1 00:00:34,360 --> 00:00:36,360 PANTING 2 00:00:43,720 --> 00:00:45,720 PHONE RINGS 3 00:00:52,360 --> 00:00:54,480 Please stand by for an international call 4 00:00:54,520 --> 00:00:56,840 from England - Brighton exchange. 5 00:00:59,200 --> 00:01:01,160 Thank you. 6 00:01:11,720 --> 00:01:13,440 When you've finished here I'll need you in the dining room. 7 00:01:13,480 --> 00:01:15,600 And I need everything perfect. Yes, sir. 8 00:02:06,240 --> 00:02:08,360 Of course, you know the Dalis, sir? 9 00:02:17,160 --> 00:02:18,720 Don't look me in the eye. 10 00:02:18,760 --> 00:02:22,080 Fetch my suitcases and bring them up to my suite on the double. 11 00:02:22,120 --> 00:02:24,320 Darling, what a silly mistake. 12 00:02:24,360 --> 00:02:26,400 This is not some little footman. 13 00:02:26,440 --> 00:02:29,360 This is the future of surrealist painting. 14 00:02:29,400 --> 00:02:31,040 After me, of course. 15 00:02:35,360 --> 00:02:37,800 Where is your darling wife? Georgina, was it? 16 00:02:37,840 --> 00:02:39,960 Georgette. Yes, right. That's the one. 17 00:02:52,200 --> 00:02:54,280 My lord and I would like to welcome you all. 18 00:02:54,320 --> 00:02:57,480 The most promising artists of today. 19 00:02:57,520 --> 00:02:59,120 And where is your lord, by the way? 20 00:02:59,160 --> 00:03:02,600 Delayed in London, preparing for the exhibition of the century, sir, 21 00:03:02,640 --> 00:03:04,680 this coming Friday here at West Dean, 22 00:03:04,720 --> 00:03:08,040 which will establish you as the world's foremost artists, 23 00:03:08,080 --> 00:03:11,080 not to mention rich beyond your wildest dreams. 24 00:03:11,120 --> 00:03:14,360 You'll have five days to display your art in our exhibition space. 25 00:03:14,400 --> 00:03:15,720 And where would that be? 26 00:03:15,760 --> 00:03:17,360 Monkton House, Mr Ray. 27 00:03:17,400 --> 00:03:19,040 Within walking distance of the manor, 28 00:03:19,080 --> 00:03:21,000 amid the estate's beautiful forests. 29 00:03:21,040 --> 00:03:24,040 Meanwhile, don't forget to live it up like lords and ladies. 30 00:03:24,080 --> 00:03:26,360 Once you all hit the deadline on Friday, of course. 31 00:03:26,400 --> 00:03:28,000 4pm sharp. 32 00:03:28,040 --> 00:03:29,920 If I could ask you to raise a glass? 33 00:03:29,960 --> 00:03:33,600 Mr Dali, Ms Miller, Mrs Dali, 34 00:03:33,640 --> 00:03:38,440 Mr Ray, Mr Magritte, Mr Ernst, Nash, sir, 35 00:03:38,480 --> 00:03:40,080 and Ms Legge. 36 00:03:40,120 --> 00:03:42,640 Here's to unlimited success. 37 00:03:43,920 --> 00:03:46,440 ALL: Unlimited success. 38 00:03:46,480 --> 00:03:48,200 To all of us. 39 00:03:48,240 --> 00:03:49,880 Darling... 40 00:03:59,080 --> 00:04:01,120 CLOCK CHIMES 41 00:04:01,160 --> 00:04:03,480 Butler? 42 00:04:03,520 --> 00:04:06,040 WHISPERING: What is she doing here? 43 00:04:07,240 --> 00:04:08,680 WHISPERING: I'm sorry, sir? 44 00:04:08,720 --> 00:04:09,920 Sheila. 45 00:04:09,960 --> 00:04:13,120 I swore I would never see that vile child again. 46 00:04:13,160 --> 00:04:17,440 Mr Dali, Ms Legge is Lord James' niece. 47 00:04:17,480 --> 00:04:20,120 She's been staying here at the estate for some time. 48 00:04:20,160 --> 00:04:22,880 I'm afraid you will just have to put up with her. 49 00:04:25,160 --> 00:04:28,840 And why is she at our table? She's not even an artist. 50 00:04:28,880 --> 00:04:32,560 Ms Legge is one of our most esteemed performance artists, sir. 51 00:04:32,600 --> 00:04:35,200 And she will be performing on Friday. 52 00:04:35,240 --> 00:04:37,400 If you'll excuse me. 53 00:04:37,440 --> 00:04:39,520 "Performance art." 54 00:04:42,400 --> 00:04:45,280 NO AUDIBLE DIALOGUE 55 00:05:03,680 --> 00:05:06,120 LAUGHTER AND INDISTINCT CHATTER 56 00:05:24,960 --> 00:05:27,200 The future of surrealist painting. 57 00:05:37,560 --> 00:05:39,040 HE GASPS 58 00:05:51,680 --> 00:05:53,760 HE BREATHES UNSTEADILY 59 00:05:56,680 --> 00:05:57,960 Don't touch anything! 60 00:05:59,680 --> 00:06:01,280 Is she...? 61 00:06:04,120 --> 00:06:06,000 Oh, good God! 62 00:06:06,040 --> 00:06:07,320 Get up, Mr Magritte. 63 00:06:07,360 --> 00:06:09,280 No... At once. Come on. Calm yourself. 64 00:06:09,320 --> 00:06:10,840 Come on, sir. 65 00:06:10,880 --> 00:06:12,080 Come on. 66 00:06:13,960 --> 00:06:15,360 What the hell happened? 67 00:06:20,000 --> 00:06:21,280 Let's get you out of here. 68 00:06:21,320 --> 00:06:22,480 Good man. 69 00:06:25,880 --> 00:06:27,720 Don't say anything to anybody, please. 70 00:06:27,760 --> 00:06:31,080 Why not? Maybe someone remembers something... 71 00:06:31,120 --> 00:06:33,280 That might be so, but we can't create a panic. 72 00:06:33,320 --> 00:06:35,480 Let me call the police first, sir. 73 00:06:35,520 --> 00:06:37,160 Well, I have questions too, OK? 74 00:06:38,920 --> 00:06:40,760 BREATHING HEAVILY 75 00:06:45,800 --> 00:06:47,400 I don't mean to upset you, sir, 76 00:06:47,440 --> 00:06:50,280 but you just woke up next to a dead woman. 77 00:06:59,920 --> 00:07:01,760 BELL RINGS 78 00:07:04,640 --> 00:07:06,320 LINE BEEPS 79 00:07:27,000 --> 00:07:28,600 FLIES BUZZ 80 00:07:42,960 --> 00:07:45,040 LOUD MUSIC PLAYS IN BACKGROUND 81 00:07:51,720 --> 00:07:53,880 MUSIC DISTORTS 82 00:07:53,920 --> 00:07:55,920 HEART BEATS QUICKLY 83 00:08:08,160 --> 00:08:10,400 You're gloomy, even by your standards. 84 00:08:10,440 --> 00:08:12,840 My poor little pal didn't survive the trip. 85 00:08:12,880 --> 00:08:15,320 Those damned storms. 86 00:08:15,360 --> 00:08:18,240 Da Vinci is used to being under water, not on top of it. 87 00:08:18,280 --> 00:08:22,040 You care more for your damn dead crustacean than you do me. 88 00:08:22,080 --> 00:08:24,320 Hey, Magritte. Hi. 89 00:08:24,360 --> 00:08:27,040 My condolences on the death of your lobster, Man. 90 00:08:27,080 --> 00:08:29,600 Oh, this is one lobster that won't be missed. 91 00:08:29,640 --> 00:08:31,160 Da Vinci bit me on the way over. 92 00:08:31,200 --> 00:08:32,320 Twice. 93 00:08:32,360 --> 00:08:34,040 A lobster doesn't bite, it pinches. 94 00:08:34,080 --> 00:08:36,160 And it's a sign of affection. 95 00:08:36,200 --> 00:08:37,440 A bit like you then. 96 00:08:37,480 --> 00:08:39,880 I'm glad you're in lobster heaven, buddy. 97 00:08:39,920 --> 00:08:44,040 Hell of a lot better than being stuck down here. 98 00:08:44,080 --> 00:08:46,120 You're as pale as a corpse, Magritte. 99 00:08:46,160 --> 00:08:48,760 Sheila didn't wear you out too much last night, did she? 100 00:08:48,800 --> 00:08:49,920 Wear me out? 101 00:08:49,960 --> 00:08:52,480 We saw you two go up together just after midnight. 102 00:08:52,520 --> 00:08:53,840 Fast work, mon ami. 103 00:08:55,440 --> 00:08:57,280 Uh, will you excuse me? 104 00:09:17,640 --> 00:09:19,360 I could get used to this. 105 00:09:19,400 --> 00:09:20,760 I couldn't live here, sir. 106 00:09:20,800 --> 00:09:23,400 SHE SNIFFS The air... 107 00:09:23,440 --> 00:09:25,800 What is it? The plants? The animals? 108 00:09:25,840 --> 00:09:28,040 The people. Ha! 109 00:09:28,080 --> 00:09:31,000 Just don't show them that you're impressed 110 00:09:31,040 --> 00:09:35,720 by their wealth and their little games. 111 00:09:35,760 --> 00:09:37,240 Right, sir. 112 00:09:37,280 --> 00:09:38,680 SHE SNEEZES 113 00:09:48,200 --> 00:09:49,480 Thank you. Sir. 114 00:09:55,960 --> 00:09:57,560 An honour to meet you, My Lord. 115 00:09:57,600 --> 00:09:59,520 Detective Chief Inspector Thistlethwaite. 116 00:09:59,560 --> 00:10:01,320 Detective Quant, at your service. 117 00:10:01,360 --> 00:10:03,600 I must say that your estate deserves to be seen... Sir... 118 00:10:03,640 --> 00:10:06,880 ..among the collection of any gentlemen's seats in the Kingdom. 119 00:10:06,920 --> 00:10:08,440 Please, sir, you are mistaken. 120 00:10:08,480 --> 00:10:10,600 I am merely Lord James' servant. 121 00:10:14,120 --> 00:10:15,880 I see. 122 00:10:15,920 --> 00:10:17,120 Name? 123 00:10:17,160 --> 00:10:20,760 Jukes, sir. Archibald, sir. 124 00:10:20,800 --> 00:10:22,760 Please, could you show us the body? 125 00:10:22,800 --> 00:10:24,920 Of course. Follow me. 126 00:10:26,200 --> 00:10:27,320 Hmm. 127 00:11:24,080 --> 00:11:26,240 HE SNIFFS 128 00:11:26,280 --> 00:11:28,880 We'll take it from here, thank you. 129 00:11:30,080 --> 00:11:31,320 Yes, sir. 130 00:11:47,120 --> 00:11:51,120 You do the honours now, Detective Constable. 131 00:11:53,040 --> 00:11:58,440 On the left-hand side of the bed - female, deceased, evening clothes, 132 00:11:58,480 --> 00:12:01,880 her head covered with a white scarf tied loosely at the neck, 133 00:12:01,920 --> 00:12:05,760 bloodstained nose, um, a broken glass, 134 00:12:05,800 --> 00:12:09,120 another stain on the sheets. Blood or wine. 135 00:12:09,160 --> 00:12:12,000 Right side of the bed - an impression of a body. 136 00:12:12,040 --> 00:12:14,000 Heavier, larger. 137 00:12:14,040 --> 00:12:15,440 Perhaps male? 138 00:12:15,480 --> 00:12:16,800 I'd say so. 139 00:12:16,840 --> 00:12:18,760 Not bad, Detective. Not bad at all. 140 00:12:22,240 --> 00:12:24,280 Black shoes, recently shined. 141 00:12:24,320 --> 00:12:25,520 Mm-hm. 142 00:12:31,680 --> 00:12:33,160 Men's cologne. 143 00:12:35,280 --> 00:12:36,480 Hm. 144 00:12:36,520 --> 00:12:38,240 Bitter and sweet. 145 00:12:38,280 --> 00:12:39,320 Opiates? 146 00:12:44,560 --> 00:12:46,760 And if so, it's a large dose. 147 00:12:49,440 --> 00:12:52,720 This might be the poor woman lying in bed, Quant. 148 00:12:56,920 --> 00:12:58,680 Let's meet our victim. 149 00:13:15,240 --> 00:13:16,440 Strangled. 150 00:13:16,480 --> 00:13:17,680 A couple of hours ago? 151 00:13:28,240 --> 00:13:29,720 Legge, Sheila. 152 00:13:29,760 --> 00:13:31,240 English. Single. 153 00:13:31,280 --> 00:13:33,480 25 years old. 154 00:13:33,520 --> 00:13:37,000 Occupation - performance artist. 155 00:13:37,040 --> 00:13:39,160 Occupation - murder victim. 156 00:13:39,200 --> 00:13:41,280 SHE EXHALES No doubt of that. 157 00:13:41,320 --> 00:13:43,680 CLINKING 158 00:13:43,720 --> 00:13:45,680 LAUGHTER 159 00:13:54,960 --> 00:13:59,520 Who would be the killer in the mix, Quant? 160 00:13:59,560 --> 00:14:01,560 We need a place to work. 161 00:14:01,600 --> 00:14:03,840 Let's find...what's-his-name? 162 00:14:03,880 --> 00:14:05,520 Jukes, I believe, sir. 163 00:14:05,560 --> 00:14:07,080 DOOR CREAKS 164 00:14:17,120 --> 00:14:18,400 I found it. 165 00:14:18,440 --> 00:14:19,920 Apologies for the wait. 166 00:14:27,840 --> 00:14:29,320 DCI THISTLETHWAITE WHISTLES 167 00:14:36,600 --> 00:14:38,960 Would this space suit, detectives? 168 00:14:39,000 --> 00:14:40,440 HE CLEARS THROAT 169 00:14:40,480 --> 00:14:43,440 Yes, this will do nicely for a murder room. 170 00:14:44,920 --> 00:14:48,600 What information do we have on the guests, Quant? 171 00:14:48,640 --> 00:14:52,600 It looks like they are a bunch of struggling artists. 172 00:14:52,640 --> 00:14:55,880 One of them is in England for the first time. 173 00:14:55,920 --> 00:14:57,040 Look. 174 00:14:59,480 --> 00:15:03,840 Rene Francois Ghislain Magritte. 175 00:15:03,880 --> 00:15:07,440 Born 1898 - Lessines, Belgium. 176 00:15:07,480 --> 00:15:09,200 Painter. 177 00:15:16,080 --> 00:15:18,360 LAUGHTER AND CHATTERING 178 00:15:32,760 --> 00:15:35,520 Ah, Magritte? I've got to uh... 179 00:15:35,560 --> 00:15:39,960 Sir? I've got to deliver the bad news to the group. 180 00:15:40,000 --> 00:15:41,240 Come along. 181 00:15:41,280 --> 00:15:44,160 And try to look surprised, sir. 182 00:15:50,080 --> 00:15:53,200 It is my sad duty to inform you all that, um, 183 00:15:53,240 --> 00:15:55,560 Ms Legge has passed away in the night. 184 00:15:56,720 --> 00:15:57,880 What? 185 00:15:57,920 --> 00:16:00,960 It was a dreadful accident, of course, but... 186 00:16:01,000 --> 00:16:03,400 ..Scotland Yard have been ordered to investigate, 187 00:16:03,440 --> 00:16:04,880 just to be on the safe side. 188 00:16:04,920 --> 00:16:06,360 And they are looking into... 189 00:16:07,920 --> 00:16:09,680 ..every possibility. 190 00:16:09,720 --> 00:16:11,200 You mean murder? 191 00:16:11,240 --> 00:16:13,840 I know that Ms Legge was a beloved friend, 192 00:16:13,880 --> 00:16:17,120 companion and colleague of you all. 193 00:16:17,160 --> 00:16:20,760 My Lord and I are deeply sorry for your loss. 194 00:16:20,800 --> 00:16:23,160 If there's anything you need at this time, please... 195 00:16:23,200 --> 00:16:24,840 ..don't hesitate to ask. 196 00:16:24,880 --> 00:16:27,160 Oh my dear God, the poor girl. 197 00:16:27,200 --> 00:16:28,960 Are you happy now? 198 00:16:29,000 --> 00:16:30,560 You need more coke, pal? 199 00:16:30,600 --> 00:16:32,440 Stop it! We are all in shock. 200 00:16:32,480 --> 00:16:33,720 Let's not make it worse. 201 00:16:33,760 --> 00:16:35,400 You are awfully quiet. 202 00:16:36,720 --> 00:16:38,400 Surely you were the last one to see her. 203 00:16:38,440 --> 00:16:39,800 When you took her upstairs. 204 00:16:41,760 --> 00:16:43,000 GALA GASPS 205 00:16:43,040 --> 00:16:45,720 Suddenly you can't speak English any more, mon ami. 206 00:16:45,760 --> 00:16:48,800 Our friend dies, and you've got nothing to say? 207 00:16:48,840 --> 00:16:49,960 Explain yourself, man. 208 00:16:50,000 --> 00:16:51,840 Gala, come on. Nobody wanted this. 209 00:16:51,880 --> 00:16:53,680 Are you sure about that, Sal? 210 00:16:56,480 --> 00:16:58,400 DC QUANT SNIFFS 211 00:17:00,520 --> 00:17:01,960 Good morning. 212 00:17:02,000 --> 00:17:04,800 DC Quant, Scotland Yard. 213 00:17:04,840 --> 00:17:08,040 We request that you all be available for interview. 214 00:17:08,080 --> 00:17:10,080 Um... Oh, and... 215 00:17:10,120 --> 00:17:13,840 ..please accept our condolences for the loss of your friend. 216 00:17:13,880 --> 00:17:15,400 Jukes? 217 00:17:39,800 --> 00:17:41,720 CAMERA CLICKS 218 00:17:46,080 --> 00:17:47,240 Wait... 219 00:17:47,280 --> 00:17:50,200 Does this mean we're all suspects? 220 00:17:50,240 --> 00:17:52,040 CAMERA SHUTTER CLICKS 221 00:17:57,840 --> 00:17:59,680 How long have the guests been here? 222 00:17:59,720 --> 00:18:01,840 They all arrived last night. 223 00:18:01,880 --> 00:18:03,600 When Ms Legge was still alive? 224 00:18:03,640 --> 00:18:04,720 Yeah. 225 00:18:04,760 --> 00:18:07,400 So, this lot are all famous, apparently. 226 00:18:07,440 --> 00:18:08,880 In the art world, I presume, 227 00:18:08,920 --> 00:18:11,560 cos I've not heard of a single one of them before now. 228 00:18:11,600 --> 00:18:13,000 Well, that's the point, sir. 229 00:18:13,040 --> 00:18:15,800 Lord James finds the greatest artists of tomorrow 230 00:18:15,840 --> 00:18:18,400 just as they lie on the cusp of fame. 231 00:18:18,440 --> 00:18:21,960 By next week, this lot will be front page news. 232 00:18:22,000 --> 00:18:23,280 How come? 233 00:18:23,320 --> 00:18:26,360 The most important art show of the decade is due to be held here 234 00:18:26,400 --> 00:18:27,800 this coming Friday. 235 00:18:27,840 --> 00:18:30,200 All the artists will showcase their work. 236 00:18:30,240 --> 00:18:32,840 It will be astounding, I can assure you. 237 00:18:34,880 --> 00:18:37,440 Surrealism is the next big thing. 238 00:18:37,480 --> 00:18:39,480 On Lord James' say-so. 239 00:18:40,560 --> 00:18:42,080 Sound investment. 240 00:18:42,120 --> 00:18:47,440 Get the artworks on the cheap, create the hype, grab all the cash. 241 00:18:47,480 --> 00:18:50,160 Smart move. 242 00:18:50,200 --> 00:18:52,800 I take it you're not much of an art lover then, sir? 243 00:18:56,000 --> 00:18:59,080 What time did you go to bed last night, Jukes? 244 00:18:59,120 --> 00:19:00,640 On the stroke of 11. 245 00:19:00,680 --> 00:19:02,040 HE GULPS 246 00:19:03,240 --> 00:19:05,160 Nervous, are you? 247 00:19:05,200 --> 00:19:09,640 We would appreciate it if you told us everything we needed to know. 248 00:19:11,840 --> 00:19:13,880 I don't know if this is important. 249 00:19:13,920 --> 00:19:15,600 You don't know if it isn't. 250 00:19:20,400 --> 00:19:22,720 This morning, when I was doing my rounds 251 00:19:22,760 --> 00:19:26,200 with the special breakfast requests, 252 00:19:26,240 --> 00:19:30,240 I found one of our guests in bed with Ms Legge. 253 00:19:30,280 --> 00:19:32,560 Uh... 254 00:19:32,600 --> 00:19:34,440 WHISPERING: Bending over her. 255 00:19:34,480 --> 00:19:36,560 Who? 256 00:19:36,600 --> 00:19:37,760 Well... 257 00:19:39,800 --> 00:19:40,920 It were Mr Magritte, 258 00:19:40,960 --> 00:19:42,960 but I know he had absolutely nothing to do with this. 259 00:19:43,000 --> 00:19:44,160 He was very shaken... 260 00:19:44,200 --> 00:19:47,080 Don't ever play games with me, Jukes. 261 00:19:47,120 --> 00:19:48,800 Alright? 262 00:19:48,840 --> 00:19:50,000 No. 263 00:19:50,040 --> 00:19:51,360 Never, sir. 264 00:20:05,000 --> 00:20:06,040 Magritte! 265 00:20:07,560 --> 00:20:08,920 Magritte! 266 00:20:10,280 --> 00:20:12,120 Yes? 267 00:20:12,160 --> 00:20:14,160 DCI Thistlethwaite. 268 00:20:17,120 --> 00:20:18,520 What's the matter, Detective? 269 00:20:18,560 --> 00:20:20,160 Oh, you're the matter, Magritte. 270 00:20:20,200 --> 00:20:22,600 Final person to be seen with the victim last night 271 00:20:22,640 --> 00:20:24,120 and first thing this morning. 272 00:20:24,160 --> 00:20:26,400 You're found in bed with the poor woman. 273 00:20:26,440 --> 00:20:29,080 So why don't you do us a favour and confess, Magritte? 274 00:20:29,120 --> 00:20:30,760 We can all be back in London for supper. 275 00:20:30,800 --> 00:20:32,480 No. No. 276 00:20:32,520 --> 00:20:33,880 No. 277 00:20:33,920 --> 00:20:35,040 Sure? 278 00:20:35,080 --> 00:20:36,440 Mm-hm. 279 00:20:36,480 --> 00:20:39,040 Alright, let's concentrate on last night. 280 00:20:39,080 --> 00:20:41,920 Your movements from midnight onwards. 281 00:20:41,960 --> 00:20:44,120 We know you slipped away with Ms Legge. 282 00:20:44,160 --> 00:20:45,880 Correct? 283 00:20:45,920 --> 00:20:47,440 We went upstairs, yes. 284 00:20:47,480 --> 00:20:51,320 Was there a scarf wound around your neck like with Ms Legge? 285 00:20:51,360 --> 00:20:55,240 Yeah, I woke up cos I was struggling to breathe. 286 00:20:56,800 --> 00:20:59,920 Jukes told me you're all here to exhibit. 287 00:20:59,960 --> 00:21:05,040 Perhaps become famous and wealthy beyond your surrealist dreams. 288 00:21:05,080 --> 00:21:06,520 Not all of you, of course. 289 00:21:06,560 --> 00:21:08,920 Must create a few little rivalries, no? 290 00:21:10,440 --> 00:21:11,600 No. 291 00:21:11,640 --> 00:21:13,560 Are you a jealous man, Magritte? 292 00:21:13,600 --> 00:21:15,120 No, just a curious man. 293 00:21:15,160 --> 00:21:16,640 Oh. 294 00:21:16,680 --> 00:21:18,280 Well, that makes two of us. 295 00:21:18,320 --> 00:21:19,400 Good. QUANT: Sir? 296 00:21:19,440 --> 00:21:21,160 Cos I have something I want to show you. 297 00:21:21,200 --> 00:21:24,600 Unless, of course, your colleague has already found it. 298 00:21:24,640 --> 00:21:26,840 Sir? You have to see this. 299 00:21:37,680 --> 00:21:39,880 What the bloody hell? 300 00:21:39,920 --> 00:21:42,720 I found it in his box, in that wardrobe there. 301 00:21:42,760 --> 00:21:44,320 It was nailed shut. 302 00:21:44,360 --> 00:21:46,280 I had to break it open, sorry. 303 00:21:47,480 --> 00:21:49,000 This is your painting? 304 00:21:49,040 --> 00:21:52,520 Yes. I brought it back from Brussels for the big show on Friday. 305 00:21:52,560 --> 00:21:54,880 But this box has never been opened on English soil. 306 00:21:54,920 --> 00:21:56,000 Well, I just opened it... 307 00:21:56,040 --> 00:21:57,800 I mean, up until now. 308 00:21:59,440 --> 00:22:01,360 It looks just like the murder scene. 309 00:22:03,400 --> 00:22:04,840 Tell me about it. 310 00:22:07,560 --> 00:22:08,840 The Lovers. 311 00:22:08,880 --> 00:22:12,160 You see, my lovers, they kiss. 312 00:22:12,200 --> 00:22:14,360 And at the same time, they don't kiss. 313 00:22:14,400 --> 00:22:17,320 As their lips are sealed with a scarf, 314 00:22:17,360 --> 00:22:18,960 they cannot get fully close. 315 00:22:19,000 --> 00:22:21,320 And that's what I call love. 316 00:22:21,360 --> 00:22:23,680 Right, well, enough of the art lessons. 317 00:22:23,720 --> 00:22:25,640 Let me smell your breath. Excuse me? 318 00:22:25,680 --> 00:22:27,640 No, come on. Open up. 319 00:22:27,680 --> 00:22:28,960 Oh, good God. 320 00:22:29,000 --> 00:22:30,680 Yeah, well, I didn't brush my teeth this morning. 321 00:22:30,720 --> 00:22:31,800 Yes. 322 00:22:31,840 --> 00:22:36,000 Maybe just as well because you could have saved yourself 323 00:22:36,040 --> 00:22:39,760 a night in a little horrible cell. 324 00:22:39,800 --> 00:22:43,560 Oh, you were drugged, just like Ms Legge. 325 00:22:43,600 --> 00:22:45,640 Look at that sediment. 326 00:22:45,680 --> 00:22:48,680 And no one else has seen this painting? You're sure? 327 00:22:48,720 --> 00:22:51,360 My wife. But she's in Brussels, so no. 328 00:22:51,400 --> 00:22:54,000 Did you notice anything else strange last night? 329 00:22:54,040 --> 00:22:55,760 LIVELY MUSIC PLAYS 330 00:22:56,840 --> 00:22:57,920 Well... 331 00:23:06,920 --> 00:23:08,360 Thank you. 332 00:23:11,560 --> 00:23:13,960 SHE SCOFFS 333 00:23:14,000 --> 00:23:15,280 Don't worry, darling. 334 00:23:15,320 --> 00:23:16,800 I don't play with little girls. 335 00:23:16,840 --> 00:23:20,560 Aw. Should I let you know when I'm finally old enough to play with you? 336 00:23:20,600 --> 00:23:23,120 Perhaps in...half a century? 337 00:23:23,160 --> 00:23:24,440 Wrap it up, you two. 338 00:23:24,480 --> 00:23:26,880 Let's not have the boys drink all the best stuff. 339 00:23:36,600 --> 00:23:38,560 There was rather... 340 00:23:38,600 --> 00:23:41,280 ..extraordinary entertainment. 341 00:23:46,000 --> 00:23:48,560 Aim low, Lee. 342 00:23:48,600 --> 00:23:51,080 And five... 343 00:23:51,120 --> 00:23:52,600 ..four, 344 00:23:52,640 --> 00:23:55,960 three, two, one... 345 00:23:58,560 --> 00:24:00,200 But it was just for fun. 346 00:24:00,240 --> 00:24:02,280 Don't worry. 347 00:24:02,320 --> 00:24:04,840 Is there anything else you'd like to reveal? 348 00:24:04,880 --> 00:24:06,880 No, I'm good. 349 00:24:06,920 --> 00:24:09,360 Alright, you can go. 350 00:24:12,400 --> 00:24:13,880 For now. 351 00:24:23,440 --> 00:24:25,720 A suspect, do you think? 352 00:24:25,760 --> 00:24:28,440 Not when the lab confirms he was drugged. 353 00:24:28,480 --> 00:24:31,480 Don't be charmed by this Magritte, Quant. 354 00:24:31,520 --> 00:24:33,000 I need you to stay focussed. 355 00:24:33,040 --> 00:24:34,680 I don't find him charming, sir. 356 00:24:34,720 --> 00:24:37,520 I just pay attention. SHE SIGHS 357 00:24:37,560 --> 00:24:40,840 There was something else I found at the crime scene earlier. 358 00:24:40,880 --> 00:24:42,920 What do you make of this? 359 00:24:42,960 --> 00:24:46,720 It's a bank book I found in Ms Legge's bedside table. 360 00:24:46,760 --> 00:24:48,160 Starting last summer, 361 00:24:48,200 --> 00:24:52,280 she makes monthly payments to a certain Charlie L. 362 00:24:52,320 --> 00:24:54,480 This goes on for a year. 363 00:24:54,520 --> 00:24:56,600 Until suddenly... 364 00:24:56,640 --> 00:25:01,040 ..yesterday, an extra thousand pounds is paid to this Charlie L. 365 00:25:01,080 --> 00:25:02,800 Who could that be? 366 00:25:02,840 --> 00:25:07,040 L for Legge, perhaps? A relation? Or... Hmm. 367 00:25:07,080 --> 00:25:08,960 FLOORBOARDS CREAK 368 00:25:19,720 --> 00:25:21,120 Hmm. 369 00:25:21,160 --> 00:25:23,680 Constables! 370 00:25:29,280 --> 00:25:32,080 I want you to search all the guest rooms. 371 00:25:32,120 --> 00:25:36,160 We're looking for the following items - a glass revolver, 372 00:25:36,200 --> 00:25:39,640 any narcotics and relevant prescriptions, 373 00:25:39,680 --> 00:25:43,160 any reference to a Charlie L. 374 00:25:43,200 --> 00:25:47,080 Plus anything you gentlemen regard as suspicious. 375 00:25:47,120 --> 00:25:49,320 Go on, hop to it. Double quick. 376 00:25:51,400 --> 00:25:52,640 Jukes? 377 00:25:55,360 --> 00:25:56,800 Ah! 378 00:25:56,840 --> 00:26:01,960 We need a lockable place on the estate, preferably indoors. 379 00:26:02,000 --> 00:26:03,520 As cold as can be. 380 00:26:03,560 --> 00:26:06,640 Yes. I believe I have somewhere in mind, sir. Mm. 381 00:26:06,680 --> 00:26:08,160 This way, please. 382 00:26:14,280 --> 00:26:15,720 SHE GASPS. 383 00:26:15,760 --> 00:26:16,760 Don't ever do that again. 384 00:26:16,800 --> 00:26:18,800 My sincerest apologies. 385 00:26:18,840 --> 00:26:21,680 I would like to help you with your investigation. 386 00:26:21,720 --> 00:26:24,440 I want to catch this killer as much as you do. 387 00:26:24,480 --> 00:26:26,440 Probably even more. 388 00:26:26,480 --> 00:26:27,560 Why? 389 00:26:27,600 --> 00:26:29,240 WATER RUSHES 390 00:26:39,920 --> 00:26:41,720 You do realise you're still a suspect? 391 00:26:41,760 --> 00:26:43,040 I know. 392 00:26:43,080 --> 00:26:45,760 If I can find one thing in that murder scene that you missed, 393 00:26:45,800 --> 00:26:48,600 would you perhaps allow me to assist you? 394 00:26:48,640 --> 00:26:51,880 This is a murder investigation, Magritte, not a bloody game. 395 00:26:51,920 --> 00:26:53,600 I'm serious. 396 00:26:53,640 --> 00:26:55,240 I'm deadly serious. 397 00:26:55,280 --> 00:26:57,280 This is really important to me. 398 00:27:00,320 --> 00:27:02,840 If you can show me one decent clue, 399 00:27:02,880 --> 00:27:05,760 then I might look the other way whilst you play detective. 400 00:27:07,120 --> 00:27:08,560 Follow me. 401 00:27:21,200 --> 00:27:23,600 Do you know anything about painting? 402 00:27:23,640 --> 00:27:24,680 Not really. 403 00:27:24,720 --> 00:27:25,880 OK. 404 00:27:25,920 --> 00:27:27,120 Because this assassin does. 405 00:27:27,160 --> 00:27:28,880 What makes you so sure? 406 00:27:28,920 --> 00:27:32,120 Are you familiar with a painting technique called repoussoir? 407 00:27:32,160 --> 00:27:33,240 No. OK. 408 00:27:33,280 --> 00:27:36,040 It's when you paint the foreground in darker tones, 409 00:27:36,080 --> 00:27:38,320 but you brighten up details in the background. 410 00:27:38,360 --> 00:27:39,760 So it creates a depth of field 411 00:27:39,800 --> 00:27:42,920 and leads the viewer's eyes to details otherwise overlooked. 412 00:27:42,960 --> 00:27:44,520 I use it all the time. 413 00:27:44,560 --> 00:27:46,960 You, detectives, you focus on the logical things - 414 00:27:47,000 --> 00:27:48,240 the body, the bed, the bottle... 415 00:27:48,280 --> 00:27:50,040 An error on our part? 416 00:27:50,080 --> 00:27:52,520 No, but you focus on the foreground. 417 00:27:52,560 --> 00:27:54,760 Thus, your view is incomplete. 418 00:27:54,800 --> 00:27:56,480 So let's focus on the background. 419 00:28:11,160 --> 00:28:12,440 Aha! 420 00:28:21,920 --> 00:28:23,720 What? The killer likes oysters? 421 00:28:23,760 --> 00:28:28,280 Symbolism since Brueghel and Bosch, an oyster near a woman 422 00:28:28,320 --> 00:28:31,520 means that she is of loose morals, how do you say that... 423 00:28:31,560 --> 00:28:33,920 I get it, thank you. 424 00:28:33,960 --> 00:28:36,120 Your killer is an artist. 425 00:28:36,160 --> 00:28:38,560 In a house full of artists? 426 00:28:38,600 --> 00:28:39,800 Yeah. 427 00:28:50,080 --> 00:28:53,320 The cross stays put whilst the world turns around. 428 00:28:53,360 --> 00:28:55,320 That is fascinating, Magritte. Thank you. 429 00:28:55,360 --> 00:28:56,480 Let's go. 430 00:28:56,520 --> 00:28:57,640 Hey, listen. 431 00:28:57,680 --> 00:28:59,920 Artists, they have a very specific language. 432 00:28:59,960 --> 00:29:02,040 Use me as an interpreter. I can help. 433 00:29:02,080 --> 00:29:04,200 I'll be fine with English, thank you. 434 00:29:12,880 --> 00:29:17,200 If we can have your attention, ladies, gentlemen. 435 00:29:17,240 --> 00:29:20,400 Constables are currently searching all of your rooms. 436 00:29:20,440 --> 00:29:23,200 Do not disturb them in the direction of their duties. 437 00:29:23,240 --> 00:29:25,480 Search all you like. I'm getting the hell out of here. 438 00:29:25,520 --> 00:29:27,200 Nobody is leaving the premises. 439 00:29:27,240 --> 00:29:29,560 We're keeping your passports until we clear this case. 440 00:29:29,600 --> 00:29:30,640 What? No way. 441 00:29:30,680 --> 00:29:32,640 You must be kidding me. Goddamn little fascists. 442 00:29:32,680 --> 00:29:34,240 Is it really necessary? 443 00:29:34,280 --> 00:29:36,440 Mrs Gala Dali, is it? 444 00:29:36,480 --> 00:29:38,520 Who wants to know? 445 00:29:38,560 --> 00:29:40,880 The woman who's going to be questioning you. 446 00:29:42,480 --> 00:29:45,160 You must all stay put right here. 447 00:29:45,200 --> 00:29:48,120 We have questions for each and every one of you. 448 00:29:51,680 --> 00:29:53,760 Examine your conscience well. 449 00:29:53,800 --> 00:29:55,040 SCOFFS 450 00:29:55,080 --> 00:29:56,480 I thought we were friends. 451 00:29:56,520 --> 00:29:58,040 I thought we were safe. 452 00:29:58,080 --> 00:30:00,480 NASH YELLS 453 00:30:04,080 --> 00:30:06,320 NASH SOBS 454 00:30:40,320 --> 00:30:42,000 WEEPING 455 00:31:00,600 --> 00:31:02,320 WHISPERING: So long, my love. 456 00:31:03,600 --> 00:31:05,320 Our secret's safe with me. 457 00:31:07,920 --> 00:31:09,720 PEOPLE CHATTER INDISTINCTLY 458 00:31:12,800 --> 00:31:15,120 Mind your steps, boys. It's just through here. 459 00:31:34,360 --> 00:31:37,000 I'll have the staff get rid of all of this, obviously. 460 00:31:41,920 --> 00:31:44,160 Hm. One hell of a mortuary. 461 00:32:24,000 --> 00:32:27,000 QUANT: Lee Miller. The war reporter. 462 00:32:27,040 --> 00:32:28,520 That's me alright. 463 00:32:29,640 --> 00:32:31,040 Listen. 464 00:32:31,080 --> 00:32:32,800 I didn't know Sheila all that well. 465 00:32:32,840 --> 00:32:37,160 Not like the others, but I knew it would end in tears. 466 00:32:37,200 --> 00:32:41,560 It's the rule of three Ds - drugs and depression equals death. 467 00:32:41,600 --> 00:32:45,760 What was your exact relationship with Sheila Legge, Mr Ray? 468 00:32:45,800 --> 00:32:47,440 She... 469 00:32:47,480 --> 00:32:48,880 ..inspired me. 470 00:32:48,920 --> 00:32:50,920 As a model? 471 00:32:50,960 --> 00:32:52,800 Muse, more so. 472 00:32:53,920 --> 00:32:55,480 I'm bored. 473 00:32:55,520 --> 00:32:57,440 Locked up in this golden cage. 474 00:32:57,480 --> 00:32:59,520 Come Monday morning, I'm off to Munich. 475 00:32:59,560 --> 00:33:02,080 Interviewing Hitler for the Washington Post. 476 00:33:02,120 --> 00:33:03,280 Any questions? 477 00:33:03,320 --> 00:33:05,160 For you or for Hitler? 478 00:33:05,200 --> 00:33:07,240 Both. 479 00:33:07,280 --> 00:33:10,240 Uh, any theories as to who might have done this? 480 00:33:10,280 --> 00:33:11,720 If I did, I... 481 00:33:13,160 --> 00:33:14,560 ..I'd have killed him by now. 482 00:33:16,360 --> 00:33:18,040 You think it was a man? 483 00:33:19,440 --> 00:33:20,520 You don't? 484 00:33:23,640 --> 00:33:25,000 What's wrong with your arm? 485 00:33:27,560 --> 00:33:29,280 Uh... 486 00:33:29,320 --> 00:33:33,040 Lee was playing with her toy gun, 487 00:33:33,080 --> 00:33:35,800 doing her damned William Tell party trick, 488 00:33:35,840 --> 00:33:37,400 and the ricochet got me. 489 00:33:37,440 --> 00:33:39,520 The infamous glass gun. 490 00:33:41,600 --> 00:33:46,160 Yeah, a Smith and Wesson Ladysmith. She's a gun nut. 491 00:33:46,200 --> 00:33:50,240 Where's the gun now? Uh... 492 00:33:50,280 --> 00:33:52,600 It lives in her purse. 493 00:33:52,640 --> 00:33:58,480 That silly thing? You don't think that's a lethal weapon, do you? 494 00:33:58,520 --> 00:34:00,440 Ah... 495 00:34:01,480 --> 00:34:04,920 I put it right in my bag after the game last night, I could swear. 496 00:34:09,600 --> 00:34:10,760 It's gone. 497 00:34:12,200 --> 00:34:13,560 Duly noted. 498 00:34:15,200 --> 00:34:17,600 And you have no idea who could have taken it? 499 00:34:17,640 --> 00:34:19,000 I haven't the damnedest. 500 00:34:19,040 --> 00:34:20,840 DC QUANT SNEEZES 501 00:34:20,880 --> 00:34:22,120 Sorry. 502 00:34:22,160 --> 00:34:24,920 The DC has trouble adapting to this environment. 503 00:34:24,960 --> 00:34:27,960 Bless you, Detective. I sure can relate to that. 504 00:34:28,000 --> 00:34:30,880 Tell us about this game last night. 505 00:34:33,480 --> 00:34:35,040 SHEILA: Come on, Lee. Shoot. 506 00:34:35,080 --> 00:34:37,440 Sheila had to pose for me as the victim. 507 00:34:37,480 --> 00:34:38,520 Don't be afraid. 508 00:34:38,560 --> 00:34:39,800 Man loves danger. 509 00:34:39,840 --> 00:34:41,880 Dali is scared of loud noises. 510 00:34:41,920 --> 00:34:43,760 DALI: Somebody is going to get hurt. I don't like this game. 511 00:34:43,800 --> 00:34:45,040 It's a silly game, it's a silly game. 512 00:34:45,080 --> 00:34:47,240 Oh, come on. Come on, Salva. I don't like this. 513 00:34:47,280 --> 00:34:49,280 It's a silly game. It's a toy. 514 00:34:49,320 --> 00:34:50,920 Gala loved it, of course. 515 00:34:50,960 --> 00:34:52,480 Told me to aim lower. 516 00:34:52,520 --> 00:34:54,800 For a joke, mind you. 517 00:34:54,840 --> 00:34:58,320 Five, four... 518 00:34:58,360 --> 00:35:01,000 ..three, two... Aim lower, Lee. 519 00:35:01,040 --> 00:35:02,360 ..one. 520 00:35:09,160 --> 00:35:10,480 Whoa! 521 00:35:10,520 --> 00:35:11,960 LAUGHTER 522 00:35:12,000 --> 00:35:13,320 Bravo. Stupid game. 523 00:35:15,600 --> 00:35:17,520 No me gusta... 524 00:35:17,560 --> 00:35:20,160 Sheila? Are you OK? 525 00:35:24,840 --> 00:35:28,120 But you see, it was just a little game. 526 00:35:28,160 --> 00:35:29,560 No one got hurt. 527 00:35:29,600 --> 00:35:31,720 Except for Ms Legge's coke bottle. 528 00:35:31,760 --> 00:35:34,280 Perfume, I should say. 529 00:35:34,320 --> 00:35:36,840 And a scratch on Man's arm. 530 00:35:36,880 --> 00:35:38,680 Nothing serious. 531 00:35:38,720 --> 00:35:41,480 Alright. Thanks for now, Ms Miller. 532 00:35:41,520 --> 00:35:42,680 Thank you. 533 00:35:48,840 --> 00:35:50,600 HE SIGHS DEEPLY 534 00:36:05,720 --> 00:36:07,480 CONSTABLES CHATTERING 535 00:36:29,880 --> 00:36:32,880 NASH: Sheila should never have died. 536 00:36:32,920 --> 00:36:34,680 Just like my birds. 537 00:36:45,720 --> 00:36:47,480 She was way too good for this world. 538 00:36:50,800 --> 00:36:53,360 She's an angel now. 539 00:36:53,400 --> 00:36:55,600 Watching over me. 540 00:36:55,640 --> 00:36:57,120 Oh, my sweet guardian angel. 541 00:36:57,160 --> 00:36:58,920 I...I can't stand this. 542 00:36:58,960 --> 00:37:00,240 I'll kill myself. 543 00:37:00,280 --> 00:37:01,720 HE GROANS 544 00:37:01,760 --> 00:37:03,600 HE COUGHS 545 00:37:03,640 --> 00:37:05,400 Sorry. 546 00:37:05,440 --> 00:37:07,240 Who did you last see with the victim? 547 00:37:08,440 --> 00:37:11,240 Don't call her like that. 548 00:37:11,280 --> 00:37:12,960 Um... 549 00:37:13,000 --> 00:37:14,360 The Belgian lad. 550 00:37:16,720 --> 00:37:19,040 He seems so nice. 551 00:37:19,080 --> 00:37:20,400 He's a bit shy. 552 00:37:22,320 --> 00:37:23,560 Just like me. 553 00:37:31,480 --> 00:37:33,960 I saw them going upstairs together. 554 00:37:34,000 --> 00:37:35,880 My brave Sheila looked... 555 00:37:35,920 --> 00:37:37,160 ..free again. 556 00:37:42,960 --> 00:37:45,960 How was Ms Legge's mood last night? 557 00:37:46,000 --> 00:37:47,400 Oh, um... 558 00:37:48,840 --> 00:37:50,320 Up and down. 559 00:37:51,720 --> 00:37:53,240 Mostly down. 560 00:37:54,320 --> 00:37:55,920 Ever since the death of her son. 561 00:37:58,760 --> 00:38:00,520 When did this happen? 562 00:38:00,560 --> 00:38:02,040 Last summer. 563 00:38:02,080 --> 00:38:04,000 He died, um... 564 00:38:04,040 --> 00:38:06,360 An accident, the inquest stated, so... 565 00:38:15,520 --> 00:38:17,040 Who's the father? 566 00:38:17,080 --> 00:38:19,160 Nobody knows. 567 00:38:19,200 --> 00:38:20,640 Could be anyone, so... 568 00:38:29,800 --> 00:38:30,960 Thank you. 569 00:38:31,000 --> 00:38:33,560 You can go. 570 00:38:33,600 --> 00:38:34,920 Thank you so much, OK. 571 00:38:34,960 --> 00:38:36,480 For now. 572 00:38:36,520 --> 00:38:37,880 Thank you. 573 00:38:39,440 --> 00:38:41,080 SHE SIGHS 574 00:38:46,160 --> 00:38:47,560 Charlie L? 575 00:38:49,680 --> 00:38:54,520 NASH: Seb? Seb? Where are you? 576 00:38:56,320 --> 00:38:57,680 Seb? 577 00:39:04,480 --> 00:39:06,160 Why don't you arrest the Belgian? 578 00:39:06,200 --> 00:39:07,840 He's done it, I'm sure. 579 00:39:07,880 --> 00:39:10,880 Perhaps a sleazy sex game gone wrong? 580 00:39:10,920 --> 00:39:12,960 He gives me the creeps, that fellow. 581 00:39:13,000 --> 00:39:17,000 Excuse me, Mrs Dali. We wanted to speak to your husband. 582 00:39:17,040 --> 00:39:18,560 Mr and Mrs Dali. 583 00:39:18,600 --> 00:39:20,760 Call me Gala or nothing at all. 584 00:39:20,800 --> 00:39:22,480 It is my cosmic name. 585 00:39:26,280 --> 00:39:28,920 I think we might need an interpreter. 586 00:39:30,120 --> 00:39:32,360 WHISPERING: Look at this. 587 00:39:38,280 --> 00:39:43,680 Last night, we believe you had a fight with Ms Legge? 588 00:39:44,720 --> 00:39:46,960 A fight? SHE SCOFFS 589 00:39:47,000 --> 00:39:50,040 Just two women having a good time. 590 00:39:50,080 --> 00:39:52,160 We all loved her. 591 00:39:52,200 --> 00:39:54,280 Who do you think did it, Mr Dali? 592 00:39:54,320 --> 00:39:57,160 You think it's us, don't you? Well... 593 00:39:57,200 --> 00:39:59,240 We've got an alibi, ironclad. 594 00:39:59,280 --> 00:40:03,200 But in your own mind, Mr Dali, 595 00:40:03,240 --> 00:40:05,960 who do you think may have killed Ms Legge? 596 00:40:08,960 --> 00:40:11,400 Do you think birds have a conscience, Detective? 597 00:40:12,800 --> 00:40:16,240 I'm sorry, do you think birds have a conscience? Is that what you said? 598 00:40:16,280 --> 00:40:18,600 They look like they do, don't they? 599 00:40:20,240 --> 00:40:24,840 We only want to know if you think anyone has a motive, sir. 600 00:40:24,880 --> 00:40:26,480 Sheila owned millions. 601 00:40:28,560 --> 00:40:31,800 Who would inherit it? Isn't that your million-dollar question? 602 00:40:31,840 --> 00:40:33,200 We will look into it. 603 00:40:34,440 --> 00:40:36,200 Anything else of note from last night? 604 00:40:36,240 --> 00:40:37,520 Man Ray was very drunk. 605 00:40:37,560 --> 00:40:39,280 He looked like one of my early paintings. 606 00:40:39,320 --> 00:40:43,120 He had a scuffle with our boy Nash at about 2.04 am. 607 00:40:43,160 --> 00:40:46,120 I know it because I happened to be watching the clock at that time. 608 00:40:46,160 --> 00:40:49,200 So we took Nash upstairs to avoid cold-blooded murder. 609 00:40:49,240 --> 00:40:53,440 The three of us slept together in the same bed, like babies, 610 00:40:53,480 --> 00:40:55,880 till this morning. 611 00:40:55,920 --> 00:40:58,960 Alibi, as my wife said. 612 00:40:59,000 --> 00:41:01,480 I hardly remember anything else. 613 00:41:01,520 --> 00:41:03,120 Well said, Salva, babe. 614 00:41:03,160 --> 00:41:04,360 Thank you... 615 00:41:08,800 --> 00:41:10,440 Right. 616 00:41:10,480 --> 00:41:15,200 Well, we'll be in touch when we have more questions. Thank you. 617 00:41:15,240 --> 00:41:17,920 WHISPERING: More questions? WHISPERING: It's OK. 618 00:41:19,880 --> 00:41:22,280 Gala, they want to ask us more questions? 619 00:41:22,320 --> 00:41:23,760 It's OK. 620 00:41:25,520 --> 00:41:28,080 Perfectly normal bunch of people, these surrealists. 621 00:41:28,120 --> 00:41:29,800 Don't you think, Quant? 622 00:41:29,840 --> 00:41:32,400 HE EXHALES 623 00:41:33,720 --> 00:41:35,560 Detective Quant. Sir? 624 00:41:38,560 --> 00:41:41,680 What did Magritte say to you earlier in the upstairs corridor? 625 00:41:45,480 --> 00:41:48,200 Um, he wanted to see the crime scene. 626 00:41:50,960 --> 00:41:52,160 And you let him? 627 00:41:52,200 --> 00:41:53,360 Well, I... 628 00:41:53,400 --> 00:41:56,280 I thought that it might be useful to hear what he had to say. 629 00:41:58,840 --> 00:42:02,680 Any particular insights on his part? 630 00:42:02,720 --> 00:42:03,880 No, sir. 631 00:42:05,560 --> 00:42:09,440 Please don't keep such things from me again. 632 00:42:09,480 --> 00:42:10,520 Sir. 633 00:42:15,400 --> 00:42:18,520 Nesh? Nesh? 634 00:42:24,840 --> 00:42:27,280 Hello, Nesh. It's Nash. 635 00:42:27,320 --> 00:42:30,880 With an A. Like MA-gritte. Nash. Please remember my name. 636 00:42:30,920 --> 00:42:32,920 I'm sorry. Don't worry about it. 637 00:42:32,960 --> 00:42:35,840 Good that you're here, because I may be able to help you. 638 00:42:37,840 --> 00:42:39,680 I know who might've killed Sheila. 639 00:42:40,880 --> 00:42:42,440 Who? 640 00:42:42,480 --> 00:42:44,760 There's two of them, possibly. 641 00:42:44,800 --> 00:42:46,520 I'm just still figuring it out. 642 00:42:47,760 --> 00:42:49,280 I don't think you did it, dear. 643 00:42:50,680 --> 00:42:53,000 Why not me? 644 00:42:53,040 --> 00:42:55,560 Because you carry the spring in your heart. 645 00:42:55,600 --> 00:42:57,480 You don't know about the darkness. 646 00:42:59,440 --> 00:43:01,360 Who was blackmailing Sheila? 647 00:43:01,400 --> 00:43:03,760 Look at Hercule Poirot over here. 648 00:43:03,800 --> 00:43:06,560 Are you two related? You need to get a better moustache. 649 00:43:06,600 --> 00:43:08,960 Stop with the jokes, Nash. Sheila is dead. 650 00:43:13,880 --> 00:43:15,560 After Sebastian died... 651 00:43:18,960 --> 00:43:20,880 ..Sheila was never really the same. 652 00:43:20,920 --> 00:43:22,320 SHE SOBS 653 00:43:22,360 --> 00:43:23,600 She was broken. 654 00:43:28,080 --> 00:43:29,680 BABY CRIES 655 00:43:29,720 --> 00:43:31,960 Did you hear something back there? 656 00:43:32,000 --> 00:43:33,760 No. Are you sure? 657 00:43:33,800 --> 00:43:35,880 What about the father? I don't know about the father. 658 00:43:35,920 --> 00:43:37,920 Someone does. Well, I don't know. 659 00:43:37,960 --> 00:43:39,120 Someone... 660 00:43:39,160 --> 00:43:40,880 I don't know, named Charlie L? 661 00:43:40,920 --> 00:43:43,120 I don't know who that is. Yes, I think you do, you little... 662 00:43:43,160 --> 00:43:45,080 Stop it, OK. I don't know who that is! 663 00:43:45,120 --> 00:43:46,680 Nash? Yes. 664 00:43:51,840 --> 00:43:53,080 How are you doing? 665 00:43:55,200 --> 00:43:57,520 I am so sorry for your loss. 666 00:43:57,560 --> 00:43:58,920 We all are. 667 00:43:58,960 --> 00:44:00,560 But you two were so close. 668 00:44:00,600 --> 00:44:02,680 My deepest condolences. 669 00:44:04,480 --> 00:44:06,120 And you are again? 670 00:44:09,800 --> 00:44:11,640 We met last night? 671 00:44:11,680 --> 00:44:13,080 Right, the man from Brussels. 672 00:44:14,400 --> 00:44:15,960 I've seen your work. 673 00:44:16,000 --> 00:44:17,480 Oh, Mr Ernst... 674 00:44:17,520 --> 00:44:19,000 Can't remember any of it. 675 00:44:21,040 --> 00:44:23,920 Nash, love, you need to find some peace. 676 00:44:23,960 --> 00:44:26,560 Go for a walk in the forest. 677 00:44:26,600 --> 00:44:28,080 I'm sorry, Magritte. 678 00:44:29,800 --> 00:44:34,640 There's actually a really interesting poppy field on the estate. 679 00:44:34,680 --> 00:44:36,400 PHONE RINGS 680 00:44:38,360 --> 00:44:39,640 Detec... 681 00:44:39,680 --> 00:44:41,040 Detective Chief Inspec... 682 00:44:42,440 --> 00:44:45,160 Yes, Superintendent Coney, sir? 683 00:44:45,200 --> 00:44:46,920 Yes. 684 00:44:46,960 --> 00:44:48,800 Yes. Will do. 685 00:44:48,840 --> 00:44:50,080 And, in fact... 686 00:44:58,400 --> 00:45:01,560 Well, it seems that Lord James has a lot of clout. 687 00:45:01,600 --> 00:45:03,640 That was the big chief, Quant. 688 00:45:03,680 --> 00:45:06,880 Worried like hell that we're going to drop the ball. 689 00:45:06,920 --> 00:45:08,000 Take note. 690 00:45:09,240 --> 00:45:12,560 The elite are keeping tabs on us. 691 00:45:12,600 --> 00:45:14,280 Tread carefully. 692 00:45:16,080 --> 00:45:17,520 Right... 693 00:45:17,560 --> 00:45:22,480 Summarise the case for me, DC Quant, if you please. 694 00:45:22,520 --> 00:45:25,320 OK, so... 695 00:45:25,360 --> 00:45:27,720 Crime scene, very theatrical. 696 00:45:27,760 --> 00:45:29,240 Opium in the wine. 697 00:45:29,280 --> 00:45:31,720 Magritte and the victim dressed up as The Lovers, 698 00:45:31,760 --> 00:45:34,800 a painting that nobody has seen, except for Magritte, 699 00:45:34,840 --> 00:45:37,000 who we don't think has done it? 700 00:45:37,040 --> 00:45:43,520 Also, a group of touchy, oddball artists intent on becoming famous. 701 00:45:43,560 --> 00:45:48,520 That, and mysterious payments, potential for blackmail. 702 00:45:48,560 --> 00:45:49,720 A Charlie L. 703 00:45:49,760 --> 00:45:50,880 Who is he or she? 704 00:45:50,920 --> 00:45:52,680 KNOCKING ON DOOR 705 00:45:55,200 --> 00:45:57,560 Nash's room? 706 00:45:57,600 --> 00:45:59,120 Thank you. 707 00:45:59,160 --> 00:46:01,320 And finally... 708 00:46:01,360 --> 00:46:03,560 ..a vast quantity of cocaine. 709 00:46:03,600 --> 00:46:05,280 Worth a fortune. 710 00:46:05,320 --> 00:46:09,360 A fortune that only an heiress could afford. 711 00:46:09,400 --> 00:46:11,640 Go and get Nash, will you? 712 00:46:11,680 --> 00:46:12,800 Sir. 713 00:46:14,440 --> 00:46:16,920 NASH SNIFFS 714 00:46:19,880 --> 00:46:22,720 BABY FUSSES 715 00:46:22,760 --> 00:46:25,160 HE SIGHS 716 00:46:29,280 --> 00:46:31,320 HE GASPS 717 00:46:31,360 --> 00:46:33,800 BABY FUSSES 718 00:46:33,840 --> 00:46:35,440 BABY CRIES 719 00:46:35,480 --> 00:46:37,520 Seb? 720 00:46:42,280 --> 00:46:43,760 We've all seen the pictures of Nash. 721 00:46:43,800 --> 00:46:46,960 Keep searching. He has to be outside. 722 00:46:47,000 --> 00:46:48,080 Sorry. 723 00:46:48,120 --> 00:46:50,080 So, Charlie L is Nash. 724 00:46:50,120 --> 00:46:51,760 Charlie for cocaine. 725 00:46:51,800 --> 00:46:54,280 L is short for his surname, Lesley. 726 00:46:54,320 --> 00:46:55,800 Nash is the blackmailer. 727 00:46:55,840 --> 00:46:57,680 OK. That's cute, but we need proof. 728 00:47:03,200 --> 00:47:06,240 "'To my wildest mate Charlie L. Pots of love, SL.' 729 00:47:06,280 --> 00:47:07,880 I found it in Nash's room. 730 00:47:07,920 --> 00:47:09,200 We need to find him. 731 00:47:09,240 --> 00:47:11,280 Well, I saw him... 732 00:47:11,320 --> 00:47:12,360 Seb? 733 00:47:12,400 --> 00:47:13,600 BABY CRIES 734 00:47:21,880 --> 00:47:23,040 Oh... 735 00:47:54,360 --> 00:47:56,200 HE BREATHES SHAKILY 736 00:48:01,920 --> 00:48:04,120 HE SNIFFS 737 00:48:04,160 --> 00:48:05,720 HE SPITS 738 00:48:29,920 --> 00:48:34,560 What do you mean, Nash can't be found? Look bloody well harder! 739 00:48:34,600 --> 00:48:36,160 We have, sir. 740 00:48:36,200 --> 00:48:37,560 It's just a very large estate. 741 00:48:37,600 --> 00:48:39,080 It's ten square miles. 742 00:48:39,120 --> 00:48:43,120 He's not in the house, nor the vicinity, nor the outhouses. 743 00:48:43,160 --> 00:48:46,080 Nobody has seen him on the estate, and nobody saw him leave. 744 00:48:49,080 --> 00:48:50,480 Lock down the estate. 745 00:48:50,520 --> 00:48:51,920 Every exit. 746 00:48:51,960 --> 00:48:54,440 Main, tradesmen's, hunting paths. 747 00:48:54,480 --> 00:48:56,320 Patrol the perimeter. 748 00:48:56,360 --> 00:48:59,520 We need this man in our custody. 749 00:48:59,560 --> 00:49:03,720 Now! At the double, gentlemen! No stone unturned! 750 00:49:05,720 --> 00:49:07,280 Right... 751 00:49:07,320 --> 00:49:11,480 Time for a motivational speech. 752 00:49:11,520 --> 00:49:13,480 Um... 753 00:49:13,520 --> 00:49:15,080 Shall I line up the guests? 754 00:49:15,120 --> 00:49:16,800 Everyone! 755 00:49:16,840 --> 00:49:18,120 Yes. 756 00:49:31,320 --> 00:49:35,760 You lot show up on this estate last night, and all hell breaks loose. 757 00:49:35,800 --> 00:49:39,960 Is that a coincidence? I think not. 758 00:49:41,400 --> 00:49:44,680 This is what we call cause and effect. 759 00:49:44,720 --> 00:49:47,640 I'm far from satisfied with the answers you've all given 760 00:49:47,680 --> 00:49:50,120 regarding the death of Ms Legge. 761 00:49:50,160 --> 00:49:54,000 So from this moment, I'm placing the estate in lockdown. 762 00:49:54,040 --> 00:49:55,400 Lockdown? 763 00:49:55,440 --> 00:49:56,560 MUTTERS IN SPANISH 764 00:49:56,600 --> 00:50:00,320 Anyone who steps outside its perimeters, will be in trouble. 765 00:50:01,840 --> 00:50:04,200 Keep the dogs on the leash. 766 00:50:12,840 --> 00:50:14,080 Who do they think we are? 767 00:50:14,120 --> 00:50:16,720 A bunch of powerless artists, Sal. Who did you think we were? 768 00:50:16,760 --> 00:50:19,680 As soon as this is solved, you can all go back to... 769 00:50:21,000 --> 00:50:23,680 ..doing whatever it is that you do. 770 00:50:26,440 --> 00:50:27,800 Detective? 771 00:50:27,840 --> 00:50:31,120 You seriously think that one of us was capable of killing Sheila? 772 00:50:35,760 --> 00:50:39,000 We don't think so, sir. 773 00:50:40,320 --> 00:50:41,720 We know. 774 00:50:41,760 --> 00:50:43,280 ALL CLAMOUR 775 00:50:43,320 --> 00:50:44,760 I came here to create art. 776 00:50:44,800 --> 00:50:48,360 Really? One of us? This is ridiculous. 777 00:50:50,680 --> 00:50:52,760 But I have to work. This is insane. 778 00:51:06,640 --> 00:51:08,280 Lord James. Finally. 779 00:51:09,840 --> 00:51:12,440 Welcome to West Dean, my dearest guests. 780 00:51:12,480 --> 00:51:14,320 Max, how are you? 781 00:51:14,360 --> 00:51:16,520 All the better for seeing you, My Lordship. 782 00:51:17,640 --> 00:51:19,240 Lord James, if you will exc... 783 00:51:19,280 --> 00:51:22,720 Who are you to stand on my stairs and call the shots, old man? 784 00:51:22,760 --> 00:51:25,240 Scotland Yard, Your Lordship. 785 00:51:25,280 --> 00:51:27,800 Detective Chief Inspector John Thistle... Shh. 786 00:51:27,840 --> 00:51:29,160 Down, pup. 787 00:51:29,200 --> 00:51:30,800 You decided to lock up my estate. 788 00:51:30,840 --> 00:51:32,440 Treat my guests like dogs. 789 00:51:32,480 --> 00:51:33,720 How dare you? 790 00:51:33,760 --> 00:51:35,840 We are investigating a murder. 791 00:51:35,880 --> 00:51:40,160 The only thing getting murdered on my estate is poor taste, Detective. 792 00:51:40,200 --> 00:51:44,960 The murder of your cousin Ms Sheila Legge, Your Lordship. 793 00:51:45,000 --> 00:51:47,080 I wanted to tell you, My Lord, but I couldn't reach you. 794 00:51:47,120 --> 00:51:48,280 I'm so sorry. 795 00:51:48,320 --> 00:51:51,560 Where is she? Where is my cousin? 796 00:51:51,600 --> 00:51:54,120 My condolences, Lord James. 797 00:51:54,160 --> 00:51:56,960 We're interviewing everyone at present. 798 00:51:57,000 --> 00:51:59,560 If we may con... You may not! 799 00:51:59,600 --> 00:52:02,840 The greatest artists of the 20th century are gathered here. 800 00:52:02,880 --> 00:52:05,240 Lovers, they are. Fighters, yes. 801 00:52:05,280 --> 00:52:08,120 But murderers? Are you serious? 802 00:52:11,840 --> 00:52:13,080 LOUD DRIP 803 00:52:20,600 --> 00:52:22,760 There's something dripping. Is that blood? 804 00:52:22,800 --> 00:52:24,000 Yeah. 805 00:52:24,040 --> 00:52:25,320 Really, is it blood? 806 00:52:25,360 --> 00:52:28,640 PEOPLE GASP 807 00:52:28,680 --> 00:52:31,480 INTENSE INDISTINCT WHISPERS 808 00:52:33,160 --> 00:52:35,720 Oh God, it's Nash. 809 00:52:35,760 --> 00:52:37,120 Everybody, stay outside. 810 00:52:37,160 --> 00:52:38,640 Stay outside!