1
00:00:09,440 --> 00:00:13,680
I liked McEnroe,
but Boris is also a great fish.

2
00:00:13,760 --> 00:00:17,640
Yes, but you know what?
McEnroe wasn't that brilliant.

3
00:00:17,720 --> 00:00:22,600
- No, remember how his face swelled?
- Yes, but so sensitive, come on.

4
00:00:24,200 --> 00:00:27,640
- What was the set like? What movie was it?
- It was a series.

5
00:00:27,720 --> 00:00:30,760
We were in Sardinia, remember? <i>Caprera.</i>

6
00:00:33,560 --> 00:00:35,080
<i>Caprera.</i>

7
00:00:39,720 --> 00:00:43,760
{\an8}CAPRERA - television debut

8
00:00:48,400 --> 00:00:52,920
I overcame betrayals, fires, pirates,

9
00:00:54,400 --> 00:00:58,720
stormy seas,
Just to tell you that I love you, Eleonora.

10
00:01:00,920 --> 00:01:03,080
There's something you don't know, Guglielmo.

11
00:01:07,280 --> 00:01:08,840
We are brothers.

12
00:01:11,280 --> 00:01:13,960
No!

13
00:01:16,720 --> 00:01:20,000
No!

14
00:01:24,720 --> 00:01:27,000
Wow, the rubbish I made!

15
00:01:30,760 --> 00:01:31,800
Hello?

16
00:01:33,200 --> 00:01:37,320
I'm going to hell, you know that, right?
But you will be by my side.

17
00:01:38,600 --> 00:01:43,040
So much pain, Boris. Inflicted and suffered.

18
00:01:45,160 --> 00:01:46,400
So much pain!

19
00:01:53,960 --> 00:01:55,160
ALESSANDRO
the intern

20
00:01:56,960 --> 00:01:58,080
{\an8}CORINNA
the star

21
00:01:58,160 --> 00:01:59,720
{\an8}ARIANNA
the assistant director

22
00:02:03,560 --> 00:02:05,120
{\an8}ITALA
the script supervisor

23
00:02:07,080 --> 00:02:08,840
{\an8}GLORY
the makeup artist

24
00:02:11,280 --> 00:02:13,320
{\an8}STANIS
the celebrity

25
00:02:15,040 --> 00:02:16,520
{\an8}REN� 
the director

26
00:02:19,040 --> 00:02:20,520
{\an8}LOPEZ
the channel executive

27
00:02:23,800 --> 00:02:25,480
{\an8}DUCCIO
the director of photography

28
00:02:25,920 --> 00:02:27,440
{\an8}BIASTIC
the chief electrician

29
00:02:32,800 --> 00:02:34,320
{\an8}SERGIO
the production manager

30
00:02:36,400 --> 00:02:37,760
{\an8}LORENZO
the slave

31
00:02:47,600 --> 00:02:52,360
{\an8}It's a problem, yes? Can't believe it
on you as an addicted cyclist.

32
00:02:52,440 --> 00:02:54,640
{\an8}- How old are you?
- Can I see this?

33
00:02:57,600 --> 00:03:00,320
{\an8}Sorry, it's my agency.

34
00:03:00,400 --> 00:03:02,760
{\an8}I don't know why they still use this photo.

35
00:03:02,840 --> 00:03:07,480
{\an8}This happens because we don't do tests.
I said this in pre-production.

36
00:03:07,560 --> 00:03:09,680
{\an8}Secondary roles must have tests.

37
00:03:09,760 --> 00:03:13,680
Sorry, but when you saw this
Last week you said:

38
00:03:13,760 --> 00:03:17,080
- "He's perfect. He doesn't need a test."
- Thanks.

39
00:03:17,160 --> 00:03:19,960
Why are you thanking us?
We're in shit!

40
00:03:21,200 --> 00:03:25,080
- Go to the office to find a free actor.
- And how are you going to deal with things here?

41
00:03:25,160 --> 00:03:27,640
- Alfredo is here. Alfredo!
- Ready.

42
00:03:27,720 --> 00:03:29,760
Can we manage a scene without Arianna?

43
00:03:31,560 --> 00:03:33,880
- Of course.
- It saw? Go, it's okay.

44
00:03:35,240 --> 00:03:38,800
- Listen...
- No, out. Sorry. Thank you, bye.

45
00:03:38,880 --> 00:03:43,240
Isn't there something I can do?
A small role? I came here.

46
00:03:43,320 --> 00:03:46,280
Stay until lunch and we'll give you
a nice snack. Satisfied?

47
00:03:54,560 --> 00:03:57,720
- Arianna.
- You cried last night, didn't you?

48
00:03:57,800 --> 00:03:59,480
- No.
- It happens to everyone.

49
00:03:59,560 --> 00:04:01,760
is to be expected
after a week of filming.

50
00:04:01,840 --> 00:04:05,040
- No! Interest! I didn't cry.
- What is it.

51
00:04:05,760 --> 00:04:08,680
Well, a little. Just five minutes. Arianna!

52
00:04:08,760 --> 00:04:11,960
- The extras are calling you.
- I'm not here today.

53
00:04:12,040 --> 00:04:15,560
- Unfortunately, you'll have to take care of that.
- But I don't know if I can.

54
00:04:26,840 --> 00:04:30,720
- Addict 1, Addict 2 and Addict 3?
- Here they are.

55
00:04:30,800 --> 00:04:32,680
One step forward, please.

56
00:04:45,080 --> 00:04:47,720
- Are the three addicts?
- That's what Alvaro said.

57
00:04:47,800 --> 00:04:52,560
And who is Álvaro? Be that as it may,
It's okay. What did you bring?

58
00:04:55,040 --> 00:04:58,280
How addicts dress...
How do they dress?

59
00:04:59,960 --> 00:05:05,160
Normal. Very good. First the costumes,
then makeup. Go!

60
00:05:06,440 --> 00:05:10,400
Then the four weak old men.

61
00:05:10,480 --> 00:05:17,320
Addicts. They are waiting,
and then, doorknob.

62
00:05:17,400 --> 00:05:21,040
They think he's a police officer,
but it's Stanis.

63
00:05:21,120 --> 00:05:26,520
To do this, naturally,
I thought we would need a cart.

64
00:05:29,400 --> 00:05:33,320
Good idea. We could do that, yes.
Legal. Very cinematic.

65
00:05:33,400 --> 00:05:36,720
Guys, did you hear the director?
We'll do a moving scene!

66
00:05:36,800 --> 00:05:38,920
Wait, Arianna won't be mad?

67
00:05:39,800 --> 00:05:42,800
I heard that Assegnati
was a cyclist in the 90s,

68
00:05:42,880 --> 00:05:45,640
but he is a useless actor,
Don't bother sending it.

69
00:05:47,400 --> 00:05:49,720
- Excuse me.
- Should I come back later?

70
00:05:49,800 --> 00:05:50,840
No, tell me.

71
00:05:51,280 --> 00:05:52,400
So...

72
00:05:53,760 --> 00:05:56,880
It's not a problem for me,
but one of the addicts...

73
00:05:56,960 --> 00:05:59,400
- Be quick!
- He's Peruvian. It is not suitable.

74
00:05:59,480 --> 00:06:04,760
The Peruvian again? They always send it.
Call Alvaro. The number is there.

75
00:06:04,840 --> 00:06:07,720
Tell him, but be firm.

76
00:06:07,800 --> 00:06:11,360
Tell them to stop sending us
that damn Peruvian.

77
00:06:11,440 --> 00:06:13,200
We need a proper addict!

78
00:06:13,280 --> 00:06:15,560
Yes, I'm looking at it now.

79
00:06:15,640 --> 00:06:18,000
I can see he's got the body,
but he is bald.

80
00:06:18,080 --> 00:06:19,320
THE EYES OF MY HEART 2

81
00:06:19,400 --> 00:06:22,520
I know cyclists shave,
but he looks gay.

82
00:06:22,600 --> 00:06:26,240
I know a cyclist can be gay,
but this is <i>The Eyes of My Heart, </i>Flora!

83
00:06:26,320 --> 00:06:28,200
Don't act like a fool! Let's go!

84
00:06:29,680 --> 00:06:31,800
Forget Arianna. Do you want the cart?

85
00:06:31,880 --> 00:06:34,640
Give me 30 minutes,
and we will have it ready. I promise.

86
00:06:35,400 --> 00:06:41,240
I like working with you.
We share an understanding.

87
00:06:41,320 --> 00:06:43,920
Hi, I'm Alessandro
from <i>The Eyes of My Heart.</i>

88
00:06:44,480 --> 00:06:49,840
- Yes. Arianna says...
- "That fucking Peruvian!"

89
00:06:49,920 --> 00:06:54,920
That you have to stop sending us
this fucking Peruvian

90
00:06:55,000 --> 00:06:58,960
and that we would like another addict,
but a decent one.

91
00:06:59,040 --> 00:07:00,360
Hi, Vanessa, it's Arianna.

92
00:07:00,440 --> 00:07:03,600
I need an addicted cyclist
for this afternoon.

93
00:07:03,680 --> 00:07:10,320
Yes, don't be upset, Mr. Alvaro.
Yes? Just a moment, I'll ask.

94
00:07:10,400 --> 00:07:13,840
Tomorrow's extras. What do I say to him?

95
00:07:14,520 --> 00:07:19,520
No, you're absolutely right.
I know it's sudden, but you're so helpful.

96
00:07:19,600 --> 00:07:23,120
Come on. Did you see that I hired
You were a gypsy last time, weren't you?

97
00:07:25,240 --> 00:07:32,240
Tomorrow, we will need four women,
aged between 18 and 25 years old.

98
00:07:36,000 --> 00:07:38,640
Hot. They must be hot.

99
00:07:39,760 --> 00:07:43,920
I don't know. Just a minute.
Hot or pretty?

100
00:07:44,560 --> 00:07:45,800
Piranhas.

101
00:07:48,600 --> 00:07:49,640
Piranhas.

102
00:07:51,720 --> 00:07:57,600
He said he has three young sluts.
Could it be?

103
00:07:58,400 --> 00:07:59,400
Four!

104
00:08:01,160 --> 00:08:03,960
It could be young piranhas,
but we want four of them.

105
00:08:05,640 --> 00:08:09,240
SET 3

106
00:08:10,960 --> 00:08:15,920
There it is. Finally, a stroller!
What wonderful equipment!

107
00:08:16,000 --> 00:08:19,080
Give me another 20 minutes and we'll be ready.

108
00:08:19,160 --> 00:08:21,160
- Ren�, do you have a second?
- What it was?

109
00:08:21,240 --> 00:08:24,600
- It's about the assistant operator, Furio.
- What there was?

110
00:08:24,680 --> 00:08:25,760
Nothing.

111
00:08:25,840 --> 00:08:28,760
He hasn't signed the contract yet
and is asking for more.

112
00:08:28,840 --> 00:08:31,640
I don't like his attitude.
I want you to fire him. What do you think?

113
00:08:31,720 --> 00:08:37,240
Great, Furio! What would I do without you?
Good job. You're doing well!

114
00:08:39,160 --> 00:08:42,520
All good. If Duccio agrees,
It will be his turn to assemble a cart.

115
00:08:45,680 --> 00:08:50,080
- Nothing? Not even a special appearance?
- God, you're so depressing!

116
00:08:50,160 --> 00:08:51,840
Nothing, man!

117
00:08:52,480 --> 00:08:55,920
Alessandro, about today's extras,
try to present

118
00:08:56,000 --> 00:08:58,560
the youngest of the old
like addicted to Ren�.

119
00:08:58,640 --> 00:09:02,080
When you take them to the set,
lead them, because you are the boss today.

120
00:09:02,160 --> 00:09:03,200
- Did you understand?
- Yes.

121
00:09:03,280 --> 00:09:05,240
You have to be firm and tough.

122
00:09:05,360 --> 00:09:07,880
They will seem harmless, but they are not.

123
00:09:07,960 --> 00:09:11,640
They will try to screw you in every way,
You have to be prepared, yes?

124
00:09:12,440 --> 00:09:14,440
Use those damn notes!

125
00:09:15,280 --> 00:09:20,320
I know it's hard for you,
but you have to make them respect you.

126
00:09:20,800 --> 00:09:22,000
- Tough.
- Tough!

127
00:09:22,080 --> 00:09:23,240
- Tough.
- Go.

128
00:09:23,320 --> 00:09:24,480
- I am going.
- Go.

129
00:09:33,080 --> 00:09:36,880
Attention, everyone, please.
Makeup? Have you done your makeup yet?

130
00:09:38,320 --> 00:09:42,360
Dark circles. Addicts. Beauty, perfect.

131
00:09:43,320 --> 00:09:45,600
Now, turn off your phones.

132
00:09:45,680 --> 00:09:50,320
If I hear a ring,
I will crush it on your head.

133
00:09:51,240 --> 00:09:55,160
Enter without noise. I want total silence.
The first to make a peep...

134
00:09:55,240 --> 00:09:58,160
You can only speak when I tell you to. Come on.

135
00:09:58,240 --> 00:10:00,280
- Don't look at the camera.
- What camera?

136
00:10:00,920 --> 00:10:04,160
- The camera. That black thing.
- Camera obscura?

137
00:10:04,240 --> 00:10:07,240
No, the video camera. Get in line!

138
00:10:07,320 --> 00:10:11,440
Let's go, everyone in single file.
Focus, please.

139
00:10:11,520 --> 00:10:15,280
- Are you an addict or a weak old lady?
- They said I was a weak old lady.

140
00:10:15,360 --> 00:10:16,640
Then come in, please.

141
00:10:31,160 --> 00:10:32,160
Ren?

142
00:10:34,160 --> 00:10:35,240
The three addicts.

143
00:10:37,720 --> 00:10:39,240
But this is an old man!

144
00:10:40,280 --> 00:10:43,200
Sorry, I didn't mean to offend.

145
00:10:43,280 --> 00:10:46,320
These two are good,
but him, for God's sake!

146
00:10:46,400 --> 00:10:50,480
- No, there was a problem.
- I don't give a damn, Fabrizio.

147
00:10:50,560 --> 00:10:54,840
I don't want to know. I want them young,
addicts and middle class. Did you understand?

148
00:10:55,400 --> 00:10:59,720
And who told you to let them in?
We're not ready yet. Out, let's go.

149
00:11:00,360 --> 00:11:04,080
- Outside!
- Let's go. By the way, it's Alessandro.

150
00:11:04,560 --> 00:11:05,560
Unbelievable!

151
00:11:06,240 --> 00:11:10,040
Gentlemen, stay here.
Don't stray too far, please.

152
00:11:10,120 --> 00:11:14,720
- Can we change clothes? It's very cold.
- No. Stay in costume.

153
00:11:15,160 --> 00:11:20,040
Wait. This old man is no good.
Ren� doesn't like him as an addict.

154
00:11:20,120 --> 00:11:23,400
Thanks. You can return to the group of elders.

155
00:11:23,480 --> 00:11:25,880
- Can we go to the bathroom?
- No. Quiet, quiet!

156
00:11:26,480 --> 00:11:29,000
Of course you can go.

157
00:11:29,120 --> 00:11:31,400
- It's there.
- Sorry.

158
00:11:37,120 --> 00:11:40,880
- It's difficult, isn't it?
- Shut up! Still!

159
00:12:02,720 --> 00:12:05,360
- How many scenes did you record?
- What?

160
00:12:05,440 --> 00:12:09,560
- How many scenes did you film?
- None.

161
00:12:09,640 --> 00:12:14,080
- But that stroller scene is fabulous!
- The cart? René, it's 11:40 pm.

162
00:12:14,160 --> 00:12:18,160
It saw? You hinder my creativity.
The cart works here.

163
00:12:18,240 --> 00:12:21,240
- Makes it look refined. Trust in me.
- Listen, come down.

164
00:12:21,320 --> 00:12:25,440
These are the two actors available
to play the cyclist.

165
00:12:25,520 --> 00:12:26,840
I think this is good.

166
00:12:28,640 --> 00:12:30,360
Call this one and take a test.

167
00:12:30,440 --> 00:12:32,280
- He looks good, right?
- Yes.

168
00:12:32,360 --> 00:12:33,880
He gives me a good impression.

169
00:12:33,960 --> 00:12:36,800
But I would call both
or the test will be useless.

170
00:12:36,880 --> 00:12:38,080
Keep your options open.

171
00:12:38,760 --> 00:12:42,920
Trust or not
in Ren� Ferretti's instinct?

172
00:12:58,640 --> 00:13:03,720
Lula, I have to tell you something.
I'm straight.

173
00:13:04,480 --> 00:13:09,840
But if one day I'm curious,
I will come to you.

174
00:13:10,400 --> 00:13:12,000
I would be very kind to you.

175
00:13:15,120 --> 00:13:19,160
This set is nothing like I imagined.
It feels like I'm in the army.

176
00:13:19,240 --> 00:13:23,960
It's worse than being in the army.
I served it and it made more sense.

177
00:13:24,040 --> 00:13:27,360
There you wage war.
Here, he works on <i>The Eyes of My Heart.</i>

178
00:13:41,800 --> 00:13:44,880
Careful, idiot.

179
00:13:46,040 --> 00:13:49,360
Sure, but don't call me an idiot.

180
00:13:50,520 --> 00:13:54,480
Production, I have a useless intern
that won't let me work.

181
00:13:54,560 --> 00:13:57,720
And now? You will send him away
Or should I take care of it?

182
00:13:57,800 --> 00:13:59,320
Look, I'm sorry,

183
00:13:59,400 --> 00:14:04,160
maybe we are useless,
but you could be more respectful.

184
00:14:04,240 --> 00:14:06,240
What the hell do you want?

185
00:14:06,320 --> 00:14:09,960
Production! They disturb me,
they harass me!

186
00:14:10,400 --> 00:14:12,680
I don't know why,
but I would fire this Furio!

187
00:14:12,760 --> 00:14:16,080
Can you get them out of my sight? Thanks.

188
00:14:21,080 --> 00:14:25,360
Fury! This screen is not working!

189
00:14:29,760 --> 00:14:34,480
"Don't laugh. I know you have several drugs
hidden in their pockets."

190
00:14:35,160 --> 00:14:38,040
- "Various drugs", Ren�.
- What is it?

191
00:14:38,120 --> 00:14:42,440
What drug is it? What is it?
Weed, ecstasy, heroin? What?

192
00:14:42,520 --> 00:14:43,960
Why do you care?

193
00:14:44,040 --> 00:14:46,760
Why do I care?
Who uses the word "drugs?"

194
00:14:46,840 --> 00:14:49,680
"Give me the drugs"
or "I'm high on drugs"? Which is.

195
00:14:49,760 --> 00:14:52,280
What are you saying?
And who are you talking about?

196
00:14:52,360 --> 00:14:55,840
We are filming <i>The Eyes of My Heart!</i>
The network was very clear about this.

197
00:14:56,000 --> 00:14:58,440
This scene is an anti-drug propaganda.

198
00:14:58,520 --> 00:15:01,160
We have to use their term,
which is "drugs".

199
00:15:04,160 --> 00:15:07,800
What is this? What's wrong with you?

200
00:15:14,160 --> 00:15:17,080
A good wave of positive energy.
It's a wonderful thing.

201
00:15:17,160 --> 00:15:19,880
A check must have been deposited
in my bank account.

202
00:15:23,320 --> 00:15:24,480
I'm going to put on makeup.

203
00:15:26,520 --> 00:15:31,480
Furio, the screen! What is the cable? The gray?

204
00:15:31,560 --> 00:15:34,080
The blue one? The green? The black one?

205
00:15:34,160 --> 00:15:38,400
It's the corporal, Ren.
I changed it, but even it doesn't work.

206
00:15:38,480 --> 00:15:41,880
Let's switch to the radio.
It sucks, but at least it works.

207
00:15:41,960 --> 00:15:47,880
He didn't turn on the video control.
What an idiot! Of course it doesn't work.

208
00:15:48,320 --> 00:15:51,920
- Really? Tell him.
- No.

209
00:15:53,160 --> 00:15:54,360
- Come on, tell him.
- No.

210
00:15:54,440 --> 00:15:57,440
- But if you know, you should tell him.
- No.

211
00:16:00,640 --> 00:16:01,640
Furious?

212
00:16:02,960 --> 00:16:05,200
Hi, Furio. Between.

213
00:16:08,400 --> 00:16:09,680
So? Tell me.

214
00:16:10,760 --> 00:16:13,320
That intern,
the director's pet...

215
00:16:13,400 --> 00:16:16,040
Furio, Lorenzo knows why
it's not working.

216
00:16:16,120 --> 00:16:17,760
Let's put it this way.

217
00:16:17,840 --> 00:16:20,120
I'm working,
if they interrupt me again,

218
00:16:20,200 --> 00:16:21,560
I'm done with you. Did you understand?

219
00:16:21,640 --> 00:16:25,800
Without any provocation,
he turned me against the slave, Lorenzo.

220
00:16:25,880 --> 00:16:28,880
It's video control, Furio.
Just turn it on.

221
00:16:30,360 --> 00:16:33,640
And he's always bothering me,
walking around and stuff.

222
00:16:34,160 --> 00:16:36,440
I'm not willing to work like that.

223
00:16:37,120 --> 00:16:40,680
I find this surprising,
because there is no favoritism in this set.

224
00:16:42,800 --> 00:16:43,880
Good.

225
00:16:43,960 --> 00:16:46,920
Regardless,
he is an idiot and incompetent.

226
00:16:49,120 --> 00:16:51,480
Hey, it's finally working!
What was that?

227
00:16:51,560 --> 00:16:53,320
I told you, corporal.

228
00:16:53,400 --> 00:16:56,120
The production gives us bad results.
What can we do?

229
00:16:56,680 --> 00:16:58,920
I think I should thank him, at least.

230
00:17:00,240 --> 00:17:02,400
I feel like today is your last day, you know?

231
00:17:02,480 --> 00:17:05,600
If I fired them both,
you would be doing yourself a favor.

232
00:17:06,680 --> 00:17:10,200
I'm surprised you call him an idiot.
He is someone who works for us.

233
00:17:12,240 --> 00:17:14,600
Maybe you're the idiot,
since you call him that.

234
00:17:27,400 --> 00:17:30,280
I know he disrespected you,
and you were right.

235
00:17:30,360 --> 00:17:35,080
You should have told me about that.
I don't tolerate these attitudes on set.

236
00:17:36,160 --> 00:17:39,320
- I hope you're happy.
- Happy with what?

237
00:17:39,400 --> 00:17:44,360
Okay, it's a small world.
We'll see you again, don't worry.

238
00:17:45,080 --> 00:17:47,320
- Fury!
- Don't blame yourself.

239
00:17:47,400 --> 00:17:49,160
You did the right thing.

240
00:17:49,240 --> 00:17:52,080
I'm sorry, Sergio,
but everyone here treats us like trash.

241
00:17:52,160 --> 00:17:54,360
- Why him?
- Because he crossed the limit.

242
00:17:54,440 --> 00:17:57,640
He had a strong contract,
But I pay the fine, I don't care.

243
00:17:57,720 --> 00:18:00,320
The dignity of my team
comes first.

244
00:18:00,400 --> 00:18:02,120
- Close that door!
- Yes.

245
00:18:02,200 --> 00:18:04,120
- We're recording!
- Yes, Ren�!

246
00:18:05,840 --> 00:18:08,000
Come on. Ready?

247
00:18:08,960 --> 00:18:11,800
- Fury.
- What do you want?

248
00:18:13,240 --> 00:18:16,280
I didn't say anything. Interest.
I would never do that.

249
00:18:16,360 --> 00:18:20,800
It's better to stay away from me.
You got me fired, you piece of shit.

250
00:18:24,360 --> 00:18:26,000
If I see you again, you're dead.

251
00:18:34,800 --> 00:18:38,000
Everyone, attention please!

252
00:18:38,080 --> 00:18:40,920
We just fired Furio!

253
00:18:43,400 --> 00:18:45,680
It's a good thing he didn't sign the contract!

254
00:19:03,920 --> 00:19:09,240
Guys, don't do drugs. This garbage
It cost me the opportunity of a lifetime.

255
00:19:10,720 --> 00:19:16,520
Yes, but try to let it out.
Speak with less emphasis.

256
00:19:16,600 --> 00:19:18,560
Say it while thinking about something else.

257
00:19:20,040 --> 00:19:24,720
Guys, don't do drugs. This garbage
It cost me the opportunity of a lifetime.

258
00:19:25,840 --> 00:19:27,080
- Hello.
- Hello.

259
00:19:31,600 --> 00:19:35,880
- Play even more.
- Yes, throw it out!

260
00:19:35,960 --> 00:19:41,240
If you allow me, don't strain yourself.
It seems strange, but it always works.

261
00:19:44,960 --> 00:19:50,640
Guys, don't do drugs. This garbage
It cost me the opportunity of a lifetime.

262
00:19:53,680 --> 00:19:56,760
You can wait outside for a second,
please? Thanks.

263
00:19:58,400 --> 00:20:02,040
He's terrible. Did you call the other one too?
Please tell me you called.

264
00:20:02,120 --> 00:20:04,520
Of course. But he can't come.

265
00:20:05,560 --> 00:20:07,640
Arianna, we're screwed.

266
00:20:07,720 --> 00:20:11,480
I just did the moving scene
and four scenes of the door being opened.

267
00:20:11,560 --> 00:20:14,640
- We are very late.
- I'll see what we can do.

268
00:20:15,400 --> 00:20:18,760
I need someone to contradict me.

269
00:20:18,840 --> 00:20:21,640
Yes, because Alfredo
always agree with me.

270
00:20:25,600 --> 00:20:28,960
- What should we do with the cyclist?
- I have an idea. Come.

271
00:20:36,400 --> 00:20:39,360
For the cyclist, Ren�? He is sure?
It's a big change.

272
00:20:39,440 --> 00:20:41,920
- I think we'd better call the scriptwriters.
- No.

273
00:20:42,000 --> 00:20:45,240
Look, we're busy.
It's going to be okay, Arianna. Don't worry.

274
00:20:45,320 --> 00:20:47,800
Just trust good old René Ferretti.

275
00:20:47,880 --> 00:20:51,040
And cast him as an addict.
Look at that junkie!

276
00:20:51,120 --> 00:20:52,400
- He?
- Yes.

277
00:20:53,760 --> 00:20:57,720
Can I have makeup and costumes, please?

278
00:21:12,240 --> 00:21:14,160
Take one, 322!

279
00:21:16,160 --> 00:21:18,240
And, action!

280
00:21:27,200 --> 00:21:28,880
Drugs are not good, guys,

281
00:21:28,960 --> 00:21:32,400
but I know you're still not convinced.

282
00:21:39,800 --> 00:21:41,920
Maybe there's someone here
that can do this.

283
00:21:44,200 --> 00:21:46,400
Bring the patient from Room Three. Thanks.

284
00:22:00,440 --> 00:22:02,920
- It's Pedro Benitez!
- Sirs.

285
00:22:03,000 --> 00:22:04,600
The climber of the Andes!

286
00:22:04,680 --> 00:22:07,280
Is it really you? But what are you doing here?

287
00:22:07,360 --> 00:22:12,640
Guys, don't do drugs. This garbage
It cost me the opportunity of a lifetime.

288
00:22:12,720 --> 00:22:15,120
Thank you, Pedro.

289
00:22:16,480 --> 00:22:18,400
What a life lesson! So powerful!

290
00:22:19,840 --> 00:22:21,840
Cut! It was good!

291
00:22:21,920 --> 00:22:24,600
SEPT 2

292
00:22:25,400 --> 00:22:28,760
- Where are you going, man?
- Tuscolana.

293
00:22:28,840 --> 00:22:31,800
I'll give you a ride.
We need to have a good conversation.

294
00:22:34,800 --> 00:22:38,080
You are wasting your life.
How old are you? 40?

295
00:22:38,160 --> 00:22:42,480
I had some opportunities at your age.
I was a cameraman. I believed in myself.

296
00:22:42,560 --> 00:22:43,560
But you...

297
00:22:44,560 --> 00:22:48,040
You don't need to start crying.

298
00:22:48,120 --> 00:22:50,400
- Leave me here, please.
- Really?

299
00:22:50,480 --> 00:22:52,320
- Yes.
- Alright, get out.

300
00:23:33,720 --> 00:23:35,720
Subtitles: Renata Silva


