1 00:00:20,233 --> 00:00:22,633 OKAY, SO I WAS MISERABLE. 2 00:00:22,667 --> 00:00:24,967 AND I STAYED MISERABLE FOR ABOUT A YEAR. 3 00:00:25,000 --> 00:00:26,700 AND THEN I DECIDED THAT I WAS 4 00:00:26,733 --> 00:00:28,533 BORED WITH BEING MISERABLE. 5 00:00:28,567 --> 00:00:29,967 I MEAN, AFTER A WHILE 6 00:00:30,000 --> 00:00:31,733 HOW MUCH CAN YOU ENJOY YOUR OWN MISERY? 7 00:00:31,767 --> 00:00:32,967 IT'S TIME TO STOP. 8 00:00:33,000 --> 00:00:34,700 THE ONLY WAY I KNEW TO GET OUT OF IT 9 00:00:34,733 --> 00:00:36,100 WAS TO LEAVE WHERE I WAS FROM, 10 00:00:36,133 --> 00:00:37,700 LEAVE THE HOUSE I WAS MISERABLE IN, 11 00:00:37,733 --> 00:00:39,300 STOP LOOKING AT MY MISERABLE MIRROR 12 00:00:39,333 --> 00:00:42,067 IN MY MISERABLE BATHROOM IN MY MISERABLE HOUSE, 13 00:00:42,100 --> 00:00:44,333 GET ON A PLANE AND FLY TO NEW YORK CITY, 14 00:00:44,367 --> 00:00:46,800 CHANGE MY LIFE, CHANGE MY PLACE, GO BACK TO THE 15 00:00:46,833 --> 00:00:49,900 PLACE I WAS FROM BEFORE ALL MY MISERY STARTED, 16 00:00:49,933 --> 00:00:51,900 START ANEW, START A NEW LIFE. 17 00:00:51,933 --> 00:00:52,900 AND I DID. 18 00:00:52,933 --> 00:00:54,833 NEW YEAR'S EVE I GOT ON A PLANE, 19 00:00:54,867 --> 00:00:56,867 THE RED-EYE FROM LOS ANGELES TO NEW YORK. 20 00:00:56,900 --> 00:00:59,433 I ARRIVED EARLY IN THE MORNING, EXHAUSTED. 21 00:00:59,467 --> 00:01:02,500 * IT'S A MOST UNUSUAL DAY * 22 00:01:02,533 --> 00:01:05,600 * FEEL LIKE THROWING MY WORRIES AWAY * 23 00:01:05,633 --> 00:01:09,267 * AS AN OLD NATIVE-BORN CALIFORNIAN WOULD SAY * 24 00:01:09,300 --> 00:01:12,467 * IT'S A MOST UNUSUAL DAY * 25 00:01:12,500 --> 00:01:14,700 * OH, THIS WEATHER'S AMAZING THEY SAY * 26 00:01:14,733 --> 00:01:17,633 * THERE'S A MOST UNUSUAL SKY * 27 00:01:17,667 --> 00:01:20,900 * NOT A SIGN OF A CLOUD PASSING BY * 28 00:01:20,933 --> 00:01:22,767 * AND IF I WANT TO SING * 29 00:01:22,800 --> 00:01:24,633 * THROW MY HEART IN THE RING * 30 00:01:24,667 --> 00:01:27,867 * IT'S A MOST UNUSUAL DAY * 31 00:01:27,900 --> 00:01:31,133 * THERE ARE PEOPLE MEETING PEOPLE * 32 00:01:31,167 --> 00:01:34,567 * THERE IS SUNSHINE EVERYWHERE * 33 00:01:34,600 --> 00:01:37,867 * THERE ARE PEOPLE GREETING PEOPLE * 34 00:01:37,900 --> 00:01:41,267 * AND A FEELING OF SPRING IN THE AIR * 35 00:01:41,300 --> 00:01:44,533 * IT'S A MOST UNUSUAL TIME * 36 00:01:44,567 --> 00:01:47,867 * I KEEP FEELING MY TEMPERATURE CLIMB * 37 00:01:47,900 --> 00:01:51,567 * IF MY HEART WON'T BEHAVE IN THE USUAL WAY * 38 00:01:51,600 --> 00:01:54,733 * WELL, THERE'S ONLY ONE THING TO SAY * 39 00:01:54,767 --> 00:01:58,700 * IT'S A MOST UNUSUAL, MOST UNUSUAL * 40 00:01:58,733 --> 00:02:02,633 * MOST UNUSUAL DAY. * 41 00:02:02,667 --> 00:02:04,667 OH, JESUS. 42 00:02:06,333 --> 00:02:16,867 (KNOCKING ON DOOR) 43 00:02:16,900 --> 00:02:18,900 OKAY. 44 00:02:18,933 --> 00:02:20,933 WHO IS IT? 45 00:02:24,033 --> 00:02:25,033 WHO IS IT? 46 00:02:28,967 --> 00:02:30,067 YEAH? 47 00:02:30,100 --> 00:02:32,000 WHAT ARE YOU DOING IN MY APARTMENT? 48 00:02:32,033 --> 00:02:33,400 I LIVE HERE. 49 00:02:33,433 --> 00:02:34,900 3C? 50 00:02:34,933 --> 00:02:36,100 YEAH. 51 00:02:36,133 --> 00:02:37,700 I'M MOVING IN. 52 00:02:37,733 --> 00:02:39,733 OH, SORRY. WE'RE MOVING OUT TOMORROW. 53 00:02:39,767 --> 00:02:41,733 I'VE GOT THE PLACE FOR THE FIRST. 54 00:02:41,767 --> 00:02:43,500 NO, NO, WE'RE HERE THROUGH THE FIRST. 55 00:02:43,533 --> 00:02:45,533 I'VE GOT THIS PLACE STARTING THE FIRST. 56 00:02:45,567 --> 00:02:47,667 NO, NO, WE HAVE IT THROUGH THE FIRST- 57 00:02:47,700 --> 00:02:49,033 I HAVE IT ON THE FIRST. 58 00:02:49,067 --> 00:02:50,767 WE HAVE IT THROUGH THE FIRST. 59 00:02:50,800 --> 00:02:52,567 I HAVE IT ON THE FIRST - THIS IS THE FIRST. 60 00:02:52,600 --> 00:02:54,267 HAPPY NEW YEAR. 61 00:02:54,300 --> 00:02:55,833 HAPPY NEW YEAR. 62 00:02:55,867 --> 00:02:58,700 IS THERE SOME SUPER WE CAN CHECK THIS WITH? 63 00:02:58,733 --> 00:03:01,333 DON'T WAKE HIM UP AT THIS HOUR, HE'S REAL SURLY. 64 00:03:01,367 --> 00:03:03,533 JUST COME IN AND WE'LL FIGURE IT OUT. 65 00:03:03,567 --> 00:03:06,133 I DIDN'T SLEEP, I JUST GOT ON THE RED-EYE 66 00:03:06,167 --> 00:03:07,767 FROM LOS ANGELES. 67 00:03:07,800 --> 00:03:09,733 COME IN, WE'LL HAVE SOME TEA. 68 00:03:09,767 --> 00:03:11,300 IT'LL MAKE YOU FEEL BETTER 69 00:03:11,333 --> 00:03:13,000 AND WE'LL FIGURE IT OUT. 70 00:03:13,033 --> 00:03:14,333 DID MY STUFF ARRIVE? 71 00:03:14,367 --> 00:03:15,933 YEAH, THE FURNITURE'S GREAT. 72 00:03:15,967 --> 00:03:17,633 WHAT DO YOU MEAN IT'S GREAT? 73 00:03:17,667 --> 00:03:19,533 IT'S NICE, YOU HAVE WONDERFUL TASTE. 74 00:03:19,567 --> 00:03:22,433 COME ON, I'VE GOT GINGER TEA, IT'LL FIX ANYTHING. 75 00:03:22,467 --> 00:03:23,900 YOU OKAY? 76 00:03:23,933 --> 00:03:25,600 YEAH. 77 00:03:25,633 --> 00:03:27,167 THE KITCHEN'S HERE. 78 00:03:27,200 --> 00:03:29,400 CAN I LEAVE THIS SOMEWHERE? 79 00:03:29,433 --> 00:03:31,400 JUST ANYWHERE IS FINE. 80 00:03:31,433 --> 00:03:33,833 MY GOD, IT'S STARTED TO SNOW! 81 00:03:33,867 --> 00:03:35,867 JUST SIT DOWN, TAKE YOUR COAT OFF. 82 00:03:44,333 --> 00:03:46,400 I THINK I SHOULD FIND A PHONE. 83 00:03:46,433 --> 00:03:48,600 TAKE YOUR COAT OFF, RELAX. 84 00:03:48,633 --> 00:03:50,500 I'LL MAKE YOU SOME TEA. 85 00:03:50,533 --> 00:03:52,500 GINGER TEA, EVERYTHING WILL BE- 86 00:03:52,533 --> 00:03:54,200 NO, NO, I DON'T NEED THAT. 87 00:03:54,233 --> 00:03:57,000 GINGER IS ONE OF THREE THINGS 88 00:03:57,033 --> 00:03:59,067 THAT'S REALLY GOOD FOR YOU 89 00:03:59,100 --> 00:04:01,567 - GINGER, GARLIC AND ONIONS. 90 00:04:01,600 --> 00:04:03,433 GINGER TASTES GREAT. 91 00:04:03,467 --> 00:04:05,000 I DON'T LIKE GINGER. 92 00:04:05,033 --> 00:04:07,000 IT'S GOOD FOR YOUR HEART AND YOUR BLOODSTREAM 93 00:04:07,033 --> 00:04:08,633 AND YOUR IMMUNE SYSTEM. 94 00:04:08,667 --> 00:04:11,433 I KEEP A POT ON ALL WINTER LONG. 95 00:04:11,467 --> 00:04:12,867 WHO ARE YOU? 96 00:04:12,900 --> 00:04:15,067 I'M DREW, HI. 97 00:04:15,100 --> 00:04:17,333 AND IF YOU DO THAT, YOU DON'T GET SICK. 98 00:04:17,367 --> 00:04:18,533 ARE YOU SICK? 99 00:04:18,567 --> 00:04:20,233 I'M A LITTLE SICK I THINK. 100 00:04:20,267 --> 00:04:22,633 IT'S COLD IN NEW YORK, I JUST GOT OFF THE PLANE. 101 00:04:22,667 --> 00:04:24,567 I'LL MAKE TWO KINDS OF TEA, YOU'LL TRY GINGER. 102 00:04:24,600 --> 00:04:26,233 WHEN ARE YOU GUYS GOING TO BE OUT? 103 00:04:26,267 --> 00:04:27,567 TOMORROW. 104 00:04:27,600 --> 00:04:28,967 WHO ARE YOU? 105 00:04:29,000 --> 00:04:30,467 OH, MY GOD, ANOTHER ONE. 106 00:04:30,500 --> 00:04:32,000 WHY IS EVERYBODY UP? 107 00:04:32,033 --> 00:04:33,900 HOW MANY OF YOU ARE THERE? 108 00:04:33,933 --> 00:04:36,200 OH, MY GOD. 109 00:04:36,233 --> 00:04:40,033 WE WERE UP UNTIL 5:30 TALKING ABOUT LIFE 110 00:04:40,067 --> 00:04:42,867 AND WHAT WE'RE GOING TO DO WITH OUR LIVES 111 00:04:42,900 --> 00:04:44,767 WHEN WE GET OUT OF HERE. 112 00:04:44,800 --> 00:04:46,967 WHEN I DON'T GET ENOUGH SLEEP MY BODY ACHES 113 00:04:47,000 --> 00:04:48,600 AND I DON'T FUNCTION VERY WELL. 114 00:04:48,633 --> 00:04:51,467 NOT THAT I FUNCTION SO WELL WHEN I'M NOT TIRED. 115 00:04:51,500 --> 00:04:53,000 I DON'T FEEL TOO GOOD EITHER. 116 00:04:53,033 --> 00:04:54,533 YOU KNOW WHAT YOU SHOULD DO? 117 00:04:54,567 --> 00:04:56,533 YOU TAKE A LEMON AND PEEL THE YELLOW PART 118 00:04:56,567 --> 00:04:58,433 OFF THE LEMON, LEAVE THE WHITE, 119 00:04:58,467 --> 00:05:00,900 YOU PUT IT IN QUARTERS IN A VERY HOT BATH 120 00:05:00,933 --> 00:05:02,833 AND THEN YOU GET IN THE BATH 121 00:05:02,867 --> 00:05:04,967 AND YOU DRINK IT WHILE YOU'RE IN THERE. 122 00:05:05,000 --> 00:05:07,167 THIS IS ALL VERY NICE, I HAVE TO GO TO SLEEP. 123 00:05:07,200 --> 00:05:08,267 I'M HUNGRY. 124 00:05:08,300 --> 00:05:09,900 WHY DON'T YOU EAT? 125 00:05:09,933 --> 00:05:11,667 IT'S NOT ABOUT FOOD. 126 00:05:11,700 --> 00:05:14,000 WHERE'S A PHONE? HELLO? 127 00:05:14,033 --> 00:05:15,233 SORRY. 128 00:05:15,267 --> 00:05:17,800 I WANT TO CALL A HOTEL AND GET A RESERVATION 129 00:05:17,833 --> 00:05:20,000 AND GO TO BED. I'VE GOT TO GO TO SLEEP. 130 00:05:20,033 --> 00:05:22,033 WILL YOU BE OUT TOMORROW? 131 00:05:25,400 --> 00:05:27,467 WHAT IS THIS STUFF DOING HERE STILL? 132 00:05:27,500 --> 00:05:28,900 WE DIDN'T KNOW WHAT TO DO WITH IT. 133 00:05:28,933 --> 00:05:30,267 I CAN'T TAKE IT WITH ME 134 00:05:30,300 --> 00:05:32,033 AND NEITHER CAN THE GIRLS. 135 00:05:32,067 --> 00:05:33,133 I DON'T WANT IT. 136 00:05:33,167 --> 00:05:34,900 WHAT AM I GOING TO DO WITH IT? 137 00:05:34,933 --> 00:05:36,433 IT'S REALLY PERFECT IN THIS ROOM. 138 00:05:36,467 --> 00:05:38,100 YOU MIGHT WANT TO KEEP IT. 139 00:05:38,133 --> 00:05:40,000 YOU MIGHT LIKE IT IN HERE, IT WORKS. 140 00:05:40,033 --> 00:05:41,667 I'M MOVING IN WITH A FAMILY SO I REALLY 141 00:05:41,700 --> 00:05:43,533 CAN'T TAKE ANYTHING AND ANNIE'S PLACE 142 00:05:43,567 --> 00:05:45,500 IS GOING TO BE REALLY SMALL. 143 00:05:45,533 --> 00:05:47,333 WHAT ABOUT THE OTHER ONE, THE THIRD GIRL? 144 00:05:47,367 --> 00:05:49,500 LUCY'S MOVING TO LA, IT'S KIND OF FAR 145 00:05:49,533 --> 00:05:51,500 TO DRIVE ANYTHING LIKE THIS. 146 00:05:51,533 --> 00:05:53,033 SO IF YOU WANT ANYTHING HERE 147 00:05:53,067 --> 00:05:55,067 LET ME KNOW AND WE'LL TALK. 148 00:05:57,833 --> 00:06:00,900 THE PHONE'S RIGHT THERE. 149 00:06:00,933 --> 00:06:03,267 YOU CAN MAKE ANY CALLS YOU WANT. 150 00:06:03,300 --> 00:06:04,933 MY COUCH... THAT'S MY CHAIR. 151 00:06:04,967 --> 00:06:06,600 YEAH, IT'S NICE. YOU GOT ANY KIDS? 152 00:06:06,633 --> 00:06:08,033 KIDS? NO. 153 00:06:08,067 --> 00:06:10,800 I'M GOING TO PUT SOME CLOTHES ON. 154 00:06:10,833 --> 00:06:12,833 I'LL BE BACK IN A BIT. 155 00:06:17,300 --> 00:06:18,933 SNOW. 156 00:06:18,967 --> 00:06:20,767 IT'S A GOOD OMEN. 157 00:06:20,800 --> 00:06:25,467 IT MIGHT BE MY CUE TO GO TO WARMER WEATHER. 158 00:06:25,500 --> 00:06:26,500 NO. 159 00:06:31,000 --> 00:06:35,500 YEAH, MANHATTAN INFORMATION, PLEASE. 160 00:06:35,533 --> 00:06:37,033 I'M GOING TO GIVE UP EVERYTHING 161 00:06:37,067 --> 00:06:38,767 THAT'S BAD FOR ME THIS YEAR. 162 00:06:38,800 --> 00:06:41,700 I'M GOING TO GIVE UP CAFFEINE, ALCOHOL, SUGAR. 163 00:06:41,733 --> 00:06:43,967 I ALREADY GAVE UP GRASS LAST YEAR SO I DON'T HAVE 164 00:06:44,000 --> 00:06:46,600 TO GIVE UP THE GRASS THIS YEAR, THANK GOD. 165 00:06:46,633 --> 00:06:48,133 I'M GOING TO GIVE UP MEN. 166 00:06:48,167 --> 00:06:52,233 WHAT YOU'RE GIVING UP- YOU'RE GIVING ME UP. 167 00:06:52,267 --> 00:06:53,800 I'M NOT GIVING YOU UP. 168 00:06:53,833 --> 00:06:55,567 I'M GIVING NEW YORK UP. 169 00:06:55,600 --> 00:06:57,833 AND I'M GIVING UP MEN. 170 00:06:57,867 --> 00:07:02,433 I'M GOING TO LOS ANGELES AND I'M NOT GOING TO 171 00:07:02,467 --> 00:07:06,967 LET ONE MORE CREEPY ASSHOLE INTO MY LIFE. 172 00:07:07,000 --> 00:07:10,967 I'M GOING TO GIVE UP DIET CANDIES. 173 00:07:11,000 --> 00:07:13,667 RESERVATIONS PLEASE. 174 00:07:13,700 --> 00:07:17,200 YOU DON'T HAVE ANYTHING? 175 00:07:17,233 --> 00:07:19,133 YOU DON'T HAVE TO GO TO LOS ANGELES 176 00:07:19,167 --> 00:07:21,800 TO GIVE MEN UP, YOU CAN GIVE MEN UP HERE. 177 00:07:21,833 --> 00:07:25,367 YOU DON'T HAVE TO CHANGE A CITY TO GIVE UP A MAN. 178 00:07:25,400 --> 00:07:27,667 I CAN'T GIVE THIS MAN UP IN NEW YORK. 179 00:07:27,700 --> 00:07:29,167 THAT'S THE MOST RIDICULOUS THING 180 00:07:29,200 --> 00:07:30,767 I'VE EVER HEARD. 181 00:07:30,800 --> 00:07:33,333 IT'S NOT, ANNIE. I'VE TRIED THIS ALREADY. 182 00:07:33,367 --> 00:07:34,367 RESERVATIONS PLEASE. 183 00:07:40,733 --> 00:07:44,267 DO YOU HAVE ANY ROOMS FOR TONIGHT, PLEASE? 184 00:07:44,300 --> 00:07:45,633 NOT TONIGHT? 185 00:07:45,667 --> 00:07:47,133 YOU DON'T HAVE TO GO AWAY. 186 00:07:47,167 --> 00:07:48,500 I HAVE TO GO. 187 00:07:48,533 --> 00:07:50,167 NO, YOU DON'T. 188 00:07:50,200 --> 00:07:52,400 IT'S SOMETHING THAT YOU WANT TO DO. 189 00:07:52,433 --> 00:07:54,100 SO MAYBE YOU SHOULD COME WITH ME. 190 00:07:54,133 --> 00:07:55,467 OH, VERY FUNNY. 191 00:07:55,500 --> 00:07:58,000 I REALLY DON'T WANT TO DO THIS. 192 00:07:58,033 --> 00:08:01,533 I'M JUST COMPLETELY TERRIFIED ABOUT IT. 193 00:08:01,567 --> 00:08:03,867 IT'S GOING TO BE OKAY, ANNIE. 194 00:08:03,900 --> 00:08:06,100 I KNOW IT'S GOING TO BE OKAY, I MEAN 195 00:08:06,133 --> 00:08:08,900 I ABSOLUTELY KNOW THIS IS GOING TO BE FINE 196 00:08:08,933 --> 00:08:12,467 AND THIS IS A GOOD IDEA, I JUST HATE CHANGE. 197 00:08:12,500 --> 00:08:15,400 I HATE ANY KIND OF CHANGE. 198 00:08:15,433 --> 00:08:17,800 RESERVATIONS PLEASE. 199 00:08:17,833 --> 00:08:20,833 WHAT DO YOU MEAN THEY'RE CLOSED? 200 00:08:24,067 --> 00:08:27,333 WHO DO I SPEAK TO ABOUT RESERVATIONS THEN? 201 00:08:27,367 --> 00:08:30,467 I DON'T WANT A TOLL FREE NUMBER. 202 00:08:30,500 --> 00:08:34,500 THERE'S NO HOTELS. 203 00:08:34,533 --> 00:08:40,033 (PHONE RINGING) 204 00:08:40,067 --> 00:08:41,233 HELLO? 205 00:08:41,267 --> 00:08:43,567 HI MOM. NO, I'M OUT OF BREATH 206 00:08:43,600 --> 00:08:45,633 'CAUSE I RAN FROM THE KITCHEN. 207 00:08:45,667 --> 00:08:47,500 WHAT? YES, I KNOW. 208 00:08:47,533 --> 00:08:49,967 SO THE NEW TENANT CAN PUT A PHONE IN THE KITCHEN. 209 00:08:50,000 --> 00:08:52,167 I'M SO GLAD THIS WHOLE PERIOD IS OVER. 210 00:08:52,200 --> 00:08:53,733 WHAT WHOLE PERIOD? 211 00:08:53,767 --> 00:08:55,767 THIS WHOLE "IT", THIS WHOLE PERIOD, 212 00:08:55,800 --> 00:08:58,167 THIS LAST TWO MONTHS FROM NEW YEAR'S, 213 00:08:58,200 --> 00:08:59,867 CHRISTMAS, THANKSGIVING - 214 00:08:59,900 --> 00:09:03,400 A WEEK BEFORE THANKSGIVING IS WHEN IT ALL STARTS. 215 00:09:03,433 --> 00:09:06,600 I'M UP BECAUSE I'VE GOT 100 THINGS TO DO AND- 216 00:09:06,633 --> 00:09:09,700 IT'S EARLY, YES, WELL, THIS GUY IS HERE. 217 00:09:09,733 --> 00:09:12,000 NO, I WOULD STILL BE SLEEPING. 218 00:09:12,033 --> 00:09:14,633 LUCY! 219 00:09:14,667 --> 00:09:16,433 YES, MOM. YES, MOM. 220 00:09:16,467 --> 00:09:18,167 I WILL, I WILL, I WILL. 221 00:09:18,200 --> 00:09:20,033 YES, I WILL REMEMBER EVERYTHING. 222 00:09:20,067 --> 00:09:21,800 I'VE GOT A PACKING LIST. 223 00:09:21,833 --> 00:09:23,700 YES, LIKE A VERY GOOD GIRL, I DO. 224 00:09:23,733 --> 00:09:26,367 IT DOESN'T HELP THAT I START EATING SUGAR 225 00:09:26,400 --> 00:09:28,300 AROUND THANKSGIVING AND THEN I USUALLY EAT SUGAR 226 00:09:28,333 --> 00:09:30,733 FROM THANKSGIVING ALL THE WAY TO NEW YEARS EVE 227 00:09:30,767 --> 00:09:32,900 SO IT'S A BIOLOGICAL DEPRESSION AS WELL AS 228 00:09:32,933 --> 00:09:34,967 A PSYCHOLOGICAL DEPRESSION 229 00:09:35,000 --> 00:09:38,333 AND IT LASTS UNTIL JANUARY 2ND. 230 00:09:38,367 --> 00:09:39,367 HOLD ON A SECOND. 231 00:09:43,167 --> 00:09:45,167 THE MAYFLOWER HOTEL, PLEASE. 232 00:09:49,200 --> 00:09:51,033 LUCY! 233 00:09:51,067 --> 00:09:53,133 YEAH. 234 00:09:53,167 --> 00:09:56,633 YOU DON'T HAVE ANYTHING AT ALL? 235 00:09:56,667 --> 00:09:59,300 I CAN'T HEAR ANOTHER ONE OF THESE THINGS. 236 00:09:59,333 --> 00:10:01,067 NOW IT'S JANUARY 1ST AND 237 00:10:01,100 --> 00:10:03,300 I'M STARTING TO COME OUT OF IT. 238 00:10:03,333 --> 00:10:05,033 WELL, I'M GLAD FOR YOU. 239 00:10:05,067 --> 00:10:07,200 I JUST GOT HIM TO THINK IT WAS 240 00:10:07,233 --> 00:10:09,167 A SEMANTIC MISUNDERSTANDING. 241 00:10:09,200 --> 00:10:10,933 WHAT DID YOU TELL HIM? 242 00:10:10,967 --> 00:10:13,100 I THOUGHT WE WERE HERE THROUGH THE FIRST. 243 00:10:13,133 --> 00:10:14,567 IT SAID "THROUGH THE FIRST" 244 00:10:14,600 --> 00:10:16,767 AND MY UNDERSTANDING IS THROUGH THE FIRST 245 00:10:16,800 --> 00:10:18,933 BUT THEN HE SAID WE WERE CUT OFF ON THE- 246 00:10:18,967 --> 00:10:20,400 ANYWAY, IT DOESN'T MATTER. 247 00:10:20,433 --> 00:10:22,733 I FEEL SO STRONG, I FEEL SO HOPEFUL. 248 00:10:22,767 --> 00:10:26,200 I'M COMPLETELY DETERMINED THAT I'M GOING TO DO 249 00:10:26,233 --> 00:10:28,400 EVERYTHING THAT'S GOOD FOR MYSELF. 250 00:10:28,433 --> 00:10:31,633 I'M JUST LOOKING AT THIS GUY I SHOT LAST WEEK. 251 00:10:31,667 --> 00:10:34,800 HE WAS FLIRTING WITH ME A LOT. 252 00:10:34,833 --> 00:10:37,867 I MEAN, HE MIGHT BE VOLUNTEER MATERIAL. 253 00:10:37,900 --> 00:10:39,033 OH, STOP. 254 00:10:39,067 --> 00:10:40,700 I'M JUST LOOKING! 255 00:10:40,733 --> 00:10:43,033 LOOK AT THE GENETICS, YOU KNOW. 256 00:10:43,067 --> 00:10:45,633 THEY'D BE BEAUTIFUL KIDS, THOUGH. 257 00:10:45,667 --> 00:10:46,967 HE'S AN ACTOR. 258 00:10:47,000 --> 00:10:49,900 TRUST ME, YOU DON'T WANT THAT. 259 00:10:49,933 --> 00:10:52,767 I'M NOT GOING TO HAVE TO LIVE WITH HIM, 260 00:10:52,800 --> 00:10:55,533 I'M TALKING ABOUT A DONOR HERE. 261 00:10:55,567 --> 00:11:00,967 THIS WOULD BE A BEAUTIFUL COMBINATION. 262 00:11:01,000 --> 00:11:03,567 YOU CAN STAY HERE WITH US, CAN'T YOU? 263 00:11:03,600 --> 00:11:05,367 WHERE CAN I STAY WITH YOU? 264 00:11:05,400 --> 00:11:07,600 IT'S BIG, IT'S JUST FOR ANOTHER DAY. 265 00:11:07,633 --> 00:11:09,600 YOU'RE SICK ANYWAY, 266 00:11:09,633 --> 00:11:12,833 YOU CAN'T BE WORRIED ABOUT THESE THINGS. 267 00:11:12,867 --> 00:11:17,400 YEAH, I'M TRYING TO THINK OF ANOTHER HOTEL. 268 00:11:17,433 --> 00:11:19,433 WE POLISHED OFF A LOT OF CHAMPAGNE. 269 00:11:19,467 --> 00:11:21,600 (LAUGHING) 270 00:11:21,633 --> 00:11:23,167 I DON'T KNOW WHAT TO DO. 271 00:11:23,200 --> 00:11:24,800 I CAN'T FIND A HOTEL. 272 00:11:24,833 --> 00:11:27,200 THEY'RE ALL BOOKED BECAUSE IT'S NEW YEAR'S. 273 00:11:27,233 --> 00:11:28,733 STAY, THIS PLACE IS HUGE. 274 00:11:28,767 --> 00:11:30,733 JUST STAY, WE'RE GOING TO BE GONE TOMORROW. 275 00:11:30,767 --> 00:11:32,400 THANK YOU, BUT WHERE WOULD I SLEEP? 276 00:11:32,433 --> 00:11:34,067 YOU CAN SLEEP ANYWHERE. 277 00:11:34,100 --> 00:11:35,767 I'LL SLEEP ON THIS COUCH, I'M GOING TO BE 278 00:11:35,800 --> 00:11:38,200 PACKED AND OUT OF THAT ROOM - SOON I HOPE. 279 00:11:38,233 --> 00:11:40,300 WHAT DO YOU DO, WHAT DO YOU GIRLS DO? 280 00:11:40,333 --> 00:11:42,433 I WORK IN AN ART GALLERY. 281 00:11:42,467 --> 00:11:44,033 PUBLIC RELATIONS. 282 00:11:44,067 --> 00:11:45,867 YOU DO PUBLIC RELATIONS? 283 00:11:45,900 --> 00:11:48,367 WELL, I HAVE DINNER WITH THE ARTISTS - 284 00:11:48,400 --> 00:11:50,400 DINNERS AND DRINKS. 285 00:11:50,433 --> 00:11:51,600 HOW ABOUT YOU? 286 00:11:51,633 --> 00:11:52,967 I'M A PHOTOGRAPHER. 287 00:11:53,000 --> 00:11:55,367 I'M HAVING A BABY. THIS TIME NEXT YEAR 288 00:11:55,400 --> 00:11:58,067 I WILL HAVE A CHILD IN MY ARMS. 289 00:11:58,100 --> 00:12:00,433 (LAUGHING) 290 00:12:00,467 --> 00:12:02,233 WHO'S THE LUCKY GUY? 291 00:12:02,267 --> 00:12:03,700 I DON'T KNOW YET. 292 00:12:03,733 --> 00:12:05,933 I WILL FIND SOMETHING GENETICALLY PERFECT, 293 00:12:05,967 --> 00:12:07,600 OR CLOSE TO PERFECT... 294 00:12:07,633 --> 00:12:09,367 SOMETHING GENETICALLY SUITABLE 295 00:12:09,400 --> 00:12:12,333 AND GET KNOCKED UP. 296 00:12:12,367 --> 00:12:15,100 I'M GOING TO FIND A MAN IN THE NEXT THREE MONTHS 297 00:12:15,133 --> 00:12:16,933 AND HAVE A BABY. 298 00:12:16,967 --> 00:12:18,167 SHE'LL DO IT. 299 00:12:18,200 --> 00:12:19,933 WHAT DO YOU DO? 300 00:12:19,967 --> 00:12:24,433 UH, RIGHT NOW I DO VOICES FOR CARTOONS. 301 00:12:24,467 --> 00:12:26,467 VOICES FOR CARTOONS? 302 00:12:26,500 --> 00:12:29,600 I DO ALL THE FEMALE CHARACTER VOICES FOR SOME 303 00:12:29,633 --> 00:12:32,133 CARTOONS AND, HEY, I DO SOME MALE ONES TOO; 304 00:12:32,167 --> 00:12:34,433 IT DEPENDS WHAT THE JOB CALLS FOR, 305 00:12:34,467 --> 00:12:36,167 YOU KNOW WHAT I MEAN? 306 00:12:36,200 --> 00:12:37,500 WHAT DO YOU DO? 307 00:12:37,533 --> 00:12:41,267 I'D LIKE TO GO TO THE BATHROOM IF I COULD. 308 00:12:41,300 --> 00:12:43,400 I WILL SEE YOU LATER. 309 00:12:43,433 --> 00:12:50,833 (LAUGHING) 310 00:12:50,867 --> 00:12:52,867 OH, GOD. 311 00:12:54,700 --> 00:12:56,167 WHO IS THIS GUY? 312 00:12:56,200 --> 00:12:58,167 HE'S SO WEIRD. 313 00:12:58,200 --> 00:12:59,933 I THINK I'M GOING TO GIVE UP MY ROOM 314 00:12:59,967 --> 00:13:03,433 BECAUSE HE LOOKS LIKE HE'S IN A PANIC. 315 00:13:03,467 --> 00:13:05,267 YEAH, HE'S PANICKED. 316 00:13:05,300 --> 00:13:08,767 NO MORE PANICKED THAN ME, BUT PANICKED. 317 00:13:08,800 --> 00:13:10,033 OH, HONEY. 318 00:13:10,067 --> 00:13:12,433 I'M NOT PANICKED REALLY. 319 00:13:12,467 --> 00:13:14,833 I HAVE TO PACK. 320 00:13:14,867 --> 00:13:16,100 YEAH. 321 00:13:16,133 --> 00:13:17,400 NO! 322 00:13:17,433 --> 00:13:19,133 YOU WANNA HELP? 323 00:13:19,167 --> 00:13:20,633 NO. 324 00:13:20,667 --> 00:13:21,767 PLEASE? 325 00:13:21,800 --> 00:13:23,033 NO. 326 00:13:23,067 --> 00:13:25,767 THERE'S SO MUCH STUFF IN THAT ROOM. 327 00:13:25,800 --> 00:13:31,067 (PHONE RINGING) 328 00:13:31,100 --> 00:13:33,167 MOM, IT'S FINE. I'M GONNA BE FINE. 329 00:13:33,200 --> 00:13:36,367 WE DISCUSSED THIS 40 TIMES NOW, COME ON! 330 00:13:36,400 --> 00:13:37,400 WHAT? 331 00:13:40,067 --> 00:13:42,000 I JUST FEEL REALLY ABANDONED. 332 00:13:42,033 --> 00:13:44,967 OH, DON'T FEEL ABANDONED, HONEY. 333 00:13:45,000 --> 00:13:47,767 GOODBYE, OKAY? OKAY, GOODBYE. 334 00:13:47,800 --> 00:13:49,433 WE DON'T- OKAY, I WILL. 335 00:13:49,467 --> 00:13:50,867 GOODBYE, GOODBYE, GOODBYE. 336 00:13:50,900 --> 00:13:53,067 I JUST FEEL REALLY ABANDONED. 337 00:13:53,100 --> 00:13:54,433 DON'T START. 338 00:13:54,467 --> 00:13:56,467 AND I FEEL COMPLETELY BETRAYED. 339 00:13:58,700 --> 00:14:00,900 GOODBYE, OKAY? GOODBYE! 340 00:14:00,933 --> 00:14:02,767 YES. (KISS) GOODBYE. 341 00:14:02,800 --> 00:14:04,800 YES, I LOVE YOU, GOODBYE. 342 00:14:07,700 --> 00:14:10,667 YOU MAKE CONNECTIONS WITH FRIENDS AND YOU 343 00:14:10,700 --> 00:14:14,067 LIVE TOGETHER FOR FOUR YEARS AND THEN IT'S OVER. 344 00:14:14,100 --> 00:14:15,100 RELATIONSHIPS CHANGE. 345 00:14:33,267 --> 00:14:34,767 HI. 346 00:14:34,800 --> 00:14:37,033 WHAT DID YOU DECIDE TO DO? 347 00:14:37,067 --> 00:14:38,567 ABOUT WHAT? 348 00:14:38,600 --> 00:14:40,367 ABOUT WHERE YOU'RE GOING TO SLEEP? 349 00:14:40,400 --> 00:14:42,033 I'LL SLEEP RIGHT HERE. 350 00:14:42,067 --> 00:14:43,033 THAT'S OKAY. 351 00:14:43,067 --> 00:14:45,367 NO, I'LL SLEEP ON THE COUCH OUT THERE. 352 00:14:45,400 --> 00:14:47,467 I'LL SLEEP ON THE COUCH, IT'S NOT A PROBLEM. 353 00:14:47,500 --> 00:14:49,800 NO, I DON'T WANT TO MAKE YOU SLEEP ON THE COUCH. 354 00:14:49,833 --> 00:14:51,233 WHAT ARE YOU WATCHING? 355 00:14:51,267 --> 00:14:52,933 IT'S A TAPE OF ME SWIMMING WITH DOLPHINS. 356 00:14:52,967 --> 00:14:54,800 YOU SWIMMING WITH DOLPHINS? 357 00:14:54,833 --> 00:14:57,233 YEAH, I WENT TO THIS GREAT PLACE IN KEY LARGO. 358 00:14:57,267 --> 00:15:00,300 THAT'S AMAZING. ISN'T IT SCARY? 359 00:15:00,333 --> 00:15:01,933 NO, IT'S NOT SCARY. 360 00:15:01,967 --> 00:15:04,067 ONCE YOU GET OVER THE INITIAL SHOCK OF 361 00:15:04,100 --> 00:15:06,133 HOW ENORMOUS THEY ARE AND HOW MUCH 362 00:15:06,167 --> 00:15:08,333 THEY LOOK LIKE SHARKS WHEN ALL THAT'S 363 00:15:08,367 --> 00:15:10,167 STICKING OUT OF THE WATER IS THE FIN. 364 00:15:10,200 --> 00:15:12,200 YOU HANG OUT IN THE WATER WITH THE DOLPHINS 365 00:15:12,233 --> 00:15:14,000 AND THEY SORT OF DECIDE WHAT TO DO. 366 00:15:14,033 --> 00:15:16,100 THEY'LL SWIM AROUND AND SUDDENLY SHOW UP 367 00:15:16,133 --> 00:15:18,133 NEXT TO YOU AND YOU GRAB ONTO THEIR FIN 368 00:15:18,167 --> 00:15:20,000 AND THEY'LL TAKE YOU TO THE BOTTOM 369 00:15:20,033 --> 00:15:22,100 AND SHOW YOU AROUND. IT'S GREAT. 370 00:15:22,133 --> 00:15:23,600 THAT'S FANTASTIC. 371 00:15:23,633 --> 00:15:25,200 IT'S REALLY GREAT. 372 00:15:25,233 --> 00:15:26,800 HE FOLLOWED ME EVERYWHERE I WENT. 373 00:15:26,833 --> 00:15:28,533 HE FOLLOWED YOU EVERYWHERE YOU WENT? 374 00:15:28,567 --> 00:15:30,533 DID THEY EVER GET SEXUALLY EXCITED? 375 00:15:30,567 --> 00:15:32,033 THEY'RE A RANDY BUNCH. 376 00:15:32,067 --> 00:15:34,200 EVERYTHING YOU'VE HEARD IS TRUE. 377 00:15:34,233 --> 00:15:35,867 THEY ARE, INDEED. 378 00:15:35,900 --> 00:15:37,467 HOW DO YOU DEAL WITH THAT? 379 00:15:37,500 --> 00:15:39,300 IT'S FUNNY, ACTUALLY. 380 00:15:39,333 --> 00:15:41,833 IT'S NOT THREATENING, IT'S PRETTY AMUSING. 381 00:15:41,867 --> 00:15:43,200 IT'S DIFFERENT. 382 00:15:43,233 --> 00:15:45,433 THEY'RE ONLY INTERESTED IN YOUR KNEES. 383 00:15:45,467 --> 00:15:46,933 IT'S THE CORRESPONDING AREA. 384 00:15:46,967 --> 00:15:50,733 IF YOUR FEET WERE A TAIL, THEN YOUR KNEES... 385 00:15:50,767 --> 00:15:53,800 IF YOUR FEET WERE A TAIL- AAH. 386 00:15:53,833 --> 00:15:55,733 SO THEY ARE GOING FOR THE EQUAL AREA 387 00:15:55,767 --> 00:15:58,333 BUT IT HAPPENS TO HIT YOU IN THE KNEES. 388 00:15:58,367 --> 00:16:00,233 IT'S LIKE THERE ARE ELECTRICAL CHARGES 389 00:16:00,267 --> 00:16:01,967 GOING THROUGH THE WATER. 390 00:16:02,000 --> 00:16:03,800 WHEN YOU'RE UNDER THE WATER YOU CAN HEAR SOUND 391 00:16:03,833 --> 00:16:06,267 ALL AROUND YOU BUT YOU CAN'T SEE THEM AND 392 00:16:06,300 --> 00:16:08,600 IT'S LIKE THIS CLICKING SORT OF CRACKLING SOUND 393 00:16:08,633 --> 00:16:10,333 AND IT TRAVELS FROM ONE SIDE 394 00:16:10,367 --> 00:16:12,400 THROUGH YOUR HEAD AND OUT THE OTHER. 395 00:16:12,433 --> 00:16:14,933 AND WHEN THEY'RE OUT OF THE WATER THEY SORT OF GO 396 00:16:14,967 --> 00:16:16,900 AH-AH-AH-AH-AH. LIKE THAT. 397 00:16:16,933 --> 00:16:18,933 WHAT ABOUT THESE GUYS HERE? 398 00:16:18,967 --> 00:16:21,667 THAT'S A CHIMPANZEE THAT I TAUGHT FOR A WHILE. 399 00:16:21,700 --> 00:16:23,733 I TAUGHT HIM HOW TO SPEAK SIGN LANGUAGE 400 00:16:23,767 --> 00:16:25,033 FOR A COUPLE OF YEARS. 401 00:16:25,067 --> 00:16:26,433 YOU TAUGHT THIS GUY? 402 00:16:26,467 --> 00:16:28,267 THIS IS ALL THE SAME CHIMPANZEE? 403 00:16:28,300 --> 00:16:29,700 YEAH, AT DIFFERENT STAGES. 404 00:16:29,733 --> 00:16:30,700 THAT'S YOU! 405 00:16:30,733 --> 00:16:32,967 THAT'S ME AT A DIFFERENT STAGE OF DEVELOPMENT. 406 00:16:33,000 --> 00:16:35,033 THAT'S RIGHT, IT'S A LITTLE YOU. 407 00:16:35,067 --> 00:16:36,567 YEAH, IT'S A LITTLE ME. 408 00:16:36,600 --> 00:16:37,967 HOW LONG DID YOU LIVE WITH THEM? 409 00:16:38,000 --> 00:16:39,467 FOR TWO YEARS ON AND OFF. 410 00:16:39,500 --> 00:16:41,533 HOW DO YOU KNOW HOW TO SPEAK SIGN LANGUAGE? 411 00:16:41,567 --> 00:16:43,367 I LEARNED, TO TEACH HIM. 412 00:16:43,400 --> 00:16:45,067 I HELPED TO RAISE HIM. 413 00:16:45,100 --> 00:16:46,933 I WAS INVOLVED IN A PROJECT IN ORDER TO SEE 414 00:16:46,967 --> 00:16:49,000 WHETHER CHIMPANZEES HAD THE CAPACITY FOR 415 00:16:49,033 --> 00:16:52,300 SENTENCE STRUCTURE AND I OFFERED MY SERVICES. 416 00:16:52,333 --> 00:16:53,833 I DON'T CARE WHAT YOU'RE DOING, 417 00:16:53,867 --> 00:16:55,900 I DON'T CARE WHY YOU'RE DOING IT, 418 00:16:55,933 --> 00:16:57,500 I'LL DO ANYTHING. I'LL CHANGE DIAPERS, 419 00:16:57,533 --> 00:17:00,533 I'LL CLEAN YOUR KITCHEN, I'LL DO ANYTHING. 420 00:17:00,567 --> 00:17:02,167 AND SO I DID. 421 00:17:02,200 --> 00:17:04,333 I MISS HIM. 422 00:17:04,367 --> 00:17:06,267 I BET. 423 00:17:06,300 --> 00:17:09,100 SO YOU'VE GOT DOLPHINS AND CHIMPANZEES? 424 00:17:09,133 --> 00:17:12,167 SOME OF THE BEST COMPANY YOU'RE GOING TO FIND. 425 00:17:12,200 --> 00:17:14,200 YOU DON'T LIKE PEOPLE TOO MUCH I GUESS. 426 00:17:14,233 --> 00:17:16,000 NO, I LIKE PEOPLE BUT ONCE IN A WHILE 427 00:17:16,033 --> 00:17:19,067 IT'S NICE TO HANG OUT WITH A CHIMP, YOU KNOW? 428 00:17:19,100 --> 00:17:21,133 I'M NOT A CHIMP AND I'M NOT A DOLPHIN 429 00:17:21,167 --> 00:17:23,000 BUT I NEED A PLACE TO SLEEP. 430 00:17:23,033 --> 00:17:25,033 WELL, YOU CAN CERTAINLY SLEEP... 431 00:17:25,067 --> 00:17:26,333 RIGHT HERE? 432 00:17:26,367 --> 00:17:28,300 IN WHATEVER ROOM IN THIS HOUSE... 433 00:17:28,333 --> 00:17:29,633 RIGHT HERE? 434 00:17:29,667 --> 00:17:31,067 WILL YOU JOIN ME? 435 00:17:31,100 --> 00:17:33,800 I'LL TAKE THE COUCH BUT FEEL FREE TO HAVE THE ROOM. 436 00:17:33,833 --> 00:17:35,500 DID YOU EVER SLEEP WITH THE CHIMPANZEE? 437 00:17:35,533 --> 00:17:37,667 HE DIDN'T SLEEP IN BED WITH ME BUT HE WOULD 438 00:17:37,700 --> 00:17:39,733 HAVE NIGHTMARES PERIODICALLY AND CLIMB IN 439 00:17:39,767 --> 00:17:41,533 IN THE MIDDLE OF THE NIGHT. 440 00:17:41,567 --> 00:17:43,667 SORT OF OOH OOH! AH! AH! 441 00:17:43,700 --> 00:17:46,533 OOH OOH AH AH! SORT OF LIKE THAT. 442 00:17:46,567 --> 00:17:48,967 IF I DO THAT THEN I CAN JUMP INTO BED... 443 00:17:49,000 --> 00:17:50,467 OKAY. 444 00:17:50,500 --> 00:17:53,500 OOH OOH AH AH! 445 00:17:53,533 --> 00:17:55,533 OOH OOH AH AH AH! 446 00:17:57,400 --> 00:17:59,033 YOU'RE A VERY WEIRD MIXTURE. 447 00:17:59,067 --> 00:18:00,900 I DON'T KNOW HOW TO INTEGRATE YOU 448 00:18:00,933 --> 00:18:02,933 WITH THESE OTHER TWO PEOPLE I SEE HERE. 449 00:18:02,967 --> 00:18:04,267 THEY'RE NICE BUT THEY'RE- 450 00:18:04,300 --> 00:18:05,900 THEY'RE VERY SWEET. 451 00:18:05,933 --> 00:18:08,167 BUT THEY ARE A LITTLE- 452 00:18:08,200 --> 00:18:09,533 THEY'RE DIFFERENT. 453 00:18:09,567 --> 00:18:11,000 THEY'RE DIFFERENT, YEAH. 454 00:18:11,033 --> 00:18:12,467 I'VE HAD TRAINING. 455 00:18:12,500 --> 00:18:15,000 AT DEALING WITH THE DIFFERENT - OH, I SEE. 456 00:18:15,033 --> 00:18:19,967 CHIMPS, DOLPHINS AND ROOMMATES. 457 00:18:20,000 --> 00:18:22,200 I'M JUST GOING TO GO TO SLEEP RIGHT HERE 458 00:18:22,233 --> 00:18:24,100 IF YOU DON'T MIND. 459 00:18:24,133 --> 00:18:26,667 HOW ABOUT YOU GO HANG OUT IN THE LIVING ROOM 460 00:18:26,700 --> 00:18:29,200 AND WHEN I'M CLEARED OUT OF HERE IT'S YOURS. 461 00:18:29,233 --> 00:18:30,233 I'VE GOT TO PACK. 462 00:18:36,800 --> 00:18:39,000 I CAN'T STAND THAT SOUND. 463 00:18:39,033 --> 00:18:40,933 PLEASE, I REALLY... 464 00:18:40,967 --> 00:18:42,667 COULD YOU TAKE THAT STUFF 465 00:18:42,700 --> 00:18:44,567 AND PACK IT SOMEWHERE ELSE? 466 00:18:44,600 --> 00:18:46,900 I'LL PACK IT OUT OF THIS ROOM, OKAY? 467 00:18:46,933 --> 00:18:48,967 CAN I PILE IT UP AND TAKE OFF? 468 00:18:49,000 --> 00:18:50,633 SHHH. 469 00:18:50,667 --> 00:18:53,367 I'M OUT OF HERE, OKAY? 470 00:18:53,400 --> 00:18:55,167 TWO MORE SECONDS. 471 00:18:55,200 --> 00:18:57,067 YOU'RE NICE, I'M SORRY. 472 00:18:57,100 --> 00:18:58,633 NO, I UNDERSTAND. 473 00:18:58,667 --> 00:19:01,100 YOU NEED SLEEP, YOU'RE NOT FEELING WELL. 474 00:19:01,133 --> 00:19:03,200 IT'S FREEZING IN NEW YORK. 475 00:19:03,233 --> 00:19:05,467 GOOD NIGHT, HAPPY DREAMS. 476 00:19:05,500 --> 00:19:07,200 I'M SORRY. 477 00:19:07,233 --> 00:19:08,800 SEE YOU LATER TONIGHT. 478 00:19:08,833 --> 00:19:10,833 BYE. 479 00:19:20,300 --> 00:19:23,167 SO WHAT ELSE IN HERE IS MINE THAT I NEED TO TAKE? 480 00:19:23,200 --> 00:19:24,867 I'VE GOT MY BATHING SUIT... 481 00:19:24,900 --> 00:19:26,433 THIS BLACK BATHING SUIT. 482 00:19:26,467 --> 00:19:28,467 WHERE'D YOU GET IT? I WANT ONE LIKE IT. 483 00:19:28,500 --> 00:19:29,633 KEEP MINE. 484 00:19:29,667 --> 00:19:31,167 REALLY? I LOVE YOU. 485 00:19:31,200 --> 00:19:32,533 I LOVE YOU TOO. 486 00:19:32,567 --> 00:19:35,067 WHAT ELSE HAVE I GOT HERE THAT I HAVE TO TAKE? 487 00:19:35,100 --> 00:19:39,500 (DOORBELL) 488 00:19:39,533 --> 00:19:40,933 HEY. 489 00:19:40,967 --> 00:19:43,367 OH, MOTHER, PLEASE LET'S NOT TALK ABOUT THIS AGAIN. 490 00:19:43,400 --> 00:19:45,033 I'VE MADE A NEW YEAR'S RESOLUTION. 491 00:19:45,067 --> 00:19:46,767 IT'S GOING TO BE VERY DIFFERENT NOW. 492 00:19:46,800 --> 00:19:48,300 I'M NOT GOING TO CALL YOU, 493 00:19:48,333 --> 00:19:50,033 I'M GOING TO LEAVE YOU TOTALLY ALONE. 494 00:19:50,067 --> 00:19:51,800 I'M GOING TO LET YOU BE YOUR OWN PERSON. 495 00:19:51,833 --> 00:19:53,400 I KNOW I'VE BEEN A PAIN IN THE ASS, 496 00:19:53,433 --> 00:19:55,000 I'VE BEEN CALLING YOU EVERY MORNING. 497 00:19:55,033 --> 00:19:56,467 I WON'T DO THAT ANYMORE. 498 00:19:56,500 --> 00:19:58,133 YOU KNOW THAT WHEN I MAKE A RESOLUTION 499 00:19:58,167 --> 00:19:59,400 I STICK TO IT. 500 00:19:59,433 --> 00:20:01,200 I STOPPED SMOKING, I STOPPED DRINKING. 501 00:20:01,233 --> 00:20:03,200 JUST STAY HERE UNTIL YOU LINE SOMETHING UP 502 00:20:03,233 --> 00:20:05,033 AND YOU KNOW WHAT YOU'RE DOING. 503 00:20:05,067 --> 00:20:06,700 WHAT'S THE POINT OF GOING TO LA 504 00:20:06,733 --> 00:20:08,367 AND GOING TO THAT JUNGLE? 505 00:20:08,400 --> 00:20:10,233 AH, IT'S JUST RIDICULOUS. 506 00:20:10,267 --> 00:20:11,767 THANK YOU, I'LL REMEMBER THAT. 507 00:20:11,800 --> 00:20:15,533 PLEASE DON'T WEAR THAT RIBBON, IT'S SO WRINKLED. 508 00:20:15,567 --> 00:20:18,233 MY RIBBON IS FINE, I WEAR IT ALL THE TIME. 509 00:20:18,267 --> 00:20:20,167 IT LOOKS IT. 510 00:20:20,200 --> 00:20:23,100 THANKS. YOU WANT TO DO ME A FAVOR? 511 00:20:23,133 --> 00:20:24,933 STOP WEARING THE FUR. 512 00:20:24,967 --> 00:20:26,500 I'LL STOP WEARING THE RIBBON 513 00:20:26,533 --> 00:20:28,300 IF YOU STOP WEARING THE FUR. 514 00:20:28,333 --> 00:20:30,333 I'M NOT BUYING ANY MORE FURS AFTER THIS. 515 00:20:30,367 --> 00:20:33,067 I WASN'T GOING TO SAY THIS BECAUSE I DON'T 516 00:20:33,100 --> 00:20:35,533 THINK IT'S FAIR TO SAY THIS BUT YOU'RE MY ONLY 517 00:20:35,567 --> 00:20:38,267 CHILD AND I DON'T THINK IT'S FAIR OF YOU TO LEAVE 518 00:20:38,300 --> 00:20:41,500 THE CITY THAT I'M IN AND JUST LEAVE ME HERE ALONE. 519 00:20:41,533 --> 00:20:43,167 YOU'VE GOTTA BE KIDDING ME. 520 00:20:43,200 --> 00:20:45,067 MOM, I'M NOT LEAVING YOU HERE ALONE. 521 00:20:45,100 --> 00:20:47,067 YOU'VE GOT 40,000 FRIENDS. 522 00:20:47,100 --> 00:20:48,667 THAT'S NOT THE SAME THING. 523 00:20:48,700 --> 00:20:51,033 IF I PROMISE THAT I'M NOT GOING TO BOTHER YOU- 524 00:20:51,067 --> 00:20:53,367 THIS IS NOT ABOUT YOUR BOTHERING ME, 525 00:20:53,400 --> 00:20:55,200 THIS IS ABOUT MY LIFE. 526 00:20:55,233 --> 00:20:57,633 BUT YOU'RE SO WONDERFUL AT WHAT YOU DO. 527 00:20:57,667 --> 00:21:00,000 I WATCH THOSE CARTOONS ALL THE TIME. 528 00:21:00,033 --> 00:21:01,633 THEY'RE WONDERFUL. 529 00:21:01,667 --> 00:21:04,000 THE ONE ABOUT THE DOG AND THE CAT - 530 00:21:04,033 --> 00:21:05,700 YOU'RE ABSOLUTELY BRILLIANT. 531 00:21:05,733 --> 00:21:08,067 THEY'LL BE IN RE-RUNS BEFORE YOU KNOW IT. 532 00:21:08,100 --> 00:21:10,833 JUST BECAUSE I GO DOESN'T MEAN THE CARTOON GOES. 533 00:21:10,867 --> 00:21:12,667 YOU HAVE MADE A NAME FOR YOURSELF, 534 00:21:12,700 --> 00:21:15,033 YOU HAVE A BRILLIANT, WONDERFUL CAREER. 535 00:21:15,067 --> 00:21:16,667 WHY SPOIL IT ALL? 536 00:21:16,700 --> 00:21:19,700 YOU WON'T FIND A JOB THERE, POSSIBLY, 537 00:21:19,733 --> 00:21:23,067 YOU'LL COME BACK HERE AND THEY WON'T TAKE YOU BACK. 538 00:21:23,100 --> 00:21:25,100 I WOULD APPRECIATE A LITTLE BIT OF SUPPORT. 539 00:21:25,133 --> 00:21:27,167 DON'T TELL ME I'M NOT GOING TO GET 540 00:21:27,200 --> 00:21:28,800 ANYTHING DONE THERE. 541 00:21:28,833 --> 00:21:31,033 THAT'S NOT WHAT I NEED TO HEAR. 542 00:21:31,067 --> 00:21:33,733 I'M SAYING YOU POSSIBLY MIGHT NOT. 543 00:21:33,767 --> 00:21:36,033 WELL, THANK YOU FOR POSSIBLY MIGHT NOT. 544 00:21:36,067 --> 00:21:37,567 MOM, CAN WE STOP NOW? 545 00:21:37,600 --> 00:21:40,600 I'M NEVER GOING TO BOTHER YOU AGAIN. 546 00:21:41,867 --> 00:21:43,100 SOMEONE ORDERED- 547 00:21:43,133 --> 00:21:44,467 NO ONE ORDERED THIS FOOD! 548 00:21:44,500 --> 00:21:46,033 I DON'T WANT THIS FOOD! 549 00:21:46,067 --> 00:21:48,033 I'M SORRY I JUST DON'T WANT THE FOOD HERE. 550 00:21:48,067 --> 00:21:50,067 WE GOT THE PHONE CALL AND SOMEONE ORDERED THE FOOD. 551 00:21:50,100 --> 00:21:52,400 THERE IS NO ONE HERE THAT COULD ORDER THIS FOOD. 552 00:21:52,433 --> 00:21:54,533 THIS FOOD IS DRIVING ME NUTS! 553 00:21:54,567 --> 00:21:56,100 JUST WAIT A SECOND, 554 00:21:56,133 --> 00:21:57,933 I'LL TELL YOU WHO ORDERED IT, OKAY? 555 00:21:57,967 --> 00:21:59,300 HOLD ON... 556 00:21:59,333 --> 00:22:00,867 RICHARDS, APARTMENT 3C. 557 00:22:00,900 --> 00:22:02,867 LUCY, WHY WOULD YOU ORDER THIS FOOD 558 00:22:02,900 --> 00:22:04,667 AND TORTURE ME LIKE THIS? 559 00:22:04,700 --> 00:22:07,300 $124.87. 560 00:22:07,333 --> 00:22:08,900 I WON'T BE ABLE TO REACH YOU. 561 00:22:08,933 --> 00:22:10,067 OH, MY GOD. 562 00:22:10,100 --> 00:22:12,067 YOU DON'T KNOW WHAT CAN HAPPEN AT MY AGE. 563 00:22:12,100 --> 00:22:13,100 OH, MY GOD. 564 00:22:15,167 --> 00:22:17,800 I'M BEGGING YOU, PLEASE TAKE THE FOOD AWAY. 565 00:22:17,833 --> 00:22:19,667 CALM DOWN, TAKE IT EASY. 566 00:22:19,700 --> 00:22:21,667 I'M SORRY I CAN'T TAKE THE FOOD BACK. 567 00:22:21,700 --> 00:22:22,733 WHY NOT? 568 00:22:22,767 --> 00:22:24,233 BECAUSE SOMEONE ORDERED IT. 569 00:22:24,267 --> 00:22:25,967 WE PREPARED THIS STUFF FOR YOU GUYS. 570 00:22:26,000 --> 00:22:28,000 THERE'S A TRAY OF PASTA SALAD, THERE'S A TRAY OF 571 00:22:28,033 --> 00:22:30,033 TUNA SALAD, A TRAY OF ZUCCHINI SALAD 572 00:22:30,067 --> 00:22:31,700 AND THERE'S TWO BOXES OF COOKIES. 573 00:22:31,733 --> 00:22:33,233 WHAT YOU SEE IS WHAT YOU GET. 574 00:22:33,267 --> 00:22:34,733 I'M HAVING A COMPLETE ANXIETY ATTACK. 575 00:22:34,767 --> 00:22:37,500 I WOULD DO ANYTHING NOT TO HAVE THIS FOOD HERE! 576 00:22:37,533 --> 00:22:39,567 JUST GET IT OUT OF HERE! 577 00:22:39,600 --> 00:22:42,233 I'M GOING CRAZY OVER THIS FOOD! 578 00:22:42,267 --> 00:22:43,667 GET IT OUT! 579 00:22:43,700 --> 00:22:45,100 JUST TAKE IT EASY. 580 00:22:45,133 --> 00:22:48,100 I SAID I'D MAKE GOOD ON IT, JUST GET RID OF IT! 581 00:22:48,133 --> 00:22:49,333 WHERE'S LUCY? 582 00:22:49,367 --> 00:22:50,800 FORGET LUCY, FORGET RICHARDS, 583 00:22:50,833 --> 00:22:52,300 SHE MADE A MISTAKE! 584 00:22:52,333 --> 00:22:54,400 WHERE IS SHE? LET HER TELL ME, OKAY? 585 00:22:54,433 --> 00:22:56,233 WHERE'S THE KITCHEN AT? 586 00:22:56,267 --> 00:22:58,667 I'M GOING TO PUT THIS IN THE KITCHEN, 587 00:22:58,700 --> 00:23:01,000 YOU GET LUCY TO GIVE ME A CHECK, OKAY? 588 00:23:01,033 --> 00:23:02,033 JESUS CHRIST. 589 00:23:07,033 --> 00:23:10,033 (DOOR BEING UNLOCKED) 590 00:23:28,200 --> 00:23:30,667 HEY, HOW ARE YOU DOING? 591 00:23:30,700 --> 00:23:32,333 I'M OKAY. 592 00:23:32,367 --> 00:23:34,167 DO YOU MIND THAT I'M HERE? 593 00:23:34,200 --> 00:23:36,067 WHAT ARE YOU DOING HERE? 594 00:23:36,100 --> 00:23:37,667 I JUST CAME TO SEE YOU. 595 00:23:37,700 --> 00:23:40,667 I HEARD YOU'RE MOVING TO THE WEST COAST. 596 00:23:40,700 --> 00:23:42,367 YEAH, I AM. 597 00:23:42,400 --> 00:23:45,900 THANKS FOR TELLING ME. I APPRECIATE IT. 598 00:23:45,933 --> 00:23:48,767 I DIDN'T WANT TO TELL ANYBODY. 599 00:23:48,800 --> 00:23:52,467 ANYWAY, I BROUGHT SOME STUFF. 600 00:23:52,500 --> 00:23:56,333 THIS IS ALL THE STUFF I HAVE THAT'S YOURS. 601 00:23:56,367 --> 00:23:58,833 DON'T DO THIS HERE, DON'T DO THIS HERE. 602 00:23:58,867 --> 00:24:00,133 JUST TAKE IT. 603 00:24:00,167 --> 00:24:01,600 WHAT IS THIS? 604 00:24:01,633 --> 00:24:03,533 THIS IS YOURS, AND THIS. 605 00:24:03,567 --> 00:24:06,333 LITTLE WORSE FOR WEAR BUT IT'S YOURS. 606 00:24:06,367 --> 00:24:09,500 PLEASE DON'T DO THIS HERE, DAMMIT. 607 00:24:09,533 --> 00:24:10,533 STOP! 608 00:24:24,000 --> 00:24:25,533 I DON'T THINK THERE'S ANYTHING 609 00:24:25,567 --> 00:24:27,133 TO TALK ABOUT REALLY. 610 00:24:27,167 --> 00:24:28,567 WHAT CAN I SAY? 611 00:24:28,600 --> 00:24:30,400 I DON'T KNOW WHAT YOU CAN SAY. 612 00:24:30,433 --> 00:24:32,067 I DON'T THINK WE NEED TO TALK. 613 00:24:32,100 --> 00:24:33,567 I DON'T THINK WE NEED TO BE HERE 614 00:24:33,600 --> 00:24:35,167 AND THERE'S PEOPLE COMING OVER. 615 00:24:35,200 --> 00:24:36,367 ANYTHING THAT I SAY- 616 00:24:36,400 --> 00:24:38,500 I JUST HAVE TO ACT NOW, YOU KNOW? 617 00:24:38,533 --> 00:24:41,300 MY ACTIONS ARE GOING TO BE WHAT YOU SEE 618 00:24:41,333 --> 00:24:43,233 BECAUSE ANYTHING I SAY 619 00:24:43,267 --> 00:24:45,267 IS JUST GOING TO BE BULLSHIT, YOU KNOW? 620 00:24:45,300 --> 00:24:46,733 IF YOU HAVE SOMETHING TO SAY TO ME 621 00:24:46,767 --> 00:24:48,133 YOU SHOULD SAY IT. 622 00:24:48,167 --> 00:24:49,567 YOU HAVE TO GIVE ME SOME TIME. 623 00:24:49,600 --> 00:24:51,433 IF YOU GO WHAT AM I GOING TO DO? 624 00:24:51,467 --> 00:24:53,733 CALL YOU ON THE PHONE AND GET IT TOGETHER THAT WAY? 625 00:24:53,767 --> 00:24:55,000 YOU HAD A LOT OF TIME. 626 00:24:55,033 --> 00:24:57,033 I DIDN'T HAVE TIME, TWO MONTHS WE TOOK OFF. 627 00:24:57,067 --> 00:24:59,267 FOR TWO MONTHS WE HAD A LOT OF TIME 628 00:24:59,300 --> 00:25:01,133 AND I THINK I'VE SEEN EVERYTHING 629 00:25:01,167 --> 00:25:03,200 THERE IS TO SEE WITH THIS. 630 00:25:03,233 --> 00:25:05,000 NOW I KNOW WHAT'S IMPORTANT. 631 00:25:05,033 --> 00:25:07,167 SO NOW CAN YOU GIVE ME THE CHANCE 632 00:25:07,200 --> 00:25:09,100 WHEN I KNOW WHAT'S OVER ME? 633 00:25:09,133 --> 00:25:10,867 WHAT IS GOING TO BE IN LA? 634 00:25:10,900 --> 00:25:13,700 I'M GONNA BE IN LA, AWAY FROM YOU. 635 00:25:13,733 --> 00:25:15,300 I'LL CALL YOU EVERY DAY THEN. 636 00:25:15,333 --> 00:25:18,700 WELL, I MAY NOT TALK TO YOU. 637 00:25:18,733 --> 00:25:22,733 WELL, THEN I'LL CALL YOU TWICE A DAY. 638 00:25:26,200 --> 00:25:28,733 LUCY... LOOK. 639 00:25:28,767 --> 00:25:30,400 I SEE YOU. 640 00:25:30,433 --> 00:25:34,100 I SEE YOU! I KNOW EVERYTHING 641 00:25:34,133 --> 00:25:36,600 THAT THERE IS TO KNOW ABOUT US. 642 00:25:36,633 --> 00:25:38,767 I DON'T THINK THERE'S ANY REASON 643 00:25:38,800 --> 00:25:40,500 FOR US TO DO THIS AGAIN. 644 00:25:40,533 --> 00:25:43,000 DO YOU KNOW HOW MANY TIMES YOU FUCKED AROUND 645 00:25:43,033 --> 00:25:46,767 ON ME AND LEFT ME SITTING THERE AND LIED TO ME AND 646 00:25:46,800 --> 00:25:50,333 TREATED ME AS IF I WAS THE ONE WHO WAS MISTAKEN? 647 00:25:50,367 --> 00:25:52,567 DO YOU KNOW WHAT THAT FEELS LIKE? 648 00:25:52,600 --> 00:25:54,533 YOU DON'T KNOW WHAT THAT FEELS LIKE. 649 00:25:54,567 --> 00:25:56,333 I KNOW WHAT IT FEELS LIKE. 650 00:25:56,367 --> 00:25:57,733 NOBODY DOES THAT TO YOU. 651 00:25:57,767 --> 00:25:59,567 YOU'VE DONE IT TO ME. 652 00:25:59,600 --> 00:26:02,567 IF I'VE DONE THAT TO YOU AND I ADMIT THAT I HAVE 653 00:26:02,600 --> 00:26:05,667 I GUESS I HAVE BECAUSE BY THE END OF THIS GODDAMN 654 00:26:05,700 --> 00:26:08,833 THING WE WERE BOTH DOING THE SAME THING, BILLY. 655 00:26:08,867 --> 00:26:10,933 WE WERE BOTH DOING THE SAME THING 656 00:26:10,967 --> 00:26:12,800 AND THAT'S WHY I'M GOING. 657 00:26:12,833 --> 00:26:14,633 BECAUSE THAT'S NOT ME. 658 00:26:14,667 --> 00:26:16,833 AND ALL OF A SUDDEN I'M TURNING INTO YOU 659 00:26:16,867 --> 00:26:18,533 AND I REALLY DON'T BELIEVE 660 00:26:18,567 --> 00:26:20,167 THAT'S WHO YOU ARE EITHER. 661 00:26:20,200 --> 00:26:22,167 BUT I CAN'T PLAY THAT GAME ANYMORE. 662 00:26:22,200 --> 00:26:24,033 I CAN'T WAIT AROUND FOR MY THEORY 663 00:26:24,067 --> 00:26:26,100 TO BE PROVEN TRUE. 664 00:26:26,133 --> 00:26:30,233 I JUST NEED ONE MORE CHANCE, ALRIGHT? 665 00:26:30,267 --> 00:26:31,733 JUST ONE. 666 00:26:31,767 --> 00:26:35,367 YOU'RE WHAT I WANT NOW. 667 00:26:35,400 --> 00:26:39,267 OKAY, JUST STAY. 668 00:26:39,300 --> 00:26:41,100 THERE ARE PEOPLE COMING OVER AND 669 00:26:41,133 --> 00:26:44,200 YOU CAN JUST STAY AND WE'LL TALK ABOUT IT LATER. 670 00:26:44,233 --> 00:26:45,233 JUST STAY, OKAY? 671 00:26:56,633 --> 00:27:06,733 * 672 00:27:06,733 --> 00:27:13,000 * 673 00:27:13,033 --> 00:27:14,733 WHAT CAN I TELL YOU ABOUT ME? 674 00:27:14,767 --> 00:27:16,700 WHY ARE YOU GOING TO LOS ANGELES? 675 00:27:16,733 --> 00:27:18,400 REALLY, WHY ARE YOU GOING? 676 00:27:18,433 --> 00:27:20,867 I'M LEAVING THINGS THAT I THINK NEED TO BE 677 00:27:20,900 --> 00:27:23,233 LEFT BEHIND AND I'M HOPEFULLY MOVING ON 678 00:27:23,267 --> 00:27:26,800 TO SOME THINGS THAT I CAN LOOK FORWARD TO. 679 00:27:26,833 --> 00:27:29,767 WHAT DO YOU WANT TO GET AWAY FROM? 680 00:27:29,800 --> 00:27:33,800 A NO-WIN SITUATION. 681 00:27:37,233 --> 00:27:39,367 DO YOU MIND MY TOUCHING YOUR KNEE THIS WAY? 682 00:27:39,400 --> 00:27:41,600 WHY ARE YOU TOUCHING MY KNEE THAT WAY? 683 00:27:41,633 --> 00:27:43,500 I FOUND MYSELF TOUCHING YOUR KNEE. 684 00:27:43,533 --> 00:27:45,633 IT'S A NICE KNEE AND IT'S TOUCHABLE. 685 00:27:45,667 --> 00:27:49,067 IT'S PURELY AFFECTION AT A VERY SAFE DISTANCE. 686 00:27:49,100 --> 00:27:50,233 THAT'S FINE. 687 00:27:50,267 --> 00:27:53,200 STAY THERE AND MY KNEE WILL STAY WHERE IT IS. 688 00:27:53,233 --> 00:27:58,400 NO, I HAVE NO INTEREST IN APPROACHING CHILDREN 689 00:27:58,433 --> 00:28:01,367 WITH ANY SEXUALITY WHATSOEVER. 690 00:28:01,400 --> 00:28:04,700 I'M LOOKING FOR ADULTS IN LIFE. 691 00:28:04,733 --> 00:28:06,633 NOTHING PERSONAL. 692 00:28:06,667 --> 00:28:09,300 I KNOW THAT'S A HARD REJECTION FOR YOU, BUT... 693 00:28:09,333 --> 00:28:11,933 I CAN'T TAKE IT! 694 00:28:11,967 --> 00:28:14,100 I KNOW, IT'S HARD, ISN'T IT? 695 00:28:14,133 --> 00:28:16,467 REALLY, I DON'T HAVE A PROBLEM WITH THAT AT ALL. 696 00:28:16,500 --> 00:28:19,333 I'M SORRY BUT I JUST CAN'T ACCEPT 697 00:28:19,367 --> 00:28:23,733 YOUR KIND OFFER OF SEXUAL FAVORS. 698 00:28:23,767 --> 00:28:25,600 SO WHY'D YOU COME HERE? 699 00:28:25,633 --> 00:28:27,067 TO NEW YORK? 700 00:28:27,100 --> 00:28:30,167 TO NOT BE IN LOS ANGELES. 701 00:28:30,200 --> 00:28:33,367 TO NOT BE ALONE IN MY HOUSE- 702 00:28:33,400 --> 00:28:37,133 IN OUR HOUSE, THE HOUSE THAT WAS AN "OUR" HOUSE 703 00:28:37,167 --> 00:28:40,733 AND IS NOW A "MY" HOUSE IN LOS ANGELES. 704 00:28:40,767 --> 00:28:44,200 THE HOUSE I'D BEEN LIVING HAPPILY IN FOR A LONG TIME 705 00:28:44,233 --> 00:28:48,267 AND NOW I AM NOT IN IT WITH THE PERSON I WAS HAPPY WITH 706 00:28:48,300 --> 00:28:51,433 SO I COME BACK TO THE CITY THAT I'M FROM 707 00:28:51,467 --> 00:28:54,767 THINKING I CAN START MY LIFE OVER AGAIN HERE 708 00:28:54,800 --> 00:28:58,267 AND FIND A WAY TO BE HAPPY AGAIN HERE 709 00:28:58,300 --> 00:29:01,633 LIKE I WAS BEFORE... BEFORE. 710 00:29:01,667 --> 00:29:03,900 BUT WHAT I THINK I PROBABLY 711 00:29:03,933 --> 00:29:05,867 HAVE TO COME TO TERMS WITH 712 00:29:05,900 --> 00:29:08,400 IS THE FACT THAT IT'S TOO LATE TO DO THAT. 713 00:29:08,433 --> 00:29:10,533 YOU GET TO A CERTAIN POINT IN LIFE 714 00:29:10,567 --> 00:29:15,767 AND YOU CAN'T START AGAIN. 715 00:29:15,800 --> 00:29:17,433 OH, I DON'T AGREE WITH THAT. 716 00:29:17,467 --> 00:29:19,700 WHETHER YOU AGREE OR NOT- IT'S VERY SWEET 717 00:29:19,733 --> 00:29:22,100 OF YOU TO SAY YOU DON'T AGREE WITH IT, 718 00:29:22,133 --> 00:29:23,933 BUT YOU HAVE NO WAY OF KNOWING YET. 719 00:29:23,967 --> 00:29:25,267 I DO KNOW. 720 00:29:25,300 --> 00:29:26,967 YOU DON'T KNOW. 721 00:29:27,000 --> 00:29:28,567 THERE'S NO REASON WHY YOU SHOULDN'T 722 00:29:28,600 --> 00:29:30,333 BE ABLE TO START AGAIN. 723 00:29:30,367 --> 00:29:31,933 THERE'S NO MORE REASON THAT YOU 724 00:29:31,967 --> 00:29:34,000 SHOULDN'T BE ABLE TO START AGAIN THAN 725 00:29:34,033 --> 00:29:36,800 THAT I SHOULDN'T BE ABLE TO START AGAIN. 726 00:29:36,833 --> 00:29:40,867 ONE GENERATION IS ABOUT THE REASON, DIFFERENT. 727 00:29:40,900 --> 00:29:43,267 WHEN YOU START AND YOU'VE GOT THIS ENTIRE FUTURE 728 00:29:43,300 --> 00:29:45,500 TO LOOK FORWARD TO AND IT HASN'T HAPPENED YET 729 00:29:45,533 --> 00:29:47,400 IT'S TOTALLY DIFFERENT THAN WHEN IT'S HAPPENED 730 00:29:47,433 --> 00:29:49,200 AND IT DIDN'T WORK AND THEN YOU'RE SUPPOSED TO 731 00:29:49,233 --> 00:29:51,133 START AGAIN AND IT'S A VERY HARD THING TO 732 00:29:51,167 --> 00:29:53,433 IMAGINE DOING AND I THINK PROBABLY 733 00:29:53,467 --> 00:29:56,800 THE GROWN-UP THING TO DO IS TO COME TO TERMS 734 00:29:56,833 --> 00:29:59,100 WITH THE FACT THAT IT'S TOO LATE. 735 00:29:59,133 --> 00:30:01,567 I DON'T THINK GIVING UP IS THE GROWN-UP THING 736 00:30:01,600 --> 00:30:03,200 TO DO IN LIFE. 737 00:30:03,233 --> 00:30:06,833 I WASN'T TALKING ABOUT GIVING UP. 738 00:30:06,867 --> 00:30:09,400 SOUNDS TO ME LIKE YOU'RE GIVING UP. 739 00:30:09,433 --> 00:30:12,800 I'M TALKING ABOUT GIVING IN TO REALITY, 740 00:30:12,833 --> 00:30:15,333 I'M TALKING ABOUT GIVING IN TO THE TRUTH OF THE 741 00:30:15,367 --> 00:30:19,000 FACT THAT REALITY IS THAT AFTER A CERTAIN NUMBER 742 00:30:19,033 --> 00:30:22,733 OF YEARS YOU CAN'T BEGIN AGAIN AS IF YOU WERE - 743 00:30:22,767 --> 00:30:25,167 WHAT ARE YOU, 25, 26 YEARS OLD? 744 00:30:25,200 --> 00:30:28,433 YOU CAN'T DO THAT WHEN YOU'RE 45 OR 46 YEARS OLD. 745 00:30:28,467 --> 00:30:30,400 IT'S A TOTALLY DIFFERENT THING. 746 00:30:30,433 --> 00:30:33,633 YOU CAN'T SUDDENLY PRETEND THAT YOU'VE GOT 747 00:30:33,667 --> 00:30:36,467 THAT SAME SPAN OF LIFE IN FRONT OF YOU AND THE SAME 748 00:30:36,500 --> 00:30:39,233 TIME TO GO OUT THERE AND HOPE TO MEET THE PERSON 749 00:30:39,267 --> 00:30:42,200 AND TO FIND THAT BALANCE BETWEEN ALL THE THINGS 750 00:30:42,233 --> 00:30:44,667 NECESSARY IN ORDER FOR YOU AND THAT OTHER PERSON 751 00:30:44,700 --> 00:30:46,733 TO START A LIFE TOGETHER. 752 00:30:46,767 --> 00:30:49,133 ESPECIALLY IF LIKE ME YOU HAVEN'T HAD CHILDREN YET 753 00:30:49,167 --> 00:30:51,300 AND YOU WANT DESPERATELY TO HAVE CHILDREN 754 00:30:51,333 --> 00:30:53,933 AND YOU DON'T THINK THERE'S ANY WAY TO DO IT. 755 00:30:53,967 --> 00:30:56,967 IT'S A VERY DANGEROUS DREAM TO HOLD ONTO. 756 00:30:57,000 --> 00:31:01,233 SO MAYBE IT'S BETTER AND GROWN AND MORE IN TOUCH 757 00:31:01,267 --> 00:31:03,667 WITH REALITY TO ACKNOWLEDGE THE FACT 758 00:31:03,700 --> 00:31:08,700 THAT THIS IS WHAT IT IS, THAT YOU ARE WHO YOU ARE, 759 00:31:08,733 --> 00:31:12,267 IT IS TOO LATE AND FIND ANOTHER LEVEL IN LIFE, 760 00:31:12,300 --> 00:31:14,567 ANOTHER LEVEL OF ENJOYMENT OF LIFE 761 00:31:14,600 --> 00:31:17,300 OTHER THAN EXPECTANCY, OTHER THAN ROMANTIC HOPE, 762 00:31:17,333 --> 00:31:19,900 OTHER THAN DREAMING STILL OF MEETING SOMEBODY, 763 00:31:19,933 --> 00:31:24,100 OTHER THAN PLACING YOUR ENTIRE FANTASY LEVEL, 764 00:31:24,133 --> 00:31:27,267 YOUR HOPEFULNESS LEVEL, YOUR HAPPINESS LEVEL 765 00:31:27,300 --> 00:31:31,300 ON A DREAM THAT IS APPROPRIATE FOR 766 00:31:31,333 --> 00:31:34,467 SOMEBODY OF 25 AND NOT SOMEBODY OF 45. 767 00:31:34,500 --> 00:31:37,167 WELL, MAYBE THE NEXT RELATIONSHIP IN YOUR LIFE 768 00:31:37,200 --> 00:31:39,400 WILL EXIST ON ANOTHER LEVEL. 769 00:31:39,433 --> 00:31:40,933 YEAH, AND MAYBE NOT. 770 00:31:40,967 --> 00:31:42,733 OR MAYBE THAT OTHER LEVEL WILL BE 771 00:31:42,767 --> 00:31:44,467 SOME KIND OF COMPROMISE LEVEL. 772 00:31:44,500 --> 00:31:46,467 A LEVEL WHERE IT'S NICE BUT IT'S NOT EVERYTHING. 773 00:31:46,500 --> 00:31:48,567 AND IT'S OKAY BUT IT'S NOT TOTAL, 774 00:31:48,600 --> 00:31:52,100 AND IT DOESN'T SATISFY WHAT REALLY HAS TO BE DONE. 775 00:31:52,133 --> 00:31:57,133 (DOORBELL) 776 00:31:57,167 --> 00:31:59,167 HI, HAPPY NEW YEAR. 777 00:32:02,000 --> 00:32:03,700 WINONA, I'D LIKE YOU TO MEET MY FRIEND, 778 00:32:03,733 --> 00:32:05,567 DR. STADTHAGEN. 779 00:32:05,600 --> 00:32:07,667 NICE TO MEET YOU, COME ON IN. 780 00:32:07,700 --> 00:32:09,700 LET ME TAKE YOUR UMBRELLA. 781 00:32:13,567 --> 00:32:15,333 I THINK EVERYBODY HAS THE POSSIBILITY 782 00:32:15,367 --> 00:32:16,600 TO START AGAIN, 783 00:32:16,633 --> 00:32:18,333 TO START SOMEWHERE IN THEIR LIFE AGAIN, 784 00:32:18,367 --> 00:32:19,800 TO HAVE CHILDREN LATE IN LIFE, 785 00:32:19,833 --> 00:32:21,367 TO HAVE LOVE LATE IN LIFE. 786 00:32:21,400 --> 00:32:22,633 LATE IN LIFE? 787 00:32:22,667 --> 00:32:24,300 YOU'RE NOT LATE - I LOOKED AT YOUR FACE 788 00:32:24,333 --> 00:32:25,833 AS SOON AS I SAID THAT. 789 00:32:25,867 --> 00:32:27,567 I DIDN'T- YOU'RE TALKING LIKE YOU'RE 790 00:32:27,600 --> 00:32:29,867 AT THE END OF THE GODDAMN ROAD, MISTER. 791 00:32:29,900 --> 00:32:32,567 LATE IN FUCKING LIFE, IS YOUR WORDS. 792 00:32:32,600 --> 00:32:35,533 I AM RESPONDING TO YOUR ATTITUDE. 793 00:32:35,567 --> 00:32:37,900 IT HAS NOTHING TO DO WITH LATE IN LIFE. 794 00:32:37,933 --> 00:32:43,133 I AM PRENATAL ACCORDING TO YOU, 795 00:32:43,167 --> 00:32:45,533 SO LOOK AT WHERE YOU ARE. 796 00:32:45,567 --> 00:32:47,533 YOU'RE ONLY JUST BEGINNING. 797 00:32:47,567 --> 00:32:49,100 YEP. 798 00:32:49,133 --> 00:32:54,933 I'M FEELING STRANGELY LIKE THE OLDER MAN. 799 00:32:54,967 --> 00:32:57,133 I GUESS THAT COMES TO EVERYBODY 800 00:32:57,167 --> 00:32:58,867 AT ONE MOMENT OR ANOTHER... 801 00:32:58,900 --> 00:33:00,867 FEELING THAT YOU'RE THE OLDER MAN. 802 00:33:00,900 --> 00:33:02,833 I ALWAYS WAS THE YOUNGEST ONE, 803 00:33:02,867 --> 00:33:04,667 AND EVERYBODY ELSE WAS OLDER 804 00:33:04,700 --> 00:33:07,500 SO IT'S VERY WEIRD TO SUDDENLY WAKE UP ONE DAY 805 00:33:07,533 --> 00:33:09,500 - AND THAT'S EXACTLY HOW IT SEEMS - 806 00:33:09,533 --> 00:33:12,067 YOU WAKE UP ONE DAY AND FIND YOURSELF PLAYING A PART. 807 00:33:12,100 --> 00:33:14,033 I'M PLAYING THE PART OF THE OLDER MAN. 808 00:33:14,067 --> 00:33:15,633 THAT'S A LITTLE WEIRD. 809 00:33:15,667 --> 00:33:17,833 WHERE ARE YOU PLAYING THIS ROLE? 810 00:33:17,867 --> 00:33:19,767 WELL, WITH YOUR KNEE. 811 00:33:19,800 --> 00:33:21,400 (LAUGHING) 812 00:33:21,433 --> 00:33:24,500 KNEES. 813 00:33:24,533 --> 00:33:26,167 HAPPY NEW YEAR. 814 00:33:26,200 --> 00:33:28,333 HAPPY NEW YEAR. 815 00:33:28,367 --> 00:33:30,367 LITTLE DRINK... 816 00:33:35,900 --> 00:33:45,833 (DOORBELL) 817 00:33:45,867 --> 00:33:47,300 DAD? 818 00:33:47,333 --> 00:33:49,267 I WANT TO TALK TO YOU ABOUT 819 00:33:49,300 --> 00:33:51,100 THIS CALIFORNIA THING. 820 00:33:51,133 --> 00:33:52,967 BUT I CAN'T DO IT RIGHT NOW. 821 00:33:53,000 --> 00:33:55,767 IT HAS TO BE RIGHT NOW, YOU'RE LEAVING TOMORROW. 822 00:33:55,800 --> 00:33:58,667 WHY DON'T I JUST CALL YOU IN AN HOUR OR SOMETHING. 823 00:33:58,700 --> 00:34:01,600 HONEY, I DON'T THINK IT'S GOING TO HAPPEN. 824 00:34:01,633 --> 00:34:04,267 IT WILL, I SWEAR. I'LL CALL YOU IN AN HOUR. 825 00:34:04,300 --> 00:34:06,567 YOU GOT SOMEBODY HERE? WHAT'S GOING ON? 826 00:34:06,600 --> 00:34:08,300 THERE'S A COUPLE OF PEOPLE HERE BUT I'VE GOT 827 00:34:08,333 --> 00:34:10,600 SO MUCH STUFF TO DO AND YOU DIDN'T CALL. 828 00:34:10,633 --> 00:34:12,367 I DON'T HAVE TO CALL, I'M YOUR FATHER. 829 00:34:12,400 --> 00:34:15,567 TEN MINUTES IS ALL I WANT, TEN MINUTES! 830 00:34:15,600 --> 00:34:17,567 I CAN'T DO IT NOW, DADDY! 831 00:34:17,600 --> 00:34:19,367 HONEY, I'VE THOUGHT ABOUT IT, 832 00:34:19,400 --> 00:34:21,400 I'VE GOT TO TALK TO YOU ABOUT IT. 833 00:34:21,433 --> 00:34:23,067 I CANNOT LET YOU GO TO CALIFORNIA 834 00:34:23,100 --> 00:34:24,433 JUST LIKE THAT! 835 00:34:24,467 --> 00:34:26,300 FINE, TEN MINUTES, OKAY? 836 00:34:26,333 --> 00:34:29,067 THAT'S ALL I'M GIVING YOU AND THEN YOU'LL GO? 837 00:34:29,100 --> 00:34:30,900 I'LL GO AS SOON AS WE'RE THROUGH TALKING. 838 00:34:30,933 --> 00:34:32,133 FIFTEEN MINUTES. 839 00:34:32,167 --> 00:34:33,400 TEN MINUTES, DADDY. 840 00:34:33,433 --> 00:34:35,333 I'M YOUR FATHER, I MAY DIE TOMORROW. 841 00:34:35,367 --> 00:34:37,900 YOU'RE NOT GOING TO DIE, YOU'VE GOT TEN MINUTES. 842 00:34:37,933 --> 00:34:39,933 BUT DON'T DO IT WITH AN ATTITUDE. 843 00:34:48,467 --> 00:34:52,933 HONEY, LIFE IS LIKE A TV SITCOM. 844 00:34:52,967 --> 00:34:56,267 YOU GOTTA KNOW WHERE THE LAUGHS ARE AND 845 00:34:56,300 --> 00:34:58,733 ALWAYS REMEMBER, WHEN THINGS GET EMOTIONAL 846 00:34:58,767 --> 00:35:01,500 YOU KNOW THERE'S A COMMERCIAL COMING UP. 847 00:35:01,533 --> 00:35:02,900 OH, GOD, DAD. 848 00:35:02,933 --> 00:35:04,333 I KNOW THESE THINGS. 849 00:35:04,367 --> 00:35:06,600 I HAVEN'T SPENT YEARS WRITING THEM FOR NOTHING. 850 00:35:06,633 --> 00:35:08,300 PEARLS OF WISDOM. 851 00:35:08,333 --> 00:35:10,467 I DON'T KNOW THAT I WOULD HAVE BEEN ABLE 852 00:35:10,500 --> 00:35:12,733 TO MAKE THIS TRIP WITHOUT THAT ADVICE. 853 00:35:12,767 --> 00:35:15,133 HAVE YOU MADE ANY NEW YEAR'S RESOLUTIONS? 854 00:35:15,167 --> 00:35:17,800 I'M GIVING UP ALL MY COMPULSIVE BEHAVIOR. 855 00:35:17,833 --> 00:35:19,133 ALL OF IT? 856 00:35:19,167 --> 00:35:21,600 I WAS A HIT, I LEFT A HIT, YOU DON'T SEE ME OUT THERE. 857 00:35:21,633 --> 00:35:23,833 FINE, I HAVE TO GO THERE AND BE A HIT. 858 00:35:23,867 --> 00:35:25,133 AND GET HURT? 859 00:35:25,167 --> 00:35:26,933 I CAN HANDLE BEING HURT, OKAY? 860 00:35:26,967 --> 00:35:30,233 I CAN GET HURT WHEREVER I GO, I'M GOING TO LA. 861 00:35:30,267 --> 00:35:32,500 HONEY, IT'S LIKE WALKING INTO A STRANGE PARTY. 862 00:35:32,533 --> 00:35:34,000 YOU DON'T KNOW ANYBODY THERE, 863 00:35:34,033 --> 00:35:35,700 I'M NOT THERE ANYMORE. 864 00:35:35,733 --> 00:35:37,233 YOU THINK IT'S EASY? 865 00:35:37,267 --> 00:35:39,233 YOU KNOW WHAT THAT PLACE IS LIKE? 866 00:35:39,267 --> 00:35:41,200 WHY DO WE HAVE TO TALK OUT HERE? 867 00:35:41,233 --> 00:35:43,233 I FEEL LIKE I'M IN A... 868 00:35:43,267 --> 00:35:45,300 I CAN'T COME UP WITH ANYTHING NOW. 869 00:35:45,333 --> 00:35:46,800 I'VE GOT MY PHILOSOPHY, 870 00:35:46,833 --> 00:35:48,700 NOW HERE'S MY ADVICE AND TAKE IT, PLEASE. 871 00:35:48,733 --> 00:35:50,933 DO NOT GO TO LA. DON'T GO. 872 00:35:50,967 --> 00:35:52,933 I'M GOING TO GIVE UP ANSWERING 873 00:35:52,967 --> 00:35:55,900 THE PERSONAL ADS IN THE NEW YORK REVUE. 874 00:35:55,933 --> 00:36:03,100 (DOORBELL) 875 00:36:03,133 --> 00:36:05,033 LAZLO. 876 00:36:05,067 --> 00:36:09,167 I CAME TO WISH YOU BON VOYAGE! 877 00:36:09,200 --> 00:36:12,400 NOW THIS ONE IS COLD. 878 00:36:12,433 --> 00:36:14,500 SO WE'LL DRINK IT NOW. 879 00:36:14,533 --> 00:36:17,600 THIS ONE YOU'RE SUPPOSED TO PUT IN THE FREEZER. 880 00:36:17,633 --> 00:36:20,267 MMM. 881 00:36:20,300 --> 00:36:22,433 THE RADIATOR'S BEEN BANGING AND BANGING 882 00:36:22,467 --> 00:36:24,400 AND MAKING THE MOST HORRIBLE NOISE. 883 00:36:24,433 --> 00:36:26,900 YOU DON'T HAVE TO COMPLAIN ABOUT THAT NOW. 884 00:36:26,933 --> 00:36:29,333 ALRIGHT, I WON'T COMPLAIN. 885 00:36:29,367 --> 00:36:31,567 THE NEW TENANT IS HERE, HE SHOWED UP A DAY EARLY. 886 00:36:31,600 --> 00:36:33,133 YOU WANT TO MEET HIM? 887 00:36:33,167 --> 00:36:34,700 HE SEEMS LIKE A NICE GUY. 888 00:36:34,733 --> 00:36:36,500 WHAT DID YOU WANT TO TALK TO ME ABOUT? 889 00:36:36,533 --> 00:36:39,333 I CAN'T TALK HER OUT OF GOING TO LA. 890 00:36:39,367 --> 00:36:40,833 THE KID'S SO DETERMINED 891 00:36:40,867 --> 00:36:42,667 I DON'T KNOW WHAT TO DO ANYMORE. 892 00:36:42,700 --> 00:36:44,267 BROOKS, YOU GOTTA LET HER GO. 893 00:36:44,300 --> 00:36:46,333 IT'S NOT ME LETTING HER GO, 894 00:36:46,367 --> 00:36:48,000 IT'S NOTHING TO DO WITH THAT. 895 00:36:48,033 --> 00:36:50,267 SHE'S GOING TO GET HURT OUT THERE. 896 00:36:50,300 --> 00:36:51,933 YOU HAVE TO LET HER GET HURT 897 00:36:51,967 --> 00:36:53,567 AND LEARN ON HER OWN. 898 00:36:53,600 --> 00:36:55,167 OH, COME ON. 899 00:36:55,200 --> 00:36:57,333 MY LITTLE WHITE DOVE. 900 00:36:57,367 --> 00:36:59,800 WHY DO YOU ALWAYS CALL ME THAT? 901 00:36:59,833 --> 00:37:02,267 THAT'S THE LULLABY. 902 00:37:02,300 --> 00:37:07,700 LITTLE WHITE DOVE IS FLYING AND SHE MEETS 903 00:37:07,733 --> 00:37:13,767 GOD'S LITTLE ANGEL AND THE ANGEL ASKS 904 00:37:13,800 --> 00:37:16,567 "WHERE ARE YOU GOING, HUMAN SOUL?" 905 00:37:16,600 --> 00:37:21,600 AND THE SOUL SAYS "I'M TRYING TO REACH HEAVEN". 906 00:37:26,133 --> 00:37:28,967 I'M TRYING TO REACH HEAVEN. 907 00:37:29,000 --> 00:37:31,967 HEAVEN. 908 00:37:32,000 --> 00:37:35,200 I NEVER TOLD YOU THE ENGLISH WORD? 909 00:37:35,233 --> 00:37:37,233 NO. 910 00:37:37,267 --> 00:37:39,867 YOU'RE HER FATHER. WHATEVER YOU SAY 911 00:37:39,900 --> 00:37:42,733 AT THIS POINT IN HER LIFE SHE'S GOING TO RESIST. 912 00:37:42,767 --> 00:37:44,200 LET HER LEARN IT. 913 00:37:44,233 --> 00:37:46,100 IF IT'S THAT BAD SHE'LL FIND OUT. 914 00:37:46,133 --> 00:37:47,700 THEN IT WILL BE TOO LATE, 915 00:37:47,733 --> 00:37:49,633 LIKE GOING INTO COMBAT AND DYING. 916 00:37:49,667 --> 00:37:51,167 YOU WENT THERE. 917 00:37:51,200 --> 00:37:52,900 YOU HAD THE EXPERIENCE. 918 00:37:52,933 --> 00:37:55,500 OH, GOD. THERE'S NOT GOING TO BE 919 00:37:55,533 --> 00:37:58,467 ANYBODY LIKE YOU IN CALIFORNIA. 920 00:37:58,500 --> 00:37:59,900 COME ON. 921 00:37:59,933 --> 00:38:02,400 I'M GOING TO GET IN SOME TINY APARTMENT, SOME GIRL 922 00:38:02,433 --> 00:38:04,867 IN GYM SHORTS IS GOING TO LIVE IN THE BUILDING. 923 00:38:04,900 --> 00:38:06,600 "OH, HI, YOU NEED SOMETHING? 924 00:38:06,633 --> 00:38:08,167 WHAT CAN I GET YOU? 925 00:38:08,200 --> 00:38:09,333 OH, REALLY? 926 00:38:09,367 --> 00:38:10,933 I DON'T THINK WE HAVE THAT HERE. 927 00:38:10,967 --> 00:38:13,567 I DON'T THINK THEY EVEN SELL IT IN LA". 928 00:38:13,600 --> 00:38:16,733 THE BRAIN CELLS DIE THE MINUTE YOU HIT LAX, 929 00:38:16,767 --> 00:38:18,100 I'M NOT KIDDING. 930 00:38:18,133 --> 00:38:20,300 IT'S NOT A PLACE FOR A YOUNG, VITAL PERSON. 931 00:38:20,333 --> 00:38:22,967 WHO MADE THESE SPOTS ALL OVER THE WALLS? 932 00:38:23,000 --> 00:38:25,133 NOT ME. THEY MOVED ALL THAT 933 00:38:25,167 --> 00:38:27,467 FURNITURE IN AND EVERYTHING. 934 00:38:27,500 --> 00:38:29,667 WELL, OH, NO. 935 00:38:29,700 --> 00:38:31,767 I'M GOING TO MISS YOU SO MUCH. 936 00:38:31,800 --> 00:38:33,333 THIS REALLY HURTS. 937 00:38:33,367 --> 00:38:34,433 ME TOO. 938 00:38:34,467 --> 00:38:36,700 LISTEN, THE REASON I FEEL I CAN TALK TO YOU 939 00:38:36,733 --> 00:38:38,267 ABOUT THIS IS YOU'RE A LITTLE MORE MATURE 940 00:38:38,300 --> 00:38:39,867 THAN THE OTHER GIRLS 941 00:38:39,900 --> 00:38:41,967 AND FRANKLY I'M ATTRACTED TO YOU. 942 00:38:42,000 --> 00:38:44,133 DOES IT BOTHER YOU IF I SAY THAT? 943 00:38:44,167 --> 00:38:45,433 NO, BROOKS. 944 00:38:45,467 --> 00:38:47,033 BECAUSE I ALWAYS HAVE BEEN. 945 00:38:47,067 --> 00:38:49,367 REMEMBER WHEN YOU HELPED ME THAT NIGHT? 946 00:38:49,400 --> 00:38:50,733 DO YOU REMEMBER? 947 00:38:50,767 --> 00:38:53,133 WOW, DON'T MENTION THAT. 948 00:38:53,167 --> 00:38:55,667 NO, BECAUSE I CAME IN AND I WAS REALLY UPSET. 949 00:38:55,700 --> 00:38:57,400 I WAS IN SHOCK. 950 00:38:57,433 --> 00:38:59,867 BUT YOU TOOK ME INTO YOUR BED AND YOU HELD ME 951 00:38:59,900 --> 00:39:04,333 AND YOU ALSO- BUT IT... DIDN'T WORK. 952 00:39:04,367 --> 00:39:05,900 YOU HEAR THAT? 953 00:39:05,933 --> 00:39:07,067 STOP. 954 00:39:07,100 --> 00:39:08,633 THAT'S NOTHING TO BRAG ABOUT. 955 00:39:08,667 --> 00:39:10,133 I'M NOT BRAGGING. 956 00:39:10,167 --> 00:39:12,700 I SHOULD HAVE A RAINCHECK FOR THAT NIGHT. 957 00:39:12,733 --> 00:39:14,433 YOU CAN HAVE A RAINCHECK. 958 00:39:14,467 --> 00:39:15,600 OH, YEAH? 959 00:39:15,633 --> 00:39:17,167 WELL! 960 00:39:17,200 --> 00:39:22,300 (DOORBELL) 961 00:39:22,333 --> 00:39:23,767 HAPPY NEW YEAR. 962 00:39:23,800 --> 00:39:27,567 WHAT USUALLY MAN SAY WHEN, YOU KNOW, 963 00:39:27,600 --> 00:39:30,133 AS AN EXCUSE WHEN THEY CAN'T PERFORM? 964 00:39:30,167 --> 00:39:31,500 WHAT DO THEY SAY? 965 00:39:31,533 --> 00:39:33,133 WHAT DO THEY BLAME? 966 00:39:33,167 --> 00:39:35,167 THEY SAY THEY'VE HAD A LOT TO DRINK. 967 00:39:35,200 --> 00:39:36,333 YEAH? 968 00:39:36,367 --> 00:39:38,200 THEY SAY THEY'RE REALLY TIRED. 969 00:39:38,233 --> 00:39:40,133 YOU KNOW, BORING STUFF LIKE THAT. 970 00:39:40,167 --> 00:39:43,167 BUT NOBODY EVER BELIEVES THEM. 971 00:39:45,800 --> 00:39:47,833 DID I SAY ANYTHING? 972 00:39:47,867 --> 00:39:50,633 THAT WAS THE BEST PART, YOU DIDN'T SAY ANYTHING. 973 00:39:50,667 --> 00:39:55,467 WHY DO YOU THINK I, YOU KNOW, DIDN'T? 974 00:39:55,500 --> 00:39:59,200 I DON'T KNOW BUT I DIDN'T CARE BECAUSE 975 00:39:59,233 --> 00:40:02,500 WE JUST HELD EACH OTHER ALL NIGHT. 976 00:40:02,533 --> 00:40:04,567 OF COURSE I HAVE ONE FOR YOU. 977 00:40:04,600 --> 00:40:05,867 OH, GREAT. 978 00:40:05,900 --> 00:40:07,233 YOU LIKE IT? 979 00:40:07,267 --> 00:40:08,767 OH, THAT'S A NICE ONE. 980 00:40:08,800 --> 00:40:10,467 I'M SO SAD ALL OF A SUDDEN. 981 00:40:10,500 --> 00:40:12,800 WE DON'T WANT TO LEAVE YOU. 982 00:40:12,833 --> 00:40:14,033 WE DON'T WANT TO GO! 983 00:40:14,067 --> 00:40:16,533 WE'RE NEVER GOING TO BE LIKE THIS AGAIN. 984 00:40:16,567 --> 00:40:22,333 YEAH, YOU BOTH SMELL GOOD. 985 00:40:22,367 --> 00:40:24,933 OKAY, NOW WHAT DO I HAVE TO DO? 986 00:40:24,967 --> 00:40:28,000 NOW YOU MAKE A WISH WHILE I'M TYING THE KNOT. 987 00:40:28,033 --> 00:40:29,467 I KNOW WHAT THAT IS. 988 00:40:29,500 --> 00:40:31,533 ARE YOU WISHING FOR A BOY OR A GIRL? 989 00:40:31,567 --> 00:40:35,567 A GIRL. A GIRL WOULD BE NICE. 990 00:40:45,633 --> 00:40:48,633 OOH AH AH AH. 991 00:41:01,800 --> 00:41:03,200 I DON'T THINK I WANT TO DO IT. 992 00:41:03,233 --> 00:41:04,333 WHY? 993 00:41:04,367 --> 00:41:07,033 BECAUSE WHAT IF I MAKE A WISH AND IT COMES TRUE? 994 00:41:07,067 --> 00:41:09,967 I DON'T EVEN KNOW WHAT I WANT. 995 00:41:10,000 --> 00:41:14,333 WHAT IF I WISH FOR SOMETHING AND IT'S THE 996 00:41:14,367 --> 00:41:20,367 WRONG THING AND I GET IT AND I'M NOT READY. 997 00:41:20,400 --> 00:41:22,100 YOU MAKE A NEW YEAR'S RESOLUTION, 998 00:41:22,133 --> 00:41:23,867 YOU MAKE A NEW YEAR'S WISH. 999 00:41:23,900 --> 00:41:25,867 YOU STOP SOMETHING AND YOU START SOMETHING. 1000 00:41:25,900 --> 00:41:27,800 BUT I DON'T EVEN KNOW WHAT TO WISH FOR. 1001 00:41:27,833 --> 00:41:29,433 WISH FOR SOMETHING REALLY SIMPLE, 1002 00:41:29,467 --> 00:41:31,000 SOMETHING REALLY NICE. 1003 00:41:31,033 --> 00:41:32,233 YEAH? 1004 00:41:32,267 --> 00:41:33,800 OKAY. 1005 00:41:33,833 --> 00:41:37,833 MAKE YOUR WISH WHILE I'M TYING IT ON. 1006 00:41:43,800 --> 00:41:45,500 HI. 1007 00:41:45,533 --> 00:41:47,733 GOD, THERE'S SO MANY PEOPLE OUT THERE. 1008 00:41:47,767 --> 00:41:49,000 I KNOW. 1009 00:41:49,033 --> 00:41:50,567 I DON'T WANT YOU TO GO. 1010 00:41:50,600 --> 00:41:52,600 I GOTTA GO, ANNIE. 1011 00:41:54,200 --> 00:41:55,933 IT'S JUST KIND OF SAD, ISN'T IT? 1012 00:41:55,967 --> 00:41:57,367 IT IS SAD. 1013 00:41:57,400 --> 00:41:59,400 BUT IT'S GOING TO BE GREAT. 1014 00:41:59,433 --> 00:42:01,100 IT'S GOING TO BE GREAT FOR YOU, 1015 00:42:01,133 --> 00:42:03,967 IT'S GOING TO BE GREAT FOR ME. 1016 00:42:04,000 --> 00:42:14,033 * 1017 00:42:14,033 --> 00:42:24,033 * 1018 00:42:46,267 --> 00:42:47,733 LUCY, I WANT TO TALK. 1019 00:42:47,767 --> 00:42:49,667 I HAVE TO TALK TO YOU. 1020 00:42:49,700 --> 00:42:52,100 THIS IS A MAJOR THING, WHY DON'T YOU JUST... 1021 00:42:52,133 --> 00:42:55,633 WHY ARE YOU SO CONCERNED? 1022 00:42:55,667 --> 00:42:57,933 YOU CAME OUT OF MY WIFE'S WOMB! 1023 00:42:57,967 --> 00:43:00,633 YOU'RE MY DAUGHTER. 1024 00:43:00,667 --> 00:43:02,933 THIS IS NEW, THIS FATHER OF THE YEAR STUFF. 1025 00:43:02,967 --> 00:43:04,467 I'M FINE, OKAY? 1026 00:43:04,500 --> 00:43:06,133 THERE ARE A LOT OF PRETTY GIRLS HERE, 1027 00:43:06,167 --> 00:43:08,267 I'M SURE THERE'S SOMEBODY YOU CAN TALK TO. 1028 00:43:08,300 --> 00:43:10,000 I'M FINE. 1029 00:43:10,033 --> 00:43:11,867 LUCY, COME ON. 1030 00:43:11,900 --> 00:43:15,767 AS OF TODAY NO MORE SEX. UNLESS I KNOW 1031 00:43:15,800 --> 00:43:19,200 EVERY WOMAN THE GUY HAS BEEN WITH 1032 00:43:19,233 --> 00:43:22,100 THAT I WANT TO BE WITH, I'M NOT FUCKING HIM. 1033 00:43:22,133 --> 00:43:24,133 THE THERAPY I DO WITH WOMEN ENTAILS THEIR 1034 00:43:24,167 --> 00:43:26,633 SEXUALITY AND THE PROBLEMS RELATED TO IT. 1035 00:43:26,667 --> 00:43:29,400 AND I FOUND THE PERFECT SYSTEM TO OVERCOME 1036 00:43:29,433 --> 00:43:32,367 THE PROBLEM OF MANY PSYCHIATRISTS GETTING 1037 00:43:32,400 --> 00:43:35,567 INVOLVED IN THE ADVANTAGE OF THE RELATIONSHIP 1038 00:43:35,600 --> 00:43:37,800 THEY HAVE WITH WOMEN AND THEN SEDUCING 1039 00:43:37,833 --> 00:43:39,800 OR OTHERWISE HAVING SEX WITH THEM. 1040 00:43:39,833 --> 00:43:42,033 WHAT I DO IS IT'S IMPERATIVE THAT I HAVE 1041 00:43:42,067 --> 00:43:44,167 SEX WITH WOMEN BEFORE THERE'S EVEN ANY HINT 1042 00:43:44,200 --> 00:43:45,967 THAT I PERFORM THERAPY ON THEM. 1043 00:43:46,000 --> 00:43:48,067 I DON'T FEEL LIKE DYING FROM SEX. 1044 00:43:48,100 --> 00:43:49,800 I'M SUPPOSED TO GET TESTED NOW? 1045 00:43:49,833 --> 00:43:52,000 THEN HAVING THAT OUT OF THE WAY THERE'S 1046 00:43:52,033 --> 00:43:54,700 NO OBSTACLE AND I'M FREE TO ENGAGE IN THERAPY. 1047 00:43:54,733 --> 00:43:56,333 HOW DO YOU KNOW WHERE HE'S BEEN? 1048 00:43:56,367 --> 00:43:58,100 HOW DO YOU KNOW WHERE YOU'VE BEEN? 1049 00:43:58,133 --> 00:43:59,233 I GOT TESTED. 1050 00:43:59,267 --> 00:44:00,867 I DON'T BELIEVE THAT. 1051 00:44:00,900 --> 00:44:02,800 I DID, I GOT TESTED. 1052 00:44:02,833 --> 00:44:06,900 EXCUSE ME, YOU ARE A...? 1053 00:44:06,933 --> 00:44:10,400 PSYCHOSEXOLOGIST. 1054 00:44:10,433 --> 00:44:12,433 OH, I SEE. 1055 00:44:12,467 --> 00:44:14,500 STOPPING SEX IS SO BOGUS. 1056 00:44:14,533 --> 00:44:16,167 I MEAN, STOP DRUGS. 1057 00:44:16,200 --> 00:44:18,667 THAT'S WHY I DO PROFESS 1058 00:44:18,700 --> 00:44:20,933 TO SOME EXPERTISE IN THIS FIELD. 1059 00:44:20,967 --> 00:44:23,133 NOTHING WILL EVER GO UP THIS NOSE. 1060 00:44:23,167 --> 00:44:24,767 YOU THINK YOU CAN KEEP TO IT? 1061 00:44:24,800 --> 00:44:26,067 I KNOW I CAN. 1062 00:44:26,100 --> 00:44:28,000 YOU KNOW, I HAVE TO TELL YOU, 1063 00:44:28,033 --> 00:44:30,533 IT'S COMPLETELY INCONSIDERATE 1064 00:44:30,567 --> 00:44:32,533 TO SMOKE THAT SMELLY THING 1065 00:44:32,567 --> 00:44:34,800 AND HAVE DISREGARD FOR PEOPLE LIKE THAT. 1066 00:44:34,833 --> 00:44:36,433 IT ALSO SHOWS SOMETHING VERY 1067 00:44:36,467 --> 00:44:38,867 UNFORTUNATE ABOUT YOUR SEXUAL CHARACTER. 1068 00:44:38,900 --> 00:44:40,967 TODAY IS THE FIRST DAY OF THE REST OF MY LIFE 1069 00:44:41,000 --> 00:44:43,000 WITH A CLEAR NASAL PASSAGE. 1070 00:44:43,033 --> 00:44:45,200 IF YOU CAN IMAGINE, THE SHAPE OF THAT THING 1071 00:44:45,233 --> 00:44:48,200 AND WHAT YOU'RE TRYING TO SUBSTITUTE IT FOR. 1072 00:44:48,233 --> 00:44:50,467 HEY! 1073 00:44:50,500 --> 00:44:52,933 SUBCONSCIOUS OR UNCONSCIOUS FEAR 1074 00:44:52,967 --> 00:44:54,967 OF IMPOTENCY ON YOUR PART. 1075 00:44:55,000 --> 00:44:56,333 EVERYBODY OKAY? 1076 00:44:56,367 --> 00:44:58,900 WE'RE TALKING ABOUT LIFE AND DEATH AND DRUGS. 1077 00:44:58,933 --> 00:45:00,900 YOU'RE ABSOLUTELY SURE IT'S OVER 1078 00:45:00,933 --> 00:45:02,467 BETWEEN YOU AND LUCY? 1079 00:45:02,500 --> 00:45:04,133 IT DOESN'T MATTER. SHE'S SURE. 1080 00:45:04,167 --> 00:45:05,767 SHE'S SURE IT'S OVER. 1081 00:45:05,800 --> 00:45:07,267 BUT WHAT DO YOU WANT? 1082 00:45:07,300 --> 00:45:09,033 I DON'T KNOW WHAT I WANT. 1083 00:45:09,067 --> 00:45:10,633 YOU WANT ANYTHING? NO? 1084 00:45:10,667 --> 00:45:12,967 A CRANBERRY JUICE AND VODKA. 1085 00:45:13,000 --> 00:45:16,233 CRANBERRY JUICE, OKAY. 1086 00:45:16,267 --> 00:45:18,167 I'M GOING TO LA. 1087 00:45:18,200 --> 00:45:22,000 LISTEN, EVERYBODY OUT THERE IS BISEXUAL. 1088 00:45:22,033 --> 00:45:24,500 MAYBE YOU'LL MAKE A WISH. 1089 00:45:24,533 --> 00:45:27,167 WHAT IS THIS? 1090 00:45:27,200 --> 00:45:28,733 IT'S A WISH BRACELET. 1091 00:45:28,767 --> 00:45:30,767 A WISH BRACELET? 1092 00:45:55,300 --> 00:45:56,700 WHERE DO YOU GET THOSE? 1093 00:45:56,733 --> 00:45:58,867 I MADE THEM. 1094 00:45:58,900 --> 00:46:01,900 (DOORBELL) 1095 00:46:05,667 --> 00:46:07,367 OH, THANK GOD IT'S YOU. 1096 00:46:07,400 --> 00:46:09,167 IF I EVER NEEDED TO TALK TO YOU IT'S NOW. 1097 00:46:09,200 --> 00:46:11,167 MY FATHER'S DRIVING ME OUT OF MY MIND. 1098 00:46:11,200 --> 00:46:13,267 FOR THE FIRST TIME IN MY ENTIRE LIFE HE'S PLAYING 1099 00:46:13,300 --> 00:46:15,067 FATHER KNOWS BEST, HE'S GOT SO MUCH ADVICE 1100 00:46:15,100 --> 00:46:16,500 I DON'T KNOW WHAT TO DO WITH HIM. 1101 00:46:16,533 --> 00:46:18,067 I CAN'T SHUT HIM UP BECAUSE 1102 00:46:18,100 --> 00:46:19,767 HE DOESN'T WANT ME TO LEAVE. 1103 00:46:19,800 --> 00:46:21,800 AND THE GIRLS - I MEAN, ANNIE'S SO GODDAMNED 1104 00:46:21,833 --> 00:46:23,667 DEPRESSED AND SHE'S MAKING ME FEEL GUILTY 1105 00:46:23,700 --> 00:46:25,367 FOR LEAVING BECAUSE IF I LEAVE 1106 00:46:25,400 --> 00:46:27,033 HER WHOLE FUCKING LIFE FALLS APART. 1107 00:46:27,067 --> 00:46:28,567 I'VE GOTTA GET OUT OF HERE. 1108 00:46:28,600 --> 00:46:30,200 WILLIAM'S ON THE GODDAMN FIRE ESCAPE 1109 00:46:30,233 --> 00:46:31,767 FUCKING AROUND WITH MARJORIE. 1110 00:46:31,800 --> 00:46:33,233 IT'S OUTRAGEOUS. 1111 00:46:33,267 --> 00:46:34,600 HE COMES OVER HERE, 1112 00:46:34,633 --> 00:46:36,467 I THINK I'M GOING, YOU KNOW. 1113 00:46:36,500 --> 00:46:38,667 I'VE GOTTEN HIM OUT OF MY LIFE AND I DON'T WANT TO 1114 00:46:38,700 --> 00:46:41,233 TALK TO HIM AND HE SHOWS UP HERE AND HE SAYS TO ME 1115 00:46:41,267 --> 00:46:43,567 "DON'T GO, DON'T GO" AND I START THINKING, 1116 00:46:43,600 --> 00:46:45,067 OKAY, DON'T GO. 1117 00:46:45,100 --> 00:46:47,867 YOU SHOULDN'T LEAVE SOMEBODY WHO YOU LOVE, 1118 00:46:47,900 --> 00:46:49,600 YOU SHOULDN'T LEAVE A RELATIONSHIP 1119 00:46:49,633 --> 00:46:51,667 IF YOU THINK IT'S GOING TO WORK. 1120 00:46:51,700 --> 00:46:53,867 AND I PUT SO MUCH TIME INTO THIS, 1121 00:46:53,900 --> 00:46:56,100 MAYBE I'M NUTS, YOU KNOW? MAYBE I'M NUTS 1122 00:46:56,133 --> 00:46:57,833 TO WALK AWAY FROM THIS WHOLE THING. 1123 00:46:57,867 --> 00:47:00,267 WHAT THE FUCK AM I GOING TO DO IN CALIFORNIA? 1124 00:47:00,300 --> 00:47:02,233 IT'S HOLLYWOOD FOR CHRIST SAKE. 1125 00:47:02,267 --> 00:47:04,833 I LOVE THIS GUY, I MEAN I LOVE HIM. 1126 00:47:04,867 --> 00:47:07,167 I MAY BE AN ASSHOLE BUT I LOVE HIM. 1127 00:47:07,200 --> 00:47:09,700 AND THEN I WATCH HIM DO THIS SHIT, YOU KNOW, 1128 00:47:09,733 --> 00:47:11,967 AND HE MAKES THESE PROMISES TO ME 1129 00:47:12,000 --> 00:47:13,667 AND I START BELIEVING HIM. 1130 00:47:13,700 --> 00:47:15,533 I START BELIEVING HIM AGAIN. 1131 00:47:15,567 --> 00:47:17,400 I THINK HE MEANS IT THIS TIME. 1132 00:47:17,433 --> 00:47:19,333 HE REALLY MEANS IT BECAUSE HE'S A GOOD 1133 00:47:19,367 --> 00:47:21,700 PERSON, HE'S GOT A GOOD SOUL AND A GOOD HEART 1134 00:47:21,733 --> 00:47:23,500 AND HE REALLY LOVES ME, YOU KNOW? 1135 00:47:23,533 --> 00:47:26,233 I KNOW HE LOVES ME, AND I KNOW HE LOVES ME MORE 1136 00:47:26,267 --> 00:47:29,500 THAN ANY OF THESE PEOPLE THAT HE CAN'T KEEP HIS 1137 00:47:29,533 --> 00:47:32,367 GODDAMN HANDS OFF OF, THAT HE HAS TO GO FOR 1138 00:47:32,400 --> 00:47:34,467 BECAUSE THEY'RE GOING FOR HIM. 1139 00:47:34,500 --> 00:47:36,600 BUT I KNOW THAT WHAT WE HAVE 1140 00:47:36,633 --> 00:47:38,700 IS MORE IMPORTANT THAN THAT. 1141 00:47:38,733 --> 00:47:41,167 AND MAYBE I'M AN IDIOT TO WALK AWAY FROM IT 1142 00:47:41,200 --> 00:47:42,867 AND STOP FIGHTING. 1143 00:47:42,900 --> 00:47:45,533 WHAT AM I DOING? 1144 00:47:45,567 --> 00:47:48,633 WHAT IF I GO OUT THERE AND I REALIZE 1145 00:47:48,667 --> 00:47:50,933 WHAT A MISTAKE I'VE MADE AND HE'S OFF 1146 00:47:50,967 --> 00:47:54,100 NECK DEEP IN SOME OTHER RELATIONSHIP 1147 00:47:54,133 --> 00:47:57,167 BECAUSE HE CAN'T STAND TO BE BY HIMSELF? 1148 00:47:57,200 --> 00:47:59,600 AND THEN I DON'T KNOW WHO'S GOING TO BE 1149 00:47:59,633 --> 00:48:02,633 MORE UNHAPPY, HIM OR ME? 1150 00:48:07,867 --> 00:48:10,300 YOU'RE LISTENING TO THE WRONG VOICES. 1151 00:48:10,333 --> 00:48:12,933 YOU HAVE TO LISTEN TO YOUR VOICE. 1152 00:48:12,967 --> 00:48:14,567 IT'S A HASSLE NOW. 1153 00:48:14,600 --> 00:48:18,833 BUT IT'S A TEMPORARY HASSLE. 1154 00:48:18,867 --> 00:48:21,667 ALL OF THAT NONSENSE GOES AWAY. 1155 00:48:21,700 --> 00:48:25,200 YOU HAVE TO REMAIN, AND THE YOU THAT HAS TO 1156 00:48:25,233 --> 00:48:27,967 REMAIN HAS TO BE STRONGER THAN WHAT'S HERE NOW. 1157 00:48:28,000 --> 00:48:29,567 AND IT CAN'T BE STRONGER 1158 00:48:29,600 --> 00:48:32,167 UNLESS THERE'S A LITTLE BIT OF TROUBLE. 1159 00:48:32,200 --> 00:48:37,167 IT LOOKS LIKE IT'S SO BIG, IT'S SO ENORMOUS, 1160 00:48:37,200 --> 00:48:40,500 BUT IT'S NO MATCH FOR ANY OF THE DREAMS YOU HAVE. 1161 00:48:40,533 --> 00:48:43,067 IT'S NO MATCH FOR THE TALENT, IT'S NO MATCH FOR 1162 00:48:43,100 --> 00:48:46,600 ANY OF THE STRENGTH, THE STRENGTH THAT'S INSIDE. 1163 00:48:46,633 --> 00:48:49,700 THOSE PEOPLE MATTER IN A CERTAIN WAY BUT NOT 1164 00:48:49,733 --> 00:48:54,900 IN ANY WAY TO EQUAL THE POWER THAT'S INSIDE YOU. 1165 00:48:54,933 --> 00:48:56,700 YOU GOTTA KEEP DREAMING. 1166 00:48:56,733 --> 00:48:58,733 THINK OF ALL THE PHENOMENAL THINGS 1167 00:48:58,767 --> 00:49:02,700 WE TALKED ABOUT YOU BEING ABLE TO DO. 1168 00:49:02,733 --> 00:49:05,733 YOU CAN DO IT. 1169 00:49:14,633 --> 00:49:16,667 SO WHAT IS THIS BULLSHIT ABOUT, HUH? 1170 00:49:16,700 --> 00:49:18,100 WHAT BULLSHIT? 1171 00:49:18,133 --> 00:49:20,133 YOUR BULLSHIT, WHAT IS YOUR BULLSHIT ABOUT? 1172 00:49:20,167 --> 00:49:21,633 YOU HAVE TO BE MORE SPECIFIC. 1173 00:49:21,667 --> 00:49:23,133 WHAT KIND OF BULLSHIT? 1174 00:49:23,167 --> 00:49:24,800 YOU DON'T KNOW WHAT YOUR BULLSHIT IS? 1175 00:49:24,833 --> 00:49:26,367 I KNOW WHAT SOME OF MY BULLSHIT IS. 1176 00:49:26,400 --> 00:49:28,867 WELL, WHAT IS THE BULLSHIT YOU KNOW ABOUT? 1177 00:49:28,900 --> 00:49:31,600 WHAT MAKES YOU INTERESTED? 1178 00:49:31,633 --> 00:49:33,633 BULLSHIT IS MY LIFE. 1179 00:49:36,300 --> 00:49:38,067 DID YOU EVER MAKE A WISH 1180 00:49:38,100 --> 00:49:40,233 WHEN YOU BLEW OUT YOUR CANDLES? 1181 00:49:40,267 --> 00:49:42,500 DID YOU EVER TIE A STRING AROUND YOUR FINGER? 1182 00:49:42,533 --> 00:49:43,933 THERE'S SOMETHING VERY DISTURBING 1183 00:49:43,967 --> 00:49:45,600 ABOUT WHAT'S GOING ON HERE. 1184 00:49:45,633 --> 00:49:47,833 AND YOU MANIFEST THE DISTURBANCE. 1185 00:49:47,867 --> 00:49:49,733 I EMBODY IT. 1186 00:49:49,767 --> 00:49:51,367 YOU EMBODY THE DISTURBANCE. 1187 00:49:51,400 --> 00:49:52,900 THAT DOES NOT MEAN THAT YOU ARE 1188 00:49:52,933 --> 00:49:54,567 WHAT'S DISTURBING. 1189 00:49:54,600 --> 00:49:56,633 IT DOES MEAN THAT THE DISTURBANCE 1190 00:49:56,667 --> 00:49:58,800 RESTS IN YOUR BODY. 1191 00:49:58,833 --> 00:50:00,967 AND IN YOUR BULLSHIT. 1192 00:50:01,000 --> 00:50:01,933 YUP. 1193 00:50:01,967 --> 00:50:04,133 AND YOUR BULLSHIT IS CONSIDERABLE. 1194 00:50:04,167 --> 00:50:06,067 THIS IS COMING FROM SOMEONE WHO KNOWS? 1195 00:50:06,100 --> 00:50:08,767 I DO RECOGNIZE SOMETHING ABOUT IT OBVIOUSLY. 1196 00:50:08,800 --> 00:50:10,400 SOMETHING FAMILIAR. 1197 00:50:10,433 --> 00:50:12,133 SOMETHING FAMILIAR, YES. 1198 00:50:12,167 --> 00:50:14,000 I CAN SAY IT'S FAMILIAR. 1199 00:50:14,033 --> 00:50:15,733 BUT THE DIFFERENCE IS, 1200 00:50:15,767 --> 00:50:18,300 AND THIS MAY BE JUST CHRONOLOGICAL... 1201 00:50:18,333 --> 00:50:19,333 YEAH? 1202 00:50:19,367 --> 00:50:21,167 BUT I DOUBT IT. 1203 00:50:21,200 --> 00:50:23,167 THE DIFFERENCE SEEMS TO BE THAT 1204 00:50:23,200 --> 00:50:26,833 UNDERNEATH MY BULLSHIT IS A REALITY 1205 00:50:26,867 --> 00:50:28,767 THAT CAN COME TO THE SURFACE 1206 00:50:28,800 --> 00:50:31,433 WHEN IT IS ENGAGING ANOTHER HUMAN BEING. 1207 00:50:31,467 --> 00:50:33,267 UNDERNEATH YOUR BULLSHIT 1208 00:50:33,300 --> 00:50:36,533 THERE SEEMS TO BE MORE BULLSHIT. 1209 00:50:36,567 --> 00:50:38,667 WHEN I TIE IT AROUND YOUR WRIST 1210 00:50:38,700 --> 00:50:41,567 YOU MAKE A WISH TO YOURSELF. 1211 00:50:41,600 --> 00:50:44,667 AND YOU WEAR IT UNTIL IT FALLS OFF 1212 00:50:44,700 --> 00:50:47,600 AND THEN YOUR WISH WILL COME TRUE. 1213 00:50:47,633 --> 00:50:50,333 UNDERNEATH YOUR BULLSHIT IS THERE SOMEBODY REAL? 1214 00:50:50,367 --> 00:50:52,600 THERE'S SOMEBODY REAL WHO HAPPENS TO THINK 1215 00:50:52,633 --> 00:50:54,700 THAT THE BULLSHIT IS SO INTERESTING 1216 00:50:54,733 --> 00:50:56,067 THAT HE CAN'T GET RID OF IT. 1217 00:50:56,100 --> 00:50:57,500 OH, YOU'VE LEARNED THAT THIS BULLSHIT 1218 00:50:57,533 --> 00:50:58,800 IS INTERESTING. 1219 00:50:58,833 --> 00:51:01,400 IMAGINATIVE BULLSHIT DOESN'T SMELL AS BADLY. 1220 00:51:01,433 --> 00:51:04,467 AH, DON'T BE CUTE WITH ME. 1221 00:51:04,500 --> 00:51:06,533 YOU DON'T TRUST THAT UNDERNEATH YOUR BULLSHIT 1222 00:51:06,567 --> 00:51:08,433 WHAT YOU'VE REALLY GOT IS INTERESTING, 1223 00:51:08,467 --> 00:51:10,200 THAT ANYBODY'S GOING TO GIVE A SHIT, RIGHT? 1224 00:51:10,233 --> 00:51:12,233 I HAVE TO BITE THIS OFF... 1225 00:51:18,767 --> 00:51:20,500 TELL ME ABOUT LUCY. 1226 00:51:20,533 --> 00:51:21,900 IT'S PRIVATE. 1227 00:51:21,933 --> 00:51:24,333 I'M INTERESTED IN WHAT YOU'RE DOING TO LUCY. 1228 00:51:24,367 --> 00:51:27,467 WHY DO YOU DO THIS BULLSHIT WITH LUCY? 1229 00:51:27,500 --> 00:51:29,633 I DON'T KNOW. 1230 00:51:29,667 --> 00:51:31,667 IT SEEMS TO ME THAT YOU'RE SAYING TO ME, 1231 00:51:31,700 --> 00:51:33,767 IF I UNDERSTAND YOU CORRECTLY, THAT 1232 00:51:33,800 --> 00:51:36,933 YOU'RE AFRAID IF YOU LET PEOPLE SEE WHO YOU ARE 1233 00:51:36,967 --> 00:51:39,233 THEY'RE GOING TO SEE THAT NOBODY'S THERE... 1234 00:51:39,267 --> 00:51:41,667 OR WHOEVER'S THERE ISN'T WORTH ANYTHING. 1235 00:51:41,700 --> 00:51:43,067 NOT THAT NOBODY'S THERE, 1236 00:51:43,100 --> 00:51:45,200 I'M SURE SOMEBODY'S THERE, THAT THE PERSON 1237 00:51:45,233 --> 00:51:47,700 THAT'S THERE IS CORRUPT AND IS BAD. 1238 00:51:47,733 --> 00:51:50,867 YOU THINK YOU'RE BAD? 1239 00:51:50,900 --> 00:51:57,067 I DON'T KNOW BAD, BUT, YEAH, MAYBE IT IS BAD. 1240 00:51:57,100 --> 00:51:59,467 YOU REALLY BELIEVE YOU'RE BAD IN SOME WAY? 1241 00:51:59,500 --> 00:52:00,500 YES. 1242 00:52:00,533 --> 00:52:01,700 WHAT WAY? 1243 00:52:01,733 --> 00:52:04,133 WHAT ARE YOU AFRAID WILL SHOW UNDERNEATH? 1244 00:52:04,167 --> 00:52:06,800 YOU'RE SAYING SOMETHING NEGATIVE WILL SHOW. 1245 00:52:06,833 --> 00:52:08,167 DARK. 1246 00:52:08,200 --> 00:52:10,267 DARK? IT'S OBVIOUSLY VERY APPEALING 1247 00:52:10,300 --> 00:52:12,267 ON A CERTAIN LEVEL TO WOMEN, THAT DARKNESS, 1248 00:52:12,300 --> 00:52:14,467 AND YOU KNOW THAT AND YOU USE IT. 1249 00:52:14,500 --> 00:52:16,600 BUT WHEN WOMEN ARE ATTRACTED TO ME 1250 00:52:16,633 --> 00:52:18,400 IT'S NOT FOR THE DARKNESS, 1251 00:52:18,433 --> 00:52:20,167 IT'S FOR WHAT THEY CONSIDER TO BE LIGHT. 1252 00:52:20,200 --> 00:52:21,900 BUT THEY'RE NOT SEEING YOU. 1253 00:52:21,933 --> 00:52:24,200 RIGHT, I THINK THAT HAS SOMETHING TO DO WITH 1254 00:52:24,233 --> 00:52:26,333 WHY THERE'S SO MUCH MISTREATMENT GOING ON 1255 00:52:26,367 --> 00:52:28,767 FROM ME TO PEOPLE I FEEL MISUNDERSTAND ME 1256 00:52:28,800 --> 00:52:30,500 OR DON'T UNDERSTAND ME. 1257 00:52:30,533 --> 00:52:33,500 OR AREN'T GETTING WHAT I FEEL MYSELF TO BE 1258 00:52:33,533 --> 00:52:35,067 SO I PUNISH THEM. 1259 00:52:35,100 --> 00:52:36,900 DOES THAT HAVE ANYTHING TO DO WITH THE REASON 1260 00:52:36,933 --> 00:52:38,600 SHE'S GOING TO CALIFORNIA? 1261 00:52:38,633 --> 00:52:40,100 I IMAGINE IT DOES. WHETHER SHE WANTS TO 1262 00:52:40,133 --> 00:52:41,633 TELL ME THAT OR NOT IS UP TO HER. 1263 00:52:41,667 --> 00:52:43,033 HAS SHE TOLD YOU THAT? 1264 00:52:43,067 --> 00:52:44,767 YEAH, SHE'S TOLD ME THAT. 1265 00:52:44,800 --> 00:52:46,600 THAT HAS SOMETHING TO DO WITH IT? 1266 00:52:46,633 --> 00:52:48,467 WELL, SURE. I MEAN, WHAT DID YOU THINK? 1267 00:52:48,500 --> 00:52:50,600 I DON'T KNOW. I DON'T KNOW HER. 1268 00:52:50,633 --> 00:52:52,600 I JUST WALKED INTO HER SITUATION HERE 1269 00:52:52,633 --> 00:52:54,933 AND I'M SEEING SOMETHING VERY FRAUGHT. 1270 00:52:54,967 --> 00:52:57,300 DO YOU MIND MY ASKING YOU THESE QUESTIONS? 1271 00:52:57,333 --> 00:52:58,967 NOT REALLY. 1272 00:52:59,000 --> 00:53:01,300 I DON'T KNOW WHAT YOU'RE GETTING OUT OF IT. 1273 00:53:01,333 --> 00:53:03,100 WHY DO YOU CARE? 1274 00:53:03,133 --> 00:53:05,300 I DON'T KNOW, I'M TRYING TO UNDERSTAND- 1275 00:53:05,333 --> 00:53:07,567 THESE PEOPLE ARE GOING TO BE OUT OF YOUR LIFE 1276 00:53:07,600 --> 00:53:09,933 SO WHY DO YOU HAVE TO UNDERSTAND THEM? 1277 00:53:09,967 --> 00:53:12,533 I'M A WRITER SO I LIKE TO TRY TO UNDERSTAND 1278 00:53:12,567 --> 00:53:14,733 HUMAN BEHAVIOR. 1279 00:53:14,767 --> 00:53:17,567 SHE'S AN EXTREMELY TALENTED GIRL. 1280 00:53:17,600 --> 00:53:19,500 AND MORE THAN THAT, SHE'S APPROACHING 1281 00:53:19,533 --> 00:53:21,333 THE TIME WHEN SHE REALLY IS GOING TO NEED 1282 00:53:21,367 --> 00:53:23,733 ALL THE SUPPORT NECESSARY TO MAKE A DECISION 1283 00:53:23,767 --> 00:53:26,233 TO HAVE A CAREER AND NOT TO DO THIS 1284 00:53:26,267 --> 00:53:28,667 MICKEY MOUSE BUSINESS SHE'S BEEN DOING. 1285 00:53:28,700 --> 00:53:30,367 THE LITTLE VOICES ARE GREAT, 1286 00:53:30,400 --> 00:53:32,400 SHE'S MAKING ABOUT A GRAND A WEEK. 1287 00:53:32,433 --> 00:53:34,333 WHEN I TALK TO A MAN, LIKE YOU, 1288 00:53:34,367 --> 00:53:36,500 IF YOU'RE NICE TO ME OR YOU GIVE ME SOMETHING 1289 00:53:36,533 --> 00:53:38,233 I WANT TO GIVE YOU SOMETHING BACK 1290 00:53:38,267 --> 00:53:39,733 BUT IT'S GOING TO BE A PAT ON THE BACK 1291 00:53:39,767 --> 00:53:42,367 OR A BOOK OR A BEER OR SOMETHING LIKE THAT. 1292 00:53:42,400 --> 00:53:44,000 WHEN A GIRL IS NICE TO ME 1293 00:53:44,033 --> 00:53:47,133 I WANT TO GIVE A KISS, OR SEX. 1294 00:53:47,167 --> 00:53:49,467 THAT'S THE WAY I LEARNED HOW TO PAY BACK. 1295 00:53:49,500 --> 00:53:52,000 IT'S A NERVOUS REACTION. 1296 00:53:52,033 --> 00:53:54,233 KISSING SOMEBODY'S A NERVOUS REACTION? 1297 00:53:54,267 --> 00:53:55,600 IN A WAY. 1298 00:53:55,633 --> 00:53:57,433 I DON'T KNOW THE WORD FOR IT. 1299 00:53:57,467 --> 00:53:59,167 IT'S A CONFUSION. 1300 00:53:59,200 --> 00:54:01,133 WHERE DO THINGS GO FURTHER? 1301 00:54:01,167 --> 00:54:02,800 HOW DO YOU GET CLOSER? 1302 00:54:02,833 --> 00:54:04,667 WHEN DO YOU STOP TALKING? 1303 00:54:04,700 --> 00:54:06,300 WHEN DO YOU KEEP TALKING? 1304 00:54:06,333 --> 00:54:07,567 I SEE. 1305 00:54:07,600 --> 00:54:08,733 DO YOU SEE? 1306 00:54:08,767 --> 00:54:10,633 YOU STILL THINK IT'S BULLSHIT. 1307 00:54:10,667 --> 00:54:12,200 I CAN TELL BECAUSE... 1308 00:54:12,233 --> 00:54:13,533 YEAH, A LITTLE BIT. 1309 00:54:13,567 --> 00:54:15,500 YOU MAY THINK IT'S REAL, 1310 00:54:15,533 --> 00:54:17,733 YOU MAY BE IN MORE TROUBLE THAN I REALIZED. 1311 00:54:17,767 --> 00:54:19,033 WHAT DO YOU DO? 1312 00:54:19,067 --> 00:54:20,433 I WRITE TOO. 1313 00:54:20,467 --> 00:54:22,700 YOU WRITE TOO? WHAT DO YOU WRITE? 1314 00:54:22,733 --> 00:54:25,567 I'VE WRITTEN POETRY AND I WRITE FICTION. 1315 00:54:25,600 --> 00:54:28,067 SENSITIVE POETRY YOU CAN GIVE TO WOMEN? 1316 00:54:28,100 --> 00:54:31,633 AS SEDUCTION? POETRY SEDUCTION? 1317 00:54:31,667 --> 00:54:34,633 YOU'VE DONE YOUR SHARE OF POETRY SEDUCTION, 1318 00:54:34,667 --> 00:54:36,133 HAVEN'T YOU? 1319 00:54:36,167 --> 00:54:37,767 IT HAS BEEN USED, YES. 1320 00:54:37,800 --> 00:54:40,900 WHAT? DON'T GIVE ME BULLSHIT. 1321 00:54:40,933 --> 00:54:43,533 YOU'RE GIVING THEN YOU'RE WITHHOLDING. 1322 00:54:43,567 --> 00:54:45,433 WHAT IS THAT? 1323 00:54:45,467 --> 00:54:47,800 IT WAS A LINE, IT WAS A SEDUCTION. 1324 00:54:47,833 --> 00:54:50,467 "BEST POEMS ARE IN THE BARROOMS". 1325 00:54:50,500 --> 00:54:51,933 WHO WERE YOU SEDUCING 1326 00:54:51,967 --> 00:54:54,067 WHEN YOU WERE GIVING ME THAT LINE? 1327 00:54:54,100 --> 00:54:55,300 YOU. 1328 00:54:55,333 --> 00:54:57,033 I THOUGHT YOU DON'T SEDUCE MEN. 1329 00:54:57,067 --> 00:54:58,233 IN A DIFFERENT WAY. 1330 00:54:58,267 --> 00:54:59,533 HOW? 1331 00:54:59,567 --> 00:55:01,700 WITHOUT THE KISS. 1332 00:55:01,733 --> 00:55:03,133 YUP. 1333 00:55:03,167 --> 00:55:06,333 I GOTTA SHOW YOU THIS. 1334 00:55:06,367 --> 00:55:09,600 OKAY, LET'S SEE. 1335 00:55:09,633 --> 00:55:11,733 THAT'S MY WISH PICTURE. 1336 00:55:11,767 --> 00:55:13,467 IT'S A NICE PICTURE. 1337 00:55:13,500 --> 00:55:15,600 THAT'S WHAT I WANT TO LOOK LIKE 1338 00:55:15,633 --> 00:55:19,067 WITH MY OWN CHILD IN A YEAR AND A HALF. 1339 00:55:19,100 --> 00:55:21,267 IN A YEAR AND A HALF? 1340 00:55:21,300 --> 00:55:23,600 WELL, THAT BABY'S ABOUT SIX MONTHS OLD, 1341 00:55:23,633 --> 00:55:25,867 SO A YEAR AND A HALF, YEAH. 1342 00:55:25,900 --> 00:55:30,033 I NEED YOUR SUPPORT AS MY BIG BROTHER 1343 00:55:30,067 --> 00:55:31,733 IF I'M GOING TO DO THIS. 1344 00:55:31,767 --> 00:55:33,500 YOU DIDN'T TELL ME... 1345 00:55:33,533 --> 00:55:35,233 YOU'VE GOT A BOYFRIEND? 1346 00:55:35,267 --> 00:55:38,733 NO. I'M GOING TO DO IT ON MY OWN. 1347 00:55:38,767 --> 00:55:41,300 LET ME SEE IF I GOT THIS. 1348 00:55:41,333 --> 00:55:43,300 TELL ME IF I GOT THIS, OKAY? 1349 00:55:43,333 --> 00:55:45,600 YOU'RE ANGRY AT THEM BECAUSE THEY DON'T SEE 1350 00:55:45,633 --> 00:55:47,433 WHO YOU REALLY ARE UNDERNEATH THEREFORE 1351 00:55:47,467 --> 00:55:49,567 YOU DON'T SHOW THEM WHO YOU ARE UNDERNEATH 1352 00:55:49,600 --> 00:55:51,067 AS A PUNISHMENT AGAINST THEM 1353 00:55:51,100 --> 00:55:53,933 NOT BEING ABLE TO SEE WHO YOU ARE UNDERNEATH. 1354 00:55:53,967 --> 00:55:56,800 SOMETHING LIKE THAT BUT NOT THAT CHRONOLOGICAL. 1355 00:55:56,833 --> 00:55:58,500 TELL ME ABOUT YOUR MOTHER. 1356 00:55:58,533 --> 00:56:00,500 TELL YOU ABOUT MY MOTHER? 1357 00:56:00,533 --> 00:56:02,233 TELL ME ABOUT YOUR MOTHER. 1358 00:56:02,267 --> 00:56:04,233 TELL ME ABOUT YOUR RELATIONSHIP 1359 00:56:04,267 --> 00:56:05,533 WITH YOUR MOTHER. 1360 00:56:05,567 --> 00:56:07,333 THIS MUST START WITH YOUR MOTHER, NO? 1361 00:56:07,367 --> 00:56:08,733 SURE, DOESN'T YOURS? 1362 00:56:08,767 --> 00:56:10,233 WE'RE NOT TALKING ABOUT ME. 1363 00:56:10,267 --> 00:56:11,567 I KNOW AND IT'S BOTHERING ME 1364 00:56:11,600 --> 00:56:13,167 THAT WE'RE NOT TALKING ABOUT YOU. 1365 00:56:13,200 --> 00:56:14,500 YOU WANT TO TALK ABOUT ME? 1366 00:56:14,533 --> 00:56:16,000 WE'LL TALK ABOUT ME NEXT. 1367 00:56:16,033 --> 00:56:18,233 YOU REALLY WANT TO TALK ABOUT YOU, DON'T YOU? 1368 00:56:18,267 --> 00:56:19,733 TELL THE TRUTH. 1369 00:56:19,767 --> 00:56:21,067 SURE. 1370 00:56:21,100 --> 00:56:22,867 OKAY, WE BOTH WANT TO TALK ABOUT YOU 1371 00:56:22,900 --> 00:56:24,433 SO WE'RE IN AGREEMENT. 1372 00:56:24,467 --> 00:56:26,467 TELL ME ABOUT YOUR MOTHER. 1373 00:56:28,033 --> 00:56:30,133 I CAN'T WAIT ANYMORE. 1374 00:56:30,167 --> 00:56:32,400 I GOTTA DO IT. I JUST HAVE TO DO IT. 1375 00:56:32,433 --> 00:56:34,800 THE RELATIONSHIPS AREN'T WORKING OUT AND 1376 00:56:34,833 --> 00:56:38,067 I CAN'T WAIT AROUND FOR ONE TO TRY TO HAPPEN. 1377 00:56:38,100 --> 00:56:40,033 I'M GOING TO DO IT ALONE. 1378 00:56:40,067 --> 00:56:43,567 I GOTTA BE A MOM. 1379 00:56:43,600 --> 00:56:46,067 MY MOTHER'S VERY OVERPROTECTIVE. 1380 00:56:46,100 --> 00:56:48,867 SHE'S STILL VERY MUCH IN MY LIFE 1381 00:56:48,900 --> 00:56:50,700 WHICH IS A PROBLEM. 1382 00:56:50,733 --> 00:56:56,567 I'M NOT ABLE TO MAKE THE TRANSITION FROM BEING 1383 00:56:56,600 --> 00:57:01,233 AN ADOLESCENT OR SOMEBODY WHO'S SHELTERED 1384 00:57:01,267 --> 00:57:04,233 BY THEIR MOTHER INTO A RELATIONSHIP WHERE 1385 00:57:04,267 --> 00:57:08,000 I CAN TREAT HER AS A FRIEND OR AS AN ADULT. 1386 00:57:08,033 --> 00:57:11,267 AND WE'RE BOTH GUILTY OF NOT BEING ABLE TO DO THIS 1387 00:57:11,300 --> 00:57:13,667 AND IT SEEMS TO ME THAT IT'S FUCKING UP 1388 00:57:13,700 --> 00:57:15,533 MY RELATIONSHIPS WITH WOMEN. 1389 00:57:15,567 --> 00:57:18,400 NOWADAYS MOST FAMILIES DIVORCE AND THERE'S 1390 00:57:18,433 --> 00:57:21,300 SINGLE PARENTS WITH A LOT OF STRIFE. 1391 00:57:21,333 --> 00:57:23,133 THIS WAY IT WOULD BE A SINGLE PARENT 1392 00:57:23,167 --> 00:57:24,633 FROM THE BEGINNING. 1393 00:57:24,667 --> 00:57:27,433 WITHOUT THE DIVORCE AND THE MESS IN THE MIDDLE. 1394 00:57:27,467 --> 00:57:29,667 DON'T FORGET WHAT HAPPENED TO US. 1395 00:57:29,700 --> 00:57:31,767 MAMA LEFT WHEN I WAS TEN. 1396 00:57:31,800 --> 00:57:34,167 THAT WASN'T FAIR. 1397 00:57:34,200 --> 00:57:37,100 PAPA WAS NOT A GOOD MOTHER. 1398 00:57:37,133 --> 00:57:38,967 THAT'S WHY I'M SUCH A GOOD MOTHER. 1399 00:57:39,000 --> 00:57:41,733 I HAD TO TAKE UP THE SLACK. 1400 00:57:41,767 --> 00:57:43,733 AND WE DID OKAY. 1401 00:57:43,767 --> 00:57:45,633 WE COULD HAVE DONE BETTER MAYBE 1402 00:57:45,667 --> 00:57:47,767 IF SHE'D BEEN AROUND. 1403 00:57:47,800 --> 00:57:51,133 MAYBE THIS CHILD SHOULD HAVE A REAL FATHER 1404 00:57:51,167 --> 00:57:53,633 INSTEAD OF SOME KIND OF MYSTERY MAN. 1405 00:57:53,667 --> 00:57:55,633 HE'LL HAVE HIS UNCLE MARLIN. 1406 00:57:55,667 --> 00:57:57,400 YEAH? 1407 00:57:57,433 --> 00:58:00,200 ARE YOU SEDUCTIVE WITH YOUR MOTHER? 1408 00:58:00,233 --> 00:58:02,600 I IMAGINE I AM, YEAH. 1409 00:58:02,633 --> 00:58:04,867 IS SHE SEDUCTIVE WITH YOU? 1410 00:58:04,900 --> 00:58:07,367 I THINK SO, PROBABLY. 1411 00:58:07,400 --> 00:58:09,200 I THINK THAT ALL SONS ARE SEDUCTIVE 1412 00:58:09,233 --> 00:58:11,533 WITH THEIR MOTHERS AND VICE VERSA. 1413 00:58:11,567 --> 00:58:13,433 ARE YOU DARK WITH YOUR MOTHER? 1414 00:58:13,467 --> 00:58:15,333 YES. I SHOW HER ONLY THAT SIDE. 1415 00:58:15,367 --> 00:58:17,367 YOU ONLY SHOW HER THE DARK SIDE? 1416 00:58:17,400 --> 00:58:19,100 HOW DOES SHE RESPOND? 1417 00:58:19,133 --> 00:58:20,900 I GUESS SHE APPROVES OF IT. 1418 00:58:20,933 --> 00:58:22,867 I GUESS THAT'S PART OF IT. 1419 00:58:22,900 --> 00:58:24,867 MY MOTHER READS DARKNESS AS DEPTH. 1420 00:58:24,900 --> 00:58:27,033 IF YOU'RE DOWN, IF YOU'RE BROODING, 1421 00:58:27,067 --> 00:58:29,500 IT'S PERHAPS A PROFUNDITY. 1422 00:58:29,533 --> 00:58:31,900 BROODING, AT LEAST SHE'LL GIVE ME THE 1423 00:58:31,933 --> 00:58:34,933 BENEFIT OF THE DOUBT, YOU KNOW. 1424 00:58:40,933 --> 00:58:43,233 MY SPIRITUAL TEACHER TOLD ME THAT I CAN 1425 00:58:43,267 --> 00:58:46,733 EITHER BE IN LOVE OR I CAN BE IN FEAR. 1426 00:58:46,767 --> 00:58:49,067 AND WHICH IS IT? 1427 00:58:49,100 --> 00:58:52,033 WELL, RIGHT NOW I'M IN FEAR. 1428 00:58:52,067 --> 00:58:53,700 YOU KNOW WHEN YOU SEE SOMEBODY 1429 00:58:53,733 --> 00:58:56,367 BREAKING A CEMENT BRICK WITH THEIR HAND? 1430 00:58:56,400 --> 00:58:58,400 THEY THINK RIGHT THROUGH THE PAIN. 1431 00:58:58,433 --> 00:59:01,033 SO YOU HAVE TO DO EXACTLY THE SAME THING. 1432 00:59:01,067 --> 00:59:03,067 IT'LL WORK OUT BUT YOU HAVE TO HAVE 1433 00:59:03,100 --> 00:59:05,333 CONFIDENCE ENOUGH TO GET THROUGH IT ALL. 1434 00:59:05,367 --> 00:59:07,167 AND TONIGHT YOU SHOULD ENJOY YOURSELF, 1435 00:59:07,200 --> 00:59:09,233 IT'S A PARTY. 1436 00:59:09,267 --> 00:59:12,533 TAKE A DRINK, SEE ME IN THE MORNING. 1437 00:59:12,567 --> 00:59:15,067 I MEET PEOPLE, I MEET PEOPLE ON THE STREET. 1438 00:59:15,100 --> 00:59:18,200 YOU MEAN IF I STOPPED YOU ON THE STREET 1439 00:59:18,233 --> 00:59:19,933 YOU WOULD TALK TO ME? 1440 00:59:19,967 --> 00:59:21,233 I MIGHT. 1441 00:59:21,267 --> 00:59:24,067 I DID IN 1983 ON 57TH STREET AND THEN I WENT 1442 00:59:24,100 --> 00:59:27,467 TO EUROPE, HE SENT ME A ROUND-TRIP TICKET. 1443 00:59:27,500 --> 00:59:29,667 YOU KNOW WHAT I'M ALSO GOING TO GET RID OF? 1444 00:59:29,700 --> 00:59:30,800 CALL WAITING. 1445 00:59:30,833 --> 00:59:31,633 CALL WAITING? 1446 00:59:31,667 --> 00:59:32,533 YEAH. 1447 00:59:32,567 --> 00:59:33,933 WHY? 1448 00:59:33,967 --> 00:59:35,533 IT'S A DEPENDENCY. 1449 00:59:35,567 --> 00:59:38,800 IT PUTS MY LIFE INTO DIFFERENT, LIKE, 1450 00:59:38,833 --> 00:59:40,333 STRANGE PRIORITIES. 1451 00:59:40,367 --> 00:59:42,567 BUT WHAT IF YOU HAVE AN IMPORTANT CALL? 1452 00:59:42,600 --> 00:59:44,600 THERE'S NO SUCH THING AS AN IMPORTANT CALL. 1453 00:59:44,633 --> 00:59:46,067 WHY DID YOU GET ME HERE? 1454 00:59:46,100 --> 00:59:48,167 BECAUSE I DON'T WANT YOU TO BE ANGRY. 1455 00:59:48,200 --> 00:59:50,400 I WOULDN'T HAVE DONE ANYTHING IF YOU HADN'T 1456 00:59:50,433 --> 00:59:52,533 TOLD ME THE TWO OF YOU WEREN'T TOGETHER. 1457 00:59:52,567 --> 00:59:54,133 COME ON, MARJORIE, GIVE ME A BREAK. 1458 00:59:54,167 --> 00:59:56,600 YOU KNOW HOW LONG WILLIAM AND I HAVE BEEN TOGETHER 1459 00:59:56,633 --> 00:59:58,300 AND HOW LONG WE HAVEN'T. 1460 00:59:58,333 --> 01:00:00,033 IT'S A TOTALLY USELESS ARGUMENT. 1461 01:00:00,067 --> 01:00:01,533 WHAT DO YOU MEAN? 1462 01:00:01,567 --> 01:00:03,633 IT'S ABSURD. HOW COULD YOU DO THIS TO ME? 1463 01:00:03,667 --> 01:00:05,233 YOU'RE SUPPOSED TO BE MY FRIEND! 1464 01:00:05,267 --> 01:00:06,800 I AM YOUR FRIEND. 1465 01:00:06,833 --> 01:00:08,800 YOU HAVE A VERY NICE WAY OF SHOWING IT. 1466 01:00:08,833 --> 01:00:10,433 I NEED MORE FRIENDS LIKE YOU. 1467 01:00:10,467 --> 01:00:12,400 YOU KNOW WHO YOU LOOK LIKE, DON'T YOU? 1468 01:00:12,433 --> 01:00:14,033 LOUISE BROOKS? 1469 01:00:14,067 --> 01:00:15,933 THE SILENT FILM STAR, LOUISE BROOKS. 1470 01:00:15,967 --> 01:00:17,767 YOU LOOK JUST LIKE HER. 1471 01:00:17,800 --> 01:00:19,033 DO I? 1472 01:00:19,067 --> 01:00:21,533 YOU WERE BORN ABOUT 50 YEARS TOO LATE. 1473 01:00:21,567 --> 01:00:23,467 BUT FOR ME IT'S PERFECT. 1474 01:00:23,500 --> 01:00:25,033 JUST FORGET IT, OKAY? 1475 01:00:25,067 --> 01:00:28,300 IT'S OVER, IT WON'T HAPPEN. 1476 01:00:28,333 --> 01:00:31,400 WHAT I CAME HERE TO DO 1477 01:00:31,433 --> 01:00:34,400 IS TO GIVE YOU A WISH BRACELET. 1478 01:00:34,433 --> 01:00:36,133 KEEP YOUR FUCKING WISH BRACELET, MY DARLING, 1479 01:00:36,167 --> 01:00:38,167 OR GIVE IT TO SOMEBODY THAT YOU CARE ABOUT. 1480 01:01:06,600 --> 01:01:08,967 THE TWO OF YOU TOGETHER IS LIKE THE ODD COUPLE, 1481 01:01:09,000 --> 01:01:10,467 YOU KNOW? 1482 01:01:10,500 --> 01:01:14,167 I MEAN, HOW DID YOU MEET THIS DOCTOR? 1483 01:01:14,200 --> 01:01:16,367 I DON'T CARE ABOUT SEX! 1484 01:01:16,400 --> 01:01:19,533 THAT'S JUST IT THAT YOU DON'T CARE ABOUT SEX! 1485 01:01:19,567 --> 01:01:21,500 I'M NOT INTERESTED IN SEX. 1486 01:01:21,533 --> 01:01:23,533 I KNOW, WHY DO YOU THINK I'M INTERESTED 1487 01:01:23,567 --> 01:01:25,667 IN DOING THERAPY WITH YOU? 1488 01:01:25,700 --> 01:01:27,433 BECAUSE I'LL HAVE THE PLEASURE OF 1489 01:01:27,467 --> 01:01:29,400 SEEING YOU APPRECIATE SEX. 1490 01:01:29,433 --> 01:01:31,300 I DON'T WANT SEX NOW! 1491 01:01:31,333 --> 01:01:32,900 I'LL SEE YOU COMPLETELY CURED 1492 01:01:32,933 --> 01:01:35,000 AND I'LL GO ON WITH ANOTHER CASE OF MINE. 1493 01:01:35,033 --> 01:01:37,633 YOU'LL HAVE SEX WITH ME THEN LEAVE ME? 1494 01:01:37,667 --> 01:01:38,933 YOU'LL ABANDON ME? 1495 01:01:38,967 --> 01:01:40,500 I ANSWERED A PERSONAL AD... 1496 01:01:40,533 --> 01:01:42,200 HE PUT OUT A PERSONAL? 1497 01:01:42,233 --> 01:01:44,067 YES, HE DID AND I ANSWERED IT. 1498 01:01:44,100 --> 01:01:45,800 IT WOULD IMMEDIATELY SOLVE YOUR PROBLEMS, 1499 01:01:45,833 --> 01:01:47,500 IT'S NOT THOSE DRAWN OUT, 1500 01:01:47,533 --> 01:01:49,267 NONSENSICAL INTROSPECTIVE THERAPIES. 1501 01:01:49,300 --> 01:01:51,133 QUICK DIRECT ACTION THERAPY. 1502 01:01:51,167 --> 01:01:52,900 HOW LONG WOULD IT TAKE? 1503 01:01:52,933 --> 01:01:54,967 I'M TAKING AN AD OUT TOMORROW, 1504 01:01:55,000 --> 01:01:56,600 ARE YOU SERIOUS? 1505 01:01:56,633 --> 01:01:58,433 LOOK, I DON'T WANT TO JERK YOU AROUND. 1506 01:01:58,467 --> 01:02:00,933 I DELIVER THE GROCERIES. 1507 01:02:00,967 --> 01:02:02,700 I WORK FOR THEIR GROCERY STORE. 1508 01:02:02,733 --> 01:02:04,000 DID YOU BRING A RUBBER? 1509 01:02:04,033 --> 01:02:06,500 A WHAT? 1510 01:02:06,533 --> 01:02:08,433 ANTHONY, DON'T BULLSHIT ME. 1511 01:02:08,467 --> 01:02:10,267 DID YOU BRING A RUBBER? 1512 01:02:10,300 --> 01:02:11,767 DID I BRING A RUBBER? 1513 01:02:11,800 --> 01:02:13,367 IS THERE AN ECHO IN HERE? 1514 01:02:13,400 --> 01:02:15,500 UH, NO, I DIDN'T BRING A RUBBER. 1515 01:02:15,533 --> 01:02:16,900 ARE YOU KIDDING? 1516 01:02:16,933 --> 01:02:18,567 SO WE'LL STOP ON THE WAY HOME. 1517 01:02:18,600 --> 01:02:20,167 YOU'RE GOING HOME WITH ME? 1518 01:02:20,200 --> 01:02:22,467 WE DEFINITELY DO HAVE AN ECHO IN HERE. YEAH. 1519 01:02:22,500 --> 01:02:24,933 I'M JUST NOT USED TO SOMEONE 1520 01:02:24,967 --> 01:02:26,900 BEING THAT FORWARD WITH ME, YOU KNOW? 1521 01:02:26,933 --> 01:02:29,333 DIDN'T I ASK WHAT YOU'RE DOING AFTER THIS? 1522 01:02:29,367 --> 01:02:32,067 HANG OUT AND HAVE A DRINK OR SOMETHING. 1523 01:02:32,100 --> 01:02:33,633 A LITERATE, INTELLIGENT- 1524 01:02:33,667 --> 01:02:35,100 ILLITERATE? 1525 01:02:35,133 --> 01:02:36,800 OH, A LITERATE GENTLEMAN. 1526 01:02:36,833 --> 01:02:38,333 INTELLIGENT, CULTURED... 1527 01:02:38,367 --> 01:02:39,433 THAT'S ME. 1528 01:02:39,467 --> 01:02:40,567 GENTLE... 1529 01:02:40,600 --> 01:02:41,933 THAT'S ME. 1530 01:02:41,967 --> 01:02:45,033 GEE WHIZ, I COULD TAKE AN AD OUT. 1531 01:02:45,067 --> 01:02:48,033 COME ON, START THE NEW YEAR'S OFF WITH A POP. 1532 01:02:48,067 --> 01:02:49,267 YOU SERIOUS? 1533 01:02:49,300 --> 01:02:51,200 OH, HI DR. STADTHAGEN. 1534 01:02:51,233 --> 01:02:53,000 I SEE YOU KNOW MY NAME. 1535 01:02:53,033 --> 01:02:54,667 AS A MATTER OF FACT I HEARD MY NAME 1536 01:02:54,700 --> 01:02:56,300 BEING MENTIONED. 1537 01:02:56,333 --> 01:02:58,833 I AM FASCINATED BY THE STORY OF HOW YOU MET. 1538 01:02:58,867 --> 01:03:00,867 WHAT? AND YOU ALWAYS TELL ME 1539 01:03:00,900 --> 01:03:03,033 NOT TO TELL PEOPLE ABOUT IT? 1540 01:03:03,067 --> 01:03:04,433 IT'S A GREAT STORY. 1541 01:03:04,467 --> 01:03:06,967 DO YOU REALIZE HOW VALUABLE YOU ARE TO ME? 1542 01:03:07,000 --> 01:03:08,900 WHY DO YOU THINK I'M PAYING WHAT I PAY YOU? 1543 01:03:08,933 --> 01:03:10,567 I KNOW I'M VALUABLE TO YOU. 1544 01:03:10,600 --> 01:03:12,767 SOME PEOPLE ARE VERY ASHAMED TO ADMIT IT. 1545 01:03:12,800 --> 01:03:15,367 I MET ONE MAN THROUGH THE PERSONALS WHO ONLY AGREED 1546 01:03:15,400 --> 01:03:19,533 TO MEET ME IN A PLACE WHERE THEN HE COULD SAY 1547 01:03:19,567 --> 01:03:22,067 AFTERWARDS IF ANYBODY ASKED US WHERE WE MET 1548 01:03:22,100 --> 01:03:25,433 WE WOULD SAY WE MET AT THE CARNEGIE HALL BOX OFFICE 1549 01:03:25,467 --> 01:03:26,900 BUYING TICKETS. 1550 01:03:26,933 --> 01:03:29,333 YOU'RE A LOVELY WOMAN, YOU KNOW THAT? 1551 01:03:29,367 --> 01:03:31,933 HAD YOU EVER DONE THIS BEFORE? 1552 01:03:31,967 --> 01:03:34,233 OH, YES, I'VE DONE THIS BEFORE BUT I DON'T HAVE 1553 01:03:34,267 --> 01:03:36,800 AN ORDINARY REASON FOR DOING IT. 1554 01:03:36,833 --> 01:03:38,000 YOU EXCITE THE HELL OUT OF ME. 1555 01:03:38,033 --> 01:03:39,667 I DO? REALLY? 1556 01:03:39,700 --> 01:03:41,200 I LOOK FORWARD TO COMING TO WORK. 1557 01:03:41,233 --> 01:03:42,267 REALLY? 1558 01:03:42,300 --> 01:03:43,600 I HAVE FANTASIES THAT MAYBE 1559 01:03:43,633 --> 01:03:45,000 WE'LL HAVE AN AFFAIR. 1560 01:03:45,033 --> 01:03:46,000 REALLY? 1561 01:03:46,033 --> 01:03:48,600 WHAT DO YOU THINK ABOUT IT? 1562 01:03:48,633 --> 01:03:50,567 WHY DO YOU SAY IT'S NOT THE ORDINARY REASON 1563 01:03:50,600 --> 01:03:52,000 FOR MEETING PEOPLE? 1564 01:03:52,033 --> 01:03:54,000 YOU WANT TO MEET PEOPLE BECAUSE YOU'RE LONELY. 1565 01:03:54,033 --> 01:03:55,800 WE WANT TO MEET PEOPLE BECAUSE WE'RE LONELY. 1566 01:03:55,833 --> 01:03:58,300 I'M SURPRISED THAT YOU DON'T KNOW ME 1567 01:03:58,333 --> 01:03:59,900 WELL ENOUGH... 1568 01:03:59,933 --> 01:04:02,267 TO KEEP THIS ILLUSION ABOUT MY BEING LONELY- 1569 01:04:02,300 --> 01:04:03,733 I'M NOT LONELY IN THE LEAST. 1570 01:04:03,767 --> 01:04:05,733 YOU'RE NEVER LONELY? 1571 01:04:05,767 --> 01:04:08,600 LET ME FEEL YOUR HAND. DOES BLOOD RUN THERE? 1572 01:04:08,633 --> 01:04:12,533 I LIKE YOU, I THINK YOU'RE A VERY NICE PERSON 1573 01:04:12,567 --> 01:04:15,067 AND I DON'T WANT TO HURT YOUR FEELINGS. 1574 01:04:15,100 --> 01:04:16,433 LOOK, YOU'VE GOT THE JOB 1575 01:04:16,467 --> 01:04:18,800 WHETHER YOU HAVE AN AFFAIR WITH ME OR NOT. 1576 01:04:18,833 --> 01:04:21,600 I COULDN'T POSSIBLY HAVE AN AFFAIR WITH YOU. 1577 01:04:21,633 --> 01:04:23,800 I DON'T HAVE AFFAIRS WITH MEN. 1578 01:04:23,833 --> 01:04:26,100 I BELIEVE, COMPLETELY CONTRARY TO THE CLASSICAL 1579 01:04:26,133 --> 01:04:28,400 PSYCHOANALYTIC POINT OF VIEW, 1580 01:04:28,433 --> 01:04:30,333 THAT YOU DON'T DETACH YOURSELF FROM PEOPLE 1581 01:04:30,367 --> 01:04:32,233 BUT THAT YOU ATTACH YOURSELF VERY MUCH 1582 01:04:32,267 --> 01:04:34,167 TO THE PEOPLE YOU GIVE THERAPY TO. 1583 01:04:34,200 --> 01:04:36,167 NOT LIKE THESE FALSE PSYCHIATRISTS WHO GAIN 1584 01:04:36,200 --> 01:04:38,400 CONTROL OVER PEOPLE AND THEN HAVE SEX WITH THEM, 1585 01:04:38,433 --> 01:04:40,333 SO I HAVE SEX WITH THE WOMEN FIRST 1586 01:04:40,367 --> 01:04:42,700 AND IF THEY'RE SUITABLE I HAVE THERAPY WITH THEM. 1587 01:04:42,733 --> 01:04:43,867 YOU LIKE KIDS? 1588 01:04:43,900 --> 01:04:47,233 KIDS? YEAH, I SUPPOSE. YEAH. 1589 01:04:47,267 --> 01:04:48,900 YOU WANT THEM SOMETIME? 1590 01:04:48,933 --> 01:04:50,833 YEAH, I DEFINITELY DO. 1591 01:04:50,867 --> 01:04:52,067 DEFINITELY? 1592 01:04:52,100 --> 01:04:53,800 I NEED TO PUT IN THESE ADS, I NEED TO 1593 01:04:53,833 --> 01:04:55,800 CONTINUE TO HAVE SEX WITH THESE WOMEN. 1594 01:04:55,833 --> 01:04:57,367 YES, BUT YOU DON'T KNOW WHY. 1595 01:04:57,400 --> 01:04:59,033 IT HAS NOTHING TO DO WITH MY WANTING TO 1596 01:04:59,067 --> 01:05:01,067 HAVE SEX WITH THEM, IT HAS NOTHING TO DO 1597 01:05:01,100 --> 01:05:02,867 WITH ANYTHING EMOTIONAL OR PHYSICAL. 1598 01:05:02,900 --> 01:05:04,467 IT HAS TO DO WITH THE FACT THAT 1599 01:05:04,500 --> 01:05:06,200 THAT HAS TO BE GOTTEN OVER WITH 1600 01:05:06,233 --> 01:05:07,667 SO THERE'S NOTHING INTERFERING WITH 1601 01:05:07,700 --> 01:05:09,467 THE THERAPY WORKING PROPERLY. 1602 01:05:09,500 --> 01:05:10,900 BUT YOUR HEART. .. 1603 01:05:10,933 --> 01:05:12,700 WHY ARE YOU TALKING ABOUT IRRELEVANT SUBJECTS? 1604 01:05:12,733 --> 01:05:14,467 I'M TALKING ABOUT A RATIONAL SYSTEM I HAVE. 1605 01:05:14,500 --> 01:05:16,533 THAT'S RIGHT, RATIONAL SYSTEM, ALL UP HERE. 1606 01:05:16,567 --> 01:05:19,600 THE IDEA IS TO GET THIS GOING A BIT MORE TOO, 1607 01:05:19,633 --> 01:05:20,733 YOU KNOW? 1608 01:05:20,767 --> 01:05:23,333 YOU'RE IN A VERY PRIMITIVE AND CHILDISH WAY JEALOUS, 1609 01:05:23,367 --> 01:05:24,667 AND THAT'S SO PREPOSTEROUS 1610 01:05:24,700 --> 01:05:26,467 EVEN TO THINK YOU'D BE JEALOUS. 1611 01:05:26,500 --> 01:05:27,933 I AM JEALOUS, BUT THERE'S NOTHING 1612 01:05:27,967 --> 01:05:29,533 WRONG WITH BEING JEALOUS. 1613 01:05:29,567 --> 01:05:31,067 I'M A PASSIONATE WOMAN, 1614 01:05:31,100 --> 01:05:33,100 THERE'S NOTHING WRONG WITH BEING JEALOUS! 1615 01:05:35,933 --> 01:05:37,100 HOW TALL ARE YOU? 1616 01:05:37,133 --> 01:05:39,967 6'1" WHY? 1617 01:05:40,000 --> 01:05:42,767 I'M SIX FOOT, I CAN NEVER FIND ANYBODY 1618 01:05:42,800 --> 01:05:45,933 TALL ENOUGH SO THAT'S ENCOURAGING. 1619 01:05:45,967 --> 01:05:47,300 TALL ENOUGH? 1620 01:05:47,333 --> 01:05:48,333 YEAH. 1621 01:05:54,667 --> 01:05:56,500 SO YOU MAKE A RESOLUTION? 1622 01:05:56,533 --> 01:06:01,533 WELL, YOU KNOW, WHAT I WANT FOR THIS YEAR 1623 01:06:01,567 --> 01:06:04,533 AND FOR EVERY YEAR FROM NOW ON IS 1624 01:06:04,567 --> 01:06:08,733 I WANT GOD TO STOP SAYING "NOT YET". 1625 01:06:08,767 --> 01:06:11,767 HE SAYS THIS TO YOU? 1626 01:06:16,600 --> 01:06:18,067 HOW OLD ARE YOU? 1627 01:06:18,100 --> 01:06:19,267 TWENTY-THREE. 1628 01:06:19,300 --> 01:06:21,800 TWENTY-THREE? YOUNG. 1629 01:06:21,833 --> 01:06:23,300 I GUESS. 1630 01:06:23,333 --> 01:06:25,667 NO, IT'S YOUNG. BELIEVE ME. 1631 01:06:25,700 --> 01:06:28,133 YEAH, IT IS. 1632 01:06:28,167 --> 01:06:30,233 YOU'RE REALLY CUTE. 1633 01:06:30,267 --> 01:06:33,133 DO YOU EVER GO OUT WITH OLDER WOMEN? 1634 01:06:33,167 --> 01:06:34,633 YEAH, I DO. 1635 01:06:34,667 --> 01:06:37,367 WOULD YOU LIKE TO GO OUT WITH ME? 1636 01:06:37,400 --> 01:06:39,400 IT WOULD BE A NEW EXPERIENCE FOR ME 1637 01:06:39,433 --> 01:06:41,867 BECAUSE I ALWAYS GO OUT WITH OLDER MEN. 1638 01:06:41,900 --> 01:06:44,367 YEAH? REALLY? WHEN? 1639 01:06:44,400 --> 01:06:47,033 IT REALLY DEPENDS, UM, LET ME LOOK AT MY BOOK. 1640 01:06:47,067 --> 01:06:50,067 I DON'T HAVE A LOT OF TIME. 1641 01:06:54,467 --> 01:06:56,633 WHAT'S YOUR WISH FOR THE NEW YEAR? 1642 01:06:56,667 --> 01:06:59,467 I WANT TO GET BACK INTO TELEVISION. 1643 01:06:59,500 --> 01:07:01,667 I LEFT TOO SOON. 1644 01:07:01,700 --> 01:07:03,833 FEES STARTED GOING UP ASTRONOMICALLY 1645 01:07:03,867 --> 01:07:05,133 AFTER I LEFT. 1646 01:07:05,167 --> 01:07:06,867 ALL MY FRIENDS ARE RICHER THAN ME 1647 01:07:06,900 --> 01:07:08,600 'CAUSE THEY STAYED IN TELEVISION. 1648 01:07:08,633 --> 01:07:10,733 IF I GET BACK INTO TELEVISION I CAN MAKE 1649 01:07:10,767 --> 01:07:13,767 ENOUGH MONEY TO NOT WORRY ABOUT DOING TV. 1650 01:07:20,767 --> 01:07:25,833 WANT TO SING ME A LULLABY ONE LAST TIME? 1651 01:07:25,867 --> 01:07:35,900 (SINGING SOFTLY) 1652 01:07:35,900 --> 01:07:45,900 (SINGING SOFTLY) 1653 01:08:56,500 --> 01:08:58,500 WHAT ARE YOU DOING IN MY ROOM? 1654 01:08:59,700 --> 01:09:01,833 WHAT ARE YOU DOING IN MY ROOM? 1655 01:09:01,867 --> 01:09:04,433 I JUST DIDN'T WANT TO BE OUT THERE ANYMORE. 1656 01:09:04,467 --> 01:09:06,700 ALL THE STUFF GOING ON OUT THERE. 1657 01:09:06,733 --> 01:09:08,067 WHAT DO YOU MEAN? 1658 01:09:08,100 --> 01:09:09,600 YOUR FRIENDS ARE TOTALLY INSANE. 1659 01:09:09,633 --> 01:09:11,600 EVERYBODY SEEMS NUTS OUT THERE. 1660 01:09:11,633 --> 01:09:14,533 SOMETHING DEPRESSING ABOUT IT TOO, 1661 01:09:14,567 --> 01:09:16,267 I DON'T KNOW WHAT THAT IS. 1662 01:09:16,300 --> 01:09:18,500 SOMETHING MADE ME MOODY AND WEIRD. 1663 01:09:18,533 --> 01:09:20,600 WHY IS IT GETTING YOU MOODY AND WEIRD? 1664 01:09:20,633 --> 01:09:23,400 I DON'T KNOW WHY YOU'RE SUSCEPTIBLE 1665 01:09:23,433 --> 01:09:25,867 TO SOME OF THEM. 1666 01:09:25,900 --> 01:09:27,700 ONE OF THEM. 1667 01:09:27,733 --> 01:09:29,967 WHY DOES THAT GET YOU MOODY? 1668 01:09:30,000 --> 01:09:35,067 I DON'T KNOW. MAYBE 'CAUSE I THINK 1669 01:09:35,100 --> 01:09:38,100 YOU'RE WORTH MORE THAN THAT. 1670 01:09:38,133 --> 01:09:39,833 THANK YOU. 1671 01:09:39,867 --> 01:09:41,867 WHAT DID YOU COME HERE FOR? 1672 01:09:41,900 --> 01:09:43,467 ESCAPE. 1673 01:09:43,500 --> 01:09:45,500 I SHOULD ESCAPE, HUH? 1674 01:09:53,800 --> 01:09:56,367 IS THIS WHERE I SHOULD ESCAPE TO? 1675 01:09:56,400 --> 01:10:00,367 THIS IS PRETTY NICE. HI. 1676 01:10:00,400 --> 01:10:03,667 SO WHY ARE YOU SUSCEPTIBLE TO THIS GUY 1677 01:10:03,700 --> 01:10:06,033 YOU'RE SUSCEPTIBLE TO? 1678 01:10:06,067 --> 01:10:10,867 I DON'T KNOW. I JUST AM. 1679 01:10:10,900 --> 01:10:12,300 YOU ARE, HUH? 1680 01:10:12,333 --> 01:10:14,067 NOT SO MUCH ANYMORE. 1681 01:10:14,100 --> 01:10:16,500 REALLY. I'M OKAY. 1682 01:10:16,533 --> 01:10:18,633 WHAT DID YOU WANT TO TALK TO ME ABOUT? 1683 01:10:18,667 --> 01:10:20,100 HENRY THE BEAR. 1684 01:10:20,133 --> 01:10:22,533 THE BEAR OR THE MALLARD? 1685 01:10:22,567 --> 01:10:24,067 THE MALLARD. 1686 01:10:24,100 --> 01:10:27,833 THERE YOU GO. 1687 01:10:27,867 --> 01:10:29,700 WHAT? 1688 01:10:29,733 --> 01:10:33,867 THIS DAY'S BEEN WEIRD FOR ME, I'LL TELL YOU THAT. 1689 01:10:33,900 --> 01:10:36,100 WHY? 1690 01:10:36,133 --> 01:10:39,567 WELL, I THOUGHT I HAD FORGOTTEN CERTAIN 1691 01:10:39,600 --> 01:10:42,933 FEELINGS THAT I THOUGHT I WAS NEVER GOING TO 1692 01:10:42,967 --> 01:10:45,600 FEEL AGAIN, AND THEN I BEGIN TO THINK PERHAPS 1693 01:10:45,633 --> 01:10:47,633 I CAN FEEL SOME OF THOSE FEELINGS AGAIN. 1694 01:10:47,667 --> 01:10:50,067 NOT THAT I'M FEELING THOSE FEELINGS ABOUT YOU, 1695 01:10:50,100 --> 01:10:52,300 BUT IT'S FEELING STUFF. 1696 01:10:52,333 --> 01:10:55,633 AS I'M NEVER GOING TO SEE YOU AGAIN I WANTED TO 1697 01:10:55,667 --> 01:11:03,000 TELL YOU THAT I FIND YOU VERY SEXUALLY ATTRACTIVE, 1698 01:11:03,033 --> 01:11:08,800 THAT I GET ALL KINDS OF FEELINGS AROUND YOU. 1699 01:11:08,833 --> 01:11:10,800 I ALWAYS HAVE. 1700 01:11:10,833 --> 01:11:12,400 I FEEL THAT WAY ABOUT YOU. 1701 01:11:12,433 --> 01:11:14,433 YEAH? 1702 01:11:14,467 --> 01:11:20,733 YOU HAPPEN TO BE THE SOURCE TO WHICH THIS 1703 01:11:20,767 --> 01:11:23,967 STUFF IS DIRECTED BUT IT IS NOT ABOUT YOU. 1704 01:11:24,000 --> 01:11:25,600 I KNOW IT'S NOT ABOUT YOU AND 1705 01:11:25,633 --> 01:11:27,967 YOU KNOW I KNOW IT'S NOT ABOUT YOU. 1706 01:11:28,000 --> 01:11:31,667 SO IT'S STILL VERY NICE TO BE REMINDED 1707 01:11:31,700 --> 01:11:34,133 THAT ONE CAN FEEL CERTAIN STUFF. 1708 01:11:34,167 --> 01:11:39,467 EVEN IF IT'S TOWARD A WEIRD BABY LIKE YOU. 1709 01:11:39,500 --> 01:11:43,133 THE REASON I NEVER DID ANYTHING IS BECAUSE LUCY- 1710 01:11:43,167 --> 01:11:44,933 THAT WOULD BE STUPID. 1711 01:11:44,967 --> 01:11:47,333 I NEVER SHIT WHERE I EAT, YOU KNOW? 1712 01:11:47,367 --> 01:11:49,367 I WAS ALWAYS TAUGHT THAT. 1713 01:11:49,400 --> 01:11:51,600 SO YOU DON'T HAVE A REAL GOOD SENSE 1714 01:11:51,633 --> 01:11:53,400 OF WHAT YOU'RE WORTH? 1715 01:11:53,433 --> 01:11:57,300 MAYBE NOT. 1716 01:11:57,333 --> 01:12:00,000 I CAN TELL YOU IT STRIKES ME THAT 1717 01:12:00,033 --> 01:12:02,200 YOU'RE WORTH A GREAT DEAL. 1718 01:12:02,233 --> 01:12:04,600 A REALLY GREAT DEAL AND IT SEEMS INSANE TO ME 1719 01:12:04,633 --> 01:12:06,567 THAT YOU DON'T GO FOR SOMEBODY WHO KNOWS 1720 01:12:06,600 --> 01:12:08,600 HOW MUCH YOU'RE WORTH. 1721 01:12:08,633 --> 01:12:10,533 THAT THAT DOESN'T GET REINFORCED IN 1722 01:12:10,567 --> 01:12:13,300 ANY KIND OF RELATIONSHIP YOU SHOULD HAVE. 1723 01:12:13,333 --> 01:12:15,067 WELL, SOON. 1724 01:12:15,100 --> 01:12:16,733 SOON? 1725 01:12:16,767 --> 01:12:18,800 YEAH. 1726 01:12:18,833 --> 01:12:21,167 MAYBE NOW. 1727 01:12:21,200 --> 01:12:24,200 MAYBE NOW? WHAT DOES THAT MEAN? 1728 01:12:28,833 --> 01:12:31,500 WHEN I WAS A LITTLE GIRL I HAD THESE SAME 1729 01:12:31,533 --> 01:12:34,267 KIND OF FEELINGS ABOUT MY FATHER. 1730 01:12:34,300 --> 01:12:35,967 THAT YOU HAVE FOR ME? 1731 01:12:36,000 --> 01:12:38,867 ONLY I WAS A CHILD. 1732 01:12:38,900 --> 01:12:41,200 BUT I KNEW THAT HE DIDN'T LIKE MY MOTHER 1733 01:12:41,233 --> 01:12:45,233 SO I GREW UP WITH THIS SENSE OF SHAME. 1734 01:12:45,267 --> 01:12:47,367 WHAT ABOUT? 1735 01:12:47,400 --> 01:12:49,767 LIKING HIM THAT WAY. 1736 01:12:49,800 --> 01:12:51,800 SEXUALLY? 1737 01:12:54,500 --> 01:12:56,600 YOU LIKED YOUR FATHER SEXUALLY? 1738 01:12:56,633 --> 01:12:59,633 SO MAYBE IT'S JUST BETTER TO GET MY OWN APARTMENT 1739 01:12:59,667 --> 01:13:02,733 AND NOT HAVE TO BE AROUND ALL THESE MEN ANYMORE 1740 01:13:02,767 --> 01:13:04,667 AND DEAL WITH ALL THIS STUFF. 1741 01:13:04,700 --> 01:13:06,700 AND FEEL ASHAMED. 1742 01:13:11,333 --> 01:13:12,633 I FEEL THAT WAY TOO. 1743 01:13:12,667 --> 01:13:13,900 YOU DO? 1744 01:13:13,933 --> 01:13:16,000 A LOT, YEAH. ABOUT SEX. 1745 01:13:16,033 --> 01:13:18,167 THERE'S SOMETHING EVEN IN THE BEGINNING 1746 01:13:18,200 --> 01:13:20,233 OF IT, I ALREADY FEEL ASHAMED OF 1747 01:13:20,267 --> 01:13:23,267 WHAT HASN'T HAPPENED YET SOMETIMES. 1748 01:13:29,600 --> 01:13:32,100 I'M SORRY. I CAN'T DO THIS. 1749 01:13:32,133 --> 01:13:33,700 YOU SURE? 1750 01:13:33,733 --> 01:13:37,067 I CAN'T. I'M SORRY I REALLY CAN'T. 1751 01:13:37,100 --> 01:13:38,500 OF COURSE YOU CAN. 1752 01:13:38,533 --> 01:13:39,867 NO, I CAN'T. 1753 01:13:39,900 --> 01:13:43,800 YOU DON'T GET IT, I REALLY CAN'T. 1754 01:13:43,833 --> 01:13:45,600 NO ONE'S EVER MADE ME FEEL 1755 01:13:45,633 --> 01:13:48,833 SEXUALLY DESIRABLE BEFORE. 1756 01:13:48,867 --> 01:13:53,200 I GET THESE FEELINGS AROUND YOU. 1757 01:13:53,233 --> 01:13:55,633 THEY'RE VERY STRONG. 1758 01:13:55,667 --> 01:14:03,233 I HOPE IT'S NOT BECAUSE YOU'RE LUCY'S BOYFRIEND. 1759 01:14:03,267 --> 01:14:10,800 NO. SIT HERE FOR A SECOND. 1760 01:14:10,833 --> 01:14:12,200 COME ON. 1761 01:14:12,233 --> 01:14:13,900 COME ON, SERIOUSLY. 1762 01:14:13,933 --> 01:14:15,867 DREW, I CAN'T DO THIS. 1763 01:14:15,900 --> 01:14:18,500 WILL YOU PLEASE GIVE ME ONE MORE MOMENT? 1764 01:14:18,533 --> 01:14:20,533 I'M SERIOUS. 1765 01:14:23,900 --> 01:14:26,200 ONE MOMENT MEANS ONE MOMENT, 1766 01:14:26,233 --> 01:14:28,033 IT DOESN'T MEAN ONE SECOND. 1767 01:14:28,067 --> 01:14:29,700 THAT'S ALL THE TIME I GOT. 1768 01:14:29,733 --> 01:14:31,167 WAIT A MINUTE. 1769 01:14:31,200 --> 01:14:33,400 I'M SORRY. 1770 01:14:33,433 --> 01:14:35,533 IT WAS GREAT. 1771 01:14:35,567 --> 01:14:37,800 I DON'T KNOW WHAT MADE ME DO THIS. 1772 01:14:37,833 --> 01:14:39,300 I REALLY DON'T. 1773 01:14:39,333 --> 01:14:40,667 THAT'S OKAY. 1774 01:14:40,700 --> 01:14:42,000 OKAY? 1775 01:14:42,033 --> 01:14:43,733 YEAH. 1776 01:14:43,767 --> 01:14:46,967 SHHH. DON'T GET NERVOUS, IT'S OKAY. 1777 01:14:47,000 --> 01:14:48,700 I SHOULDN'T HAVE DONE THIS. 1778 01:14:48,733 --> 01:14:50,767 I JUST MET YOU AND I HAD TOO MUCH TO DRINK 1779 01:14:50,800 --> 01:14:52,400 AND I'M REALLY SORRY. 1780 01:14:52,433 --> 01:14:54,267 SHH SHH, IT'S OKAY. 1781 01:14:54,300 --> 01:14:56,567 IT'S GOOD FOR ME. 1782 01:14:56,600 --> 01:14:58,600 I'M SORRY. 1783 01:15:01,833 --> 01:15:03,833 WHAT DO YOU THINK? 1784 01:15:07,700 --> 01:15:10,067 MAYBE. 1785 01:15:10,100 --> 01:15:13,567 WANT TO SIT DOWN HERE? 1786 01:15:13,600 --> 01:15:16,667 I'LL MOVE OVER. 1787 01:15:16,700 --> 01:15:19,867 OH, HERE WE GO. 1788 01:15:19,900 --> 01:15:21,900 HERE WE GO. 1789 01:15:28,967 --> 01:15:30,700 BUT I REALLY- THIS IS WRONG. 1790 01:15:30,733 --> 01:15:33,967 WHAT ARE YOU DOING? 1791 01:15:34,000 --> 01:15:36,400 I SWEAR TO GOD, YOU MUST THINK I'M CRAZY. 1792 01:15:36,433 --> 01:15:38,033 DO YOU REALIZE THE INCREDIBLE PAIN 1793 01:15:38,067 --> 01:15:39,367 MY ARM IS IN? 1794 01:15:39,400 --> 01:15:41,133 I'M SORRY, LET ME FIX YOUR ARM. 1795 01:15:41,167 --> 01:15:44,733 WHAT IS- ARE WE TALKING ABOUT A KISS? 1796 01:15:44,767 --> 01:15:48,000 WHAT ARE WE TALKING ABOUT? 1797 01:15:48,033 --> 01:15:49,233 A KISS. 1798 01:15:49,267 --> 01:15:50,833 A KISS THAT YOU GOT ALREADY? 1799 01:15:50,867 --> 01:15:52,600 I'M SORRY I SHOULDN'T HAVE GIVEN YOU. 1800 01:15:52,633 --> 01:15:54,033 WHAT IS THIS? 1801 01:15:54,067 --> 01:15:55,900 YOU MAKE ME FEEL LIKE I'M 18 YEARS OLD. 1802 01:15:55,933 --> 01:15:57,533 I DON'T MEAN TO. 1803 01:15:57,567 --> 01:15:59,467 IT'S BOTH A GOOD AND A BAD THING. 1804 01:15:59,500 --> 01:16:01,267 THIS PART OF IT WASN'T BAD, I DON'T WANT TO 1805 01:16:01,300 --> 01:16:03,233 GO BACK TO THIS PART OF BEING 18. 1806 01:16:03,267 --> 01:16:05,700 SO FORGET THIS EVER HAPPENED, OKAY? 1807 01:16:05,733 --> 01:16:07,733 I'VE GOT THESE SENSATIONS ALONG- 1808 01:16:07,767 --> 01:16:11,133 AH! FORGET THIS EVER HAPPENED. 1809 01:16:11,167 --> 01:16:13,033 I DIDN'T COME IN HERE, I DIDN'T DO THIS, 1810 01:16:13,067 --> 01:16:15,367 AND I HAVE A LOAD OF PEOPLE OUT THERE 1811 01:16:15,400 --> 01:16:16,967 I HAVE TO GO DEAL WITH. 1812 01:16:17,000 --> 01:16:18,700 I THOUGHT THERE WAS NOBODY IN HERE. 1813 01:16:18,733 --> 01:16:20,467 I THOUGHT I WAS COMING INTO MY ROOM 1814 01:16:20,500 --> 01:16:23,067 AND HERE YOU WERE AND I DON'T KNOW WHY I DID THAT. 1815 01:16:23,100 --> 01:16:24,700 BECAUSE YOU'RE A BABY, AREN'T YOU? 1816 01:16:24,733 --> 01:16:26,167 I'M A TOTAL FOUR-YEAR-OLD. 1817 01:16:26,200 --> 01:16:27,200 OKAY, ALRIGHT. 1818 01:16:34,267 --> 01:16:35,833 LET ME JUST HOLD YOU THEN. 1819 01:16:35,867 --> 01:16:38,000 OKAY, HOLD ME. ONE MINUTE. 1820 01:16:38,033 --> 01:16:39,400 ONE MINUTE. 1821 01:16:39,433 --> 01:16:41,100 A MINUTE AND A HALF. 1822 01:16:41,133 --> 01:16:43,000 THEN I HAVE MANY PEOPLE I HAVE TO- 1823 01:16:43,033 --> 01:16:45,033 SHH, OKAY. 1824 01:17:29,400 --> 01:17:32,467 OH, MY GOD, I FELL ASLEEP. 1825 01:17:32,500 --> 01:17:34,700 SHH. 1826 01:17:34,733 --> 01:17:36,600 I GOTTA GO. 1827 01:17:36,633 --> 01:17:37,867 WHY? 1828 01:17:37,900 --> 01:17:40,700 I'VE GOTTA GO OUT THERE. OKAY? 1829 01:17:40,733 --> 01:17:42,233 OKAY. 1830 01:17:42,267 --> 01:17:44,267 YOU SLEEP. 1831 01:18:14,367 --> 01:18:15,367 OH, GOD. 1832 01:18:23,300 --> 01:18:25,733 GET OUT OF MY HOUSE. 1833 01:18:25,767 --> 01:18:26,767 GET OUT! 1834 01:18:26,800 --> 01:18:28,033 I WANT YOU OUT. 1835 01:18:28,067 --> 01:18:29,267 HOLD ON A SECOND. 1836 01:18:29,300 --> 01:18:30,600 OUT! 1837 01:18:30,633 --> 01:18:32,400 COME HERE. JUST WAIT, COME HERE. 1838 01:18:32,433 --> 01:18:34,133 OUT, DAMMIT! 1839 01:18:34,167 --> 01:18:35,667 GET OUT! 1840 01:18:35,700 --> 01:18:38,233 LUCY, YOU DON'T UNDERSTAND. 1841 01:18:38,267 --> 01:18:40,433 THERE'S AN EXPLANATION. 1842 01:18:40,467 --> 01:18:41,733 WHAT IS THE EXPLANATION? 1843 01:18:41,767 --> 01:18:43,100 I DON'T WANT TO HEAR IT. 1844 01:18:43,133 --> 01:18:44,733 JUST GET OUT! 1845 01:18:44,767 --> 01:18:48,467 I'M NAKED, DON'T THROW ME OUT LIKE THIS! 1846 01:18:48,500 --> 01:18:53,300 IT'S COLD OUT THERE, COME ON! 1847 01:18:53,333 --> 01:18:56,167 LUCY! 1848 01:18:56,200 --> 01:18:58,167 JUST GIVE ME MY PANTS! 1849 01:18:58,200 --> 01:19:00,767 PLEASE, LUCY. 1850 01:19:00,800 --> 01:19:02,367 LUCY? 1851 01:19:02,400 --> 01:19:04,733 JUST GIVE ME MY PANTS AND I'LL LEAVE. 1852 01:19:04,767 --> 01:19:07,467 LUCY? 1853 01:19:07,500 --> 01:19:08,733 I LOVE YOU. 1854 01:19:08,767 --> 01:19:10,467 COME ON. 1855 01:19:10,500 --> 01:19:13,033 I CAN'T BELIEVE YOU KICKED ME OUT. 1856 01:19:13,067 --> 01:19:15,100 PLEASE GIVE ME MY PANTS, ALRIGHT? 1857 01:19:15,133 --> 01:19:18,800 COME ON, GIVE ME MY PANTS! 1858 01:19:18,833 --> 01:19:20,600 ANNIE, OPEN THE DOOR! 1859 01:19:20,633 --> 01:19:23,133 LET ME IN, I WANT TO TALK TO YOU! 1860 01:19:23,167 --> 01:19:26,933 ANNIE, PLEASE? I'M NOT GONNA HURT YOU, 1861 01:19:26,967 --> 01:19:29,233 I JUST WANT TO TALK TO YOU! 1862 01:19:29,267 --> 01:19:30,467 DON'T DO THIS! 1863 01:19:30,500 --> 01:19:32,367 I WANT TO TALK TO YOU! I WANT TO TALK TO YOU! 1864 01:19:32,400 --> 01:19:33,733 WHAT'S GOING ON? 1865 01:19:33,767 --> 01:19:35,033 OPEN THE DOOR! 1866 01:19:35,067 --> 01:19:36,467 ANNIE, PLEASE! 1867 01:19:36,500 --> 01:19:38,100 COME ON! 1868 01:19:38,133 --> 01:19:40,133 WHAT IS IT? 1869 01:19:40,167 --> 01:19:42,500 ANNIE, WHAT ARE YOU DOING? 1870 01:19:42,533 --> 01:19:44,700 WHAT'S THE MATTER WITH YOU? 1871 01:19:44,733 --> 01:19:46,167 WHAT'S GOING ON? 1872 01:19:46,200 --> 01:19:47,467 COFFEE, GO GET COFFEE! 1873 01:19:47,500 --> 01:19:48,933 IT'S IN THE KITCHEN. 1874 01:19:48,967 --> 01:19:50,267 ANNIE, WHAT DID YOU DO? 1875 01:19:50,300 --> 01:19:51,900 WHAT DID YOU DO? 1876 01:19:51,933 --> 01:19:53,200 I DID NOTHING. 1877 01:19:53,233 --> 01:19:55,767 WHAT DID YOU DO, DAMMIT, WHAT DID YOU DO? 1878 01:19:55,800 --> 01:19:57,300 I JUST TOOK A FEW PILLS. 1879 01:19:57,333 --> 01:19:58,500 WHAT DID YOU TAKE? 1880 01:19:58,533 --> 01:19:59,933 I DON'T KNOW. 1881 01:19:59,967 --> 01:20:01,233 WHAT DOES THAT MEAN? 1882 01:20:01,267 --> 01:20:02,733 WHAT KIND OF PILLS? 1883 01:20:02,767 --> 01:20:04,633 I DON'T EVEN KNOW WHAT I TOOK. 1884 01:20:04,667 --> 01:20:06,100 WHAT ARE WE SUPPOSED TO DO? 1885 01:20:06,133 --> 01:20:07,933 YOU WANT ME TO CALL A DOCTOR? 1886 01:20:07,967 --> 01:20:10,633 DO YOU WANT TO GET UP AND THROW UP? 1887 01:20:10,667 --> 01:20:12,333 I DON'T WANT TO DO ANYTHING, 1888 01:20:12,367 --> 01:20:14,033 I JUST WANT TO CALM DOWN. 1889 01:20:14,067 --> 01:20:15,300 YOU CAN'T CALM DOWN! 1890 01:20:15,333 --> 01:20:16,733 WHAT DID YOU TAKE? 1891 01:20:16,767 --> 01:20:19,200 WHAT DID YOU TAKE, DAMMIT, TALK TO ME! 1892 01:20:19,233 --> 01:20:21,300 I JUST WANT TO NOT BE DEPRESSED. 1893 01:20:21,333 --> 01:20:23,533 FINE, ANNIE, WE'LL GET YOU TO NOT BE DEPRESSED 1894 01:20:23,567 --> 01:20:25,000 BUT YOU HAVE TO GET UP! 1895 01:20:25,033 --> 01:20:26,567 YOU GOTTA GET UP, DAMMIT! 1896 01:20:26,600 --> 01:20:27,867 GET UP! 1897 01:20:27,900 --> 01:20:29,367 PLEASE GET UP! 1898 01:20:29,400 --> 01:20:30,833 ANNIE, PLEASE GET UP! 1899 01:20:30,867 --> 01:20:33,600 I WANT YOU TO DRINK SOME COFFEE AND WALK AROUND. 1900 01:20:33,633 --> 01:20:34,767 GET UP! 1901 01:20:34,800 --> 01:20:36,100 HOW MANY PILLS? I NEED TO KNOW, DAMMIT! 1902 01:20:36,133 --> 01:20:37,867 I NEED TO KNOW! 1903 01:20:37,900 --> 01:20:40,133 WHY DID YOU FUCK BILLY? 1904 01:20:40,167 --> 01:20:43,100 WHY DID YOU FUCK BILLY? WHY? 1905 01:20:43,133 --> 01:20:44,400 I'M SO TIRED. 1906 01:20:44,433 --> 01:20:46,567 WHY WOULD YOU FUCK HIM? PLEASE TELL ME. 1907 01:20:46,600 --> 01:20:48,033 WHAT ARE YOU DOING? 1908 01:20:48,067 --> 01:20:49,467 AT LEAST KISS ME. 1909 01:20:49,500 --> 01:20:51,033 WHAT DO YOU MEAN KISS YOU? 1910 01:20:51,067 --> 01:20:52,467 JUST ONCE? 1911 01:20:52,500 --> 01:20:54,200 ANNIE, WHAT'S THE MATTER WITH YOU? 1912 01:20:54,233 --> 01:20:55,567 JUST KISS ME. 1913 01:20:55,600 --> 01:20:56,867 WHAT DO YOU MEAN? 1914 01:20:56,900 --> 01:20:58,367 DON'T ASK ME TO KISS YOU. 1915 01:20:58,400 --> 01:20:59,967 WHAT ARE YOU TALKING ABOUT? 1916 01:21:00,000 --> 01:21:01,767 WHY ARE YOU DOING THIS? 1917 01:21:01,800 --> 01:21:03,800 PLEASE, LUCE... 1918 01:21:07,233 --> 01:21:08,233 ANNIE... 1919 01:21:11,300 --> 01:21:13,167 WHAT IS THE MATTER WITH YOU? 1920 01:21:13,200 --> 01:21:15,433 WHY ARE YOU DOING THIS? 1921 01:21:15,467 --> 01:21:17,667 PLEASE EXPLAIN THIS TO ME 1922 01:21:17,700 --> 01:21:19,967 BECAUSE I DON'T UNDERSTAND. 1923 01:21:20,000 --> 01:21:21,667 I'M JUST SO MISERABLE. 1924 01:21:21,700 --> 01:21:23,333 WHAT IS THE MATTER? 1925 01:21:23,367 --> 01:21:26,300 YOU'VE GOTTA TALK TO ME, I CAN'T DEAL WITH THIS! 1926 01:21:26,333 --> 01:21:28,767 I CAN'T STAND THE FACT THAT YOU'RE LEAVING. 1927 01:21:28,800 --> 01:21:31,433 I DON'T CARE ABOUT BILLY. 1928 01:21:31,467 --> 01:21:37,300 IT WAS LIKE BEING YOU WITH BILLY. 1929 01:21:37,333 --> 01:21:40,367 IT WAS A WAY OF GETTING CLOSE TO YOU, 1930 01:21:40,400 --> 01:21:42,233 BEING WITH BILLY. 1931 01:21:42,267 --> 01:21:45,733 YOU DON'T KNOW THAT I'M IN LOVE WITH YOU? 1932 01:21:45,767 --> 01:21:49,200 ALL THE LAST FOUR YEARS, YOU DON'T GET THAT? 1933 01:21:49,233 --> 01:21:52,000 YOU NEVER EVEN THOUGHT ABOUT 1934 01:21:52,033 --> 01:21:55,367 THAT'S MAYBE WHAT WAS WRONG? 1935 01:21:55,400 --> 01:21:59,333 I JUST CARE ABOUT YOU AND IT JUST HURTS. 1936 01:21:59,367 --> 01:22:03,167 IT REALLY HURTS TO BE SO MUCH IN LOVE WITH YOU 1937 01:22:03,200 --> 01:22:05,900 AND HAVE YOU GOING AWAY. 1938 01:22:05,933 --> 01:22:08,833 I MEAN, IT DIDN'T MATTER BEFORE WHEN YOU WERE HERE 1939 01:22:08,867 --> 01:22:10,867 AND WE COULD BE TOGETHER ALL THE TIME. 1940 01:22:10,900 --> 01:22:12,300 I JUST DON'T FEEL CONNECTED 1941 01:22:12,333 --> 01:22:13,867 TO ANYONE ELSE BUT YOU. 1942 01:22:13,900 --> 01:22:15,267 I MEAN, NO ONE. 1943 01:22:15,300 --> 01:22:18,067 I JUST DON'T WANT TO LOSE THAT. 1944 01:22:18,100 --> 01:22:23,433 PLEASE, JUST PLEASE UNDERSTAND. 1945 01:22:23,467 --> 01:22:29,200 PLEASE, LUCE. HMM? 1946 01:22:29,233 --> 01:22:32,800 LET ME KISS YOU ONCE BEFORE YOU LEAVE. 1947 01:22:32,833 --> 01:22:35,800 IT WOULD MAKE ME FEEL BETTER. 1948 01:22:35,833 --> 01:22:37,833 HUH? YEAH? 1949 01:22:40,333 --> 01:22:41,700 COME ON, A REAL KISS. 1950 01:22:41,733 --> 01:22:43,033 A REAL KISS? 1951 01:22:43,067 --> 01:22:44,800 ANNIE? 1952 01:22:44,833 --> 01:22:46,833 JUST ONCE, BE FUN. 1953 01:22:52,300 --> 01:22:55,300 COME ON, COME ON. 1954 01:23:02,533 --> 01:23:06,500 I LOVE YOU TOO, ANNIE. I DO. 1955 01:23:06,533 --> 01:23:09,100 WHAT HAPPENED TO WINONA? 1956 01:23:09,133 --> 01:23:11,467 SHE LEFT WITH THAT GUY. 1957 01:23:11,500 --> 01:23:13,200 WHAT GUY? 1958 01:23:13,233 --> 01:23:15,233 I DON'T KNOW, I THOUGHT YOU KNEW HIM. 1959 01:23:20,467 --> 01:23:22,800 YOU'RE GONNA BE OKAY, HUH? 1960 01:23:22,833 --> 01:23:24,200 IS SHE GONNA BE OKAY? 1961 01:23:24,233 --> 01:23:25,833 SHE IS GONNA BE OKAY. 1962 01:23:25,867 --> 01:23:28,533 THERE WERE ONLY A FEW PILLS LEFT IN THAT BOTTLE 1963 01:23:28,567 --> 01:23:30,467 AND SHE TOOK THEM. 1964 01:23:30,500 --> 01:23:31,900 HOW MANY? 1965 01:23:31,933 --> 01:23:33,367 JUST A COUPLE ACTUALLY. 1966 01:23:33,400 --> 01:23:35,567 I THOUGHT SHE'D DONE SOMETHING STUPID BUT- 1967 01:23:35,600 --> 01:23:37,600 IT WAS A WHOLE BOTTLE. 1968 01:23:37,633 --> 01:23:39,433 NO, THERE WERE JUST A FEW LEFT, 1969 01:23:39,467 --> 01:23:41,333 IT'S BEEN AROUND THE HOUSE FOREVER. 1970 01:23:41,367 --> 01:23:43,633 SHE'S ALRIGHT. SHE'S RESTING. 1971 01:23:43,667 --> 01:23:46,367 SHE DOESN'T HAVE TO GO TO A HOSPITAL OR ANYTHING? 1972 01:23:46,400 --> 01:23:47,667 NO, SHE'S FINE. 1973 01:23:47,700 --> 01:23:49,433 WHAT A DAY. 1974 01:23:49,467 --> 01:23:51,133 WHAT ARE YOU GOING TO DO? 1975 01:23:51,167 --> 01:23:53,933 I'M GOING TO GO TO LA AND FIND A PLACE TO LIVE AND- 1976 01:23:53,967 --> 01:23:55,100 FIND A PLACE TO LIVE? 1977 01:23:55,133 --> 01:23:56,800 YOU DON'T HAVE A PLACE TO LIVE? 1978 01:23:56,833 --> 01:23:57,933 NOT YET. 1979 01:23:57,967 --> 01:23:59,600 WHERE ARE YOU GOING TO STAY? 1980 01:23:59,633 --> 01:24:03,900 I DON'T KNOW, I'LL FIND AN APARTMENT SOMEWHERE. 1981 01:24:03,933 --> 01:24:09,033 WHY DON'T YOU STAY AT MY HOUSE? 1982 01:24:09,067 --> 01:24:11,300 WHAT IS IT? 1983 01:24:11,333 --> 01:24:13,000 THE KEYS TO MY HOUSE. 1984 01:24:13,033 --> 01:24:15,400 STAY IN MY HOUSE. 1985 01:24:15,433 --> 01:24:16,667 REALLY? 1986 01:24:16,700 --> 01:24:18,900 YEAH, I REALLY WOULD LIKE THAT. 1987 01:24:18,933 --> 01:24:20,967 ARE YOU SURE? 1988 01:24:21,000 --> 01:24:22,667 SURE, I'M SURE. 1989 01:24:22,700 --> 01:24:24,767 THEN I'LL KNOW WHERE YOU ARE. 1990 01:24:24,800 --> 01:24:26,367 AND YOU'LL KNOW WHERE I AM. 1991 01:24:26,400 --> 01:24:27,933 YES, I WILL. 1992 01:24:27,967 --> 01:24:30,200 AND YOU'LL CALL? 1993 01:24:30,233 --> 01:24:31,433 I WILL CALL. 1994 01:24:31,467 --> 01:24:32,900 YOU DON'T HAVE TO WRITE. 1995 01:24:32,933 --> 01:24:33,933 OKAY, GOOD. 1996 01:24:42,433 --> 01:24:44,133 YOU KNOW, WHEN YOU LOOK AT THE LIGHT 1997 01:24:44,167 --> 01:24:46,667 OF A STAR IN THE SKY, WHAT YOU'RE SEEING 1998 01:24:46,700 --> 01:24:49,767 ISN'T THE STAR EXISTING AS IT IS RIGHT NOW. 1999 01:24:49,800 --> 01:24:51,700 YOU'RE SEEING SOMETHING THAT HASN'T EXISTED 2000 01:24:51,733 --> 01:24:53,400 FOR MILLIONS AND MILLIONS OF YEARS. 2001 01:24:53,433 --> 01:24:55,967 THE LIGHT FROM THAT STAR IS COMING TOWARD YOU 2002 01:24:56,000 --> 01:24:57,500 FROM THE PAST. 2003 01:24:57,533 --> 01:24:59,233 THAT STAR HAS CEASED TO EXIST 2004 01:24:59,267 --> 01:25:01,433 BY THE TIME ITS LIGHT GETS TO YOU. 2005 01:25:01,467 --> 01:25:03,467 YOU'RE SEEING IT NOW IN YOUR PRESENT 2006 01:25:03,500 --> 01:25:05,300 BUT THAT STAR HAS CEASED TO EXIST 2007 01:25:05,333 --> 01:25:07,267 MILLIONS OF YEARS BEFORE YOU WERE BORN. 2008 01:25:07,300 --> 01:25:10,033 AND BY THE SAME TOKEN, IF SOMEBODY ON ANOTHER STAR, 2009 01:25:10,067 --> 01:25:12,067 SOMEWHERE MILLIONS OF YEARS INTO THE FUTURE 2010 01:25:12,100 --> 01:25:14,233 IS LOOKING BACK AT US WITH A TELESCOPE 2011 01:25:14,267 --> 01:25:16,233 POWERFUL ENOUGH TO SEE US, 2012 01:25:16,267 --> 01:25:18,733 THEY COULD SEE US RIGHT NOW AT THIS VERY MOMENT 2013 01:25:18,767 --> 01:25:20,533 BUT WHAT THEY'D BE SEEING IS THE LIGHT 2014 01:25:20,567 --> 01:25:23,067 FROM OUR PRESENT WHICH IS THEIR FUTURE. 2015 01:25:23,100 --> 01:25:25,600 BUT WE'VE BEEN DEAD FOR MILLIONS OF YEARS. 2016 01:25:25,633 --> 01:25:26,767 WE'RE GONE. 2017 01:25:26,800 --> 01:25:28,867 AND YET THEY'RE SEEING US RIGHT NOW. 2018 01:25:28,900 --> 01:25:31,733 PAST, PRESENT, FUTURE... 2019 01:25:31,767 --> 01:25:37,333 IT ALL DEPENDS WHAT STAR YOU'RE STANDING ON. 2020 01:25:37,367 --> 01:25:47,400 * 2021 01:25:47,400 --> 01:25:57,400 *