1
00:02:11,400 --> 00:02:12,980
Kostya, you go to bed, I'm going home.

2
00:02:14,640 --> 00:02:15,640
Vit,

3
00:02:15,960 --> 00:02:18,360
let's sit a little longer. I know where
take.

4
00:02:19,800 --> 00:02:20,940
No, that's it.

5
00:02:23,180 --> 00:02:24,180
Vit,

6
00:02:24,620 --> 00:02:26,040
Let me read the script.

7
00:02:30,300 --> 00:02:31,980
Which? No.

8
00:02:33,860 --> 00:02:39,180
Another. It's called "Shards". You know
this is probably the only thing worthwhile

9
00:02:39,180 --> 00:02:40,180
I wrote in my life.

10
00:02:46,990 --> 00:02:49,810
Klaus approaches the man standing by the tree
Kostya.

11
00:02:52,490 --> 00:02:53,490
Partisan.

12
00:02:54,670 --> 00:02:58,690
The boy Matnov smiles with his head. Nan,
nan, he's a dick officer.

13
00:02:59,630 --> 00:03:01,030
Now this is not good.

14
00:03:02,170 --> 00:03:03,170
Now, wait.

15
00:03:06,150 --> 00:03:07,150
So.

16
00:03:07,850 --> 00:03:12,510
In short, well... Well, imagine that he is his
he lets go, and Klaus is then killed.

17
00:03:12,950 --> 00:03:15,090
Well, imagine. You read it.

18
00:03:15,330 --> 00:03:20,320
Well... Vit, well, it’s all damp, bad,
Do you understand? Well, it's not ready yet.

19
00:03:20,600 --> 00:03:23,920
Kostya, this is not bad. Yes I am for you, well I am
seriously, I don't play hockey, well.

20
00:03:24,360 --> 00:03:25,580
That's not bad.

21
00:03:26,100 --> 00:03:31,380
Look, Kostya is lying face down.

22
00:03:33,640 --> 00:03:37,840
There will be a stream at the end of his hair.

23
00:03:38,160 --> 00:03:41,900
There is a shell casing at the bottom of the stream.

24
00:04:00,290 --> 00:04:02,090
So, at the bottom of the stream of shell casings.

25
00:04:04,270 --> 00:04:05,910
Kostya, why are you complaining?

26
00:04:09,670 --> 00:04:11,050
At the bottom of the stream of shell casings.

27
00:04:11,570 --> 00:04:16,769
Glory, looking around,
puts a finger to his lips, gesture

28
00:04:16,769 --> 00:04:21,390
shows... Well, don't you see, this
shit! This is complete shit! This is shit

29
00:04:21,410 --> 00:04:25,450
there are fingers in every layer! At the bottom of the stream
sleeve, listen for yourself!

30
00:04:28,350 --> 00:04:29,550
Well then I went.

31
00:04:30,220 --> 00:04:32,780
What, the artist’s conflict with himself?

32
00:04:37,400 --> 00:04:38,400
Vit.

33
00:04:40,460 --> 00:04:43,280
Listen, maybe I really
mediocrity?

34
00:04:43,860 --> 00:04:44,860
May be.

35
00:04:45,960 --> 00:04:47,320
Why all this?

36
00:04:47,940 --> 00:04:48,940
Don't know.

37
00:04:50,260 --> 00:04:52,020
Why am I writing? Why the hell am I living?

38
00:04:53,060 --> 00:04:54,280
The question is not for me.

39
00:05:00,750 --> 00:05:01,810
Vitya, maybe it’s true?

40
00:05:03,290 --> 00:05:06,650
You never wanted to take it like this
end everything at once?

41
00:05:07,510 --> 00:05:08,510
No, no, no.

42
00:05:11,190 --> 00:05:13,650
And whoever wants to, does it.

43
00:05:14,470 --> 00:05:17,230
Table, window, got up, went out.

44
00:05:21,470 --> 00:05:24,950
Hear, they are burning. To sleep like a snowflake,
My script is on fire.

45
00:06:11,880 --> 00:06:14,180
Let's go, you smell like prison.

46
00:06:25,220 --> 00:06:26,460
Well, what do you think?

47
00:06:35,940 --> 00:06:37,420
And I'll take off my trousers.

48
00:07:03,720 --> 00:07:05,200
What are you thinking about, Krustalev?

49
00:07:06,120 --> 00:07:08,740
This is how you kill with words every day
people.

50
00:07:17,660 --> 00:07:18,660
What are you doing?

51
00:07:22,100 --> 00:07:22,660
You

52
00:07:22,660 --> 00:07:29,780
what,

53
00:07:29,840 --> 00:07:30,840
Krustalev?

54
00:07:31,860 --> 00:07:32,860
Are you crying, or what?

55
00:07:33,920 --> 00:07:35,120
Vitya.

56
00:07:37,060 --> 00:07:38,260
Vitya.

57
00:07:40,400 --> 00:07:43,120
Vitya. That's it, Vitya.

58
00:08:43,460 --> 00:08:44,460
Vitya.

59
00:08:45,980 --> 00:08:50,500
Vitya. Come on, Asya, you're going to school soon
you'll come.

60
00:08:53,520 --> 00:08:54,520
Have a drink.

61
00:08:59,920 --> 00:09:06,720
You have

62
00:09:06,720 --> 00:09:07,720
wet?

63
00:09:46,280 --> 00:09:47,460
I left it on a rag.

64
00:10:02,340 --> 00:10:03,400
One, two, three,

65
00:10:04,120 --> 00:10:05,120
come on.

66
00:10:27,600 --> 00:10:28,600
Mom, it's me.

67
00:10:38,000 --> 00:10:40,480
Hey, sit in the kitchen, I’ll be there in a minute.

68
00:10:41,780 --> 00:10:43,520
For what? Did something happen?

69
00:10:46,940 --> 00:10:47,960
I'm not alone.

70
00:11:08,400 --> 00:11:09,780
Dad? Oh, hi.

71
00:11:12,260 --> 00:11:13,840
I told you to sit in the kitchen.

72
00:11:15,100 --> 00:11:16,800
Do you see how they treat me here?

73
00:11:23,500 --> 00:11:25,520
Whoever guesses who they like wins.

74
00:11:28,640 --> 00:11:29,640
Cockroach?

75
00:11:32,420 --> 00:11:33,900
What? Hanger?

76
00:11:36,750 --> 00:11:41,410
Well, mom, how can we hang onto this?

77
00:11:44,350 --> 00:11:46,230
And this doesn't look like a cockroach at all.

78
00:11:46,730 --> 00:11:47,730
Are you coming soon?

79
00:11:47,870 --> 00:11:48,870
Yes, yes, yes.

80
00:11:50,610 --> 00:11:51,850
When will you arrive?

81
00:11:52,350 --> 00:11:53,350
On Saturday.

82
00:11:55,410 --> 00:11:58,430
Great. I just learned how to do it
charlotte.

83
00:11:58,870 --> 00:12:01,750
So you bring me apples, and I will
I'll do it.

84
00:12:11,720 --> 00:12:16,520
Your dad and I broke up a long time ago. And
there is no reason to change anything.

85
00:12:20,080 --> 00:12:21,400
Then I make a wish.

86
00:12:22,980 --> 00:12:23,980
No, okay.

87
00:12:29,720 --> 00:12:30,720
This time.

88
00:12:46,160 --> 00:12:47,760
It's a heavy rail, right?

89
00:12:47,980 --> 00:12:49,500
A? Heavy rail, huh?

90
00:12:50,040 --> 00:12:51,040
How much do they weigh?

91
00:12:52,580 --> 00:12:53,580
Dmitry Petrovich, now.

92
00:12:54,380 --> 00:12:55,380
Now, I'm sorry.

93
00:13:02,500 --> 00:13:04,060
Dmitry Petrovich, did you call?

94
00:13:10,920 --> 00:13:13,260
Looks like some kind of Gerard Philippe,
huh?

95
00:13:14,060 --> 00:13:15,220
No, of course, good.

96
00:13:15,780 --> 00:13:17,440
After all, Vasya is an accordion player.

97
00:13:17,980 --> 00:13:22,620
Igor, we were talking about something,
agreed.

98
00:13:23,100 --> 00:13:24,180
I like.

99
00:13:24,540 --> 00:13:27,740
And who is this here with us, Gerard Kirill?

100
00:13:28,920 --> 00:13:30,420
I had a drink with Gerard.

101
00:13:30,780 --> 00:13:33,300
In this case, be prepared to change
shirt.

102
00:13:35,040 --> 00:13:40,160
Arkady Vladimirovich, well, Arkady
Vladimirovich, well, what is it?

103
00:13:40,640 --> 00:13:43,520
I asked, I’m making a boat.

104
00:13:44,710 --> 00:13:45,710
It wasn't alive.

105
00:13:46,410 --> 00:13:48,390
Either he's nesting, or his father.

106
00:13:49,070 --> 00:13:51,910
Listen, Egor, I'm just about
there are horses.

107
00:13:53,210 --> 00:13:54,770
Gennady Petrovich, come on later.

108
00:13:55,730 --> 00:14:00,550
Arkash, find it somewhere. I have
in the background, you know. White horse.

109
00:14:00,750 --> 00:14:03,450
Another telegram. Fedya, listen.

110
00:14:04,710 --> 00:14:08,390
I was thinking about cinema. Yes
a few thoughts.

111
00:14:08,790 --> 00:14:10,810
Let's discuss, Fedya. Let's judge, let's discuss.

112
00:14:12,310 --> 00:14:13,310
Listen, we have...

113
00:14:13,800 --> 00:14:15,200
We have a horse in the frame, right?

114
00:14:15,680 --> 00:14:22,400
What if I'm talking to Irina?
Sorry, no time now

115
00:14:22,400 --> 00:14:23,400
you.

116
00:14:23,520 --> 00:14:24,660
Then we'll neutralize you.

117
00:14:49,140 --> 00:14:53,040
Regimnation. Start ruining Yegor
stage. I'll be there soon.

118
00:14:54,640 --> 00:14:55,640
Attention!

119
00:14:56,800 --> 00:14:58,740
Get ready for rehearsal!

120
00:15:00,020 --> 00:15:01,540
Where is Budnik?

121
00:15:04,760 --> 00:15:07,340
Where is Budnik? He was just here.

122
00:15:07,600 --> 00:15:08,760
Where did he go?

123
00:15:17,420 --> 00:15:18,420
Gene!

124
00:15:23,340 --> 00:15:25,360
Where have you gone? Rehearsal.

125
00:15:26,820 --> 00:15:28,620
I don't care how I feel.

126
00:15:28,840 --> 00:15:29,980
What's wrong with you?

127
00:15:33,360 --> 00:15:34,380
Don't know.

128
00:15:37,080 --> 00:15:38,600
Maybe to Korvalov?

129
00:15:42,920 --> 00:15:44,580
Let me be alone.

130
00:15:52,240 --> 00:15:53,840
Come on, look at me.

131
00:16:02,100 --> 00:16:03,100
Forgive me.

132
00:16:04,500 --> 00:16:05,760
I let everyone down.

133
00:16:07,900 --> 00:16:10,240
You have a young, talented cinema.

134
00:16:11,700 --> 00:16:13,800
Me with my old stamps.

135
00:16:19,040 --> 00:16:20,420
What did you just say?

136
00:16:25,040 --> 00:16:26,060
I'm disturbing everyone.

137
00:16:30,760 --> 00:16:34,960
Gena, go to hell.

138
00:16:43,260 --> 00:16:46,040
Everything is for you on the outskirts, Viktor Sergeevich.

139
00:16:46,760 --> 00:16:48,000
Say hello.

140
00:16:49,800 --> 00:16:50,800
In general, how?

141
00:16:51,390 --> 00:16:52,570
Is Egor coping?

142
00:16:52,950 --> 00:16:54,370
Oh, nothing there.

143
00:16:55,410 --> 00:16:56,790
He walks and commands.

144
00:16:57,850 --> 00:16:59,650
Fyodor Andreevich is in the group over there.

145
00:17:01,270 --> 00:17:02,630
Sometimes they replaced him.

146
00:17:03,430 --> 00:17:06,650
Yes, but somehow everything is normal,
played out.

147
00:17:07,770 --> 00:17:11,050
Don't be surprised when he arrives
half the group is sure that she is yours

148
00:17:11,050 --> 00:17:12,050
mistress.

149
00:17:14,630 --> 00:17:19,030
She said that the night when Kostya died,
she was with you. And I'm ready about it

150
00:17:19,030 --> 00:17:20,050
therefore tell.

151
00:17:20,490 --> 00:17:21,490
This is nonsense.

152
00:17:22,750 --> 00:17:24,690
Personally, I won't believe it.

153
00:17:25,250 --> 00:17:27,990
You are no one to save at all.

154
00:17:31,610 --> 00:17:32,930
Regina, please come out.

155
00:17:33,530 --> 00:17:36,110
I'm not able to be with you now
talk.

156
00:17:36,310 --> 00:17:37,310
Get out.

157
00:17:39,710 --> 00:17:41,150
Yes, for God's sake.

158
00:17:48,330 --> 00:17:53,680
Gennady Petrovich, Egor, come on
essence.

159
00:17:55,080 --> 00:17:57,280
You didn't want to film me in this?
cinema.

160
00:17:58,500 --> 00:17:59,500
Who told you?

161
00:18:03,020 --> 00:18:08,040
And you, asshole, are never in my movies
you won't be filming. Whose words are these?

162
00:18:09,760 --> 00:18:12,240
Lord, I was drunk, sorry.

163
00:18:12,740 --> 00:18:14,680
No need to apologize, Egor.

164
00:18:16,580 --> 00:18:17,980
They forced me on you.

165
00:18:21,580 --> 00:18:27,460
Gennady Petrovich. Today I saw how
you demanded a white horse on the platform.

166
00:18:28,340 --> 00:18:31,680
So that she is somewhere there, in the background.

167
00:18:33,260 --> 00:18:38,880
A detail, a little thing. But you didn't go on
compromise. And he did the right thing, Egor.

168
00:18:39,480 --> 00:18:43,060
Because compromise, aka, it kills
art.

169
00:18:43,360 --> 00:18:45,760
But I’m a compromise for you.

170
00:18:46,720 --> 00:18:49,500
You wanted Inga, you wanted Maryana.

171
00:18:50,700 --> 00:18:55,460
And me... You had to
shoot.

172
00:19:05,800 --> 00:19:07,600
How long can he lie like this?

173
00:19:11,900 --> 00:19:13,120
Those in different ways.

174
00:19:14,840 --> 00:19:17,140
The bull didn’t come out for two days.

175
00:19:18,320 --> 00:19:19,520
Except Adalia.

176
00:19:20,000 --> 00:19:21,100
Only for three hours.

177
00:19:25,560 --> 00:19:26,560
Fits?

178
00:19:28,200 --> 00:19:31,720
Fits. Only it's not a horse.

179
00:19:32,480 --> 00:19:34,220
This is a horse.

180
00:19:38,320 --> 00:19:41,040
Yesterday, yesterday morning I called before my shift.

181
00:19:41,620 --> 00:19:43,700
Nadya, I call you every day.

182
00:19:44,180 --> 00:19:46,060
Well, dear, don’t be angry.

183
00:19:46,340 --> 00:19:47,640
I love you.

184
00:19:47,960 --> 00:19:49,240
And I'm worried.

185
00:19:50,160 --> 00:19:51,160
Do you love me?

186
00:19:53,120 --> 00:19:55,280
Very. Just very?

187
00:19:55,640 --> 00:19:57,480
Or very, very, very, very?

188
00:19:58,260 --> 00:20:00,780
Very, very, very, very.

189
00:20:01,300 --> 00:20:02,920
That's it, sorry, dear, they're calling.

190
00:20:03,420 --> 00:20:05,340
The actors are already on point. Everything, everything.

191
00:20:05,760 --> 00:20:06,780
Kiss. Bye.

192
00:20:11,340 --> 00:20:13,580
I wanted to know when the film will be passed through.

193
00:20:15,100 --> 00:20:16,280
I couldn't say yet.

194
00:20:17,320 --> 00:20:19,240
I came to congratulate my aunt on her day
birth.

195
00:20:19,520 --> 00:20:20,700
Well, leave me alone.

196
00:20:22,940 --> 00:20:23,940
Yes,

197
00:20:30,240 --> 00:20:31,500
please.

198
00:20:41,320 --> 00:20:47,700
Girl, connect, I need Moscow,
B-24-31.

199
00:20:55,310 --> 00:20:57,130
Hello. What about this young girl?

200
00:20:57,950 --> 00:20:59,550
Not with anyone, I’m telling you.

201
00:21:01,290 --> 00:21:04,470
And he only discusses the role of the stage,
sorts it out.

202
00:21:05,050 --> 00:21:06,870
I know how they discuss roles there.

203
00:21:08,030 --> 00:21:10,650
Well, okay, go, you need to film.
Actors on points.

204
00:21:11,350 --> 00:21:13,290
What kind of horse hasn’t been lying there yet?

205
00:21:14,410 --> 00:21:15,410
In terms of?

206
00:21:16,810 --> 00:21:17,810
Means...

207
00:21:19,010 --> 00:21:21,390
Everything is probably ready there, I just don't
I heard.

208
00:21:22,210 --> 00:21:23,210
Is he lying to me?

209
00:21:24,090 --> 00:21:26,130
Don't let him lie to you, Nagy.

210
00:21:26,830 --> 00:21:29,530
Well, what do you mean, where did he go? Well on
he went to the platform.

211
00:21:39,990 --> 00:21:40,990
Can I do it again?

212
00:22:13,380 --> 00:22:14,380
Congratulations, hello.

213
00:22:17,700 --> 00:22:18,840
Wanted to escape, right?

214
00:22:19,060 --> 00:22:20,060
Yes, yes, yes.

215
00:22:21,000 --> 00:22:22,000
Hello.

216
00:22:24,340 --> 00:22:25,360
Regina Makovna.

217
00:22:36,780 --> 00:22:38,520
Maryana. Hello.

218
00:22:38,860 --> 00:22:40,740
I was told about your heroic
gesture.

219
00:22:41,440 --> 00:22:42,440
Thank you.

220
00:22:43,630 --> 00:22:44,930
But I shouldn't have done it.

221
00:22:46,730 --> 00:22:50,510
Forgive me please, I just
I wanted to help you.

222
00:22:51,330 --> 00:22:52,350
It was stupid, right?

223
00:22:53,090 --> 00:22:54,230
He said softly.

224
00:22:55,410 --> 00:22:56,410
Sorry, Semka.

225
00:23:01,590 --> 00:23:03,390
Budnik does not go to the site.

226
00:23:03,850 --> 00:23:04,850
Just what?

227
00:23:06,970 --> 00:23:08,670
The crime of self-flagellation.

228
00:23:09,490 --> 00:23:10,530
So what's going on here?

229
00:23:11,770 --> 00:23:12,770
Because of this?

230
00:23:13,610 --> 00:23:14,610
Differently.

231
00:23:15,830 --> 00:23:16,830
Can you show me the frame?

232
00:23:17,130 --> 00:23:19,710
Oh, take it for a ride.

233
00:23:20,350 --> 00:23:22,130
Cameraman, director, please.
Seryoga!

234
00:23:22,570 --> 00:23:23,570
Misha, hello.

235
00:23:23,790 --> 00:23:24,790
Great.

236
00:23:30,250 --> 00:23:31,550
So, well, look.

237
00:23:32,290 --> 00:23:33,410
Inga entered the frame.

238
00:23:33,650 --> 00:23:35,250
We moved, we moved.

239
00:23:35,870 --> 00:23:36,870
Slowly.

240
00:23:37,570 --> 00:23:39,050
Let's go, let's go with her.

241
00:23:39,490 --> 00:23:41,190
Slowly, slowly. She says her
text.

242
00:23:42,090 --> 00:23:44,190
We go, we go, we go.

243
00:23:44,410 --> 00:23:46,330
Then Static.

244
00:23:46,650 --> 00:23:48,830
Stop. Budnik.

245
00:23:49,030 --> 00:23:50,350
And he pays.

246
00:23:52,590 --> 00:23:54,910
Well, we need to call Budnik.

247
00:23:56,790 --> 00:23:57,910
Budnikov frame.

248
00:23:58,890 --> 00:24:02,070
Where can I get it?

249
00:24:04,550 --> 00:24:07,810
Gena, you are a unique actor.

250
00:24:08,270 --> 00:24:10,010
There are only a few people like you.

251
00:24:10,250 --> 00:24:11,250
But they exist.

252
00:24:12,380 --> 00:24:15,680
Understand I just don't want to let anyone down
you, nor Yegor.

253
00:24:16,400 --> 00:24:20,200
So let's think together who I am
can replace. Nobody.

254
00:24:21,080 --> 00:24:23,220
Since you, no one will play this role.

255
00:24:23,740 --> 00:24:24,740
OK then.

256
00:24:26,220 --> 00:24:32,480
What if Bessonov? Are you laughing or what?
Sluggish as an energy snot, but... Or

257
00:24:32,480 --> 00:24:34,240
Kochergin. A wonderful artist.

258
00:24:34,440 --> 00:24:36,440
But he can't hold a candle to you.

259
00:24:37,700 --> 00:24:38,700
Efremov.

260
00:24:41,020 --> 00:24:45,240
Listen, Fedya, I didn’t just
I ask.

261
00:24:46,080 --> 00:24:51,220
It is very important for me that this happens
cinema, you know? Yes I understand, I understand

262
00:24:51,540 --> 00:24:52,540
Gena.

263
00:24:53,340 --> 00:24:54,780
I'll tell you what.

264
00:24:58,220 --> 00:25:00,380
The best thing in this picture is you.

265
00:25:01,880 --> 00:25:03,820
Yes, Inga, this is natural.

266
00:25:04,800 --> 00:25:08,380
The boy is textured, Maryana is young.

267
00:25:09,680 --> 00:25:12,000
But you, Gena, forgive me.

268
00:25:12,380 --> 00:25:14,060
You are an actor from God.

269
00:25:15,480 --> 00:25:16,480
Listen.

270
00:25:17,520 --> 00:25:21,620
What if in the final I become a horse's bread
feed?

271
00:25:22,860 --> 00:25:24,080
From the palm.

272
00:25:30,340 --> 00:25:31,340
Come on,

273
00:25:32,680 --> 00:25:34,620
in 15 minutes on the site.

274
00:25:44,300 --> 00:25:45,300
I'm afraid of losing you.

275
00:25:49,940 --> 00:25:52,280
Do you remember when you were little and
were you afraid of thunderstorms?

276
00:25:54,600 --> 00:25:56,900
And I held your pink palm.

277
00:25:58,500 --> 00:26:00,260
I remember everything, it turns out.

278
00:26:04,140 --> 00:26:06,340
You had funny beads on your neck.

279
00:26:08,480 --> 00:26:09,920
You laughed so hard.

280
00:26:16,320 --> 00:26:18,080
The most valuable thing in my life.

281
00:26:20,940 --> 00:26:21,960
I love you.

282
00:27:01,620 --> 00:27:04,420
Thank you. Thank you.

283
00:27:23,210 --> 00:27:24,710
Are you crazy or what?

284
00:27:27,010 --> 00:27:28,010
Do you see? Do you see?

285
00:28:13,919 --> 00:28:18,000
Subtitle editor A. Semkin

286
00:28:18,000 --> 00:28:25,020
Proofreader

287
00:28:25,020 --> 00:28:28,260
A

288
00:28:28,260 --> 00:28:37,280
.Kulakova

289
00:29:01,290 --> 00:29:02,290
Why don't you spring?

290
00:29:04,050 --> 00:29:05,050
Who offended?

291
00:29:08,110 --> 00:29:10,550
Well, let's go to my room.

292
00:29:12,450 --> 00:29:16,550
Fyodor Andreevich, I won’t drink. And with
They don’t argue with me, as a doctor.

293
00:29:17,030 --> 00:29:18,030
Let's.

294
00:29:19,190 --> 00:29:20,190
Come on, come on.

295
00:29:40,139 --> 00:29:41,780
Tell me. Tell me.

296
00:29:46,760 --> 00:29:52,860
I just never thought that it could
be like this

297
00:29:52,860 --> 00:29:56,540
terrible loneliness.

298
00:30:02,990 --> 00:30:08,010
You know, there is another extreme.
A man comes to the site and begins

299
00:30:08,010 --> 00:30:12,690
think how good everyone around you is
friends.

300
00:30:13,650 --> 00:30:17,250
What a big friendly family.

301
00:30:19,010 --> 00:30:21,770
Real vivid feelings, real
life.

302
00:30:22,510 --> 00:30:27,130
But then filming ends, and
It turns out that everyone has their own life.

303
00:30:51,920 --> 00:30:53,920
But these are very big, very dangerous
people.

304
00:30:54,680 --> 00:30:56,780
Cinema is still a very cruel world.

305
00:30:57,140 --> 00:30:59,820
People will gossip behind your back.

306
00:31:00,280 --> 00:31:03,980
And use your advertising. If you
you will allow it.

307
00:31:06,840 --> 00:31:07,840
Nadya.

308
00:31:09,440 --> 00:31:10,920
Nadya, how are you here?

309
00:31:11,240 --> 00:31:12,380
And who is Mashenka with?

310
00:31:16,360 --> 00:31:18,840
Meet me. This is Marusya.

311
00:31:19,580 --> 00:31:20,900
Well, I mean Maryana.

312
00:31:24,270 --> 00:31:26,530
What should she allow?

313
00:31:27,810 --> 00:31:29,550
You just didn't understand everything correctly.

314
00:31:30,970 --> 00:31:32,410
I'm asking.

315
00:31:32,970 --> 00:31:35,710
What should she allow?

316
00:31:36,310 --> 00:31:37,850
Nadyusha, don't be nervous, please.

317
00:31:39,130 --> 00:31:40,130
What a uncle!

318
00:31:41,270 --> 00:31:43,270
Prostitute! Hands!

319
00:31:43,490 --> 00:31:46,470
Take yours away! Reptile! Get out of here!

320
00:32:00,639 --> 00:32:05,100
Why are you screaming? Calm down. Calm down

321
00:32:06,340 --> 00:32:07,600
Nadyush. Lies.

322
00:32:07,900 --> 00:32:09,960
It's all a lie.

323
00:32:10,200 --> 00:32:11,700
I rolled my hands.

324
00:32:13,660 --> 00:32:19,760
Stop it. I was told that cinema is
brothel

325
00:32:31,070 --> 00:32:33,510
Maryana! So why did you get up?

326
00:32:33,910 --> 00:32:36,410
Our actress has disappeared. Go and look.

327
00:32:43,010 --> 00:32:44,010
Maryana!

328
00:32:48,850 --> 00:32:49,850
Maryana!

329
00:32:50,390 --> 00:32:51,390
Maryana!

330
00:32:53,850 --> 00:32:54,850
Maryana!

331
00:33:01,480 --> 00:33:02,920
Well, did you find it?

332
00:33:03,680 --> 00:33:05,000
Found.

333
00:33:13,440 --> 00:33:14,760
Maryana!

334
00:33:16,140 --> 00:33:18,160
Look there.

335
00:33:20,620 --> 00:33:21,940
Maryana!

336
00:33:22,880 --> 00:33:24,200
Maryana!

337
00:33:25,140 --> 00:33:26,460
Maryana!

338
00:33:28,600 --> 00:33:29,920
Maryana!

339
00:33:36,110 --> 00:33:37,390
Pash, what's the news? Where is everyone?

340
00:33:38,470 --> 00:33:40,310
They went into the river and searched.

341
00:33:54,050 --> 00:33:55,650
Gorko, can we go with you?

342
00:33:58,930 --> 00:33:59,930
And yes.

343
00:34:06,060 --> 00:34:08,620
You told me on the phone that you have
shooting.

344
00:34:13,239 --> 00:34:14,340
But they weren’t there.

345
00:34:15,239 --> 00:34:16,800
Well, how do you know?

346
00:34:17,920 --> 00:34:18,920
I know.

347
00:34:21,900 --> 00:34:22,920
Who did you go to?

348
00:34:25,320 --> 00:34:26,320
To her?

349
00:34:30,040 --> 00:34:35,100
Nadenka, I have never cheated on you.

350
00:34:36,489 --> 00:34:38,350
And I didn't intend to.

351
00:34:40,350 --> 00:34:41,350
Well, yes.

352
00:34:43,489 --> 00:34:44,489
Certainly.

353
00:34:46,889 --> 00:34:53,230
Fedya, tell me the truth to the very end.

354
00:34:57,210 --> 00:34:59,870
And then maybe I can have you
forgive.

355
00:35:04,160 --> 00:35:06,040
Fedinka, you have to tell me the truth.

356
00:35:07,660 --> 00:35:08,960
Nothing will happen to you for this.

357
00:35:12,080 --> 00:35:14,200
I can't live with this lie.

358
00:35:16,180 --> 00:35:18,040
Lord, give it to me.

359
00:35:32,680 --> 00:35:34,280
Hello, Arkady Vladimirovich.

360
00:35:42,560 --> 00:35:43,560
Found it!

361
00:35:45,440 --> 00:35:47,280
Half-hearted! Here she is!

362
00:35:47,860 --> 00:35:49,220
I found her!

363
00:35:53,120 --> 00:35:54,120
God!

364
00:35:55,420 --> 00:35:59,580
How tired I am of these whites of yours!

365
00:36:04,860 --> 00:36:05,980
Family, daughter.

366
00:36:08,140 --> 00:36:09,980
Means nothing to you.

367
00:36:15,580 --> 00:36:17,940
You are not ashamed in front of Mashenka.

368
00:36:20,740 --> 00:36:22,540
You betrayed us, Fedya.

369
00:36:24,700 --> 00:36:25,700
Betrayed.

370
00:36:26,680 --> 00:36:28,260
But you were at war.

371
00:36:29,480 --> 00:36:31,760
You know what betrayal is.

372
00:36:32,360 --> 00:36:33,500
And still...

373
00:36:33,500 --> 00:36:52,480
None

374
00:36:52,480 --> 00:36:53,540
movies from this place.

375
00:36:53,780 --> 00:36:54,780
Watch this.

376
00:37:00,780 --> 00:37:01,780
Let's go home.

377
00:37:14,540 --> 00:37:15,540
I'll find a car.

378
00:37:51,900 --> 00:37:52,900
Yegor Ilyich!

379
00:38:02,920 --> 00:38:05,220
You won't mind if I come to you
will I move?

380
00:38:32,880 --> 00:38:38,300
You know, it happens... There is such a thing in
space is called

381
00:38:38,300 --> 00:38:40,120
weightlessness.

382
00:38:41,760 --> 00:38:43,960
This is when a person hangs in the air.

383
00:38:45,020 --> 00:38:48,020
I have this feeling now that
This is me in zero gravity.

384
00:38:54,440 --> 00:39:00,080
I know what I need now... I
you need to feel something solid under your feet.

385
00:39:02,830 --> 00:39:04,890
Don't talk to them, it's as if they're not there
nothing.

386
00:39:08,890 --> 00:39:15,690
It's just that you... You haven't met yet
the person with whom you will...

387
00:39:15,690 --> 00:39:19,950
Well, sort of... Calm and good.

388
00:39:20,830 --> 00:39:23,030
Not in the sense of a relative, no.

389
00:39:25,050 --> 00:39:28,610
You are so... Beautiful.

390
00:39:31,530 --> 00:39:32,530
Talented.

391
00:39:33,800 --> 00:39:35,240
Smart. Very.

392
00:39:36,180 --> 00:39:37,200
Very smart?

393
00:39:37,940 --> 00:39:42,420
No, I mean, very beautiful. And smart
too, of course.

394
00:39:42,980 --> 00:39:43,980
Well, yes.

395
00:39:44,200 --> 00:39:45,800
And very talented.

396
00:39:46,040 --> 00:39:47,040
Yes, yes.

397
00:39:50,280 --> 00:39:55,260
You just can’t take everything so close to your heart
accept.

398
00:39:56,320 --> 00:40:01,420
Something's just happening to us, well,
something completely bad.

399
00:40:02,140 --> 00:40:03,140
And...

400
00:40:03,600 --> 00:40:06,460
It seems to us that this is irreparable.

401
00:40:08,780 --> 00:40:11,120
But it can only be irreparable
death.

402
00:40:12,240 --> 00:40:13,480
Ugh, ugh.

403
00:40:14,540 --> 00:40:15,760
Where have you taken me?

404
00:40:16,080 --> 00:40:18,000
No, no, Egor, you are very good
speak.

405
00:40:19,360 --> 00:40:21,560
I just want to say that you are happy.

406
00:40:22,200 --> 00:40:23,400
Yes, yes, we are happy.

407
00:40:25,560 --> 00:40:28,060
Because there are people nearby who
love you.

408
00:40:30,140 --> 00:40:31,980
For whom it is enough that you are her.

409
00:40:33,550 --> 00:40:34,550
It just is.

410
00:40:35,730 --> 00:40:38,570
You can do nothing at all, but
it just is.

411
00:40:38,790 --> 00:40:40,090
Well, in the sense of being.

412
00:41:00,530 --> 00:41:01,990
He beat me.

413
00:41:08,120 --> 00:41:10,920
Are you satisfied? I considered you a friend.

414
00:41:12,120 --> 00:41:16,860
And you... You covered for him.

415
00:41:21,980 --> 00:41:23,360
Well, what is this?

416
00:41:24,360 --> 00:41:25,860
I want to leave.

417
00:41:28,880 --> 00:41:30,820
Now there will be a car.

418
00:41:48,360 --> 00:41:50,000
Patience to you, Nadyusha.

419
00:41:50,860 --> 00:41:53,100
Great human patience.

420
00:41:53,480 --> 00:41:54,480
Thank you.

421
00:42:32,940 --> 00:42:33,940
Take down the letter.

422
00:42:35,520 --> 00:42:36,880
I'll go to the hotel.

423
00:42:59,980 --> 00:43:01,320
Patience to you, Fedya.

424
00:43:02,090 --> 00:43:05,790
great human patience.
Hold on.

425
00:43:44,840 --> 00:43:46,120
Poor Fyodor Andreev.

426
00:43:46,940 --> 00:43:48,340
They say she came to him herself.

427
00:43:48,600 --> 00:43:49,600
I brought cognac.

428
00:43:50,260 --> 00:43:51,780
Well done, the girl will go far.

429
00:43:52,540 --> 00:43:55,120
Look, no one really
knows what happened.

430
00:43:55,360 --> 00:43:57,800
No, really, well done. Are you
aspiring?

431
00:43:58,240 --> 00:44:01,680
When Maria Fedorovna arrived from
threw out the room, she immediately went to someone else

432
00:44:01,680 --> 00:44:03,380
came. Egor Ilyich, can I say hello to you?

433
00:44:03,640 --> 00:44:06,300
And most importantly, don’t be shy in front of everyone.

434
00:44:08,060 --> 00:44:09,060
Good morning.

435
00:44:09,620 --> 00:44:10,620
Good morning, Maria.

436
00:44:14,440 --> 00:44:15,440
Maybe some tea?

437
00:44:17,000 --> 00:44:18,020
Yes please.

438
00:44:18,700 --> 00:44:19,700
With milk.

439
00:44:22,620 --> 00:44:23,700
Inga, can I do it too?

440
00:44:53,520 --> 00:44:54,520
I moved.

441
00:44:56,000 --> 00:44:57,000
Yes, I know.

442
00:44:57,220 --> 00:45:01,300
So I don't need the key anymore.

443
00:45:03,280 --> 00:45:05,860
And please hand it over to Gire
Ivanovich.

444
00:45:10,980 --> 00:45:12,900
Inga Vitalievna, why this smile?

445
00:45:14,300 --> 00:45:15,760
Did I say something funny?

446
00:45:17,400 --> 00:45:18,400
Everything is fine.

447
00:45:19,280 --> 00:45:21,120
Shooting day, great mood.

448
00:45:21,480 --> 00:45:22,480
What about you?

449
00:45:24,740 --> 00:45:26,940
Amazing. The best.

450
00:45:29,160 --> 00:45:33,520
Ildiya Vitalievna, you are the director there
calls to the assembly hall for a rehearsal.

451
00:45:33,620 --> 00:45:34,980
Urgently. I'll be there now.

452
00:45:46,440 --> 00:45:47,440
Yegor Ilyich!

453
00:45:55,150 --> 00:45:56,049
Where's the caviar?

454
00:45:56,050 --> 00:45:57,050
I called you.

455
00:45:59,590 --> 00:46:02,490
Vitya, Vitya. What, Vitya? No, we're not there.

456
00:46:05,890 --> 00:46:06,890
Vitya.

457
00:46:09,870 --> 00:46:10,870
Vitya.

458
00:46:12,130 --> 00:46:13,250
Vitya, Vitya, what are you doing?

459
00:46:13,570 --> 00:46:14,610
What are you doing, Vitya?

460
00:46:14,830 --> 00:46:16,550
Can I take off my dress?

461
00:46:16,930 --> 00:46:17,930
We'll get by with Vitya.

462
00:46:18,110 --> 00:46:21,650
What? What? I'm kidding, it's there on purpose
an ordinary person.

463
00:46:59,080 --> 00:47:01,960
Peter, where is Inga? Looks like she's frozen.

464
00:47:24,660 --> 00:47:25,780
Lord, my God!

465
00:47:32,130 --> 00:47:33,510
There is no Inga. Where is she?

466
00:47:33,730 --> 00:47:36,370
And Yegor Ilyich called her to the assembly hall.

467
00:48:09,360 --> 00:48:10,360
I just wanted to be alone.

468
00:48:12,900 --> 00:48:19,440
Regina Markovna, here's Budnik... Budnik,
he was right yesterday. We must

469
00:48:19,440 --> 00:48:23,400
choose your roles carefully. Well, which one
Irina from me? What kind of chairman am I?

470
00:48:23,400 --> 00:48:24,400
collective farm?

471
00:48:26,440 --> 00:48:28,460
I'm so tired of you all.

472
00:48:30,380 --> 00:48:31,860
Yesterday he, today you too.

473
00:48:34,140 --> 00:48:35,340
All of you, go ahead and listen.

474
00:49:08,620 --> 00:49:09,880
Well, can we congratulate you?

475
00:49:12,240 --> 00:49:13,240
Happy?

476
00:49:13,420 --> 00:49:14,420
Yes.

477
00:49:18,120 --> 00:49:19,120
Happy for you.

478
00:49:25,020 --> 00:49:26,340
Happy for you guys.

479
00:49:32,880 --> 00:49:33,900
That's it, let's film.

480
00:49:40,680 --> 00:49:41,780
We don't have three minutes.

481
00:49:43,140 --> 00:49:44,920
Listen, Khrustalev, shut up, okay?

482
00:49:46,940 --> 00:49:51,560
That's it, we're done. Quickly into the frame. Let's.
Yegor Ilyich, and you are a fountain to the cameraman

483
00:49:51,560 --> 00:49:53,020
Will you shut up or do you need help?

484
00:49:53,620 --> 00:49:54,820
Oh, Emil, please.

485
00:49:55,240 --> 00:49:56,240
The color is fading.

486
00:49:56,700 --> 00:49:59,160
She has a different hairstyle. It's obvious
there will be.

487
00:49:59,640 --> 00:50:02,720
Nothing will be visible. We'll put it on
outplane of this tree and that’s it.

488
00:50:03,980 --> 00:50:05,000
This is short.

489
00:50:05,880 --> 00:50:06,880
Goes into close-up.

490
00:50:07,740 --> 00:50:08,740
Eliza hairstyle.

491
00:50:11,980 --> 00:50:12,980
The camera is a fool here.

492
00:50:53,710 --> 00:50:56,670
Dogs barking madly into the fading distance.

493
00:50:57,070 --> 00:51:01,650
I came to you in a black tailcoat,
elegant as a piano.

494
00:51:02,170 --> 00:51:05,990
It was cold and damp. Shadows huddled around
corners.

495
00:51:06,330 --> 00:51:09,230
Shed tears, glassy, like heroes on
incense

496
00:51:09,550 --> 00:51:11,430
You were sitting on the sofa.

497
00:51:11,950 --> 00:51:13,430
They looked like reinforcements.

498
00:51:13,950 --> 00:51:17,770
Silently I clutched the flying
gun.

499
00:51:18,350 --> 00:51:19,930
Located towards the bottom with the muzzle.

500
00:51:20,270 --> 00:51:22,570
He could shoot through his pocket.

501
00:51:23,310 --> 00:51:28,070
I kept thinking, thinking, thinking, should I kill?
kill.

502
00:51:28,550 --> 00:51:32,590
And from the dampness from the shadow of trembling I cannot resist
could.

503
00:51:32,890 --> 00:51:36,950
You fell to your knees, on my beautiful
legs

504
00:51:37,930 --> 00:51:41,510
A shot, an explosion, a flash.

505
00:51:42,110 --> 00:51:43,710
I don't feel sorry for anything anymore.

506
00:51:44,330 --> 00:51:48,770
I lay towards the door with my elegant feet,
like heaven.

