1 00:00:02,503 --> 00:00:04,838 - MY NAME IS MICHAEL WESTEN. I USED TO BE A SPY, UNTIL... 2 00:00:04,871 --> 00:00:06,506 [phone rings] - WE GOT A BURN NOTICE ON YOU. 3 00:00:06,540 --> 00:00:07,508 YOU'RE BLACKLISTED. [hangs up phone] 4 00:00:07,541 --> 00:00:09,176 - [whistles] 5 00:00:09,210 --> 00:00:11,044 WHEN YOU'RE BURNED, YOU'VE GOT NOTHING. 6 00:00:11,079 --> 00:00:13,580 NO CASH, NO CREDIT, NO JOB HISTORY. 7 00:00:13,614 --> 00:00:15,749 YOU'RE STUCK IN WHATEVER CITY THEY DECIDE TO DUMP YOU IN. 8 00:00:15,782 --> 00:00:18,085 WHERE AM I? - MIAMI. 9 00:00:18,118 --> 00:00:20,888 - YOU DO WHATEVER WORK COMES YOUR WAY. 10 00:00:20,920 --> 00:00:22,756 YOU RELY ON ANYONE WHO'S STILL TALKING TO YOU. 11 00:00:22,789 --> 00:00:24,057 [laughs] 12 00:00:24,091 --> 00:00:26,493 A TRIGGER-HAPPY GIRLFRIEND. - SHOULD WE SHOOT THEM? 13 00:00:26,527 --> 00:00:29,062 - AN OLD FRIEND WHO USED TO INFORM ON YOU TO THE FBI. 14 00:00:29,097 --> 00:00:31,199 - YOU KNOW SPIES, BUNCH OF BITCHY LITTLE GIRLS. 15 00:00:31,231 --> 00:00:33,533 - FAMILY TOO. - HEY, IS THAT YOUR MOM AGAIN? 16 00:00:33,567 --> 00:00:34,601 - IF YOU'RE DESPERATE. 17 00:00:34,634 --> 00:00:35,868 - SOMEONE NEEDS YOUR HELP, MICHAEL. 18 00:00:35,902 --> 00:00:38,771 - AND A DOWN AND OUT SPY YOU MET ALONG THE WAY. 19 00:00:38,805 --> 00:00:40,207 - THAT'S HOW WE DO IT, PEOPLE. 20 00:00:40,240 --> 00:00:42,942 - BOTTOM LINE, AS LONG AS YOU'RE BURNED, 21 00:00:42,975 --> 00:00:44,978 YOU'RE NOT GOING ANYWHERE. 22 00:00:47,715 --> 00:00:50,618 - THIS IS THE LAST, BEST, AND ONLY OFFER YOU WILL GET. 23 00:00:50,651 --> 00:00:52,119 IT'S A DEEP COVER JOB. 24 00:00:52,152 --> 00:00:53,954 YOU'RE GOING AFTER THE LEADER OF A TERRORIST NETWORK 25 00:00:53,987 --> 00:00:55,189 BASED IN THE DOMINICAN REPUBLIC. 26 00:00:55,222 --> 00:00:57,091 RANDALL BURKE. 27 00:00:57,125 --> 00:00:58,292 - [grunts] 28 00:00:58,326 --> 00:00:59,359 - WHY ARE YOU ASKING QUESTIONS ABOUT MIKE? 29 00:00:59,393 --> 00:01:01,027 WHO THE HELL ARE YOU, PAL? 30 00:01:01,060 --> 00:01:02,096 - WHAT THE HELL DOES HE WANT WITH MIKE? 31 00:01:02,130 --> 00:01:03,131 - WE DAMN WELL BETTER FIND OUT. 32 00:01:03,164 --> 00:01:06,233 - YOUR SON IS INVOLVED IN DELICATE WORK. 33 00:01:06,266 --> 00:01:08,968 - MICHAEL IS WORKING ON A GOVERNMENT ASSIGNMENT 34 00:01:09,001 --> 00:01:10,271 FOR THE CIA. 35 00:01:10,304 --> 00:01:12,406 - WE JUST FOUND A DEPARTMENT OF CHILDREN AND FAMILIES I.D. 36 00:01:12,439 --> 00:01:13,606 AT THE MYSTERY MAN'S HOUSE. 37 00:01:13,641 --> 00:01:15,975 - DID THEY ASK YOU ANYTHING ABOUT MICHAEL? 38 00:01:16,009 --> 00:01:18,245 WHAT EXACTLY DID YOU TELL THEM? - OH, NO. 39 00:01:19,980 --> 00:01:22,816 - MADDY, YOU CAN'T JUST WALTZ INTO THE FBI OFFICE 40 00:01:22,849 --> 00:01:24,218 AND ASK ABOUT MIKE. 41 00:01:24,251 --> 00:01:26,954 LOOK, I GOT FRIENDS THERE AND THEY WON'T TELL ME ANYTHING. 42 00:01:26,986 --> 00:01:29,289 SO THIS IS JUST A BAD IDEA NO MATTER HOW YOU SLICE IT. 43 00:01:29,323 --> 00:01:30,890 - WHAT AM I SUPPOSED TO DO THEN? 44 00:01:30,924 --> 00:01:32,759 I HAVE PHONED EVERY DEPARTMENT IN THE FEDERAL GOVERNMENT 45 00:01:32,793 --> 00:01:35,228 TO FIND OUT IF MY SON IS ALIVE! 46 00:01:35,263 --> 00:01:37,131 AND I'M GETTING NOTHING. 47 00:01:37,164 --> 00:01:38,998 SO I'M GOING TO GO DOWN THERE BY MYSELF, 48 00:01:39,031 --> 00:01:40,668 AND TALK TO THEM IN PERSON. 49 00:01:40,700 --> 00:01:43,103 - MIKE CAN TAKE CARE OF HIMSELF, I'M SURE HE'S FINE. 50 00:01:43,137 --> 00:01:46,140 - YOU'RE SURE. WHAT DOES THAT MEAN, SAM? 51 00:01:46,174 --> 00:01:48,609 YOU HOPE? YOU THINK? 52 00:01:48,641 --> 00:01:50,644 DO YOU KNOW? BECAUSE I NEED TO KNOW! 53 00:01:50,677 --> 00:01:52,079 - WHAT'S YOUR PLAN, MADDY? 54 00:01:52,111 --> 00:01:53,514 YOU JUST GONNA SHOW UP DOWN THERE? 55 00:01:53,546 --> 00:01:55,182 'CAUSE I KNOW THEY'RE NOT GONNA GIVE YOU AN APPOINTMENT. 56 00:01:55,216 --> 00:01:56,984 THE BEST WAY TO FIGURE OUT WHAT'S GOING ON WITH MIKE 57 00:01:57,016 --> 00:01:58,186 IS FOR US TO CATCH THIS GUY 58 00:01:58,218 --> 00:01:59,287 AND FIND OUT WHO HE'S WORKING FOR. 59 00:01:59,319 --> 00:02:00,653 - JESSE'S RIGHT. 60 00:02:00,688 --> 00:02:02,822 LOOK, FI AND CARLOS ARE ON THE STREET RIGHT NOW, 61 00:02:02,855 --> 00:02:04,024 GETTING THE WORD OUT TO THEIR PEOPLE. 62 00:02:04,057 --> 00:02:06,093 - WE CHECKED HIS ALIASES, WE GOT HIS REAL NAME. 63 00:02:06,126 --> 00:02:07,361 A DEXTER GAMBLE. 64 00:02:07,394 --> 00:02:10,330 SO WE'RE MAKING PROGRESS. YOU JUST NEED TO SIT TIGHT. 65 00:02:10,364 --> 00:02:12,800 - MICHAEL COULD BE DEAD! 66 00:02:12,832 --> 00:02:14,701 DON'T YOU TELL ME TO SIT TIGHT! 67 00:02:14,735 --> 00:02:16,036 - MADDY. 68 00:02:16,068 --> 00:02:19,606 DON'T DO THIS TO YOURSELF. 69 00:02:19,639 --> 00:02:23,176 - SAM, I CAN'T SLEEP. 70 00:02:23,211 --> 00:02:24,812 I CAN'T STOP EATING. 71 00:02:24,844 --> 00:02:28,681 ALL I CAN THINK OF IS THAT I MIGHT HAVE KILLED MY SON. 72 00:02:28,716 --> 00:02:30,050 - MADDY, WHAT ABOUT CHARLIE? 73 00:02:30,082 --> 00:02:32,118 YOU JUST GONNA DRAG HIM ALONG WHILE YOU GO RAISE HELL? 74 00:02:32,151 --> 00:02:33,052 I MEAN, WHAT--DON'T YOU THINK THAT'S GONNA FREAK HIM OUT 75 00:02:33,086 --> 00:02:34,222 A LITTLE BIT? 76 00:02:34,254 --> 00:02:36,656 - THAT'S ALREADY TAKEN CARE OF, JESSE. 77 00:02:36,689 --> 00:02:38,125 THANK YOU. CHARLIE! 78 00:02:38,158 --> 00:02:40,961 SWEETHEART, YOU READY? 79 00:02:40,993 --> 00:02:42,996 - HI, GRANDMA. - LOOK AT YOU, HANDSOME. 80 00:02:43,030 --> 00:02:45,299 DID YOU BRUSH? 81 00:02:45,332 --> 00:02:47,067 [gasps] PERFECT. 82 00:02:47,099 --> 00:02:48,401 ALL RIGHT, WE'RE GONNA GO TO MRS. STRICKLAND'S 83 00:02:48,436 --> 00:02:51,239 FOR A FEW HOURS WHILE GRANDMA DOES SOME ERRANDS, OKAY? 84 00:02:51,271 --> 00:02:53,073 - OKAY. - OKAY, SWEETHEART. 85 00:02:53,105 --> 00:02:54,007 SAY BYE-BYE! 86 00:02:54,040 --> 00:02:57,545 - BYE-BYE, MR. SAM. BYE-BYE, MR. JESSE. 87 00:02:57,578 --> 00:03:00,013 - HEY, MADDY, COULD WE-- - BYE-BYE. 88 00:03:06,086 --> 00:03:07,721 EXCUSE ME. 89 00:03:07,754 --> 00:03:10,022 WHERE DO I PARK FOR THE FEDERAL BUILDING? 90 00:03:10,056 --> 00:03:11,824 - FIND A SPOT THAT'S NOT RESERVED, 91 00:03:11,859 --> 00:03:14,495 THEN TAKE THE FOOT BRIDGE ON LEVEL TWO. 92 00:03:14,527 --> 00:03:17,465 - THANK YOU. 93 00:03:24,972 --> 00:03:29,209 - THERE'S A FINE LINE BETWEEN HEALTHY CAUTION AND PARANOIA. 94 00:03:31,778 --> 00:03:34,848 WHEN YOU'RE UNDER STRESS YOUR AWARENESS IS HEIGHTENED, 95 00:03:34,882 --> 00:03:37,550 MAKING IT EASIER TO SPOT POTENTIAL DANGERS. 96 00:03:37,585 --> 00:03:41,021 UNFORTUNATELY, STRESS CAN ALSO MAKE IT HARD TO TELL 97 00:03:41,054 --> 00:03:43,022 WHEN A DANGER IS REAL, 98 00:03:43,055 --> 00:03:46,826 AND WHEN IT'S JUST A FIGMENT OF YOUR IMAGINATION. 99 00:03:52,400 --> 00:03:54,335 [elevator bell dings] 100 00:03:55,336 --> 00:03:57,069 [bell dings] 101 00:03:57,103 --> 00:03:59,807 [motor whirring] 102 00:03:59,840 --> 00:04:02,443 - JESUS. 103 00:04:02,475 --> 00:04:06,546 [bell dings] [motor whirring] 104 00:04:06,580 --> 00:04:09,216 SOMEBODY! 105 00:04:09,248 --> 00:04:12,520 PLEASE! PLEASE! 106 00:04:18,459 --> 00:04:19,660 - HI, MOM. 107 00:04:27,668 --> 00:04:30,437 - MICHAEL? WHAT'S GOING ON? 108 00:04:30,471 --> 00:04:33,574 - RELAX, MA. I JUST NEED TO TALK TO YOU. 109 00:04:33,606 --> 00:04:35,141 - WHY CAN'T WE JUST TALK AT HOME? 110 00:04:35,175 --> 00:04:37,577 - I'M SORRY. IT'S FOR SECURITY PURPOSES. 111 00:04:37,610 --> 00:04:40,514 - EXCUSE ME. EXCUSE ME. [voices fade out] 112 00:04:40,548 --> 00:04:43,651 - I CAN'T RISK BEING SEEN. 113 00:04:46,954 --> 00:04:48,656 - IS THIS ABOUT THAT MAN? 114 00:04:48,689 --> 00:04:53,627 THE ONE WHO CAME TO MIAMI ASKING ABOUT YOU? 115 00:04:53,661 --> 00:04:55,161 - YOU TOLD HIM I WAS WITH THE CIA. 116 00:04:55,194 --> 00:04:56,430 HE COULD BLOW MY COVER. 117 00:04:56,463 --> 00:04:59,600 - I'M SO SORRY, MICHAEL. 118 00:04:59,632 --> 00:05:01,435 YOU GOTTA TALK TO FI AND SAM AND JESSE. 119 00:05:01,468 --> 00:05:04,437 - I CAN'T TALK TO ANYONE ELSE. - THEY'RE LOOKING FOR HIM. 120 00:05:04,471 --> 00:05:05,639 - I KNOW. - THEY'RE WORRIED! 121 00:05:05,673 --> 00:05:09,343 - I KNOW! 122 00:05:09,377 --> 00:05:12,646 - WHAT DO YOU MEAN, "YOU KNOW?" 123 00:05:12,680 --> 00:05:15,548 - WE'RE FOLLOWING THEIR INVESTIGATION. 124 00:05:15,583 --> 00:05:19,519 - YOU--YOU'RE SPYING ON YOUR FRIENDS? 125 00:05:19,552 --> 00:05:20,954 - NO, YOU DON'T UNDERSTAND. 126 00:05:20,987 --> 00:05:24,358 I CAN'T CONTACT ANYONE ELSE. NOT WHILE I'M UNDERCOVER. 127 00:05:24,391 --> 00:05:26,494 - CAN'T YOU JUST CALL ONE OF YOUR SECRET MEETINGS? 128 00:05:26,526 --> 00:05:29,497 - I CAN'T, IT-- 129 00:05:29,529 --> 00:05:33,500 MA, THIS WAS NOT MY CALL. NO ONE CAN KNOW I'M HERE. 130 00:05:35,502 --> 00:05:37,538 - AND ME? 131 00:05:37,571 --> 00:05:39,507 WHY DID I GET A PRIVATE VISIT? 132 00:05:39,540 --> 00:05:41,542 - BECAUSE YOU'RE CALLING PEOPLE ABOUT ME. 133 00:05:41,574 --> 00:05:43,175 AND YOU HAVE TO STOP! 134 00:05:43,209 --> 00:05:47,715 - MICHAEL, I JUST WANTED TO KNOW IF YOU WERE ALIVE! 135 00:05:47,747 --> 00:05:50,050 IS THAT TOO MUCH TO ASK? - YES, IT'S TOO MUCH TO ASK! 136 00:05:50,082 --> 00:05:51,851 YOU CAN'T CALL! YOU CAN'T WRITE! 137 00:05:51,884 --> 00:05:55,389 YOU JUST HAVE TO WAIT FOR ME TO COME BACK! 138 00:06:03,029 --> 00:06:06,365 - AND IF YOU DON'T COME BACK? 139 00:06:08,536 --> 00:06:11,038 - I HAVE TO GO. 140 00:06:19,079 --> 00:06:23,250 - MICHAEL. 141 00:06:23,283 --> 00:06:26,987 CAN I HOLD MY SON? IS THAT ALLOWED? 142 00:07:07,627 --> 00:07:10,630 [phones ringing] [overlapping chatter] 143 00:07:16,637 --> 00:07:18,939 - THERE YOU ARE. HOW'D IT GO WITH MOM? 144 00:07:18,971 --> 00:07:20,473 - AS WELL AS COULD BE EXPECTED. 145 00:07:20,507 --> 00:07:23,310 SHE WON'T BE CALLING ABOUT ME ANYMORE. 146 00:07:23,343 --> 00:07:25,144 - GOOD. NOW WE CAN GET ABOUT THE BUSINESS 147 00:07:25,177 --> 00:07:28,014 OF TAKING CARE OF DEXTER GAMBLE. 148 00:07:28,048 --> 00:07:31,519 SO FIRST THINGS FIRST... 149 00:07:31,552 --> 00:07:33,286 A WELCOME HOME GIFT. 150 00:07:33,319 --> 00:07:35,588 YOU SHOULD BE ABLE TO USE IT SOON, TOO. 151 00:07:35,622 --> 00:07:40,060 LOOKS LIKE YOUR FRIENDS ARE MAKING SOME PROGRESS. 152 00:07:48,668 --> 00:07:51,137 IS THERE A PROBLEM, MICHAEL? 153 00:07:51,170 --> 00:07:52,540 - NO, I WAS JUST THINKING 154 00:07:52,572 --> 00:07:55,141 THIS MIGHT GO FASTER IF WE WORK DIRECTLY WITH THEM. 155 00:07:55,175 --> 00:07:56,475 - NOT GONNA HAPPEN. 156 00:07:56,509 --> 00:07:58,612 - THEY'VE BEEN INVOLVED IN COVERT OPERATIONS BEFORE. 157 00:07:58,646 --> 00:08:00,379 YOU CAN TRUST THEM. - I SAID NO. 158 00:08:00,413 --> 00:08:02,314 I'M NOT GONNA RISK MY OP SO THAT YOU CAN SAY HI 159 00:08:02,348 --> 00:08:03,516 TO YOUR PALS. 160 00:08:03,550 --> 00:08:04,817 NOW YOU KNEW THIS BEFORE YOU CAME TO MIAMI. 161 00:08:04,851 --> 00:08:08,656 NOW YOU CAN EITHER FLY BACK TO THE D.R. AND LET US HANDLE IT 162 00:08:08,689 --> 00:08:11,824 OR YOU GET WITH THE PROGRAM. 163 00:08:13,694 --> 00:08:16,428 GOOD. 164 00:08:18,598 --> 00:08:20,567 - WHEN RUNNING SURVEILLANCE YOU'RE TRAINED TO VIEW 165 00:08:20,600 --> 00:08:22,302 YOUR TARGETS NOT AS PEOPLE, 166 00:08:22,334 --> 00:08:25,639 BUT AS A LIST OF DETAILS IN AN ACTIVITY LOG. 167 00:08:25,673 --> 00:08:27,507 WHEN THEY COME HOME, WHEN THEY LEAVE, 168 00:08:27,540 --> 00:08:29,042 HOW MANY CALLS THEY MAKE. 169 00:08:29,076 --> 00:08:31,644 YOU HAVE TO DISCIPLINE YOURSELF NOT TO GET EMOTIONALLY INVOLVED 170 00:08:31,678 --> 00:08:32,712 IN THE LIFE OF THE SUBJECT. 171 00:08:32,745 --> 00:08:34,081 - YEAH, LOOK, I GET IT-- 172 00:08:34,114 --> 00:08:37,250 - BUT SOMETIMES THE SUBJECT MAKES THAT IMPOSSIBLE. 173 00:08:37,283 --> 00:08:39,586 - YEAH, HE'S ALL HOT AND BOTHERED ABOUT 174 00:08:39,620 --> 00:08:40,754 THE BURGREN SKIP. 175 00:08:40,788 --> 00:08:42,556 I SAID WE'LL HANDLE IT, BUT FOR NOW WE'VE GOT 176 00:08:42,590 --> 00:08:46,393 A MORE SERIOUS SITUATION HERE AND THAT'S THE PRIORITY. 177 00:08:46,426 --> 00:08:48,260 - I'M SORRY. 178 00:08:48,294 --> 00:08:49,697 I DIDN'T MEAN TO GET YOU ALL WRAPPED UP IN THIS. 179 00:08:49,730 --> 00:08:53,332 - HEY. YOU GOT NOTHING TO BE SORRY ABOUT. 180 00:08:53,365 --> 00:08:54,668 I JUST GET PISSED THAT YOU STILL HAVE TO DEAL 181 00:08:54,701 --> 00:08:57,904 WITH MICHAEL'S STUFF, EVEN WHEN HE'S NOT AROUND. 182 00:09:01,609 --> 00:09:05,544 I'M GONNA GO TAKE A SHOWER. 183 00:09:09,649 --> 00:09:11,451 - THE HARDEST PART ABOUT DOING SURVEILLANCE 184 00:09:11,484 --> 00:09:15,455 ON SOMEONE YOU KNOW IS STAYING OBJECTIVE. 185 00:09:15,488 --> 00:09:17,456 WORK CAN QUICKLY BECOME VERY PERSONAL 186 00:09:17,490 --> 00:09:21,461 WHEN EVERYTHING ABOUT THE PERSON YOU'RE WATCHING, EVERY LOOK, 187 00:09:21,494 --> 00:09:24,898 EVERY GESTURE, REMINDS YOU OF THE PAST. 188 00:09:26,133 --> 00:09:28,467 [overlapping chatter] 189 00:09:28,500 --> 00:09:31,471 [traditional Irish music] 190 00:09:31,504 --> 00:09:39,511 * 191 00:09:43,482 --> 00:09:47,821 - GO! 192 00:09:47,855 --> 00:09:50,857 [guns clicking] 193 00:10:01,000 --> 00:10:04,303 [crowd gasping, murmuring] 194 00:10:04,336 --> 00:10:05,437 [click] 195 00:10:05,471 --> 00:10:06,740 [cheers] 196 00:10:06,774 --> 00:10:09,341 - [Irish accent] YOU'RE A DEAD MAN. 197 00:10:09,375 --> 00:10:11,812 NOW PAY UP. 198 00:10:11,845 --> 00:10:14,014 - YOU WANT YOUR MONEY, YOU'LL HAVE TO TAKE IT FROM ME. 199 00:10:14,047 --> 00:10:15,749 - ALL RIGHT, I WILL. 200 00:10:15,783 --> 00:10:16,783 - [Irish accent] WHO'S THE GIRL? 201 00:10:16,817 --> 00:10:18,618 - FIONA GLENANNE. 202 00:10:18,652 --> 00:10:24,191 TROUBLE OF THE WORST KIND. 203 00:10:24,224 --> 00:10:26,293 [cheers] 204 00:10:26,326 --> 00:10:29,461 BELIEVE ME, LAD, YOU WON'T BE WANTING ANY OF THAT. 205 00:10:32,465 --> 00:10:35,534 BESIDES, SHE'S TAKEN. 206 00:10:35,567 --> 00:10:40,539 [cell phone rings] 207 00:10:44,076 --> 00:10:46,178 - RICO. YOU HAVE INFORMATION ON GAMBLE? 208 00:10:46,212 --> 00:10:48,782 - YEAH, CHICA, IT'S GONNA COST YOU THREE BILLS. 209 00:10:48,816 --> 00:10:51,618 MY COUSIN SAID A DUDE WHO LOOKS JUST LIKE THE GUY YOU'RE AFTER 210 00:10:51,650 --> 00:10:54,153 PAID HIM FIVE GRAND FOR A PLACE TO STORE EQUIPMENT. 211 00:10:54,187 --> 00:10:56,355 FIVE G'S AND HE'S NOT EVEN STAYING THERE. 212 00:10:56,389 --> 00:10:58,524 - I NEED AN ADDRESS. - 828 NORTH RIVER DRIVE. 213 00:10:58,557 --> 00:11:01,628 IT'S AN OLD AUTO BODY SHOP RIGHT OFF FIFTH STREET. 214 00:11:01,660 --> 00:11:03,697 - HOW FAR IS THAT FROM HERE? - 20 MINUTES. 215 00:11:03,730 --> 00:11:05,732 - LET'S GO. 216 00:11:15,508 --> 00:11:18,411 - WE'LL LET YOUR FRIENDS SEARCH THE AUTO SHOP FIRST. 217 00:11:18,445 --> 00:11:21,815 WHEN THEY LEAVE, WE'LL SWEEP FOR WHATEVER THEY MISS. 218 00:11:21,849 --> 00:11:23,582 [car tires squealing] 219 00:11:23,615 --> 00:11:25,251 - DAMN. 220 00:11:25,284 --> 00:11:27,354 [tires screeching] 221 00:11:27,386 --> 00:11:29,255 - THAT WAS FAST, HOW DID THEY-- 222 00:11:29,288 --> 00:11:32,692 - FI'S DRIVING. 223 00:11:32,725 --> 00:11:35,394 - OKAY, YOU OWE ME A NEW SET OF TIRES. 224 00:11:35,427 --> 00:11:37,029 - ME? - YEAH. 225 00:11:37,063 --> 00:11:38,597 WHO'S THE ONE THAT TALKED ME INTO LETTING THIS SPEED DEMON 226 00:11:38,630 --> 00:11:39,599 GET BEHIND THE WHEEL? 227 00:11:39,631 --> 00:11:40,868 - WELL, DON'T BLAME HIM. 228 00:11:40,900 --> 00:11:42,269 IF YOU WERE DRIVING, WE'D STILL BE ON THE CAUSEWAY. 229 00:11:42,302 --> 00:11:46,072 - SET OF FOUR. PIRELLI. - YEAH. WHATEVER. 230 00:11:46,105 --> 00:11:47,573 WHAT, FIVE G'S FOR THIS DUMP? 231 00:11:47,606 --> 00:11:50,177 [click] 232 00:11:50,210 --> 00:11:51,644 - GET DOWN! GUN! 233 00:12:07,494 --> 00:12:09,296 - WELL, I GUESS RICO FORGOT TO MENTION THE TWO BANGERS 234 00:12:09,328 --> 00:12:12,399 GUARDING THE PLACE, HUH? 235 00:12:12,432 --> 00:12:15,201 [clicks] 236 00:12:15,235 --> 00:12:16,436 - STAY DOWN! 237 00:12:16,469 --> 00:12:17,570 [gunfire continues] 238 00:12:17,604 --> 00:12:19,371 - I NEED TO KNOW WHAT THE HELL IS GOING ON. 239 00:12:19,405 --> 00:12:20,472 STAND DOWN, WESTEN. 240 00:12:20,506 --> 00:12:21,908 - THEY'RE GETTING ATTACKED FROM HIGHER GROUND 241 00:12:21,942 --> 00:12:23,210 WITH A SEMI-AUTOMATIC WEAPON. 242 00:12:23,243 --> 00:12:27,279 THEY DIE, THE OPERATION DIES. YOU WANT THAT? 243 00:12:27,313 --> 00:12:29,216 - ALL RIGHT, NOBODY SEES YOU. YOU UNDERSTAND? 244 00:12:29,249 --> 00:12:32,184 - GOT IT. I'M A GHOST. 245 00:12:34,354 --> 00:12:36,823 THE AVERAGE HIT RATE FOR A TRAINED MARKSMAN 246 00:12:36,856 --> 00:12:39,993 FIRING AT A TARGET FROM 50 FEET UNDER IDEAL CONDITIONS 247 00:12:40,027 --> 00:12:43,831 IS OVER 99%. 248 00:12:43,864 --> 00:12:48,100 OF COURSE THAT ASSUMES YOU CAN SEE YOUR TARGET. 249 00:12:48,134 --> 00:12:50,437 IF YOU'RE UNDER FIRE AND SHOOTING BLIND, 250 00:12:50,470 --> 00:12:53,440 THAT HIT RATE DROPS TO ABOUT ZERO. 251 00:12:53,472 --> 00:12:55,442 - I'M ALMOST OUT. I'M ON MY LAST CLIP. 252 00:12:55,475 --> 00:12:57,344 - YEAH, ME TOO. - YEAH, ME THREE. 253 00:12:57,376 --> 00:13:00,980 I DIDN'T PLAN ON SIEGE WARFARE. 254 00:13:01,014 --> 00:13:02,514 - I'M GONNA MAKE A BREAK FOR THAT DOOR. 255 00:13:02,548 --> 00:13:03,682 - OH, YOU'RE NUTS. 256 00:13:03,716 --> 00:13:05,485 THE GUY'S GOT AN AK AND A 200 DEGREE SIGHT-LINE. 257 00:13:05,518 --> 00:13:07,287 YOU'LL GET MOWED DOWN. - ALL RIGHT. YEAH, YEAH, YEAH. 258 00:13:07,320 --> 00:13:08,520 I'M COMING WITH YOU. - WHAT? 259 00:13:08,554 --> 00:13:10,490 - IF BOTH OF US GO, ONE OF US HAS A CHANCE TO MAKE IT. 260 00:13:10,523 --> 00:13:12,792 [automatic gunfire] 261 00:13:16,062 --> 00:13:18,398 [automatic gunfire] 262 00:13:20,366 --> 00:13:21,533 - LET ME SEE IF I GOT THIS RIGHT. 263 00:13:21,567 --> 00:13:24,636 WE'RE GONNA LAY DOWN COVER FIRE WITH ABOUT FIVE BULLETS 264 00:13:24,671 --> 00:13:27,139 AND THE GUY WE CAN'T SEE, IS THAT IT? 265 00:13:27,173 --> 00:13:30,143 - PRETTY MUCH, YEAH. - OKAY, JUST CHECKING. 266 00:13:36,850 --> 00:13:40,253 OKAY, YOU RUN ON THREE. WE SHOOT ON TWO. 267 00:13:42,154 --> 00:13:43,690 [automatic gunfire] 268 00:13:43,722 --> 00:13:46,860 ONE, TWO, THREE. 269 00:13:48,195 --> 00:13:50,062 [glass tinkling] 270 00:13:59,739 --> 00:14:02,841 - HOW THE HELL DID YOU HIT THAT GUY? 271 00:14:04,543 --> 00:14:07,880 - LUCKY SHOT, I GUESS. 272 00:14:24,864 --> 00:14:25,865 - WHERE'S CARLOS? 273 00:14:25,899 --> 00:14:27,433 - HE TOOK THE CAR UP A FEW BLOCKS. 274 00:14:27,466 --> 00:14:29,036 I THOUGHT IT WOULD BE BEST TO GET IT OFF THE STREET. 275 00:14:29,068 --> 00:14:32,504 - ANY SIGN OF THE COPS? - WELL, HE CHECKED THE SCANNER. 276 00:14:32,538 --> 00:14:34,540 911 GOT A REPORT OF SHOTS FIRED, 277 00:14:34,573 --> 00:14:37,543 BUT THE CALLER DIDN'T KNOW WHERE FROM. 278 00:14:37,576 --> 00:14:40,779 - WELL, THEY'RE PROBABLY NOT IN ANY HURRY TO CHECK IT OUT. 279 00:14:40,812 --> 00:14:42,282 GUNSHOTS IN THIS AREA AREN'T EXACTLY HEADLINE NEWS. 280 00:14:42,315 --> 00:14:44,384 - I STILL THINK WE SHOULD TAKE THIS LAPTOP SOMEWHERE ELSE 281 00:14:44,417 --> 00:14:45,784 TO CHECK IT OUT. 282 00:14:45,817 --> 00:14:48,221 - WE THOUGHT ABOUT THAT. IT'S TOO RISKY. 283 00:14:48,254 --> 00:14:50,923 GAMBLE'S SET UP A WHOLE COMMUNICATION CENTER HERE. 284 00:14:50,957 --> 00:14:52,359 HE'S BEEN BOUNCING HIS CALLS THROUGH HERE 285 00:14:52,392 --> 00:14:53,525 SO THEY CAN'T BE TRACED. 286 00:14:53,559 --> 00:14:55,394 IF WE CAN HACK IT, WE CAN FIND HIM. 287 00:14:55,427 --> 00:14:57,529 BUT IT'S HARDWIRED TO THE JUNCTION BOX. 288 00:14:57,563 --> 00:14:58,865 - SO IF WE TRY AND UNPLUG IT, 289 00:14:58,898 --> 00:15:00,533 WE'RE GONNA PROBABLY LOSE EVERYTHING. 290 00:15:00,567 --> 00:15:02,434 LOOK, DIXON'S ON HIS WAY. 291 00:15:02,469 --> 00:15:04,136 [Fiona tapping] 292 00:15:04,171 --> 00:15:06,605 YOU ALL RIGHT, FI? 293 00:15:06,639 --> 00:15:10,710 - FINE. 294 00:15:10,743 --> 00:15:13,947 AFTER NINE MONTHS... 295 00:15:13,980 --> 00:15:17,350 STILL DEALING WITH THE FALLOUT OF MICHAEL WESTEN. 296 00:15:24,624 --> 00:15:27,159 - DIXON'S HERE. 297 00:15:27,193 --> 00:15:28,927 - PERIMETER CHECK. 298 00:15:28,961 --> 00:15:32,331 - THAT'S AXE'S HACKER FRIEND? 299 00:15:32,365 --> 00:15:36,403 - FRIEND WOULD BE PUSHING IT. 300 00:15:36,436 --> 00:15:39,605 - FI. WHERE HAVE YOU BEEN? YOU NEVER WRITE, YOU NEVER CALL. 301 00:15:39,639 --> 00:15:42,774 - AND I NEVER WILL. 302 00:15:42,808 --> 00:15:45,111 - [sighs] 303 00:15:45,144 --> 00:15:46,613 THIS IS GONNA SUCK, ISN'T IT? 304 00:15:46,645 --> 00:15:49,249 - THERE'S OUR LITTLE GUY. THANKS FOR COMING, DIXON. 305 00:15:49,282 --> 00:15:50,950 - USUALLY WHEN I MAKE HOUSE CALLS, IT'S TO HOUSES, 306 00:15:50,984 --> 00:15:53,019 NOT OLD CHOP-SHOPS IN THE MIDDLE OF OVERTOWN. 307 00:15:53,052 --> 00:15:54,421 - OKAY. JUST RELAX. 308 00:15:54,453 --> 00:15:57,024 WE JUST WANT YOU TO FIX A LITTLE COMPUTER PROBLEM. 309 00:15:57,057 --> 00:16:00,393 - LOOKIE HERE. EASY MONEY. 310 00:16:02,528 --> 00:16:05,197 - FINE. FINE! 311 00:16:05,231 --> 00:16:07,333 WHAT CAN I DO TO MAKE YOUR LIVES WONDERFUL? 312 00:16:07,366 --> 00:16:09,969 - IT'S JUST WE'RE CHASING A GUY WHO'S USING THIS PHONE RELAY 313 00:16:10,003 --> 00:16:11,203 TO BOUNCE HIS CALLS AND WE JUST NEED TO KNOW 314 00:16:11,238 --> 00:16:14,274 WHERE THEY'RE LANDING, THAT'S IT. 315 00:16:14,307 --> 00:16:15,375 - OKAY. I SEE. I SEE. 316 00:16:15,408 --> 00:16:16,708 - YOU JUST WANT ME TO LOOK AT THAT COMPUTER 317 00:16:16,743 --> 00:16:17,943 AND FIND OUT WHERE THIS GUY IS. 318 00:16:17,976 --> 00:16:20,279 - BINGO. - GOOD LUCK WITH THAT, BUDDY. 319 00:16:20,312 --> 00:16:21,614 - HOLD ON. HEY, COME ON. COME ON. 320 00:16:21,648 --> 00:16:22,815 IT'S TWO MINUTES OF YOUR TIME. 321 00:16:22,849 --> 00:16:24,517 YOU WANT MORE MONEY? WE'LL GIVE YOU MORE MONEY. 322 00:16:24,551 --> 00:16:25,717 - WE GOT MONEY. - OKAY, OKAY, OKAY. 323 00:16:25,751 --> 00:16:27,453 A, DON'T TREAT ME LIKE A PROSTITUTE. 324 00:16:27,486 --> 00:16:29,822 IT MAKES ME FEEL CHEAP. AND B, MY CONCERN ISN'T MONEY. 325 00:16:29,855 --> 00:16:31,224 IT'S THE HANDCUFFS I'M GONNA BE WEARING 326 00:16:31,258 --> 00:16:33,326 WHEN I VIOLATE MY PROBATION BY TOUCHING A COMPUTER 327 00:16:33,360 --> 00:16:34,661 THAT'S HACKING INTO THE PHONE COMPANY. 328 00:16:34,693 --> 00:16:36,729 - RELAX. YOU KNOW WHAT, YOU DON'T WANT TO DO IT? 329 00:16:36,763 --> 00:16:38,530 WE GET IT. IT'S ALL GOOD. 330 00:16:38,565 --> 00:16:40,700 NO HARD FEELINGS, WE UNDERSTAND. RIGHT? 331 00:16:40,732 --> 00:16:42,134 IT'S ALL GOOD. 332 00:16:42,168 --> 00:16:43,202 SERIOUSLY. 333 00:16:43,235 --> 00:16:44,571 OH, ONE QUICK QUESTION. 334 00:16:44,604 --> 00:16:46,838 UM, ARE PEOPLE ON PROBATION ALLOWED TO HANG OUT 335 00:16:46,873 --> 00:16:48,408 AT CRIME SCENES? 336 00:16:48,441 --> 00:16:50,076 - WHA--THIS IS A CRIME SCENE? 337 00:16:50,110 --> 00:16:52,479 - [chuckles] YEAH. JUST A BIT. 338 00:16:52,511 --> 00:16:53,613 SEE, THERE WAS A SHOOTING. 339 00:16:53,645 --> 00:16:56,014 THE COPS ARE SEARCHING THE WHOLE AREA EVEN AS WE SPEAK. 340 00:16:56,048 --> 00:16:57,683 EVENTUALLY THEY'RE GONNA FIND THIS PLACE. 341 00:16:57,716 --> 00:17:00,187 SO THE QUESTION IS, ARE YOU GONNA BE HERE 342 00:17:00,220 --> 00:17:03,990 WITH GUNPOWDER RESIDUE ON YOUR HANDS WHEN THEY DO? 343 00:17:04,022 --> 00:17:06,526 - IS THERE GUNSHOT RESIDUE ON MY HANDS? 344 00:17:06,558 --> 00:17:08,027 - JUST A SMIDGE. 345 00:17:08,060 --> 00:17:09,996 - IT DOESN'T COME OFF THAT EASY, BUDDY. 346 00:17:10,028 --> 00:17:11,998 NOW COME ON, HELP US TRACE THESE CALLS 347 00:17:12,030 --> 00:17:15,367 BEFORE THE BOYS IN BLUE SHOW. 348 00:17:15,402 --> 00:17:17,436 - [sighs] 349 00:17:17,470 --> 00:17:20,906 - HAVE A SEAT. - FINE. 350 00:17:20,940 --> 00:17:24,042 - DO YOUR MAGIC. - [sighs] 351 00:17:24,076 --> 00:17:26,246 - BLACKMAILING A CRIMINAL TO COMMIT FEDERAL CRIME 352 00:17:26,278 --> 00:17:27,547 ON AMERICAN SOIL. 353 00:17:27,579 --> 00:17:30,416 - YOU WANT IT DONE DIFFERENTLY, SEND IN A TECH TO HELP THEM. 354 00:17:30,450 --> 00:17:32,585 - IT'S ALL RIGHT. THEY'RE DOING JUST FINE. 355 00:17:32,618 --> 00:17:35,454 - SO HE'S GOT IT SET UP TO GO TO THE DISTRICT ROUTER 356 00:17:35,488 --> 00:17:38,290 AND THEN IT GOES TO-- UH, OKAY, THERE'S THE REGIONAL. 357 00:17:38,325 --> 00:17:41,027 THERE IT IS. 3707 WEST 45TH. 358 00:17:41,059 --> 00:17:42,429 YOU HAPPY NOW? 359 00:17:42,461 --> 00:17:45,432 - ALL RIGHT, WE'RE ON THE MOVE, LET'S ROLL! 360 00:17:48,634 --> 00:17:51,471 - SIR, WE'RE ONE BLOCK OVER FROM GAMBLE'S LOCATION. 361 00:17:51,503 --> 00:17:53,072 - OKAY, WESTEN, WE NEED YOU IN POSITION 362 00:17:53,105 --> 00:17:55,275 TO TAKE THAT SHOT BEFORE YOUR FRIENDS GET HERE. 363 00:17:55,307 --> 00:17:58,009 - I'M ON IT. 364 00:18:07,186 --> 00:18:09,756 BEING AN EFFECTIVE SNIPER IS LESS ABOUT FIRING YOUR WEAPON 365 00:18:09,788 --> 00:18:13,425 THAN IT IS ABOUT CHOOSING YOUR LOCATION. 366 00:18:13,460 --> 00:18:15,060 AN IDEAL SNIPER PERCH ALLOWS YOU 367 00:18:15,094 --> 00:18:17,730 TO ESTIMATE RANGE ACCURATELY, 368 00:18:17,763 --> 00:18:19,731 GAUGE WIND VELOCITY AND DIRECTION, 369 00:18:19,766 --> 00:18:22,101 AND KEEP YOUR WEAPON STABLE. 370 00:18:22,134 --> 00:18:24,471 THE GOAL IS TO CONTROL AS MANY VARIABLES AS POSSIBLE 371 00:18:24,503 --> 00:18:26,739 SO WHEN YOUR TARGET SHOWS UP, 372 00:18:26,772 --> 00:18:30,343 ALL YOU HAVE TO DO IS PULL THE TRIGGER. 373 00:18:30,376 --> 00:18:32,944 I'M ALL SET. - YEAH, COPY THAT. 374 00:18:32,979 --> 00:18:34,480 NOW BE READY, YOUR FRIENDS JUST PULLED UP 375 00:18:34,513 --> 00:18:35,981 AND THEY'RE LOOKING TO DO A SNATCH-AND-GRAB. 376 00:18:36,015 --> 00:18:40,086 I WANT GAMBLE TO BE A CORPSE BY THE TIME THEY GET TO HIM. 377 00:18:40,118 --> 00:18:42,689 - WHAT'S THE WORD? - LOOKS LIKE NO ONE'S HOME. 378 00:18:42,721 --> 00:18:44,022 - ALL RIGHT, SO WE'LL KEEP AN EYE ON THE STREET. 379 00:18:44,056 --> 00:18:46,358 THE MINUTE GAMBLE SHOWS UP, WE MOVE IN, WE GRAB HIM. 380 00:18:46,393 --> 00:18:48,627 - THAT WAS A LOVELY PILE OF GARBAGE ACROSS THE STREET. 381 00:18:48,661 --> 00:18:50,529 ME AND JESSE CAN HOLD THE FRONT. 382 00:18:50,563 --> 00:18:52,499 - AND I'LL POST UP THIS ALLEY ON THE EAST SIDE. 383 00:18:52,531 --> 00:18:54,834 - ALL RIGHT, I'LL TAKE THE WEST SIDE. 384 00:18:54,866 --> 00:18:56,469 - OKAY, LISTEN, STAY ON YOUR RADIOS. 385 00:18:56,502 --> 00:18:58,305 HAD A FEW CLOSE CALLS WITH THIS GUY. 386 00:18:58,337 --> 00:19:01,840 LET'S NOT TAKE ANY CHANCES. 387 00:19:01,874 --> 00:19:03,776 - OH, THIS IS NICE. THIS IS NICE, SAM. 388 00:19:03,809 --> 00:19:05,111 ALL THESE BUSHES WE CAN HIDE BEHIND, 389 00:19:05,144 --> 00:19:06,212 YOU CHOOSE A PILE OF TRASH. 390 00:19:06,246 --> 00:19:07,279 - YOU KNOW WHAT? THIS IS PERFECT. 391 00:19:07,314 --> 00:19:09,147 WHO WOULD SUSPECT THIS? - RIGHT. 392 00:19:09,182 --> 00:19:12,519 - [giggles] 393 00:19:17,656 --> 00:19:18,790 - I'LL TELL YOU WHAT, 394 00:19:18,825 --> 00:19:20,559 IF THAT BASTARD KNOWS WHAT'S GOOD FOR HIM 395 00:19:20,593 --> 00:19:23,496 HE'LL COME BACK HOME IN THE NEXT 30 MINUTES. 396 00:19:23,529 --> 00:19:25,131 - YOU'RE NOT GONNA MAKE IT TO HAPPY HOUR, SAM, LET IT GO. 397 00:19:25,163 --> 00:19:27,032 - IF I DON'T THERE'S GONNA BE A LOT MORE SNATCHING 398 00:19:27,066 --> 00:19:29,067 THAN GRABBING, I CAN TELL YOU THAT MUCH. 399 00:19:29,101 --> 00:19:30,237 - WHAT THE HELL DOES THAT EVEN MEAN? 400 00:19:30,269 --> 00:19:31,403 - YOU'RE GONNA FIND OUT WHAT IT MEANS. 401 00:19:31,438 --> 00:19:32,672 - SEE? THE GARBAGE IS MAKING YOU GRUMPY. 402 00:19:32,704 --> 00:19:34,140 - IT'S NOT THE GARBAGE! - IT'S MAKING YOU GRUMPY. 403 00:19:34,173 --> 00:19:36,075 - IT'S NOT THE GARBAGE. 404 00:19:36,107 --> 00:19:38,510 IT'S JUST THAT I HAVEN'T SWEATED MY ASS OFF 405 00:19:38,545 --> 00:19:41,314 IN THIS KIND OF HEAT SINCE-- 406 00:19:41,347 --> 00:19:42,682 SINCE MIKE LEFT. 407 00:19:42,714 --> 00:19:45,484 - MISS HIM TOO, HUH? - A LITTLE. MAYBE. 408 00:19:45,518 --> 00:19:48,355 - IN THE FIELD, SNIPERS CAN SPEND HOURS, 409 00:19:48,387 --> 00:19:51,258 SOMETIMES EVEN DAYS, WAITING TO TAKE JUST ONE SHOT. 410 00:19:51,290 --> 00:19:53,826 BUT NOT MATTER HOW DILIGENTLY YOU WORK TO STAY FOCUSED 411 00:19:53,859 --> 00:19:56,496 ON THE TASK, AT SOME POINT... 412 00:19:56,528 --> 00:19:58,498 YOUR MIND IS GOING TO WANDER. 413 00:19:58,530 --> 00:20:01,500 [traditional Irish music] 414 00:20:01,534 --> 00:20:06,172 * 415 00:20:06,204 --> 00:20:08,106 [Irish accent] CAN I HAVE A DANCE? 416 00:20:08,140 --> 00:20:10,809 [click] 417 00:20:12,378 --> 00:20:16,015 I ASSUME THAT MEANS YES. 418 00:20:16,048 --> 00:20:18,518 - [Irish accent] YOU'VE BEEN WATCHING ME FOR QUITE A WHILE. 419 00:20:18,550 --> 00:20:22,020 YOU SURE A DANCE IS ALL YOU'RE AFTER? 420 00:20:22,054 --> 00:20:26,558 - IT'S A START. 421 00:20:26,593 --> 00:20:29,461 - SO WHAT'S YOUR NAME? 422 00:20:29,496 --> 00:20:31,897 - MICHAEL MCBRIDE. 423 00:20:31,931 --> 00:20:35,801 - NICE TO MEET YOU, MR. MCBRIDE. 424 00:20:35,835 --> 00:20:38,904 - THE PLEASURE'S ALL MINE. 425 00:20:42,608 --> 00:20:44,911 - HEY, THE WIND'S CHANGED. YOU GOT THAT, WESTEN? 426 00:20:44,943 --> 00:20:47,947 - YEAH. YEAH, I ALREADY MADE THE CORRECTION. 427 00:20:50,817 --> 00:20:54,487 - ANY ACTION, CARLOS? 428 00:20:54,520 --> 00:20:56,087 - NO, NOT UNLESS YOU COUNT A COUPLE KIDS MAKING OUT 429 00:20:56,122 --> 00:20:57,088 IN THE CAR. 430 00:20:57,123 --> 00:20:58,458 HEY, HOW ABOUT YOU, FI? 431 00:20:58,490 --> 00:21:03,430 [car door slams] 432 00:21:03,462 --> 00:21:04,631 - I GOT BOGEY PROBLEMS OF MY OWN. 433 00:21:04,663 --> 00:21:07,133 THE GARDENER NEXT DOOR'S ABOUT TO START WORKING 434 00:21:07,165 --> 00:21:09,067 IN THE MIDDLE OF OUR LITTLE SURPRISE PARTY. 435 00:21:09,101 --> 00:21:12,171 I'LL GET RID OF HIM. 436 00:21:12,203 --> 00:21:16,409 SIR? 437 00:21:16,442 --> 00:21:18,611 SENOR? 438 00:21:18,644 --> 00:21:19,811 [speaking Spanish] 439 00:21:19,846 --> 00:21:20,846 [gasps] 440 00:21:20,880 --> 00:21:23,950 [grunting] 441 00:21:27,118 --> 00:21:29,955 - SHH. 442 00:21:40,199 --> 00:21:41,968 - YOU KNOW WHAT, FI SHOULD HAVE BOUNCED THAT GARDENER BY NOW. 443 00:21:42,000 --> 00:21:44,604 - I WAS JUST THINKING THE SAME THING. 444 00:21:44,636 --> 00:21:47,306 - FI, WHAT'S THE WORD? 445 00:21:47,339 --> 00:21:49,476 FI? 446 00:21:51,544 --> 00:21:52,545 - FI. - SON OF A BITCH. FI! 447 00:21:52,578 --> 00:21:56,214 CARLOS, WE'RE IN TROUBLE. LET'S GO! 448 00:21:57,549 --> 00:21:59,486 - THEY'VE LOST VISUAL ON GLENANNE. 449 00:21:59,519 --> 00:22:01,887 - WHAT ARE YOU TALKING ABOUT? WHERE THE HELL IS SHE? 450 00:22:01,921 --> 00:22:03,756 - STRONG, WHAT THE HELL'S GOING ON DOWN THERE? 451 00:22:06,358 --> 00:22:09,429 STRONG! WHAT THE HELL IS GOING ON DOWN THERE? 452 00:22:17,737 --> 00:22:20,205 - HE GOT HER. THE SON OF A BITCH TOOK FIONA. 453 00:22:26,345 --> 00:22:27,980 - FINDING SOMEONE WHO'S BEEN ABDUCTED 454 00:22:28,013 --> 00:22:29,548 IS A RACE AGAINST THE CLOCK. 455 00:22:29,582 --> 00:22:31,550 EACH MINUTE THAT PASSES INCREASES THE AREA 456 00:22:31,584 --> 00:22:33,720 YOU HAVE TO SEARCH. 457 00:22:33,752 --> 00:22:36,055 IF YOU KNOW THE VEHICLE THE KIDNAPPER IS DRIVING, 458 00:22:36,087 --> 00:22:39,258 YOUR CHANCES OF CATCHING THEM RISE SIGNIFICANTLY, 459 00:22:39,290 --> 00:22:41,326 WHICH IS WHY A SMART KIDNAPPER'S FIRST MOVE 460 00:22:41,359 --> 00:22:43,194 IS TO BURN HIS VEHICLE. 461 00:22:43,229 --> 00:22:47,266 - IT'S EMPTY. NO BODIES. THAT'S A GOOD THING. 462 00:22:47,298 --> 00:22:51,336 IF HE WANTED GLENANNE DEAD, SHE'D BE IN THAT TRUCK. 463 00:22:51,369 --> 00:22:52,439 YOU GOT SOMETHING TO SAY TO ME? 464 00:22:52,471 --> 00:22:54,339 - SHE SHOULDN'T HAVE BEEN ALONE IN THAT ALLEY! 465 00:22:54,373 --> 00:22:55,340 IF YOU HAD LISTENED-- 466 00:22:55,374 --> 00:22:56,875 - NOW'S NOT THE TIME TO POINT FINGERS. 467 00:22:56,909 --> 00:22:59,412 WE'VE GOT A JOB TO DO-- - DON'T TELL ME ABOUT THE JOB! 468 00:22:59,445 --> 00:23:01,614 THESE ARE MY FRIENDS. MY FAMILY! 469 00:23:01,647 --> 00:23:04,750 - GET YOUR GODDAMN HANDS OFF OF ME. 470 00:23:07,219 --> 00:23:08,755 YOU THINK BLAMING ME IS GONNA HELP ANYTHING? 471 00:23:08,788 --> 00:23:09,855 - I DON'T BLAME YOU! 472 00:23:09,888 --> 00:23:11,390 I BLAME MYSELF FOR LISTENING TO YOU! 473 00:23:11,423 --> 00:23:13,192 - I DIDN'T MAKE THEM TRACK THIS GUY DOWN. 474 00:23:13,224 --> 00:23:15,260 I DIDN'T LAY OUT THE AMBUSH PLAN. 475 00:23:15,294 --> 00:23:18,565 I SURE AS HELL DIDN'T TELL HER TO GO DOWN THAT ALLEY. 476 00:23:18,597 --> 00:23:21,901 LOOK, I'M SORRY ABOUT WHAT HAPPENED TO FIONA. 477 00:23:21,933 --> 00:23:24,737 BUT THE JOB IS STILL THE SAME. 478 00:23:24,770 --> 00:23:28,307 FIND THIS GUY, TAKE HIM DOWN, WITHOUT BLOWING YOUR COVER. 479 00:23:28,339 --> 00:23:31,678 THE BEST WAY TO HELP HER IS TO FINISH THE JOB! 480 00:23:35,080 --> 00:23:36,883 - WHEN SOMEONE IS PUT IN DANGER AS THE RESULT 481 00:23:36,915 --> 00:23:39,719 OF AN OPERATION GOING BAD, THERE ARE A NUMBER OF QUESTIONS 482 00:23:39,751 --> 00:23:41,319 THAT HAVE TO BE ANSWERED. 483 00:23:41,353 --> 00:23:42,421 WHAT WENT WRONG? 484 00:23:42,454 --> 00:23:44,723 IS THERE ANYTHING YOU COULD HAVE DONE DIFFERENTLY? 485 00:23:44,757 --> 00:23:48,326 AND OF COURSE THE ONE QUESTION NO ONE WANTS TO ASK, 486 00:23:48,359 --> 00:23:51,163 IS IT YOUR FAULT? 487 00:23:56,268 --> 00:23:59,238 [Irish music on radio] 488 00:23:59,270 --> 00:24:01,941 * 489 00:24:01,973 --> 00:24:03,142 - [grunts] [car door closes] 490 00:24:03,174 --> 00:24:04,309 WHY'D YOU PARK SO FAR AWAY? 491 00:24:04,343 --> 00:24:07,378 - I DIDN'T WANT TO BE BLOCKED IN. 492 00:24:10,316 --> 00:24:13,285 I HAD A NOTION YOU WERE DOING MORE THAN SLASHING THE TIRES. 493 00:24:13,318 --> 00:24:16,855 - YOU THINK YOU KNOW ME, MCBRIDE? 494 00:24:16,888 --> 00:24:19,090 - I'M LEARNING. 495 00:24:19,125 --> 00:24:22,294 [loud explosion] [glass shattering] 496 00:24:27,298 --> 00:24:30,903 [explosion] 497 00:24:37,476 --> 00:24:40,378 - THERE SHE IS. 498 00:24:40,412 --> 00:24:41,647 COME ON. 499 00:24:41,681 --> 00:24:45,317 BREATHE DEEP, IT'LL CLEAR YOUR HEAD. 500 00:24:47,920 --> 00:24:50,388 I SAID BREATHE. 501 00:24:50,422 --> 00:24:52,924 - [grunting] 502 00:24:54,359 --> 00:24:59,065 - CAN'T HAVE YOU NODDING OFF. WE HAVE WORK TO DO. 503 00:24:59,097 --> 00:25:02,101 - OH, I'M AWAKE. WHAT DO YOU WANT? 504 00:25:06,673 --> 00:25:10,643 - I NEED TO TALK TO MICHAEL WESTEN. 505 00:25:10,676 --> 00:25:15,146 - I HAVEN'T SEEN HIM IN ALMOST A YEAR. 506 00:25:15,181 --> 00:25:16,848 HE DISAPPEARED. 507 00:25:16,883 --> 00:25:18,817 AFTER HIS LAST RUN-IN WITH THE GOVERNMENT-- 508 00:25:18,851 --> 00:25:22,153 - AH, AH, AH. DON'T LIE TO ME. 509 00:25:22,188 --> 00:25:26,325 IF I WANTED A CIA COVER STORY, I WOULD ASK FOR IT. 510 00:25:26,357 --> 00:25:28,827 - I'M NOT LYING. 511 00:25:28,861 --> 00:25:30,395 [groans] 512 00:25:30,429 --> 00:25:32,030 - [sighs] 513 00:25:32,064 --> 00:25:34,601 MAYBE THIS WILL BE EASIER IF WE START WITH WHAT I KNOW. 514 00:25:34,634 --> 00:25:37,202 YOU SEE, AS I DO BELIEVE YOU ARE AWARE, I WAS HIRED 515 00:25:37,236 --> 00:25:39,270 TO LOOK INTO MICHAEL WESTEN. 516 00:25:39,305 --> 00:25:40,906 HIS MOTHER WAS GOOD ENOUGH TO LET ME KNOW 517 00:25:40,940 --> 00:25:43,776 HE'S STILL WORKING FOR THE CIA. 518 00:25:46,778 --> 00:25:49,582 - WELL, SHE'S CONFUSED. SHE... 519 00:25:49,615 --> 00:25:51,584 SHE PROBABLY TOLD YOU WHAT SHE THOUGHT YOU WANTED TO HEAR. 520 00:25:51,617 --> 00:25:54,452 - CONFUSED? 521 00:25:54,486 --> 00:25:56,055 OH. 522 00:25:56,087 --> 00:25:59,791 MAYBE YOU CAN CLEAR SOMETHING UP FOR ME AND EXPLAIN WHY 523 00:25:59,826 --> 00:26:02,394 THE MAN WHO HIRED ME WAS KILLED LESS THAN TEN MINUTES 524 00:26:02,428 --> 00:26:04,563 AFTER I TOLD HIM THAT MICHAEL WESTEN 525 00:26:04,596 --> 00:26:07,733 WAS STILL WORKING FOR THE CIA! 526 00:26:16,407 --> 00:26:17,609 GOOD. 527 00:26:17,644 --> 00:26:21,146 THE LIES HAVE STOPPED. NOW WE'RE MAKING PROGRESS. 528 00:26:29,188 --> 00:26:30,923 I'M A MARKED MAN. 529 00:26:30,957 --> 00:26:34,160 CHANCES ARE THERE'S A KILL TEAM AFTER ME AS WE SPEAK. 530 00:26:34,192 --> 00:26:36,929 BUT I GOT ONE CARD TO PLAY. 531 00:26:36,962 --> 00:26:40,266 I KNOW THE TRUTH ABOUT MICHAEL WESTEN. 532 00:26:40,298 --> 00:26:43,501 OF COURSE I COULD EXPOSE HIM AND HAVE HIM KILLED. 533 00:26:43,535 --> 00:26:46,337 SATISFYING, BUT IT DOESN'T HELP WITH MY PROBLEM. 534 00:26:46,372 --> 00:26:50,476 NO. MY ONLY MOVE IS TO TRADE MY SILENCE 535 00:26:50,509 --> 00:26:52,845 AND YOUR LIFE FOR THE BEST DEAL I CAN GET, 536 00:26:52,878 --> 00:26:55,847 WHICH BRINGS US BACK TO THE REASON WHY YOU ARE HERE. 537 00:26:55,882 --> 00:26:59,184 YOU, MY DEAR, 538 00:26:59,218 --> 00:27:02,453 ARE GOING TO PUT ME IN TOUCH WITH HIM RIGHT NOW. 539 00:27:07,326 --> 00:27:12,198 - I DON'T KNOW WHERE HE IS. 540 00:27:12,230 --> 00:27:14,365 - [sighs] 541 00:27:18,203 --> 00:27:20,372 - [gasping] 542 00:27:20,405 --> 00:27:22,441 - YOU'RE LUCKY I DON'T BELIEVE YOU. 543 00:27:22,473 --> 00:27:24,375 BECAUSE IF YOU CAN'T PUT ME IN TOUCH 544 00:27:24,410 --> 00:27:28,314 WITH MICHAEL WESTEN, 545 00:27:28,346 --> 00:27:30,481 THE ONLY REMAINING QUESTION IS HOW MANY BODIES I CAN DROP 546 00:27:30,516 --> 00:27:35,121 BEFORE THEY TAKE ME OUT, AND I'LL TELL YOU THIS. 547 00:27:35,153 --> 00:27:38,589 THE ANSWER IS, AT LEAST ONE. 548 00:27:42,161 --> 00:27:43,328 - ANYTHING INSIDE? 549 00:27:43,362 --> 00:27:44,496 - AH, SOME MONEY, A LITTLE BIT OF AMMO. 550 00:27:44,529 --> 00:27:47,566 A COUPLE OF FILES ON MIKE, SO NO. 551 00:27:47,598 --> 00:27:49,335 - I ASKED MY BUDDY AT HOMELAND SECURITY 552 00:27:49,367 --> 00:27:50,903 TO PUT OUT AN ALERT ON EVERY ALIAS WE HAVE FOR GAMBLE. 553 00:27:50,936 --> 00:27:52,805 I'M STILL WAITING TO HEAR BACK. 554 00:27:52,838 --> 00:27:54,173 - JUST TALKED TO A NEIGHBOR WHO SAW 555 00:27:54,205 --> 00:27:55,406 A SILVER F-150 IN THE ALLEY. 556 00:27:55,441 --> 00:27:56,575 - DID THEY GET A PLATE? 557 00:27:56,607 --> 00:27:58,243 - NO, BUT THEY SAID IT HAD A STAKEBED ON IT. 558 00:27:58,277 --> 00:28:00,246 SO THAT SHOULD HELP NARROW IT DOWN. 559 00:28:00,278 --> 00:28:02,381 - OKAY. I GOT A CONTACT AT THE DMV THAT CAN HELP US OUT. 560 00:28:02,413 --> 00:28:04,383 LET'S GO. - HEY, GUYS, HANG ON. 561 00:28:04,415 --> 00:28:05,217 HANG ON, HANG ON. [cell phone vibrating] 562 00:28:05,250 --> 00:28:08,319 IT'S FI. FI, WHERE ARE YOU? 563 00:28:08,354 --> 00:28:10,256 - THIS IS NOT FIONA, MR. AXE. 564 00:28:10,288 --> 00:28:12,991 - YOU SON OF A BITCH. SHE BETTER NOT BE HURT. 565 00:28:13,025 --> 00:28:15,693 - OH, DON'T WORRY. SHE'S STILL BREATHING. 566 00:28:15,728 --> 00:28:18,663 FOR NOW. 567 00:28:18,696 --> 00:28:19,731 - WESTEN. 568 00:28:19,766 --> 00:28:23,102 GET IN HERE, HE JUST MADE CONTACT. 569 00:28:26,605 --> 00:28:28,173 - WHAT DO YOU WANT? 570 00:28:28,207 --> 00:28:32,544 - I'M TOLD YOU CAN PUT ME IN TOUCH WITH MICHAEL WESTEN. 571 00:28:32,577 --> 00:28:34,279 - HE'S USING FIONA TO GET TO ME? 572 00:28:34,313 --> 00:28:37,048 - MICHAEL WESTEN? THAT'S A PRETTY TALL ORDER 573 00:28:37,083 --> 00:28:39,250 'CAUSE HE'S NOT EVEN IN THE COUNTRY. 574 00:28:39,285 --> 00:28:41,686 - DO I NEED TO REMIND YOU I HAVE A GUN TO FIONA'S HEAD? 575 00:28:41,720 --> 00:28:43,088 - JUST LISTEN TO ME. 576 00:28:43,122 --> 00:28:45,391 HE CAN'T OFFER YOU ANYTHING THAT I CAN'T. 577 00:28:45,423 --> 00:28:48,059 I MEAN, WHAT DO YOU NEED? MONEY? TRANSPORTATION? 578 00:28:48,094 --> 00:28:49,194 YOU NAME IT, WE'LL FIGURE IT OUT. 579 00:28:49,228 --> 00:28:51,462 - NO, NO, I'VE ALREADY FIGURED IT OUT. 580 00:28:51,497 --> 00:28:54,767 GIVE ME WESTEN NOW OR THIS CONVERSATION IS OVER. 581 00:28:54,800 --> 00:28:55,934 - ALL RIGHT. WAIT, WAIT, WAIT, WAIT. 582 00:28:55,968 --> 00:28:58,636 JUST CALM DOWN. HERE'S WHAT I CAN DO. 583 00:28:58,670 --> 00:29:01,773 I CAN--UM, I CAN GET YOU A SECURE LINE WITH HIM 584 00:29:01,807 --> 00:29:05,544 ON A SAT PHONE WE USE FOR EMERGENCIES. 585 00:29:05,576 --> 00:29:11,317 I CAN BRING THAT TO YOU. NOW HOW'S THAT? 586 00:29:11,349 --> 00:29:12,785 - THERE'S AN OLD MARINE WAREHOUSE AT THE END 587 00:29:12,818 --> 00:29:16,087 OF DEER RUN AVENUE AT THE RIVER. 588 00:29:16,122 --> 00:29:18,257 COME ALONE, UNARMED. YOU HAVE ONE HOUR. 589 00:29:18,289 --> 00:29:20,759 - FINE. BUT I'M NOT GOING ANYWHERE WITHOUT PROOF OF LIFE. 590 00:29:20,792 --> 00:29:22,394 - YOU'LL HAVE IT. 591 00:29:22,428 --> 00:29:24,931 OH. AND BY THE WAY, MR. AXE, JUST IN CASE 592 00:29:24,963 --> 00:29:29,234 YOU WERE THINKING ABOUT TRYING SOMETHING, 593 00:29:29,268 --> 00:29:31,938 THE VIEW FROM HERE IS SPECTACULAR. 594 00:29:31,971 --> 00:29:35,273 I CAN SEE IN EVERY DIRECTION. 595 00:29:35,307 --> 00:29:38,509 AND IF I SEE ANYTHING I DON'T LIKE, 596 00:29:38,544 --> 00:29:42,280 I PUT A BULLET IN YOUR FRIEND'S HEAD. 597 00:29:42,314 --> 00:29:43,950 [cell phone beeps] 598 00:29:43,982 --> 00:29:46,384 - GET ME AN OVERHEAD OF THAT LOCATION NOW. 599 00:29:49,221 --> 00:29:51,323 - YOU JUST PROMISED TO PUT HIM ON THE PHONE WITH MIKE? 600 00:29:51,356 --> 00:29:53,791 - I HAD TO, JESSE, HE WAS GONNA KILL HER. 601 00:29:53,826 --> 00:29:55,493 - WHY IN HELL WOULD YOU PROMISE SOMETHING WE CAN'T DELIVER? 602 00:29:55,527 --> 00:29:58,630 - WHAT CHOICE DID I HAVE? WE'RE OUT OF MOVES HERE. 603 00:29:58,663 --> 00:30:00,699 LOOK, I FIGURE IF I SHOWED UP WITH A SATELLITE PHONE, 604 00:30:00,731 --> 00:30:02,468 TOLD HIM MIKE WAS ON THE OTHER END, 605 00:30:02,500 --> 00:30:04,202 MAYBE I COULD GET CLOSE ENOUGH TO TURN THE TABLES. 606 00:30:04,236 --> 00:30:06,172 - THIS PSYCHO'S ABOUT TO KILL FIONA 607 00:30:06,204 --> 00:30:07,874 AND THAT'S THE BEST WE'VE GOT, IS MAYBE? 608 00:30:07,906 --> 00:30:10,675 - ALL I KNOW, FRIEND, IS IF WE DON'T TRY SOMETHING, 609 00:30:10,709 --> 00:30:14,613 SHE DIES FOR SURE. 610 00:30:14,645 --> 00:30:17,215 THERE YOU GO. PROOF OF LIFE. 611 00:30:17,249 --> 00:30:19,184 NOW LET'S GET GOING. 612 00:30:19,218 --> 00:30:20,451 - ALL RIGHT, IT'S NOT THE BREAK THAT WE HOPED FOR. 613 00:30:20,486 --> 00:30:22,121 BUT IT'S SOMETHING. - WHAT ARE YOU TALKING ABOUT? 614 00:30:22,153 --> 00:30:24,222 - HOW LONG TO MOBILIZE THE SPECIAL RESPONSE TEAM? 615 00:30:24,256 --> 00:30:25,656 - 15 TO 20 MINUTES. 616 00:30:25,691 --> 00:30:27,159 - ALL RIGHT, MAKE THE CALL. 617 00:30:27,192 --> 00:30:30,997 AND GET THE COMMANDER ON THE LINE WITH ME IMMEDIATELY. 618 00:30:31,029 --> 00:30:33,298 WE'RE GONNA SHADOW YOUR FRIENDS TO THAT MEETING. 619 00:30:33,332 --> 00:30:34,967 AS SOON AS WE KNOW THAT GAMBLE'S THERE, WE'RE GONNA GO IN HARD. 620 00:30:35,000 --> 00:30:36,801 - HAVE YOU SEEN THIS OVERHEAD MAP? 621 00:30:36,835 --> 00:30:39,238 THERE'S NO WAY OF APPROACHING THE BUILDING WITHOUT BEING SEEN! 622 00:30:39,270 --> 00:30:42,173 - IT'S NOT IDEAL, I KNOW. BUT WE CAN USE THE DISTRACTION-- 623 00:30:42,208 --> 00:30:44,742 - YOU'RE USING MY FRIENDS AS BAIT! 624 00:30:44,776 --> 00:30:47,078 - SRT COMMANDER'S ON THE LINE. 625 00:30:47,113 --> 00:30:49,315 - WE'LL DO WHAT WE CAN TO KEEP YOUR FRIENDS SAFE, MICHAEL, 626 00:30:49,347 --> 00:30:51,349 BUT WE GOT A JOB TO DO HERE. 627 00:30:51,383 --> 00:30:54,552 OKAY, HERE'S THE DEAL. ONE TARGET. 628 00:30:54,586 --> 00:30:59,090 HE IS ARMED AND HAS ONE HOSTAGE. LOCATION IS 304 DEER RUN. 629 00:30:59,125 --> 00:31:01,759 SINGLE STORY MARINE WAREHOUSE WITH UNOBSTRUCTED VIEWS 630 00:31:01,792 --> 00:31:03,229 OF THE SURROUNDING AREA. 631 00:31:03,261 --> 00:31:05,396 WE WILL NOT HAVE THE ELEMENT OF SURPRISE 632 00:31:05,431 --> 00:31:07,398 AND MAY GO IN UNDER FIRE. 633 00:31:07,432 --> 00:31:09,535 THERE ARE MULTIPLE CIVILIANS AT PLAY AS WELL. 634 00:31:09,567 --> 00:31:11,103 I'VE GOT AN OPERATIVE HERE WHO CAN GIVE YOU 635 00:31:11,136 --> 00:31:15,040 SOME MORE INFORMATION--WESTEN. 636 00:31:15,074 --> 00:31:16,508 WESTEN! GOD DAMN IT! 637 00:31:16,541 --> 00:31:19,877 [tires squealing] [horns honking] 638 00:31:22,248 --> 00:31:25,750 WESTEN. WESTEN. GET YOUR ASS BACK HERE. 639 00:31:25,784 --> 00:31:28,686 I'M GIVING YOU A DIRECT ORDER. DO YOU HEAR ME, MICHAEL? 640 00:31:28,720 --> 00:31:30,221 YOU'RE MAKING THE BIGGEST MIS-- [clicks off] 641 00:31:30,256 --> 00:31:32,191 - AN OPERATIVE IS TRAINED TO MAINTAIN COVER 642 00:31:32,223 --> 00:31:34,226 UNDER ALL CIRCUMSTANCES. 643 00:31:34,259 --> 00:31:36,795 WHEN THE MISSION REQUIRES KEEPING YOUR IDENTITY A SECRET, 644 00:31:36,827 --> 00:31:39,865 YOU'RE SUPPOSED TO FOLLOW ORDERS AND STAY OUT OF SIGHT. 645 00:31:39,897 --> 00:31:42,134 THAT'S EASY WHEN YOU'RE SPYING ON ENEMIES. 646 00:31:42,167 --> 00:31:45,737 BUT IT'S A VERY DIFFERENT THING WHEN YOU'RE SPYING ON FRIENDS. 647 00:31:45,770 --> 00:31:48,039 WHEN MAINTAINING COVER MEANS ALLOWING PEOPLE YOU CARE ABOUT 648 00:31:48,074 --> 00:31:52,144 TO WALK RIGHT INTO A DEATH TRAP, YOU HAVE A CHOICE TO MAKE. 649 00:31:52,177 --> 00:31:56,448 RISK THE OPERATION OR RISK YOUR FRIENDS' LIVES. 650 00:31:56,481 --> 00:31:57,449 [guns clicking] - OUT OF THE CAR NOW. 651 00:31:57,482 --> 00:32:01,386 HANDS WHERE WE CAN SEE THEM. 652 00:32:01,420 --> 00:32:03,955 - MIKE. 653 00:32:03,990 --> 00:32:05,156 - WHERE THE HELL DID YOU COME FROM, MAN? 654 00:32:05,191 --> 00:32:06,458 YOU ALMOST KILLED US. 655 00:32:06,491 --> 00:32:08,727 - I HAD TO STOP YOU BEFORE YOU GOT TO YOUR MEETING WITH GAMBLE. 656 00:32:08,759 --> 00:32:11,262 YOUR PLAN, IT'S TOO RISKY, FOR YOU AND FOR FI. 657 00:32:11,297 --> 00:32:13,565 - HOW THE HELL DO YOU KNOW ABOUT OUR PLAN? 658 00:32:13,598 --> 00:32:16,902 - WE'VE BEEN WATCHING. WE'RE AFTER GAMBLE. 659 00:32:16,934 --> 00:32:19,404 [tires screeching] 660 00:32:19,438 --> 00:32:21,106 - WHAT--WHAT DO YOU MEAN, "WATCHING?" 661 00:32:21,140 --> 00:32:22,441 - AND WHO THE HELL IS THIS "WE"? 662 00:32:22,473 --> 00:32:25,176 - I'M HERE WITH THE CIA. I'LL EXPLAIN EVERYTHING LATER-- 663 00:32:25,211 --> 00:32:26,912 - YOU WERE THERE WHEN THAT BASTARD TOOK FIONA! 664 00:32:26,944 --> 00:32:28,180 - WE DID EVERYTHING WE COULD FOR HER! 665 00:32:28,213 --> 00:32:30,682 WE DIDN'T KNOW GAMBLE WAS-- - GOD DAMN IT, WESTEN! 666 00:32:30,715 --> 00:32:33,451 I LET YOU COME HERE UNDER ONE CONDITION. ONE! 667 00:32:33,484 --> 00:32:35,354 STAY UNDER THE RADAR. NOW I GOT A FULL-BLOWN-- 668 00:32:35,386 --> 00:32:37,423 - YOU SON OF A BITCH! - HEY! HEY! 669 00:32:37,455 --> 00:32:39,424 - NO, NO, NO. 670 00:32:39,458 --> 00:32:43,162 MIKE. MIKE. 671 00:32:43,194 --> 00:32:45,330 THAT'S IT, BACK OFF. BACK OFF. BACK OFF. 672 00:32:45,364 --> 00:32:49,268 - NINE MONTHS. NOT ONE CALL, NOT ONE LETTER, NOTHING. 673 00:32:49,300 --> 00:32:50,602 THIS--THIS IS HOW I FIND OUT 674 00:32:50,635 --> 00:32:52,371 THAT MY BEST FRIEND IS STILL ALIVE? 675 00:32:52,403 --> 00:32:53,538 - THIS IS NOT HOW I WANTED TO DO THIS. 676 00:32:53,572 --> 00:32:55,307 - THIS IS EXACTLY WHAT I TOLD YOU COULD NOT HAPPEN. 677 00:32:55,340 --> 00:32:56,541 - STRONG, LISTEN TO ME. 678 00:32:56,575 --> 00:32:58,710 - NO! YOU HAVE LOST ALL TALKING PRIVILEGES. 679 00:32:58,743 --> 00:33:02,147 AND IF THIS OPERATION'S BLOWN, I AM GONNA BURY YOU! 680 00:33:02,181 --> 00:33:03,682 - WE DON'T GIVE A DAMN ABOUT YOUR OPERATION. 681 00:33:03,714 --> 00:33:05,151 THAT PSYCHO'S GOT FIONA. YOU CAN GET BACK 682 00:33:05,183 --> 00:33:06,518 TO YOUR SPY GAMES WHEN SHE'S SAFE. 683 00:33:06,551 --> 00:33:08,386 - THIS RIGHT HERE IS THE ONLY THING 684 00:33:08,420 --> 00:33:09,520 THAT'S IMPORTANT RIGHT NOW. 685 00:33:09,555 --> 00:33:11,123 - YOU THINK YOU HAVE A SAY IN THIS? 686 00:33:11,156 --> 00:33:12,790 GET THEM THE HELL OUT OF HERE! 687 00:33:12,824 --> 00:33:15,227 - I'M TELLING YOU, I COULD SALVAGE THE OPERATION! 688 00:33:15,260 --> 00:33:17,363 - ALREADY BEEN DECIDED. SRTs ARE ON THE WAY. 689 00:33:17,395 --> 00:33:19,730 THEY'RE MAKING A HARD ENTRANCE THROUGH THE SOUTH WALL. 690 00:33:19,765 --> 00:33:21,400 ONLY NOW THEY DON'T HAVE A DIVERSION! 691 00:33:21,432 --> 00:33:24,236 - IF YOU BREACH THE SOUTH WALL, YOU WILL BE SEEN. 692 00:33:24,269 --> 00:33:27,205 HE WILL SHOOT FIONA! HE WILL SHOOT YOUR MEN! 693 00:33:27,239 --> 00:33:28,406 IF YOU LET ME HANDLE THIS-- 694 00:33:28,440 --> 00:33:29,474 - YOU SHOULD HAVE THOUGHT ABOUT THAT BEFORE 695 00:33:29,508 --> 00:33:30,808 YOU WENT OFF THE RESERVATION. 696 00:33:30,842 --> 00:33:33,345 - LISTEN TO ME. I HAVE A PLAN THAT WILL FIX THIS. 697 00:33:33,378 --> 00:33:34,712 I WILL SAVE FIONA. 698 00:33:34,746 --> 00:33:37,348 AND THE ONLY ONE WHO WILL DIE WILL BE GAMBLE. 699 00:33:50,862 --> 00:33:53,231 - IN A HOSTAGE SITUATION, TACTICAL DATA 700 00:33:53,265 --> 00:33:55,201 IS USUALLY THE MOST IMPORTANT. 701 00:33:55,233 --> 00:33:56,835 YOUR FOCUS IS ON DETAILS 702 00:33:56,867 --> 00:33:59,270 LIKE THE BUILDING'S ENTRY POINTS AND BLIND SPOTS, 703 00:33:59,305 --> 00:34:01,539 YOUR TARGET'S POTENTIAL ESCAPE ROUTES, 704 00:34:01,573 --> 00:34:04,109 AND YOUR TEAM'S ASSAULT CAPABILITIES. 705 00:34:04,143 --> 00:34:06,944 BUT SOMETIMES EVEN MORE IMPORTANT THAN YOUR KNOWLEDGE 706 00:34:06,978 --> 00:34:09,514 OF THE SITUATION IS WHAT YOU KNOW ABOUT 707 00:34:09,547 --> 00:34:12,650 THE PERSON YOU ARE TRYING TO SAVE. 708 00:34:20,259 --> 00:34:23,894 - WHY ARE YOU SO QUIET? 709 00:34:23,929 --> 00:34:28,599 - I DON'T LIKE THE IDEA OF PEOPLE SHOOTING AT YOU. 710 00:34:28,634 --> 00:34:32,938 - YOU'RE WORRIED. 711 00:34:32,971 --> 00:34:36,641 - YOU'RE NOT? 712 00:34:36,675 --> 00:34:41,380 - ONE THING YOU WILL LEARN ABOUT ME, MICHAEL MCBRIDE, 713 00:34:41,413 --> 00:34:43,981 I DON'T WORRY. 714 00:34:44,014 --> 00:34:46,751 NOT SINCE I WAS A LITTLE GIRL. 715 00:35:09,641 --> 00:35:11,976 [cell phone rings] 716 00:35:12,010 --> 00:35:13,244 [phone beeps] 717 00:35:13,278 --> 00:35:15,780 - YOU'RE CUTTING IT CLOSE, MR. AXE. 718 00:35:15,813 --> 00:35:17,949 - YOU SAID ONE HOUR. 719 00:35:17,983 --> 00:35:22,788 - WHO IS THIS? 720 00:35:22,820 --> 00:35:24,856 - MICHAEL WESTEN. 721 00:35:24,889 --> 00:35:27,826 - WESTEN. 722 00:35:29,994 --> 00:35:31,996 THEY SAID YOU WEREN'T IN MIAMI. 723 00:35:32,030 --> 00:35:32,931 - WELL, IT'S YOUR LUCKY DAY. 724 00:35:32,963 --> 00:35:35,833 I MADE A SPECIAL TRIP JUST FOR YOU. 725 00:35:41,407 --> 00:35:44,041 - STOP RIGHT THERE, WESTEN. 726 00:35:44,074 --> 00:35:46,478 TURN AROUND, TAKE OFF THE VEST. 727 00:35:46,512 --> 00:35:48,480 - NO TRICKS. 728 00:35:48,514 --> 00:35:51,483 I'M HERE TO GIVE YOU WHAT YOU WANT... 729 00:35:55,320 --> 00:35:58,856 AS LONG AS FIONA GETS OUT OF THERE UNHURT. 730 00:35:58,889 --> 00:36:02,827 - GOOD. WE'RE ON THE SAME PAGE THEN. 731 00:36:02,860 --> 00:36:05,297 YOU AND YOUR CIA PALS ARE GOING TO PUT TOGETHER 732 00:36:05,331 --> 00:36:07,733 A LITTLE GET-OUT-OF-TOWN KIT FOR ME. 733 00:36:07,766 --> 00:36:10,034 I WANT 1 MILLION IN CASH, EVENLY DIVIDED IN DOLLARS, 734 00:36:10,068 --> 00:36:12,670 RENMINBI, REALS, AND BRITISH POUNDS. 735 00:36:12,704 --> 00:36:15,407 - I CAN GET THAT BUT FIRST-- - I'M NOT FINISHED YET! 736 00:36:15,440 --> 00:36:17,141 I WANT A BLANK CANADIAN PASSPORT, 737 00:36:17,175 --> 00:36:19,677 A LEAR 60 FUELED UP ON THE RUNWAY AT OPA-LACKA, 738 00:36:19,710 --> 00:36:22,481 AND A CLEAR FLIGHT PATH OUT OF MIAMI. 739 00:36:22,514 --> 00:36:25,684 I'LL KEEP FIONA AND YOU WITH ME UNTIL I AM ON THE PLANE. 740 00:36:27,952 --> 00:36:29,019 OH, YOU CAN TALK NOW. 741 00:36:29,054 --> 00:36:31,088 - DEAL. 742 00:36:31,121 --> 00:36:32,490 I'LL GET YOU EVERYTHING THAT YOU WANT. 743 00:36:32,523 --> 00:36:36,228 BUT FIRST I TALK TO FIONA. - STOP WASTING TIME. 744 00:36:36,262 --> 00:36:37,862 I'VE SENT A PROOF OF LIFE TO YOUR FRIEND. 745 00:36:37,896 --> 00:36:39,831 - THAT WAS AN HOUR AGO. PUT HER ON THE PHONE. 746 00:36:39,864 --> 00:36:43,034 - I'M THE ONE GIVING THE ORDERS HERE. 747 00:36:43,068 --> 00:36:46,237 - NO DEAL. 748 00:36:46,271 --> 00:36:49,074 - WHEN I WAS YOUNGER MY FATHER WANTED TO PROTECT HIS FAMILY 749 00:36:49,106 --> 00:36:51,577 AND THEIR BELIEFS, NO MATTER WHAT. 750 00:36:51,610 --> 00:36:56,347 I WATCHED HIM GET BEATEN AND SHOT AT. 751 00:36:56,382 --> 00:36:58,949 BUT IF HE WAS AFRAID, HE NEVER SHOWED IT. 752 00:36:58,983 --> 00:37:01,619 HE ALWAYS SAID, "THERE'S A DIFFERENCE BETWEEN LIVING 753 00:37:01,652 --> 00:37:04,722 AND LIVING FREE." 754 00:37:06,391 --> 00:37:09,894 - STOP RIGHT THERE-- STOP, GOD DAMN IT. STOP! 755 00:37:12,498 --> 00:37:15,934 FINE. YOU CAN TALK TO HER. 756 00:37:19,003 --> 00:37:21,972 - OF COURSE LIVING WITH HONOR, IT ONLY PUT US IN MORE DANGER. 757 00:37:22,007 --> 00:37:23,608 MY FATHER, HE CAME UP WITH A PLAN TO WARN US 758 00:37:23,641 --> 00:37:25,911 IF HE KNEW TROUBLE WAS BREWING AND HE'D SAY, 759 00:37:25,943 --> 00:37:29,213 "FIONA. 760 00:37:29,246 --> 00:37:33,117 TIME TO BE BRAVE, LITTLE ANGEL." 761 00:37:33,150 --> 00:37:36,655 - YOU GET TEN SECONDS OF QUALITY TIME, WESTEN. 762 00:37:36,688 --> 00:37:39,425 MAKE IT COUNT. 763 00:37:39,458 --> 00:37:40,891 - FI. 764 00:37:40,925 --> 00:37:43,594 - I'M HERE, MICHAEL. 765 00:37:43,628 --> 00:37:46,398 - "TIME TO BE BRAVE, LITTLE ANGEL"? 766 00:37:46,431 --> 00:37:48,833 - I SUPPOSE IT WAS A CODE OF SORTS. 767 00:37:48,867 --> 00:37:49,934 [clicks] 768 00:37:49,967 --> 00:37:52,304 WHAT IT REALLY MEANT WAS, "GET DOWN ON THE FLOOR, 769 00:37:52,338 --> 00:37:54,806 CLOSE YOUR EYES, AND START PRAYING TILL IT'S OVER." 770 00:37:54,840 --> 00:37:57,742 [clicks] 771 00:37:57,775 --> 00:38:01,980 - I'M GONNA GET YOU HOME. 772 00:38:02,012 --> 00:38:04,949 AND FIONA... 773 00:38:04,983 --> 00:38:07,853 [Irish accent] IT'S TIME TO BE BRAVE, LITTLE ANGEL. 774 00:38:11,989 --> 00:38:15,893 [glass shattering] 775 00:38:22,032 --> 00:38:23,969 [glass shattering] 776 00:38:33,644 --> 00:38:34,713 [cocks gun] 777 00:39:10,681 --> 00:39:12,617 [gunfire stops] 778 00:39:22,927 --> 00:39:24,695 [sirens wailing] 779 00:39:24,730 --> 00:39:27,699 [police radio chatter] 780 00:39:42,813 --> 00:39:46,885 - THERE HE IS, THE MAN OF THE HOUR. 781 00:39:46,918 --> 00:39:50,355 THAT WAS ONE BALLS-OUT CRAZY MOVE BUT YOU MADE IT WORK. 782 00:39:50,387 --> 00:39:52,858 NOW LET'S GO DOWN TO THE D.R. AND FINISH THIS OPERATION. 783 00:39:52,891 --> 00:39:55,159 [slaps arm] 784 00:40:08,405 --> 00:40:12,943 - SO YOU GUYS TAGGED MY PHONE, MY WATCH, AND MY CAR. 785 00:40:12,978 --> 00:40:15,947 ANYWHERE ELSE I SHOULD CHECK, MIKE, LIKE MY MOLARS? 786 00:40:15,981 --> 00:40:18,617 - ELSA'S HOTEL SUITE. 787 00:40:21,452 --> 00:40:24,922 - YOU'RE TALKING ABOUT THE PENTHOUSE? 788 00:40:24,956 --> 00:40:26,224 MIKE, PLEASE TELL ME THAT YOU GUYS 789 00:40:26,257 --> 00:40:28,159 WERE NOT LISTENING THIS MORNING. 790 00:40:28,193 --> 00:40:29,894 - JUST SWEEP IT, SAM. - [groans] 791 00:40:29,927 --> 00:40:32,097 - OH, MY GOD. 792 00:40:32,130 --> 00:40:33,599 - LOOK, MIKE, NEXT TIME YOU'RE IN TOWN 793 00:40:33,632 --> 00:40:35,634 JUST SKIP THE BUGS AND PICK UP A PHONE, MAN, 794 00:40:35,666 --> 00:40:37,469 BEFORE WE'RE KNEE DEEP IN A SUICIDE MISSION. 795 00:40:37,503 --> 00:40:39,737 - FOR WHAT IT'S WORTH, I HAD ORDERS. 796 00:40:39,771 --> 00:40:40,838 - YEAH, WELL IN THIS SITUATION, 797 00:40:40,871 --> 00:40:44,041 "I HAD ORDERS" DOESN'T REALLY CUT IT, BUDDY. 798 00:40:47,778 --> 00:40:49,447 - I'M SORRY. 799 00:40:49,481 --> 00:40:51,916 - LOOK, WE'RE JUST GLAD THAT YOU'RE OKAY. 800 00:40:51,949 --> 00:40:53,784 AND MIKE, WE KNOW YOU CAN'T TELL US THE WHOLE STORY 801 00:40:53,818 --> 00:40:55,186 BUT WE'VE SEEN ENOUGH OF THE BOARD TO KNOW 802 00:40:55,219 --> 00:40:56,755 THAT YOU'RE INTO SOMETHING PRETTY HEAVY. 803 00:40:56,788 --> 00:40:58,489 SO IF YOU NEED A HAND, LET US KNOW. 804 00:40:58,523 --> 00:41:00,525 - YEAH, THE LONE RANGER ROUTINE, IT MIGHT FEEL NOBLE 805 00:41:00,559 --> 00:41:02,027 BUT IT'S GONNA GET YOU KILLED ONE DAY. 806 00:41:02,059 --> 00:41:04,996 - ACTUALLY EVEN THE LONE RANGER HAD TONTO AND THE HORSE. 807 00:41:05,030 --> 00:41:08,398 - RIGHT. TONTO. HORSE. 808 00:41:10,802 --> 00:41:13,771 - YEAH, MIKEY, UM... 809 00:41:13,804 --> 00:41:16,907 YOU GONNA TALK TO FI? 810 00:41:20,545 --> 00:41:22,981 COME ON, KEMOSABE. 811 00:41:27,217 --> 00:41:29,820 - THANK YOU. 812 00:41:34,559 --> 00:41:36,795 HELLO, MICHAEL. 813 00:41:36,827 --> 00:41:39,230 - YOU OKAY? 814 00:41:39,264 --> 00:41:40,798 - YEAH, IT'S JUST A FEW STITCHES. 815 00:41:40,831 --> 00:41:43,768 THE GLASS IN THE WINDOWS, IT WOULD HAVE BEEN WORSE... 816 00:41:47,873 --> 00:41:51,809 YOU REMEMBERED MY STORY. 817 00:41:51,842 --> 00:41:54,880 - I'LL NEVER FORGET IT. 818 00:42:01,052 --> 00:42:03,889 FI... 819 00:42:03,922 --> 00:42:07,525 - [whispers] TAKE CARE. 820 00:42:07,559 --> 00:42:10,596 - WHO'S THE GIRL? - FIONA GLENANNE. 821 00:42:10,628 --> 00:42:13,731 BELIEVE ME, LAD, YOU WON'T BE WANTING ANY OF THAT. 822 00:42:16,702 --> 00:42:18,737 BESIDES, SHE'S TAKEN. 823 00:42:24,141 --> 00:42:27,512 - TAKEN? YOU SEE THAT? 824 00:42:27,545 --> 00:42:29,581 THAT'S THE KISS YOU GIVE WHEN IT'S OVER.