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Next time preview

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This is a secret between me and only Chinjise

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I have something to talk about, will you come?

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Only Chinjise

5
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You two brothers will leave from here

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to this orphans in the northeast

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we will send you

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The departure is tomorrow

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Hey

10
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How was it?

11
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Hey, Lever

12
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Chinjise, tell me

13
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Teacher Naira didn't do any investigation

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Akram and Naira were preparing to drive us out

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So...

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That's why!

17
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I told you not to trust adults

18
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He has a sharp edge

19
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As long as he is gone

20
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There will be no problem

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You're really the expert, Naira.

22
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It's our fault, isn't it?

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Because Naira went to the expert.

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Good night.

25
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What are you doing?

26
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Don't go alone.

27
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We can help too.

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Let us help.

29
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You're going in, aren't you?

30
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Leave it to me.

31
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How's it going?

32
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What's inside?

33
00:03:58,220 --> 00:04:01,230
If there's any evidence that Demiro was shot,

34
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It's over there.

35
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A vault?

36
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Even Demichi keeps records of transactions.

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If they're hiding it,

38
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It's here.

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Leave it to me.

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Do you know the number here?

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No,

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you're not going to get out of it that easily

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For real?

44
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Yeah, that's right

45
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A

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Hana-chan, goodbye

47
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Stay healthy

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Hey

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Your hands are shaking

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Yeah, thanks

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Goodbye

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Anachan, this

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Wow, it's a hat. Thanks

54
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It's a selection. Use it carefully.

55
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Ah, thank you.

56
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Chingiz

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Well, it's a pity, but it's time to

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say goodbye.

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Anachan

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Stay well over there.

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Miss Anna.

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Anya's leaving.

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Another big amount.

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Count it quickly.

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Still
Husband

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Every week this amount of Demier.

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Where are you getting this from?

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Be quiet and do it quickly.

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Please be careful

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It'll be a problem for the year.

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It's about time.

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Ah

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Something happened?

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The evaluation of the teachers' shifts

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Every Friday night shift

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Is always assigned to Bordeaux teacher.

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Look carefully.

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Aklam and Naira are both on leave, right?

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That's

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The closest dark position from here is

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It takes place every Friday.

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those guys

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every week they go there

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First time for Bolorman

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Do you remember the day you sneaked into the warehouse?

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That day was also on a Friday night.

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By the way

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We're in trouble, we need to hide.

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Remember when one of the trucks went somewhere else back then?

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What if that

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truck

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went to the black market

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and sold Demi-Lore?

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If you go there, you can get the salt.

95
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Whoa

96
00:08:51,150 --> 00:08:52,970
But that means

97
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Chinggis won't be there either.

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That's better.

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Since I disappeared, they

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must be careless.

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Anu and I

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are going to the orphanage in the northeast

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and the dark location is

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here

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roughly

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four kilometers

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should be doable on foot

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but how are we going to get evidence

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for the farewell

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you need a gift

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A gift?

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The one that Professor Naira used

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camera

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is the one for selection

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Please give me a gift on the day of departure

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to capture the evidence with that camera

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That's the only way

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Be careful

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So the secret plan is good

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Alright

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You really can't be trusted.

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I got a report that someone from the orphanage over there disappeared.

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Just hand it over quietly.

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If you listen to me, you won't get into trouble.

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Or maybe you're just going to

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disappear without a trace.

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No one even notices when one child goes missing.

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Even if you die, hand it over.

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That district

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will get it.

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Gakkinku

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wait.

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Jengisu

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Yes, yes. Yes.

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MARIPOSA

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That was a shame.

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Nara-sensei

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What were you planning to do with this?

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You've seen enough of this yourself.
This world is all about power and money,

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everything.

141
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What a weakling does is pointless.

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You're going to be crushed anyway.

143
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If you had just behaved yourself,

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you wouldn't have lost your life.

145
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You should have known that.

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Acrum,

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sell the longon.

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Let go.

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Let go, Acrum.

150
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You're safe now.

151
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Thank you.

152
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That,

153
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why are you still trying to deceive me?

154
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Do you really think you can still fool me?

155
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From Bordeaux,

156
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there have been reports of more children suffering from anemia.

157
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we suspected poor nutrition management and quietly started an investigation.

158
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we couldn't find conclusive evidence of wrongdoing,

159
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so we kept monitoring the situation.

160
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even the staff who had repeatedly encountered children

161
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I think there's something fishy about this.

162
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Today, I talked to the kids.

163
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I heard about it.

164
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So I went to gather evidence with the camera.

165
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I want to protect everyone here.

166
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Please help me.

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[garbled Cyrillic text]
Nogoon-Beki
Please help Chinjis.

168
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Please.

169
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They told me everything.

170
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Including the transactions happening here today.

171
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Please tell me all about it.

172
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Come on!

173
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Wait a minute!

174
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Please... please don't let them die!

175
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Akram!

176
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Naila.

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Tell the kids that they left due to illness.

178
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That's a shame.

179
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Does it hurt?

180
00:15:20,940 --> 00:15:23,340
You're okay.

181
00:15:25,320 --> 00:15:25,800
I'm okay.

182
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There's a kid.

183
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Hurry up.

184
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It's okay.

185
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I'm okay.

186
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Me and that

187
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who helped us

188
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was necessary.

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I

190
00:16:03,530 --> 00:16:04,060
was needed twice

191
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you saved everyone.

192
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Thank you.

193
00:16:34,510 --> 00:16:35,080
Chingus

194
00:17:01,640 --> 00:17:03,380
Keep walking the path you believe is right.

195
00:17:12,010 --> 00:17:12,320
Yes.

196
00:17:22,410 --> 00:17:24,390
A wish?

197
00:17:24,390 --> 00:17:25,800
That's the way it is.

198
00:17:25,800 --> 00:17:28,430
It's a Japanese custom to write a wish on it.

199
00:17:28,430 --> 00:17:29,480
Write your wish on that.

200
00:17:29,480 --> 00:17:31,720
You write it on it.

201
00:17:31,720 --> 00:17:33,220
What are their wishes?

202
00:17:34,280 --> 00:17:35,480
Hey, write it for the two of them

203
00:17:35,480 --> 00:17:39,800
Maybe write it for An-san

204
00:17:51,880 --> 00:17:54,730
May An-chan have enough to eat

205
00:17:54,730 --> 00:17:57,280
Because she's cute

206
00:18:05,000 --> 00:18:06,630
What are you talking about

207
00:18:06,630 --> 00:18:09,220
Don't look at it on your own

208
00:18:09,220 --> 00:18:10,420
Yeah

209
00:18:10,420 --> 00:18:12,270
For real?

210
00:18:12,270 --> 00:18:15,180
Didn't you say you hated it before

211
00:18:15,180 --> 00:18:16,120
It's fine anyway

212
00:18:18,860 --> 00:18:20,450
But I think it's okay

213
00:18:22,570 --> 00:18:22,880
It fits perfectly

214
00:18:32,590 --> 00:18:34,470
I want to be an adult who can protect the weak

215
00:18:34,470 --> 00:18:36,820
Protect

216
00:18:40,854 --> 00:18:43,056
The culprit is fleeing toward northern Kudan.

217
00:18:43,056 --> 00:18:45,459
We'll split into two teams, the east route and the west route.

218
00:18:45,459 --> 00:18:48,061
It's just one person. We'll catch him right away.

219
00:18:48,061 --> 00:18:50,063
Roger.

220
00:18:55,002 --> 00:18:56,470
What's wrong?
Beno-on

221
00:18:57,538 --> 00:19:00,340
I'm heading out on a call right now. Can it wait until later?
Legodoo Ooruma Satsuaa Gun

222
00:18:58,440 --> 00:19:01,100
Dara Ooruhowan

223
00:19:00,874 --> 00:19:02,276
I see.
Himu-on

224
00:19:08,482 --> 00:19:10,551
Wait a moment.
Za

225
00:19:10,440 --> 00:19:12,440
Go!

226
00:19:12,619 --> 00:19:15,689
Mukhunbat, Bolormaa,

227
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Mungod

228
00:19:14,440 --> 00:19:16,440
Ho

229
00:19:15,689 --> 00:19:18,559
you two stay here and look after things.

230
00:19:16,440 --> 00:19:18,440
Go

231
00:19:18,559 --> 00:19:19,426
ALKA

232
00:19:20,027 --> 00:19:20,561
Understood. BAL

233
00:19:20,561 --> 00:19:20,894
CE
Understood. BALKA

234
00:19:21,562 --> 00:19:23,163
Please be careful.

235
00:19:22,470 --> 00:19:23,600
You're not going to be polite

236
00:19:24,710 --> 00:19:25,610
Masindō!

237
00:19:25,610 --> 00:19:26,240
Bano

238
00:19:27,701 --> 00:19:27,901
I have no reason to refuse. POLICE
Agowidu guaidu guaidu guaidu...

239
00:19:27,901 --> 00:19:28,702
POLICE
I have no reason to refuse.

240
00:19:28,702 --> 00:19:28,902
I have no reason to refuse.

241
00:19:29,036 --> 00:19:29,303
I have no reason to refuse.

242
00:19:29,303 --> 00:19:30,704
I have no reason to refuse. POLICE

243
00:19:31,438 --> 00:19:33,841
In exchange, tell me the information I need.

244
00:19:35,042 --> 00:19:36,043
Understood.

245
00:19:52,259 --> 00:19:52,526
DEMIR DEMIR

246
00:19:52,526 --> 00:19:52,726
L

247
00:19:53,193 --> 00:19:53,393
L

248
00:19:53,393 --> 00:19:53,861
كرار (Arabic, possibly a name) L

249
00:19:53,861 --> 00:19:54,928
L

250
00:19:55,329 --> 00:19:55,529
[noise] 4  

251
00:19:55,662 --> 00:19:55,929
[noise] L

252
00:19:56,196 --> 00:19:56,597
[noise]

253
00:19:56,597 --> 00:19:56,864
  [noise]

254
00:19:56,864 --> 00:19:57,064
[noise]

255
00:19:57,865 --> 00:19:59,333
Matsumoto
Beyond the limits of imagination

256
00:19:59,466 --> 00:20:00,133
Matsumoto

257
00:20:00,800 --> 00:20:04,160
Dive through the bottom of the ball

258
00:20:01,401 --> 00:20:01,869
cout << endl
cout<<endl;

259
00:20:04,160 --> 00:20:08,180
Someone is approaching

260
00:20:05,272 --> 00:20:05,472
one epidemically less well some d

261
00:20:08,180 --> 00:20:09,980
Charred spoon

262
00:20:09,980 --> 00:20:13,480
The worst feeling of hesitation in reason

263
00:20:13,480 --> 00:20:16,340
The freedom to act without penalty

264
00:20:16,340 --> 00:20:17,940
In a society of two strong forces

265
00:20:17,940 --> 00:20:20,240
Marsa parasite, please return

266
00:20:20,240 --> 00:20:20,840
Plaprika

267
00:20:20,840 --> 00:20:23,800
Dance on the palm of God

268
00:20:23,800 --> 00:20:26,660
So intense it burns the super wings

269
00:20:26,093 --> 00:20:28,228
  

270
00:20:26,660 --> 00:20:28,500
Black sun

271
00:20:28,228 --> 00:20:28,629
[noise]

272
00:20:28,629 --> 00:20:31,164
[noise]
We're nothing but a bunch of failures.

273
00:20:30,540 --> 00:20:33,200
That's not your concern as the perfect form.

274
00:20:31,164 --> 00:20:33,634
Borolkhagya Batbold

275
00:20:33,200 --> 00:20:35,740
At the end of this hell.

276
00:20:35,740 --> 00:20:38,240
No matter what choice I make.

277
00:20:38,240 --> 00:20:41,460
It's just what you'd expect from this place.

278
00:20:41,460 --> 00:20:44,940
I can't even let go of anyone.

279
00:20:44,940 --> 00:20:46,700
Let's just end it here.

280
00:20:46,700 --> 00:20:48,540
The perfect form of that thing.

281
00:20:48,540 --> 00:20:50,280
This world.

282
00:20:50,280 --> 00:20:53,820
If you don't understand, then what are you even doing here?

283
00:20:53,820 --> 00:20:57,200
Some kind of bag you haven't even met yet.

284
00:20:57,200 --> 00:20:59,560
Wander aimlessly, wasting your time.

285
00:20:59,560 --> 00:21:02,900
Inside that scattered mess is a computer.

286
00:21:02,900 --> 00:21:06,700
Thousands, millions, billions of layers.

287
00:21:05,599 --> 00:21:05,866
Screenplay

288
00:21:06,133 --> 00:21:06,466
Hayato Miyamoto

289
00:21:06,600 --> 00:21:06,800
[garbled]
Doi lol lol
Now our consciousnesses are merging.

290
00:21:06,800 --> 00:21:07,000
Emio Doi

291
00:21:07,000 --> 00:21:07,467
[noise]

292
00:21:07,980 --> 00:21:09,740
Stupid little cup of peck peck.

293
00:21:09,740 --> 00:21:11,540
A dragon that changed direction, lurking in the shadow of the sea.

294
00:21:10,737 --> 00:21:13,607
Music director

295
00:21:11,540 --> 00:21:14,640
A state of fusion where everyone is abandoned.

296
00:21:14,640 --> 00:21:16,980
A violent rage that tore itself apart after entwining.

297
00:21:15,475 --> 00:21:15,809
Music

298
00:21:16,143 --> 00:21:17,010
Akira Senju

299
00:21:17,010 --> 00:21:17,277
Kanematsu Komatsu Shu
The maximum of stick tara.

300
00:21:17,477 --> 00:21:17,678
T.A.

301
00:21:18,420 --> 00:21:19,840
It's not that it's vulgar.

302
00:21:19,840 --> 00:21:21,480
It's like a book.

303
00:21:21,215 --> 00:21:21,615
Theme Song

304
00:21:21,615 --> 00:21:21,815
Theme Song
Natori, "pupal"
The hospital changes, the song rises, it's definitely a shameful station.

305
00:21:21,949 --> 00:21:22,616
(Sony Music Labels Inc.)

306
00:21:25,480 --> 00:21:29,480
What you've been through, you'll repeat. What you've gained, you'll keep.

307
00:21:26,286 --> 00:21:26,820
Cinematography: Koki Hirayama

308
00:21:27,020 --> 00:21:27,621
B Camera: Kenta Yokoyama

309
00:21:27,821 --> 00:21:28,355
CA: Yuya Nishikata, Daiki Kurosawa

310
00:21:28,822 --> 00:21:29,289
Video: Tomoyuki Uno, Aya Hamachi

311
00:21:29,423 --> 00:21:29,823
Lighting: Atsushi Miyata
False continuity, high donkey, okay.

312
00:21:30,023 --> 00:21:30,357
Naoe Sato, Masaaki Hiraoka

313
00:21:30,557 --> 00:21:30,891
Reiou Konishi, Tomohiro Sato

314
00:21:31,158 --> 00:21:31,625
Sound: Erika Kobayashi

315
00:21:31,758 --> 00:21:32,159
Toshihiro Nasu, Ako Yonemori

316
00:21:32,359 --> 00:21:32,826
Unclear [unclear]

317
00:21:32,826 --> 00:21:33,026
Editing: Ryoya Hayasaka

318
00:21:33,227 --> 00:21:33,760
Online Editing: Taishi Matsumae

319
00:21:33,961 --> 00:21:34,628
Colorist: Haruka Okutsu

320
00:21:34,828 --> 00:21:35,362
VFX: Hirokazu Miyazaki

321
00:21:35,629 --> 00:21:36,163
Music Selection: Masaya Misono, Yuya Nakamura

322
00:21:36,363 --> 00:21:36,964
Sound Effects: Sakiyo Nakayoshi

323
00:21:37,164 --> 00:21:37,698
MA: Tatsuya Makino, Erina Yuasa

324
00:21:37,965 --> 00:21:38,498
TP: Ayano Endo

325
00:21:40,968 --> 00:21:41,502
Art Producer: Arata Ikubo

326
00:21:41,768 --> 00:21:42,302
Art Design: Akane Sasaki

327
00:21:42,503 --> 00:21:43,103
Art Director: Risako Kaku

328
00:21:43,370 --> 00:21:43,770
Set Decoration: Naoki Takao, Toshiyuki Maeda

329
00:21:43,770 --> 00:21:44,505
Set Decoration: Naoki Takao, Toshiyuki Maeda
Kosuke Nakayama, Yukari Kanmoto

330
00:21:44,505 --> 00:21:44,838
Aozora Ogiwara, Yutaka Masuda

331
00:21:45,038 --> 00:21:45,706
Large Set Construction: Hiroaki Wada

332
00:21:45,906 --> 00:21:46,440
Large Set Operation: Kozo Fujiwara

333
00:21:46,707 --> 00:21:47,641
Fittings/Joinery: Takeo Shiraiwa
Like the Icarus whose wings melt and fall in the rain's palm.

334
00:21:47,641 --> 00:21:48,175
Electric Decorations: Kazushi Hata

335
00:21:48,242 --> 00:21:48,775
Plant Decoration: Toshiharu Kaneko

336
00:21:49,042 --> 00:21:49,643
Props Coordinator: Toshinori Yatabe

337
00:21:49,776 --> 00:21:50,377
Food Coordinator: Manami Kawasaki

338
00:21:50,644 --> 00:21:51,044
Costumes: Yonosuke Watanabe, Hanaya Ono

339
00:21:51,311 --> 00:21:51,845
Aisumi Hasegawa, Tatsuya Torii

340
00:21:51,912 --> 00:21:52,312
Hair and Makeup: Yuki Kuno

341
00:21:52,513 --> 00:21:52,779
Yuko Fujii, Airi Uehara

342
00:21:53,313 --> 00:21:53,580
MIR MIR Hand Props: Aiyuri Morimoto, Hiroaki Hatano

343
00:21:54,047 --> 00:21:54,581
Art Management: Takanobu Yasumoto, Ryotaro Kushioka
No one can take it away. Even if it's complete, it's fine.

344
00:21:56,984 --> 00:21:57,317
Art Cooperation / Wig Production Cooperation

345
00:21:57,317 --> 00:21:57,584
Art Cooperation / Wig Production Cooperation
PATLITE, Aderans

346
00:21:57,584 --> 00:21:57,985
PATLITE, Aderans

347
00:21:59,180 --> 00:22:04,180
At the end of this hell, I've been waiting for you.

348
00:22:00,254 --> 00:22:00,521
Filming Cooperation

349
00:22:00,587 --> 00:22:01,188
Filming Cooperation
Miyashiro Town Community Center "Shinshukan"; NPO Shimosato School, Rural Mission Seminary

350
00:22:03,857 --> 00:22:04,191
Extras Cooperation.
[talent agencies and groups, names unchanged:] Network, Tachiroku, Y Production, Gei Pro FLT, Koga Production

351
00:22:04,191 --> 00:22:04,458
[agency names]
Gekidan Tohai, Courage Kids, Ichijo Komuten, Storm Riders, Sueño, Anthem
A bad ending that shakes the heart.

352
00:22:04,525 --> 00:22:04,858
[agency names]
Bonbon Famine Production, MIRAI, BIG TREE, Jobby Kids, Office Opa

353
00:22:04,858 --> 00:22:05,192
[agency names]
Charm, ACT Geino Shingakko (A-Gei), roots, NEWS Entertainment, Bon Courage

354
00:22:05,192 --> 00:22:05,526
[agency names]
Miyashiro Town Office, Child-Rearing Support Division; Miyashiro Town Kaede Children's Club

355
00:22:05,526 --> 00:22:05,859
Miyashiro Town Office, Child-Rearing Support Division; Miyashiro Town Kaede Children's Club

356
00:22:06,980 --> 00:22:14,360
Not hope, not despair. Move forward beyond that, we are the complete form.

357
00:22:08,061 --> 00:22:08,462
Cooperation

358
00:22:08,462 --> 00:22:08,862
Cooperation
TBS, ACT BULL, ROCS Co., Ltd., Midoriyama Studio City, SPD Meiji

359
00:22:08,862 --> 00:22:09,062
[company names]
TBS, ACT BULL, ROCs Co., Ltd., Midoriyama Studio City, SPD Meiji
LLAIDDELL, Komadon

360
00:22:09,263 --> 00:22:09,463
TELEFON, TC, HAIRBELL, Keihan Shokai, Komaden, MAEYAMA
Tokyo Costume, MAKE UP OFFICE

361
00:22:09,463 --> 00:22:09,663
TELEFON, HAIRBELL, Keihan Shokai, Komaden, MAEYAMA
Tokyo Costume, MAKE UP OFFICE
Asahi Plant Decoration, Winker, Location Bus Net 11, Imura Office Co., Ltd., Ei no Dai-hon [unclear]

362
00:22:09,796 --> 00:22:10,063
Asahi Plant Decoration, Winker, Location Bus Net 11, Imura Office Co., Ltd., [unclear]

363
00:22:12,599 --> 00:22:13,066
Mongolian Language Supervision: Lundaa Pionyer

364
00:22:13,200 --> 00:22:13,867
Painting Production: 大嶋彩也香

365
00:22:14,001 --> 00:22:14,601
Script Design: 王怡文
In this world, will anything be revealed if you wish?

366
00:22:14,868 --> 00:22:15,335
Vehicles: Hiroyuki Sato

367
00:22:15,402 --> 00:22:15,869
Hiroshi Morohashi, Tsuyoshi Kato

368
00:22:15,869 --> 00:22:16,069
[garbled] Tsuyoshi Kato

369
00:22:16,069 --> 00:22:16,670
Vehicle Cooperation: Fan

370
00:22:18,205 --> 00:22:18,739
Streaming Producer: Kaita Ishiyama

371
00:22:18,872 --> 00:22:19,339
Hideto Komazuka, Eri Sugiyama

372
00:22:19,540 --> 00:22:20,007
Publicity: Yuka Ito
Will anything change if you pray?

373
00:22:20,140 --> 00:22:20,674
Kano Ito, Yuki Ogawa

374
00:22:20,807 --> 00:22:21,341
Advertising: Ryota Okamura

375
00:22:21,608 --> 00:22:22,209
Stills: Yurina Kuroki, Hiroomi Ito

376
00:22:22,342 --> 00:22:23,010
End Title Editing: Mai Ogawa

377
00:22:23,677 --> 00:22:24,211
Scheduling: Manabu Kitagawa
There's no way around it, you're lost.

378
00:22:24,411 --> 00:22:25,012
Production Manager: Kosei Naramura, Daiki Ishiwatari

379
00:22:25,212 --> 00:22:25,812
Production Chief: Shibata Kumar Arjun
We're just puppets.

380
00:22:26,013 --> 00:22:26,413
Production Coordinator: Yuya Kido

381
00:22:28,880 --> 00:22:33,660
We aim for the end of the world.

382
00:22:33,660 --> 00:22:37,200
We've gained freedom.

383
00:22:37,200 --> 00:22:40,480
It reached even without rain.

384
00:22:40,480 --> 00:22:44,080
Go further, to the real distant place.

385
00:22:44,080 --> 00:22:51,200
We stopped our wishes, what did we do with our freedom?

386
00:22:51,200 --> 00:22:58,520
Even if dreams didn't reach, let's go even further.

387
00:23:16,620 --> 00:23:20,900
Biban is produced by TBS's 3M Power.