1 00:00:01,890 --> 00:00:05,770 Ah, Canal , without whom there would be no film today. 2 00:00:02,000 --> 00:00:07,000 For best IPTV provider, please visit: WWW.IPTV.CAT For best IPTV provider, please visit: WWW.IPTV.CAT.BZ 3 00:00:05,790 --> 00:00:06,870 We thank them in passing. 4 00:00:07,110 --> 00:00:08,950 So welcome to this audio commentary. 5 00:00:08,000 --> 00:00:13,000 For best IPTV provider, please visit: WWW.IPTV.CAT For best IPTV provider, please visit: WWW.IPTV.CAT.BZ 6 00:00:09,210 --> 00:00:14,970 I am Olivier Cazas, the director of Brothers, and I am with 7 00:00:15,210 --> 00:00:17,850 Michel de Robert, whose film is History which is played by Yvan Attal. 8 00:00:18,070 --> 00:00:19,070 Hi Michel. 9 00:00:19,410 --> 00:00:20,670 Hello, yes. 10 00:00:21,130 --> 00:00:23,290 And with Olivia Chichet, the chief editor. 11 00:00:24,150 --> 00:00:25,150 Good morning. 12 00:00:28,740 --> 00:00:38,700 So here, we start with a very good sound edit from 13 00:00:38,700 --> 00:00:41,210 Loïc Priant, who I asked to make a range of forest 14 00:00:41,210 --> 00:00:43,440 sounds that we were going to hear throughout the film. 15 00:00:43,760 --> 00:00:48,840 And I found it quite interesting to start the film with an 16 00:00:48,840 --> 00:00:51,660 immersion in the room where we were only on sound, we really 17 00:00:51,940 --> 00:00:55,840 didn't have an image, really we were only with the sounds of nature. 18 00:00:57,220 --> 00:01:05,380 And there, there is a flash of the appearance of the name Mathieu 19 00:01:05,380 --> 00:01:11,240 Kassovitz, for the character of Patrice, as something of a 20 00:01:11,240 --> 00:01:14,460 precursor to what is going to be the hardest and most complicated in the film. 21 00:01:28,940 --> 00:01:31,870 The first plan is always complicated, know by 22 00:01:31,870 --> 00:01:34,260 where do we start, we asked ourselves the question a lot. 23 00:01:38,500 --> 00:01:40,560 While I finish this, will you take care of the chicken coop? 24 00:01:40,560 --> 00:01:41,560 Yes. 25 00:01:43,160 --> 00:01:49,540 So here we are at the very end of filming in fact, because we were one day 26 00:01:49,540 --> 00:01:55,520 away from cutting the children's hair, who had remained long during these 27 00:01:55,520 --> 00:01:59,760 long months of filming, we filmed for almost a year with them, and in the 28 00:01:59,760 --> 00:02:04,260 following sequence their hair will be cut and so we were really at the very 29 00:02:04,260 --> 00:02:07,420 end of filming, we did it in reverse in any case with those we called the little ones. 30 00:02:19,420 --> 00:02:20,920 We messed with those quite a bit. 31 00:02:20,920 --> 00:02:23,100 It's the beginning with Olivier in editing, this work. 32 00:02:24,540 --> 00:02:26,810 And yes it wasn't... we asked ourselves questions 33 00:02:26,810 --> 00:02:29,600 precisely because it's the first time we discovered Mr. 34 00:02:30,680 --> 00:02:33,590 Brunet, and we wanted us to see it, it was important, and 35 00:02:33,590 --> 00:02:36,520 at the same time not saying too much more about the plot. 36 00:02:37,040 --> 00:02:39,360 I asked the photographers to come and take their portrait. 37 00:02:40,160 --> 00:02:43,080 I took advantage of going to town to relaunch the administration about them. 38 00:02:43,660 --> 00:02:47,220 Social services don't seem to be in a hurry to find their mother or place them. 39 00:02:47,620 --> 00:02:50,460 Above all, I believe that they are overwhelmed or that they have no space, ma'am. 40 00:02:51,160 --> 00:02:55,160 I see that, but hey, even if they are endearing, we're not going to keep them forever. 41 00:02:55,660 --> 00:03:00,650 And in fact we said to ourselves that the most effective thing 42 00:03:00,650 --> 00:03:04,360 would be to be quick enough with this shock for the children. 43 00:03:05,940 --> 00:03:09,420 This is one of the rare moments that was not respected during the script. 44 00:03:10,420 --> 00:03:12,320 Wait Patrice! 45 00:03:21,150 --> 00:03:22,830 So obviously that was a key moment. 46 00:03:24,170 --> 00:03:25,170 Especially with little ones. 47 00:03:26,890 --> 00:03:28,530 So these are things that we shot... 48 00:03:28,930 --> 00:03:30,370 separately obviously with the... 49 00:03:31,810 --> 00:03:34,590 We had... we shot the empty shot with... 50 00:03:35,890 --> 00:03:37,870 Eddy, the actor who plays Monsieur Brunette. 51 00:03:38,810 --> 00:03:41,170 Alone, hanged and then the children... 52 00:03:42,170 --> 00:03:44,410 in the same shot but from behind... 53 00:03:45,770 --> 00:03:47,970 with nothing in front to put them... 54 00:03:50,350 --> 00:03:51,350 at the sight of this scene. 55 00:03:57,430 --> 00:03:59,490 I imagine for you Michel that it was one of... 56 00:03:59,490 --> 00:04:01,750 I know the first time you saw it was a scene that... 57 00:04:01,750 --> 00:04:05,750 It's terrible because everything has... Everything changed, everything began... 58 00:04:06,330 --> 00:04:07,710 by this scene... 59 00:04:08,950 --> 00:04:10,370 extremely difficult to live with. 60 00:04:15,570 --> 00:04:16,570 Fear. 61 00:04:21,010 --> 00:04:22,170 And besides it's a... 62 00:04:22,170 --> 00:04:25,210 It's a scene that we rehearsed in front of Michel with the little ones. 63 00:04:25,410 --> 00:04:28,010 When we started the preparation with... 64 00:04:28,010 --> 00:04:30,650 with Marc Robert the child coach on the film. 65 00:04:31,210 --> 00:04:34,870 I remember very well rehearsing in front of... in front of you Michel. 66 00:04:35,030 --> 00:04:37,030 It was quite... It was a little embarrassing for me. 67 00:04:37,030 --> 00:04:38,450 And then I saw very quickly that you... 68 00:04:39,510 --> 00:04:41,010 that you were going over what. 69 00:04:49,810 --> 00:04:51,730 This race is always remembered. 70 00:04:51,730 --> 00:04:52,370 It's incredible. 71 00:04:52,730 --> 00:04:53,890 I still have this... 72 00:04:54,730 --> 00:04:55,730 deep inside me. 73 00:05:00,730 --> 00:05:04,230 So we have a friend with... with Olivia called David Onassian who... 74 00:05:05,130 --> 00:05:08,370 who asked me for months what plan you are going to put on... 75 00:05:08,370 --> 00:05:09,810 what he calls the director's shot. 76 00:05:10,030 --> 00:05:11,390 What plan do you put your name on. 77 00:05:13,250 --> 00:05:16,250 And it was a... Every time I saw him he asked me the question. 78 00:05:16,250 --> 00:05:19,470 I ended up... sending him a screenshot saying well look. 79 00:05:19,750 --> 00:05:21,690 It's more important to you than to me. 80 00:05:22,670 --> 00:05:24,300 I think he was happy with the result. 81 00:05:24,330 --> 00:05:26,530 He's super happy because he loved this plan. 82 00:05:27,410 --> 00:05:28,410 This plan... 83 00:05:28,710 --> 00:05:29,590 dived... from a drone. 84 00:05:29,910 --> 00:05:31,670 What we called broccoli among ourselves. 85 00:05:31,750 --> 00:05:34,110 Because from above these... these trees... 86 00:05:34,110 --> 00:05:35,790 These leaves look like broccoli. 87 00:05:40,030 --> 00:05:41,510 So that was filmed... 88 00:05:41,870 --> 00:05:45,570 almost a year before the... the images that... you saw... 89 00:05:45,570 --> 00:05:47,250 the scenes you saw just before. 90 00:05:47,450 --> 00:05:49,130 It was in... in October 2022. 91 00:05:49,370 --> 00:05:50,970 We were in... it was Autumn. 92 00:05:51,630 --> 00:05:53,910 While the rest was filmed in June 2023. 93 00:05:54,250 --> 00:05:56,130 And during all these long months we have... 94 00:05:57,330 --> 00:05:59,330 we have... our hair has grown. 95 00:05:59,390 --> 00:06:00,230 The children have grown up. 96 00:06:00,410 --> 00:06:00,970 We mature. 97 00:06:01,130 --> 00:06:02,650 And above all we were also able to do a 98 00:06:02,650 --> 00:06:05,070 filming session in winter which we will see later. 99 00:06:05,430 --> 00:06:09,230 And that obviously made it possible to... show nature in all its aspects. 100 00:06:09,410 --> 00:06:12,010 But that's one of the... it was the first day of shooting the film. 101 00:06:12,670 --> 00:06:15,250 And this is the first sequence that we...that we edited. 102 00:06:15,290 --> 00:06:16,850 When we entered the editing room. 103 00:06:16,970 --> 00:06:18,110 Because we went up in three hours. 104 00:06:18,110 --> 00:06:18,750 In three different periods. 105 00:06:19,030 --> 00:06:20,450 And that was the first scene... 106 00:06:21,190 --> 00:06:22,530 with which we started. 107 00:06:29,250 --> 00:06:33,510 So this scene... with Michel who we discover as an architect. 108 00:06:33,510 --> 00:06:34,900 Normally She had to open the film. 109 00:06:34,930 --> 00:06:36,330 In the script that Olivia wrote. 110 00:06:36,830 --> 00:06:38,150 This is the opening scene. 111 00:06:38,770 --> 00:06:41,430 And so, first we put it together. 112 00:06:41,490 --> 00:06:42,570 Respecting the scenario. 113 00:06:42,730 --> 00:06:45,270 And then finally we decided to put it on a little later. 114 00:06:48,110 --> 00:06:49,230 Pepper please. 115 00:06:49,590 --> 00:06:50,590 And a cloth. 116 00:06:51,430 --> 00:06:53,230 And it was adapted from a... 117 00:06:54,250 --> 00:06:57,230 from a scene where Michel cut himself while cooking. 118 00:06:57,290 --> 00:07:00,470 And he told me that... pepper worked very well. 119 00:07:01,350 --> 00:07:02,590 Afterwards it's his own thing. 120 00:07:02,690 --> 00:07:07,150 I advise no one to... to try everything that Michel could do. 121 00:07:07,330 --> 00:07:09,210 Pepper stops the bleeding. 122 00:07:09,430 --> 00:07:10,430 This it seems. 123 00:07:11,270 --> 00:07:12,270 I'll leave you. 124 00:07:14,610 --> 00:07:15,730 With his techniques. 125 00:07:18,430 --> 00:07:20,490 What was important to me was that... 126 00:07:21,790 --> 00:07:25,570 we obviously get very quickly into the... the heart of the film, namely... 127 00:07:26,530 --> 00:07:27,530 this link... 128 00:07:28,550 --> 00:07:30,690 completely out of the norm between these two adult brothers. 129 00:07:31,630 --> 00:07:33,210 Tell me if you know anything. 130 00:07:33,730 --> 00:07:34,730 Oh no I don't know anything. 131 00:07:35,710 --> 00:07:36,710 Please. 132 00:07:37,010 --> 00:07:38,010 Finally I will tell you. 133 00:07:39,950 --> 00:07:41,230 I have a bad feeling. 134 00:07:41,530 --> 00:07:42,990 He hasn't been well lately. 135 00:07:43,010 --> 00:07:45,170 There in terms of image we are in something much more mineral. 136 00:07:45,170 --> 00:07:48,030 There is less... the colorimetry is less strong. 137 00:07:48,110 --> 00:07:50,350 The colors are a little... lower. 138 00:07:50,450 --> 00:07:50,710 We have... 139 00:07:51,290 --> 00:07:53,950 We worked with... Magali Tsassi the... 140 00:07:53,950 --> 00:07:58,070 the cinematographer, the director of photography so that... by telling himself that the universe... 141 00:07:59,370 --> 00:08:03,130 Urbain by Michel was obviously... a little disembodied, dehumanized. 142 00:08:03,230 --> 00:08:05,320 I think I always feared that this moment would come one day. 143 00:08:05,350 --> 00:08:06,350 Eric! 144 00:08:07,430 --> 00:08:10,960 You see with the design office... and with Looking forward to Friday's presentation. 145 00:08:10,990 --> 00:08:12,210 What are you talking about ? 146 00:08:12,210 --> 00:08:13,070 Michael! 147 00:08:13,070 --> 00:08:14,810 A bit like an animal that we would have... 148 00:08:15,790 --> 00:08:17,650 out of... out of nature. 149 00:08:21,330 --> 00:08:22,810 Wait for me here, we're going to Orly afterwards. 150 00:08:23,010 --> 00:08:24,090 I don't have long. 151 00:08:24,430 --> 00:08:27,410 It's strange to have a part of your being... that lives outside of you. 152 00:08:28,250 --> 00:08:29,250 Not a twin. 153 00:08:29,550 --> 00:08:31,050 What have I been thinking about... 154 00:08:31,050 --> 00:08:33,550 the fact of having said Orly instead of Roissy in assembly. 155 00:08:33,790 --> 00:08:35,370 I almost asked Yvan to do it again. 156 00:08:35,430 --> 00:08:37,300 It's been nonsense even though it's going very well. 157 00:08:37,330 --> 00:08:39,890 Because at the time the planes for Canada took off from Orly. 158 00:08:42,470 --> 00:08:44,470 Sometimes we get stuck on little things like that. 159 00:08:45,450 --> 00:08:47,550 It takes patience to work with directors. 160 00:08:47,550 --> 00:08:50,350 You need patience to work with female directors, I think. 161 00:08:55,090 --> 00:08:57,550 This scene, you see this scene c 'East... 162 00:08:57,550 --> 00:09:00,250 It's a terrible thing to be alone. 163 00:09:01,350 --> 00:09:02,550 Knowing that no one is coming. 164 00:09:03,170 --> 00:09:04,670 It's really very difficult. 165 00:09:10,620 --> 00:09:12,900 And so there the children have the... 166 00:09:13,560 --> 00:09:14,860 hair cut. 167 00:09:14,900 --> 00:09:18,840 It was a great moment for us because... for a year we... 168 00:09:19,360 --> 00:09:21,360 we paid attention to her hair. 169 00:09:22,460 --> 00:09:25,540 Like a... a treasure and we asked... we especially didn't want to make them... 170 00:09:25,540 --> 00:09:26,280 do not add any additions to them. 171 00:09:26,380 --> 00:09:28,420 So we wanted it to be real long hair. 172 00:09:28,480 --> 00:09:31,300 And when we cut them I can tell you that with each cut of the scissors it was... 173 00:09:31,300 --> 00:09:33,920 There are even technicians whom I saw with tears in their eyes when... 174 00:09:33,920 --> 00:09:35,300 I met tears in my eyes. 175 00:09:35,720 --> 00:09:37,090 When they got them with short hair. 176 00:09:37,120 --> 00:09:38,480 It was a big moment for us. 177 00:09:42,160 --> 00:09:43,780 Our mother who only had her name... 178 00:09:44,620 --> 00:09:47,140 There it is the production director behind who is taking... 179 00:09:47,400 --> 00:09:49,940 little pies on the shoulder by... my friend Gilles. 180 00:09:50,660 --> 00:09:52,420 There it is... We had a lot of fun with that. 181 00:09:52,500 --> 00:09:54,100 You took it then he hit it hard. 182 00:09:54,180 --> 00:09:55,730 They are both good actors. 183 00:09:55,760 --> 00:09:56,800 Yeah they're good yeah. 184 00:09:56,920 --> 00:09:58,480 You shouldn't... Don't throw them. 185 00:09:58,560 --> 00:09:59,560 They only ask for that. 186 00:10:04,280 --> 00:10:06,840 The magnetic beauty of your mother which you I have often spoken. 187 00:10:25,870 --> 00:10:28,150 Our mother still passed on something to us. 188 00:10:30,150 --> 00:10:33,210 An ability to abandon everything without looking back. 189 00:10:33,910 --> 00:10:36,970 That's always what... That's... It's still there. 190 00:10:37,150 --> 00:10:38,150 And it's... 191 00:10:38,730 --> 00:10:40,710 It was... a strength. 192 00:10:40,830 --> 00:10:40,870 What are you doing here? 193 00:10:40,870 --> 00:10:41,910 I had to leave the office. 194 00:10:42,190 --> 00:10:43,310 What's going on? 195 00:10:44,170 --> 00:10:45,730 Is this for your project in Mexico? 196 00:10:45,730 --> 00:10:46,730 No. 197 00:10:47,010 --> 00:10:48,350 I have to leave for a while. 198 00:10:48,750 --> 00:10:53,370 There we still find this universe a little... a little disembodied, a little dehumanized. 199 00:10:53,590 --> 00:10:54,790 As if this man... 200 00:10:56,530 --> 00:10:58,550 could not be fully alive in... 201 00:10:58,890 --> 00:11:00,810 in the environment in which he operates today. 202 00:11:00,850 --> 00:11:02,090 You had to leave without warning. 203 00:11:02,290 --> 00:11:03,670 Like a captive animal. 204 00:11:05,310 --> 00:11:06,450 It's Patrice, right? 205 00:11:07,170 --> 00:11:08,770 Can you tell me what exactly is going on? 206 00:11:08,770 --> 00:11:09,190 ? I don't know. 207 00:11:09,190 --> 00:11:10,190 I don't know what to tell you. 208 00:11:12,630 --> 00:11:14,010 I have a bad feeling. 209 00:11:15,170 --> 00:11:16,170 Of course. 210 00:11:17,790 --> 00:11:18,790 I'm sorry. 211 00:11:19,810 --> 00:11:20,970 Just tell me how long you can... 212 00:11:20,970 --> 00:11:22,530 There is something that was not obvious in the 213 00:11:22,530 --> 00:11:24,770 film for all the secondary actors, all secondary roles. 214 00:11:24,790 --> 00:11:28,370 This is because they actually had very, very few days of filming. 215 00:11:28,410 --> 00:11:30,710 There are a lot of almost satellite actors. 216 00:11:31,490 --> 00:11:33,470 And therefore create a connection... 217 00:11:34,590 --> 00:11:36,530 husband-wife like that when we... 218 00:11:37,010 --> 00:11:38,490 we have two days of filming together. 219 00:11:38,650 --> 00:11:40,330 I don't even know if Chloé, Stéphanie and... 220 00:11:40,710 --> 00:11:42,670 and Yvan didn't have just one day together. 221 00:11:42,790 --> 00:11:43,670 It wasn't easy. 222 00:11:43,790 --> 00:11:45,570 It's always complicated to... 223 00:11:46,810 --> 00:11:48,630 to make people believe there is intimacy when... 224 00:11:48,630 --> 00:11:50,790 when we don't have time to work on it like that. 225 00:11:51,830 --> 00:11:53,230 And I was happy because it worked. 226 00:11:53,250 --> 00:11:54,250 It worked very well. 227 00:11:56,870 --> 00:11:57,870 Good evening ladies. 228 00:11:57,930 --> 00:11:58,570 Good evening Gabriella. 229 00:11:58,950 --> 00:12:00,090 Is my daughter at Elle? 230 00:12:00,090 --> 00:12:02,290 Madame left two days ago for 'Argentina. 231 00:12:03,330 --> 00:12:05,720 She asked me to pass the message on if I saw you. 232 00:12:05,750 --> 00:12:07,310 She told you for how long Was she leaving? 233 00:12:07,310 --> 00:12:08,790 She talked about two, three weeks. 234 00:12:09,210 --> 00:12:10,490 And the children? 235 00:12:10,990 --> 00:12:13,580 So she told me that the three of them had accompanied her to the airport. 236 00:12:13,610 --> 00:12:15,090 This is the last day of filming. 237 00:12:15,130 --> 00:12:16,310 We finished with Toussaint. 238 00:12:17,710 --> 00:12:19,470 It's been a huge day. 239 00:12:20,410 --> 00:12:21,410 We were... 240 00:12:21,990 --> 00:12:23,130 We were on our knees. 241 00:12:23,170 --> 00:12:24,130 And that's the last shot. 242 00:12:24,130 --> 00:12:25,600 This is the last shot we shot. 243 00:12:25,630 --> 00:12:26,630 The couch look. 244 00:12:27,070 --> 00:12:28,510 This subjective look there. 245 00:12:28,610 --> 00:12:29,610 From the car. 246 00:12:30,210 --> 00:12:31,770 We weren't at all sure that it would work. 247 00:12:31,830 --> 00:12:33,510 We talked a lot with you Olivia about... 248 00:12:34,070 --> 00:12:36,690 Because we feared it wouldn't work during editing. 249 00:12:37,550 --> 00:12:39,810 And we worked a lot on that with Magali. 250 00:12:40,530 --> 00:12:41,650 That's my hand, here. 251 00:12:41,830 --> 00:12:42,870 Which is sewn up. 252 00:12:43,430 --> 00:12:45,150 Don't worry, watch the road. 253 00:12:47,070 --> 00:12:48,970 How soon will we be there? 254 00:12:49,870 --> 00:12:50,870 In 45 minutes. 255 00:12:55,280 --> 00:12:56,120 Yes my love. 256 00:12:56,120 --> 00:12:57,680 Dad it's my 20th birthday. 257 00:12:59,540 --> 00:13:00,700 I know, I'm sorry. 258 00:13:01,160 --> 00:13:03,140 What the fuck are you crazy about? 259 00:13:05,260 --> 00:13:06,540 Patrick? We matter more than we actually do. 260 00:13:07,600 --> 00:13:09,040 It's complicated to explain to you. 261 00:13:09,120 --> 00:13:13,120 What was also complicated for us during editing was to make the 262 00:13:13,120 --> 00:13:15,160 two narrative threads evolve between the children and the adults. 263 00:13:15,220 --> 00:13:19,540 And it's true that we have a lot of each other, asked a lot of questions in 264 00:13:19,540 --> 00:13:23,340 the construction of the beginning to launch the film on these two universes. 265 00:13:23,460 --> 00:13:25,060 Finally these two narrative threads. 266 00:13:26,320 --> 00:13:27,920 Without there being one who is... 267 00:13:27,920 --> 00:13:31,010 And above all that the spectator also has the 268 00:13:31,020 --> 00:13:33,380 understanding to approach these two temporalities. 269 00:13:33,520 --> 00:13:35,660 It was quite complex. 270 00:13:37,140 --> 00:13:38,520 Yes we knitted it a lot. 271 00:13:38,580 --> 00:13:40,460 What we were saying earlier was that 272 00:13:40,460 --> 00:13:42,820 we had actually started with adults. 273 00:13:43,120 --> 00:13:45,080 The scene of the architect's office. 274 00:13:45,120 --> 00:13:47,240 And finally we decided to put it all together later. 275 00:13:47,520 --> 00:13:51,620 We found it to be most effective starting with the children at the beginning. 276 00:13:52,080 --> 00:13:55,100 We ended up becoming much more attached, even to adults afterwards. 277 00:13:55,100 --> 00:13:57,540 Seeing them small to start the film. 278 00:13:57,640 --> 00:13:57,860 How are you ? 279 00:13:57,860 --> 00:13:58,620 Did you sleep well? 280 00:13:58,620 --> 00:13:59,960 I made you some coffee. 281 00:14:01,520 --> 00:14:03,440 So we made coffee for the children at 'era. 282 00:14:04,220 --> 00:14:05,220 It's true. 283 00:14:05,280 --> 00:14:06,310 It was the glass of red wine at noon. 284 00:14:06,340 --> 00:14:06,860 Coffee with milk. 285 00:14:07,000 --> 00:14:08,000 Yeah. 286 00:14:08,560 --> 00:14:11,040 Coffee with milk was the usual thing. 287 00:14:12,300 --> 00:14:15,700 So here we come back, we come full circle in terms of storytelling. 288 00:14:15,900 --> 00:14:19,240 We return to a scene we saw... At the start. 289 00:14:19,580 --> 00:14:21,520 Initially but from another angle. 290 00:14:22,960 --> 00:14:24,200 This is one of my favorite shots. 291 00:14:24,200 --> 00:14:25,200 Anzo's plan. 292 00:14:26,240 --> 00:14:28,680 The actor who plays Patrice in Through the Bars. 293 00:14:29,780 --> 00:14:31,580 I have to go Monday, I could t 'take away. 294 00:14:31,860 --> 00:14:33,100 I prefer to go there today. 295 00:14:33,360 --> 00:14:36,600 And then you know Paul, I have documents to register at the sub-prefecture. 296 00:14:36,880 --> 00:14:37,880 It makes me happy. 297 00:14:43,180 --> 00:14:44,950 I find him extremely intense on these levels. 298 00:14:44,980 --> 00:14:46,050 I think there's so much going on. 299 00:14:46,080 --> 00:14:48,220 We already feel that he will never be a child again. 300 00:15:00,230 --> 00:15:02,150 The luck we had in this setting is that... 301 00:15:02,150 --> 00:15:04,110 It is a House which has been completely restored. 302 00:15:04,130 --> 00:15:06,050 But which has been restored in the manner of 'era. 303 00:15:06,570 --> 00:15:10,030 It was almost a movie set. 304 00:15:10,450 --> 00:15:11,450 I didn't mind. 305 00:15:19,820 --> 00:15:22,660 We don't really see that there was a year gap between the images. 306 00:15:22,780 --> 00:15:23,780 How are you ? 307 00:15:23,920 --> 00:15:24,920 It's true. 308 00:15:34,850 --> 00:15:36,750 The first days are more distressing. 309 00:15:37,710 --> 00:15:40,390 But we will very very quickly adapt to the 'environment. 310 00:15:41,250 --> 00:15:45,170 And we will quickly understand that we have no choice. 311 00:15:45,170 --> 00:15:52,350 That we are prisoner of this fear of being caught for Patrice. 312 00:15:53,570 --> 00:15:54,790 So we will react. 313 00:15:55,890 --> 00:15:57,790 And try to adapt very quickly. 314 00:16:01,730 --> 00:16:05,570 For me it was already important to show the difference 315 00:16:05,570 --> 00:16:08,610 in experience that will emerge between one and the other. 316 00:16:08,670 --> 00:16:09,840 Even if they are going to share everything. 317 00:16:09,870 --> 00:16:14,430 There is one for whom it will obviously be much more complicated. 318 00:16:14,490 --> 00:16:15,270 Much harder. 319 00:16:15,350 --> 00:16:16,350 Much more... 320 00:16:17,270 --> 00:16:17,670 Empowering. 321 00:16:18,030 --> 00:16:20,830 And it will last like this throughout life. 322 00:16:22,070 --> 00:16:25,330 Because Patrice carried everything on him. 323 00:16:26,110 --> 00:16:27,150 It was the biggest. 324 00:16:27,370 --> 00:16:28,530 He was protecting his brother. 325 00:16:29,370 --> 00:16:30,650 And he was... 326 00:16:32,790 --> 00:16:35,370 He was actually guilty of this... 327 00:16:42,410 --> 00:16:43,770 I follow her right away. 328 00:16:44,010 --> 00:16:45,890 And there very quickly we see the skills of Michael. 329 00:16:46,270 --> 00:16:48,990 And especially these two roles which will separate like this. 330 00:16:48,990 --> 00:16:50,910 Which will be shared naturally. 331 00:16:51,950 --> 00:16:53,970 Our escape had obviously not moved anyone. 332 00:16:57,910 --> 00:17:00,110 That's one of the first scenes we put together too. 333 00:17:00,310 --> 00:17:02,670 In fact very first scene there with the children. 334 00:17:02,990 --> 00:17:05,710 And it was very emotional for me because... 335 00:17:05,710 --> 00:17:09,410 But at the same time as they began to adapt to the forest. 336 00:17:09,430 --> 00:17:11,710 I adapted a little to them. 337 00:17:11,790 --> 00:17:12,790 Finally I discovered them. 338 00:17:13,110 --> 00:17:14,270 It was very moving. 339 00:17:15,230 --> 00:17:17,030 Always moved when I see this passage again. 340 00:17:20,550 --> 00:17:21,950 You've toured a lot huh. 341 00:17:21,990 --> 00:17:22,470 Sorry Olivier. 342 00:17:22,630 --> 00:17:23,950 You've toured a lot. 343 00:17:24,010 --> 00:17:25,870 We had a lot of material. 344 00:17:26,470 --> 00:17:29,090 Besides, the film lasts 1h45. 345 00:17:29,930 --> 00:17:32,050 I think we had about 130 hours of rush. 346 00:17:32,230 --> 00:17:32,610 As they say. 347 00:17:32,670 --> 00:17:33,830 130 hours of material, image. 348 00:17:33,830 --> 00:17:35,050 130 hours of rush you think? 349 00:17:35,050 --> 00:17:35,210 Yeah. 350 00:17:35,210 --> 00:17:35,790 Yeah I think so. 351 00:17:35,890 --> 00:17:36,050 Yeah. 352 00:17:36,150 --> 00:17:36,370 Yeah. 353 00:17:36,370 --> 00:17:37,970 Maybe between 125 and 130. 354 00:17:38,370 --> 00:17:38,590 Yeah. 355 00:17:39,010 --> 00:17:40,390 And there in particular there was... 356 00:17:40,390 --> 00:17:45,510 I don't know, we had maybe 20 hours there for this whole first trip through the forest. 357 00:17:45,910 --> 00:17:47,590 There was a lot to do. 358 00:17:47,670 --> 00:17:50,410 Besides, our first edit of this sequence lasted 30 minutes. 359 00:17:50,430 --> 00:17:50,530 Yeah. 360 00:17:50,530 --> 00:17:51,330 It lasted a third of the film. 361 00:17:51,430 --> 00:17:55,070 We had the impression of almost putting together a documentary on 362 00:17:55,070 --> 00:17:56,950 these children, we were discovering the forest at the same time as them. 363 00:17:57,230 --> 00:18:00,200 It was a heartbreak for Victor who built this 364 00:18:00,200 --> 00:18:02,050 cabin, it was a heartbreak -heart to cut the plans. 365 00:18:02,110 --> 00:18:02,270 It's true. 366 00:18:02,370 --> 00:18:06,290 They were all more beautiful than the others with the flair of light. 367 00:18:06,350 --> 00:18:07,350 It was... 368 00:18:07,670 --> 00:18:09,340 It's strange to see that there are so few left. 369 00:18:09,370 --> 00:18:09,730 It's true. 370 00:18:09,950 --> 00:18:10,970 So how does that... 371 00:18:11,350 --> 00:18:14,470 And Magali did an extraordinary job, the cinematographer. 372 00:18:14,550 --> 00:18:14,750 Yeah. 373 00:18:15,010 --> 00:18:17,150 The light on all its planes is magnificent. 374 00:18:17,150 --> 00:18:20,510 Oh yeah it was really... You see I didn't remember that there was so little left. 375 00:18:20,530 --> 00:18:25,350 But it was also heartbreaking compared to the 376 00:18:25,350 --> 00:18:27,600 children's work because their gestures were so 377 00:18:27,600 --> 00:18:29,830 precise, so accurate, that in editing it was difficult to choose. 378 00:18:29,950 --> 00:18:30,170 I don't know. 379 00:18:30,170 --> 00:18:32,770 But it's the same, poor Victor there 'we see in the foreground, if he had 380 00:18:32,770 --> 00:18:36,550 known that this stick with which I made him s took hours and hours, that it 381 00:18:36,610 --> 00:18:39,510 was going to last two seconds at the end 'image, he would never have followed me. 382 00:18:39,810 --> 00:18:41,010 He would never have worked on me. 383 00:18:42,650 --> 00:18:46,530 But in reality it also took a very long time to get to use it. 384 00:18:46,530 --> 00:18:47,350 That's what I told myself. 385 00:18:47,370 --> 00:18:48,730 It's not... It's not simple. 386 00:18:49,110 --> 00:18:50,110 It's easy. 387 00:18:50,530 --> 00:18:52,510 We see that in the image but in reality 388 00:18:52,590 --> 00:18:55,110 we try twenty times, thirty times, fifty times. 389 00:18:56,530 --> 00:18:59,530 And the little ones, as they are called there, the little children, they were... 390 00:18:59,530 --> 00:19:02,310 Finally I saw it in the rushes, I didn't see it on set 391 00:19:02,310 --> 00:19:06,090 but when I discovered it, it was impressive because we 392 00:19:06,090 --> 00:19:08,410 see, their hair is wet, it's humid, it's complicated conditions. 393 00:19:08,810 --> 00:19:10,360 And they were always very willing. 394 00:19:10,390 --> 00:19:12,750 Every time in the rushes they said “Come on, whenever you want Olivier! 395 00:19:12,750 --> 00:19:15,320 » While they were soaked, they were cold, they were shivering. 396 00:19:15,350 --> 00:19:19,130 But they took off their cover as soon as 'Olivier said action and off we went. 397 00:19:19,130 --> 00:19:21,970 It's true that they had a will, they were incredible. 398 00:19:23,230 --> 00:19:24,230 Incredibles. 399 00:19:26,450 --> 00:19:32,290 But it helps to understand the strength of children 400 00:19:32,290 --> 00:19:36,190 and their ability to adapt, which is extremely rapid. 401 00:19:36,610 --> 00:19:39,810 Yeah, and then there's a desire, there's something... yeah, you're right. 402 00:19:42,190 --> 00:19:44,350 This is a filming that took place on the the island of Oléron. 403 00:19:44,630 --> 00:19:46,360 Because we weren't very far from the oyster 404 00:19:46,370 --> 00:19:48,610 beds, so there is what we call the work plan which is... 405 00:19:49,170 --> 00:19:54,250 which is the organization of the filming which was done by the first assistant Arnaud 406 00:19:54,250 --> 00:19:57,510 Esterès, so it is one of the charges among many others. 407 00:19:58,490 --> 00:20:00,750 And it's true that we had to put together sets 408 00:20:00,750 --> 00:20:02,850 so that we could stay within our shooting time. 409 00:20:02,950 --> 00:20:04,410 And so we were lucky enough to find this car 410 00:20:04,410 --> 00:20:06,250 scrapyard that we obviously renovated a little. 411 00:20:06,670 --> 00:20:10,470 But on the island of Oléron, which wasn't easy 412 00:20:10,470 --> 00:20:11,910 because it's not a place where you think 413 00:20:11,910 --> 00:20:14,670 you're going to find terra-vagues and car wreckers. 414 00:20:14,870 --> 00:20:17,790 And we brought back a few trucks with... 415 00:20:22,410 --> 00:20:24,510 Charlotte Favier, the interior designer. 416 00:20:25,390 --> 00:20:28,790 She did such a crazy job because all the vintage bottles... 417 00:20:30,230 --> 00:20:32,130 She did some flea markets with her cans. 418 00:20:32,250 --> 00:20:33,530 She sends me photos. 419 00:20:34,290 --> 00:20:36,130 It’s true that she did an incredible job. 420 00:20:42,980 --> 00:20:46,300 It was so important because it This is what allowed us to... 421 00:20:47,800 --> 00:20:51,440 It also gave us a lot of resources to do things. 422 00:20:51,440 --> 00:20:53,140 To get through it, to get it all back. 423 00:20:57,040 --> 00:20:58,720 It’s sure that it has changed your daily life. 424 00:20:59,220 --> 00:21:01,160 The plug destroyed by hand, hours and 425 00:21:01,160 --> 00:21:03,840 hours of waiting, hours and hours of testing. 426 00:21:03,880 --> 00:21:04,880 But we're getting there. 427 00:21:06,920 --> 00:21:07,920 When you're hungry. 428 00:21:11,620 --> 00:21:13,420 That's the same, they were moments of grace. 429 00:21:13,660 --> 00:21:15,180 Those are extraordinary moments. 430 00:21:16,080 --> 00:21:17,400 Happiness, freedom. 431 00:21:28,910 --> 00:21:30,730 That's one of my little prides 'admits. 432 00:21:31,850 --> 00:21:32,850 Drone shots. 433 00:21:33,490 --> 00:21:36,470 We left for Canada, we were a very small team. 434 00:21:36,530 --> 00:21:39,510 Because it had to fit into our budget. 435 00:21:42,830 --> 00:21:44,250 The landscapes are sublime. 436 00:21:44,310 --> 00:21:48,150 I remember leaving with the car and the drone to do this shot. 437 00:21:48,990 --> 00:21:51,110 I didn't think it would turn out this well in the end. 438 00:21:51,610 --> 00:21:53,450 I point out that you have never done this before. 439 00:21:53,570 --> 00:21:57,010 You passed your license for filming, to make drone plans. 440 00:21:57,250 --> 00:22:00,390 And honestly, there are some that are very, very beautiful. 441 00:22:01,130 --> 00:22:02,680 This is the advantage of simulators now. 442 00:22:02,710 --> 00:22:04,510 You can simulate on a computer. 443 00:22:05,270 --> 00:22:06,880 But hey, when you get to real life, you 444 00:22:06,880 --> 00:22:10,110 tell yourself if the simulator works or not. 445 00:22:10,270 --> 00:22:13,370 I confirm, having seen a few accidents in the rushes against 446 00:22:13,370 --> 00:22:15,390 trees, it was not like with a simulator. 447 00:22:15,390 --> 00:22:16,480 I still blew a few propellers. 448 00:22:16,510 --> 00:22:19,710 The drone did not return unscathed, but he is still alive. 449 00:22:19,970 --> 00:22:20,970 Him too. 450 00:22:22,010 --> 00:22:24,070 This is a setting in Abitibi, Témiscamingue. 451 00:22:24,150 --> 00:22:26,070 That’s really where the film takes place. 452 00:22:26,230 --> 00:22:28,470 It's real Canada as they say. 453 00:22:30,190 --> 00:22:34,610 And that's the lady who ran this station in the middle of nothing. 454 00:22:35,610 --> 00:22:37,130 Who was very stressed there. 455 00:22:37,230 --> 00:22:39,790 This is the last take, I don't know if you remember Olivia. 456 00:22:40,690 --> 00:22:41,690 Yes, it's true. 457 00:22:41,850 --> 00:22:45,010 Plus, it was in sequence, so Elle couldn't be wrong. 458 00:22:49,290 --> 00:22:51,970 This is a cabaret called the Last Chance Cabaret. 459 00:22:52,510 --> 00:22:53,110 Everything is said. 460 00:22:53,210 --> 00:22:55,050 It's all said there. 461 00:22:55,150 --> 00:22:56,150 Alright. 462 00:23:01,180 --> 00:23:03,380 She would not have had a visit from a French by chance. 463 00:23:05,000 --> 00:23:06,320 If I saw a Frenchman... 464 00:23:07,480 --> 00:23:08,280 Great actress. 465 00:23:08,420 --> 00:23:09,420 Well yes, we saw it. 466 00:23:09,500 --> 00:23:10,500 It leads. 467 00:23:10,840 --> 00:23:11,840 A good guy. 468 00:23:12,720 --> 00:23:16,200 It's the new fashion in France to come and get lost in Abitibi. 469 00:23:17,220 --> 00:23:18,860 Do you know where he is? 470 00:23:19,740 --> 00:23:20,200 Hey! 471 00:23:20,200 --> 00:23:21,400 Vic! 472 00:23:22,300 --> 00:23:23,300 Come! 473 00:23:25,820 --> 00:23:27,730 And another wonderful actor, Alexandre 474 00:23:27,730 --> 00:23:29,640 Gastonguay, who is really a great guy. 475 00:23:29,640 --> 00:23:32,080 I'm looking for a Frenchman who arrived there... 476 00:23:32,080 --> 00:23:34,520 Which I almost never discovered. 477 00:23:34,640 --> 00:23:35,920 Imagine that we were... 478 00:23:37,600 --> 00:23:39,820 It's one of the roles we had the most difficulty finding. 479 00:23:40,840 --> 00:23:42,040 And I cast it in zoom. 480 00:23:43,360 --> 00:23:44,580 It was at the last minute. 481 00:23:45,480 --> 00:23:48,940 We got his contact through Antoine Bertrand. 482 00:23:49,060 --> 00:23:50,060 And it's true that... 483 00:23:51,440 --> 00:23:52,440 He's great. 484 00:23:52,520 --> 00:23:53,000 He's great. 485 00:23:53,200 --> 00:23:54,370 I told him right away, it's you. 486 00:23:54,400 --> 00:23:55,550 And he had tears in his eyes. 487 00:23:55,580 --> 00:23:56,340 He was super touching. 488 00:23:56,520 --> 00:23:58,090 And it was a working look with him. 489 00:23:58,120 --> 00:23:59,460 Another hell of a sparrow. 490 00:24:01,520 --> 00:24:03,210 What a laugh we had with this damn sparrow. 491 00:24:03,240 --> 00:24:04,300 Besides, it makes you laugh. 492 00:24:04,500 --> 00:24:07,500 In the room, people laugh a lot at this passage. 493 00:24:08,100 --> 00:24:10,390 At the same time, we didn't give them much opportunity to laugh. 494 00:24:10,420 --> 00:24:10,740 So that's good. 495 00:24:11,120 --> 00:24:12,120 There has to be some. 496 00:24:12,160 --> 00:24:13,160 Huh, Michel? 497 00:24:13,420 --> 00:24:14,420 No. 498 00:24:14,920 --> 00:24:15,920 I will be. 499 00:24:20,660 --> 00:24:21,670 It's not easy because it didn't have 500 00:24:21,670 --> 00:24:23,940 to be a caricature of a trapper either. 501 00:24:24,080 --> 00:24:27,120 We were a bit expected at the tournament by our Canadian friends on this one. 502 00:24:30,320 --> 00:24:33,760 We feel that the character has real depth, real dimension. 503 00:24:37,990 --> 00:24:44,670 So, Yvan, who is very chilly, who made us laugh, as he knows 504 00:24:44,670 --> 00:24:48,570 to do, to worry about the fact that he was not going to survive in Canada. 505 00:24:50,350 --> 00:24:52,830 But we brought that back in breasts and sauces. 506 00:24:56,610 --> 00:24:57,970 That's an important plan too. 507 00:24:58,510 --> 00:24:59,230 It's important. 508 00:24:59,410 --> 00:25:00,690 That's all the thinking. 509 00:25:00,990 --> 00:25:01,630 My God. 510 00:25:01,790 --> 00:25:02,790 This is... 511 00:25:03,230 --> 00:25:04,590 And then read with nature. 512 00:25:04,710 --> 00:25:05,710 So important. 513 00:25:06,990 --> 00:25:08,270 Obviously out of the ordinary. 514 00:25:15,590 --> 00:25:16,590 That, 515 00:25:22,270 --> 00:25:25,110 I think it was one of the most trying days of filming. 516 00:25:26,050 --> 00:25:27,930 We had so much to do that day. 517 00:25:29,010 --> 00:25:30,010 It was... 518 00:25:31,170 --> 00:25:33,560 You will see later in the film all the sequences that we 519 00:25:33,560 --> 00:25:36,010 done on the edge of the ocean with those we call the greats. 520 00:25:36,130 --> 00:25:37,500 So Michel and Patrice a little bigger. 521 00:25:37,530 --> 00:25:38,850 Children, but a little older. 522 00:25:39,250 --> 00:25:42,090 And there were all these sequences, no longer the whole ocean to go. 523 00:25:42,190 --> 00:25:44,850 It was... I remember this morning when I said that to myself... 524 00:25:44,850 --> 00:25:46,250 We won't get to the end. 525 00:25:46,830 --> 00:25:47,830 We won't fit everything. 526 00:25:47,950 --> 00:25:49,090 And we did it. 527 00:25:50,930 --> 00:25:51,930 There you are cold. 528 00:25:52,370 --> 00:25:55,150 The children were great because there, We really didn't have time to... 529 00:25:55,150 --> 00:25:56,150 What suffering... 530 00:25:56,550 --> 00:25:57,750 What suffering, the cold. 531 00:25:57,850 --> 00:25:58,850 It was... 532 00:25:59,850 --> 00:26:00,850 Really... 533 00:26:01,970 --> 00:26:03,150 So difficult to live with. 534 00:26:03,150 --> 00:26:05,670 I need to get you some medicine. 535 00:26:06,210 --> 00:26:07,210 We stay. 536 00:26:08,130 --> 00:26:09,130 Don't worry. 537 00:26:09,190 --> 00:26:10,590 It's like when I leave in the evening. 538 00:26:10,890 --> 00:26:11,890 I'll be back soon. 539 00:26:14,030 --> 00:26:16,710 You told me they'll catch us if we go out during the day. 540 00:26:22,610 --> 00:26:23,610 It'll be OK. 541 00:26:34,900 --> 00:26:38,880 With the music that we composed with my son Simon and my friend Cyril Morin. 542 00:26:39,000 --> 00:26:41,480 That’s also one of the great joys of this film. 543 00:26:41,540 --> 00:26:42,780 It's having done this together. 544 00:26:45,480 --> 00:26:47,960 Which particularly has its place here because... 545 00:26:53,420 --> 00:26:56,520 This is one of the first complicated moments for children. 546 00:26:58,860 --> 00:26:59,860 In the forest. 547 00:27:11,270 --> 00:27:15,490 And that's the only part, I think, where I wasn't 548 00:27:15,490 --> 00:27:17,370 on set because I was filming another sequence. 549 00:27:18,350 --> 00:27:23,020 And Enzo, the actor, came back to see me super proud 550 00:27:23,030 --> 00:27:25,650 because he had made the shots that I had asked him to do. 551 00:27:26,710 --> 00:27:28,230 I remember this moment very well. 552 00:27:45,570 --> 00:27:49,450 You often spoke to me, Michel, from that moment. 553 00:27:51,930 --> 00:27:53,130 A terrible moment. 554 00:27:53,690 --> 00:27:58,930 This is the first time I've actually been sick. 555 00:27:59,610 --> 00:28:00,610 Well, feverish. 556 00:28:01,330 --> 00:28:02,330 And... 557 00:28:02,610 --> 00:28:03,610 Patrice is gone. 558 00:28:04,190 --> 00:28:05,190 And I... 559 00:28:06,450 --> 00:28:08,270 I'll wait and... 560 00:28:09,390 --> 00:28:10,430 It's horrible. 561 00:28:32,410 --> 00:28:35,020 There, for us, it was technically a hassle 562 00:28:35,020 --> 00:28:38,030 because there was no snow that winter. 563 00:28:38,570 --> 00:28:41,570 And we ran after some snowy places. 564 00:28:41,610 --> 00:28:43,670 We were in the Vosges with the cabin that 565 00:28:43,670 --> 00:28:45,450 you discover a little later in the film. 566 00:28:45,990 --> 00:28:47,290 The adults of Mathieu and Yvan. 567 00:28:48,970 --> 00:28:49,970 And... 568 00:28:50,530 --> 00:28:54,530 And how much time did we spend? 569 00:28:54,610 --> 00:28:56,440 And how afraid we were of not having snow 570 00:28:56,440 --> 00:28:58,670 and not being able to shoot these sequences. 571 00:29:01,870 --> 00:29:04,230 Without Patrice, I no longer had any reason to fight. 572 00:29:05,850 --> 00:29:07,330 I waited for them to come back. 573 00:29:08,070 --> 00:29:09,070 Until exhaustion. 574 00:29:20,350 --> 00:29:21,700 There, the children were incredible because on 575 00:29:21,700 --> 00:29:24,110 that day, we would never have gone home without... 576 00:29:25,770 --> 00:29:26,770 Without their talent. 577 00:29:37,600 --> 00:29:38,600 Dude ! 578 00:29:42,090 --> 00:29:44,690 With such a strong moment. 579 00:29:51,460 --> 00:29:53,020 You have often spoken to me about these cases. 580 00:29:53,140 --> 00:29:53,340 Not too much. 581 00:29:53,340 --> 00:29:56,060 There, in addition, it is a moment, obviously, particular. 582 00:29:56,340 --> 00:29:59,640 But even, I think the hugs were every time you got together. 583 00:29:59,780 --> 00:30:01,160 Yes, it was extraordinary. 584 00:30:01,300 --> 00:30:03,170 We needed to hold each other close 'other. 585 00:30:03,200 --> 00:30:05,520 Need to be close. 586 00:30:05,700 --> 00:30:07,080 Because it was our survival. 587 00:30:08,020 --> 00:30:09,140 One in relation to the other. 588 00:30:09,400 --> 00:30:11,280 It's the only secret that exists between us. 589 00:30:17,150 --> 00:30:22,110 And we, during the editing with Olivier, we did a little cuddle cleaning. 590 00:30:22,150 --> 00:30:24,730 Because there were so many, at 591 00:30:24,730 --> 00:30:26,830 one point, that we had to sacrifice a few. 592 00:30:26,830 --> 00:30:27,880 I had shot so many. 593 00:30:27,910 --> 00:30:28,470 I brought this back for you. 594 00:30:28,710 --> 00:30:29,710 Thank you so much. 595 00:30:30,670 --> 00:30:33,550 I tell you for a city guy, you know how to drink. 596 00:30:35,290 --> 00:30:37,830 For a guy close to nature, you drink a lot. 597 00:30:39,470 --> 00:30:42,070 I can ask you what you came here to do with your brother. 598 00:30:47,040 --> 00:30:48,040 Get some fresh air. 599 00:30:48,620 --> 00:30:50,460 I love Yvan when he takes the time, like that. 600 00:30:50,700 --> 00:30:52,540 When he is in silence. 601 00:30:53,200 --> 00:30:54,200 Here we go ? 602 00:30:55,180 --> 00:30:55,540 Yes. 603 00:30:55,960 --> 00:30:56,960 Tell me. 604 00:31:08,140 --> 00:31:10,380 So the pick-up in front was a pick-up -up rental. 605 00:31:10,800 --> 00:31:12,420 And it was delivered to us brand new. 606 00:31:13,180 --> 00:31:17,260 And so with Arnaud, the first assistant, we skidded in the snow. 607 00:31:17,300 --> 00:31:19,960 To try to dirty it for an hour. 608 00:31:20,100 --> 00:31:21,100 And nothing happened. 609 00:31:21,180 --> 00:31:22,860 Because in fact, it's made for, you see. 610 00:31:23,340 --> 00:31:26,360 So we did everything we did to ruin it. 611 00:31:26,640 --> 00:31:28,640 Well, when I see it, I say to myself that it's not bad. 612 00:31:29,020 --> 00:31:30,420 But we were ridiculous. 613 00:31:37,700 --> 00:31:38,700 How are you ? 614 00:31:40,060 --> 00:31:41,060 How are you. 615 00:31:42,380 --> 00:31:46,220 Go over the hill there, we won't need snowshoes anymore. 616 00:31:48,980 --> 00:31:50,810 And that, since we give away all our little 617 00:31:50,810 --> 00:31:53,280 secrets, this sentence, It was not in the script. 618 00:31:53,480 --> 00:31:55,640 We added it to Canada. 619 00:31:55,800 --> 00:31:56,540 Because here we are in Canada. 620 00:31:56,680 --> 00:31:58,040 And there, we cross back into the Vosges. 621 00:31:58,620 --> 00:32:01,300 And precisely, because we had all these problems 622 00:32:01,300 --> 00:32:03,580 filming snow which was lacking in the Vosges. 623 00:32:04,560 --> 00:32:08,640 I added this little sentence to Vic's character. 624 00:32:08,640 --> 00:32:10,450 To explain that behind, there would no longer 625 00:32:10,450 --> 00:32:12,200 be snowshoes, that there would be less snow. 626 00:32:12,640 --> 00:32:14,320 And there, we added snow. 627 00:32:14,360 --> 00:32:16,380 Moreover, numerically, on the plans, the 628 00:32:16,400 --> 00:32:18,240 snow in the back, It does not exist, in fact. 629 00:32:18,960 --> 00:32:20,990 Because although it was the middle of 630 00:32:21,000 --> 00:32:24,120 winter and in the Vosges, there was no snow. 631 00:32:28,240 --> 00:32:32,510 It doesn't seem like much, but it was a 632 00:32:32,550 --> 00:32:35,060 great complexity for us, this snow story. 633 00:32:35,220 --> 00:32:38,300 When we make a film outdoors, It’s always very complicated for that. 634 00:32:43,220 --> 00:32:44,380 We can no longer be calm. 635 00:32:45,660 --> 00:32:46,820 I never knew how to hide that from you. 636 00:32:47,040 --> 00:32:48,630 First day of filming between Yvan and Mathieu, 637 00:32:48,640 --> 00:32:51,120 with a scene which is obviously already very strong. 638 00:32:51,300 --> 00:32:56,500 And it was great to see that they threw themselves into the characters like that... 639 00:32:58,200 --> 00:32:58,880 How are you ? 640 00:32:58,880 --> 00:33:00,440 Were you in shock? 641 00:33:00,440 --> 00:33:02,240 Without... Yeah, that's fine. 642 00:33:03,160 --> 00:33:04,520 Well, you don't have to hide a train. 643 00:33:04,560 --> 00:33:05,560 Reserve. 644 00:33:06,120 --> 00:33:07,020 Are you working? 645 00:33:07,020 --> 00:33:07,720 Yes. 646 00:33:07,720 --> 00:33:08,720 You forgot your guitar. 647 00:33:09,360 --> 00:33:10,360 Gift. 648 00:33:10,680 --> 00:33:11,840 I've never used it. 649 00:33:12,160 --> 00:33:13,160 OK thanks. 650 00:33:13,920 --> 00:33:16,880 I'm going to take one of the two canoes down there, then I leave you the second. 651 00:33:17,020 --> 00:33:18,540 You'll spend the night here, if you want. 652 00:33:18,820 --> 00:33:19,820 Oh, thank you. 653 00:33:20,020 --> 00:33:21,020 I have to move forward. 654 00:33:21,380 --> 00:33:23,940 I'm going to take advantage of the beautiful season to 'make one at home. 655 00:33:24,360 --> 00:33:26,640 I have to go trap you further and further north. 656 00:33:27,120 --> 00:33:27,440 Okay. 657 00:33:28,100 --> 00:33:30,980 I hope you have an idea of ​​what the old visit is like. 658 00:33:32,580 --> 00:33:33,760 Winter is no joke. 659 00:33:34,880 --> 00:33:35,880 The forest is rough. 660 00:33:42,600 --> 00:33:43,820 In France, we go camping. 661 00:33:45,140 --> 00:33:46,520 That's what he told me, Lucie. 662 00:33:46,660 --> 00:33:47,660 There, you like him. 663 00:33:48,160 --> 00:33:49,630 It's not just you who likes him, Michael. 664 00:33:49,660 --> 00:33:50,760 I love it, it's very posh. 665 00:33:50,760 --> 00:33:52,120 We can laugh at a lot of people, Yes. 666 00:33:56,060 --> 00:33:57,560 It's also great to see a character in life who 667 00:33:57,560 --> 00:34:00,560 understands everything, but who says nothing. 668 00:34:01,440 --> 00:34:05,900 If you face yourself, you can't lie to yourself. 669 00:34:06,240 --> 00:34:10,250 I really like the idea that these men, without saying anything to each 670 00:34:10,250 --> 00:34:12,780 other, contact each other, because they are all made of the same wood. 671 00:34:12,900 --> 00:34:16,080 There is something that brings them together, which binds them. 672 00:34:27,870 --> 00:34:29,110 This is all real rain. 673 00:34:29,230 --> 00:34:30,830 We didn't cheat. 674 00:34:30,870 --> 00:34:31,870 We were under the fleet. 675 00:34:31,910 --> 00:34:33,570 So it was the first filming session. 676 00:34:33,590 --> 00:34:34,750 We had non-stop rain. 677 00:34:34,930 --> 00:34:36,090 It was a shoot at... 678 00:34:37,290 --> 00:34:39,090 It's more like Platoon than... 679 00:34:39,810 --> 00:34:40,910 We were in the mud. 680 00:34:41,130 --> 00:34:44,390 The kids were in the rain, so obviously covered between takes. 681 00:34:44,490 --> 00:34:48,390 They didn't even catch a cold, but they were very willing. 682 00:34:48,390 --> 00:34:49,390 It was great. 683 00:35:00,610 --> 00:35:02,220 I love the decor of this cabin. 684 00:35:02,250 --> 00:35:03,930 I think She's really... She's perfect. 685 00:35:04,050 --> 00:35:05,050 She is really... 686 00:35:05,190 --> 00:35:06,310 I couldn't dream of anything better. 687 00:35:08,010 --> 00:35:10,750 All the little accessories, everything was really... 688 00:35:12,570 --> 00:35:13,570 Very very well thought out. 689 00:35:14,710 --> 00:35:17,270 Charlotte... Charlotte-Savie really did an incredible job. 690 00:35:20,690 --> 00:35:21,690 Our decoration chief. 691 00:35:40,290 --> 00:35:42,790 I think it was the first day of couch filming, that part, by the way. 692 00:35:42,790 --> 00:35:43,790 Of course. 693 00:35:45,780 --> 00:35:46,940 No chess game. 694 00:35:48,900 --> 00:35:50,420 I'll see what I can do. 695 00:35:51,760 --> 00:35:53,240 I hope you play better than before. 696 00:35:55,280 --> 00:35:57,620 It was the first evening they were together. 697 00:35:57,940 --> 00:36:00,360 It was complicated with... It was great luxury. 698 00:36:00,660 --> 00:36:02,940 What was complicated with Yvan and Mathieu, we had quite 699 00:36:02,940 --> 00:36:05,820 a few days of filming and, in fact, all the scenes were important. 700 00:36:05,960 --> 00:36:07,670 There wasn't a scene where we said to ourselves, 701 00:36:07,670 --> 00:36:10,020 come on, this one, we can approach it a little coolly, a little... 702 00:36:10,920 --> 00:36:12,120 With a little less intensity. 703 00:36:12,120 --> 00:36:17,620 All that was left was the essence of their relationship in the film. 704 00:36:17,720 --> 00:36:20,900 And it’s true that everything was very intense. 705 00:36:33,460 --> 00:36:35,500 Did you come here to die? 706 00:36:39,710 --> 00:36:40,730 There are worse things, right? 707 00:36:45,030 --> 00:36:46,630 You would have left without saying goodbye. 708 00:36:47,110 --> 00:36:49,730 There, for me, is really the beginning of this 709 00:36:49,730 --> 00:36:51,710 emotional western, this intimate western between the two. 710 00:36:51,850 --> 00:36:53,190 The looks, the silences. 711 00:36:56,570 --> 00:36:57,810 Was it Sylvie who called you? 712 00:36:58,330 --> 00:36:59,330 Yes. 713 00:37:00,110 --> 00:37:01,110 Economy of words. 714 00:37:02,810 --> 00:37:04,250 I'm glad you're here, Mick. 715 00:37:06,110 --> 00:37:07,190 But you can't stay. 716 00:37:08,210 --> 00:37:09,210 For your members. 717 00:37:10,470 --> 00:37:11,710 That's what I'm going to manage. 718 00:37:13,330 --> 00:37:15,890 And then the children are grown up, and then Elise can understand. 719 00:37:16,930 --> 00:37:18,370 How do you make them understand? 720 00:37:19,010 --> 00:37:20,170 We never told them anything. 721 00:37:28,940 --> 00:37:30,280 So here, I continue my... 722 00:37:31,840 --> 00:37:33,200 My work as an Urban double. 723 00:37:33,520 --> 00:37:35,600 After Yvan's hands, I do Mathieu's hands. 724 00:37:35,680 --> 00:37:36,680 And the guitars. 725 00:37:36,740 --> 00:37:39,720 I was the hands of the actors in the film. 726 00:37:40,040 --> 00:37:41,720 You have to understand, I don't believe it anymore. 727 00:37:43,380 --> 00:37:44,820 But how can you say that? 728 00:37:46,020 --> 00:37:48,080 Look at the rage it took for you to have all this. 729 00:37:48,340 --> 00:37:49,460 Everything you built. 730 00:37:50,740 --> 00:37:51,740 Exactly. 731 00:37:53,840 --> 00:37:56,080 I believed that to become someone, that would fill the void. 732 00:37:58,960 --> 00:38:00,100 What is the sequel? 733 00:38:01,680 --> 00:38:02,960 I don't know, I'm here. 734 00:38:06,920 --> 00:38:09,380 I know that for you, Michel, this is one 735 00:38:09,380 --> 00:38:13,220 of the most complicated scenes to tackle. 736 00:38:13,280 --> 00:38:15,680 This is actually what I had the most difficulty showing you. 737 00:38:23,800 --> 00:38:26,560 There, I tried to transcribe the happiness you spoke to me about, as a child. 738 00:38:26,740 --> 00:38:28,880 I love this scene because I remember... 739 00:38:29,540 --> 00:38:33,560 I remember asking you, before filming, I told you Olivier... 740 00:38:34,560 --> 00:38:36,940 There are scenes that I would like to see in this film, which are... 741 00:38:36,940 --> 00:38:41,180 When we run in the fields, when we play in the river. 742 00:38:42,120 --> 00:38:49,200 Happiness, ultimately, the happiness we experienced, the suffering we experienced. 743 00:38:49,200 --> 00:38:51,640 And I believe that happiness was greater than suffering. 744 00:38:51,720 --> 00:38:53,000 We dominated all that. 745 00:38:55,160 --> 00:38:56,960 In any case, that's what I wanted to say. 746 00:39:00,790 --> 00:39:06,770 I was very proud to have found this solution of putting foam. 747 00:39:07,730 --> 00:39:13,030 Because it allowed us to solve the rain problem. 748 00:39:14,090 --> 00:39:17,390 To resolve the problem of waterproofing the roof of the cabin. 749 00:39:18,050 --> 00:39:19,990 Because the first one wasn't easy. 750 00:39:21,670 --> 00:39:25,650 In any case, this one seems much more reassuring and comfortable than the first. 751 00:39:26,230 --> 00:39:28,050 It's smaller, it's warmer. 752 00:39:29,150 --> 00:39:30,150 It is waterproof. 753 00:39:32,990 --> 00:39:35,890 And it was the one that lasted the longest. 754 00:39:35,890 --> 00:39:39,030 Because it lasted for years, that one. 755 00:39:39,930 --> 00:39:43,380 And there, the same, when we shoot outdoors with 756 00:39:43,380 --> 00:39:46,470 nature, we are dependent on the weather, sun, bad weather. 757 00:39:46,650 --> 00:39:50,390 And there, we had a moment of magic because 'we found ourselves 758 00:39:50,390 --> 00:39:54,320 at a time when the sun was falling on the forest and he was right 759 00:39:54,320 --> 00:39:57,470 at the height to come and hit the objective and do your sniffing. 760 00:39:57,590 --> 00:39:59,790 It was a moment of magic. 761 00:39:59,890 --> 00:40:02,270 And fortunately we also have luck on the sets. 762 00:40:02,310 --> 00:40:03,310 Because... 763 00:40:04,270 --> 00:40:07,690 when working with nature, It’s She who decides. 764 00:40:18,890 --> 00:40:20,570 Well, that’s a recurring construction. 765 00:40:21,070 --> 00:40:24,650 The alternations in editing are something that was in the script, but. 766 00:40:24,750 --> 00:40:25,450 .. 767 00:40:27,170 --> 00:40:29,230 We weighed the pros and cons often with Olivia. 768 00:40:29,350 --> 00:40:30,510 We said to ourselves, do we keep? 769 00:40:30,510 --> 00:40:31,230 Aren't there too many? 770 00:40:31,230 --> 00:40:31,850 Should we remove it? 771 00:40:31,850 --> 00:40:32,850 Shall we put some back? 772 00:40:32,910 --> 00:40:35,230 It’s a team that is fragile. 773 00:40:36,790 --> 00:40:39,170 Yes, we didn't want to overuse it, but at the same time, there are 774 00:40:39,170 --> 00:40:41,990 moments like that where it resonated so much 'one scene to another that... 775 00:40:43,190 --> 00:40:44,650 it was important in the film. 776 00:40:44,750 --> 00:40:46,870 Afterwards, there are scenes like that of echo, do you remember? 777 00:40:46,870 --> 00:40:48,240 There's the one where he cuts his hair. 778 00:40:48,270 --> 00:40:48,890 Unfortunately, we have... 779 00:40:49,210 --> 00:40:49,650 Yes, it's true. 780 00:40:49,790 --> 00:40:51,130 Because it's true that the first version 781 00:40:51,130 --> 00:40:52,490 of the film was much longer, obviously. 782 00:40:52,910 --> 00:40:54,490 What were we, at 2:25? 783 00:40:55,330 --> 00:40:58,190 And there you have it, there was in particular this scene where the children cut their hair. 784 00:40:58,190 --> 00:40:59,650 And the adults, later, bigger. 785 00:40:59,790 --> 00:41:00,870 I loved this scene. 786 00:41:01,150 --> 00:41:03,130 Yes, so older adults, you know I didn't shoot it, after all. 787 00:41:03,250 --> 00:41:03,550 No, we didn't shoot it. 788 00:41:03,970 --> 00:41:04,970 It's true. 789 00:41:05,090 --> 00:41:05,810 It stopped before. 790 00:41:05,810 --> 00:41:07,450 But we dismantled it, anyway. 791 00:41:07,650 --> 00:41:09,760 Besides, She will perhaps be in the DVD bonuses. 792 00:41:09,790 --> 00:41:12,990 Yes, it's a very beautiful scene that we didn't keep, in the end. 793 00:41:14,470 --> 00:41:16,710 And that was a subject for some spectators, you see. 794 00:41:17,230 --> 00:41:20,930 We said to ourselves, they are not going to ask 795 00:41:20,930 --> 00:41:23,790 themselves the question of hair that is not yet growing. 796 00:41:23,910 --> 00:41:25,700 And there were some who told us that on tour, you see. 797 00:41:25,730 --> 00:41:27,850 Afterwards, we cannot answer all the questions. 798 00:41:30,210 --> 00:41:35,630 So, we are all fans of this kiss that Mathieu gives in Ivan's Tène. 799 00:41:36,810 --> 00:41:37,910 Yes, he has a way. 800 00:41:38,010 --> 00:41:39,710 Each time, I was very emotional during the editing. 801 00:41:39,730 --> 00:41:40,690 Every time, I see it again. 802 00:41:40,710 --> 00:41:42,310 I find it to be benevolent. 803 00:41:42,830 --> 00:41:43,830 He's lucky. 804 00:41:45,010 --> 00:41:48,050 I think I'll never get used to the sounds of the forest at night. 805 00:41:48,590 --> 00:41:50,110 We believe in it, up front, Michel. 806 00:41:51,370 --> 00:41:52,690 Amazing. 807 00:41:54,170 --> 00:41:55,990 It's great, the work you've 808 00:41:55,990 --> 00:41:59,410 done, because I feel like I see us. 809 00:42:00,470 --> 00:42:01,590 It's incredible. 810 00:42:03,970 --> 00:42:05,490 It's not like I didn't freeze them. 811 00:42:05,490 --> 00:42:08,120 And then, I who didn't know Patrice, it's true that 812 00:42:08,120 --> 00:42:10,310 These are the looks and images I had of it. 813 00:42:13,290 --> 00:42:16,530 Mathieu is wonderful in interpretation 814 00:42:16,530 --> 00:42:21,470 of Patrice, because he has this knife blade. 815 00:42:21,930 --> 00:42:23,250 I think you're doing well, then. 816 00:42:26,050 --> 00:42:27,050 You do as you feel. 817 00:42:40,960 --> 00:42:44,480 There were subjects, particularly with Ivan, the tempo. 818 00:42:45,280 --> 00:42:47,920 But how much I love them when they don't say anything. 819 00:42:49,100 --> 00:42:50,940 When they look at each other, when they have Just... 820 00:42:51,940 --> 00:42:53,180 For me, that's it, you two. 821 00:42:53,480 --> 00:42:54,540 But that was so much it. 822 00:42:55,800 --> 00:42:56,800 It is... 823 00:42:58,420 --> 00:42:59,420 You look. 824 00:43:02,520 --> 00:43:03,160 There, it's the same. 825 00:43:03,220 --> 00:43:06,680 We had several versions of Mathieu who reacted. 826 00:43:06,760 --> 00:43:11,460 And finally, the coldest is what appeared to us to be the most obvious. 827 00:43:11,560 --> 00:43:12,890 That look, like that, I love. 828 00:43:12,920 --> 00:43:13,920 That little look at the end. 829 00:43:14,480 --> 00:43:15,480 The best. 830 00:43:18,200 --> 00:43:20,180 The Mont-Blanc plan, as it was called. 831 00:43:20,480 --> 00:43:22,260 Because it looks like whipped cream. 832 00:43:22,400 --> 00:43:25,320 You had our little codes in editing with Olivia, to save time. 833 00:43:46,110 --> 00:43:47,110 So that, 834 00:43:52,510 --> 00:43:54,640 for the actors, it's never very funny, these telephone 835 00:43:54,670 --> 00:43:57,550 scenes, because obviously, they are... Like a woman abandoned by her husband. 836 00:43:57,650 --> 00:43:58,850 They are often not together. 837 00:44:00,870 --> 00:44:03,870 And even if they respond to each other, it's true that there 838 00:44:03,870 --> 00:44:06,750 is something that is a little... And finally, It works well, but... 839 00:44:06,750 --> 00:44:08,960 It's horrible, because you put me in an untenable position. 840 00:44:08,990 --> 00:44:10,300 But this is something that we had to shoot in 841 00:44:10,320 --> 00:44:12,410 the rain, you can't see it, you can't hear it anymore. 842 00:44:12,710 --> 00:44:16,070 But it was... The whole part in the restaurant, there, She's... 843 00:44:17,490 --> 00:44:19,590 She's in the rain, and it's been a bit complicated. 844 00:44:19,970 --> 00:44:21,970 I want to feel like you can leave n it doesn't matter when. 845 00:44:24,510 --> 00:44:25,990 I'm afraid I won't hold you this time. 846 00:44:27,610 --> 00:44:29,490 Would you like to pass me the kidney, please ? 847 00:44:30,210 --> 00:44:32,630 For me it was an important moment, because we still 848 00:44:32,630 --> 00:44:34,120 have to remain attached to this character, because we 849 00:44:34,140 --> 00:44:36,330 still see him completely abandoned, all plated up, like that. 850 00:44:36,430 --> 00:44:40,130 He must not become a character that we put aside. 851 00:44:40,950 --> 00:44:45,670 So it was... This connection with family, This way of managing, It was important. 852 00:44:46,870 --> 00:44:50,190 We also need to understand the reaction. 853 00:44:51,130 --> 00:44:52,130 It's important. 854 00:44:52,950 --> 00:44:55,730 Would you like to wish your sister happy birthday, please? 855 00:44:57,150 --> 00:44:57,510 Yes. 856 00:44:57,510 --> 00:44:58,670 And tell him I love you. 857 00:45:00,570 --> 00:45:01,550 You tell him, right? 858 00:45:01,550 --> 00:45:02,770 Yeah, I promise. 859 00:45:04,190 --> 00:45:05,190 I kiss you. 860 00:45:06,410 --> 00:45:07,410 Dad. 861 00:45:08,950 --> 00:45:11,130 Stan Dupas, who is a great actor, Also. 862 00:45:12,430 --> 00:45:13,430 Promised. 863 00:45:15,630 --> 00:45:16,670 Who plays Ivan's son. 864 00:45:21,080 --> 00:45:22,220 Piss off! 865 00:45:23,240 --> 00:45:24,240 Uh... 866 00:45:37,000 --> 00:45:38,850 Yeah, it's the same, children, they were great. 867 00:45:38,880 --> 00:45:40,880 Because you can't see it, but the water was freezing. 868 00:45:40,900 --> 00:45:41,800 They were incredible. 869 00:45:41,920 --> 00:45:42,400 They were having a blast. 870 00:45:42,460 --> 00:45:43,820 They had a blast, eh, but... 871 00:45:44,980 --> 00:45:45,440 And there you have it. 872 00:45:45,740 --> 00:45:46,260 Our big ones. 873 00:45:46,360 --> 00:45:47,320 Those we called our greats. 874 00:45:47,340 --> 00:45:48,340 The big ones. 875 00:45:49,180 --> 00:45:51,000 Fernand on the left and Vigo on the right. 876 00:45:53,400 --> 00:45:55,200 That was a moment... There was a lot 877 00:45:55,260 --> 00:45:56,940 at stake for us, in editing, at that time. 878 00:45:57,000 --> 00:45:59,840 Because, there we are, we got very attached to the little ones. 879 00:46:00,440 --> 00:46:02,640 We spent 45 minutes with them, Already. 880 00:46:02,860 --> 00:46:05,400 And there, all of a sudden, there they are, they are the same characters. 881 00:46:05,400 --> 00:46:07,220 But embodied by... Others. 882 00:46:07,380 --> 00:46:08,040 Other actors. 883 00:46:08,280 --> 00:46:11,110 And... I was so attached to the little ones. 884 00:46:11,140 --> 00:46:12,900 You too, Olivier, we said to each other, Oh dear, we have to have... 885 00:46:12,900 --> 00:46:14,420 Now, here we are, with these grown-ups. 886 00:46:16,040 --> 00:46:16,900 Yeah, it's not easy. 887 00:46:17,020 --> 00:46:17,940 It still makes... 888 00:46:17,940 --> 00:46:21,740 Your characters, Michel, they are still played by three different actors. 889 00:46:22,020 --> 00:46:23,580 And it's... 890 00:46:24,280 --> 00:46:27,540 And at some point, it is not necessary that, for the 891 00:46:27,540 --> 00:46:30,100 viewer, the process takes up too much space. 892 00:46:30,180 --> 00:46:31,880 And cuts us off from emotion. 893 00:46:31,900 --> 00:46:34,520 So, it's true that we were very, very attentive to this passage. 894 00:46:34,520 --> 00:46:36,540 This change from small to large. 895 00:46:41,360 --> 00:46:44,400 At the same time, they have such intensity, straight away, that... 896 00:46:45,080 --> 00:46:45,400 Amazing. 897 00:46:45,640 --> 00:46:49,060 We want to look at them and say to ourselves, what's going on in their heads? 898 00:46:49,060 --> 00:46:50,640 We want to be interested in them. 899 00:46:50,840 --> 00:46:51,840 Obviously, they are there. 900 00:46:53,260 --> 00:46:55,820 This is the first day of filming with the adults. 901 00:46:55,920 --> 00:46:57,400 It was the first day of filming. 902 00:46:58,240 --> 00:46:59,560 It’s that hunting moment. 903 00:47:03,860 --> 00:47:04,970 Same, who was in the rain. 904 00:47:05,000 --> 00:47:06,800 So, in terms of sound, it was unusable. 905 00:47:07,040 --> 00:47:09,100 The whole team did an incredible job to... 906 00:47:10,380 --> 00:47:11,900 That it all fits together. 907 00:47:14,040 --> 00:47:15,220 A front of... 908 00:47:47,050 --> 00:47:48,570 It's so true. 909 00:47:48,950 --> 00:47:49,950 So true. 910 00:47:50,670 --> 00:47:52,970 There, the same, Mathieu is super intense. 911 00:47:55,130 --> 00:47:56,250 We feel that... 912 00:47:58,990 --> 00:48:00,390 It can twist at any time. 913 00:48:04,600 --> 00:48:05,760 And it's really powerful. 914 00:48:15,930 --> 00:48:18,650 So, this scene, for Olivier and me, it was a mountain. 915 00:48:19,410 --> 00:48:20,550 It was a thing. 916 00:48:20,590 --> 00:48:21,330 We were talking about it. 917 00:48:21,570 --> 00:48:24,110 Before we got there, we said to ourselves, but... 918 00:48:24,610 --> 00:48:27,170 When we have to put on this scene, it's going to be... 919 00:48:27,990 --> 00:48:30,710 I don't know why, anyway. 920 00:48:30,990 --> 00:48:32,470 We had saved it for last. 921 00:48:32,890 --> 00:48:36,250 And I believe there are 165 sequences in the film. 922 00:48:36,430 --> 00:48:36,690 Yeah. 923 00:48:36,950 --> 00:48:38,210 We had a painting. 924 00:48:38,230 --> 00:48:40,990 Each time, we checked the sequences that we had gone up. 925 00:48:41,390 --> 00:48:42,490 A huge painting. 926 00:48:42,930 --> 00:48:45,010 And this one, She was always last. 927 00:48:45,770 --> 00:48:48,690 And then, one week, we said to ourselves, Come on, let's tackle the game of chess. 928 00:48:48,690 --> 00:48:49,690 It must be done. 929 00:48:49,730 --> 00:48:50,030 And there you have it. 930 00:48:50,190 --> 00:48:51,340 And actually, we did it quite quickly. 931 00:48:51,370 --> 00:48:51,530 Yeah. 932 00:48:51,590 --> 00:48:52,350 It wasn't that bad. 933 00:48:52,530 --> 00:48:53,610 It wasn't that bad. 934 00:49:21,190 --> 00:49:22,190 Mick. 935 00:49:22,670 --> 00:49:23,670 What is it? 936 00:49:29,790 --> 00:49:30,700 I can't help but think that if you had 937 00:49:30,700 --> 00:49:33,410 had children, you wouldn't be there. 938 00:49:35,710 --> 00:49:38,250 It was a... It's one of the important moments of the film. 939 00:49:38,410 --> 00:49:38,650 That's what we know. 940 00:49:38,910 --> 00:49:39,810 One of the key moments. 941 00:49:39,890 --> 00:49:40,890 A seesaw. 942 00:49:41,350 --> 00:49:42,050 We need to... 943 00:49:42,050 --> 00:49:44,930 It's one of the rare moments, ultimately, where we also feel, at the same time as the 944 00:49:44,930 --> 00:49:47,210 conflict, the complicity between the two brothers. 945 00:49:47,270 --> 00:49:48,270 Because... 946 00:49:50,490 --> 00:49:55,260 There is not that much opportunity in the film 947 00:49:55,270 --> 00:49:59,590 to show this link in everyday life and in dialogue. 948 00:50:02,690 --> 00:50:07,570 If I win, you tell me what happened to you the winter you disappeared. 949 00:50:08,910 --> 00:50:11,210 It was really something that haunted me, that. 950 00:50:11,710 --> 00:50:14,310 Knowing what had happened, what had happened to him. 951 00:50:16,590 --> 00:50:16,910 Chick. 952 00:50:17,010 --> 00:50:17,170 Chick. 953 00:50:17,350 --> 00:50:18,350 Chick. 954 00:50:18,890 --> 00:50:20,070 And you never knew. 955 00:50:20,330 --> 00:50:21,370 But I never knew it. 956 00:50:22,110 --> 00:50:23,110 Never, never. 957 00:50:23,150 --> 00:50:28,150 When he left, before leaving, he told me I protected you when you were little. 958 00:50:28,430 --> 00:50:29,590 I protect you now. 959 00:50:30,130 --> 00:50:31,290 You don't need to know. 960 00:50:31,750 --> 00:50:32,750 Failure. 961 00:50:33,730 --> 00:50:35,050 And I kept that. 962 00:50:45,140 --> 00:50:46,140 Failure. 963 00:50:56,580 --> 00:50:58,930 Here again, Magali from Sassy, ​​the cinematographer, 964 00:50:58,930 --> 00:51:01,280 director of photography, she did an incredible job. 965 00:51:01,280 --> 00:51:05,140 Because I find that the light in this scene, It is... It is magnificent. 966 00:51:05,380 --> 00:51:07,620 She really left... I'm sick. 967 00:51:08,720 --> 00:51:12,980 It's both warm and dark, there is everything. 968 00:51:21,760 --> 00:51:24,480 I so need to understand, it's hard for me. 969 00:51:38,350 --> 00:51:41,210 This is a part that... 970 00:51:42,550 --> 00:51:44,490 Seeing it again with you, I can talk about it 971 00:51:44,500 --> 00:51:46,810 all the more and I think about it all the more. 972 00:51:46,910 --> 00:51:47,290 It is... 973 00:51:47,290 --> 00:51:49,930 That was the most painful thing to show you when you discovered the film. 974 00:51:49,930 --> 00:51:53,190 Because you have to know that you can't 975 00:51:53,350 --> 00:51:54,350 -not having come to the set, to the filming at all. 976 00:51:54,410 --> 00:51:56,270 You discovered everything once you got on. 977 00:51:57,270 --> 00:52:01,650 After these hundreds of hours of discussion, these five years of sharing. 978 00:52:01,650 --> 00:52:03,010 Discussion... 979 00:52:05,030 --> 00:52:09,040 But because you were so immersed in 980 00:52:09,040 --> 00:52:12,250 this story, I wanted to see it come out of you. 981 00:52:12,810 --> 00:52:15,250 I wanted to see it, see what you were going to do with it. 982 00:52:17,150 --> 00:52:20,590 And like I told you the first time I saw this film, I 983 00:52:20,590 --> 00:52:23,170 was in tears and I only had one word to say, it was... 984 00:52:23,490 --> 00:52:24,490 Olivier, thank you. 985 00:52:25,250 --> 00:52:26,330 Thanks, that's all. 986 00:52:27,590 --> 00:52:30,070 Everything was said, everything was there. 987 00:52:31,710 --> 00:52:34,770 But it's true that that day, when I showed you the 988 00:52:34,770 --> 00:52:37,590 film the first time, and Olivier talked so much about 989 00:52:37,590 --> 00:52:39,870 this moment in editing, when I saw this scene dream, I... 990 00:52:41,090 --> 00:52:43,710 I wasn't proud in my seat, I can say that... 991 00:52:44,390 --> 00:52:45,570 It's so much emotion. 992 00:52:45,630 --> 00:52:46,630 It was hard. 993 00:52:49,250 --> 00:52:50,950 But this scene, for me, is terrible. 994 00:52:50,950 --> 00:52:52,710 It's... I can't... 995 00:52:53,330 --> 00:52:55,750 I can't hold back my tears when I see this scene. 996 00:52:55,890 --> 00:52:56,510 It's not possible. 997 00:52:56,570 --> 00:52:58,290 I have seen the film several times. 998 00:52:58,970 --> 00:53:01,930 Every time... It's so strong between us. 999 00:53:02,070 --> 00:53:03,090 It's so terrible. 1000 00:53:04,010 --> 00:53:05,010 Today... 1001 00:53:05,930 --> 00:53:06,990 It's still there. 1002 00:53:10,920 --> 00:53:11,920 So strong. 1003 00:53:12,180 --> 00:53:13,180 So strong. 1004 00:53:34,300 --> 00:53:35,660 It's all in this scene. 1005 00:53:35,800 --> 00:53:37,780 Everything we've been through, everything we have... 1006 00:53:38,440 --> 00:53:39,946 felt. 1007 00:53:46,460 --> 00:53:48,960 We're going to enter a scene that was for me... 1008 00:53:50,300 --> 00:53:51,420 a big challenge. 1009 00:53:51,580 --> 00:53:54,500 Because when she read it, she touched a lot of people. 1010 00:53:54,740 --> 00:53:58,600 It's a scene that was key for many readers of the script. 1011 00:53:59,560 --> 00:54:02,440 And I knew there was a lot of anticipation on this gypsy scene. 1012 00:54:03,260 --> 00:54:05,400 They were caught hunting in the forest. 1013 00:54:08,520 --> 00:54:13,360 And rather than fleeing... And it was a moment of grace because we... 1014 00:54:14,300 --> 00:54:16,860 We recreated this gypsy camp in the Dordogne. 1015 00:54:18,060 --> 00:54:19,360 With lots of locals. 1016 00:54:19,940 --> 00:54:24,400 And gypsies who are notably musicians who are Venus. 1017 00:54:24,560 --> 00:54:25,560 It's been really great. 1018 00:54:26,400 --> 00:54:27,710 Something happened. 1019 00:54:27,740 --> 00:54:28,740 Really, we were... 1020 00:54:29,340 --> 00:54:33,280 For one night, we were all together partying. 1021 00:54:33,340 --> 00:54:34,420 It was pretty crazy. 1022 00:54:35,120 --> 00:54:36,560 It’s a great memory from filming. 1023 00:54:42,870 --> 00:54:43,510 There, it's the same. 1024 00:54:43,550 --> 00:54:48,330 Magali, She lit with... ... ... ...almost nothing. 1025 00:54:49,490 --> 00:54:51,850 She gave us an absolutely crazy image. 1026 00:55:01,020 --> 00:55:03,880 You talked a lot about this gypsy moment. 1027 00:55:04,120 --> 00:55:04,980 It was really... 1028 00:55:04,980 --> 00:55:08,180 I knew that for you, moreover, it was a memory that was important. 1029 00:55:08,600 --> 00:55:11,460 And there, we clearly see the difference between the two of us. 1030 00:55:12,360 --> 00:55:17,280 Patrice who is... ...who is crazier and who is going... ...who is going elsewhere... 1031 00:55:17,280 --> 00:55:19,700 ...during his life, always be crazier. 1032 00:55:20,340 --> 00:55:25,080 And I am... ...who asks myself questions, who asks me why. 1033 00:55:25,860 --> 00:55:26,860 Why all this? 1034 00:55:29,660 --> 00:55:31,520 She's a beautiful little girl in slow motion. 1035 00:55:31,780 --> 00:55:32,920 My daughter, Léa. 1036 00:55:33,720 --> 00:55:35,770 It was great because I had my son playing guitar. 1037 00:55:35,800 --> 00:55:37,440 Well there he is, he’s there, he’s just passed by. 1038 00:55:38,120 --> 00:55:41,020 And the fact of filming this with his children, I admit it was a... 1039 00:55:42,100 --> 00:55:42,940 Ah Well, that’s great. 1040 00:55:42,940 --> 00:55:43,580 ...a moment that I will not forget. 1041 00:55:43,700 --> 00:55:45,380 You know them very, very well, you, Michael. 1042 00:56:02,280 --> 00:56:03,620 She will make you miss what he is. 1043 00:56:03,620 --> 00:56:11,440 It's the first time we see society again, that we hear music. 1044 00:56:11,460 --> 00:56:19,320 It's the first time we feel Love outside of the two of us. 1045 00:56:19,400 --> 00:56:20,400 Tenderness. 1046 00:56:21,340 --> 00:56:28,100 It's extraordinary, this time with the gypsies, it was... 1047 00:56:29,260 --> 00:56:32,140 But I find that little Vigo, there, he plays it really very, very well. 1048 00:56:32,200 --> 00:56:33,200 This moment of... 1049 00:56:34,040 --> 00:56:39,140 This moment of incomprehension and discovery of maternal Love, I find that it... 1050 00:56:39,140 --> 00:56:41,120 They are magnificent, the children. 1051 00:56:43,640 --> 00:56:44,940 It's so true. 1052 00:56:58,300 --> 00:57:00,340 Obviously, they offered us to go with them. 1053 00:57:01,720 --> 00:57:02,720 I wanted to. 1054 00:57:04,320 --> 00:57:06,360 And you didn't agree for the first time? 1055 00:57:06,360 --> 00:57:06,480 No. 1056 00:57:06,680 --> 00:57:08,700 For Pat, our community, it was him. 1057 00:57:08,780 --> 00:57:09,780 And me. 1058 00:57:11,700 --> 00:57:12,700 He was right. 1059 00:57:13,820 --> 00:57:15,380 The next day, we didn't even think about it anymore. 1060 00:57:15,740 --> 00:57:18,660 So this is a scene that wandered into many places in the film. 1061 00:57:18,740 --> 00:57:20,460 We put... 1062 00:57:21,760 --> 00:57:23,680 She has traveled quite a bit. 1063 00:57:24,700 --> 00:57:26,600 In the overall editing of the film. 1064 00:57:56,120 --> 00:57:59,500 This contact between the two of us which brought us to life, that’s it. 1065 00:57:59,640 --> 00:58:00,640 It's all there. 1066 00:58:02,520 --> 00:58:03,940 There, I have a little regret each time. 1067 00:58:03,960 --> 00:58:05,900 It's from having cut the shot from before a little early. 1068 00:58:06,000 --> 00:58:08,580 It's our little ones... We're attacking all our little ones... 1069 00:58:09,540 --> 00:58:10,760 Every time I see him, I say to myself, 1070 00:58:10,780 --> 00:58:13,440 why didn't we leave that one further away? 1071 00:58:13,900 --> 00:58:17,200 Because there is a whole phase, before finishing the film, 1072 00:58:17,200 --> 00:58:19,520 where we try to tighten up, to save time, to gain a little tension. 1073 00:58:19,880 --> 00:58:22,660 And each time, it's a little moment where I say to myself Ouch! 1074 00:58:23,400 --> 00:58:24,400 It would be a redo. 1075 00:58:24,860 --> 00:58:26,460 I would have left a few more images. 1076 00:58:33,640 --> 00:58:34,840 That's a nice moment. 1077 00:58:35,580 --> 00:58:36,580 I love that. 1078 00:58:37,800 --> 00:58:38,800 Yeah... 1079 00:58:44,280 --> 00:58:48,640 Among all the little cheats of cinema, the little guitar moment 1080 00:58:48,640 --> 00:58:51,380 that we saw furtively, we shot it on the evening of the Gypsies. 1081 00:58:52,460 --> 00:58:55,640 Six months later, and it's working very, very well. 1082 00:58:56,440 --> 00:59:00,140 Because it took a real zygane musician's hand to do that. 1083 00:59:01,980 --> 00:59:04,260 I can do the lining well, but I don't know how to do that. 1084 00:59:08,580 --> 00:59:10,240 That was beautiful, that whole sequence. 1085 00:59:10,240 --> 00:59:12,320 I say it was because there you go, the lake was freezing. 1086 00:59:12,360 --> 00:59:13,490 There was a whole sequence. 1087 00:59:13,520 --> 00:59:15,940 We saw Michel and Patrice fishing at the edge of the lake. 1088 00:59:16,620 --> 00:59:18,160 Which we also cut. 1089 00:59:18,200 --> 00:59:18,680 It's true. 1090 00:59:19,100 --> 00:59:23,040 For timing issues, efficiency, storytelling. 1091 00:59:32,680 --> 00:59:33,220 Vic! 1092 00:59:33,220 --> 00:59:34,860 What do I like about Vic in this sequence? 1093 00:59:34,860 --> 00:59:35,860 I think he has a... 1094 00:59:36,300 --> 00:59:37,300 He's great. 1095 00:59:37,460 --> 00:59:38,580 He has modesty and... 1096 00:59:40,080 --> 00:59:41,240 which touches me a lot. 1097 00:59:42,620 --> 00:59:43,620 How are you ? 1098 00:59:44,920 --> 00:59:46,060 Isn't that too hard? 1099 00:59:46,060 --> 00:59:47,280 No, are you okay? 1100 00:59:49,040 --> 00:59:50,160 Is Patrice there? 1101 00:59:50,160 --> 00:59:51,160 Yes, he is still sleeping. 1102 00:59:53,740 --> 00:59:54,740 Listen. 1103 00:59:55,220 --> 00:59:57,020 It's none of my business why you're here. 1104 00:59:57,660 --> 00:59:58,660 Both. 1105 00:59:59,360 --> 01:00:02,420 There, Yvan, he’s really caught between the two fires. 1106 01:00:04,260 --> 01:00:05,260 He was looking. 1107 01:00:06,440 --> 01:00:08,140 He was with a 20 year old. 1108 01:00:11,510 --> 01:00:12,890 Did you say what his name was? 1109 01:00:13,530 --> 01:00:14,530 Vincent? 1110 01:00:14,870 --> 01:00:15,870 I don't know. 1111 01:00:21,080 --> 01:00:22,420 We all have our little secrets. 1112 01:00:23,680 --> 01:00:24,580 Then all the time. 1113 01:00:24,620 --> 01:00:26,300 Guys like you, we respect that. 1114 01:00:28,440 --> 01:00:30,120 David, the boss, more or less said nothing. 1115 01:00:31,320 --> 01:00:32,560 I just want you to know. 1116 01:00:33,540 --> 01:00:36,140 Mathieu, there is an intensity in this scene that is... 1117 01:00:37,000 --> 01:00:38,000 quite incredible. 1118 01:00:38,540 --> 01:00:39,540 Yes. 1119 01:00:41,060 --> 01:00:43,260 The young man who was with him asks lots of questions. 1120 01:00:46,040 --> 01:00:47,440 It seems like he misses his father. 1121 01:00:59,440 --> 01:01:02,260 And there, the plan that will arrive when Mathieu comes out... 1122 01:01:03,100 --> 01:01:05,020 He has an intensity in his face. 1123 01:01:05,140 --> 01:01:05,280 Amazing. 1124 01:01:05,560 --> 01:01:06,160 A gravity. 1125 01:01:06,340 --> 01:01:06,700 Amazing. 1126 01:01:06,960 --> 01:01:09,560 Each time, it gave us goosebumps. 1127 01:01:10,720 --> 01:01:12,440 We see his look there. 1128 01:01:13,260 --> 01:01:15,600 Where he is confronted with all these demons. 1129 01:01:16,060 --> 01:01:17,900 For me, it could have been the poster for the film. 1130 01:01:17,960 --> 01:01:19,360 It's so... That sums up this... 1131 01:01:25,790 --> 01:01:26,150 It's true, you're right. 1132 01:01:26,150 --> 01:01:29,550 And there, for the record, we had a whole sequence shot. 1133 01:01:30,590 --> 01:01:32,710 Which worked very well with the arrival of Mathieu. 1134 01:01:32,790 --> 01:01:35,410 And we had forgotten that Yvan had put on his glasses. 1135 01:01:35,930 --> 01:01:39,590 And we have a whole set that filmed with it Yvan putting on his glasses. 1136 01:01:39,690 --> 01:01:41,050 And we take it easy. 1137 01:01:41,090 --> 01:01:42,370 And there are 30 of us around. 1138 01:01:42,590 --> 01:01:44,410 And there is no one who says... 1139 01:01:44,850 --> 01:01:45,790 He has his glasses. 1140 01:01:45,790 --> 01:01:46,970 He has his glasses on. 1141 01:01:47,430 --> 01:01:49,150 And so, we had to cut the plan. 1142 01:01:50,090 --> 01:01:51,090 It was funny. 1143 01:01:51,590 --> 01:01:52,680 At the time, we weren't laughing. 1144 01:01:52,710 --> 01:01:53,850 But now we're laughing. 1145 01:02:00,710 --> 01:02:03,170 This is how it all started, eh, Olivier? 1146 01:02:04,970 --> 01:02:06,130 The size of the piece of wood. 1147 01:02:06,310 --> 01:02:07,310 Yeah, that's true. 1148 01:02:07,470 --> 01:02:08,470 It's true. 1149 01:02:09,150 --> 01:02:09,750 It's true. 1150 01:02:09,750 --> 01:02:11,990 That's how it all started. 1151 01:02:22,880 --> 01:02:23,520 It's the same. 1152 01:02:23,560 --> 01:02:24,240 It's the little things. 1153 01:02:24,420 --> 01:02:31,780 But the little smoke in the background that Magali added to the photo. 1154 01:02:31,980 --> 01:02:32,980 It's magnificent. 1155 01:02:33,020 --> 01:02:36,040 This little ray of light there is a small detail. 1156 01:02:36,080 --> 01:02:37,120 But what do I like. 1157 01:02:37,320 --> 01:02:38,320 This work. 1158 01:02:38,600 --> 01:02:40,160 How I love what She did. 1159 01:02:45,320 --> 01:02:46,320 We went back to Canada. 1160 01:02:46,520 --> 01:02:47,520 To real Canada. 1161 01:02:47,860 --> 01:02:49,300 You made him walk a lot, Yvan. 1162 01:02:49,400 --> 01:02:50,180 In the rushes. 1163 01:02:50,180 --> 01:02:51,180 He walked for a long time. 1164 01:02:51,240 --> 01:02:53,580 He was a little... He was a little angry, in the end. 1165 01:02:54,160 --> 01:02:57,600 I think his knees suffered a bit from a lot of snowshoeing. 1166 01:02:58,440 --> 01:03:01,040 He was a little angry with me, it's true. 1167 01:03:01,220 --> 01:03:02,660 I just want to know if you're alive. 1168 01:03:15,060 --> 01:03:16,900 It’s a moment that I found super strong, that. 1169 01:03:16,960 --> 01:03:17,360 Yeah. 1170 01:03:17,980 --> 01:03:20,780 Throw that phone away, like that, with... But... 1171 01:03:21,660 --> 01:03:22,820 And what you would have been capable of. 1172 01:03:23,260 --> 01:03:24,260 I would have done it. 1173 01:03:29,320 --> 01:03:33,060 So that was one of the moments of grace with the children. 1174 01:03:33,420 --> 01:03:34,420 Because... 1175 01:03:35,260 --> 01:03:37,370 From memory, I don't know if we made eleven or thirteen. 1176 01:03:37,400 --> 01:03:38,750 But I think there were eleven takes. 1177 01:03:38,780 --> 01:03:41,280 To think about how this camera descends on them. 1178 01:03:42,660 --> 01:03:46,700 And the first take was... You have to do forty-five seconds, no more. 1179 01:03:47,060 --> 01:03:49,880 And there, in the end, after eleven takes, She does... 1180 01:03:50,340 --> 01:03:51,580 It's over two minutes long. 1181 01:03:52,580 --> 01:03:55,420 Because I would have asked to take the time... So wrong. 1182 01:03:55,700 --> 01:03:56,400 So bad. 1183 01:03:56,600 --> 01:03:58,860 To truly be in gentleness. 1184 01:03:58,860 --> 01:03:59,200 And... 1185 01:03:59,800 --> 01:04:01,580 And when Vigo... 1186 01:04:04,260 --> 01:04:06,060 Who plays Michel on the right will... 1187 01:04:07,520 --> 01:04:10,260 Take the arm of his big brother who caresses his face. 1188 01:04:10,360 --> 01:04:12,800 It got us all... It wasn't planned at all. 1189 01:04:12,860 --> 01:04:15,060 And we all had tears in our eyes on set. 1190 01:04:21,160 --> 01:04:22,160 Where? 1191 01:04:24,260 --> 01:04:26,220 With this music, which is very beautiful. 1192 01:04:26,440 --> 01:04:29,060 That you composed with Simon and Cyril. 1193 01:04:29,200 --> 01:04:31,310 It was always, for us, a bit like the theme of the film. 1194 01:04:31,340 --> 01:04:32,340 From the start, in fact. 1195 01:04:32,460 --> 01:04:34,420 You found it very very quickly, this music. 1196 01:04:35,160 --> 01:04:36,760 We immediately put her on this sequence. 1197 01:04:36,780 --> 01:04:37,780 And it never changed. 1198 01:04:37,780 --> 01:04:39,460 Yeah, it's true that it never changed. 1199 01:04:40,400 --> 01:04:41,520 I'm tired. 1200 01:04:47,970 --> 01:04:50,250 But if you only knew how true it is. 1201 01:04:51,550 --> 01:04:52,550 It's incredible. 1202 01:04:53,810 --> 01:04:55,330 We're going to swim in the sea. 1203 01:05:02,710 --> 01:05:04,160 And there we were at the start of filming. 1204 01:05:04,190 --> 01:05:05,790 So it's not easy for children. 1205 01:05:05,850 --> 01:05:07,090 Especially boys from... 1206 01:05:09,110 --> 01:05:10,190 There you have it, there is modesty. 1207 01:05:10,310 --> 01:05:11,110 Especially at that age. 1208 01:05:11,170 --> 01:05:11,990 They are a little older. 1209 01:05:12,050 --> 01:05:14,330 So it's more complicated to have gestures of tenderness. 1210 01:05:14,390 --> 01:05:15,810 Complicity, like that. 1211 01:05:15,810 --> 01:05:17,730 And to be tactile. 1212 01:05:18,030 --> 01:05:19,990 And it’s true that they were incredible. 1213 01:05:20,490 --> 01:05:23,310 Because they split their wall very, very quickly. 1214 01:05:23,850 --> 01:05:25,010 And they let themselves go. 1215 01:05:25,050 --> 01:05:26,050 It was... 1216 01:05:27,330 --> 01:05:28,330 It was great. 1217 01:05:34,100 --> 01:05:36,820 The shot we saw before of Mathieu and Yvan 1218 01:05:36,820 --> 01:05:39,580 sleeping, it replaced the haircut you were talking about. 1219 01:05:39,820 --> 01:05:41,280 Adults, in the scenario. 1220 01:05:49,540 --> 01:05:51,340 We notice Robert who plays Monsieur Leandry. 1221 01:05:51,520 --> 01:05:52,520 Yeah, I love it. 1222 01:05:52,940 --> 01:05:54,560 Who was the child coach. 1223 01:05:54,780 --> 01:05:55,920 And who is an incredible actor. 1224 01:05:55,920 --> 01:05:57,940 A wonderful actor. 1225 01:05:59,740 --> 01:06:00,740 Great actor. 1226 01:06:17,250 --> 01:06:21,170 But in all the previews, that's always been the question. 1227 01:06:21,510 --> 01:06:22,410 Everyone asked. 1228 01:06:22,410 --> 01:06:25,610 Have you seen the oyster farmer again? 1229 01:06:25,610 --> 01:06:27,650 ? Did the oyster farmer mark... 1230 01:06:28,790 --> 01:06:31,210 He marks this film with his presence. 1231 01:06:31,450 --> 01:06:34,390 Yeah, that obviously has a lot to do with Marco's game. 1232 01:06:34,550 --> 01:06:35,550 Of course. 1233 01:06:38,110 --> 01:06:39,390 Do you know what the bolt is? 1234 01:06:41,090 --> 01:06:45,950 It's true that when we were reading and preparing 1235 01:06:45,950 --> 01:06:48,110 the coaching scenes with the children... You mix well. 1236 01:06:48,230 --> 01:06:51,210 He was a little... He was groping and then he asked me... 1237 01:06:51,210 --> 01:06:54,770 I was going to offer him the role, but he asked me before I offered it to him. 1238 01:06:55,110 --> 01:06:58,210 And to me, it seemed so obvious that 1239 01:06:58,210 --> 01:07:00,510 he had this closeness with the children. 1240 01:07:00,630 --> 01:07:02,850 So it was great that it was him. 1241 01:07:03,730 --> 01:07:05,870 It has this gentleness and at the same time this experience. 1242 01:07:06,190 --> 01:07:07,190 It's all there. 1243 01:07:21,530 --> 01:07:24,290 There, we put Jimi Hendrix on the first version. 1244 01:07:24,390 --> 01:07:26,290 We thought we were rich in the editing. 1245 01:07:26,410 --> 01:07:27,440 Sometimes you put out music, you know 1246 01:07:27,440 --> 01:07:29,570 you'll never be able to afford it, but you do it. 1247 01:07:29,810 --> 01:07:30,810 We also put Bowie on. 1248 01:07:30,870 --> 01:07:32,150 We put Bowie on too, yeah. 1249 01:07:32,210 --> 01:07:33,570 We had the whole playlist. 1250 01:07:33,790 --> 01:07:35,930 We broke the budget with two titles. 1251 01:07:37,230 --> 01:07:39,630 And so in the end, there is no more Bowie, there is no more Hendrix. 1252 01:07:39,790 --> 01:07:41,300 But there's a big headline coming. 1253 01:07:41,330 --> 01:07:41,870 It's true. 1254 01:07:41,990 --> 01:07:42,210 Spoilers. 1255 01:07:42,970 --> 01:07:43,970 It's true, you're right. 1256 01:07:44,850 --> 01:07:46,950 So this, this place, we called it 1257 01:07:46,950 --> 01:07:48,790 cabin 3 to make it clearer between us. 1258 01:07:49,270 --> 01:07:51,550 We were talking about cabin 1, cabin 2, cabin 3. 1259 01:07:51,690 --> 01:07:53,970 And straight away, we knew what sequence we were talking about. 1260 01:07:54,570 --> 01:07:56,170 That's good too. 1261 01:07:56,290 --> 01:07:57,290 This is cabin 3. 1262 01:08:00,830 --> 01:08:05,450 The idea came as soon as I felt that this wall was hot. 1263 01:08:06,310 --> 01:08:09,910 I said to myself, but we have to come here because this winter... 1264 01:08:12,190 --> 01:08:14,300 And there, it was a great decorative job 1265 01:08:14,300 --> 01:08:16,850 because obviously, it's a transformer like that. 1266 01:08:16,930 --> 01:08:17,650 There are almost none left. 1267 01:08:17,650 --> 01:08:19,770 And certainly not where we wanted to shoot. 1268 01:08:20,450 --> 01:08:23,530 So, it was the film crew who remade it. 1269 01:08:23,650 --> 01:08:25,810 Who completely rebuilt it. 1270 01:08:26,150 --> 01:08:28,450 To the point that people who walked around 1271 01:08:28,450 --> 01:08:30,290 that area said, but I've been coming for years. 1272 01:08:30,330 --> 01:08:32,080 I didn't realize there was a transformer. 1273 01:08:32,110 --> 01:08:33,110 We could have left it. 1274 01:08:39,400 --> 01:08:42,680 Even though he never stopped believing that 'he would end up paying for his crime. 1275 01:08:54,680 --> 01:08:55,840 The famous reunion. 1276 01:08:55,980 --> 01:08:56,680 The famous cans. 1277 01:08:56,860 --> 01:08:58,500 You hugged each other. 1278 01:08:58,580 --> 01:08:59,960 I stuck with an old setup. 1279 01:08:59,960 --> 01:09:02,270 Yes, it’s true that that’s still what you were saying earlier. 1280 01:09:02,300 --> 01:09:03,380 We took away the hugs. 1281 01:09:03,580 --> 01:09:05,140 Yes, you see, I expected to see it. 1282 01:09:14,180 --> 01:09:16,000 I heard a little breeze there. 1283 01:09:16,020 --> 01:09:22,400 There was a lot of work from the team of Loïc 1284 01:09:22,400 --> 01:09:25,110 Priant and Jean-Paul Heurier from the mixer to also 1285 01:09:25,110 --> 01:09:27,640 make the film exist in sound and in the sounds of nature. 1286 01:09:27,780 --> 01:09:29,600 I think it looks so good. 1287 01:09:29,960 --> 01:09:30,480 Pat? 1288 01:09:30,480 --> 01:09:31,480 Particularly in the dining room. 1289 01:09:32,860 --> 01:09:35,380 And there, I hope at home, you will be able to enjoy it too. 1290 01:09:35,520 --> 01:09:36,520 Pat? 1291 01:09:40,080 --> 01:09:44,000 When I see an ashtray like that, I think so much of Patrice. 1292 01:09:44,580 --> 01:09:45,580 My God. 1293 01:09:46,960 --> 01:09:49,460 He smoked three packs of cigarettes a day. 1294 01:10:06,160 --> 01:10:08,640 There, it was a moment when we asked ourselves the question of music. 1295 01:10:08,700 --> 01:10:10,950 In fact, there was nothing better than the sounds of nature. 1296 01:10:10,980 --> 01:10:13,920 This sound of snow that we love with Olivia. 1297 01:10:14,260 --> 01:10:16,200 This little snow falling on the leaves. 1298 01:10:16,320 --> 01:10:17,320 That little crackle. 1299 01:10:17,380 --> 01:10:19,300 It almost looks like super sweet fried food. 1300 01:10:19,700 --> 01:10:20,100 Patrice! 1301 01:10:20,100 --> 01:10:21,100 Stop! 1302 01:10:30,560 --> 01:10:31,560 Pat! 1303 01:10:32,820 --> 01:10:34,900 And there, speaking of music, this is one of the moments... 1304 01:10:36,560 --> 01:10:39,820 And it's incredible, the same scene twice, child and adult. 1305 01:10:40,160 --> 01:10:41,160 Yeah. 1306 01:10:41,720 --> 01:10:42,720 Yeah. 1307 01:10:42,860 --> 01:10:43,860 And it's true that... 1308 01:10:44,260 --> 01:10:44,740 Yeah, yeah. 1309 01:10:44,900 --> 01:10:47,270 For us, with Olivia, there, you see, that's a moment 1310 01:10:47,270 --> 01:10:51,040 of music that has always been a special moment. 1311 01:10:51,260 --> 01:10:52,260 I care a lot about it. 1312 01:10:52,620 --> 01:10:54,560 It's a beautiful moment of music, That. 1313 01:10:55,140 --> 01:10:56,140 Gorgeous. 1314 01:10:57,440 --> 01:10:58,640 We later learned that Mr. 1315 01:10:58,640 --> 01:11:01,320 Léandré had lost a child the age of Patrice during the war. 1316 01:11:03,200 --> 01:11:06,780 Hence, perhaps, his insistence on forging a link with us. 1317 01:11:06,920 --> 01:11:09,660 How intense it is, Marco, in this... Incredible. 1318 01:11:09,800 --> 01:11:10,800 It's incredible. 1319 01:11:13,000 --> 01:11:15,080 Eventually he came back to see us once or twice. 1320 01:11:15,600 --> 01:11:17,920 And Patrice ended up accepting that we work for him. 1321 01:11:22,140 --> 01:11:24,780 It was important to... It wasn't easy to do... 1322 01:11:25,700 --> 01:11:29,920 That we can accept that you, as wild as you are, 1323 01:11:29,920 --> 01:11:36,880 can somewhere be adopted or approached by an adult. 1324 01:11:37,520 --> 01:11:39,060 And Marco, he had that in his eyes. 1325 01:11:45,480 --> 01:11:47,540 This is a shot where I broke the drone. 1326 01:11:51,200 --> 01:11:52,560 At the beginning, that's the same. 1327 01:11:52,560 --> 01:11:56,420 In editing, I think that... I found it magnificent, that moment. 1328 01:11:56,560 --> 01:11:58,480 We had driven, I think, 4-5 minutes by car. 1329 01:11:59,220 --> 01:12:00,220 It was a little too much. 1330 01:12:00,960 --> 01:12:02,660 We censored ourselves. 1331 01:12:02,860 --> 01:12:03,860 It's true. 1332 01:12:15,760 --> 01:12:17,320 And there we discover... 1333 01:12:18,000 --> 01:12:19,260 Arnaud, suddenly, assistant. 1334 01:12:19,760 --> 01:12:21,400 Your first assistant, Olivier. 1335 01:12:23,240 --> 01:12:25,160 We'll bring him back and then we'll be fine for today. 1336 01:12:25,320 --> 01:12:26,800 Stay good, I have with us, guys. 1337 01:12:46,550 --> 01:12:48,490 So, each time, the two characters... 1338 01:12:50,930 --> 01:12:53,280 go from the bottom of the character frame 1339 01:12:53,280 --> 01:12:55,930 negative, namely the mother and the grandmother. 1340 01:12:56,590 --> 01:12:57,590 It's crazy. 1341 01:12:57,790 --> 01:12:59,490 This neighborhood hasn't changed in 30 years. 1342 01:13:29,400 --> 01:13:31,570 It's a moment that you haven't forgotten, Michel, I think so. 1343 01:13:31,600 --> 01:13:32,740 No, that's for sure. 1344 01:13:35,440 --> 01:13:37,480 But we don't understand. 1345 01:13:37,600 --> 01:13:39,000 We don't understand what's happening. 1346 01:13:39,820 --> 01:13:41,840 Because we don't recognize her. 1347 01:13:44,040 --> 01:13:50,100 We are taken aback by these women who look at us. 1348 01:13:52,160 --> 01:13:55,000 And I think they are starting to ask questions. 1349 01:14:07,890 --> 01:14:08,930 I want us to leave. 1350 01:14:12,570 --> 01:14:14,050 But the cabin is finished. 1351 01:14:19,100 --> 01:14:20,580 I like the window park. 1352 01:14:23,020 --> 01:14:24,800 He is nice to us, Mr. Landry. 1353 01:14:26,820 --> 01:14:28,340 It's extremely strong... 1354 01:14:28,340 --> 01:14:30,500 for a child of Fernand's age, because he 1355 01:14:30,500 --> 01:14:32,100 is the one calling the shots in this scene. 1356 01:14:32,220 --> 01:14:33,880 This is the tempo of play. 1357 01:14:33,980 --> 01:14:34,640 But sometimes I'm afraid. 1358 01:14:34,880 --> 01:14:36,160 It takes a while... 1359 01:14:36,980 --> 01:14:40,340 and he has an ease in taking over the stage, which is quite incredible. 1360 01:14:44,620 --> 01:14:46,180 I don't think people care. 1361 01:14:47,120 --> 01:14:49,840 I'm not afraid of going to prison. 1362 01:14:51,500 --> 01:14:53,250 There weren't many takes, Besides, that. 1363 01:14:53,280 --> 01:14:56,460 In fact, it was shot, like many scenes, with two cameras. 1364 01:14:56,740 --> 01:15:00,190 And it's true that in a few... they did three, four takes. 1365 01:15:00,220 --> 01:15:02,220 Right away, they were right. 1366 01:15:02,260 --> 01:15:03,260 Very fair. 1367 01:15:03,400 --> 01:15:10,240 But he knows how to take time that even many adults don't take. 1368 01:15:10,320 --> 01:15:14,140 And he has an intelligence of the game which is quite incredible. 1369 01:15:14,480 --> 01:15:15,880 I understood that you were behind it. 1370 01:15:16,920 --> 01:15:18,360 It seems to work well for you. 1371 01:15:18,940 --> 01:15:19,940 I'm not complaining. 1372 01:15:20,980 --> 01:15:23,520 And you're not too cramped here, with the children. 1373 01:15:24,280 --> 01:15:25,280 No, it's okay. 1374 01:15:25,680 --> 01:15:27,320 I went to Charente last summer. 1375 01:15:28,840 --> 01:15:32,680 In the village where you dropped them off on vacation, before fleeing to Argentina. 1376 01:15:33,480 --> 01:15:36,440 There are two wild children their age working at the oyster farm. 1377 01:15:38,340 --> 01:15:39,340 Okay. 1378 01:15:39,460 --> 01:15:41,140 You believe what you want now out there. 1379 01:15:42,220 --> 01:15:43,220 Thank you for your visit. 1380 01:15:46,560 --> 01:15:50,020 If I'm going to report you to the police, and they see that you have 1381 01:15:50,020 --> 01:15:53,020 done it again by abandoning your two sons, this time, It’s prison, for sure. 1382 01:15:55,360 --> 01:15:56,360 It will change you. 1383 01:15:57,400 --> 01:15:58,060 You can count on me. 1384 01:15:58,060 --> 01:15:59,000 I think we feel the... 1385 01:15:59,000 --> 01:16:02,420 all the affection that binds your mother and your grandmother, right? 1386 01:16:03,620 --> 01:16:05,900 There, we see that the two women hate each other. 1387 01:16:12,790 --> 01:16:14,780 With your flat there, you will still have water up to 1388 01:16:14,780 --> 01:16:17,150 your knees, when I have already arrived at the sandbank. 1389 01:16:17,490 --> 01:16:19,210 Hey Pat, I'm going to race. 1390 01:16:20,370 --> 01:16:23,350 I'm very happy with this little part. 1391 01:16:23,550 --> 01:16:27,070 This back and forth during editing, you did it really well. 1392 01:16:27,110 --> 01:16:29,060 We feel like we're with them, that it is their daily life. 1393 01:16:29,090 --> 01:16:30,990 There is something... 1394 01:16:30,990 --> 01:16:34,630 There really is a daily life that is super interesting, I find. 1395 01:16:34,890 --> 01:16:36,830 Yes, they did it in a very natural way. 1396 01:16:40,010 --> 01:16:41,650 Field entry from below, exactly. 1397 01:16:43,210 --> 01:16:44,690 And the plan you called for, always. 1398 01:16:45,530 --> 01:16:46,530 The piano lesson. 1399 01:16:46,630 --> 01:16:47,630 So. 1400 01:17:00,160 --> 01:17:01,320 Nick, look at the car. 1401 01:17:06,630 --> 01:17:09,270 So there, in reality, in fact... 1402 01:17:12,370 --> 01:17:16,550 There is one of the two children who asks the 'other who is this lady. 1403 01:17:16,630 --> 01:17:18,270 And She answers, I am your mother. 1404 01:17:18,410 --> 01:17:20,050 Without it doing absolutely anything to you. 1405 01:17:20,830 --> 01:17:22,510 Would you like to take a ride inside? 1406 01:17:22,510 --> 01:17:25,430 And Patrice remains fascinated by this car. 1407 01:17:28,090 --> 01:17:31,990 And at that moment, She understands that... You can see inside, if you want. 1408 01:17:32,710 --> 01:17:35,150 She must use the fact... 1409 01:17:36,910 --> 01:17:39,250 The admiration of this car for being able to hear us. 1410 01:17:39,250 --> 01:17:40,250 I'll take you. 1411 01:17:41,130 --> 01:17:42,130 Hold on. 1412 01:17:47,170 --> 01:17:48,170 Come. 1413 01:17:51,110 --> 01:17:52,410 There, it's the same, there are... 1414 01:17:55,290 --> 01:17:58,530 The looks of Marco, of Monsieur Alejandri, the oyster farmer. 1415 01:17:58,570 --> 01:17:59,890 They bring a lot of... 1416 01:18:01,410 --> 01:18:02,670 Tensions on stage. 1417 01:18:03,530 --> 01:18:04,530 Poor guy. 1418 01:18:07,510 --> 01:18:09,770 We see the suffering of the children in his eyes, in fact. 1419 01:18:10,290 --> 01:18:11,530 And we never saw him again. 1420 01:18:11,530 --> 01:18:13,150 And this man must have suffered. 1421 01:18:14,710 --> 01:18:16,750 Of our departure, like that, brutal. 1422 01:18:23,080 --> 01:18:25,160 We had left our cabin the previous morning. 1423 01:18:26,940 --> 01:18:28,820 A morning that was like all the others. 1424 01:18:30,720 --> 01:18:33,800 And if we had known, we would have opened the doors and left. 1425 01:18:37,600 --> 01:18:39,240 Without knowing that we would never come back. 1426 01:18:41,680 --> 01:18:42,680 Our cabin. 1427 01:18:43,520 --> 01:18:45,600 That I had taken so much care to build. 1428 01:18:45,780 --> 01:18:48,920 For which Patrice had worked so hard to bring me what I needed. 1429 01:18:50,880 --> 01:18:51,960 We never saw him again. 1430 01:18:57,370 --> 01:18:58,810 There we come to a plan... 1431 01:18:59,450 --> 01:19:01,350 Which is a key plan, because... 1432 01:19:02,310 --> 01:19:03,670 In the scenario, he... 1433 01:19:04,950 --> 01:19:06,830 It replaces somewhere... 1434 01:19:07,270 --> 01:19:09,070 A good twenty sequences... 1435 01:19:09,070 --> 01:19:13,450 Who told of the return of Michel and Patrice to civilization in Paris. 1436 01:19:13,630 --> 01:19:14,630 ... 1437 01:19:14,990 --> 01:19:16,490 And for which I had... 1438 01:19:17,390 --> 01:19:20,710 Neither the time nor the money... To shoot all these sequences. 1439 01:19:21,490 --> 01:19:22,490 And... 1440 01:19:23,890 --> 01:19:25,710 So I made a choice... 1441 01:19:26,410 --> 01:19:28,990 Staging for... By telling myself... 1442 01:19:29,650 --> 01:19:31,550 We will try to make this difficulty... 1443 01:19:32,110 --> 01:19:33,330 To make it a strength. 1444 01:19:33,430 --> 01:19:35,270 And ultimately, it was a good thing. 1445 01:19:35,350 --> 01:19:39,210 Because I think I would have... That's a good summary... Because in fact... 1446 01:19:41,050 --> 01:19:42,550 The images speak for themselves. 1447 01:19:43,670 --> 01:19:44,670 ... 1448 01:19:45,170 --> 01:19:48,110 And it's true that this long shot like that... On which... 1449 01:19:48,110 --> 01:19:51,230 Which was technically very complicated to set up... Because there was... 1450 01:19:51,230 --> 01:19:54,830 It took a... A crane... There were rails on the ground... That had to be erased... 1451 01:19:54,830 --> 01:19:55,830 And it was a... 1452 01:19:56,030 --> 01:20:00,410 A big technical challenge... It's a... I find that there is a... 1453 01:20:00,750 --> 01:20:02,050 It brings a lot... 1454 01:20:02,510 --> 01:20:03,790 To what is happening... 1455 01:20:03,790 --> 01:20:06,350 Certainly much more than if we had had all these sequences... 1456 01:20:06,590 --> 01:20:07,950 Tours... Finally, sometimes... 1457 01:20:08,970 --> 01:20:12,350 The vagaries of production, it allows you to... To be creative. 1458 01:20:13,830 --> 01:20:16,550 ...Technically, it's true that for you, Olivier... For your entire team... 1459 01:20:16,550 --> 01:20:19,430 There, it was a tour de force to adjust that... It's adjusted to the millimeter... 1460 01:20:19,430 --> 01:20:22,310 In fact, as a result, we had done the... We had recorded... 1461 01:20:22,310 --> 01:20:25,070 You recorded Ivan's voice... We had edited the sound of his voice... 1462 01:20:25,070 --> 01:20:26,070 There, we hear... 1463 01:20:26,450 --> 01:20:30,750 And that you broadcast afterwards... The day of filming... On huge speakers... 1464 01:20:30,750 --> 01:20:34,390 It was Mathieu who broadcast that... Your sound engineer... 1465 01:20:34,390 --> 01:20:37,210 And as a result, you are perfectly aligned with the image on this... 1466 01:20:37,210 --> 01:20:40,310 For the door to open... Totally at the right time... Yeah, that... 1467 01:20:40,310 --> 01:20:42,550 This scene is terrible... My god... 1468 01:20:43,150 --> 01:20:44,190 For me, it's... 1469 01:20:47,330 --> 01:20:48,330 So violent... 1470 01:20:49,630 --> 01:20:52,810 Obviously, it was a huge challenge for the actors... Because... 1471 01:20:53,950 --> 01:20:57,470 Because they start playing after two minutes of footage... 1472 01:20:57,470 --> 01:21:00,450 And what they have to play is not nothing, obviously... 1473 01:21:04,260 --> 01:21:07,260 It was the last shot on the set of Vigo and Fernand... 1474 01:21:07,260 --> 01:21:08,300 Children, moreover... 1475 01:21:12,980 --> 01:21:15,400 There... Those were the worst years of my life... 1476 01:21:16,820 --> 01:21:18,140 Six years without Patrice... 1477 01:21:18,680 --> 01:21:21,600 Six years placed in a reformatory, doing everything to find oneself. 1478 01:21:21,600 --> 01:21:21,720 .. 1479 01:21:21,720 --> 01:21:22,280 We didn't have too much... 1480 01:21:22,280 --> 01:21:25,740 We didn't really question this choice of making it completely black like that... 1481 01:21:25,740 --> 01:21:28,760 Finally, we tried it, we accepted it... There weren't too many... 1482 01:21:28,760 --> 01:21:30,480 We didn't have any questions about it... 1483 01:21:30,480 --> 01:21:33,640 But it’s true that we, in editing, we don't have... Huh, Olivia, we don't have... 1484 01:21:33,640 --> 01:21:35,520 We were very keen on it, in any case... 1485 01:22:07,530 --> 01:22:10,730 This cabin that I really never got tired of... I love this cabin... 1486 01:22:10,730 --> 01:22:13,810 I find that She really has... She is in her juices, She is more than a century old... 1487 01:22:13,810 --> 01:22:16,910 It was built at the beginning of the 20th century... 1488 01:22:17,730 --> 01:22:20,630 She has a stamp, She has something... Something that is... 1489 01:22:20,630 --> 01:22:23,070 You have to come see mine now, the one I made... 1490 01:22:23,710 --> 01:22:26,830 I redid one, a cabin... You're not a century old... I can't... 1491 01:22:26,830 --> 01:22:29,050 People will imagine that you have more 100 years... 1492 01:22:29,050 --> 01:22:31,210 Me, I can't live without a cabin, it's not possible... 1493 01:22:31,210 --> 01:22:34,150 But you can't live from that... You haven't been alive for 100 years, Michel... 1494 01:22:41,350 --> 01:22:44,790 So there, the scene was also shortened a lot, but here, for once... 1495 01:22:45,170 --> 01:22:47,470 There was definitely a ton of snow... 1496 01:22:47,470 --> 01:22:52,010 And then, Yvan, to clear that, there, the pick-up... It lasted a very, very long time... 1497 01:22:52,010 --> 01:22:55,870 It was very, very laborious... He had a big laugh when he saw... 1498 01:22:55,870 --> 01:22:59,310 Because I asked there... I've needed a snowy pickup for months... 1499 01:22:59,310 --> 01:23:02,130 So they managed to find him there... 1500 01:23:02,130 --> 01:23:05,610 And when he saw the thing, there was like two tons of snow on the pickup... 1501 01:23:05,610 --> 01:23:08,990 He burst out, he told me... But I'm not going to clear that thing... 1502 01:23:09,670 --> 01:23:10,950 It was very funny... Hey, how are you? 1503 01:23:10,950 --> 01:23:12,150 Haven't you seen the Vic? 1504 01:23:12,150 --> 01:23:14,990 Uh, no... I don't see him in the winter... Well, I saw your brother... 1505 01:23:15,550 --> 01:23:15,970 What ? 1506 01:23:16,450 --> 01:23:19,590 Well yes, he came by two evenings ago... He told me he was going back to France... 1507 01:23:20,730 --> 01:23:22,550 We put on some reggae, there... I don't know why... 1508 01:23:22,550 --> 01:23:25,830 But there is a little music atmosphere... We put on some reggae... We know... 1509 01:23:25,830 --> 01:23:26,830 With Cyril, we know... 1510 01:23:27,070 --> 01:23:28,450 Simon, we know... Is it reggae? 1511 01:23:28,450 --> 01:23:29,450 Yeah, it's reggae... 1512 01:23:29,590 --> 01:23:30,590 It's a small... 1513 01:23:34,760 --> 01:23:37,220 It's the same, it's a setting that I really like, this gas station... 1514 01:23:37,220 --> 01:23:38,760 That we just left... 1515 01:23:39,980 --> 01:23:42,180 That I really wanted in the middle of nowhere... 1516 01:23:42,820 --> 01:23:45,460 A kind of place where there is a station -service... 1517 01:23:45,680 --> 01:23:48,900 A bit of a bar... A bit of a business... A middle of nowhere... 1518 01:24:06,300 --> 01:24:10,040 This is a sequence that we put together quite early with the adults... 1519 01:24:10,820 --> 01:24:12,340 As soon as we got the footage, we... 1520 01:24:13,900 --> 01:24:14,900 It was a... 1521 01:24:15,820 --> 01:24:18,880 It's even the first sequence that we both edited... 1522 01:24:18,880 --> 01:24:20,300 Even before their reunion... 1523 01:24:20,300 --> 01:24:22,710 It's quite unusual to actually start editing 1524 01:24:22,710 --> 01:24:25,240 a sequence which is at the end of the film... 1525 01:24:27,580 --> 01:24:30,800 We started at the end... It's true... By the best... 1526 01:24:31,260 --> 01:24:34,120 We started with the best... Even during editing... Yes... 1527 01:24:36,340 --> 01:24:39,100 Everything you pay today, it's because you protected me... 1528 01:24:41,900 --> 01:24:44,220 Because you think I would have survived without you? 1529 01:24:48,880 --> 01:24:50,860 But those were our best years... 1530 01:24:52,960 --> 01:24:54,000 Since we left this cabin... 1531 01:24:54,000 --> 01:24:56,580 I really like that the leaflet that sells is crushed like that... 1532 01:24:57,540 --> 01:24:59,780 Nothing has any flavor anymore... It's at the bottom of the stairs... 1533 01:25:00,940 --> 01:25:02,860 I think after something that won't come back... 1534 01:25:06,840 --> 01:25:07,840 So true... 1535 01:25:08,600 --> 01:25:09,880 We will never be like them... 1536 01:25:11,560 --> 01:25:12,560 Yeah... 1537 01:25:15,000 --> 01:25:16,000 If... 1538 01:25:16,640 --> 01:25:18,200 We became like them... 1539 01:25:24,140 --> 01:25:26,120 Why did we never talk about it then? 1540 01:25:32,120 --> 01:25:35,120 I don't have the courage to tell everyone that we lied from the start... 1541 01:25:35,660 --> 01:25:40,240 There is a rhythm in this sequence that I I really 1542 01:25:40,240 --> 01:25:41,640 like it and what's more, it's what also allowed us to... 1543 01:25:41,640 --> 01:25:44,020 Finally to at least intervene in the 1544 01:25:44,020 --> 01:25:46,480 editing and leave the actors in the... 1545 01:25:46,960 --> 01:25:49,780 They found a rhythm that I find super interesting... 1546 01:25:54,910 --> 01:25:58,130 After 30 years of marriage, things happen, right? 1547 01:26:00,650 --> 01:26:01,650 No man... 1548 01:26:03,650 --> 01:26:05,990 It's this fucking secret that destroys everything... 1549 01:26:08,490 --> 01:26:10,470 And I would like one day to be free of it... 1550 01:26:11,550 --> 01:26:12,710 What do you mean? 1551 01:26:16,160 --> 01:26:17,160 Nothing... 1552 01:26:19,040 --> 01:26:21,440 You should go back to Paris and try to save your family... 1553 01:26:24,580 --> 01:26:28,320 And there are little moments of grace in certain takes like that where... 1554 01:26:28,320 --> 01:26:29,080 It's here all alone... 1555 01:26:29,080 --> 01:26:33,100 We remain on the same level, the tipping point between Yvan and Mathieu and... 1556 01:26:34,100 --> 01:26:38,300 And they both have perfect timing and an 1557 01:26:38,300 --> 01:26:40,960 intensity with Mathieu in the foreground always... 1558 01:26:43,440 --> 01:26:44,920 Which works really well... 1559 01:26:46,780 --> 01:26:47,780 Yes... 1560 01:26:54,300 --> 01:26:57,520 There we found ourselves in a hotel which generously... 1561 01:26:58,160 --> 01:26:59,240 A great Parisian hotel... 1562 01:26:59,640 --> 01:27:01,240 Château Voltaire not to mention it... 1563 01:27:01,600 --> 01:27:04,460 Who generously lent us a room and when it was time to film we realized 1564 01:27:04,460 --> 01:27:08,540 that in fact... The paintings on the wall were by Picasso and Basquiat... 1565 01:27:09,020 --> 01:27:10,500 And we couldn't film them... 1566 01:27:11,180 --> 01:27:16,400 So hence this shot of the bed which skims the walls and which never rises... 1567 01:27:16,400 --> 01:27:17,940 Because I was in a... 1568 01:27:17,940 --> 01:27:20,210 And we couldn't touch them either because they were worth more than the film. 1569 01:27:20,210 --> 01:27:20,500 .. 1570 01:27:20,500 --> 01:27:22,760 That the production of the film was Her alone therefore... 1571 01:27:23,380 --> 01:27:24,380 It was enough... 1572 01:27:25,300 --> 01:27:28,100 Quite strange to be in a setting that you can only film... 1573 01:27:28,640 --> 01:27:30,140 To put the ground... 1574 01:27:34,260 --> 01:27:37,200 I left, leaving my wife and two children... 1575 01:27:40,560 --> 01:27:41,960 It's always the same... 1576 01:27:41,960 --> 01:27:44,660 We have to reinvent ourselves and ultimately I like what... 1577 01:27:45,140 --> 01:27:47,440 How did we... We organized this plan... 1578 01:27:47,980 --> 01:27:50,020 Maybe Patrice is right... 1579 01:27:51,880 --> 01:27:54,000 Our secret destroys everything in its path... 1580 01:28:01,910 --> 01:28:03,990 Even if it's impossible for him to understand... 1581 01:28:03,990 --> 01:28:05,810 How attached are we to this divine voice-over... 1582 01:28:05,810 --> 01:28:09,390 Which we had very very early in the editing... I learned to record very early... 1583 01:28:10,090 --> 01:28:12,730 Saying to yourself, maybe it's a witness voice... Maybe we won't look at it... 1584 01:28:12,730 --> 01:28:14,850 And then finally it's... She is the one who stayed... 1585 01:28:14,850 --> 01:28:18,350 It has become our music... Impossible to get rid of... Yeah... 1586 01:28:18,890 --> 01:28:21,190 Mr. Director... Could you go down to the emergency room? 1587 01:28:21,190 --> 01:28:24,830 There we have a problem with a patient and the police... I'm coming... Thank you... 1588 01:28:26,350 --> 01:28:27,470 Don't want to be disturbed? 1589 01:28:27,470 --> 01:28:27,910 How are you ? 1590 01:28:27,910 --> 01:28:30,810 Yeah... Apart from this young man who was violent with the staff... 1591 01:28:30,810 --> 01:28:33,110 Great actor there too... Who plays the... 1592 01:28:34,310 --> 01:28:37,210 The zoner... He doesn't want to sing with my dog... Super intense... 1593 01:28:37,210 --> 01:28:38,610 Come home with your dog... What does he look like? 1594 01:28:38,610 --> 01:28:39,430 A veterinarian? 1595 01:28:39,430 --> 01:28:42,010 It's okay, I manage... Are you sure? 1596 01:28:42,010 --> 01:28:44,690 Yeah of course... I told you he knew you... We've met before... 1597 01:28:44,690 --> 01:28:46,370 Thanks Marco... Yeah the young doctor too... 1598 01:28:46,370 --> 01:28:49,130 There were lots of young actors who were super interesting... 1599 01:28:49,710 --> 01:28:51,830 Otherwise we go beyond the manufacturer's tolerance standards... 1600 01:28:51,830 --> 01:28:52,790 But I already explained that to him... 1601 01:28:52,790 --> 01:28:54,590 But I think it would be better if it came from you... Listen... 1602 01:28:54,590 --> 01:28:56,110 Call him back if there is a problem, pass it on to me... 1603 01:28:56,110 --> 01:28:58,730 We find this very cold universe... Very... 1604 01:28:59,090 --> 01:29:00,910 Very mineral... A little... A little lifeless... 1605 01:29:00,910 --> 01:29:02,170 You don't believe me that I knew myself? 1606 01:29:02,170 --> 01:29:03,670 Don't do that... I... 1607 01:29:04,290 --> 01:29:05,850 You can't... Hello? 1608 01:29:05,850 --> 01:29:07,130 Yeah, are you okay? 1609 01:29:07,990 --> 01:29:08,990 How are you... 1610 01:29:09,490 --> 01:29:12,010 I'm with a kid who reminds me of us 30 years ago... 1611 01:29:12,710 --> 01:29:15,170 Ah well I hope he has a brother to watch over him... 1612 01:29:15,690 --> 01:29:16,690 I'm afraid not... 1613 01:29:17,890 --> 01:29:20,330 Listen, I'm sorry, I won't be able to come this weekend... 1614 01:29:20,330 --> 01:29:22,090 I have a floundering construction site... 1615 01:29:23,190 --> 01:29:25,350 Don't worry about that... Yeah... 1616 01:29:25,670 --> 01:29:27,570 What happened with Liz this morning? 1617 01:29:28,410 --> 01:29:29,410 Not much... 1618 01:29:30,190 --> 01:29:31,510 And then Laura wasn't there... 1619 01:29:31,510 --> 01:29:33,750 She left just before I arrived to avoid running into me... 1620 01:29:33,750 --> 01:29:36,630 There are a lot of things that pass through Mathieu's eyes, it's... 1621 01:29:36,630 --> 01:29:37,630 But hey don't worry... 1622 01:29:37,770 --> 01:29:40,130 I don't have time to think about it, I'm drowned in work... 1623 01:29:40,750 --> 01:29:43,310 These are things that we put together quite easily, quite quickly... 1624 01:29:43,310 --> 01:29:45,090 You will come next weekend... 1625 01:29:46,850 --> 01:29:47,950 I'm going to take this opportunity to take Sylvie to 1626 01:29:47,950 --> 01:29:51,070 a star hotel, it's been a long time since we did that... 1627 01:29:53,420 --> 01:29:55,620 The world is turned upside down, she has already forgiven me... 1628 01:29:57,540 --> 01:29:58,680 I have to go back... 1629 01:29:59,480 --> 01:30:01,040 I remind you, I kiss you... 1630 01:30:03,220 --> 01:30:04,220 Me too... 1631 01:30:08,140 --> 01:30:10,480 It's the same with Mathieu's look, he says everything... 1632 01:30:25,260 --> 01:30:29,360 On this whole part we did what we called with Magali... 1633 01:30:30,720 --> 01:30:34,320 The director of photography for perpetual tracking shots... 1634 01:30:34,320 --> 01:30:35,780 That is to say that the camera from the 1635 01:30:35,800 --> 01:30:37,920 moment it begins to move forward, She won't stop... 1636 01:30:41,100 --> 01:30:47,700 It's like destiny being cast, that we cannot stop, against which we 1637 01:30:47,700 --> 01:30:53,160 cannot fight... This irremediable movement that we cannot stop... 1638 01:30:56,100 --> 01:30:58,060 And these are the tracking shots on which we didn't 1639 01:30:58,080 --> 01:31:00,620 even think about the camera angle, they were going straight... 1640 01:31:01,000 --> 01:31:04,730 We positioned the camera and moved it straight forward, always at the same pace. 1641 01:31:04,730 --> 01:31:05,320 .. 1642 01:31:08,420 --> 01:31:10,860 And we immediately put them on this music... 1643 01:31:10,860 --> 01:31:15,040 That was really your first intention Olive... 1644 01:31:16,180 --> 01:31:20,860 I think that from the very beginning, it didn't move... 1645 01:31:20,860 --> 01:31:23,780 The music remained, we were lucky enough to be able to see it... 1646 01:31:24,340 --> 01:31:28,520 And even the length of the shots, the wedging, it didn't move... 1647 01:31:33,270 --> 01:31:35,650 I said it for several sequences, It's true... 1648 01:31:35,650 --> 01:31:39,770 But we really put this one together very, very early on... 1649 01:31:40,550 --> 01:31:43,950 Almost during our first editing session, or the second at the very beginning... 1650 01:31:44,550 --> 01:31:50,810 And it was important for me to know this ending, to have this ending... 1651 01:31:50,810 --> 01:31:55,090 To better mount everything that was there before... 1652 01:31:57,950 --> 01:32:02,590 A Ségur 86 calon please... Well sir... We're doing something... 1653 01:32:03,910 --> 01:32:07,250 It's true that when we started working on it... 1654 01:32:07,310 --> 01:32:10,190 And we saw how it worked with this song by John Bayes... 1655 01:32:11,250 --> 01:32:14,770 We were both galvanized, and at the same time a little terrified... 1656 01:32:14,770 --> 01:32:17,850 That is to say, I hope that it will enter our economy... 1657 01:32:17,850 --> 01:32:20,310 And that we can afford it, because... 1658 01:32:21,130 --> 01:32:26,370 It's so extraordinary, this song... It's the voice of angels... 1659 01:32:28,350 --> 01:32:33,390 And we were terrified too, Michel, to show you this extract... 1660 01:32:33,390 --> 01:32:35,750 Me, every time, I thought of you, going up this passage... 1661 01:32:35,750 --> 01:32:38,290 Seeing it again ten years ago... Dozens and dozens of times... 1662 01:32:38,290 --> 01:32:41,450 And I said to myself, but... We can't show him that, emotionally... 1663 01:32:41,450 --> 01:32:43,490 It's going to be much, much too strong, for him... 1664 01:32:49,230 --> 01:32:51,670 And it's so present to me... 1665 01:32:55,170 --> 01:32:57,750 His wife's narration, for this scene... 1666 01:32:59,870 --> 01:33:02,530 But it's true that it's one of the... It's She who... 1667 01:33:04,110 --> 01:33:05,250 Who told me... 1668 01:33:07,290 --> 01:33:10,570 This is one of the moments when we often talked, that is to say... 1669 01:33:10,570 --> 01:33:12,930 Saying to Olivier, both in editing, but... 1670 01:33:13,770 --> 01:33:16,290 What will it be like the day you show this to Michel? 1671 01:33:19,170 --> 01:33:21,910 It's hard... It's hard, because I know he... 1672 01:33:22,750 --> 01:33:24,150 He's going to leave... 1673 01:33:48,060 --> 01:33:49,060 Good evening... 1674 01:33:49,280 --> 01:33:49,600 Good evening... 1675 01:33:50,200 --> 01:33:51,200 Good evening... 1676 01:33:51,940 --> 01:33:52,940 Good evening... 1677 01:33:56,300 --> 01:33:57,300 Good evening... 1678 01:34:06,790 --> 01:34:09,770 There, I love this moment, because I have The impression that 1679 01:34:09,790 --> 01:34:11,900 Matthieu has already disappeared, and at the same time as he 1680 01:34:11,910 --> 01:34:14,630 returns, there is this moment, a little suspended, on the door... 1681 01:34:25,930 --> 01:34:30,090 You can't keep someone who wants to leave 1682 01:34:30,090 --> 01:34:32,930 forever, but even less so someone like Patrice. 1683 01:34:37,940 --> 01:34:42,060 He had planned everything down to the smallest detail... I have often thought about this... 1684 01:34:42,060 --> 01:34:44,160 Until his letter that I received in the morning... 1685 01:34:44,260 --> 01:34:48,720 This morning when you went to work at the oyster farm, this 1686 01:34:48,720 --> 01:34:51,820 morning like all the others and this evening, you never came back. 1687 01:34:51,900 --> 01:34:55,440 You were already with your mother and you boarded. 1688 01:34:56,120 --> 01:35:00,700 I've often thought about that moment when you left the cabin without knowing it. 1689 01:35:05,480 --> 01:35:07,100 Without knowing that we would never come back. 1690 01:35:11,530 --> 01:35:15,550 Obviously, it was a strong moment for us on set with Yvan because... 1691 01:35:17,190 --> 01:35:22,550 and without knowing that he would regret that all his life he would have been marked by that. 1692 01:35:23,430 --> 01:35:25,150 Even when we were both at Canada. 1693 01:35:28,520 --> 01:35:31,380 He even wrote down the password to open his computer. 1694 01:35:33,480 --> 01:35:36,280 So that I could access everything he had carefully prepared. 1695 01:35:38,920 --> 01:35:42,720 For you to live, I have to go. 1696 01:35:42,920 --> 01:35:45,160 It's true that everything was ready, he did everything and... 1697 01:35:51,260 --> 01:35:53,020 He gave me the strength to be here today 'today. 1698 01:35:53,300 --> 01:35:55,620 He convinced himself that by leaving he was going to free me. 1699 01:35:59,810 --> 01:36:02,290 That he was going to take away the part that contained our suffering. 1700 01:36:02,330 --> 01:36:05,330 I still wanted us to be in a setting that wasn't too sad. 1701 01:36:05,390 --> 01:36:06,390 Which is also in kind. 1702 01:36:06,510 --> 01:36:08,550 Whether it is consistent with... 1703 01:36:09,730 --> 01:36:10,730 with you. 1704 01:36:12,790 --> 01:36:14,910 I wanted a cemetery that was... 1705 01:36:16,010 --> 01:36:17,410 with rare people, with nature. 1706 01:36:26,600 --> 01:36:28,380 I haven't said anything in 30 years of marriage. 1707 01:36:29,580 --> 01:36:32,500 It only took three weeks after his death for everything to come out. 1708 01:36:36,100 --> 01:36:38,540 So that everything comes out and a second life can begin. 1709 01:36:39,860 --> 01:36:42,420 What did I like about working this... 1710 01:36:43,360 --> 01:36:44,840 that part with... 1711 01:36:45,880 --> 01:36:48,600 all these memories, even if emotionally it was... 1712 01:36:49,360 --> 01:36:54,160 it was hard, but there was... finding these plans of the children. 1713 01:36:54,300 --> 01:36:58,100 These memories with this music that rises until it explodes. 1714 01:36:58,960 --> 01:37:02,180 It's a... it's strong for us to work on all this. 1715 01:37:06,560 --> 01:37:08,880 How intense children are in their looks. 1716 01:37:09,920 --> 01:37:10,280 Trained. 1717 01:37:10,520 --> 01:37:11,880 Mixed in with all these moments of grace. 1718 01:37:14,020 --> 01:37:15,220 Which we were never able to find. 1719 01:37:18,070 --> 01:37:19,850 And that I know I will never find again. 1720 01:37:21,810 --> 01:37:23,370 He left with all this violence. 1721 01:37:23,690 --> 01:37:26,170 To leave us only the happiness we had being together. 1722 01:37:29,090 --> 01:37:32,090 He gave me the gift of taking away our rage... against human nature. 1723 01:37:32,810 --> 01:37:35,550 I love this look of Ferrand on the fire. 1724 01:37:36,630 --> 01:37:37,630 Music. 1725 01:37:41,430 --> 01:37:53,330 Music Music Music Music Music Music. 1726 01:37:56,670 --> 01:37:59,250 The 4 there, they were really fantastic. 1727 01:37:59,250 --> 01:38:02,550 They were absolutely incredible generous. 1728 01:38:30,350 --> 01:38:31,790 This piece is magnificent. 1729 01:38:33,390 --> 01:38:36,310 So this is, I think, one of the most beautiful houses I have seen in my life. 1730 01:38:37,210 --> 01:38:38,210 She is... 1731 01:38:40,430 --> 01:38:41,590 built from Canadian wood. 1732 01:38:41,910 --> 01:38:44,690 With imported Canadian barn wood. 1733 01:38:45,030 --> 01:38:45,490 Exactly. 1734 01:38:45,730 --> 01:38:48,190 And it was absolutely a favorite... 1735 01:38:48,750 --> 01:38:50,690 It is magnificent in the middle of the forest. 1736 01:38:50,950 --> 01:38:52,190 She is incredible. 1737 01:38:56,660 --> 01:38:59,660 And it was very important for me to finish the film to be... 1738 01:39:00,700 --> 01:39:04,000 that if the character agrees to find the... 1739 01:39:04,720 --> 01:39:06,440 civilized life somewhere. 1740 01:39:07,760 --> 01:39:09,060 Whether in... 1741 01:39:11,740 --> 01:39:15,520 But above all... A marriage like this between nature and the House. 1742 01:39:16,840 --> 01:39:18,160 With the forest next to it. 1743 01:39:23,600 --> 01:39:25,020 So there are plenty of people who are convinced 1744 01:39:25,020 --> 01:39:27,000 that you are the architect but you see... Yes. 1745 01:39:27,000 --> 01:39:28,940 We can deny it. 1746 01:39:30,620 --> 01:39:31,640 Or that it's your House. 1747 01:39:31,640 --> 01:39:32,640 There is no problem. 1748 01:39:33,240 --> 01:39:34,240 Or that this is my House. 1749 01:39:34,400 --> 01:39:35,460 No, it's not my house. 1750 01:39:35,580 --> 01:39:38,000 If one day you want to build it for me... It doesn't matter. 1751 01:39:38,200 --> 01:39:39,200 I'm not saying no. 1752 01:39:39,500 --> 01:39:41,380 What do you think? 1753 01:39:43,060 --> 01:39:44,060 Is it there? 1754 01:39:44,560 --> 01:39:45,860 I know you could do it. 1755 01:39:46,160 --> 01:39:46,600 It's there. 1756 01:39:46,720 --> 01:39:49,300 But I also found a... It's there for me. 1757 01:39:51,640 --> 01:39:52,640 Yeah. 1758 01:39:53,560 --> 01:39:54,560 It's there. 1759 01:39:59,580 --> 01:40:00,300 It's there. 1760 01:40:00,300 --> 01:40:01,460 Where I have my Olivier cabin. 1761 01:40:01,960 --> 01:40:02,400 Yeah. 1762 01:40:02,680 --> 01:40:04,200 Where I redid my cabin. 1763 01:40:05,480 --> 01:40:07,020 And that last look from Alzo. 1764 01:40:11,050 --> 01:40:13,190 And from Yvan who we feel soothed. 1765 01:40:13,230 --> 01:40:13,550 Yeah. 1766 01:40:13,590 --> 01:40:13,870 Michael. 1767 01:40:14,210 --> 01:40:14,650 Gorgeous. 1768 01:40:14,890 --> 01:40:15,890 Yeah. 1769 01:40:16,030 --> 01:40:18,550 There Yvan has a... He is trained. 1770 01:40:18,570 --> 01:40:20,670 That's... He has absolute fullness. 1771 01:40:20,670 --> 01:40:21,430 A beautiful scene. 1772 01:40:21,690 --> 01:40:22,690 Yeah. 1773 01:40:34,760 --> 01:40:37,780 We obviously asked a lot of questions about 1774 01:40:37,860 --> 01:40:40,960 these last boxes, what we call the boxes, the texts. 1775 01:40:41,920 --> 01:40:43,540 Because obviously there are quite a few. 1776 01:40:43,540 --> 01:40:43,580 There are quite a few. 1777 01:40:43,580 --> 01:40:45,280 And at the same time there are so many... 1778 01:40:45,280 --> 01:40:51,340 We leave so many questions unanswered about you, about your mother, 1779 01:40:51,540 --> 01:40:55,960 on everything that may have happened around your life that we have... 1780 01:40:57,400 --> 01:40:59,780 Finally we decided to leave everything. 1781 01:41:01,880 --> 01:41:06,000 And this photo that was in front of us in montage, all the time, from the beginning. 1782 01:41:06,160 --> 01:41:07,480 The photo of you, little one. 1783 01:41:08,500 --> 01:41:09,500 It was necessary... 1784 01:41:10,100 --> 01:41:11,460 This had to be written. 1785 01:41:11,760 --> 01:41:14,720 And there... We will find Clint Eastwood. 1786 01:41:15,540 --> 01:41:16,940 How beautiful you look in that. 1787 01:41:17,140 --> 01:41:18,320 I confirm. 1788 01:41:19,200 --> 01:41:20,200 What a presence. 1789 01:41:36,480 --> 01:41:39,600 For us it was important to finish there -above. 1790 01:41:39,660 --> 01:41:40,460 This is so important. 1791 01:41:40,460 --> 01:41:43,140 To end on this whole subject of lost 1792 01:41:43,140 --> 01:41:44,960 children who have also been forgotten by history. 1793 01:41:45,280 --> 01:41:48,620 And really it was... It was really an important subject for us. 1794 01:41:50,480 --> 01:41:54,020 And an extraordinary discovery for thousands of people. 1795 01:41:54,020 --> 01:41:55,020 Who saw the film? 1796 01:41:55,640 --> 01:41:57,060 And who were... 1797 01:41:58,300 --> 01:42:00,640 Got up to come see us and tell us... 1798 01:42:01,660 --> 01:42:03,640 How come we forgot that? 1799 01:42:03,640 --> 01:42:06,720 How come we could... Let us not talk about that. 1800 01:42:07,340 --> 01:42:08,340 Of all these children. 1801 01:42:08,700 --> 01:42:10,040 And unfortunately... 1802 01:42:11,520 --> 01:42:14,580 The news is that today we are still in it. 1803 01:42:18,120 --> 01:42:19,420 It was really... 1804 01:42:20,860 --> 01:42:22,400 It was really... 1805 01:42:22,400 --> 01:42:26,460 A great opportunity to shed some light on this part of our history. 1806 01:42:26,480 --> 01:42:27,920 That we forgot. 1807 01:42:28,200 --> 01:42:31,680 And that concerns people... Some still alive in fact. 1808 01:42:31,820 --> 01:42:32,340 Like you. 1809 01:42:32,520 --> 01:42:35,520 Who have built lives on... 1810 01:42:36,240 --> 01:42:37,280 On this oversight. 1811 01:42:49,700 --> 01:42:51,000 We end on... 1812 01:42:52,520 --> 01:42:54,200 On the arrangements... 1813 01:42:55,360 --> 01:42:58,080 This is the music that we composed with... 1814 01:42:58,840 --> 01:43:00,080 The arrangements of... 1815 01:43:00,680 --> 01:43:02,840 In my opinion, Sylvain Goldberg and his team. 1816 01:43:02,840 --> 01:43:05,120 It was also very, very nice to do this together. 1817 01:43:09,020 --> 01:43:10,020 There are people. 1818 01:43:10,820 --> 01:43:12,530 I would like to take this opportunity to thank them for 'elsewhere. 1819 01:43:12,560 --> 01:43:14,360 Because I really was lucky to have a team who 1820 01:43:14,360 --> 01:43:16,440 knew how to completely talk about this story. 1821 01:43:17,540 --> 01:43:20,100 And without them, the film wouldn't be what it was. 'he became. 1822 01:43:20,440 --> 01:43:21,500 So thank you everyone. 1823 01:43:24,180 --> 01:43:28,200 And I thank Olivier for making me get this story out of myself. 1824 01:43:28,360 --> 01:43:29,880 Which I would never have told. 1825 01:43:31,440 --> 01:43:34,000 That I never would have thought... One day leaving with. 1826 01:43:34,620 --> 01:43:35,940 And today... 1827 01:43:36,620 --> 01:43:39,880 She brought so much to all these people... 1828 01:43:40,380 --> 01:43:42,640 Which we were able to meet in all the premieres. 1829 01:43:42,780 --> 01:43:44,180 And now who has seen this movie. 1830 01:43:45,620 --> 01:43:46,620 That... 1831 01:43:47,560 --> 01:43:48,980 I think I did well. 1832 01:43:50,920 --> 01:43:53,120 I thank you for entrusting me with your treasure. 1833 01:43:55,080 --> 01:43:56,490 Well, thank you both. 1834 01:43:56,520 --> 01:43:58,120 We're going to leave the people to the music. 1835 01:43:58,120 --> 01:43:59,120 THANKS. 1836 01:44:01,160 --> 01:44:02,300 Thank you.