00:00:00,000 --> 00:00:04,162 Translated By The Community Of WWW.MY-SUBS.COM 1 00:00:12,767 --> 00:00:14,133 MR. HOTCHNER? 2 00:00:14,200 --> 00:00:15,133 YES. 3 00:00:15,200 --> 00:00:16,267 PLEASE, HE'S BEEN WAITING. 4 00:00:16,334 --> 00:00:17,367 THANK YOU. 5 00:00:20,033 --> 00:00:22,300 YOU'RE THE ONLY PERSON HE'S ASKED FOR. 6 00:00:22,367 --> 00:00:23,701 YOU MUST BE GOOD FRIENDS. 7 00:00:23,767 --> 00:00:26,801 ACTUALLY, WE WORKED TOGETHER ONCE, ABOUT 10 YEARS AGO. 8 00:00:26,868 --> 00:00:31,300 UH, HE'LL BE LUCKY IF HE MAKES IT THROUGH THE NIGHT. 9 00:00:31,367 --> 00:00:35,267 ANYTHING YOU DO TO EASE HIS PAIN WOULD BE A BLESSING. 10 00:00:44,734 --> 00:00:46,100 [DOOR OPENS] 11 00:00:51,601 --> 00:00:53,400 HI, TOM. 12 00:00:53,467 --> 00:00:55,367 YOU CAME. 13 00:00:55,434 --> 00:00:56,734 THANK YOU. 14 00:00:56,801 --> 00:00:57,968 OF COURSE, TOM, 15 00:00:58,033 --> 00:01:00,434 BUT I DON'T KNOW WHY YOU ASKED FOR ME. 16 00:01:00,501 --> 00:01:01,734 THE REAPER. 17 00:01:03,234 --> 00:01:06,467 I SHUT DOWN THE INVESTIGATION WITHOUT AN ARREST. 18 00:01:06,534 --> 00:01:09,400 THE KILLINGS STOPPED, 19 00:01:09,467 --> 00:01:11,834 AND I SENT YOU AWAY. 20 00:01:11,901 --> 00:01:14,067 YOU DESERVE TO KNOW WHY. 21 00:01:14,133 --> 00:01:16,133 OK. TELL ME. 22 00:01:22,801 --> 00:01:25,667 A DEAL WITH THE DEVIL. 23 00:01:30,968 --> 00:01:33,901 "IF YOU STOP HUNTING ME, I'LL STOP HUNTING THEM. 24 00:01:33,968 --> 00:01:36,033 "FOR AS LONG AS WE BOTH SHALL LIVE, 25 00:01:36,100 --> 00:01:37,434 "TIL DEATH DO US PART. 26 00:01:37,501 --> 00:01:38,968 "IF YOU AGREE TO MY TERMS, 27 00:01:39,033 --> 00:01:41,701 TAKE OUT A PERSONAL AD IN THE MICHIGAN POST." 28 00:01:41,767 --> 00:01:44,000 THIS IS A CONTRACT. 29 00:01:44,067 --> 00:01:45,734 WHICH WE BOTH HONORED. 30 00:01:45,801 --> 00:01:48,434 YOU KNOW WE WEREN'T CLOSE TO CATCHING HIM. 31 00:01:48,501 --> 00:01:51,067 IF IT DIDN'T WORK, I COULD HAVE RESTARTED THE INVESTIGATION, 32 00:01:51,133 --> 00:01:53,434 BUT IT DID. THE KILLING STOPPED. 33 00:01:53,501 --> 00:01:56,100 I WAITED 6 WEEKS-- 6 WEEKS-- 34 00:01:56,167 --> 00:01:58,300 BEFORE I SENT YOU AWAY. 35 00:01:59,434 --> 00:02:01,834 BUT, TOM, HOW DO YOU KNOW HE STOPPED? 36 00:02:01,901 --> 00:02:03,300 HE COULD HAVE JUST GONE SOMEPLACE ELSE. 37 00:02:03,367 --> 00:02:05,467 NO. I'VE KEPT WATCH. 38 00:02:05,534 --> 00:02:08,167 I KNOW HE STOPPED. 39 00:02:09,834 --> 00:02:12,033 SOONER OR LATER, WE WOULD HAVE CAUGHT A BREAK. 40 00:02:12,100 --> 00:02:14,501 HOW MANY PEOPLE WOULD HE HAVE KILLED 41 00:02:14,567 --> 00:02:16,501 BEFORE WE CAUGHT THAT BREAK, HUH? 42 00:02:16,567 --> 00:02:19,033 WOULD ALL THOSE LIVES BE WORTH IT? 43 00:02:19,100 --> 00:02:21,067 WE DON'T GET TO MAKE THOSE DECISIONS. 44 00:02:24,000 --> 00:02:27,133 WE DON'T LET THEM GET AWAY WITH IT. 45 00:02:27,200 --> 00:02:30,000 THEN YOU'LL HAVE TO PAY FOR MY SIN. 46 00:02:30,067 --> 00:02:31,534 HOW DO YOU MEAN? 47 00:02:31,601 --> 00:02:34,267 THE CONTRACT'S ABOUT TO EXPIRE. 48 00:02:36,267 --> 00:02:39,300 I'VE FELT HIM WATCHING ME. HE KNOWS. 49 00:02:39,367 --> 00:02:40,968 HE'S BEEN WAITING FOR THIS. 50 00:02:41,033 --> 00:02:42,801 YOU THINK HE'S GONNA START KILLING AGAIN. 51 00:02:44,167 --> 00:02:46,968 I DID IT TO SAVE LIVES. 52 00:02:47,033 --> 00:02:49,701 PLEASE TELL THE VICTIMS' FAMILIES 53 00:02:49,767 --> 00:02:51,300 THAT I'M SORRY. PLEASE. 54 00:02:51,367 --> 00:02:52,767 TELL THEM-- 55 00:02:52,834 --> 00:02:56,434 TELL THEM I-- I HAD NO CHOICE. 56 00:02:56,501 --> 00:02:58,634 I'LL TELL THEM YOU'RE SORRY. 57 00:03:02,067 --> 00:03:04,167 YES, THAT'S RIGHT. AARON HOTCHNER. 58 00:03:04,234 --> 00:03:06,100 SERGEANT O'MARA HAS THE NUMBER. 59 00:03:06,167 --> 00:03:07,267 THANK YOU. 60 00:03:09,701 --> 00:03:10,868 COME IN. 61 00:03:10,934 --> 00:03:12,434 I THINK I FOUND IT. 62 00:03:12,501 --> 00:03:15,834 MICHIGAN POST, MARCH 7, 1998. 63 00:03:15,901 --> 00:03:16,834 IS THAT RIGHT? 64 00:03:16,901 --> 00:03:18,000 HUH. 65 00:03:20,834 --> 00:03:22,467 YES. 66 00:03:22,534 --> 00:03:25,634 'CAUSE I FOUND IT, DO I GET TO KNOW WHAT IT'S ABOUT? 67 00:03:25,701 --> 00:03:26,868 THE REAPER. 68 00:03:26,934 --> 00:03:28,901 LIKE THE BOSTON REAPER? 69 00:03:30,434 --> 00:03:32,267 I DIDN'T EVEN KNOW THE B.A.U. WORKED ON THAT CASE. 70 00:03:32,334 --> 00:03:36,701 1998. IT WAS MY FIRST CASE FOR THE B.A.U. AS LEAD PROFILER. 71 00:03:36,767 --> 00:03:39,467 CORRECT ME IF I'M WRONG, BUT WE DON'T HAVE A PROFILE 72 00:03:39,534 --> 00:03:42,000 FOR THE REAPER IN OUR SYSTEM, DO WE? 73 00:03:42,067 --> 00:03:44,000 THAT'LL BE ALL, PENELOPE. YOU CAN GO HOME NOW. 74 00:03:44,067 --> 00:03:45,634 OK. 75 00:03:45,701 --> 00:03:46,801 GOOD NIGHT, SIR. 76 00:03:46,868 --> 00:03:47,868 GOOD NIGHT. 77 00:04:32,968 --> 00:04:35,367 THIS MORNING. 78 00:04:35,434 --> 00:04:39,701 YES, IT IS A GOOD THING THAT HE WENT QUICKLY IN THE END. 79 00:04:39,767 --> 00:04:42,267 WELL, I APPRECIATE YOU CALLING ME. 80 00:04:42,334 --> 00:04:44,901 THANK YOU VERY MUCH. 81 00:04:44,968 --> 00:04:46,968 [FLAT TIRE THUMPING] 82 00:04:56,934 --> 00:04:58,968 HOW BAD IS IT? 83 00:04:59,033 --> 00:05:00,367 WE HAVE 2 FLATS. 84 00:05:00,434 --> 00:05:02,133 HOW DID WE GET 2 FLATS? 85 00:05:02,200 --> 00:05:04,334 I DON'T KNOW. 86 00:05:04,400 --> 00:05:05,834 ALL RIGHT, I'LL CALL TRIPLE-A. 87 00:05:05,901 --> 00:05:09,734 [DIALING CELL PHONE] 88 00:05:09,801 --> 00:05:12,200 [TRUNK CLOSES] 89 00:05:15,133 --> 00:05:16,767 [GRUNTS] 90 00:05:25,601 --> 00:05:28,501 WHAT IF IT WAS US? YOU'D WANT SOMEBODY TO STOP, WOULDN'T YOU? 91 00:05:28,567 --> 00:05:30,501 HEY, ARE YOU ALL RIGHT? 92 00:05:30,567 --> 00:05:32,534 UH, NO, I GOT 2 FLATS. 93 00:05:32,601 --> 00:05:34,200 I ONLY GOT ONE SPARE. 94 00:05:34,267 --> 00:05:35,434 NINA HALE. 95 00:05:35,501 --> 00:05:37,334 ROUTE 128. 96 00:05:37,400 --> 00:05:39,868 YOU WANT TO TRY ONE OF MINE, SEE IF IT FITS? 97 00:05:39,934 --> 00:05:42,601 OH, THANKS. MY GIRLFRIEND'S ON WITH TRIPLE-A. 98 00:05:42,667 --> 00:05:44,267 WELL, I'LL GIVE YOU MY ADDRESS. 99 00:05:44,334 --> 00:05:45,767 IF IT WORKS, YOU CAN SEND ME A CHECK. 100 00:05:45,834 --> 00:05:47,968 I MEAN, IF YOU WANT TO STAY OUT HERE ALL NIGHT, 101 00:05:48,033 --> 00:05:51,701 THAT'S UP TO YOU. I JUST WANTED TO MAKE SURE YOU'RE OK. 102 00:05:51,767 --> 00:05:55,400 HEY, YOU KNOW WHAT? SURE. LET'S GIVE IT A SHOT, RIGHT? 103 00:05:55,467 --> 00:05:57,868 YOU GOT IT. 104 00:05:57,934 --> 00:06:01,734 OUR CAR HAS 2 FLAT TIRES, AND WE DON'T HAVE A SECOND SPARE. 105 00:06:01,801 --> 00:06:03,167 YEAH. 106 00:06:03,234 --> 00:06:04,701 JUST PAST NEEDHAM. 107 00:06:14,067 --> 00:06:15,567 [GROANS] 108 00:06:15,634 --> 00:06:16,734 I REALLY APPRECIATE THIS. 109 00:06:16,801 --> 00:06:17,934 [BEHIND MASK] MY PLEASURE. 110 00:06:25,200 --> 00:06:27,200 EVAN? 111 00:06:27,267 --> 00:06:28,934 EVAN! 112 00:06:30,000 --> 00:06:31,834 AAH! 113 00:06:31,901 --> 00:06:33,334 GIVE ME YOUR WATCH. 114 00:06:33,400 --> 00:06:35,200 PLEASE. 115 00:06:35,267 --> 00:06:36,901 PLEASE DON'T HURT US. 116 00:06:36,968 --> 00:06:38,734 THIS WON'T HURT. 117 00:06:38,801 --> 00:06:41,434 PLEASE, NO. 118 00:06:41,501 --> 00:06:43,734 SHH. 119 00:06:43,801 --> 00:06:47,400 I'M NOT GONNA SHOOT YOU. 120 00:06:47,467 --> 00:06:49,534 SHH. 121 00:06:49,601 --> 00:06:52,000 THANK YOU. 122 00:06:52,067 --> 00:06:53,434 YOU'RE WELCOME. 123 00:06:53,501 --> 00:06:54,868 AAH! 124 00:06:56,701 --> 00:07:00,167 [GROANING] 125 00:07:00,234 --> 00:07:02,634 OH, NINA... 126 00:07:02,701 --> 00:07:04,601 I HIT MY HEAD. 127 00:07:04,667 --> 00:07:06,067 [GROANS] 128 00:07:06,133 --> 00:07:07,901 NINA'S DEAD. 129 00:07:09,834 --> 00:07:11,367 ARE YOU SCARED? 130 00:07:11,434 --> 00:07:13,100 [WHIMPERING] 131 00:07:13,167 --> 00:07:14,934 YOU SHOULD BE. 132 00:07:15,000 --> 00:07:16,634 [GUNSHOT] 133 00:08:00,701 --> 00:08:04,934 Hotch: "FATE IS NOT SATISFIED WITH INFLICTING ONE CALAMITY." 134 00:08:05,000 --> 00:08:07,133 ROMAN AUTHOR PUBLILIUS SYRUS. 135 00:08:07,200 --> 00:08:09,000 BYE. 136 00:08:09,067 --> 00:08:10,934 HI. YOU WANTED TO KNOW IMMEDIATELY 137 00:08:11,000 --> 00:08:12,601 ABOUT ANY UNUSUAL BOSTON HOMICIDES? 138 00:08:20,834 --> 00:08:22,601 WE'RE GOING TO BOSTON. 139 00:08:22,667 --> 00:08:25,133 WHAT? WAI--SHOULDN'T WE WAIT FOR THE OFFICIAL REQUEST? 140 00:08:25,200 --> 00:08:26,801 WE HAVEN'T BEEN INVITED-- 141 00:08:26,868 --> 00:08:28,834 WE WILL BE. 142 00:08:30,501 --> 00:08:33,167 WELL, IT LOOKS LIKE WE'RE GOING TO BOSTON. 143 00:08:36,834 --> 00:08:39,000 "THE REAPER IS DRIVEN BY A NEED TO DOMINATE, 144 00:08:39,067 --> 00:08:40,000 CONTROL, AND MANIPULATE." 145 00:08:40,067 --> 00:08:41,501 SO THEN WHY WOULD HE OFFER A DEAL 146 00:08:41,567 --> 00:08:43,834 THAT WOULD STOP HIM FROM DOING THAT? 147 00:08:43,901 --> 00:08:45,133 WELL, KILLING GAVE HIM POWER, 148 00:08:45,200 --> 00:08:47,167 BUT AFTER SO MANY, THE PAYOFF BEGAN TO DIMINISH. 149 00:08:47,234 --> 00:08:49,267 SO HE DECIDED TO SWITCH TACTICS. 150 00:08:49,334 --> 00:08:51,300 OFFERING THE DEAL GAVE HIM THE ULTIMATE POWER, 151 00:08:51,367 --> 00:08:52,334 BETTER EVEN THAN KILLING. 152 00:08:52,400 --> 00:08:53,968 HE MANIPULATED THE POLICE 153 00:08:54,033 --> 00:08:55,601 INTO VOLUNTARILY SURRENDERING. 154 00:08:55,667 --> 00:08:57,200 HE EVEN GOT IT IN WRITING. 155 00:08:57,267 --> 00:08:58,567 HE WON. WHY START KILLING AGAIN? 156 00:08:58,634 --> 00:09:00,567 WELL, BECAUSE THE ONLY PERSON WHO KNEW HE'D WON, 157 00:09:00,634 --> 00:09:02,634 THE PERSON HE MADE THE DEAL WITH, JUST DIED. 158 00:09:02,701 --> 00:09:03,701 NARCISSISTIC KILLERS 159 00:09:03,767 --> 00:09:05,968 NEED OTHER PEOPLE TO RECOGNIZE THEIR POWER. 160 00:09:06,033 --> 00:09:07,868 THAT'S WHY THEY CONTACT THE MEDIA. 161 00:09:07,934 --> 00:09:09,968 SO HOW DID HE STOP FOR 10 YEARS? 162 00:09:10,033 --> 00:09:11,234 IN NIGHT OF THE REAPER, 163 00:09:11,300 --> 00:09:12,734 THE AUTHOR SUGGESTS HE HAD BEEN ARRESTED 164 00:09:12,801 --> 00:09:14,601 FOR AN UNRELATED CRIME OR DIED. 165 00:09:14,667 --> 00:09:16,367 PERHAPS HE'S TRYING TO CORRECT THAT MISCONCEPTION. 166 00:09:16,434 --> 00:09:18,334 WHAT HAS HE BEEN DOING ALL THIS TIME? 167 00:09:18,400 --> 00:09:21,634 PLANNING WHAT HE WOULD DO IF HE STARTED KILLING AGAIN. 168 00:09:21,701 --> 00:09:23,367 SO FROM '95 TO '98, 169 00:09:23,434 --> 00:09:25,634 HE SHOOTS, STABS, AND BLUDGEONS 21 VICTIMS-- 170 00:09:25,701 --> 00:09:27,868 MEN, WOMEN, 171 00:09:27,934 --> 00:09:29,868 ALL AGES, ALL TYPES, 172 00:09:29,934 --> 00:09:31,834 NO SPECIFIC VICTIMOLOGY OR M.O. HOW DID YOU BUILD A PROFILE FROM THAT? 173 00:09:31,901 --> 00:09:36,067 WE DIDN'T. SHAUNESSY SENT US HOME BEFORE WE HAD A CHANCE. 174 00:09:36,133 --> 00:09:39,634 BTK, THE ZODIAC, AND THE REAPER ALL HAVE SIMILARITIES. 175 00:09:39,701 --> 00:09:41,734 THEY'RE ALL HIGHLY INTELLIGENT, 176 00:09:41,801 --> 00:09:43,234 DISCIPLINED, SADISTIC KILLERS 177 00:09:43,300 --> 00:09:44,501 WHO NAME THEMSELVES IN THE PRESS. 178 00:09:44,567 --> 00:09:47,000 HIGHLY INTELLIGENT MAY BE A BIT OF AN UNDERSTATEMENT. 179 00:09:47,067 --> 00:09:49,534 THE REAPER AND THE ZODIAC KILLER HAVE NEVER BEEN ARRESTED. 180 00:09:49,601 --> 00:09:51,701 AND THE BTK KILLER WAS ONLY CAUGHT AFTER 25 YEARS 181 00:09:51,767 --> 00:09:53,667 BECAUSE HE WENT TO THE PRESS TO COUNTER A BOOK 182 00:09:53,734 --> 00:09:56,300 THAT SAID HE'D DIED, MOVED AWAY, OR BEEN LOCKED UP, 183 00:09:56,367 --> 00:09:57,334 JUST LIKE THIS ONE. 184 00:09:57,400 --> 00:09:58,801 SPEAKING OF THE MEDIA, WHEN THIS GETS OUT, 185 00:09:58,868 --> 00:10:01,033 IT'S GOING TO BE A FRENZY. IF THEY GET WIND OF THIS, 186 00:10:01,100 --> 00:10:02,934 THEY'RE GOING TO BE ALL OVER THE BOSTON POLICE. 187 00:10:03,000 --> 00:10:04,567 THE LONGER WE CAN FLOAT THE COPYCAT STORY, 188 00:10:04,634 --> 00:10:06,167 THE BETTER CHANCE WE'LL HAVE OF CATCHING HIM. 189 00:10:06,234 --> 00:10:08,868 ROSSI, PRENTISS, AND MORGAN, GO TO THE FIELD OFFICE, 190 00:10:08,934 --> 00:10:10,667 SET UP SHOP, GO THROUGH EVERYTHING THERE. 191 00:10:10,734 --> 00:10:12,434 J.J. AND REID, WE'LL GO TO THE CRIME SCENE. 192 00:10:12,501 --> 00:10:14,601 I WORKED THE REAPER CASE FOR 18 MONTHS. 193 00:10:14,667 --> 00:10:16,167 IF THERE'S ANY PROOF THAT THIS HORRIBLE CRIME 194 00:10:16,234 --> 00:10:18,200 IS ANYTHING MORE THAN A COPYCAT, 195 00:10:18,267 --> 00:10:21,567 I'LL BE THE FIRST ONE TO LET YOU KNOW. 196 00:10:21,634 --> 00:10:22,901 SORRY I HAVEN'T CALLED YOU BACK. 197 00:10:22,968 --> 00:10:24,601 AS YOU CAN SEE, I'M BUSY. 198 00:10:24,667 --> 00:10:26,033 IT'S NOT A COPYCAT, MIKE. 199 00:10:26,100 --> 00:10:28,000 I WISH IT WERE, BUT IT ISN'T. 200 00:10:28,067 --> 00:10:29,968 YEAH, NO OFFENSE, YOU DON'T KNOW THAT, 201 00:10:30,033 --> 00:10:31,834 AND I DIDN'T INVITE YOU IN. 202 00:10:31,901 --> 00:10:33,467 SHAUNESSY DID. 203 00:10:39,133 --> 00:10:40,501 WANT TO INVITE US IN? 204 00:10:44,400 --> 00:10:46,300 WHAT WAS HE THINKING? 205 00:10:46,367 --> 00:10:48,601 THIS COULD DESTROY THE DEPARTMENT. 206 00:10:48,667 --> 00:10:50,601 I KNOW. 207 00:10:50,667 --> 00:10:52,400 THIS IS S.S.A. JENNIFER JAREAU, 208 00:10:52,467 --> 00:10:54,434 DR. SPENCER REID. SERGEANT MIKE O'MARA. 209 00:10:54,501 --> 00:10:57,467 UH, WE'RE SETTING UP AT THE FIELD OFFICE. 210 00:10:57,534 --> 00:10:59,767 OK. I'M DONE HERE. 211 00:10:59,834 --> 00:11:01,467 GIVE THEM ANYTHING THEY WANT. 212 00:11:01,534 --> 00:11:03,400 THANK YOU. 213 00:11:03,467 --> 00:11:05,334 NINA HALE, 19, 214 00:11:05,400 --> 00:11:07,434 AND EVAN HARVEY, 23. 215 00:11:07,501 --> 00:11:10,133 NINA'S THROAT WAS SLASHED, 216 00:11:10,200 --> 00:11:11,934 SHE WAS STABBED 46 TIMES. 217 00:11:12,000 --> 00:11:13,934 EVAN WAS BLUDGEONED AND THEN SHOT. 218 00:11:14,000 --> 00:11:15,100 NO SHELL CASINGS WERE FOUND. 219 00:11:15,167 --> 00:11:17,334 HE PREFERRED REVOLVERS, .44 MAGNUM. 220 00:11:17,400 --> 00:11:19,000 THE YOUNGER THE FEMALE VICTIM, THE MORE TIME 221 00:11:19,067 --> 00:11:20,467 HE SPENDS WITH THEM, USUALLY WITH A KNIFE. 222 00:11:20,534 --> 00:11:22,734 TAN LINE ON HER WRIST. 223 00:11:22,801 --> 00:11:24,667 PROBABLY WEARING A WATCH OF SOME SORT. 224 00:11:27,868 --> 00:11:30,367 DO WE HAVE HIS WALLET? 225 00:11:32,234 --> 00:11:34,801 THE REAPER TOOK ITEMS FROM EACH VICTIM 226 00:11:34,868 --> 00:11:36,133 AND PLACED THEM ON THE NEXT, 227 00:11:36,200 --> 00:11:38,801 SO AS TO MAKE SURE WE KNEW IT WAS HIM. 228 00:11:38,868 --> 00:11:39,801 NO CORRECTIVE LENS REQUIREMENT. 229 00:11:39,868 --> 00:11:41,634 THE GLASSES AREN'T HIS? 230 00:11:41,701 --> 00:11:43,133 HE ONLY TOOK GLASSES FROM ONE VICTIM--THE NINTH. 231 00:11:43,200 --> 00:11:45,434 WE SHOULD HAVE FOUND THEM ON THE TENTH, AND WE DIDN'T. 232 00:11:45,501 --> 00:11:46,667 THEY WERE NEVER FOUND. 233 00:11:46,734 --> 00:11:48,701 WHAT WAS SO SPECIAL ABOUT THE NINTH VICTIM? 234 00:11:48,767 --> 00:11:49,801 HE SURVIVED. 235 00:11:49,868 --> 00:11:51,300 GEORGE FOYET, 28, WAS THE NINTH VICTIM 236 00:11:51,367 --> 00:11:52,801 AND THE ONLY ONE TO SURVIVE THE REAPER. 237 00:11:52,868 --> 00:11:54,334 Rossi: NOT FOR LACK OF TRYING. 238 00:11:54,400 --> 00:11:56,667 AMANDA BERTRAND, 19, HIS DATE FOR THE EVENING, 239 00:11:56,734 --> 00:11:57,968 WAS NOT AS LUCKY. 240 00:11:58,067 --> 00:12:01,200 HE LIKES TO ATTACK THEM INSIDE OR NEAR THEIR CARS, 241 00:12:01,267 --> 00:12:04,601 AT NIGHT, ON POORLY LIT, LESS POPULATED ROADS. 242 00:12:04,667 --> 00:12:06,434 FOYET SAID HE APPROACHED THEM 243 00:12:06,501 --> 00:12:08,334 PRETENDING TO BE A LOST TOURIST. 244 00:12:08,400 --> 00:12:11,234 IN THE HOSPITAL, WE PUT FOYET WITH A SKETCH ARTIST. 245 00:12:11,300 --> 00:12:13,234 THE REAPER ALWAYS USES SOME SORT OF RUSE 246 00:12:13,300 --> 00:12:14,901 TO GET CLOSE TO AND SPEND TIME WITH HIS VICTIMS. 247 00:12:14,968 --> 00:12:17,100 THE EYE, AS HE DEPICTS IT, 248 00:12:17,167 --> 00:12:19,033 APPEARS TO BE THE EYE OF PROVIDENCE, 249 00:12:19,100 --> 00:12:20,868 A SYMBOL ADOPTED BY THE U.S. GOVERNMENT 250 00:12:20,934 --> 00:12:25,167 AND INCORPORATED INTO THE GREAT SEAL IN 1782 WITH THE WORDS, 251 00:12:25,234 --> 00:12:26,601 "ANNUIT COEPTIS" INSCRIBED BENEATH. 252 00:12:26,667 --> 00:12:28,801 THAT'S LATIN FOR "PROVIDENCE"--OR FATE-- 253 00:12:28,868 --> 00:12:31,300 "HAS FAVORED OUR UNDERTAKINGS." 254 00:12:31,367 --> 00:12:32,634 UH, THE REAPER SEEMS TO SEE HIMSELF 255 00:12:32,701 --> 00:12:34,734 AS THE PERSONIFICATION OF FATE. 256 00:12:34,801 --> 00:12:36,901 SO, HOW DID FOYET SURVIVE? 257 00:12:38,534 --> 00:12:40,267 Woman: 911. WHAT'S YOUR EMERGENCY? 258 00:12:40,334 --> 00:12:43,267 Man, altered: I JUST MURDERED 2 MORE. 259 00:12:43,334 --> 00:12:46,267 EXCUSE ME, SIR, DID YOU SAY YOU MURDERED SOMEONE? 260 00:12:46,334 --> 00:12:48,000 VICTIMS 8 AND 9. 261 00:12:48,067 --> 00:12:50,767 BY A SILVER TOYOTA ON RIVERTON 262 00:12:50,834 --> 00:12:52,067 PAST THE TYSON QUARRY. 263 00:12:52,133 --> 00:12:54,133 THAT CALL WAS MADE FROM A PAY PHONE 264 00:12:54,200 --> 00:12:55,767 ABOUT A MILE FROM THE CRIME SCENE. 265 00:12:55,834 --> 00:12:56,968 E.M.T.s ARRIVED 15 MINUTES LATER. 266 00:12:57,033 --> 00:12:59,567 BERTRAND WAS D.O.A., FOYET BARELY BREATHING. 267 00:12:59,634 --> 00:13:02,934 SO THE REAPER MADE ONE OF THESE CALLS AFTER EACH OF HIS KILLINGS 268 00:13:03,000 --> 00:13:04,767 TELLING THE POLICE WHERE TO FIND THE BODIES. 269 00:13:04,834 --> 00:13:06,434 UNTIL THIS ONE, THE NINTH. 270 00:13:06,501 --> 00:13:07,501 IF HE HADN'T MADE THIS CALL, 271 00:13:07,567 --> 00:13:08,767 FOYET WOULDN'T HAVE BEEN FOUND IN TIME. 272 00:13:08,834 --> 00:13:10,067 THE CALL SAVED HIM. 273 00:13:10,133 --> 00:13:12,033 SO THE REAPER DIDN'T MAKE ANY 911 CALLS 274 00:13:12,100 --> 00:13:13,701 [CELL PHONE RINGS] AFTER THIS ONE. 275 00:13:13,767 --> 00:13:14,701 YEAH? 276 00:13:14,767 --> 00:13:15,934 LOOKS LIKE HE LEARNED HIS LESSON. 277 00:13:16,000 --> 00:13:17,601 THERE'S A REASON HE LEFT FOYET'S GLASSES 278 00:13:17,667 --> 00:13:19,267 AT THE LAST CRIME SCENE. 279 00:13:19,334 --> 00:13:20,367 FOYET COULD BE IN DANGER. 280 00:13:20,434 --> 00:13:21,801 WE'LL FIND HIM. 281 00:13:21,868 --> 00:13:23,200 UH, HOTCH, THERE'S A REPORTER OUTSIDE 282 00:13:23,267 --> 00:13:24,334 INSISTING ON SPEAKING WITH YOU. 283 00:13:24,400 --> 00:13:26,801 ROY COLSON. HE SAYS HE KNOWS YOU. 284 00:13:28,434 --> 00:13:30,434 ROY. 285 00:13:30,501 --> 00:13:32,767 AGENT HOTCHNER. 286 00:13:32,834 --> 00:13:35,801 SO IF IT'S, UH, JUST A COPYCAT, WHAT ARE YOU DOING HERE? 287 00:13:35,868 --> 00:13:37,534 HELPING THE POLICE CATCH HIM. 288 00:13:37,601 --> 00:13:39,167 IS THAT YOUR STORY? 289 00:13:39,234 --> 00:13:40,467 COME ON. I WROTE THE BOOK ON THIS GUY. 290 00:13:40,534 --> 00:13:42,167 I EVEN, UH--EVEN SENT YOU A SIGNED COPY. 291 00:13:42,234 --> 00:13:43,968 I--I ASSUME YOU GOT IT. 292 00:13:44,033 --> 00:13:47,000 OFFICIALLY, WE HAVE NO REASON TO THINK THAT HE'S ANYTHING BUT A COPYCAT. 293 00:13:47,067 --> 00:13:49,267 WELL, HOW ABOUT UNOFFICIALLY? 294 00:13:49,334 --> 00:13:50,934 WHAT'S MORE IMPORTANT TO YOU, ROY, 295 00:13:51,000 --> 00:13:52,934 GETTING THE STORY OR GETTING THE KILLER? 296 00:13:54,167 --> 00:13:55,100 I--I, UH... 297 00:13:55,167 --> 00:13:56,968 I SPENT TIME WITH THE FAMILIES. 298 00:13:57,033 --> 00:13:58,400 I, UH--I TOLD THE VICTIMS' STORIES. 299 00:13:58,467 --> 00:14:00,634 NOW, YOU WOULD KNOW THAT IF YOU READ MY BOOK. 300 00:14:00,701 --> 00:14:03,267 IT'S A GOOD BOOK, ROY. 301 00:14:03,334 --> 00:14:05,067 YOU TREATED THE VICTIMS WITH RESPECT, 302 00:14:05,133 --> 00:14:06,601 AND YOU TREATED US FAIRLY. 303 00:14:06,667 --> 00:14:08,100 EVERY DIME I MADE WENT TO THE FAMILIES. 304 00:14:08,167 --> 00:14:09,601 I KNOW. THAT'S WHY I CAME DOWN. 305 00:14:09,667 --> 00:14:12,701 THE MINUTE I HAVE SOMETHING I CAN SAY, 306 00:14:12,767 --> 00:14:14,968 I'LL CALL YOU. 307 00:14:16,200 --> 00:14:17,701 THANKS. 308 00:14:19,634 --> 00:14:22,234 IF IT'S HIM, IT WON'T BE LONG. 309 00:14:23,367 --> 00:14:26,934 [SIREN] 310 00:14:27,000 --> 00:14:28,934 I DON'T BELIEVE IT. 311 00:14:29,000 --> 00:14:29,934 UNBELIEVABLE. 312 00:14:30,000 --> 00:14:30,934 HONEY, PLEASE DON'T. 313 00:14:31,000 --> 00:14:33,601 I'M NOT SPEEDING. I'M NOT DRUNK. 314 00:14:47,334 --> 00:14:49,234 GOOD EVENING, OFFICER. 315 00:14:49,300 --> 00:14:51,767 LICENSE, REGISTRATION, AND PROOF OF INSURANCE. 316 00:14:54,868 --> 00:14:57,634 I'LL BE RIGHT BACK. 317 00:14:57,701 --> 00:15:00,067 HE HASN'T EVEN TOLD ME WHY HE STOPPED US. 318 00:15:00,133 --> 00:15:03,167 LET'S JUST GET THIS OVER WITH. 319 00:15:07,801 --> 00:15:10,667 [BEHIND MASK] I'M GONNA LET YOU OFF WITH A WARNING. 320 00:15:10,734 --> 00:15:13,167 A WARNING? FOR WHAT? 321 00:15:13,234 --> 00:15:14,567 YOU WERE AT THE WRONG PLACE AT THE WRONG TIME. 322 00:15:14,634 --> 00:15:15,934 EXCUSE ME? 323 00:15:18,067 --> 00:15:19,701 AAH! AAH! 324 00:15:19,767 --> 00:15:22,200 AND NOW I'M GONNA KILL YOUR WIFE, ARTHUR. 325 00:15:22,267 --> 00:15:25,934 [SCREAMING] 326 00:15:28,434 --> 00:15:30,567 PLEASE! NO! 327 00:15:30,634 --> 00:15:34,701 [SCREAMING] 328 00:15:34,767 --> 00:15:36,701 [GUNSHOT] 329 00:15:39,534 --> 00:15:41,467 [SIREN] 330 00:15:41,534 --> 00:15:43,334 Rossi: ANOTHER COUPLE. 331 00:15:43,400 --> 00:15:45,100 MUCH OLDER THIS TIME. 332 00:15:45,167 --> 00:15:46,467 ONE SHOT AND ONE STABBED. 333 00:15:46,534 --> 00:15:49,000 NO REASON TO STOP OUT HERE. 334 00:15:49,067 --> 00:15:51,467 HIS LICENSE AND REGISTRATION ARE OUT OF HIS WALLET. 335 00:15:51,534 --> 00:15:54,000 LOOKS LIKE HE USED A COP RUSE. 336 00:15:54,067 --> 00:15:55,100 GOOD SPOT. 337 00:15:55,167 --> 00:15:58,901 ISOLATED, FEW DRIVERS. 338 00:16:00,067 --> 00:16:01,934 HE LEFT NINA HALE'S WATCH. 339 00:16:02,000 --> 00:16:03,334 OK. SO WHAT'D HE TAKE? 340 00:16:05,100 --> 00:16:06,133 HIS WEDDING RING. 341 00:16:06,200 --> 00:16:08,801 ARTHUR AND DIANE LANESSA. 342 00:16:08,868 --> 00:16:10,267 WEYMOUTH. 343 00:16:10,334 --> 00:16:11,601 MARRIED 32 YEARS. 344 00:16:11,667 --> 00:16:13,267 THEY WERE COMING HOME FROM THE ELKS, 345 00:16:13,334 --> 00:16:15,467 WHERE THEY PLAYED BINGO TWICE A WEEK. 346 00:16:15,534 --> 00:16:18,667 I GOTTA GO MAKE NOTIFICATION. 347 00:16:18,734 --> 00:16:20,100 YOU WANT COMPANY? 348 00:16:20,167 --> 00:16:21,801 I GOT IT. 349 00:16:29,868 --> 00:16:31,667 LOOKS LIKE HE WENT THROUGH HER PURSE. 350 00:16:31,734 --> 00:16:34,567 ANY IDEA WHAT HE WAS LOOKING FOR? 351 00:16:52,400 --> 00:16:54,334 THE QUESTION MARK IS NEW. 352 00:16:54,400 --> 00:16:56,067 IT'S FOR US. 353 00:16:56,133 --> 00:16:57,734 HE'S SAYING IT'S NOT FATE. 354 00:16:57,801 --> 00:16:59,767 HE'S SAYING WE HAD 10 YEARS TO SAVE THEM 355 00:16:59,834 --> 00:17:02,234 AND THAT THESE LATEST ONES ARE ON US. 356 00:17:02,300 --> 00:17:05,200 YOU GOT ALL THAT FROM ONE QUESTION MARK. THAT'S IMPRESSIVE. 357 00:17:05,267 --> 00:17:07,267 I MAY KNOW HIM BETTER THAN I'VE LET ON. 358 00:17:07,334 --> 00:17:08,400 WHAT DOES THAT MEAN? 359 00:17:08,467 --> 00:17:11,033 IT MEANS THAT THERE IS A PROFILE ON THE REAPER. 360 00:17:11,100 --> 00:17:13,033 I THOUGHT WE WERE CALLED OFF BEFORE WE HAD ONE. 361 00:17:13,100 --> 00:17:15,434 WE WERE. I HAD JUST STARTED THE PROFILE, 362 00:17:15,501 --> 00:17:18,601 AND THEN HE STOPPED KILLING, SO OFFICIALLY WE WERE DONE. 363 00:17:18,667 --> 00:17:19,934 BUT THIS CASE... 364 00:17:20,000 --> 00:17:21,267 IT STUCK WITH YOU. 365 00:17:21,334 --> 00:17:23,167 I KEPT COMING BACK TO IT OVER THE YEARS, 366 00:17:23,234 --> 00:17:24,734 AND I WORKED ON IT ALONE. 367 00:17:24,801 --> 00:17:26,367 SO YOU NEVER SHARED IT WITH ANYONE. 368 00:17:26,434 --> 00:17:29,767 I KNOW I'M ALWAYS PREACHING THAT PROFILING IS A COLLABORATIVE EFFORT, 369 00:17:29,834 --> 00:17:31,267 BUT THIS ONE WASN'T. 370 00:17:31,334 --> 00:17:33,467 I DON'T KNOW, MAYBE IF-- 371 00:17:33,534 --> 00:17:36,300 IF I WAS WRONG, I WAS GONNA HEAD US IN THE WRONG DIRECTION. 372 00:17:36,367 --> 00:17:38,234 NOW YOU THINK YOU'RE RIGHT. 373 00:17:38,300 --> 00:17:41,801 THE MORE I SEE, THE MORE ACCURATE I THINK IT MAY BE. 374 00:17:41,868 --> 00:17:43,200 OK. 375 00:17:43,267 --> 00:17:46,367 THEN WE NEED TO HEAR IT. 376 00:17:46,434 --> 00:17:50,033 THE REAPER FITS A PROFILE WE REFER TO AS AN OMNIVORE. 377 00:17:50,100 --> 00:17:51,367 UNLIKE MOST SERIAL KILLERS, 378 00:17:51,434 --> 00:17:54,434 AN OMNIVORE DOESN'T TARGET A SPECIFIC VICTIM TYPE. 379 00:17:54,501 --> 00:17:56,734 ALTHOUGH HE TENDS TO FOCUS ON HIS YOUNGER FEMALE VICTIMS 380 00:17:56,801 --> 00:17:57,901 WITH HIS KNIFE, 381 00:17:57,968 --> 00:18:00,501 HE ESSENTIALLY IS A PREDATOR WHO WILL KILL ANYONE. 382 00:18:00,567 --> 00:18:02,234 WHY IS HE SO DEMOCRATIC? 383 00:18:02,300 --> 00:18:04,067 BECAUSE HIS KILLS AREN'T JUST ABOUT HIS VICTIMS. 384 00:18:04,133 --> 00:18:06,601 HE NEEDS RECOGNITION. HE NEEDS US TO KNOW. 385 00:18:06,667 --> 00:18:08,100 THE SYMBOLS, THE PLACEMENT 386 00:18:08,167 --> 00:18:10,434 OF PRIOR VICTIMS' POSSESSIONS ON SUBSEQUENT VICTIMS-- 387 00:18:10,501 --> 00:18:11,767 IT'S ALL FOR US. 388 00:18:11,834 --> 00:18:12,934 WHY? 389 00:18:13,000 --> 00:18:14,234 POWER. 390 00:18:14,300 --> 00:18:16,267 THE SHAUNESSY LETTER IS THE CLEAREST EXAMPLE OF THIS. 391 00:18:16,334 --> 00:18:18,434 HE MANIPULATED TOM SHAUNESSY INTO LITERALLY SURRENDERING TO HIM. 392 00:18:18,501 --> 00:18:20,400 THE BURDEN WAS TOO MUCH TO BEAR. 393 00:18:20,467 --> 00:18:21,634 IN A VERY REAL SENSE, 394 00:18:21,701 --> 00:18:25,734 TOM SHAUNESSY WAS THE REAPER'S 22nd VICTIM. 395 00:18:25,801 --> 00:18:27,300 LIKE BTK KILLER DENNIS RADER, 396 00:18:27,367 --> 00:18:29,300 THE REAPER IS EXTREMELY DISCIPLINED. 397 00:18:29,367 --> 00:18:31,133 IN HIS EVERYDAY LIFE, THIS WILL VERY LIKELY 398 00:18:31,200 --> 00:18:33,968 MAKE HIM SO INFLEXIBLE, HE CAN'T KEEP CLOSE RELATIONSHIPS 399 00:18:34,033 --> 00:18:35,667 OR WORK CLOSELY WITH OTHERS. 400 00:18:35,734 --> 00:18:38,033 I BELIEVE OUR KILLER HAS ANOTHER INTEREST 401 00:18:38,100 --> 00:18:41,334 THAT MAY GIVE US THE BEST OPPORTUNITY TO CATCH HIM. 402 00:18:41,400 --> 00:18:44,033 THE REAPER'S LAST VICTIM WAS AN OLDER WOMAN. 403 00:18:44,100 --> 00:18:45,367 HE KILLED HER QUICKLY, WITH A SINGLE SHOT. 404 00:18:45,434 --> 00:18:47,868 THE PRIOR, YOUNGER VICTIM, HE SPENT MORE TIME WITH 405 00:18:47,934 --> 00:18:50,367 AND STABBED 46 TIMES. 406 00:18:50,434 --> 00:18:51,601 WHY? 407 00:18:51,667 --> 00:18:52,601 HE PAYS SPECIAL ATTENTION 408 00:18:52,667 --> 00:18:53,968 TO HIS YOUNGER FEMALE VICTIMS, 409 00:18:54,033 --> 00:18:56,100 AND HIS WEAPON OF CHOICE WITH THEM IS THE KNIFE, 410 00:18:56,167 --> 00:18:58,167 A SUBSTITUTE INSTRUMENT FOR BODILY PENETRATION. 411 00:18:58,234 --> 00:19:01,901 AND THE YOUNGER THE VICTIM, THE MORE TIME AND EFFORT HE SPENDS. 412 00:19:01,968 --> 00:19:04,767 I THINK OUR GUY IS A HEBOPHILE. 413 00:19:04,834 --> 00:19:06,067 HEBOPHILE? 414 00:19:06,133 --> 00:19:08,200 SOMEONE WHO'S ATTRACTED TO ADOLESCENT 415 00:19:08,267 --> 00:19:10,467 POSTPUBESCENT CHILDREN. TEENAGERS. 416 00:19:10,534 --> 00:19:12,200 LOOK FOR MEN WITH ACCESS AND AUTHORITY-- 417 00:19:12,267 --> 00:19:13,801 HIGH SCHOOL TEACHERS, COUNSELORS, COACHES-- 418 00:19:13,868 --> 00:19:16,734 AND ANYONE WHO'S BEEN CHARGED WITH SEX CRIMES AGAINST TEENAGE GIRLS 419 00:19:16,801 --> 00:19:17,934 IN THE LAST 10 YEARS. 420 00:19:18,000 --> 00:19:19,367 THAT'S ALL FOR NOW. THANK YOU. 421 00:19:20,934 --> 00:19:23,000 GARCIA CAN'T FIND GEORGE FOYET. 422 00:19:23,067 --> 00:19:24,501 I'VE GOT NOTHING, SIR. 423 00:19:24,567 --> 00:19:25,834 WHAT DO YOU MEAN? 424 00:19:25,901 --> 00:19:27,601 HE'S GONE. I MEAN, HE'S COMPLETELY OFF THE GRID, 425 00:19:27,667 --> 00:19:28,734 AND HE'S GONE. 426 00:19:28,801 --> 00:19:30,033 HOW IS THAT POSSIBLE? 427 00:19:30,100 --> 00:19:31,868 9 MONTHS AFTER HE WAS RELEASED FROM THE HOSPITAL, 428 00:19:31,934 --> 00:19:34,767 HE, UH, QUIT HIS JOB, SOLD HIS CAR, 429 00:19:34,834 --> 00:19:37,434 CLOSED HIS BANK ACCOUNTS, CANCELED HIS CREDIT CARDS, 430 00:19:37,501 --> 00:19:40,100 CELL PHONE, APARTMENT, EVERYTHING. 431 00:19:40,167 --> 00:19:41,634 HE HAS NO PAPER, THUS HE HAS NO TRAIL, 432 00:19:41,701 --> 00:19:43,000 AND I CAN'T FIND HIM 'CAUSE HE'S GONE. 433 00:19:43,067 --> 00:19:44,334 YOU THINK IT'S INTENTIONAL? 434 00:19:44,400 --> 00:19:45,501 IT'S MORE THAN THAT. 435 00:19:45,567 --> 00:19:47,667 I--EVEN DEAD PEOPLE STAY ON THE GRID FOR DECADES. 436 00:19:47,734 --> 00:19:49,968 TAKE IT FROM ME, ERASING YOURSELF LIKE THIS, 437 00:19:50,033 --> 00:19:51,167 I-IT'S EXTREMELY DIFFICULT. 438 00:19:51,234 --> 00:19:52,968 IT TAKES COMMITMENT. 439 00:19:53,033 --> 00:19:55,000 YOU'D HAVE TO BE WILLING TO CUT EVERY TIE 440 00:19:55,067 --> 00:19:58,167 OF EVERYTHING AND EVERYONE YOU'VE EVER KNOWN IN YOUR ENTIRE LIFE. 441 00:19:58,234 --> 00:20:01,334 IT'S LIKE-- IT'S LIKE KILLING YOURSELF. 442 00:20:01,400 --> 00:20:03,200 I GOTTA SAY, THIS IS IMPRESSIVE. 443 00:20:03,267 --> 00:20:05,434 WELL, AFTER WHAT THE GUY'S BEEN THROUGH, CAN YOU BLAME HIM? 444 00:20:05,501 --> 00:20:07,501 I MEAN, FOYET'S THE ONLY LIVING PERSON 445 00:20:07,567 --> 00:20:09,667 WHO KNOWS WHAT THE REAPER LOOKS LIKE, AND HE'S STILL OUT THERE. 446 00:20:09,734 --> 00:20:11,501 BUT IT DOESN'T CHANGE THE FACT THAT WE STILL NEED TO FIND HIM. 447 00:20:11,567 --> 00:20:12,701 Garcia: I'LL KEEP LOOKING. 448 00:20:12,767 --> 00:20:13,734 GARCIA, WE DON'T HAVE MUCH TIME. 449 00:20:13,801 --> 00:20:15,567 I KNOW, SIR. 450 00:20:15,634 --> 00:20:17,334 HE WOULD HAVE TO COMPLETELY ISOLATE HIMSELF. 451 00:20:17,400 --> 00:20:19,734 HE'S TOTALLY ALONE. 452 00:20:19,801 --> 00:20:21,701 BUT HOW DO YOU CUT ALL TIES? 453 00:20:21,767 --> 00:20:23,667 YOU'D HAVE TO TALK TO SOMEONE, RIGHT? 454 00:20:30,501 --> 00:20:33,133 [LINE RINGING] 455 00:20:33,200 --> 00:20:34,133 COLSON. 456 00:20:34,200 --> 00:20:36,400 ROY. AARON HOTCHNER. I NEED A FAVOR. 457 00:20:36,467 --> 00:20:39,567 HOW DID COLSON FIND THIS GUY? 458 00:20:39,634 --> 00:20:40,667 HE INTERVIEWED FOYET EXTENSIVELY FOR HIS BOOK. 459 00:20:40,734 --> 00:20:42,667 THEY KEPT IN TOUCH. 460 00:20:42,734 --> 00:20:44,100 THEY'RE FRIENDS? SORT OF. 461 00:20:44,167 --> 00:20:46,133 BUT FOYET WOULDN'T GIVE HIM HIS PHONE NUMBER. 462 00:20:46,200 --> 00:20:49,367 HE GAVE HIM ONE OF HIS ALIASES, THOUGH. 463 00:20:49,434 --> 00:20:51,267 THAT'S HIM. 464 00:20:58,167 --> 00:21:00,601 GEORGE FOYET? 465 00:21:00,667 --> 00:21:02,434 IT'S OK. WE'RE F.B.I. 466 00:21:02,501 --> 00:21:04,501 THIS IS AGENT ROSSI. I'M AGENT HOTCHNER. 467 00:21:04,567 --> 00:21:06,834 WE MET ONCE BEFORE. DO YOU REMEMBER? 468 00:21:06,901 --> 00:21:09,000 YEAH, I REMEMBER. 469 00:21:10,133 --> 00:21:13,200 WOULD YOU MIND IF WE GET OFF THE STREET, PLEASE? 470 00:21:13,267 --> 00:21:14,200 SURE. 471 00:21:14,267 --> 00:21:15,267 [COUGHS] 472 00:21:18,667 --> 00:21:22,000 [COUGHING] 473 00:21:23,200 --> 00:21:25,267 HOW'D YOU GUYS FIND ME? 474 00:21:25,334 --> 00:21:27,234 ROY COLSON. 475 00:21:29,400 --> 00:21:30,400 OH. 476 00:21:32,634 --> 00:21:36,400 WELL, IS THIS GONNA TAKE LONG? 'CAUSE I REALLY CAN'T BE LATE FOR WORK. 477 00:21:36,467 --> 00:21:38,300 WHAT DO YOU DO? 478 00:21:38,367 --> 00:21:41,100 I'M A FREELANCE COMPUTER SPECIALIST WITH THE CITY. 479 00:21:41,167 --> 00:21:43,934 WE'RE SORRY TO BOTHER YOU. WE'LL MAKE IT AS QUICK AS POSSIBLE. 480 00:21:44,000 --> 00:21:46,133 THIS YOURS? 481 00:21:52,567 --> 00:21:56,534 I KNEW IT WASN'T A COPYCAT. 482 00:21:56,601 --> 00:21:58,701 [COUGHING] 483 00:22:07,067 --> 00:22:08,734 THANK YOU. 484 00:22:11,234 --> 00:22:12,968 I'M SORRY. 485 00:22:16,367 --> 00:22:20,467 I WAS GONNA PROPOSE TO HER THAT NIGHT... 486 00:22:20,534 --> 00:22:23,300 AT THE RESTAURANT, BUT I GOT COLD FEET. 487 00:22:23,367 --> 00:22:26,634 THE RING WAS STILL IN MY POCKET WHEN HE APPROACHED US. 488 00:22:26,701 --> 00:22:28,067 HE SAID HE WAS LOST. 489 00:22:28,133 --> 00:22:30,868 HE HAD ONE OF THOSE SIGHTSEEING BOOKLETS. 490 00:22:30,934 --> 00:22:33,901 I WAS LOOKING AT IT WHEN HE STABBED ME. 491 00:22:33,968 --> 00:22:36,367 YEAH...PERFECT TIMI-- 492 00:22:36,434 --> 00:22:39,000 MR. FOYET, YOU DON'T NEED TO GO THROUGH THIS AGAIN. 493 00:22:39,067 --> 00:22:41,667 I COULDN'T MOVE. 494 00:22:41,734 --> 00:22:45,667 I JUST SAT THERE, BLEEDING. 495 00:22:45,734 --> 00:22:47,667 I WATCHED HIM KILL MANDY. 496 00:22:47,734 --> 00:22:51,334 HE STABBED HER 67 TIMES. 497 00:22:51,400 --> 00:22:55,534 DO YOU KNOW HOW LONG IT TAKES TO STAB SOMEBODY 67 TIMES? 498 00:22:57,901 --> 00:22:59,934 I NEVER FOUND THE RING. 499 00:23:00,000 --> 00:23:02,701 HE SHOULD HAVE LEFT YOUR GLASSES ON HIS NEXT VICTIM, 500 00:23:02,767 --> 00:23:04,801 BUT HE DIDN'T. 501 00:23:04,868 --> 00:23:07,100 HE HELD ON TO THEM ALL THIS TIME. 502 00:23:09,234 --> 00:23:12,968 WHAT, YOU THINK HE'S GOT SOME SPECIAL INTEREST IN ME? 503 00:23:14,133 --> 00:23:15,801 I'VE BEEN LIVING WITH THAT POSSIBILITY 504 00:23:15,868 --> 00:23:18,234 FOR THE PAST 11 YEARS. 505 00:23:18,300 --> 00:23:21,400 HAVE YOU RECEIVED ANY STRANGE LETTERS OR CALLS? 506 00:23:21,467 --> 00:23:22,567 HANG-UPS? 507 00:23:22,634 --> 00:23:25,734 I KEEP RESIDENCES UNDER DIFFERENT NAMES. 508 00:23:25,801 --> 00:23:28,133 I MOVE BETWEEN THEM RANDOMLY. 509 00:23:28,200 --> 00:23:31,267 HE LIKES TO GET YOU IN A CAR, SO I TAKE THE BUS. 510 00:23:31,334 --> 00:23:32,968 BELIEVE ME, I'VE GONE THROUGH GREAT LENGTHS 511 00:23:33,033 --> 00:23:36,000 TO MAKE SURE THAT NONE OF THE THINGS YOU'VE JUST MENTIONED EVER HAPPENED. 512 00:23:37,801 --> 00:23:43,000 WE'LL NEED YOUR OTHER NAMES AND RESIDENCES SO WE CAN REACH YOU. 513 00:23:43,067 --> 00:23:46,000 WE CAN TAKE YOU SOMEPLACE SAFE UNTIL THIS IS OVER. 514 00:23:46,067 --> 00:23:50,234 NO. BOSTON IS MY HOME. 515 00:23:50,300 --> 00:23:52,801 IT'S THE ONE THING I PROMISED I WOULD NEVER LET HIM TAKE FROM ME. 516 00:23:52,868 --> 00:23:54,734 THEN WE'LL PROTECT YOU HERE. 517 00:23:54,801 --> 00:23:58,067 YOU CAN'T PROTECT ME. 518 00:23:58,133 --> 00:23:59,868 NOBODY CAN. 519 00:24:03,968 --> 00:24:07,767 PLEASE BE CAREFUL WITH THIS. 520 00:24:07,834 --> 00:24:09,167 PLEASE. 521 00:24:10,834 --> 00:24:12,901 IT'S SAFE WITH US. 522 00:24:15,767 --> 00:24:17,601 HE'S JUST A MAN, 523 00:24:17,667 --> 00:24:19,100 NOTHING MORE. 524 00:24:19,167 --> 00:24:23,000 THEN WHY CAN'T YOU CATCH HIM? 525 00:24:23,067 --> 00:24:24,534 WE WILL. 526 00:24:25,901 --> 00:24:28,501 THANK YOU FOR YOUR TIME. 527 00:24:28,567 --> 00:24:30,334 [CAR DOORS CLOSE] 528 00:24:31,400 --> 00:24:35,033 HEY, UH, THIS WAS DROPPED OFF AT MY OFFICE. 529 00:24:39,901 --> 00:24:42,200 I'LL GET THIS TO THE LAB. 530 00:24:42,267 --> 00:24:43,701 ARE YOU GOING TO RUN THE STORY, ROY? 531 00:24:43,767 --> 00:24:44,801 YOU KNOW, IF I DON'T, 532 00:24:44,868 --> 00:24:46,367 HE'LL JUST GIVE IT TO SOMEBODY ELSE. 533 00:24:46,434 --> 00:24:48,701 MAYBE, MAYBE NOT. TO HIM YOU'RE SPECIAL. 534 00:24:48,767 --> 00:24:51,334 HE WANTS YOU TO KNOW WHY HE STOPPED. 535 00:24:51,400 --> 00:24:52,834 WHAT DO YOU MEAN? 536 00:24:52,901 --> 00:24:55,000 YOU WROTE HIS BIOGRAPHY, ROY. 537 00:24:55,067 --> 00:24:58,534 BELIEVE ME, OVER THE LAST 10 YEARS, HE'S READ THOSE WORDS THOUSANDS OF TIMES. 538 00:24:58,601 --> 00:25:00,334 YOUR BOOK HAS SUSTAINED HIM. 539 00:25:00,400 --> 00:25:02,601 IN HIS MIND, NOBODY KNOWS HIM BETTER THAN YOU DO. 540 00:25:02,667 --> 00:25:04,501 NOBODY CARES FOR HIM LIKE YOU. 541 00:25:04,567 --> 00:25:08,400 YOU REMEMBER WHAT IT WAS LIKE HERE 10 YEARS AGO ON THE STREET? 542 00:25:08,467 --> 00:25:09,534 THE FEAR? 543 00:25:09,601 --> 00:25:11,834 AND THAT'S WHEN PEOPLE TRUSTED THE POLICE. 544 00:25:11,901 --> 00:25:15,133 NOT THIS TIME. NOT IF YOU TELL THEM ABOUT SHAUNESSY. 545 00:25:18,767 --> 00:25:22,501 BUT IT'S A HELL OF A STORY. RUN WITH IT. 546 00:25:22,567 --> 00:25:24,534 DO YOU HAVE ANY IDEA WHAT YOU'RE ASKING ME TO DO? 547 00:25:24,601 --> 00:25:25,834 I'M NOT ASKING YOU TO DO ANYTHING. 548 00:25:25,901 --> 00:25:28,100 THIS IS THE BIGGEST STORY OF MY LIFE, 549 00:25:28,167 --> 00:25:29,868 AND I-IT'S MINE. IT'S AN EXCLUSIVE. 550 00:25:29,934 --> 00:25:32,133 I CAN OFFER YOU FULL AND EXCLUSIVE ACCESS 551 00:25:32,200 --> 00:25:35,200 TO THE F.B.I.'s BEHAVIORAL ANALYSIS UNIT AFTER WE CATCH HIM. 552 00:25:35,267 --> 00:25:37,334 RIGHT. IF I HOLD THE STORY. 553 00:25:37,400 --> 00:25:38,667 I DIDN'T SAY THAT. 554 00:25:38,734 --> 00:25:40,734 FULL ACCESS TO THE ENTIRE UNIT? 555 00:25:40,801 --> 00:25:42,467 NOBODY'S EVER HAD THAT. 556 00:25:42,534 --> 00:25:43,834 I KNOW. 557 00:25:43,901 --> 00:25:44,901 BUT... 558 00:25:44,968 --> 00:25:49,701 BUT, I MEAN, WHAT IF YOU CAN'T CATCH HIM? 559 00:25:49,767 --> 00:25:52,300 WELL, THAT'S A RISK YOU'RE GONNA HAVE TO TAKE. 560 00:25:56,167 --> 00:25:59,734 [TELEPHONE RINGS] 561 00:26:01,167 --> 00:26:04,968 [RING] 562 00:26:05,033 --> 00:26:06,267 HOTCHNER. 563 00:26:06,334 --> 00:26:09,601 [DEEP BREATH] 564 00:26:09,667 --> 00:26:12,100 WHO IS THIS? 565 00:26:12,167 --> 00:26:16,868 IF YOU STOP HUNTING ME, I'LL STOP HUNTING THEM. 566 00:26:16,934 --> 00:26:19,467 YOU THINK I'D TAKE THAT? 567 00:26:19,534 --> 00:26:21,934 IT'S A GOOD DEAL. 568 00:26:24,167 --> 00:26:27,467 I'VE MISJUDGED YOU. I THOUGHT YOU WERE SMARTER THAN THIS. 569 00:26:27,534 --> 00:26:29,767 YOU SHOULD TAKE IT. 570 00:26:29,834 --> 00:26:32,300 AND YOU'VE MISJUDGED ME. 571 00:26:32,367 --> 00:26:35,567 THIS IS YOUR LAST CHANCE. 572 00:26:35,634 --> 00:26:37,801 I DON'T MAKE DEALS. 573 00:26:37,868 --> 00:26:40,534 I'M THE GUY WHO HUNTS GUYS LIKE YOU. 574 00:26:40,601 --> 00:26:43,133 THERE ARE NO GUYS LIKE ME. 575 00:26:43,200 --> 00:26:45,467 YOU ALL THINK THAT. 576 00:26:45,534 --> 00:26:48,400 YOU'LL REGRET THIS. 577 00:26:48,467 --> 00:26:50,701 I'LL SEE YOU SOON. 578 00:27:13,334 --> 00:27:15,100 ALMOST MISSED YOU. 579 00:27:15,167 --> 00:27:17,167 [BEHIND MASK] DRIVE. 580 00:27:17,234 --> 00:27:18,701 [WOMAN GASPS] 581 00:27:18,767 --> 00:27:20,334 [GASPS] 582 00:27:20,400 --> 00:27:23,667 MAKE A RIGHT AT THE NEXT LIGHT. 583 00:27:23,734 --> 00:27:25,100 I WANT YOUR JEWELRY AND YOUR WALLETS. 584 00:27:28,167 --> 00:27:29,634 PULL OVER RIGHT HERE. 585 00:27:33,200 --> 00:27:34,567 JUST TAKE THE MONEY. 586 00:27:34,634 --> 00:27:36,300 NOBODY NEEDS TO GET HURT. 587 00:27:36,367 --> 00:27:38,300 ACTUALLY, THEY DO. 588 00:27:38,367 --> 00:27:41,267 [PASSENGERS SCREAMING] 589 00:28:04,133 --> 00:28:07,934 6 BODIES, NOT INCLUDING THE DRIVER. 590 00:28:08,000 --> 00:28:11,033 HE PUT 'EM DOWN WITH THE GUN-- 591 00:28:11,100 --> 00:28:12,567 OR MORE LIKELY GUNS-- 592 00:28:12,634 --> 00:28:14,968 AND FINISHED THEM OFF WITH HIS KNIFE. 593 00:28:16,901 --> 00:28:20,367 ARTHUR LANESSA'S WEDDING RING. 594 00:28:20,434 --> 00:28:22,000 WHAT'D HE TAKE? 595 00:28:22,067 --> 00:28:23,968 DOES IT MATTER? 596 00:28:31,267 --> 00:28:34,734 HEY. WHAT'S GOIN' ON WITH YOU? 597 00:28:36,534 --> 00:28:40,501 HE CALLED ME TONIGHT AT MY HOTEL AND OFFERED ME THE DEAL. 598 00:28:40,567 --> 00:28:42,434 WHAT DID YOU SAY? 599 00:28:42,501 --> 00:28:45,501 I HUNG UP ON HIM, AND THEN HE DOES THIS. 600 00:28:46,767 --> 00:28:49,167 SO YOU THINK THIS IS YOUR FAULT? 601 00:28:52,801 --> 00:28:54,968 IT IS. 602 00:28:55,033 --> 00:28:57,067 WELL, HERE, USE MINE. 603 00:28:57,133 --> 00:28:58,767 YOU CONVINCED ME. 604 00:28:58,834 --> 00:28:59,968 NO, NO, YOU HUNG UP ON HIM. 605 00:29:00,033 --> 00:29:02,400 YOU PRACTICALLY KILLED THEM YOURSELF. GO AHEAD, 606 00:29:02,467 --> 00:29:04,334 GET IT OVER WITH. DON'T WORRY ABOUT US. 607 00:29:04,400 --> 00:29:05,334 WE'LL GET THIS GUY WITHOUT YOU. 608 00:29:05,400 --> 00:29:06,601 DAVE, I HAD 10 YEARS 609 00:29:06,667 --> 00:29:08,267 TO DO SOMETHING ABOUT IT. 610 00:29:08,334 --> 00:29:09,634 SHAUNESSY MADE THE DEAL. 611 00:29:09,701 --> 00:29:10,767 THE KILLING STOPPED. 612 00:29:10,834 --> 00:29:13,200 HE CLOSED THE CASE AND SENT THE B.A.U. AWAY. 613 00:29:13,267 --> 00:29:16,834 FOR 10 YEARS, YOU WORKED ON OTHER CASES, ACTIVE CASES. 614 00:29:16,901 --> 00:29:18,601 BUT I KEPT COMING BACK TO THIS ONE. 615 00:29:18,667 --> 00:29:20,534 I KEPT COMING BACK TO THIS PROFILE. 616 00:29:20,601 --> 00:29:21,868 HEY. I WAS RETIRED. 617 00:29:21,934 --> 00:29:23,467 SHOULD I BLAME MYSELF FOR EVERY VICTIM 618 00:29:23,534 --> 00:29:25,601 WHO GOT KILLED WHILE I WAS ON MY BOOK TOUR? 619 00:29:25,667 --> 00:29:29,701 LOOK, IF YOU WANT TO END UP LIKE SHAUNESSY, LIKE GIDEON, 620 00:29:29,767 --> 00:29:32,667 BLAMING YOURSELF FOR EVERYTHING, YOU GO AHEAD. 621 00:29:32,734 --> 00:29:34,868 BUT THAT VOICE IN YOUR HEAD, 622 00:29:34,934 --> 00:29:36,133 IT'S NOT YOUR CONSCIENCE. 623 00:29:36,200 --> 00:29:37,601 IT'S YOUR EGO. 624 00:29:37,667 --> 00:29:39,734 THIS ISN'T ABOUT US, AARON. 625 00:29:39,801 --> 00:29:41,801 IT'S ABOUT THE BAD GUYS. 626 00:29:41,868 --> 00:29:43,801 THAT'S WHY WE PROFILE THEM. 627 00:29:43,868 --> 00:29:45,968 IT'S THEIR FAULT. 628 00:29:46,067 --> 00:29:49,167 WE'RE JUST GUYS DOING A JOB. 629 00:29:49,234 --> 00:29:50,868 AND WHEN WE STOP DOING IT, 630 00:29:50,934 --> 00:29:53,667 SOMEONE ELSE WILL. 631 00:29:53,734 --> 00:29:54,834 TRUST ME. 632 00:29:54,901 --> 00:29:56,767 I KNOW. 633 00:29:58,734 --> 00:30:01,100 YOU CAN PUT THAT AWAY. 634 00:30:01,167 --> 00:30:02,868 YOU SURE? 635 00:30:02,934 --> 00:30:05,701 IT'S A LITTLE DRAMATIC, DON'T YOU THINK? 636 00:30:05,767 --> 00:30:08,334 MY WIFE ALWAYS SAID I HAD A FLAIR FOR THE DRAMATIC. 637 00:30:08,400 --> 00:30:09,667 WHICH ONE? 638 00:30:09,734 --> 00:30:11,200 ALL OF 'EM. 639 00:30:12,200 --> 00:30:13,334 THANKS. 640 00:30:13,400 --> 00:30:15,167 ANYTIME. 641 00:30:17,100 --> 00:30:19,067 GO AHEAD AND RUN YOUR STORY. 642 00:30:19,133 --> 00:30:20,734 IT WON'T MATTER AFTER THIS. 643 00:30:20,801 --> 00:30:23,000 I AM, BUT I'M GONNA LEAVE THE SHAUNESSY DEAL OUT. 644 00:30:23,067 --> 00:30:24,200 I DON'T THINK THE FAMILIES NEED TO KNOW, 645 00:30:24,267 --> 00:30:25,701 NOT AT LEAST UNTIL YOU CATCH HIM. 646 00:30:25,767 --> 00:30:27,067 I APPRECIATE THAT. 647 00:30:27,133 --> 00:30:29,734 FOYET CALLED. HE, UH, WANTS TO SEE ME. 648 00:30:29,801 --> 00:30:31,701 IS HE MAD THAT YOU GAVE HIM TO US? 649 00:30:31,767 --> 00:30:33,534 I JUST THINK HE DOESN'T HAVE ANYONE TO TALK TO, 650 00:30:33,601 --> 00:30:36,701 AND THE REAPER'S KILLING HIM, TOO, ONLY SLOWER. 651 00:30:36,767 --> 00:30:38,200 HE WOULDN'T BE THE FIRST. 652 00:30:38,267 --> 00:30:40,834 HE NEVER USED CODE BEFORE. WHY NOW? 653 00:30:40,901 --> 00:30:42,701 THEY'RE NOT PART OF A PATTERN OR EQUATION. 654 00:30:42,767 --> 00:30:44,934 I MEAN, MATHEMATICALLY, THEY'RE INSIGNIFICANT. 655 00:30:45,000 --> 00:30:47,667 MAYBE SO, BUT I KNOW I'VE SEEN THEM BEFORE. 656 00:30:47,734 --> 00:30:49,534 FOYET SAID HE LIKES TO ATTACK PEOPLE IN THEIR CARS. 657 00:30:49,601 --> 00:30:50,734 TONIGHT HE HIT A BUS. 658 00:30:50,801 --> 00:30:53,234 WHICH IS WHY FOYET ONLY TAKES A BUS. 659 00:30:53,300 --> 00:30:55,834 IT WAS THE NUMBER 7. 660 00:30:57,901 --> 00:31:00,467 AND IT STOPS RIGHT IN FRONT OF FOYET'S APARTMENT. 661 00:31:00,534 --> 00:31:02,367 HE KNOWS WHERE FOYET LIVES. 662 00:31:02,434 --> 00:31:04,267 AND HE WANTS US TO KNOW IT. 663 00:31:04,334 --> 00:31:06,834 1439. THE APARTMENT YOU INTERVIEWED HIM IN TODAY 664 00:31:06,901 --> 00:31:08,501 WAS 1439 YARBROUGH. 665 00:31:12,200 --> 00:31:14,400 THE OTHER ADDRESSES HE GAVE US. 666 00:31:14,467 --> 00:31:16,367 201 SOUTH BROOKLINE. 667 00:31:16,434 --> 00:31:18,701 1488 EDENHURST. 668 00:31:18,767 --> 00:31:20,734 THE NUMBERS ON THE BUS ARE FOYET'S ADDRESSES. 669 00:31:20,801 --> 00:31:23,234 WE'LL SPLIT UP AND COVER EACH ADDRESS. 670 00:31:23,300 --> 00:31:24,667 [SIREN] 671 00:32:00,300 --> 00:32:02,267 I'LL TAKE THE BACK. 672 00:32:20,767 --> 00:32:22,567 THERE'S NO ONE HERE. 673 00:32:47,000 --> 00:32:48,000 WE GOT NOTHING. 674 00:32:48,067 --> 00:32:50,267 SAME THING HERE. HAVE YOU HEARD FROM MORGAN? 675 00:33:08,767 --> 00:33:10,501 WAKE UP, DEREK. 676 00:33:10,567 --> 00:33:12,634 IT'S TIME TO DIE. 677 00:33:27,801 --> 00:33:29,100 IF IT'S ANY CONSOLATION, 678 00:33:29,167 --> 00:33:30,868 I DON'T THINK HE KNEW WHAT HIT HIM. 679 00:33:31,934 --> 00:33:33,067 I'LL CALL J.J. 680 00:33:33,133 --> 00:33:35,067 THE BUREAU'S GONNA HAVE TO MAKE A STATEMENT. 681 00:33:50,834 --> 00:33:52,234 YOU ALL RIGHT? 682 00:33:53,901 --> 00:33:55,501 HE TOOK MY CREDENTIALS. 683 00:33:55,567 --> 00:33:57,567 THE IMPORTANT THING IS YOU'RE OK. 684 00:34:00,701 --> 00:34:03,767 HE LEFT ME THIS. 685 00:34:03,834 --> 00:34:05,968 POWER AND MANIPULATION. 686 00:34:06,033 --> 00:34:07,667 DON'T LET HIM GET TO YOU. 687 00:34:09,634 --> 00:34:11,267 YEAH, RIGHT. 688 00:34:13,200 --> 00:34:15,133 OW, COME ON, MAN. SORRY. 689 00:34:17,834 --> 00:34:20,100 PRENTISS, HE'S TELLING ME, "I HAD YOU." 690 00:34:20,167 --> 00:34:22,868 MORGAN, YOU'RE ALIVE. 691 00:34:22,934 --> 00:34:24,400 YOU KNOW WHY? 692 00:34:24,467 --> 00:34:25,734 IT DOESN'T REALLY MATTER. 693 00:34:25,801 --> 00:34:27,934 I'M SITTING HERE BECAUSE I WAS KNOCKED OUT COLD. 694 00:34:28,000 --> 00:34:29,934 HE COULDN'T TORTURE ME. 695 00:34:30,000 --> 00:34:31,968 HE LIKES TO INTERACT WITH HIS VICTIMS, 696 00:34:32,033 --> 00:34:35,000 TO TELL THEM HE'S GONNA KILL THEM BEFORE HE DOES. 697 00:34:35,067 --> 00:34:36,667 OR BY LETTING THEM KNOW HE COULD HAVE. 698 00:34:36,734 --> 00:34:38,300 HOTCH IS RIGHT. 699 00:34:38,367 --> 00:34:41,534 HE'S JUST TRYING TO GET INTO YOUR HEAD. 700 00:34:41,601 --> 00:34:44,267 RIGHT OR WRONG, HE HAD ME. 701 00:34:46,400 --> 00:34:48,267 O'MARA WAS CLEARLY KILLED OUTSIDE. 702 00:34:48,334 --> 00:34:50,167 THIS WAS SOMEONE ELSE. 703 00:34:50,234 --> 00:34:52,634 THERE'S SIGNS OF A STRUGGLE AND A LOT OF BLOOD. 704 00:34:52,701 --> 00:34:54,334 BUT NO BODY. 705 00:34:54,400 --> 00:34:55,467 JUST THE DRAG MARKS. 706 00:34:55,534 --> 00:34:57,334 THE HUMAN BODY HOLDS 5 QUARTS OF BLOOD. 707 00:34:57,400 --> 00:34:59,968 I'D SAY THERE'S A LITTLE MORE THAN HALF THAT HERE. 708 00:35:00,033 --> 00:35:03,767 WHOEVER THE BLEEDER WAS, THEY LOST TOO MUCH TO SURVIVE. 709 00:35:03,834 --> 00:35:06,167 FOYET? IT WAS HIS WORST FEAR, 710 00:35:06,234 --> 00:35:08,868 THAT THE REAPER WOULD COME BACK AND FINISH THE JOB. 711 00:35:08,934 --> 00:35:10,501 WE OFFERED HIM PROTECTION. 712 00:35:10,567 --> 00:35:12,501 HE REFUSED. IT WAS HIS CHOICE. 713 00:35:15,033 --> 00:35:17,968 WHY IS HE SO FOCUSED ON FOYET? WHAT'S SO SPECIAL ABOUT HIM? 714 00:35:18,033 --> 00:35:19,834 HE WAS HIS ONLY SURVIVING VICTIM, 715 00:35:19,901 --> 00:35:21,467 THE ONLY ONE HE COULDN'T DEFEAT. 716 00:35:21,534 --> 00:35:23,334 BUT HE'S NOT A THREAT. DEFEATING HIM WOULD BE NO GREAT ACCOMPLISHMENT. 717 00:35:23,400 --> 00:35:25,334 THERE'S SOMETHING THERE THAT WE'RE MISSING. 718 00:35:25,400 --> 00:35:28,167 WHAT ABOUT THE GIRLFRIEND, AMANDA BERTRAND? 719 00:35:28,234 --> 00:35:29,968 WH-WHAT DO WE KNOW ABOUT HER? 720 00:35:30,033 --> 00:35:32,701 19. A FRESHMAN. SHE CAME HERE FROM MICHIGAN TO GO TO SCHOOL. 721 00:35:32,767 --> 00:35:35,501 FOYET WAS A TEACHER'S ASSISTANT IN ONE OF AMANDA'S COURSES. 722 00:35:35,567 --> 00:35:37,701 MICHIGAN. WHERE THE REAPER HAD SHAUNESSY 723 00:35:37,767 --> 00:35:39,067 POST THE PERSONAL AD. 724 00:35:39,133 --> 00:35:41,200 THAT CAN'T BE A COINCIDENCE. 725 00:35:41,267 --> 00:35:43,934 HE TOLD US SHE WAS THE LOVE OF HIS LIFE, THAT HE WAS GONNA PROPOSE. 726 00:35:44,000 --> 00:35:45,534 BUT SHE JUST GOT HERE FROM MICHIGAN. 727 00:35:45,601 --> 00:35:47,133 THEY ONLY MET WHEN THE CLASS STARTED. 728 00:35:47,200 --> 00:35:48,167 HOW LONG HAD SHE BEEN IN THE CLASS? 729 00:35:48,234 --> 00:35:49,734 4 WEEKS. 730 00:35:49,801 --> 00:35:51,267 SO IT WAS EITHER LOVE AT FIRST SIGHT, OR WHAT? 731 00:35:51,334 --> 00:35:52,467 FOYET WAS LYING? 732 00:35:52,534 --> 00:35:54,501 HE'S A 28-YEAR-OLD TEACHER'S ASSISTANT 733 00:35:54,567 --> 00:35:55,634 IN FRESHMAN CLASSES. 734 00:35:55,701 --> 00:35:58,167 THAT GIVES HIM PLENTY OF ACCESS TO YOUNG GIRLS. 735 00:35:58,234 --> 00:36:00,067 GARCIA. I'M HERE. 736 00:36:00,133 --> 00:36:02,267 UH, WHAT ARE FOYET'S ALIASES? 737 00:36:02,334 --> 00:36:04,367 I WANT YOU TO LOOK UP IN BOSTON CITY RECORDS 738 00:36:04,434 --> 00:36:07,100 KEVIN BASKIN, MILES HOLDEN, AND WILLIAM PARKER. 739 00:36:07,167 --> 00:36:09,834 TRY THE DEPARTMENT OF EDUCATION. 740 00:36:09,901 --> 00:36:12,334 WELL PLAYED, SIR. THEY ALL WORK FOR THE DEPARTMENT OF EDUCATION, 741 00:36:12,400 --> 00:36:13,834 THEY'RE ALL SUBSTITUTE TEACHERS, 742 00:36:13,901 --> 00:36:15,367 AND THEY ALL TEACH COMPUTER SCIENCE. 743 00:36:15,434 --> 00:36:16,400 HIGH SCHOOL? 744 00:36:16,467 --> 00:36:17,501 YEAH. 745 00:36:17,567 --> 00:36:18,734 OOPS. 746 00:36:18,801 --> 00:36:19,834 SCRATCH THAT. THEY'RE NOT ALL WORKING 747 00:36:19,901 --> 00:36:21,100 FOR THE DEPARTMENT OF EDUCATION. 748 00:36:21,167 --> 00:36:22,100 THEY'RE NOT? 749 00:36:22,167 --> 00:36:23,934 NO. WILLIAM PARKER WAS FIRED FOR ALLEGED 750 00:36:24,000 --> 00:36:26,234 INAPPROPRIATE BEHAVIOR WITH HIS FEMALE STUDENTS. 751 00:36:27,334 --> 00:36:29,300 DO YOU KNOW HOW LONG IT TAKES 752 00:36:29,367 --> 00:36:30,767 TO STAB SOMEBODY 67 TIMES? 753 00:36:30,834 --> 00:36:31,968 Garcia: HOTCH? 754 00:36:34,434 --> 00:36:35,667 WHY CAN'T YOU CATCH HIM? 755 00:36:40,000 --> 00:36:43,968 COLSON WENT TO SEE FOYET. GARCIA, I NEED YOU TO LOCATE ROY COLSON'S CELL PHONE. 756 00:36:44,033 --> 00:36:45,400 GEORGE FOYET IS THE REAPER. 757 00:36:45,467 --> 00:36:46,634 OH, GOD. UH-- 758 00:36:46,701 --> 00:36:48,634 OK, TRIANGULATING NOW. 759 00:36:48,701 --> 00:36:51,133 I GOT IT. 2633 SOUTH BUDLONG. 760 00:36:52,501 --> 00:36:54,667 Morgan: THAT MUST BE AN ADDRESS THAT FOYET DIDN'T GIVE US. 761 00:36:57,033 --> 00:36:58,634 [KNOCKS] 762 00:36:59,734 --> 00:37:00,667 HEY, GEORGE. 763 00:37:00,734 --> 00:37:01,667 HEY. 764 00:37:01,734 --> 00:37:02,667 NICE TO SEE YOU. 765 00:37:02,734 --> 00:37:04,167 COME ON IN. IT'S BEEN A WHILE. 766 00:37:04,234 --> 00:37:05,667 YOU BROUGHT YOUR LAPTOP. GOOD. YEAH. 767 00:37:05,734 --> 00:37:08,167 JUST SET IT UP OVER THERE ON THE TABLE. 768 00:37:08,234 --> 00:37:09,334 OK. 769 00:37:09,400 --> 00:37:11,334 HE STABBED AMANDA BERTRAND TO DEATH, 770 00:37:11,400 --> 00:37:12,968 HE DROVE A MILE, HE CALLED 911, 771 00:37:13,033 --> 00:37:14,968 HE WENT BACK, AND HE INFLICTED THOSE WOUNDS ON HIMSELF. 772 00:37:15,033 --> 00:37:17,334 HE KNEW E.M.S. WOULD GET THERE IN TIME TO SAVE HIM. 773 00:37:17,400 --> 00:37:19,000 BETWEEN THE PHONE CALL AND THE SEVERITY OF HIS WOUNDS, 774 00:37:19,067 --> 00:37:20,934 WE NEVER CONSIDERED HIM AS A SUSPECT. 775 00:37:21,000 --> 00:37:22,601 WHY WOULD HE DO IT? 776 00:37:22,667 --> 00:37:24,501 IT PUT HIM AT THE CORE OF THE INVESTIGATION. 777 00:37:24,567 --> 00:37:26,834 EVERYTHING WE HAD CAME FROM HIM. 778 00:37:26,901 --> 00:37:28,667 HE LEFT HIS OWN GLASSES AT THE CRIME SCENE, 779 00:37:28,734 --> 00:37:30,834 HE POINTED US RIGHT BACK IN HIS DIRECTION, 780 00:37:30,901 --> 00:37:31,968 AND STILL WE DIDN'T SEE IT. 781 00:37:36,400 --> 00:37:39,868 SO HOW ARE YOU? HOW YOU--YOU KNOW, HOW YOU HOLDING UP? 782 00:37:41,601 --> 00:37:43,234 ACTUALLY, UH... 783 00:37:44,834 --> 00:37:46,767 I'M KIND OF ANGRY WITH YOU. 784 00:37:46,834 --> 00:37:49,367 OH, YEAH. 'CAUSE I GAVE YOUR NAME TO THE F.B.I.? 785 00:37:49,434 --> 00:37:50,968 IS THAT--IS THAT WHAT THIS IS ABOUT? 786 00:37:51,033 --> 00:37:55,701 NO. NO, IT'S NOT ABOUT WHAT YOU GAVE THEM. 787 00:37:55,767 --> 00:37:58,067 IT'S WHAT I GAVE YOU. 788 00:38:01,033 --> 00:38:02,634 WHY DIDN'T YOU BREAK THE STORY I GAVE YOU 789 00:38:02,701 --> 00:38:04,167 ABOUT THE DEAL I MADE WITH SHAUNESSY? 790 00:38:04,234 --> 00:38:05,367 WHAT? 791 00:38:05,434 --> 00:38:07,801 IT WAS A GIFT. 792 00:38:09,267 --> 00:38:10,467 I GAVE IT TO YOU. 793 00:38:17,534 --> 00:38:18,601 WAIT A MINUTE. WAIT--STOP. 794 00:38:18,667 --> 00:38:21,000 ALL YOU HAD TO DO WAS PRINT THE STORY. 795 00:38:21,067 --> 00:38:22,033 NO, THIS CAN'T--THIS-- 796 00:38:22,100 --> 00:38:23,400 I COULD HAVE JUST DISAPPEARED AGAIN. 797 00:38:23,467 --> 00:38:25,667 THIS IS NOT YOU, GEORGE. THERE'S NO WAY THIS IS-- 798 00:38:25,734 --> 00:38:27,367 PLEASE STOP! STOP, GEORGE! 799 00:38:32,234 --> 00:38:33,234 GEORGE, PLEASE! 800 00:38:33,300 --> 00:38:34,801 THIS CAN'T BE YOU. 801 00:38:34,868 --> 00:38:36,133 THIS CAN'T BE YOU. IT JUST-- 802 00:38:36,200 --> 00:38:37,601 WHAT DO--WHAT DO YOU WANT ME TO DO? 803 00:38:37,667 --> 00:38:41,701 I WANT YOU TO SIT DOWN AND GET IT RIGHT. 804 00:38:41,767 --> 00:38:43,367 OK. 805 00:38:48,834 --> 00:38:52,267 YOU WROTE THAT I WAS EITHER DEAD OR ARRESTED. 806 00:38:52,334 --> 00:38:57,033 WELL, NOW YOU KNOW THAT'S NOT WHAT HAPPENED. 807 00:38:57,100 --> 00:38:59,133 I WON. 808 00:38:59,200 --> 00:39:00,467 I BEAT THEM, 809 00:39:00,534 --> 00:39:03,300 AND I WANT EVERYBODY TO KNOW THAT. 810 00:39:05,234 --> 00:39:07,567 IT'S OVER. 811 00:39:07,634 --> 00:39:09,033 STOP. 812 00:39:09,100 --> 00:39:11,267 I'LL KILL HIM. 813 00:39:11,334 --> 00:39:13,901 YOU NEED HIM TO WRITE YOUR STORY. 814 00:39:13,968 --> 00:39:15,000 I'M TAKING HIM WITH ME. 815 00:39:15,067 --> 00:39:16,901 I'LL LET HIM GO AS SOON AS I'M SAFE. 816 00:39:16,968 --> 00:39:17,901 NO, YOU'RE NOT. 817 00:39:17,968 --> 00:39:20,868 I SAID I'LL KILL HIM. 818 00:39:20,934 --> 00:39:23,534 YOU KILL HIM, I KILL YOU. 819 00:39:23,601 --> 00:39:26,400 YOU THINK I'M AFRAID TO DIE? 820 00:39:26,467 --> 00:39:27,834 YOU'RE NOT AFRAID. 821 00:39:27,901 --> 00:39:30,467 YOU'RE GREEDY AND NARCISSISTIC. 822 00:39:30,534 --> 00:39:32,400 YOU WANT THE RECOGNITION THAT'S GONNA COME 823 00:39:32,467 --> 00:39:33,901 FROM THE BOOK THAT HE'S GONNA WRITE. 824 00:39:33,968 --> 00:39:36,133 YOU WANT THE FAME THAT'S GONNA COME FROM THE MEDIA. 825 00:39:36,200 --> 00:39:37,801 IT'S GONNA BE LIKE BUNDY. 826 00:39:37,868 --> 00:39:40,400 I'M GONNA BE BIGGER THAN BUNDY. 827 00:39:41,701 --> 00:39:44,000 WELL, YOU CAN'T ENJOY IT IF YOU'RE DEAD. 828 00:39:46,133 --> 00:39:49,634 IF YOU KNOW ME SO WELL, HOW COME SOME MANY HAD TO DIE TO BRING YOU HERE? 829 00:39:49,701 --> 00:39:51,601 THAT'S YOUR CHOICE, NOT MINE. 830 00:39:51,667 --> 00:39:52,667 YOU'RE THE SERIAL KILLER. 831 00:39:53,968 --> 00:39:55,934 THAT'S RIGHT. 832 00:39:57,100 --> 00:39:58,767 HELLO, DEREK. 833 00:40:05,334 --> 00:40:08,100 WHERE'S MY BADGE? 834 00:40:09,400 --> 00:40:12,000 WHERE IS IT, YOU SON OF A BITCH? 835 00:40:14,167 --> 00:40:17,100 I'M GONNA BE MORE FAMOUS THAN YOU EVEN REALIZE. 836 00:40:17,167 --> 00:40:19,033 KEEP DREAMIN'. 837 00:40:27,033 --> 00:40:28,334 YOU OK, ROY? [BREATHING HARD] 838 00:40:28,400 --> 00:40:29,667 I'M OK. 839 00:40:29,734 --> 00:40:31,501 YEAH, I'M OK. 840 00:40:31,567 --> 00:40:32,567 YOU? 841 00:40:38,567 --> 00:40:41,167 Hotch: "MEN HEAP TOGETHER THE MISTAKES OF THEIR LIVES 842 00:40:41,234 --> 00:40:44,100 AND CREATE A MONSTER THEY CALL DESTINY." 843 00:40:44,167 --> 00:40:46,400 JOHN HOBBES. 844 00:40:50,601 --> 00:40:54,567 THEY DIDN'T FIND YOUR CREDENTIALS AT ANY OF THE RESIDENCES. 845 00:40:54,634 --> 00:40:57,734 THE BLOOD AT THE HOUSE WAS FOYET'S. 846 00:40:57,801 --> 00:41:00,868 REID GUESSED LOW. THE CORONER SAID IT WAS 4 QUARTS. 847 00:41:00,934 --> 00:41:03,501 HOTCH, HOW IS THAT POSSIBLE? HE'D BE DEAD. 848 00:41:03,567 --> 00:41:06,701 HE'S BEEN PLANNING HIS DEATH FOR A LONG TIME. 849 00:41:06,767 --> 00:41:09,234 SO, WHAT, HE TOOK A LITTLE BLOOD AT A TIME 850 00:41:09,300 --> 00:41:10,667 UNTIL HE HAD ENOUGH TO CONVINCE US 851 00:41:10,734 --> 00:41:12,200 HE WAS DEAD WITHOUT FINDING HIS BODY? 852 00:41:18,234 --> 00:41:21,701 MORGAN, YOU'RE GONNA HAVE TO FIND A WAY TO LET IT GO. 853 00:41:21,767 --> 00:41:23,167 COULD YOU? 854 00:41:24,300 --> 00:41:26,968 I'D HAVE TO. 855 00:42:00,033 --> 00:42:03,100 [NO AUDIBLE DIALOGUE] 856 00:42:22,767 --> 00:42:24,434 FOYET ESCAPED. 857 00:42:30,200 --> 00:42:32,300 GUARDS FOUND HIM IN HIS CELL VOMITING BLOOD AND CONVULSING. 858 00:42:32,367 --> 00:42:33,934 THEY RUSHED HIM TO THE PRISON HOSPITAL. 859 00:42:34,000 --> 00:42:35,200 GET ME THE U.S. MARSHALS OFFICE. 860 00:42:35,267 --> 00:42:37,701 I ALREADY CALLED DON REILLY. I OFFERED OUR ASSISTANCE. 861 00:42:37,767 --> 00:42:39,133 HE SAID THEY'D CALL US IF THEY NEEDED IT. 862 00:42:39,200 --> 00:42:41,234 THE BOSTON FIELD OFFICE JUST IDENTIFIED DOCUMENTS 863 00:42:41,300 --> 00:42:42,901 FROM FOYET'S HOUSE. 864 00:42:42,968 --> 00:42:44,968 THEY'RE SCHEMATICS FOR THE ELECTRICAL, HEATING, AND WATER DUCTS 865 00:42:45,033 --> 00:42:46,467 OF THE EAST WOBURN CORRECTIONAL FACILITY. 866 00:42:46,534 --> 00:42:47,801 HE HAD THE SCHEMATICS. 867 00:42:47,868 --> 00:42:49,534 AND NOT JUST FOR WOBURN. FOR EVERY JAIL, PRISON, 868 00:42:49,601 --> 00:42:51,100 AND COURTHOUSE IN MASSACHUSETTS. 869 00:42:51,167 --> 00:42:52,367 AND 10 YEARS TO PLAN. 870 00:42:53,501 --> 00:42:55,667 THEY'RE GONNA FIND HIM, RIGHT? 871 00:42:57,567 --> 00:42:59,834 NO, THEY'RE NOT. 872 00:43:01,400 --> 00:43:05,067 HE SAID HE'D BE MORE FAMOUS THAN WE KNEW, 873 00:43:05,133 --> 00:43:07,467 AND HE WAS RIGHT.