1
00:00:00,671 --> 00:00:04,635
(panting)

2
00:00:04,635 --> 00:00:07,238
(car alarms blaring
in distance)

3
00:00:07,238 --> 00:00:09,380
(woman screaming)

4
00:00:12,413 --> 00:00:16,387
(woman continues screaming)

5
00:00:20,020 --> 00:00:21,152
(grunts)

6
00:00:21,152 --> 00:00:23,154
(woman continues screaming)

7
00:00:23,154 --> 00:00:25,056
(groans)

8
00:00:25,056 --> 00:00:28,059
(car alarms continue blaring)

9
00:00:29,029 --> 00:00:31,202
(grunts)

10
00:00:31,202 --> 00:00:34,105
(sobbing) PLEASE, HELP ME!
PLEASE!

11
00:00:34,105 --> 00:00:37,037
(woman screams)
SOMEONE, PLEASE! PLEASE!

12
00:00:37,037 --> 00:00:38,669
(man shouting indistinctly)

13
00:00:38,669 --> 00:00:40,311
DEMETRI!

14
00:00:40,311 --> 00:00:44,245
DEMETRI!

15
00:00:44,245 --> 00:00:48,079
(man screaming)

16
00:00:48,079 --> 00:00:58,629
AAH! AAH!

17
00:00:58,629 --> 00:01:02,333
(woman over radio)
GOOD MORNING, LOS ANGELES.

18
00:01:02,333 --> 00:01:04,064
IT'S 7:00,

19
00:01:04,064 --> 00:01:07,067
AND IT LOOKS LIKE IT'S GONNA BE
ANOTHER BEAUTIFUL DAY.

20
00:01:07,067 --> 00:01:09,340
WE'RE LOOKING AT LIGHT CLOUDS
AND HIGHS IN THE MID 70s TODAY.

21
00:01:09,340 --> 00:01:11,342
KEEP THAT UMBRELLA HANDY

22
00:01:11,342 --> 00:01:14,074
BECAUSE WE'VE GOT A CHANCE
OF SPRINKLES LATER...

23
00:01:14,074 --> 00:01:15,576
(beeps)

24
00:01:20,080 --> 00:01:21,452
(chuckles)

25
00:01:42,333 --> 00:01:43,874
I HATE YOU, TOO.

26
00:01:43,874 --> 00:01:45,876
(chuckles) MMM.

27
00:01:48,609 --> 00:01:51,612
MM, BABE, DON'T FORGET
TO LOOK AT THE GARAGE DOOR.

28
00:01:51,612 --> 00:01:54,215
IT'S ACTING UP AGAIN.

29
00:01:54,215 --> 00:01:55,616
ALREADY FORGOTTEN.

30
00:01:55,616 --> 00:01:57,188
BYE.

31
00:01:57,188 --> 00:02:02,523
(laughs)
JUST BECAUSE I'M A SQUIRREL
DOESN'T MEAN I LIKE ACORNS.

32
00:02:02,523 --> 00:02:04,355
(gasps)

33
00:02:04,355 --> 00:02:06,227
MMM, SMELLS GOOD.

34
00:02:06,227 --> 00:02:07,898
(cartoon
continues indistinctly)

35
00:02:07,898 --> 00:02:11,362
HERE YOU GO, MY PRINCESS.

36
00:02:11,362 --> 00:02:13,133
MMM. (kisses)

37
00:02:13,133 --> 00:02:17,908
(metal grinding)

38
00:02:17,908 --> 00:02:19,540
(gears squeak)

39
00:02:24,375 --> 00:02:26,277
TE AYUDO.

40
00:02:26,277 --> 00:02:28,649
(chuckles) HEY, HECTOR.
BUENOS DIAS.

41
00:02:28,649 --> 00:02:31,422
(man) â™ª AND IT DON'T
TAKE MUCH TO GET... â™ª

42
00:02:31,422 --> 00:02:32,553
HEY, NICOLE.

43
00:02:32,553 --> 00:02:35,286
I'M SORRY I'M LATE.
DON'T WORRY.

44
00:02:35,286 --> 00:02:37,428
HEY, OLIVIA'S WORKING THE LATE
SHIFT AT THE HOSPITAL TONIGHT.

45
00:02:37,428 --> 00:02:39,660
YOU THINK YOU CAN STAY
AN EXTRA HOUR OR TWO?

46
00:02:39,660 --> 00:02:43,834
YEAH, NO PROBLEM.
I'VE GOT STUDYING TO DO ANYWAY.
YOU'RE A SAINT.

47
00:02:45,666 --> 00:02:48,669
(man) Hey, this is Bryce.
You know what to do.
(beep)

48
00:02:48,669 --> 00:02:51,272
BRYCE, IT'S OLIVIA.
YOU WEREN'T AROUND YESTERDAY.

49
00:02:51,272 --> 00:02:53,674
YOU BETTER HAVE
A DAMN GOOD REASON WHY.

50
00:02:53,674 --> 00:02:57,278
OKAY, YOU CALL ME IMMEDIATELY.
I'M WORRIED ABOUT YOU.

51
00:02:57,278 --> 00:03:00,481
(indistinct conversations,
seagulls calling)

52
00:03:49,900 --> 00:03:52,903
(man)
MY DAUGHTER TRACY WAS 5'5",

53
00:03:52,903 --> 00:03:54,505
118 POUNDS,

54
00:03:54,505 --> 00:03:56,967
BUT... WHEN THE MARINES SHIPPED

55
00:03:56,967 --> 00:03:59,310
HER BODY BACK
FROM AFGHANISTAN...

56
00:04:01,442 --> 00:04:05,446
SORRY, HER REMAINS...

57
00:04:05,446 --> 00:04:08,649
THEY WEIGHED 37.

58
00:04:08,649 --> 00:04:11,522
ONLY REASON
I KNEW IT WAS HER AT ALL

59
00:04:11,522 --> 00:04:14,955
WAS BECAUSE
THEY'D DNA'd WHAT WAS LEFT.

60
00:04:14,955 --> 00:04:16,557
SO...

61
00:04:19,930 --> 00:04:22,593
YEAH.

62
00:04:22,593 --> 00:04:24,835
I TOOK A DRINK THAT NIGHT.

63
00:04:28,899 --> 00:04:31,502
YOU CALL AMANDA YET?
YEAH, WE'RE TALKING.

64
00:04:31,502 --> 00:04:33,504
OH, YOU'RE TALKING? REALLY?

65
00:04:33,504 --> 00:04:35,546
REALLY, THAT'S KINDA WEIRD

66
00:04:35,546 --> 00:04:38,649
BECAUSE SHE TOLD OLIVIA
SHE NEVER HEARD FROM YOU.
HEY, I'M YOUR SPONSOR.

67
00:04:38,649 --> 00:04:40,651
I'M THE ONE WHO'S SUPPOSED
TO BE RIDING YOU,

68
00:04:40,651 --> 00:04:42,653
NOT THE OTHER WAY AROUND.

69
00:04:42,653 --> 00:04:44,685
ALL RIGHT, ALL RIGHT.
I'M GETTING AROUND TO IT.

70
00:04:44,685 --> 00:04:46,657
COME ON, AARON. JUST CALL.
SHE'S COOL.

71
00:04:46,657 --> 00:04:48,659
NURSES CREEP ME OUT, MAN.
IT'S A DATE.

72
00:04:48,659 --> 00:04:51,692
SHE'S NOT GIVING YOU
A FRIGGIN' ENEMA.
HOW DO YOU KNOW
THAT'S NOT MY THING?

73
00:04:51,692 --> 00:04:54,695
(Mos Def's "Quiet Dog" playing)
(Nicole laughs)

74
00:04:54,695 --> 00:04:56,697
â™ª TO THE RHYTHM
OF THE BOOGIE TO BE â™ª

75
00:04:56,697 --> 00:04:58,699
â™ª TO THE RHYTHM
OF THE BOOGIE TO BE â™ª

76
00:04:58,699 --> 00:05:00,931
â™ª THERE IT GO
LIKE SIMPLE THE PLAINLESS â™ª

77
00:05:00,931 --> 00:05:04,074
â™ª THE PROMINENT BASSNESS,
ZULU ARRANGEMENT â™ª

78
00:05:04,074 --> 00:05:06,977
â™ª ROCKIN' AMAZEMENT, FLY GOLD â™ª

79
00:05:06,977 --> 00:05:08,709
WHAT'S WRONG?
I THOUGHT I HEARD CHARLIE.

80
00:05:08,709 --> 00:05:12,413
CHARLIE'S ASLEEP.
THIS IS SO WRONG.

81
00:05:12,413 --> 00:05:15,346
(laughs) WHICH IS WHY
YOU LOVE IT.
DUDE, AS SOON AS WE'RE DONE,

82
00:05:15,346 --> 00:05:17,588
YOU HAVE TO GET YOUR ASS
OUT OF HERE.

83
00:05:17,588 --> 00:05:20,691
ALL RIGHT, WELL,
STOP TALKING AND GET TO WORK.

84
00:05:20,691 --> 00:05:22,993
(camera shutter clicking)

85
00:05:22,993 --> 00:05:25,325
(man) SO THEN WE GET
TO THE SUBJECT

86
00:05:25,325 --> 00:05:27,998
OF THE FIRST DANCE, RIGHT?

87
00:05:27,998 --> 00:05:30,561
I'M SORRY, BUT ZOEY PICKS
ONE OF THE CORNIEST SONGS

88
00:05:30,561 --> 00:05:32,433
OF ALL TIME--

89
00:05:32,433 --> 00:05:34,004
"ISLANDS IN THE STREAM."

90
00:05:34,004 --> 00:05:37,968
YEAH. THE OLD
KENNY ROGERS/DOLLY PARTON DUET.

91
00:05:37,968 --> 00:05:41,011
OKAY, AND WE USED TO SING IT
WHEN WE DID KARAOKE,

92
00:05:41,011 --> 00:05:43,544
BUT THAT WAS WHEN WE WERE, LIKE,
REALLY, REALLY DRUNK, YOU KNOW?

93
00:05:43,544 --> 00:05:45,546
AND I PUT UP WITH IT
BECAUSE WE WERE DATING,

94
00:05:45,546 --> 00:05:47,548
AND THAT'S WHAT YOU DO.

95
00:05:47,548 --> 00:05:49,550
BUT OUR FRIENDS ARE GONNA
BE THERE, MY FAMILY.

96
00:05:49,550 --> 00:05:51,552
I CANNOT DANCE
TO "ISLANDS IN THE STREAM."

97
00:05:51,552 --> 00:05:54,024
I WILL NEVER LIVE IT DOWN.

98
00:05:54,024 --> 00:05:58,389
YOU DON'T CARE
ABOUT ANY OF THIS, DO YOU?
OH, I DO. I DO CARE.
I'M RIVETED. I'M FASCINATED.

99
00:05:58,389 --> 00:05:59,960
â™ª UH-HUH â™ª
(laughs)

100
00:05:59,960 --> 00:06:02,693
BUT, UH, WHAT DO YOU WANT ME
TO SAY, DON'T MARRY HER?

101
00:06:02,693 --> 00:06:05,466
DON'T MARRY HER. THE ODDS
ARE AGAINST YOU ANYWAY.

102
00:06:05,466 --> 00:06:07,738
OH, THAT'S GOOD. THANK YOU.
YOU'RE STILL MARRIED.

103
00:06:07,738 --> 00:06:10,641
I'M SURPRISED OLIVIA DIDN'T
LEAVE ME A LONG TIME AGO.

104
00:06:10,641 --> 00:06:12,372
ME, TOO, BUDDY.

105
00:06:12,372 --> 00:06:14,374
SO WHAT'D YOU GUYS DANCE TO?

106
00:06:14,374 --> 00:06:17,978
â™ª SIMMER DOWN, I MANAGE YOUR
MAYHEM, I'M BRIGHT AS THE A.M. â™ª

107
00:06:17,978 --> 00:06:21,081
I CAN'T EVEN REMEMBER.

108
00:06:21,081 --> 00:06:23,514
â™ª QUIET DOG, WILD HOG,
MY GOD â™ª

109
00:06:23,514 --> 00:06:26,086
â™ª HUH, SIMMER DOWN,
SIMMER DOWN, SIMMER DOWN â™ª

110
00:06:26,086 --> 00:06:28,959
â™ª YOU KEEP UP THE ROCK
AND YOU DON'T STOP THE ROCK â™ª

111
00:06:28,959 --> 00:06:30,961
â™ª MAINTAIN THE ROCK
AND YOU DON'T STOP THE ROCK â™ª

112
00:06:30,961 --> 00:06:33,594
â™ª YOU KEEP UP THE ROCK
AND YOU DON'T STOP THE ROCK â™ª

113
00:06:33,594 --> 00:06:37,067
HE'S A HOLY TERROR.
TERRIBLE TWOs AT ONE YEAR.
MM.

114
00:06:37,067 --> 00:06:40,070
(chuckles) YOU'RE LUCKY
YOU HAVE A GIRL.
UGH. ARE YOU KIDDING ME?

115
00:06:40,070 --> 00:06:42,933
YOU ONLY HAVE TO WORRY
ABOUT ONE PENIS.

116
00:06:42,933 --> 00:06:44,935
I GOTTA WORRY
ABOUT ALL OF THEM.
(laughs)

117
00:06:44,935 --> 00:06:47,177
â™ªâ™ª

118
00:06:47,177 --> 00:06:49,740
HERE WE GO.

119
00:06:49,740 --> 00:06:52,142
SHOWTIME.

120
00:06:52,142 --> 00:06:53,744
(camera shutter clicking)
KHALID, OMAR, UNKNOWN FEMALE

121
00:06:53,744 --> 00:06:57,187
GOING MOBILE
IN A BLACK S.U.V.

122
00:06:57,187 --> 00:07:00,891
Bobby, you're on point. They
should hit you in 20 seconds.
(beep)

123
00:07:02,453 --> 00:07:04,695
FBI. JANIS HAWK.

124
00:07:04,695 --> 00:07:07,958
IT'S BENFORD. GET WEDECK.
SUSPECTS ARE ON THE MOVE.
THREE WEEKS.

125
00:07:07,958 --> 00:07:10,701
IT'S FINALLY ABOUT TO START
GETTING INTERESTING.

126
00:07:10,701 --> 00:07:13,964
OKAY, MARK,
I'M PUTTING YOU ON SPEAKER.
WHAT DO YOU GOT?

127
00:07:13,964 --> 00:07:16,206
KHALID, OMAR

128
00:07:16,206 --> 00:07:18,138
AND AN UNIDENTIFIED
CAUCASIAN WOMAN.

129
00:07:18,138 --> 00:07:20,611
WE'RE E-MAILING YOU PICTURES
RIGHT NOW.

130
00:07:20,611 --> 00:07:22,713
WHO IS SHE?

131
00:07:22,713 --> 00:07:24,675
UH, THAT'S THE "UNIDENTIFIED"
PART, SWEETHEART.

132
00:07:24,675 --> 00:07:27,618
(typing on keyboard)
GET THIS TO DIGITAL FORENSICS
AND RUN IT BY I.C.E.

133
00:07:27,618 --> 00:07:28,619
OKAY.

134
00:07:28,619 --> 00:07:31,021
(brakes squeal)

135
00:07:31,021 --> 00:07:33,584
THEY MADE US.
THEY'RE ON THE MOVE.

136
00:07:33,584 --> 00:07:36,557
(siren wailing)

137
00:07:36,557 --> 00:07:38,489
(tires screech)

138
00:07:41,932 --> 00:07:44,735
WHOA!

139
00:07:44,735 --> 00:07:47,237
HOLY! OHH!

140
00:07:47,237 --> 00:07:50,971
(horns blare, tires screeching)

141
00:07:50,971 --> 00:07:54,575
COME ON! GET SOME BACKUP!
GET SOME BACKUP NOW!

142
00:07:54,575 --> 00:07:58,549
ALL RIGHT, ALL RIGHT, ALL RIGHT.
SUSPECTS FLEEING WEST ON 6th!

143
00:07:58,549 --> 00:08:01,612
BLACK ESCALADE, LICENSE PLATE
8, "QUEEN," "ROBIN,"

144
00:08:01,612 --> 00:08:03,954
7-2-2, "YOUNG."

145
00:08:03,954 --> 00:08:06,016
WE NEED L.A.P.D.
AND AIR SUPPORT NOW!

146
00:08:06,016 --> 00:08:08,619
(horn blares)
NO!

147
00:08:08,619 --> 00:08:10,160
DROP! CAR!
CALM DOWN!

148
00:08:10,160 --> 00:08:11,491
CAR!

149
00:08:11,491 --> 00:08:13,163
SHUT UP!
NO! NO!

150
00:08:13,163 --> 00:08:16,166
(laughs)
WHAT ARE YOU LAUGHING AT?

151
00:08:16,166 --> 00:08:18,599
I DON'T KNOW.
I'VE NEVER DONE THIS BEFORE.

152
00:08:26,737 --> 00:08:30,981
â™ªâ™ª

153
00:08:30,981 --> 00:08:33,984
(tires screeching)

154
00:08:33,984 --> 00:08:35,515
(brakes squealing)

155
00:08:35,515 --> 00:08:37,548
COME ON.

156
00:08:42,723 --> 00:08:44,154
(shouts indistinctly)

157
00:08:44,154 --> 00:08:45,596
(tires screech)

158
00:08:45,596 --> 00:08:46,757
AAH!

159
00:08:46,757 --> 00:08:51,001
(whoosh)

160
00:08:52,933 --> 00:08:54,965
(whoosh)

161
00:09:15,085 --> 00:09:17,988
(whispering indistinctly)

162
00:09:22,192 --> 00:09:23,694
(cocks gun)

163
00:09:37,107 --> 00:09:40,751
(panting)

164
00:09:40,751 --> 00:09:43,153
(car alarms blaring
in distance)

165
00:09:43,153 --> 00:09:45,585
(woman screaming)

166
00:09:45,585 --> 00:09:48,588
(man shouting indistinctly)

167
00:09:52,362 --> 00:09:54,364
(woman continues screaming)
(grunts)

168
00:09:56,126 --> 00:09:57,968
(groans)

169
00:09:57,968 --> 00:10:00,731
(sobbing) PLEASE HELP ME!

170
00:10:00,731 --> 00:10:03,774
(people screaming)

171
00:10:03,774 --> 00:10:05,776
(gasps)

172
00:10:05,776 --> 00:10:09,910
(surf rolling, seagulls calling)

173
00:10:15,345 --> 00:10:20,020
(alarm beeping rapidly)

174
00:10:20,020 --> 00:10:22,022
(woman) DR. BENFORD,
WHAT HAPPENED?

175
00:10:22,022 --> 00:10:24,224
I DON'T KNOW.
I LOST CONSCIOUSNESS.

176
00:10:24,224 --> 00:10:26,326
YOU OKAY?
YEAH.

177
00:10:26,326 --> 00:10:27,758
(man) NICOLE?

178
00:10:27,758 --> 00:10:29,760
(car alarms blaring
in distance)

179
00:10:29,760 --> 00:10:32,102
(groans) WHAT HAPPENED?

180
00:10:32,102 --> 00:10:34,004
I-I BLACKED OUT.

181
00:10:34,004 --> 00:10:37,007
(birds chirping)

182
00:10:43,013 --> 00:10:45,045
HELP!

183
00:10:45,045 --> 00:10:48,118
(woman screaming)
DEMETRI!

184
00:10:48,118 --> 00:10:50,150
DEMETRI!

185
00:10:50,150 --> 00:10:52,052
(dog barks)

186
00:10:52,052 --> 00:10:53,653
(screaming continues)

187
00:10:53,653 --> 00:10:56,957
(shouting
in Asian language)

188
00:10:56,957 --> 00:10:58,959
CALM DOWN. RELAX, MAN.

189
00:10:58,959 --> 00:11:01,131
OKAY. TRY TO CALM DOWN.
(continues shouting)

190
00:11:01,131 --> 00:11:02,763
AAH! AAH!

191
00:11:02,763 --> 00:11:05,766
(screaming)

192
00:11:05,766 --> 00:11:08,438
(loud explosion)

193
00:11:08,438 --> 00:11:10,670
(glass shattering)

194
00:11:10,670 --> 00:11:12,042
(loud whoosh)

195
00:11:12,042 --> 00:11:13,704
(woman) AAH!

196
00:11:17,147 --> 00:11:19,149
(loud crash)

197
00:11:19,149 --> 00:11:23,153
(screaming continues)

198
00:11:26,216 --> 00:11:29,219
(man) AAH! LOOK OUT! AAH!

199
00:11:48,708 --> 00:11:50,710
(loud explosion)

200
00:11:50,710 --> 00:11:54,714
(people screaming)

201
00:11:54,714 --> 00:11:56,987
(loud explosion)

202
00:11:56,987 --> 00:11:59,089
(woman screaming)

203
00:11:59,089 --> 00:12:01,021
MARK! OVER HERE!

204
00:12:01,021 --> 00:12:01,992
HEY!

205
00:12:01,992 --> 00:12:03,253
HEY!

206
00:12:04,995 --> 00:12:06,997
(Mark) ARE YOU ALL RIGHT?

207
00:12:06,997 --> 00:12:09,029
YEAH.

208
00:12:09,029 --> 00:12:10,801
YEAH, I THINK SO.

209
00:12:10,801 --> 00:12:12,732
WE WERE DRIVING, RIGHT?

210
00:12:12,732 --> 00:12:14,734
I BLACKED OUT.
ME, TOO.

211
00:12:14,734 --> 00:12:17,007
(woman) HELP ME!

212
00:12:17,007 --> 00:12:19,009
ALL RIGHT, ALL RIGHT,
MOVE ASIDE.
SORRY.

213
00:12:19,009 --> 00:12:20,811
MOVE ASIDE.
EXCUSE ME.

214
00:12:20,811 --> 00:12:24,414
(Mark) STAY CALM. WE GOT YOU.
(Demetri) YEAH, GOT HIM.

215
00:12:24,414 --> 00:12:26,516
GET BACK!
THIS THING COULD BLOW.

216
00:12:26,516 --> 00:12:29,249
ALL RIGHT,
WE GOTTA CALL THIS IN!

217
00:12:29,249 --> 00:12:31,081
WE GOTTA CALL 9-1-1.

218
00:12:31,081 --> 00:12:32,823
TRUST ME, THEY KNOW.

219
00:12:32,823 --> 00:12:35,786
TRY THE OFFICE. SEE IF THEY CAN
TELL US WHAT THE HELL HAPPENED.

220
00:12:35,786 --> 00:12:38,288
(loud explosion)

221
00:12:41,761 --> 00:12:44,034
(people screaming)

222
00:12:44,034 --> 00:12:46,236
(loud crash)

223
00:12:50,770 --> 00:12:55,045
(man in distance)
...THE WATER! SOMEBODY!

224
00:12:55,045 --> 00:12:57,047
THEY'RE NOT MOVING! HELP!

225
00:12:57,047 --> 00:12:59,149
HEY! HEY!

226
00:12:59,149 --> 00:13:02,082
HELP! PLEASE!

227
00:13:02,082 --> 00:13:04,784
HELP! I-I NEED SOME HELP!

228
00:13:04,784 --> 00:13:06,456
PLEASE, SOMEBODY!

229
00:13:06,456 --> 00:13:08,458
HELP!

230
00:13:08,458 --> 00:13:11,021
HEY! HELP!

231
00:13:11,021 --> 00:13:13,994
JUST HOLD ON! I'M A DOCTOR!
I'LL BE RIGHT THERE!

232
00:13:17,067 --> 00:13:19,799
OH, CRAP. CHARLIE!

233
00:13:19,799 --> 00:13:21,972
CHARLIE!

234
00:13:26,136 --> 00:13:28,138
(exhales deeply)
SWEETHEART, ARE YOU OKAY?

235
00:13:28,138 --> 00:13:30,440
I HAD A BAD DREAM.

236
00:13:30,440 --> 00:13:34,314
I DREAMT THERE WERE
NO MORE GOOD DAYS.

237
00:13:38,588 --> 00:13:41,091
(people shouting indistinctly)

238
00:13:41,091 --> 00:13:42,452
(beep)

239
00:13:42,452 --> 00:13:44,394
CAN'T GET MY FAMILY.

240
00:13:44,394 --> 00:13:45,996
THAT'S OUR S.U.V.

241
00:13:45,996 --> 00:13:48,828
THAT'S WHAT I WAS THINKIN'.

242
00:13:48,828 --> 00:13:51,231
(man) CAN'T YOU HEAR ME?!

243
00:13:51,231 --> 00:13:53,603
(man shouts indistinctly)
HEY, GO THIS WAY!

244
00:13:53,603 --> 00:13:58,038
GET UP AND MOVE IT AROUND!
(woman sobbing)

245
00:13:59,839 --> 00:14:01,371
HANDS UP!

246
00:14:01,371 --> 00:14:03,373
HANDS UP!

247
00:14:03,373 --> 00:14:05,415
I GOT HER.

248
00:14:05,415 --> 00:14:07,847
GET OUT. COME ON.

249
00:14:07,847 --> 00:14:10,850
GET OUT. GET OUT! WE KNOW
YOU WERE PLANNING AN ATTACK.
(woman groans)

250
00:14:10,850 --> 00:14:13,383
WHAT DID YOU DO, HUH?
(groans) UHH!

251
00:14:13,383 --> 00:14:16,186
TELL ME WHAT HAPPENED!
TAKE IT EASY.

252
00:14:16,186 --> 00:14:21,491
WE KNOW ABOUT THE SUITCASE.
DID YOU SET IT OFF? ANSWER ME!
(panting) I BLACKED OUT.
I WAS SOMEWHERE ELSE.

253
00:14:21,491 --> 00:14:27,237
THERE WAS A STORM.
THE HORSES WERE SCARED.
WHAT ARE YOU TALKING ABOUT?
WHAT ARE YOU TALKING ABOUT?

254
00:14:27,237 --> 00:14:31,001
WHAT ARE YOU TALKING--
CALM DOWN! DOES THIS LOOK LIKE
A DIRTY BOMB TO YOU?

255
00:14:31,001 --> 00:14:34,004
DOES IT?
WE DON'T KNOW WHAT THIS IS.

256
00:14:34,004 --> 00:14:36,146
MAYBE THEY WEREN'T
EVEN INVOLVED.
ARE--ARE YOU GUYS COPS?

257
00:14:36,146 --> 00:14:37,347
(Mark) FBI. IT'S OKAY.
WHAT HAPPENED?

258
00:14:37,347 --> 00:14:39,349
(woman) WAS IT A NUCLEAR ATTACK?
I DON'T KNOW.

259
00:14:39,349 --> 00:14:42,082
IT'S GOTTA BE THE BIG ONE.
I MEAN, LOOK. LOOK AT THIS MESS.

260
00:14:42,082 --> 00:14:44,384
IT'S GOTTA BE.
WHEN'S HELP GETTING HERE?

261
00:14:44,384 --> 00:14:45,986
LOOK, UNTIL
EMERGENCY SERVICES ARRIVE,

262
00:14:46,316 --> 00:14:50,020
WE NEED TO STAY CALM AND HELP
WHOEVER WE CAN, ALL RIGHT?
THEY AIN'T COMIN'.

263
00:14:50,020 --> 00:14:51,621
WHAT?
(Demetri) WHAT'D YOU SAY?

264
00:14:51,621 --> 00:14:54,494
I JUST HEARD ON MY RADIO,
SOME GUY IN SAN DIEGO.

265
00:14:54,494 --> 00:14:56,496
THEY'RE DEALING
WITH THE SAME THING.

266
00:14:56,496 --> 00:14:59,029
IT'S MORE THAN JUST L.A.,
MAN.

267
00:14:59,029 --> 00:15:01,531
SIT DOWN. YOU MOVE, I SHOOT.

268
00:15:01,531 --> 00:15:05,275
(man shouting indistinctly)

269
00:15:05,275 --> 00:15:06,276
(beeping)

270
00:15:06,276 --> 00:15:09,039
I CAN'T GET THROUGH TO ZOEY.
WHAT ABOUT OLIVIA?

271
00:15:09,039 --> 00:15:11,441
NO.
LISTEN, ZOEY'S IN SEATTLE
RIGHT NOW.

272
00:15:11,441 --> 00:15:13,183
BUT OLIVIA'S CLOSE BY,
RIGHT?

273
00:15:13,183 --> 00:15:15,185
HOSPITAL'S 2 MILES.
YOU CAN MAKE IT ON FOOT.

274
00:15:15,185 --> 00:15:17,417
YEAH. NO, NO,
I-I-I CAN'T JUST LEAVE--

275
00:15:17,417 --> 00:15:20,090
LISTEN, THERE'S NOTHING
WE CAN DO HERE RIGHT NOW.

276
00:15:20,090 --> 00:15:22,052
OKAY? GO CHECK
ON YOUR FAMILY. GO!

277
00:15:22,052 --> 00:15:25,055
(sirens continue wailing)

278
00:15:32,332 --> 00:15:35,335
(man shouting indistinctly)

279
00:15:48,118 --> 00:15:51,351
(electricity crackles)

280
00:15:51,351 --> 00:15:53,123
(woman screams)

281
00:15:53,123 --> 00:15:55,085
HELP ME!

282
00:15:55,085 --> 00:15:58,058
(alarm bell ringing)

283
00:15:58,058 --> 00:16:01,091
(people shouting indistinctly)
(man) LOOK OUT!

284
00:16:01,091 --> 00:16:04,094
MOVE! AAH!

285
00:16:04,094 --> 00:16:06,636
(tires screech)
WATCH OUT! LOOK OUT, MAN!

286
00:16:06,636 --> 00:16:10,070
HEY! SON OF A...

287
00:16:10,070 --> 00:16:12,372
(indistinct
police radio chatter)

288
00:16:12,372 --> 00:16:15,375
(helicopters whirring overhead)

289
00:16:15,375 --> 00:16:18,378
(siren wailing)

290
00:16:27,117 --> 00:16:29,219
(man) Roger.

291
00:16:46,676 --> 00:16:51,611
(man on TV
speaking indistinctly)

292
00:16:51,611 --> 00:16:55,045
(woman) THERE ARE
THOUSANDS AND THOUSANDS

293
00:16:55,045 --> 00:16:57,687
OF INJURED PEOPLE
WAITING FOR EMERGENCY...

294
00:16:57,687 --> 00:17:00,090
(woman, British accent)
UH, ALL WE KNOW FOR CERTAIN

295
00:17:00,090 --> 00:17:02,492
IS THAT EVERYONE ON THE PLANET

296
00:17:02,492 --> 00:17:06,556
SEEMED TO HAVE BLACKED OUT
AT EXACTLY THE SAME TIME.
(man) ...CONFIRMING THAT

297
00:17:06,556 --> 00:17:09,659
THE BLACKOUT WAS A WORLDWIDE
PHENOMENON. OFFICIALS ARE...

298
00:17:09,659 --> 00:17:12,562
(woman) ...IS UNKNOWN. FIRE
SERVICES AND POLICE SERVICES

299
00:17:12,562 --> 00:17:15,635
ARE COMPLETELY OVERWHELMED
AT THIS TIME.
(man) ...EN ESTE MOMENTO.

300
00:17:15,635 --> 00:17:18,568
MY GOD.
IT'S THE WHOLE WORLD.

301
00:17:18,568 --> 00:17:22,342
(woman) ...INFORMATION AS TO
THE CAUSE OF THE BLACKOUT.

302
00:17:30,350 --> 00:17:33,083
(woman) HOSPITALS ARE
OVERFLOWING. FIRE SERVICES...
(cell phone ringing)

303
00:17:33,083 --> 00:17:35,325
AND POLICE SERVICES
ARE COMPLETELY OVERWHELMED...
LIVY! LIVY, I'M HERE.

304
00:17:35,325 --> 00:17:38,658
OH, THANK GOD
I GOT AHOLD OF YOU.
WHAT ABOUT CHARLIE?
IS SHE OKAY?

305
00:17:38,658 --> 00:17:40,560
SHE'S FINE. NICOLE CALLED.

306
00:17:40,560 --> 00:17:43,333
SHE CAN STAY PUT
TILL ONE OF US GETS HOME.
AND YOU'RE ALL RIGHT?

307
00:17:43,333 --> 00:17:45,395
Yeah, I'm fine.

308
00:17:45,395 --> 00:17:48,398
WE WERE IN THE MIDDLE OF SURGERY
AND WE ALL LOST CONSCIOUSNESS.

309
00:17:48,398 --> 00:17:51,070
EVERYONE. PATIENT DIED
WHILE WE WERE OUT.

310
00:17:51,070 --> 00:17:53,072
I'M DOWNTOWN RIGHT NOW.
SAME THING.

311
00:17:53,072 --> 00:17:55,575
SO, UH, W-WHAT?
EVERYONE THERE BLACKED OUT?

312
00:17:55,575 --> 00:17:57,577
YEAH, EVERYONE. WE THOUGHT
IT WAS JUST THE HOSPITAL,

313
00:17:57,577 --> 00:17:59,579
BUT THEN CORRIE GOT A CALL
FROM HER MOTHER IN CHICAGO.

314
00:17:59,579 --> 00:18:03,383
SAME THING HAPPENED THERE.
I KNOW. IT LOOKS LIKE
THIS THING IS GLOBAL.

315
00:18:03,383 --> 00:18:05,084
GLOBAL? THAT'S IMPOSSIBLE.

316
00:18:05,084 --> 00:18:08,118
OH, I-I LOVE YOU,
BUT, BABE, I GOTTA GO.
(beep)

317
00:18:08,118 --> 00:18:10,620
ALL RIGHT, I LOVE YOU.
LIVY?
(siren wailing)

318
00:18:10,620 --> 00:18:13,223
WHAT DO YOU GOT?
GOT AN 8-YEAR-OLD BOY.
PEDE VERSUS CAR,

319
00:18:13,223 --> 00:18:15,225
PLOWED STRAIGHT THROUGH
A FENCE AT AN ELEMENTARY SCHOOL.

320
00:18:15,225 --> 00:18:17,867
HEAD INJURY ON THE RIGHT,
ABDOMINAL BRUISING ON THE LEFT.

321
00:18:17,867 --> 00:18:21,601
DR. BENFORD!
BRYCE, WHERE THE HELL HAVE YOU
BEEN? GO GET INTO YOUR SCRUBS.

322
00:18:21,601 --> 00:18:23,673
MEET ME IN E.R.
OKAY, LET'S GET HIM INTO TRAUMA.

323
00:18:23,673 --> 00:18:26,506
YOU'RE GONNA BE OKAY,
HONEY.
I KNOW, OLIVIA.

324
00:18:26,506 --> 00:18:28,508
HOW DID YOU KNOW MY NAME?

325
00:18:28,508 --> 00:18:30,340
(monitor beeping steadily)

326
00:18:30,340 --> 00:18:32,382
WHAT HAVE WE HEARD
FROM WASHINGTON?

327
00:18:32,382 --> 00:18:35,245
WE'RE THE SAME.
EVERYONE'S JUST GATHERING INTEL.

328
00:18:35,245 --> 00:18:37,487
CIA, HOMELAND SECURITY. OUR
VARIOUS LEGATS OFFICES OVERSEAS.

329
00:18:37,487 --> 00:18:40,220
IN OTHER WORDS,
NOBODY KNOWS ANYTHING.
HOW'S HE DOING?

330
00:18:40,220 --> 00:18:42,222
(Bryce) HE'S TAKING A TURN
FOR THE WORSE.
(monitor beeping steadily)

331
00:18:42,222 --> 00:18:44,394
(boy coughing and gasping)
I GOT NO BREATH SOUNDS
ON THE LEFT,

332
00:18:44,394 --> 00:18:46,896
POSSIBLE PUNCTURED LUNG.
HE NEEDS A LEFT CHEST TUBE STAT.

333
00:18:46,896 --> 00:18:49,599
(monitor beeping rapidly)
WE DON'T RELEASE
THE PRESSURE SOON, IT'S GONNA

334
00:18:49,599 --> 00:18:52,532
STOP HIS HEART FROM BEATING.
HE'S GOING SOUTH.
SATs ARE DROPPING.

335
00:18:52,532 --> 00:18:54,534
WHAT THE HELL IS THIS?
WORLDWIDE PHENOMENON.

336
00:18:54,534 --> 00:18:56,636
NEAR AS WE CAN TELL.
PEOPLE FROM ALL CORNERS
LOSING CONSCIOUSNESS

337
00:18:56,636 --> 00:19:00,410
AT EXACTLY THE SAME MOMENT.
AND FOR THE SAME DURATION--
2 MINUTES, 17 SECONDS.

338
00:19:00,410 --> 00:19:02,872
(Mark) HOW IS THAT
EVEN POSSIBLE?

339
00:19:02,872 --> 00:19:05,575
WHERE THE HELL IS THAT
CHEST TUBE TRAY? I NEED IT NOW.

340
00:19:05,575 --> 00:19:09,148
(Bryce) WE GOT NO PULSE.
BLOOD PRESSURE'S 40.
THORACOTOMY.

341
00:19:09,148 --> 00:19:11,351
WHAT ARE WE GONNA DO?
(Olivia) COME ON, SWEETIE.
HANG IN THERE.

342
00:19:11,351 --> 00:19:12,622
PULSE OX 90. PULSE OX 80.
ALL RIGHT.

343
00:19:12,622 --> 00:19:16,286
WE'RE DROPPING!
WE'RE LOSING HIM! NO PULSE.
HOW ARE WE DOING?

344
00:19:16,286 --> 00:19:17,657
NO PULSE.
BLOOD PRESSURE'S DROPPING.

345
00:19:17,657 --> 00:19:20,159
SO WE'VE ELIMINATED
NUCLEAR LAUNCHES,

346
00:19:20,159 --> 00:19:22,532
E.M.P.s. AND CHEMICAL AGENTS.
WHAT ABOUT
NATURAL PHENOMENA THEN?

347
00:19:22,532 --> 00:19:24,534
NASA'S CHECKING INTO
MORE EXOTIC EXPLANATIONS--

348
00:19:24,534 --> 00:19:26,936
SOLAR FLARES, GAMMA BURSTS,
THAT KIND OF THING.

349
00:19:26,936 --> 00:19:28,938
BUT SO FAR
THEY'VE COME UP EMPTY.

350
00:19:28,938 --> 00:19:31,941
WHAT ABOUT THE VATICAN?
HAS THE POPE CHIMED IN YET?

351
00:19:31,941 --> 00:19:34,604
(monitor beeping rapidly)
(Olivia)
LET'S GET THIS CHEST TUBE IN.

352
00:19:34,604 --> 00:19:37,176
SATs IMPROVING,
B.P.'s NORMALIZING.

353
00:19:37,176 --> 00:19:38,548
(monitor beeping steadily)
(woman) PLEUROVAC.

354
00:19:38,548 --> 00:19:40,610
(chest tube sucking)

355
00:19:40,610 --> 00:19:43,313
DOING GREAT, BUDDY.
DOING REAL GOOD.

356
00:19:43,313 --> 00:19:46,216
OKAY, LET'S GET HIM
INTO THE C.T. SCANNER,

357
00:19:46,216 --> 00:19:48,218
CHECK OUT THAT HEAD INJURY.
BRYCE, YOU CLOSE HIM UP.

358
00:19:48,218 --> 00:19:50,220
NICE JOB. BUT DON'T THINK
YOU'RE OFF THE HOOK.

359
00:19:50,220 --> 00:19:52,292
I STILL WANNA KNOW
WHERE YOU WERE YESTERDAY.

360
00:19:52,292 --> 00:19:54,424
(monitor continues
beeping steadily)

361
00:19:54,424 --> 00:19:56,426
(woman)
YEAH, CLEAN THAT UP.

362
00:19:56,426 --> 00:19:58,428
WE NEED TO WRAP OUR HEADS

363
00:19:58,428 --> 00:20:00,570
AROUND THE SCOPE
OF THIS THING, PEOPLE.

364
00:20:00,570 --> 00:20:02,672
IT'S NOW BEEN FOUR HOURS
SINCE THE BLACKOUT.

365
00:20:02,672 --> 00:20:06,336
YOU SHUT OFF THE CONSCIOUSNESS
OF THE ENTIRE HUMAN RACE

366
00:20:06,336 --> 00:20:08,338
FOR TWO MINUTES.

367
00:20:08,338 --> 00:20:10,610
WHAT WOULD THE DEATH TOLL BE?

368
00:20:10,610 --> 00:20:12,342
HOW MANY CARS COLLIDED?

369
00:20:12,342 --> 00:20:14,344
WE HAVE PLANES DOWN AT L.A.X.

370
00:20:14,344 --> 00:20:17,347
HOW MANY MORE ACROSS
THE COUNTRY? AROUND THE WORLD?

371
00:20:17,347 --> 00:20:19,349
(man) F.A.A.'s REPORTING
877 AIRCRAFT DOWN

372
00:20:19,349 --> 00:20:21,921
IN THE UNITED STATES ALONE.

373
00:20:21,921 --> 00:20:24,924
AIR FORCE TWO WAS ONE OF 'EM.
THE VEEP WAS ON BOARD.

374
00:20:24,924 --> 00:20:26,326
OKAY.

375
00:20:26,326 --> 00:20:27,697
WHAT ABOUT HOSPITALS?

376
00:20:27,697 --> 00:20:28,898
OPERATIONS?

377
00:20:28,898 --> 00:20:30,900
BIRTHS THAT WERE IN PROCESS.

378
00:20:30,900 --> 00:20:34,904
PEOPLE PROBABLY DIED
WALKING UP A FLIGHT OF STAIRS.
(indistinct whispering)

379
00:20:34,904 --> 00:20:37,607
(man) GLOBAL PROJECTIONS
ARE PRETTY STAGGERING.

380
00:20:37,607 --> 00:20:40,310
WHAT ABOUT
THE BLACKOUTS THEMSELVES, SIR?

381
00:20:40,310 --> 00:20:42,372
WHAT ABOUT THEM?

382
00:20:42,372 --> 00:20:45,945
WELL, WE'VE BEEN SAYING
PEOPLE HAVE BEEN BLACKING OUT,

383
00:20:45,945 --> 00:20:48,548
BUT...

384
00:20:48,548 --> 00:20:50,920
THAT WASN'T MY EXPERIENCE.

385
00:20:50,920 --> 00:20:53,523
FOR ME, IT WAS...

386
00:20:53,523 --> 00:20:57,457
MORE LIKE A DREAM,
ONLY MORE VIVID THAN THAT.

387
00:20:57,457 --> 00:20:59,689
ONE SECOND, I WAS IN A CAR.

388
00:20:59,689 --> 00:21:02,662
THE NEXT...

389
00:21:02,662 --> 00:21:04,934
I WAS SOMEWHERE ELSE.

390
00:21:04,934 --> 00:21:06,966
YEAH, THE SAME THING
HAPPENED TO ME.
ME, TOO.

391
00:21:06,966 --> 00:21:08,398
DURING THE BLACKOUT,

392
00:21:08,398 --> 00:21:11,641
PEOPLE SEEM TO HAVE EXPERIENCED
SOME KIND OF... HALLUCINATION.

393
00:21:11,641 --> 00:21:13,373
NO. NO, NO.

394
00:21:13,373 --> 00:21:16,946
EXCEPT THAT MINE DIDN'T FEEL
LIKE A HALLUCINATION.

395
00:21:16,946 --> 00:21:19,949
WHAT'S YOUR POINT, BENFORD?
I DIDN'T JUST LOSE
CONSCIOUSNESS.

396
00:21:19,949 --> 00:21:21,951
IT FELT MORE LIKE MY...

397
00:21:21,951 --> 00:21:23,383
CONSCIOUSNESS WENT
SOMEWHERE ELSE.

398
00:21:23,383 --> 00:21:25,715
LIKE I WAS HAVING A MEMORY,

399
00:21:25,715 --> 00:21:30,320
ONLY IT--IT WASN'T OF THE PAST.

400
00:21:30,320 --> 00:21:32,322
IT WAS OF THE FUTURE.

401
00:21:34,324 --> 00:21:36,326
I WAS IN MY OFFICE.

402
00:21:36,326 --> 00:21:38,368
IT WAS NIGHT.

403
00:21:38,368 --> 00:21:40,370
IT WAS 10:00 ON THE HOUR.

404
00:21:40,370 --> 00:21:42,372
I WAS LOOKING OUT
INTO THE ATRIUM,

405
00:21:42,372 --> 00:21:44,604
AND I HAPPENED TO SEE
THE DATE--

406
00:21:44,604 --> 00:21:48,408
APRIL 29, 2010,

407
00:21:48,408 --> 00:21:50,540
ABOUT HALF A YEAR FROM NOW.

408
00:21:50,540 --> 00:21:52,982
HOLD ON. APRIL 29th?

409
00:21:52,982 --> 00:21:55,985
I SAW THE SAME DATE.
IT WAS ON THE NEWS.

410
00:21:55,985 --> 00:21:58,448
SAME FOR ME--
APRIL 29th, 10:00 P.M.

411
00:21:58,448 --> 00:22:00,550
SO YOU'RE SAYING WHAT,

412
00:22:00,550 --> 00:22:03,322
EVERYONE'S CONSCIOUSNESS
JUST JUMPED FORWARD SIX MONTHS

413
00:22:03,322 --> 00:22:07,497
TO APRIL 29th?

414
00:22:07,497 --> 00:22:09,899
CRAZY AS THAT SOUNDS, YEAH.

415
00:22:19,609 --> 00:22:22,612
(indistinct conversations)

416
00:22:24,574 --> 00:22:26,716
SIT DOWN.

417
00:22:26,716 --> 00:22:27,977
SIT DOWN.

418
00:22:29,579 --> 00:22:31,721
J.T., COULD YOU, UH,
GIVE ME A HAND? THANKS.

419
00:22:31,721 --> 00:22:34,654
WE DIDN'T DO THIS.

420
00:22:34,654 --> 00:22:36,386
EVEN IF YOU DIDN'T,

421
00:22:36,386 --> 00:22:38,928
YOU WERE STILL PLANNING
ON KILLING THOUSANDS OF PEOPLE.

422
00:22:38,928 --> 00:22:41,030
SO STAY STILL AND SHUT UP.

423
00:22:42,962 --> 00:22:43,933
HEY.
HEY.

424
00:22:43,933 --> 00:22:46,365
YOU GET AHOLD OF ZOEY?
YEAH, SHE'S ALL RIGHT.

425
00:22:46,365 --> 00:22:48,137
MARK, HEY. YOU GOT A SEC?
SURE.

426
00:22:48,137 --> 00:22:50,139
I THINK THERE MAY BE A WAY
TO CORROBORATE

427
00:22:50,139 --> 00:22:52,141
WHAT WE WERE TALKING ABOUT
IN THERE.

428
00:22:52,141 --> 00:22:54,103
WHAT DO YOU MEAN?

429
00:22:54,103 --> 00:22:56,105
WELL, IN MY... FLASH-FORWARD,

430
00:22:56,105 --> 00:22:58,708
IT WAS APRIL 30th, 6:00 A.M.,
BUT I WAS IN LONDON,

431
00:22:58,708 --> 00:23:01,380
WHICH IS EIGHT HOURS AHEAD
OF THE WEST COAST,

432
00:23:01,380 --> 00:23:04,383
SO IT MAKES SENSE.
WAIT, "FLASH-FORWARD"?
WHAT ARE WE TALKING ABOUT?

433
00:23:04,383 --> 00:23:06,656
I'LL EXPLAIN LATER.
TELL ME WHAT YOU SAW.

434
00:23:06,656 --> 00:23:09,058
I WAS HAVING A MEETING WITH OUR
LIAISON AT NEW SCOTLAND YARD.
(speaks indistinctly)

435
00:23:09,058 --> 00:23:11,921
I REMEMBER
WE WERE INTERRUPTED BECAUSE...

436
00:23:11,921 --> 00:23:14,524
THIS BIRD JUST CRASHED
INTO THE WINDOW.
(thud)

437
00:23:14,524 --> 00:23:16,125
THE POINT IS,

438
00:23:16,125 --> 00:23:18,397
I HAD A VISION OF FIONA BANKS.

439
00:23:18,397 --> 00:23:20,930
LET'S SEE
IF SHE HAD A VISION OF ME.

440
00:23:20,930 --> 00:23:23,402
(British accent)
INSPECTOR BANKS.

441
00:23:23,402 --> 00:23:25,404
FIONA,
THIS IS AL GOUGH, FBI.

442
00:23:25,404 --> 00:23:27,406
I'M HERE WITH MY COLLEAGUES
IN L.A.

443
00:23:27,406 --> 00:23:28,578
MY GOD.

444
00:23:28,578 --> 00:23:31,941
UH, I KNOW WHY YOU'RE CALLING.
YOU WANT TO KNOW WHAT I SAW.

445
00:23:31,941 --> 00:23:33,543
WE ALL DO.

446
00:23:33,543 --> 00:23:36,546
Okay. Um...
we were sitting in my office.

447
00:23:36,546 --> 00:23:38,548
WHAT WAS THE DATE?
April 30th.

448
00:23:38,548 --> 00:23:39,749
WHAT TIME?

449
00:23:39,749 --> 00:23:42,051
UH, I DON'T KNOW.
UH, 6:00 IN THE MORNING.

450
00:23:42,051 --> 00:23:44,754
Don't ask me why
it was so early.

451
00:23:44,754 --> 00:23:46,726
Something to do
with the Rutherford case.

452
00:23:46,726 --> 00:23:50,159
YES! YES, AND--AND SOMETHING
INTERRUPTED US.
Yes. Uh, uh, a bird.

453
00:23:50,159 --> 00:23:53,032
IT FLEW AT THE WINDOW.
IT BROKE ITS NECK.

454
00:23:53,032 --> 00:23:56,966
SO OUR VISIONS
WERE THE SAME.

455
00:23:56,966 --> 00:23:59,939
WHEN THE WORLDWIDE BLACKOUT
OCCURRED EARLIER TODAY,

456
00:23:59,939 --> 00:24:02,071
PEOPLE WERE UNDERGOING
BRAIN SCANS

457
00:24:02,071 --> 00:24:05,144
AT THAT EXACT MOMENT.
(man) SO LIKE M.R.I.s OR P.E.T.
SCANS? THAT KIND OF THING?

458
00:24:05,144 --> 00:24:08,117
EXACTLY.
AND IN EACH OF THESE CASES,

459
00:24:08,117 --> 00:24:09,749
THE HIPPOCAMPUS--

460
00:24:09,749 --> 00:24:12,552
THAT'S THE MEMORY CENTER OF
THE BRAIN--WAS ACTIVELY ENGAGED

461
00:24:12,552 --> 00:24:14,554
FOR THE ENTIRE
2 MINUTES AND 17 SECONDS.

462
00:24:14,554 --> 00:24:16,085
THESE THOUGHT PATTERNS
ARE CONSISTENT

463
00:24:16,085 --> 00:24:17,687
WITH A WAKING EXPERIENCE.

464
00:24:17,687 --> 00:24:20,459
PEOPLE WERE NOT ASLEEP.
THEY WERE NOT DREAMING.

465
00:24:20,459 --> 00:24:22,992
SO THEN WHAT IS IT
THAT THEY WERE EXPERIENCING?

466
00:24:22,992 --> 00:24:25,034
(crying softly)
WELL, BY ALL APPEARANCES,

467
00:24:25,034 --> 00:24:28,137
UH, MEMORIES OF EVENTS
THAT HAVEN'T OCCURRED YET.
SO EVERYONE SAW THE FUTURE.

468
00:24:28,137 --> 00:24:30,570
BUT DID THEY SEE
THE SAME FUTURE?

469
00:24:30,570 --> 00:24:32,572
I MEAN, ARE THESE ACCOUNTS
CONSISTENT?

470
00:24:32,572 --> 00:24:35,144
WELL, THEY CERTAINLY
SEEM TO BE.

471
00:24:35,144 --> 00:24:37,707
HUNDREDS OF THOUSANDS OF PEOPLE
WERE WATCHING NEWS BROADCASTS,

472
00:24:37,707 --> 00:24:40,149
READING NEWSPAPERS, AND THEIR
DETAILS SEEM TO BE THE SAME--

473
00:24:40,149 --> 00:24:42,211
SENATOR GLENWAY
WILL BE FACING ETHICS CHARGES.

474
00:24:42,211 --> 00:24:44,614
(beeping)
THE DOW
WILL BE ON AN UPSWING.

475
00:24:44,614 --> 00:24:47,757
THERE'LL BE FOOD RIOTS IN
GHANA, AND THE LIST GOES ON.
(cell phone vibrating)

476
00:24:47,757 --> 00:24:50,720
A REMARKABLY CONCISE
SERIES OF EVENTS

477
00:24:50,720 --> 00:24:52,491
ARE STARTING TO
COME TOGETHER FROM THAT DAY.

478
00:24:52,491 --> 00:24:54,624
IT'S LIKE A GRAND MOSAIC
IS BEING FILLED IN.

479
00:24:54,624 --> 00:24:56,025
EVERYONE ON EARTH...

480
00:24:56,025 --> 00:24:59,769
MOSAIC. THAT WAS THE NAME
OF THE INVESTIGATION

481
00:24:59,769 --> 00:25:01,771
I WAS WORKING ON
IN MY VISION.

482
00:25:01,771 --> 00:25:04,734
IT HAD TO DO WITH
WHAT CAUSED ALL THIS.

483
00:25:04,734 --> 00:25:07,006
SO DID YOU SEE ANYTHING
IN YOUR VISION THAT WAS HELPFUL?

484
00:25:07,006 --> 00:25:09,779
PHOTOGRAPHS, NAMES,
PEOPLE OF INTEREST.

485
00:25:09,779 --> 00:25:12,511
IF THIS REALLY WAS
THE FUTURE WE ALL SAW,

486
00:25:12,511 --> 00:25:14,513
THEN I GUESS
MAYBE THEY WILL BE LEADS,

487
00:25:14,513 --> 00:25:18,047
BUT NONE OF THEM
MAKE ANY SENSE TO ME RIGHT NOW.
ANYTHING ELSE?

488
00:25:18,047 --> 00:25:20,790
NO. NO, THAT--THAT WAS IT.
WHAT ABOUT YOU?
WHAT DID YOU SEE?

489
00:25:20,790 --> 00:25:23,522
NOTHING. I, UH, I BLACKED OUT
LIKE EVERYBODY ELSE

490
00:25:23,522 --> 00:25:26,025
AND WOKE UP ON THE ROAD.

491
00:25:26,025 --> 00:25:29,198
WHAT ABOUT OUR, UH,
PERSON OF INTEREST?

492
00:25:29,198 --> 00:25:32,201
DO WE THINK SHE'S INVOLVED?
(Mark) SHE'S A DEAD END,
IF YOU ASK ME,

493
00:25:32,201 --> 00:25:35,204
AND CLUELESS
AS THE REST OF US.
(Wedeck)
WELL, CIRCLE BACK ON IT ANYWAY.

494
00:25:35,204 --> 00:25:37,206
WE'RE GRASPING AT STRAWS
AT THIS POINT.

495
00:25:37,206 --> 00:25:39,268
JANIS, YOU WANNA SHARE
WHAT YOU SAW?

496
00:25:39,268 --> 00:25:41,010
YEAH, I WAS... (chuckles)

497
00:25:41,010 --> 00:25:42,972
GETTING A PRENATAL SONOGRAM.

498
00:25:42,972 --> 00:25:45,975
THE BABY WAS ABOUT 17 WEEKS,

499
00:25:45,975 --> 00:25:48,047
AND IT WAS A LITTLE GIRL.

500
00:25:48,047 --> 00:25:51,220
IT WAS TOTALLY BIZARRE.

501
00:25:51,220 --> 00:25:55,154
BUT I'M OBVIOUSLY
NOT PREGNANT.

502
00:25:55,154 --> 00:25:57,987
I DON'T EVEN HAVE
A BOYFRIEND.

503
00:25:57,987 --> 00:25:59,959
WHAT ABOUT YOU, SIR?

504
00:25:59,959 --> 00:26:02,191
I... WAS IN A MEETING.

505
00:26:02,191 --> 00:26:03,963
A MEETING...

506
00:26:03,963 --> 00:26:06,696
(whistling)

507
00:26:06,696 --> 00:26:08,968
AND I HAPPENED TO
GLANCE DOWN AT THE PAPER.

508
00:26:08,968 --> 00:26:10,199
SPORTS PAGE.

509
00:26:10,199 --> 00:26:12,201
THE RAYS RALLIED
FROM 3 RUNS DOWN

510
00:26:12,201 --> 00:26:14,203
TO SWEEP THE SOX AT FENWAY.

511
00:26:14,203 --> 00:26:15,605
AND THERE WAS ANOTHER STORY.

512
00:26:15,605 --> 00:26:19,779
KOBE BRYANT TORE HIS LIGAMENT
IN HIS KNEE. OUT FOR THE SEASON.

513
00:26:19,779 --> 00:26:21,711
(toilet flushes)

514
00:26:21,711 --> 00:26:24,353
YOU KNOW WHAT? WE SHOULD START
WRITING THESE STORIES DOWN.
(Janis) YEAH.

515
00:26:24,353 --> 00:26:26,355
I MEAN, THE "POST" HAS
A CIRCULATION OF WHAT,

516
00:26:26,355 --> 00:26:27,987
A MILLION?
A MILLION, YEAH.

517
00:26:27,987 --> 00:26:30,990
HOW MANY OTHER PEOPLE
WERE READING IT THEN, TOO?

518
00:26:30,990 --> 00:26:34,593
WE GOTTA START
COMPARING STORIES.
YEAH, IT'S NOT JUST THE "POST."
IT'S ALL THE OTHER NEWS OUTLETS.

519
00:26:34,593 --> 00:26:37,366
7 BILLION PEOPLE
CAUGHT A GLIMPSE OF THE FUTURE.

520
00:26:37,366 --> 00:26:41,671
MAYBE JUST ONE OF THEM
KNOWS WHY THIS HAPPENED.
HOW DO WE COMPARE
7 BILLION STORIES?

521
00:26:41,671 --> 00:26:43,673
YOU CREATE A WEB SITE.
(Mark) RIGHT.

522
00:26:43,673 --> 00:26:46,005
PEOPLE CAN LOG ON
AND POST WHAT THEY SAW

523
00:26:46,005 --> 00:26:48,107
AND CROSS-REFERENCE
THEIR VISIONS.

524
00:26:48,107 --> 00:26:51,110
WE CAN PIGGYBACK ON THAT
AND SEARCH FOR PATTERNS.
I THINK THAT'S WHAT
I WAS ALREADY DOING.

525
00:26:51,110 --> 00:26:52,982
(Wedeck) WHAT DO YOU MEAN?
MOSAIC.

526
00:26:52,982 --> 00:26:55,014
ALL THOSE LEADS
I WAS RUNNING DOWN.

527
00:26:55,014 --> 00:26:58,387
WE SHOULD START
FOLLOWING UP ON 'EM NOW.
ASSUMING YOUR VISION
IS EVEN ACCURATE,

528
00:26:58,387 --> 00:27:02,021
THIS INVESTIGATION
DOESN'T EXIST YET.
BUT IT COULD. IT WILL.
IN MY FLASH-FORWARD,

529
00:27:02,021 --> 00:27:04,023
I WAS INVESTIGATING
WHAT CAUSED ALL THIS.

530
00:27:04,023 --> 00:27:06,295
I SEEMED TO HAVE AN IDEA
WHY ALL OF THIS WAS HAPPENING.

531
00:27:06,295 --> 00:27:08,297
AND THOSE PEOPLE,
THE PLACES I SAW ON THE BOARD--

532
00:27:08,297 --> 00:27:11,300
THEY WERE PART OF THIS PUZZLE--
MOSAIC. LOOK, I'M CERTAIN OF IT.

533
00:27:11,300 --> 00:27:14,764
FINE. WE'LL SET UP
AN INTERAGENCY TASK FORCE.

534
00:27:14,764 --> 00:27:17,206
AND AS FAR AS THIS OFFICE
IS CONCERNED,

535
00:27:17,206 --> 00:27:19,308
YOU THREE, YOU OWN THIS.
THIS IS KIND OF INSANE.

536
00:27:19,308 --> 00:27:21,711
I MEAN, WE'RE RUNNING POINT
ON THIS

537
00:27:21,711 --> 00:27:25,174
BECAUSE HE HAD A VISION
OF US RUNNING POINT ON THIS?
(Mark) WHAT, YOU--
YOU FIND THAT FUNNY?

538
00:27:25,174 --> 00:27:29,148
(Mark) WE DON'T EVEN KNOW--
WE DON'T KNOW IF--
(Demetri) COME ON. WE DON'T
HAVE ANYTHING RIGHT NOW.

539
00:27:29,148 --> 00:27:31,650
IT WORKS--IT WORKS FOR ME!
IT WORKS FOR ME!

540
00:27:31,650 --> 00:27:33,783
THE WHOLE WORLD'S
ON PINS AND NEEDLES, PEOPLE.

541
00:27:33,783 --> 00:27:34,954
AIR TRAFFIC'S BEEN GROUNDED.

542
00:27:34,954 --> 00:27:37,286
PEOPLE SCARED TO LEAVE THEIR
HOMES, WALK ACROSS THE STREET.

543
00:27:37,286 --> 00:27:39,328
HELL, WE'VE GOT MARTIAL LAW
ACROSS HALF THIS COUNTRY.

544
00:27:39,328 --> 00:27:41,991
PRIORITY NUMBER ONE--
FINDING OUT WHAT CAUSED THIS.

545
00:27:41,991 --> 00:27:44,994
PRIORITY NUMBER TWO IS
FIGURING OUT WHETHER OR NOT

546
00:27:44,994 --> 00:27:47,136
IT'LL HAPPEN AGAIN.
YOU GOT IT?

547
00:27:47,136 --> 00:27:50,069
(Mark, Demetri and Janis)
YES, SIR.

548
00:27:50,069 --> 00:27:52,071
GOOD.

549
00:27:52,071 --> 00:27:53,302
I'M OUT.

550
00:27:57,146 --> 00:27:59,448
OKAY, MY PSYCHIC FRIEND,

551
00:27:59,448 --> 00:28:01,811
WHAT DO YOU GOT?

552
00:28:01,811 --> 00:28:03,412
I REMEMBER A NAME--
D. GIBBONS.

553
00:28:03,412 --> 00:28:05,684
GIBBONS.
THAT'S RIGHT.

554
00:28:05,684 --> 00:28:08,687
YEAH. WHAT ELSE YOU GOT?

555
00:28:08,687 --> 00:28:11,160
THERE WAS A PHOTOGRAPH HERE
OF A DOLL.

556
00:28:11,160 --> 00:28:13,392
THE DOLL WAS BURNED.
THE HEAD WAS MELTED.

557
00:28:13,392 --> 00:28:16,125
THERE WAS A-A BULLET CASING
NEARBY.

558
00:28:16,125 --> 00:28:18,227
SOMETHING ABOUT BALTIMORE.

559
00:28:18,227 --> 00:28:19,969
A HAND.

560
00:28:19,969 --> 00:28:23,702
BALTIMORE... NO. NO, NO, WAIT.
WAIT, WAIT, WAIT, WAIT.

561
00:28:23,702 --> 00:28:24,774
A... A "BLUE HAND."

562
00:28:24,774 --> 00:28:28,007
THAT'S WHAT IT SAID.
WHAT THE HELL DOES THAT MEAN?

563
00:28:28,007 --> 00:28:31,010
I HAVE NO IDEA.
JUST PUT IT UP.

564
00:28:31,010 --> 00:28:34,784
NO, NO, NO. WAIT, WAIT, WAIT.
HERE, IN THE CENTER.

565
00:28:34,784 --> 00:28:36,816
THIS IS GONNA SOUND STUPID,

566
00:28:36,816 --> 00:28:38,818
BUT I WAS WEARING
ONE OF THOSE, UH...

567
00:28:38,818 --> 00:28:40,389
FRIENDSHIP BRACELETS.

568
00:28:40,389 --> 00:28:42,351
YOU KNOW, LIKE KIDS MAKE.
YEAH.

569
00:28:42,351 --> 00:28:46,255
OKAY, THAT'S GOOD. WHAT ELSE?
WHAT ELSE?
THAT'S IT.

570
00:28:46,255 --> 00:28:49,999
THOSE ARE ALL THE LEADS
I CAN REMEMBER.

571
00:28:49,999 --> 00:28:53,132
WHAT ABOUT YOUR STATE OF MIND?
WHAT WERE YOU DOING?

572
00:28:53,132 --> 00:28:56,035
(sighs)

573
00:28:56,035 --> 00:28:57,807
I WAS...

574
00:28:57,807 --> 00:28:59,338
CHAMBERING A ROUND.

575
00:28:59,338 --> 00:29:01,340
I WAS SCARED TO DEATH.

576
00:29:01,340 --> 00:29:04,043
YOU WERE SCARED TO DEATH
IN HERE?

577
00:29:04,043 --> 00:29:04,874
YEAH.

578
00:29:04,874 --> 00:29:07,476
THE OFFICE WAS EMPTY,
BUT...

579
00:29:07,476 --> 00:29:11,080
SOMEONE WAS COMING FOR ME.

580
00:29:11,080 --> 00:29:12,751
THEY WERE WEARING MASKS.

581
00:29:12,751 --> 00:29:15,154
THEY WANTED TO KILL ME
BECAUSE OF WHAT I KNEW.

582
00:29:15,154 --> 00:29:18,057
ONE OF 'EM HAD A...

583
00:29:18,057 --> 00:29:20,029
TATTOO.

584
00:29:24,393 --> 00:29:27,166
HOW MANY D. GIBBONS DO YOU THINK
THERE ARE IN THE WORLD?
MAYBE THOUSANDS.

585
00:29:27,166 --> 00:29:29,438
HAVE JANIS COMPILE A LIST.

586
00:29:29,438 --> 00:29:31,300
(sighs)

587
00:29:31,300 --> 00:29:34,143
NOT A HELL OF A LOT
TO GO ON YET.

588
00:29:34,143 --> 00:29:35,774
AT LEAST YOU REMEMBER
SOMETHING.

589
00:29:35,774 --> 00:29:38,307
WHAT DO YOU MEAN?

590
00:29:40,179 --> 00:29:41,780
EVERYBODY SAW SOMETHING.

591
00:29:41,780 --> 00:29:43,782
EVERYBODY HAD
SOME KIND OF A VISION.

592
00:29:43,782 --> 00:29:45,784
I DIDN'T SEE
A DAMN THING, MARK.

593
00:29:45,784 --> 00:29:49,058
MAYBE IT MEANS YOU'LL
BE SLEEPING SIX MONTHS FROM NOW.

594
00:29:49,058 --> 00:29:51,020
IF I WAS SLEEPING,
WHY WASN'T I DREAMING?

595
00:29:51,020 --> 00:29:54,023
LOOK, I NEVER REMEMBER
MY DREAMS.

596
00:29:54,023 --> 00:29:56,996
STOP, ALL RIGHT?

597
00:29:56,996 --> 00:29:58,998
WE'RE BOTH THINKING
THE SAME THING,

598
00:29:58,998 --> 00:30:01,000
SO LET'S JUST SAY IT.

599
00:30:06,805 --> 00:30:08,807
WHAT IF I DIDN'T SEE ANYTHING

600
00:30:08,807 --> 00:30:11,110
BECAUSE SIX MONTHS
FROM NOW...

601
00:30:11,110 --> 00:30:13,212
I'M GONNA BE DEAD?

602
00:30:20,089 --> 00:30:22,221
(crickets chirping)
MR. BENFORD?

603
00:30:22,221 --> 00:30:24,353
ARE YOU ALL RIGHT?

604
00:30:26,125 --> 00:30:28,457
YEAH. HOW'S CHARLIE?

605
00:30:28,457 --> 00:30:29,598
SHE'S FINE.

606
00:30:29,598 --> 00:30:31,961
SHE'S SLEEPING.

607
00:30:33,832 --> 00:30:37,066
I WAS WATCHING THE NEWS
ALL DAY.

608
00:30:37,066 --> 00:30:39,068
THEY SAY IT HAPPENED
EVERYWHERE.

609
00:30:39,068 --> 00:30:41,310
IT'S GONNA BE OKAY.

610
00:30:41,310 --> 00:30:43,312
IS THAT WHAT THEY'RE SAYING
AT THE FBI?

611
00:30:43,312 --> 00:30:45,244
DO YOU HAVE
INSIDE INFORMATION?

612
00:30:45,244 --> 00:30:47,616
I WISH WE DID.

613
00:30:47,616 --> 00:30:51,350
SO THEN YOU DON'T KNOW
IT'S GONNA BE OKAY.

614
00:30:51,350 --> 00:30:54,153
I THINK GOD DID THIS.

615
00:30:56,085 --> 00:30:58,087
WHY?

616
00:30:58,087 --> 00:31:00,589
TO PUNISH US.

617
00:31:03,532 --> 00:31:05,634
(Olivia) STILL NO LUCK
FINDING HIS PARENTS?

618
00:31:05,634 --> 00:31:08,397
WELL, HIS MOTHER DIED
ON THE 405.

619
00:31:08,397 --> 00:31:11,640
FATHER'S NAME IS LLOYD SIMCOE.
HE WORKS AT STANFORD.

620
00:31:11,640 --> 00:31:16,005
BUT, UH, NO ONE'S BEEN
ABLE TO LOCATE HIM YET.
(whispers) YEAH.

621
00:31:16,005 --> 00:31:18,147
(normal voice) SO EVEN
IF THE KID PULLS THROUGH,

622
00:31:18,147 --> 00:31:20,649
HE COULD STILL WIND UP
AN ORPHAN.
HEY, YOU SAVED HIS LIFE TODAY.

623
00:31:20,649 --> 00:31:22,651
YOU CHALK THAT UP
AS A VICTORY.

624
00:31:22,651 --> 00:31:25,554
YEAH, I'M TRYING,
BUT AFTER A DAY LIKE TODAY...

625
00:31:25,554 --> 00:31:27,286
WHAT ABOUT YOU?

626
00:31:27,286 --> 00:31:29,418
HOW ARE YOU STAYING SO ZEN
THROUGH ALL THIS?

627
00:31:29,418 --> 00:31:32,091
WHO SAYS I AM?

628
00:31:35,524 --> 00:31:38,127
YOU WANNA KNOW WHY
I WASN'T AT WORK YESTERDAY?

629
00:31:38,127 --> 00:31:39,628
MM-HMM.

630
00:31:39,628 --> 00:31:41,630
I'VE BEEN GOING THROUGH

631
00:31:41,630 --> 00:31:44,203
SOME REALLY HEAVY THINGS
RECENTLY.

632
00:31:44,203 --> 00:31:46,205
I DON'T WANT
TO GET INTO IT NOW.

633
00:31:46,205 --> 00:31:48,177
BUT THE--THE POINT IS,

634
00:31:48,177 --> 00:31:50,579
THIS MORNING, I WAS OUT
ON THE VENICE PIER,

635
00:31:50,579 --> 00:31:52,241
AND...

636
00:31:52,241 --> 00:31:55,114
AND I WAS THINKING
ABOUT COMMITTING SUICIDE.

637
00:31:55,114 --> 00:31:56,615
OH, MY GOD!

638
00:31:56,615 --> 00:31:58,517
IT'S OKAY. I'M--I'M OKAY.

639
00:31:58,517 --> 00:32:01,350
I SAW A GLIMPSE
OF MY FUTURE,

640
00:32:01,350 --> 00:32:04,623
AND I WAS ALIVE.

641
00:32:04,623 --> 00:32:08,057
YOU KNOW, AND EVERYTHING'S
CHANGED FOR ME NOW.

642
00:32:08,057 --> 00:32:11,060
WHATEVER I WAS THINKING
ABOUT DOING

643
00:32:11,060 --> 00:32:14,133
OBVIOUSLY WASN'T MEANT
TO HAPPEN.

644
00:32:14,133 --> 00:32:16,535
IT--IT'S LIKE A SIGN FROM GOD
OR SOMETHING.

645
00:32:16,535 --> 00:32:19,408
YOU KNOW,
THESE VISIONS WERE A GIFT.

646
00:32:19,408 --> 00:32:22,511
DON'T YOU THINK?

647
00:32:24,413 --> 00:32:26,115
A GIFT?

648
00:32:26,115 --> 00:32:28,117
I DON'T KNOW. NOT FOR ME.

649
00:32:28,117 --> 00:32:30,049
WHY? WHAT--WHAT DID YOU SEE?

650
00:32:33,652 --> 00:32:36,255
I SAW
THE END OF MY MARRIAGE.

651
00:32:38,457 --> 00:32:42,061
I WAS DRINKING AGAIN,

652
00:32:42,061 --> 00:32:43,462
IN MY FLASH-FORWARD.

653
00:32:43,462 --> 00:32:46,465
AND IN MY HEAD, I...

654
00:32:46,465 --> 00:32:49,338
I KNOW IT WASN'T
JUST A ONE-TIME THING.

655
00:32:49,338 --> 00:32:52,101
I WAS FULL-FLEDGED
DRINKING AGAIN.

656
00:32:52,101 --> 00:32:54,473
ALL THE ANXIETY,

657
00:32:54,473 --> 00:32:56,105
SHAME.

658
00:32:56,105 --> 00:32:57,646
(whispers) IT WAS ALL BACK.

659
00:32:57,646 --> 00:33:02,111
JUST BECAUSE YOU SAW THAT
DOESN'T MEAN IT'S GONNA HAPPEN.

660
00:33:02,111 --> 00:33:06,555
EVEN IF THIS FUTURE STUFF
IS REAL,

661
00:33:06,555 --> 00:33:08,557
MAYBE IT'S
A BLESSING IN DISGUISE.

662
00:33:08,557 --> 00:33:11,660
MAYBE BECAUSE YOU SAW IT,
YOU CAN CHANGE IT.

663
00:33:11,660 --> 00:33:14,493
GHOST OF CHRISTMAS FUTURE
CRAP.

664
00:33:14,493 --> 00:33:16,265
WHAT IF I CAN'T?

665
00:33:16,265 --> 00:33:20,269
PEOPLE RELAPSE. I DID.
YOU PICK YOURSELF UP AGAIN.

666
00:33:20,269 --> 00:33:23,272
OLIVIA SAID SHE'D--
SHE'D LEAVE ME IF I SLIP AGAIN.

667
00:33:23,272 --> 00:33:25,274
SHE MADE THAT CLEAR.
THEN DON'T SLIP.

668
00:33:27,206 --> 00:33:30,409
UNTIL YOU SEE SOMETHING
THAT CORROBORATES THESE VISIONS,

669
00:33:30,409 --> 00:33:32,381
IT--IT'S ALL FANTASY.

670
00:33:32,381 --> 00:33:34,543
THE FUTURE IS STILL
UP IN THE AIR.

671
00:33:34,543 --> 00:33:37,216
YOU'RE A TERRIBLE SPONSOR.
YOU KNOW THAT?
(sets down mug)

672
00:33:37,216 --> 00:33:39,218
WHAT DO YOU WANT ME
TO SAY, MARK?

673
00:33:39,218 --> 00:33:42,151
YOU'RE NOT THE ONLY ONE THIS--
THIS HAS HAPPENED TO, YOU KNOW?

674
00:33:42,151 --> 00:33:46,125
I'VE GOT
THE OPPOSITE PROBLEM.

675
00:33:46,125 --> 00:33:48,657
WHAT DO YOU MEAN?

676
00:33:48,657 --> 00:33:53,031
TRACY WAS KILLED
IN AFGHANISTAN.

677
00:33:53,031 --> 00:33:55,404
AND YOU WERE
AT THE FUNERAL, RIGHT?
RIGHT.

678
00:33:55,404 --> 00:34:00,239
BUT IN MY FLASH-FORWARD,

679
00:34:00,239 --> 00:34:02,271
SHE'S ALIVE.

680
00:34:02,271 --> 00:34:07,076
(explosion in distance)
DOESN'T MAKE ANY SENSE.
THEY I.D.'ed HER REMAINS.

681
00:34:07,076 --> 00:34:09,078
I KNOW.

682
00:34:10,479 --> 00:34:13,222
I CAN'T EXPLAIN IT, BUT...

683
00:34:13,222 --> 00:34:16,155
IT WAS HER.
I'M--I'M CERTAIN OF IT.

684
00:34:16,155 --> 00:34:20,259
AND IF SHE'S OUT THERE
SOMEWHERE, SHE NEEDS ME.

685
00:34:24,062 --> 00:34:26,465
FOR TWO YEARS, I'VE--
I'VE BEEN PUTTING HER TO REST.

686
00:34:26,465 --> 00:34:30,068
NOW... I DON'T KNOW
WHAT TO THINK.

687
00:34:30,068 --> 00:34:32,241
I-I'M--I'M CONFUSED.

688
00:34:32,241 --> 00:34:33,802
I'M...

689
00:34:36,575 --> 00:34:37,806
HOPEFUL.

690
00:34:40,479 --> 00:34:45,083
AND I'M ANGRY
THAT I'M HOPEFUL.

691
00:34:45,083 --> 00:34:46,185
(sighs)

692
00:34:48,457 --> 00:34:52,491
YOU'RE WORRIED...

693
00:34:52,491 --> 00:34:55,594
YOUR FUTURE'S
GONNA COME TRUE.

694
00:34:55,594 --> 00:34:58,397
I'M WORRIED MINE WON'T.

695
00:35:05,374 --> 00:35:08,537
(Mojave 3's "All Your Tears"
playing)

696
00:35:12,281 --> 00:35:15,284
(garage door whirring)

697
00:35:30,128 --> 00:35:31,660
YOU FIXED THE GARAGE DOOR.

698
00:35:31,660 --> 00:35:33,532
IT WAS A SLOW DAY.

699
00:35:33,532 --> 00:35:37,466
â™ª WHERE'S THE MAGIC
THAT YOU WEAR? â™ª

700
00:35:39,908 --> 00:35:46,615
â™ª THAT KEEPS YOU SAFE
AND KEEPS YOU FEELING FREE â™ª

701
00:35:46,615 --> 00:35:48,677
â™ª WHOSE ARMS HAVE HELD YOU â™ª

702
00:35:48,677 --> 00:35:52,181
â™ª THAT YOU DON'T KNOW
WHO YOU ARE ANYMORE â™ª

703
00:35:52,181 --> 00:35:54,483
DO YOU REMEMBER OUR SONG?

704
00:35:54,483 --> 00:35:56,425
WHAT?

705
00:35:56,425 --> 00:35:58,687
THE ONE WE DANCED TO
AT OUR WEDDING.

706
00:35:58,687 --> 00:36:01,290
ETTA JAMES. "AT LAST."

707
00:36:01,290 --> 00:36:04,863
(chuckles)

708
00:36:04,863 --> 00:36:07,666
RIGHT.

709
00:36:07,666 --> 00:36:10,199
WHAT DID YOU SEE?

710
00:36:10,199 --> 00:36:13,372
(sighs)

711
00:36:13,372 --> 00:36:16,174
I WAS AT THE OFFICE,

712
00:36:16,174 --> 00:36:17,606
WORKING ON A CASE.

713
00:36:17,606 --> 00:36:20,178
IT WAS--IT WAS THIS--

714
00:36:20,178 --> 00:36:22,681
WHAT CAUSED
THE FLASH-FORWARDS.

715
00:36:22,681 --> 00:36:25,454
I GOT THE SENSE
I WAS IN DANGER. THEN...

716
00:36:25,454 --> 00:36:27,886
THEN IT ENDED.

717
00:36:27,886 --> 00:36:29,288
NOTHING ELSE?

718
00:36:32,190 --> 00:36:34,863
NO, THAT WAS IT.

719
00:36:37,266 --> 00:36:38,927
WHAT ABOUT YOU?

720
00:36:42,531 --> 00:36:43,932
BABE?

721
00:36:45,704 --> 00:36:48,307
I DON'T WANT
TO TALK ABOUT IT.

722
00:36:48,307 --> 00:36:49,438
WHY?

723
00:36:49,438 --> 00:36:51,480
'CAUSE IT WAS
TOO UPSETTING.

724
00:36:51,480 --> 00:36:54,483
I NEED TO HEAR IT,
WHATEVER IT WAS.

725
00:36:54,483 --> 00:36:57,486
NO.

726
00:36:57,486 --> 00:36:59,488
NO, YOU DON'T.

727
00:37:02,521 --> 00:37:05,254
(whispers) COME ON.
WHAT DID YOU SEE?

728
00:37:10,559 --> 00:37:14,333
YOU KNOW WHAT?
JUST... LET IT GO.

729
00:37:16,665 --> 00:37:20,509
(normal voice)
OLIVIA, WHAT DID YOU SEE?

730
00:37:27,376 --> 00:37:30,248
(crying)
I WAS WITH ANOTHER MAN.

731
00:37:31,980 --> 00:37:33,922
(whispers) WHO?

732
00:37:33,922 --> 00:37:36,455
I DON'T KNOW.

733
00:37:36,455 --> 00:37:38,887
I'VE NEVER SEEN HIM BEFORE.

734
00:37:49,037 --> 00:37:52,541
HE WAS DOWNSTAIRS.

735
00:37:52,541 --> 00:37:54,543
I DON'T KNOW WHO HE WAS,

736
00:37:54,543 --> 00:37:58,347
AND YET MY VISION--
I HAD ALL THESE INTENSE...

737
00:37:58,347 --> 00:38:00,949
(cries) FEELINGS FOR HIM.
I...

738
00:38:00,949 --> 00:38:03,352
(voice echoes) HEY, HONEY.

739
00:38:08,056 --> 00:38:09,958
I DON'T UNDERSTAND, MARK.

740
00:38:09,958 --> 00:38:12,461
I WOULD NEVER CHEAT ON YOU.

741
00:38:12,461 --> 00:38:15,464
I WOULDN'T BETRAY YOU.
I WOULDN'T--I...

742
00:38:20,599 --> 00:38:22,601
JUST BECAUSE WE SAW
THESE THINGS

743
00:38:22,601 --> 00:38:24,903
DOESN'T MEAN
THEY'RE GONNA HAPPEN.

744
00:38:42,921 --> 00:38:44,393
DYLAN!

745
00:38:44,393 --> 00:38:45,694
UH, I'M SORRY.
YOU ARE...

746
00:38:45,694 --> 00:38:47,726
(British accent)
HIS FATHER LLOYD SIMCOE.

747
00:38:47,726 --> 00:38:50,959
HOW IS HE?
HE'LL BE FINE.

748
00:38:50,959 --> 00:38:52,601
HIS ATTENDING PHYSICIAN,
DR. BENFORD,

749
00:38:52,601 --> 00:38:54,603
WILL BE HERE
IN THE MORNING.

750
00:38:54,603 --> 00:38:57,736
SHE CAN FILL YOU IN
ON SOME OF THE DETAILS.

751
00:38:57,736 --> 00:39:00,469
THEN I'LL WAIT FOR HER.

752
00:39:15,984 --> 00:39:17,956
(whispering) DADDY?

753
00:39:17,956 --> 00:39:21,059
WHAT ARE YOU DOING UP,
SWEETIE?

754
00:39:21,059 --> 00:39:22,961
IT'S AFTER MIDNIGHT.

755
00:39:22,961 --> 00:39:25,133
I HAD A BAD DREAM.

756
00:39:25,133 --> 00:39:27,896
COME HERE.

757
00:39:27,896 --> 00:39:30,068
YOU WANNA TALK ABOUT IT?

758
00:39:30,068 --> 00:39:32,701
(normal voice)
WHY WAS MOMMY CRYING?

759
00:39:32,701 --> 00:39:37,906
OH, SHE WAS JUST SCARED.
IT'S GONNA BE OKAY.

760
00:39:37,906 --> 00:39:39,708
ARE YOU SCARED?

761
00:39:39,708 --> 00:39:43,011
NO, HONEY. I'M FINE.

762
00:39:47,385 --> 00:39:50,388
WHAT DO YOU HAVE THERE?
WHAT DO YOU GOT IN YOUR HAND?

763
00:39:50,388 --> 00:39:53,021
HMM?
SOMETHING I MADE FOR YOU.

764
00:39:53,021 --> 00:39:55,464
I WANT YOU TO HAVE IT.

765
00:39:58,567 --> 00:40:00,469
TAKE IT, DADDY.

766
00:40:02,931 --> 00:40:07,976
DO YOU WANT ME
TO HELP YOU PUT IT ON?

767
00:40:11,740 --> 00:40:13,942
SURE.

768
00:40:13,942 --> 00:40:15,413
OKAY.

769
00:40:23,552 --> 00:40:25,554
THERE YOU GO.

770
00:40:49,578 --> 00:40:52,581
I'M STILL AT WORK, BABE.
(Kenny Rogers and Dolly Parton)
â™ª ISLANDS IN THE STREAM â™ª

771
00:40:52,581 --> 00:40:54,983
MM, THEY GOT US WORKING LATE.
â™ª THAT IS WHAT WE ARE â™ª

772
00:40:54,983 --> 00:40:58,226
YEAH, I'M WATCHING IT
RIGHT NOW.
â™ª NO ONE IN BETWEEN,
HOW CAN WE BE WRONG? â™ª

773
00:40:58,226 --> 00:41:02,130
â™ª SAIL AWAY WITH ME â™ª
IF, UH, THIS IS
THE SONG YOU WANT,

774
00:41:02,130 --> 00:41:04,132
YOU GOT IT, BABY.
â™ª TO ANOTHER WORLD â™ª

775
00:41:04,132 --> 00:41:06,735
(laughs)
â™ª AND WE RELY
ON EACH OTHER, UH-HUH â™ª

776
00:41:06,735 --> 00:41:08,997
â™ª FROM ONE LOVER
TO ANOTHER, UH-HUH â™ª

777
00:41:08,997 --> 00:41:12,741
LET'S, UM, LET'S TALK ABOUT
THE FUTURE WHEN YOU GET HOME.

778
00:41:12,741 --> 00:41:15,003
DEM, COME HERE.
YOU HAVE TO SEE THIS.

779
00:41:15,003 --> 00:41:17,005
â™ª THAT IS WHAT WE ARE â™ª
GOTTA GO.

780
00:41:17,005 --> 00:41:18,707
â™ª NO ONE IN BETWEEN â™ª

781
00:41:18,707 --> 00:41:20,579
I LOVE YOU, TOO.

782
00:41:23,612 --> 00:41:26,084
WHAT'S UP?

783
00:41:26,084 --> 00:41:29,057
OKAY, SO AS FAR AS WE KNOW,

784
00:41:29,057 --> 00:41:31,489
EVERY SINGLE PERSON
ON THE ENTIRE PLANET

785
00:41:31,489 --> 00:41:34,563
LOST CONSCIOUSNESS AT THE EXACT
SAME PERIOD OF TIME, RIGHT?

786
00:41:34,563 --> 00:41:37,265
RIGHT.
OKAY, SO I STARTED CYCLING
THROUGH

787
00:41:37,265 --> 00:41:40,168
A BUNCH OF SURVEILLANCE CAMERAS
FOR THE LAST FIVE HOURS...

788
00:41:40,168 --> 00:41:43,271
(hits key)
BECAUSE I WAS CURIOUS TO SEE
WHAT THEY RECORDED.

789
00:41:43,271 --> 00:41:45,503
I LOOKED AT HUNDREDS OF 'EM.

790
00:41:45,503 --> 00:41:47,636
I CHECKED EVERY MAJOR CITY, EVEN
WEB CAMS IN OTHER COUNTRIES...
(types)

791
00:41:47,636 --> 00:41:49,778
AND THEY ALL SHOW
THE EXACT SAME THING.

792
00:41:49,778 --> 00:41:52,510
AT 11:00 A.M., PEOPLE START
DROPPING LIKE FLIES.

793
00:41:52,510 --> 00:41:55,083
OKAY, AND THEN 2 MINUTES
AND 17 SECONDS LATER,

794
00:41:55,083 --> 00:41:59,047
THEY START TO COME TO.
AND THEN I SAW THIS.

795
00:41:59,047 --> 00:42:00,048
(hits key)

796
00:42:00,048 --> 00:42:02,791
THIS WAS IN DETROIT.

797
00:42:02,791 --> 00:42:05,624
WHAT AM I LOOKING AT HERE?
JUST HANG ON A SECOND.

798
00:42:05,624 --> 00:42:09,297
(hits keys)
RIGHT THERE.
LOOK RIGHT THERE.

799
00:42:16,765 --> 00:42:17,936
NO WAY.

800
00:42:17,936 --> 00:42:19,067
YEAH.

801
00:42:19,067 --> 00:42:22,711
WHO THE HELL IS THAT?

802
00:42:24,212 --> 00:42:26,544
AND WHY ARE THEY AWAKE?

803
00:42:26,544 --> 00:42:27,946
(hits key)


