1 00:00:28,500 --> 00:00:35,500 THE CONTEMPT 2 00:00:38,708 --> 00:00:42,792 This film was based on the novel by Alberto Moravia. 3 00:00:46,208 --> 00:00:49,833 Starring: Brigitte Bardot and Michel Piccoli... 4 00:00:53,333 --> 00:00:57,458 Jack Palance and Giorgia Moll... 5 00:01:00,333 --> 00:01:03,083 and Fritz Lang. 6 00:01:07,292 --> 00:01:11,958 The camera work had Raoul Coutard. 7 00:01:13,333 --> 00:01:18,042 Georges Delerue wrote the music. 8 00:01:19,583 --> 00:01:23,917 For the sound William Sivel was responsible. 9 00:01:25,583 --> 00:01:28,833 The cut Agnes Guillemot took over. 10 00:01:31,000 --> 00:01:36,167 Philippe was in charge of recording Dussart and Carlo Lastricatti. 11 00:01:37,375 --> 00:01:41,333 This is a movie by Jean Luc Godard. 12 00:01:43,083 --> 00:01:47,417 It was shot in Scope and developed by GTC in Joinville. 13 00:01:49,167 --> 00:01:52,042 Georges de Beauregard and Carlo Ponti produced it... 14 00:01:52,250 --> 00:01:57,583 for Rome-Paris Films, Concordia, C.C. Champion in Rome. 15 00:02:06,167 --> 00:02:09,500 Bazin said: "Cinema creates to our eyes a world... 16 00:02:09,708 --> 00:02:12,875 the on tailored to our desires." 17 00:02:14,292 --> 00:02:17,750 “The contempt is the history of this world." 18 00:02:32,083 --> 00:02:37,583 I don't know. I believe I'm going to mother. 19 00:02:37,792 --> 00:02:41,083 I don't know what happens after that. 20 00:02:41,958 --> 00:02:49,000 You can pick me up if you want. At four o'clock in Cinecitt�. 21 00:02:51,625 --> 00:02:55,458 I have an interview with the American. 22 00:02:56,625 --> 00:02:59,625 Yes, perhaps. 23 00:03:02,417 --> 00:03:07,208 - Do you see my feet in the mirror? - Yes. 24 00:03:09,208 --> 00:03:14,167 - Do you think she's beautiful? - Yes, very nice. 25 00:03:15,292 --> 00:03:21,083 - And my ankles, do you like them? - Yes. 26 00:03:23,042 --> 00:03:26,250 Do you like my knees too? 27 00:03:27,500 --> 00:03:31,667 Yes, I like your knees a lot. 28 00:03:33,917 --> 00:03:37,125 And my thighs? 29 00:03:37,375 --> 00:03:40,167 Those too. 30 00:03:44,958 --> 00:03:50,250 Do you see my butt in the mirror? 31 00:03:50,458 --> 00:03:54,333 Yes. 32 00:03:54,542 --> 00:03:59,125 Do you think my butt cheeks are beautiful? 33 00:03:59,333 --> 00:04:03,458 Yes very. 34 00:04:05,333 --> 00:04:08,708 Should I kneel down? 35 00:04:10,375 --> 00:04:12,833 No, it's a good thing. 36 00:04:13,042 --> 00:04:17,000 And my breasts, do you like them? 37 00:04:17,208 --> 00:04:21,000 Yes very. 38 00:04:21,208 --> 00:04:27,750 - Very gentle, Paul, not so rough. - Sorry, Camille. 39 00:04:29,875 --> 00:04:37,083 What do you like better? my breasts or my nipples? 40 00:04:39,750 --> 00:04:43,750 I don't know, both the same. 41 00:04:45,792 --> 00:04:51,542 - And my shoulders, do you like them? - Yes. 42 00:04:51,750 --> 00:04:57,250 - I don't think it's round enough. - Me, yes. 43 00:05:00,333 --> 00:05:03,208 And my arms, do you like them? 44 00:05:03,417 --> 00:05:06,000 Yes. 45 00:05:10,917 --> 00:05:14,083 And my face? 46 00:05:15,833 --> 00:05:17,417 That too. 47 00:05:17,625 --> 00:05:23,625 Everything? My mouth, my eyes, my nose, my ears? 48 00:05:23,833 --> 00:05:27,250 Yes, everything. 49 00:05:27,458 --> 00:05:33,042 - So you totally love me? - Yes. 50 00:05:34,000 --> 00:05:38,583 I love you completely, with everything Tenderness, with all its tragedy. 51 00:05:39,667 --> 00:05:44,417 Me too, Paul. 52 00:05:46,208 --> 00:05:51,083 Good day. How are you? What's up? Where are they all? 53 00:05:51,292 --> 00:05:55,833 Jerry sent everyone away. It stands bad for Italian films. 54 00:05:56,042 --> 00:05:59,458 - Where is he? - Over there. 55 00:05:59,667 --> 00:06:01,833 Where? 56 00:06:03,042 --> 00:06:05,625 Jerry? 57 00:06:08,083 --> 00:06:10,458 Jerry? 58 00:06:16,042 --> 00:06:18,000 Jerry? 59 00:06:21,917 --> 00:06:24,417 Jerry? 60 00:06:37,083 --> 00:06:40,542 Yesterday there were kings here. 61 00:06:40,750 --> 00:06:44,167 Kings were here yesterday. 62 00:06:44,375 --> 00:06:48,875 Kings and queens, Warriors and lovers... 63 00:06:49,083 --> 00:06:51,208 Princesses, lovers... 64 00:06:51,417 --> 00:06:55,125 ...all true people. 65 00:06:55,333 --> 00:06:57,125 All human feelings. 66 00:06:57,333 --> 00:07:03,750 They experienced the true feelings. Yesterday I sold the land. 67 00:07:03,958 --> 00:07:06,292 Yesterday he sold everything. 68 00:07:06,500 --> 00:07:11,167 Now it will be here built a junk shop. 69 00:07:11,375 --> 00:07:13,083 They build a junk shop. 70 00:07:13,292 --> 00:07:16,125 Here, in my last kingdom. 71 00:07:16,333 --> 00:07:21,542 - It's the end of the movie. - The film will always exist. 72 00:07:21,750 --> 00:07:27,083 They wrote the script to “Toto vs. Hercules”. 73 00:07:27,292 --> 00:07:30,708 They wrote "Toto versus Hercules". 74 00:07:30,917 --> 00:07:34,042 - It arrives in New York. - Yes, more or less. 75 00:07:34,250 --> 00:07:40,417 Not so modest. I believe of the pride in making good films. 76 00:07:40,625 --> 00:07:45,500 - Don't be so modest. - Do you know "The Odyssey"? 77 00:07:45,708 --> 00:07:50,042 - Do you know "The Odyssey"? - You're filming that with Fritz Lang? 78 00:07:50,250 --> 00:07:54,583 I've already lost my studio Now I'm losing everything because of him. 79 00:07:54,792 --> 00:07:59,417 - Things are going very badly. - Why did you hire him? 80 00:07:59,625 --> 00:08:04,958 A German should direct. A German discovered Troy. 81 00:08:05,167 --> 00:08:10,333 It will be directed by a German. A German discovered Troy. 82 00:08:10,542 --> 00:08:13,417 And what should I do? 83 00:08:13,625 --> 00:08:16,500 What should he do, Jerry? 84 00:08:18,125 --> 00:08:23,792 Write new scenes for "The Odyssey". Not just sex. 85 00:08:24,000 --> 00:08:28,417 But more... more. 86 00:08:28,625 --> 00:08:34,917 He needs new scenes. But not with more sex, but with more... 87 00:08:35,125 --> 00:08:38,500 The producers are all the same, they don't know. 88 00:08:38,708 --> 00:08:41,667 They actually don't know. 89 00:08:44,417 --> 00:08:49,875 "To know what you don't know" is the gift of the higher spirit." 90 00:08:50,083 --> 00:08:53,833 To know what you don't know, is the gift of the higher spirit. 91 00:08:54,042 --> 00:08:57,667 "Not knowing anything and believing, that you know is wrong." 92 00:08:57,875 --> 00:09:01,458 Not knowing and believing nothing, that you know is a mistake. 93 00:09:01,667 --> 00:09:05,708 "Knowing it's wrong, stops you from doing it." 94 00:09:05,917 --> 00:09:09,625 Knowing it's wrong stops you from doing it. 95 00:09:09,833 --> 00:09:11,792 My knowledge lies here. 96 00:09:12,000 --> 00:09:14,042 Lang will not accept this. 97 00:09:14,250 --> 00:09:18,042 - Lang will not accept this. - This is my money. 98 00:09:18,250 --> 00:09:24,000 In 1933, Goebbels asked Lang, the German to run the film industry. Lang fled. 99 00:09:24,208 --> 00:09:31,708 - In 1933 Goebbels offered... - This is not 1933, but 1963. 100 00:09:31,917 --> 00:09:37,125 He records everything written Attack, you will write it. 101 00:09:37,333 --> 00:09:42,042 This is not 1933. And Mr. Prokosch knows that you accept the order. 102 00:09:42,250 --> 00:09:43,583 Why? 103 00:09:43,792 --> 00:09:45,625 Why? 104 00:09:45,833 --> 00:09:48,125 I'll tell you in the screening room. 105 00:09:48,333 --> 00:09:54,042 He will show it to you at the screening say. This way. 106 00:10:25,250 --> 00:10:27,125 And why? 107 00:10:27,333 --> 00:10:32,000 - He wants to know why. - Because you need the money. 108 00:10:32,208 --> 00:10:36,458 - Because you need the money. - How does he want to know that? 109 00:10:36,667 --> 00:10:39,542 How do you know that, Jerry? 110 00:10:42,417 --> 00:10:46,333 Someone told me that you have a very beautiful wife. 111 00:10:46,542 --> 00:10:51,083 Someone told him that you have a very beautiful wife. 112 00:11:01,542 --> 00:11:04,500 What great things shall we see today, Fritz? 113 00:11:04,708 --> 00:11:08,083 Every film should have a point of view, Jerry. 114 00:11:08,292 --> 00:11:11,667 Every film should represent a point of view. 115 00:11:11,875 --> 00:11:16,167 This is about the fight individual against the circumstances. 116 00:11:16,375 --> 00:11:19,375 The eternal problem of the ancient Greeks. 117 00:11:19,583 --> 00:11:22,625 Here it is the eternal problem of the ancient Greeks. 118 00:11:22,833 --> 00:11:27,000 I don't know if you understand but I hope so, Jerry. 119 00:11:27,208 --> 00:11:32,583 It is the fight against the gods, that of Prometheus and Odysseus. 120 00:11:32,792 --> 00:11:39,208 It is the fight against the gods. The Battle of Odysseus. 121 00:12:33,000 --> 00:12:34,542 Isn't that Minerva? 122 00:12:37,500 --> 00:12:39,792 She is the protector from Odysseus. 123 00:12:42,833 --> 00:12:47,125 This is Neptune, his mortal enemy. 124 00:13:05,542 --> 00:13:07,458 The second. 125 00:13:10,583 --> 00:13:13,625 "The Odyssey" 700, the first! 126 00:13:16,083 --> 00:13:19,375 Oh gods. 127 00:13:22,208 --> 00:13:27,708 I like gods. I like her very much. 128 00:13:29,750 --> 00:13:32,375 Mr. Prokosch likes the gods. 129 00:13:32,583 --> 00:13:35,708 I know how they feel. 130 00:13:35,917 --> 00:13:38,500 He understands her very well. 131 00:13:38,708 --> 00:13:41,458 Exactly. 132 00:13:42,792 --> 00:13:48,750 Don't forget the gods did not create man. 133 00:13:48,958 --> 00:13:52,333 Man created the gods. 134 00:13:52,542 --> 00:13:55,958 This is Homer. 135 00:13:56,167 --> 00:14:01,583 Not the gods created the people, but vice versa. 136 00:14:08,250 --> 00:14:12,375 - Francesca, what is this? - A mermaid, Jerry. 137 00:14:12,583 --> 00:14:16,792 It's a mermaid. 138 00:14:19,083 --> 00:14:24,333 Fritz, it's good for you and me but do the viewers understand it? 139 00:14:25,875 --> 00:14:30,458 It's art, but do the viewers understand it? 140 00:14:40,042 --> 00:14:43,792 - Who is that? -Penelope. 141 00:14:44,000 --> 00:14:50,625 I have a theory about that. I think Penelope was unfaithful. 142 00:14:50,833 --> 00:14:53,750 Mr. Prokosch has a theory. 143 00:14:53,958 --> 00:14:58,292 He thinks the woman Odysseus was unfaithful. 144 00:15:15,583 --> 00:15:18,750 "Oh my brothers, if you after many dangers... 145 00:15:18,958 --> 00:15:21,250 the borders of the Occident have achieved... 146 00:15:21,458 --> 00:15:27,125 do not hesitate, follow the path of the sun following to fathom the worlds." 147 00:15:28,583 --> 00:15:33,875 "Know that you you're not here to be... 148 00:15:34,083 --> 00:15:37,333 but about science and to fathom virtue." 149 00:15:37,542 --> 00:15:39,167 Thank you. 150 00:15:39,375 --> 00:15:43,917 - Do you know that? - Yes, that's from Dante. 151 00:15:46,167 --> 00:15:49,542 "The night is already looking to the stars." 152 00:15:58,958 --> 00:16:03,542 "And our joy turns into tears." 153 00:16:05,792 --> 00:16:10,667 "Until the sea surrounds us." 154 00:16:35,917 --> 00:16:38,083 "The Odyssey", 701, the third. 155 00:17:12,500 --> 00:17:15,500 I'm Paul Javal, Mr. Prokosch seems to have it... 156 00:17:15,708 --> 00:17:17,833 I know. 157 00:17:18,042 --> 00:17:21,167 It's great. I like cinema. 158 00:17:21,375 --> 00:17:26,792 It's not for the people but for snakes and funerals. 159 00:17:30,417 --> 00:17:33,792 That's what I think of this stuff up there, Fritz. 160 00:17:36,333 --> 00:17:41,625 - Do you want to rewrite it? - You tricked me. 161 00:17:41,833 --> 00:17:45,417 - That wasn't in the script. - But! 162 00:17:45,625 --> 00:17:50,708 - No! - The script, Francesca. 163 00:17:50,917 --> 00:17:54,833 What is it? Argue because of the script? 164 00:18:11,333 --> 00:18:15,542 Yes, it's there, but it's not what was on the screen. 165 00:18:15,750 --> 00:18:19,292 Of course, since it's a script, it is written. 166 00:18:19,500 --> 00:18:25,125 There are images on the screen. It's called a film. 167 00:18:25,333 --> 00:18:29,250 He says between paper and film would there be a difference. 168 00:18:33,917 --> 00:18:36,167 Jerry! 169 00:18:37,625 --> 00:18:42,458 They develop a feeling for Greek culture. 170 00:18:43,792 --> 00:18:46,083 I have to go to my wife now. 171 00:18:46,292 --> 00:18:49,292 Stand still. 172 00:18:52,250 --> 00:18:56,292 I cringe at the word culture my checkbook. Come here. 173 00:18:56,500 --> 00:19:00,625 A few terrible years ago... 174 00:19:00,833 --> 00:19:06,792 said Hitler's supporters “Revolver” instead of “checkbook”. 175 00:19:20,917 --> 00:19:24,750 Are you rewriting that now? Yes or no? 176 00:19:24,958 --> 00:19:29,250 Do you accept the order? Yes or no? 177 00:20:03,500 --> 00:20:09,083 But remains fearless if he has to, the man is lonely before God. 178 00:20:09,292 --> 00:20:11,875 His simplicity protects him. 179 00:20:12,083 --> 00:20:14,875 He doesn't need weapons more lists... 180 00:20:15,083 --> 00:20:18,500 until the absence of God comes to his aid. 181 00:20:18,708 --> 00:20:21,417 - Very good. - This is H�lderlin, right, Mr. Lang? 182 00:20:21,625 --> 00:20:24,750 Yes, “poet’s profession.” 183 00:20:24,958 --> 00:20:29,875 The last verse is strange. H�lderlin first wrote: 184 00:20:33,792 --> 00:20:36,500 As long as God doesn't appear. 185 00:20:36,708 --> 00:20:38,875 Yes and then he wrote: 186 00:20:42,417 --> 00:20:45,125 As long as God is near us. 187 00:20:45,333 --> 00:20:51,542 The final version contradicts the other two. 188 00:20:53,000 --> 00:20:56,417 It's not more the presence of God... 189 00:20:56,625 --> 00:21:00,042 but its absence, that calms people down. 190 00:21:00,250 --> 00:21:03,958 It's strange but true. 191 00:21:05,250 --> 00:21:09,750 - What's that called in Italian? - Strano. 192 00:21:09,958 --> 00:21:12,167 After you. 193 00:21:14,542 --> 00:21:16,458 Please. 194 00:21:19,125 --> 00:21:23,458 Miss Francesca Vanini! 195 00:21:24,583 --> 00:21:27,667 I'll be back in five minutes. 196 00:21:49,625 --> 00:21:51,917 Paul! 197 00:22:02,125 --> 00:22:06,250 This is Mr. Prokosch. My wife, Camille. 198 00:22:14,500 --> 00:22:19,417 May I introduce my wife Camille, Fritz Lang. 199 00:22:19,625 --> 00:22:23,625 He has the Western with Dietrich filmed, which we saw on Friday. 200 00:22:23,833 --> 00:22:27,000 - He was great. - I prefer "M". 201 00:22:27,208 --> 00:22:31,458 I saw him on TV recently. I liked him a lot. 202 00:22:31,667 --> 00:22:34,250 Thanks. They are very kind. 203 00:22:34,458 --> 00:22:39,750 The recordings of Mel Ferrer in “Angels of the Hunted” are very good. 204 00:22:39,958 --> 00:22:43,292 Thanks. If I read "The Odyssey" finished... 205 00:22:43,500 --> 00:22:47,083 Shall we have a drink at my place? Yes or no? 206 00:22:47,292 --> 00:22:51,417 Mr. Prokosch invites you for a glass with him. Yes or no? 207 00:22:51,625 --> 00:22:53,375 I don't know. 208 00:22:53,583 --> 00:22:57,333 - She doesn't know. - She knows it very well. 209 00:22:57,542 --> 00:23:01,833 - He says you know. - I? 210 00:23:04,375 --> 00:23:08,208 - Paul? - I like to have a drink. 211 00:23:08,417 --> 00:23:13,417 Including without me, like that Producer Goldwyn once said. 212 00:23:13,625 --> 00:23:16,833 - Goodbye. - Madam. 213 00:23:24,083 --> 00:23:26,708 Then we'll go if you want. 214 00:23:26,917 --> 00:23:29,042 Get in. 215 00:23:29,250 --> 00:23:31,000 Take a seat. 216 00:23:31,208 --> 00:23:35,208 Paul, this is getting a little tight. Take a taxi. 217 00:23:35,417 --> 00:23:40,500 - Good. - Mr. Prokosch is coming to get you. 218 00:23:40,708 --> 00:23:44,583 - I'll take a taxi. - We'll both take a taxi. 219 00:23:44,792 --> 00:23:46,125 Let's go. 220 00:23:46,333 --> 00:23:50,125 - Make up your mind. - Get in. 221 00:23:50,333 --> 00:23:53,708 Come on, I'll come. 222 00:24:11,708 --> 00:24:14,125 - Paul! -Camille! 223 00:24:16,917 --> 00:24:18,458 Camille. 224 00:24:27,833 --> 00:24:30,125 - Ciao. - Ciao. 225 00:24:34,083 --> 00:24:36,000 What is the address? 226 00:25:11,333 --> 00:25:13,708 Hello, Paul. 227 00:25:17,583 --> 00:25:20,875 Would you like a drink, Paul? 228 00:25:34,750 --> 00:25:37,542 We thought They would never come. 229 00:25:41,375 --> 00:25:44,375 What happened, Paul? 230 00:25:45,833 --> 00:25:51,000 - What does he say? - I can barely speak English either. 231 00:25:55,667 --> 00:26:00,375 We've been there for half an hour here. Where have you gone? 232 00:26:10,667 --> 00:26:13,792 I had an accident. 233 00:26:14,000 --> 00:26:20,583 I was sitting in a taxi and on the corner of Via Charelli... 234 00:26:20,792 --> 00:26:27,250 another car drove into us. The fender was gone. 235 00:26:27,458 --> 00:26:31,042 The two drivers shouted at each other. 236 00:26:31,250 --> 00:26:36,667 I had to get another taxi looking and that's why... 237 00:26:36,875 --> 00:26:39,708 What why? 238 00:26:39,917 --> 00:26:43,125 Why I come so late. 239 00:26:43,333 --> 00:26:49,417 I had to go to Piazza Venezia until I found a taxi. 240 00:26:49,625 --> 00:26:53,792 A long way, long, long. 241 00:26:54,000 --> 00:26:57,458 It took time. 242 00:27:04,417 --> 00:27:08,750 Your story I'm not interested anyway. 243 00:27:13,500 --> 00:27:16,292 I had to walk for 20 minutes. 244 00:27:19,917 --> 00:27:24,125 - Don't you believe me? - We'll discuss this later. 245 00:27:24,333 --> 00:27:27,458 I look around a bit. 246 00:27:56,583 --> 00:27:58,625 Francesca. 247 00:28:02,583 --> 00:28:06,542 Tell Paul tomorrow should sign his contract. 248 00:28:06,750 --> 00:28:11,417 Mr. Prokosch says you tomorrow to sign your contract. 249 00:28:14,000 --> 00:28:17,292 What is it, Camille? 250 00:28:43,833 --> 00:28:47,375 Jerry, a call from London. 251 00:28:57,500 --> 00:28:59,708 Jerry, London! 252 00:29:02,375 --> 00:29:06,708 Friday we're shooting in Capri. Come with me. 253 00:29:07,292 --> 00:29:12,000 Answer when people talk to you. Why are you so quiet? 254 00:29:14,375 --> 00:29:19,042 - What happened before I came? - Nothing special. 255 00:29:19,250 --> 00:29:22,292 Did he court you? 256 00:29:23,875 --> 00:29:27,792 - Why are you asking that? - Only this way. 257 00:29:34,083 --> 00:29:37,083 I'm going to wash my hands. 258 00:29:44,083 --> 00:29:47,958 - Where can I wash my hands? - Top right. 259 00:29:55,333 --> 00:29:58,042 What is? 260 00:29:58,250 --> 00:30:00,875 Nothing. 261 00:30:02,042 --> 00:30:05,542 - Did you cry? - No. 262 00:30:07,000 --> 00:30:10,292 He's strict, your boss. 263 00:30:10,500 --> 00:30:12,708 Yes. 264 00:30:14,583 --> 00:30:18,042 Have you known him for a long time? 265 00:30:20,958 --> 00:30:24,125 What did he do before? 266 00:30:24,333 --> 00:30:29,625 - I don't want to talk about it. - I just wanted to chat. 267 00:30:31,708 --> 00:30:35,542 It's a shame, so pretty and yet to be so sad. 268 00:30:35,750 --> 00:30:39,458 You like it nothing funnier? 269 00:30:39,667 --> 00:30:42,542 Funny? 270 00:30:44,208 --> 00:30:49,167 A funny story, but which ones? 271 00:30:52,833 --> 00:30:57,375 The story of Ramakrishna and his student. 272 00:31:02,792 --> 00:31:07,417 Ramakrishna was a wise Hindu. 273 00:31:07,625 --> 00:31:10,583 He had a student... 274 00:31:10,792 --> 00:31:14,667 who no longer adheres to the teaching believed his master. 275 00:31:14,875 --> 00:31:19,917 The student went off alone. 276 00:31:20,125 --> 00:31:24,458 After 15 years he returned and said, "I found it." 277 00:31:24,667 --> 00:31:26,917 Found what? 278 00:31:27,125 --> 00:31:32,417 He told Ramakrishna he would explained and led him to the river. 279 00:31:32,625 --> 00:31:37,958 And the disciple ran on the water, from one bank to the other. 280 00:31:38,167 --> 00:31:45,583 He said, "I'm crossing the river, without getting your feet wet." 281 00:31:45,792 --> 00:31:49,208 Ramakrishna said, "Fool." 282 00:31:49,417 --> 00:31:53,542 "I never get my feet wet, The boat only costs one rupee." 283 00:31:58,292 --> 00:32:02,792 Did that cheer you up a bit? Good. 284 00:32:04,292 --> 00:32:06,208 Paul. 285 00:32:09,625 --> 00:32:13,750 - Is this how you wash your hands? - As you can see. 286 00:32:13,958 --> 00:32:18,792 - I have told about Ramakrishna. - I like to believe that. 287 00:32:19,000 --> 00:32:21,958 You're totally crazy. 288 00:32:22,167 --> 00:32:25,667 - Where can I pee? - Up there. 289 00:32:30,583 --> 00:32:36,083 Here is a book with Roman Frescoes. These could be useful. 290 00:32:36,292 --> 00:32:39,917 A book of Roman frescoes. It could be useful. 291 00:32:40,125 --> 00:32:42,875 "The Odyssey" is Greek. 292 00:32:43,083 --> 00:32:49,083 - "The Odyssey" is Greek. - Yes, I know. 293 00:32:51,375 --> 00:32:53,417 He knows that. 294 00:33:10,417 --> 00:33:12,458 So I was right. 295 00:33:12,667 --> 00:33:17,000 With what? With what? 296 00:33:17,208 --> 00:33:20,000 With what? 297 00:33:26,292 --> 00:33:28,833 With the money and his wife. 298 00:33:29,042 --> 00:33:32,292 With the money and your wife. 299 00:33:42,750 --> 00:33:45,708 Are you staying for dinner? Yes or no? 300 00:33:45,917 --> 00:33:48,833 Mr. Prokosch invites you to dinner. Yes or no? 301 00:33:49,042 --> 00:33:51,917 I'm tired. I'd rather go home. 302 00:33:52,125 --> 00:33:54,333 She's tired. 303 00:33:54,542 --> 00:33:57,625 Tell them we're leaving. 304 00:33:57,833 --> 00:34:01,625 -Paul. - Fine, let's go. 305 00:34:01,833 --> 00:34:03,375 You have to go, Jerry. 306 00:34:03,583 --> 00:34:07,792 If you are for Capri, say Let me know this evening. 307 00:34:08,000 --> 00:34:12,542 If you are for Capri, let me know this evening. 308 00:34:12,750 --> 00:34:14,667 Paul is calling you. 309 00:34:14,875 --> 00:34:18,375 - Paul is calling you. - What's wrong with you? 310 00:34:18,583 --> 00:34:24,333 - And you, madame? - My husband decides. 311 00:34:30,542 --> 00:34:32,667 What are you interested in? to “The Odyssey”? 312 00:34:32,875 --> 00:34:35,917 What are you interested in? to “The Odyssey”? 313 00:34:36,125 --> 00:34:39,250 I don't know that yet. 314 00:34:39,458 --> 00:34:45,250 Maybe because he can become different than the bad modern films. 315 00:34:45,458 --> 00:34:50,417 We have to go back to Griffith and Chaplin... 316 00:34:50,625 --> 00:34:55,000 in the glory days by United Artists. 317 00:34:57,375 --> 00:35:01,833 "The wise oppresses others not with his superiority." 318 00:35:02,042 --> 00:35:05,458 The wise oppresses the others not with superiority. 319 00:35:05,667 --> 00:35:09,542 “He doesn’t demean her because of their incompetence." 320 00:35:09,750 --> 00:35:13,250 He doesn't humiliate her because of their incompetence. 321 00:35:31,958 --> 00:35:35,500 He's crazy. Have you seen that he kicked her? 322 00:35:37,792 --> 00:35:42,750 You change your mind quickly. You still thought he was great on Monday. 323 00:35:50,708 --> 00:35:53,667 Now I'm holding him for an idiot. 324 00:35:53,875 --> 00:35:57,500 I'm allowed to change my mind. 325 00:36:02,708 --> 00:36:06,542 - What's gotten into you? - Nothing. 326 00:36:06,750 --> 00:36:09,375 If you're happy, I am too. 327 00:36:34,875 --> 00:36:38,167 "Rio Bravo" is playing in the Regina. 328 00:36:40,833 --> 00:36:44,875 Nicholas Ray's "Bigger Than Life" also works. 329 00:36:47,625 --> 00:36:50,542 - You have the key. - I know. 330 00:36:53,042 --> 00:36:56,417 I called your mother, you weren't there. 331 00:36:56,625 --> 00:37:00,750 We ate here. I didn't want to leave. 332 00:37:05,583 --> 00:37:09,750 I like it here. It's better than the hotel. 333 00:37:09,958 --> 00:37:12,375 So I was right. 334 00:37:14,625 --> 00:37:17,167 How much do you get for the script? 335 00:37:17,375 --> 00:37:21,042 $10,000. That's 6 million lire. 336 00:37:21,250 --> 00:37:26,708 We can pay off the apartment. That's great, right? 337 00:37:38,750 --> 00:37:43,750 When do you talk to your friend because of the curtains? 338 00:37:43,958 --> 00:37:49,417 When he gets back from Spain. Roberto says he'll come Friday. 339 00:37:54,625 --> 00:37:59,500 - I want red velvet or nothing. - In order. 340 00:37:59,708 --> 00:38:06,208 - Are you setting the table? I'm bathing. - I want to bathe too. 341 00:38:07,250 --> 00:38:10,458 Then bathe, I'm still working a little. 342 00:38:13,333 --> 00:38:17,208 No, I'll go later, while this is cooking. 343 00:38:17,417 --> 00:38:25,000 - Beans again? - Even if you don't like it. 344 00:38:25,208 --> 00:38:29,833 - I can set the table. - I'm already there. 345 00:39:09,500 --> 00:39:15,208 I bought something this morning. Tell me what you think about it. 346 00:39:15,417 --> 00:39:18,125 What? 347 00:39:23,875 --> 00:39:27,750 - What? - Don't look yet. 348 00:39:27,958 --> 00:39:30,750 Do you feel like going to Capri? 349 00:39:34,458 --> 00:39:36,708 Camille! 350 00:39:37,917 --> 00:39:42,167 - What? - Do you feel like going to Capri? 351 00:39:46,458 --> 00:39:51,000 - Yes and no. - It would be a nice vacation. 352 00:39:53,833 --> 00:39:57,792 - He didn't invite me. - What? 353 00:40:00,458 --> 00:40:05,292 He invited you and not me. 354 00:40:11,708 --> 00:40:16,250 Where is the mirror? Oh yes, here. 355 00:40:32,917 --> 00:40:36,000 No, he invited both of us. 356 00:40:37,750 --> 00:40:40,042 Look. 357 00:40:41,667 --> 00:40:47,000 - Look. It looks good on me, doesn't it? - I like you better blonde. 358 00:40:47,250 --> 00:40:51,042 And I like you Better without hat and cigar. 359 00:40:51,250 --> 00:40:56,458 I'm Dean Martin in “Damn They All.” 360 00:40:56,667 --> 00:41:00,708 I'm laughing my ass off. 361 00:41:01,833 --> 00:41:07,333 You seem more likely to me Being Donkey Martin. 362 00:41:07,542 --> 00:41:12,667 - Who is that? - Don't you know Martin the donkey? 363 00:41:13,917 --> 00:41:18,458 He went to Baghdad, to buy flying carpets. 364 00:41:18,667 --> 00:41:21,375 He found a very nice... 365 00:41:21,583 --> 00:41:25,833 and sat on it, but the carpet didn't fly. 366 00:41:26,042 --> 00:41:30,500 The salesman said: "That's surprising not me." Are you listening to me? 367 00:41:30,708 --> 00:41:32,042 Yes. 368 00:41:32,250 --> 00:41:37,042 "The carpet doesn't fly, when you think of a donkey." 369 00:41:37,250 --> 00:41:40,833 Martin said, "Well then I guess not to a donkey." 370 00:41:41,042 --> 00:41:45,958 And of course he thought of it and the carpet didn't lift off. 371 00:41:46,167 --> 00:41:49,250 What does this have to do with me? 372 00:41:49,458 --> 00:41:54,792 - That's exactly what I meant. - I don't understand it. 373 00:41:59,000 --> 00:42:02,458 It's nothing. Are you ready? 374 00:42:02,667 --> 00:42:06,667 Yes, you can use the same water Use it, it's still clean. 375 00:42:14,833 --> 00:42:18,875 You're so weird. So what's going on? 376 00:42:19,083 --> 00:42:24,417 Nothing. I knew that you would tell me that. 377 00:42:26,000 --> 00:42:28,833 Is it because of this girl? 378 00:42:29,042 --> 00:42:34,208 It's nothing. I just said that you are an ass. 379 00:42:39,958 --> 00:42:43,458 It doesn't sound the same everywhere. 380 00:42:45,250 --> 00:42:48,917 Why don't you want to that we go to Capri? 381 00:42:50,417 --> 00:42:52,708 Because you're an ass. 382 00:43:00,583 --> 00:43:03,750 You're scaring me, Paul. 383 00:43:03,958 --> 00:43:07,292 This isn't the first time either. 384 00:43:07,500 --> 00:43:10,708 Why are you giving me not just an answer? 385 00:43:10,917 --> 00:43:14,792 Why did I? Married a 28-year-old girl? 386 00:43:15,000 --> 00:43:20,042 You're right. I ask your forgiveness. 387 00:43:23,208 --> 00:43:25,833 And I love you too. 388 00:43:37,542 --> 00:43:42,125 Just go to Capri. I don't feel like it. 389 00:43:42,333 --> 00:43:47,458 And as I said, I don't like this Prokosch. 390 00:43:47,667 --> 00:43:51,042 Why not? Did he do something to you? 391 00:43:53,208 --> 00:43:55,792 nothing at all. 392 00:44:09,292 --> 00:44:16,375 - Why are you absent? - Because I'm thinking about something. 393 00:44:18,625 --> 00:44:22,750 - Does that surprise you? - No, what are you thinking about? 394 00:44:22,958 --> 00:44:27,875 - about an idea. - Come with me. I'm not going alone. 395 00:44:28,083 --> 00:44:32,083 You're so strange since we came across this guy. 396 00:44:35,458 --> 00:44:39,333 No, I'm not strange. 397 00:44:43,042 --> 00:44:49,500 - I wonder why you say that. - Everything was fine this morning. 398 00:44:49,708 --> 00:44:55,708 And now we're not arguing about anything. What is it, my darling? 399 00:44:55,917 --> 00:45:00,417 I want to have fun. Nothing is, Paul. 400 00:45:00,625 --> 00:45:05,875 I'm afraid I'm there boredom. I'm not going there. 401 00:45:07,542 --> 00:45:11,333 I'm not going there. I'm not going there. 402 00:45:11,542 --> 00:45:14,583 I'm not going there. I'm not going there. 403 00:45:14,792 --> 00:45:20,750 I'm not going there. I'm not going there. 404 00:45:26,458 --> 00:45:30,333 Have you seen the house that they are building opposite here? 405 00:45:31,792 --> 00:45:34,250 It's hideous. 406 00:45:35,000 --> 00:45:40,042 If you love me, Paul, Do you keep your mouth shut now? 407 00:45:47,167 --> 00:45:50,875 A man has the right to know why his wife is angry. 408 00:45:53,250 --> 00:45:55,625 It's definitely because of the girl. 409 00:45:55,833 --> 00:45:57,750 Bite me. 410 00:46:15,833 --> 00:46:21,458 Yes, please? No, Camille isn't there. 411 00:46:24,292 --> 00:46:30,042 I thought you were in town eat and go shopping. 412 00:46:30,250 --> 00:46:34,208 She's just coming in. It's your mother. 413 00:47:21,792 --> 00:47:27,500 Are you crazy! Why do you have mine? Told mother I wasn't there? 414 00:47:27,708 --> 00:47:31,958 - I don't know why. - I know it. 415 00:47:32,167 --> 00:47:37,458 You wanted to know if I wanted you maybe I lied. 416 00:47:38,708 --> 00:47:40,333 Yes. 417 00:47:40,542 --> 00:47:44,792 When this starts again, I'm getting a divorce. 418 00:47:45,000 --> 00:47:49,167 - Stands up. - What are you doing? 419 00:47:50,625 --> 00:47:54,875 - I'm sleeping on the sofa. - Tonight? 420 00:47:56,500 --> 00:47:59,917 No, every night from now on. 421 00:48:09,750 --> 00:48:15,250 Don't get upset. I can't sleep with the window open. 422 00:48:15,458 --> 00:48:18,000 Okay, then let's close it. 423 00:48:18,208 --> 00:48:22,792 Then you find it too stuffy. It's better that way. 424 00:48:23,000 --> 00:48:27,875 Many couples sleep separately and still understand each other. 425 00:48:28,083 --> 00:48:32,792 What have I done? Tell me. 426 00:48:34,042 --> 00:48:37,625 I'm sorry I said that have, you are not there. 427 00:48:37,833 --> 00:48:40,250 Let me pass. 428 00:48:41,625 --> 00:48:46,792 - Is that why you're angry? - I'm not mad about it anymore. 429 00:48:49,208 --> 00:48:52,125 I'll lie comfortably here. 430 00:48:52,333 --> 00:48:55,833 What have I done? 431 00:49:02,167 --> 00:49:05,250 You're suddenly so spiteful. 432 00:49:05,458 --> 00:49:09,167 I? I'm always the same. 433 00:49:10,917 --> 00:49:14,083 You've changed, Paul. 434 00:49:19,292 --> 00:49:23,917 Ever since you met these film people. 435 00:49:24,125 --> 00:49:27,292 You used to write crime novels. 436 00:49:27,500 --> 00:49:32,125 You didn't have much money but still it was good. 437 00:49:40,458 --> 00:49:43,083 What is that? 438 00:49:43,292 --> 00:49:48,708 Italian Communist Party. Did you join her? 439 00:49:48,917 --> 00:49:51,417 Yes, two months ago in Paris. 440 00:49:51,625 --> 00:49:54,500 - Give it here. - Let go. 441 00:49:54,708 --> 00:49:57,625 - Don't talk to me like that! - This also applies to you. 442 00:49:57,833 --> 00:50:01,333 I work for you. This apartment here is for you. 443 00:50:01,542 --> 00:50:05,833 Please, Paul. I want me now don't argue. 444 00:50:15,625 --> 00:50:18,708 And I don't want to go to Capri either. 445 00:50:18,917 --> 00:50:22,875 Why? Don't be stupid. You go. 446 00:50:28,625 --> 00:50:33,458 - Paul, come here. - Why? 447 00:50:34,917 --> 00:50:37,417 The order is interesting me no more. 448 00:50:37,625 --> 00:50:41,375 You call Prokosch. I don't want to talk to him. 449 00:50:42,417 --> 00:50:46,083 Paul, come here. 450 00:50:49,167 --> 00:50:52,167 Why do you want the script no longer write? 451 00:50:55,125 --> 00:50:58,208 I just wanted it out of love make to you. 452 00:51:00,625 --> 00:51:04,292 You don't love me anymore, so it has become unnecessary. 453 00:51:04,500 --> 00:51:07,667 That's something completely new. 454 00:51:12,333 --> 00:51:16,667 "I should say which of the three beauties had the best buttocks." 455 00:51:16,875 --> 00:51:19,583 “They had me elected judge." 456 00:51:19,792 --> 00:51:23,083 "They revealed to me her intoxicating nakedness." 457 00:51:23,292 --> 00:51:28,000 "The first one showed me the white softness of her back." 458 00:51:28,208 --> 00:51:33,208 “The second one spread her legs and her flesh shimmered rosy red." 459 00:51:33,417 --> 00:51:36,625 “The third one stood still and was like the calm sea." 460 00:51:36,833 --> 00:51:42,583 "Very light waves appeared on her delicate skin." 461 00:51:47,000 --> 00:51:50,792 We take out a mortgage on them Apartment when we're broke. 462 00:51:52,875 --> 00:51:57,708 Something made you think that I don't love you anymore? 463 00:51:57,917 --> 00:52:00,542 Yes. 464 00:52:00,750 --> 00:52:03,833 What? 465 00:52:04,042 --> 00:52:08,417 - What? - Everything. 466 00:52:08,625 --> 00:52:11,292 What, for example? 467 00:52:16,250 --> 00:52:21,833 - Just tell me if it's true. - No, you answer me first. 468 00:52:22,042 --> 00:52:26,083 Which got me thinking that you don't love me? 469 00:52:26,292 --> 00:52:29,292 The way like you've been talking about since this afternoon. 470 00:52:29,500 --> 00:52:32,833 You weren't like that this morning. 471 00:52:38,667 --> 00:52:40,875 And not yesterday either. 472 00:52:43,625 --> 00:52:46,958 And also the way the way you look at me. 473 00:52:54,250 --> 00:52:56,833 "The problem in my opinion... 474 00:52:57,042 --> 00:53:00,708 lies in how we see the world." 475 00:53:00,917 --> 00:53:04,083 “Either we see them positive or negative." 476 00:53:04,292 --> 00:53:06,667 "The classic tragedy was negative... 477 00:53:06,875 --> 00:53:10,208 for they make man a victim of fate." 478 00:53:10,417 --> 00:53:15,417 "They give themselves without any hope for their fate." 479 00:53:18,042 --> 00:53:23,458 Why do you say it's the open one? Window? There are other things. 480 00:53:26,000 --> 00:53:28,625 I believe it. 481 00:53:28,833 --> 00:53:33,833 "People can get worse Oppose things." 482 00:53:34,042 --> 00:53:39,292 "You have to rebel when the circumstances become a prison." 483 00:53:39,500 --> 00:53:44,083 "But I don't think so that murder is a solution." 484 00:53:44,292 --> 00:53:47,167 "Murder out of jealousy is senseless." 485 00:53:47,375 --> 00:53:52,333 "If the woman I love If she cheats on me, I'll kill her." 486 00:53:52,542 --> 00:53:57,000 "Then what's left for me? My love has died." 487 00:53:57,208 --> 00:54:02,125 "If I kill her lover, She hates me and I lose her." 488 00:54:02,333 --> 00:54:06,375 “Murder can never represent a solution." 489 00:54:06,583 --> 00:54:11,875 - Listen to me, Camille. - I do, really. 490 00:54:12,083 --> 00:54:15,042 I can't sleep with the window open. 491 00:54:15,250 --> 00:54:19,750 I need peace, darkness. 492 00:54:21,125 --> 00:54:23,583 I swear that. 493 00:54:27,917 --> 00:54:34,250 And you sleep so restlessly. From now on I want to sleep alone. 494 00:54:36,250 --> 00:54:38,875 You don't want to sleep with me more. 495 00:54:42,333 --> 00:54:45,000 What talk. 496 00:54:45,208 --> 00:54:49,292 Was that a mocking one? or a tender smile? 497 00:54:51,417 --> 00:54:53,250 A tender one. 498 00:54:56,292 --> 00:54:58,333 Then answer me. 499 00:54:58,542 --> 00:55:04,208 If it's true, I would say so. A woman always finds excuses. 500 00:55:04,417 --> 00:55:10,208 - But sometimes you're an ass. - Curse words don't suit you. 501 00:55:10,417 --> 00:55:13,125 Really not? 502 00:55:15,375 --> 00:55:17,708 Then listen. 503 00:55:18,583 --> 00:55:24,500 Asshole, damn, shit. 504 00:55:25,917 --> 00:55:30,792 Damn, stupid bastard. 505 00:55:32,375 --> 00:55:37,542 Beef, damn it. 506 00:55:42,625 --> 00:55:46,667 Do you still find that it doesn't suit me? 507 00:56:11,125 --> 00:56:14,542 Why don't you want more? sleep with me? 508 00:56:23,125 --> 00:56:28,583 Okay, then let's sleep together, but do it quickly. 509 00:56:31,625 --> 00:56:36,583 The idea of Camille becoming me leaving scared me. 510 00:56:36,792 --> 00:56:39,792 And now it happened. 511 00:56:40,750 --> 00:56:47,500 Once everything was unconscious, we shared the enthusiasm. 512 00:56:47,708 --> 00:56:53,000 There was an informality. Everything was crazy and carefree. 513 00:56:53,208 --> 00:56:58,542 I lay in Paul's arms without closing know how it came about. 514 00:56:58,750 --> 00:57:04,292 This informality had leaving her and me too. 515 00:57:04,500 --> 00:57:07,583 I could even when excited... 516 00:57:07,792 --> 00:57:12,542 return the cold gaze, that she gave me? 517 00:57:12,750 --> 00:57:17,875 I had these words pronounced with deep vengeance. 518 00:57:18,083 --> 00:57:23,417 She seemed to be aware of that a lie could fix everything. 519 00:57:23,625 --> 00:57:29,875 For a moment she wanted to lie, but then she came to her senses. 520 00:57:30,083 --> 00:57:33,000 Paul had caused me suffering. 521 00:57:33,208 --> 00:57:38,750 Now I tormented him by... suggested what I had seen. 522 00:57:40,833 --> 00:57:46,083 She wasn't unfaithful to me, Or so it seemed. 523 00:57:46,292 --> 00:57:50,667 The truth behind their behavior had yet to come to light. 524 00:57:52,167 --> 00:57:57,875 The more you doubt, the stronger you think you can see clearly... 525 00:57:58,083 --> 00:58:04,250 and hopes to use reason illuminate what clouds the feeling. 526 00:58:05,167 --> 00:58:09,792 The idea of Camille becoming me leaving scared me. 527 00:58:10,000 --> 00:58:12,583 And now it happened. 528 00:58:12,792 --> 00:58:18,542 Once everything was unconscious, we shared the enthusiasm. 529 00:58:20,958 --> 00:58:23,500 Don't act like that. 530 00:58:27,708 --> 00:58:31,667 - How do I behave? - You know that exactly. 531 00:58:37,958 --> 00:58:40,125 It's your fault. 532 00:58:49,000 --> 00:58:53,250 You look like you're on mine Want to read facial expression... 533 00:58:53,458 --> 00:58:58,500 how you feel best have to perform. 534 00:59:03,458 --> 00:59:07,667 "The private plane floated in the blue sky." 535 00:59:10,625 --> 00:59:14,083 "Rex discovered on Paula an expression he knows." 536 00:59:14,292 --> 00:59:18,875 "Paula's indecision distorted... 537 00:59:19,083 --> 00:59:21,375 her harmonious face." 538 00:59:21,750 --> 00:59:27,125 "Rex knew that expression, who showed up every time... 539 00:59:29,042 --> 00:59:33,458 when Paula makes a decision had to meet... 540 00:59:42,000 --> 00:59:45,792 which contradicted their nature." 541 00:59:47,958 --> 00:59:52,917 What's wrong with you, Paul? I love you as always. 542 01:00:08,292 --> 01:00:12,292 What would you really do if I wouldn't love you anymore? 543 01:00:12,500 --> 01:00:16,958 - I already told you that. - I don't remember anymore. 544 01:00:17,167 --> 01:00:21,208 Then I don't write the script and we sell the apartment. 545 01:00:29,625 --> 01:00:34,000 But I loved you. I think this is all nonsense. 546 01:00:35,958 --> 01:00:41,333 When Prokosch calls, you say, that you go to Capri with me. 547 01:00:54,167 --> 01:00:55,708 And you? 548 01:00:55,917 --> 01:00:58,708 I love you, Don't make me repeat it. 549 01:00:58,917 --> 01:01:02,042 I want to keep the apartment. 550 01:01:02,250 --> 01:01:05,542 If you have the script If you don't want to write, leave it alone. 551 01:01:05,750 --> 01:01:10,125 If you think you're not mine more important, you are wrong. 552 01:01:12,833 --> 01:01:15,542 Kiss me. 553 01:01:44,625 --> 01:01:47,875 We were just talking about you. 554 01:01:48,083 --> 01:01:52,667 We talked about you. 555 01:01:52,875 --> 01:01:56,250 And about your film. 556 01:01:57,917 --> 01:02:02,667 Yes, "The Odyssey", About the man traveling. 557 01:02:04,083 --> 01:02:06,958 To Capri? 558 01:02:07,167 --> 01:02:10,875 Can you swim there? 559 01:02:13,750 --> 01:02:16,250 I don't know. 560 01:02:20,208 --> 01:02:23,667 There's Paul, just a moment. 561 01:02:30,417 --> 01:02:32,833 Hello, Mr. Prokosch. 562 01:02:33,042 --> 01:02:35,625 Yes. 563 01:02:54,417 --> 01:02:58,625 - Aren't we eating here? - I don't want to go shopping. 564 01:03:05,125 --> 01:03:10,125 Okay, then let's go to the cinema with Prokosch and Lang. 565 01:03:10,333 --> 01:03:14,625 They want to see a singer. Afterwards we go out for something to eat. 566 01:03:14,833 --> 01:03:17,583 But then it gets late with the food. 567 01:03:17,792 --> 01:03:21,083 I want to see the film, That gives me ideas. 568 01:03:25,667 --> 01:03:30,292 You should come up with your own ideas instead of stealing them from others. 569 01:03:30,500 --> 01:03:34,750 Why do you say something like that? Camille. 570 01:03:34,958 --> 01:03:36,833 Let's go, we have to go. 571 01:03:37,042 --> 01:03:42,708 Now that I have promised Prokosch, the tenderness is over. 572 01:03:42,917 --> 01:03:49,000 Gone with the caresses. What did he say on the phone? 573 01:03:49,208 --> 01:03:53,167 - Whether we go to Capri. - And what did you say? 574 01:03:53,375 --> 01:03:58,250 - That it depends on you. - Are you crazy? 575 01:03:58,458 --> 01:04:02,708 You know it depends on you and not from me. 576 01:04:02,917 --> 01:04:07,000 - Then come with me to Capri. - No. 577 01:04:07,208 --> 01:04:11,125 Is there something there? between you and Prokosch? 578 01:04:11,333 --> 01:04:13,708 I feel so sorry for you. 579 01:04:21,042 --> 01:04:25,167 - Sit down, let's talk. - We're going to the cinema. 580 01:04:25,375 --> 01:04:29,125 I need to talk to you, Camille. 581 01:04:31,458 --> 01:04:34,792 Okay, I'm listening. 582 01:04:35,000 --> 01:04:39,750 I have to talk to you. 583 01:04:44,000 --> 01:04:48,542 Before, before the phone rang, I said... 584 01:04:48,750 --> 01:04:54,792 I don't accept the order because I don't know if you love me. 585 01:04:56,750 --> 01:05:03,208 You said that you love me and that I should accept him. 586 01:05:04,917 --> 01:05:07,208 Yes. 587 01:05:08,833 --> 01:05:14,667 I'm sure you lied. I don't know why. 588 01:05:16,083 --> 01:05:19,542 Out of pity? Self-interest? 589 01:05:19,750 --> 01:05:26,542 - What do you mean by self-interest? - You want to keep the apartment. 590 01:05:26,750 --> 01:05:32,667 How can you know what I think? I don't care. 591 01:05:32,875 --> 01:05:36,875 Sell ​​the apartment quietly. It can remain stolen from me. 592 01:05:37,083 --> 01:05:40,250 You said earlier, it is much better than a hotel. 593 01:05:40,458 --> 01:05:45,000 I said that, to make you happy. 594 01:05:46,708 --> 01:05:52,542 That is irrelevant now. I want know why you lied. 595 01:05:52,750 --> 01:05:58,458 - I didn't lie at all. - But you don't love me anymore. 596 01:06:00,042 --> 01:06:03,125 What good does it do for you? to know the truth? 597 01:06:03,333 --> 01:06:08,958 - So you admit it. - I admit nothing. Stop it. 598 01:06:12,375 --> 01:06:16,750 It's true. I do not love you anymore. 599 01:06:19,667 --> 01:06:26,625 - There's nothing to explain. - Yesterday you still loved me. 600 01:06:27,833 --> 01:06:31,667 Yes very. 601 01:06:31,875 --> 01:06:35,375 Now it's over. 602 01:06:35,583 --> 01:06:38,583 There has to be a reason. 603 01:06:38,792 --> 01:06:44,000 - Yes, sure. - And that would be? 604 01:06:45,125 --> 01:06:50,250 I don't know. I just know that I don't love you anymore. 605 01:06:51,292 --> 01:06:57,500 Was it with Prokosch? Than you me with Francesca? 606 01:07:01,750 --> 01:07:07,625 Yes, let's assume that that was it. And now enough. 607 01:07:10,542 --> 01:07:13,750 Since this morning something happened... 608 01:07:13,958 --> 01:07:19,333 that your image of me and yours Love has changed for me. 609 01:07:22,583 --> 01:07:26,833 - You're crazy, but smart. - Then it's true. 610 01:07:33,500 --> 01:07:39,500 I didn't say that. I said you were smart. 611 01:07:40,958 --> 01:07:45,458 Did you misunderstand something? what I said? Is that it? 612 01:07:45,667 --> 01:07:47,333 It's possible. 613 01:07:47,542 --> 01:07:50,750 Don't talk to me like that! 614 01:08:00,875 --> 01:08:02,583 Camille. 615 01:08:05,750 --> 01:08:07,542 Camille. 616 01:08:09,750 --> 01:08:15,458 I despise you. That's the reason why I don't love you anymore. 617 01:08:15,667 --> 01:08:20,042 I despise you. I feel disgusted when you touch me. 618 01:08:26,167 --> 01:08:28,292 Camille! 619 01:08:33,167 --> 01:08:35,958 Wait. Now you're exaggerating. 620 01:08:40,042 --> 01:08:45,042 Forget what I said, Paul. Pretend I didn't say anything. 621 01:09:49,417 --> 01:09:51,667 - Good evening. - Good evening. 622 01:09:56,875 --> 01:09:59,042 Are you also going to Capri? 623 01:09:59,250 --> 01:10:02,083 - Are you also going to Capri? - Perhaps. 624 01:10:02,292 --> 01:10:04,000 Perhaps. 625 01:10:26,083 --> 01:10:28,167 Is it okay? 626 01:11:29,208 --> 01:11:32,000 I have "The Odyssey" read again. 627 01:11:32,208 --> 01:11:35,333 Mr. Prokosch has Homer read again. 628 01:11:35,542 --> 01:11:39,542 I came across something what I was looking for. 629 01:11:39,750 --> 01:11:44,042 He found something that he has been looking for for a long time. 630 01:11:44,250 --> 01:11:50,708 Something that is so essential in the film is like in real life. 631 01:11:50,917 --> 01:11:55,208 Something that is in the film and is indispensable in real life. 632 01:11:55,417 --> 01:11:57,000 Seal. 633 01:11:57,208 --> 01:11:58,542 Seal. 634 01:11:58,750 --> 01:12:01,500 Do you still know what I said on the phone? 635 01:12:01,708 --> 01:12:04,583 - Do you remember... - Yes. 636 01:12:07,333 --> 01:12:11,250 People always talk about that Odysseus returns to Penelope. 637 01:12:11,458 --> 01:12:17,375 But maybe he'd had enough from her and therefore went to war. 638 01:12:17,583 --> 01:12:23,208 Because he didn't want to return, his journey dragged on. 639 01:12:23,417 --> 01:12:26,792 Hold that for an idea from him or... 640 01:12:36,875 --> 01:12:39,917 - Why do you despise me? - Let me! 641 01:12:42,583 --> 01:12:46,833 - What do you think of that, Fritz? - From the girl or from him? 642 01:12:48,500 --> 01:12:51,000 From the girl, from Nausicaa. 643 01:12:51,208 --> 01:12:55,833 It would be great for South Australia suitable together with kangaroos. 644 01:12:56,042 --> 01:12:59,042 Come with us too to Capri, Mr. Lang? 645 01:13:00,292 --> 01:13:02,792 "My bread every morning to earn... 646 01:13:03,000 --> 01:13:07,542 I'm going to the market where lies are sold." 647 01:13:07,750 --> 01:13:11,583 “Hopefully I’ll join in among the sellers." 648 01:13:11,792 --> 01:13:15,083 - What is that? -Hollywood. 649 01:13:15,292 --> 01:13:19,000 An excerpt from a ballad by B.B. 650 01:13:19,208 --> 01:13:22,875 - Bertolt Brecht? - Yes. Thanks. 651 01:13:23,083 --> 01:13:27,208 She agrees to meet at 8am to undress at the stand in the morning. 652 01:13:28,292 --> 01:13:30,833 What do you think of him? 653 01:13:32,042 --> 01:13:36,083 Homer's world is a real world. 654 01:13:36,292 --> 01:13:39,542 But the poet belonged to a civilization... 655 01:13:39,750 --> 01:13:46,208 which are in harmony and not developed in hostility to nature. 656 01:13:46,417 --> 01:13:49,167 And the beauty from "The Odyssey"... 657 01:13:49,375 --> 01:13:55,708 lies precisely in this belief to reality as it is. 658 01:13:55,917 --> 01:13:59,542 So a reality, how does it appear objectively? 659 01:13:59,750 --> 01:14:05,917 Exactly, a shape which cannot be dissected. 660 01:14:06,125 --> 01:14:11,333 She is what she is. You take Turn it on or leave it be. 661 01:14:11,542 --> 01:14:14,167 Why don't you say anything? 662 01:14:14,500 --> 01:14:17,292 I'm silent, because I have nothing to say. 663 01:14:31,167 --> 01:14:34,958 I don't know if I want to I have Capri. Where will we live? 664 01:14:35,167 --> 01:14:38,958 - Where will she live, Jerry? - In my villa. 665 01:14:39,167 --> 01:14:41,917 In Mr. Prokosch's villa. 666 01:14:43,542 --> 01:14:45,000 With your husband. 667 01:14:45,208 --> 01:14:48,292 - With your husband. - Is Mr. Lang coming too? 668 01:14:48,500 --> 01:14:50,833 Mr. Lang too? 669 01:14:53,750 --> 01:14:55,750 As he wishes. 670 01:14:55,958 --> 01:15:01,000 To a producer I could gladly do without. 671 01:15:01,208 --> 01:15:02,875 Good night. 672 01:15:30,167 --> 01:15:33,750 If you don't want to, I won't force you. 673 01:15:34,958 --> 01:15:40,000 You're not forcing me but life. 674 01:15:52,125 --> 01:15:56,167 - What scene is this? - The Cyclops episode. 675 01:16:09,083 --> 01:16:11,542 What are you doing? 676 01:16:14,625 --> 01:16:19,042 - What are you doing? - I'm just looking. 677 01:16:19,250 --> 01:16:21,333 Come to us. 678 01:16:23,167 --> 01:16:26,875 - What are you talking about? - About "The Odyssey". 679 01:16:27,083 --> 01:16:32,500 - I defend Prokosch's theory. - And what would that be? 680 01:16:32,708 --> 01:16:37,625 That Odysseus loves his wife, but she doesn't love him. 681 01:16:39,750 --> 01:16:44,958 Do you really believe that? I beg to differ. 682 01:16:45,167 --> 01:16:50,208 Quiet please. Get out of there. 683 01:16:51,667 --> 01:16:54,000 They're in the way. 684 01:16:54,208 --> 01:16:56,875 Everyone in their seats. 685 01:16:57,083 --> 01:17:01,042 - Alfredo, music. - Music and the girls. 686 01:17:01,250 --> 01:17:03,542 Hurry! 687 01:17:03,750 --> 01:17:05,833 Hurry, girls. 688 01:17:09,417 --> 01:17:13,458 - No, Odysseus! - Get out of there, Odysseus! 689 01:17:16,417 --> 01:17:18,292 And shut up! 690 01:17:21,208 --> 01:17:23,833 705, the first! 691 01:17:36,083 --> 01:17:39,208 - Are they undressing? - Apparently. 692 01:17:39,417 --> 01:17:41,458 Wonderful, the cinema. 693 01:17:41,667 --> 01:17:46,625 As soon as women appear in films, let the shells fall. 694 01:17:50,167 --> 01:17:54,208 Jerry. A call from Joe Levine from New York. 695 01:17:55,958 --> 01:17:59,917 Come with me to the villa. Leave you the others here are talking about. 696 01:18:00,125 --> 01:18:03,417 Come with us, We'll let the others talk here. 697 01:18:03,625 --> 01:18:06,583 No, I'll come later with my husband. 698 01:18:06,792 --> 01:18:09,000 She goes with her husband. 699 01:18:09,208 --> 01:18:12,667 Come on, you spend with him all day. 700 01:18:12,875 --> 01:18:16,000 Mr. Prokosch says you spend with him all day. 701 01:18:17,917 --> 01:18:20,333 Can your wife go with me? 702 01:18:20,542 --> 01:18:23,792 Do you mind that your wife will come with us? 703 01:18:24,000 --> 01:18:28,750 No, just go, Camille. Go. 704 01:18:31,500 --> 01:18:34,417 Go ahead, Camille. 705 01:18:34,625 --> 01:18:37,042 Go. 706 01:18:37,250 --> 01:18:41,750 I'm going with Mr. Lang and we're going to talk about "The Odyssey." 707 01:19:16,250 --> 01:19:19,125 Mr. Lang, the girls are in the water. 708 01:19:19,333 --> 01:19:22,583 I would have an opening scene should do... 709 01:19:22,792 --> 01:19:28,667 in which the gods decide on the fate of the Talking about humanity in general... 710 01:19:28,875 --> 01:19:32,167 and about that of Odysseus in particular. 711 01:20:08,708 --> 01:20:12,667 The producer can with one Be friends with the director. 712 01:20:12,875 --> 01:20:18,583 But Prokosch is not a real one Producer, he's a dictator. 713 01:20:18,792 --> 01:20:23,792 I think it's stupid to change the figure of Odysseus. 714 01:20:24,000 --> 01:20:28,042 He is not a modern neurotic. 715 01:20:28,250 --> 01:20:33,667 He is a simple, clever and bold man. 716 01:20:33,875 --> 01:20:37,042 I find the idea interesting. 717 01:20:37,250 --> 01:20:39,958 Odysseus needs for the return ten years... 718 01:20:40,167 --> 01:20:43,542 because he doesn't want to return. That's logical. 719 01:20:43,750 --> 01:20:50,125 "It is logical that the illogical contradicts logic." 720 01:20:50,333 --> 01:20:54,500 Corneille, in the foreword to "Surena". 721 01:20:54,708 --> 01:21:00,042 Odysseus does not rush to Lthaca... 722 01:21:00,250 --> 01:21:03,958 because he is not happy is with Penelope. 723 01:21:04,167 --> 01:21:10,333 The misfortune began before him went to the Trojan War. 724 01:21:14,958 --> 01:21:18,583 If he had been happy, he wouldn't have gone. 725 01:21:18,792 --> 01:21:22,458 The Trojan War was an excuse for his leaving. 726 01:21:22,667 --> 01:21:26,375 But the candidates have he killed, didn't he? 727 01:21:26,583 --> 01:21:28,833 That can be justified. 728 01:21:29,042 --> 01:21:34,250 Initially, Odysseus demanded of Penelope to be courted. 729 01:21:34,458 --> 01:21:38,917 He didn't see her as serious rivals. 730 01:21:39,125 --> 01:21:43,542 He didn't want to drive her away for fear of a scandal. 731 01:21:43,750 --> 01:21:50,333 He knew Penelope was faithful, and asked her to be nice to them. 732 01:21:56,375 --> 01:22:03,292 From that moment began Penelope, a simple woman... 733 01:22:03,500 --> 01:22:08,000 to despise him. 734 01:22:08,208 --> 01:22:12,917 She realized that she wanted him because of his behavior no longer loved... 735 01:22:13,125 --> 01:22:15,542 and she told him. 736 01:22:15,750 --> 01:22:19,833 Odysseus realized too late that he had lost her love... 737 01:22:20,042 --> 01:22:24,167 because he had been too careful. 738 01:22:24,375 --> 01:22:29,750 The only way to take her back was to kill the candidates. 739 01:22:29,958 --> 01:22:33,000 Death is not a solution. 740 01:24:07,750 --> 01:24:09,375 Camille. 741 01:24:21,083 --> 01:24:23,625 Camille! 742 01:25:24,375 --> 01:25:27,208 I found this on the boat. 743 01:25:27,417 --> 01:25:31,125 Children shouldn't play with weapons. 744 01:26:14,625 --> 01:26:18,542 Oh, what would you like to drink? 745 01:26:18,750 --> 01:26:23,583 - Drink. - I was there, outside. 746 01:26:23,792 --> 01:26:25,833 Nothing. 747 01:26:41,083 --> 01:26:45,833 Camille, come. I want to show you something. 748 01:26:52,042 --> 01:26:57,625 How nice. The sea, the trees, the rocks, the boats... 749 01:26:59,667 --> 01:27:02,500 I will write the script don't write. 750 01:27:02,708 --> 01:27:05,833 - He doesn't write the script. - Why? 751 01:27:06,042 --> 01:27:10,250 - Why? - Can I be frank? 752 01:27:10,458 --> 01:27:15,375 - Can he be open? - You can always be open. 753 01:27:15,583 --> 01:27:18,083 Of course. 754 01:27:21,958 --> 01:27:27,208 I write plays and not for the cinema. 755 01:27:32,708 --> 01:27:37,708 No matter how good a script is, I'm just doing it for the money. 756 01:27:44,667 --> 01:27:47,250 That's why I'm in a bad mood. 757 01:27:51,167 --> 01:27:55,083 My ideal is for the theater to write. But it doesn't work. 758 01:27:55,292 --> 01:27:58,292 His ideal is to write for the stage. 759 01:27:58,500 --> 01:28:03,375 In this modern world we must accept what others want. 760 01:28:05,708 --> 01:28:11,333 Why is money so important for this, what we are and what we will become? 761 01:28:11,542 --> 01:28:13,667 Why is money so important? 762 01:28:13,875 --> 01:28:16,625 Even for our relationships. 763 01:28:16,833 --> 01:28:20,792 Even for our relationships. 764 01:28:26,542 --> 01:28:28,875 He's right. 765 01:28:29,083 --> 01:28:30,792 Mister Lang was right. 766 01:28:31,000 --> 01:28:33,792 Either we do Homer's Odyssey or not. 767 01:28:34,000 --> 01:28:37,958 Either you do homers Odyssey or leave it be. 768 01:28:40,708 --> 01:28:44,417 Mr. Prokosch has already told you that you are wrong. 769 01:28:44,625 --> 01:28:51,292 They dream of Homer's world, but unfortunately this world does not exist. 770 01:28:51,500 --> 01:28:54,208 Why shouldn't they exist? 771 01:28:55,083 --> 01:28:57,000 No! 772 01:29:01,792 --> 01:29:03,625 Maybe you're right... 773 01:29:03,833 --> 01:29:08,542 but for creating a film not enough dreams. 774 01:29:17,583 --> 01:29:20,083 When is there food? 775 01:29:20,292 --> 01:29:23,583 - When do we eat? - In an hour. 776 01:29:23,792 --> 01:29:27,917 - In an hour. - Then I'll look around a bit. 777 01:29:34,417 --> 01:29:36,500 Mr Lang. 778 01:29:36,708 --> 01:29:41,458 - Mr. Prokosch wants to speak to you. - Bring me my shoes. 779 01:29:45,625 --> 01:29:50,042 - Is this an order or a request? - A request. 780 01:29:56,958 --> 01:29:59,833 You have to suffer. 781 01:30:01,875 --> 01:30:04,083 Oh yes. 782 01:30:16,042 --> 01:30:18,000 Camille! 783 01:30:34,250 --> 01:30:36,417 Camille! 784 01:31:01,125 --> 01:31:03,333 Camille. 785 01:31:04,833 --> 01:31:07,958 It's me, Paul. 786 01:31:13,625 --> 01:31:17,750 I have the feeling to see you for the first time. 787 01:31:30,708 --> 01:31:33,083 Can I stay? 788 01:31:33,292 --> 01:31:36,125 If you want. 789 01:31:55,792 --> 01:31:58,958 Why didn't you say anything just now? 790 01:31:59,167 --> 01:32:03,333 I don't understand you. I have you said you liked the script. 791 01:32:03,542 --> 01:32:09,167 Now it's all about money and you just want to write plays. 792 01:32:10,958 --> 01:32:15,333 He's not stupid. Prokosch will never hire you again. 793 01:32:15,542 --> 01:32:19,208 Strange that you do something so simple don't understand. 794 01:32:22,250 --> 01:32:26,042 - I'm sure you do. - No. 795 01:32:27,042 --> 01:32:31,958 Yes, you'll see. I know you. 796 01:32:34,125 --> 01:32:36,875 I know you. 797 01:32:37,083 --> 01:32:40,833 If I do it, then only for you, to pay for the apartment. 798 01:32:41,042 --> 01:32:45,583 Well, you decide whether I should write the script. 799 01:32:45,792 --> 01:32:49,292 If you say no, we'll go. 800 01:32:49,500 --> 01:32:53,750 - That's pretty sneaky. - No why? 801 01:32:53,958 --> 01:32:56,875 Then you can follow me blame. 802 01:32:57,083 --> 01:32:59,875 Not at all, because I'm asking you. 803 01:33:00,083 --> 01:33:03,708 - You want me to tell you what to do? - Yes. 804 01:33:03,917 --> 01:33:08,708 Write it. You have a contract signed and annoying. 805 01:33:12,833 --> 01:33:16,542 - I saw you kissing him. - I know. 806 01:33:20,875 --> 01:33:25,250 - Why don't you love me anymore? - That's life. 807 01:33:26,708 --> 01:33:29,125 Why do you despise me? 808 01:33:30,458 --> 01:33:34,917 I'll never tell you that not even when I die. 809 01:33:39,667 --> 01:33:44,083 - Say it or I'll hurt you. - Do you want to hurt me more? 810 01:33:47,667 --> 01:33:52,792 I want to know why you want me despise. That doesn't make any sense. 811 01:33:53,000 --> 01:33:58,958 - Why should I accept it? - We need the money. 812 01:33:59,167 --> 01:34:03,458 - I don't want to go back to the office. - I can't accept it. 813 01:34:03,667 --> 01:34:06,917 No wonder you despise me. 814 01:34:23,375 --> 01:34:27,833 I kissed him and you should have changed your mind after all. 815 01:34:28,042 --> 01:34:32,292 I declined so you change your opinion of me. 816 01:34:33,917 --> 01:34:37,667 Don't touch me. I do not love you anymore. 817 01:34:38,833 --> 01:34:41,875 I will you never be able to love again. 818 01:34:42,833 --> 01:34:46,542 will you despise me, even if I refuse? 819 01:34:46,750 --> 01:34:51,375 - Yes. - Why? There has to be a reason. 820 01:34:52,583 --> 01:34:56,917 - You are the reason. - Why me? 821 01:34:58,083 --> 01:35:01,750 I don't know. You are not a man. 822 01:35:01,958 --> 01:35:07,458 It's too late now anyway. I have a different picture of you. 823 01:35:09,708 --> 01:35:12,792 I know why you despise me. 824 01:35:13,000 --> 01:35:18,417 You think I have a taxi taken to go with him. 825 01:35:20,375 --> 01:35:27,375 You had that earlier on the boat too meant. I would never do something like that. 826 01:35:27,583 --> 01:35:30,625 I will never forgive you. 827 01:35:31,542 --> 01:35:34,167 I loved you so much. 828 01:35:36,042 --> 01:35:42,292 Now it's impossible. I despise you because you leave me cold. 829 01:35:42,500 --> 01:35:45,500 But you're close to tears. 830 01:35:58,500 --> 01:36:05,375 - Fine, let's go. Pack your things. - I remain. Go if you want. 831 01:36:06,875 --> 01:36:09,500 Come on, Camille. 832 01:36:10,792 --> 01:36:14,542 - No. - Then I'll stay too. 833 01:36:14,750 --> 01:36:20,458 - Prokosch will probably drive us away. - Don't start again. 834 01:37:02,125 --> 01:37:06,958 Dear Paul, I found the revolver and took out the balls. 835 01:37:07,167 --> 01:37:10,708 Since you don't want to go, I'm leaving. 836 01:37:10,917 --> 01:37:15,917 Prokosch has to go to Rome and I can ride with him. 837 01:37:16,125 --> 01:37:20,125 I'll be comfortable there look for a hotel. 838 01:37:20,333 --> 01:37:24,000 I kiss you goodbye. Camille. 839 01:37:33,792 --> 01:37:37,083 Hello. Full. 840 01:37:55,750 --> 01:37:58,708 What will you do in Rome? 841 01:38:03,250 --> 01:38:07,250 - What are you going to do in Rome? -Oh! 842 01:38:08,958 --> 01:38:11,792 Tap. 843 01:38:12,000 --> 01:38:16,500 You're crazy. You don't have them all. 844 01:38:16,708 --> 01:38:18,250 I? 845 01:38:18,458 --> 01:38:22,125 No, type. 846 01:38:40,083 --> 01:38:41,917 Camille. 847 01:38:47,167 --> 01:38:52,208 What do you think of me? 848 01:38:53,500 --> 01:38:57,917 Get in your Alfa, Romeo. We'll see that later. 849 01:38:58,125 --> 01:39:01,750 I KISS YOU 850 01:39:10,000 --> 01:39:13,250 FOR FAREWELL 851 01:40:11,958 --> 01:40:15,625 A call from Rome, they're dead. 852 01:40:15,833 --> 01:40:17,750 Then goodbye. 853 01:41:00,000 --> 01:41:03,500 I want myself from you Goodbye, Mr. Lang. 854 01:41:04,500 --> 01:41:08,042 Goodbye. What are you going to do? 855 01:41:08,250 --> 01:41:12,125 I'm going back to Rome and finish my piece. 856 01:41:13,917 --> 01:41:15,417 And you? 857 01:41:15,625 --> 01:41:20,417 I'm finishing the film. One should finish what you started. 858 01:41:20,625 --> 01:41:23,125 Which recording is this? 859 01:41:24,333 --> 01:41:28,125 Odysseus sees his home again. 860 01:41:30,708 --> 01:41:33,125 Ithaca? 861 01:41:33,333 --> 01:41:37,583 - Goodbye. - Hope to see you soon. 862 01:41:37,792 --> 01:41:40,583 Odysseus, towards the sea please. 863 01:41:42,958 --> 01:41:45,458 We're ready, Mr. Lang. 864 01:41:45,667 --> 01:41:48,333 Quiet. The camera is running. 865 01:41:50,292 --> 01:41:53,125 - Camera. - Engine. 866 01:41:56,292 --> 01:42:00,125 - Shut up. - "The Odyssey", 702, the first. 867 01:42:02,667 --> 01:42:05,083 And action! 868 01:42:08,708 --> 01:42:11,167 Driving recording. 869 01:42:45,375 --> 01:42:48,083 Quiet!