1 00:00:02,734 --> 00:00:04,128 Niahidi kwamba utarudi. 2 00:00:05,092 --> 00:00:07,181 Je, ikiwa siwezi kufanikiwa? 3 00:00:07,398 --> 00:00:09,966 Hakika hii ni filamu bora zaidi 4 00:00:10,140 --> 00:00:12,664 ambayo nimewahi kupiga risasi katika suala la matarajio yake. 5 00:00:12,882 --> 00:00:14,666 Upeo wa mandhari yote, 6 00:00:14,884 --> 00:00:17,017 na idadi ya watu ni kubwa tu. 7 00:00:17,191 --> 00:00:19,671 Mtengenezaji filamu mahiri kama Christopher Nolan 8 00:00:19,889 --> 00:00:23,153 anaweza kupiga matukio ya kuvutia i matukio ya vitendo, lakini pia matukio ya kugusa, 9 00:00:23,371 --> 00:00:24,981 Ubinadamu na ubichi. 10 00:00:25,155 --> 00:00:28,202 Hapa yuko katika ubora wake, akitoka nje. 11 00:00:28,419 --> 00:00:30,291 Tunaenda wote... 12 00:00:30,508 --> 00:00:34,164 na tutapiga moja kubwa zaidi na filamu ya kuvutia zaidi kuwahi kutengenezwa. 13 00:00:41,041 --> 00:00:42,390 Twende nyumbani. 14 00:00:44,696 --> 00:00:47,656 ODYSSEA ni hadithi nzuri. 15 00:00:47,873 --> 00:00:49,005 Na hiyo ni haiba yake, 16 00:00:49,005 --> 00:00:50,485 kwamba si kweli kuhusu hadithi moja tu. 17 00:00:50,702 --> 00:00:54,054 Alifanikiwa katika filamu aina nyingi tofauti. 18 00:00:54,228 --> 00:00:58,493 Kwangu mimi, wazo la kuachilia lilinijaribu katika hadithi hii nzuri zaidi 19 00:00:58,710 --> 00:01:01,844 na waigizaji wa hali ya juu zaidi na nitatumia mbinu zote 20 00:01:02,062 --> 00:01:05,108 na njia zinazotolewa na mtukufu Uzalishaji wa Hollywood. 21 00:01:05,326 --> 00:01:07,023 Iwapo unazungumzia athari za kuona 22 00:01:07,197 --> 00:01:10,505 au kuhusu foleni, ya maeneo halisi, seti za majengo, 23 00:01:10,722 --> 00:01:12,855 ilibidi tutumie kwa filamuODYSSEA 24 00:01:13,073 --> 00:01:14,335 hila zote zipo. 25 00:01:14,552 --> 00:01:16,119 Hii haijawahi kuwa hapa kabla 26 00:01:16,119 --> 00:01:18,382 na ni changamoto ya kusisimua sana. 27 00:01:20,863 --> 00:01:23,083 Wewe ni mtu ambaye anahitaji kudhibiti hatima yake. 28 00:01:23,300 --> 00:01:26,129 Lakini hii haiwezi kudhibitiwa. 29 00:01:26,347 --> 00:01:29,393 Na tatu, mbili, moja, hatua! 30 00:01:32,570 --> 00:01:35,269 Hii ni filamu kabambe sana. 31 00:01:35,486 --> 00:01:38,707 Ni kama sinema saba tofauti kabambe 32 00:01:38,924 --> 00:01:40,535 iliyokunjwa kuwa moja. 33 00:01:40,535 --> 00:01:44,191 Tulihitaji watu sahihi, nani atachukua changamoto hii. 34 00:01:44,408 --> 00:01:46,149 Chris alipata mafundi bora 35 00:01:46,367 --> 00:01:49,109 katika ulimwengu katika shamba lake, na kisha akauliza kila mtu, 36 00:01:49,326 --> 00:01:50,849 kusukuma mipaka ya uwezekano wao. 37 00:01:51,067 --> 00:01:52,808 Hicho ndicho kinasisimua sana kuhusu picha hizi, 38 00:01:53,025 --> 00:01:58,118 kwamba unahisi kila mtu anakaza nguvu zake 39 00:01:58,292 --> 00:02:02,383 kuifanya vizuri zaidi kuliko hapo awali na kuifanya tu, 40 00:02:02,600 --> 00:02:04,733 kinachotarajiwa kutoka kwao. 41 00:02:07,779 --> 00:02:09,041 Chris alinitazama na kusema: 42 00:02:09,216 --> 00:02:10,739 Itakuwa filamu kali. 43 00:02:10,956 --> 00:02:12,523 Na nikasema: Ndiyo, najua. 44 00:02:12,523 --> 00:02:16,092 Na akasema: Hapana, hii itakuwa filamu ngumu sana. 45 00:02:16,266 --> 00:02:18,138 Na nikasema: Hakika. 46 00:02:19,574 --> 00:02:21,837 Sehemu ya yale ambayo nimekuwa nikifanya katika filamu zangu kwa miaka mingi, 47 00:02:22,054 --> 00:02:25,406 iwe DARK KNIGHT au INTERSTELLAR 48 00:02:25,623 --> 00:02:29,149 au MWANZO, ni kwamba mimi hutoka 49 00:02:29,323 --> 00:02:31,151 kutoka kwa mawazo wakati mwingine badala ya ajabu, lakini ninajaribu kuwatia nanga katika jambo fulani 50 00:02:31,151 --> 00:02:32,891 kile ambacho kinaeleweka kwa watazamaji. 51 00:02:32,891 --> 00:02:37,113 Na nilitaka kutumia hili kwa ulimwengu wa mythology ya Kigiriki. 52 00:02:37,287 --> 00:02:39,289 Ni kazi kubwa kwa mkuu wa kila sehemu, 53 00:02:39,507 --> 00:02:43,119 fichua ukweli huo na uunde ulimwengu mzima, 54 00:02:43,293 --> 00:02:46,427 ambayo inaweza kuchezwa mbele ya kamera, 55 00:02:46,644 --> 00:02:48,690 na kisha kuvuta hadhira ndani yake. 56 00:02:50,779 --> 00:02:52,607 Kila mtu yuko kwenye ukurasa mmoja na anajaribu 57 00:02:52,824 --> 00:02:54,478 tafuta suluhisho bora zaidi, 58 00:02:54,696 --> 00:02:57,002 kimsingi kwenye kamera. 59 00:02:57,177 --> 00:03:00,180 Jukumu langu ni kuumiza kichwa mara kwa mara, 60 00:03:00,354 --> 00:03:02,573 jinsi ya kuishughulikia, 61 00:03:02,791 --> 00:03:04,836 hii inajumuisha madoido maalum 62 00:03:05,054 --> 00:03:07,665 au wasanii au mtu mwingine yeyote. 63 00:03:07,883 --> 00:03:11,016 Nilijikumbusha kila siku 64 00:03:11,191 --> 00:03:14,194 na alithibitisha kauli mbiu ya Chris kwa ngozi yake mwenyewe: 65 00:03:14,411 --> 00:03:16,239 Kama ingekuwa rahisi, kila mtu angekuwa anaifanya. 66 00:03:16,457 --> 00:03:20,330 Hakuna anayeweza kusimama kati yangu na nyumba yangu. 67 00:03:20,548 --> 00:03:22,376 Si hata miungu. 68 00:03:25,466 --> 00:03:27,468 Ninahisi kama tulitengeneza filamu sita au saba, 69 00:03:27,685 --> 00:03:29,470 na kwa namna fulani tulizirekodi. 70 00:03:29,687 --> 00:03:32,212 Kila sura ya tukio hili 71 00:03:32,386 --> 00:03:34,170 ilifanyika mahali pengine, 72 00:03:34,344 --> 00:03:36,259 ambayo iliwasilisha changamoto tofauti. 73 00:03:38,261 --> 00:03:40,220 Mtu anajua tu, 74 00:03:40,437 --> 00:03:42,222 kwamba anaposimulia hadithi kama hiyo, 75 00:03:42,439 --> 00:03:43,484 ni maeneo ya kibinafsi kama wahusika ndani yao, 76 00:03:43,701 --> 00:03:45,399 na kwa hivyo lazima iwe maalum kweli. 77 00:03:45,616 --> 00:03:50,360 Na kwa hivyo tulijikuta katika maeneo ya kushangaza sana. 78 00:03:50,578 --> 00:03:52,188 Kuna sehemu za ulimwengu ninazofikiria, 79 00:03:52,362 --> 00:03:55,191 kwamba nisingeweza kuwaona bila uzoefu huu 80 00:03:55,365 --> 00:03:57,585 Hata nisingejua kuwahusu. 81 00:03:57,802 --> 00:04:00,065 Wakati kitu kinatokea kweli 82 00:04:00,240 --> 00:04:02,111 utajifunza kiasi fulani cha habari kuhusu hilo. 83 00:04:02,285 --> 00:04:04,896 Kwa hivyo ukifika maeneo haya, unahisi tu 84 00:04:05,114 --> 00:04:07,203 na hiyo inaongeza mwelekeo mwingine kwake, 85 00:04:07,377 --> 00:04:09,292 Unajaribu kueleza nini. 86 00:04:09,510 --> 00:04:11,033 Kitendo. 87 00:04:11,033 --> 00:04:13,078 Moja ya mambo ninayopenda kuhusu kupiga picha nje 88 00:04:13,253 --> 00:04:16,560 ni kwamba tunahama kila baada ya wiki chache kwa maeneo mengine. 89 00:04:16,778 --> 00:04:20,129 Inakupa mienendo ya ajabu. 90 00:04:20,303 --> 00:04:22,262 Jambo la kufurahisha kuhusu filamu hii ni kwamba tunapiga 91 00:04:22,479 --> 00:04:23,698 katika sehemu zisizo za kawaida ambazo zilikuwa 92 00:04:23,698 --> 00:04:25,743 ngumu kufikia, ambapo ilikuwa vigumu kupiga filamu. 93 00:04:25,961 --> 00:04:27,745 Unajua, kwa kawaida unapotengeneza filamu ya Hollywood, 94 00:04:27,963 --> 00:04:30,618 kambi ya msingi ni sekunde 10 kutoka eneo la kurekodia. 95 00:04:30,835 --> 00:04:32,576 Unapotengeneza filamu ya Chris Nolan, ni kama: 96 00:04:32,794 --> 00:04:38,278 Hapana, huo ni mwendo wa dakika 45 kwa viatu juu, katika vazi kamili. 97 00:04:38,452 --> 00:04:42,586 Tuko kwenye ngome iitwayo Santa Catarina. 98 00:04:42,804 --> 00:04:44,109 Inasimama juu ya kilima. 99 00:04:44,284 --> 00:04:46,286 Vifaa vyote lazima visafirishwe hapa. 100 00:04:46,503 --> 00:04:47,591 Huna budi kurekodi baadhi yake pia. 101 00:04:47,809 --> 00:04:49,506 Kutoa gia itakuwa wazimu. 102 00:04:54,598 --> 00:04:57,297 Maandalizi ya vifaa vya kamera na vifaa vya ziada, 103 00:04:57,514 --> 00:05:00,561 Kila kitu kinatokea hapa kwenye kilima hiki. 104 00:05:00,778 --> 00:05:02,737 Kimsingi tunayo njia, 105 00:05:02,954 --> 00:05:05,653 gari la cable kwa vifaa vya kusafirisha, 106 00:05:05,870 --> 00:05:07,655 na helikopta kadhaa, 107 00:05:07,872 --> 00:05:09,134 ambayo itasafirisha vifaa na watendaji kama inahitajika. 108 00:05:09,309 --> 00:05:11,833 Sote tunajisikia furaha sana. 109 00:05:12,050 --> 00:05:16,925 Ingawa ni ngumu hapa kwa upande huo ... 110 00:05:18,535 --> 00:05:20,624 ni thamani yake. 111 00:05:20,842 --> 00:05:23,584 Kuwa juu ya mlima na kuweza kupiga filamu 112 00:05:23,801 --> 00:05:25,629 kwa pembe ya digrii 360, 113 00:05:25,847 --> 00:05:28,589 bila kuwa na wasiwasi kuhusu usuli wa bluu, 114 00:05:28,806 --> 00:05:30,417 taa za madoido ya kuona 115 00:05:30,417 --> 00:05:32,375 na mambo haya yote, anatupa sisi kama waigizaji 116 00:05:32,593 --> 00:05:34,986 uhuru mkubwa wa kuiruhusu itririke, 117 00:05:35,204 --> 00:05:37,946 tu kuwa binadamu na kuguswa 118 00:05:38,163 --> 00:05:40,209 kwa machweo mazuri ambayo yanaonekana kwa sasa 119 00:05:40,383 --> 00:05:41,950 kutoka juu ya mlima. 120 00:05:42,167 --> 00:05:43,865 Namaanisha kila mahali tulipoenda 121 00:05:44,082 --> 00:05:45,562 Nilipofika pale, nilianza kucheka. 122 00:05:45,780 --> 00:05:49,697 Unafikiri: Nani alikuja na wazo kwamba unapaswa kutengeneza filamu hapa? 123 00:05:49,914 --> 00:05:52,090 Tunarekodi katika pango la Nestor huko Ugiriki. 124 00:05:52,308 --> 00:05:55,050 Inasemekana kuwa pango ambapo Zeus alizaliwa, 125 00:05:55,267 --> 00:05:58,183 na ni mahali pazuri sana, lakini hakuna mtu aliyewahi kujaribu 126 00:05:58,358 --> 00:05:59,750 tengeneza filamu hapo badala yake. 127 00:05:59,968 --> 00:06:02,231 Na kwa hivyo tulipanda pamoja na wafanyakazi 128 00:06:02,405 --> 00:06:05,452 na waliona vifaa vilivyowekwa, kwamba kimsingi waliifanya 129 00:06:05,669 --> 00:06:08,542 eneo la utayarishaji wa filamu asilia, ndio, 130 00:06:08,759 --> 00:06:11,545 Sijui mkurugenzi mwingine yeyote nani angejaribu kitu kama hicho. 131 00:06:11,762 --> 00:06:15,331 Hakukuwa na sehemu moja ambayo ilikuwa wazi na rahisi. 132 00:06:15,505 --> 00:06:19,291 Lakini maeneo hayo yote yalikuwa na maana kwa hadithi. 133 00:06:19,466 --> 00:06:22,382 Ikiwa hatukuenda huko na kuifanya kwa kweli, 134 00:06:22,599 --> 00:06:25,210 Isingekuwa sinema ilivyo. 135 00:06:25,385 --> 00:06:28,823 Niambie unakumbuka nini. 136 00:06:29,040 --> 00:06:31,652 Tulishinda vita. 137 00:06:31,869 --> 00:06:33,393 Na nini baadaye? 138 00:06:40,661 --> 00:06:43,446 Chris hajaridhika na kile ambacho tayari kilikuwa hapa. 139 00:06:43,664 --> 00:06:45,927 Anataka kufanya mambo ambayo hakuna mtu amewahi kufanya 140 00:06:46,144 --> 00:06:48,277 na wafanye kwa mizani kama hii. ambayo hakuna mtu aliyeifanya hapo awali. 141 00:06:48,451 --> 00:06:51,585 Na chochote anachoweza kufanya ili kuboresha matumizi 142 00:06:51,802 --> 00:06:54,414 kutoka kwa kwenda kwenye sinema, kutazama sinema na burudani 143 00:06:54,588 --> 00:06:56,198 - hilo ndilo lengo lake halisi. 144 00:06:57,547 --> 00:07:00,420 Siku yangu ya kwanza nchini Morocco tulirekodi filamu kwenye ufuo, 145 00:07:00,637 --> 00:07:02,291 ambapo walitoa farasi kutoka majini. 146 00:07:02,465 --> 00:07:03,727 Niliuliza: Je, ninaweza kutazama filamu? 147 00:07:03,945 --> 00:07:05,903 Kwa hivyo nilivuka mchanga huo. 148 00:07:06,121 --> 00:07:10,038 Na nadhani nilipitia dakika 20 za ziada 149 00:07:10,255 --> 00:07:11,996 na kati ya boti na moto na majengo 150 00:07:12,214 --> 00:07:14,695 na kila kitu kinachowezekana kabla sijaona 151 00:07:14,912 --> 00:07:16,174 mfanyikazi wa kwanza. 152 00:07:16,392 --> 00:07:17,654 Nilikuwa kama, Wafanyikazi wako wapi? 153 00:07:17,872 --> 00:07:19,221 Kila mtu yuko wapi? 154 00:07:19,439 --> 00:07:21,092 Huo ndio wakati ambapo ilinigusa sana, 155 00:07:21,310 --> 00:07:23,486 kwamba nina bahati ya kuwa sehemu ya kitu fulani, 156 00:07:23,704 --> 00:07:26,054 kipi ni tofauti na cha kipekee. 157 00:07:26,271 --> 00:07:28,404 Kwa sababu sijawahi kuona chochote hapo awali kwa kiwango kama hicho. 158 00:07:30,667 --> 00:07:34,018 Unapoangalia toleo kubwa la filamu la bajeti, 159 00:07:34,236 --> 00:07:37,848 kila sehemu ya filamu lazima iwe ya kuvutia iwezekanavyo. 160 00:07:38,066 --> 00:07:39,023 Inapaswa kusafirisha hadhira mahali fulani, 161 00:07:39,241 --> 00:07:40,590 ambapo bado hawajafika. 162 00:07:40,590 --> 00:07:43,071 kwa mfano, Troy, na kuanguka kwa Troy, 163 00:07:43,288 --> 00:07:46,727 tulihitaji iwe ya idadi kubwa kabisa. 164 00:07:50,165 --> 00:07:51,688 Nilijua tangu mwanzo kwamba hakutakuwa na seti, 165 00:07:51,906 --> 00:07:53,385 hakutakuwa na michoro ya kompyuta. 166 00:07:53,560 --> 00:07:55,605 Tulitaka kujenga kadri tuwezavyo. 167 00:07:55,823 --> 00:07:59,479 Tuligundua mji huu wenye hofu, Ait Benhaddou, 168 00:07:59,696 --> 00:08:02,133 tabaka na matuta tofauti yalitusaidia sana, 169 00:08:02,351 --> 00:08:05,180 na kisha tukajumuisha yote katika jiji hilo. 170 00:08:05,397 --> 00:08:07,225 Hiyo ni kubwa sana. 171 00:08:07,443 --> 00:08:10,794 Inaonekana kama jiji kubwa sana. 172 00:08:11,012 --> 00:08:12,840 Wacha tuseme tunatembea kilomita nyingi kila siku. 173 00:08:13,057 --> 00:08:18,106 Na tulitaka farasi kulingana na ukubwa alishindana na hekalu. 174 00:08:18,323 --> 00:08:21,892 Je, umewahi kusikia hadithi kuhusu farasi huyo? 175 00:08:26,767 --> 00:08:29,421 Ana urefu wa m 10, uzani wa 3 ... tani 3.5. 176 00:08:29,596 --> 00:08:32,207 Tukaileta ndani ya kreti tisa au kumi. 177 00:08:32,424 --> 00:08:34,122 Watazamaji wanajua hila hii vizuri sana. 178 00:08:34,339 --> 00:08:35,776 Kila mtu anajua farasi wa Trojan ni nini. 179 00:08:35,993 --> 00:08:37,473 Hiyo haiwezi kuwa skate kubwa... 180 00:08:37,647 --> 00:08:39,127 haiwezi kuwa kwenye magurudumu. 181 00:08:39,344 --> 00:08:41,651 Kwa hivyo nilifikiria: vipi ikiwa ilikuwa hivyo, 182 00:08:41,869 --> 00:08:43,566 kwamba angeoshwa na bahari 183 00:08:43,784 --> 00:08:45,525 kama dhabihu kwa Poseidon? 184 00:08:45,742 --> 00:08:48,310 Chris na mimi tulitaka kitu zaidi, 185 00:08:48,528 --> 00:08:50,878 Farasi wa kisasa zaidi. 186 00:08:51,095 --> 00:08:52,880 Walikuwa mabingwa wa ufundi wao enzi hizo nao walikuwa mabaharia. 187 00:08:53,097 --> 00:08:55,883 Na kwa hivyo tulitiwa moyo na upangaji wa meli 188 00:08:56,100 --> 00:08:58,668 na tukatumia muundo huu kwa farasi, 189 00:08:58,886 --> 00:09:01,541 Na hivi ndivyo tulivyomuumba farasi wa Trojan. kama ambavyo hujawahi kuona hapo awali. 190 00:09:01,758 --> 00:09:04,674 Lengo lilikuwa kwamba inaweza kushughulikiwa na nguvu za kibinadamu, 191 00:09:04,892 --> 00:09:07,372 kwa sababu inachukua watu 100 kwenye hati. 192 00:09:07,547 --> 00:09:09,331 Kwa hivyo tulifanya kazi kwa bidii, 193 00:09:09,549 --> 00:09:11,333 ili kuifanya iwe ya kudumu, imara iwezekanavyo 194 00:09:11,551 --> 00:09:13,117 na mwanga kwa wakati mmoja. 195 00:09:13,117 --> 00:09:14,684 Inaposemwa kuwa inahitajika kijiji kizima, kwa hivyo inatumika. 196 00:09:14,684 --> 00:09:16,338 Athari maalum zilizoundwa ziliunda uti wa mgongo wa muundo. 197 00:09:16,556 --> 00:09:18,558 Tulitengeneza sehemu zote sisi wenyewe. 198 00:09:18,775 --> 00:09:20,777 Hapo awali tulikuwa na farasi mzima aliyekatwa kutoka polystyrene. 199 00:09:20,995 --> 00:09:23,867 Kwa kutumia hii, kisha tukatengeneza ukungu. 200 00:09:24,085 --> 00:09:25,521 Na kisha tukatengeneza paneli za fiberglass 201 00:09:25,695 --> 00:09:27,741 na tuliweka miundombinu yote ndani yao. 202 00:09:30,221 --> 00:09:31,658 Hiyo ilikuwa ya ajabu. 203 00:09:31,875 --> 00:09:34,704 Na kweli waliihamisha kutoka pwani hadi mjini 204 00:09:34,922 --> 00:09:37,315 wakaijenga karibu na hekalu la Athena. 205 00:09:37,533 --> 00:09:38,795 Kwa kweli ni kama kila kitu kwenye filamu hii yote, 206 00:09:39,013 --> 00:09:40,449 ni safari kama hiyo. 207 00:09:40,449 --> 00:09:42,016 Unajua, kila mtu hufanya kazi pamoja ili kuifanya ifanye kazi. 208 00:09:42,233 --> 00:09:44,888 Unapoiona yote pamoja na mavazi 209 00:09:45,106 --> 00:09:46,890 na kwa watu, ni Epic kabisa. 210 00:09:47,108 --> 00:09:50,328 Namaanisha, inashangaza kuona jinsi yote yanaunganishwa. 211 00:09:50,546 --> 00:09:52,504 Ziada zote hizo. 212 00:09:52,679 --> 00:09:56,117 Nakumbuka nikiingia kwenye hema pamoja na vifaa katika Ouarzazate 213 00:09:56,334 --> 00:09:59,120 na nikajisemea moyoni: Kwa ajili ya Mungu. 214 00:09:59,337 --> 00:10:01,775 Hii ni ajabu sana. 215 00:10:01,992 --> 00:10:04,821 Sijui tulifanyaje. 216 00:10:05,039 --> 00:10:09,086 Texture daima imekuwa muhimu sana wakati wa kubuni. 217 00:10:09,304 --> 00:10:12,655 Textures kweli ni muhimu kabisa 218 00:10:12,873 --> 00:10:14,614 kwa kila herufi binafsi. 219 00:10:14,831 --> 00:10:16,006 Hakuna kitu kilikuwa tambarare. 220 00:10:16,224 --> 00:10:18,443 Kila kitu kilikuwa na sura tatu, 221 00:10:18,618 --> 00:10:20,620 na mtu alihisi kweli. 222 00:10:20,794 --> 00:10:22,056 Kuna maelezo mengi na mawazo mengi 223 00:10:22,273 --> 00:10:25,276 katika kila mavazi na kila mandhari. 224 00:10:25,494 --> 00:10:28,671 Seti ni kubwa sana na kila mtu aliijenga 225 00:10:28,889 --> 00:10:32,457 kwa kiwango cha juu ulicho nacho hakika unahisi kama wewe ni sehemu ya hatua. 226 00:10:32,632 --> 00:10:35,547 Kana kwamba nilijikuta katika ulimwengu huo. 227 00:10:37,898 --> 00:10:39,595 Mfalme wa Ithaca anarudi. 228 00:10:39,769 --> 00:10:40,944 Hapana, hairudi. 229 00:10:43,207 --> 00:10:46,123 Kama Ithaca ya Odysseus, yenye jumba, 230 00:10:46,341 --> 00:10:49,910 tulitumia magofu yaliyopo na tukajenga juu yake. 231 00:10:50,127 --> 00:10:53,870 Ilibidi kuwashawishi watazamaji kwa nini walipaswa kurudi nyumbani. 232 00:10:54,088 --> 00:10:55,872 Nilipowasili kwa mara ya kwanza Favignana, 233 00:10:56,090 --> 00:10:59,571 hata haikunijia kuwa sehemu ya nyuma ilikuwa ya nyuma. 234 00:10:59,746 --> 00:11:02,923 Kwa kweli ... nakumbuka nikiegemea ukuta, 235 00:11:03,140 --> 00:11:04,620 na alikuwa misa laini. 236 00:11:04,794 --> 00:11:06,883 Lakini ilichanganyikana kabisa na magofu halisi. 237 00:11:07,101 --> 00:11:08,624 Haikuaminika kabisa. 238 00:11:08,624 --> 00:11:10,844 Ruth huchukua mtazamo halisi kwa kila kitu, 239 00:11:11,061 --> 00:11:13,020 huenda kwenye tovuti ya ujenzi na kujenga hapo hapo 240 00:11:13,237 --> 00:11:14,586 inageuza tovuti ya ujenzi kuwa unahitaji nini 241 00:11:14,761 --> 00:11:16,197 kulingana na kitu ambacho tayari kipo. 242 00:11:16,414 --> 00:11:18,155 Tulijenga haya yote. 243 00:11:19,679 --> 00:11:20,941 Lakini basi unageuka hapa 244 00:11:21,158 --> 00:11:24,292 na utaona haya yote, ni ya kushangaza. 245 00:11:24,509 --> 00:11:26,294 Hii itaunganishwa na ikulu yetu, 246 00:11:26,511 --> 00:11:28,513 ambayo ilijengwa katika studio huko Los Angeles. 247 00:11:28,688 --> 00:11:31,821 Chris alijua alitaka iwe tukio kubwa sana. 248 00:11:32,039 --> 00:11:34,998 Ni tukio kubwa pekee katika filamu nzima. 249 00:11:35,216 --> 00:11:39,176 Kila kitu kingine ni zingine kwenye eneo katika mazingira ya asili. 250 00:11:39,394 --> 00:11:43,311 Ruth na timu yake waliunda hii kabisa tukio la ajabu 251 00:11:43,528 --> 00:11:47,794 ambayo ilikuwa kubwa sana na ya kufafanua sana. 252 00:11:48,011 --> 00:11:50,100 Na ulipoingia huko, hata kidogo haikuonekana kama seti. 253 00:11:50,318 --> 00:11:53,974 Ilihisi kama ulimwengu tofauti kabisa. 254 00:12:04,680 --> 00:12:07,422 Kubwa, wavulana. 255 00:12:07,639 --> 00:12:09,641 Kwa hivyo punguza pigo haraka na uendelee. 256 00:12:09,816 --> 00:12:12,079 Kwa hivyo ruka, endelea mbele, anguka chini. 257 00:12:12,296 --> 00:12:14,777 Unapoanzisha jambo kwa kiwango kikubwa sana 258 00:12:14,995 --> 00:12:17,040 na ya kuvutia kama shambulio 259 00:12:17,258 --> 00:12:20,174 kwa milango ya Troy na Trojan farasi 260 00:12:20,391 --> 00:12:23,481 na pinde na mishale na panga na sasa unafikiri, 261 00:12:23,699 --> 00:12:25,092 unawezaje kuipeleka kwenye ngazi inayofuata? 262 00:12:25,309 --> 00:12:27,311 Ipitie tena tafadhali 263 00:12:27,529 --> 00:12:29,313 unapochukua shoka hizi mbili. 264 00:12:29,313 --> 00:12:31,838 Nilimwambia George Cottle, kwamba tunahitaji matukio ya mapigano katika filamu, 265 00:12:32,055 --> 00:12:35,667 tunahitaji vitendo kuwa katika filamu ya kuvutia na ya kuaminika, 266 00:12:35,842 --> 00:12:36,756 na tunahitaji waigizaji kuigiza. 267 00:12:39,759 --> 00:12:41,543 Matt na waigizaji wote 268 00:12:41,761 --> 00:12:43,980 walikuwa katika hali ya ajabu ya kimwili, 269 00:12:44,198 --> 00:12:47,375 na kila mtu alifanya kazi kwa bidii sana ili jambo hilo litokee. 270 00:12:49,594 --> 00:12:52,075 Mapambano ya sinema kwa kweli yanafanana zaidi ngoma kuliko kitu kingine chochote 271 00:12:52,293 --> 00:12:53,685 kwa sababu inahitaji wapiganaji wote wawili 272 00:12:53,860 --> 00:12:55,252 bado katika mahali pazuri. 273 00:12:55,470 --> 00:12:58,125 Watu ambao George alinizunguka nao walikuwa kweli 274 00:12:58,342 --> 00:13:01,693 uzoefu sana hivyo Niliachana na mtaalam mmoja 275 00:13:01,868 --> 00:13:04,000 kwa mwingine. 276 00:13:04,218 --> 00:13:06,916 Waigizaji lazima wawe wazuri kama wastaarabu, 277 00:13:07,134 --> 00:13:10,702 lakini wakati huo huo anapaswa kuleta vipengele vya uigizaji ndani yake. 278 00:13:10,877 --> 00:13:13,836 Kwa hivyo tunajaribu kuzichora 279 00:13:14,054 --> 00:13:15,533 iliwekwa kwenye kumbukumbu sana 280 00:13:15,751 --> 00:13:17,927 kwamba wataweza kuzingatia kikamilifu takwimu zao. 281 00:13:18,145 --> 00:13:19,886 Unajua, wakurugenzi wengi wangezingatia hatua 282 00:13:20,103 --> 00:13:22,105 na wangesema: Hiyo inaonekana nzuri. Kubwa. Filamu hiyo. 283 00:13:22,323 --> 00:13:24,760 Lakini Chris bado anatafuta ni nini cha ajabu 284 00:13:24,934 --> 00:13:27,067 na nini kinawasukuma wahusika? 285 00:13:27,284 --> 00:13:30,244 Uwezo tu wa kugundua watoto wadogo maelezo ya hadithi huku kukiwa na hatua ya kuvutia 286 00:13:30,461 --> 00:13:32,637 Anamfanya Chris kuwa maalum sana. 287 00:13:32,812 --> 00:13:34,248 Sawa, hapa tunaenda. 288 00:13:34,465 --> 00:13:35,727 Hatua! 289 00:13:41,864 --> 00:13:43,823 Kaa kwenye kozi! 290 00:13:47,522 --> 00:13:49,437 Wapiga makasia wana shughuli nyingi! 291 00:13:49,654 --> 00:13:51,787 Na ichukue! 292 00:13:51,961 --> 00:13:53,745 Nilipokuwa nikifanya kazi ya kurekebisha uchezaji wa skrini, 293 00:13:53,920 --> 00:13:56,052 Nilikuwa na tumaini akilini mwangu, kwamba nitafanikiwa 294 00:13:56,052 --> 00:13:57,837 ili kupunguza muda uliotumika kwenye mashua iwezekanavyo. 295 00:13:58,011 --> 00:13:59,403 Lakini ni ODYSSEY. 296 00:13:59,621 --> 00:14:00,883 Bila shaka tutakuwa kwenye meli hii kwa miezi kadhaa, 297 00:14:01,101 --> 00:14:02,276 kama vile zamani. 298 00:14:02,493 --> 00:14:04,147 Changamoto ya mwisho. 299 00:14:04,147 --> 00:14:05,409 Ikiwa huna la kufanya kwenye meli hii, tafadhali toka humo mara moja. 300 00:14:05,627 --> 00:14:06,889 Meli inaondoka. 301 00:14:06,889 --> 00:14:08,021 Moja ya changamoto kuu ilikuwa kwamba, 302 00:14:08,021 --> 00:14:10,850 kwamba tulitumia boti za mbao za kipindi. 303 00:14:11,024 --> 00:14:13,200 Tulifanya kila tuliloweza, kuficha injini ndani yao, 304 00:14:13,200 --> 00:14:14,418 lakini injini hizo zilikuwepo tu kwa sababu, 305 00:14:14,636 --> 00:14:16,725 kuweka meli katika mwelekeo fulani. 306 00:14:16,899 --> 00:14:18,074 Walilazimika kujiendesha wenyewe 307 00:14:18,292 --> 00:14:20,337 waigizaji nusu na nusu waigizaji. 308 00:14:20,555 --> 00:14:23,645 Kuna sababu hatutembei tena baharini 309 00:14:23,863 --> 00:14:25,865 katika boti hizi kubwa zilizo wazi. 310 00:14:26,082 --> 00:14:29,346 Lakini ili kupata hisia hiyo, lazima ujaribu mwenyewe. 311 00:14:29,564 --> 00:14:30,913 Tulipiga makasia mashua hii. 312 00:14:31,131 --> 00:14:32,741 Ninaposema WE, ninamaanisha watu maskini huko nje. 313 00:14:34,786 --> 00:14:38,834 Kulikuwa na kambi ya kupiga makasia kwa sababu wanaume wote wa Odysseus 314 00:14:39,008 --> 00:14:42,533 ilibidi wajifunze kupiga makasia kwenye hili meli kubwa ya tani 100. 315 00:14:44,405 --> 00:14:46,842 Meli inaposonga na kasia yako inateleza, 316 00:14:47,016 --> 00:14:48,365 anaweza kukupiga kifuani, 317 00:14:48,583 --> 00:14:49,889 na inaweza hata kukuinua 318 00:14:50,063 --> 00:14:51,412 na kukutupa baharini. 319 00:14:51,412 --> 00:14:53,457 Inahitaji uangalizi wa mara kwa mara, 320 00:14:53,675 --> 00:14:54,850 ili kukuweka salama. 321 00:14:55,024 --> 00:14:57,113 Haikuwa nyingi mwanzoni, 322 00:14:57,331 --> 00:14:59,942 lakini ndani ya siku chache waliweza 323 00:15:00,160 --> 00:15:04,642 na mwendo wa makasia ulikuwa tayari umepatanishwa na walikuwa tayari kupiga makasia. 324 00:15:04,860 --> 00:15:06,644 Risasi! 325 00:15:06,862 --> 00:15:08,646 Na risasi! 326 00:15:08,864 --> 00:15:11,780 Walijifunza jinsi ya kuinua matanga kwenye mashua. 327 00:15:11,780 --> 00:15:13,303 Walijifunza kupiga makasia. 328 00:15:13,521 --> 00:15:14,914 Unajua, tulifanya yote huko nje 329 00:15:15,131 --> 00:15:17,786 na hiyo inachosha sana watu. 330 00:15:17,960 --> 00:15:20,223 Ilikuwa incredibly, incredibly vigumu. 331 00:15:20,441 --> 00:15:22,269 Tulikuwa huko nje kwenye mashua sote pamoja 332 00:15:22,486 --> 00:15:25,185 hakuna mtu angeweza kuondoka, kwenda kukaa mahali fulani, 333 00:15:25,402 --> 00:15:27,491 nenda kwenye trela au ... haikufanya kazi... 334 00:15:27,709 --> 00:15:30,538 tulikuwa pamoja katikati ya bahari. 335 00:15:30,755 --> 00:15:33,367 Na kisha ilikuwa: Nini risasi ijayo? 336 00:15:33,584 --> 00:15:35,151 Tunarekodi maelezo zaidi. 337 00:15:35,151 --> 00:15:38,198 Mat alikuwa akitazama upande ambao meli ilikuwa ikienda 338 00:15:38,415 --> 00:15:41,375 na pomboo akaruka moja kwa moja kwenye risasi. 339 00:15:41,592 --> 00:15:43,681 Njoo, labda sivyo. 340 00:15:43,899 --> 00:15:46,293 Nitakuambia ambapo haitatokea ikiwa hii haikutokea - kwenye tank. 341 00:15:46,510 --> 00:15:47,859 Na kwa bahati nzuri tulikuwa na kamera hii kubwa ya IMAX, 342 00:15:48,034 --> 00:15:49,035 na tukairekodi. 343 00:15:54,344 --> 00:15:56,477 Na kwangu ilikuwa ndoto yangu ya muda mrefu ambayo haijatimia. 344 00:15:56,694 --> 00:15:58,566 Kwa kweli, tangu nilipokuwa na umri wa miaka 16, 345 00:15:58,783 --> 00:16:01,786 Nilitaka kupiga filamu nzima katika IMAX. 346 00:16:01,961 --> 00:16:04,311 Kilichotuzuia ni sauti kila wakati. 347 00:16:06,574 --> 00:16:08,576 IMAX ina timu ya ajabu ya wahandisi, 348 00:16:08,793 --> 00:16:13,233 ambaye alipata njia ya kuweka kamera kwenye jalada hili, 349 00:16:13,450 --> 00:16:15,496 ili tuweze kupiga picha za matukio ya karibu zaidi. 350 00:16:15,713 --> 00:16:17,585 Tunaweza kuwa na kamera 15 cm kutoka kwako 351 00:16:17,802 --> 00:16:20,327 na mazungumzo bado yanaweza kunaswa. 352 00:16:20,544 --> 00:16:22,024 Na kwa hivyo tuko kwa mara ya kwanza katika historia 353 00:16:22,242 --> 00:16:23,634 waliweza kupiga filamu nzima 354 00:16:23,852 --> 00:16:26,115 katika umbizo la ajabu la IMAX. 355 00:16:26,333 --> 00:16:29,553 Na kwa hivyo ndoto ya muda mrefu ambayo haijatimizwa hatimaye ilitimia. 356 00:16:29,771 --> 00:16:32,426 Sisi, kama watengenezaji filamu, hatupaswi kustarehe. 357 00:16:32,643 --> 00:16:34,819 Kazi yetu ni kuwasilisha kwa hadhira 358 00:16:34,994 --> 00:16:36,865 utumiaji bora iwezekanavyo. 359 00:16:37,039 --> 00:16:39,999 Kwa hivyo, juhudi zetu zote zilikuwa na lengo moja: 360 00:16:40,216 --> 00:16:43,611 jaribu kutengeneza yetu watazamaji walijiweka katika hali yetu, 361 00:16:43,828 --> 00:16:46,440 na uzoefu wa jambo lisilo la kawaida. 362 00:16:46,657 --> 00:16:48,964 Nadhani IMAX itafanya iwezekanavyo 363 00:16:49,138 --> 00:16:51,097 kufanya hadhira kujisikia kama wao ni sehemu yake 364 00:16:51,314 --> 00:16:52,837 safari yetu hii pamoja. 365 00:16:53,012 --> 00:16:56,711 Anajizamisha sana katika ulimwengu huu. 366 00:16:56,928 --> 00:16:59,409 Nadhani Chris anajua njia ya kukuvutia, 367 00:16:59,627 --> 00:17:01,020 unapotazama filamu zake. 368 00:17:01,237 --> 00:17:02,847 Kwa hivyo kwa asili, 369 00:17:03,022 --> 00:17:05,546 vivyo hivyo kwa muziki. 370 00:17:05,763 --> 00:17:07,809 Moja ya mambo ya kwanza ambayo mtu anatarajia, 371 00:17:08,027 --> 00:17:10,029 linapokuja suala la filamu ya ukubwa huu 372 00:17:10,203 --> 00:17:12,553 kwa sinema ni kupata uzoefu wa sauti 373 00:17:12,770 --> 00:17:14,859 orchestra kubwa ya filamu. 374 00:17:15,034 --> 00:17:15,991 Lakini umeliona hilo hapo awali. 375 00:17:16,165 --> 00:17:17,645 Umesikia hivyo hapo awali. 376 00:17:17,645 --> 00:17:19,995 Kwa filamu hii, Chris alitaka iwe tofauti. 377 00:17:22,737 --> 00:17:25,479 Tulitaka filamu ijisikie kama ulimwengu unaojulikana 378 00:17:25,696 --> 00:17:28,873 kwa hadhira, ingawa iliwekwa katika Ugiriki ya kale. 379 00:17:29,048 --> 00:17:30,571 Hatutaki ionekane au ihisi kama 380 00:17:30,788 --> 00:17:33,356 kama filamu zilizopita ambazo tayari zimeshughulikiwa 381 00:17:33,574 --> 00:17:35,184 ulimwengu huu wa kitamaduni. 382 00:17:35,402 --> 00:17:37,578 Tunaweza kufanya nini, nini kingine kinaweza kuwa isiyo na wakati zaidi kuliko hii? 383 00:17:37,795 --> 00:17:40,320 Nilijua kwamba ili kuunda hii kabisa 384 00:17:40,537 --> 00:17:42,887 ulimwengu wa asili, ilibidi niondoke kwenye eneo langu la faraja 385 00:17:43,062 --> 00:17:46,065 na kupata sauti ambazo sijafanya kazi nazo hapo awali. 386 00:17:46,239 --> 00:17:50,547 Ludwig alifanya utafiti wa kina sana katika uwanja wa vyombo vya muziki, 387 00:17:50,765 --> 00:17:53,028 ambayo pengine ilichezwa wakati huo. 388 00:17:54,725 --> 00:17:56,205 Chris alitaja awali, 389 00:17:56,423 --> 00:17:58,077 kwamba anavutiwa na filimbi mbili. 390 00:17:58,294 --> 00:17:59,948 Alipendezwa na kinubi. 391 00:18:03,256 --> 00:18:05,997 Filimbi mbili ni ala ya kale ya muziki ya Kigiriki. 392 00:18:06,172 --> 00:18:08,348 Ilikuwa chombo maarufu zaidi 393 00:18:08,565 --> 00:18:12,221 kwa miaka 1,000. 394 00:18:12,439 --> 00:18:15,485 Hii ni nakala ya filimbi hii. 395 00:18:15,703 --> 00:18:18,097 Tarehe asili kutoka kipindi kati ya 6 na 396 00:18:18,314 --> 00:18:20,055 na karne ya 5 KK 397 00:18:20,229 --> 00:18:23,145 Hakuna vyombo asili vilivyosalia. 398 00:18:23,363 --> 00:18:26,279 Kwa hiyo nilifanya kazi na watu wengine wawili 399 00:18:26,496 --> 00:18:29,151 na tulitumia muda mwingi kuelewa 400 00:18:29,369 --> 00:18:30,805 jinsi sehemu hii hapo juu inavyofanya kazi. 401 00:18:31,022 --> 00:18:32,894 Tulilazimika kusoma vyanzo vingi vya zamani 402 00:18:33,112 --> 00:18:35,723 na jaribu kubaini jinsi walivyofanya. 403 00:18:40,467 --> 00:18:43,644 Huu ni ujenzi wa kinubi cha kale cha Uigiriki. 404 00:18:43,861 --> 00:18:46,995 Ili niweze kuicheza haswa kama zamani 405 00:18:47,169 --> 00:18:49,867 tulilazimika kufanya utafiti juu ya iconografia, 406 00:18:50,085 --> 00:18:53,523 vyanzo vilivyoandikwa na kutumia matumizi ya kibinafsi 407 00:18:53,741 --> 00:18:54,959 wanamuziki. 408 00:19:00,965 --> 00:19:02,619 Nzuri. 409 00:19:02,837 --> 00:19:04,752 Bi. Ulifanya hivyo. 410 00:19:04,969 --> 00:19:06,145 Jambo lingine ambalo Chris alitaja 411 00:19:06,319 --> 00:19:07,537 pia, tayari mwanzoni wakati wa mazungumzo yetu 412 00:19:07,537 --> 00:19:08,625 ilikuwa matumizi ya shaba. 413 00:19:08,625 --> 00:19:10,932 Unaona, tuko katika Enzi ya Shaba. 414 00:19:11,150 --> 00:19:13,761 Kwa hivyo, kwa mfano, gongo hutengenezwa kwa shaba. 415 00:19:13,978 --> 00:19:15,371 Unaweza kutoa sauti kutoka kwa vyombo kama hivyo, 416 00:19:15,371 --> 00:19:17,460 kama hujawahi kusikia hapo awali. 417 00:19:19,201 --> 00:19:21,116 Tulianza kufanya majaribio na vitu vingine vingi, 418 00:19:21,290 --> 00:19:23,118 tulikuwa tunagonga kuta, matusi, 419 00:19:23,292 --> 00:19:26,295 Tuligonga chochote tulichoweza kupata nje, 420 00:19:26,513 --> 00:19:28,950 kama vile chuma chakavu au vitengo vya hali ya hewa. 421 00:19:33,650 --> 00:19:36,044 Kutumia sauti ndiyo ilikuwa njia hatimaye, 422 00:19:36,218 --> 00:19:39,221 jinsi tunavyoweza kutajirisha zile za kihisia zaidi 423 00:19:39,439 --> 00:19:42,442 wakati wa muziki. 424 00:19:44,748 --> 00:19:49,405 Kuna ukaribu wa kweli kwa wimbo wa sauti na ubinadamu. 425 00:19:49,623 --> 00:19:51,755 Na napenda hiyo kwa sababu inaenda kinyume na hilo, 426 00:19:51,973 --> 00:19:54,410 ulitarajia nini. 427 00:19:57,761 --> 00:20:00,460 Baba yangu anakuja nyumbani. 428 00:20:00,677 --> 00:20:01,896 Analeta kisasi. 429 00:20:04,725 --> 00:20:07,336 Anachukua kila kitu pamoja naye. 430 00:20:07,554 --> 00:20:09,208 Mimi ni shabiki mkubwa wa historia ya filamu, 431 00:20:09,382 --> 00:20:10,600 hasa enzi ya filamu kimya. 432 00:20:10,818 --> 00:20:13,168 Kilichotokea mbele ya kamera ilikuwa karibu kila kitu. 433 00:20:13,342 --> 00:20:15,562 Maelfu ya waigizaji, seti za ajabu, 434 00:20:15,779 --> 00:20:17,694 maeneo yasiyo ya kawaida. 435 00:20:17,694 --> 00:20:20,480 Baada ya muda, shukrani kwa teknolojia ya kuona athari katika uzalishaji wa Hollywood 436 00:20:20,480 --> 00:20:22,090 ilipoteza mengi yake. 437 00:20:22,264 --> 00:20:24,048 Tunaweza kufanya yote mawili. 438 00:20:24,223 --> 00:20:26,660 Tunaweza kurejea njia za awali za utengenezaji wa filamu, 439 00:20:26,877 --> 00:20:29,576 lakini pia ongeza kiwango kipya kwake 440 00:20:29,793 --> 00:20:31,621 fantasia na mawazo kwa nguvu 441 00:20:31,839 --> 00:20:33,232 madhara ya kuona. 442 00:20:33,449 --> 00:20:35,103 Tunajaribu kushughulikia kila kitu. 443 00:20:35,103 --> 00:20:38,324 Hii niODYSSEA na kama hii inapaswa kusikika kwenye skrini. 444 00:20:41,196 --> 00:20:43,764 Hatua! 445 00:20:43,981 --> 00:20:46,941 Chris anapiga risasi kwa kiwango kikubwa sana, 446 00:20:47,158 --> 00:20:48,377 katika muundo huu mkubwa. 447 00:20:48,595 --> 00:20:50,379 Lakini kimsingi wanatengeneza filamu za kujitegemea. 448 00:20:50,597 --> 00:20:55,166 Na hii inajenga hisia ya mvutano wa mara kwa mara. 449 00:20:55,341 --> 00:20:58,431 Yeye hufanya kila awezalo kufanya kufanya kila kitu kwenye tukio kionekane kweli, 450 00:20:58,648 --> 00:21:00,084 ambayo basi hufanya kazi 451 00:21:00,259 --> 00:21:02,478 kiuhalisia zaidi kwa hadhira kwenye sinema. 452 00:21:05,264 --> 00:21:07,266 Watu wanajua hadithi nyingi, 453 00:21:07,440 --> 00:21:09,659 lakini hawakuwa wamewahi kumuona namna hii. 454 00:21:09,877 --> 00:21:13,054 Na inastahili kuwasilishwa kwenye skrini kubwa. 455 00:21:13,272 --> 00:21:15,622 Kama shabiki, ninaisubiri kwa hamu filamu hii. 456 00:21:15,839 --> 00:21:17,406 Twende! 457 00:21:17,406 --> 00:21:19,756 Siwezi kusubiri kabisa kukaa katika ukumbi huo wa IMAX 458 00:21:19,974 --> 00:21:23,586 na kuzama kabisa katika ulimwengu aliouumba. 459 00:21:23,804 --> 00:21:25,980 Kwa maisha yako yote, ikiwa kuna filamu moja 460 00:21:26,197 --> 00:21:29,375 ambayo lazima uone kwenye sinema, 461 00:21:29,592 --> 00:21:33,509 kwa hivyo hii ndiyo filamu sahihi kwa sababu hii ni sinema safi.