YEP. 464 00:20:22,150 --> 00:20:24,650 I DON'T KNOW. I'VE DONE MY BEST. 465 00:20:24,650 --> 00:20:26,660 I DON'T KNOW WHAT ELSE I CAN DO. 466 00:20:31,630 --> 00:20:33,000 THANK YOU. 467 00:20:35,530 --> 00:20:38,030 [exhales] MAN. 468 00:20:38,030 --> 00:20:41,040 I JUST-- I JUST WANT HER TO FIND SOMEONE AND BE HAPPY. 469 00:20:41,040 --> 00:20:42,540 WELL, THAT WILL HAPPEN. 470 00:20:42,540 --> 00:20:45,040 YEAH. YEAH, SURE. 471 00:20:45,040 --> 00:20:47,040 SHE KEEPS GOIN' OUT WITH LOTS OF GUYS 472 00:20:47,040 --> 00:20:49,050 BUT NONE OF THEM EVER SEEM TO COME BACK. 473 00:20:49,050 --> 00:20:51,920 I MEAN, WHAT--WHAT IS WRONG WITH HER? ISN'T SHE ANY FUN? 474 00:20:52,720 --> 00:20:55,950 WELL, NO, KENNY, IT'S NOT THAT. 475 00:20:55,950 --> 00:20:57,820 ISN'T SHE PRETTY ENOUGH? OH, YEAH, SHE'S PRETTY. 476 00:20:57,820 --> 00:21:00,090 I MEAN, IT'S NOT THAT EITHER-- WELL, THEN WHAT IS IT? 477 00:21:00,090 --> 00:21:02,090 I MEAN, IS IT-- IS IT 'CAUSE SHE'S NOT SMART ENOUGH? 478 00:21:02,090 --> 00:21:04,090 I MEAN, NO--NO SENSE OF HUMOR? 479 00:21:04,090 --> 00:21:06,100 BAD CLOTHES, BAD--BAD MANNERS, BAD POSTURE? 480 00:21:06,600 --> 00:21:08,400 WHAT IS IT? IT'S GOTTA BE SOMETHING. 481 00:21:08,400 --> 00:21:09,900 NO, NO, KENNY. IT'S NONE OF THOSE THINGS. 482 00:21:09,900 --> 00:21:11,630 WELL, JUST COME ON, TELL ME. I CAN TAKE IT. 483 00:21:11,630 --> 00:21:13,570 I MEAN, JUST WHAT IS IT? TELL ME! ALL RIGHT, JUST-- 484 00:21:13,570 --> 00:21:14,470 YEAH, I'LL TELL YOU WHAT IT IS. 485 00:21:14,470 --> 00:21:15,670 YOU WANNA KNOW WHAT IT IS? YES! 486 00:21:15,670 --> 00:21:16,510 IT IS... 487 00:21:20,780 --> 00:21:22,280 IT'S ME. 488 00:21:23,280 --> 00:21:25,780 IT IS. IT IS ME. 489 00:21:25,780 --> 00:21:28,780 IT'S ALL ME. I--I--I CAN'T COMMIT TO ANYTHING. 490 00:21:30,290 --> 00:21:32,290 WHENEVER I MEET A GREAT WOMAN, 491 00:21:33,290 --> 00:21:35,290 LIKE YOUR MOTHER, 492 00:21:35,290 --> 00:21:36,730 I JUST RUN THE OTHER WAY. 493 00:21:38,130 --> 00:21:39,130 AND UNFORTUNATELY, WHEN I'M RUNNING, 494 00:21:39,630 --> 00:21:40,630 I... 495 00:21:41,130 --> 00:21:42,630 I TRAMPLE ON PEOPLE'S FEELINGS. 496 00:21:46,140 --> 00:21:47,640 I'M SORRY. 497 00:21:50,970 --> 00:21:52,980 LET ME GIVE YOU A LITTLE ADVICE, BRIAN. 498 00:21:53,980 --> 00:21:55,340 GROW UP. 499 00:21:56,680 --> 00:21:58,180 I'M TRYING. 500 00:21:59,180 --> 00:22:02,690 AND WHO KNOWS? MAYBE SOMEDAY, WITH A LITTLE LUCK, 501 00:22:02,690 --> 00:22:05,020 I'LL BE AS SENSIBLE AND MATURE AS YOU. 502 00:22:06,920 --> 00:22:08,890 OH, WAIT A SECOND, BRIAN. 503 00:22:08,890 --> 00:22:11,390 HERE'S ANOTHER MILK SHAKE. OH, NO, YOU DON'T HAVE TO DO THAT. 504 00:22:11,390 --> 00:22:12,390 YES, I DO. COME ON. 505 00:22:12,390 --> 00:22:13,760 I SPIT IN THE OTHER ONE. 506 00:22:17,600 --> 00:22:18,600 [sighing] 507 00:22:18,600 --> 00:22:20,100 APPRECIATE THAT.