1 00:00:22,410 --> 00:00:24,810 This is a Cal Vista presentation. 2 00:00:29,990 --> 00:00:35,810 My name is Jim Holliday, and this is only the best from Europe. 3 00:00:36,210 --> 00:00:42,110 For the next 88 minutes, Cal Vista Video invites you to explore the erotica of 4 00:00:42,110 --> 00:00:43,350 the European continent. 5 00:00:44,790 --> 00:00:50,330 From the farms of Scandinavia to the streets of Paris. 6 00:00:51,210 --> 00:00:58,070 to the French Riviera, to the nightlife of Germany, and to the warm 7 00:00:58,070 --> 00:01:00,850 Mediterranean shores of the Greek Isles. 8 00:01:01,510 --> 00:01:05,410 Hopefully, you will be able to discover the elements that make foreign 9 00:01:05,410 --> 00:01:08,070 filmmaking different from their American counterparts. 10 00:01:08,630 --> 00:01:13,690 But though there are differences, these film clips can demonstrate that 11 00:01:13,690 --> 00:01:18,430 different can still be arousing, entertaining, and erotic. 12 00:01:18,860 --> 00:01:23,580 At the same time, you can discover the biggest stars in European porn. 13 00:01:24,120 --> 00:01:29,100 Some keen observers are going to say, hey, wait a minute, that's Serena. 14 00:01:29,700 --> 00:01:35,500 It sure is, but like many American stars, past and present, she worked in 15 00:01:35,500 --> 00:01:36,500 foreign productions. 16 00:01:36,780 --> 00:01:39,360 Enjoy her now, she'll be back later. 17 00:01:39,980 --> 00:01:43,980 As always, I'll get the bulk of the babbling out of the way first. 18 00:01:44,560 --> 00:01:49,270 During the course of Only the Best from Europe, The focus will be on the more 19 00:01:49,270 --> 00:01:55,130 open and honest approach Europeans have towards sex in general, which heavily 20 00:01:55,130 --> 00:02:01,850 translates to their films, allowing more eroticism, extended foreplay, less use 21 00:02:01,850 --> 00:02:07,410 of graphic close -up gynecology shots, and a more matter -of -fact, almost 22 00:02:07,410 --> 00:02:09,470 casual approach to sex. 23 00:02:09,830 --> 00:02:15,190 I've chosen some good monster shots to intersperse for the fans who appreciate 24 00:02:15,190 --> 00:02:16,510 them as well. 25 00:02:18,380 --> 00:02:24,120 Hopefully, there's something in this collection for everyone, including a 26 00:02:24,120 --> 00:02:26,820 bit of hot and heavy and quite kinky sex. 27 00:02:27,700 --> 00:02:33,240 Over the years, the biggest single complaint of fans regarding foreign 28 00:02:33,240 --> 00:02:38,280 the dubbing, particularly on what's known as the moans and groans track. 29 00:02:38,920 --> 00:02:43,860 I'm going to ask you to bear with me on the dubbing, even though it often is 30 00:02:43,860 --> 00:02:45,560 unintentionally ludicrous. 31 00:02:45,870 --> 00:02:50,690 Don't let it destroy the mood for you, because the fresh new faces and 32 00:02:50,690 --> 00:02:56,430 previously unseen people with their beautiful bodies will more than make up 33 00:02:56,430 --> 00:02:57,430 it. 34 00:02:58,730 --> 00:03:03,950 Europe has its own star structure, and one of the biggest is the Marilyn Monroe 35 00:03:03,950 --> 00:03:05,510 from across the ocean. 36 00:03:05,990 --> 00:03:12,430 Billed as Marilyn Lamour, Mary Monroe, among others, she's best known as 37 00:03:12,430 --> 00:03:13,430 Olinka. 38 00:03:13,900 --> 00:03:19,980 The guy is the ubiquitous Gabriel Pantello, a major star and the Hugh 39 00:03:19,980 --> 00:03:26,620 porn. The other brunette is Annabeth Hanson. This is from a French film, Call 40 00:03:26,620 --> 00:03:27,620 Girl. 41 00:07:49,930 --> 00:07:51,190 ends up falling in love with Caesar. 42 00:08:04,010 --> 00:08:05,010 Look, Diana. 43 00:08:07,450 --> 00:08:10,090 I brought you a playmate. She looks rather nice. 44 00:08:10,350 --> 00:08:11,350 You mean she's beautiful. 45 00:08:11,790 --> 00:08:14,950 It was rough going for a while, but we've become real pals. 46 00:08:15,170 --> 00:08:16,830 You sure have a way with women. Yes. 47 00:08:37,100 --> 00:08:38,100 Have a good day. 48 00:10:37,160 --> 00:10:38,160 Here we go. 49 00:10:54,460 --> 00:10:54,920 That 50 00:10:54,920 --> 00:11:04,900 was 51 00:11:04,900 --> 00:11:05,900 good. 52 00:11:17,650 --> 00:11:20,450 Thank you. 53 00:12:03,780 --> 00:12:04,780 Waiter? 54 00:12:07,320 --> 00:12:09,220 Can I have a beer, please? 55 00:12:22,980 --> 00:12:26,440 Thank you. Are you waiting to meet someone? 56 00:12:26,700 --> 00:12:27,700 No. 57 00:12:27,940 --> 00:12:29,500 Waiting to catch a train, then? 58 00:12:30,440 --> 00:12:31,780 No, I'm catching a boat tomorrow. 59 00:12:39,280 --> 00:12:44,740 Thank you, are you going to Africa then no Corsica 60 00:12:44,740 --> 00:12:53,620 Waiter 61 00:13:09,450 --> 00:13:10,730 Where is there a nice hotel? 62 00:13:11,890 --> 00:13:16,010 Maybe I could help you. I have a friend who runs a hotel by the harbor. I could 63 00:13:16,010 --> 00:13:17,270 drive you there now. 64 00:13:20,150 --> 00:13:21,630 Thank you if it's no trouble. 65 00:13:21,950 --> 00:13:22,950 Not at all. 66 00:13:31,670 --> 00:13:33,710 Same room as usual. 67 00:13:38,280 --> 00:13:39,600 There we are. It's all fixed. 68 00:13:39,980 --> 00:13:42,240 If you have nothing to do, how about dinner with me? 69 00:13:42,600 --> 00:13:43,760 Oh, no, thank you. 70 00:13:44,360 --> 00:13:45,360 Oh, 71 00:13:48,180 --> 00:13:50,540 just a quick bite to eat. I won't keep you long. 72 00:13:51,160 --> 00:13:53,100 I know you have to get up early in the morning. 73 00:13:53,360 --> 00:13:54,880 I can't abuse your kindness. 74 00:13:55,380 --> 00:13:57,200 But of course not. It's quite natural. 75 00:13:57,620 --> 00:14:00,140 Well, go draw up off your bag, and I'll wait for you. 76 00:14:02,180 --> 00:14:03,960 The usual arrangement. 77 00:14:05,040 --> 00:14:06,040 Discretion is the key. 78 00:14:08,959 --> 00:14:13,400 Since you're going to Porticio, I'll give you the address of a... Ah, good. A 79 00:14:13,400 --> 00:14:14,760 little restaurant there. 80 00:14:15,760 --> 00:14:17,360 Your Uncle Noah's. Here. 81 00:14:18,600 --> 00:14:19,660 I'll draw you a map. 82 00:14:20,180 --> 00:14:21,180 Here we are. 83 00:14:21,480 --> 00:14:26,220 The main street, front, north, south. And if you take... Thank 84 00:14:26,220 --> 00:14:32,980 you. Excuse 85 00:14:32,980 --> 00:14:35,500 us, we people from the south. We make big gestures. 86 00:14:36,120 --> 00:14:37,120 Well, then. 87 00:14:37,800 --> 00:14:39,960 To the sun and Corsica. 88 00:14:52,480 --> 00:14:54,240 Well, good night. 89 00:14:54,560 --> 00:14:58,580 I hope the room is all right. Yes, it's fine. Thank you. My pleasure. 90 00:14:59,020 --> 00:15:01,800 Well, goodbye and have a nice trip, yeah? Sure, goodbye. 91 00:15:02,180 --> 00:15:03,180 And thanks again. 92 00:18:22,640 --> 00:18:23,640 Ugh. 93 00:21:53,610 --> 00:22:00,190 Now we'll swing north to Sweden, home of those famous Scandinavian blondes. This 94 00:22:00,190 --> 00:22:05,270 scene has a little of everything, including an extremely hip kitty cat. 95 00:22:05,930 --> 00:22:12,810 Also, the subtle open humor with Eric Edwards as a bumbling voyeuristic novice 96 00:22:12,810 --> 00:22:18,290 studying Charles Canyon and Anna Magel. Eric and Harry Reams were two of the 97 00:22:18,290 --> 00:22:20,270 first Americans to appear overseas. 98 00:22:21,290 --> 00:22:24,270 This Swedish film is called Practice Makes Perfect. 99 00:30:30,840 --> 00:30:37,040 Voyeuristic observation is a universal sex film theme, but the love triangle is 100 00:30:37,040 --> 00:30:38,960 one of the mainstays of Europe. 101 00:30:39,200 --> 00:30:44,720 The big difference is the casual, almost expected attitude that affairs are 102 00:30:44,720 --> 00:30:45,720 perfectly normal. 103 00:30:46,200 --> 00:30:53,200 The ladies are American expatriate Dawn Cummings and Robin Sellers. The guy is 104 00:30:53,200 --> 00:30:57,960 Jean -Louis, also known as Brian Davidson through Crazy Credit 105 00:30:58,700 --> 00:31:04,580 The film is peak freak, and Europeans use dildos and three -way pile driver 106 00:31:04,580 --> 00:31:06,700 scenes just like we do. 107 00:31:07,000 --> 00:31:12,520 Notice throughout, the women tend to keep their pubic hair natural, not 108 00:33:37,450 --> 00:33:39,450 Thank you. 109 00:34:22,159 --> 00:34:23,159 Oh. 110 00:34:23,320 --> 00:34:24,320 Oh. 111 00:35:00,279 --> 00:35:01,680 um 112 00:35:38,830 --> 00:35:39,830 No. 113 00:36:38,710 --> 00:36:44,510 Serena is back from a French -Spanish production called Take Me Down in a four 114 00:36:44,510 --> 00:36:45,510 -way group scene. 115 00:36:46,130 --> 00:36:51,660 Americans are fascinated by blondes. But French films are equally loaded with 116 00:36:51,660 --> 00:36:57,640 blondes, although most of them are blonde from the sun or from the bottle. 117 00:36:58,000 --> 00:37:01,700 Bleach blondes from France don't disguise their pubic hair. 118 00:37:02,420 --> 00:37:07,700 And for what it's worth, another major difference is that most European men in 119 00:37:07,700 --> 00:37:10,080 these films are uncircumcised. 120 00:38:51,400 --> 00:38:52,400 Thank you. 121 00:39:30,670 --> 00:39:33,510 The virgin bride. 122 00:41:31,689 --> 00:41:32,689 Oh! Oh! 123 00:42:27,370 --> 00:42:32,950 Back again to Sweden for a Swedish -Danish film called Second Coming of 124 00:42:33,710 --> 00:42:39,510 Europeans poke fun at sexually repressed Puritans with a much better flair than 125 00:42:39,510 --> 00:42:40,209 we do. 126 00:42:40,210 --> 00:42:46,350 Here, Jack Frank is an uptight lawyer brought to life by a group of 127 00:42:46,370 --> 00:42:53,050 The redhead is Bridget Meier, star of Sensations, and the first American to 128 00:42:53,050 --> 00:42:55,450 achieve a major international name. 129 00:42:56,259 --> 00:43:02,420 Incidentally, Jack and his wife Kim were among Stockholm's biggest live sex show 130 00:43:02,420 --> 00:43:09,000 stars. The film was directed by a Danish gentleman who also did the original 131 00:43:09,000 --> 00:43:10,460 I, a Woman. 132 00:44:52,170 --> 00:44:53,170 Patience. You will. 133 00:45:08,810 --> 00:45:10,870 Well, even Rome wasn't built in a day. 134 00:45:26,120 --> 00:45:27,620 We're crazy about you. 135 00:45:39,380 --> 00:45:40,380 Hey, 136 00:45:40,740 --> 00:45:42,560 girl, our boy has become a man. 137 00:45:43,480 --> 00:45:45,960 Oh, man, he's got a big one. 138 00:45:46,640 --> 00:45:48,340 What, I bet he doesn't know what it's for? 139 00:45:48,600 --> 00:45:51,040 Well, I'm all for teaching him everything he can do with it. 140 00:45:51,760 --> 00:45:53,340 Sugar, you can be proud of him. 141 00:45:58,380 --> 00:46:00,440 to take a try at it. Don't be so selfish. 142 00:46:01,140 --> 00:46:03,100 Excuse me. Didn't I get it up? 143 00:46:03,300 --> 00:46:07,160 I guess there's enough for everybody. 144 00:46:12,800 --> 00:46:13,920 You're an old hussy. 145 00:46:14,540 --> 00:46:16,040 I want some of that, too. 146 00:46:31,890 --> 00:46:32,890 Duck it. 147 00:47:03,040 --> 00:47:04,080 Easy, darling. 148 00:47:08,500 --> 00:47:13,540 Stop fighting it, darling. 149 00:47:13,880 --> 00:47:14,880 Let me go. 150 00:47:14,940 --> 00:47:17,100 We just want to show you how much we love you. 151 00:47:17,940 --> 00:47:22,340 It's time to get down to business, don't you think? I'm going to ride him. Ride 152 00:47:22,340 --> 00:47:24,140 him, cowgirl. Warm up the bronco. 153 00:47:24,940 --> 00:47:26,980 I'm getting him next. That's what you think. 154 00:47:59,820 --> 00:48:01,200 I'm going to teach you girls a lesson. 155 00:48:04,880 --> 00:48:10,880 Now it's your turn. 156 00:48:11,700 --> 00:48:13,140 I'm all yours. 157 00:48:14,280 --> 00:48:15,500 Hey, I'm next. 158 00:48:15,860 --> 00:48:16,860 What a mess. 159 00:48:19,040 --> 00:48:20,040 Enjoy. 160 00:48:45,680 --> 00:48:46,880 this each four times in a row. 161 00:49:32,410 --> 00:49:33,470 Stick it in deeper. 162 00:49:34,070 --> 00:49:35,070 Okay. 163 00:49:41,910 --> 00:49:45,490 Well, for a guy who doesn't care much for women, you're certainly putting up a 164 00:49:45,490 --> 00:49:48,990 good show. Who said I didn't care much for women, huh? 165 00:49:49,210 --> 00:49:50,250 I love her. 166 00:49:58,280 --> 00:49:59,740 You scream with pleasure. 167 00:50:01,840 --> 00:50:03,720 This is getting better and better. 168 00:50:04,060 --> 00:50:06,180 All right, hang on. You're going places. 169 00:50:13,180 --> 00:50:19,960 How do you like that? 170 00:50:20,240 --> 00:50:24,300 Here we sit playing games and they're having a damn ball. No, no, no. Anybody 171 00:50:24,300 --> 00:50:27,140 would think you're envious. What the fuck's happening up there? Guess. 172 00:50:41,930 --> 00:50:42,930 All right, who's next up? 173 00:50:43,770 --> 00:50:50,330 The Germans offer the broadest and bawdiest comedy of any European nation, 174 00:50:50,330 --> 00:50:55,570 this video showcases one of the major sex stars of the 80s, a virtual 175 00:50:55,570 --> 00:50:57,550 conglomerate of carnality. 176 00:50:58,350 --> 00:51:04,510 Teresa Orlowski, along with her steady mate Hans Moser Jr., will offer proof in 177 00:51:04,510 --> 00:51:09,410 this video that Europe also goes backdoor with regularity. 178 00:51:10,730 --> 00:51:11,790 Is that you in the car? 179 00:51:12,070 --> 00:51:13,070 Yes. 180 00:51:13,410 --> 00:51:14,410 I'm Teresa. 181 00:51:14,770 --> 00:51:15,770 I'm Clark. 182 00:51:16,050 --> 00:51:17,050 Fine. 183 00:51:17,890 --> 00:51:22,710 But I... Let's begin. 184 00:51:23,210 --> 00:51:24,210 Yeah. 185 00:54:02,600 --> 00:54:04,000 Oh. 186 00:54:37,840 --> 00:54:38,840 Thank you. 187 01:03:01,900 --> 01:03:04,760 Another major difference results from plumbing. 188 01:03:05,120 --> 01:03:10,960 Europeans use tubs extensively, and American productions often use showers. 189 01:03:11,320 --> 01:03:18,020 In The Joy of Fooling Around, Erica Swanson offers up lesbian lust in this 190 01:03:18,020 --> 01:03:23,800 with the tub, then moves to the shores of the Mediterranean with Monique Dupre. 191 01:05:31,740 --> 01:05:32,740 How are you, Marie? 192 01:05:33,860 --> 01:05:35,000 I'm fine. I'm working. 193 01:05:35,500 --> 01:05:36,500 Who for? 194 01:05:36,760 --> 01:05:39,220 For my father. I look after things while he's gone. 195 01:05:39,740 --> 01:05:43,020 When he comes back, we go into town together and I help him sell his catch. 196 01:05:49,360 --> 01:05:54,860 How long are you going to wait? 197 01:05:55,760 --> 01:05:56,880 As long as it takes. 198 01:05:57,780 --> 01:05:59,080 They might never let him out of jail. 199 01:05:59,990 --> 01:06:01,370 You'd like that, wouldn't you? 200 01:06:02,710 --> 01:06:03,710 You're crazy. 201 01:06:04,530 --> 01:06:05,730 He's never coming back. 202 01:06:10,450 --> 01:06:12,170 He lied to you and you believed him. 203 01:06:13,310 --> 01:06:14,310 You're a fool. 204 01:06:15,950 --> 01:06:17,710 You really believed he was innocent, didn't you? 205 01:06:18,310 --> 01:06:19,310 He took you in. 206 01:06:20,170 --> 01:06:21,490 I still believe he's innocent. 207 01:06:23,150 --> 01:06:24,570 You're too innocent to understand. 208 01:06:24,910 --> 01:06:26,310 And you know everything, right? 209 01:06:28,439 --> 01:06:29,900 I know all I want to know about men. 210 01:06:30,700 --> 01:06:31,700 I'm through with them. 211 01:07:48,330 --> 01:07:49,430 Make me work for it. 212 01:07:50,030 --> 01:07:51,650 I love it when you fight back like that. 213 01:10:38,540 --> 01:10:44,180 If ever a theme could sum up the atmosphere and attitudes of the third 214 01:10:44,180 --> 01:10:49,000 triangle, as well as providing foreplay tease and eroticism with attractive 215 01:10:49,000 --> 01:10:54,020 people, it's this one from the French -Italian film Two at Once. 216 01:10:54,380 --> 01:11:00,500 This fantastic babe is a mainstay of foreign films, always under stupid 217 01:11:00,500 --> 01:11:01,500 pseudonyms. 218 01:11:03,160 --> 01:11:04,440 My name's Denise. 219 01:11:05,220 --> 01:11:06,220 Francois. 220 01:14:02,410 --> 01:14:03,410 May I call you Denise? 221 01:14:05,230 --> 01:14:06,270 Yes, Francois. 222 01:14:13,870 --> 01:14:15,870 Denise, you want to play? 223 01:14:18,930 --> 01:14:20,030 I'm not playing. 224 01:14:22,550 --> 01:14:24,290 I'm just ready to fuck. 225 01:14:25,990 --> 01:14:26,990 You. 226 01:18:30,990 --> 01:18:31,990 Open the door. 227 01:19:03,630 --> 01:19:05,990 How was it? Not bad. Not bad. 228 01:19:07,750 --> 01:19:08,950 Was he as good as me? 229 01:19:10,390 --> 01:19:11,390 Come now. 230 01:19:12,970 --> 01:19:17,910 To me, it doesn't matter where they're from, as long as they are pretty people 231 01:19:17,910 --> 01:19:22,550 or even intriguing looking, as long as they're enthusiastic, which the 232 01:19:22,550 --> 01:19:23,550 certainly are. 233 01:19:24,130 --> 01:19:31,030 To conclude, here is the reigning star of French films, Marilyn Jess, or Yes, 234 01:19:31,290 --> 01:19:32,290 if you prefer. 235 01:19:32,510 --> 01:19:34,390 in a lesbian scene from the arrangement. 236 01:19:35,110 --> 01:19:40,210 European films concentrate much more on mood, fondling, and undressing. 237 01:19:40,430 --> 01:19:46,190 There are few jump cuts from clothed to unclothed, something most common to 238 01:19:46,190 --> 01:19:47,190 American videos. 239 01:19:48,270 --> 01:19:53,530 Following this scene, there will be a recap of all of the scenes and the films 240 01:19:53,530 --> 01:19:58,430 from which they were taken to help you further explore to learn to appreciate 241 01:19:58,430 --> 01:19:59,590 foreign cinema. 242 01:20:00,170 --> 01:20:04,820 Remember... Different can mean better only in the eye of the beholder. 243 01:20:06,020 --> 01:20:11,460 And as always, I will, down the road, catch you all later. 244 01:21:09,200 --> 01:21:11,200 is something for your vitamin deficiency. 245 01:21:11,600 --> 01:21:14,820 Oh, I don't care about vitamins, but that thing in my conscience, no. 246 01:21:15,060 --> 01:21:16,060 Oh. 247 01:21:19,000 --> 01:21:20,000 Oh. 248 01:21:21,520 --> 01:21:22,520 Oh. Oh. 249 01:21:22,700 --> 01:21:23,700 Mm. 250 01:21:25,580 --> 01:21:26,880 It smells like man. 251 01:21:27,880 --> 01:21:28,880 Mm. 252 01:21:29,260 --> 01:21:30,480 It smells good. 253 01:21:30,700 --> 01:21:31,700 Mm -hmm. 254 01:21:31,840 --> 01:21:33,240 Now, what do you want? 255 01:21:36,780 --> 01:21:38,080 What do you want? 256 01:21:53,019 --> 01:21:55,100 Love. I guess that's where it's at. 257 01:21:56,560 --> 01:21:58,060 Where everything's at. 258 01:22:00,540 --> 01:22:05,340 They say to have loved and lost is better than to have never loved in life. 259 01:22:08,520 --> 01:22:11,720 People that say that just don't know what it is to love in life. 260 01:22:14,540 --> 01:22:15,540 Oh, I wish. 261 01:22:16,080 --> 01:22:17,920 I wish I'd never loved. 262 01:22:20,810 --> 01:22:21,910 Kids, that was fantastic. 263 01:22:22,130 --> 01:22:23,550 What an idea you had. 264 01:22:24,110 --> 01:22:25,730 Let me throw the other pole away. 265 01:22:31,710 --> 01:22:32,710 George, 266 01:22:36,510 --> 01:22:37,510 come here. 267 01:22:42,530 --> 01:22:45,030 Boy, this is a new kind of training program. 268 01:23:00,430 --> 01:23:01,430 Holy fuck, sisters. 269 01:23:21,450 --> 01:23:25,610 Isn't this terrible, George? So young and already so broken in. 270 01:23:25,950 --> 01:23:27,930 Honestly, be happy I'm not your father.