1 00:00:11,211 --> 00:00:13,514 . 2 00:00:13,514 --> 00:00:18,886 >>> IT'S JUST A LOT OF PRESSURE. HAVE YOU EVER FELT LIKE YOU HAD 3 00:00:18,886 --> 00:00:20,153 MILLIONS OF EYES ON YOU AND IT ALL COMES DOWN TO ONE NIGHT. 4 00:00:20,153 --> 00:00:23,457 >> SERIOUSLY? >> HEY, JALEN, IT'S JUST ME. 5 00:00:23,457 --> 00:00:25,092 I DON'T HAVE ANYONE TO STEP IT IN FOR ME. 6 00:00:25,092 --> 00:00:29,363 OH, MY GOSH. THE OPENING NUMBER IS STARTING. 7 00:00:29,363 --> 00:00:31,465 I'VE GOT TO GET TO THE AIRPORT. I DON'T HAVE TIME TO STAND 8 00:00:31,465 --> 00:00:42,943 AROUND AND STEAM OUTFITS WITH YOU. 9 00:00:42,943 --> 00:00:46,280 I'VE GOT TO GO. ♪ GOT SIX HOURS SO I SHOULD 10 00:00:46,280 --> 00:00:50,550 PROBABLY SNOOZE ♪ ♪ MEMORIZE THIS SCRIPT OR READ 11 00:00:50,550 --> 00:00:58,692 THE NEWS ♪ ♪ I LOOK OVER AT 11C ♪ 12 00:00:58,692 --> 00:01:06,566 ♪ HE'S WATCHING TRIPLE DEE ♪ ♪ GUY FIERIS EATING UP ON ME ♪ 13 00:01:06,566 --> 00:01:08,068 ♪ WE'RE ALL WATCHING SHOWS IN BARE FEET ♪ 14 00:01:08,068 --> 00:01:15,375 ♪ BARE FEET ♪ ♪ SINGING I LOVE TV SEES ♪ 15 00:01:15,375 --> 00:01:26,420 ♪ MARGO'S ON THE TV BABY ♪ ♪ I LOVE TV SCREENS ♪ 16 00:01:26,420 --> 00:01:34,394 ♪ WATCHING ABBOTT AT THE MARRIOTT ♪ 17 00:01:34,394 --> 00:01:42,569 ♪ CATCH ANOTHER BRUNSON NAIL THE SHOT ♪ 18 00:01:42,569 --> 00:01:45,205 ♪ ARE FIXING A PEE PEE AT THE SCENE OF THE ACCIDENT ♪ 19 00:01:45,205 --> 00:01:49,209 ♪ NEXT I'M EATING BEEF ♪ ♪ THEN ICE CREAM ♪ 20 00:01:49,209 --> 00:01:52,713 ♪ SINGING I LOVE TV SCREENS ♪ ♪ HUNKY HOCKEY HUMPING PASS THE 21 00:01:52,713 --> 00:01:58,185 POPCORN BABY ♪ ♪ I LOVE TV SCREENS ♪ 22 00:01:58,185 --> 00:02:05,792 ♪ NOW I'M WATCHING HACKS GET SMART WITH JEAN ♪ 23 00:02:05,792 --> 00:02:10,364 ♪ DTF I'M DTW ♪ ♪ THAT'S DOWN TO WATCH BUT I'M 24 00:02:10,364 --> 00:02:16,970 NOT THAT FIRST ONE TOO ♪ ♪ TAKE ME TO THE BUILDED AGE ♪ 25 00:02:16,970 --> 00:02:21,775 ♪ THEN I'LL SWIM IN WIDOW'S BAY ♪ 26 00:02:21,775 --> 00:02:29,182 ♪ HOLY [ BLEEP ] THE SEA HAG'S AFTER ME ♪ 27 00:02:29,182 --> 00:02:30,884 ♪ WAIT, IT'S JEN COOLIDGE WITH A BOBA TEA ♪ 28 00:02:30,884 --> 00:02:34,454 ♪ HEY JEN ♪ ♪ I LOVE TV SCREENS ♪ 29 00:02:34,454 --> 00:02:41,762 ♪ I LOVE TV SCREENS ♪ ♪ I KNOW THEY'RE NOT REAL HORSES 30 00:02:41,762 --> 00:02:45,966 SO DON'T @ ME ♪ ♪ I LOVE TV SCREENS ♪ 31 00:02:45,966 --> 00:02:49,469 ♪ KIND OF LIKE A MOVIE ONLY SMALLER BABY ♪ 32 00:02:49,469 --> 00:02:52,172 ♪ I LOVE TV SCREENS ♪ ♪ SO ORDER UP A PIZZA AND WATCH 33 00:02:52,172 --> 00:02:56,009 WITH ME ♪ ♪ I LOVE TV SCREENS ♪ 34 00:02:56,009 --> 00:02:58,912 ♪ SO DOES EVERYBODY WATCHING THIS SHOW BABY ♪ 35 00:02:58,912 --> 00:03:22,002 ♪ I LOVE TV SCREENS ♪ ♪ NOW IT'S TIME FOR THE EMMYS ♪ 36 00:03:22,002 --> 00:03:28,108 >>> WELCOME TO THE EMMYS. HELLO! 37 00:03:28,108 --> 00:03:31,545 I AM MARISKA HARGITAY, AND I AM SO HONORED TO BE YOUR HOST 38 00:03:31,545 --> 00:03:36,583 TONIGHT. THE EMMYS ARE CELEBRATING THEIR 39 00:03:36,583 --> 00:03:41,388 78th YEAR. AND NBC IS CELEBRATING 40 00:03:41,388 --> 00:03:46,193 ITS 100th YEAR. AND I HAVE BEEN ON "LAW and ORDER: 41 00:03:46,193 --> 00:03:50,397 SVU" FOR ALL OF THEM. I AM SO INCREDIBLY PROUD TO BE 42 00:03:50,397 --> 00:03:57,504 THE FIRST WOMAN TO HOST THE EMMYS IN 15 YEARS. 43 00:03:57,504 --> 00:04:03,477 GUYS, IMAGINE THAT. FOR 15 STRAIGHT YEARS, AMY AND 44 00:04:03,477 --> 00:04:05,746 TINA SAID, NO. SO, I'M NOT GOING TO LIE. 45 00:04:05,746 --> 00:04:11,051 I'M NOT GOING TO LIE. IT'S A LOT OF PRESSURE. 46 00:04:11,051 --> 00:04:16,389 BUT IT IS SO REASSURING TO SEE SO MANY FAMILIAR FACES OUT 47 00:04:16,389 --> 00:04:18,425 THERE. AND I'M JUST TALKING ABOUT HOW 48 00:04:18,425 --> 00:04:22,129 MANY OF YOU I'VE ARRESTED ON "SVU." 49 00:04:22,129 --> 00:04:26,333 YOU GUYS HAVE DONE SOME UNSPEAKABLE THINGS. 50 00:04:26,333 --> 00:04:29,636 I'M TALKING TO YOU, MARTIN SHORT. 51 00:04:29,636 --> 00:04:34,841 YOU SHOULD BE ASHAMED OF YOURSELF. 52 00:04:34,841 --> 00:04:44,017 AND I COULDN'T DO ANY OF THIS WITHOUT THANKING THE GENIUS 53 00:04:44,017 --> 00:04:48,655 BEHIND "SVU," THE LEGENDARY DIGCK WOLF, WHO HAS CREATED OVER 40 54 00:04:48,655 --> 00:04:53,493 SHOWS, 13 OF WHICH ARE ON THE AIR RIGHT NOW. 55 00:04:53,493 --> 00:04:57,831 AND I'VE GOT TO SAY, YOU KNOW, OVER THE YEARS, THERE IS A LOT 56 00:04:57,831 --> 00:05:02,969 OF JOKES ABOUT HIS NAME, WHICH IS SO UNFAIR BECAUSE DICK WOLF 57 00:05:02,969 --> 00:05:09,509 ISN'T EVEN HIS REAL NAME. HIS REAL NAME IS RICHARD PENIS. 58 00:05:09,509 --> 00:05:15,882 WE HAVE INCREDIBLE NOMINEES TONIGHT. 59 00:05:15,882 --> 00:05:19,619 SOME NEW SHOWS THAT ARE HERE FOR THE FIRST TIME AND OTHERS THAT 60 00:05:19,619 --> 00:05:29,563 ARE CELEBRATING THEIR SERIES FINALE. 61 00:05:29,563 --> 00:05:30,564 SORRY. FINALE? 62 00:05:30,564 --> 00:05:35,735 AM I SAYING THAT RIGHT? I'M SORRY, GUYS. 63 00:05:35,735 --> 00:05:37,804 IT'S JUST THAT I'VE NEVER HAD ONE. 64 00:05:37,804 --> 00:05:44,444 SO, OKAY -- SO, WHEN I WAS DECIDING TO HOST THE EMMYS, I 65 00:05:44,444 --> 00:05:48,148 CONSISTENTLY GOT TWO PIECES OF ADVICE. 66 00:05:48,148 --> 00:05:54,254 NUMBER ONE, "DON'T DO IT." AND NUMBER TWO, "WHATEVER YOU 67 00:05:54,254 --> 00:05:56,122 DO, DON'T GO FOR SINCERITY." I CLEARLY IGNORED THE FIRST, SO 68 00:05:56,122 --> 00:06:05,632 PLEASE JOIN ME AS I IGNORE THE SECOND. 69 00:06:05,632 --> 00:06:09,736 I AM TRULY DEEPLY MOVED AND SO INCREDIBLY GRATEFUL TO BE IN A 70 00:06:09,736 --> 00:06:12,672 ROOM FULL OF PEOPLE WHO HAVE DEDICATED THEIR LIVES TO TELLING 71 00:06:12,672 --> 00:06:16,576 STORIES. SINCE THE BEGINNING OF TIME, 72 00:06:16,576 --> 00:06:19,746 HUMANS HAVE ALL GATHERED AROUND THE LIGHT TO TELL STORIES. 73 00:06:19,746 --> 00:06:21,848 BACK THEN, IT WAS THE FIRE IN THE CAVE. 74 00:06:21,848 --> 00:06:25,018 AND NOW, IT IS THE SCREEN OF YOUR CHOICE. 75 00:06:25,018 --> 00:06:29,789 BUT NO MATTER HOW WE WATCH, AND EVEN THOUGH WE'RE WORLDS APART, 76 00:06:29,789 --> 00:06:37,330 WE'RE ALL STILL HOLDING A BIT OF THAT COMMUNAL LIGHT. 77 00:06:37,330 --> 00:06:44,604 AT THE END OF THE DAY, WE COME TO TV FOR MAGIC, TO LAUGH, TO 78 00:06:44,604 --> 00:06:49,009 CRY, TO CARE, BECAUSE WE NEED THAT, ALL OF US, THAT 79 00:06:49,009 --> 00:06:56,383 INDESCRIBABLE FEELING THAT WE GET WHEN THE LIGHTS BEGIN TO 80 00:06:56,383 --> 00:07:00,086 DIM, DAZZLING IMAGES ON THE SILVER SCREEN, SOUND THAT I CAN 81 00:07:00,086 --> 00:07:03,156 FEEL. >> NOW, MARISKA, COME ON. 82 00:07:03,156 --> 00:07:05,892 >> WHAT? >> THAT'S MINE. 83 00:07:05,892 --> 00:07:08,895 THAT'S MY BIT. YOU CAN'T DO THAT. 84 00:07:08,895 --> 00:07:12,666 >> WHAT? NO. 85 00:07:12,666 --> 00:07:16,036 NO, NICOLE, I'M NOT. SOMEHOW HEARTBREAK FEELS GOOD -- 86 00:07:16,036 --> 00:07:20,307 >> NO, NO. >> -- IN A PLACE LIKE THAT. 87 00:07:20,307 --> 00:07:25,512 >> THAT IS MY LINE. THAT IS ACTUALLY MY LINE. 88 00:07:25,512 --> 00:07:30,116 >> ZIP IT, MOVIE LADY. IT'S TV'S TURN TONIGHT. 89 00:07:30,116 --> 00:07:31,952 WE HAVE GOT SUCH A GREAT SHOW FOR YOU. 90 00:07:31,952 --> 00:07:36,890 GOOD LUCK, NOMINEES. I'M LOOKING AT YOU, KIDMAN. 91 00:07:36,890 --> 00:07:41,861 NOW TO KICK THINGS OFF, PLEASE WELCOME OUR FIRST PRESENTER. 92 00:07:41,861 --> 00:07:46,933 SHE'S AN EMMY WINNER AND THE FUNNIEST WOMAN ON TV, EVEN WHEN 93 00:07:46,933 --> 00:07:51,938 IT'S PODCAST ON YOUTUBE. LADIES AND GENTLEMEN, AMY 94 00:07:51,938 --> 00:07:52,105 POEHLER. 95 00:07:54,774 --> 00:08:07,020 ♪ 96 00:08:07,020 --> 00:08:08,221 >> GIVE IT UP FOR MARISKA HARGITAY, EVERYBODY. 97 00:08:08,221 --> 00:08:11,057 CRUSHED IT. SHE CRUSHED IT. 98 00:08:11,057 --> 00:08:15,495 GOOD EVENING. I AM HERE TO PRESENT BEST 99 00:08:15,495 --> 00:08:21,935 SUPPORTING ACTRESS IN A COMEDY SERIES, THE FIRST AWARD OF THE 100 00:08:21,935 --> 00:08:22,736 NIGHT. NOW WE ALL KNOW THAT ONLY ONE 101 00:08:22,736 --> 00:08:24,771 NAME WILL BE READ, AND TECHNICALLY THAT PERSON WILL BE 102 00:08:24,771 --> 00:08:32,712 "THE WINNER." BUT KEEP IN MIND THAT THE REST 103 00:08:32,712 --> 00:08:39,652 OF YOU ARE ALL LOSERS. BUT AS THIS SHOW GOES ON, THE 104 00:08:39,652 --> 00:08:44,958 LIST OF LOSERS WILL GROW UNTIL THERE ARE SO MANY MORE OF YOU 105 00:08:44,958 --> 00:08:49,229 THAN WINNERS. AND COLLECTIVELY WE WILL ALL 106 00:08:49,229 --> 00:08:55,502 START TO FEEL LIKE THE WINNERS ARE THE WEIRD ONES. 107 00:08:55,502 --> 00:09:00,807 AND WHEN THAT STARTS TO HAPPEN, FEEL FREE TO GO UP TO A WINNER 108 00:09:00,807 --> 00:09:04,210 AND POINT AT THEM AND LAUGH. REMIND THEM THAT YOU DON'T CARE 109 00:09:04,210 --> 00:09:08,248 ABOUT WINNING STUPID AWARDS, AND THEN GRAB YOUR FRIENDS AND FORM 110 00:09:08,248 --> 00:09:11,551 A CIRCLE AROUND ALL OF THE WINNERS AND TAUNT THEM LIKE THE 111 00:09:11,551 --> 00:09:14,320 FREAKS THAT THEY ARE. THAT IS WHAT TONIGHT IS ABOUT. 112 00:09:14,320 --> 00:09:23,963 HERE ARE THE NOMINEES FOR SUPPORTING ACTRESS IN A COMEDY 113 00:09:23,963 --> 00:09:41,915 SERIES. >> HANNAH EINBINDER, "HACKS," 114 00:09:41,915 --> 00:09:42,982 JANELLE JAMES, "ABBOTT ELEMENTARY," 115 00:09:42,982 --> 00:09:44,217 KATE O'FLYNN, "WIDOW'S BAY." MICHELLE PFEIFFER, "MARGO'S GOT 116 00:09:44,217 --> 00:09:48,088 MONEY TROUBLES." MEGAN STALTER, "HACKS." 117 00:09:48,088 --> 00:09:54,427 JESSICA WILLIAMS, "SHRINKING." HILARIOUS WOMEN, ALL. 118 00:09:54,427 --> 00:10:00,433 AND THE EMMY GOES TO KATE O'FLYNN, "WIDOW'S BAY." 119 00:10:00,433 --> 00:10:18,818 >> THIS IS THE FIRST EMMY WIN AND NOMINATION FOR KATE O'FLYNN. 120 00:10:18,818 --> 00:10:23,923 >> THANK YOU SO MUCH. OH, WOW. 121 00:10:23,923 --> 00:10:27,760 GOSH. I WANT TO THANK ALL THE 122 00:10:27,760 --> 00:10:29,729 RESIDENTS OF WIDOW'S BAY IN FRONT OF AND BEHIND THE CAMERA. 123 00:10:29,729 --> 00:10:36,469 YOU'RE AMAZING. THIS IS THE ROLE OF A LIFETIME. 124 00:10:36,469 --> 00:10:40,073 THANK YOU, KATIE AND -- FOR TRUSTING ME TO PLAY A SAUCY 125 00:10:40,073 --> 00:10:45,411 BROAD LIKE PATRICIA. AND APPLE FOR SAYING, YES. 126 00:10:45,411 --> 00:10:49,616 THANK YOU, NICKY AND TONY, FOR LOOKING UP TO ME, MY FRIENDS, SO 127 00:10:49,616 --> 00:10:54,087 MANY BACK HOME, MOM AND DAD, AND THE LOVE OF MY LIFE, MY DARLING 128 00:10:54,087 --> 00:10:56,289 HUSBAND AND OUR DARLING DAUGHTER, ANOTHER SAUCY BROAD IN 129 00:10:56,289 --> 00:11:01,928 THE MAKING. BUT THIS IS FOR ALL THE 130 00:11:01,928 --> 00:11:05,131 PATRICIAS OUT THERE. -- COCKTAIL FOR CELEBRATING. 131 00:11:05,131 --> 00:11:15,575 THANK YOU. >> Announcer: PLEASE WELCOME 132 00:11:15,575 --> 00:11:16,109 TWO-TIME EMMY WINNER, ZENDAYA. 133 00:11:18,077 --> 00:11:21,581 ♪ 134 00:11:21,581 --> 00:11:21,781 [ APPLAUSE ] 135 00:11:26,986 --> 00:11:30,890 >> BRASH AND BRILLIANT, FEARLESS 136 00:11:30,890 --> 00:11:34,761 AND FIERCE, SHARP AND SUBLIME. I CAN KEEP GOING ON ALL NIGHT 137 00:11:34,761 --> 00:11:36,963 ABOUT WORDS TO DESCRIBE HOW PROFOUNDLY TALENTED THESE WOMEN 138 00:11:36,963 --> 00:11:39,599 ARE. BUT LET'S JUST GET TO THE AWARD. 139 00:11:39,599 --> 00:11:47,674 HERE ARE THE NOMINEES FOR LEAD ACTRESS IN A COMEDY SERIES. 140 00:11:47,674 --> 00:11:50,210 >> QUINTA BRUNSON, "ABBOTT ELEMENTARY." 141 00:11:50,210 --> 00:11:52,378 AYO EDEBIRI, "THE BEAR." ELLE FANNING, "MARGO'S GOT MONEY 142 00:11:52,378 --> 00:12:00,153 TROUBLES." LISA KUDROW, "THE COMEBACK." 143 00:12:00,153 --> 00:12:15,368 JEAN SMART, "HACKS." >> AND THE EMMY GOES TO JEAN 144 00:12:15,368 --> 00:12:19,572 SMART, "HACKS." >> Announcer: THIS IS THE EIGHTH 145 00:12:19,572 --> 00:12:23,676 EMMY WIN AND 15th NOMINATION FOR JEAN SMART AND HER FIFTH WIN FOR 146 00:12:23,676 --> 00:12:31,818 HER PORTRAYAL OF DEBORAH VANCE ON "HACKS." 147 00:12:38,224 --> 00:12:38,625 [ CHEERS AND APPLAUSE ] 148 00:12:43,096 --> 00:12:44,564 JUST THE MEN STAY STANDING. 149 00:12:44,564 --> 00:12:46,766 THE GIRLS GET TO SIT DOWN. I'M SERIOUS. 150 00:12:46,766 --> 00:12:52,472 NO, I'M SERIOUS. EVERY TIME THIS HAPPENS I THINK 151 00:12:52,472 --> 00:12:54,240 THE GIRLS ARE GOING, I JUST GOT COMFORTABLE. 152 00:12:54,240 --> 00:12:57,877 OH, MY GOD. IN YOUR SPANX AND YOUR CORSET 153 00:12:57,877 --> 00:13:01,748 AND YOUR TAPE AND THE SHOES THAT ARE CUTTING YOUR TOES OFF. 154 00:13:01,748 --> 00:13:07,353 YOU'RE GOING, OH, MY GOD, SHE'S NOT THAT GOOD. 155 00:13:07,353 --> 00:13:09,322 WE JUST STOOD UP BECAUSE SHE'S OLD. 156 00:13:09,322 --> 00:13:13,593 ANYWAY, THANK YOU. OH, MY GOD, THE TIME IS GOING. 157 00:13:13,593 --> 00:13:16,195 I'M SORRY. I HAVE SO MANY PEOPLE TO THANK, 158 00:13:16,195 --> 00:13:18,298 OF COURSE UNIVERSAL AND HBO, AND MY REPS WHO ARE THE BEST IN THE 159 00:13:18,298 --> 00:13:23,670 BUSINESS. AND MY CHILDREN, WHO ARE MY 160 00:13:23,670 --> 00:13:33,746 ANCHOR, OF COURSE, AND CONNOR. BUT THIS ONE I'M DEDICATING 161 00:13:33,746 --> 00:13:36,115 TO -- AND PAUL W. DOWNS. IT ALL BEGINS AND ENDS WITH 162 00:13:36,115 --> 00:13:37,550 THEM. I LOVE YOU GUYS SO MUCH. 163 00:13:37,550 --> 00:13:48,061 THANK YOU. THANK YOU. 164 00:13:48,061 --> 00:13:52,899 THANK YOU ALL SO MUCH. >> Announcer: COMING UP NEXT, 165 00:13:52,899 --> 00:13:55,034 DAVID BOREALIS AND SARAH MICHELLE GELLAR CELEBRATE 166 00:13:55,034 --> 00:13:57,970 30 YEARS OF "BUFFY THE VAMPIRE SLAYER" AND ALAN CUMMING AND 167 00:13:58,104 --> 00:13:58,638 EMMY ROSSUM PRESENT SUPPORTING 168 00:13:59,505 --> 00:14:00,106 SLAYER" AND ALAN CUMMING AND 169 00:14:00,106 --> 00:14:01,974 EMMY ROSSUM PRESENT SUPPORTING 170 00:14:05,244 --> 00:14:06,979 Welcome back. 171 00:14:07,046 --> 00:14:09,949 This year so many of our favorite shows 172 00:14:10,016 --> 00:14:12,952 are reaching milestone anniversaries. 173 00:14:13,019 --> 00:14:17,957 The Muppet Show is turning 50, which means that it is 174 00:14:18,024 --> 00:14:21,694 now a finely aged prosciutto. 175 00:14:21,761 --> 00:14:23,830 You want to keep feeling old. 176 00:14:23,896 --> 00:14:26,666 If you watched Hannah Montana, it's 177 00:14:26,733 --> 00:14:32,705 now time to talk to your Doctor about scheduling a mammogram. 178 00:14:32,772 --> 00:14:35,775 Also, Stranger Things just wrapped up 179 00:14:35,842 --> 00:14:39,979 after 10 years, 10 full years and look at how 180 00:14:40,046 --> 00:14:42,615 the kids have grown up now. 181 00:14:42,682 --> 00:14:44,584 They grow up so fast. 182 00:14:51,157 --> 00:14:55,261 We're also celebrating 30 years since the debut 183 00:14:55,328 --> 00:14:57,296 of Buffy the Vampire Slayer. 184 00:14:57,363 --> 00:15:03,369 Are the show that taught us that high school really 185 00:15:03,436 --> 00:15:08,074 is a portal to [bleep] Please welcome the Stars of Buffy, 186 00:15:08,141 --> 00:15:15,148 David Boreanaz, and Emmy winner Sarah Michelle Gellar Wow 187 00:15:26,559 --> 00:15:28,928 hard to believe it's been 30 years since Buffy 188 00:15:28,995 --> 00:15:31,097 the Vampire Slayer premiered Yes, 189 00:15:31,164 --> 00:15:34,867 for those of you keeping track at home, I had just turned two. 190 00:15:34,934 --> 00:15:38,337 I mean, when you think about it, it is crazy, right. 191 00:15:38,404 --> 00:15:42,008 A teenage girl chosen by fate to fight vampires, Damonza, 192 00:15:42,074 --> 00:15:44,177 the forces of darkness. 193 00:15:44,243 --> 00:15:46,012 And then she falls in love with a vampire, 194 00:15:46,078 --> 00:15:49,916 with a soul carrying around a couple hundred years of regret. 195 00:15:49,982 --> 00:15:53,186 And much, much older vampire with a soul and agonizing 196 00:15:53,252 --> 00:15:54,720 remorse about his past. 197 00:15:54,787 --> 00:15:58,724 For those of you who don't his character was 241 years old. 198 00:15:58,791 --> 00:16:05,565 So may-december romance or like a may, December 1787 romance. 199 00:16:05,631 --> 00:16:07,567 You Sarah, I always thought that Buffy and 200 00:16:07,633 --> 00:16:10,169 Angel would end up together. 201 00:16:10,236 --> 00:16:13,472 Well, I guess we won't find out. 202 00:16:13,539 --> 00:16:17,009 So before we move on to the award. 203 00:16:17,076 --> 00:16:20,780 Thank you, David and I. David and 204 00:16:20,847 --> 00:16:24,383 I would like to acknowledge that it has been a tough two 205 00:16:24,450 --> 00:16:26,586 years for our beloved cast and crew, 206 00:16:26,652 --> 00:16:29,288 and we feel very lucky to have known and worked 207 00:16:29,355 --> 00:16:30,857 with such amazing people. 208 00:16:30,923 --> 00:16:34,894 And now, here are the nominees for Lead Actor in a Limited or 209 00:16:34,961 --> 00:16:38,464 Anthology Series or movie. 210 00:16:38,531 --> 00:16:45,204 Riz Ahmed bb8, Jason Bateman, Black rabbit, Charlie hunnam, 211 00:16:45,271 --> 00:16:49,709 monster, the Ed Gein story, Oscar Isaac 212 00:16:49,775 --> 00:16:53,579 beat Matthew Rhys the beast in me. 213 00:16:56,382 --> 00:17:02,588 And the Emmy goes to Matthew Rhesa, the beast in me. 214 00:17:08,261 --> 00:17:10,663 This is the second Emmy win in eighth nomination 215 00:17:10,730 --> 00:17:12,231 for Matthew Rhys. 216 00:17:12,298 --> 00:17:15,067 This year, he earned the rare feat of lead actor nominations 217 00:17:15,134 --> 00:17:21,741 in both comedy and limited series Oh good grief. 218 00:17:23,276 --> 00:17:24,810 If you try and taunt me, I'll stab you in the eyes with this. 219 00:17:24,877 --> 00:17:25,912 This is. 220 00:17:25,978 --> 00:17:27,947 This is a real shock because not 221 00:17:28,014 --> 00:17:31,317 least because the caliber and company of the actors 222 00:17:31,384 --> 00:17:33,252 in this category. 223 00:17:33,319 --> 00:17:36,222 We we had a beautiful, Holy Trinity of scribes 224 00:17:36,289 --> 00:17:40,526 in the glorious form of Danielle Pearl, Gabe Rotter, 225 00:17:40,593 --> 00:17:42,128 and the inimitable Howard Gordon, 226 00:17:42,194 --> 00:17:44,630 who really brought out the beast in all of us. 227 00:17:44,697 --> 00:17:48,768 We were guided so beautifully by Antonio Campos, which 228 00:17:48,834 --> 00:17:51,337 certainly led ferociously, fiercely, 229 00:17:51,404 --> 00:17:54,173 fervently by the incredible Claire Danes. 230 00:17:54,240 --> 00:17:56,776 Thank you for letting me join the mystery machine 231 00:17:56,842 --> 00:17:58,044 and bringing out the beast. 232 00:17:58,110 --> 00:18:01,113 You are an intimidating scene partner, 233 00:18:01,180 --> 00:18:05,518 but I'm very grateful for for all this to all the reps 234 00:18:05,584 --> 00:18:07,320 and call Ginny Netflix. 235 00:18:07,386 --> 00:18:08,854 All you do, all you continue to do. 236 00:18:08,921 --> 00:18:09,855 Thank you so much. 237 00:18:09,922 --> 00:18:11,023 Real, real. 238 00:18:11,090 --> 00:18:12,091 Thank you. 239 00:18:17,430 --> 00:18:21,667 Please welcome Golden Globe nominee Emmy Rossum and 5 time 240 00:18:21,734 --> 00:18:28,741 Emmy winner Alan [bleep] The great philosopher and 241 00:18:34,046 --> 00:18:38,451 spiritual teacher Buddha once said, we are born alone. 242 00:18:38,517 --> 00:18:41,721 We live alone and we die alone. 243 00:18:41,787 --> 00:18:43,322 Well that's dark. 244 00:18:43,389 --> 00:18:45,291 It's it's very depressing. 245 00:18:45,358 --> 00:18:46,726 It's an award show. 246 00:18:46,792 --> 00:18:48,361 But there is good news. 247 00:18:48,427 --> 00:18:51,197 We may be born alone and live alone and die alone. 248 00:18:51,263 --> 00:18:52,999 But we don't act alone. 249 00:18:53,065 --> 00:18:54,233 That's true. 250 00:18:54,300 --> 00:18:55,401 And that is why we are honored to present 251 00:18:55,468 --> 00:18:57,103 the Emmy for Outstanding Supporting 252 00:18:57,169 --> 00:18:58,938 Actress in a Drama Series. 253 00:18:59,005 --> 00:19:01,140 The seven women who are nominated for this award 254 00:19:01,207 --> 00:19:03,409 were fantastic in their performances, 255 00:19:03,476 --> 00:19:05,444 and spectacular at fully supporting and 256 00:19:05,511 --> 00:19:08,748 giving their fellow actors a brief respite from the hellish 257 00:19:08,814 --> 00:19:13,619 loneliness we all must endure until we die alone. 258 00:19:13,686 --> 00:19:14,987 And God bless them all. 259 00:19:15,054 --> 00:19:17,456 Here are the nominees. 260 00:19:17,523 --> 00:19:18,791 Kahler Dearden. 261 00:19:18,858 --> 00:19:20,059 The pit. 262 00:19:20,126 --> 00:19:22,795 Fiona the pit. 263 00:19:22,862 --> 00:19:24,030 Alison Janney. 264 00:19:24,096 --> 00:19:27,166 The Diplomat Catherine lanasa. 265 00:19:27,233 --> 00:19:28,601 The pit. 266 00:19:28,668 --> 00:19:30,136 Sepideh moafi. 267 00:19:30,202 --> 00:19:31,637 The pit. 268 00:19:31,704 --> 00:19:33,105 Julianne Nicholson. 269 00:19:33,172 --> 00:19:36,308 Paradise Karolina wydra. 270 00:19:36,375 --> 00:19:43,149 Pluribus and the Emmy goes to Alison Janney 271 00:19:43,215 --> 00:19:44,383 for the diplomats. 272 00:19:52,091 --> 00:19:53,859 This is the eighth Emmy win and 16th 273 00:19:53,926 --> 00:19:55,828 nomination for Alison Janney. 274 00:19:55,895 --> 00:19:58,397 She took home her first Emmy for Supporting Actress 275 00:19:58,464 --> 00:20:05,471 in a Drama Series for the West Wing Oh, I have to tell you, 276 00:20:08,941 --> 00:20:12,111 this was not what I planned for this category at all. 277 00:20:12,178 --> 00:20:16,382 And I'm very surprised and very, very grateful to be here. 278 00:20:16,449 --> 00:20:18,417 And I thank all the members of the Television Academy. 279 00:20:18,484 --> 00:20:20,486 And of course, I have to thank Deborah Kahn, 280 00:20:20,553 --> 00:20:23,022 who is our show writer, who's showrunner, 281 00:20:23,089 --> 00:20:26,659 who writes scripts and dialogue that that actors cannot 282 00:20:26,726 --> 00:20:28,360 wait to chew up and spit out. 283 00:20:28,427 --> 00:20:29,862 And it's so much fun. 284 00:20:29,929 --> 00:20:32,598 And Alex Graves, our director, who I adore, 285 00:20:32,665 --> 00:20:35,334 and Janice Williams and and the coolest 286 00:20:35,401 --> 00:20:37,103 woman on the planet, Keri Russell, 287 00:20:37,169 --> 00:20:39,472 who leads us all every day. 288 00:20:39,538 --> 00:20:41,040 She is. 289 00:20:41,107 --> 00:20:43,676 And Roofus, the entire cast is just divine. 290 00:20:43,742 --> 00:20:45,678 And I am so grateful and so lucky. 291 00:20:45,745 --> 00:20:47,746 And I thank you very much from the bottom of my heart. 292 00:20:47,813 --> 00:20:48,781 Thank you. 293 00:20:55,321 --> 00:20:57,757 Coming up at the Peacock Theater in downtown 294 00:20:57,823 --> 00:21:01,660 Los Angeles, Florence Pugh and Julia Garner present the award 295 00:21:01,727 --> 00:21:04,563 for Lead Actress in a Drama. 296 00:21:14,840 --> 00:21:14,940 ♪ 297 00:21:23,749 --> 00:21:24,383 INCREDIBLY EXCITED I AM TO BE 298 00:21:24,383 --> 00:21:25,518 HERE. PERSONALLY, IT'S BEEN A BIG 299 00:21:25,518 --> 00:21:29,255 YEAR. I'M HOSTING THE EMMYS, I MADE MY 300 00:21:29,255 --> 00:21:33,526 BROADWAY DEBUT, AND "SVU" IS CURRENTLY FILMING ITS HISTORIC 301 00:21:33,526 --> 00:21:36,695 28th SEASON. SO, MARGO MAY HAVE MONEY 302 00:21:36,695 --> 00:21:42,868 TROUBLES, BUT MARISKA'S DOING JUST FINE. 303 00:21:42,868 --> 00:21:46,872 OUR NEXT CATEGORY IS OUTSTANDING ACTRESS IN A DRAMA SERIES. 304 00:21:46,872 --> 00:21:50,075 I TOOK HOME THIS AWARD 20 YEARS AGO FOR PLAYING AMERICA'S 305 00:21:50,075 --> 00:21:55,447 SWEETHEART SEX COP, OLIVIA BENSON. 306 00:21:55,447 --> 00:22:01,554 AND SINCE THEN, I HAVE WON A NUMBER OF EMMYS FOR ACTING. 307 00:22:01,554 --> 00:22:11,096 AND THAT NUMBER IS ZERO. AND NOW, TO PRESENT THE AWARD, 308 00:22:11,096 --> 00:22:16,402 TWO EXTRAORDINARILY TALENTED WOMEN, THREE-TIME EMMY WINNER 309 00:22:16,402 --> 00:22:22,208 JULIA GARNER AND OSCAR NOMINEE FLORENCE PUGH. 310 00:22:26,946 --> 00:22:27,012 ♪ 311 00:22:33,886 --> 00:22:34,086 >> HI. 312 00:22:34,086 --> 00:22:36,021 WE ARE HONORED TO PRESENT THE EMMY FOR LEAD ACTRESS IN A DRAMA 313 00:22:36,021 --> 00:22:38,657 SERIES. >> OVER THE DECADES, ACCLAIMED 314 00:22:38,657 --> 00:22:41,827 ACTRESSES SUCH AS BARBARA STANWYCK, 315 00:22:41,827 --> 00:22:45,030 ANGIE DICKINSON, TYNE DALY, GLENN CLOSE, EDIE FALCO, 316 00:22:45,030 --> 00:22:48,200 ALLISON JANNEY, AND VIOLA DAVIS HAVE ALL TAKEN HOME THE EMMY IN 317 00:22:48,200 --> 00:22:50,336 THIS CATEGORY. >> TONIGHT'S NOMINEES CONTINUE 318 00:22:50,336 --> 00:22:52,471 THE LEGACY OF OUTSTANDING PERFORMANCES IN LEADING DRAMATIC 319 00:22:52,471 --> 00:22:56,876 ROLES. THE NOMINEES ARE -- 320 00:22:56,876 --> 00:23:00,813 >> Announcer: CARRIE COON, "THE GILDED AGE." 321 00:23:00,813 --> 00:23:05,718 CHASE INFINITI, "THE TESTAMENTS." 322 00:23:05,718 --> 00:23:16,395 KERI RUSSELL, "THE DIPLOMAT." RHEA SEEHORN, "PLURIBUS." 323 00:23:16,395 --> 00:23:34,680 ZENDAYA, "EUPHORIA." >> AND THE EMMY GOES TO -- RHEA 324 00:23:34,680 --> 00:23:38,817 SEEHORN. >> Announcer: THIS IS THE FIRST 325 00:23:38,817 --> 00:23:42,054 EMMY WIN AND FOURTH NOMINATION FOR RHEA SEEHORN. 326 00:23:42,054 --> 00:23:50,696 SHE WAS PREVIOUSLY NOMINATED TWICE FOR HER SUPPORTING ROLE IN 327 00:23:50,696 --> 00:23:51,030 "BETTER CALL SAUL." 328 00:24:01,607 --> 00:24:02,007 [ CHEERS AND APPLAUSE ] 329 00:24:10,349 --> 00:24:10,950 THAT'S MY SON. 330 00:24:10,950 --> 00:24:13,018 SORRY. SORRY. 331 00:24:13,018 --> 00:24:17,456 THIS IS ME ON A BETA BLOCKER. IT'S PRETTY BAD. 332 00:24:17,456 --> 00:24:20,225 I JUST -- WELL, THANK YOU TO THE TELEVISION ACADEMY SO MUCH AND 333 00:24:20,225 --> 00:24:22,962 ALL THE MEMBERS THAT VOTED. AND I ALSO JUST WANT TO SAY 334 00:24:22,962 --> 00:24:26,365 CONGRATULATIONS AND THANK YOU FOR THE PERFORMANCES TO MY 335 00:24:26,365 --> 00:24:30,402 FELLOW NOMINEES IN MY CATEGORY. ALL BRILLIANT, BRILLIANT 336 00:24:30,402 --> 00:24:34,106 PERFORMANCES. KERI RUSSELL AMONG THEM, WHO 337 00:24:34,106 --> 00:24:38,444 SENT US A LOVELY GIFT AND A CARD, QUOTING -- SADLY WE DIDN'T 338 00:24:38,444 --> 00:24:42,614 KNOW WE WOULD LOSE HER SO SOON, BUT QUOTING GLORIA STEINEM 339 00:24:42,614 --> 00:24:44,416 SAYING, WE ARE LINKED, NOT RANKED. 340 00:24:44,416 --> 00:24:48,554 AND I FEEL THAT WAY ABOUT ALL YOU WOMEN. 341 00:24:48,554 --> 00:24:55,127 SO, THANK YOU FOR THAT. THANK YOU, VINCE GILLIGAN. 342 00:24:55,127 --> 00:24:57,863 THEY'RE TELLING ME TO WRAP IT UP, BUT NO. 343 00:24:57,863 --> 00:25:01,000 THANK YOU, VINCE GILLIGAN FOR GIVING ME NOT ONLY THE ROLE OF A 344 00:25:01,000 --> 00:25:04,236 LIFETIME BUT FOR CREATING SETS WHERE WE ALL GET TO COLLABORATE 345 00:25:04,236 --> 00:25:07,639 AND WE ARE ACTUALLY MADE TO FEEL SAFE TO TAKE RISKS SO THAT WE 346 00:25:07,639 --> 00:25:12,511 GET BETTER AS ARTISTS. THANK YOU TO MY WHOLE CREW, MY 347 00:25:12,511 --> 00:25:17,016 PRODUCERS, MY WRITERS, THE INCREDIBLE BACKGROUND ARTISTS 348 00:25:17,016 --> 00:25:23,756 THAT WORK ON THE SHOW, CASTING, MY DEAR, BELOVED CAST, MYRIAM 349 00:25:23,756 --> 00:25:24,990 AND JEFF AND SAMBA AND CARLOS MANUEL. 350 00:25:24,990 --> 00:25:29,395 COME ON, COME ON. AND MY PIRATE LADY, KARELINA 351 00:25:29,395 --> 00:25:34,233 WYDRA. AND THANK YOU TO MY BEAUTIFUL 352 00:25:34,233 --> 00:25:44,710 FAMILY. MY FRIENDS AND THE LOVES OF MY 353 00:25:44,710 --> 00:25:45,778 LIFE, GRAHAM, LARSON. THANK YOU. 354 00:25:45,778 --> 00:25:48,414 >> Announcer: JUST AHEAD, SOFIA VERGARA PRESENTS THE AWARD 355 00:25:48,414 --> 00:25:51,683 FOR SUPPORTING ACTOR IN A COMEDY SERIES, PLUS THE CAST OF 356 00:25:51,683 --> 00:25:55,854 "BAYWATCH" TAKES THE STAGE. THEN LATER, A TRIBUTE TO THE 357 00:25:55,854 --> 00:25:56,288 LEGENDARY DOLLY PARTON. 358 00:26:41,800 --> 00:26:42,434 >>> TONIGHT, WE ARE CELEBRATING 359 00:26:42,434 --> 00:26:45,838 SOME OF THE BIGGEST NAMES IN TELEVISION. 360 00:26:45,838 --> 00:26:49,241 BUT IT'S IMPORTANT TO REMEMBER THAT THEY WEREN'T ALWAYS STARS. 361 00:26:49,241 --> 00:26:57,983 IN FACT, MY FIRST JOB WAS WORKING AT A BOOKSTORE HERE IN 362 00:26:57,983 --> 00:26:59,718 L.A. CALLED BOOK SOUP. COLMAN DOMINGO. 363 00:26:59,718 --> 00:27:02,754 HELLO. WHAT WAS YOUR FIRST JOB? 364 00:27:02,754 --> 00:27:04,957 >> OH, I WORKED THE FRY STATION AT McDONALD'S. 365 00:27:04,957 --> 00:27:06,925 >> NICE, NICE. QUINTA BRUNSON, WHAT WAS YOUR 366 00:27:06,925 --> 00:27:09,661 FIRST? >> OH. 367 00:27:09,661 --> 00:27:12,097 I WAS A STUDENT DANCE SCHOOLTEACHER. 368 00:27:12,097 --> 00:27:13,732 >> AMAZING. AMAZING. 369 00:27:13,732 --> 00:27:15,167 NICK OFFERMAN. HOW ABOUT YOU? 370 00:27:15,167 --> 00:27:20,506 WHAT WAS YOUR FIRST JOB? >> I WAS AN EROTIC PAINTER. 371 00:27:20,506 --> 00:27:27,613 >> HUH. INTERESTING. 372 00:27:27,613 --> 00:27:29,715 LIKE, YOU PAINTED MEN OR YOU PAINTED WOMEN? 373 00:27:29,715 --> 00:27:33,619 >> HOUSES. >> OKAY. 374 00:27:33,619 --> 00:27:34,119 NO KIDDING. WOW. 375 00:27:34,119 --> 00:27:42,361 OKAY. WELL, RHEA SEEHORN, WHAT WAS 376 00:27:42,361 --> 00:27:46,398 YOUR FIRST JOB? >> I HOSTED -- I'M SORRY, CAN WE 377 00:27:46,398 --> 00:27:48,033 GO BACK TO NICK OFFERMAN'S FOR A SECOND? 378 00:27:48,033 --> 00:27:51,837 >> YEAH. NICK, SO, YOU WERE AN EROTIC 379 00:27:51,837 --> 00:27:54,873 PAINTER, BUT YOU PAINTED HOUSES? >> YEAH, THAT'S RIGHT. 380 00:27:54,873 --> 00:27:58,277 >> HOW WAS THAT EROTIC? >> I WAS IN THE NUDE. 381 00:27:58,277 --> 00:28:00,345 >> SO, YOU WERE NAKED PAINTING HOUSES? 382 00:28:00,345 --> 00:28:04,049 >> NO, I WAS IN THE NUDE. I DON'T SEE WHY THIS IS SO HARD 383 00:28:04,049 --> 00:28:07,753 TO UNDERSTAND. IT'S, KIND OF, A STANDARD GIG. 384 00:28:07,753 --> 00:28:12,391 I WOULD STRIP DOWN AND DUMP A CAN OF PAINT OVER MY HEAD AND 385 00:28:12,391 --> 00:28:17,663 THEN ROLL MY NUDE MALE BODY AROUND THE HOUSE'S EXTERIOR. 386 00:28:17,663 --> 00:28:21,533 >> THE WHOLE HOUSE? >> WELL, NO. 387 00:28:21,533 --> 00:28:23,435 YOU KNOW, DOORS AND TRIM WERE EXTRA. 388 00:28:23,435 --> 00:28:25,938 ROOFS WERE NOT PLEASANT, BUT A BUCK IS A BUCK. 389 00:28:25,938 --> 00:28:28,073 >> I'M SORRY, NICK, BUT THAT JUST DOESN'T SOUND EROTIC TO ME. 390 00:28:28,073 --> 00:28:32,744 >> IT'S NOT SUPPOSED TO BE EROTIC FOR YOU. 391 00:28:32,744 --> 00:28:35,447 IT WAS EROTIC FOR THE HOUSE. >> MOVING ON. 392 00:28:35,447 --> 00:28:39,084 HERE TO PRESENT SUPPORTING ACTOR IN A COMEDY SERIES, PLEASE 393 00:28:39,084 --> 00:28:47,559 WELCOME FIVE-TIME EMMY NOMINEE, SOFIA VERGARA. 394 00:28:51,964 --> 00:28:52,164 [ APPLAUSE ] 395 00:28:58,403 --> 00:29:00,839 >> GOOD EVENING. 396 00:29:00,839 --> 00:29:04,343 THEY MIGHT CALL THEM SUPPORTING, BUT THERE'S NOTHING SECONDARY 397 00:29:04,343 --> 00:29:10,015 ABOUT THESE PERFORMANCES. THESE GUYS KNOW HOW TO STEAL A 398 00:29:10,015 --> 00:29:13,018 SCENE AND OCCASIONALLY, THEY STEAL THE WHOLE SHOW. 399 00:29:13,018 --> 00:29:16,989 BEING THE SECOND BANANA COULD COME WITH A GOLD STATUE FOR ONE 400 00:29:16,989 --> 00:29:17,889 OF THEM. HERE ARE THE NOMINEES FOR 401 00:29:17,889 --> 00:29:24,830 SUPPORTING ACTOR IN A COMEDY SERIES. 402 00:29:24,830 --> 00:29:27,799 >> Announcer: COLMAN DOMINGO, "THE FOUR SEASONS." 403 00:29:27,799 --> 00:29:31,503 PAUL W. DOWNS, "HACKS." HARRISON FORD, "SHRINKING." 404 00:29:31,503 --> 00:29:35,207 NICK OFFERMAN, "MARGO'S GOT MONEY TROUBLES." 405 00:29:35,207 --> 00:29:38,977 STEPHEN ROOT, "WIDOW'S BAY." MICHAEL URIE, "SHRINKING." 406 00:29:38,977 --> 00:29:51,757 TYLER JAMES WILLIAMS, "ABBOTT ELEMENTARY." 407 00:29:51,757 --> 00:30:00,065 >> AND THE EMMY GOES TO -- STEPHEN ROOT, "WIDOW'S BAY." 408 00:30:10,142 --> 00:30:13,111 >> Announcer: THIS IS THE FIRST 409 00:30:13,111 --> 00:30:17,182 EMMY WIN AND SECOND NOMINATION FOR STEPHEN ROOT. 410 00:30:17,182 --> 00:30:23,588 HE RECEIVED HIS FIRST NOMINATION IN 2019 FOR HIS ROLE IN "BARRY." 411 00:30:23,588 --> 00:30:31,863 >> HOLY COW, THE MONEY STORE. I'M THRILLED AND DELIGHTED, BUT 412 00:30:31,863 --> 00:30:38,103 THE REASON I'M UP HERE IS KATI KATIE -- AND THE BRILLIANT HERO, 413 00:30:38,103 --> 00:30:43,575 TEN AMAZING SHOWS. BUT I HAVE TO SAY IT IS MATTHEW 414 00:30:43,575 --> 00:30:47,446 RHYS AND THE BRILLIANT KATE O'FLYNN AND THE COMIC STYLINGS 415 00:30:47,446 --> 00:30:54,419 OF THESE TWO ARE THE BEST THING IN THE 21st CENTURY. 416 00:30:54,419 --> 00:30:57,356 I WAS SO HAPPY TO BE INCLUDED IN THIS INCREDIBLE JOURNEY THAT WE 417 00:30:57,356 --> 00:31:00,726 HAD TODAY. THANK YOU, ALL THE NOMINEES. 418 00:31:00,726 --> 00:31:05,430 YOU ARE ALL UNBELIEVABLE. I AM A HUGE FAN. 419 00:31:05,430 --> 00:31:10,168 THANK YOU, HARRISON FORD, BECAUSE MY SON -- BECAUSE MY SON 420 00:31:10,168 --> 00:31:15,006 CAME UP TO ME, RUNNING UP TO ME, AND SAID, YOU'RE IN A CATEGORY 421 00:31:15,006 --> 00:31:20,412 WITH HARRISON FORD! THANK YOU, SIR, FOR ALL YOUR 422 00:31:20,412 --> 00:31:25,350 MANY YEARS OF GREAT, GREAT, GREAT, GREAT ACTING. 423 00:31:25,350 --> 00:31:27,185 THANK YOU, EVERYBODY ON "WIDOW'S BAY." 424 00:31:27,185 --> 00:31:30,155 WE ARE SO THRILLED THAT WE'RE BEING REPRESENTED BY SO MANY 425 00:31:30,155 --> 00:31:37,529 PEOPLE. THANK YOU SO, SO MUCH. 426 00:31:45,637 --> 00:31:46,238 >> Announcer: COMING UP, THE 427 00:31:46,238 --> 00:31:47,372 CAST OF THE NEW "BAYWATCH." THEN JOHN MULANEY TAKES THE 428 00:31:47,372 --> 00:31:51,676 STAGE. 429 00:31:51,810 --> 00:31:52,244 THEN LATER, WE CELEBRATE 430 00:31:53,612 --> 00:31:53,812 STAGE. 431 00:31:53,812 --> 00:32:01,019 THEN LATER, WE CELEBRATE >> Announcer: PLEASE WELCOME 432 00:32:01,019 --> 00:32:03,422 STEPHEN AMELL, BROOKS NADER, HASSIE HARRISON, 433 00:32:03,422 --> 00:32:13,799 THADDEUS LaGRONE, JESSICA BELKIN AND NOAH BECK. 434 00:32:23,375 --> 00:32:26,211 >> WE ARE THE CAST OF THE NEW 435 00:32:26,211 --> 00:32:30,415 "BAYWATCH," AND WE ARE PROUD TO SAY IT'S SHOT RIGHT HERE ON THE 436 00:32:30,415 --> 00:32:33,285 BEACHES OF LOS ANGELES. >> YES, "BAYWATCH" IS BACK. 437 00:32:33,285 --> 00:32:38,890 >> AND YES, THERE ARE RED BATHING SUITS. 438 00:32:38,890 --> 00:32:42,861 >> BUT THERE ARE ALSO BIG RESCUES AND REAL DANGER. 439 00:32:42,861 --> 00:32:43,895 AND SOME VERY COMPLICATED RELATIONSHIPS. 440 00:32:43,895 --> 00:32:47,632 >> IT'S ACTION-PACKED, SEXY, AND SALTIER THAN EVER. 441 00:32:47,632 --> 00:32:52,103 >> SO BASICALLY, IT'S "BAYWATCH." 442 00:32:52,103 --> 00:32:54,673 >> BUT -- BUT WITH MORE ACTION. >> AND LESS FABRIC. 443 00:32:54,673 --> 00:32:57,075 >> HEY, SOME THINGS YOU JUST DON'T MESS WITH. 444 00:32:57,075 --> 00:32:59,711 >> AND "BAYWATCH" IS GOING BIG, PREMIERING ON BROADCAST AND 445 00:32:59,711 --> 00:33:01,346 STREAMING THE NEXT DAY. >> AND NOW, HERE ARE THE 446 00:33:01,346 --> 00:33:13,024 NOMINEES FOR REALITY COMPETITION PROGRAM. 447 00:33:13,024 --> 00:33:25,270 >> Announcer: "DANCING WITH THE STARS," "RuPAUL'S DRAG RACE," 448 00:33:25,270 --> 00:33:30,909 "SURVIVOR," "TOP CHEF," "THE TRAITORS." 449 00:33:30,909 --> 00:33:32,544 >> AND THE EMMY GOES TO "THE TRAITORS." 450 00:33:32,544 --> 00:33:35,013 >> Announcer: THE TRAITORS DOES IT AGAIN. 451 00:33:35,013 --> 00:33:38,550 AFTER SEEKING ALL FIVE NOMINATIONS LAST YEAR, THE SHOW 452 00:33:38,550 --> 00:33:41,520 HAS NOW SWEPT ALL SIX THIS YEAR. THIS MARKS THE THIRD CONSECUTIVE 453 00:33:41,520 --> 00:33:46,191 WIN FOR REALITY COMPETITION PROGRAM. 454 00:33:46,191 --> 00:33:52,898 >> THANKS SO MUCH. I SPEAK ON BEHALF OF ALL OUR 455 00:33:52,898 --> 00:33:56,268 PRODUCERS WHO ARE RUNNING TO THE STAGE AS IF THEY'RE ON THE 456 00:33:56,268 --> 00:33:58,403 MISSION FOR THE TRAITORS. NOW THEY KNOW WHAT IT FEELS 457 00:33:58,403 --> 00:34:03,208 LIKE. THANK YOU TO THE ACADEMY SO 458 00:34:03,208 --> 00:34:04,743 MUCH, ESPECIALLY THE LOVE YOU SHOWED US. 459 00:34:04,743 --> 00:34:08,246 IT'S INSPIRING US TO DO BETTER AND GO BIGGER. 460 00:34:08,246 --> 00:34:12,083 WANT TO THANK ALL OUR FRIENDS AT NBC UNIVERSAL AND PEACOCK FOR 461 00:34:12,083 --> 00:34:15,353 THEIR ENDURING SUPPORT. WE WANT TO THANK ALL OUR LOVED 462 00:34:15,353 --> 00:34:18,523 ONES WHO SUPPORT US AND LET US GO UP INTO THE SCOTTISH 463 00:34:18,523 --> 00:34:20,492 HIGHLANDS AND PLAY WITH WEIRD THINGS. 464 00:34:20,492 --> 00:34:23,995 I WANT TO THANK -- I WANT TO THANK MY DOG, LILA, FOR BEING 465 00:34:23,995 --> 00:34:27,299 THE PERFECT COHOST. ALSO OUR AUDIENCE. 466 00:34:27,299 --> 00:34:30,101 THE AUDIENCE IS SO AMAZING. IT IS SO DIVERSE, AND IT'S JUST 467 00:34:30,101 --> 00:34:32,137 INCREDIBLE THE WAY YOU ALL GET TOGETHER AND WATCH THE SHOW 468 00:34:32,137 --> 00:34:38,443 TOGETHER. THAT IS SO BEAUTIFUL THAT A SHOW 469 00:34:38,443 --> 00:34:41,379 ABOUT TREACHERY AND BETRAYAL BRINGS PEOPLE TOGETHER. 470 00:34:41,379 --> 00:34:44,582 TOMORROW IS VOTER REGISTRATION DAY IN THIS COUNTRY, SO PLEASE 471 00:34:44,582 --> 00:34:46,751 MAKE SURE YOU'RE REGISTERED TO VOTE BECAUSE THE TIME FOR TALK 472 00:34:46,751 --> 00:34:54,159 IS OVER. IT IS NOW TIME TO VOTE, AMERICA. 473 00:34:54,159 --> 00:34:54,459 THANK YOU SO MUCH. 474 00:35:03,201 --> 00:35:03,835 >> OUR NEXT PRESENTER CAN DO AN 475 00:35:03,835 --> 00:35:05,837 AMAZING ICE-T IMPRESSION, AND I SHOULD KNOW, BECAUSE ICE-T 476 00:35:05,837 --> 00:35:11,142 SPECIFICALLY ASKED ME TO TELL HIM TO STOP. 477 00:35:11,142 --> 00:35:22,454 PLEASE WELCOME FOUR-TIME EMMY AWARD WINNER JOHN MULANEY. 478 00:35:22,454 --> 00:35:26,091 ♪ >> ALL RIGHT. 479 00:35:26,091 --> 00:35:27,058 WHAT A WONDERFUL EMMY WEEKEND THIS IS. 480 00:35:27,058 --> 00:35:31,496 THIS IS THESE COUPLE OF DAYS WHERE YOU FIND OUT JUST HOW MUCH 481 00:35:31,496 --> 00:35:32,430 YOU MEAN TO YOUR BILLION DOLLAR STREAMER. 482 00:35:32,430 --> 00:35:34,733 WE LOVE YOU. WE WANT YOU TO KNOW HOW 483 00:35:34,733 --> 00:35:36,634 IMPORTANT YOU ARE TO THE STORY TELLING FAMILY. 484 00:35:36,634 --> 00:35:41,473 CAN I GET A PLUS ONE? YOU GET OUT OF HERE! 485 00:35:41,473 --> 00:35:48,179 THIS IS THE BEST PART OF THE NIGHT, LEAD ACTOR IN A DRAMA. 486 00:35:48,179 --> 00:35:52,650 THIS AWARD IS FOR THE GUYS. JUST MEN BEING MEN. 487 00:35:52,650 --> 00:35:58,723 FINALLY, SOMETHING FOR THE FELLAS. 488 00:35:58,723 --> 00:36:02,293 AND WHAT A CROP OF PROM KINGS WE HAVE. 489 00:36:02,293 --> 00:36:04,295 THEY'RE NOT SOFT LIKE THE DAD ON "BLUEY," NO. 490 00:36:04,295 --> 00:36:07,732 GUYS, A JOKE. SINCE THE CREATION OF 491 00:36:07,732 --> 00:36:11,236 TELEVISION, MEN HAVE BEEN HISTORICALLY UNREPRESENTED. 492 00:36:11,236 --> 00:36:13,304 FOR THE FIRST THREE YEARS TV EXISTED, THERE WERE NO MEN ON 493 00:36:13,304 --> 00:36:15,974 IT. IT WAS JUST BEAUTY CONTESTS AND 494 00:36:15,974 --> 00:36:22,914 CHILDREN TALKING TO HAND PUPPETS UNTIL THE EARLY '60s, UNTIL A 495 00:36:22,914 --> 00:36:23,982 MAN WALKED OUT AND SAID, "ENOUGH." 496 00:36:23,982 --> 00:36:30,488 "MY NAME IS FONZIE AND THE PRESIDENT HAS BEEN SHOT." 497 00:36:30,488 --> 00:36:37,429 BUT LET'S TALK ABOUT THESE BROS TONIGHT, THESE SWEAT HOGS. 498 00:36:37,429 --> 00:36:40,231 SOME OF THE MEN IN THIS CATEGORY DO METHOD ACTING, AND SOME DO 499 00:36:40,231 --> 00:36:44,836 REGULAR, LESS ANNOYING ACTING. BUT NO MATTER WHAT, WHEN THESE 500 00:36:44,836 --> 00:36:46,538 FELLOWS HIT THEIR MARK, THEY KNOW ALL THEIR LINES. 501 00:36:46,538 --> 00:36:51,176 WHY? BECAUSE THEY STARTED LOOKING AT 502 00:36:51,176 --> 00:36:55,180 THEIR SIDES EARLIER THAT MORNING. 503 00:36:55,180 --> 00:36:58,416 THESE MEN -- EXCUSE ME. THESE MEN GIVE IT ALL IN EVERY 504 00:36:58,416 --> 00:37:02,587 SINGLE TAKE, UNLESS THE COVERAGE IS ON THE OTHER ACTOR. 505 00:37:02,587 --> 00:37:05,290 THEN THEY MIGHT START -- BUT THAT'S OKAY. 506 00:37:05,290 --> 00:37:08,493 THEY CAN PLAY ANYTHING, THESE NOMINEES, NOT JUST DOCTORS. 507 00:37:08,493 --> 00:37:10,128 THEY CAN PLAY A COP, AN FBI AGENT, OR A SECRET AGENT. 508 00:37:10,128 --> 00:37:20,238 AND THEN THAT'S IT. NO OTHER EXAMPLES. 509 00:37:20,238 --> 00:37:26,010 I BELIEVE IT WAS DJ KHALED WHO SAID REAL MEN DON'T GO -- 510 00:37:26,010 --> 00:37:31,883 BUT THESE NOMINEES KNOW THAT THAT IS BS. 511 00:37:31,883 --> 00:37:39,324 THEY KNOW THERE'S OFTEN LESS PRESSURE ON THEM IF THEY DO THAT 512 00:37:39,324 --> 00:37:45,897 FIRST. YOU KNOW, I WAS SHOOTING DOWN 513 00:37:45,897 --> 00:37:53,037 BARHAM LAST NIGHT AT 90 MILES AN HOUR, AND I WAS REMINDED OF 514 00:37:53,037 --> 00:37:56,674 SOMETHING I READ AN ACTOR, FRANK VINCENT'S 2006 BOOK, "A GUY'S 515 00:37:56,674 --> 00:38:00,979 GUIDE TO BEING A MAN'S MAN." AND I DO WANT TO NOTE THIS COPY 516 00:38:00,979 --> 00:38:02,547 IS FROM THE GLENDALE PUBLIC LIBRARY. 517 00:38:02,547 --> 00:38:06,584 IF YOU DON'T MIND, I'D LIKE TO READ A PASSAGE FROM THE BOOK 518 00:38:06,584 --> 00:38:11,623 RIGHT NOW. AND THEN IN A MINUTE, WE'LL GET 519 00:38:11,623 --> 00:38:13,525 TO THIS. LET ME SEE HERE. 520 00:38:13,525 --> 00:38:18,296 OKAY. AND I'M READING NOW. 521 00:38:18,296 --> 00:38:21,299 "A MAN'S MAN CAN BE WEARING THE BEST CLOTHES, DRINKING THE 522 00:38:21,299 --> 00:38:25,370 FINEST WINE, SITTING WITH THE MOST BEAUTIFUL WOMAN IN LAS 523 00:38:25,370 --> 00:38:30,408 VEGAS, BUT IF HE DOESN'T TREAT EVERYONE AROUND HIM WITH RESPECT 524 00:38:30,408 --> 00:38:34,979 AND CLASS, HE'S NOT A REAL MAN'S MAN. 525 00:38:34,979 --> 00:38:39,617 HE'S JUST A JABRONI IN A GOOD SUIT." 526 00:38:39,617 --> 00:38:45,623 AND THE NOMINEES FOR LEAD ACTOR IN A DRAMA ARE -- 527 00:38:45,623 --> 00:38:49,861 >> Announcer: STERLING K. BROWN, "PARADISE." 528 00:38:49,861 --> 00:38:55,667 GARY OLDMAN, "SLOW HORSES." MARK RUFFALO, "TASK." 529 00:38:55,667 --> 00:39:08,880 RUFUS SEWELL, "THE DIPLOMAT." NOAH WYLE, "THE PITT." 530 00:39:08,880 --> 00:39:13,852 >> AND THE EMMY GOES TO NOAH WYLE FOR "THE PITT." 531 00:39:13,852 --> 00:39:16,521 >> Announcer: THIS IS THE THIRD EMMY WIN AND TENTH NOMINATION 532 00:39:16,521 --> 00:39:20,058 FOR NOAH WYLE. HE IS A TRIPLE NOMINEE THIS YEAR 533 00:39:20,058 --> 00:39:26,798 FOR ACTING, DIRECTING, AND PRODUCING "THE PITT." 534 00:39:34,839 --> 00:39:35,373 >> OH, THIS IS -- THIS IS 535 00:39:35,373 --> 00:39:37,175 OVERWHELMING. AND I JUST -- I HAVE TO 536 00:39:37,175 --> 00:39:40,478 ACKNOWLEDGE THE WORK OF MY FELLOW NOMINEES. 537 00:39:40,478 --> 00:39:42,714 YOUR WORK IS INSPIRATIONAL. I WATCH YOU. 538 00:39:42,714 --> 00:39:47,752 I LEARN FROM YOU. IN PARTICULAR, MR. OLDMAN, I 539 00:39:47,752 --> 00:39:51,256 HAVE TO TELL YOU, I DON'T KNOW IF THERE'S AN ACTOR MY AGE THAT 540 00:39:51,256 --> 00:39:54,525 DIDN'T LOOK AND THINK, THAT'S THE BENCHMARK THAT I WANT TO HIT 541 00:39:54,525 --> 00:39:59,230 ONE DAY IN MY CAREER. I'M SO GRATEFUL TO EVERYBODY 542 00:39:59,230 --> 00:40:02,600 THAT I WORK WITH, EVERYBODY AT HBO, CASEY AND SARAH AND JOEY 543 00:40:02,600 --> 00:40:05,803 AND ALL OF OUR PARTNERS AT WARNER TELEVISION, CHANNING AND 544 00:40:05,803 --> 00:40:09,841 FANCY. TO ALL THE MEN AND WOMEN WHO 545 00:40:09,841 --> 00:40:13,177 WORK SO HARD ON STAGE 22 EACH AND EVERY DAY, WE'RE GOING TO BE 546 00:40:13,177 --> 00:40:15,346 BACK THERE HITTING IT HARD TOMORROW MORNING, REALLY EARLY, 547 00:40:15,346 --> 00:40:17,749 THE HARD STUFF. I GREW UP IN L.A. 548 00:40:17,749 --> 00:40:22,854 I'M A HOLLYWOOD KID. I WAS RAISED ON A TELEVISION, 549 00:40:22,854 --> 00:40:25,323 AND MOVIE THEATERS WERE MY PLACE OF WORSHIP. 550 00:40:25,323 --> 00:40:28,092 THIS IS ALL I'VE EVER WANTED TO DO, AND THIS IS THE ONLY CLUB 551 00:40:28,092 --> 00:40:35,466 I'VE EVER WANTED TO JOIN. THANK YOU FOR ACCEPTING ME. 552 00:40:35,466 --> 00:40:38,136 >> Announcer: UP NEXT, RACHEL SENNOTT AND 553 00:40:38,136 --> 00:40:40,772 ODESSA A'ZION. THEN LATER, MICHAEL J. FOX 554 00:40:40,772 --> 00:40:44,375 RECEIVES THE BOB HOPE HUMANITARIAN AWARD, AND 555 00:40:44,509 --> 00:40:45,009 REBA McENTIRE PAYS TRIBUTE TO 556 00:40:45,977 --> 00:40:46,477 HUMANITARIAN AWARD, AND 557 00:40:46,477 --> 00:40:54,385 REBA McENTIRE PAYS TRIBUTE TO >> Announcer: PLEASE WELCOME 558 00:40:54,385 --> 00:41:01,125 RACHEL SENNOTT AND ODESSA A'ZION. 559 00:41:08,166 --> 00:41:09,200 >> HI, YOU GUYS. 560 00:41:09,200 --> 00:41:15,239 >> HI, EVERYONE. WOW. 561 00:41:15,239 --> 00:41:18,710 SOME OF YOU -- MOST OF YOU GUYS LOOK SO BEAUTIFUL TONIGHT. 562 00:41:18,710 --> 00:41:22,747 >> NO, NO, NO. THEY'RE WEARING GLAM. 563 00:41:22,747 --> 00:41:26,951 IT DOESN'T COUNT. >> I THINK IT'S A HOT MIC. 564 00:41:26,951 --> 00:41:28,686 BE CAREFUL. >> OH. 565 00:41:28,686 --> 00:41:30,421 YEAH. LOCK IN, LOCK IN. 566 00:41:30,421 --> 00:41:32,957 >> LOCK IN. >> WE ARE THRILLED TO BE 567 00:41:32,957 --> 00:41:37,261 PRESENTING THE AWARD FOR SUPPORTING ACTOR IN A DRAMA 568 00:41:37,261 --> 00:41:40,164 BECAUSE WE ARE MAJOR SUPPORTERS OF ACTOR DRAMA. 569 00:41:40,164 --> 00:41:43,735 >> YES. WE'RE MAJOR, MAJOR SUPPORTERS OF 570 00:41:43,735 --> 00:41:45,803 ACTOR DRAMA. >> HUGE. 571 00:41:45,803 --> 00:41:47,171 >> WE'RE HUGE SUPPORTERS. WE LOVE IT. 572 00:41:47,171 --> 00:41:49,907 TRULY. I MEAN, ANY TYPE OF ACTOR DRAMA, 573 00:41:49,907 --> 00:41:53,244 WE LOVE. YOU KNOW, IT'S TWO MACHO 574 00:41:53,244 --> 00:41:56,214 STRAIGHT GUYS SITTING IN HAIR AND MAKE-UP FOR TWO HOURS AND 575 00:41:56,214 --> 00:41:57,949 THEN YELLING AT EACH OTHER ON SET. 576 00:41:57,949 --> 00:41:59,517 IT'S THE DREAM. >> DELICIOUS. 577 00:41:59,517 --> 00:42:04,255 >> I LOVE IT. >> TWO GUYS IN WIGS SLAMMING 578 00:42:04,255 --> 00:42:06,190 DOORS BECAUSE ONE OF THEM LOOKS TALLER ON CAMERA. 579 00:42:06,190 --> 00:42:06,824 HEAVEN. >> HEAVEN. 580 00:42:06,824 --> 00:42:09,861 COME ON. THAT'S OBVIOUSLY THE REAL DRAMA. 581 00:42:09,861 --> 00:42:11,529 WE ALL LIVE FOR IT. >> WE LIVE FOR IT. 582 00:42:11,529 --> 00:42:22,106 >> AND WE LIVE FOR THESE FABULOUS NOMINEES. 583 00:42:22,106 --> 00:42:24,275 >> Announcer: PATRICK BALL, "THE PITT." 584 00:42:24,275 --> 00:42:25,877 BILLY CRUDUP, "THE MORNING SHOW." 585 00:42:25,877 --> 00:42:29,080 SHAWN HATOSY, "THE PITT." GERRAN HOWELL, "THE PITT." 586 00:42:29,080 --> 00:42:40,792 JACK LOWDEN, "SLOW HORSES." TOM PELPHREY, "TASK." 587 00:42:40,792 --> 00:42:44,328 CARLOS-MANUEL VESGA, "PLURIBUS." >> YOU OPEN -- 588 00:42:44,328 --> 00:42:45,196 >> OH, MY GOD. IT'S ME? 589 00:42:45,196 --> 00:42:46,898 >> OPEN THE ENVELOPE. >> OKAY. 590 00:42:46,898 --> 00:42:52,537 SORRY. AND THE EMMY GOES TO TOM 591 00:42:52,537 --> 00:42:53,571 PELPHREY. YES! 592 00:42:53,571 --> 00:42:56,240 >> LET'S GO! >> Announcer: THIS IS THE FIRST 593 00:42:56,240 --> 00:43:00,478 EMMY WIN AND SECOND NOMINATION FOR TOM PELPHREY. 594 00:43:00,478 --> 00:43:10,221 HIS FIRST NOMINATION CAME IN 2022 FOR HIS ROLE AS BEN ON 595 00:43:10,221 --> 00:43:10,388 "OZARK." 596 00:43:15,326 --> 00:43:18,196 >> WOW. 597 00:43:18,196 --> 00:43:23,935 THIS IS INCREDIBLE. THANK YOU. 598 00:43:23,935 --> 00:43:26,871 I THANK GOD FOR MY LIFE AND MY SOBRIETY. 599 00:43:26,871 --> 00:43:31,542 I THANK MY FAMILY AND MY FRIENDS FOR ALL YOUR LOVE AND SUPPORT 600 00:43:31,542 --> 00:43:33,811 ALL THESE YEARS FROM EMMYS TO, YOU KNOW, BLACK BOX THEATERS AND 601 00:43:33,811 --> 00:43:38,249 EVERYTHING IN BETWEEN. THANK YOU TO HBO, CASEY AND 602 00:43:38,249 --> 00:43:44,689 FRANNY. THANK YOU TO MARK. 603 00:43:44,689 --> 00:43:52,730 THANK YOU TO JEREMIAH AND SALLY, OUR DIRECTORS, OUR CAST, 604 00:43:52,730 --> 00:43:55,900 ESPECIALLY RAHUL, AMELIA, AND MY FRIEND, THE BEAUTIFUL MARK 605 00:43:55,900 --> 00:43:57,535 RUFFALO. THANK YOU FOR THIS INCREDIBLE 606 00:43:57,535 --> 00:44:00,071 ROLE AND THIS OPPORTUNITY AND YOUR FRIENDSHIP. 607 00:44:00,071 --> 00:44:03,307 I'M SO PROUD TO BE YOUR FRIEND. AND TO MY FAVORITE ACTOR IN THIS 608 00:44:03,307 --> 00:44:10,948 ROOM, MY LOVE, MY BEST FRIEND, MY PARTNER, THE VERY PREGNANT 609 00:44:10,948 --> 00:44:14,752 KALEIGH CU KALEIGH -- I LOVE YOU MORE THAN 610 00:44:14,752 --> 00:44:19,991 ANYTHING, AND OUR FAMILY IS THE CROWN JEWEL OF MY LIFE. 611 00:44:19,991 --> 00:44:22,760 MATILDA, DADDY LOVES YOU. BABY GIRL, DADDY LOVES YOU. 612 00:44:22,760 --> 00:44:37,208 THANK YOU. GOD BLESS. 613 00:44:37,208 --> 00:44:41,345 >> ALL RIGHT. TEAM, LISTEN UP. 614 00:44:41,345 --> 00:44:45,082 THE EMMYS ARE TONIGHT, AND THE MAYOR'S OFFICE IS BREATHING DOWN 615 00:44:45,082 --> 00:44:47,285 MY NECK DEMANDING AN ANSWER TO THE BIG QUESTION. 616 00:44:47,285 --> 00:44:50,688 WILL TAYLOR SWIFT BE AT THE EMMYS. 617 00:44:50,688 --> 00:44:53,558 NOW, IN ORDER TO CRACK A SWIFTY CASE, YOU'VE GOT TO THINK LIKE A 618 00:44:53,558 --> 00:44:58,462 SWIFTY BECAUSE THE SWIFTIES THINK THAT EVERYTHING IS A CLUE 619 00:44:58,462 --> 00:44:59,597 TO WHAT SHE'LL DO NEXT. NOW -- 620 00:44:59,597 --> 00:45:01,499 >> OKAY. A CLIENT BOARD. 621 00:45:01,499 --> 00:45:04,969 NOW WE'RE TALKING. >> SO, LET'S START WITH THE EMMY 622 00:45:04,969 --> 00:45:07,905 NOMINATIONS. "ABBOTT ELEMENTARY," NOMINATED 623 00:45:07,905 --> 00:45:11,842 FOR SEVEN EMMYS. SEASON SIX PREMIERES THIS YEAR. 624 00:45:11,842 --> 00:45:16,981 SEVEN AND SIX, ADD THEM UP -- >> TAYLOR'S LUCKY NUMBER, 13. 625 00:45:16,981 --> 00:45:21,018 >> AND THERE ARE 13 NOMINATIONS FOR DTF ST. LOUIS. 626 00:45:21,018 --> 00:45:22,053 ST. LOUIS, MISSOURI, ALSO IN MISSOURI. 627 00:45:22,053 --> 00:45:24,956 >> KANSAS CITY. >> AND WHO PLAYS FOOTBALL FOR 628 00:45:24,956 --> 00:45:28,259 KANSAS CITY? >> TRAVIS KELCE. 629 00:45:28,259 --> 00:45:35,933 THAT'S THE GUY SHE MARRIED. >> WHAT COLOR IS HIS JERSEY. 630 00:45:35,933 --> 00:45:37,301 >> RED, LIKE HER ALBUM. >> RED, LIKE BLOOD. 631 00:45:37,301 --> 00:45:39,604 >> DNA SAMPLE. CONTAMINATED. 632 00:45:39,604 --> 00:45:49,447 >> GREAT. NOW WE'VE GOT BAD BLOOD. 633 00:45:49,447 --> 00:45:54,919 >> LOOK WHAT YOU MADE ME DO, OFF THE ALBUM "REPUTATION," GENETIC 634 00:45:54,919 --> 00:45:57,955 MUTATION. >> "PLURIBUS," A REAL MIND 635 00:45:57,955 --> 00:46:01,892 BENDER. >> HANNAH EINBINDER. 636 00:46:01,892 --> 00:46:04,295 >> I CRIED LIKE A BABY. >> GO CHECK TRAFFIC CAMS. 637 00:46:04,295 --> 00:46:06,130 >> FOR WHAT? >> DON'T WORRY ABOUT IT. 638 00:46:06,130 --> 00:46:10,735 JUST GO CHECK THEM. WHAT I WAS SAYING, "HACKS." 639 00:46:10,735 --> 00:46:13,704 >> VEGAS, LIFE OF A SHOW GIRL. >> YOU KNOW WHO ELSE IS A GIRL 640 00:46:13,704 --> 00:46:18,409 ON A SHOW. >> BARBARA CORCORAN. 641 00:46:18,409 --> 00:46:21,646 STICK A FORK IN. >> AN IMPA NADA. 642 00:46:21,646 --> 00:46:23,014 I THINK WE ALL KNOW WHERE THIS IS HEADING. 643 00:46:23,014 --> 00:46:25,516 >> OKAY. GUYS, WE ARE IN A REAL RABBIT 644 00:46:25,516 --> 00:46:28,152 HOLE. >> THAT'S RIGHT. 645 00:46:28,152 --> 00:46:32,723 IT'S A HOLE. IT'S A WHOLE NOTHER CRIME BOARD. 646 00:46:32,723 --> 00:46:35,192 DINERS, DRIVE-INS, DIVES. DRIVE-IN, THE GET AWAY CAR. 647 00:46:35,192 --> 00:46:36,427 >> FBI. >> "SNL." 648 00:46:36,427 --> 00:46:38,562 LIVE FROM NEW YORK. >> WELCOME TO NEW YORK. 649 00:46:38,562 --> 00:46:43,901 >> IT'S BEEN WAITING FOR YOU. >> I THINK WE GOT A CASE HERE. 650 00:46:43,901 --> 00:46:47,038 >> HEY, GUYS, THIS ISN'T ADDING UP. 651 00:46:47,038 --> 00:46:50,308 >> AND WHO ASKED YOU, ROOKIE? >> OUR PERP HAS A CLEAR M.O. 652 00:46:50,308 --> 00:46:52,076 A LOT OF THIS DOESN'T FIT THE PATTERN, AND I DON'T THINK 653 00:46:52,076 --> 00:46:54,945 EVERYTHING IS A CLUE. >> IT IS TO THE SWIFTIES. 654 00:46:54,945 --> 00:47:04,355 >> I THINK WHAT WE'RE GOING TO BE LOOKING FOR IS HIDING IN 655 00:47:04,355 --> 00:47:05,589 PLAIN SIGHT. ARIES, FROM THE VINEYARD, NORTH 656 00:47:05,589 --> 00:47:10,594 OR SOUTH. >> WHAT DID YOU JUST SAY? 657 00:47:10,594 --> 00:47:12,596 >> I DIDN'T SAY ANYTHING. >> THAT'S WEIRD. 658 00:47:12,596 --> 00:47:14,832 >> I CHECKED THE TRAFFIC CAM. >> SWEETHEART, WE'RE WAY PAST 659 00:47:14,832 --> 00:47:18,402 THAT. BUT YOU KNOW WHO DOES USE CAMS? 660 00:47:18,402 --> 00:47:20,037 THE CAMERA CREW FROM "THE PITT." >> OH, YEAH. 661 00:47:20,037 --> 00:47:24,308 >> RIGHT? >> CAPTAIN, IF I MAY. 662 00:47:24,308 --> 00:47:28,279 YES, THESE ARE ALL EMMY NOMINATED SHOWS. 663 00:47:28,279 --> 00:47:29,246 YES, THE ERAS TOUR GOT FIVE NOMINATIONS. 664 00:47:29,246 --> 00:47:33,617 GOOD FOR HER. THOSE CATEGORIES WERE LAST WEEK. 665 00:47:33,617 --> 00:47:36,287 WHY WOULD SHE BE SHOWING UP AT THE CEREMONY TONIGHT? 666 00:47:36,287 --> 00:47:37,988 SHE'S PROBABLY GOING TO BE SITTING AT HOME WITH HER CAT. 667 00:47:37,988 --> 00:47:42,193 >> EXACTLY. AND HER CAT IS NAMED OLIVIA 668 00:47:42,193 --> 00:47:44,261 BENSON. >> WAIT. 669 00:47:44,261 --> 00:47:47,565 I'M OLIVIA BENSON, AND I'M GOING TO BE AT THE EMMYS. 670 00:47:47,565 --> 00:47:49,767 LAST WEEK THE MAYOR'S OFFICE ASKED ME TO DO SECURITY TONIGHT. 671 00:47:49,767 --> 00:47:52,236 HOLD ON, GUYS. LAST WEEK, TONIGHT. 672 00:47:52,236 --> 00:47:57,374 JOHN OLIVER. HE'S BRITISH LIKE THOSE DAMN 673 00:47:57,374 --> 00:47:59,276 SLOW HORSES, FAST BRONCOS, DENVER BRONCOS. 674 00:47:59,276 --> 00:48:02,146 BRONCOS ARE PLAYING THE CHIEFS. GUYS, THE ANSWER HAS BEEN TV 675 00:48:02,146 --> 00:48:06,650 THIS WHOLE TIME. >> BECAUSE THEY HAVE A GAME 676 00:48:06,650 --> 00:48:08,786 RIGHT NOW. OKAY. 677 00:48:08,786 --> 00:48:11,155 SO, SHE'S NOT GOING TO BE THERE, RIGHT, BECAUSE HER HUSBAND HAS 678 00:48:11,155 --> 00:48:14,592 GOT A WORK THING. >> BINGO. 679 00:48:14,592 --> 00:48:17,261 >> WELL, THAT CASE IS SOLVED. TAYLOR SWIFT WILL NOT BE AT THE 680 00:48:17,261 --> 00:48:19,730 EMMYS. >> I'M NOT WATCHING. 681 00:48:19,730 --> 00:48:23,300 >> MAYBE SHE'S GOING TO DO ONE OF THOSE COOL PRE-TAPED SKETCH 682 00:48:23,300 --> 00:48:26,170 THINGS TO SUPPORT THE HOST? >> DO YOU THINK SHE'LL SING? 683 00:48:26,170 --> 00:48:28,873 >> NO. >> OH, WOW. 684 00:48:28,873 --> 00:48:35,045 CYNICAL WHEN IT DOES THAT. >> MM-HMM. 685 00:48:35,045 --> 00:48:35,613 >> THAT'S ACTUALLY MY RING TONE. 686 00:48:43,154 --> 00:48:44,622 [ APPLAUSE ] 687 00:48:44,622 --> 00:48:45,790 >> Announcer: JUST AHEAD JON HAMM AND AMANDA PEET PRESENT 688 00:48:45,790 --> 00:48:49,393 THE EMMY FOR LEAD ACTOR IN A COMEDY SERIES. 689 00:48:49,393 --> 00:48:52,563 THEN LATER, A PERFORMANCE BY NOAH KAHAN. 690 00:48:52,563 --> 00:48:55,432 AND THIS DECEMBER, NBC IS 691 00:48:55,566 --> 00:48:55,933 CELEBRATING ITS 100th 692 00:48:57,001 --> 00:48:57,535 AND THIS DECEMBER, NBC IS 693 00:48:57,535 --> 00:49:09,446 CELEBRATING ITS 100th ♪ 694 00:49:09,446 --> 00:49:12,116 >>> GREETINGS. I AM FROM THE HOUSE OF 695 00:49:12,116 --> 00:49:16,620 HARGITARIAN. OKAY, HERE'S THE DEAL. 696 00:49:16,620 --> 00:49:21,559 SO, WHEN THEY ASKED ME TO HOST THE EMMYS, I DECIDED ONLY ON ONE 697 00:49:21,559 --> 00:49:25,229 CONDITION, IF I COULD STAND UP HERE IN A "GAME OF THRONES" 698 00:49:25,229 --> 00:49:30,501 GETUP AND REENACT A SCENE. HERE WE GO. 699 00:49:37,808 --> 00:49:39,844 THIS OUTFIT IS HOT AS BALLS, SO 700 00:49:39,844 --> 00:49:40,878 I'M GOING TO HAVE TO PIVOT. I'M SERIOUS. 701 00:49:40,878 --> 00:49:47,518 READY? OUR NEXT PRESENTERS BOTH PLAYED 702 00:49:47,518 --> 00:49:54,058 POWERFUL QUEENS AFTER MEDICATION FOR MODERATE TO SEVERE PLAQUE 703 00:49:54,058 --> 00:49:55,125 PSORIASIS. PLEASE WELCOME, RHAENYRA AND 704 00:49:55,125 --> 00:50:04,668 DAENERYS, EMMA D'ARCY AND FOUR-TIME EMMY NOMINEE 705 00:50:04,668 --> 00:50:04,935 EMILIA CLARKE. 706 00:50:10,241 --> 00:50:10,307 ♪ 707 00:50:23,220 --> 00:50:24,989 UNIVERSE, EMILIA IS MY GREAT, 708 00:50:24,989 --> 00:50:29,994 GREAT, GREAT, GREAT -- REALLY GREAT -- GRANDDAUGHTER. 709 00:50:29,994 --> 00:50:32,196 AND IN HONOR OF OUR SHARED TARGARYEN LINEAGE, EMILIA IS 710 00:50:32,196 --> 00:50:36,867 GOING TO ADDRESS YOU IN HIGH VALYRIAN, OUR MOTHER TONGUE, AND 711 00:50:36,867 --> 00:50:51,849 I WILL TRANSLATE. [ SPEAKING VALYRIAN ] 712 00:51:02,459 --> 00:51:06,063 >> YEAH. 713 00:51:06,063 --> 00:51:10,668 THAT'S "GOOD EVENING." AND NOW HERE ARE THE NOMINEES 714 00:51:10,668 --> 00:51:16,740 FOR LEAD ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE. 715 00:51:16,740 --> 00:51:19,276 >> Announcer: CLAIRE DANES, "THE BEAST IN ME." 716 00:51:19,276 --> 00:51:24,181 SALLY FIELD, "REMARKABLY BRIGHT CREATURES." 717 00:51:24,181 --> 00:51:26,183 CAREY MULLIGAN, "BEEF." SARAH PIDGEON, "LOVE STORY: JOHN 718 00:51:26,183 --> 00:51:34,692 F. KENNEDY JR. and CAROLYN BESSETTE." 719 00:51:34,692 --> 00:51:40,130 SARAH SNOOK, "ALL HER FAULT." [ SPEAKING VALYRIAN ] 720 00:51:40,130 --> 00:51:41,865 >> THAT MIGHT TAKE TOO LONG. >> YEAH, PROBABLY. 721 00:51:41,865 --> 00:51:53,010 OKAY. WHAT I SAID WAS, THE EMMY GOES 722 00:51:53,010 --> 00:51:54,478 TO -- SALL 723 00:51:54,478 --> 00:51:58,148 SALLY FIELDS, "REMARKABLY BRIGHT CREATURES." 724 00:51:58,148 --> 00:52:14,765 >> Announcer: THIS IS THE FOURTH EMMY WIN AND TENTH NOMINATION 725 00:52:14,765 --> 00:52:15,432 FOR SALLY FIELD FIELD. >> NO. 726 00:52:15,432 --> 00:52:18,068 NO. THIS WAS NOT SUPPOSED TO 727 00:52:18,068 --> 00:52:20,771 HAPPENMENT I'VE GOT TO TALK REALLY, REALLY QUICK. 728 00:52:20,771 --> 00:52:23,841 I LOVED THIS PROJECT FROM DAY ONE. 729 00:52:23,841 --> 00:52:26,944 IT'S A LOVELY NOVEL BY SHELBY VAN PELT, WHATEVER HER NAME IS. 730 00:52:26,944 --> 00:52:30,381 ANYWAY, SHE KNOWS WHAT IT IS. AND IT'S THE STORY OF AN OLD 731 00:52:30,381 --> 00:52:32,016 WOMAN, A YOUNG MAN, AND AN OCTOPUS. 732 00:52:32,016 --> 00:52:35,886 IT DOESN'T COME AROUND A LOT. AND THEN I'M SO INCREDIBLY 733 00:52:35,886 --> 00:52:40,391 GRATEFUL TO THE NEW COMPANY NIGHT OWL, PETER CRAIG, AND 734 00:52:40,391 --> 00:52:46,296 BRIAN -- WHO BROUGHT IT TO ME, QUICKLY, SOON, AND THEN TONY -- 735 00:52:46,296 --> 00:52:48,732 AND ANONYMOUS WHO RIPPED IT OUT OF THE MARKETPLACE, NETFLIX, WHO 736 00:52:48,732 --> 00:52:54,104 SUPPORTED IT. AND THEN WE GOT TO OLIVIA 737 00:52:54,104 --> 00:52:56,473 NEUMANN, WHO'S OUR LOVELY DIRECTION. 738 00:52:56,473 --> 00:53:04,281 AND CHRIS -- OH, MY GOD, THIS TALENT WHO BROUGHT MARCELLUS, 739 00:53:04,281 --> 00:53:11,488 THIS GIANT PACIFIC OCTOPUS, TO LIFE, UNBELIEVABLE. 740 00:53:11,488 --> 00:53:14,925 ALFRED MALINA WHO GAVE IT VOICE. ASHLEY CONNOR WHO MADE THE 741 00:53:14,925 --> 00:53:17,161 PACIFIC NORTHWEST ANOTHER CHARACTER. 742 00:53:17,161 --> 00:53:25,669 AND CANADA, BLESSED CANADA, OUR NEIGHBORS, OUR FRIENDS. 743 00:53:25,669 --> 00:53:30,674 I WOULDN'T BE UP HERE IF NOT FOR THE MAGICAL TALENT OF LEWIS 744 00:53:30,674 --> 00:53:32,543 PULLMAN, WHO STOOD NEXT TO ME THE WHOLE TIME. 745 00:53:32,543 --> 00:53:36,947 I WOULD NOT BE UP HERE. I HAVE BEEN SO GRATEFUL AND SO 746 00:53:36,947 --> 00:53:44,154 PROUD TO BE A PART OF THIS COMMUNITY, THE ARTS, FOR 62 747 00:53:44,154 --> 00:53:47,157 YEARS OR SOMETHING. WITH ART, WE MATTER. 748 00:53:47,157 --> 00:53:51,061 OUR VOICES MATTER. OUR DIVERSITY, OUR UNIQUE STORY 749 00:53:51,061 --> 00:53:55,299 TELLING MATTERS. WE CAN'T LET THOSE VOICES BE 750 00:53:55,299 --> 00:53:56,166 SILENCED OR COMPROMISED OR MERGED. 751 00:53:56,166 --> 00:54:02,573 THANK YOU FOR THIS. THANK YOU SO MUCH. 752 00:54:02,573 --> 00:54:12,983 >> Announcer: PLEASE WELCOME AMANDA PEET AND EMMY WINNER 753 00:54:12,983 --> 00:54:25,062 JON HAMM. [ APPLAUSE ] 754 00:54:25,062 --> 00:54:27,397 >> THEY HAD A WORD FOR TELEVISION IN HIGH VOIALYRIAN. 755 00:54:27,397 --> 00:54:31,935 I DON'T THINK SO. WHAT THE -- HI, GUYS. 756 00:54:31,935 --> 00:54:37,141 I PLAY TV'S RONALD FRIENDS. >> AND I PLAY TABITHA NEIGHBORS. 757 00:54:37,141 --> 00:54:44,448 >> AND WE'RE THE HARD BOILED DETECTIVES FROM APPLE TV'S 758 00:54:44,448 --> 00:54:47,518 "FRIENDS AND NEIGHBORS." >> OKAY. 759 00:54:47,518 --> 00:54:51,255 NONE OF THAT'S TRUE. >> AND NONE OF IT'S FUNNY. 760 00:54:51,255 --> 00:54:54,691 >> IT'S ACTUALLY CALLED "YOUR FRIENDS AND NEIGHBORS." 761 00:54:54,691 --> 00:54:57,528 IT DOESN'T MATTER. >> THE NOMINEES FOR LEAD ACTOR 762 00:54:57,528 --> 00:55:00,197 IN A COMEDY SERIES ARE -- >> YAHYA ABDUL-MATEEN II, 763 00:55:00,197 --> 00:55:05,502 "WONDER MAN." STEVE CARELL, "ROOSTER." 764 00:55:05,502 --> 00:55:08,739 MATTHEW RHYS, "WIDOW'S BAY." JASON SEGEL, "SHRINKING." 765 00:55:08,739 --> 00:55:16,780 MARTIN SHORT, "ONLY MURDERS IN THE BUILDING." 766 00:55:16,780 --> 00:55:23,153 >> AND THE EMMY GOES TO MATTHEW RHYS. 767 00:55:23,153 --> 00:55:26,557 >> Announcer: MATTHEW RHYS MAKES EMMY HISTORY TONIGHT AS THE 768 00:55:26,557 --> 00:55:38,168 FIRST MALE TO WIN TWO LEAD ACTOR CATEGORIES IN THE SAME YEAR, 769 00:55:38,168 --> 00:55:42,840 COMEDY AND LIMITED SERIES. >> OH, NO. 770 00:55:42,840 --> 00:55:47,844 NO, NO. NO, NO. 771 00:55:47,844 --> 00:55:53,383 [ CHEERS AND APPLAUSE ] MY APOLOGIES TO THE WOMEN WHO 772 00:55:53,383 --> 00:55:57,988 HAD TO STAND AGAIN. THIS IS PURELY BECAUSE OF THE 773 00:55:57,988 --> 00:56:01,491 DEPRAVED AND TWISTED MIND OF KATIE, AND HER GENIUS REALLY 774 00:56:01,491 --> 00:56:11,902 DOES LIVE IN THE RECESSES OF HER DISTURBED BRAIN. 775 00:56:11,902 --> 00:56:13,136 IT IS ALSO BECAUSE OF MY HERO -- SO BEAUTIFULLY, AS DID ALL OF 776 00:56:13,136 --> 00:56:14,104 THEM. ZACK, JAMIE, DANA, SPENCER, 777 00:56:14,104 --> 00:56:17,708 THANK YOU FOR TAKING SUCH A SWING ON THIS INCREDIBLE 778 00:56:17,708 --> 00:56:19,843 PROJECT, THIS WONDROUS CAST. WE HAD THE CREW OF ALL CREWS TO 779 00:56:19,843 --> 00:56:24,248 CARRY US. 33 YEARS AGO, A MAN BY THE NAME 780 00:56:24,248 --> 00:56:32,789 OF DALLAS MIFF TOOK A BIG SWING ON ME, AND FOR THAT REASON, DAL, 781 00:56:32,789 --> 00:56:37,494 YOU HAVE MY LIFE LONG GRATITUDE. NOT LEAST, MY DEAR OLD FRIEND -- 782 00:56:37,494 --> 00:56:41,064 HE'S NOT THAT OLD -- DUNCAN -- FAR MORE I APPRECIATE OUR 783 00:56:41,064 --> 00:56:45,669 LIFELONG FRIENDSHIP. BARRY, YOU KNOW WHAT YOU DID. 784 00:56:45,669 --> 00:56:48,238 ALL OF YOU AT CAA. OBVIOUSLY MY PARENTS. 785 00:56:48,238 --> 00:56:52,376 THEY JUST KICKED ME ONTO THE STAGE FROM A VERY EARLY AGE. 786 00:56:52,376 --> 00:56:55,445 MY SISTER WHO'S HERE TONIGHT. SHE WAS THE BRAINS OF THE OUTFIT 787 00:56:55,445 --> 00:56:58,181 ALL ALONG. THANK YOU FOR ALL THE STAGE 788 00:56:58,181 --> 00:57:04,488 WORDS AND PATIENT LISTENING. FINALLY TO THE GREAT AND GOOD 789 00:57:04,488 --> 00:57:07,491 PEOPLE OF WALES, WE ARE A SMALL BUT MIGHTY NATION. 790 00:57:07,491 --> 00:57:11,395 [ SPEAKING IN A GLOBAL LANGUAGE ] 791 00:57:11,395 --> 00:57:12,930 THANK YOU VERY MUCH. >> Announcer: COMING UP, "NCIS 792 00:57:12,930 --> 00:57:16,667 NEW YORK'S" LL COOL J AND SCOTT CAAN TEAM UP. 793 00:57:16,667 --> 00:57:20,337 THEN LATER, MACAULAY CULKIN, ANNIE MURPHY AND DAN LEVY PAY 794 00:57:20,337 --> 00:57:22,506 TRIBUTE TO THOSE WE LOST THIS 795 00:57:24,007 --> 00:57:24,608 TRIBUTE TO THOSE WE LOST THIS 796 00:57:24,608 --> 00:57:25,609 PAST YEAR, FOLLOWE 797 00:57:25,676 --> 00:57:27,678 Please welcome Golden Globe nominee 798 00:57:27,744 --> 00:57:31,148 Scott Caan and four time Emmy nominee 799 00:57:31,214 --> 00:57:38,221 LL Cool J. Have you seen that. 800 00:57:43,427 --> 00:57:48,031 It did me dirty With Mike being in this room reminds me 801 00:57:48,098 --> 00:57:49,633 of how special it is to be a part 802 00:57:49,700 --> 00:57:51,368 of the television community. 803 00:57:51,435 --> 00:57:54,571 And I'm so proud to welcome Scott here to the NCIS family. 804 00:57:54,638 --> 00:57:57,341 Even though a lot of people don't seem to know what NCIS 805 00:57:57,407 --> 00:58:01,345 stands for Yeah And as a new member of the NCIS family, 806 00:58:01,411 --> 00:58:03,980 I'm shocked with the lack of awareness and education 807 00:58:04,047 --> 00:58:05,482 on this issue. 808 00:58:05,549 --> 00:58:08,251 And so tonight we're going to teach you something, Scott. 809 00:58:08,318 --> 00:58:10,687 Tell everybody what NCIS stands for. 810 00:58:10,754 --> 00:58:14,558 Well, I would love to but you're the veteran, so I think 811 00:58:14,624 --> 00:58:17,160 you should tell everybody what NCIS No no no no no no no 812 00:58:17,227 --> 00:58:19,262 I insist No I insist. 813 00:58:19,329 --> 00:58:20,831 Tell everybody what NCIS stands for. 814 00:58:20,897 --> 00:58:24,101 I have no idea what NCIS stands for. 815 00:58:24,167 --> 00:58:25,402 I forgot what it stands for. 816 00:58:25,469 --> 00:58:27,270 So there we go. 817 00:58:27,337 --> 00:58:30,507 The nominees for Writing in a Comedy Series 818 00:58:30,574 --> 00:58:35,645 are Quinta Brunson, Abbott Elementary, 819 00:58:35,712 --> 00:58:37,881 Tim Robinson, and Zach kanin. 820 00:58:37,948 --> 00:58:42,652 The chair company, Michael Patrick King and Lisa Kudrow, 821 00:58:42,719 --> 00:58:46,623 the comeback Lucia Aniello, Paul W Downs and 822 00:58:46,690 --> 00:58:51,561 Jen Statsky hacks Anthony King, jury duty 823 00:58:51,628 --> 00:58:55,799 presents company retreat, Katie dippold, 824 00:58:55,866 --> 00:59:02,873 widows Bay Oh, my turn. 825 00:59:04,741 --> 00:59:08,311 And the Emmy goes to Katie dippold Beth. 826 00:59:15,118 --> 00:59:18,021 This is the first Emmy win and second nomination 827 00:59:18,088 --> 00:59:19,389 for Katie dippold. 828 00:59:19,456 --> 00:59:22,292 She wrote a pilot first for widow's widows. 829 00:59:22,359 --> 00:59:29,366 They 18 years ago OK got it OK, this is crazy. 830 00:59:37,874 --> 00:59:41,711 I always told myself if I ever won one of these things, 831 00:59:41,778 --> 00:59:43,847 I would stay humble. 832 00:59:43,914 --> 00:59:45,882 You maybe I wouldn't even display it. 833 00:59:45,949 --> 00:59:48,084 I would just do one of those cool Hollywood things 834 00:59:48,151 --> 00:59:50,153 where you keep it in the garage. 835 00:59:50,220 --> 00:59:53,090 But standing here now, I promise all of you 836 00:59:53,156 --> 00:59:54,958 that no one will ever step foot in my home 837 00:59:55,025 --> 00:59:56,326 without seeing this thing. 838 00:59:58,395 --> 01:00:00,464 It will have its own spotlight. 839 01:00:00,530 --> 01:00:03,600 It is going to sit on a rotating turntable. 840 01:00:03,667 --> 01:00:05,902 I will create a system of mirrors. 841 01:00:05,969 --> 01:00:08,271 So no matter where you stand in my home, 842 01:00:08,338 --> 01:00:10,540 this is going to be in your direct eyeline. 843 01:00:10,607 --> 01:00:15,278 Just some quick things. 844 01:00:15,345 --> 01:00:16,580 Thank you to Apple. Eddie Jamie. 845 01:00:16,646 --> 01:00:17,581 Zach Matt. 846 01:00:17,647 --> 01:00:18,982 Rita Dana. 847 01:00:19,049 --> 01:00:21,418 Spencer thank you to the brilliant Matthew Reese, who's 848 01:00:21,485 --> 01:00:25,088 by the way, his Welsh accent is fake and the rest 849 01:00:25,155 --> 01:00:26,523 of the brilliant cast. 850 01:00:26,590 --> 01:00:29,626 The cast and crew writers think you hear him right. 851 01:00:29,693 --> 01:00:30,660 You are a genius. 852 01:00:30,727 --> 01:00:32,129 Thank you. 853 01:00:32,195 --> 01:00:35,398 And lastly to Drew crevello, my boyfriend of 16 years. 854 01:00:35,465 --> 01:00:36,900 Thank you for all your help and I'm 855 01:00:36,967 --> 01:00:39,603 sorry this is going to become my entire personality now. 856 01:00:39,669 --> 01:00:40,971 Thank you so much. 857 01:00:56,419 --> 01:00:58,688 This year, some of our favorite shows 858 01:00:58,755 --> 01:01:02,859 aired their final episode, and we all know that saying goodbye 859 01:01:02,926 --> 01:01:04,327 is hard. 860 01:01:04,394 --> 01:01:08,164 But you know what makes it a little easier Singing it. 861 01:01:12,202 --> 01:01:16,006 I heard the news just yesterday. 862 01:01:16,072 --> 01:01:18,441 It's a devastating truth. 863 01:01:21,044 --> 01:01:24,981 My favorite shows are going away. 864 01:01:25,048 --> 01:01:27,083 And there's nothing I can do. 865 01:01:29,953 --> 01:01:31,955 Like an Emmys without hats. 866 01:01:32,022 --> 01:01:33,924 Like the world without the bear. 867 01:01:33,990 --> 01:01:36,293 Euphoria is gone. 868 01:01:36,359 --> 01:01:38,061 And we lost for bear. 869 01:01:42,465 --> 01:01:44,467 Goodbye, Stranger Things. 870 01:01:44,534 --> 01:01:46,236 It's been nice. 871 01:01:46,303 --> 01:01:51,942 I guess I want some paradise Come back sober. 872 01:01:52,008 --> 01:01:53,977 I've landed two. 873 01:01:54,044 --> 01:01:57,080 At least one of us got a season two. 874 01:01:57,147 --> 01:01:59,816 Sweet conclusions on the board, complete 875 01:01:59,883 --> 01:02:02,719 with my Queer Eye resolution. 876 01:02:02,786 --> 01:02:03,787 It's bittersweet. 877 01:02:03,853 --> 01:02:08,358 Goodbye, Goodbye Goodbye. 878 01:02:08,425 --> 01:02:11,394 Rude resolution by the Late Show. 879 01:02:11,461 --> 01:02:12,829 We'll miss you. 880 01:02:18,835 --> 01:02:20,637 Give it up for Andrew Reynolds. 881 01:02:20,704 --> 01:02:27,677 We'll be right back Coming up next, Peter Krause and 882 01:02:35,652 --> 01:02:37,153 Shailene Woodley. 883 01:02:37,220 --> 01:02:40,590 Then later, Awkwafina and Paul Anthony Kelly share the stage. 884 01:02:40,657 --> 01:02:43,493 And Julianna Margulies presents Michael J. Fox 885 01:02:43,560 --> 01:02:46,096 with the Bob Hope Humanitarian Award. 886 01:02:50,433 --> 01:02:52,102 I see him. 887 01:02:52,168 --> 01:02:54,237 He stalks the shadows. 888 01:02:54,304 --> 01:02:55,305 He waits. 889 01:02:57,674 --> 01:02:59,609 I was attacked. 890 01:02:59,676 --> 01:03:02,746 A slender figure was stood over me. 891 01:03:02,812 --> 01:03:07,250 And with this baptism of my blood in your mouth, 892 01:03:07,317 --> 01:03:10,053 you shall be my servant. 893 01:03:10,120 --> 01:03:12,522 I sense his fear. 894 01:03:33,009 --> 01:03:34,511 ♪ 895 01:03:34,511 --> 01:03:42,452 >>> THERE ARE A LOT OF BIG STARS HERE TONIGHT WHO HAVE 896 01:03:42,452 --> 01:03:43,820 MADE THE LEAP FROM MOVIES TO TELEVISION. 897 01:03:43,820 --> 01:03:47,757 WELL, I'LL HAVE YOU ALSO KNOW THAT I STARTED IN FILM AS WELL. 898 01:03:47,757 --> 01:03:53,697 I ACTUALLY STARRED IN A LITTLE MOVIE CALLED "GHOULLIES," AND 899 01:03:53,697 --> 01:04:03,206 YES, IT'S A HORROR MOVIE WHERE A MONSTER POPS OUT OF A TOILET. 900 01:04:03,206 --> 01:04:03,540 LET'S TAKE A LOOK. 901 01:04:12,248 --> 01:04:12,882 >> GHOULLIES, THEY'LL GET YOU IN 902 01:04:12,882 --> 01:04:15,452 THE END. >> RIGHT? 903 01:04:15,452 --> 01:04:20,190 I MEAN, COME ON. JAMIE LEE CURTIS IS NOT THE ONLY 904 01:04:20,190 --> 01:04:28,865 SCREAM QUEEN AROUND HERE. UNFORTUNATELY, THOUGH, I DIDN'T 905 01:04:28,865 --> 01:04:30,900 MAKE THE CUT FOR "GHOULLIES 2" OR "GHOULLIES 3: GHOULLIES GO TO 906 01:04:30,900 --> 01:04:34,170 COLLEGE." AND DON'T EVEN GET ME STARTED ON 907 01:04:34,170 --> 01:04:36,706 "GHOULLIES 4." AND THAT'S WHY I TURNED TO 908 01:04:36,706 --> 01:04:47,217 TELEVISION. HERE TO PRESENT OUTSTANDING 909 01:04:47,217 --> 01:04:49,352 DIRECTOR FOR A DRAMA SERIES, PLEASE WELCOME THREE-TIME EMMY 910 01:04:49,352 --> 01:05:01,297 NOMINEE PETER KRAUSE AND EMMY-WINNER SHAILENE WOODLEY. 911 01:05:01,297 --> 01:05:05,168 >> PETER AND I HAVE BOTH HAD THE GREAT PRIVILEGE AND GOOD FORTUNE 912 01:05:05,168 --> 01:05:07,170 AS ACTORS TO WORK WITH SOME BRILLIANT DIRECTORS. 913 01:05:07,170 --> 01:05:08,905 >> SO WE UNDERSTAND AND APPRECIATE HOW VITAL THEIR ROLE 914 01:05:08,905 --> 01:05:13,543 IS IN ANY PRODUCTION. >> THEY DON'T JUST DIRECT US. 915 01:05:13,543 --> 01:05:15,512 THEY DEEPLY INSPIRE US, AND THEY HELP US BRING THE WORDS FROM THE 916 01:05:15,512 --> 01:05:20,250 PAGE TO LIFE. IT IS THEIR CREATIVE VISION THAT 917 01:05:20,250 --> 01:05:21,117 ULTIMATELY ENDS UP ON THE SCREEN. 918 01:05:21,117 --> 01:05:22,986 >> THE NOMINEES TONIGHT CONTINUE A LONG LEGACY OF OUTSTANDING 919 01:05:22,986 --> 01:05:30,293 DIRECTORS FOR A DRAMA SERIES. AND WE ARE HONORED TO PRESENT 920 01:05:30,293 --> 01:05:36,933 THEIR AWARD. >> Announcer: SALLI 921 01:05:36,933 --> 01:05:44,040 RICHARDSON-WHITFIELD, "THE GILDED AGE." 922 01:05:44,040 --> 01:05:51,748 HANELLE M. CULPEPER, "PARADISE." NOAH WYLE, "THE PITT." 923 01:05:51,748 --> 01:05:55,885 VINCE GILLIGAN, "PLURIBUS." SALLI RICHARDSON WHITFIELD, 924 01:05:55,885 --> 01:06:03,026 "TASK." >> AND THE EMMY GOES TO SAUL 925 01:06:03,026 --> 01:06:06,696 METZSTEIN, "SLOW HORSES." >> Announcer: THIS IS THE FIRST 926 01:06:06,696 --> 01:06:11,201 EMMY WIN AND SECOND NOMINATION FOR SAUL METZSTEIN. 927 01:06:11,201 --> 01:06:23,079 HE'S DIRECTED EVERY EPISODE OF SEASON THREE AND SEASON FIVE. 928 01:06:26,115 --> 01:06:27,250 >> THANK YOU. 929 01:06:27,250 --> 01:06:30,720 I MISREAD THE INVITE. I THOUGHT IT WAS AN AUDITION FOR 930 01:06:30,720 --> 01:06:34,524 A BOND VILLAIN. I JUST WANT TO THANK FIRST WILL 931 01:06:34,524 --> 01:06:40,196 SMITH, WHO IS THE NICEST MAN IN THE ENTIRE WORLD AND THE BEST 932 01:06:40,196 --> 01:06:42,398 SHOW RUNNER ANYONE COULD WORK FOR. 933 01:06:42,398 --> 01:06:46,502 OUR INCREDIBLE EXECS WHO DID AN AMAZING JOB KEEPING US IN LINE. 934 01:06:46,502 --> 01:06:50,874 INCREDIBLE CAST LED BY GARY AND JACK AND KRISTEN AND AMY AND 935 01:06:50,874 --> 01:06:54,143 CHRIS AND EVERYONE AND ALL THE ONES I'VE FORGOTTEN TO MENTION 936 01:06:54,143 --> 01:06:58,114 WHO WILL NOW BE UPSET WITH ME. BUT MOSTLY, WE HAD THE -- 937 01:06:58,114 --> 01:07:01,551 EVERYONE GETS UP HERE AND SAYS THAT THEY HAD THE BEST CREW 938 01:07:01,551 --> 01:07:03,453 EVER. SIMPLY NOT TRUE BECAUSE WE HAD 939 01:07:03,453 --> 01:07:10,960 THE BEST CREW EVER. THANKS VERY MUCH. 940 01:07:10,960 --> 01:07:13,763 THANK YOU. >> Announcer: PLEASE WELCOME 941 01:07:13,763 --> 01:07:33,082 PAUL ANTHONY KELLY AND EMMY WINNER AWKWAFINA. 942 01:07:33,082 --> 01:07:37,086 >> OH. VARIETY SERIES CAN BE ANYTHING, 943 01:07:37,086 --> 01:07:40,290 MUSIC, SPORTS, INTERVIEWS, STANDUP, OR LIVE PERFORMANCES. 944 01:07:40,290 --> 01:07:45,828 >> DIFFERENT STYLES, DIFFERENT BACKGROUNDS, DIFFERENT POINTS OF 945 01:07:45,828 --> 01:07:47,463 VIEW, DIFFERENT TALL WHITE MEN. >> ALL WITH ONE GOAL IN MIND -- 946 01:07:47,463 --> 01:07:49,165 TO ENTERTAIN US. >> OUR VARIETY SERIES NOMINEES 947 01:07:49,165 --> 01:07:53,369 ALL FIND COMEDY WITHIN THE CHAOS OF MODERN LIFE. 948 01:07:53,369 --> 01:07:56,205 BUT EVEN MORE IMPORTANT, THEY SPEAK TRUTH TO POWER, SHINING 949 01:07:56,205 --> 01:08:02,211 THE SPOTLIGHT ON THE POLITICAL ISSUES THAT AFFECT US ALL. 950 01:08:02,211 --> 01:08:08,751 >> HERE ARE THE NOMINEES. >> Announcer: "THE DAILY SHOW," 951 01:08:08,751 --> 01:08:15,825 "JIMMY KIMMEL LIVE," "LAST WEEK TONIGHT WITH JOHN OLIVER," "THE 952 01:08:15,825 --> 01:08:19,028 LATE SHOW WITH STEVEN COLBERT," "SATURDAY NIGHT LIVE." 953 01:08:19,028 --> 01:08:29,672 >> ASK APPROXIMATND THE EMMY GOES TO "THE LATE SHOW WITH STEPHEN COLBERT." 954 01:08:29,672 --> 01:08:32,375 >> Announcer: THE LATE SHOW WITH STEPHEN COLBERT RECEIVED NINE 955 01:08:32,375 --> 01:08:35,345 NOMINATIONS THIS YEAR AND A TOTAL OVERALL OF 41. 956 01:08:35,345 --> 01:08:39,349 THIS IS THEIR SIXTH EMMY WIN THIS YEAR. 957 01:08:39,349 --> 01:08:55,098 ACCEPTING THE EMMY ON BEHALF OF THE TEAM IS STEPHEN COLBERT. 958 01:09:04,140 --> 01:09:04,540 [ CHEERS AND APPLAUSE ] 959 01:09:11,748 --> 01:09:12,949 I JUST WANT TO POINT OUT THAT IF 960 01:09:12,949 --> 01:09:22,825 YOU LIKE THE COMEDY TONIGHT, MY OLD WRITERS WROTE IT TONIGHT. 961 01:09:22,825 --> 01:09:25,695 ARIEL -- MY HEAD WRITER IS THE HEAD WRITER FOR TONIGHT'S EMMYS. 962 01:09:25,695 --> 01:09:29,399 THANK YOU SO MUCH ON BEHALF OF THE OVER 200 PEOPLE WHO THREW 963 01:09:29,399 --> 01:09:32,468 THEMSELVES AT THIS SHOW FOR 11 YEARS TO TRY TO DO THE BEST SHOW 964 01:09:32,468 --> 01:09:35,738 THEY POSSIBLY COULD FOR YOU. THE THING ABOUT THESE LATE SHOWS 965 01:09:35,738 --> 01:09:39,676 IS THAT BESIDES BEING A REALLY GOOD, STEADY JOB IS THAT THEY 966 01:09:39,676 --> 01:09:44,113 REQUIRE SO MANY PEOPLE THAT THEY'RE A FANTASTIC INCUBATOR 967 01:09:44,113 --> 01:09:48,151 FOR YOUNG PEOPLE TO COME IN, TO LEARN TO WORK PROFESSIONALLY ON 968 01:09:48,151 --> 01:09:49,652 A DEADLINE, IN COOPERATION, IN COLLABORATION. 969 01:09:49,652 --> 01:09:54,424 AND THAT IS THE FUTURE OF OUR BUSINESS THAT WE HAVE TO LOOK 970 01:09:54,424 --> 01:09:57,794 AFTER. I WANT YOU TO KNOW I GOT SOME 971 01:09:57,794 --> 01:10:04,333 GREAT NEWS. THEY ARE ALL TECH AVAIL. 972 01:10:04,333 --> 01:10:07,103 HIRE THEM. THEY WILL MAKE YOUR SHOW BETTER, 973 01:10:07,103 --> 01:10:08,805 AND THEY WILL MAKE YOUR DAY EASIER. 974 01:10:08,805 --> 01:10:10,339 I WANT TO THANK -- I WANT TO THANK SO MANY PEOPLE IN THIS 975 01:10:10,339 --> 01:10:14,610 ROOM. OVER THE LAST 21 YEARS, I'VE 976 01:10:14,610 --> 01:10:16,779 INTERVIEWED AT LEAST 1,000 OF YOU. 977 01:10:16,779 --> 01:10:21,050 THANK YOU FOR COMING ON TO TALK TO THIS IDIOT. 978 01:10:21,050 --> 01:10:23,820 I WANT YOU TO KNOW THAT YOU WERE THE PERFECT GUESTS. 979 01:10:23,820 --> 01:10:29,192 THE SEGMENT WENT GREAT, AND I'M SORRY I FORGOT TO PLAY YOUR 980 01:10:29,192 --> 01:10:33,396 CLIP. BUT OF COURSE THERE CAN ONLY BE 981 01:10:33,396 --> 01:10:40,203 ONE FAVORITE CAST, AND THAT IS MY WIFE, EVY McGEE. 982 01:10:40,203 --> 01:10:44,207 THANK YOU, DARLING. THANK YOU FOR BEING MY ONLY CREW 983 01:10:44,207 --> 01:10:48,678 AND MY ONLY GUEST DURING COVID, MY ONLY AUDIENCE, AND THE ONLY 984 01:10:48,678 --> 01:10:51,013 AUDIENCE I REALLY CARE ABOUT. YOURS IS THE LAUGH THAT I WANT 985 01:10:51,013 --> 01:10:57,420 FOR THE REST OF MY LIFE. I LOVE YOU. 986 01:10:57,420 --> 01:10:59,756 AND I WANT TO SAY TO THE AUDIENCE, THANK YOU SO MUCH FOR 987 01:10:59,756 --> 01:11:03,693 WATCHING. WE HOPE YOU ENJOY THE SHOW. 988 01:11:03,693 --> 01:11:04,961 WE HAD A GREAT TIME DOING IT FOR YOU. 989 01:11:04,961 --> 01:11:14,770 THAT'S IT. THANK YOU. 990 01:11:14,770 --> 01:11:15,338 WE'LL CATCH YOU ALL ON THE FLIP. 991 01:11:19,308 --> 01:11:19,375 ♪ 992 01:11:21,477 --> 01:11:23,012 >> Announcer: COMING UP AT THE 993 01:11:23,012 --> 01:11:27,950 PEACOCK THEATRE IN DOWNTOWN L.A., 994 01:11:27,950 --> 01:11:32,054 MARCELLO HERNANDEZ, PLUS MICHAEL J. FOX RECEIVES THE BOB HOPE 995 01:11:32,188 --> 01:11:32,522 HUMANITARIAN AWARD. 996 01:11:33,589 --> 01:11:34,190 J. FOX RECEIVES THE BOB HOPE 997 01:11:34,190 --> 01:11:52,542 HUMANITARIAN AWARD. >> Announcer: PLEASE WELCOME 998 01:11:52,542 --> 01:11:57,914 MORE SELL LOW HERNANDEZ. >> HELLO. 999 01:11:57,914 --> 01:11:59,949 HELLO, EVERYBODY. [ SPEAKING IN A GLOBAL 1000 01:11:59,949 --> 01:12:00,416 LANGUAGE ] HI. 1001 01:12:00,416 --> 01:12:05,454 HELLO. IT'S AN HONOR FOR ME TO BE HERE. 1002 01:12:05,454 --> 01:12:08,958 IT'S MY FIRST TIME AT THE EMMYS. AND I GET TO PRESENT. 1003 01:12:08,958 --> 01:12:12,995 SO, I JUST WANT TO TAKE THIS OPPORTUNITY TO SAY HI TO A FEW 1004 01:12:12,995 --> 01:12:15,331 PEOPLE I MIGHT NOT BE ABLE TO SAY HI TO LATER. 1005 01:12:15,331 --> 01:12:18,501 I DON'T KNOW WHAT PARTIES I'VE BEEN INVITED TO. 1006 01:12:18,501 --> 01:12:20,903 AND I DON'T KNOW WHAT PARTIES YOU HAVE BEEN INVITED TO. 1007 01:12:20,903 --> 01:12:28,144 SO, JUST VERY QUICKLY, I WOULD LIKE TO SAY HELLO TO HARRISON 1008 01:12:28,144 --> 01:12:28,544 FORD. HELLO. 1009 01:12:28,544 --> 01:12:30,613 HI. YOU ARE A LEGEND, MAN, AND A 1010 01:12:30,613 --> 01:12:38,621 REAL INSPIRATION TO ME. AND I WOULD LIKE TO INVITE YOU 1011 01:12:38,621 --> 01:12:42,425 TO HAVE DINNER AT MY HOUSE. NO PRESSURE. 1012 01:12:42,425 --> 01:12:45,494 I WANT TO SAY HI TO ZENDAYA. HI. 1013 01:12:45,494 --> 01:12:46,896 YOU'RE A BEAST AND YOU'RE AMAZING. 1014 01:12:46,896 --> 01:12:50,866 AND I SAW YOU AND I WANTED TO PLAY IT COOL, AND I'VE DECIDED I 1015 01:12:50,866 --> 01:13:00,076 CAN'T DO THAT. SO, I WOULD LIKE TO INVITE YOU 1016 01:13:00,076 --> 01:13:01,277 AND SPIDERMAN TO HAVE DINNER AT MY HOUSE. 1017 01:13:01,277 --> 01:13:02,645 YES. WHAT'S UP, MAN? 1018 01:13:02,645 --> 01:13:06,249 I WOULD ALSO LIKE TO SAY HELLO TO OSCAR ISAAC. 1019 01:13:06,249 --> 01:13:10,086 OSCAR, YOU WERE SO GOOD IN "BEEF," MAN, AND YOU ARE ALSO -- 1020 01:13:10,086 --> 01:13:11,153 LIKE I AM, SO WE COULD BE COUSINS. 1021 01:13:11,153 --> 01:13:14,824 YOU NEVER KNOW. AND I WILL SEE YOU AT CHRISTMAS. 1022 01:13:14,824 --> 01:13:18,127 I WILL COOK YOU WHATEVER YOU WANT. 1023 01:13:18,127 --> 01:13:24,033 AND LASTLY, I WANT TO SAY HELLO TO MATTHEW McCONAUGHEY. 1024 01:13:24,033 --> 01:13:29,906 WHEN I WAS YOUNGER, MY -- SAID, MARCELO, IF YOU'RE WORKING VERY 1025 01:13:29,906 --> 01:13:35,511 HARD, ONE DAY YOU CAN HANG OUT WITH MATTHEW -- 1026 01:13:35,511 --> 01:13:40,316 AND I'M BASICALLY DOING IT. SO, THAT IS MY LITTLE SPIEL. 1027 01:13:40,316 --> 01:13:43,719 AND NOW MORE IMPORTANTLY, AN AWARD FOR THE PEOPLE THAT ARE SO 1028 01:13:43,719 --> 01:13:47,723 CRUCIAL IN THE TELLING OF THE STORIES THAT WE ALL KNOW AND 1029 01:13:47,723 --> 01:13:49,959 LOVE. HERE ARE THE NOMINEES FOR 1030 01:13:49,959 --> 01:13:54,196 DIRECTOR FOR A COMEDY SERIES. >> Announcer: RANDALL EINHORN, 1031 01:13:54,196 --> 01:13:57,366 "ABBOTT ELEMENTARY." "CHRISTOPHER STORER," THE BEAR. 1032 01:13:57,366 --> 01:14:02,171 ANDREW DeYOUNG, "THE CHAIR COMPANY." 1033 01:14:02,171 --> 01:14:05,341 LUCIA ANIELLO, "HACKS." MARY LOU BELLI, "THE MS. PAT 1034 01:14:05,341 --> 01:14:13,582 SHOW." HIRO MURAI, "WIDOW'S BAY." 1035 01:14:13,582 --> 01:14:26,128 >> OKAY. I GET TO SAY THIS. 1036 01:14:26,128 --> 01:14:28,364 AND THE EMMY GOES TO HIRO MURAI, "WIDOW'S BAY." 1037 01:14:28,364 --> 01:14:33,436 >> Announcer: THIS IS THE SECOND WIN AND TENTH NOMINATION FOR 1038 01:14:33,436 --> 01:14:41,510 HIRO MURAI, WHO HAS TWO NOMINATIONS THIS YEAR FOR 1039 01:14:41,510 --> 01:14:43,479 "WIDOW'S BAY" FOR DIRECTING AND PRODUCING. 1040 01:14:43,479 --> 01:14:46,282 HIS FIRST NOMINATION WAS FOR "THE BEAR," MAKING THIS HIS 1041 01:14:46,282 --> 01:14:48,551 FIRST WIN. >> THIS IS SO SCARY UP HERE. 1042 01:14:48,551 --> 01:14:50,986 YOU KNOW, I ALWAYS SAY MY JOB ISN'T TO MAKE THE SHOW. 1043 01:14:50,986 --> 01:14:53,356 IT'S JUST TO LET THE RIGHT PEOPLE IN THE ROOM. 1044 01:14:53,356 --> 01:14:56,926 AND WE JUST HAD THE MOST BEAUTIFUL, KINDEST, MOST GIFTED 1045 01:14:56,926 --> 01:15:03,466 PEOPLE IN OUR ROOM ON THE SHOW. I'D LIKE TO THANK MATTHEW, KATE, 1046 01:15:03,466 --> 01:15:06,569 STEVEN, OUR ENTIRE CAST, CREW, POST TEAM. 1047 01:15:06,569 --> 01:15:11,307 SOME PEOPLE I'VE BEEN DOING THIS WITH FROM THE VERY BEGINNING. 1048 01:15:11,307 --> 01:15:14,443 KATIE DIPPOLD. THANK YOU FOR BEING BRILLIANT 1049 01:15:14,443 --> 01:15:16,545 AND LETTING ME RIDE SHOTGUN. I'M SO PROUD OF EVERYTHING WE 1050 01:15:16,545 --> 01:15:20,149 DID. AND MOST OF ALL, I JUST WANT TO 1051 01:15:20,149 --> 01:15:21,016 THANK MY FAMILY AND MY PARTNER, EMMA. 1052 01:15:21,016 --> 01:15:40,036 I LOVE YOU. THANK YOU. 1053 01:15:40,036 --> 01:15:46,175 >> Announcer: PLEASE WELCOME THREE-TIME EMMY WINNER 1054 01:15:46,175 --> 01:15:50,279 JULIANNA -- >> TONIGHT, A CELEBRATION, AN 1055 01:15:50,279 --> 01:15:54,917 OPPORTUNITY TO RECOGNIZE MEMBERS OF OUR COMMUNITY FOR THEIR 1056 01:15:54,917 --> 01:16:01,957 ARTISTIC ACHIEVEMENTS OF THE PAST TELEVISION YEAR. 1057 01:16:01,957 --> 01:16:04,126 BUT TONIGHT WE ALSO WANT TO SINGLE OUT AN EXTRAORDINARY 1058 01:16:04,126 --> 01:16:09,031 INDIVIDUAL WHOSE CONTRIBUTIONS GO FAR BEYOND HIS TELEVISION 1059 01:16:09,031 --> 01:16:15,004 CREDITS, A MAN WHOSE DEEDS AND ACTIONS HAS HAD A LASTING IMPACT 1060 01:16:15,004 --> 01:16:19,308 ON SOCIETY, A DEAR, DEAR FRIEND OF MINE, WHO I HAD THE PLEASURE 1061 01:16:19,308 --> 01:16:27,149 OF WORKING WITH ON "THE GOOD WIFE," MICHAEL J. FOX. 1062 01:16:27,149 --> 01:16:32,054 THE HONOR THAT MICHAEL IS RECEIVING TONIGHT, THE BOB HOPE 1063 01:16:32,054 --> 01:16:36,092 HUMANITARIAN AWARD, WAS CREATED IN 2002 BY THE TELEVISION 1064 01:16:36,092 --> 01:16:49,205 ACADEMY AS A WAY TO HONOR THOSE ARTISTS WHOSE PHILANTHROPY 1065 01:16:49,205 --> 01:16:51,040 EXEMPLIFIES BOB HOPE'S AL TRUISM. 1066 01:16:51,040 --> 01:16:55,478 THIS YEAR MARKS ONLY THE SIXTH TIME IT HAS BEEN BESTOWED, AND I 1067 01:16:55,478 --> 01:16:58,814 CAN THINK OF NO ONE MORE DESERVING OF IT THAN MICHAEL. 1068 01:16:58,814 --> 01:17:04,353 >> A PROUD SON OF CANADA, HE HAS BECOME ONE OF THE BIGGEST STARS 1069 01:17:04,353 --> 01:17:05,821 IN THE WORLD. >> I'M HIP. 1070 01:17:05,821 --> 01:17:09,425 I'M COOL. I'M A HAPPENING FOOL. 1071 01:17:09,425 --> 01:17:19,902 >> WINNING EMMYS FOR HIS ROLE IN "FAMILY TIES," "SPIN CITY," 1072 01:17:19,902 --> 01:17:22,171 APPEARING IN SERIES LIKE "SHRINKING," AND "CURB YOUR 1073 01:17:22,171 --> 01:17:23,772 ENTHUSIASM." >> THANK YOU. 1074 01:17:23,772 --> 01:17:26,408 JESUS CHRIST. DID YOU SHAKE THAT UP ON 1075 01:17:26,408 --> 01:17:29,979 PURPOSE? >> DEFINED BY HIS TALENT ON 1076 01:17:29,979 --> 01:17:32,248 SCREEN, HIS COURAGE IN FACING PARKINSON'S DISEASE, AND HIS 1077 01:17:32,248 --> 01:17:37,152 COMMITMENT TO FINDING A CURE. >> AS I BEGAN TO UNDERSTAND WHAT 1078 01:17:37,152 --> 01:17:40,089 RESEARCH MIGHT PROMISE FOR THE FUTURE, I BECAME HOPEFUL I WOULD 1079 01:17:40,089 --> 01:17:42,458 NOT FACE THE TERRIBLE SUFFERING SO MANY WITH PARKINSON'S 1080 01:17:42,458 --> 01:17:46,128 ENDURED. BUT I WAS SHOCKED THE FUNDING IS 1081 01:17:46,128 --> 01:17:50,399 SO MEAGER. >> IN 2000, HE CREATED THE 1082 01:17:50,399 --> 01:17:53,702 MICHAEL J. FOX FOUNDATION, WHICH TOOK A DIFFERENT APPROACH, 1083 01:17:53,702 --> 01:17:56,805 ACTING WITH URGENCY TO ENSURE THE FASTEST POSSIBLE IMPACT, 1084 01:17:56,805 --> 01:18:00,910 TAKING RISKS TO PUSH FORWARD THE MOST PROMISING TREATMENT. 1085 01:18:00,910 --> 01:18:05,714 AND IN THE PAST QUARTER CENTURY, THE FOUNDATION HAS RAISED MORE 1086 01:18:05,714 --> 01:18:09,552 THAN $3 BILLION, BECOMING THE WORLD'S LARGEST NON-PROFIT 1087 01:18:09,552 --> 01:18:13,055 FUNDER OF PARKINSON'S RESEARCH. WHILE NEVER LOSING SIGHT OF HIS 1088 01:18:13,055 --> 01:18:16,792 NORTH STAR, FINDING A CURE, AND IN MICHAEL'S WORDS, GOING OUT OF 1089 01:18:16,792 --> 01:18:19,795 BUSINESS. >> MADE A LOT OF DIFFERENCE IN 1090 01:18:19,795 --> 01:18:22,932 THE LIVES OF PATIENTS AND GIVING THEM AN OUTLET FOR THEIR 1091 01:18:22,932 --> 01:18:24,967 FRUSTRATION AND THEIR AMBITION AND THEIR ASPIRATION AND THEIR 1092 01:18:24,967 --> 01:18:28,270 HOPE. AND THAT'S -- THAT'S SOMETHING I 1093 01:18:28,270 --> 01:18:32,141 DON'T TAKE LIGHTLY. >> CONTINUING TO WORK IN SERIES 1094 01:18:32,141 --> 01:18:37,980 AFTER SERIES, MICHAEL J. FOX HAS TAUGHT US ALL HOW TO FIGHT AND 1095 01:18:37,980 --> 01:18:43,185 HOW TO LIVE. >> ON SCREEN, HE HAS BROUGHT US 1096 01:18:43,185 --> 01:18:54,430 JOY, AND WITH HIS FOUNDATION, HE HAS GIVEN HOPE TO MILLIONS 1097 01:18:54,430 --> 01:18:59,702 AROUND THE WORLD. >> ON BEHALF OF THE TELEVISION 1098 01:18:59,702 --> 01:19:01,503 ACADEMY, WE ARE HONORED TO PRESENT THE 2026 BOB HOPE 1099 01:19:01,503 --> 01:19:09,612 HUMANITARIAN AWARD TO MICHAEL J. FOX. 1100 01:19:19,021 --> 01:19:19,088 ♪ 1101 01:19:53,055 --> 01:19:53,455 [ CHEERS AND APPLAUSE ] 1102 01:20:05,000 --> 01:20:05,634 FIRST OF ALL, THANKS SO MUCH TO 1103 01:20:05,634 --> 01:20:08,804 JULIANNA. YOU'RE SO KIND. 1104 01:20:08,804 --> 01:20:12,708 YOU'RE SUCH A GREAT ACTING PARTNER AND HAD A GREAT TIME ON 1105 01:20:12,708 --> 01:20:17,246 THAT SHOW. I'M NOT SPEAKING LEGALESE EVER 1106 01:20:17,246 --> 01:20:19,548 AGAIN IN MY LIFE. IT'S HARD TO REMEMBER THOSE 1107 01:20:19,548 --> 01:20:22,318 WORDS. I DID A TV ROLE. 1108 01:20:22,318 --> 01:20:23,786 THERE WE GO. OH, YEAH. 1109 01:20:23,786 --> 01:20:28,957 AND WE'RE FRIENDS. AND OUR FRIENDSHIP. 1110 01:20:28,957 --> 01:20:34,229 THANK YOU TO EVERYONE INVOLVED WITH THE TELEVISION ACADEMY FOR 1111 01:20:34,229 --> 01:20:38,967 THIS AMAZING, HUMBLING HONOR. FIRST A FEW WORDS ABOUT BOB 1112 01:20:38,967 --> 01:20:42,037 HOPE. MY PARENTS WERE BORN DURING THE 1113 01:20:42,037 --> 01:20:44,573 GREAT DEPRESSION. TO THEM, BOB WAS MORE THAN AN 1114 01:20:44,573 --> 01:20:48,310 ENTERTAINER. SHE WAS A SELFLESS CHAMPION OF 1115 01:20:48,310 --> 01:20:51,947 SOLDIERS AND MILITARY FAMILIES LIKE MINE FOR DECADES. 1116 01:20:51,947 --> 01:20:55,617 CHRISTMASES, THANKSGIVINGS, OTHER HOLIDAYS HE COULD HAVE 1117 01:20:55,617 --> 01:20:59,822 BEEN CELEBRATING WITH HIS FAMILY, HE WAS SHOWING UP FOR 1118 01:20:59,822 --> 01:21:04,426 THE TROOPS IN BERLIN, SAIGON, WITH A TURKEY LEG AND A GOLF 1119 01:21:04,426 --> 01:21:08,664 CLUB, AND MAYBE IF YOU'RE LUCKY -- HE EMBODIED EVERYTHING 1120 01:21:08,664 --> 01:21:16,605 I CAME TO BELIEVE IN YEARS LATER. 1121 01:21:16,605 --> 01:21:20,409 I LEARNED FROM HIS EXAMPLE. I COULDN'T HAVE KNOWN HOW THESE 1122 01:21:20,409 --> 01:21:24,947 LESSONS WOULD RESONATE IN MY OWN LIFE, UNTIL MY LATE 20s, WHEN MY 1123 01:21:24,947 --> 01:21:28,317 LIFE HANDED ME A ROLE I WASN'T LOOKING FOR. 1124 01:21:28,317 --> 01:21:30,786 INITIALLY I KEPT MY PARKINSON'S DIAGNOSIS A SECRET. 1125 01:21:30,786 --> 01:21:35,524 I WORRIED IT WOULD AFFECT MY WORK AND RELATIONSHIPS WITH 1126 01:21:35,524 --> 01:21:38,794 AUDIENCES. WOULD THEY LAUGH IF THEY KNEW I 1127 01:21:38,794 --> 01:21:48,570 WAS SICK. I WAS STUNNED BY THE SUPPORT 1128 01:21:48,570 --> 01:21:51,940 FROM ALL OF YOU, SO UPLIFTED AND I HADN'T LOST WHAT I DO. 1129 01:21:51,940 --> 01:21:53,408 THEY COULDN'T TAKE IT AWAY FROM ME. 1130 01:21:53,408 --> 01:22:02,384 AND IT'S BECAUSE YOU STOOD UP FOR ME. 1131 01:22:02,384 --> 01:22:07,556 I APPRECIATE IT. I UNDERSTOOD THAT ACCEPTING 1132 01:22:07,556 --> 01:22:10,359 PARKINSON'S DIDN'T MEAN I HAD TO SURRENDER TO IT. 1133 01:22:10,359 --> 01:22:12,694 IT JUST MEANT I HAD TO DO EVERYTHING I COULD FOR EVERYONE 1134 01:22:12,694 --> 01:22:17,132 LIVING WITH THIS DISEASE. I SET OUT TO ADVOCATE FOR 1135 01:22:17,132 --> 01:22:19,568 PARKINSON'S DISEASE AND RAISE MONEY. 1136 01:22:19,568 --> 01:22:24,206 I FOUND BRILLIANT PEOPLE TO START -- SORRY, I'M LOSING IT. 1137 01:22:24,206 --> 01:22:27,075 I FOUND PEOPLE TO LEAD THE EFFORT FOR ME AND VOWED TO FUND 1138 01:22:27,075 --> 01:22:30,446 THE BEST SCIENCE IN THE WORLD. I'M PROUD OF THE PROGRESS WE'VE 1139 01:22:30,446 --> 01:22:34,583 MADE TO BENEFIT PARKINSON'S PATIENTS AND FAMILIES. 1140 01:22:34,583 --> 01:22:37,152 WE MOVE CLOSER TO ERADICATING THIS DISEASE FOREVER. 1141 01:22:37,152 --> 01:22:40,689 I'M DEEPLY GRATEFUL TO OUR STAFF, DONORS, RESEARCHERS, AND 1142 01:22:40,689 --> 01:22:44,827 MOST OF ALL THE PATIENT COMMUNITY WHO MAKE OUR WORK AT 1143 01:22:44,827 --> 01:22:54,236 THE MICHAEL J. FOX FOUNDATION. SHOUTOUT TO DEBBIE BROOKS, WHO'S 1144 01:22:54,236 --> 01:23:00,609 OVER THERE WITH MY FAMILY. MY COFOUNDER AND LONGTIME 1145 01:23:00,609 --> 01:23:08,116 PARTNER, SERGEY -- AND THE SERGEY FAMILY FOUNDATION. 1146 01:23:08,116 --> 01:23:13,288 WITH $3 BILLION -- THERE'S A BILLION IN THERE SOMEWHERE. 1147 01:23:13,288 --> 01:23:23,966 AND NOW THE PART WHERE I THANK TRACY AND OUR KIDS. 1148 01:23:23,966 --> 01:23:25,234 AQUINNAH, ESMÉ, SCHUYLER, AND SAM, FOR THEIR SACRIFICES, FOR 1149 01:23:25,234 --> 01:23:28,937 THEIR PATIENCE, AND FOR THEIR LOVE. 1150 01:23:28,937 --> 01:23:33,342 YOU HAVE NO IDEA. AND, OF COURSE, MY MOM AND DAD 1151 01:23:33,342 --> 01:23:41,383 AND MY SISTERS AND BROTHER, MY FELLOW ARMY BRATS AND BOB HOPE 1152 01:23:41,383 --> 01:23:44,052 FANS. AND THANK YOU, BOB, FOR SHOWING 1153 01:23:44,052 --> 01:23:53,729 ME HOW IT'S DONE. THANK YOU. 1154 01:24:10,379 --> 01:24:10,779 [ CHEERS AND APPLAUSE ] 1155 01:24:12,114 --> 01:24:14,049 >> Announcer: COMING UP, 1156 01:24:14,049 --> 01:24:16,318 LINDA CARDELLINI AND DAVID HARBOUR, PLUS SALLY FIELD 1157 01:24:16,318 --> 01:24:19,888 AND REBA McENTIRE LEAD THE 1158 01:24:20,022 --> 01:24:20,389 TRIBUTE TO THE GREAT 1159 01:24:21,456 --> 01:24:22,024 AND REBA McENTIRE LEAD THE 1160 01:24:22,024 --> 01:24:32,501 TRIBUTE TO THE GREAT THIS YEAR'S EMMY WINNERS FOR 1161 01:24:32,501 --> 01:24:36,038 SUPPORTING ACTOR AND ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR 1162 01:24:36,038 --> 01:24:48,817 MOVIE, DAVID HARBOUR AND LINDA CARDELLINI. 1163 01:24:48,817 --> 01:24:53,455 >> WOW. LINDA, DID YOU HEAR THAT? 1164 01:24:53,455 --> 01:24:54,690 THEY CALLED US "EMMY WINNERS." >> WOW. 1165 01:24:54,690 --> 01:24:57,693 CONGRATULATIONS, DAVID. >> CONGRATULATIONS TO YOU. 1166 01:24:57,693 --> 01:25:06,935 WE ARE THE FREAKS THAT AMY POEHLER WARNED YOU ABOUT. 1167 01:25:06,935 --> 01:25:13,475 >> WE ALSO WANT TO GIVE A SHOUT OUT TO OUR BRILLIANT "DTF" 1168 01:25:13,475 --> 01:25:18,080 LEADER, STEVEN CONRAD, WHO WON TWO EMMYS LAST WEEK FOR WRITING 1169 01:25:18,080 --> 01:25:22,551 AND DIRECTING OUR INCREDIBLE LIMITED SERIES. 1170 01:25:22,551 --> 01:25:24,286 WE ARE SO LUCKY TO PLAY CHAOTIC, COMPLEX CHARACTERS THAT LIVE ON 1171 01:25:24,286 --> 01:25:25,187 WITH AUDIENCES LONG AFTER THE SEASON ENDS. 1172 01:25:25,187 --> 01:25:26,955 >> WHEN THE GIFT OF DIALOGUE AND STORIES THAT CREATE IMPOSSIBLE 1173 01:25:26,955 --> 01:25:28,924 WORLDS COLLIDE, THE RESULT IS PRICELESS. 1174 01:25:28,924 --> 01:25:32,628 WHETHER IT'S A HOSTILE DESERT OR A HIGH-STRESS E.R. ROOM OR A 1175 01:25:32,628 --> 01:25:36,865 PSYCHOLOGICAL INTERROGATION, THESE WRITERS PUSH THE LIMITS 1176 01:25:36,865 --> 01:25:38,433 AND BOUNDARIES ALL IN UNDER AN HOUR. 1177 01:25:38,433 --> 01:25:44,806 HERE ARE THE NOMINEES FOR WRITING FOR A DRAMA SERIES. 1178 01:25:44,806 --> 01:25:52,247 PETER ACKERMAN AND DEBORA CAHN, "THE DIPLOMAT." 1179 01:25:52,247 --> 01:25:57,052 VALERIE CHU, "THE PITT." VINCE GILLIGAN, "PLURIBUS." 1180 01:25:57,052 --> 01:26:07,329 WILL SMITH, "SLOW HORSES." BRAD INGELSBY, "TASK." 1181 01:26:07,329 --> 01:26:16,405 AND THE EMMY GOES TO -- >> VINCE GILLIGAN, "PLURIBUS." 1182 01:26:16,405 --> 01:26:20,442 >> Announcer: THIS IS THE FIFTH EMMY WIN AND 26th NOMINATION FOR 1183 01:26:20,442 --> 01:26:24,379 VINCE GILLIGAN. IN THE PAST HE WON TWO EMMYS FOR 1184 01:26:24,379 --> 01:26:34,256 WRITING AND TWO FOR PRODUCING "BREAKING BAD." 1185 01:26:41,263 --> 01:26:43,498 >> WOW! 1186 01:26:43,498 --> 01:26:47,369 VERY EXCITED. I HAVE AN OVERWHELMING NUMBER OF 1187 01:26:47,369 --> 01:26:51,106 PEOPLE TO THANK, SO I'M GOING TO SKIP THAT PART. 1188 01:26:51,106 --> 01:26:58,013 BUT I WILL -- I DO WANT TO SAY, I WOULDN'T MIND LOSING TO 1189 01:26:58,013 --> 01:27:03,185 VALERIE CHU, WHO USED TO BE OUR WRITER'S ASSISTANT ON "BETTER 1190 01:27:03,185 --> 01:27:05,754 CALL SAUL." VALERIE, YOU'RE AWESOME. 1191 01:27:05,754 --> 01:27:10,025 THANK YOU FOR BUYING ME A DRINK TONIGHT. 1192 01:27:10,025 --> 01:27:13,929 A BIG CAREER AHEAD OF YOU. "PLURIBUS," IT'S SO WEIRD, A 1193 01:27:13,929 --> 01:27:14,763 WORLD IN WHICH EVERYONE GETS ALONG. 1194 01:27:14,763 --> 01:27:17,065 IT'S SO SCI-FI. BUT THINK ABOUT IT. 1195 01:27:17,065 --> 01:27:19,534 THERE IS NOTHING WEIRDER THAN OUR CURRENT REALITY. 1196 01:27:19,534 --> 01:27:22,738 THESE PAST TEN YEARS, YOU CAN'T WRITE THIS STUFF. 1197 01:27:22,738 --> 01:27:27,209 I SUBMIT TO YOU THAT A REAL WORLD IN WHICH PEOPLE GET ALONG 1198 01:27:27,209 --> 01:27:33,315 IS JUST AS BELIEVABLE AS WHAT WE'VE GOT NOW. 1199 01:27:33,315 --> 01:27:35,884 AND ACHIEVABLE. WE WILL NEVER AGREE ON 1200 01:27:35,884 --> 01:27:39,121 EVERYTHING, BUT WE CAN SHOW RESPECT TO ONE ANOTHER, MAYBE 1201 01:27:39,121 --> 01:27:42,491 EVEN KINDNESS. AND WE CAN STOP LISTENING TO A 1202 01:27:42,491 --> 01:27:46,027 RELATIVE FEW WHO TELL US THAT THAT IS FOR SUCKERS AND WHO GET 1203 01:27:46,027 --> 01:27:50,766 THEIR POWER FROM DIVIDING US. MY TWO CENTS. 1204 01:27:50,766 --> 01:27:57,439 AND I DO WANT TO THANK APPLE TV, TONY PICTURES TELEVISION, AND 1205 01:27:57,439 --> 01:28:07,582 MAGNIFICENT RHEA SEEHORN. THANK YOU. 1206 01:28:07,582 --> 01:28:11,319 >> ON AUGUST 25th, WE LOST A PIECE OF AMERICA'S HEART -- 1207 01:28:11,319 --> 01:28:13,088 DOLLY PARTON. PLEASE JOIN ME IN WELCOMING HER 1208 01:28:13,088 --> 01:28:26,635 CO-STAR AND TREASURED FRIEND, SALLY FIELD. 1209 01:28:33,575 --> 01:28:33,642 ♪ 1210 01:28:44,886 --> 01:28:45,520 EARTH, THEN WE JUST LOST ONE, 1211 01:28:45,520 --> 01:28:50,058 DOLLY PARTON. IT WAS MY GREAT, GOOD FORTUNE TO 1212 01:28:50,058 --> 01:28:58,300 HAVE WORKED WITH DOLLY IN A FILM CALLED "STEEL MAGNOLIAS." 1213 01:28:58,300 --> 01:29:01,236 AND OVER THE YEARS, I NEVER STOPPED LOVING HER, THOUGH WE 1214 01:29:01,236 --> 01:29:05,006 LIVED VERY FAR APART. I ADORED HER FROM DAY ONE. 1215 01:29:05,006 --> 01:29:10,111 HOW COULD YOU NOT? SHE WAS GENUINE AND HUMBLE, 1216 01:29:10,111 --> 01:29:13,415 SUPPORTIVE AND BLISTERINGLY FUNNY WITH A BAWDY SENSE OF 1217 01:29:13,415 --> 01:29:19,287 HUMOR THAT WOULD SEND ANY RUDE GUY LOOKING FOR A PLACE TO HIDE. 1218 01:29:19,287 --> 01:29:24,025 I COULDN'T SEE THEN WHAT A REAL GIANT DOLLY WAS, NOT JUST AS AN 1219 01:29:24,025 --> 01:29:27,896 ARTIST, BUT AS A HUMAN. SHE WAS A HUMANITARIAN WHOSE 1220 01:29:27,896 --> 01:29:30,999 CONTRIBUTIONS HAVE MADE A PROFOUND DIFFERENCE IN THE LIVES 1221 01:29:30,999 --> 01:29:34,636 OF SO MANY IN HER HOME STATE OF TENNESSEE AND ACROSS OUR 1222 01:29:34,636 --> 01:29:36,438 COUNTRY. GOD BLESS YOU, DOLLY PARTON, MY 1223 01:29:36,438 --> 01:29:39,507 FRIEND. I AM NOT THE ONLY ONE ON EARTH 1224 01:29:39,507 --> 01:29:50,252 THAT WILL LOVE YOU FOREVER AND EVER. 1225 01:29:50,252 --> 01:29:52,554 >> I GREW UP IN THE SMOKY MOUNTAINS, THE APPALACHIAN 1226 01:29:52,554 --> 01:29:55,323 MOUNTAINS. I HAVE WRITTEN A SONG THAT 1227 01:29:55,323 --> 01:29:57,792 TOUCHES ME VERY DEEP. I'M SURE IN YOUR OWN WAY, YOU 1228 01:29:57,792 --> 01:30:00,462 WILL RELATE TO THIS. THIS SONG, LIKE I SAY, IS VERY 1229 01:30:00,462 --> 01:30:03,665 IMPORTANT TO ME. AND I HOPE YOU DON'T LIKE IT. 1230 01:30:03,665 --> 01:30:06,034 IF YOU DON'T LIKE IT, IF YOU DON'T MIND, I WOULD RATHER NOT 1231 01:30:06,034 --> 01:30:11,206 HEAR ABOUT IT LATER. IT'S A SONG I CALL "APPALACHIAN 1232 01:30:11,206 --> 01:30:12,774 MEMORIES." >> Announcer: PLEASE WELCOME 1233 01:30:12,774 --> 01:30:21,883 THREE-TIME GRAMMY WINNER REBA McENTIRE. 1234 01:30:33,061 --> 01:30:33,662 ♪ YOU OUGHT TO GO NORTH 1235 01:30:33,662 --> 01:30:39,901 SOMEBODY TOLD US ♪ ♪ BECAUSE THE AIR IS FILLED WITH 1236 01:30:39,901 --> 01:30:43,338 GOLD DUST ♪ ♪ AND FORTUNE FALLS 1237 01:30:43,338 --> 01:30:47,475 LIKE SNOWFLAKES IN YOUR HANDS ♪ 1238 01:30:47,475 --> 01:30:54,049 ♪ NOW I DON'T RECALL WHO SAID IT ♪ 1239 01:30:54,049 --> 01:30:59,087 ♪ BUT WE'D LIVED SO LONG ON CREDIT ♪ 1240 01:30:59,087 --> 01:31:05,493 ♪ SO WE HEADED OUT TO FIND OUR PROMISED LAND ♪ 1241 01:31:05,493 --> 01:31:08,196 ♪ JUST POOR APPALACHIAN FARM FOLK ♪ 1242 01:31:08,196 --> 01:31:11,800 ♪ WITH NOTHING MORE THAN HIGH HOPES ♪ 1243 01:31:11,800 --> 01:31:19,708 ♪ SO WE HITCHED OUR STATION WAGON TO A STAR ♪ 1244 01:31:19,708 --> 01:31:24,279 ♪ BUT OUR DREAMS ALL FELL IN ON US ♪ 1245 01:31:24,279 --> 01:31:27,749 ♪ BECAUSE THERE WAS NO LAND OF PROMISE ♪ 1246 01:31:27,749 --> 01:31:37,859 ♪ AND IT'S A STRUGGLE KEEPING SIGHT OF WHO YOU ARE ♪ 1247 01:31:37,859 --> 01:31:40,295 $ ♪ AND OH THESE NORTHERN 1248 01:31:40,295 --> 01:31:44,466 NIGHTS ARE DREARY AND MY SOUTHERN 1249 01:31:44,466 --> 01:31:49,270 HEART IS WEARY ♪ ♪ AS I WONDER HOW THE OLD FOLKS 1250 01:31:49,270 --> 01:31:54,809 ARE BACK HOME ♪ ♪ AND I'LL KEEP LEANING 1251 01:31:54,809 --> 01:31:59,047 ON SWEET JESUS ♪ ♪ I KNOW HE'LL LOVE AND GUIDE 1252 01:31:59,047 --> 01:32:04,386 AND LEAD US ♪ ♪ APPALACHIAN MEMORIES 1253 01:32:04,386 --> 01:32:07,022 KEEP ME STRONG ♪ ♪ YOU KNOW I'VE BEEN 1254 01:32:07,022 --> 01:32:10,759 THINKING A WHOLE LOT LATELY ♪ 1255 01:32:10,759 --> 01:32:16,898 ♪ ABOUT WHAT'S BEEN AND WHAT AWAITS ME ♪ 1256 01:32:16,898 --> 01:32:22,871 ♪ IT TAKES ALL I'VE GOT TO GIVE WHAT LIFE DEMANDS ♪ 1257 01:32:22,871 --> 01:32:27,509 ♪ YOU'D GO INSANE IF YOU GIVE IN TO IT ♪ 1258 01:32:27,509 --> 01:32:32,981 ♪ LIFE'S A MILL AND I'VE BEEN THROUGH IT ♪ 1259 01:32:32,981 --> 01:32:44,192 ♪ SO I'M JUST THANKFUL I'M CREATIVE WITH MY HANDS ♪ 1260 01:32:44,192 --> 01:32:50,899 ♪ OH AND THESE NORTHERN NIGHTS ARE DREARY ♪ 1261 01:32:50,899 --> 01:32:55,336 ♪ AND MY SOUTHERN EYES ARE TEARY ♪ 1262 01:32:55,336 --> 01:33:00,742 ♪ OH I WONDER HOW THE OLD FOLKS ARE BACK HOME ♪ 1263 01:33:00,742 --> 01:33:02,544 ♪ BUT I'LL KEEP LEANING ON MY JESUS ♪ 1264 01:33:02,544 --> 01:33:05,980 ♪ I KNOW HE'LL LOVE AND GUIDE AND LEAD US ♪ 1265 01:33:05,980 --> 01:33:13,922 ♪ APPALACHIAN MEMORIES KEEP ME STRONG ♪ 1266 01:33:13,922 --> 01:33:17,092 ♪ I'LL KEEP LOOKING TO THE FATHER 1267 01:33:17,092 --> 01:33:23,998 KEEP MY HEAD ABOVE THE WATER ♪ 1268 01:33:23,998 --> 01:33:33,541 ♪ APPALACHIAN MEMORIES 1269 01:33:33,675 --> 01:33:33,975 KEEP ME STRONG ♪ 1270 01:33:35,210 --> 01:33:35,710 ♪ APPALACHIAN MEMORIES 1271 01:33:35,710 --> 01:33:55,797 KEEP ME STRONG ♪ ♪ 1272 01:33:55,797 --> 01:34:07,242 >> Announcer: PLEASE WELCOME TWO-TIME EMMY WINNER NIECY 1273 01:34:07,242 --> 01:34:12,013 NASH-BETTS. >> OUR FAVORITE TELEVISION SHOWS 1274 01:34:12,013 --> 01:34:18,219 ALWAYS HAVE A WAY OF REFLECTING REAL LIFE, ESPECIALLY WHEN IT 1275 01:34:18,219 --> 01:34:24,759 COMES TO LOVE. IT CAN BE A STEAMY SITUATIONSHIP 1276 01:34:24,759 --> 01:34:29,531 OR A RAGE-FILLED BEEF, AND IF YOU'RE ONE OF THE LUCKY ONES, 1277 01:34:29,531 --> 01:34:33,334 LIKE ME, YOU FIND YOURSELF MARRIED TO YOUR BEST FRIEND. 1278 01:34:33,334 --> 01:34:37,505 I LOVE YOU, JAY-Z. JUST LIKE LOVE, SOME OF OUR 1279 01:34:37,505 --> 01:34:44,579 GREATEST STORIES DON'T NEED A LIFETIME TO MAKE AN IMPACT. 1280 01:34:44,579 --> 01:34:47,015 SOMETIMES ALL IT TAKES IS ONE UNFORGETTABLE CHAPTER. 1281 01:34:47,015 --> 01:34:53,555 HERE ARE THE NOMINEES FOR LIMITED OR ANTHOLOGY SERIES. 1282 01:34:53,555 --> 01:34:58,860 >> Announcer: "ALL HER FAULT." >> WHERE IS HE? 1283 01:34:58,860 --> 01:35:01,462 >> I DON'T KNOW WHERE MY SON IS. >> Announcer: "THE BEAST IN ME." 1284 01:35:01,462 --> 01:35:05,967 >> DID YOU KILL HER? >> WHAT DO YOU THINK? 1285 01:35:05,967 --> 01:35:09,204 >> Announcer: "BEEF." >> MAYBE THERE WILL BE A MOTEL 1286 01:35:09,204 --> 01:35:11,706 IN THE AREA THAT'S WILLING TO HIRE SOMEONE WITHOUT A HIGH 1287 01:35:11,706 --> 01:35:14,676 SCHOOL DIPLOMA. >> THAT'S UNCALLED FOR, MAN. 1288 01:35:14,676 --> 01:35:20,949 >> WHAT DO YOU MEAN IT'S UNCALLED FOR, MAN. 1289 01:35:20,949 --> 01:35:23,218 >> I THINK IT'S TIME FOR YOU TO GO. 1290 01:35:23,218 --> 01:35:25,520 >> Announcer: "DTF ST. LOUIS." >> TRY JUST LOVING YOURSELF LIKE 1291 01:35:25,520 --> 01:35:30,825 I DO. >> LIKE I LOVE YOURSELF? 1292 01:35:30,825 --> 01:35:40,268 >> NO, LIKE I LOVE YOU. >> Announcer: "LOVE STORY: JOHN 1293 01:35:40,268 --> 01:35:51,579 F. KENNEDY JR. AND CAROLYN BESSETTE." 1294 01:35:51,579 --> 01:36:00,955 >> AND THE EMMY GOES TO -- "DTF ST. LOUIS." 1295 01:36:00,955 --> 01:36:04,826 >> Announcer: DTF ST. LOUIS RECEIVED 13 NOMINATIONS THIS 1296 01:36:04,826 --> 01:36:15,970 YEAR, WINNING SEVEN EMMYS. ACCEPTING THE EMMY ON BEHALF OF 1297 01:36:15,970 --> 01:36:19,841 THE TEAM IS STEVEN CONRAD. >> I AM SO PROUD TO BE ABLE TO 1298 01:36:19,841 --> 01:36:24,779 SPEAK ON BEHALF OF AN EXTRAORDINARY CREW AND CAST. 1299 01:36:24,779 --> 01:36:29,450 WE WERE ALL GRATEFUL FOR A MOMENT LIKE THIS TO SAY THANK 1300 01:36:29,450 --> 01:36:34,822 YOU TO OUR FAMILIES, CHILDREN, PARTNERS, AND PARENTS. 1301 01:36:34,822 --> 01:36:37,759 THEIR GOOD CHEER AND THEIR FAITH WAS REALLY OUR GREATEST RESOURCE 1302 01:36:37,759 --> 01:36:42,497 ALL ALONG THE WAY. THANK YOU, HBO, FOR THE KIND AND 1303 01:36:42,497 --> 01:36:49,937 INTELLIGENT GUIDANCE. AND ON BEHALF OF THE 175 PEOPLE 1304 01:36:49,937 --> 01:36:52,540 WHO JOINED "DTF ST. LOUIS," WE ARE ALL GRATEFUL, AND WE EACH 1305 01:36:52,540 --> 01:37:03,451 SEND OUR GREAT APPRECIATION. THANK YOU. 1306 01:37:03,451 --> 01:37:05,887 [ CHEERS AND APPLAUSE ] >> Announcer: COMING UP, 1307 01:37:05,887 --> 01:37:07,488 MACAULAY CULKIN, ANNIE MURPHY, AND DAN LEVY LEAD THE IN 1308 01:37:07,488 --> 01:37:12,794 MEMORIAM WITH A PERFORMANCE BY NOAH KAHAN. 1309 01:37:12,794 --> 01:37:15,463 AND LATER, "CHARLIE'S ANGELS" CHERYL LADD, JACLYN SMITH, AND 1310 01:37:15,463 --> 01:37:19,167 KATE JACKSON REUNITE TO PRESENT THE AWARD FOR DRAMA SERIES. 1311 01:37:33,514 --> 01:37:35,550 >> YOUR HAIR LOOKS AMAZING, BUT 1312 01:37:35,550 --> 01:37:38,720 LOOK HOW FAR YOU'VE COME. >> I -- WELL BEFORE ANYONE COULD 1313 01:37:38,720 --> 01:37:41,022 SEE IT. >> LONG BEFORE THE DIVORCE, THE 1314 01:37:41,022 --> 01:37:43,691 STRESS WAS STARTING TO SHOW IN MY HAIR, AND I FELT COMPLETELY 1315 01:37:43,691 --> 01:37:48,596 DRAINED. BUT THERE WAS THIS MOMENT WHEN I 1316 01:37:48,596 --> 01:37:51,199 REALIZED I HADN'T PRIORITIZED ME. 1317 01:37:53,167 --> 01:37:53,334 ME. 1318 01:37:53,334 --> 01:38:01,676 SO, >> Announcer: HERE ARE TONIGHT'S 1319 01:38:01,676 --> 01:38:10,518 ACCOUNTANTS FROM ERNST and YOUNG, PAIGE ZIMMER AND 1320 01:38:10,518 --> 01:38:13,721 GRETA CASAGRANDE. >> Announcer: PLEASE WELCOME 1321 01:38:13,721 --> 01:38:28,603 MACAULAY CULKIN, ANNIE MURPHY, AND DAN LEVY. 1322 01:38:28,603 --> 01:38:32,807 >> CATHERINE O'HARA. WE REMEMBER HER AS A FORGETFUL 1323 01:38:32,807 --> 01:38:35,910 MOTHER, RIGHT? BUT WE WILL NEVER FORGET ABOUT 1324 01:38:35,910 --> 01:38:40,214 HER. THERE ARE ALL KINDS OF WORDS I 1325 01:38:40,214 --> 01:38:41,682 COULD USE TO DESCRIBE CATHERINE. SHE WAS ENCOURAGING. 1326 01:38:41,682 --> 01:38:47,622 SHE WAS WARM. SHE WAS FUNNY. 1327 01:38:47,622 --> 01:38:49,524 BUT THE WORD THAT I THINK OF IS "MAMA." 1328 01:38:49,524 --> 01:38:53,528 YOU KNOW, SHE WASN'T JUST A WIFE AND MOTHER TO BO AND MATTHEW AND 1329 01:38:53,528 --> 01:38:56,798 LUKE. SHE WAS -- SHE WAS MY MOM. 1330 01:38:56,798 --> 01:39:00,802 SHE WAS OUR MAMA. AND BY EXTENSION, SHE'S ALL OF 1331 01:39:00,802 --> 01:39:05,606 OUR MAMA. BY THE WAY, CALL YOUR MOTHER 1332 01:39:05,606 --> 01:39:08,810 TONIGHT. FOR REAL. 1333 01:39:08,810 --> 01:39:12,480 BUT -- YEAH. RIGHT? 1334 01:39:12,480 --> 01:39:17,452 GIVE IT UP FOR MOMS. BUT LIKE A GOOD MAMA, SHE -- SHE 1335 01:39:17,452 --> 01:39:19,520 ALWAYS SHOWED UP WHEN I ASKED HER TO. 1336 01:39:19,520 --> 01:39:21,989 BECAUSE THAT WAS CATHERINE. THAT'S WHAT SHE DID. 1337 01:39:21,989 --> 01:39:27,061 SHE SHOWED UP. AND THIS IS THE BEST THAT 1338 01:39:27,061 --> 01:39:29,864 BELICHICK DO FOWE CAN DO FOR HER TONIGHT. 1339 01:39:29,864 --> 01:39:36,070 WE'RE SHOWING UP FOR HER. SO, SHE MAY HAVE FORGOTTEN ME -- 1340 01:39:36,070 --> 01:39:37,905 >> TWICE. >> -- BUT WE WILL ALWAYS 1341 01:39:37,905 --> 01:39:49,116 REMEMBER HER. THANK YOU. 1342 01:39:49,116 --> 01:39:51,786 >> CATHERINE'S LAUGH WAS A PERPETUAL "YES, AND..." 1343 01:39:51,786 --> 01:39:54,956 IT CHALLENGED ANYONE WHO HEARD IT TO JOIN IN AND BE AS 1344 01:39:54,956 --> 01:39:59,760 DELIGHTED AS SHE WAS. AND SHE SPREAD THAT DELIGHT 1345 01:39:59,760 --> 01:40:03,464 EVERYWHERE. AFTER WE LOST CATHERINE, I WAS 1346 01:40:03,464 --> 01:40:07,735 PASSED A NOTE ON AN AIR CANADA FLIGHT THAT SAID, "SHE WAS SO 1347 01:40:07,735 --> 01:40:12,173 SPECIAL. I HOPE YOU'RE DOING OKAY." 1348 01:40:12,173 --> 01:40:17,278 ON A DRIVE UP NORTH, I WAS HUGGED BY AN EXTREMELY GRUFF 1349 01:40:17,278 --> 01:40:22,016 LOOKING GAS STATION ATTENDANT WHO WAS ALSO GRIEVING HER LOSS. 1350 01:40:22,016 --> 01:40:27,288 WHILE BUYING WINE AT THE LCBO, I WAS TREATED TO A VERY LIVELY 1351 01:40:27,288 --> 01:40:33,461 CATHERINE MASHUP, WHICH WAS A WOMAN SAYING, "EW, DAVID, 1352 01:40:33,461 --> 01:40:40,868 WHERE'S THE BEBE?" WHILE DOING WHAT I CAN ONLY 1353 01:40:40,868 --> 01:40:43,604 ASSUME WAS CATHERINE'S EXQUISITE HOBBLE FROM BEST IN SHOW. 1354 01:40:43,604 --> 01:40:45,706 THESE ARE ONLY A VERY FEW OF THE INTERACTIONS I'VE BEEN LUCKY 1355 01:40:45,706 --> 01:40:47,808 ENOUGH TO HAVE THAT REMIND ME HOW PROFOUNDLY CATHERINE HAS 1356 01:40:47,808 --> 01:40:52,079 IMPACTED THE WORLD. AND IT'S BECAUSE SHE BROUGHT US 1357 01:40:52,079 --> 01:40:55,249 JOY. >> THE GREATEST LESSON I LEARNED 1358 01:40:55,249 --> 01:40:58,019 FROM CATHERINE BOTH PROFESSIONALLY AND PERSONALLY 1359 01:40:58,019 --> 01:41:04,558 WAS TO ALWAYS SAY YES. SAY YES TO HER INSTINCTS, ALL OF 1360 01:41:04,558 --> 01:41:07,094 THEM, AS RADICAL AS THEY MAY SOMETIMES SEEM, SHE IS MILES 1361 01:41:07,094 --> 01:41:12,166 AHEAD OF YOU, AND YOU WILL LEARN TO CATCH UP. 1362 01:41:12,166 --> 01:41:15,870 SAY YES TO HELPING HER BUILD A TV CHARACTER OVER THE AGE OF 1363 01:41:15,870 --> 01:41:21,709 60 THAT WEARS LEATHER MINISKIRTS AND EIGHT-INCH HEELS AND SPEAKS 1364 01:41:21,709 --> 01:41:28,616 IN A STRANGE, SOMETIMES UNINTELLIGIBLE TRANSATLANTIC 1365 01:41:28,616 --> 01:41:33,187 ACCENT, AND KNOW THAT SHE WILL NOT SCARE AN AUDIENCE AWAY. 1366 01:41:33,187 --> 01:41:35,456 SAY YES TO THAT REWRITE SHE EMAILS YOU, SOMETIMES THE NIGHT 1367 01:41:35,456 --> 01:41:38,492 BEFORE. "DEAR DAN, SOME THOUGHTS." 1368 01:41:38,492 --> 01:41:41,162 IT WILL ALWAYS IMPROVE THE STORY. 1369 01:41:41,162 --> 01:41:47,568 SAY YES TO THE CONCEPT OF A WIG WALL. 1370 01:41:47,568 --> 01:41:55,543 SAY YES TO HER ASKING TO WEAR A WIG AS A HAT. 1371 01:41:55,543 --> 01:41:58,713 SAY YES TO HER NAMING THAT WIG. SAY YES TO GIVING HER SPACE TO 1372 01:41:58,713 --> 01:42:05,086 EXPERIMENT AND CREATE. IT WILL AMAZE YOU ON A DAILY 1373 01:42:05,086 --> 01:42:06,420 BASIS, AND IT WILL CHANGE YOUR LIFE. 1374 01:42:06,420 --> 01:42:09,991 SAY YES TO HER DINNER INVITES AND HER STORIES AND HER WISDOM 1375 01:42:09,991 --> 01:42:14,595 AND HER GENEROSITY. THOSE ARE THE THINGS YOU WILL 1376 01:42:14,595 --> 01:42:16,364 HOLD ONTO THE TIGHTEST. ALWAYS SAY YES TO ANY 1377 01:42:16,364 --> 01:42:19,934 OPPORTUNITY TO REVEL IN THE PRESENCE OF GREATNESS. 1378 01:42:19,934 --> 01:42:29,310 TONIGHT, ALONGSIDE NOAH KAHAN, WE HONOR ALL OF THE INDUSTRY 1379 01:42:29,310 --> 01:42:29,810 GREATNESS WE LOST THIS YEAR. 1380 01:42:37,551 --> 01:42:46,494 ♪ 1381 01:42:46,494 --> 01:42:53,734 ♪ WHEN YOU'RE WEARY FEELING SMALL ♪ 1382 01:42:53,734 --> 01:43:07,948 ♪ WHEN TEARS ARE IN YOUR EYES I WILL DRY THEM ALL ♪ 1383 01:43:07,948 --> 01:43:17,558 ♪ I'M ON YOUR SIDE WHEN TIMES GET ROUGH ♪ 1384 01:43:17,558 --> 01:43:25,900 ♪ AND FRIENDS JUST CAN'T BE FOUND ♪ 1385 01:43:25,900 --> 01:43:29,236 ♪ LIKE A BRIDGE OVER TROUBLED WATER ♪ 1386 01:43:29,236 --> 01:43:36,911 ♪ I WILL LAY ME DOWN ♪ ♪ LIKE A BRIDGE 1387 01:43:36,911 --> 01:43:53,461 OVER TROUBLED WATER ♪ ♪ I WILL LAY ME DOWN ♪ 1388 01:43:53,461 --> 01:43:53,561 ♪ 1389 01:44:17,885 --> 01:44:22,523 ♪ WHEN YOU'RE DOWN AND OUT 1390 01:44:22,523 --> 01:44:36,904 WHEN YOU'RE ON THE STREET ♪ ♪ WHEN EVENING FALLS SO HARD 1391 01:44:36,904 --> 01:44:47,581 I WILL COMFORT YOU ♪ ♪ I'LL TAKE YOUR PART 1392 01:44:47,581 --> 01:44:58,225 WHEN TIMES GET ROUGH ♪ ♪ AND PAIN IS ALL AROUND ♪ 1393 01:44:58,225 --> 01:45:04,431 ♪ LIKE A BRIDGE OVER TROUBLED WATER ♪ 1394 01:45:04,431 --> 01:45:11,639 ♪ I WILL LAY ME DOWN ♪ ♪ LIKE A BRIDGE 1395 01:45:11,639 --> 01:45:28,289 OVER TROUBLED WATER ♪ ♪ I WILL LAY ME DOWN ♪ 1396 01:45:28,289 --> 01:45:44,738 ♪ ♪ 1397 01:45:56,417 --> 01:46:01,689 ♪ 1398 01:46:01,689 --> 01:46:07,728 ♪ WHEN PAIN IS ALL AROUND LIKE A BRIDGE 1399 01:46:07,728 --> 01:46:14,868 OVER TROUBLED WATER ♪ ♪ I WILL LAY ME DOWN ♪ 1400 01:46:14,868 --> 01:46:29,817 ♪ LIKE A BRIDGE OVER TROUBLED WATER ♪ 1401 01:46:29,817 --> 01:46:38,025 ♪ I WILL LAY ME DOWN ♪ ♪ 1402 01:46:51,538 --> 01:47:03,517 >> Announcer: PLEASE WELCOME 1403 01:47:03,517 --> 01:47:03,817 JAMIE LEE CURTIS. 1404 01:47:14,261 --> 01:47:15,496 TELEVISION, THE GREAT 1405 01:47:15,496 --> 01:47:19,767 JAMES BURROWS SET A STANDARD OF COMEDY DIRECTING THAT WILL BE 1406 01:47:19,767 --> 01:47:24,672 CHERISHED AND STUDIED FOR GENERATIONS TO COME. 1407 01:47:24,672 --> 01:47:40,187 AND SADLY LAST YEAR, WE LOST ANOTHER CHERISHED LEGEND, OUR 1408 01:47:40,187 --> 01:47:44,858 BELOVED MEATHEAD, ROB REINER. LAST WEEK, ROBBIE WON AN EMMY 1409 01:47:44,858 --> 01:47:47,594 FOR GUEST ACTOR IN A COMEDY SERIES FOR HIS BEAUTIFUL WORK ON 1410 01:47:47,594 --> 01:47:52,833 "THE BEAR." AND HE NOW HOLDS THE RECORD OF 1411 01:47:52,833 --> 01:48:00,507 48 YEARS FOR THE LONGEST GAP BETWEEN ACTING EMMYS, WHICH WAS 1412 01:48:00,507 --> 01:48:10,351 PREVIOUSLY HELD BY HIS FATHER, CARL REINER, AT 37 YEARS. 1413 01:48:10,351 --> 01:48:15,222 HE WAS GENEROUS AND KIND AND FUNNY AS HELL AND A FRIEND TO 1414 01:48:15,222 --> 01:48:25,666 ALL. AND WE ALL MISS ROB AND MICHELLE 1415 01:48:25,666 --> 01:48:26,233 AND ALL THOSE WE LOST THIS YEAR. 1416 01:48:33,006 --> 01:48:33,107 ♪ 1417 01:48:46,920 --> 01:48:47,921 >>> LIKE SO MANY OF US, I GREW 1418 01:48:47,921 --> 01:48:52,793 UP WANTING TO BE THE CHARACTERS THAT I SAW ON TV. 1419 01:48:52,793 --> 01:48:56,764 I WANTED TO BE SPEED RACER. I WANTED TO BE WONDERWOMAN. 1420 01:48:56,764 --> 01:49:04,304 AND OF COURSE, AS I GOT OLDER, I HAD TO COME TO TERMS WITH THE 1421 01:49:04,304 --> 01:49:06,640 FACT THAT I WOULD SIMPLY NEVER HAVE THE FIGURE TO PLAY COLOMBO. 1422 01:49:06,640 --> 01:49:11,278 IN 1976, THE WORLD WAS INTRODUCED TO "CHARLIE'S 1423 01:49:11,278 --> 01:49:16,583 ANGELS." THREE BEAUTIFUL, BAD-ASS SECRET 1424 01:49:16,583 --> 01:49:19,253 AGENTS WHO BROKE THE MOLD ONE MISSION AT A TIME. 1425 01:49:19,253 --> 01:49:26,693 I WAS OBSESSED, AND SO WAS THE WORLD. 1426 01:49:26,693 --> 01:49:30,431 CELEBRATING THE 50th ANNIVERSARY OF THEIR DEBUT SEASON, PLEASE 1427 01:49:30,431 --> 01:49:33,066 WELCOME THE CAST OF "CHARLIE'S ANGELS," JACLYN SMITH, 1428 01:49:33,066 --> 01:49:57,991 CHERYL LADD, AND THREE-TIME EMMY NOMINEE KATE JACKSON. 1429 01:49:57,991 --> 01:49:59,960 [ CHEERS AND APPLAUSE ] >> SIT DOWN. 1430 01:49:59,960 --> 01:50:02,463 SIT DOWN. >> OH, HOW WARM AND WONDERFUL 1431 01:50:02,463 --> 01:50:04,364 THAT IS. >> YEAH. 1432 01:50:04,364 --> 01:50:11,672 HI, EVERYBODY. IT'S AN HONOR TO BE HERE TONIGHT 1433 01:50:11,672 --> 01:50:12,673 TO PRESENT THE EMMY FOR DRAMA SERIES. 1434 01:50:12,673 --> 01:50:17,211 >> AND TO CELEBRATE THE 50th ANNIVERSARY OF "CHARLIE'S 1435 01:50:17,211 --> 01:50:18,979 ANGELS," AND I WOULD LIKE -- YEAH. 1436 01:50:18,979 --> 01:50:28,889 I WOULD LIKE TO ACKNOWLEDGE SOMEONE NOT STANDING WITH US 1437 01:50:28,889 --> 01:50:35,028 TONIGHT, AND THAT'S MY FRIEND, FARRAH FAWCETT. 1438 01:50:35,028 --> 01:50:38,265 AS I SAID MANY TIMES, SHE'S HERE AND SHE'S HERE WITH US IN 1439 01:50:38,265 --> 01:50:43,303 EVERYONE'S COLLECTIVE MEMORY. >> FARRAH WAS THE SHINIEST ANGEL 1440 01:50:43,303 --> 01:50:45,205 OF ALL, AND SHE WAS LOVED BY MILLIONS OF PEOPLE ALL OVER THE 1441 01:50:45,205 --> 01:50:48,709 WORLD. AND SHE STILL IS TODAY. 1442 01:50:48,709 --> 01:50:51,111 AND THEY'LL NEVER FORGET HER AND NEITHER WILL WE. 1443 01:50:51,111 --> 01:50:59,586 AND I'M SURE YOU WON'T EITHER. >> AND HER ICONIC POSTER LIVES 1444 01:50:59,586 --> 01:51:03,624 IN THE MINDS AND THE GARAGES OF MANY A'MAN. 1445 01:51:03,624 --> 01:51:11,164 >> HERE ARE THE NOMINEES FOR DRAMA SERIES. 1446 01:51:11,164 --> 01:51:15,202 >> Announcer: "THE DIPLOMAT." >> YOU USED ME TO -- 1447 01:51:15,202 --> 01:51:17,371 >> THEY WILL CONSIDER THIS AN ACT OF WAR. 1448 01:51:17,371 --> 01:51:27,347 >> Announcer: "THE GILDED AGE." >> I JUST WANT WHAT'S BEST. 1449 01:51:27,347 --> 01:51:32,152 >> I MUST CONFESS -- >> Announcer: THE KNIGHT OF THE 1450 01:51:32,152 --> 01:51:33,887 SEVEN KINGDOMS." >> A KNIGHT DEFENDS THE 1451 01:51:33,887 --> 01:51:38,258 INNOCENT. THAT'S ALL I DID. 1452 01:51:38,258 --> 01:51:39,393 I HAVE FOLLOWED HIS EXAMPLE. >> Announcer: "PARADISE." 1453 01:51:39,393 --> 01:51:43,931 >> THAT'S MY WIFE. I CAME A LONG WAY TO FIND HER, 1454 01:51:43,931 --> 01:51:44,998 AND I NEED TO KNOW THAT SHE'S OKAY. 1455 01:51:44,998 --> 01:51:47,901 >> Announcer: "THE PITT." >> I'VE BEEN DOING THIS LONG 1456 01:51:47,901 --> 01:51:57,110 ENOUGH. I HAVE TO PROVIDE RESOURCES, 1457 01:51:57,110 --> 01:51:58,512 ASSISTANCE, AND SUPPORT. >> Announcer: "PLURIBUS." 1458 01:51:58,512 --> 01:52:02,716 >> YOU KNOW MY NAME. YOU KNOW HELEN'S NAME. 1459 01:52:02,716 --> 01:52:07,354 YOU -- YOU ARE TALKING TO ME FROM MY TV. 1460 01:52:07,354 --> 01:52:09,122 >> Announcer: "SLOW HORSES." >> YOU DON'T WANT ME HERE, I 1461 01:52:09,122 --> 01:52:11,291 DON'T WANT TO BE HERE. >> YOU CAN LEAVE ANY TIME YOU 1462 01:52:11,291 --> 01:52:16,129 WANT. THAT'S THE WHOLE POINT. 1463 01:52:16,129 --> 01:52:20,167 NOT SURE HOW YOU MISSED THAT. >> Announcer: "YOUR FRIENDS AND 1464 01:52:20,167 --> 01:52:22,469 NEIGHBORS." >> HERE'S 150. 1465 01:52:22,469 --> 01:52:24,204 GIVE ME ANOTHER WEEK, I'LL GET YOU THE REST. 1466 01:52:24,204 --> 01:52:32,179 >> HOW ARE YOU GOING TO DO THAT? YOU GOING TO ROB SOMEBODY ELSE? 1467 01:52:32,179 --> 01:52:45,258 >> AND THE EMMY GOES TO -- >> "THE PITT." 1468 01:52:45,258 --> 01:52:48,795 >> Announcer: "THE PITT" LEADS ALL PROGRAMS THIS YEAR WITH 25 1469 01:52:48,795 --> 01:52:53,333 EMMY NOMINATIONS, BRINGING ITS SERIES TOTAL TO 38 NOMINATIONS. 1470 01:52:53,333 --> 01:53:15,856 ACCEPTING THE EMMY ON BEHALF OF THE TEAM IS R. SCOTT GHIMMAL. 1471 01:53:15,856 --> 01:53:18,458 >> ALL RIGHT. >> YEAH, APPARENTLY THERE'S A 1472 01:53:18,458 --> 01:53:20,193 LOT OF US. >> R. SCOTT GHIMMAL. 1473 01:53:20,193 --> 01:53:23,997 >> THANK YOU, MY DEAR. >> CONGRATULATIONS. 1474 01:53:23,997 --> 01:53:26,266 >> THANK YOU, THANK YOU. THANK YOU. 1475 01:53:26,266 --> 01:53:31,038 THIS IS -- WE ARE SO GRATEFUL AND SO HUMBLED TO BE HERE 1476 01:53:31,038 --> 01:53:36,410 AMONGST ALL OF THE NOMINEES, NOT JUST IN OUR CATEGORY, AND ALL 1477 01:53:36,410 --> 01:53:42,115 THE CATEGORIES AS WELL AS OUR COLLEAGUES FROM LAST WEEKEND'S 1478 01:53:42,115 --> 01:53:44,985 CREATIVE ARTS CELEBRATIONS. WE ARE JUST SO GRATEFUL TO BE IN 1479 01:53:44,985 --> 01:53:48,689 THIS BUSINESS. IT TAKES HUNDREDS OF PEOPLE TO 1480 01:53:48,689 --> 01:53:51,792 PUT ON A TV SHOW, AS YOU WELL KNOW. 1481 01:53:51,792 --> 01:53:57,064 AND WE ARE SO BLESSED TO HAVE THE MOST TALENTED AND PASSIONATE 1482 01:53:57,064 --> 01:53:59,266 CAST AND CREW. AND I KNOW IT'S NOT JUST OUR 1483 01:53:59,266 --> 01:54:03,303 SHOW. I KNOW YOUR SHOWS ARE THE SAME. 1484 01:54:03,303 --> 01:54:06,673 YOU FEEL THE SAME WAY ABOUT YOUR PEOPLE BECAUSE WE ARE SO BLESSED 1485 01:54:06,673 --> 01:54:11,511 TO LIVE IN THIS COMMUNITY WHERE WE HAVE -- THE BEST PART OF THIS 1486 01:54:11,511 --> 01:54:14,448 JOB IS TO PEOPLE WE GET TO WORK WITH EVERY DAY. 1487 01:54:14,448 --> 01:54:19,553 WE'VE ALWAYS TRIED TO BE REALLY AUTHENTIC AND TELL STORIES ABOUT 1488 01:54:19,553 --> 01:54:22,589 THE REAL-LIFE HEROES OF THE EMERGENCY DEPARTMENT WHO ARE 1489 01:54:22,589 --> 01:54:26,927 THERE FOR US DAY IN, DAY OUT, AND WE JUST WANT TO, YOU KNOW, 1490 01:54:26,927 --> 01:54:31,031 SHINE THE LIGHT ON THEM. YES, THEIR STORIES CAN BE 1491 01:54:31,031 --> 01:54:35,202 FRUSTRATING AND HEARTBREAKING, BUT THEY ALSO CAN BE SO 1492 01:54:35,202 --> 01:54:38,038 INSPIRATIONAL AND HEALING. AND YES, WE ARE ENTERTAINERS. 1493 01:54:38,038 --> 01:54:41,641 WE MAKE YOU LAUGH. WE MAKE YOU CRY. 1494 01:54:41,641 --> 01:54:46,980 OCCASIONALLY, WE MAKE YOU LOOK AWAY IN DISGUST. 1495 01:54:46,980 --> 01:54:50,250 BUT WHEN I LOOK AROUND THIS ROOM, I SEE SOMETHING MORE 1496 01:54:50,250 --> 01:54:53,286 IMPORTANT THAN THE AWARDS AND THE RATINGS. 1497 01:54:53,286 --> 01:54:55,489 I SEE A WHOLE COMMUNITY THAT'S STILL TRYING TO DO THE RIGHT 1498 01:54:55,489 --> 01:55:01,661 THING. IT IS SO HARD TO TELL WHAT IS 1499 01:55:01,661 --> 01:55:06,833 REAL AND WHAT WE CAN BELIEVE ANYMORE, WHICH MAKES TELLING 1500 01:55:06,833 --> 01:55:09,970 HONEST STORIES ABOUT REAL HUMAN STRUGGLES SO MUCH MORE IMPORTANT 1501 01:55:09,970 --> 01:55:15,108 THAN EVER. WHAT YOU DO IS -- IT CHANGES 1502 01:55:15,108 --> 01:55:19,346 PEOPLE'S LIVES. AND I'M JUST SO HAPPY THAT WE 1503 01:55:19,346 --> 01:55:23,250 GET TO DO THAT BECAUSE IT'S SO DIFFICULT TO KNOW WHAT TO 1504 01:55:23,250 --> 01:55:29,523 BELIEVE ANYMORE. AND SO WHEN THE LAST BASTION OF 1505 01:55:29,523 --> 01:55:32,526 REALITY IS IN OUR SHARED COLLECTIVE FICTION, THAT MAKES 1506 01:55:32,526 --> 01:55:34,828 WHAT YOU DO SO MUCH MORE IMPORTANT. 1507 01:55:34,828 --> 01:55:40,167 PEOPLE NEED TO KNOW THE TRUTH, AND WE NEED TO CONTINUE TO TELL 1508 01:55:40,167 --> 01:55:42,702 THEM THAT IN WHATEVER WAY WE CAN, IN WHATEVER FORM WE CAN. 1509 01:55:42,702 --> 01:55:46,139 BECAUSE AT THE END OF THE DAY I THINK SOMETIMES IT'S ONLY THE 1510 01:55:46,139 --> 01:55:47,841 STORY TELLING THAT ALLOWS US TO UNDERSTAND AND APPRECIATE EACH 1511 01:55:47,841 --> 01:55:49,910 OTHER. AND THAT'S MORE IMPORTANT THAN 1512 01:55:49,910 --> 01:55:59,920 EVER. SO, KEEP DOING WHAT YOU'RE 1513 01:55:59,920 --> 01:56:00,020 DOING. 1514 01:56:11,498 --> 01:56:12,098 >> Announcer: COMING UP NEXT, 1515 01:56:12,098 --> 01:56:13,600 MATTHEW McCONAUGHEY AND WOODY HARRELSON PRESENT THE 1516 01:56:13,600 --> 01:56:16,436 FINAL AWARD OF THE NIGHT, COMEDY SERIES. 1517 01:56:33,720 --> 01:56:35,188 >>> WELCOME BACK. 1518 01:56:35,188 --> 01:56:38,124 NOW, IF YOU'RE JUST JOINING US, WHERE THE HELL WERE YOU FOR THE 1519 01:56:38,124 --> 01:56:40,560 LAST TWO AND A HALF HOURS BECAUSE YOU MISSED JALEN 1520 01:56:40,560 --> 01:56:43,663 BRUNSON. YOU MISSED TAYLOR SWIFT. 1521 01:56:43,663 --> 01:56:50,237 YOU MISSED ME SWINGING A SWORD AND RIDING A HORSE G.O.T. STYLE. 1522 01:56:50,237 --> 01:56:53,807 YOU MISSED JEAN SMART'S BIG WIN. YOU MISSED MICHAEL J. FOX'S 1523 01:56:53,807 --> 01:56:58,478 BEAUTIFUL SPEECH. YOU MISSED MATTHEW RHYS WINNING 1524 01:56:58,478 --> 01:57:05,018 AND ALSO MATTHEW RHYS WINNING. BUT THE IMPORTANT THING IS 1525 01:57:05,018 --> 01:57:06,486 YOU'RE HERE NOW. AND IT'S TIME FOR THE FINAL A 1526 01:57:06,486 --> 01:57:12,158 AWARD OF THE NIGHT. AND HERE TO PRESENT ARE MY TWO 1527 01:57:12,158 --> 01:57:22,102 FAVORITE FLAVORS OF VAPE, EMMY WINNER WOODLEY HARRISON AND 1528 01:57:22,102 --> 01:57:24,437 OSCAR WINNER MATTHEW McCONAUGHEY. 1529 01:57:24,437 --> 01:57:26,406 >> GOOD EVENING, EVERYBODY. YEAH. 1530 01:57:26,406 --> 01:57:30,010 FAVORITE FLAVOR OF VAPE. >> THAT'S PRETTY GOOD. 1531 01:57:30,010 --> 01:57:40,220 THAT'S PRETTY GOOD. >> EVERYBODY, EMMY WOODEY WOODY 1532 01:57:40,220 --> 01:57:42,122 HARRELSON HERE. >> OSCAR WINNER, MATTHEW 1533 01:57:42,122 --> 01:57:46,726 McCONAUGHEY, FOLKS. >> THANK YOU. 1534 01:57:46,726 --> 01:57:49,362 >> OSCAR NOMINEE WOODY HARRELSON HERE. 1535 01:57:49,362 --> 01:57:53,366 >> WHICH I PREFER BECAUSE, YOU KNOW, KEEPS ME HUNGRY. 1536 01:57:53,366 --> 01:57:55,669 >> ONE OF THE MANY THINGS I LOVE ABOUT YOU, BUDDY. 1537 01:57:55,669 --> 01:57:58,605 YOU WANT TO TELL ME AND EVERYBODY OUT THERE WHAT WE'RE 1538 01:57:58,605 --> 01:58:00,206 DOING UP HERE TONIGHT? >> OKAY. 1539 01:58:00,206 --> 01:58:06,313 WE'RE PRESENTING HERE TONIGHT BECAUSE WE'RE BACK ON TV FOR THE 1540 01:58:06,313 --> 01:58:08,982 FIRST TIME IN 12 YEARS. >> YEAH. 1541 01:58:08,982 --> 01:58:14,621 WE GOT A LITTLE SHOW CALLED "BROTHERS." 1542 01:58:14,621 --> 01:58:17,524 IT'LL BE ON APPLE TV NEXT WEEK. >> THAT FELT LIKE MODERATE 1543 01:58:17,524 --> 01:58:18,358 ENTHUSIASM. IT'S FINE. 1544 01:58:18,358 --> 01:58:23,697 IT'S LATE. AND THIS ALL STARTED WITH THE 1545 01:58:23,697 --> 01:58:27,167 CRAZY RUMOR FROM YOUR MOM -- >> MY MOM STARTED A LOT OF CRAZY 1546 01:58:27,167 --> 01:58:29,736 RUMORS. WHAT DID SHE SAY ABOUT THIS ONE? 1547 01:58:29,736 --> 01:58:30,971 >> LIKE YOU DON'T REMEMBER. >> WHAT? 1548 01:58:30,971 --> 01:58:35,375 >> YEAH. SHE TOLD ME AFTER HER FOURTH 1549 01:58:35,375 --> 01:58:39,646 TOEK AND HER FIFTH KENDALL JACKSON THAT SHE KNEW MY FATHER. 1550 01:58:39,646 --> 01:58:44,751 >> YEAH. YOU'VE HAD MANY TOKES WITH MY 1551 01:58:44,751 --> 01:58:45,585 MOM BEFORE. THAT'S COOL. 1552 01:58:45,585 --> 01:58:47,988 THEY JUST MET. WHAT'S THE BIG DEAL? 1553 01:58:47,988 --> 01:58:50,123 SO WHAT? >> NO. 1554 01:58:50,123 --> 01:58:53,526 SHE SAID SHE KNEW MY FATHER. >> RIGHT, RIGHT, RIGHT. 1555 01:58:53,526 --> 01:58:58,231 WHAT ARE YOU READING INTO THAT? >> IT FEELS PRETTY CLEAR TO ME, 1556 01:58:58,231 --> 01:59:02,235 DUDE. >> DUDE, PEOPLE KNOW EACH OTHER. 1557 01:59:02,235 --> 01:59:06,172 I KNOW LOTS OF PEOPLE. DOESN'T MEAN I'VE SLEPT WITH ALL 1558 01:59:06,172 --> 01:59:10,310 OF THEM. >> WELL, THE EMPHASIS WAS ON 1559 01:59:10,310 --> 01:59:13,113 "KNEW," LIKE SHE KNEW, LIKE THEY WERE DOING THE HORIZONTAL BEE 1560 01:59:13,113 --> 01:59:17,550 BOP. >> THAT'S A PRETTY BIG LEAP TO 1561 01:59:17,550 --> 01:59:19,953 BELIEVE THAT YOUR DAD AND MY MOM ACTUALLY SHAGGED, BUDDY. 1562 01:59:19,953 --> 01:59:23,456 >> I DON'T THINK SO. THE WAY SHE SAID "KNEW," 1563 01:59:23,456 --> 01:59:26,059 DEFINITELY MEANT THEY CONCEIVED YOU TOGETHER. 1564 01:59:26,059 --> 01:59:29,095 >> RIGHT. AND THAT'S WHAT YOU'RE SAYING IS 1565 01:59:29,095 --> 01:59:31,498 YOUR PROOF AND THE REASON YOU KNOW THIS TO BE TRUE. 1566 01:59:31,498 --> 01:59:37,570 >> TIME IS STILL A FLAT CIRCLE FOR YOU, AIN'T IT? 1567 01:59:37,570 --> 01:59:39,973 >> JUST AS FLAT, A LITTLE MORE ROUND, BUD. 1568 01:59:39,973 --> 01:59:43,276 >> DUDE, I'M SORRY TO BE THE ONE TO TELL YOU, YOUR MOM WASN'T A 1569 01:59:43,276 --> 01:59:46,613 VIRGIN. >> ACTUALLY, WOODY, IT'S 1570 01:59:46,613 --> 01:59:49,549 IMPOSSIBLE, TECHNICALLY, FOR ANY MOM TO BE A VIRGIN. 1571 01:59:49,549 --> 01:59:50,817 >> MARY. >> OH. 1572 01:59:50,817 --> 01:59:54,054 OKAY. NOW WE'RE GOING TO TALK ABOUT 1573 01:59:54,054 --> 01:59:56,656 SOME IMMACULATE CONCEPTION. YOU WANT TO GET ON WITH WHY 1574 01:59:56,656 --> 01:59:57,791 WE'RE REALLY HERE NOW? >> YEAH. 1575 01:59:57,791 --> 02:00:00,694 WHY NOT? >> THEY TOLD US WE NEED TO SPEND 1576 02:00:00,694 --> 02:00:05,632 MORE TIME UP HERE. THE SHOW IS GOING TO BE SHORT. 1577 02:00:05,632 --> 02:00:08,501 >> WELL, ARE WE GOING TO READ -- >> READ THE NOMINEES FOR BEST 1578 02:00:08,501 --> 02:00:10,637 COMEDY? >> THAT'S A GOOD IDEA, BUD. 1579 02:00:10,637 --> 02:00:17,010 >> LET'S DO THAT. >> HERE ARE THE NOMINEES FOR 1580 02:00:17,010 --> 02:00:22,382 COMEDY SERIES. >> Announcer: "ABBOTT 1581 02:00:22,382 --> 02:00:25,585 ELEMENTARY." >> SLOPPY JOES? 1582 02:00:25,585 --> 02:00:29,322 OUR KIDS CAN'T HAVE SLOPPY JOES. >> THEY DON'T HAVE THE 1583 02:00:29,322 --> 02:00:30,423 COORDINATION TO PULL OFF A CLEAN JOE. 1584 02:00:30,423 --> 02:00:33,393 >> Announcer: "THE BEAR." >> ANYBODY KNOW HOW LONG THAT 1585 02:00:33,393 --> 02:00:38,164 IS? >> I DON'T KNOW WHAT YOUR WORSE 1586 02:00:38,164 --> 02:00:39,966 AT, MATH OR CALLING PEOPLE BACK. >> Announcer: "HACKS." 1587 02:00:39,966 --> 02:00:47,941 >> THE WORST PART IS I CAN'T EVEN ENJOY BEING BONE THIN. 1588 02:00:47,941 --> 02:00:49,109 >> Announcer: "MARGO'S GOT MONEY TROUBLES." 1589 02:00:49,109 --> 02:00:51,511 "NOBODY WANTS THIS." >> BABS ARE FUN. 1590 02:00:51,511 --> 02:00:55,615 BABS ARE INTIMATE. >> WHY DON'T YOU COME LAY WITH 1591 02:00:55,615 --> 02:00:59,853 ME ON THE COUCH, AND I'LL SHOW YOU MY TIKTOK ALGORITHM. 1592 02:00:59,853 --> 02:01:01,621 THAT'S INTIMATE. >> Announcer: "ONLY MURDERS IN 1593 02:01:01,621 --> 02:01:03,756 THE BUILDING." >> YOU NEVER MENTIONED THAT YOU 1594 02:01:03,756 --> 02:01:08,128 DID MAGIC. >> WAS THAT BECAUSE IT'S 1595 02:01:08,128 --> 02:01:11,731 EMBARRASSING? SO, YEAH. 1596 02:01:11,731 --> 02:01:15,001 >> Announcer: "SHIN KING." >> DUDE, HOW DID YOU NOT ASK HER 1597 02:01:15,001 --> 02:01:17,170 OUT. >> LIZ, YOU KNOW, I HATE BEING 1598 02:01:17,170 --> 02:01:19,472 SPIED ON. >> THAT WAS PAINFUL. 1599 02:01:19,472 --> 02:01:24,377 >> WHAT THE HELL? >> I TOLD YOU SHE LIKED HIM. 1600 02:01:24,377 --> 02:01:27,113 >> EVERYBODY GET OUT OF MY YARD. >> Announcer: "WIDOW'S BAY." 1601 02:01:27,113 --> 02:01:31,351 >> WAS THERE CANNIBALISM. >> NO. 1602 02:01:31,351 --> 02:01:33,386 I DON'T THINK THAT'S RIGHT. >> OH, YEAH. 1603 02:01:33,386 --> 02:01:37,357 RIGHT. THE EMMY GOES TO -- OH, ARE WE 1604 02:01:37,357 --> 02:01:38,992 SUPPOSED TO STRETCH IT OUT HERE A LITTLE BIT. 1605 02:01:38,992 --> 02:01:44,264 THEY'RE A LITTLE BIT SHORT. >> THEY JUST CAME ON AND SAID WE 1606 02:01:44,264 --> 02:01:45,798 SHOULD JUST FILIBUSTER FOR A WHILE. 1607 02:01:45,798 --> 02:01:48,101 YOU'VE GOT NO TROUBLE WITH THAT, DO YOU? 1608 02:01:48,101 --> 02:01:49,802 >> THESE GUYS ARE SO BORED WITH US. 1609 02:01:49,802 --> 02:02:07,053 HERE YOU GO, BUDDY. >> THE EMMY GOES TO -- 1610 02:02:07,053 --> 02:02:09,822 "WIDOW'S BAY." >> Announcer: "WIDOW'S BAY" 1611 02:02:09,822 --> 02:02:13,693 RECEIVED 19 NOMINATIONS THIS YEAR, CAPPING OFF ITS REMARKABLE 1612 02:02:13,693 --> 02:02:16,663 DEBUT WITH THE BIGGEST -- OF THE NIGHT COMEDY SERIES. 1613 02:02:16,663 --> 02:02:21,668 A TOTAL OF SIX EMMYS TONIGHT, ALSO INCLUDING SUPPORTING 1614 02:02:21,668 --> 02:02:38,218 ACTRESS, SUPPORTING ACTOR, LEAD ACTOR, WRITING, AND DIRECTING. 1615 02:02:38,218 --> 02:02:41,421 [ CHEERS AND APPLAUSE ] >> YEAH! 1616 02:02:41,421 --> 02:02:43,556 I LOVE THIS GROUP SO MUCH. THANK YOU. 1617 02:02:43,556 --> 02:02:45,325 FIRST OF ALL, THIS IS INCREDIBLE. 1618 02:02:45,325 --> 02:02:48,628 WE LOVE ALL THESE OTHER SHOWS SO MUCH. 1619 02:02:48,628 --> 02:02:50,263 I MEAN, EVERY OTHER SHOW IS AMAZING. 1620 02:02:50,263 --> 02:02:54,834 JUST PERSONAL, I HAVE TO QUICKLY THANK MY MOM FOR ALWAYS MAKING 1621 02:02:54,834 --> 02:02:58,171 HALLOWEEN FUN. I ALSO -- THIS GROUP -- THIS WAS 1622 02:02:58,171 --> 02:03:02,909 SUCH A GREAT COLLABORATION OF THE BEST, WONDERFUL WEIRDOS AND 1623 02:03:02,909 --> 02:03:07,847 ARTISTS, THESE WRITERS, THESE PRODUCERS, THESE AMAZING ACTORS, 1624 02:03:07,847 --> 02:03:09,749 THESE DIRECTORS. HIRO, THANK YOU AGAIN. 1625 02:03:09,749 --> 02:03:13,353 GOD, THE EDITORS. I'M GOING TO NAME EVERYONE. 1626 02:03:13,353 --> 02:03:16,789 THE CINEMATOGRAPHER. IT'S JUST A WONDERFUL GROUP. 1627 02:03:16,789 --> 02:03:21,261 THANK YOU, APPLE, FOR LETTING US TAKE THIS CRAZY, CREATIVE SWING. 1628 02:03:21,261 --> 02:03:25,498 THEY TRULY JUST LET US DO THIS WEIRD SHOW, AND WE CAN'T THANK 1629 02:03:25,498 --> 02:03:27,900 YOU ENOUGH. SO, THANK YOU SO MUCH AND THANK 1630 02:03:27,900 --> 02:03:32,005 YOU TO THE ACADEMY. AND WE'D ALSO LIKE TO THANK THE 1631 02:03:32,005 --> 02:03:37,877 EVIL ENTITY ON THE ISLAND THAT TRUSTED US WITH ITS STORY. 1632 02:03:37,877 --> 02:03:51,057 OKAY. SO THERE'S THE PUNCH NOW. 1633 02:03:51,057 --> 02:03:52,825 THANK YOU SO MUCH. [ APPLAUSE ] 1634 02:03:52,825 --> 02:03:58,498 >> THANK YOU SO MUCH TO THE TELEVISION ACADEMY, TO ALL THE 1635 02:03:58,498 --> 02:04:00,500 NOMINEES, AND TO EVERY TV VIEWER. 1636 02:04:00,500 --> 02:04:04,070 IT'S BEEN AN ABSOLUTE DELIGHT TO BE YOUR HOST. 1637 02:04:04,070 --> 02:04:07,040 THANK YOU FOR ALL THE LOVE AND ALL THE JOY TONIGHT. 1638 02:04:07,040 --> 02:04:10,910 I HAD HIGH HOPES THAT THIS WOULD BE A BEAUTIFUL NIGHT, BUT I JUST 1639 02:04:10,910 --> 02:04:16,916 NEVER KNEW THAT IT COULD FEEL THIS INCREDIBLY MEANINGFUL AND 1640 02:04:16,916 --> 02:04:19,018 JOYFUL TO CELEBRATE WITH ALL OF YOU. 1641 02:04:19,018 --> 02:04:26,092 AND NOW THAT WE'VE REACHED THE END, THERE'S ONLY ONE THING LEFT 1642 02:04:26,092 --> 02:04:27,794 TO DO. GOD, I LOVE IT WHEN IT DOES 1643 02:04:27,794 --> 02:04:44,544 THAT. GOOD NIGHT, EVERYONE. 1644 02:04:44,544 --> 02:04:44,744 THANK YOU.