1 00:00:04,472 --> 00:00:06,540 - THIS IS HOW ANY PROPERLY EXECUTED 2 00:00:06,574 --> 00:00:08,409 SPY EXCHANGE SHOULD GO. 3 00:00:08,442 --> 00:00:11,379 YOU TAKE DELIVERY OF THE PRISONER AT THE AIRPORT. 4 00:00:11,412 --> 00:00:13,214 IN THIS CASE, ONE CARLO RENI, 5 00:00:13,247 --> 00:00:17,118 ITALIAN A.I.S.E., RECENTLY ARRESTED BY THE FBI 6 00:00:17,151 --> 00:00:18,486 FOR DOMESTIC SPYING. 7 00:00:18,519 --> 00:00:23,224 YES, DOROTHY, ALLIES SPY ON ALLIES. 8 00:00:23,257 --> 00:00:25,493 [indie rock music] 9 00:00:25,526 --> 00:00:31,332 * 10 00:00:31,365 --> 00:00:35,203 YOU WILL FLY TO THE DESIGNATED EXCHANGE LOCATION IN ARGENTINA, 11 00:00:35,236 --> 00:00:37,771 WHICH, BY THE WAY, IS GORGEOUS IN THE SUMMER. 12 00:00:37,805 --> 00:00:40,474 BUT IT'S SUMMER HERE NOW, MEANING-- 13 00:00:40,508 --> 00:00:42,643 OH, WELL, YOU'LL SEE. 14 00:00:42,676 --> 00:00:45,179 YOU WILL LAND AT A LOVELY LITTLE BIT OF PARADISE 15 00:00:45,213 --> 00:00:47,281 IN THE MIDDLE OF NOWHERE, 16 00:00:47,315 --> 00:00:49,550 90 MILES AS THE CROW FLIES NORTHEAST OF BUENOS AIRES. 17 00:00:49,583 --> 00:00:52,420 PERFECT FOR THE QUIET, OFF-THE-RECORD, 18 00:00:52,453 --> 00:00:55,456 SLIGHTLY FROSTY EXCHANGE OF FOREIGN OPERATIVES. 19 00:00:55,489 --> 00:00:59,693 YOU WILL THEN MAKE THE EXCHANGE JUST AS YOU MADE THE PICKUP. 20 00:00:59,727 --> 00:01:00,861 YOU'LL BE ON THE GROUND ALL OF FIVE MINUTES 21 00:01:00,894 --> 00:01:03,264 AND EVERYONE RETURNS HOME. 22 00:01:03,297 --> 00:01:05,233 EASY-PEASY-- THAT'S HOW IT'S DONE. 23 00:01:05,266 --> 00:01:07,135 SO, ANNIE WALKER, 24 00:01:07,168 --> 00:01:10,738 HAVE YOURSELF A LOVELY FLIGHT. 25 00:01:10,771 --> 00:01:13,073 - [speaking Italian] 26 00:01:23,817 --> 00:01:26,720 - [speaking Italian] 27 00:01:26,754 --> 00:01:29,690 - YOU SPEAK ITALIAN? 28 00:01:29,723 --> 00:01:31,492 INTERESTING. 29 00:01:31,525 --> 00:01:34,462 BLONDE, NORDIC FOREHEAD, 30 00:01:34,495 --> 00:01:37,731 AND LOVELY MEDITERRANEAN EYES. 31 00:01:37,765 --> 00:01:41,735 YOU HAVE A DROP OF ITALIAN IN YOU MAYBE? 32 00:01:41,769 --> 00:01:43,237 - I'M AMERICAN. 33 00:01:43,271 --> 00:01:44,572 - BUT BEFORE THAT. 34 00:01:44,605 --> 00:01:48,209 - BEFORE THAT, I WAS AMERICAN. 35 00:01:48,242 --> 00:01:49,677 - HMM. 36 00:01:49,710 --> 00:01:51,279 - AND YOU-- 37 00:01:51,312 --> 00:01:53,814 DARKER FEATURES, WHICH SUGGEST SOUTHERN ITALY, 38 00:01:53,847 --> 00:01:56,450 WHICH IS RARE FOR A SPY, BUT YOUR DIALECT 39 00:01:56,484 --> 00:01:57,851 IS ACTUALLY ROMANO. 40 00:01:57,885 --> 00:02:00,554 - ROMA, OF COURSE-- THERE IS NO SOUTH IN ME. 41 00:02:00,588 --> 00:02:02,590 BELOW ROMA, IT'S MOSTLY PEASANTS. 42 00:02:02,623 --> 00:02:04,792 AND I'M NOT A SPY. I'M A JOURNALIST. 43 00:02:04,825 --> 00:02:06,627 - RIGHT. 44 00:02:06,660 --> 00:02:08,729 - PER FAVORE, SIGNORINA, 45 00:02:08,762 --> 00:02:11,765 IT IS VERY HARD FOR AN ITALIAN TO TALK WITHOUT HIS HANDS. 46 00:02:11,799 --> 00:02:13,701 - FORGET IT. 47 00:02:22,710 --> 00:02:24,812 - MAYBE I WILL HAVE SOME PEANUTS. 48 00:02:26,714 --> 00:02:30,551 [tires screech] 49 00:02:40,928 --> 00:02:43,897 [clears throat] 50 00:02:50,904 --> 00:02:52,606 - SIT TIGHT. 51 00:02:52,640 --> 00:02:55,776 I'LL BE BACK. 52 00:03:08,389 --> 00:03:09,857 I-I SAID SIT TIGHT. 53 00:03:09,890 --> 00:03:12,260 - THAT'S NOT SOMETHING I'M GOOD AT--SIT TIGHT. 54 00:03:12,293 --> 00:03:15,696 - FINE. STAY CLOSE. 55 00:03:20,668 --> 00:03:22,570 - SO HOW DOES A WOMAN LIKE YOU 56 00:03:22,603 --> 00:03:25,706 END UP IN A DIRTY TRADE LIKE THIS? 57 00:03:25,739 --> 00:03:30,678 IS IT GOD, COUNTRY, APPLE CAKE? 58 00:03:30,711 --> 00:03:32,680 - PIE. - EXCUSE ME? 59 00:03:32,713 --> 00:03:35,616 - GOD, COUNTRY, APPLE PIE. 60 00:03:35,649 --> 00:03:36,884 - CAKE IS BETTER. 61 00:03:36,917 --> 00:03:39,019 OR PANNA COTTA. OH! 62 00:03:39,052 --> 00:03:41,021 GOD, COUNTRY, AND PANNA COTTA. 63 00:03:41,054 --> 00:03:43,257 - ANNIE. - WE'RE ON THE GROUND. 64 00:03:43,291 --> 00:03:45,693 - WELCOME TO SUNNY ARGENTINA. HOW WAS YOUR FLIGHT? 65 00:03:45,726 --> 00:03:46,994 - TALKATIVE. 66 00:03:47,027 --> 00:03:49,397 - BUT NOT HARD ON THE EYES, I'M TOLD. 67 00:03:49,430 --> 00:03:52,466 - I DIDN'T NOTICE. 68 00:03:52,500 --> 00:03:53,901 - WELL, OF COURSE NOT. NEITHER WOULD I. 69 00:03:53,934 --> 00:03:57,271 - AUGGIE, WHERE'S OUR CONTACT? 70 00:03:57,305 --> 00:03:58,539 WE'RE HERE ALONE. 71 00:03:58,572 --> 00:03:59,540 - OUT DEALING WITH WEATHER. 72 00:03:59,573 --> 00:04:01,675 HURRICANE-FORCE WINDS IN THE SOUTH ATLANTIC. 73 00:04:01,709 --> 00:04:03,677 THEY WERE FORCED TO LAND IN THE FALKLANDS. 74 00:04:03,711 --> 00:04:05,779 - THE FALKLANDS IS 250 MILES FROM HERE. 75 00:04:05,813 --> 00:04:07,815 - WELL, YOU'RE IN PARADISE WITH A HANDSOME ITALIAN. 76 00:04:07,848 --> 00:04:10,351 ADAPT, OVERCOME, MAKE SMALL TALK. 77 00:04:10,384 --> 00:04:12,486 - THAT'S YOUR ADVICE? - SORRY. 78 00:04:12,520 --> 00:04:13,721 LATE NIGHT. 79 00:04:13,754 --> 00:04:17,625 UH, THEY DO EXPECT TO BE WHEELS UP, 80 00:04:17,658 --> 00:04:21,795 HOPEFULLY WITHIN TWO HOURS, WEATHER PERMITTING. 81 00:04:21,829 --> 00:04:23,931 - PERFECT. 82 00:04:23,964 --> 00:04:25,633 - EXCUSE ME? 83 00:04:25,666 --> 00:04:27,468 - I GOT TO GO. 84 00:04:27,501 --> 00:04:30,003 - DON'T BE A STRANGER. 85 00:04:30,037 --> 00:04:31,805 - [grunts] - REALLY, CARLO? 86 00:04:31,839 --> 00:04:33,006 - OH! 87 00:04:33,040 --> 00:04:34,942 - THERE'S NOTHING AROUND HERE FOR MILES. 88 00:04:39,780 --> 00:04:41,582 [both grunt] 89 00:04:41,615 --> 00:04:43,317 WHERE DO YOU THINK YOU'RE GOING? 90 00:04:43,351 --> 00:04:45,453 - OH! OW! 91 00:04:45,486 --> 00:04:47,655 [groans] 92 00:04:47,688 --> 00:04:49,823 - WHAT WERE YOU GONNA DO-- RUN ALL THE WAY TO BUENOS AIRES? 93 00:04:49,857 --> 00:04:52,660 - UGH, IF I HAVE TO. 94 00:04:52,693 --> 00:04:54,995 NO, NO, NO, NO, NO, NO. I'M NOT GOING BACK TO ITALY. 95 00:04:55,028 --> 00:04:56,497 THERE ARE PEOPLE THERE 96 00:04:56,530 --> 00:04:57,898 WHO ARE VERY ANXIOUS TO SILENCE ME. 97 00:04:57,931 --> 00:04:59,600 - YOU SAYING THERE'S SOMETHING WORSE 98 00:04:59,633 --> 00:05:01,669 THAN THE CIA WAITING FOR YOU? - OH, YOU DON'T BELIEVE ME? 99 00:05:01,702 --> 00:05:04,338 - MY JOB IS TO DELIVER YOU SAFELY, 100 00:05:04,372 --> 00:05:06,374 AND THAT'S WHAT I'M GONNA DO. 101 00:05:06,407 --> 00:05:08,809 - [groans] 102 00:05:08,842 --> 00:05:10,544 YOU KNOW, I CHANGED MY MIND. [car approaches] 103 00:05:10,578 --> 00:05:12,380 THERE IS NOTHING ITALIAN ABOUT YOU. 104 00:05:12,413 --> 00:05:14,582 [car doors open and close] 105 00:05:17,551 --> 00:05:19,787 [silenced gunshot] 106 00:05:19,820 --> 00:05:20,988 - RUN. 107 00:05:21,021 --> 00:05:23,524 - WHAT? - RUN! 108 00:05:26,860 --> 00:05:28,996 [silenced gunshots] 109 00:05:32,866 --> 00:05:34,435 - [groans] 110 00:05:34,468 --> 00:05:37,438 [Can You Save Me? by Apple Trees and Tangerines] 111 00:05:37,471 --> 00:05:45,479 * 112 00:05:56,790 --> 00:05:58,726 - * CAN YOU SAVE ME 113 00:05:58,759 --> 00:06:00,761 * FROM THIS NOTHING I'VE BECOME? * 114 00:06:00,794 --> 00:06:02,896 * IT'S JUST SOMETHING THAT I'VE DONE * 115 00:06:02,930 --> 00:06:04,998 * I NEVER MEANT TO CAUSE YOU WORRY * 116 00:06:05,032 --> 00:06:07,067 * DON'T YOU BLAME ME 117 00:06:07,100 --> 00:06:08,969 * FOR THIS NOTHING I'VE BECOME * 118 00:06:09,002 --> 00:06:11,138 * IT'S JUST SOMETHING THAT I'VE DONE * 119 00:06:11,171 --> 00:06:13,741 * I NEVER MEANT TO SHOW YOU MY MISTAKES * 120 00:06:19,747 --> 00:06:22,516 [Carlo grunting] 121 00:06:22,550 --> 00:06:25,185 - COME ON! 122 00:06:25,218 --> 00:06:26,420 - WHOA, WHOA, WHOA, WHOA! 123 00:06:26,454 --> 00:06:28,155 YOU DON'T HAVE A GUN? - NO. 124 00:06:28,188 --> 00:06:30,658 MY AGENCY IS NO DOUBT TALKING TO YOUR AGENCY RIGHT NOW, 125 00:06:30,691 --> 00:06:32,125 CONSULTING WITH THE ARGENTINEANS 126 00:06:32,159 --> 00:06:34,595 AND DEVELOPING A SAFE AND SMOOTH EXIT FOR US. 127 00:06:34,628 --> 00:06:35,863 WE'LL BE FINE. 128 00:06:35,896 --> 00:06:38,732 COME ON. LET'S GO. 129 00:06:38,766 --> 00:06:40,167 - THIS IS A DISASTER. 130 00:06:40,200 --> 00:06:42,903 THIS WAS A FAVOR, JOAN. A PROFESSIONAL COURTESY... 131 00:06:42,936 --> 00:06:44,705 - I'M AWARE OF THAT. 132 00:06:44,738 --> 00:06:46,907 - BASED ON PERSONAL ASSURANCES AND OUR LONG FRIENDSHIP! 133 00:06:46,940 --> 00:06:49,009 - MAY I SUGGEST YOU TAKE A BREATH, JORGE? 134 00:06:49,042 --> 00:06:51,011 - NO, ROMANO, I WILL NOT TAKE A BREATH, 135 00:06:51,044 --> 00:06:52,880 AND I TAKE EXCEPTION TO THAT! 136 00:06:52,913 --> 00:06:56,517 I WAS MADE ASSURANCES THIS WOULD BE A SIMPLE PROPOSITION. 137 00:06:56,550 --> 00:06:59,920 TWO ALLIES, SIMPLE EXCHANGE, 30 MINUTES TOPS. 138 00:06:59,953 --> 00:07:02,756 NOW I HAVE TWO INTERNATIONAL SPIES 139 00:07:02,790 --> 00:07:04,592 AND AN ASSASSIN LOOSE IN MY COUNTRY! 140 00:07:04,625 --> 00:07:06,960 - AND WE HAVE EVERY INTENTION OF RECTIFYING THAT, JORGE. 141 00:07:06,994 --> 00:07:08,896 - REALLY? HOW? - PLEASE, I WON'T BE SNAPPED AT! 142 00:07:08,929 --> 00:07:10,464 WE ARE EACH IN A PREDICAMENT HERE. 143 00:07:10,498 --> 00:07:12,833 - AY, DIOS MIO! WHAT PREDICAMENT ARE YOU IN? 144 00:07:12,866 --> 00:07:14,968 - GENTLEMEN, PLEASE. - MY HANDS ARE TIED, JOAN. 145 00:07:15,002 --> 00:07:17,070 IT WOULD BE ONE THING IF WE SHARED THE DETAILS 146 00:07:17,104 --> 00:07:20,608 WITH OUR DEPARTMENTS OF STATE, BUT I WAS ASKED NOT TO. 147 00:07:20,641 --> 00:07:22,776 - WHAT ARE YOU SAYING, JORGE? 148 00:07:22,810 --> 00:07:25,746 - I LIKE MY JOB. I PLAN TO KEEP IT. 149 00:07:25,779 --> 00:07:27,815 IF I CATCH EITHER OPERATIVE, 150 00:07:27,848 --> 00:07:29,883 I WILL ARREST THEM AS FOREIGN SPIES. 151 00:07:29,917 --> 00:07:31,985 - THAT WOULD MEAN JAIL. 152 00:07:32,019 --> 00:07:33,687 - YOU'RE BEING A FOOL. - I'M SORRY, JOAN. 153 00:07:33,721 --> 00:07:36,657 YOU WOULD DO THE SAME IF YOU WERE IN MY SHOES. 154 00:07:36,690 --> 00:07:38,826 - SIGNAL'S GONE. 155 00:07:38,859 --> 00:07:41,762 HUH. BOTH SIGNALS. 156 00:07:41,795 --> 00:07:42,996 - THAT WAS... 157 00:07:43,030 --> 00:07:44,965 INTERESTING. 158 00:07:44,998 --> 00:07:48,769 - WHAT DO YOU WANT TO DO? 159 00:07:48,802 --> 00:07:51,038 - I HAVE A FEELING OUR DOMESTIC COLLEAGUES AT THE FBI 160 00:07:51,071 --> 00:07:52,806 HAVEN'T BEEN COMPLETELY FORTHRIGHT WITH US 161 00:07:52,840 --> 00:07:54,908 ABOUT OUR MR. RENI. - I'M ON IT. 162 00:07:54,942 --> 00:07:57,177 - STATE? OPEN A BACK CHANNEL? 163 00:07:57,210 --> 00:07:59,547 - NO, NOT YET. - LIAISE WITH THE D.O.D.? 164 00:07:59,580 --> 00:08:01,515 - I HAVE A DIFFERENT DUTY FOR YOU--YOU'RE TO SEE ARTHUR. 165 00:08:01,549 --> 00:08:02,950 - WE'RE IN THE MIDDLE OF AN OP. - MM-HMM. 166 00:08:02,983 --> 00:08:05,018 AND JAI'S GONNA HANDLE IT. ANNIE'S IN GOOD HANDS. 167 00:08:05,052 --> 00:08:07,020 ARTHUR'S WAITING FOR YOU. 168 00:08:16,063 --> 00:08:18,966 [Carlo grunting] 169 00:08:22,936 --> 00:08:25,906 [breathing heavily] 170 00:08:25,939 --> 00:08:28,609 - OH! WHEW! 171 00:08:28,642 --> 00:08:31,612 [gasping, breathing heavily] 172 00:08:34,181 --> 00:08:35,883 I-I-I-- 173 00:08:35,916 --> 00:08:38,886 I HAD A TRYOUT WITH A.C. FIORENTINA-- 174 00:08:38,919 --> 00:08:40,320 YEAH, MIDFIELDER. 175 00:08:40,353 --> 00:08:42,255 I HURT MY KNEE, AND THEY STILL WANTED TO SIGN ME, BUT-- 176 00:08:42,289 --> 00:08:44,625 - WE NEED TO KEEP MOVING. I DON'T WANT TO LOSE THE LIGHT. 177 00:08:44,658 --> 00:08:46,059 - AH, WELL, WE NEED A PLAN. - I HAVE A PLAN. 178 00:08:46,093 --> 00:08:47,294 - I DON'T TRUST YOUR PLAN. 179 00:08:47,327 --> 00:08:49,196 - WELL, I DON'T REMEMBER ASKING YOU TO. 180 00:08:49,229 --> 00:08:50,831 - I KNOW THE PERFECT PLACE. 181 00:08:50,864 --> 00:08:52,800 I HAVE FRIENDS IN A LITTLE BEACH TOWN 182 00:08:52,833 --> 00:08:55,002 OUTSIDE MAR DEL PLATA-- ITALIAN. 183 00:08:55,035 --> 00:08:57,237 NEAPOLITAN, BUT THEY'RE GOOD PEOPLE. 184 00:08:57,270 --> 00:09:01,041 SHE MAKES A STUFFED CALAMARI WITH SQUID INK. 185 00:09:01,074 --> 00:09:02,810 HO-HO! MOLTO BENE. 186 00:09:02,843 --> 00:09:04,144 - WE'RE GOING THIS WAY. - IT'S REALLY GOOD. 187 00:09:04,177 --> 00:09:05,779 - IT'S PROTOCOL. - PROTOCOL? 188 00:09:05,813 --> 00:09:07,280 - YEAH, WHICH ALREADY SAVED YOUR LIFE ONCE. 189 00:09:07,314 --> 00:09:09,316 - UH-HUH, YEAH, I REALIZE YOUR BOSS REQUIRES 190 00:09:09,349 --> 00:09:12,019 A BLIND ALLEGIANCE AND SLAVISH DEVOTION, OKAY? 191 00:09:12,052 --> 00:09:13,120 - WE DON'T HAVE TIME FOR THIS. 192 00:09:13,153 --> 00:09:15,322 - BUT I KNOW FOR A FACT THAT YOUR AGENCY'S IN LEAGUE 193 00:09:15,355 --> 00:09:17,057 WITH THE PEOPLE WHO ARE TRYING TO KILL ME. 194 00:09:17,090 --> 00:09:17,958 YOU UNDERSTAND? - YOU'RE LIKE A DOG WITH A BONE. 195 00:09:17,991 --> 00:09:19,960 - AND I KNOW THAT I'M ABSOLUTELY RIGHT. 196 00:09:19,993 --> 00:09:21,929 - YOU'RE NOT RIGHT. - ABSOLUTELY. 197 00:09:21,962 --> 00:09:23,096 - NOT THIS TIME. 198 00:09:23,130 --> 00:09:24,331 NOW, PLEASE. 199 00:09:24,364 --> 00:09:25,999 - TO WHERE? 200 00:09:26,033 --> 00:09:28,736 - I'M GONNA TAKE YOU TO A SAFE LOCATION IN BUENOS AIRES. 201 00:09:28,769 --> 00:09:29,970 - OH, OKAY. - ONCE THERE, I CHECK IN. 202 00:09:30,003 --> 00:09:32,339 IF EVERYTHING'S OKAY, I'LL TAKE YOU TO THE ITALIAN EMBASSY. 203 00:09:32,372 --> 00:09:34,007 - HEY, HEY, NO. 204 00:09:34,041 --> 00:09:36,076 - YES. - AH! 205 00:09:36,109 --> 00:09:39,112 [speaking Italian] 206 00:09:39,146 --> 00:09:40,981 NIGHTMARE. - DON'T WORRY. 207 00:09:41,014 --> 00:09:42,783 BY TONIGHT, YOU'LL BE HOME SAFE IN ITALY, 208 00:09:42,816 --> 00:09:44,017 AND ALL THIS WILL BE OVER. 209 00:09:44,051 --> 00:09:45,953 - [grunts] 210 00:09:45,986 --> 00:09:48,822 I DON'T KNOW HOW PEOPLE LIKE YOU SLEEP AT NIGHT. 211 00:09:48,856 --> 00:09:51,925 - I KNOW YOU FELT YOU OWED ME, SIR, 212 00:09:51,959 --> 00:09:54,695 BUT A PROMOTION? 213 00:09:54,728 --> 00:09:57,798 - THIS WOULD BE A SUBSTANTIAL CHANGE IN YOUR LIFE-- 214 00:09:57,831 --> 00:10:00,367 A STAFF, YOUR OWN OFFICE ON THE SEVENTH FLOOR. 215 00:10:00,400 --> 00:10:03,904 - WHOA. A VIEW. 216 00:10:03,937 --> 00:10:06,940 - A BUMP IN GRADE MEANS A BUMP IN PAY-- 217 00:10:06,974 --> 00:10:08,642 A SIGNIFICANT ONE. 218 00:10:08,676 --> 00:10:10,744 - NEXT, YOU'RE GONNA OFFER ME A NEW PARKING SPACE. 219 00:10:10,778 --> 00:10:12,079 - [chuckles] 220 00:10:12,112 --> 00:10:15,215 - [chuckles] - TWO SPACES DOWN FROM MINE. 221 00:10:15,248 --> 00:10:16,950 - TWO SPACES SOUTH IS THE D.D.I. 222 00:10:16,984 --> 00:10:19,419 HE'S NOT GOING ANYWHERE. 223 00:10:19,452 --> 00:10:22,890 TWO SPACES NORTH... 224 00:10:22,923 --> 00:10:25,025 OFFICE OF CONGRESSIONAL AFFAIRS? 225 00:10:25,058 --> 00:10:27,427 - WE THINK YOU'D BE PERFECT. 226 00:10:27,460 --> 00:10:29,096 - YOU WANT ME IN O.C.A.? 227 00:10:29,129 --> 00:10:31,164 - WE WANT YOU TO RUN O.C.A. 228 00:10:31,198 --> 00:10:32,900 CHARLIE'S GOING GREEN BADGE. 229 00:10:32,933 --> 00:10:36,436 HE'S GOT KIDS TO PUT THROUGH COLLEGE. 230 00:10:36,469 --> 00:10:41,308 PLUS, IT'S TIME FOR NEWER BLOOD, YOUNGER BLOOD. 231 00:10:41,341 --> 00:10:42,843 - WELL, THAT WOULD MEAN-- 232 00:10:42,876 --> 00:10:45,212 - YES, AUGGIE. 233 00:10:45,245 --> 00:10:48,315 YOU'D BE OVERT. 234 00:10:48,348 --> 00:10:51,151 - I COULD NEVER GO IN THE FIELD AGAIN. 235 00:10:51,184 --> 00:10:52,720 - YEAH, THAT'S RIGHT. 236 00:10:52,753 --> 00:10:57,324 ONCE YOU STEP IN FRONT OF THE CAMERAS, IT'S-- 237 00:10:57,357 --> 00:11:00,928 I REMEMBER WHEN I DID IT. 238 00:11:00,961 --> 00:11:03,063 IT WAS A BIG STEP. 239 00:11:03,096 --> 00:11:05,966 YOU'D BE ONE OF THREE PUBLIC FACES FOR THE CIA-- 240 00:11:05,999 --> 00:11:09,036 THE D.C.I., ME, AND YOU. 241 00:11:09,069 --> 00:11:11,872 - [chuckles] 242 00:11:11,905 --> 00:11:14,074 HERE I THOUGHT I WAS IN TROUBLE. 243 00:11:14,107 --> 00:11:16,043 - OH, THIS IS A HELL OF AN OPPORTUNITY-- 244 00:11:16,076 --> 00:11:17,711 A CAREER MAKER. 245 00:11:17,745 --> 00:11:21,048 AND HONESTLY... 246 00:11:21,081 --> 00:11:23,050 WE'RE NOT EXACTLY PULLING YOU FROM THE FIELD. 247 00:11:23,083 --> 00:11:26,820 THE D.C.I. AND I AGREE. 248 00:11:26,854 --> 00:11:29,289 WE BOTH THINK YOU ARE THE RIGHT MAN FOR THE JOB. 249 00:11:34,294 --> 00:11:35,295 - I'M SPEECHLESS. 250 00:11:35,328 --> 00:11:37,497 - WELL, YOU'D HAVE TO WORK ON THAT. 251 00:11:37,530 --> 00:11:40,333 YOU CAN'T BE SPEECHLESS ON THIS JOB. 252 00:11:40,367 --> 00:11:43,871 - WHEN? - YOU'D START NEXT WEEK. 253 00:11:43,904 --> 00:11:46,306 SO YOU NEED TO GIVE IT SOME SERIOUS THOUGHT. 254 00:12:07,027 --> 00:12:10,163 - CARLO RENI WAS ARRESTED BY THE FBI TWO DAYS AGO 255 00:12:10,197 --> 00:12:12,499 FOR READING THE TRASH AT THE BUREAU OF LAND MANAGEMENT 256 00:12:12,532 --> 00:12:14,101 HERE IN D.C. 257 00:12:14,134 --> 00:12:15,402 HE SAID HE WAS INVESTIGATING A STORY FOR-- 258 00:12:15,435 --> 00:12:16,837 - I KNOW. I KNOW. 259 00:12:16,870 --> 00:12:18,038 HE STUCK TO HIS COVER. I KNOW THIS. 260 00:12:18,071 --> 00:12:19,139 TELL ME WHAT I DON'T KNOW. 261 00:12:19,172 --> 00:12:21,374 - THE FBI HAD HIM ALL OF FIVE HOURS 262 00:12:21,408 --> 00:12:23,877 BEFORE THE ITALIAN A.I.S.E. OFFERED UP A TRADE. 263 00:12:23,911 --> 00:12:25,913 DID YOU KNOW THAT? - NO. 264 00:12:25,946 --> 00:12:27,981 - WHICH MEANS, OF COURSE-- 265 00:12:28,015 --> 00:12:29,817 - HIS OWN AGENCY BLEW HIS COVER. 266 00:12:29,850 --> 00:12:32,285 - HE KNOWS SOMETHING. - WHAT? 267 00:12:32,319 --> 00:12:35,022 HE SAID HE WAS ONLY IN THE COUNTRY FOR FIVE DAYS 268 00:12:35,055 --> 00:12:36,089 BEFORE HE WAS ARRESTED. 269 00:12:36,123 --> 00:12:38,992 WHERE WAS HE BEFORE THAT? - A LOT OF TRAVELING-- 270 00:12:39,026 --> 00:12:41,161 MOSTLY SOUTH AMERICA, WORKING HIS COVER. 271 00:12:41,194 --> 00:12:43,130 BEFORE THAT, SOME MIDDLE EAST VISITS. 272 00:12:43,163 --> 00:12:45,866 HE WAS KICKED OUT OF IRAN FOR PUBLISHING ARTICLES 273 00:12:45,899 --> 00:12:49,436 "LIBELOUS AND UNFAVORABLE TO THE GOVERNMENT." 274 00:12:49,469 --> 00:12:51,038 - WHAT DOES PERSIA HOUSE SAY? 275 00:12:51,071 --> 00:12:53,841 - THAT HE WAS KICKED OUT FOR HIS STORY, OSTENSIBLY. 276 00:12:53,874 --> 00:12:55,042 THEY HAVE HIM ON A WATCH LIST. 277 00:12:55,075 --> 00:12:59,980 - GET GENARO. I WANT A FACE-TO-FACE. 278 00:13:00,013 --> 00:13:01,448 AUGGIE. - JOAN. 279 00:13:01,481 --> 00:13:03,150 - GOOD MEETING? 280 00:13:03,183 --> 00:13:04,985 - INTERESTING MEETING. 281 00:13:05,018 --> 00:13:07,354 WHAT CAN I DO? 282 00:13:07,387 --> 00:13:09,890 - I WANT CONFIRMATION THAT THERE IS A JET ON THE GROUND 283 00:13:09,923 --> 00:13:10,991 IN THE FALKLANDS. 284 00:13:11,024 --> 00:13:13,026 I WANT TO KNOW WHETHER OR NOT WE'RE BEING PLAYED. 285 00:13:13,060 --> 00:13:14,161 - I CAN DO THAT. 286 00:13:14,194 --> 00:13:17,898 - AND SOMEONE PLEASE FIND OUT WHO THE OPPOSITION IS. 287 00:13:17,931 --> 00:13:19,232 IF WE HAVE A HITTER IN THE FIELD, 288 00:13:19,266 --> 00:13:20,500 I WANT TO KNOW WHO IT IS. 289 00:13:25,172 --> 00:13:27,207 [cows mooing] 290 00:13:34,481 --> 00:13:36,549 - AND THIS IS PROBABLY WHERE YOU STEAL 291 00:13:36,583 --> 00:13:38,986 SOME HAPLESS PEASANT'S VEHICLE, 292 00:13:39,019 --> 00:13:40,553 HIS ONLY WORLDLY POSSESSION-- TYPICAL. 293 00:13:40,587 --> 00:13:44,124 - ACTUALLY, THIS IS WHERE I BUY IT. 294 00:13:44,157 --> 00:13:46,493 BUENOS DIAS! 295 00:13:52,232 --> 00:13:56,036 - BUT YOU WOULD HAVE STOLEN IT. 296 00:13:56,069 --> 00:13:58,005 LET ME DRIVE. I KNOW THE WAY. 297 00:14:01,108 --> 00:14:03,076 IN ITALY, A WOMAN NEVER DRIVES. 298 00:14:03,110 --> 00:14:04,878 THE MAN DRIVES. 299 00:14:04,912 --> 00:14:07,614 - WE'RE NOT IN ITALY. 300 00:14:07,647 --> 00:14:09,116 - FINE. 301 00:14:09,149 --> 00:14:13,086 GET US LOST. - WE'RE NOT LOST. 302 00:14:13,120 --> 00:14:15,322 - IT'S ONLY A MATTER OF TIME. 303 00:14:24,064 --> 00:14:25,265 - AUGGIE? 304 00:14:25,298 --> 00:14:27,534 - GOT A SIGNAL, I THINK, 305 00:14:27,567 --> 00:14:30,037 AT LEAST THAT'S WHAT N.G.A. TELLS ME, 306 00:14:30,070 --> 00:14:32,172 BUT THEY MIGHT BE PLAYING WITH ME. 307 00:14:32,205 --> 00:14:34,674 OFFICIALLY, IT'S IN CUSTOMS' HOLD. 308 00:14:34,707 --> 00:14:37,077 PASSENGERS AND CREW ARE STILL ABOARD. 309 00:14:37,110 --> 00:14:38,578 - CAN WE GET EYES ON THE GROUND? 310 00:14:38,611 --> 00:14:40,047 - WORKING ON IT. 311 00:14:40,080 --> 00:14:41,414 - WHAT ABOUT GENARO AT THE ITALIAN EMBASSY? 312 00:14:41,448 --> 00:14:43,083 - I'M MAKING ARRANGEMENTS. 313 00:14:43,116 --> 00:14:44,584 WORD IS, HE'D LIKE TO SPEAK WITH YOU, TOO. 314 00:14:44,617 --> 00:14:46,086 - GOOD. 315 00:14:46,119 --> 00:14:48,956 ANYTHING ON OUR HITTER? - ONE POSSIBLE-- 316 00:14:48,989 --> 00:14:50,557 A HELMUT DRUM. 317 00:14:50,590 --> 00:14:52,960 HE ARRIVED IN BUENOS AIRES 318 00:14:52,993 --> 00:14:55,996 ON A FLIGHT FROM LONDON YESTERDAY MORNING-- 319 00:14:56,029 --> 00:14:57,697 FORMER CHECHEN SEPARATIST, 320 00:14:57,730 --> 00:14:59,967 NOTED INVOLVEMENT IN DEATH SQUADS, 321 00:15:00,000 --> 00:15:03,103 TIES TO THE USUAL UNSAVORY SUSPECTS, 322 00:15:03,136 --> 00:15:04,671 MOSTLY EASTERN EUROPE. 323 00:15:04,704 --> 00:15:07,240 IT'S BELIEVED HE'S INDEPENDENT. 324 00:15:07,274 --> 00:15:09,109 EUROPEAN TIES, ANGLO APPEARANCE 325 00:15:09,142 --> 00:15:10,978 MAKES HIM A GOOD COMMODITY IN CERTAIN MARKETS. 326 00:15:11,011 --> 00:15:12,612 - NOW HE'S IN ARGENTINA. 327 00:15:12,645 --> 00:15:14,514 - HE FITS ANNIE'S DESCRIPTION. 328 00:15:14,547 --> 00:15:18,151 - I PROFILED THIS GUY FOR THE U.K. DESK. 329 00:15:18,185 --> 00:15:19,352 HE IS NOT A TRUE BELIEVER ANYMORE. 330 00:15:19,386 --> 00:15:20,988 HE IS ALL ABOUT THE MONEY. 331 00:15:21,021 --> 00:15:23,556 HE'S THE REAL DEAL. - LET'S GIVE ANNIE A HEADS-UP. 332 00:15:23,590 --> 00:15:25,392 - ALREADY TRIED. CAN'T REACH HER. 333 00:15:25,425 --> 00:15:27,460 - TRY AGAIN. - YEP. 334 00:15:43,476 --> 00:15:47,414 [engine sputtering] 335 00:15:57,790 --> 00:16:00,460 - THIS WOULDN'T HAPPEN IF YOU LET ME DRIVE. 336 00:16:16,543 --> 00:16:19,046 I WOULD KILL FOR A MACCHIATO. 337 00:16:19,079 --> 00:16:21,281 - SPEAKING OF WHICH... 338 00:16:21,314 --> 00:16:23,383 ANY IDEA WHO WANTS YOU DEAD? 339 00:16:23,416 --> 00:16:26,086 - NOW YOU WANT TO KNOW? - MIGHT BE HELPFUL. 340 00:16:26,119 --> 00:16:30,023 - PEOPLE IN YOUR LINE OF WORK, MAYBE PEOPLE YOU KNOW. 341 00:16:30,057 --> 00:16:33,260 - I DON'T KNOW PEOPLE LIKE THAT. 342 00:16:33,293 --> 00:16:34,527 AND I DON'T WORK WITH PEOPLE LIKE THAT. 343 00:16:34,561 --> 00:16:37,130 YOU KEEP SAYING YOU'RE NOT A SPY, 344 00:16:37,164 --> 00:16:40,267 AND YET CONSIDER THE CIRCUMSTANCES. 345 00:16:40,300 --> 00:16:42,302 - I ADMIT TO MAKING CERTAIN PARTIES UNHAPPY. 346 00:16:42,335 --> 00:16:44,504 IT'S THE NATURE OF MY WORK. 347 00:16:44,537 --> 00:16:46,306 THE ONLY THING WE HAVE IN COMMON-- 348 00:16:46,339 --> 00:16:48,708 - I'M NOT THE ONE WITH AN ASSASSIN AFTER HIM. 349 00:16:48,741 --> 00:16:51,678 - THE FREE PRESS HAS ITS ENEMIES IN YOUR COUNTRY AND MINE. 350 00:16:51,711 --> 00:16:53,446 - I'LL GIVE YOU ONE THING, CARLO. 351 00:16:53,480 --> 00:16:55,282 WHATEVER YOU ARE, YOU TALK A GOOD GAME. 352 00:16:55,315 --> 00:16:57,517 I'LL GIVE YOU THAT. 353 00:16:57,550 --> 00:17:00,220 [engine sputtering, turning] 354 00:17:00,253 --> 00:17:01,388 ALTERNATOR BELT. 355 00:17:01,421 --> 00:17:03,623 IT'S NOT PRETTY, BUT IT'LL HOLD. 356 00:17:03,656 --> 00:17:07,694 - ANOTHER THING I'M NOT-- MECHANICAL. 357 00:17:07,727 --> 00:17:09,396 - IF I FOUND YOU A MACCHIATO, 358 00:17:09,429 --> 00:17:11,064 YOU THINK THAT MIGHT JOG YOUR MEMORY 359 00:17:11,098 --> 00:17:13,400 ABOUT WHO'S AFTER US? 360 00:17:15,602 --> 00:17:17,337 - MAYBE. 361 00:17:17,370 --> 00:17:20,540 - [chuckles] 362 00:17:20,573 --> 00:17:23,110 - BUT NO CARAMEL OR WHIPPED CREAM. 363 00:17:23,143 --> 00:17:27,514 IT'S COFFEE. IT'S NOT AN APPLE PIE. 364 00:17:29,249 --> 00:17:31,451 [rooster crowing, wind chimes ringing] 365 00:17:40,727 --> 00:17:43,496 [dog barks] 366 00:17:49,502 --> 00:17:51,538 [dog barks] 367 00:17:53,806 --> 00:17:55,475 - LOOK, INTERNET-- 368 00:17:55,508 --> 00:17:56,643 I COULD CHECK MY BLOG. 369 00:17:56,676 --> 00:17:58,778 - [chuckles] CLASSIC. 370 00:17:58,811 --> 00:18:00,513 PERFECT JOURNO COVER. 371 00:18:00,547 --> 00:18:03,216 WE BOTH KNOW THERE'S NOTHING ON YOUR BLOG. 372 00:18:03,250 --> 00:18:04,217 - NO? LET'S GO. 373 00:18:04,251 --> 00:18:06,486 I'LL SHOW YOU WHAT I'VE DEDICATED MY LIFE TO, 374 00:18:06,519 --> 00:18:09,456 WHY PEOPLE FOLLOW MY WORK, EVEN AMERICANS. 375 00:18:09,489 --> 00:18:11,124 - HOW MANY PEOPLE IN ARGENTINA DO YOU THINK 376 00:18:11,158 --> 00:18:12,759 ARE LOGGED ON TO YOUR BLOG RIGHT NOW? 377 00:18:12,792 --> 00:18:15,595 MY GUESS IS ONLY YOU. 378 00:18:15,628 --> 00:18:18,598 - I HAPPEN TO HAVE A, UH, DEVOTED FOLLOWING 379 00:18:18,631 --> 00:18:20,800 IN TIERRA DEL FUEGO. 380 00:18:20,833 --> 00:18:22,569 - WHOSEVER AFTER US WILL BE WATCHING IT. 381 00:18:22,602 --> 00:18:24,271 AS SOON AS YOU LOG ON, THEY'D HAVE US. 382 00:18:24,304 --> 00:18:25,472 SO... 383 00:18:25,505 --> 00:18:27,274 NO. 384 00:18:27,307 --> 00:18:30,277 AND AS FAR AS THE ARGENTINEAN AUTHORITIES ARE CONCERNED, 385 00:18:30,310 --> 00:18:33,480 YOU AND I ARE BOTH SPIES. 386 00:18:33,513 --> 00:18:35,615 THEY FIND US, WE GO TO JAIL. 387 00:18:35,648 --> 00:18:37,484 - JAIL DOESN'T SCARE ME. 388 00:18:37,517 --> 00:18:41,488 IT'S A CENSORED PRESS THAT SCARES ME. 389 00:18:41,521 --> 00:18:44,324 - COME ON. 390 00:18:44,357 --> 00:18:46,726 TREAT TIME. 391 00:18:52,265 --> 00:18:54,567 - [chuckles] 392 00:18:54,601 --> 00:18:56,569 GRACIAS. 393 00:18:56,603 --> 00:18:58,938 [indistinct radio broadcast] 394 00:18:58,971 --> 00:19:01,308 - OOH! MILANESA! 395 00:19:01,341 --> 00:19:05,245 EGGS, CRUMBS, LITTLE RUB, QUICK FRY. 396 00:19:05,278 --> 00:19:06,913 OH! 397 00:19:06,946 --> 00:19:09,349 OH, HO-HO! MM-HMM. 398 00:19:09,382 --> 00:19:12,619 ARGENTINE BEEF-- THE SECOND-BEST IN THE WORLD. 399 00:19:12,652 --> 00:19:15,422 IT'S ONE OF THE REASONS I LOVE ARGENTINA. 400 00:19:15,455 --> 00:19:17,357 - FRANKLY, I PREFER PARRILLADA. 401 00:19:17,390 --> 00:19:21,461 - OH, PARRILLADA. BENE. 402 00:19:21,494 --> 00:19:22,795 - MACCHIATO. 403 00:19:26,766 --> 00:19:28,635 MARKED. 404 00:19:28,668 --> 00:19:29,469 - [chuckles] 405 00:19:29,502 --> 00:19:30,903 - I KNOW THE SAUCER'S NOT HEATED, 406 00:19:30,937 --> 00:19:34,574 BUT WHEN IN ARGENTINA... 407 00:19:34,607 --> 00:19:37,777 - YOU LIKE ME. 408 00:19:37,810 --> 00:19:39,612 I CAN TELL. 409 00:19:39,646 --> 00:19:40,713 - [chuckles] 410 00:19:40,747 --> 00:19:44,251 - NO, WE HAVE WHAT WE ROMANS CALL "SIMPATIA." 411 00:19:44,284 --> 00:19:45,618 YOU FEEL IT, TOO, YES? 412 00:19:45,652 --> 00:19:46,886 - [chuckles] 413 00:19:46,919 --> 00:19:48,788 - IT'S THE COMMON SPACE, 414 00:19:48,821 --> 00:19:52,692 THE MORTAR BETWEEN THE BRICKS, THE WORDS BETWEEN THE WORDS-- 415 00:19:52,725 --> 00:19:55,428 COURAGE... 416 00:19:55,462 --> 00:19:59,532 PASSION, PRINCIPLES. 417 00:19:59,566 --> 00:20:01,901 SIMPATIA. 418 00:20:01,934 --> 00:20:06,273 THIS IS... MAYBE YOU AND ME. 419 00:20:08,475 --> 00:20:11,744 - YOU ARE EITHER THE BEST OPERATIVE 420 00:20:11,778 --> 00:20:14,914 I HAVE EVER SEEN OR THE ABSOLUTE WORST. 421 00:20:14,947 --> 00:20:18,351 I CAN'T MAKE UP MY MIND. 422 00:20:18,385 --> 00:20:21,454 - I COULDN'T DO WHAT YOU DO. 423 00:20:21,488 --> 00:20:24,757 I TRUST PEOPLE. THEY TRUST ME. 424 00:20:24,791 --> 00:20:28,295 IT'S HOW I DO MY JOB. - ME TOO. 425 00:20:29,829 --> 00:20:31,998 PEOPLE TRUST ME. 426 00:20:32,031 --> 00:20:34,534 LOTS OF PEOPLE TRUST ME, IN FACT. 427 00:20:34,567 --> 00:20:36,836 - AND WHAT DOES THE CIA ASK YOU TO DO WITH THIS "TRUST"? 428 00:20:36,869 --> 00:20:39,038 - TODAY THEY'RE HAVING ME PROTECT AND DELIVER 429 00:20:39,071 --> 00:20:40,740 A FOREIGN OPERATIVE. 430 00:20:40,773 --> 00:20:43,343 YOU KNOW WHAT? 431 00:20:43,376 --> 00:20:45,912 TREAT TIME'S OVER. LET'S GO. 432 00:20:45,945 --> 00:20:48,981 YOU KNOW WHAT, CARLO? YOU HAVE US WRONG. 433 00:20:49,015 --> 00:20:50,049 - UH-HUH. 434 00:20:50,082 --> 00:20:52,018 - YOU GOT ME WRONG. 435 00:20:55,555 --> 00:20:58,725 - I NEED TO, UM, USE THE... 436 00:20:58,758 --> 00:21:00,693 WITHOUT ASSISTANCE. 437 00:21:00,727 --> 00:21:01,994 - [laughs] - OH, NO. 438 00:21:02,028 --> 00:21:04,431 I-I PROMISE ON MY MOTHER'S GRAVE, 439 00:21:04,464 --> 00:21:06,533 I WILL NOT RUN AWAY. 440 00:21:37,430 --> 00:21:39,599 AH! SCUSA. 441 00:21:39,632 --> 00:21:41,534 SCUSA. GRAZIE. 442 00:21:48,675 --> 00:21:49,976 [sighs] 443 00:21:50,009 --> 00:21:52,979 - YOUR MOM'S NOT REALLY DEAD, IS SHE? 444 00:22:30,483 --> 00:22:32,785 - POLICIA FEDERAL. 445 00:22:32,819 --> 00:22:34,053 THAT'S A GOOD THING, YES? 446 00:22:34,086 --> 00:22:36,489 - THAT'S NOT A GOOD THING. 447 00:22:36,523 --> 00:22:38,124 WHAT ARE THEY DOING HERE? 448 00:22:38,157 --> 00:22:39,659 - HMM, IT'S ARGENTINA. 449 00:22:39,692 --> 00:22:42,562 THEY'RE PROBABLY-- [glass shatters] 450 00:22:42,595 --> 00:22:44,597 [silenced gunshots] 451 00:22:44,631 --> 00:22:47,700 - GET DOWN! 452 00:22:47,734 --> 00:22:49,836 - WHAT ARE YOU DOING? - [shouting in Spanish] 453 00:22:49,869 --> 00:22:51,738 - CARLO, I NEED YOU TO BE QUIET RIGHT NOW. 454 00:22:55,642 --> 00:22:56,609 GRAB SOMETHING. 455 00:22:56,643 --> 00:22:57,577 - WHAT? 456 00:22:57,610 --> 00:23:00,046 [tires screeching] 457 00:23:00,079 --> 00:23:02,114 [grunts] 458 00:23:08,054 --> 00:23:10,790 [gunshots] 459 00:23:44,123 --> 00:23:45,858 - AND THIS IS WHERE I'M NOT SUPPOSED TO ARGUE? 460 00:23:45,892 --> 00:23:49,195 - DO YOU SEE HIM? 461 00:23:49,228 --> 00:23:51,598 - NO. MAYBE POLICIA GOT HIM. 462 00:23:51,631 --> 00:23:53,466 - OH, I DOUBT IT. 463 00:23:53,500 --> 00:23:55,602 - HOW DID HE FIND US? 464 00:23:55,635 --> 00:23:57,203 - I DON'T KNOW. 465 00:24:11,217 --> 00:24:14,020 - HERE YOU GO. 466 00:24:14,053 --> 00:24:15,755 - I'M VERY WORRIED, ROMANO. 467 00:24:15,788 --> 00:24:17,056 I'M EXPOSED HERE. 468 00:24:17,089 --> 00:24:18,625 - JOAN, OF COURSE, YOU KNOW I'M SYMPATHETIC. 469 00:24:18,658 --> 00:24:19,926 - THIS PIECE OF CAKE WE PLANNED 470 00:24:19,959 --> 00:24:21,661 HAS TURNED INTO A DISASTER FOR ME. 471 00:24:21,694 --> 00:24:24,764 KEEPING THIS ON THE SLY HAS BEEN A TOTAL MISTAKE. 472 00:24:24,797 --> 00:24:26,065 I CAN'T DO IT ANYMORE. 473 00:24:26,098 --> 00:24:27,800 I HAVE TO GO VERTICAL WITH THIS, ROMANO. 474 00:24:27,834 --> 00:24:29,936 - WHAT? LET'S NOT LOSE OUR HEADS, DEAR. 475 00:24:29,969 --> 00:24:33,105 - I DON'T KNOW. I'M VERY CONFUSED. 476 00:24:33,139 --> 00:24:35,074 I NEED TO TELL MY BOSS. 477 00:24:35,107 --> 00:24:36,709 I NEED TO TELL THE STATE DEPARTMENT. 478 00:24:36,743 --> 00:24:40,647 I HAVE TO READ THEM IN ON THIS, OR IT WILL BE MY ASS... 479 00:24:40,680 --> 00:24:43,816 IN A VERY NASTY AND VERY PERMANENT WAY. 480 00:24:43,850 --> 00:24:45,652 - JOAN, LISTEN TO ME. 481 00:24:45,685 --> 00:24:47,820 I WON'T LET YOU GO DOWN. 482 00:24:47,854 --> 00:24:49,956 I PROMISE. 483 00:24:49,989 --> 00:24:52,625 WE ARE ALL ON THE HOOK HERE, DEAR, NOT JUST YOU. 484 00:24:52,659 --> 00:24:56,596 WE ARE IN THIS TOGETHER. - I DON'T KNOW ABOUT THAT. 485 00:24:56,629 --> 00:24:59,532 - OKAY, LOOK, I UNDERSTAND YOUR CONCERN. 486 00:24:59,566 --> 00:25:02,001 JUST GIVE ME A FEW HOURS. 487 00:25:02,034 --> 00:25:06,606 IT'S ALL GOING TO WORK OUT. 488 00:25:06,639 --> 00:25:10,610 - I GUESS, IF YOU THINK IT'LL WORK. 489 00:25:10,643 --> 00:25:12,679 - GOOD. 490 00:25:13,980 --> 00:25:16,515 - GOOD. 491 00:25:19,318 --> 00:25:22,955 GENARO FELL FOR IT. HE'S DIRTY. 492 00:25:22,989 --> 00:25:24,991 WE'RE BEING PLAYED. I'M SURE OF IT. 493 00:25:25,024 --> 00:25:26,659 PLEADING, "WE'RE IN THIS TOGETHER"? 494 00:25:26,693 --> 00:25:27,960 RIGHT. 495 00:25:27,994 --> 00:25:30,096 - ACTUALLY, THERE WAS A PROBLEM. 496 00:25:30,129 --> 00:25:32,331 ANNIE BUSTED THROUGH A POLICE BARRICADE. 497 00:25:32,364 --> 00:25:34,000 THERE'S A COUNTRYWIDE A.P.B. OUT ON HER. 498 00:25:34,033 --> 00:25:35,234 WHAT DO YOU WANT ME TO DO? 499 00:25:35,267 --> 00:25:37,269 - CHANGE DIRECTIVES. 500 00:25:37,303 --> 00:25:40,039 LET'S MOVE ON AN EXTRACTION. 501 00:25:40,072 --> 00:25:44,777 [engine sputtering] 502 00:25:44,811 --> 00:25:47,013 [engine stalls, air hissing] 503 00:25:47,046 --> 00:25:49,248 - [coughs] 504 00:25:50,750 --> 00:25:54,153 - TAKE YOUR CLOTHES OFF. 505 00:25:54,186 --> 00:25:56,255 - UH, PARDON ME? 506 00:25:56,288 --> 00:25:58,591 - THERE'S NO WAY THAT HITTER COULD HAVE KNOWN WHERE WE WERE. 507 00:25:58,625 --> 00:25:59,692 TAKE 'EM OFF. 508 00:25:59,726 --> 00:26:01,293 - UM... 509 00:26:01,327 --> 00:26:02,695 - FOR HEAVEN SAKES. 510 00:26:02,729 --> 00:26:04,063 I'LL STEP OUTSIDE. 511 00:26:04,096 --> 00:26:07,934 - NO, THAT--AH. 512 00:26:07,967 --> 00:26:11,003 - WHEN YOU WERE IN CUSTODY, DID ANYONE COME TO VISIT YOU? 513 00:26:11,037 --> 00:26:12,371 - UH, YES. 514 00:26:12,404 --> 00:26:14,674 ONE PERSON FROM THE EMBASSY. SO WHAT? 515 00:26:14,707 --> 00:26:16,743 - WHO? 516 00:26:16,776 --> 00:26:18,344 - HE DIDN'T SAY HIS NAME. 517 00:26:18,377 --> 00:26:20,680 - DID ANYONE ELSE HAVE ACCESS 518 00:26:20,713 --> 00:26:25,351 TO WHERE YOU WERE OR YOUR THINGS? 519 00:26:25,384 --> 00:26:27,687 - NO. 520 00:26:28,921 --> 00:26:31,924 - YOU DIDN'T CHECK YOUR CLOTHES. 521 00:26:31,958 --> 00:26:34,326 - NO. WHY WOULD I? 522 00:26:36,028 --> 00:26:38,264 - THAT'S HOW THE HITTER FOUND US. 523 00:26:38,297 --> 00:26:42,268 HE MUST HAVE PLANTED IT ON YOU WHEN YOU MET. 524 00:26:42,301 --> 00:26:45,638 GET DRESSED. WE'RE ON FOOT FROM HERE. 525 00:26:45,672 --> 00:26:48,708 - ARE YOU KIDDING? 526 00:26:48,741 --> 00:26:50,677 "GET DRESSED. TAKE IT OFF. 527 00:26:50,710 --> 00:26:54,346 RUN. COME HERE. STOP. GO THERE." 528 00:26:54,380 --> 00:26:55,882 [sighs] 529 00:26:55,915 --> 00:26:58,818 [speaking Italian] 530 00:27:02,321 --> 00:27:04,323 AGAIN? 531 00:27:04,356 --> 00:27:05,391 - IT'S FOR YOUR OWN GOOD. 532 00:27:05,424 --> 00:27:07,927 - YEAH, SURE. WHATEVER. 533 00:27:07,960 --> 00:27:10,362 YOU KNOW, I BET YOU NEVER HAD AN ITALIAN BOYFRIEND. 534 00:27:10,396 --> 00:27:12,932 - OH, WHICH WOULD CHANGE MY LIFE FOREVER, NO DOUBT. 535 00:27:12,965 --> 00:27:15,702 - YOU JOKE, BUT YOU ASK ANY WOMAN, SHE'LL TELL YOU. 536 00:27:15,735 --> 00:27:16,903 WE KNOW THINGS. 537 00:27:16,936 --> 00:27:18,771 YOU, HOWEVER-- YOU'RE A LOST CAUSE. 538 00:27:18,805 --> 00:27:20,439 - ARE YOU REALLY THIS PERSON? - EH. 539 00:27:20,472 --> 00:27:22,308 - I'M TRYING TO KEEP US ALIVE, 540 00:27:22,341 --> 00:27:23,776 AND YOU'RE INTERESTED IN MY BOYFRIENDS? 541 00:27:23,810 --> 00:27:25,444 - WELL, I'M TRYING TO HELP YOUR LOVE LIFE-- 542 00:27:25,477 --> 00:27:26,245 - YOU WANT TO HELP ME? 543 00:27:26,278 --> 00:27:29,682 TELL ME WHO'S TRYING TO KILL YOU. 544 00:27:29,716 --> 00:27:30,783 - [sighs] 545 00:27:30,817 --> 00:27:32,084 WELL-- 546 00:27:32,118 --> 00:27:33,419 - UNLESS A WOMAN SHOULDN'T KNOW THESE THINGS. 547 00:27:33,452 --> 00:27:35,121 - LOOK, I MEAN-- 548 00:27:35,154 --> 00:27:39,125 I THINK IT'S ABOUT A STORY I'VE BEEN WORKING ON... 549 00:27:39,158 --> 00:27:40,727 ABOUT THE O.C.U. 550 00:27:40,760 --> 00:27:41,694 - THE ITALIAN OIL CONGLOMERATE? 551 00:27:41,728 --> 00:27:43,362 - YES, EXACTLY, AND THE ITALIAN GOVERNMENT. 552 00:27:43,395 --> 00:27:44,997 - IT'S A CONSPIRACY? 553 00:27:45,031 --> 00:27:47,433 - MY SOURCES ARE CONNECTED TO CERTAIN GOVERNMENT OFFICIALS. 554 00:27:47,466 --> 00:27:50,402 IT'S ABOUT THE OIL RIGS HERE IN SOUTH AMERICA. 555 00:27:50,436 --> 00:27:52,671 - I WANT TO GET YOU TO A SAFE HOUSE. 556 00:27:55,474 --> 00:27:59,846 [crowd cheering] 557 00:27:59,879 --> 00:28:01,280 - THEY SAY, "FOLLOW THE MONEY." 558 00:28:01,313 --> 00:28:05,818 WELL, I FOLLOWED THE MONEY, AND HERE I AM. 559 00:28:05,852 --> 00:28:07,987 THEY KNOW I'M CLOSE TO PUBLISHING. 560 00:28:08,020 --> 00:28:09,355 I HAVE CORROBORATION-- 561 00:28:09,388 --> 00:28:10,990 HOW THEY BRIBED AND EXTORTED 562 00:28:11,023 --> 00:28:12,959 TO GET THEIR SHARE OF THE SAN JORGE OIL FIELDS. 563 00:28:12,992 --> 00:28:16,362 THEY WANT TO STOP ME. THEY NEED TO STOP ME. 564 00:28:16,395 --> 00:28:18,430 I AM NOT A SPY. 565 00:28:18,464 --> 00:28:19,465 I'M A WRITER. 566 00:28:19,498 --> 00:28:21,734 I'VE BEEN WORKING ON THIS STORY FOR TWO YEARS. 567 00:28:21,768 --> 00:28:24,170 SOMEONE WANTS ME BACK IN ITALY TO-- 568 00:28:24,203 --> 00:28:26,973 TO STOP ME FROM PUBLISHING. 569 00:28:27,006 --> 00:28:29,341 - THE ITALIAN EMBASSY MAY NOT BE THE PLACE TO GO. 570 00:28:29,375 --> 00:28:30,376 - FINALLY. 571 00:28:30,409 --> 00:28:32,178 - BUT WE CAN'T GO TO THE U.S. EMBASSY EITHER. 572 00:28:32,211 --> 00:28:33,445 - WHY? - IT'S COMPLICATED. 573 00:28:33,479 --> 00:28:36,215 [cell phone rings] 574 00:28:36,248 --> 00:28:37,950 YEAH? - WHERE ARE YOU? 575 00:28:37,984 --> 00:28:39,485 - WE'RE IN THE CITY. - YOU ARE NOT SAFE. 576 00:28:39,518 --> 00:28:41,387 THE LOCAL AUTHORITIES HAVE YOUR DESCRIPTIONS. 577 00:28:41,420 --> 00:28:42,822 - NOT SURPRISING. 578 00:28:42,855 --> 00:28:44,390 - WE'RE WORKING ON AN EXTRACTION. 579 00:28:44,423 --> 00:28:46,425 YOU ARE NOT TO GO TO THE ITALIAN EMBASSY. 580 00:28:46,458 --> 00:28:47,994 UNDERSTOOD? - YEAH. 581 00:28:48,027 --> 00:28:49,495 I-I ALREADY FIGURED THAT OUT. 582 00:28:49,528 --> 00:28:51,330 - ARE EITHER OF YOU INJURED? 583 00:28:51,363 --> 00:28:52,832 - NO, WE'RE GOOD. 584 00:28:52,865 --> 00:28:55,467 THE PACKAGE MAY NOT BE WHAT WE THOUGHT IT WAS. 585 00:28:55,501 --> 00:28:58,037 - WELL, I DON'T THINK ANYONE IS WHO WE THINK THEY ARE. 586 00:28:58,070 --> 00:29:00,406 EITHER WAY, YOUR SAFETY IS WHAT'S IMPORTANT. 587 00:29:00,439 --> 00:29:02,108 AUGGIE'S WORKING ON A POSSIBLE EXIT. 588 00:29:02,141 --> 00:29:03,509 - "POSSIBLE"? 589 00:29:03,542 --> 00:29:06,278 - HIGHLY PROBABLE, THOUGH STILL IN THE FORMATIVE STAGES. 590 00:29:06,312 --> 00:29:07,379 I NEED YOU TO GET 591 00:29:07,413 --> 00:29:10,349 TO THE U.S. PRESIDENT'S LINE TERMINAL AT THE WHARF. 592 00:29:10,382 --> 00:29:12,018 - U.S. PRESIDENT'S LINE 593 00:29:12,051 --> 00:29:13,485 AT BUENOS AIRES OR LA COTTA? 594 00:29:13,519 --> 00:29:15,487 - BUENOS AIRES, BERTH 28. 595 00:29:15,521 --> 00:29:17,489 I'LL HAVE MORE INFORMATION WHEN YOU GET THERE. 596 00:29:17,523 --> 00:29:19,191 JUST GET THERE AND BE SAFE. 597 00:29:19,225 --> 00:29:21,560 - AND THERE'S ANOTHER DETAIL YOU NEED TO BE AWARE OF. 598 00:29:21,593 --> 00:29:22,628 - ANNIE, WE'VE DISCOVERED 599 00:29:22,661 --> 00:29:24,396 THAT TWO OF CARLO'S CONTACTS HAVE TURNED UP DEAD 600 00:29:24,430 --> 00:29:25,932 IN THE PAST 24 HOURS. 601 00:29:25,965 --> 00:29:27,834 BOTH WERE EMPLOYED BY O.C.U. 602 00:29:27,867 --> 00:29:29,568 - HE TOLD ME HE'S WORKING ON A STORY ABOUT O.C.U. 603 00:29:29,601 --> 00:29:32,839 - THEIR NAMES ARE RINALDO AND VASQUEZ. 604 00:29:32,872 --> 00:29:35,007 - KEEP YOUR HEAD DOWN. GET TO THE WHARF. 605 00:29:35,041 --> 00:29:37,844 WE'LL GET YOU OUT. 606 00:29:37,877 --> 00:29:40,212 - WHAT? 607 00:29:40,246 --> 00:29:42,348 - RINALDO AND VASQUEZ-- DOES THAT MEAN ANYTHING? 608 00:29:42,381 --> 00:29:44,483 - TWO OF MY SOURCES. WHY? 609 00:29:44,516 --> 00:29:47,286 - THEY'RE DEAD. 610 00:29:51,457 --> 00:29:52,892 WE HAVE TO GET TO THE WHARF. 611 00:29:52,925 --> 00:29:54,861 MY AGENCY'S GONNA TRY AND GET US OUT OF HERE. 612 00:29:54,894 --> 00:29:57,596 - BUT, BUT-- 613 00:29:57,629 --> 00:29:59,832 - CARLO. 614 00:29:59,866 --> 00:30:02,001 CARLO, I'M SORRY. 615 00:30:02,034 --> 00:30:04,170 I KNOW THIS IS HARD, BUT WE HAVE TO MOVE. 616 00:30:04,203 --> 00:30:05,504 - I'M RESPONSIBLE. 617 00:30:05,537 --> 00:30:07,406 THEY PUT THEIR FAITH IN ME, AND NOW THEY'RE DEAD. 618 00:30:07,439 --> 00:30:09,375 - THE POLICE ARE LOOKING FOR US. 619 00:30:09,408 --> 00:30:13,179 IT'LL ALL BE FOR NOTHING IF YOU GET CAUGHT AND GO TO JAIL. 620 00:30:13,212 --> 00:30:15,882 WE HAVE TO MOVE, NOW. 621 00:30:18,050 --> 00:30:19,485 - [speaking Spanish] 622 00:30:19,518 --> 00:30:21,553 - UH, OH... 623 00:30:41,974 --> 00:30:44,210 SORRY. 624 00:30:55,121 --> 00:30:58,124 [crowd cheering] 625 00:31:21,447 --> 00:31:23,215 - I NEED TO TALK TO THE EDITOR, PLEASE. 626 00:31:23,249 --> 00:31:25,551 - CLARO QUE SI. 627 00:31:29,021 --> 00:31:30,489 - ANNIE, HOW-- HOW DID YOU KNOW? 628 00:31:30,522 --> 00:31:32,458 - WHERE ELSE WOULD A WRITER GO? 629 00:31:32,491 --> 00:31:33,525 - A WRITER? 630 00:31:33,559 --> 00:31:35,361 - LOOK, WE ARE STILL IN DANGER, 631 00:31:35,394 --> 00:31:37,329 AND I AM STILL RESPONSIBLE FOR YOU. 632 00:31:37,363 --> 00:31:40,066 - WHEN DID YOU DECIDE THAT-- - WE DON'T HAVE TIME FOR THIS. 633 00:31:40,099 --> 00:31:41,133 WE NEED TO GET TO THE EXTRACTION POINT. 634 00:31:41,167 --> 00:31:44,436 - I AM GLAD. I REALLY AM, BUT I HAVE TO DO THIS. 635 00:31:44,470 --> 00:31:46,038 - NO, YOU NEED TO TRUST ME. 636 00:31:46,072 --> 00:31:49,075 - I DO TRUST YOU... MOSTLY. 637 00:31:49,108 --> 00:31:51,210 BUT I TRUST THIS TOO. 638 00:31:51,243 --> 00:31:54,080 LOOK, IF I'M GOING TO GET KILLED, ANNIE, 639 00:31:54,113 --> 00:31:56,348 WHICH AT THIS POINT IS FAIRLY PROBABLE, 640 00:31:56,382 --> 00:31:59,285 THEN I HAVE TO GET MY STORY OUT. 641 00:31:59,318 --> 00:32:00,386 I HAVE TO. 642 00:32:00,419 --> 00:32:04,290 I MADE PROMISES, AND I WANT TO KEEP THOSE PROMISES. 643 00:32:07,259 --> 00:32:09,061 - HOW DO YOU KNOW THEY'LL PRINT IT? 644 00:32:09,095 --> 00:32:11,363 - I DON'T. 645 00:32:11,397 --> 00:32:14,400 BUT IT'S NOT THE BATTLES WON, ANNIE. 646 00:32:14,433 --> 00:32:15,434 IT'S THE BATTLES WAGED. 647 00:32:15,467 --> 00:32:18,470 YOU CAN UNDERSTAND THAT... 648 00:32:18,504 --> 00:32:21,440 IF YOU ARE WHO I THINK YOU ARE. 649 00:32:24,476 --> 00:32:26,712 - MAKE IT QUICK. 650 00:32:43,429 --> 00:32:46,498 - YOU THINK I HAVE AN ULTERIOR MOTIVE? 651 00:32:46,532 --> 00:32:49,335 - FRANKLY, YES. 652 00:32:49,368 --> 00:32:50,602 WE ALL HAVE MOTIVES. 653 00:32:50,636 --> 00:32:53,072 WE'RE TOLD THAT IN OUR TRAINING, TO EXPECT IT. 654 00:32:53,105 --> 00:32:55,374 - YOU THINK MINE ARE SUSPECT DUE TO MY CIRCUMSTANCES? 655 00:32:55,407 --> 00:32:58,377 - NO, SIR. DUE TO MY CIRCUMSTANCES. 656 00:32:58,410 --> 00:32:59,645 - UH-HUH. 657 00:32:59,678 --> 00:33:01,380 - YOU'RE IN A PUBLIC RELATIONS BATTLE, 658 00:33:01,413 --> 00:33:03,349 AND I'M THE FEEL-GOOD HIT OF THE SUMMER. 659 00:33:03,382 --> 00:33:05,084 - [chuckles] THAT'S BALLSY, AUGGIE. 660 00:33:05,117 --> 00:33:06,318 GOOD FOR YOU. 661 00:33:06,352 --> 00:33:08,620 I HAVE MY REASONS, SURE. 662 00:33:08,654 --> 00:33:10,556 AND, YES, I AM FIGHTING FOR MY CAREER. 663 00:33:10,589 --> 00:33:13,392 SO WHAT? IT'S IRRELEVANT. 664 00:33:13,425 --> 00:33:16,062 THERE'S NEVER A CLEAN GAME BOARD, AUGGIE, NEVER. 665 00:33:16,095 --> 00:33:18,330 GETS MORE COMPLICATED THE HIGHER YOU CLIMB. 666 00:33:18,364 --> 00:33:20,466 UP OR DOWN, YES OR NO. 667 00:33:20,499 --> 00:33:22,368 YOUR DECISION, YOUR TERMS. 668 00:33:22,401 --> 00:33:26,105 TO HELL WITH ME OR WHAT I MAY OR MAY NOT NEED. 669 00:33:26,138 --> 00:33:29,275 AND I WOULDN'T WORRY ABOUT ME TOO MUCH IF I WERE YOU. 670 00:33:29,308 --> 00:33:33,545 I STILL HAVE A FEW TEETH IN MY HEAD. 671 00:33:33,579 --> 00:33:35,714 - QUESTION-- 672 00:33:35,747 --> 00:33:38,184 WHO WOULD I ANSWER TO? 673 00:33:38,217 --> 00:33:40,319 - THE D.C.I. AND ME. 674 00:33:40,352 --> 00:33:43,389 - AND WHAT ABOUT...PERKS? 675 00:33:43,422 --> 00:33:45,691 - WHAT DO YOU HAVE IN MIND? 676 00:33:45,724 --> 00:33:48,460 - SAY I WANTED AN EXTRACTION IN A FOREIGN COUNTRY. 677 00:33:48,494 --> 00:33:50,296 - [laughs] 678 00:33:50,329 --> 00:33:54,400 I THOUGHT YOU WERE GONNA ASK FOR A WET BAR. 679 00:33:54,433 --> 00:33:56,735 [Carlo speaking Spanish] 680 00:34:03,342 --> 00:34:05,444 HIS PEOPLE ARE WORKING ON THE SAME STORY. 681 00:34:05,477 --> 00:34:07,379 HE'S GOT A REPORTER IN THE SAN JORGE GULF, 682 00:34:07,413 --> 00:34:08,780 AND I ALSO GOT A NAME. 683 00:34:08,814 --> 00:34:10,549 I KNOW WHO VISITED ME WHEN I WAS IN CUSTODY. 684 00:34:10,582 --> 00:34:11,817 - WHO? - GENARO. 685 00:34:11,850 --> 00:34:14,386 ROMANO GENARO. - HE'S ITALIAN INTELLIGENCE. 686 00:34:14,420 --> 00:34:16,555 - HE GETS A CUT ON ANY OIL EXTRACTED-- 687 00:34:16,588 --> 00:34:18,290 POTENTIALLY MILLIONS. 688 00:34:18,324 --> 00:34:21,193 I KNEW I WAS MAKING SOMEONE IN THE GOVERNMENT UNHAPPY, 689 00:34:21,227 --> 00:34:22,561 SOMEONE PULLING STRINGS. 690 00:34:22,594 --> 00:34:24,130 I DIDN'T KNOW UNTIL NOW. 691 00:34:24,163 --> 00:34:27,266 HE'S IN FOR A BIG SURPRISE. 692 00:34:43,382 --> 00:34:46,418 - WHAT'S THE BEST WAY TO THE WHARF? 693 00:34:50,156 --> 00:34:51,490 - GENARO'S OUR MAN. 694 00:34:51,523 --> 00:34:54,360 HE'S BEEN ASSISTING THE ITALIAN OIL CONGLOMERATE O.C.U. 695 00:34:54,393 --> 00:34:56,228 AND COERCING OIL LEASES. 696 00:34:56,262 --> 00:34:58,664 CARLO RENI'S INVESTIGATIONS WERE ABOUT TO UNCOVER THAT 697 00:34:58,697 --> 00:34:59,898 AND NAME NAMES. 698 00:34:59,931 --> 00:35:01,500 THAT'S WHY GENARO WAS SO ANXIOUS 699 00:35:01,533 --> 00:35:02,734 TO KEEP THIS OFF THE OFFICIAL CHANNELS. 700 00:35:02,768 --> 00:35:05,337 - SO MUCH FOR PROFESSIONAL COURTESY. 701 00:35:05,371 --> 00:35:06,472 - RENI IS NOT A SPY. 702 00:35:06,505 --> 00:35:09,441 - BUT, JOAN, THIS DOESN'T CHANGE THE FACTS ON THE GROUND. 703 00:35:09,475 --> 00:35:10,542 - JORGE-- 704 00:35:10,576 --> 00:35:12,544 - YOUR OPERATIVE CRASHED THROUGH A POLICE CHECKPOINT 705 00:35:12,578 --> 00:35:15,247 AND ASSAULTED A LOCAL POLICEMAN. 706 00:35:15,281 --> 00:35:16,382 I'M BRINGING HER IN. 707 00:35:16,415 --> 00:35:19,785 - DO NOT THREATEN ME. THIS IS MY OPERATIVE AT RISK. 708 00:35:19,818 --> 00:35:22,421 - AND THIS IS THE BUSINESS WE'RE IN, JOAN. 709 00:35:22,454 --> 00:35:24,423 YOU DO YOUR JOB. 710 00:35:24,456 --> 00:35:26,492 I'LL DO MINE. 711 00:35:26,525 --> 00:35:29,395 - JORGE, SOMETIME, SOMEWHERE... 712 00:35:29,428 --> 00:35:31,663 WE WILL HAVE FUTURE BUSINESS. 713 00:35:31,697 --> 00:35:34,633 DO NOT THINK FOR A MINUTE THAT YOUR HARMING 714 00:35:34,666 --> 00:35:37,269 ONE OF MY PEOPLE WILL NOT HAVE A DEEP IMPACT 715 00:35:37,303 --> 00:35:39,805 ON OUR RELATIONSHIP. 716 00:36:17,676 --> 00:36:19,811 - ANNIE, WHAT'S HE DOING HERE? 717 00:36:19,845 --> 00:36:22,248 - SOMEONE AT THE NEWSPAPER MUST HAVE TIPPED HIM OFF. 718 00:36:22,281 --> 00:36:26,785 - WHAT? 719 00:36:26,818 --> 00:36:29,255 WHAT? - I'M GONNA UNCUFF YOU. 720 00:36:29,288 --> 00:36:32,391 GIVE ME YOUR WORD. - YEAH. 721 00:36:32,424 --> 00:36:33,992 - I WANT YOU TO STAY RIGHT HERE, AND I'LL BE BACK. 722 00:36:34,025 --> 00:36:36,262 - NO, WAIT, WAIT, WAIT. WHAT ARE YOU GOING TO DO? 723 00:36:36,295 --> 00:36:37,396 - KEEP YOU SAFE. 724 00:36:37,429 --> 00:36:39,265 [loud metallic bang] 725 00:36:39,298 --> 00:36:41,800 [key clattering, water splashes] 726 00:36:48,440 --> 00:36:49,708 - YOUR PEOPLE ARE NOT COMING. 727 00:36:49,741 --> 00:36:51,477 - THEY'RE COMING. - NO. 728 00:36:51,510 --> 00:36:52,878 THE MINUTE THINGS BECAME COMPLICATED, 729 00:36:52,911 --> 00:36:54,480 YOU BECAME DISPENSABLE. 730 00:36:54,513 --> 00:36:56,715 IT'S EASIER TO JUST LET US DIE. - YOU'RE WRONG. 731 00:36:56,748 --> 00:36:58,917 THE PEOPLE I WORK FOR DON'T THINK OF ME AS DISPENSABLE, 732 00:36:58,950 --> 00:37:00,786 OR YOU. 733 00:37:06,658 --> 00:37:07,826 THEY'LL BE HERE. 734 00:37:07,859 --> 00:37:10,896 COME ON. 735 00:37:11,997 --> 00:37:15,367 [indistinct chatter] 736 00:37:26,845 --> 00:37:32,851 [all grunting] 737 00:37:44,896 --> 00:37:47,333 - YOU OKAY? - UH-HUH. 738 00:37:47,366 --> 00:37:49,335 [groans] 739 00:37:49,368 --> 00:37:53,972 [helicopter approaching] 740 00:37:54,005 --> 00:37:56,375 - THAT'S OUR RIDE. 741 00:38:01,413 --> 00:38:03,982 - WE HAVE A VISUAL ON THEM. 742 00:38:08,587 --> 00:38:10,556 - EXTRACTION TEAM HAS THEM IN SIGHT. 743 00:38:24,570 --> 00:38:26,472 [tires screeching] 744 00:38:26,505 --> 00:38:28,840 - LOCAL POLICE ARE ON THE SCENE. 745 00:38:28,874 --> 00:38:30,342 STANDING BY. 746 00:38:30,376 --> 00:38:32,310 [indistinct radio chatter] 747 00:38:40,519 --> 00:38:43,054 - MY COMPLIMENTS... 748 00:38:43,088 --> 00:38:45,991 ELUDING MY MEN, STAYING ALIVE. 749 00:38:47,493 --> 00:38:49,661 BUT THIS IS THE END OF THE ROAD. 750 00:38:49,695 --> 00:38:50,962 [gunshot] 751 00:38:57,969 --> 00:39:00,105 ENOUGH. 752 00:39:00,138 --> 00:39:03,942 MISS, YOU AND MR. RENI WILL LEAVE MY COUNTRY 753 00:39:03,975 --> 00:39:06,678 AS QUICKLY AS POSSIBLE. 754 00:39:08,480 --> 00:39:11,750 TELL JOAN I LOOK FORWARD TO OUR NEXT TIME. 755 00:39:11,783 --> 00:39:14,386 - I WILL. 756 00:39:27,098 --> 00:39:30,068 - WE'RE 555, WHOLE PACKAGE ON BOARD. 757 00:39:30,101 --> 00:39:33,004 OVER AND OUT. 758 00:39:38,977 --> 00:39:41,447 - MR. GENARO, WOULD YOU CARE TO ADD ANYTHING 759 00:39:41,480 --> 00:39:42,848 TO YOUR STATEMENT REGARDING THE ATTACK 760 00:39:42,881 --> 00:39:45,651 ON A U.S. OPERATIVE IN ARGENTINA? 761 00:39:49,921 --> 00:39:52,991 - HE OFFERED YOU THE JOB, DIDN'T HE? 762 00:39:53,024 --> 00:39:55,393 LOOKS LIKE YOU'RE HIS BOY NOW. 763 00:39:58,163 --> 00:39:59,798 GOOD LUCK WITH THAT. 764 00:39:59,831 --> 00:40:02,801 [Static Waves by Andrew Belle] 765 00:40:02,834 --> 00:40:04,470 - * COUNT THE STEPS... 766 00:40:04,503 --> 00:40:07,973 - I, UM... - * FROM WHERE I AM 767 00:40:08,006 --> 00:40:10,075 - [speaking Italian] 768 00:40:10,108 --> 00:40:12,578 BIG ENOUGH TO EAT MY WORDS. 769 00:40:12,611 --> 00:40:14,713 I'M GOING HOME, 770 00:40:14,746 --> 00:40:17,883 AND I'M PUBLISHING BECAUSE OF THE CIA. 771 00:40:17,916 --> 00:40:21,119 EH, I MAY HAVE TO RETHINK SOME OF MY POSITIONS. 772 00:40:21,152 --> 00:40:22,954 [laughs] 773 00:40:22,988 --> 00:40:24,990 - ITALIAN MEN ARE IMPRESSIVE. 774 00:40:25,023 --> 00:40:26,458 - COME TO ITALY NOW. 775 00:40:26,492 --> 00:40:27,693 I'LL SHOW YOU ROMA. 776 00:40:27,726 --> 00:40:29,027 MY MOTHER WILL COOK. 777 00:40:29,060 --> 00:40:30,228 - YOUR MOTHER? 778 00:40:30,261 --> 00:40:33,899 - WELL, I'M A GOOD ITALIAN SON. 779 00:40:33,932 --> 00:40:35,701 - MAYBE ANOTHER TIME. 780 00:40:35,734 --> 00:40:40,138 - * I KNOW YOU'RE NEVER GONNA... * 781 00:40:40,171 --> 00:40:44,910 - * I WOULD HAVE LET YOU LEAVE * 782 00:40:46,912 --> 00:40:49,748 * I WOULD HAVE LET YOU LEAVE * 783 00:40:49,781 --> 00:40:51,249 - CIAO. 784 00:40:51,282 --> 00:40:53,685 * 785 00:40:53,719 --> 00:40:57,155 - * I WOULD HAVE LET YOU LEAVE * 786 00:40:57,188 --> 00:41:01,793 - * THE STATIC WAVES ACROSS THE SCREEN * 787 00:41:01,827 --> 00:41:04,262 * DEFINE THIS NOTION 788 00:41:04,295 --> 00:41:08,233 * BACK AND FORTH AND IN BETWEEN * 789 00:41:08,266 --> 00:41:10,636 * LIKE MY EMOTION - [chuckles] 790 00:41:10,669 --> 00:41:15,140 - * AND I KNOW YOU'RE NEVER GONNA UNDERSTAND * 791 00:41:15,173 --> 00:41:17,509 * 792 00:41:17,543 --> 00:41:18,777 - * AND WON'T YOU SLOW DOWN-- 793 00:41:18,810 --> 00:41:20,245 - ONE NEW MESSAGE. 794 00:41:20,278 --> 00:41:21,913 - WELCOME HOME, STRANGER. 795 00:41:21,947 --> 00:41:23,582 LOOK, FIND ME WHEN YOU GET A MOMENT. 796 00:41:23,615 --> 00:41:24,983 WE NEED TO TALK. 797 00:41:25,016 --> 00:41:27,152 I HAVE SOME NEWS. 798 00:41:27,185 --> 00:41:29,254 HOPE YOU HAD A GOOD NIGHT. 799 00:41:29,287 --> 00:41:31,489 LATER.