1 00:00:22,700 --> 00:00:26,500 SPECIAL JURY PRIZE AT THE VENICE FESTIVAL 1962 2 00:00:26,600 --> 00:00:30,100 ITALIAN CRITICS AWARD AT THE VENICE FESTIVAL 1962 3 00:00:30,200 --> 00:00:33,200 THIS FILM IS DEDICATED TO 'B MOVIES' 4 00:00:48,740 --> 00:00:55,500 LIVE LIFE Film In Twelve Scenes. 5 00:02:51,579 --> 00:02:54,579 "IT IS NECESSARY IF LEND TO OTHERS 6 00:02:54,616 --> 00:02:57,499 AND GIVE YOURSELF" - Montaigne 7 00:03:01,325 --> 00:03:07,975 1 - A COFFEE - NANA WANTS TO ABANDON PAUL - THE PINBALL MACHINE 8 00:03:12,630 --> 00:03:14,215 Does he really interest you? 9 00:03:16,175 --> 00:03:20,096 I don't know. I wonder what are you thinking. 10 00:03:20,763 --> 00:03:24,100 -Does he have more money than me? -What does it matter? 11 00:03:25,935 --> 00:03:27,355 What does it matter? 12 00:03:28,640 --> 00:03:30,040 What does it matter? 13 00:03:31,900 --> 00:03:33,500 What does it matter? 14 00:03:34,402 --> 00:03:35,862 What's the matter with you? 15 00:03:36,200 --> 00:03:39,579 Nothing. I wanted to say this sentence with words that were precise. 16 00:03:40,741 --> 00:03:43,827 I didn't know which was best way to express this idea. 17 00:03:44,387 --> 00:03:48,015 Or, still, I knew, But now I don't know anymore. 18 00:03:48,666 --> 00:03:52,503 Just when I wanted to know. Never happened to you? 19 00:03:53,429 --> 00:03:56,015 You can't say another anything other than yourself? 20 00:03:57,091 --> 00:03:58,217 You are mean. 21 00:04:00,636 --> 00:04:03,472 I'm not mean, Nana, I'm sad. 22 00:04:04,890 --> 00:04:07,600 I'm not sad, Paul, I'm mean. 23 00:04:08,974 --> 00:04:11,394 Don't talk for the sake of talking, This is not theater. 24 00:04:13,400 --> 00:04:15,400 You never do what I want. 25 00:04:15,680 --> 00:04:17,880 Do you always want I do what you want. 26 00:04:19,200 --> 00:04:21,971 Either way, I'm tired. I want to die. 27 00:04:22,123 --> 00:04:24,584 -Small talk. -It is not. I'm serious. 28 00:04:24,744 --> 00:04:26,144 You talk the talk. 29 00:04:27,663 --> 00:04:31,626 It's better that we separate. I always have to beg. 30 00:04:33,127 --> 00:04:37,470 I exist too. Do you think me cruel, but in truth you are. 31 00:04:49,060 --> 00:04:52,504 Why do you say that? It's not true. When was it? Sunday night? 32 00:04:54,139 --> 00:04:55,265 You know when... 33 00:04:55,339 --> 00:04:58,279 I begged you to present to that man. 34 00:04:58,569 --> 00:05:00,669 I know very well that you did it on purpose. 35 00:05:01,098 --> 00:05:02,399 Yes, I did it on purpose. 36 00:05:03,029 --> 00:05:04,656 I despise you. 37 00:05:07,133 --> 00:05:09,385 If we went back, I would betray you again. 38 00:05:10,500 --> 00:05:11,797 Don't say that. 39 00:05:18,965 --> 00:05:24,345 I thought it was important to talk with you, but I don't think so anymore. 40 00:05:25,673 --> 00:05:28,508 We say that maybe we'll come back, 41 00:05:28,646 --> 00:05:31,646 but the more you talk, words start to matter less. 42 00:05:33,229 --> 00:05:36,732 And if I do well in the theater, It won't be thanks to you. 43 00:05:37,859 --> 00:05:39,694 Life is not just theater. 44 00:05:39,986 --> 00:05:41,696 You too! Why do you say that? 45 00:05:42,363 --> 00:05:44,490 If I want, What does it matter? 46 00:05:45,366 --> 00:05:47,451 Can anyone tell me find out someday. 47 00:05:58,171 --> 00:05:59,922 Yes, don't give up. 48 00:06:00,590 --> 00:06:02,590 I didn't give up on music. 49 00:06:03,089 --> 00:06:06,783 It's like your English, that didn't really interest you. 50 00:06:07,138 --> 00:06:11,564 I'm not giving up. That guy is going to take pictures of me. 51 00:06:12,861 --> 00:06:14,934 Maybe I'll make movies. 52 00:06:15,830 --> 00:06:17,248 I want to see this. 53 00:06:18,012 --> 00:06:19,713 You're mean, Paul. 54 00:06:28,575 --> 00:06:30,947 You're mean, Paul. 55 00:06:32,245 --> 00:06:34,873 It's always like this. 56 00:06:35,915 --> 00:06:37,515 You say you love me, 57 00:06:37,550 --> 00:06:40,100 but don't consider me like someone special. 58 00:06:41,920 --> 00:06:43,620 I almost don't love you anymore, 59 00:06:43,796 --> 00:06:46,365 but still you I consider someone special. 60 00:06:47,503 --> 00:06:49,263 Where does this speech will take you? 61 00:06:49,286 --> 00:06:51,736 I think everyone is the same, the opposite of you. 62 00:06:52,390 --> 00:06:54,890 Do you think I am Are you tired of looking for work? 63 00:06:55,685 --> 00:06:58,270 I don't know. I think it will be like the rest. 64 00:06:59,190 --> 00:07:02,251 And me, you leave me because I don't have money. 65 00:07:02,551 --> 00:07:04,693 Ultimately, perhaps. 66 00:07:06,450 --> 00:07:08,969 Do you have the photos that had you spoken on the phone? 67 00:07:10,713 --> 00:07:14,343 I forgot about them. They will be ready at the end of the week. 68 00:07:16,332 --> 00:07:18,918 Is he ok, is he eating well? 69 00:07:19,168 --> 00:07:21,918 He had an earache, but the doctor said it's normal. 70 00:07:22,797 --> 00:07:25,351 And you, What does Pathé-Marconi do? 71 00:07:25,466 --> 00:07:26,801 I sell records. 72 00:07:29,139 --> 00:07:30,889 Can you lend me 2000 francs? 73 00:07:32,073 --> 00:07:33,825 Absolutely not. 74 00:07:35,643 --> 00:07:38,589 Your parents must be I'm glad I left. 75 00:07:39,355 --> 00:07:40,815 They liked you. 76 00:07:41,095 --> 00:07:42,221 I doubt! 77 00:07:44,569 --> 00:07:46,320 What is that look? 78 00:07:52,520 --> 00:07:54,520 What is that look? 79 00:07:54,684 --> 00:07:55,727 Nothing. 80 00:07:56,998 --> 00:07:59,408 Let's not start arguing about it. 81 00:08:00,960 --> 00:08:02,715 Come play with me? 82 00:08:09,135 --> 00:08:10,845 Do you have a coin? I only have one. 83 00:08:11,286 --> 00:08:13,086 Yes, madam. 84 00:08:34,171 --> 00:08:35,421 Come on, you get started. 85 00:08:57,225 --> 00:09:00,303 Do you know those jobs that Do Dad's students write? 86 00:09:00,795 --> 00:09:02,075 What do they have? 87 00:09:02,396 --> 00:09:06,632 He read some formidable yesterday at dinner. 88 00:09:07,059 --> 00:09:11,075 They are just children. They had to describe your favorite animals. 89 00:09:12,080 --> 00:09:14,430 A small eight years chose the chicken. 90 00:09:15,889 --> 00:09:18,583 It went like this: "The chicken is an animal 91 00:09:18,651 --> 00:09:20,999 which is composed of a interior and an exterior. 92 00:09:21,079 --> 00:09:23,423 If we remove the exterior, the interior remains. 93 00:09:23,501 --> 00:09:26,522 And when we take out the inside, you see your soul... 94 00:09:37,824 --> 00:09:44,724 2 - THE RECORD STORE - TWO THOUSAND FRANCOS - NANA LIVES HER LIFE 95 00:09:54,490 --> 00:09:56,242 It's sold out. 96 00:10:02,120 --> 00:10:03,921 Judy Garland? 97 00:10:05,700 --> 00:10:07,700 We don't have it. 98 00:10:11,132 --> 00:10:15,219 Do you have a disc Roméo's guitar... 99 00:10:16,697 --> 00:10:18,908 What is it called? Raphael Romero. 100 00:10:19,356 --> 00:10:21,661 Raphael Romero? One moment. 101 00:10:25,938 --> 00:10:27,848 Raphael Romero on guitar. 102 00:10:28,149 --> 00:10:29,942 On the back shelves. 103 00:10:57,106 --> 00:10:59,161 -Is Rita still out? -Yes. 104 00:10:59,514 --> 00:11:01,349 I think she'll be back on Tuesday. 105 00:11:01,682 --> 00:11:03,476 She owes me 2000 francs. 106 00:11:08,356 --> 00:11:11,002 -Can you lend me 2000 francs? -I can't, I don't have to. 107 00:11:13,010 --> 00:11:15,346 -Why, is it something serious? -No, it's okay. 108 00:11:16,156 --> 00:11:18,156 -Here it is. -Thanks. 109 00:11:18,391 --> 00:11:20,217 I'll take that too. 110 00:11:39,688 --> 00:11:41,145 This way, sir. 111 00:12:00,700 --> 00:12:02,700 Ready, sir. Thanks. 112 00:12:23,097 --> 00:12:24,807 This looks cool. 113 00:12:25,141 --> 00:12:28,186 The story is silly, but it is very well written. 114 00:12:29,900 --> 00:12:32,300 "He took his eyes to the turquoise sky," 115 00:12:32,340 --> 00:12:34,940 constellated by stars, then he turned to me: 116 00:12:35,410 --> 00:12:37,860 "Everything about you brings an intense life," 117 00:12:37,900 --> 00:12:40,150 logically you must... I interrupted him. 118 00:12:40,615 --> 00:12:43,743 "You give too much importance to the power of logic." 119 00:12:43,870 --> 00:12:45,670 And then, for a few seconds, 120 00:12:45,700 --> 00:12:48,600 I was invaded by a bitter feeling of triumph. 121 00:12:48,915 --> 00:12:51,865 With a broken heart, without struggles, for having returned to life. 122 00:12:51,875 --> 00:12:54,060 No issues were addressed, 123 00:12:54,100 --> 00:12:56,800 and everything is forcing itself to mask this defect. 124 00:12:56,964 --> 00:13:00,259 Yes, a really elegant way to escape this impasse. 125 00:13:00,400 --> 00:13:02,400 JAZZ 126 00:13:09,930 --> 00:13:16,230 3 - THE DOORMAN - PAUL - THE PASSION BY JOAN OF ARC - A JOURNALIST 127 00:13:42,490 --> 00:13:44,250 -Please give me my key. -No. 128 00:13:46,138 --> 00:13:47,306 Oh, okay. 129 00:13:54,300 --> 00:13:55,800 Arthur! 130 00:13:58,317 --> 00:13:59,694 Come on, give me that key. 131 00:14:06,347 --> 00:14:07,547 Here, honey. 132 00:14:12,494 --> 00:14:13,444 Hi. 133 00:14:14,650 --> 00:14:16,074 Where are you going? 134 00:14:16,131 --> 00:14:17,549 I have the photos. 135 00:14:26,554 --> 00:14:29,932 He didn't take after me at all, he pulled you closer. 136 00:14:31,475 --> 00:14:33,477 -Are you going to dinner? -No. 137 00:14:35,563 --> 00:14:37,148 I must go. 138 00:14:37,732 --> 00:14:38,983 Come and have dinner. 139 00:14:39,150 --> 00:14:42,695 I'm not hungry. I want to see a movie. Goodbye. 140 00:15:19,815 --> 00:15:23,736 We came for you prepare to die! 141 00:15:36,999 --> 00:15:39,418 Is it already? Now? 142 00:15:49,637 --> 00:15:51,264 Which death? 143 00:15:56,227 --> 00:15:57,812 At the bonfire! 144 00:16:10,825 --> 00:16:15,830 Tell me how can you still believe that it is sent by God? 145 00:16:20,891 --> 00:16:23,743 God knows where He takes us, we don't understand 146 00:16:23,754 --> 00:16:26,688 the route, just the end of our path! 147 00:16:38,019 --> 00:16:40,021 Yes, I'm your child! 148 00:16:50,198 --> 00:16:52,074 And the big victory? 149 00:16:59,290 --> 00:17:01,375 It will be my martyrdom! 150 00:17:02,877 --> 00:17:04,170 And liberation? 151 00:17:14,013 --> 00:17:15,181 Death! 152 00:17:30,488 --> 00:17:31,864 Death. 153 00:17:41,499 --> 00:17:43,584 Now bye, I already said! 154 00:17:43,751 --> 00:17:45,545 I paid yours entry to the cinema. 155 00:17:45,753 --> 00:17:47,003 What a shame. 156 00:17:56,850 --> 00:17:58,850 Goodnight! How are you? Goodnight! How are you? 157 00:18:00,935 --> 00:18:02,436 Didn't we have a date? 158 00:18:02,728 --> 00:18:05,648 I wondered if you would come. 159 00:18:05,940 --> 00:18:07,775 Why am I late? 160 00:18:07,942 --> 00:18:11,445 A little, but not because That's what I asked myself. 161 00:18:12,113 --> 00:18:14,574 I am generally very punctual. 162 00:18:16,284 --> 00:18:18,077 Eleven at night is very late. 163 00:18:23,450 --> 00:18:25,700 I thought you I had forgotten too. 164 00:18:27,200 --> 00:18:28,600 And what will you want? 165 00:18:28,900 --> 00:18:30,800 -I wanted a croissant. -We don't have it. 166 00:18:31,340 --> 00:18:32,875 A coffee, then. 167 00:18:35,970 --> 00:18:38,264 The one who was with Were you a boyfriend? 168 00:18:39,056 --> 00:18:40,516 No, it was my brother. 169 00:18:41,976 --> 00:18:43,476 Do you have many brothers and sisters? 170 00:18:44,103 --> 00:18:46,147 Five brothers and three sisters. 171 00:18:47,648 --> 00:18:49,734 Surprised? It's a fact. 172 00:18:52,945 --> 00:18:54,906 What's new since Wednesday? 173 00:18:55,948 --> 00:18:57,383 Nothing else. 174 00:18:59,118 --> 00:19:01,096 That red car Is it yours outside? 175 00:19:01,120 --> 00:19:02,121 Yes. 176 00:19:02,580 --> 00:19:04,790 What is it? A Jaguar? 177 00:19:05,041 --> 00:19:09,253 No, an Alfa Romeo. Are you interested in cars? 178 00:19:09,629 --> 00:19:12,048 I don't know anything. 179 00:19:12,080 --> 00:19:14,555 THE UNUSUAL AMERICA WANTED BY A FRENCH 180 00:19:14,609 --> 00:19:17,737 And the photos, when will we do them? 181 00:19:18,260 --> 00:19:21,639 It's you who decides, I already said I'm interested. 182 00:19:22,558 --> 00:19:24,556 I'm only free on Sundays. 183 00:19:26,062 --> 00:19:28,356 I'm going to London on Sunday. 184 00:19:29,065 --> 00:19:30,566 So, I don't know. 185 00:19:33,611 --> 00:19:36,531 And now? Are you tired? 186 00:19:37,907 --> 00:19:41,257 If I say no, you won't think I'm too willing? 187 00:19:41,577 --> 00:19:43,246 No, not really. 188 00:19:45,581 --> 00:19:48,876 Do you think I Could you make movies? 189 00:19:49,043 --> 00:19:52,672 I think. See, I brought you a Book. 190 00:19:53,200 --> 00:19:55,700 JEAN-PAUL BELMONDO JEAN-CLAUDE BRIALY 191 00:19:55,800 --> 00:19:58,300 ANNA KARINA JEAN-LUC GODARD 192 00:19:58,400 --> 00:20:00,900 UNE FEMME 193 00:20:03,224 --> 00:20:05,326 I'd rather do something like that too. 194 00:20:07,812 --> 00:20:09,188 And what is that for? 195 00:20:09,595 --> 00:20:12,181 You send them to movie people. 196 00:20:13,609 --> 00:20:15,945 In two or three days Maybe they'll call you. 197 00:20:19,282 --> 00:20:21,284 And I'm a little shy about being naked. 198 00:20:22,034 --> 00:20:24,287 It's no big deal, you know. 199 00:20:26,914 --> 00:20:29,417 Can you lend 2000 francs? 200 00:20:29,750 --> 00:20:31,752 I would lend it, but I don't have it. 201 00:20:33,893 --> 00:20:35,270 I am sleepy. 202 00:20:40,845 --> 00:20:42,722 And my photos? 203 00:20:43,306 --> 00:20:44,906 Will you stay with me then? 204 00:20:46,350 --> 00:20:48,150 Yes. 205 00:21:01,282 --> 00:21:08,831 4 - THE POLICE - NANA'S INTERROGATORY 206 00:21:12,553 --> 00:21:15,067 Nana Klein... what? 207 00:21:16,317 --> 00:21:21,312 K-L-E-I-N... 208 00:21:22,448 --> 00:21:28,490 F-R-A-N-K-E-N... 209 00:21:28,662 --> 00:21:31,620 H-E-I-M. 210 00:21:33,314 --> 00:21:38,194 Born: April 15, 1940 in Flexburg, Moselle. 211 00:21:38,486 --> 00:21:40,863 Currently, no home. It is true? 212 00:21:41,616 --> 00:21:43,416 Yes, that's right. 213 00:21:43,510 --> 00:21:45,053 So what happened? 214 00:21:46,244 --> 00:21:49,247 Well, I was walking down the street and 215 00:21:50,081 --> 00:21:52,500 I saw a woman buying a newspaper. 216 00:21:53,334 --> 00:21:57,797 So, she took the money out of her purse. 217 00:21:59,841 --> 00:22:02,510 She didn't see that she left drop 1000 francs. 218 00:22:04,053 --> 00:22:09,350 And then... I had in mind buy a newspaper, too. 219 00:22:10,101 --> 00:22:12,812 And I put my foot about your 1000 francs. 220 00:22:15,648 --> 00:22:18,317 She left and... 221 00:22:24,782 --> 00:22:26,325 And did she notice? 222 00:22:38,379 --> 00:22:40,214 She turned towards me. 223 00:22:41,716 --> 00:22:44,302 And looked at mine eyes for a long time. 224 00:22:46,262 --> 00:22:50,224 And then I I returned the money. 225 00:22:59,150 --> 00:23:01,027 And then why did she made this accusation? 226 00:23:01,861 --> 00:23:05,072 I don't know. I think it was very mean of her. 227 00:23:14,457 --> 00:23:16,709 Don't you have anywhere to go in Paris? 228 00:23:18,419 --> 00:23:20,129 Friends, sometimes. 229 00:23:21,589 --> 00:23:22,798 Men? 230 00:23:26,302 --> 00:23:27,470 Sometimes. 231 00:23:31,933 --> 00:23:34,268 Why not order one advance at work? 232 00:23:35,811 --> 00:23:37,772 I already did it, very often. 233 00:23:41,067 --> 00:23:42,735 What are you going to do then? 234 00:23:43,819 --> 00:23:46,364 I don't know... I... 235 00:23:48,491 --> 00:23:49,617 "I"... is someone else. 236 00:23:56,000 --> 00:24:02,750 5 - THE OUTER BOULEVARS - THE FIRST MAN - THE FOURTH 237 00:24:14,300 --> 00:24:16,800 RENAULT 238 00:24:53,600 --> 00:24:56,100 SPARTACUS STANLEY KUBRICK 239 00:24:56,200 --> 00:24:59,200 MAILLOT PALACE - DAILY FROM 2PM TO 12AM 240 00:24:59,300 --> 00:25:01,600 PARKING IN FRONT OF THE CINEMA 241 00:25:03,700 --> 00:25:05,900 EXIT OF LARGE TRUCKS 242 00:25:09,000 --> 00:25:10,525 Let's go? 243 00:25:13,900 --> 00:25:15,900 Yes. 244 00:25:22,500 --> 00:25:24,050 Is it here? 245 00:25:25,060 --> 00:25:26,960 -Have you been here before? -Yes. 246 00:25:45,980 --> 00:25:47,280 Is there anyone there? 247 00:25:47,735 --> 00:25:49,770 Room 27 or 28? 248 00:25:52,000 --> 00:25:53,800 27. 249 00:27:08,024 --> 00:27:09,424 -Do you smoke? -No thanks. 250 00:27:15,990 --> 00:27:17,300 There's never an ashtray. 251 00:27:19,930 --> 00:27:21,716 Here's one. 252 00:27:33,880 --> 00:27:35,180 How much do you want? 253 00:27:37,380 --> 00:27:39,635 I don't know, it's up to you to decide. 254 00:27:43,010 --> 00:27:44,390 I don't know. 255 00:27:46,354 --> 00:27:47,654 4,000 francs? 256 00:28:06,000 --> 00:28:07,350 You owe me 1000 francs. 257 00:28:07,959 --> 00:28:09,210 I don't have change. 258 00:28:10,835 --> 00:28:12,505 Alright, stay. 259 00:28:13,609 --> 00:28:16,567 And truth. I'm not trying to get more. 260 00:28:17,425 --> 00:28:20,263 -But take off all your clothes. -Yes. 261 00:28:28,800 --> 00:28:30,100 Why not in the mouth? 262 00:28:41,279 --> 00:28:43,699 6 - MEETING WITH YVETTE - A SUBURBAN CAFE 263 00:28:43,753 --> 00:28:47,713 RAOUL - SHOTS OF MACHINE GUN ON THE STREET 264 00:29:02,879 --> 00:29:04,353 Nana! 265 00:29:04,490 --> 00:29:05,950 Yvette, how are you? 266 00:29:06,601 --> 00:29:08,769 I almost didn't recognize you. 267 00:29:09,645 --> 00:29:11,147 -How are you? -And you? 268 00:29:11,314 --> 00:29:12,815 I am going. 269 00:29:12,982 --> 00:29:14,734 -Me too. -Good for you. 270 00:29:14,942 --> 00:29:17,236 -Why 'good'? -I thought... 271 00:29:18,321 --> 00:29:20,823 What are you doing here? Dance? 272 00:29:22,600 --> 00:29:24,260 Shall we have something? 273 00:29:26,560 --> 00:29:28,180 How is Raymond? 274 00:29:29,874 --> 00:29:31,584 I'll tell you! 275 00:29:31,700 --> 00:29:33,200 What happened? 276 00:29:34,400 --> 00:29:35,850 Life is cruel. 277 00:29:36,464 --> 00:29:40,927 I would like to leave, escape to the tropics. 278 00:29:41,761 --> 00:29:43,874 -Running away is a dream. -Why? 279 00:29:44,472 --> 00:29:45,556 This is life. 280 00:29:55,961 --> 00:29:58,452 -Shall we sit there? -Yes. 281 00:30:07,537 --> 00:30:09,247 I'll be right back. 282 00:30:27,807 --> 00:30:28,975 Now, tell me. 283 00:30:30,017 --> 00:30:31,644 One night, Raymond 284 00:30:33,938 --> 00:30:37,608 came home with train tickets to Brest. 285 00:30:38,484 --> 00:30:41,984 He said he had a job and we had to move, with the children, 286 00:30:42,155 --> 00:30:44,824 and we went to a hotel, close to the port. 287 00:30:48,077 --> 00:30:50,288 I hadn't seen him all day. 288 00:30:51,372 --> 00:30:52,832 He said he was working. 289 00:30:53,499 --> 00:30:56,502 And I took the children, bought ice cream. 290 00:30:58,171 --> 00:31:00,339 I was a little restless, 291 00:31:00,548 --> 00:31:04,177 because I didn't know how he earned the money. 292 00:31:04,927 --> 00:31:09,015 One night, after three weeks 293 00:31:10,308 --> 00:31:12,185 he never came back. 294 00:31:13,100 --> 00:31:15,480 I had to turn around 295 00:31:16,980 --> 00:31:20,980 my mother-in-law didn't want take care of children. 296 00:31:22,570 --> 00:31:27,370 Little by little, I began to prostitute. It was the most comfortable. 297 00:31:30,450 --> 00:31:36,540 Then, two years later, a night at the cinema 298 00:31:37,251 --> 00:31:41,380 I saw him acting in a American film. 299 00:31:43,090 --> 00:31:44,675 And now? 300 00:31:44,884 --> 00:31:46,552 Everything is fine. 301 00:31:46,571 --> 00:31:48,232 What would you like? 302 00:31:48,353 --> 00:31:50,640 -White wine. -Rosé. 303 00:31:53,499 --> 00:31:54,899 It doesn't look like much fun. 304 00:31:54,936 --> 00:31:57,897 No, it's sad, but I'm not responsible. 305 00:32:02,360 --> 00:32:05,164 I think we are always responsible for what we do. 306 00:32:05,221 --> 00:32:06,382 We are free. 307 00:32:07,198 --> 00:32:09,575 I climb with my hand, I'm responsible. 308 00:32:11,118 --> 00:32:14,288 I turn my head to the right, I'm responsible. 309 00:32:16,290 --> 00:32:19,502 I'm sad, I'm responsible. 310 00:32:21,462 --> 00:32:24,090 I smoke, I'm responsible. 311 00:32:25,800 --> 00:32:28,886 I close my eyes, I'm responsible. 312 00:32:32,139 --> 00:32:34,809 I forget that I'm responsible, but I am. 313 00:32:36,769 --> 00:32:39,522 No, what I said, Wanting to run away is a joke. 314 00:32:40,398 --> 00:32:42,191 Everything is beautiful. 315 00:32:43,734 --> 00:32:46,445 You are interested in something, and she becomes beautiful. 316 00:32:50,116 --> 00:32:54,287 After all, things are what they are, nothing more. 317 00:32:55,371 --> 00:32:57,582 A face is a face. 318 00:32:59,000 --> 00:33:00,626 Dishes are dishes. 319 00:33:01,043 --> 00:33:02,461 Men are men. 320 00:33:03,629 --> 00:33:06,591 And life, is life. 321 00:33:13,181 --> 00:33:18,477 The one I greeted wants meet her. Do you mind? 322 00:33:19,020 --> 00:33:20,188 I don't mind. 323 00:33:38,532 --> 00:33:43,898 My girl, she's not a star She doesn't wear glasses 324 00:33:43,991 --> 00:33:45,024 Sun 325 00:33:45,630 --> 00:33:50,609 She doesn't pose for magazines She works in a factory 326 00:33:50,729 --> 00:33:52,028 In Créteil 327 00:33:52,788 --> 00:33:57,768 In a crowded suburb We live in a little room 328 00:33:57,876 --> 00:33:59,435 Her and me 329 00:34:00,060 --> 00:34:05,167 The window only has one glass And it leads to a warehouse 330 00:34:05,414 --> 00:34:06,874 And the rooftops 331 00:34:07,652 --> 00:34:11,977 We are not going to Saint-Paul-de-Vence We spent every vacation 332 00:34:12,321 --> 00:34:14,027 In Saint-Ouen 333 00:34:14,512 --> 00:34:19,759 As a family we only have one godmother Somewhere in Lorraine 334 00:34:19,972 --> 00:34:21,452 And it's far 335 00:34:21,916 --> 00:34:27,113 But my girl is 25 I don't think even the Virgin Mary 336 00:34:27,236 --> 00:34:28,999 From the churches 337 00:34:29,215 --> 00:34:33,890 There is no more love in your eyes And I don't smile better 338 00:34:34,205 --> 00:34:36,010 It doesn't matter what she says 339 00:34:36,514 --> 00:34:41,958 In summer, when the city falls asleep There's sun at home 340 00:34:42,169 --> 00:34:43,544 That lasts 341 00:34:44,015 --> 00:34:48,981 I rest my head in your lap I slowly take her hand 342 00:34:49,235 --> 00:34:50,384 And safe 343 00:34:51,078 --> 00:34:56,537 We tell each other everything It's beautiful like Verlaine 344 00:34:56,641 --> 00:34:57,926 It seems so 345 00:34:58,452 --> 00:35:03,495 We look at the sunset And then we make love 346 00:35:03,631 --> 00:35:04,918 In secret 347 00:35:13,176 --> 00:35:15,337 Is she a lady or a slut? 348 00:35:18,040 --> 00:35:20,790 Insult her. If she is a slut she will get angry. 349 00:35:20,854 --> 00:35:23,048 If she smiles, she's a lady. 350 00:35:23,262 --> 00:35:24,212 Raoul. 351 00:35:31,296 --> 00:35:32,957 A hot chocolate. 352 00:35:37,158 --> 00:35:38,242 Let's find out. 353 00:35:47,466 --> 00:35:49,218 Are you a friend of Yvette? 354 00:35:50,125 --> 00:35:51,772 Yes, I am. 355 00:35:51,797 --> 00:35:54,258 I already know you, you know. 356 00:35:54,800 --> 00:35:57,420 -It's not true. -I saw her three months ago. 357 00:35:57,699 --> 00:35:58,668 It's not true. 358 00:35:58,679 --> 00:36:02,642 A guy was showing him photos on Boulevard Saint-Germain. 359 00:36:03,184 --> 00:36:04,435 And truth. 360 00:36:05,478 --> 00:36:08,856 Why did you deny it? You talk the talk. 361 00:36:10,441 --> 00:36:14,487 You are ridiculous. Why are you looking at me like that? 362 00:36:15,988 --> 00:36:19,450 You look like an idiot. Stupid and disheveled. 363 00:36:25,790 --> 00:36:27,625 Wait, I have something to tell you. 364 00:36:36,600 --> 00:36:39,600 FRIDAY: LILIANE, YVETTE, GERMAINE, MONIQUE. 365 00:37:10,228 --> 00:37:11,218 Are you well? 366 00:37:11,335 --> 00:37:12,378 My eyes! 367 00:37:20,600 --> 00:37:28,275 7 - THE LETTER - RAOUL AGAIN - THE ELYSIAN FIELDS 368 00:38:11,866 --> 00:38:18,496 Dear Madame, a friend who worked com you gave me your address. 369 00:38:51,127 --> 00:38:58,627 I would like to work with you. 370 00:39:16,541 --> 00:39:19,582 I'm 22 years old. 371 00:39:38,011 --> 00:39:40,970 I think I'm beautiful. 372 00:39:47,097 --> 00:39:50,294 My height is... 373 00:40:09,579 --> 00:40:12,937 1 meter and 69. 374 00:40:24,458 --> 00:40:28,831 My hair is short, 375 00:40:51,305 --> 00:40:58,437 but they grow very quickly. 376 00:41:18,472 --> 00:41:22,255 I'll send you a photo and... 377 00:41:24,570 --> 00:41:26,072 So is it you? 378 00:41:28,576 --> 00:41:30,077 The classic card. 379 00:41:32,623 --> 00:41:33,875 Yes, it's me. 380 00:41:36,639 --> 00:41:38,474 How did you know that I was here? 381 00:41:38,750 --> 00:41:40,229 I followed you. 382 00:41:41,006 --> 00:41:44,795 I was in my car and I saw you come in here. 383 00:41:46,010 --> 00:41:48,213 You are bold. 384 00:41:48,560 --> 00:41:51,104 No, you are very, very beautiful. 385 00:42:00,506 --> 00:42:02,785 The other day you disappeared quickly. 386 00:42:03,336 --> 00:42:04,420 When was that? 387 00:42:04,987 --> 00:42:09,367 When they shot the bandit. You just disappeared. 388 00:42:10,614 --> 00:42:16,287 I don't think they were bandits, it was something political. 389 00:42:18,279 --> 00:42:20,281 I don't know... 390 00:42:21,281 --> 00:42:24,451 In any case, I didn't want say you weren't brave. 391 00:42:25,845 --> 00:42:27,680 I was just making small talk. 392 00:42:40,601 --> 00:42:42,356 What do you think of me? 393 00:42:42,950 --> 00:42:44,190 I? 394 00:42:44,208 --> 00:42:45,698 Yes, you. 395 00:42:47,910 --> 00:42:50,037 I think you have enormous kindness. 396 00:42:50,686 --> 00:42:52,848 What? A lot of what? 397 00:42:53,277 --> 00:42:57,278 You have a lot of kindness in your eyes. 398 00:42:58,541 --> 00:43:03,532 Ah well, I didn't understand, It's a funny thing to say. 399 00:43:04,204 --> 00:43:05,497 Why? 400 00:43:13,385 --> 00:43:15,947 When I asked the what you thought of me, 401 00:43:16,004 --> 00:43:18,504 I didn't want to know Catholic sense. 402 00:43:18,738 --> 00:43:22,213 I meant: You put me in category of a special woman? 403 00:43:31,192 --> 00:43:32,819 Do you like being special? 404 00:43:35,721 --> 00:43:36,931 Why? 405 00:43:38,171 --> 00:43:39,505 No reason. 406 00:43:40,646 --> 00:43:42,899 For me, there are three types of girls. 407 00:43:47,162 --> 00:43:50,420 Some have an expression, another two, and another three. 408 00:43:58,131 --> 00:44:00,692 -Yvette who gave you that address? -Yes. 409 00:44:07,463 --> 00:44:09,516 -Are you sure? -Yes. 410 00:44:09,661 --> 00:44:10,862 Why? 411 00:44:12,642 --> 00:44:14,560 I want to earn more money. 412 00:44:16,151 --> 00:44:18,779 I can help you earn even more here. 413 00:44:19,058 --> 00:44:21,153 Serious? I would like. 414 00:44:34,868 --> 00:44:37,845 Why didn't you ever try make films? You are beautiful. 415 00:44:38,498 --> 00:44:42,877 I tried. Two years ago, I wanted to try theater. 416 00:44:44,547 --> 00:44:47,258 I served in the Pacific, at the Châtelet theater. 417 00:44:48,322 --> 00:44:51,040 I've been in a movie with Eddie Constantine. 418 00:44:52,639 --> 00:44:55,680 And now I tell you my life. It's regrettable! 419 00:44:58,418 --> 00:45:01,254 No, but I'm a friend. 420 00:45:03,653 --> 00:45:06,948 -He used to smile. -No, I don't want to. 421 00:45:47,366 --> 00:45:49,330 -Can I accompany you? -Yes. 422 00:45:59,079 --> 00:46:00,580 When do I start? 423 00:46:01,320 --> 00:46:03,360 "When the lights city lights up, 424 00:46:03,375 --> 00:46:05,825 start the round without hope of the girls on the street". 425 00:46:13,096 --> 00:46:19,720 8 - THE AFTERNOONS - THE MONEY - THE LAVABS - PLEASURE - HOTELS 426 00:46:22,087 --> 00:46:23,922 What needs to be done, exactly? 427 00:46:24,284 --> 00:46:26,345 The commercial prostitute your fashion charm 428 00:46:26,356 --> 00:46:28,159 to win the biggest possible money. 429 00:46:28,176 --> 00:46:29,892 To make a good clientele and 430 00:46:29,956 --> 00:46:32,506 establish better conditions of use. 431 00:46:35,094 --> 00:46:37,346 Is it important to be beautiful? 432 00:46:37,490 --> 00:46:39,862 No, although the beauty be an important factor 433 00:46:40,044 --> 00:46:42,020 in the career of a prostitute. 434 00:46:42,449 --> 00:46:45,349 It is your physique that classifies the hierarchy of prostitution, 435 00:46:45,440 --> 00:46:47,770 and above all the pimp's attention, 436 00:46:47,910 --> 00:46:51,705 since physical dazzlement can be an immense source of profit. 437 00:46:53,018 --> 00:46:54,979 Is it necessary to register? 438 00:46:55,642 --> 00:46:58,436 Before the Law of 13 April 1946 439 00:46:58,671 --> 00:47:02,157 prostitutes were subjected medical and police surveillance. 440 00:47:02,224 --> 00:47:06,164 Under the new law, only surveillance medical care is now necessary. 441 00:47:06,732 --> 00:47:12,070 The 1946 Law and decree 2,253 November 5, 1947 442 00:47:12,463 --> 00:47:16,855 organized the National Register Sanitary for all women 443 00:47:16,962 --> 00:47:20,648 for which there are conclusive evidence 444 00:47:20,913 --> 00:47:23,613 to dedicate yourself to a life of prostitution. 445 00:47:24,553 --> 00:47:26,503 But what should I do? 446 00:47:27,046 --> 00:47:30,690 Every place where women operate, the procedure is the same. 447 00:47:31,010 --> 00:47:33,623 For your clothing, makeup and the way you walk 448 00:47:33,634 --> 00:47:36,766 the prostitute clearly shows the reason for his presence on the street. 449 00:47:36,777 --> 00:47:38,770 Sometimes defying the law 450 00:47:38,808 --> 00:47:42,677 she heads directly to the customer. 451 00:47:44,026 --> 00:47:45,776 How much do I charge? 452 00:47:46,512 --> 00:47:50,823 From 300 to 15,000 francs 453 00:47:50,908 --> 00:47:55,422 for a meeting that may vary from a few minutes to an hour. 454 00:47:55,706 --> 00:47:59,519 The rate for an entire night it ranges from 5,000 to 50,000 francs. 455 00:48:00,695 --> 00:48:02,280 Can I go anywhere? 456 00:48:03,245 --> 00:48:06,792 They tried to put controls, in Paris, especially. 457 00:48:07,033 --> 00:48:10,328 A police regulation August 25, 1958 458 00:48:10,361 --> 00:48:15,300 prohibits wandering with attempt to prostitute 459 00:48:15,390 --> 00:48:17,798 at certain hours, in the Bois de Boulogne, 460 00:48:17,861 --> 00:48:20,746 and near the Elysian Fields. 461 00:48:21,513 --> 00:48:23,348 Do I get a percentage? 462 00:48:23,852 --> 00:48:27,898 A daily rate is fixed in advance. 463 00:48:28,327 --> 00:48:30,197 In the vicinity of the Elysian Fields 464 00:48:30,241 --> 00:48:32,641 the fee is 20,000 to 30,000 francs a day, 465 00:48:32,717 --> 00:48:34,817 which is paid weekly. 466 00:48:36,103 --> 00:48:37,855 Do I have a room to myself? 467 00:48:38,521 --> 00:48:42,566 Hotels usually change towels, but not the sheets. 468 00:48:42,724 --> 00:48:46,705 In some hotels, the bed only has the bottom cover. 469 00:48:47,987 --> 00:48:49,113 And the police? 470 00:48:49,490 --> 00:48:52,455 The police raid and interrogations. 471 00:48:52,768 --> 00:48:56,400 The prostitute who violates the regulation can be detained in hospitals 472 00:48:56,478 --> 00:49:00,757 for as long as necessary, where it will be fully examined. 473 00:49:03,640 --> 00:49:05,560 Can I have something in a cafe? 474 00:49:05,970 --> 00:49:09,060 A prostitute who drinks a lot earns very little. 475 00:49:09,182 --> 00:49:11,812 She is considered undesirable for making scandals. 476 00:49:15,129 --> 00:49:16,629 What if I get pregnant? 477 00:49:17,160 --> 00:49:20,955 People think that prostitutes always have abortions. 478 00:49:21,378 --> 00:49:22,578 This is not accurate. 479 00:49:22,820 --> 00:49:25,230 They try to avoid pregnancy, 480 00:49:25,493 --> 00:49:28,893 for drugs or any another possible way. 481 00:49:29,320 --> 00:49:33,173 But when the pregnancy is confirmed, miscarriages are rare. 482 00:49:35,210 --> 00:49:36,630 Should I accept anyone? 483 00:49:36,979 --> 00:49:41,768 The prostitute must always be available to the customer. 484 00:49:42,250 --> 00:49:44,670 She must accept anyone who pays. 485 00:49:45,719 --> 00:49:48,662 That one over there... That one over there... 486 00:49:50,005 --> 00:49:52,948 That one over there... That one over there... 487 00:49:54,933 --> 00:49:56,968 Are there customers every day? 488 00:49:57,102 --> 00:50:00,252 The average journey of prostitutes of lower categories is 489 00:50:00,316 --> 00:50:02,401 five to eight customers per day. 490 00:50:02,819 --> 00:50:05,603 They earn from 4 to 8 thousand francs a day, 491 00:50:05,844 --> 00:50:09,360 but some win extraordinary sums. 492 00:50:09,468 --> 00:50:13,138 A figure of 60 customers on a holiday is not abnormal. 493 00:50:14,910 --> 00:50:21,710 9 - A YOUNG MAN - LUIGI - NANA ASK IF SHE IS HAPPY 494 00:50:21,995 --> 00:50:23,745 What about days off? 495 00:50:23,756 --> 00:50:26,676 Usually after medical examination, 496 00:50:27,206 --> 00:50:30,834 your man enjoys to take her for a walk. 497 00:50:31,344 --> 00:50:34,472 Many times to see your son in the field. 498 00:50:34,634 --> 00:50:37,095 After, go to a restaurant or the cinema. 499 00:50:41,847 --> 00:50:43,713 -Is Luigi here? -He's upstairs. 500 00:50:46,925 --> 00:50:48,575 I will be back in five minutes. 501 00:50:48,664 --> 00:50:50,514 The film has already started, anyway. 502 00:50:53,243 --> 00:50:55,243 A white wine. 503 00:51:07,898 --> 00:51:09,605 Do you have any Gauloise? 504 00:51:28,321 --> 00:51:29,655 Do you have cigarettes? 505 00:51:29,704 --> 00:51:32,206 -Yes, what kind? -I just wanted to know. 506 00:52:22,243 --> 00:52:24,746 -Do you have cigarettes? -They have it downstairs. 507 00:52:34,000 --> 00:52:36,510 -How are you? -More or less. 508 00:52:36,811 --> 00:52:38,347 What's wrong with her? 509 00:52:38,385 --> 00:52:40,305 We went to the cinema. 510 00:52:41,100 --> 00:52:42,300 I will make you happy. 511 00:52:52,650 --> 00:52:55,110 I will make the child that inflates the balloon. 512 00:53:05,015 --> 00:53:08,508 She has a balloon and blows it up. 513 00:53:52,840 --> 00:53:54,760 You are the one who should be my man. 514 00:53:55,530 --> 00:53:57,949 Happy now? Will you let us talk? 515 00:57:32,300 --> 00:57:39,300 10 - THE SIDEWALKS - A GUY - HAPPINESS IS NOT JOYFUL 516 00:58:21,898 --> 00:58:24,412 Did you see that the inspector Did Fleytoux buy a BMW? 517 00:58:57,685 --> 00:58:59,635 They could have placed chairs. 518 00:58:59,926 --> 00:59:01,346 It's always like this. 519 00:59:09,528 --> 00:59:12,752 -As? -3,000... 5,000 if I undress. 520 00:59:15,583 --> 00:59:18,586 -Just one more. -I need to keep some. 521 00:59:20,624 --> 00:59:21,736 One of those, then? 522 00:59:21,802 --> 00:59:24,204 -It's all I have. -I'll be very good. 523 00:59:28,720 --> 00:59:30,263 Do you come here a lot? 524 00:59:30,674 --> 00:59:31,624 No. 525 00:59:32,903 --> 00:59:36,303 -Haven't we seen each other before? -Perhaps. 526 00:59:40,106 --> 00:59:41,766 What is your name? 527 00:59:42,125 --> 00:59:43,407 Dimitri. 528 00:59:43,584 --> 00:59:45,847 Dimitri... It's beautiful. 529 00:59:49,141 --> 00:59:50,931 Yes, I like it a lot. 530 00:59:52,195 --> 00:59:53,695 What do you do? 531 00:59:54,198 --> 00:59:56,351 Photos for advertising. 532 00:59:57,368 --> 01:00:01,038 -Are they like the ones in the movies? -No, they are photos. 533 01:00:02,221 --> 01:00:05,015 I was in a movie with Eddie Constantine. 534 01:00:05,251 --> 01:00:08,212 -No Pity. Did you see? -No. 535 01:00:12,704 --> 01:00:16,041 You don't speak. Are you sentimental? 536 01:00:17,343 --> 01:00:18,483 Yes. 537 01:00:22,435 --> 01:00:24,950 If you give me more, you can stay. 538 01:00:30,776 --> 01:00:34,947 Do you want a second girl? I will see. 539 01:00:43,974 --> 01:00:45,590 Let it go. 540 01:00:54,675 --> 01:00:56,511 -Are you leaving? -Yes. 541 01:00:58,496 --> 01:00:59,926 Can you stay 5 minutes? 542 01:00:59,976 --> 01:01:02,224 Ask Monique, She's at 41. 543 01:01:15,096 --> 01:01:16,848 -What's the matter? -Nothing. 544 01:01:20,846 --> 01:01:22,390 They never work. 545 01:01:24,480 --> 01:01:26,373 -See you on Tuesday. -Accordingly. 546 01:01:42,058 --> 01:01:43,906 -What are you doing? -I'm going down. 547 01:01:43,917 --> 01:01:45,742 Could you come with me for a moment? 548 01:01:45,788 --> 01:01:46,821 As? 549 01:01:47,111 --> 01:01:49,133 I don't know. Ask him. 550 01:01:49,882 --> 01:01:51,222 He is well. 551 01:01:51,357 --> 01:01:53,463 -Room 45. -Okay. 552 01:02:14,928 --> 01:02:16,471 Get it right with her. 553 01:02:23,657 --> 01:02:26,149 -All good? -Yes. 554 01:02:32,191 --> 01:02:33,312 What is your name? 555 01:02:33,322 --> 01:02:35,676 Elizabeth, like the Queen of England. 556 01:02:38,638 --> 01:02:42,851 -Should I undress too? -No, it's not worth it. 557 01:02:42,971 --> 01:02:45,022 So I don't do anything? 558 01:02:45,693 --> 01:02:48,162 -I don't know. -Good... 559 01:02:56,558 --> 01:02:57,858 So. 560 01:03:12,321 --> 01:03:19,201 11 - PLACE DE CHÂTELET - THE UNKNOWN - NANA DOES PHILOSOPHY WITHOUT KNOWING 561 01:04:30,919 --> 01:04:33,107 -Does it bother me if I look. -No. 562 01:04:36,788 --> 01:04:39,833 -You look bored. -I'm not. 563 01:04:42,506 --> 01:04:44,906 -What are you doing? -I'm reading. 564 01:04:54,815 --> 01:04:58,635 -Will you buy me a drink? -If you want. 565 01:05:06,140 --> 01:05:10,770 -Do you come here a lot? -No, sometimes. Today, luckily. 566 01:05:13,119 --> 01:05:16,330 -Why do you read? -It's my job. 567 01:05:23,142 --> 01:05:24,435 It's funny. 568 01:05:24,523 --> 01:05:27,523 Suddenly I don't I know what to say. 569 01:05:27,953 --> 01:05:29,453 This happens to me a lot. 570 01:05:30,490 --> 01:05:32,490 I know what I mean. 571 01:05:32,623 --> 01:05:36,180 I reflect on the what I mean. 572 01:05:37,355 --> 01:05:42,026 But when it comes to saying, I can't. 573 01:05:42,320 --> 01:05:44,030 Yes of course. 574 01:05:45,483 --> 01:05:47,785 Have you read 'The Three Musketeers?' 575 01:05:47,880 --> 01:05:50,306 No. I saw the movie. Why? 576 01:05:52,923 --> 01:05:57,223 Because in him, Porthos. 577 01:05:58,271 --> 01:06:01,691 This actually happens in 'Twenty Years Later'. 578 01:06:01,821 --> 01:06:05,158 Porthos the great, the strong, a little beast. 579 01:06:06,612 --> 01:06:09,407 He never thought in his life, understand? 580 01:06:10,610 --> 01:06:13,389 So once he has to plant a bomb 581 01:06:13,506 --> 01:06:15,675 in a cellar, to blow it up. 582 01:06:16,120 --> 01:06:17,420 He does. 583 01:06:18,000 --> 01:06:21,960 He puts the bomb, lights it, and runs away, naturally. 584 01:06:23,228 --> 01:06:25,563 But by blow, he starts to think. 585 01:06:27,313 --> 01:06:30,422 About what? He wonders how 586 01:06:30,659 --> 01:06:33,459 he can put one foot after the other. 587 01:06:33,565 --> 01:06:35,827 You must have already thought about that, too. 588 01:06:38,006 --> 01:06:40,006 And then he stops running. 589 01:06:40,100 --> 01:06:42,445 He can't anymore, cannot advance. 590 01:06:45,794 --> 01:06:48,741 Everything explodes, the cellar falls on him. 591 01:06:49,155 --> 01:06:51,910 He holds her with his shoulders, he is strong. 592 01:06:52,575 --> 01:06:56,955 But after a day, or two, he gives in and dies. 593 01:06:58,120 --> 01:07:00,437 The first time he thinks, he dies. 594 01:07:00,625 --> 01:07:02,920 Why do you tell me this story? 595 01:07:04,460 --> 01:07:07,085 No reason, just saying. 596 01:07:07,398 --> 01:07:09,818 And why do we Do you always need to talk? 597 01:07:10,719 --> 01:07:14,179 Many times we should remain silent, live in silence. 598 01:07:16,138 --> 01:07:18,888 The more you talk, the less the words mean. 599 01:07:19,460 --> 01:07:21,745 Maybe, but how would that be possible? 600 01:07:24,304 --> 01:07:25,508 I don't know. 601 01:07:25,580 --> 01:07:28,781 I don't think so We can live without talking. 602 01:07:34,052 --> 01:07:36,682 So that's it, I would like to live without talking. 603 01:07:37,375 --> 01:07:40,755 Yes, that would be nice, wouldn't it? 604 01:07:41,676 --> 01:07:43,926 It's like we don't love anymore. 605 01:07:44,701 --> 01:07:47,120 But it's not possible, it will never be. 606 01:07:47,365 --> 01:07:50,012 But why? Words should express 607 01:07:50,100 --> 01:07:52,000 exactly what we mean. 608 01:07:53,647 --> 01:07:55,147 Do they betray us? 609 01:07:56,980 --> 01:07:59,015 But we betrayed them too. 610 01:07:59,159 --> 01:08:01,741 We should be able say what we want 611 01:08:01,752 --> 01:08:03,662 as has already been done with good writing. 612 01:08:03,896 --> 01:08:07,545 It's extraordinary that someone How can Plato still 613 01:08:08,069 --> 01:08:11,569 be understood. People really understand him. 614 01:08:12,129 --> 01:08:16,174 However, he wrote in Greek 2,500 years ago. 615 01:08:16,219 --> 01:08:19,369 Nobody really knows the language of that time, 616 01:08:19,580 --> 01:08:20,880 not exactly. 617 01:08:21,778 --> 01:08:23,778 However, something happens, 618 01:08:23,801 --> 01:08:26,181 then we must be able to express ourselves. 619 01:08:27,701 --> 01:08:29,161 And we need it. 620 01:08:29,458 --> 01:08:33,779 And why should we express ourselves? To understand yourself? 621 01:08:38,680 --> 01:08:43,600 We need to think, and to think, you have to speak. 622 01:08:43,815 --> 01:08:45,360 There is no other way to think. 623 01:08:46,219 --> 01:08:49,144 And to communicate, you must speak. It's life. 624 01:08:49,898 --> 01:08:52,156 Yes, but at the same time it is very difficult. 625 01:08:56,390 --> 01:08:59,265 I think the life should be easy. 626 01:09:03,355 --> 01:09:05,860 You know, your story about the Three Musketeers 627 01:09:05,905 --> 01:09:07,344 can be very good, 628 01:09:08,150 --> 01:09:09,775 but it's terrible. 629 01:09:09,876 --> 01:09:12,437 Yes, it's terrible, but it is an indication. 630 01:09:14,200 --> 01:09:15,450 I believe 631 01:09:16,810 --> 01:09:19,510 that we learned to speak well when 632 01:09:19,553 --> 01:09:21,853 we renounce life for some time. 633 01:09:22,576 --> 01:09:25,496 -It's almost... The price. -So, talking is deadly? 634 01:09:25,559 --> 01:09:29,225 Talking is almost a resurrection in relation to life. 635 01:09:29,394 --> 01:09:32,856 When we talk it's another life when we don't talk. 636 01:09:34,650 --> 01:09:37,653 So to live talking 637 01:09:38,457 --> 01:09:42,294 must go through death of life without speaking. 638 01:09:42,408 --> 01:09:44,368 Maybe I'm not being clear, but... 639 01:09:46,740 --> 01:09:51,024 there is a certain ascetic rule that prevents you from speaking well 640 01:09:52,009 --> 01:09:54,668 until we look at life with detachment. 641 01:09:57,480 --> 01:10:02,273 But you can't live life with... I don't know 642 01:10:04,283 --> 01:10:05,785 with detachment. 643 01:10:06,145 --> 01:10:08,945 Yes, but we rock, That's why we should 644 01:10:09,020 --> 01:10:11,241 move from silence to words. 645 01:10:11,322 --> 01:10:16,327 We swing between the two because it is the movement of life. 646 01:10:16,630 --> 01:10:20,443 From everyday life we rise to a life... 647 01:10:20,783 --> 01:10:23,204 Let's call him superior, why not? 648 01:10:23,266 --> 01:10:25,316 It is the life of thought. 649 01:10:25,638 --> 01:10:30,384 But this life presupposes the death of everyday life, 650 01:10:30,433 --> 01:10:31,983 life is too elementary. 651 01:10:34,748 --> 01:10:38,128 But, So thinking and speaking are similar? 652 01:10:38,905 --> 01:10:40,402 I believe. 653 01:10:40,760 --> 01:10:44,180 It's in Plato, you know. It's an old idea. 654 01:10:44,455 --> 01:10:48,155 We can't distinguish of thought what 655 01:10:48,240 --> 01:10:51,240 is the thought and the words that express it. 656 01:10:51,342 --> 01:10:54,642 Analyzing consciousness, you can't separate 657 01:10:54,690 --> 01:10:57,224 the moment to think and that of words. 658 01:10:57,378 --> 01:10:59,672 Then speaking, Do we risk lying? 659 01:10:59,976 --> 01:11:03,276 Yes, because lies are also part of our search. 660 01:11:03,352 --> 01:11:06,302 There is little difference between error and lie. 661 01:11:06,511 --> 01:11:09,972 I don't want to say common lies. 662 01:11:10,223 --> 01:11:15,313 Just like, I promise to go tomorrow, But I'm not going because I don't want to. 663 01:11:15,585 --> 01:11:17,715 You see, these are tricks. 664 01:11:18,130 --> 01:11:23,675 But a subtle lie is little short of a mistake. 665 01:11:24,765 --> 01:11:28,560 We look for it and can't find it find the right words. 666 01:11:28,638 --> 01:11:31,238 That's why you couldn't 667 01:11:31,313 --> 01:11:32,713 know what I was going to say. 668 01:11:33,230 --> 01:11:36,048 You were afraid of not find the right word. 669 01:11:36,203 --> 01:11:37,703 And I think that's it. 670 01:11:40,049 --> 01:11:42,999 Yes, but how can you be sure Have you found the right word? 671 01:11:46,088 --> 01:11:47,338 You must work. 672 01:11:47,421 --> 01:11:49,716 An effort is required. 673 01:11:49,863 --> 01:11:55,915 One must speak in a way that is right, don't hurt 674 01:11:56,181 --> 01:12:00,310 say what there is to be said, do what you have to do 675 01:12:00,384 --> 01:12:03,027 without hurting or injuring. 676 01:12:04,326 --> 01:12:07,130 Yes, you must try to be in good faith. 677 01:12:09,143 --> 01:12:14,634 Someone once told me "The truth It is in everything, even in error." 678 01:12:16,025 --> 01:12:21,086 That is true. That wasn't seen in France in the 19th century. 17. 679 01:12:21,465 --> 01:12:24,420 They thought that could avoid the error. 680 01:12:24,578 --> 01:12:28,826 And even more than that, if I could live directly in the truth. 681 01:12:29,634 --> 01:12:31,450 I don't think it's possible. 682 01:12:31,508 --> 01:12:34,815 That's why there is Kant, Hegel, German philosophy. 683 01:12:34,839 --> 01:12:37,235 To lead us through life. 684 01:12:37,769 --> 01:12:40,850 And make us see that we must go through the error 685 01:12:40,929 --> 01:12:42,549 to get to the truth. 686 01:12:46,625 --> 01:12:48,460 What do you think of love? 687 01:12:51,684 --> 01:12:54,989 The body had to reach this. 688 01:12:55,102 --> 01:12:58,304 Leibniz introduced the contingent. 689 01:12:58,329 --> 01:13:01,029 Contingent truths and necessary truths 690 01:13:01,073 --> 01:13:02,973 make everyday life. 691 01:13:03,056 --> 01:13:06,766 Little by little we arrived in German philosophy where 692 01:13:06,863 --> 01:13:09,663 we think about life, with life's mistakes, 693 01:13:09,723 --> 01:13:11,173 with the servitudes of life. 694 01:13:11,309 --> 01:13:14,394 And this must be dealt with, it's true. 695 01:13:17,335 --> 01:13:20,106 Love shouldn't be the only truth? 696 01:13:22,313 --> 01:13:25,523 But for that love should always be true. 697 01:13:26,172 --> 01:13:29,692 Do you know someone who Do you know who he loves right away? 698 01:13:31,107 --> 01:13:34,411 It's not true. When you have twenty years old doesn't know what he loves. 699 01:13:34,532 --> 01:13:39,105 All you know are bits and pieces. You cling to the experience. 700 01:13:39,132 --> 01:13:41,838 You say "I love it", It's always a mix. 701 01:13:41,887 --> 01:13:44,887 But to be constituted entirely from that 702 01:13:45,270 --> 01:13:48,093 that if you love it is necessary maturity. 703 01:13:48,658 --> 01:13:52,453 This means seeking. And that is the truth of life. 704 01:13:54,870 --> 01:13:58,008 That's why the love is a solution, 705 01:13:58,285 --> 01:14:00,735 under the condition that be true. 706 01:14:02,505 --> 01:14:09,720 12 - THE YOUNG MAN AGAIN - THE PORTRAIT OVAL - RAOUL NEGOTIAS NANA 707 01:14:11,000 --> 01:14:14,000 EDGAR A. POE - COMPLETE WORKS 708 01:14:20,325 --> 01:14:22,035 So what do we do today. 709 01:14:23,020 --> 01:14:24,126 I don't know. 710 01:14:24,150 --> 01:14:26,162 Are we going to Luxembourg and doing nothing? 711 01:14:29,612 --> 01:14:32,507 I think it's going to rain. 712 01:14:34,573 --> 01:14:36,873 "And so I could see, vividly illuminated, 713 01:14:36,930 --> 01:14:38,780 a painting that went unnoticed. 714 01:14:39,811 --> 01:14:43,215 It was a painting of a young girl who was beginning to be a woman. 715 01:14:44,255 --> 01:14:47,755 I looked hastily at the painting and then I closed my eyes. 716 01:14:57,540 --> 01:15:01,085 It was an impulsive move to buy time, to think, 717 01:15:02,231 --> 01:15:04,781 to make sure that the view didn't fool me 718 01:15:05,232 --> 01:15:07,328 to calm and dominate my fantasy, 719 01:15:07,339 --> 01:15:09,889 and get an observation calmer and more objective. 720 01:15:11,115 --> 01:15:15,115 In a few moments I returned to gaze intently at the painting. 721 01:15:21,751 --> 01:15:25,381 The painting, I said, It belonged to a young girl. 722 01:15:27,123 --> 01:15:30,083 They only represented themselves the head and shoulders. 723 01:15:30,143 --> 01:15:33,813 Painted in the style of what technically it's called a vignette 724 01:15:34,820 --> 01:15:37,865 very much in the style of Sully's favorite heads. 725 01:15:39,000 --> 01:15:43,171 The arms, the chest, and even the ends of radiant hair 726 01:15:43,395 --> 01:15:46,917 diluted imperceptibly in the vague but deep, 727 01:15:47,263 --> 01:15:49,563 shadow that constituted the background. 728 01:15:51,021 --> 01:15:54,219 As a work of art, nothing could be more admirable 729 01:15:54,289 --> 01:15:56,289 than the painting itself. 730 01:15:57,245 --> 01:16:00,706 But it couldn't have been nor the execution of the work, 731 01:16:00,804 --> 01:16:02,950 nor the immortal beauty of the face 732 01:16:03,045 --> 01:16:05,795 that moved me so much suddenly and vehemently. 733 01:16:06,649 --> 01:16:10,753 Nor is it possible that my fantasy, shaken from its drowsiness, 734 01:16:11,117 --> 01:16:13,960 had my head confused with that of a living person. 735 01:16:18,160 --> 01:16:21,925 Finally, satisfied with having found the true secret of its effect, 736 01:16:22,409 --> 01:16:24,578 I lay down on my back on the bed. 737 01:16:25,148 --> 01:16:27,692 I had found the spell of the painting 738 01:16:28,106 --> 01:16:32,816 in its vital expression of absolute similarity to life. 739 01:16:33,781 --> 01:16:36,868 -Is this your book? -No, I found it here. 740 01:16:43,875 --> 01:16:45,305 Can I get one? 741 01:16:54,804 --> 01:16:58,934 It's our story. A painter portraying your beloved. 742 01:17:00,000 --> 01:17:02,357 -Can I continue? -Yes. 743 01:17:04,730 --> 01:17:06,524 And, truth be told, those 744 01:17:06,873 --> 01:17:08,423 who looked at the painting 745 01:17:08,977 --> 01:17:11,328 they spoke of their similarity with burning words, 746 01:17:11,339 --> 01:17:13,239 like a mighty wonder. 747 01:17:13,250 --> 01:17:16,103 Proof not only of painter's talent 748 01:17:16,261 --> 01:17:18,592 as from your deep love for that one 749 01:17:18,701 --> 01:17:20,744 how wonderfully painted. 750 01:17:21,323 --> 01:17:25,139 But finally, as the work approaching its conclusion 751 01:17:25,558 --> 01:17:27,893 no one else was authorized in the tower. 752 01:17:28,155 --> 01:17:31,410 Because the painter had gone crazy with the ardor of your work 753 01:17:31,571 --> 01:17:34,094 rarely strayed the eyes of the screen, 754 01:17:34,163 --> 01:17:36,640 even to contemplate the wife's face. 755 01:17:37,446 --> 01:17:41,066 And I didn't see that the paints that spread across the screen 756 01:17:41,356 --> 01:17:44,929 were taken from the faces of that who posed next to him. 757 01:17:45,622 --> 01:17:48,322 And when they had after many weeks, 758 01:17:48,333 --> 01:17:50,812 and there was little left to do 759 01:17:51,060 --> 01:17:53,087 except for a brush on the mouth 760 01:17:53,170 --> 01:17:54,933 and a touch-up on the eyes 761 01:17:55,201 --> 01:17:57,201 the lady's spirit wavered 762 01:17:57,306 --> 01:17:59,226 like the flame of a lantern. 763 01:18:00,044 --> 01:18:03,544 Given the brushstroke and retouching done, 764 01:18:05,165 --> 01:18:08,295 for a moment the painter was ecstatic 765 01:18:08,386 --> 01:18:10,136 before the work he had completed. 766 01:18:10,919 --> 01:18:14,119 But then, while I was still looking at her, 767 01:18:14,240 --> 01:18:16,940 began to shake and he became very pale... 768 01:18:17,042 --> 01:18:21,087 Terrified, screaming out loud 'This is actually life itself!' 769 01:18:21,515 --> 01:18:24,515 And he turned suddenly, to contemplate your loved one. 770 01:18:25,329 --> 01:18:26,869 I was dead!" 771 01:18:36,168 --> 01:18:38,463 I would like to go to the Louvre. 772 01:18:38,659 --> 01:18:41,869 No, I get bored looking at paintings. 773 01:18:45,160 --> 01:18:48,620 Why? Art and beauty are life! 774 01:18:52,250 --> 01:18:53,835 I adore you. 775 01:18:54,083 --> 01:18:55,503 And I love you. 776 01:19:03,823 --> 01:19:06,198 Why don't you come live with me? 777 01:19:06,441 --> 01:19:09,037 Yes, I will tell Raoul that it's all over. 778 01:19:16,032 --> 01:19:20,099 Let me at least put my coat or I'll catch a cold! 779 01:19:20,549 --> 01:19:21,799 Don't be silly. 780 01:19:29,682 --> 01:19:31,047 No, Raoul, not now! 781 01:19:31,071 --> 01:19:33,028 Stop hysteria! 782 01:19:33,700 --> 01:19:35,900 -Do you know her? -Miss! 783 01:19:51,873 --> 01:19:53,958 And what am I guilty of? 784 01:19:55,150 --> 01:19:57,110 You must take anyone who pays. 785 01:19:57,326 --> 01:20:00,411 No, not all. Sometimes it's degrading. 786 01:20:01,712 --> 01:20:03,462 That's what you're guilty of. 787 01:20:11,290 --> 01:20:15,513 Cinema is not fun. During We couldn't go this week. 788 01:20:15,572 --> 01:20:17,202 And on Sunday there is always a queue. 789 01:20:18,016 --> 01:20:21,016 JULES ET JIM - FRANÇOIS TRUFFAUT 790 01:20:21,398 --> 01:20:24,028 -Where are you going? -Taking them back to the car. 791 01:20:24,733 --> 01:20:27,363 And why did you make me come? 792 01:20:27,901 --> 01:20:29,531 You will keep them. 793 01:20:32,685 --> 01:20:35,355 HELL AND ITS CHILDREN 794 01:21:37,496 --> 01:21:38,831 Are you coming? 795 01:21:54,801 --> 01:21:56,251 First the girl. 796 01:22:06,320 --> 01:22:07,730 First the money. 797 01:22:07,966 --> 01:22:09,486 First the girl. 798 01:22:09,566 --> 01:22:11,166 First the money. 799 01:22:12,414 --> 01:22:13,764 Take the money. 800 01:22:47,358 --> 01:22:48,908 100,000 francs are missing. 801 01:22:49,726 --> 01:22:53,399 Don't think I won't shoot because of the girl. 802 01:22:53,846 --> 01:22:55,632 No, don't shoot me! 803 01:22:58,723 --> 01:23:01,353 Shoot you, I forgot to load. 804 01:23:22,620 --> 01:23:25,073 END