1
00:00:00,500 --> 00:00:03,417
(mysterious music)

2
00:00:15,450 --> 00:00:18,200
(brooding music)

3
00:00:33,661 --> 00:00:36,328
(intense music)

4
00:01:07,750 --> 00:01:11,333
(intense music continues)

5
00:01:17,997 --> 00:01:19,399
- [Bokushi] You good?

6
00:01:19,399 --> 00:01:20,694
- [Man] You look great.

7
00:01:20,694 --> 00:01:21,527
- [Bokushi] Thank you, I feel great.

8
00:01:21,527 --> 00:01:22,907
How are we looking?

9
00:01:22,907 --> 00:01:24,054
How are we looking on time?

10
00:01:24,054 --> 00:01:26,265
(man speaks indistinctly)

11
00:01:26,265 --> 00:01:28,214
- [Bokushi] How are we
looking on time? We good?

12
00:01:28,214 --> 00:01:29,979
- [Man] Yeah, looks like we're on time.

13
00:01:29,979 --> 00:01:31,090
- [Bokushi] All right, good.

14
00:01:31,090 --> 00:01:31,923
That's good.

15
00:01:31,923 --> 00:01:34,098
Please, let's do it.

16
00:01:34,098 --> 00:01:36,550
Just let me know when you're ready.

17
00:01:36,550 --> 00:01:37,693
- [Man] And the lights.

18
00:01:37,693 --> 00:01:39,096
(Bokushi sighs)

19
00:01:39,096 --> 00:01:39,929
- [Man] Yeah, I like you just like that.

20
00:01:39,929 --> 00:01:41,590
- [Bokushi] You like that?

21
00:01:41,590 --> 00:01:42,548
All right, good. (chuckles)

22
00:01:42,548 --> 00:01:44,757
- [Man] We gotta make sure we
can sell it for the Programme.

23
00:01:44,757 --> 00:01:47,479
- Oh, yeah, we definitely gonna sell it.

24
00:01:47,479 --> 00:01:48,312
As a matter of fact,

25
00:01:48,312 --> 00:01:50,430
even if these cameras
weren't on, they'd feel it.

26
00:01:50,430 --> 00:01:51,773
- [Man] That's perfect, yeah.

27
00:01:52,770 --> 00:01:54,810
Do you prefer to be filmed
with or without the glasses?

28
00:01:54,810 --> 00:01:55,950
- Of course without the glasses.

29
00:01:55,950 --> 00:01:57,630
They need to see my eyes.

30
00:01:57,630 --> 00:01:58,680
I'm sincere about this.

31
00:01:58,680 --> 00:01:59,530
Could we, please?

32
00:02:01,410 --> 00:02:02,880
Goddammit!

33
00:02:02,880 --> 00:02:03,880
Let's just shoot it!

34
00:02:06,780 --> 00:02:09,183
All this back and forth,
I got things to do.

35
00:02:10,710 --> 00:02:11,730
Brad, we good?

36
00:02:11,730 --> 00:02:12,987
- [Brad] Yeah. Excellent.

37
00:02:12,987 --> 00:02:14,880
- All right, shades on or off?

38
00:02:14,880 --> 00:02:15,750
Off, right?

39
00:02:15,750 --> 00:02:17,317
Gotta see my eyes.

40
00:02:17,317 --> 00:02:19,984
(intense music)

41
00:02:21,837 --> 00:02:24,587
(rain pattering)

42
00:02:42,264 --> 00:02:46,029
(motorcycle engine revving)

43
00:02:46,029 --> 00:02:48,696
(intense music)

44
00:03:12,566 --> 00:03:15,894
(thunder rumbling)

45
00:03:15,894 --> 00:03:19,811
(motorcycle engine puttering)

46
00:03:40,108 --> 00:03:44,275
(guards chattering indistinctly)

47
00:03:47,618 --> 00:03:48,819
- [Guard] He's coming around now.

48
00:03:48,819 --> 00:03:50,724
- [Guard] All right, all right.

49
00:03:50,724 --> 00:03:53,058
- [Guard] Open up those gates.

50
00:03:53,058 --> 00:03:56,308
(truck engine revving)

51
00:04:01,572 --> 00:04:03,606
(suspenseful music)

52
00:04:03,606 --> 00:04:05,700
- [Atlas] Bokushi, they're on time.

53
00:04:05,700 --> 00:04:08,670
- [Bokushi] Bring the children
through Falcon Protocol.

54
00:04:08,670 --> 00:04:10,801
- Okay, Shinjas, as rehearsed, let's go.

55
00:04:10,801 --> 00:04:11,634
Come on.

56
00:04:11,634 --> 00:04:12,728
Come on, let's go.

57
00:04:12,728 --> 00:04:14,239
Come on.

58
00:04:14,239 --> 00:04:16,906
(intense music)

59
00:04:20,812 --> 00:04:21,645
Okay.

60
00:04:21,645 --> 00:04:24,728
(suspenseful music)

61
00:04:36,436 --> 00:04:37,453
- Hey, what's up?

62
00:04:37,453 --> 00:04:38,578
Man, you're early.

63
00:04:38,578 --> 00:04:40,329
My guys don't get in till 9:30.

64
00:04:40,329 --> 00:04:41,510
- Ah, you know me, baby.

65
00:04:41,510 --> 00:04:42,343
I always get shit done.

66
00:04:42,343 --> 00:04:43,590
Fucking storm, man.

67
00:04:43,590 --> 00:04:45,750
Almost took me down in Twin Falls.

68
00:04:45,750 --> 00:04:48,200
Hail as big as my balls,
rocking the whole truck.

69
00:04:49,369 --> 00:04:53,202
(suspenseful music continues)

70
00:04:59,845 --> 00:05:01,600
- [Mama Suki] That's right, come on.

71
00:05:01,600 --> 00:05:02,433
Hurry up.

72
00:05:04,054 --> 00:05:07,637
- [Man] Sign me up for
some more gigs, man.

73
00:05:09,011 --> 00:05:11,009
(door banging)

74
00:05:11,009 --> 00:05:13,855
(Mama Suki breathing heavily)

75
00:05:13,855 --> 00:05:16,153
(doors bang)

76
00:05:16,153 --> 00:05:19,153
(suspenseful music)

77
00:05:33,310 --> 00:05:36,060
(phone ringing)

78
00:05:36,060 --> 00:05:37,260
- Hello?

79
00:05:37,260 --> 00:05:38,621
- Cancel my order.

80
00:05:38,621 --> 00:05:39,454
He knows.

81
00:05:39,454 --> 00:05:40,287
- Hello?

82
00:05:40,287 --> 00:05:42,017
(Mama Suki speaking indistinctly)

83
00:05:42,017 --> 00:05:42,850
Hello?

84
00:05:42,850 --> 00:05:44,267
Can you hear me?

85
00:05:47,370 --> 00:05:48,203
- Fuck.

86
00:05:49,111 --> 00:05:52,111
(suspenseful music)

87
00:06:03,299 --> 00:06:06,882
(indistinct radio chatter)

88
00:06:14,232 --> 00:06:16,899
(ominous music)

89
00:06:27,082 --> 00:06:29,415
- Oh, my God. What the fuck?

90
00:06:32,269 --> 00:06:34,705
- [Man on radio] Stand by.

91
00:06:34,705 --> 00:06:37,205
(tense music)

92
00:06:40,847 --> 00:06:41,837
Stay sharp.

93
00:06:41,837 --> 00:06:44,353
(radio static crackling)

94
00:06:44,353 --> 00:06:46,853
(tense music)

95
00:06:53,421 --> 00:06:54,952
(commander shouting indistinctly)

96
00:06:54,952 --> 00:06:56,548
- Fuck!

97
00:06:56,548 --> 00:07:00,124
(suspenseful music swelling)

98
00:07:00,124 --> 00:07:02,707
(Luke panting)

99
00:07:03,977 --> 00:07:05,886
(intense music)

100
00:07:05,886 --> 00:07:08,719
(explosion booms)

101
00:07:10,686 --> 00:07:12,756
(dramatic music)

102
00:07:12,756 --> 00:07:13,680
(gas hissing)

103
00:07:13,680 --> 00:07:16,020
- The US trains young men and women

104
00:07:16,020 --> 00:07:18,753
how to aim at and kill a stranger.

105
00:07:19,710 --> 00:07:22,263
Sounds harsh, but it's the truth.

106
00:07:24,120 --> 00:07:26,460
We just send these broken warriors home.

107
00:07:26,460 --> 00:07:29,153
We slap a label on them, PTSD.

108
00:07:31,680 --> 00:07:32,853
And we turn our backs.

109
00:07:33,840 --> 00:07:37,867
But they are fractured human
beings that we have failed.

110
00:07:37,867 --> 00:07:38,790
(gas hissing)

111
00:07:38,790 --> 00:07:40,320
Until now.

112
00:07:40,320 --> 00:07:41,763
Until the Programme.

113
00:07:42,780 --> 00:07:44,550
You see, I was broken.

114
00:07:44,550 --> 00:07:48,060
I had seen the worst of
man, but I got tired.

115
00:07:48,060 --> 00:07:49,800
I got tired of popping pills.

116
00:07:49,800 --> 00:07:52,140
I got tired of sleeping with my gun.

117
00:07:52,140 --> 00:07:56,223
I got tired of thinking about
putting that gun in my mouth.

118
00:07:58,085 --> 00:08:00,240
(engine roaring)

119
00:08:00,240 --> 00:08:02,800
You see, I'm the proof
that we can live again

120
00:08:04,213 --> 00:08:05,523
and the Programme works.

121
00:08:06,510 --> 00:08:07,420
The only variable

122
00:08:10,380 --> 00:08:11,213
is you.

123
00:08:12,298 --> 00:08:15,048
(engine revving)

124
00:08:16,125 --> 00:08:17,304
(driver screams)

125
00:08:17,304 --> 00:08:19,971
(tyres screech)

126
00:08:24,980 --> 00:08:27,330
- Ah, fuck.

127
00:08:27,330 --> 00:08:29,830
(tense music)

128
00:08:42,056 --> 00:08:44,245
(pensive music)

129
00:08:44,245 --> 00:08:47,495
♪ I can't wait anymore ♪

130
00:08:56,580 --> 00:08:57,550
- [Nash] Some days

131
00:08:59,550 --> 00:09:01,139
I don't know how I keep going.

132
00:09:01,139 --> 00:09:04,050
♪ Imma run through that door ♪

133
00:09:04,050 --> 00:09:06,200
- [Nash] My mind is
filled with things that

134
00:09:07,860 --> 00:09:09,186
I don't wanna remember.

135
00:09:09,186 --> 00:09:12,060
♪ I can't wait anymore ♪

136
00:09:12,060 --> 00:09:15,693
Trauma feeds on you like a disease.

137
00:09:19,710 --> 00:09:20,543
And then,

138
00:09:23,400 --> 00:09:25,053
even if it's just for a moment,

139
00:09:28,680 --> 00:09:30,063
life is unbearable.

140
00:09:34,530 --> 00:09:36,780
But this wasn't me not
letting go of my past.

141
00:09:38,609 --> 00:09:41,670
♪ I can't wait anymore ♪

142
00:09:41,670 --> 00:09:45,660
- [Nash] This was my past
not letting go of me.

143
00:09:45,660 --> 00:09:48,000
- [Reporter on TV] Federal
agents are in an active standoff

144
00:09:48,000 --> 00:09:50,580
with the armed group
known as the Programme.

145
00:09:50,580 --> 00:09:53,280
Nancy Glass begins our coverage.

146
00:09:53,280 --> 00:09:55,470
- Good evening, in just moments,

147
00:09:55,470 --> 00:09:58,770
we're expecting the FBI to
hold a press conference.

148
00:09:58,770 --> 00:10:02,820
This is after an HRT team,
executing an arrest warrant

149
00:10:02,820 --> 00:10:05,460
for a former high-ranking naval officer,

150
00:10:05,460 --> 00:10:07,710
were met with deadly force.

151
00:10:07,710 --> 00:10:09,900
And for those unfamiliar
with the Programme,

152
00:10:09,900 --> 00:10:11,880
we've obtained a promotional video

153
00:10:11,880 --> 00:10:14,340
shown to new members upon joining.

154
00:10:14,340 --> 00:10:16,140
- [Bokushi] The US trains
young men and women

155
00:10:16,140 --> 00:10:19,590
to aim at and kill strangers.

156
00:10:19,590 --> 00:10:21,690
- Should have taken care of him years ago.

157
00:10:26,730 --> 00:10:28,860
And now here we are, 48 hours

158
00:10:28,860 --> 00:10:30,310
and it's Waco all over again.

159
00:10:33,237 --> 00:10:36,187
There's a fine line between
genius and insanity.

160
00:10:37,140 --> 00:10:38,343
Name's Emmanuel Ashburn.

161
00:10:43,350 --> 00:10:45,622
Hmm, not real friendly, are you?

162
00:10:45,622 --> 00:10:46,570
- [Nash] You're not my friend.

163
00:10:46,570 --> 00:10:49,170
- Well, I'm just chatting
it up, Sergeant Cavanaugh.

164
00:10:50,910 --> 00:10:52,210
Or should I call you Nash?

165
00:10:53,940 --> 00:10:55,410
Just wanted to have a little talk about

166
00:10:55,410 --> 00:10:57,450
your old friend Bokushi over there.

167
00:10:57,450 --> 00:10:59,040
- That what this is?

168
00:10:59,040 --> 00:11:00,420
- That's usually how it works.

169
00:11:00,420 --> 00:11:01,830
I say something, you say something.

170
00:11:01,830 --> 00:11:04,470
We go back and forth
until we run out of things

171
00:11:04,470 --> 00:11:06,066
to say, yeah.

172
00:11:06,066 --> 00:11:06,899
- Hmm.

173
00:11:08,400 --> 00:11:10,383
Oh. We're there.

174
00:11:12,723 --> 00:11:13,717
- [TV reporter] The FBI has made it clear

175
00:11:13,717 --> 00:11:17,310
the Bokushi has 48 hours
to peacefully surrender,

176
00:11:17,310 --> 00:11:19,983
or federal officers will
breach the compound walls.

177
00:11:21,063 --> 00:11:23,460
(crickets chirping)

178
00:11:23,460 --> 00:11:24,930
- [Nash] All right, kids.

179
00:11:24,930 --> 00:11:28,653
I want you to meet your
mother when she was young.

180
00:11:30,900 --> 00:11:32,999
Say something to our kids.

181
00:11:32,999 --> 00:11:34,110
- Our kids?

182
00:11:34,110 --> 00:11:37,170
Well, we've known each other
like, what, three weeks?

183
00:11:37,170 --> 00:11:38,370
- Best three of my life.

184
00:11:41,790 --> 00:11:46,530
All right, I want it on the
record that I said it first.

185
00:11:46,530 --> 00:11:47,980
- [Evoli] No, off the record.

186
00:11:52,980 --> 00:11:53,813
- I love you.

187
00:11:55,436 --> 00:11:58,834
(tender music)

188
00:11:58,834 --> 00:12:02,501
(Evoli speaking in French)

189
00:12:08,294 --> 00:12:11,044
(birds chirping)

190
00:12:13,979 --> 00:12:16,479
(tense music)

191
00:12:21,808 --> 00:12:24,120
- You're drinking again?

192
00:12:24,120 --> 00:12:26,623
- Can tell by just looking in my eyes?

193
00:12:26,623 --> 00:12:28,823
- I could smell it
oozing through your skin.

194
00:12:31,860 --> 00:12:32,763
I'm worried.

195
00:12:33,720 --> 00:12:34,740
About you.

196
00:12:34,740 --> 00:12:35,760
- I'm fine.

197
00:12:35,760 --> 00:12:37,060
I'm not gonna hurt myself.

198
00:12:38,610 --> 00:12:41,370
- [Dr. Geanopulos] Why did
you make an appointment today?

199
00:12:41,370 --> 00:12:42,843
- VA disability.

200
00:12:43,943 --> 00:12:46,563
Yeah, and, uh, I can't
collect without my annual.

201
00:12:48,570 --> 00:12:52,560
- You've dealt with a
lot of trauma in the war,

202
00:12:52,560 --> 00:12:54,840
and then again when you lost your wife.

203
00:12:54,840 --> 00:12:57,273
But Evoli's death was an accident.

204
00:12:59,349 --> 00:13:00,627
- That I caused.

205
00:13:00,627 --> 00:13:04,226
- You have to forgive
yourself, or you'll never heal.

206
00:13:04,226 --> 00:13:07,059
(poignant music)

207
00:13:11,994 --> 00:13:15,660
(machinery whirring)

208
00:13:15,660 --> 00:13:16,710
- Oh, what are you doing here?

209
00:13:16,710 --> 00:13:17,610
- Oh, come on.

210
00:13:17,610 --> 00:13:19,140
Is that any way to greet an old friend?

211
00:13:19,140 --> 00:13:20,700
- Don't give me that bullshit.

212
00:13:20,700 --> 00:13:22,710
- I know you're with
that Ashburn guy on this.

213
00:13:22,710 --> 00:13:24,120
- Affirmative.

214
00:13:24,120 --> 00:13:25,110
- [Nash] Why?

215
00:13:25,110 --> 00:13:26,613
- Why? 'Cause I'm a soldier.

216
00:13:27,450 --> 00:13:28,710
- The answer is no.

217
00:13:28,710 --> 00:13:30,660
- See, I told Ashburn, I told him

218
00:13:30,660 --> 00:13:32,190
that's what exactly you were gonna say.

219
00:13:32,190 --> 00:13:33,360
- [Nash] Oh, really? Good.

220
00:13:33,360 --> 00:13:34,620
Well, you tell Ashburn.

221
00:13:34,620 --> 00:13:36,248
You have no clue what you're up against.

222
00:13:36,248 --> 00:13:38,280
- No, I got a pretty good idea, okay?

223
00:13:38,280 --> 00:13:40,740
'Cause we had an informer
on the inside helping us.

224
00:13:40,740 --> 00:13:44,220
My job was to get the HRT guys
in and the poor woman out,

225
00:13:44,220 --> 00:13:46,890
and it got fucked up, okay?

226
00:13:46,890 --> 00:13:49,920
So the Bokushi hung her
like a fucking piñata.

227
00:13:49,920 --> 00:13:52,260
- I don't want any part
of this, you hear me?

228
00:13:52,260 --> 00:13:54,660
- Nash, look, you don't have
to take orders from me anymore,

229
00:13:54,660 --> 00:13:57,393
but there's something you need to see.

230
00:14:00,114 --> 00:14:02,273
It has to do with Evoli.

231
00:14:02,273 --> 00:14:05,023
(poignant music)

232
00:14:08,580 --> 00:14:12,180
That psycho left 'em in a
cattle truck, engine running,

233
00:14:12,180 --> 00:14:14,670
before he killed off six FBI agents

234
00:14:14,670 --> 00:14:17,370
and nearly blew me to pieces.

235
00:14:17,370 --> 00:14:18,240
And then he let them go,

236
00:14:18,240 --> 00:14:20,370
knowing that the battle was coming home.

237
00:14:20,370 --> 00:14:21,690
And it bought him what?

238
00:14:21,690 --> 00:14:23,130
48 hours?

239
00:14:23,130 --> 00:14:26,070
And not to mention some good publicity.

240
00:14:26,070 --> 00:14:28,980
And this girl, this girl
was amongst the kids.

241
00:14:28,980 --> 00:14:31,623
Said she had a message for Shinja Nash.

242
00:14:36,480 --> 00:14:37,503
- She asked for me?

243
00:14:38,670 --> 00:14:39,503
You sure?

244
00:14:40,380 --> 00:14:41,213
- Yeah. Yeah.

245
00:14:42,090 --> 00:14:42,990
Why, you know her?

246
00:14:44,310 --> 00:14:45,750
- [Nash] No.

247
00:14:45,750 --> 00:14:48,100
She wasn't even born when
I was in the Programme.

248
00:14:49,914 --> 00:14:52,497
(solemn music)

249
00:14:56,220 --> 00:14:57,570
They said you asked for me.

250
00:15:02,130 --> 00:15:04,473
- Are you Shinja Nash?

251
00:15:06,900 --> 00:15:08,340
- Yeah.

252
00:15:08,340 --> 00:15:09,243
Yeah, I'm Nash.

253
00:15:19,330 --> 00:15:22,080
(ethereal music)

254
00:15:27,360 --> 00:15:28,623
- You were a Shinja?

255
00:15:29,940 --> 00:15:31,973
A disciple of the Bokushi?

256
00:15:33,185 --> 00:15:34,590
- Yeah.

257
00:15:34,590 --> 00:15:35,680
- I had to find you

258
00:15:38,430 --> 00:15:39,423
and give you this.

259
00:15:43,590 --> 00:15:46,844
Mama Suki said it was from
someone important to you.

260
00:15:46,844 --> 00:15:49,427
(gentle music)

261
00:15:58,327 --> 00:15:59,940
- [Nash] "They say that only those

262
00:15:59,940 --> 00:16:02,220
who are mentally and spiritually complete

263
00:16:02,220 --> 00:16:04,477
can draw a true Enso."

264
00:16:04,477 --> 00:16:05,580
- [Nash and Evoli] "This is ours,

265
00:16:05,580 --> 00:16:08,250
incomplete, waiting for you."

266
00:16:08,250 --> 00:16:11,370
- [Evoli] It is the
ultimate symbol of our love.

267
00:16:11,370 --> 00:16:13,710
You must close the circle, my love.

268
00:16:13,710 --> 00:16:16,310
Then you will find the true
expression of our hearts

269
00:16:17,400 --> 00:16:19,181
for you and I make one Enso."

270
00:16:19,181 --> 00:16:20,848
- [Nash] "One Enso."

271
00:16:21,687 --> 00:16:24,633
Ma-Mama Suki told you to give me this?

272
00:16:26,610 --> 00:16:28,210
- She said you would understand.

273
00:16:29,730 --> 00:16:31,380
- [Nash] Just the possibility of her

274
00:16:31,380 --> 00:16:33,063
awakened something in me.

275
00:16:34,590 --> 00:16:37,173
Like the first time she
appeared in my life,

276
00:16:38,760 --> 00:16:40,803
before the Bokushi's teachings darkened.

277
00:16:42,600 --> 00:16:47,558
When the prospect of redemption
still seemed attainable.

278
00:16:47,558 --> 00:16:49,283
- My Shinjas!

279
00:16:49,283 --> 00:16:50,228
(crowd cheers)

280
00:16:50,228 --> 00:16:52,455
How you feel, huh? (laughs)

281
00:16:52,455 --> 00:16:54,791
(upbeat music)

282
00:16:54,791 --> 00:16:57,624
(Bokushi scremas)

283
00:16:59,226 --> 00:17:01,893
(soulful music)

284
00:17:03,666 --> 00:17:06,192
♪ Sisters ♪

285
00:17:06,192 --> 00:17:10,175
♪ Brothers and the whities ♪

286
00:17:10,175 --> 00:17:12,758
♪ Blacks and the crackers ♪

287
00:17:12,758 --> 00:17:14,003
♪ Ooh ♪

288
00:17:14,003 --> 00:17:17,900
♪ Police and their backers ♪

289
00:17:17,900 --> 00:17:21,860
♪ Top billing now is killing ♪

290
00:17:21,860 --> 00:17:25,075
♪ For peace no one is willing ♪

291
00:17:25,075 --> 00:17:26,414
♪ Huh ♪

292
00:17:26,414 --> 00:17:29,331
♪ Everybody's smoke ♪

293
00:17:29,331 --> 00:17:33,462
♪ But they don't know ♪

294
00:17:33,462 --> 00:17:37,470
♪ There can be no show ♪

295
00:17:37,470 --> 00:17:41,373
♪ If there's hell below ♪

296
00:17:41,373 --> 00:17:43,321
♪ We're all gonna go ♪

297
00:17:43,321 --> 00:17:44,525
(fireworks popping)

298
00:17:44,525 --> 00:17:47,382
(crowd cheers)

299
00:17:47,382 --> 00:17:48,868
(gentle music)

300
00:17:48,868 --> 00:17:51,583
(fireworks whistling)

301
00:17:51,583 --> 00:17:53,040
I feel like giving out money.

302
00:17:53,040 --> 00:17:53,873
- [Shinjas] Yeah!

303
00:17:54,949 --> 00:17:56,250
- Huh? Can I give out some money?

304
00:17:56,250 --> 00:17:57,919
I got $50, who wants it?

305
00:17:57,919 --> 00:17:59,426
(crowd shouting)

306
00:17:59,426 --> 00:18:00,840
- $50, now what if I
dropped it on the ground,

307
00:18:00,840 --> 00:18:04,330
stepped on it, disrespected
it, pissed on it, shit on it,

308
00:18:04,330 --> 00:18:06,210
would you still want it?

309
00:18:06,210 --> 00:18:07,043
- Yes.

310
00:18:08,310 --> 00:18:09,930
- [Bokushi] Why?

311
00:18:09,930 --> 00:18:12,810
Because no matter what you do to it,

312
00:18:12,810 --> 00:18:14,253
it still has its worth.

313
00:18:15,750 --> 00:18:17,036
- You've been broken.

314
00:18:17,036 --> 00:18:18,270
(crowd cheering)

315
00:18:18,270 --> 00:18:19,410
You have been beaten.

316
00:18:19,410 --> 00:18:22,410
You have been pounded over and over again.

317
00:18:22,410 --> 00:18:23,820
But you know what, motherfucker?

318
00:18:23,820 --> 00:18:26,957
You have still not lost any of your worth!

319
00:18:26,957 --> 00:18:30,130
(crowd cheering)

320
00:18:30,130 --> 00:18:32,880
(dramatic music)

321
00:18:46,040 --> 00:18:48,288
(dramatic music continues)

322
00:18:48,288 --> 00:18:49,121
- Sorry.

323
00:18:49,121 --> 00:18:52,527
(glass shatters)

324
00:18:52,527 --> 00:18:54,930
For the first time in a long time,

325
00:18:54,930 --> 00:18:57,030
I could sense hope.

326
00:18:57,030 --> 00:18:59,520
Even if it was only a distant drumbeat

327
00:18:59,520 --> 00:19:01,023
echoing through the darkness.

328
00:19:04,435 --> 00:19:05,820
(thunder rumbling)

329
00:19:05,820 --> 00:19:06,653
- [Luke] What?

330
00:19:11,040 --> 00:19:13,500
- She's the only one that
could have written that letter.

331
00:19:13,500 --> 00:19:15,510
The Enso was our thing.

332
00:19:15,510 --> 00:19:16,343
- Okay.

333
00:19:16,343 --> 00:19:17,570
Okay, so what are you saying?

334
00:19:19,935 --> 00:19:20,935
- I don't know, man.

335
00:19:24,180 --> 00:19:26,580
I was unconscious for two
days after that crash, man.

336
00:19:26,580 --> 00:19:29,280
I barely even remember the accident.

337
00:19:29,280 --> 00:19:30,960
And then I had some sheriff tell me

338
00:19:30,960 --> 00:19:32,463
that she drowned in the river.

339
00:19:35,130 --> 00:19:37,773
Said they returned her
body back to the Programme.

340
00:19:40,500 --> 00:19:41,610
Why?

341
00:19:41,610 --> 00:19:42,843
Why would they do that?

342
00:19:43,740 --> 00:19:45,450
- I know, I know, I know.

343
00:19:45,450 --> 00:19:46,980
There's one sure way of finding out

344
00:19:46,980 --> 00:19:49,110
if she's still alive or not.

345
00:19:49,110 --> 00:19:51,630
And that's going back to the compound.

346
00:19:51,630 --> 00:19:53,730
Come on, man, you gotta help us, huh?

347
00:19:53,730 --> 00:19:56,220
You're the only one who knows that place.

348
00:19:56,220 --> 00:19:57,960
Man, come with us.

349
00:19:57,960 --> 00:19:59,788
Huh? What do you say?

350
00:19:59,788 --> 00:20:02,455
(solemn music)

351
00:20:12,654 --> 00:20:15,821
- [Ashburn] Why don't you take a seat?

352
00:20:16,692 --> 00:20:19,442
(rain pattering)

353
00:20:27,218 --> 00:20:28,551
Who's your team?

354
00:20:31,560 --> 00:20:32,940
I'm a Phillies guy.

355
00:20:32,940 --> 00:20:36,030
I could talk your ear
off about Mike Schmidt,

356
00:20:36,030 --> 00:20:38,520
Pete Rose, Steve Carlton.

357
00:20:38,520 --> 00:20:41,580
But you know who really gets my respect?

358
00:20:41,580 --> 00:20:42,663
Is the pinch hitter.

359
00:20:44,250 --> 00:20:47,700
That's a guy who takes
a job that nobody wants.

360
00:20:47,700 --> 00:20:48,533
Nobody.

361
00:20:50,670 --> 00:20:52,200
I mean, think about it.

362
00:20:52,200 --> 00:20:53,433
You're sitting there,

363
00:20:54,330 --> 00:20:56,790
daydreaming about what you're
gonna order for room service,

364
00:20:56,790 --> 00:20:58,740
or the chick you're gonna
bring home that night.

365
00:20:58,740 --> 00:21:00,283
And then, boom, all of a sudden,

366
00:21:00,283 --> 00:21:02,310
a 92-mile-an-hour baseball

367
00:21:02,310 --> 00:21:03,420
comes straight at your head,

368
00:21:03,420 --> 00:21:05,040
and you got a split second to decide

369
00:21:05,040 --> 00:21:07,200
whether it's gonna break or not.

370
00:21:07,200 --> 00:21:08,550
Good luck.

371
00:21:08,550 --> 00:21:10,770
No one faces longer odds

372
00:21:10,770 --> 00:21:12,600
than the man who sat idle on the bench,

373
00:21:12,600 --> 00:21:16,053
and all of a sudden is
summoned to bat for his team.

374
00:21:17,920 --> 00:21:18,753
Evoli.

375
00:21:23,760 --> 00:21:25,563
That's your wife, right?

376
00:21:27,420 --> 00:21:29,820
What if your wildest dream is true?

377
00:21:29,820 --> 00:21:32,313
What if she's still alive there?

378
00:21:33,810 --> 00:21:38,103
What a shame it would be if
she became another casualty.

379
00:21:40,140 --> 00:21:42,393
Things can get pretty ugly on these raids.

380
00:21:45,000 --> 00:21:46,650
This is Sergeant Major Kollock.

381
00:21:46,650 --> 00:21:48,093
He's in charge of this unit.

382
00:21:49,530 --> 00:21:50,730
That's Jackson.

383
00:21:50,730 --> 00:21:52,380
He's a SEAL Lieutenant Commander.

384
00:21:53,820 --> 00:21:56,040
- [Nash] You boys don't get it, do you?

385
00:21:56,040 --> 00:21:57,510
He knows everything you're gonna do

386
00:21:57,510 --> 00:22:00,180
before you even decide
you're gonna fucking do it.

387
00:22:00,180 --> 00:22:01,983
- We both need something here.

388
00:22:03,450 --> 00:22:06,480
This is the last chance
for you to save her life

389
00:22:06,480 --> 00:22:08,283
before all hell breaks loose.

390
00:22:10,770 --> 00:22:13,353
We move before the FBI
can screw things up.

391
00:22:14,880 --> 00:22:17,040
Cut off the head, the body will die.

392
00:22:17,040 --> 00:22:19,143
We slip in and we take out the Bokushi.

393
00:22:20,730 --> 00:22:21,960
- [Nash] Even the possibility

394
00:22:21,960 --> 00:22:23,880
that Evoli was still alive

395
00:22:23,880 --> 00:22:26,040
was enough to drown out the voice

396
00:22:26,040 --> 00:22:28,950
telling me there wasn't any
length they wouldn't go to

397
00:22:28,950 --> 00:22:30,840
for my cooperation.

398
00:22:30,840 --> 00:22:33,723
But, hell, at least I had a purpose again.

399
00:22:34,830 --> 00:22:36,270
- The reason you in front of me right now

400
00:22:36,270 --> 00:22:40,380
is because the system
failed you. (chuckles)

401
00:22:40,380 --> 00:22:41,213
Failed you.

402
00:22:48,990 --> 00:22:50,820
When conventional solutions don't work,

403
00:22:50,820 --> 00:22:53,010
we use unconventional solutions.

404
00:22:53,010 --> 00:22:55,143
I'm the unconventional solution.

405
00:22:57,300 --> 00:22:59,170
PTSD is a choice.

406
00:22:59,170 --> 00:23:00,003
I know, I know.

407
00:23:00,960 --> 00:23:03,180
I know, that's a tough pill to swallow.

408
00:23:03,180 --> 00:23:04,980
That's hard to digest.

409
00:23:04,980 --> 00:23:06,510
But what would you lose if you believed

410
00:23:06,510 --> 00:23:11,510
that for just one second, that
all the power that you need

411
00:23:11,610 --> 00:23:13,290
to change is inside you,

412
00:23:13,290 --> 00:23:16,530
and it's been there the whole damn time?

413
00:23:16,530 --> 00:23:17,850
Who's bold enough right now?

414
00:23:17,850 --> 00:23:20,642
I'm willing to give up
my life for your life.

415
00:23:20,642 --> 00:23:21,855
(intense music swelling)

416
00:23:21,855 --> 00:23:22,688
- No.

417
00:23:22,688 --> 00:23:24,153
- Oh, it's okay. It's okay.

418
00:23:26,340 --> 00:23:27,173
You all right?

419
00:23:33,751 --> 00:23:36,900
(heart beating)

420
00:23:36,900 --> 00:23:38,001
My name's Evoli.

421
00:23:38,001 --> 00:23:40,751
(heart beating)

422
00:23:43,607 --> 00:23:44,782
It's gonna be okay.

423
00:23:44,782 --> 00:23:47,532
(dramatic music)

424
00:23:58,960 --> 00:24:01,627
(pensive music)

425
00:24:13,080 --> 00:24:16,323
- [Nash] An extreme threat
requires extreme measures.

426
00:24:18,930 --> 00:24:22,173
So they sent in a madman to stop a madman.

427
00:24:24,060 --> 00:24:25,833
But where there once was a warrior,

428
00:24:26,760 --> 00:24:30,070
there was now only the husk of a soldier

429
00:24:31,380 --> 00:24:36,363
with unseen wounds deeper
than any that bleed.

430
00:24:39,240 --> 00:24:41,460
- [Bokushi] My people, at this time,

431
00:24:41,460 --> 00:24:46,460
I need you to open your
hearts and your minds.

432
00:24:47,040 --> 00:24:50,713
Because at times, the act of
living can be suffocating!

433
00:24:52,590 --> 00:24:54,753
I know. I know.

434
00:24:56,250 --> 00:24:57,083
I know.

435
00:24:58,800 --> 00:25:00,750
Because the trauma we've been fed,

436
00:25:00,750 --> 00:25:03,510
it leaves us with nothing but broken minds

437
00:25:03,510 --> 00:25:08,340
that have been shattered
into millions of pieces.

438
00:25:08,340 --> 00:25:11,520
But if you can hear my heart,

439
00:25:11,520 --> 00:25:16,520
know that hope is redeemed.

440
00:25:16,590 --> 00:25:18,330
Hope is redeemed.

441
00:25:18,330 --> 00:25:21,180
I know that your body is aching.

442
00:25:21,180 --> 00:25:23,490
Every step taken feels

443
00:25:23,490 --> 00:25:25,140
like your bones are what?

444
00:25:25,140 --> 00:25:26,240
Like they're breaking!

445
00:25:30,030 --> 00:25:32,763
But still, what do we do, huh?

446
00:25:34,099 --> 00:25:35,611
What do we do?

447
00:25:35,611 --> 00:25:36,460
We march on.

448
00:25:36,460 --> 00:25:38,430
- What do we do? Say it.

449
00:25:38,430 --> 00:25:39,630
- [Shinjas] We march on!

450
00:25:41,190 --> 00:25:42,023
- March on.

451
00:25:45,480 --> 00:25:46,480
Do they respect you?

452
00:25:48,510 --> 00:25:49,910
I said, do they respect you?

453
00:25:51,330 --> 00:25:54,030
Right now, the only thing
a military uniform gets you

454
00:25:54,030 --> 00:25:57,243
is "thank you for your service"
and priority on a plane.

455
00:26:01,950 --> 00:26:03,093
Shinja Nash,

456
00:26:05,070 --> 00:26:05,903
attack me.

457
00:26:08,040 --> 00:26:09,600
- What?

458
00:26:09,600 --> 00:26:12,621
- To think is to lose, Shinjas.

459
00:26:12,621 --> 00:26:13,667
To think is to lose.

460
00:26:13,667 --> 00:26:16,503
Shinja Evoli, take my place, please.

461
00:26:20,760 --> 00:26:21,647
Attack.

462
00:26:21,647 --> 00:26:23,308
(Nash grunts)

463
00:26:23,308 --> 00:26:24,619
(crowd chuckles)

464
00:26:24,619 --> 00:26:25,584
- [Man] Damn.

465
00:26:25,584 --> 00:26:30,584
- [Man] Shit.

466
00:26:32,202 --> 00:26:33,446
(Evoli grunting)

467
00:26:33,446 --> 00:26:35,223
- Hey, try that with me.

468
00:26:38,764 --> 00:26:41,431
(both grunting)

469
00:26:51,583 --> 00:26:53,233
- [Bokushi] Come here, come here.

470
00:26:57,900 --> 00:27:01,893
Disobedience is worse
than than death itself.

471
00:27:02,984 --> 00:27:05,651
(pensive music)

472
00:27:23,250 --> 00:27:25,450
- [Nash] They figured
I knew how he thought.

473
00:27:27,540 --> 00:27:29,313
But no one knows how he thinks.

474
00:27:30,360 --> 00:27:31,193
How could they?

475
00:27:32,670 --> 00:27:36,180
He was the embodiment of corrupted power,

476
00:27:36,180 --> 00:27:40,410
a homegrown threat, a
self-proclaimed messiah

477
00:27:40,410 --> 00:27:44,133
willing to unleash hell in
pursuit of a warped utopia.

478
00:27:46,022 --> 00:27:47,760
- Hey, Nash, you know there's no guarantee

479
00:27:47,760 --> 00:27:49,053
she's still alive, right?

480
00:27:52,474 --> 00:27:54,210
You gotta believe me, what
happened in that river

481
00:27:54,210 --> 00:27:55,413
is not your fault.

482
00:27:56,547 --> 00:27:59,214
(pensive music)

483
00:28:03,150 --> 00:28:06,930
- [Nash] The FBI standoff
was to end at sundown.

484
00:28:06,930 --> 00:28:09,510
We had to get in before they breached.

485
00:28:09,510 --> 00:28:11,373
The feds had to play by the rules.

486
00:28:12,420 --> 00:28:15,093
But that wasn't what
was being asked of us.

487
00:28:15,930 --> 00:28:19,083
What we were there to do would
be sanctioned by no agency.

488
00:28:19,950 --> 00:28:21,753
And taking the Bokushi prisoner,

489
00:28:22,800 --> 00:28:24,303
that was no longer an option.

490
00:28:25,260 --> 00:28:29,343
I knew the compound, knew
the tunnels, the shadows.

491
00:28:31,500 --> 00:28:35,763
A reluctant tour guide back
into a place I once called home.

492
00:28:36,790 --> 00:28:40,290
(pensive music continues)

493
00:29:04,355 --> 00:29:07,855
(pensive music continues)

494
00:29:18,634 --> 00:29:23,301
I was returning to a hell I
thought I'd never see again.

495
00:29:24,364 --> 00:29:27,702
(Evoli laughing)

496
00:29:27,702 --> 00:29:31,035
(gentle acoustic music)

497
00:29:33,243 --> 00:29:36,493
But in trying to heal a fractured mind,

498
00:29:37,620 --> 00:29:39,490
you find pieces of yourself

499
00:29:42,780 --> 00:29:44,523
you forgot ever existed.

500
00:29:47,190 --> 00:29:48,600
I wanna marry you.

501
00:29:48,600 --> 00:29:50,035
- You want to marry me?

502
00:29:50,035 --> 00:29:52,383
- [Nash] Mm-hmm. Nobody
has to know but us.

503
00:29:54,270 --> 00:29:55,263
- Sure. Why not?

504
00:29:57,120 --> 00:29:59,460
- [Nash] Do you, Evoli Carmichael,

505
00:29:59,460 --> 00:30:01,686
promise to love, honour, and obey

506
00:30:01,686 --> 00:30:03,060
- (chuckles) Obey?

507
00:30:03,060 --> 00:30:03,893
- Obey.

508
00:30:05,550 --> 00:30:09,092
Nash Cavanaugh, in sickness and in health,

509
00:30:09,092 --> 00:30:14,081
till death do us part?

510
00:30:14,081 --> 00:30:14,955
- Yes, I do.

511
00:30:14,955 --> 00:30:16,087
- Yeah?

512
00:30:16,087 --> 00:30:17,717
- Very much.

513
00:30:17,717 --> 00:30:20,730
- [Nash] And do I, Nash
Cavanaugh, promise to love,

514
00:30:20,730 --> 00:30:23,557
honour and obey you, Evoli Carmichael?

515
00:30:26,987 --> 00:30:28,027
I do.

516
00:30:28,027 --> 00:30:30,437
I do very, very much.

517
00:30:30,437 --> 00:30:31,676
Now.

518
00:30:31,676 --> 00:30:33,657
Now I can kiss the bride.

519
00:30:33,657 --> 00:30:36,324
(intense music)

520
00:30:39,721 --> 00:30:42,911
(water trickling)

521
00:30:42,911 --> 00:30:45,385
(intense music)

522
00:30:45,385 --> 00:30:48,420
- Boo! (laughs)

523
00:30:48,420 --> 00:30:49,793
Chill, man, relax.

524
00:30:49,793 --> 00:30:50,626
(laughs) Relax, just chill out.

525
00:30:50,626 --> 00:30:51,459
It's just a joke.

526
00:30:53,580 --> 00:30:55,440
You can put the uniform
on and salute our flag,

527
00:30:55,440 --> 00:30:56,640
but I know what you are.

528
00:30:57,720 --> 00:30:59,673
You're a crazy-ass cult motherfucker.

529
00:31:06,739 --> 00:31:09,489
(cigar sizzling)

530
00:31:10,470 --> 00:31:12,840
- [Reporter on TV] Negotiators
have reached a stalemate,

531
00:31:12,840 --> 00:31:15,570
and the situation right now is tense.

532
00:31:15,570 --> 00:31:18,120
Unconfirmed reports have
come in that the FBI

533
00:31:18,120 --> 00:31:21,750
intends to take the compound
by force this evening.

534
00:31:21,750 --> 00:31:24,270
We turn now to our very own Talia Fields

535
00:31:24,270 --> 00:31:27,090
who has been covering
this story on the ground.

536
00:31:27,090 --> 00:31:28,140
- It's been three days,

537
00:31:28,140 --> 00:31:30,750
and there's no signs of tensions easing

538
00:31:30,750 --> 00:31:32,730
inside these concrete walls.

539
00:31:32,730 --> 00:31:36,360
The FBI has halted delivery
on all food and water

540
00:31:36,360 --> 00:31:39,420
in a clear effort to
stranglehold the compound.

541
00:31:39,420 --> 00:31:42,159
- [Yates] What the fuck, everybody, huh?

542
00:31:42,159 --> 00:31:43,915
- Can you tell me where Yates is?

543
00:31:43,915 --> 00:31:45,756
- [Yates] Who's in charge
of jamming the RF drones?

544
00:31:45,756 --> 00:31:46,860
- [HRT Captain] Working on it.

545
00:31:46,860 --> 00:31:48,360
- Work the fuck harder!

546
00:31:48,360 --> 00:31:49,193
- Are you Yates?

547
00:31:49,193 --> 00:31:50,160
- Yeah.

548
00:31:50,160 --> 00:31:51,150
- Sergeant Major Kollock,

549
00:31:51,150 --> 00:31:53,580
Special Forces Operation Detachment Delta.

550
00:31:53,580 --> 00:31:55,230
Ashburn said he briefed you on my team?

551
00:31:55,230 --> 00:31:56,063
- [Yates] Help me up.

552
00:31:56,063 --> 00:31:57,360
Yeah, I spoke to Ashburn.

553
00:31:57,360 --> 00:31:59,040
He's out of his fucking mind, okay?

554
00:31:59,040 --> 00:32:00,900
He doesn't know his head
from his fucking asshole.

555
00:32:00,900 --> 00:32:02,670
I spoke to the fucking guy already.

556
00:32:02,670 --> 00:32:03,690
And what cock did Ashburn

557
00:32:03,690 --> 00:32:06,569
have to suck to buy him 48
hours, can you tell me that?

558
00:32:06,569 --> 00:32:07,402
'Cause to me, I feel like

559
00:32:07,402 --> 00:32:09,000
we should let the Jonestown motherfuckers

560
00:32:09,000 --> 00:32:10,140
drink their own Kool-Aid.

561
00:32:10,140 --> 00:32:14,103
- Those are veterans
in there, just like us.

562
00:32:15,450 --> 00:32:17,430
- Got a fruitcake here?

563
00:32:17,430 --> 00:32:18,270
Why didn't anybody tell me

564
00:32:18,270 --> 00:32:20,070
you had a fruitcake in your crew?

565
00:32:20,070 --> 00:32:22,350
'Cause I don't even know
what you're here to do, okay?

566
00:32:22,350 --> 00:32:24,420
We're ghosts to each other, got it?

567
00:32:24,420 --> 00:32:26,010
You ain't never seen me.

568
00:32:26,010 --> 00:32:27,630
I ain't never seen you.

569
00:32:27,630 --> 00:32:29,430
So do whatever the fuck you gotta do,

570
00:32:29,430 --> 00:32:32,392
but we're going in at sunset, okay?

571
00:32:32,392 --> 00:32:35,142
(dramatic music)

572
00:32:37,241 --> 00:32:38,074
(fist banging)

573
00:32:38,074 --> 00:32:38,907
- Nash!

574
00:32:40,878 --> 00:32:41,711
Hop in.

575
00:32:47,790 --> 00:32:48,903
Protocol, man.

576
00:32:51,780 --> 00:32:54,730
See, I have to sanction every
relationship in this programme.

577
00:32:56,220 --> 00:32:57,470
- I, uh...

578
00:32:59,340 --> 00:33:00,173
Yes, sir.

579
00:33:01,230 --> 00:33:02,250
- You don't have to call me, sir.

580
00:33:02,250 --> 00:33:04,320
We the same, baby.

581
00:33:04,320 --> 00:33:05,640
You know?

582
00:33:05,640 --> 00:33:06,473
Nobody's better.

583
00:33:07,470 --> 00:33:10,743
Bleed like you, shit like you.

584
00:33:10,743 --> 00:33:11,993
Like them girls like you.

585
00:33:14,769 --> 00:33:17,602
(engine rumbling)

586
00:33:19,410 --> 00:33:21,540
No, you ain't got to call me sir.

587
00:33:21,540 --> 00:33:24,540
That was OS for the old
Green Machine, you know?

588
00:33:24,540 --> 00:33:26,863
That's in your rearview mirror now.

589
00:33:26,863 --> 00:33:28,740
You see that right there?

590
00:33:28,740 --> 00:33:30,033
That's your past.

591
00:33:31,410 --> 00:33:33,910
Now we're going into the
open road of your future.

592
00:33:35,070 --> 00:33:36,033
You have earned,

593
00:33:37,579 --> 00:33:39,600
you earned the right to intimacy.

594
00:33:39,600 --> 00:33:44,013
Time will tell if Shinja Evoli is the one.

595
00:33:46,560 --> 00:33:48,383
But I'll be the one to make that decision.

596
00:33:51,270 --> 00:33:52,890
Got thousands of people yearning

597
00:33:52,890 --> 00:33:54,150
for my attention, but where am I?

598
00:33:54,150 --> 00:33:55,710
I'm here, talking to Nash Cavanaugh.

599
00:33:55,710 --> 00:33:56,543
Why is that?

600
00:33:56,543 --> 00:34:00,903
Because I see echoes of myself in you.

601
00:34:01,814 --> 00:34:03,100
You got greatness in you, Nash.

602
00:34:03,100 --> 00:34:04,113
I can see it.

603
00:34:08,550 --> 00:34:10,100
So you wanna be in the Programme?

604
00:34:12,420 --> 00:34:14,900
Ah, you thought you was
already in the Programme, huh?

605
00:34:14,900 --> 00:34:16,590
Uh-uh.

606
00:34:16,590 --> 00:34:20,790
Participation medals,
do not make you a man.

607
00:34:20,790 --> 00:34:23,673
Hard choices, easy life.

608
00:34:25,050 --> 00:34:27,633
Easy choices, hard life.

609
00:34:32,040 --> 00:34:33,064
Make good choices.

610
00:34:33,064 --> 00:34:35,411
(tyres screeching)

611
00:34:35,411 --> 00:34:36,244
(engine roaring)

612
00:34:36,244 --> 00:34:38,430
Self-actualization is a choice.

613
00:34:38,430 --> 00:34:39,263
- Oh!

614
00:34:39,263 --> 00:34:40,096
- You want in, right?

615
00:34:40,096 --> 00:34:41,035
- Yes.

616
00:34:41,035 --> 00:34:42,319
- [Bokushi] Huh, do you want in?

617
00:34:42,319 --> 00:34:43,317
- Yes.

618
00:34:43,317 --> 00:34:44,639
- [Bokushi] So you want in?

619
00:34:44,639 --> 00:34:45,472
- [Nash] Yes!

620
00:34:45,472 --> 00:34:48,055
(tyres squeal)

621
00:34:51,120 --> 00:34:51,953
- That was fear.

622
00:34:55,050 --> 00:34:58,593
But fear is not a choice.

623
00:35:03,526 --> 00:35:06,276
(dramatic music)

624
00:35:11,064 --> 00:35:14,124
(fireworks Popping)

625
00:35:14,124 --> 00:35:16,874
(dramatic music)

626
00:35:32,569 --> 00:35:33,630
(Evoli speaking French)

627
00:35:33,630 --> 00:35:35,980
- [Nash] She could be
alive behind those walls.

628
00:35:38,040 --> 00:35:40,863
Or maybe she died years ago.

629
00:35:42,270 --> 00:35:46,900
Maybe all this was just
them sacrificing the pawn

630
00:35:49,050 --> 00:35:50,200
to bring down the king.

631
00:35:59,700 --> 00:36:02,002
- [Automated voice]
Perimeter breach detected,

632
00:36:02,002 --> 00:36:03,448
southern courtyard.

633
00:36:03,448 --> 00:36:05,779
(alarm chirping)

634
00:36:05,779 --> 00:36:07,576
(gas hissing)

635
00:36:07,576 --> 00:36:10,159
(sullen music)

636
00:36:31,503 --> 00:36:35,080
- [Man] Today, you will be tested

637
00:36:37,050 --> 00:36:38,220
because they have come.

638
00:36:40,650 --> 00:36:43,710
The maker tried to destroy his creation.

639
00:36:43,710 --> 00:36:45,690
We cannot subject ourself to the will

640
00:36:45,690 --> 00:36:49,230
and whim of people who
push into our house,

641
00:36:49,230 --> 00:36:52,113
take what they want,
leave when they please.

642
00:36:54,240 --> 00:36:59,240
We sacrifice today to
protect our rights, our home.

643
00:36:59,370 --> 00:37:01,070
- [Shinjas] Fight or die standing!

644
00:37:04,740 --> 00:37:07,203
- [Man] Okay, access is
20 yards on your left.

645
00:37:12,630 --> 00:37:13,683
Down this way, go.

646
00:37:14,629 --> 00:37:17,296
(pensive music)

647
00:37:22,740 --> 00:37:23,880
Keep moving.

648
00:37:23,880 --> 00:37:24,930
Stairwell's up ahead.

649
00:37:26,558 --> 00:37:29,225
(pensive music)

650
00:37:35,995 --> 00:37:36,983
- [Kollock] Cover him. Cover him.

651
00:37:45,630 --> 00:37:48,130
(eerie music)

652
00:37:50,914 --> 00:37:55,164
- [Nash] To a damaged
psyche, control is a comfort.

653
00:37:59,220 --> 00:38:01,860
Now people don't get
how subtle that can be.

654
00:38:03,930 --> 00:38:06,160
And once you have a hold on someone's mind

655
00:38:07,650 --> 00:38:09,100
you don't need anything else.

656
00:38:10,135 --> 00:38:12,885
(dramatic music)

657
00:38:13,896 --> 00:38:16,896
(children laughing)

658
00:38:19,300 --> 00:38:21,800
(baby crying)

659
00:38:24,986 --> 00:38:27,569
(sombre music)

660
00:38:45,843 --> 00:38:48,426
(baby crying)

661
00:38:55,459 --> 00:38:59,760
(flesh sizzling)
(baby shrieks)

662
00:38:59,760 --> 00:39:01,560
- What is this place?

663
00:39:01,560 --> 00:39:03,210
- They call it the hatchery.

664
00:39:03,210 --> 00:39:05,370
At six months old,
parents give up their kids

665
00:39:05,370 --> 00:39:07,380
to be raised by the Programme.

666
00:39:07,380 --> 00:39:08,523
- Jesus Christ.

667
00:39:09,906 --> 00:39:12,823
(objects thudding)

668
00:39:13,893 --> 00:39:17,560
(footsteps thudding softly)

669
00:39:23,788 --> 00:39:24,807
- Oh, my God!

670
00:39:24,807 --> 00:39:26,070
Oh, my God! Please.

671
00:39:26,070 --> 00:39:27,870
Please don't shoot us, please.

672
00:39:27,870 --> 00:39:28,703
Please.

673
00:39:28,703 --> 00:39:29,670
- You by yourself?

674
00:39:29,670 --> 00:39:30,503
- Yeah, it's just two of us.

675
00:39:30,503 --> 00:39:31,336
It's just us two.

676
00:39:32,220 --> 00:39:34,020
It's just the two of us.

677
00:39:34,020 --> 00:39:37,560
The Bokushi sent the kids out,
she came and she found me,

678
00:39:37,560 --> 00:39:39,060
and by then it was too late.

679
00:39:39,060 --> 00:39:41,130
I didn't know what he
was gonna do to them.

680
00:39:41,130 --> 00:39:42,690
I need to get her out of the compound.

681
00:39:42,690 --> 00:39:43,523
Can you get her out?

682
00:39:43,523 --> 00:39:44,430
- I wanna stay with you, Mommy.

683
00:39:44,430 --> 00:39:45,580
- [Woman] Okay. I know.

684
00:39:46,770 --> 00:39:48,370
- How does she know who you are?

685
00:39:51,300 --> 00:39:52,350
- You aren't Shinjas.

686
00:39:53,400 --> 00:39:54,723
I heard you talking.

687
00:39:57,150 --> 00:39:58,980
- I used to live here.

688
00:39:58,980 --> 00:40:01,173
- [Luke] Hey, Jackson, get a look at this.

689
00:40:06,360 --> 00:40:07,660
- I'm looking for my wife.

690
00:40:08,670 --> 00:40:09,570
- What's her name?

691
00:40:11,046 --> 00:40:11,879
- Ev-

692
00:40:11,879 --> 00:40:12,712
(explosion booms)

693
00:40:12,712 --> 00:40:14,276
(woman screams)

694
00:40:14,276 --> 00:40:17,677
(debris sifting)

695
00:40:17,677 --> 00:40:19,800
[Nash] You know the break in
the fence down by the river?

696
00:40:19,800 --> 00:40:20,633
- [Woman] Yes.

697
00:40:20,633 --> 00:40:22,050
- That's your best bet
of getting out of here.

698
00:40:22,050 --> 00:40:24,268
The FBI, they're coming.

699
00:40:24,268 --> 00:40:27,268
(suspenseful music)

700
00:40:30,621 --> 00:40:33,121
(guns firing)

701
00:40:34,098 --> 00:40:35,738
(explosion booms)

702
00:40:35,738 --> 00:40:38,238
(guns firing)

703
00:40:42,518 --> 00:40:43,752
(explosion booms)

704
00:40:43,752 --> 00:40:46,075
(Shinjas screaming)

705
00:40:46,075 --> 00:40:47,269
(alarm blaring)

706
00:40:47,269 --> 00:40:48,769
- Give me the gun!

707
00:40:50,398 --> 00:40:53,148
(water hissing)

708
00:40:56,970 --> 00:40:58,053
Where's the Bokushi?

709
00:40:59,230 --> 00:41:02,520
- (chuckles) I'd never forget that voice.

710
00:41:02,520 --> 00:41:03,963
- Where is he?

711
00:41:03,963 --> 00:41:05,288
Where's Evoli?

712
00:41:05,288 --> 00:41:06,577
- Fuck you.

713
00:41:06,577 --> 00:41:09,128
(both grunting)

714
00:41:09,128 --> 00:41:12,047
(body thudding)

715
00:41:12,047 --> 00:41:14,797
(alarm blaring)

716
00:41:32,539 --> 00:41:35,206
(both grunting)

717
00:41:42,424 --> 00:41:45,389
(guns firing)

718
00:41:45,389 --> 00:41:48,972
(alarm blaring continuous)

719
00:41:50,310 --> 00:41:51,518
Shit!

720
00:41:51,518 --> 00:41:53,700
(both grunting)

721
00:41:53,700 --> 00:41:56,283
(both yelling)

722
00:42:08,711 --> 00:42:12,059
(gunshot firing)

723
00:42:12,059 --> 00:42:14,726
(both grunting)

724
00:42:17,032 --> 00:42:18,115
- Where is she?

725
00:42:18,115 --> 00:42:20,782
(Evoli screams)

726
00:42:22,980 --> 00:42:25,450
Come on! Where is she?

727
00:42:25,450 --> 00:42:26,924
Huh?!

728
00:42:26,924 --> 00:42:30,390
You're gonna fucking tell
me what I wanna know.

729
00:42:30,390 --> 00:42:31,304
Where is she?

730
00:42:31,304 --> 00:42:32,157
(guns firing)

731
00:42:32,157 --> 00:42:33,704
(Atlas groaning)

732
00:42:33,704 --> 00:42:34,721
Come on! Tell me!

733
00:42:34,721 --> 00:42:35,661
- [Atlas] Fuck.

734
00:42:35,661 --> 00:42:37,578
- What happened to her?

735
00:42:39,120 --> 00:42:42,203
- He always said you would come back.

736
00:42:43,138 --> 00:42:45,161
(both grunting)

737
00:42:45,161 --> 00:42:47,557
- I want answers. I want answers.

738
00:42:47,557 --> 00:42:50,357
(explosion booms)

739
00:42:50,357 --> 00:42:53,645
(debris sifting)

740
00:42:53,645 --> 00:42:55,816
(Atlas yells)

741
00:42:55,816 --> 00:42:57,901
(ominous music)

742
00:42:57,901 --> 00:43:00,177
(alarm blaring continuous)

743
00:43:00,177 --> 00:43:02,433
- Bokushi, FBI have
breached the front gate.

744
00:43:03,600 --> 00:43:04,433
It's time.

745
00:43:06,145 --> 00:43:07,048
(guns firing)

746
00:43:07,048 --> 00:43:08,764
- [Man] Go, go, go!

747
00:43:08,764 --> 00:43:10,748
(guns firing)

748
00:43:10,748 --> 00:43:13,438
Go! Come on! Move up! Move up!

749
00:43:13,438 --> 00:43:16,552
(drill whirring)

750
00:43:16,552 --> 00:43:18,870
(intense music)

751
00:43:18,870 --> 00:43:21,005
- [Shinja] Honour till death!

752
00:43:21,005 --> 00:43:22,259
(Shinjas screaming)

753
00:43:22,259 --> 00:43:25,092
(explosion booms)

754
00:43:35,028 --> 00:43:36,176
(guns firing)

755
00:43:36,176 --> 00:43:37,696
- [Man] Man down! I need a medic!

756
00:43:37,696 --> 00:43:38,745
- [Man] Get her out of here!

757
00:43:38,745 --> 00:43:42,660
(alarm blaring continuous)

758
00:43:42,660 --> 00:43:45,243
(guns firing)

759
00:43:49,265 --> 00:43:52,375
- [Man] Watch your backs!

760
00:43:52,375 --> 00:43:55,208
(menacing music)

761
00:44:00,398 --> 00:44:03,432
(guns firing)

762
00:44:03,432 --> 00:44:06,265
(explosion booms)

763
00:44:10,065 --> 00:44:12,694
(guns firing)

764
00:44:12,694 --> 00:44:15,361
(alarm blaring)

765
00:44:20,681 --> 00:44:23,514
(explosion booms)

766
00:44:27,461 --> 00:44:30,044
(ears ringing)

767
00:44:38,030 --> 00:44:41,780
(vocalist singing in French)

768
00:45:05,640 --> 00:45:07,163
- [Evoli] You shouldn't be here.

769
00:45:09,390 --> 00:45:11,640
You know he hasn't
approved our relationship.

770
00:45:13,170 --> 00:45:16,623
- So, this is the colour
of your dreams, huh?

771
00:45:20,164 --> 00:45:22,680
- [Evoli] Well, the forecast
is for pink sunrises.

772
00:45:23,542 --> 00:45:28,125
(vocalist continues singing in French)

773
00:45:31,410 --> 00:45:33,178
- [Nash] I can't be away from you anymore.

774
00:45:33,178 --> 00:45:34,977
(Evoli sighs)

775
00:45:34,977 --> 00:45:36,300
I can't.

776
00:45:36,300 --> 00:45:37,470
I don't know what's happening to me.

777
00:45:37,470 --> 00:45:41,383
It feels like I'm scared
about what I feel for you.

778
00:45:41,383 --> 00:45:44,081
I mean, this place starts
to feel like a prison.

779
00:45:44,081 --> 00:45:45,510
Why do we have to fall in love

780
00:45:45,510 --> 00:45:47,410
in the one place we can't be together?

781
00:45:51,303 --> 00:45:54,719
(gentle music)

782
00:45:54,719 --> 00:45:57,444
(vocalist continues singing in French)

783
00:45:57,444 --> 00:45:58,964
(guns firing)

784
00:45:58,964 --> 00:46:01,636
(building rumbling)

785
00:46:01,636 --> 00:46:06,219
(vocalist continues singing in French)

786
00:46:23,809 --> 00:46:25,435
(guns firing)
(glass shattering)

787
00:46:25,435 --> 00:46:27,611
- [Luke] Let's go, let's
go, let's go, come on!

788
00:46:27,611 --> 00:46:28,805
Come on, soldier, let's go!

789
00:46:28,805 --> 00:46:30,472
- [Nash] Wait! Wait!

790
00:46:31,980 --> 00:46:33,960
Almost got killed looking for you.

791
00:46:33,960 --> 00:46:35,165
(Nash grunts)

792
00:46:35,165 --> 00:46:37,519
What the fuck is that?

793
00:46:37,519 --> 00:46:38,900
- What are you gonna do?

794
00:46:38,900 --> 00:46:40,599
Nothing, you wanna know why?

795
00:46:40,599 --> 00:46:41,910
'Cause you're a scared little Shinja bitch

796
00:46:41,910 --> 00:46:43,534
who's whining about his dead girl.

797
00:46:43,534 --> 00:46:44,746
You fucking pig fuck!

798
00:46:44,746 --> 00:46:46,610
- Cool off, man! Cool off.

799
00:46:46,610 --> 00:46:48,193
- All done.
- Okay.

800
00:46:51,532 --> 00:46:54,365
(explosion booms)

801
00:46:55,902 --> 00:46:58,485
(guns firing)

802
00:47:00,290 --> 00:47:03,940
(Kollock and Luke speaking indistinctly)

803
00:47:03,940 --> 00:47:07,523
(alarm blaring continuous)

804
00:47:09,664 --> 00:47:12,808
- [Kollock] No assault. We're clear.

805
00:47:12,808 --> 00:47:14,308
- [Jackson] Clear.

806
00:47:15,826 --> 00:47:16,861
- [Luke] All clear.

807
00:47:16,861 --> 00:47:18,525
Check the other rooms.

808
00:47:18,525 --> 00:47:22,108
(alarm blaring continuous)

809
00:47:34,067 --> 00:47:35,460
(door creaking)

810
00:47:35,460 --> 00:47:37,040
- [Nash] Shit.

811
00:47:37,040 --> 00:47:38,463
(feedback squealing)

812
00:47:38,463 --> 00:47:41,176
(Nash groans)

813
00:47:41,176 --> 00:47:43,050
- [Bokushi] Welcome back, Nash.

814
00:47:43,050 --> 00:47:45,510
So sad how it ended up for you.

815
00:47:45,510 --> 00:47:47,850
Fear and regret have eaten you alive.

816
00:47:47,850 --> 00:47:49,410
- [Nash] Where is she, huh?

817
00:47:49,410 --> 00:47:50,334
Where is she?

818
00:47:50,334 --> 00:47:51,660
- [Bokushi] Where is she?

819
00:47:51,660 --> 00:47:53,760
She's where you should be.

820
00:47:53,760 --> 00:47:55,200
Where you were destined to be.

821
00:47:55,200 --> 00:47:56,675
- Come on, you coward.

822
00:47:56,675 --> 00:47:58,200
What happened to her?

823
00:47:58,200 --> 00:48:00,720
- [Bokushi] He made the right
choice sending you in here.

824
00:48:00,720 --> 00:48:03,660
He saw in you what I saw in you.

825
00:48:03,660 --> 00:48:05,610
A born leader.

826
00:48:05,610 --> 00:48:06,443
Selfless.

827
00:48:06,443 --> 00:48:07,365
- Who?

828
00:48:07,365 --> 00:48:09,113
[Bokushi] You ain't figured it out yet?

829
00:48:11,040 --> 00:48:13,223
Still can't see beyond
the illusion, can you?

830
00:48:15,300 --> 00:48:16,830
Did you like Ashburn's speech

831
00:48:16,830 --> 00:48:18,383
about playing for your team, hmm?

832
00:48:21,439 --> 00:48:23,827
You know that motherfucker
stole that from me.

833
00:48:25,097 --> 00:48:27,240
Who do you think funded the Programme?

834
00:48:27,240 --> 00:48:29,070
Paid for my weapons?

835
00:48:29,070 --> 00:48:31,770
This is the beginning of the end.

836
00:48:31,770 --> 00:48:34,860
If there's a hell below,
you're all gonna go.

837
00:48:34,860 --> 00:48:35,810
- You motherfucker.

838
00:48:37,472 --> 00:48:39,331
- [Bokushi] Time's just about up, Shinja.

839
00:48:39,331 --> 00:48:40,164
(glass shattering)

840
00:48:40,164 --> 00:48:42,914
(Bokushi laughs)

841
00:48:45,288 --> 00:48:47,760
(Nash groaning)

842
00:48:47,760 --> 00:48:49,350
- [Nash] Why the fuck would Ashburn

843
00:48:49,350 --> 00:48:50,763
be working with the Bokushi?

844
00:48:51,870 --> 00:48:55,170
Or is this more of his
psychological manipulations?

845
00:48:55,170 --> 00:48:58,293
Some kind of sadistic
revenge for my betrayal?

846
00:48:59,598 --> 00:49:01,616
- [Lido] Stay there! I told you!

847
00:49:01,616 --> 00:49:03,848
I told you to fucking stop!

848
00:49:03,848 --> 00:49:04,956
- You fucking stand down!

849
00:49:04,956 --> 00:49:05,963
- Put your guns down!

850
00:49:05,963 --> 00:49:07,828
- Put your gun down, motherfucker.

851
00:49:07,828 --> 00:49:09,030
- This is a zero-sum game.

852
00:49:09,030 --> 00:49:10,470
You're not fucking Shinjas.

853
00:49:10,470 --> 00:49:11,970
Back up, back the fuck up!

854
00:49:11,970 --> 00:49:12,803
- Lower your weapons.

855
00:49:12,803 --> 00:49:14,010
- You lower your weapons.

856
00:49:14,010 --> 00:49:15,061
- Lower your weapons now.

857
00:49:15,061 --> 00:49:16,083
- Put your guns down.

858
00:49:16,083 --> 00:49:17,259
- Lower your weapons now.

859
00:49:17,259 --> 00:49:18,092
Now!

860
00:49:18,092 --> 00:49:19,740
- Come on. We don't wanna kill you.

861
00:49:19,740 --> 00:49:20,733
Just relax.

862
00:49:22,080 --> 00:49:23,193
Relax, hey, hey.

863
00:49:24,210 --> 00:49:26,352
I'm putting this gun on the ground.

864
00:49:26,352 --> 00:49:27,185
- [Luke] What are you doing?

865
00:49:27,185 --> 00:49:28,170
- [Nash] I'm putting my gun on the ground.

866
00:49:28,170 --> 00:49:29,220
- [Luke] Hey, what are you doing?

867
00:49:29,220 --> 00:49:30,053
That's crazy.

868
00:49:30,053 --> 00:49:30,886
- Luke, please!

869
00:49:31,849 --> 00:49:32,870
- Nash, what the fuck are you doing?

870
00:49:32,870 --> 00:49:34,323
- I know you, okay?

871
00:49:35,160 --> 00:49:36,900
I know your pain.

872
00:49:36,900 --> 00:49:38,130
- You don't know me.

873
00:49:38,130 --> 00:49:39,183
You know nothing about me.

874
00:49:39,183 --> 00:49:41,944
You! You guys brought death here.

875
00:49:41,944 --> 00:49:43,180
You fucking brought death!

876
00:49:43,180 --> 00:49:44,284
Own up! Own up!

877
00:49:44,284 --> 00:49:45,400
It was fucking you guys!

878
00:49:45,400 --> 00:49:47,610
(foreboding music)

879
00:49:47,610 --> 00:49:48,630
Look what's going on here.

880
00:49:48,630 --> 00:49:49,860
We're all gonna burn.

881
00:49:49,860 --> 00:49:51,710
We're all gonna burn in fucking hell!

882
00:49:52,797 --> 00:49:53,630
- It's gasoline.

883
00:49:53,630 --> 00:49:55,598
- Nash, we gotta get the fuck out of here.

884
00:49:55,598 --> 00:49:56,681
- Look at me!

885
00:49:57,545 --> 00:49:58,430
- Get up!

886
00:49:58,430 --> 00:50:01,513
(suspenseful music)

887
00:50:04,490 --> 00:50:05,340
- Kollock, this is falling apart.

888
00:50:05,340 --> 00:50:07,020
What's the fucking plan?

889
00:50:07,020 --> 00:50:08,100
- Hold!

890
00:50:08,100 --> 00:50:09,027
- Back the fuck up!

891
00:50:09,027 --> 00:50:10,433
Get the fuck away!

892
00:50:10,433 --> 00:50:12,360
- The Bokushi's gonna take
this whole place down.

893
00:50:12,360 --> 00:50:13,562
- Honour till death!

894
00:50:13,562 --> 00:50:14,488
- [Shinjas] Honour till death!

895
00:50:14,488 --> 00:50:15,387
- Shut the fuck up!

896
00:50:15,387 --> 00:50:17,190
- [Nash] I'm Nash Cavanaugh.

897
00:50:17,190 --> 00:50:19,260
Block one, rank gold.

898
00:50:19,260 --> 00:50:20,460
Okay?

899
00:50:20,460 --> 00:50:22,980
I came here to find my wife, Evoli.

900
00:50:22,980 --> 00:50:25,799
All I came back here is my fucking wife!

901
00:50:25,799 --> 00:50:28,466
(alarm blaring)

902
00:50:31,468 --> 00:50:32,718
- I knew Evoli.

903
00:50:33,960 --> 00:50:35,670
- Please tell me she's alive.

904
00:50:35,670 --> 00:50:36,653
- Yeah. Yeah.

905
00:50:37,800 --> 00:50:38,910
She's alive.

906
00:50:38,910 --> 00:50:40,080
The Bokushi, he took Evoli

907
00:50:40,080 --> 00:50:42,840
with all the other ones chosen to survive,

908
00:50:42,840 --> 00:50:44,490
the ones who are gonna
carry out the mission.

909
00:50:44,490 --> 00:50:46,233
- Just, uh, slow down.

910
00:50:48,120 --> 00:50:49,530
What's your name, brother?

911
00:50:49,530 --> 00:50:50,380
What's your name?

912
00:50:51,488 --> 00:50:53,460
- Are you talking about Eutierra?

913
00:50:53,460 --> 00:50:54,783
I was Lido Rossi.

914
00:50:55,920 --> 00:50:59,513
Block three, rank red.

915
00:50:59,513 --> 00:51:00,346
- No, no, no!

916
00:51:00,346 --> 00:51:02,451
(guns firing)

917
00:51:02,451 --> 00:51:03,284
(guns firing)

918
00:51:03,284 --> 00:51:04,117
- Fuck!

919
00:51:04,117 --> 00:51:04,950
Cease fire! Cease fucking fire!

920
00:51:04,950 --> 00:51:06,730
This whole place will blow!

921
00:51:06,730 --> 00:51:08,832
Move! Move! Go! Go!

922
00:51:08,832 --> 00:51:11,499
(intense music)

923
00:51:13,030 --> 00:51:15,087
- He's gone, man.

924
00:51:15,087 --> 00:51:16,087
We gotta go.

925
00:51:20,260 --> 00:51:21,997
- Honour till death.

926
00:51:21,997 --> 00:51:22,830
- This.

927
00:51:22,830 --> 00:51:24,465
This leads to the river.

928
00:51:24,465 --> 00:51:25,585
(Luke grunts)

929
00:51:25,585 --> 00:51:26,638
- [Jackson] Come on! Let's go!

930
00:51:26,638 --> 00:51:29,138
(intense music swelling)

931
00:51:29,138 --> 00:51:31,971
(explosion booms)

932
00:51:34,836 --> 00:51:35,919
- Shit!

933
00:51:35,919 --> 00:51:37,186
- [Nash] Come on, jump!

934
00:51:37,186 --> 00:51:40,824
(Jackson screams)

935
00:51:40,824 --> 00:51:43,657
(explosion booms)

936
00:51:44,907 --> 00:51:47,990
(suspenseful music)

937
00:51:58,328 --> 00:51:59,699
(hatch door creaking and slamming)

938
00:51:59,699 --> 00:52:02,178
(explosion booms)

939
00:52:02,178 --> 00:52:04,455
(suspenseful music)

940
00:52:04,455 --> 00:52:07,205
(Shinja screams)

941
00:52:09,113 --> 00:52:11,863
(dramatic music)

942
00:52:17,334 --> 00:52:20,334
(tyres screeching)

943
00:52:22,320 --> 00:52:25,820
(dramatic music swelling)

944
00:52:31,165 --> 00:52:34,629
(Bokushi grunts)

945
00:52:34,629 --> 00:52:36,680
(wind whistling)

946
00:52:36,680 --> 00:52:38,408
- [Bokushi] Eutierra!

947
00:52:38,408 --> 00:52:39,241
Eutierra!

948
00:52:41,610 --> 00:52:45,480
The prefix "eu," E-U,

949
00:52:45,480 --> 00:52:47,700
from the root word euphorus.

950
00:52:47,700 --> 00:52:48,540
Meaning?

951
00:52:48,540 --> 00:52:49,373
- [Shinjas] Good!

952
00:52:52,050 --> 00:52:53,043
- Root word tierra.

953
00:52:53,940 --> 00:52:56,160
Meaning of the soil or?

954
00:52:56,160 --> 00:52:56,993
- [Shinjas] Earth!

955
00:52:58,020 --> 00:53:01,170
- [Bokushi] It is Eutierra that we seek.

956
00:53:01,170 --> 00:53:03,840
There, you will find the answers,

957
00:53:03,840 --> 00:53:06,870
for you have been blessed
with a sacred duty

958
00:53:06,870 --> 00:53:09,960
to usher in a new era of purity

959
00:53:09,960 --> 00:53:13,230
to a world that caused you so much pain.

960
00:53:13,230 --> 00:53:16,500
We are the bearers of this salvation.

961
00:53:16,500 --> 00:53:20,040
This, Shinjas,

962
00:53:20,040 --> 00:53:22,440
is true freedom!

963
00:53:22,440 --> 00:53:25,680
It's not destruction we
seek, but transformation.

964
00:53:25,680 --> 00:53:29,133
Eutierra is where we
make our righteous stand.

965
00:53:30,180 --> 00:53:31,203
The final chapter.

966
00:53:32,280 --> 00:53:33,903
Shinja Nash!

967
00:53:35,550 --> 00:53:36,723
Plunge thyself.

968
00:53:37,650 --> 00:53:41,910
Baptism, getting rid of the old you,

969
00:53:41,910 --> 00:53:44,253
reaching the new you.

970
00:53:45,663 --> 00:53:46,621
- Oh, shit.

971
00:53:46,621 --> 00:53:47,467
(dramatic music)

972
00:53:47,467 --> 00:53:50,300
(water splashing)

973
00:53:53,130 --> 00:53:53,963
- [Reporter on TV] This has been

974
00:53:53,963 --> 00:53:56,580
a very dramatic series of events.

975
00:53:56,580 --> 00:53:58,080
We don't know when it happened

976
00:53:58,080 --> 00:54:00,240
or how it happened, exactly,

977
00:54:00,240 --> 00:54:02,670
because there's been so much confusion.

978
00:54:02,670 --> 00:54:04,890
But we are hearing that the administration

979
00:54:04,890 --> 00:54:07,530
is now telling senior members of Congress

980
00:54:07,530 --> 00:54:10,863
that it believes the
Bokushi has been killed.

981
00:54:12,120 --> 00:54:14,337
- [Man on TV] We will not
tyre, we will not falter

982
00:54:14,337 --> 00:54:15,348
(water running)

983
00:54:15,348 --> 00:54:18,845
and we will not fail in
our quest to defeat those

984
00:54:18,845 --> 00:54:20,435
who intend to do us harm

985
00:54:20,435 --> 00:54:21,268
(gun firing)

986
00:54:21,268 --> 00:54:22,101
(Ashburn screams)

987
00:54:22,101 --> 00:54:22,934
through acts of terror.

988
00:54:22,934 --> 00:54:25,934
(Ashburn groaning)

989
00:54:32,163 --> 00:54:35,373
- Keeping us in the dark
backfired, wouldn't you say?

990
00:54:36,210 --> 00:54:37,353
- Fuck off.

991
00:54:38,190 --> 00:54:39,023
- Huh?

992
00:54:40,032 --> 00:54:41,130
(Ashburn groaning)

993
00:54:41,130 --> 00:54:43,249
What were you doing with the Bokushi?

994
00:54:43,249 --> 00:54:45,570
- (groaning) I was gonna
ask you the same question.

995
00:54:45,570 --> 00:54:46,403
Fuck you.

996
00:54:46,403 --> 00:54:48,690
- Oh! Fuck me?

997
00:54:48,690 --> 00:54:49,650
- Fuck you.

998
00:54:49,650 --> 00:54:51,259
Ah! Fuck you!

999
00:54:51,259 --> 00:54:54,342
(suspenseful music)

1000
00:54:56,685 --> 00:55:00,069
- Don't worry, if there's a hell below,

1001
00:55:00,069 --> 00:55:05,069
we're all gonna go! (screams)

1002
00:55:08,380 --> 00:55:10,713
You're gonna like this, huh?

1003
00:55:15,344 --> 00:55:16,177
Whoo!

1004
00:55:17,516 --> 00:55:20,849
There you go! (laughs)

1005
00:55:23,288 --> 00:55:25,796
You hear that, Ashburn? Huh?

1006
00:55:25,796 --> 00:55:28,546
(water bubbling)

1007
00:55:30,714 --> 00:55:31,631
Hell below!

1008
00:55:32,592 --> 00:55:33,812
We're all gonna go!

1009
00:55:33,812 --> 00:55:35,007
(Ashburn grunts)

1010
00:55:35,007 --> 00:55:36,948
Talk, old man.

1011
00:55:36,948 --> 00:55:39,328
(Ashburn pants)

1012
00:55:39,328 --> 00:55:40,560
- [Ashburn] You don't need...

1013
00:55:40,560 --> 00:55:42,110
You don't need to humiliate me.

1014
00:55:43,740 --> 00:55:45,388
I love America.

1015
00:55:45,388 --> 00:55:47,108
I put my fucking life on the line for her.

1016
00:55:47,108 --> 00:55:50,433
- (laughs) That makes two of us.

1017
00:55:52,980 --> 00:55:53,813
Why?

1018
00:55:55,560 --> 00:55:56,393
Why?

1019
00:55:58,560 --> 00:56:00,990
- I knew Leon, your Bokushi,

1020
00:56:00,990 --> 00:56:02,580
back when he was just a kid from Texas.

1021
00:56:02,580 --> 00:56:04,140
He wasn't anything.

1022
00:56:04,140 --> 00:56:07,740
I saw that he cared about
those soldiers the way you do.

1023
00:56:07,740 --> 00:56:10,410
So I got him his funding
from the US government

1024
00:56:10,410 --> 00:56:12,780
because I believed he was really helping.

1025
00:56:12,780 --> 00:56:15,660
I thought together, we could
put decommissioned resources-

1026
00:56:15,660 --> 00:56:18,780
- Veterans! (breathing heavily)

1027
00:56:18,780 --> 00:56:20,190
Veterans.

1028
00:56:20,190 --> 00:56:21,570
Humans.

1029
00:56:21,570 --> 00:56:22,983
Human soldiers, say it.

1030
00:56:23,880 --> 00:56:25,980
- Human soldiers to maximum use.

1031
00:56:25,980 --> 00:56:27,663
Fix you up, send you back out.

1032
00:56:29,580 --> 00:56:31,383
But the Bokushi had a bolder idea.

1033
00:56:32,820 --> 00:56:33,753
He went rogue,

1034
00:56:34,800 --> 00:56:36,450
seeking vengeance against the government

1035
00:56:36,450 --> 00:56:39,060
for the trauma they caused the soldiers.

1036
00:56:39,060 --> 00:56:42,180
Arresting him would've only empowered him.

1037
00:56:42,180 --> 00:56:44,073
You can't cage a bird like that.

1038
00:56:46,230 --> 00:56:47,940
And now I'm out here flapping in the wind,

1039
00:56:47,940 --> 00:56:49,623
having funded this lunatic.

1040
00:56:51,420 --> 00:56:52,443
It's over for me.

1041
00:56:53,640 --> 00:56:56,130
But you got one last shot,

1042
00:56:56,130 --> 00:56:58,950
because the Bokushi sure as
shit wasn't in there, kid.

1043
00:56:58,950 --> 00:57:00,300
- [Nash] How did you know?

1044
00:57:00,300 --> 00:57:02,250
- Because I trained the son of a bitch.

1045
00:57:03,420 --> 00:57:04,893
The Programme was the future.

1046
00:57:05,820 --> 00:57:08,370
He created it. I nurtured it.

1047
00:57:08,370 --> 00:57:10,320
And he just thought he could walk away.

1048
00:57:12,300 --> 00:57:14,980
- If he was gonna just escape

1049
00:57:17,190 --> 00:57:19,140
why would he burn it all to the ground?

1050
00:57:20,460 --> 00:57:23,520
- He needed something so atrocious,

1051
00:57:23,520 --> 00:57:25,830
so grand, so believable

1052
00:57:25,830 --> 00:57:27,680
that no one would go looking for him.

1053
00:57:28,890 --> 00:57:30,003
I feel for you, kid.

1054
00:57:31,950 --> 00:57:33,030
Nothing can be sanctioned

1055
00:57:33,030 --> 00:57:35,670
till they figure out
he's not in the rubble.

1056
00:57:35,670 --> 00:57:38,763
But if you know where he went,
odds are she's there too.

1057
00:57:40,950 --> 00:57:43,950
The Bokushi is the master of illusion.

1058
00:57:43,950 --> 00:57:47,343
And if everyone believes the
illusion, it becomes reality.

1059
00:57:49,530 --> 00:57:51,303
Bokushi thinks he's won the game.

1060
00:57:53,310 --> 00:57:55,310
But he didn't count on the pinch hitter.

1061
00:57:59,310 --> 00:58:01,290
- [Nash] You know, I
just look at your face

1062
00:58:02,580 --> 00:58:03,453
I feel lucky.

1063
00:58:04,889 --> 00:58:07,689
- [Evoli] You look at my
face and you feel lucky?

1064
00:58:07,689 --> 00:58:08,553
- I do.

1065
00:58:08,553 --> 00:58:10,886
[vocalist singing in French]

1066
00:58:15,268 --> 00:58:17,768
(Evoli sighs)

1067
00:58:24,391 --> 00:58:25,224
Hey.

1068
00:58:25,224 --> 00:58:26,057
- Huh?

1069
00:58:26,057 --> 00:58:26,890
- What's wrong?

1070
00:58:30,776 --> 00:58:31,693
What is it?

1071
00:58:41,759 --> 00:58:43,009
- I'm pregnant.

1072
00:58:50,550 --> 00:58:53,220
I don't want to fuck this up, Nash.

1073
00:58:53,220 --> 00:58:54,053
He'll know it's yours.

1074
00:58:54,053 --> 00:58:55,083
He'll separate us,

1075
00:58:56,830 --> 00:58:58,143
and it'll be torture.

1076
00:59:06,473 --> 00:59:08,807
- I mean, I don't even...

1077
00:59:12,235 --> 00:59:13,068
Pregnant?

1078
00:59:13,068 --> 00:59:14,730
- I want us to raise our
child in a safe environment,

1079
00:59:14,730 --> 00:59:17,230
not with the Mama Sukis
and their soldier stories.

1080
00:59:19,080 --> 00:59:19,913
- [Nash] Okay.

1081
00:59:19,913 --> 00:59:20,860
- I want our baby to be free.

1082
00:59:23,550 --> 00:59:24,963
- What do you wanna do?

1083
00:59:26,895 --> 00:59:28,320
- We stay here.

1084
00:59:28,320 --> 00:59:29,250
We fight him.

1085
00:59:29,250 --> 00:59:30,240
We change things.

1086
00:59:30,240 --> 00:59:31,767
- What?
- Yes, you take over.

1087
00:59:31,767 --> 00:59:33,000
- No, that's crazy.

1088
00:59:33,000 --> 00:59:33,833
Listen to me.

1089
00:59:33,833 --> 00:59:34,666
- Yes, we'll be free.

1090
00:59:34,666 --> 00:59:35,499
Do you understand?

1091
00:59:36,870 --> 00:59:41,070
- [Nash] I get it, but maybe
it's time that we leave.

1092
00:59:41,070 --> 00:59:43,410
There's another chapter, you know?

1093
00:59:43,410 --> 00:59:44,243
- Where?

1094
00:59:44,243 --> 00:59:45,076
- Anywhere.

1095
00:59:45,076 --> 00:59:47,360
- We don't know how to function
outside of the Programme.

1096
00:59:48,616 --> 00:59:50,749
- That was before, okay?

1097
00:59:50,749 --> 00:59:52,332
That was before us.

1098
00:59:57,482 --> 00:59:59,563
- But this is our home.

1099
00:59:59,563 --> 01:00:00,396
- No.

1100
01:00:01,514 --> 01:00:03,347
This, this is my home.

1101
01:00:08,182 --> 01:00:09,648
You're my home.

1102
01:00:09,648 --> 01:00:12,231
(sombre music)

1103
01:00:13,528 --> 01:00:14,666
Okay?

1104
01:00:14,666 --> 01:00:17,333
(sombre music)

1105
01:00:31,121 --> 01:00:33,954
(engine rumbling)

1106
01:00:38,770 --> 01:00:41,353
(sombre music)

1107
01:00:54,373 --> 01:00:56,790
(Nash sighs)

1108
01:00:58,312 --> 01:00:59,940
We're good.

1109
01:00:59,940 --> 01:01:00,773
- Yeah.

1110
01:01:00,773 --> 01:01:03,273
(Nash sighs)

1111
01:01:06,290 --> 01:01:11,007
Right? (chuckles)

1112
01:01:19,365 --> 01:01:22,032
(laughs) Jeez.

1113
01:01:28,220 --> 01:01:29,729
Yeah.

1114
01:01:29,729 --> 01:01:30,562
- Hey.

1115
01:01:31,859 --> 01:01:32,692
We did it.

1116
01:01:32,692 --> 01:01:35,275
(Evoli laughs)

1117
01:01:40,231 --> 01:01:42,648
(Nash sighs)

1118
01:01:44,371 --> 01:01:47,954
(Evoli sighs and chuckles)

1119
01:01:50,007 --> 01:01:51,124
- [Evoli] What is it?

1120
01:01:51,124 --> 01:01:52,123
(vehicle engine revving)

1121
01:01:52,123 --> 01:01:52,956
(car thuds)

1122
01:01:52,956 --> 01:01:53,840
- [Both] Whoa.

1123
01:01:53,840 --> 01:01:54,757
- What the?

1124
01:01:55,900 --> 01:01:56,733
(horn honking)

1125
01:01:56,733 --> 01:01:57,566
- Nash!

1126
01:01:57,566 --> 01:02:01,235
(metal crunching)
(glass shattering)

1127
01:02:01,235 --> 01:02:02,485
(Evoli screams)

1128
01:02:02,485 --> 01:02:04,079
(birds screeching)

1129
01:02:04,079 --> 01:02:06,318
(wind whooshing)

1130
01:02:06,318 --> 01:02:09,118
(engine revving)

1131
01:02:09,118 --> 01:02:11,701
(gentle music)

1132
01:02:15,814 --> 01:02:18,397
(Nash screams)

1133
01:02:19,343 --> 01:02:22,176
(water splashing)

1134
01:02:24,210 --> 01:02:26,877
(sombre music)

1135
01:02:34,238 --> 01:02:37,155
(foreboding music)

1136
01:02:47,400 --> 01:02:49,500
- [Nash] If it was all a smokescreen,

1137
01:02:49,500 --> 01:02:52,030
if the Bokushi had really evaded us

1138
01:02:53,520 --> 01:02:55,360
well, then there was only one place

1139
01:02:57,144 --> 01:02:58,594
that I was going to find him.

1140
01:03:02,305 --> 01:03:05,055
(engine purring)

1141
01:03:06,963 --> 01:03:09,630
(ominous music)

1142
01:03:33,485 --> 01:03:36,235
(timer beeping)

1143
01:03:43,710 --> 01:03:47,763
If Evoli was there then
I was leaving with her.

1144
01:03:49,770 --> 01:03:51,033
Or not leaving at all.

1145
01:03:53,797 --> 01:03:54,630
Eutierra.

1146
01:03:56,040 --> 01:03:58,263
He had finally built his temple mount.

1147
01:04:01,440 --> 01:04:03,780
A new home for his radicalised followers

1148
01:04:03,780 --> 01:04:05,163
he deemed deserving.

1149
01:04:07,620 --> 01:04:09,573
A place to work in the shadows.

1150
01:04:10,830 --> 01:04:13,780
Readying themselves to
execute his vendetta

1151
01:04:14,640 --> 01:04:17,340
against a government that had discarded us

1152
01:04:17,340 --> 01:04:18,903
like yesterday's trash.

1153
01:04:22,470 --> 01:04:24,633
His intentions loomed dark,

1154
01:04:26,550 --> 01:04:29,255
like a storm gathering on the horizon.

1155
01:04:29,255 --> 01:04:31,755
(tense music)

1156
01:04:35,493 --> 01:04:37,866
- [Bokushi] Responsible to face

1157
01:04:37,866 --> 01:04:39,199
the consequences of their actions.

1158
01:04:39,199 --> 01:04:42,484
In the coming days, each
of you have enrolled

1159
01:04:42,484 --> 01:04:43,901
in our operation.

1160
01:04:44,859 --> 01:04:47,026
Our resolve is unwavering.

1161
01:04:47,981 --> 01:04:51,731
Some of you, you're
gatherers of information.

1162
01:04:53,073 --> 01:04:56,740
If you take assistance,
trust us in exposing

1163
01:04:57,640 --> 01:04:59,098
the corruption.

1164
01:04:59,098 --> 01:05:01,697
Others take their chances. (indistinct)

1165
01:05:10,587 --> 01:05:12,210
- Hands.

1166
01:05:12,210 --> 01:05:13,043
Let me see them.

1167
01:05:15,900 --> 01:05:17,300
- You're not gonna shoot me.

1168
01:05:18,720 --> 01:05:21,000
No, he's saving that for himself.

1169
01:05:21,000 --> 01:05:23,460
- He will create a version
of you he wants them to see.

1170
01:05:23,460 --> 01:05:24,293
- [Bokushi] Ah!

1171
01:05:26,640 --> 01:05:27,903
The moth to the flame.

1172
01:05:32,040 --> 01:05:34,023
Welcome to Eutierra!

1173
01:05:35,940 --> 01:05:39,513
- Just give me Evoli and
I'll walk out of here.

1174
01:05:41,730 --> 01:05:43,287
- I must be missing something.

1175
01:05:43,287 --> 01:05:44,940
Are we missing something?

1176
01:05:44,940 --> 01:05:48,540
He actually feels like he's
in a position to negotiate.

1177
01:05:48,540 --> 01:05:49,373
- [Nash] Please.

1178
01:05:51,030 --> 01:05:51,863
Please.

1179
01:05:53,310 --> 01:05:55,343
- [Bokushi] You want me to be
the villain, don't you, Nash?

1180
01:05:56,190 --> 01:05:57,023
Hmm?

1181
01:05:58,200 --> 01:05:59,700
You want me to be the villain.

1182
01:06:00,960 --> 01:06:01,793
The bad guy.

1183
01:06:03,179 --> 01:06:04,023
Disruptor.

1184
01:06:05,910 --> 01:06:08,850
'Cause it's easier than you just looking

1185
01:06:08,850 --> 01:06:10,620
in the mirror at yourself.

1186
01:06:10,620 --> 01:06:13,920
I saved her from the crash,
from drowning in that river.

1187
01:06:13,920 --> 01:06:15,150
I did that, Nash.

1188
01:06:15,150 --> 01:06:18,480
I did it because either you
couldn't, or you wouldn't do it.

1189
01:06:18,480 --> 01:06:19,650
You know why?

1190
01:06:19,650 --> 01:06:22,470
'Cause all those doubts that
you have about yourself.

1191
01:06:22,470 --> 01:06:24,920
All those demons that are
whispering in your ear,

1192
01:06:26,220 --> 01:06:27,123
they're all true.

1193
01:06:28,410 --> 01:06:29,520
It's all true.

1194
01:06:29,520 --> 01:06:31,521
- We came to you for fucking help.

1195
01:06:31,521 --> 01:06:32,580
- And you got it!

1196
01:06:32,580 --> 01:06:33,840
And what did I get, huh?

1197
01:06:33,840 --> 01:06:35,580
A bunch of motherfucking disloyalty.

1198
01:06:35,580 --> 01:06:36,413
Am I right?

1199
01:06:41,610 --> 01:06:42,693
- [Nash] Hmm.

1200
01:06:44,670 --> 01:06:46,440
If you don't give her to me right now,

1201
01:06:46,440 --> 01:06:47,890
one of us isn't leaving here.

1202
01:06:52,300 --> 01:06:53,750
- Now that's the Nash I know.

1203
01:06:58,173 --> 01:06:59,973
Take this motherfucker to the arena.

1204
01:07:01,220 --> 01:07:04,303
(Shinjas chattering)

1205
01:07:07,330 --> 01:07:10,330
(discordant music)

1206
01:07:13,613 --> 01:07:18,600
(chuckles) You let love blind you!

1207
01:07:18,600 --> 01:07:19,830
You thought you was planning

1208
01:07:19,830 --> 01:07:24,163
on having happy forever
under my roof? (laughs)

1209
01:07:25,189 --> 01:07:27,720
I'm gonna kick your fucking
teeth out your mouth.

1210
01:07:27,720 --> 01:07:29,040
- This is insane.

1211
01:07:29,040 --> 01:07:30,750
- What the fuck are you talking about?

1212
01:07:30,750 --> 01:07:32,685
I'm not the idiot to walk into the belly

1213
01:07:32,685 --> 01:07:34,228
of the motherfucking whale!

1214
01:07:34,228 --> 01:07:36,895
(drums beating)

1215
01:07:43,608 --> 01:07:45,225
(timer beeping)

1216
01:07:45,225 --> 01:07:46,308
Here I stand!

1217
01:07:48,375 --> 01:07:51,208
Let's test the mettle of this man.

1218
01:07:52,720 --> 01:07:53,690
Come on!

1219
01:07:53,690 --> 01:07:56,069
(both yelling)

1220
01:07:56,069 --> 01:07:58,096
(Shinjas cheering)

1221
01:07:58,096 --> 01:08:00,763
(ears ringing)

1222
01:08:01,700 --> 01:08:04,243
I took back the baby that belonged to me.

1223
01:08:09,226 --> 01:08:11,893
You deserve a grand death, Nash!

1224
01:08:12,778 --> 01:08:14,908
Or rather, they deserve a grand death.

1225
01:08:14,908 --> 01:08:17,825
(Shinjas cheering)

1226
01:08:18,698 --> 01:08:19,865
Come on, Nash!

1227
01:08:20,844 --> 01:08:21,677
Come on!

1228
01:08:21,677 --> 01:08:24,260
(Nash yelling)

1229
01:08:27,493 --> 01:08:30,587
(Shinjas cheering)

1230
01:08:30,587 --> 01:08:32,254
You got nothing now!

1231
01:08:34,367 --> 01:08:35,200
The student

1232
01:08:35,200 --> 01:08:36,673
(drums beating)

1233
01:08:36,673 --> 01:08:38,590
humbled by the teacher.

1234
01:08:41,813 --> 01:08:44,813
(Shinjas cheering)

1235
01:08:45,688 --> 01:08:49,855
(laughs) Yeah, I like that, Nash.

1236
01:08:51,693 --> 01:08:54,360
(both grunting)

1237
01:09:02,883 --> 01:09:04,416
- He's the illusion!

1238
01:09:04,416 --> 01:09:05,499
He needs you!

1239
01:09:06,563 --> 01:09:08,230
You do not need him!

1240
01:09:09,269 --> 01:09:10,102
- Yeah.

1241
01:09:10,998 --> 01:09:12,234
That's what I'm talking about.

1242
01:09:12,234 --> 01:09:13,293
Come on. Come on.

1243
01:09:13,293 --> 01:09:15,960
(both grunting)

1244
01:09:19,679 --> 01:09:22,679
(Shinjas cheering)

1245
01:09:25,069 --> 01:09:28,320
Tin soldier, that's what you are.

1246
01:09:28,320 --> 01:09:29,760
Poured when the tin was short.

1247
01:09:29,760 --> 01:09:32,404
You don't have enough mettle
in you to make you whole.

1248
01:09:32,404 --> 01:09:33,484
(Nash yells)

1249
01:09:33,484 --> 01:09:34,317
Stay down!

1250
01:09:35,501 --> 01:09:36,453
Stay the fuck down!

1251
01:09:37,380 --> 01:09:38,251
- Come on.

1252
01:09:38,251 --> 01:09:40,369
- What you want, Nash?

1253
01:09:40,369 --> 01:09:43,193
You ain't tired of
getting your ass whupped?

1254
01:09:43,193 --> 01:09:44,789
(Shinjas cheering)

1255
01:09:44,789 --> 01:09:48,268
(drums beating)

1256
01:09:48,268 --> 01:09:50,344
(both grunting)

1257
01:09:50,344 --> 01:09:52,260
(Shinjas cheering)

1258
01:09:52,260 --> 01:09:54,927
(Nash groaning)

1259
01:10:06,242 --> 01:10:08,909
(drums beating)

1260
01:10:18,990 --> 01:10:20,475
All you see is her.

1261
01:10:20,475 --> 01:10:23,980
(Shinjas cheering)

1262
01:10:23,980 --> 01:10:25,617
This what you want, huh?

1263
01:10:25,617 --> 01:10:27,284
All you see is her.

1264
01:10:28,650 --> 01:10:31,012
(Shinjas cheering)

1265
01:10:31,012 --> 01:10:31,845
Come on.

1266
01:10:33,347 --> 01:10:34,180
- Come on.

1267
01:10:35,843 --> 01:10:36,676
Come on.

1268
01:10:36,676 --> 01:10:39,343
(drums beating)

1269
01:10:42,313 --> 01:10:44,902
[Bokushi] Stay the fuck down.

1270
01:10:44,902 --> 01:10:45,735
- Come on.

1271
01:10:49,178 --> 01:10:51,259
(both yell and grunt)

1272
01:10:51,259 --> 01:10:53,926
(drums beating)

1273
01:11:00,109 --> 01:11:03,026
(Shinjas cheering)

1274
01:11:05,594 --> 01:11:06,950
(Nash groaning)

1275
01:11:06,950 --> 01:11:08,491
- [Evoli] Nash!

1276
01:11:08,491 --> 01:11:09,324
- Evoli!

1277
01:11:12,701 --> 01:11:13,534
- Nash!

1278
01:11:14,794 --> 01:11:15,627
- Evoli!

1279
01:11:17,288 --> 01:11:18,121
Evoli!

1280
01:11:22,175 --> 01:11:23,133
- [Evoli] Nash!

1281
01:11:23,133 --> 01:11:25,729
(panting) Nash.

1282
01:11:25,729 --> 01:11:26,562
Nash!

1283
01:11:26,562 --> 01:11:29,312
(poignant music)

1284
01:11:31,972 --> 01:11:32,805
Nash!

1285
01:11:34,847 --> 01:11:35,805
Nash!

1286
01:11:35,805 --> 01:11:38,805
(melancholic music)

1287
01:11:41,431 --> 01:11:43,885
(timer beeping)

1288
01:11:43,885 --> 01:11:46,718
(explosion booms)

1289
01:11:50,500 --> 01:11:53,583
(melancholic music)

1290
01:12:18,479 --> 01:12:22,312
(melancholic music continues)

1291
01:12:32,119 --> 01:12:34,786
(water hissing)

1292
01:12:40,691 --> 01:12:42,959
(water bubbling)

1293
01:12:42,959 --> 01:12:45,959
(melancholic music)

1294
01:12:57,215 --> 01:12:59,965
(acoustic music)

1295
01:13:11,293 --> 01:13:13,113
- [Nash] Losing her once more,

1296
01:13:14,010 --> 01:13:17,740
watching her slip through my
fingers and into that river

1297
01:13:19,080 --> 01:13:22,478
that was something I knew
I could not survive again.

1298
01:13:22,478 --> 01:13:25,145
(pensive music)

1299
01:13:49,050 --> 01:13:51,333
How could the same nightmare happen twice?

1300
01:13:53,077 --> 01:13:56,077
(melancholic music)

1301
01:14:02,029 --> 01:14:03,409
Evoli!

1302
01:14:03,409 --> 01:14:04,242
Evoli!

1303
01:14:07,710 --> 01:14:11,668
This time, I hoped to take me with her.

1304
01:14:11,668 --> 01:14:14,168
(tense music)

1305
01:14:20,810 --> 01:14:23,643
(uplifting music)

1306
01:14:40,696 --> 01:14:43,696
(melancholic music)

1307
01:15:15,840 --> 01:15:19,233
Hard choices, easy life.

1308
01:15:20,820 --> 01:15:24,423
Easy choices, hard life.

1309
01:15:26,460 --> 01:15:31,230
That, that'll forever
be cemented in my mind.

1310
01:15:35,790 --> 01:15:38,370
But life, you know, I don't know,

1311
01:15:38,370 --> 01:15:40,743
not always that clear-cut, right?

1312
01:15:42,991 --> 01:15:44,280
I mean, even at its fullest,

1313
01:15:44,280 --> 01:15:48,153
it's, uh, rarely is it ever easy.

1314
01:15:53,791 --> 01:15:55,874
And, um, you just wake up

1315
01:15:59,100 --> 01:16:03,897
every day try to complete
the circle, you know?

1316
01:16:06,240 --> 01:16:07,833
Try to heal.

1317
01:16:09,150 --> 01:16:13,383
And, um, some days, it's
not gonna go your way.

1318
01:16:14,490 --> 01:16:15,570
But some days, it is.

1319
01:16:15,570 --> 01:16:18,152
Some days, it is gonna go your way.

1320
01:16:18,152 --> 01:16:21,453
And...

1321
01:16:21,453 --> 01:16:23,493
Then you gotta just keep fighting.

1322
01:16:28,050 --> 01:16:31,863
And you fight to find those
little pieces that complete you.

1323
01:16:33,623 --> 01:16:35,493
And you never stop fighting.

1324
01:16:39,450 --> 01:16:40,310
Because...

1325
01:16:44,520 --> 01:16:45,510
Because every once in a while,

1326
01:16:45,510 --> 01:16:47,814
you find that there's a moment

1327
01:16:47,814 --> 01:16:50,481
(gentle music)

1328
01:16:58,773 --> 01:17:00,513
when life really is perfect.

1329
01:17:03,712 --> 01:17:06,295
(tender music)

1330
01:17:18,220 --> 01:17:21,553
("A Time Comes Around")

1331
01:17:36,271 --> 01:17:40,244
♪ She don't have a care ♪

1332
01:17:40,244 --> 01:17:44,673
♪ She's in her underwear ♪

1333
01:17:44,673 --> 01:17:49,146
♪ She won't carry us ♪

1334
01:17:49,146 --> 01:17:52,960
♪ About a doin' it ♪

1335
01:17:52,960 --> 01:17:57,167
♪ She got long legs ♪

1336
01:17:57,167 --> 01:18:01,377
♪ She takes short steps ♪

1337
01:18:01,377 --> 01:18:05,922
♪ She's reading Marcel ♪

1338
01:18:05,922 --> 01:18:10,427
♪ On the bed, yeah ♪

1339
01:18:10,427 --> 01:18:15,427
♪ And love is a two-way feat ♪

1340
01:18:18,611 --> 01:18:23,611
♪ And trust is a two-way street ♪

1341
01:18:27,731 --> 01:18:32,731
♪ And I'll stand out about ♪

1342
01:18:33,201 --> 01:18:37,452
♪ Until my boots wear down ♪

1343
01:18:37,452 --> 01:18:42,452
♪ Until our time comes around ♪

1344
01:18:44,139 --> 01:18:49,139
♪ And I'll stand out about ♪

1345
01:18:50,066 --> 01:18:53,972
♪ Until my boots wear down ♪

1346
01:18:53,972 --> 01:18:58,441
♪ Until a time comes around ♪

1347
01:18:58,441 --> 01:19:03,441
♪ Until our time comes around ♪

1348
01:19:08,209 --> 01:19:13,209
♪ Said farewell ♪

1349
01:19:13,354 --> 01:19:18,007
♪ On the stairwell ♪

1350
01:19:18,007 --> 01:19:21,785
♪ We held a deep stare ♪

1351
01:19:21,785 --> 01:19:25,986
♪ Because we both care ♪

1352
01:19:25,986 --> 01:19:30,115
♪ Only purpose ♪

1353
01:19:30,115 --> 01:19:34,389
♪ We need to learn from this ♪

1354
01:19:34,389 --> 01:19:37,749
♪ But the verdict ♪

1355
01:19:37,749 --> 01:19:42,749
♪ Is deep down, I deserve this ♪

1356
01:19:43,458 --> 01:19:48,458
♪ And love is a two-way feat ♪

1357
01:19:51,669 --> 01:19:56,669
♪ And trust is a two-way street ♪

1358
01:19:59,999 --> 01:20:04,999
♪ And I'll stand out about ♪

1359
01:20:06,163 --> 01:20:10,101
♪ Until my boots wear down ♪

1360
01:20:10,101 --> 01:20:15,101
♪ Until our time comes around ♪

1361
01:20:16,669 --> 01:20:21,669
♪ And I'll stand out about ♪

1362
01:20:22,901 --> 01:20:26,907
♪ Until my boots wear down ♪

1363
01:20:26,907 --> 01:20:30,993
♪ Until our time comes around ♪

1364
01:20:30,993 --> 01:20:35,993
♪ Until our time comes around ♪

1365
01:20:39,714 --> 01:20:43,631
♪ Until our time comes around ♪

1366
01:20:55,516 --> 01:20:58,599
(gentle organ music)

1367
01:21:30,208 --> 01:21:34,125
(gentle organ music continues)

1368
01:21:56,200 --> 01:22:00,117
(gentle organ music continues)

1369
01:22:20,333 --> 01:22:24,250
(gentle organ music continues)

1370
01:22:40,814 --> 01:22:43,397
(serene music)

1371
01:23:00,091 --> 01:23:03,508
(serene music continues)

1372
01:23:29,389 --> 01:23:32,806
(serene music continues)

1373
01:23:58,472 --> 01:24:01,889
(serene music continues)

1374
01:24:29,521 --> 01:24:33,021
(serene music continues)

1375
01:24:55,003 --> 01:24:57,586
(gentle music)

1376
01:25:32,073 --> 01:25:35,490
(gentle music continues)

1377
01:25:56,024 --> 01:25:59,441
(gentle music continues)