1 00:00:00,160 --> 00:00:07,880 {\an1}... 2 00:00:08,880 --> 00:00:12,040 - In Paris, we announce the return of Prefect Lépine! 3 00:00:13,120 --> 00:00:15,520 - Who is Marguerite Steinheil? - A casserole dish. 4 00:00:15,680 --> 00:00:16,840 - Are we questioning him? 5 00:00:17,000 --> 00:00:18,000 - I will take care 6 00:00:18,160 --> 00:00:20,000 personally from Mrs. Steinheil. 7 00:00:20,160 --> 00:00:21,240 {\an3}- Police! Open! 8 00:00:22,760 --> 00:00:23,760 - Police ! 9 00:00:23,920 --> 00:00:25,400 {\an1}- Antoine Jouin. - Fiersi. 10 00:00:25,560 --> 00:00:28,600 To the report. Of a courtesan at snitch, the slope is steep. 11 00:00:28,760 --> 00:00:29,880 - I earn my living. 12 00:00:30,040 --> 00:00:31,080 {\an3}- She will ask you 13 00:00:31,240 --> 00:00:32,400 an impossible thing. 14 00:00:32,560 --> 00:00:33,680 - It's dangerous. 15 00:00:33,840 --> 00:00:36,160 For you, me, our daughter. 16 00:00:36,320 --> 00:00:37,800 - Who are you? 17 00:00:37,960 --> 00:00:39,400 Family? - Lawyer. 18 00:00:39,560 --> 00:00:41,560 Mocking laughter 19 00:00:42,600 --> 00:00:43,800 - Death to the Jews! 20 00:00:44,640 --> 00:00:45,760 - DEATH TO THE JEWS! 21 00:00:45,920 --> 00:00:47,120 - The wheel... 22 00:00:48,640 --> 00:00:50,480 turns. 23 00:00:50,640 --> 00:00:52,000 - A priori, a suicide, but... 24 00:00:52,720 --> 00:00:54,640 - The prefecture sends you back. 25 00:00:54,800 --> 00:00:57,680 A modern font wants brains, not brutes. 26 00:00:57,840 --> 00:00:59,280 - I will kill you. - You sense 27 00:00:59,440 --> 00:01:00,760 that the outcome will be fatal. 28 00:01:00,920 --> 00:01:01,920 But you stay. 29 00:01:02,840 --> 00:01:03,640 {\an3}Why? 30 00:01:03,800 --> 00:01:05,000 {\an1}- She deserved it. 31 00:01:06,120 --> 00:01:07,360 Barking 32 00:01:07,520 --> 00:01:08,760 ... 33 00:01:08,920 --> 00:01:11,120 - You have revenge to take. On whom? 34 00:01:12,440 --> 00:01:15,280 Howl 35 00:01:15,440 --> 00:01:16,560 Men? 36 00:01:20,320 --> 00:01:23,520 Heavy breathing 37 00:01:25,200 --> 00:01:28,200 The wind is blowing. 38 00:01:28,360 --> 00:01:30,360 Squeaks 39 00:01:30,520 --> 00:01:56,840 ... ... 40 00:01:57,000 --> 00:01:59,000 Moans 41 00:01:59,160 --> 00:02:01,160 Squeaks 42 00:02:01,320 --> 00:02:22,680 ... ... 43 00:02:23,880 --> 00:02:25,080 Rattle 44 00:02:26,360 --> 00:02:28,320 ... 45 00:02:47,120 --> 00:02:49,120 He whistles. 46 00:02:49,280 --> 00:02:59,840 ... 47 00:03:07,560 --> 00:03:09,000 Woman's moans 48 00:03:10,280 --> 00:03:11,280 ... 49 00:03:15,040 --> 00:03:17,320 ... 50 00:03:18,320 --> 00:03:20,440 ... 51 00:03:23,360 --> 00:03:26,240 The door creaks. 52 00:03:26,400 --> 00:03:28,400 Woman's moans 53 00:03:30,680 --> 00:03:33,320 ... 54 00:03:36,720 --> 00:03:41,320 Mysterious music ... 55 00:03:42,400 --> 00:03:46,760 Louder moans 56 00:03:46,920 --> 00:04:03,160 {\an1}... ... 57 00:04:03,320 --> 00:04:04,680 {\an3}- Uh... Uh... 58 00:04:04,840 --> 00:04:06,840 Serious music 59 00:04:07,000 --> 00:04:09,000 The woman has difficulty breathing. 60 00:04:09,160 --> 00:04:12,640 {\an1}... ... 61 00:04:12,800 --> 00:04:15,080 The woman coughs. 62 00:04:15,240 --> 00:04:17,120 - Call for help! 63 00:04:17,280 --> 00:04:26,000 {\an1}... 64 00:04:28,480 --> 00:04:29,520 - Oh! 65 00:04:29,680 --> 00:04:31,680 Disturbing music 66 00:04:31,840 --> 00:04:44,520 {\an1}... 67 00:04:46,880 --> 00:04:48,880 Suspense music 68 00:04:49,040 --> 00:05:07,320 {\an1}... 69 00:05:13,480 --> 00:05:16,280 - “Voluptuousness, opulence, whiteness. 70 00:05:16,440 --> 00:05:19,440 “Borderel sugar makes me more beautiful.” 71 00:05:24,960 --> 00:05:28,000 Well there you go! That's advertising. 72 00:05:28,160 --> 00:05:30,480 {\an1}You have beautiful breasts visible at 5 m, 73 00:05:30,640 --> 00:05:32,400 {\an1}and I'll sell you 30,000 more. 74 00:05:33,400 --> 00:05:35,000 {\an1}I'm talking to you. You don't answer? 75 00:05:35,160 --> 00:05:37,960 {\an3}- I work. I hunt for shells. 76 00:05:38,120 --> 00:05:39,120 {\an1}You gossip. 77 00:05:39,280 --> 00:05:41,360 {\an1}They will forget the “h” in “Pantheon”. 78 00:05:41,520 --> 00:05:43,240 {\an3}- You correct it. I sell 79 00:05:43,400 --> 00:05:45,760 paper. Everyone likes big breasts. 80 00:05:46,720 --> 00:05:48,560 {\an1}Sorry, Mr. Labruyère. - It's nothing. 81 00:05:48,720 --> 00:05:49,840 It's true. 82 00:05:50,000 --> 00:05:53,560 {\an1}The Pantheon on page 2. The Ronsin dead end crime: page 1. 83 00:05:53,720 --> 00:05:56,640 {\an1}Hutin is already there with a photographer. 84 00:05:56,800 --> 00:05:57,800 - Finally ! 85 00:05:57,960 --> 00:05:59,880 {\an1}Zola at the Pantheon, It’s historic! 86 00:06:00,040 --> 00:06:01,640 {\an1}- It's a corpse without breasts. 87 00:06:01,800 --> 00:06:03,960 {\an1}Mrs. Steinheil has some beautiful ones, it seems. 88 00:06:04,120 --> 00:06:05,160 {\an1}Huh, Antonin? 89 00:06:05,320 --> 00:06:07,760 {\an3}- Yes. Like melons. I go up by 100,000. 90 00:06:07,920 --> 00:06:09,760 Do we have a title? - Not yet. 91 00:06:09,920 --> 00:06:12,560 I need three portraits by Marguerite Steinheil. 92 00:06:12,720 --> 00:06:15,400 Obituary: Adolphe Steinheil, well-known painter. 93 00:06:15,560 --> 00:06:18,720 {\an1}- The triple agreement? - 30 lines, at 3. No photo. 94 00:06:18,880 --> 00:06:21,040 {\an1}- It’s Europe! - Diplomatic gossip 95 00:06:21,200 --> 00:06:23,880 do not excite the reader. Wars, yes. 96 00:06:24,040 --> 00:06:25,280 {\an1}- Accident. - Dead people? 97 00:06:25,440 --> 00:06:28,240 {\an1}- No. One critically injured. - It's worth three lines. 98 00:06:28,400 --> 00:06:31,120 Don't bother me! I dictate an article. 99 00:06:32,280 --> 00:06:34,680 A terrible tragedy. We type. 100 00:06:36,240 --> 00:06:39,360 A stunning package and an impenetrable mystery 101 00:06:39,520 --> 00:06:41,360 took place last night. 102 00:06:42,480 --> 00:06:44,920 On this sunny day spring, 103 00:06:45,080 --> 00:06:46,560 the news of a killing... 104 00:06:48,560 --> 00:06:51,120 struck with amazement the Parisian population. 105 00:06:51,840 --> 00:06:56,000 City hubbub, horns 106 00:06:56,160 --> 00:06:57,720 Suspense music 107 00:06:57,880 --> 00:07:03,240 {\an1}... ... 108 00:07:03,400 --> 00:07:05,240 Disgruntled crowd 109 00:07:05,400 --> 00:07:14,440 {\an1}... ... 110 00:07:15,720 --> 00:07:16,960 On the line. 111 00:07:19,080 --> 00:07:22,080 The quality of the victims adds to the mystery of the facts. 112 00:07:23,080 --> 00:07:27,280 The Steinheils were known in the artistic and political world. 113 00:07:27,960 --> 00:07:31,240 This morning, the husband was found dead, 114 00:07:31,400 --> 00:07:32,840 strangled. 115 00:07:33,320 --> 00:07:36,360 The woman, gagged and tied up. 116 00:07:36,520 --> 00:07:38,000 Her mother, dead, 117 00:07:38,160 --> 00:07:40,800 strangled too, in their hotel 118 00:07:40,960 --> 00:07:42,080 robbed. 119 00:07:42,520 --> 00:07:43,520 We knock. 120 00:07:46,000 --> 00:07:47,240 - The injured man is dead. 121 00:07:47,400 --> 00:07:49,120 - 20 more lines at 3. 122 00:07:50,480 --> 00:07:52,040 Where was I? 123 00:07:52,200 --> 00:07:53,680 - “...robbed hotel.” 124 00:07:53,840 --> 00:07:55,720 - On the line, underlined in bold: 125 00:07:55,880 --> 00:07:59,680 the assassins have disappeared. Who ? For what ? 126 00:07:59,840 --> 00:08:03,920 {\an1}... ... 127 00:08:04,080 --> 00:08:06,480 - Let it pass. Get out of the way! 128 00:08:06,640 --> 00:08:13,160 {\an1}... ... 129 00:08:13,320 --> 00:08:17,400 {\an3}- Inspector Quemener. I was one of the first on the scene. 130 00:08:17,560 --> 00:08:20,760 {\an1}- Quemener, you are affected to the security of the Pantheon. 131 00:08:20,920 --> 00:08:23,080 {\an1}Therefore, I'm not holding you back. 132 00:08:24,920 --> 00:08:26,160 {\an3}- Good, sir. 133 00:08:27,200 --> 00:08:40,080 {\an1}... 134 00:08:42,680 --> 00:08:44,400 - She was lying on the bed. 135 00:08:45,520 --> 00:08:47,280 Completely naked, sir. 136 00:08:49,360 --> 00:08:51,520 {\an3}- You said that she was in a shirt. 137 00:08:51,680 --> 00:08:53,440 {\an3}Was she naked or in her shirt? 138 00:08:55,640 --> 00:08:59,360 - The shirt was on the face. So we saw everything else. 139 00:09:00,960 --> 00:09:02,720 -How were his bonds? 140 00:09:04,840 --> 00:09:08,280 - Her hands were tied behind the neck 141 00:09:08,440 --> 00:09:11,160 and attached to the head of the bed. His feet too 142 00:09:11,320 --> 00:09:13,880 were tied up. It was me who untied it. 143 00:09:14,240 --> 00:09:15,240 - Easily ? 144 00:09:17,640 --> 00:09:19,160 - I don't know anymore. 145 00:09:21,560 --> 00:09:23,960 I'm not good to undo the knots. 146 00:09:26,360 --> 00:09:27,800 - Madam, what was she saying? 147 00:09:28,320 --> 00:09:30,920 - “Air! Air! 148 00:09:31,800 --> 00:09:35,120 “Air.” She was having trouble to breathe, I think. 149 00:09:37,800 --> 00:09:38,800 {\an3}- Is that all? 150 00:09:39,880 --> 00:09:41,080 - Well... 151 00:09:41,760 --> 00:09:44,200 She was crying. I didn't understand much. 152 00:09:44,360 --> 00:09:46,280 Flash explosion 153 00:09:49,160 --> 00:09:50,600 - And for the door? 154 00:09:51,760 --> 00:09:53,000 - The door? - Mmh. 155 00:09:55,880 --> 00:09:57,880 - Yes. I closed the service door, 156 00:09:58,040 --> 00:09:59,080 last night. 157 00:09:59,240 --> 00:10:02,000 - Are you sure you closed it? - Yes. 158 00:10:04,280 --> 00:10:05,440 Finally I believe. 159 00:10:05,600 --> 00:10:07,240 - This morning, it was open. 160 00:10:07,880 --> 00:10:09,640 There was no break-in. 161 00:10:09,800 --> 00:10:12,640 - I don't understand. - You didn't hear anything? 162 00:10:13,040 --> 00:10:14,560 Noise ? Outbursts of voice? 163 00:10:14,720 --> 00:10:15,800 Did you drink yesterday? 164 00:10:15,960 --> 00:10:17,040 - No. 165 00:10:18,920 --> 00:10:21,240 Serious music 166 00:10:21,400 --> 00:10:23,840 {\an1}... 167 00:10:24,000 --> 00:10:25,920 Flash explosion 168 00:10:26,080 --> 00:10:31,400 {\an1}... ... 169 00:10:31,560 --> 00:10:34,880 Conversations 170 00:10:35,040 --> 00:10:37,120 - But it's a station here! 171 00:10:37,280 --> 00:10:40,360 We do not take readings in a station hall! 172 00:10:40,520 --> 00:10:44,800 And the prints on the doors! And the footprints! 173 00:10:45,800 --> 00:10:49,000 - All those not being directly affected by the investigation 174 00:10:49,160 --> 00:10:51,200 are asked to leave immediately. 175 00:10:51,360 --> 00:10:54,280 Witnesses will be summoned at the police headquarters 176 00:10:54,440 --> 00:10:55,680 in due time. 177 00:10:55,840 --> 00:10:56,920 THANKS ! 178 00:10:57,080 --> 00:11:04,520 ... 179 00:11:04,680 --> 00:11:06,280 {\an1}Let's proceed. 180 00:11:11,160 --> 00:11:12,840 - Knocked out, then strangled. 181 00:11:13,760 --> 00:11:15,720 No trace of struggle, or almost. 182 00:11:16,560 --> 00:11:18,120 He died where he fell. 183 00:11:18,280 --> 00:11:19,320 Flash explosion 184 00:11:20,920 --> 00:11:24,280 {\an3}Rebelote. She is dead in his bed. But... but... 185 00:11:24,440 --> 00:11:25,760 but... but... but... 186 00:11:26,480 --> 00:11:29,920 One: the hands seem to have been placed like this after death. 187 00:11:30,080 --> 00:11:31,440 A bit like a rite 188 00:11:31,600 --> 00:11:32,600 funeral. 189 00:11:32,760 --> 00:11:33,760 Odd. 190 00:11:34,560 --> 00:11:36,640 Remorse, no doubt. 191 00:11:36,800 --> 00:11:40,520 Two: the rope too was placed after death. 192 00:11:41,240 --> 00:11:44,040 Mmh... And the neck, no marks. 193 00:11:44,880 --> 00:11:46,600 Nothing to do with the painter. 194 00:11:47,200 --> 00:11:48,680 No. I would say: 195 00:11:49,520 --> 00:11:50,920 suffocation. 196 00:11:51,720 --> 00:11:52,880 This is a beautiful crime! 197 00:11:53,520 --> 00:11:55,560 Double homicide at Pompe Funèbre. 198 00:11:55,720 --> 00:11:59,760 Mmh! From the mystery, terror, sex! 199 00:11:59,920 --> 00:12:02,920 Oh, we're going to have a blast! 200 00:12:04,920 --> 00:12:07,680 - Oh. Mr. Judge. 201 00:12:10,560 --> 00:12:13,760 - Finally, the press. I mean: the press will have a blast. 202 00:12:15,720 --> 00:12:17,240 - My God, what a deal. 203 00:12:17,920 --> 00:12:19,560 Poor Mr. Steinheil, 204 00:12:19,720 --> 00:12:21,080 {\an1}a respected artist. 205 00:12:21,920 --> 00:12:23,480 {\an1}- Do you know the family? 206 00:12:23,640 --> 00:12:25,960 {\an3}You have canvases from Steinheil, perhaps. 207 00:12:26,120 --> 00:12:28,480 {\an1}- One or two portraits, little things. 208 00:12:28,640 --> 00:12:31,800 {\an1}I appreciated his style, but we weren't close. 209 00:12:31,960 --> 00:12:35,560 {\an3}- If I were you, I would put all my Steinheils in the cellar. 210 00:12:38,800 --> 00:12:40,280 - Are we in the presence 211 00:12:40,440 --> 00:12:44,120 of a bloody burglary or a family drama? 212 00:12:45,400 --> 00:12:47,840 Why Ms. Steinheil, attractive Parisian 213 00:12:48,000 --> 00:12:50,560 whose reputation elegance has no equal 214 00:12:50,720 --> 00:12:52,760 that its dazzling beauty 215 00:12:53,360 --> 00:12:54,800 Was she spared? 216 00:12:56,360 --> 00:12:58,960 Will the investigation succeed to solve this mystery? 217 00:12:59,120 --> 00:13:00,120 Issue. 218 00:13:00,840 --> 00:13:03,960 At any rate, here is his testimony. 219 00:13:07,760 --> 00:13:08,760 - My poor friend. 220 00:13:10,480 --> 00:13:12,200 {\an1}- Mr. Justice. 221 00:13:12,360 --> 00:13:13,360 {\an1}Oh! 222 00:13:14,840 --> 00:13:17,160 {\an1}I am... relieved it was you. 223 00:13:18,240 --> 00:13:20,280 - Don't worry, 224 00:13:20,440 --> 00:13:22,800 the worst is behind you. You are alive. 225 00:13:22,960 --> 00:13:24,200 That's what matters. 226 00:13:25,120 --> 00:13:29,280 {\an3}The chief commissioner Cochefert will lead the investigation. 227 00:13:29,440 --> 00:13:31,560 - All my condolences. - I know... 228 00:13:31,880 --> 00:13:34,680 {\an1}the commissioner. By reputation. 229 00:13:36,040 --> 00:13:37,040 {\an1}And you are? 230 00:13:37,200 --> 00:13:39,240 - Inspector Antoine Jouin. 231 00:13:40,240 --> 00:13:41,720 {\an3}- How are you feeling? 232 00:13:41,880 --> 00:13:43,560 Are you able to respond? 233 00:13:43,720 --> 00:13:44,920 a few questions? 234 00:13:46,560 --> 00:13:49,640 - I don't know. I don't know. I have a very bad headache. 235 00:13:50,160 --> 00:13:53,120 - Ms. Steinheil was brutalized, tied up, 236 00:13:53,280 --> 00:13:55,160 gagged by her attackers. 237 00:13:56,280 --> 00:13:58,320 You have there the cotton ball used 238 00:13:58,480 --> 00:14:00,240 {\an1}to silence her. 239 00:14:00,400 --> 00:14:02,640 She suffered a terrible emotional shock. 240 00:14:04,520 --> 00:14:07,120 {\an3}- His days are not in danger? 241 00:14:07,720 --> 00:14:08,960 - No. 242 00:14:09,120 --> 00:14:11,600 I made him a sting of sea water. 243 00:14:11,760 --> 00:14:13,920 {\an3}- Very good. In this case, let's proceed. 244 00:14:14,080 --> 00:14:15,600 We... - This interrogation 245 00:14:15,760 --> 00:14:18,400 {\an3}isn't it a little premature, doctor? 246 00:14:19,520 --> 00:14:21,320 {\an3}In his state, relive 247 00:14:21,480 --> 00:14:24,200 {\an1}events... - Sea water will soothe her. 248 00:14:25,440 --> 00:14:27,480 {\an3}You can help justice. 249 00:14:27,640 --> 00:14:30,280 We want to stop your husband's murderers 250 00:14:30,440 --> 00:14:33,120 and your mother. I guess you do too. 251 00:14:34,520 --> 00:14:35,520 - Of course. 252 00:14:35,680 --> 00:14:38,160 {\an1}I will help you as long as I can. 253 00:14:40,520 --> 00:14:42,080 - This is not your room. 254 00:14:42,800 --> 00:14:46,040 - No. It's my daughter's. 255 00:14:48,320 --> 00:14:49,720 Oh my God ! 256 00:14:50,600 --> 00:14:51,680 Martha! 257 00:14:53,000 --> 00:14:55,280 Did someone warn her? - You see clearly 258 00:14:55,440 --> 00:14:57,520 {\an1}that it's too early. - No, no. 259 00:14:57,680 --> 00:14:59,440 No. I'm ready. 260 00:15:00,200 --> 00:15:01,320 To talk. 261 00:15:03,720 --> 00:15:04,880 I'll tell you everything. 262 00:15:05,040 --> 00:15:06,040 It has to be. 263 00:15:07,000 --> 00:15:08,040 But I don't want 264 00:15:08,200 --> 00:15:11,520 let Marthe see these horrors. I beg you. 265 00:15:11,680 --> 00:15:13,720 Promise me that they will remove the... 266 00:15:16,800 --> 00:15:17,800 The bodies... 267 00:15:18,680 --> 00:15:20,000 before Marthe arrives. 268 00:15:21,520 --> 00:15:24,200 - It will be done. I give you my word. 269 00:15:25,080 --> 00:15:26,680 - Where is your daughter, madam? 270 00:15:28,880 --> 00:15:31,760 - At our villa in Meudon, the Vert-Logis. 271 00:15:32,480 --> 00:15:34,520 She is there with Maria, the housekeeper. 272 00:15:35,120 --> 00:15:36,400 We had to 273 00:15:36,560 --> 00:15:37,720 join them yesterday. 274 00:15:39,760 --> 00:15:40,920 But I think about it. 275 00:15:42,360 --> 00:15:43,400 The house. 276 00:15:44,560 --> 00:15:46,640 The house should have been empty! 277 00:15:48,720 --> 00:15:51,640 They came because they believed that it would be empty. 278 00:15:54,920 --> 00:15:58,080 {\an3}- And... why did you stay? 279 00:15:58,240 --> 00:16:01,040 - Mom was unwell. She felt bad, 280 00:16:01,200 --> 00:16:03,400 in the afternoon, during the walk. 281 00:16:04,280 --> 00:16:07,600 We postponed our departure, then she went to bed. 282 00:16:09,640 --> 00:16:11,480 I left my room to him. 283 00:16:12,840 --> 00:16:16,120 I went to Potin have something for dinner. 284 00:16:16,280 --> 00:16:18,440 Something simple: 285 00:16:18,600 --> 00:16:20,600 a lobster mayonnaise, a small cake, 286 00:16:20,760 --> 00:16:21,760 some fruit. 287 00:16:24,320 --> 00:16:25,480 {\an3}- What did you talk about? 288 00:16:25,640 --> 00:16:27,920 - Oh, paint, as usual. 289 00:16:28,920 --> 00:16:31,120 My husband was planning a new opening. 290 00:16:31,280 --> 00:16:33,200 He was very worried on his side. 291 00:16:33,360 --> 00:16:35,120 Soft music 292 00:16:35,280 --> 00:16:37,400 With this fashion impressionists. 293 00:16:38,520 --> 00:16:40,520 Suction 294 00:16:41,200 --> 00:16:43,800 Mr. Steinheil sneers. 295 00:16:43,960 --> 00:16:47,760 - “I make little pâtés here, I’ll stamp your canvas over there.” 296 00:16:47,920 --> 00:16:50,720 ... 297 00:16:50,880 --> 00:16:51,920 It's not art. 298 00:16:52,480 --> 00:16:54,040 It's a fashion, 299 00:16:54,200 --> 00:16:55,280 and... 300 00:16:56,080 --> 00:16:57,200 it will pass, 301 00:16:58,200 --> 00:16:59,320 like everything else. 302 00:16:59,600 --> 00:17:01,760 He sneers. 303 00:17:02,920 --> 00:17:06,000 But when? Eh ? - Mmh... 304 00:17:06,840 --> 00:17:10,160 ... Mrs. Steinheil laughs. 305 00:17:12,440 --> 00:17:15,480 After the meal, we had a hot toddy. And... 306 00:17:16,400 --> 00:17:18,480 I showed my mom hers. 307 00:17:19,440 --> 00:17:21,280 She complained of her varicose veins. 308 00:17:21,440 --> 00:17:24,520 So I rubbed him legs with cotton wool. 309 00:17:24,680 --> 00:17:28,280 Serious music 310 00:17:28,440 --> 00:17:38,920 {\an1}... 311 00:17:39,080 --> 00:17:40,080 {\an3}Good night, mom. 312 00:17:40,240 --> 00:17:46,280 {\an1}... 313 00:17:46,440 --> 00:17:50,040 I undressed and I went to bed. 314 00:17:50,200 --> 00:17:57,400 {\an1}... 315 00:17:57,560 --> 00:17:59,200 - How is mother-in-law? 316 00:18:00,600 --> 00:18:01,800 - Are you okay, mom? 317 00:18:02,240 --> 00:18:03,520 - I'm sleeping! 318 00:18:04,440 --> 00:18:05,560 - She's sleeping. 319 00:18:06,280 --> 00:18:07,920 - And you, is everything okay? 320 00:18:08,760 --> 00:18:11,240 Your gut no longer hurts you? 321 00:18:11,400 --> 00:18:12,920 - No, no. Everything is fine. 322 00:18:15,520 --> 00:18:17,200 - Good night. - Good night. 323 00:18:21,040 --> 00:18:22,040 - Sorry, but... 324 00:18:22,760 --> 00:18:24,160 why your intestine? 325 00:18:26,480 --> 00:18:28,840 - I had colic the day before. 326 00:18:29,000 --> 00:18:31,920 {\an3}- Jouin, don't interrupt Madame. 327 00:18:32,080 --> 00:18:34,200 {\an3}Please continue. 328 00:18:35,640 --> 00:18:38,000 - I fell asleep around 10-10:30 p.m. 329 00:18:39,320 --> 00:18:40,520 Serious music 330 00:18:40,680 --> 00:18:43,480 Creaking floor and door 331 00:18:43,640 --> 00:18:55,040 {\an1}... 332 00:18:56,320 --> 00:18:58,480 I felt something on my face. 333 00:19:02,400 --> 00:19:04,680 Muffled cries 334 00:19:04,840 --> 00:19:07,440 They grabbed me wrists, ankles. 335 00:19:08,520 --> 00:19:11,000 I tried to fight, to scream, 336 00:19:11,240 --> 00:19:12,760 but they were suffocating me. 337 00:19:14,200 --> 00:19:17,360 I saw three men, very tall, 338 00:19:18,120 --> 00:19:19,360 and a red-haired woman. 339 00:19:20,560 --> 00:19:21,680 The men wore 340 00:19:21,840 --> 00:19:24,160 long black blouses. It looked like... 341 00:19:24,320 --> 00:19:25,760 They looked like dresses. 342 00:19:25,920 --> 00:19:27,720 And floppy hats. And... 343 00:19:28,600 --> 00:19:30,160 And they had beards. 344 00:19:31,240 --> 00:19:32,680 - Long black dresses. 345 00:19:32,840 --> 00:19:34,560 {\an1}Like cassocks? - Yes. 346 00:19:34,720 --> 00:19:36,880 Like these clothes what Jews wear. 347 00:19:37,040 --> 00:19:38,640 - Levites. - Yes. 348 00:19:38,800 --> 00:19:39,800 Levites. 349 00:19:39,960 --> 00:19:42,400 {\an3}- Ah. They were disguised as a rabbi. 350 00:19:42,560 --> 00:19:44,760 {\an1}- I don't know if they were disguised. 351 00:19:46,080 --> 00:19:47,240 - And the redhead? 352 00:19:47,400 --> 00:19:48,600 - She was bareheaded. 353 00:19:48,760 --> 00:19:51,400 She wore a long black overcoat. She had... 354 00:19:51,560 --> 00:19:53,560 frizzy red hair, 355 00:19:53,720 --> 00:19:56,360 black eyes, flat nose. She was despicable. 356 00:19:57,760 --> 00:19:59,400 - Did they speak? 357 00:19:59,560 --> 00:20:01,480 - She was the one who spoke first. 358 00:20:01,640 --> 00:20:04,800 She said: "No quibble, bitch, or we'll kill you. 359 00:20:04,960 --> 00:20:06,840 “Your father sells paintings, huh? 360 00:20:07,280 --> 00:20:08,440 “Where is the money?” 361 00:20:10,480 --> 00:20:13,800 That's when I understood that they took me for my daughter. 362 00:20:13,960 --> 00:20:16,680 Serious music 363 00:20:18,080 --> 00:20:19,800 The redhead questioned me. 364 00:20:19,960 --> 00:20:23,960 "Spit it out, bitch. Where's the money? Where are the jewels?” 365 00:20:27,000 --> 00:20:28,000 I told them 366 00:20:28,160 --> 00:20:30,160 that everything was in a piece of furniture in the bedroom. 367 00:20:30,320 --> 00:20:31,920 Two of the men left... 368 00:20:32,080 --> 00:20:34,960 {\an1}... 369 00:20:36,400 --> 00:20:39,480 ...and I heard my mother who was screaming, 370 00:20:39,640 --> 00:20:41,800 who shouted: “Help! 371 00:20:42,440 --> 00:20:45,000 “Help! To the murderer!” 372 00:20:47,520 --> 00:20:48,720 And there it is... 373 00:20:49,480 --> 00:20:51,960 that I heard midnight ring the clock. 374 00:20:52,960 --> 00:20:55,760 - Of course, the time of the crime. - I think I lost 375 00:20:55,920 --> 00:20:58,120 the head. I couldn't see anything anymore. 376 00:20:58,280 --> 00:21:02,080 I heard these horrible noises in the bedroom, in the hallway. 377 00:21:03,560 --> 00:21:05,600 And suddenly, silence. 378 00:21:05,760 --> 00:21:09,280 Moans of fear 379 00:21:09,440 --> 00:21:10,520 And the redhead: 380 00:21:11,160 --> 00:21:12,160 “Kill that bitch. 381 00:21:12,320 --> 00:21:13,480 “No witnesses!” 382 00:21:14,320 --> 00:21:15,440 Stifled cry 383 00:21:16,560 --> 00:21:18,280 But one man replied: 384 00:21:19,360 --> 00:21:21,000 “We don’t kill kids.” 385 00:21:27,080 --> 00:21:30,120 - This confusion saved you life. It's a miracle. 386 00:21:30,280 --> 00:21:31,280 {\an3}- And then? 387 00:21:33,040 --> 00:21:35,760 - They... gagged me. They tied me up. 388 00:21:36,360 --> 00:21:37,560 They had fingers 389 00:21:37,720 --> 00:21:38,720 smeared with ink. 390 00:21:38,880 --> 00:21:41,360 {\an1}Besides, here, Mr. Justice, 391 00:21:42,080 --> 00:21:44,840 I carry their mark on my body. 392 00:21:45,360 --> 00:21:47,640 The assassins left their imprints on me. 393 00:21:47,800 --> 00:21:49,520 Serious music 394 00:21:49,680 --> 00:21:59,840 {\an1}... 395 00:22:00,000 --> 00:22:02,400 {\an3}- Professor Bertillon could maybe... 396 00:22:02,560 --> 00:22:04,360 {\an3}- Take a piece of his thigh? 397 00:22:04,520 --> 00:22:07,800 {\an3}Excellent idea! I'm going to propose to him. 398 00:22:08,720 --> 00:22:11,600 It was past midnight when the criminals are gone 399 00:22:11,760 --> 00:22:14,000 leaving you alone there. 400 00:22:14,160 --> 00:22:15,320 What have you done? 401 00:22:15,920 --> 00:22:17,280 - What did I do? 402 00:22:18,560 --> 00:22:21,160 I tried to breathe. This is what I did. 403 00:22:21,840 --> 00:22:25,040 I lost consciousness. I don't remember anything, 404 00:22:25,200 --> 00:22:27,920 until the valet delivers me. 405 00:22:28,080 --> 00:22:30,080 This brave Remy... - I believe 406 00:22:30,240 --> 00:22:31,760 That's enough now. 407 00:22:33,240 --> 00:22:35,480 - I will ask you a little courage. 408 00:22:36,440 --> 00:22:38,840 These men, have you seen their faces? 409 00:22:44,120 --> 00:22:47,360 Have you never seen them? - No. 410 00:22:48,640 --> 00:22:49,640 Wait ! 411 00:22:50,680 --> 00:22:52,080 There is one quite young, 412 00:22:52,240 --> 00:22:56,000 he looked like one of the models who posed for my husband, but... 413 00:22:57,200 --> 00:22:58,320 I'm not sure. 414 00:23:00,680 --> 00:23:02,560 - Did they abuse you, madam? 415 00:23:02,720 --> 00:23:06,080 We don't kill kids, but... you can have fun with it. 416 00:23:09,880 --> 00:23:10,880 - No. 417 00:23:15,120 --> 00:23:17,120 Hubbub 418 00:23:17,280 --> 00:23:22,400 ... 419 00:23:22,560 --> 00:23:24,080 - Your opinion? 420 00:23:24,560 --> 00:23:26,840 {\an3}- Beautiful legs. The rest is rubbish. 421 00:23:27,760 --> 00:23:29,000 {\an1}- It's her. 422 00:23:29,840 --> 00:23:31,960 {\an1}With an accomplice, maybe two. 423 00:23:32,120 --> 00:23:33,640 {\an3}- Are you thinking of someone? 424 00:23:33,800 --> 00:23:36,320 {\an1}- Joseph Fiersi. - No, not him. Not his type. 425 00:23:36,480 --> 00:23:39,040 {\an1}- I would like to know where he spent last night. 426 00:23:39,200 --> 00:23:42,720 {\an1}He's someone close to you. Pay him a friendly visit. 427 00:23:42,880 --> 00:23:45,160 {\an1}Or you prefer that someone else takes care of it? 428 00:23:45,320 --> 00:23:48,160 {\an1}- I'll take care of it. - Take two men with you. 429 00:23:52,160 --> 00:23:53,160 - Gentlemen! 430 00:23:54,680 --> 00:23:56,680 Disgruntled crowd 431 00:23:56,840 --> 00:23:59,560 ... 432 00:24:00,560 --> 00:24:03,160 - Inspector! Joseph Hun, from “Parisien”. 433 00:24:03,320 --> 00:24:05,640 I have a quick question for you. 434 00:24:06,920 --> 00:24:09,640 {\an3}- Antoine! A pipe for your “Matin” friends? 435 00:24:09,800 --> 00:24:11,200 {\an1}- Ask Cochefert. 436 00:24:11,360 --> 00:24:14,360 {\an1}- Domestic crime? Funeral home? - Burglary. 437 00:24:14,520 --> 00:24:16,760 {\an3}- Give me a flower. I'll pay you for that. 438 00:24:16,920 --> 00:24:19,800 {\an3}- Couillard, the valet, discovered the bodies. 439 00:24:19,960 --> 00:24:22,360 {\an3}Make him drunk, and he will tell you everything. 440 00:24:22,520 --> 00:24:24,680 {\an1}- Thank you. - And don't mention me. 441 00:24:24,840 --> 00:24:26,480 - You don't want to be famous? 442 00:24:32,000 --> 00:24:34,280 {\an3}Follow him. I'll take care of the valet. 443 00:24:37,120 --> 00:24:38,240 {\an3}- Please. 444 00:24:39,360 --> 00:24:40,360 I am obviously 445 00:24:40,520 --> 00:24:42,640 depositary some information 446 00:24:42,800 --> 00:24:44,280 which I cannot reveal. 447 00:24:44,440 --> 00:24:45,440 - OH ! 448 00:24:45,600 --> 00:24:48,120 - I remain confident in the survey results. 449 00:24:48,280 --> 00:24:49,560 - Oh! Excellent ! 450 00:24:49,720 --> 00:24:52,160 - And I reserve for you an upcoming surprise. 451 00:24:52,320 --> 00:24:53,320 - AH! 452 00:24:53,480 --> 00:24:55,800 Hubbub 453 00:24:55,960 --> 00:24:57,320 ... 454 00:24:57,480 --> 00:24:59,720 - No, no, it's over. We have... No... 455 00:24:59,880 --> 00:25:01,320 It's over now. 456 00:25:02,760 --> 00:25:03,760 Berthier! 457 00:25:05,160 --> 00:25:07,040 Oh. We are looking for 458 00:25:07,200 --> 00:25:09,640 three men dressed in long black dresses, 459 00:25:09,800 --> 00:25:13,000 accompanied by a redhead with frizzy hair. 460 00:25:13,160 --> 00:25:15,280 Neighborhood grid, testimonials: 461 00:25:15,440 --> 00:25:17,000 {\an3}you know the procedure. 462 00:25:17,160 --> 00:25:18,160 Furthermore, 463 00:25:18,880 --> 00:25:21,800 it is possible that one was used of model in Steinheil. 464 00:25:21,960 --> 00:25:25,520 We will therefore have to identify all men 465 00:25:25,680 --> 00:25:29,040 having posed for Steinheil over the last six months. 466 00:25:30,000 --> 00:25:31,360 Good luck. 467 00:25:31,520 --> 00:25:34,040 Hubbub in the distance 468 00:25:34,200 --> 00:25:40,720 ... 469 00:25:42,360 --> 00:25:43,600 - Where is my mother? 470 00:25:46,600 --> 00:25:48,280 {\an1}- Upstairs, with his doctor. 471 00:25:50,600 --> 00:25:52,560 {\an1}Everything is fine. She's going to get through this. 472 00:26:10,440 --> 00:26:11,960 - What did you do? 473 00:26:12,640 --> 00:26:14,640 Serious music 474 00:26:14,800 --> 00:26:21,680 {\an1}... 475 00:26:21,840 --> 00:26:22,960 Moaning in pain 476 00:26:23,120 --> 00:26:25,680 {\an1}... 477 00:26:25,840 --> 00:26:30,160 Conversations, telephone 478 00:26:30,320 --> 00:26:31,480 - Mr. Labruyère! 479 00:26:31,800 --> 00:26:33,280 - What, again? 480 00:26:33,760 --> 00:26:34,800 - It's for you. 481 00:26:37,600 --> 00:26:40,160 {\an3}- Couillard! Like a ball. 482 00:26:40,320 --> 00:26:41,760 You can't make this up! 483 00:26:42,480 --> 00:26:44,080 {\an1}- Another absinthe. 484 00:26:44,240 --> 00:26:45,240 - An absinthe, yes. 485 00:26:47,920 --> 00:26:50,240 “Remy Couillard, tall, hairless young man 486 00:26:50,400 --> 00:26:53,920 "is at the service of the Steinheils for only eight months. 487 00:26:54,080 --> 00:26:56,640 "Here is his story as he made it to us over coffee 488 00:26:56,800 --> 00:26:59,160 "where little old rentiers quiet 489 00:26:59,320 --> 00:27:01,280 "were doing their Sunday shackle.” 490 00:27:02,840 --> 00:27:03,840 *- Excellent. 491 00:27:04,760 --> 00:27:08,160 You have the makings of a reporter, Marcel. Move on to composition. 492 00:27:08,840 --> 00:27:11,240 And don't forget the photo of the Couillard! 493 00:27:11,400 --> 00:27:13,600 {\an1}- Bichon, from the political service, asks you. 494 00:27:13,760 --> 00:27:16,640 {\an1}He's online with the boss. - Obviously. 495 00:27:17,800 --> 00:27:20,040 {\an3}They will annoy us with the Pantheon. 496 00:27:21,120 --> 00:27:23,120 Disgruntled crowd outside 497 00:27:23,280 --> 00:27:42,880 ... 498 00:27:43,040 --> 00:27:45,160 - Numerous gatherings Medici Square. 499 00:27:45,320 --> 00:27:48,120 {\an1}About 8,000 people. Hostiles. 500 00:27:48,600 --> 00:27:50,320 - Whoa! Down with Zola! 501 00:27:50,480 --> 00:27:53,560 Death to Dreyfus! Long live the Republic! 502 00:27:54,600 --> 00:28:02,960 ... 503 00:28:03,120 --> 00:28:05,480 - Shame on France! Long live the army! 504 00:28:06,280 --> 00:28:11,120 Serious music 505 00:28:11,280 --> 00:28:12,640 {\an3}- They are late. 506 00:28:13,720 --> 00:28:15,760 {\an1}- People from the cemetery warned me. 507 00:28:16,760 --> 00:28:18,680 {\an1}The coffin was rotten. 508 00:28:19,960 --> 00:28:21,800 Not presentable. 509 00:28:21,960 --> 00:28:23,360 Authorization was required 510 00:28:23,520 --> 00:28:27,520 of Madame Zola to place the body in a newer beer. 511 00:28:31,240 --> 00:28:32,600 This is the family. 512 00:28:33,400 --> 00:28:35,000 {\an1}With Dreyfus. 513 00:28:37,280 --> 00:28:39,760 - I would like to present my tributes to Mrs. Zola, 514 00:28:39,920 --> 00:28:42,520 but I don't want show myself with Dreyfus. 515 00:28:42,680 --> 00:28:44,040 She will understand. 516 00:28:44,440 --> 00:28:46,840 {\an3}Then disperse the crowd unceremoniously. 517 00:28:47,000 --> 00:28:49,200 - Rotten ! - Die! 518 00:28:49,360 --> 00:28:52,000 - Warn reserve brigades. 519 00:28:52,160 --> 00:28:54,880 I don't want that there remains only one gathering. 520 00:28:55,040 --> 00:28:57,680 - Death to Dreyfus! Long live the Republic! 521 00:28:58,120 --> 00:29:00,680 - I keep thinking, Mr. Director, 522 00:29:00,840 --> 00:29:03,240 that we must speak of Zola at the Pantheon. 523 00:29:03,400 --> 00:29:05,720 The Steinheil: page 2. - It's reheated. 524 00:29:05,880 --> 00:29:08,520 Dreyfus causes the draw to drop with his name. 525 00:29:08,680 --> 00:29:11,240 If we kill him at the ceremony, there, yes. 526 00:29:11,400 --> 00:29:14,120 In the meantime, Funeral Director, it's more salesy. 527 00:29:14,280 --> 00:29:18,240 Crackling sounds 528 00:29:19,320 --> 00:29:21,200 *- What does the reader of “Matin” want? 529 00:29:21,360 --> 00:29:23,480 He takes his coffee and opens his diary. 530 00:29:24,440 --> 00:29:27,560 He wants it to crisp, like a good croissant. 531 00:29:27,720 --> 00:29:31,280 He doesn't want to be bothered with stories from the day before yesterday. 532 00:29:31,440 --> 00:29:33,520 The Pantheon on page 2. 533 00:29:38,640 --> 00:29:39,960 - I'm not holding you back. 534 00:29:40,120 --> 00:29:43,680 - I promised Madame Zola and to his children that the ceremony 535 00:29:43,840 --> 00:29:46,680 {\an3}and the parade would happen in good order, 536 00:29:46,840 --> 00:29:48,760 {\an3}with dignity and meditation. 537 00:29:48,920 --> 00:29:50,840 I intend to respect this promise. 538 00:29:52,680 --> 00:29:55,800 - Isn't it shocking to parade the French army 539 00:29:55,960 --> 00:29:57,520 in front of Dreyfus? 540 00:29:57,680 --> 00:30:01,000 - Tomorrow, the President and the government will be there. 541 00:30:01,160 --> 00:30:03,200 The army will march, as is customary. 542 00:30:05,280 --> 00:30:08,000 As for Dreyfus, he has a good reason to come. 543 00:30:08,640 --> 00:30:10,400 Emile Zola was his friend. 544 00:30:13,840 --> 00:30:16,160 {\an3}(- Impasse Ronsin. Two deaths.) 545 00:30:16,320 --> 00:30:17,960 {\an3}(Mrs. Steinheil is fine.) 546 00:30:18,120 --> 00:30:20,560 {\an3}(Cochefert and the judge would like to see you.) 547 00:30:22,600 --> 00:30:24,600 Disgruntled crowd 548 00:30:24,760 --> 00:30:26,760 Serious music 549 00:30:26,920 --> 00:30:37,840 {\an1}... ... 550 00:30:38,000 --> 00:30:40,840 - Let's talk about how to follow the Steinheil affair. 551 00:30:41,000 --> 00:30:44,520 *- I'm listening to you. - Either the objective investigation, 552 00:30:44,680 --> 00:30:46,520 {\an3}trust in the police. 553 00:30:46,680 --> 00:30:48,280 Either we rush into the pile. 554 00:30:48,880 --> 00:30:52,320 We do our research. We find the culprit before the police. 555 00:30:53,200 --> 00:30:54,200 *- A suspicion? 556 00:30:54,360 --> 00:30:55,960 - She. Of course. 557 00:30:56,760 --> 00:31:00,200 This whore killed the President. It's almost a repeat. 558 00:31:01,720 --> 00:31:04,400 - Down with the traitors! Death to Dreyfus! 559 00:31:05,360 --> 00:31:07,640 Rotten, Zola! Rotten ! 560 00:31:07,800 --> 00:31:09,640 - The day we make her arrested, 561 00:31:09,800 --> 00:31:11,960 I guarantee you a million prints. 562 00:31:14,480 --> 00:31:17,560 *- If you estimate It's worth it, go for it. 563 00:31:17,720 --> 00:31:21,600 {\an1}... 564 00:31:22,160 --> 00:31:24,560 - Shame on France! - Rotten ! 565 00:31:24,720 --> 00:31:30,280 {\an1}... ... 566 00:31:42,880 --> 00:31:44,000 - Mrs. Fiersi. 567 00:31:44,480 --> 00:31:45,920 Is Joseph there? 568 00:31:54,200 --> 00:31:55,320 - Joseph? 569 00:32:05,440 --> 00:32:06,440 - Come on. 570 00:32:14,520 --> 00:32:15,600 - Do you know? 571 00:32:16,200 --> 00:32:17,440 {\an3}- Like all of Paris. 572 00:32:17,600 --> 00:32:19,680 {\an1}Burglary? - That's what she says. 573 00:32:20,320 --> 00:32:22,520 {\an3}- She's a naughty girl, no one believes her. 574 00:32:22,680 --> 00:32:25,320 {\an3}You are looking for the accomplice. Seeing the corpses, 575 00:32:25,480 --> 00:32:28,400 {\an3}you thought of me. Right? 576 00:32:28,760 --> 00:32:30,640 - You work for Pompe Funèbre. 577 00:32:31,440 --> 00:32:32,560 {\an3}- Not for a while. 578 00:32:33,360 --> 00:32:34,840 {\an1}- How do you earn your living? 579 00:32:35,000 --> 00:32:38,760 {\an3}- The store is doing well. Hats are in fashion. 580 00:32:42,720 --> 00:32:44,440 - Where were you last night? 581 00:32:49,400 --> 00:32:51,080 - Are you seriously asking me? 582 00:32:54,120 --> 00:32:56,160 It's you who asks, or Cochefert? 583 00:32:56,640 --> 00:32:58,040 - Does it make a difference? 584 00:32:59,640 --> 00:33:01,400 - For me, yes. - So it's me. 585 00:33:01,560 --> 00:33:03,560 Where were you last night? 586 00:33:07,480 --> 00:33:08,480 - Here. 587 00:33:09,120 --> 00:33:10,760 {\an3}With my wife and my kids. 588 00:33:10,920 --> 00:33:13,880 {\an3}We ate blanquette. There's some left, if you want. 589 00:33:16,160 --> 00:33:18,760 - I would have preferred the theater with a thousand witnesses. 590 00:33:19,320 --> 00:33:21,080 - Me too, but what can I do? 591 00:33:21,760 --> 00:33:24,840 I'm a homebody. I go to bed early. 592 00:33:25,320 --> 00:33:27,000 - So you had nothing to do with it? 593 00:33:28,200 --> 00:33:29,200 - No. 594 00:33:30,000 --> 00:33:32,280 - Do you swear to me? - Yes. I swear. 595 00:33:32,440 --> 00:33:35,280 On your daughter's head, who is also my goddaughter. 596 00:33:36,800 --> 00:33:39,840 But if you continue, I consider you more of a friend. 597 00:33:40,520 --> 00:33:43,560 And if Cochefert has others questions, he can come, 598 00:33:43,720 --> 00:33:45,520 instead of sending his errand boys. 599 00:33:45,680 --> 00:33:48,280 Serious music 600 00:33:48,440 --> 00:33:57,400 {\an1}... 601 00:33:57,560 --> 00:33:59,520 - You'll have to follow me. 602 00:34:01,080 --> 00:34:02,280 Someone is approaching. 603 00:34:02,440 --> 00:34:03,720 Joseph Fiersi whistles. 604 00:34:03,880 --> 00:34:07,920 {\an1}... 605 00:34:09,400 --> 00:34:10,400 Like this... 606 00:34:11,600 --> 00:34:12,600 in front of my kids. 607 00:34:12,760 --> 00:34:14,480 - You give me no choice. 608 00:34:16,320 --> 00:34:18,080 - Last night, around 11 p.m.... 609 00:34:18,720 --> 00:34:20,840 there was a fight at the cafe across the street. 610 00:34:21,600 --> 00:34:23,320 The boss fired two drunks. 611 00:34:23,480 --> 00:34:25,800 The patrol officer intervened. 612 00:34:27,320 --> 00:34:30,560 I went down to see: These idiots woke up my kids. 613 00:34:32,240 --> 00:34:33,800 Ask at the cafe. They saw me. 614 00:34:35,800 --> 00:34:37,720 - Couldn't you have said it sooner? 615 00:34:40,000 --> 00:34:41,440 - I like to make you walk. 616 00:34:42,320 --> 00:34:44,640 I hope for you that it's a burglary. 617 00:34:45,360 --> 00:34:47,160 - For what ? - Funeral Home 618 00:34:47,320 --> 00:34:50,000 meet prefect Lépine for 10 years. 619 00:34:50,160 --> 00:34:51,720 They are very close. 620 00:34:52,080 --> 00:34:53,960 Enter your judge Leydet, 621 00:34:54,120 --> 00:34:56,080 accustomed to Impasse Ronsin, 622 00:34:56,240 --> 00:34:58,880 and the prefect who has a reputation to defend... 623 00:35:00,720 --> 00:35:03,160 your bosses have better motives than me. 624 00:35:03,320 --> 00:35:15,600 {\an1}... 625 00:35:16,920 --> 00:35:18,280 - Do you want to try it? 626 00:35:18,440 --> 00:35:20,960 A door opens and someone enters. 627 00:35:24,520 --> 00:35:26,920 {\an1}- If I were you, I would look for the jewelry. 628 00:35:30,200 --> 00:35:31,200 {\an1}- Hi, Julien. 629 00:35:31,680 --> 00:35:32,680 {\an1}- Hello. 630 00:35:37,600 --> 00:35:40,360 {\an3}- Ask the Fourgues. This is your best lead. 631 00:35:47,680 --> 00:35:49,200 {\an3}- Irma Barbey. 632 00:35:49,920 --> 00:35:51,240 - I know the address. 633 00:35:59,840 --> 00:36:01,200 He sighs. 634 00:36:02,880 --> 00:36:06,520 Street hubbub 635 00:36:06,680 --> 00:36:08,600 - You two, return to the prefecture. 636 00:36:09,760 --> 00:36:10,760 Come on ! 637 00:36:10,920 --> 00:36:12,920 Serious music 638 00:36:13,080 --> 00:36:32,840 {\an1}... ... 639 00:36:33,000 --> 00:36:34,000 - I remember, 640 00:36:34,160 --> 00:36:37,720 around 11 p.m. to 11:30 p.m., he came to speak with an agent. 641 00:36:39,480 --> 00:36:41,800 Mr. Fiersi, we know him in the neighborhood. 642 00:36:47,520 --> 00:36:49,400 - That's what I wanted to know. 643 00:36:49,560 --> 00:36:58,920 {\an1}... 644 00:37:04,200 --> 00:37:06,480 - Scratch on the cheek. 645 00:37:10,480 --> 00:37:15,080 And on the left hand, defense wound. 646 00:37:17,640 --> 00:37:21,080 Light: he didn't put up much of a fight. 647 00:37:25,440 --> 00:37:27,360 Bruise in both eyes, 648 00:37:27,520 --> 00:37:30,360 quite common in cases of strangulation. 649 00:37:30,520 --> 00:37:31,680 The neck: 650 00:37:33,280 --> 00:37:34,280 he carries the mark 651 00:37:34,440 --> 00:37:37,200 of several superimposed furrows and quite deep. 652 00:37:37,920 --> 00:37:41,600 We take some fibers from it. 653 00:37:45,640 --> 00:37:48,720 {\an1}To compare with those of the cord under the microscope. 654 00:37:53,560 --> 00:37:55,800 Identical. It's good... 655 00:37:56,400 --> 00:37:58,160 the murder weapon. 656 00:37:58,840 --> 00:38:02,000 Cause of death: strangulation. 657 00:38:03,400 --> 00:38:06,200 {\an1}- Mr. Steinheil was especially portrait painter. 658 00:38:06,360 --> 00:38:08,840 Its clientele was among the most numerous. 659 00:38:09,000 --> 00:38:10,040 {\an3}Delete “numerous”. 660 00:38:10,200 --> 00:38:13,600 {\an3}Its customers was most prestigious. 661 00:38:13,760 --> 00:38:14,920 In the neighborhood, 662 00:38:15,080 --> 00:38:18,240 {\an3}we remember that Félix Faure, President of the Republic, 663 00:38:18,400 --> 00:38:22,960 {\an3}came to make in his workshop long posing sessions 664 00:38:23,120 --> 00:38:25,680 {\an3}and he became the family friend. 665 00:38:28,640 --> 00:38:30,760 - Second victim: 666 00:38:30,920 --> 00:38:33,320 Ms. Japy. 667 00:38:34,360 --> 00:38:36,160 Absence of furrows on the neck. 668 00:38:36,320 --> 00:38:38,160 The strangulation is staged. 669 00:38:38,320 --> 00:38:41,120 Inform Bertillon that I confirm, it will make him happy. 670 00:38:41,280 --> 00:38:42,640 Do not rate this. 671 00:38:44,720 --> 00:38:47,440 A start of cyanosis appears on the face. 672 00:38:47,600 --> 00:38:50,600 We therefore assume suffocation, 673 00:38:50,760 --> 00:38:54,680 reinforced impression by the presence... 674 00:38:57,080 --> 00:39:00,280 an extremely substantial buffer. 675 00:39:01,280 --> 00:39:02,880 She vomits 676 00:39:03,040 --> 00:39:04,200 cotton wool. 677 00:39:04,920 --> 00:39:07,760 Do not write down this sentence. 678 00:39:08,520 --> 00:39:09,520 Well... 679 00:39:11,280 --> 00:39:14,760 {\an3}I remove the tampon 680 00:39:14,920 --> 00:39:18,600 {\an3}in order to examine the oral cavity. 681 00:39:18,760 --> 00:39:20,400 {\an3}Come here, you. 682 00:39:21,720 --> 00:39:23,320 {\an3}Well... 683 00:39:26,680 --> 00:39:28,120 Here. 684 00:39:37,440 --> 00:39:38,440 Pliers. 685 00:39:48,840 --> 00:39:49,840 You... 686 00:39:50,960 --> 00:39:52,120 But... 687 00:39:54,280 --> 00:39:55,280 And shit! 688 00:39:55,440 --> 00:39:58,080 Don't rate it, dammit. I say “shit”! 689 00:39:58,240 --> 00:40:00,200 I say “shit”! 690 00:40:18,280 --> 00:40:19,280 There, 691 00:40:19,440 --> 00:40:20,640 note. 692 00:40:21,240 --> 00:40:24,800 {\an3}Asphyxia was not caused by the cotton wool, but by the dentures, 693 00:40:24,960 --> 00:40:27,720 {\an3}that the tampon has pushed back deep in the throat, 694 00:40:27,880 --> 00:40:30,400 thus blocking the respiratory tract. 695 00:40:33,880 --> 00:40:34,880 She was sleeping 696 00:40:35,040 --> 00:40:36,400 with its rack. 697 00:40:41,200 --> 00:40:43,000 - I'm stuck at the prefecture. 698 00:40:44,520 --> 00:40:47,480 The Steinheil affair. Cochefert distributes chores. 699 00:40:48,160 --> 00:40:50,480 We must question all the painter's models. 700 00:40:50,640 --> 00:40:52,480 It's going to take me all night. 701 00:40:52,640 --> 00:40:55,840 I can't. Half of the workforce is at the Pantheon. 702 00:40:56,000 --> 00:40:57,600 We are short of arms. 703 00:40:59,000 --> 00:41:00,160 It's okay, it's okay. 704 00:41:00,320 --> 00:41:01,880 I'm tired, that's all. 705 00:41:03,000 --> 00:41:05,160 I saw Angel's godfather, today. 706 00:41:05,320 --> 00:41:06,720 Tell him to kiss her. 707 00:41:08,360 --> 00:41:09,960 Me too. See you tomorrow. 708 00:41:10,120 --> 00:41:12,120 Joyful conversations 709 00:41:12,280 --> 00:41:21,920 ... 710 00:41:22,080 --> 00:41:23,880 Cabinet Weidmann and Chauvin. 711 00:41:24,040 --> 00:41:25,440 I stay online. THANKS. 712 00:41:29,080 --> 00:41:30,400 It's me. How are you ? 713 00:41:31,640 --> 00:41:32,880 Is Weidmann there? 714 00:41:35,200 --> 00:41:36,360 *I'm coming. 715 00:41:42,960 --> 00:41:44,960 Serious music 716 00:41:45,120 --> 00:42:25,920 {\an1}... 717 00:42:26,400 --> 00:42:27,520 Do you work? 718 00:42:28,400 --> 00:42:30,080 - Yes. Duchemin affair. 719 00:42:30,240 --> 00:42:31,440 Parricide. 720 00:42:31,600 --> 00:42:33,520 - You're wasting your time. I stopped him. 721 00:42:37,600 --> 00:42:38,640 - I know. 722 00:42:43,240 --> 00:42:44,520 I read your report. 723 00:42:45,200 --> 00:42:46,280 Copy. 724 00:42:47,960 --> 00:42:49,280 Except the spelling. 725 00:42:50,600 --> 00:42:54,240 - Georges Duchemin is a drunkard who killed his mother for 400 francs. 726 00:42:55,280 --> 00:42:58,760 He hit her, strangled her, because she was still moving. 727 00:42:58,920 --> 00:43:00,440 He cut her throat. 728 00:43:02,440 --> 00:43:05,320 He emptied his woolen stockings and hooked up with whores. 729 00:43:06,800 --> 00:43:08,560 Four, if I remember correctly. 730 00:43:11,680 --> 00:43:14,640 He was still drunk, when we arrested him. He confessed. 731 00:43:21,720 --> 00:43:23,600 I hope we cut it in two. 732 00:43:28,360 --> 00:43:31,240 - It's understood. Death for parricides. 733 00:43:44,680 --> 00:43:47,240 But what will we do unfaithful husbands? 734 00:43:47,400 --> 00:43:49,400 Serious music 735 00:43:49,560 --> 00:44:05,040 {\an1}... 736 00:44:06,000 --> 00:44:07,920 {\an1}- I promise you, I will leave her. 737 00:44:10,400 --> 00:44:12,840 {\an3}- Loyalty is the virtue of dogs. 738 00:44:13,000 --> 00:44:26,400 {\an1}... 739 00:44:26,560 --> 00:44:27,920 Suspense music Tick-tock 740 00:44:28,080 --> 00:44:29,440 - 5 minutes before closing. 741 00:44:29,600 --> 00:44:31,240 {\an1}We need a title. 742 00:44:31,400 --> 00:44:33,280 {\an1}... ... 743 00:44:33,440 --> 00:44:35,080 - “The House of Horrors.” 744 00:44:35,440 --> 00:44:36,760 - Vulgar. 745 00:44:37,800 --> 00:44:39,240 - “Funeral Home in Ronsin, 746 00:44:39,560 --> 00:44:41,800 {\an1}"two deaths." - Pun. Too trivial. 747 00:44:43,760 --> 00:44:44,760 - “The widow 748 00:44:44,920 --> 00:44:47,920 {\an1}"bloody." - Defamation: not charged. 749 00:44:48,080 --> 00:44:50,520 {\an1}- "Requiem for an artist." - The painter? 750 00:44:50,680 --> 00:44:51,920 We don't care about him. 751 00:44:52,080 --> 00:44:56,520 - He was a pederast, it seems. - Even worse. It's repulsive. 752 00:44:56,680 --> 00:44:57,680 Well ! 753 00:44:57,840 --> 00:45:00,640 {\an1}... ... 754 00:45:01,920 --> 00:45:03,120 Well! 755 00:45:03,760 --> 00:45:06,400 {\an3}- “Night of terror, of crime... 756 00:45:07,800 --> 00:45:09,240 “and mystery.” 757 00:45:09,400 --> 00:45:18,400 ... 758 00:45:20,360 --> 00:45:21,440 - Sold. Ringtone 759 00:45:22,200 --> 00:45:25,600 - “Night of terror, of crime and mystery." 760 00:45:25,760 --> 00:45:27,200 That’s the title! 761 00:45:29,080 --> 00:45:30,720 - Missing big breasts. 762 00:45:31,480 --> 00:45:34,200 Suspense music 763 00:45:34,360 --> 00:45:37,120 Woman's heavy breathing 764 00:45:37,280 --> 00:45:44,360 {\an1}... ... 765 00:45:44,520 --> 00:45:52,200 {\an1}... 766 00:45:52,360 --> 00:45:54,360 Moans of pleasure 767 00:45:54,520 --> 00:45:59,720 {\an1}... ... 768 00:45:59,880 --> 00:46:16,680 {\an1}... 769 00:46:16,840 --> 00:46:21,240 {\an1}... ... 770 00:46:21,400 --> 00:46:26,960 {\an1}... 771 00:46:27,120 --> 00:46:30,880 {\an1}... ... 772 00:46:31,040 --> 00:46:33,560 {\an1}... 773 00:46:33,720 --> 00:46:36,080 {\an1}... ... 774 00:46:36,240 --> 00:46:38,480 {\an1}... 775 00:46:38,640 --> 00:46:42,800 {\an1}... ... 776 00:46:50,520 --> 00:46:52,680 - Come this way, you. 777 00:46:54,840 --> 00:46:55,920 Come on. 778 00:46:56,760 --> 00:46:58,400 Oh! 779 00:46:58,560 --> 00:47:00,320 How beautiful he is! 780 00:47:00,480 --> 00:47:02,760 How beautiful he is, how beautiful he is! 781 00:47:02,920 --> 00:47:03,920 Little laugh from the doctor 782 00:47:04,080 --> 00:47:06,720 This one, I'm saving it for the faculty. 783 00:47:06,880 --> 00:47:08,240 - Doctor? 784 00:47:11,320 --> 00:47:12,560 - Mr. Prefect. 785 00:47:15,560 --> 00:47:18,360 - I read the report of your first observations. 786 00:47:19,280 --> 00:47:20,520 - Yes. 787 00:47:20,680 --> 00:47:23,440 I... I don't have still had time... 788 00:47:23,600 --> 00:47:25,560 to carry out the toxicological analysis, 789 00:47:25,720 --> 00:47:28,640 {\an3}but the exam of the painter's organs reveals... 790 00:47:28,800 --> 00:47:30,920 {\an1}- The cause of death is obvious. 791 00:47:32,160 --> 00:47:35,400 - Absolutely: strangulation, asphyxiation. 792 00:47:35,560 --> 00:47:39,200 - GOOD. In this case, I wonder on a procedural point. 793 00:47:39,360 --> 00:47:40,360 When the cause 794 00:47:40,520 --> 00:47:41,880 of death is evident, 795 00:47:42,040 --> 00:47:46,560 the state of health of the victim is not necessarily relevant. 796 00:47:47,480 --> 00:47:48,880 - Not necessarily, no. 797 00:47:49,040 --> 00:47:52,280 However, if the victim had a damaged cerebellum 798 00:47:52,440 --> 00:47:55,200 by syphilis, it would be... - Interesting 799 00:47:55,360 --> 00:47:58,680 to determine one's morality and his way of life, no doubt. 800 00:47:59,520 --> 00:48:03,560 But you are not legally obliged to mention it. 801 00:48:04,440 --> 00:48:05,440 - No. 802 00:48:07,000 --> 00:48:08,960 Not legally, no. - GOOD. 803 00:48:09,120 --> 00:48:10,240 - My professional ethics... 804 00:48:10,400 --> 00:48:12,160 - Is above all suspicion. 805 00:48:14,360 --> 00:48:15,560 Thank you. 806 00:48:16,960 --> 00:48:17,960 - Considering the condition 807 00:48:18,120 --> 00:48:19,720 {\an3}of his brain, 808 00:48:19,880 --> 00:48:23,240 this man was mad... as hell. 809 00:48:24,000 --> 00:48:25,720 - I want to believe you. 810 00:48:28,240 --> 00:48:30,240 Suspense music 811 00:48:30,400 --> 00:49:14,160 {\an1}... 812 00:49:14,320 --> 00:49:15,880 - This woman is guilty. 813 00:49:19,440 --> 00:49:20,840 Everyone knows it. 814 00:49:21,600 --> 00:49:23,760 What are you waiting for to make her stop? 815 00:49:26,680 --> 00:49:28,520 - Evidence, to begin with. 816 00:49:30,320 --> 00:49:32,400 Not baseless rumors. 817 00:49:33,880 --> 00:49:37,280 - The term “foundation” is well chosen. 818 00:49:39,280 --> 00:49:41,880 At Steinheil, we often entered from behind. 819 00:49:44,320 --> 00:49:47,720 The more you cover it, the more people will suspect you. 820 00:49:48,680 --> 00:49:51,280 - And if we accuse her, she will speak. 821 00:49:51,440 --> 00:49:53,640 - From whom? Of his lovers? From you? 822 00:49:54,520 --> 00:49:55,520 Never mind. 823 00:49:55,680 --> 00:49:57,840 She is too dirty so that we believe it. 824 00:49:59,400 --> 00:50:02,800 She will drop the names she wants, the consensus will be the same. 825 00:50:02,960 --> 00:50:05,200 Pompe Funèbre is a whore. 826 00:50:06,240 --> 00:50:07,560 A murderer. 827 00:50:08,480 --> 00:50:09,880 She says anything. 828 00:50:14,560 --> 00:50:16,320 - What if she is innocent? 829 00:50:17,160 --> 00:50:18,840 Thunder 830 00:50:19,000 --> 00:50:22,200 The woman laughs. ... 831 00:50:22,360 --> 00:50:30,800 ... ... 832 00:50:30,960 --> 00:50:35,880 Thunder 833 00:50:38,160 --> 00:50:39,760 Howls 834 00:50:39,920 --> 00:50:52,040 ... ... 835 00:50:52,200 --> 00:50:56,280 Thunder and rain 836 00:50:56,440 --> 00:51:16,960 ... 837 00:51:17,120 --> 00:51:18,120 - Mom! 838 00:51:19,240 --> 00:51:20,880 - Shh... 839 00:51:22,560 --> 00:51:24,840 There's someone in my room. 840 00:51:25,000 --> 00:51:28,720 Sobbing 841 00:51:28,880 --> 00:51:33,800 Heavy steps on the stairs 842 00:51:34,720 --> 00:51:35,760 Cries of fear 843 00:51:35,920 --> 00:51:36,960 - Remy! - Yes ? 844 00:51:37,120 --> 00:51:38,560 - Search the house. 845 00:51:39,280 --> 00:51:40,360 - Heard. 846 00:51:42,520 --> 00:51:45,560 - He's here. He is here. He's going to kill us. 847 00:51:45,720 --> 00:51:48,600 Thunder and rain 848 00:51:48,760 --> 00:51:50,760 Suspense music 849 00:51:50,920 --> 00:51:55,360 {\an1}... ... 850 00:51:55,520 --> 00:51:57,960 He's here! He's here! He's going to kill us! 851 00:51:58,120 --> 00:51:59,760 He's going to kill us! 852 00:52:02,480 --> 00:52:08,120 {\an1}... ... 853 00:52:08,280 --> 00:52:10,120 Squeaking and slamming doors 854 00:52:13,720 --> 00:52:15,560 - Is anyone there? 855 00:52:16,200 --> 00:52:17,640 - I'm calling a doctor. 856 00:52:18,960 --> 00:52:21,200 - Stay with me. Stay with me. 857 00:52:21,840 --> 00:52:22,960 {\an3}- I'm coming. 858 00:52:23,120 --> 00:52:25,120 Serious music 859 00:52:25,280 --> 00:52:32,000 {\an1}... 860 00:52:32,360 --> 00:52:33,520 - Is anyone there? 861 00:52:33,680 --> 00:52:35,680 Thunder 862 00:52:35,840 --> 00:52:53,360 {\an1}... ... 863 00:52:53,520 --> 00:52:55,520 Suspense music 864 00:52:55,680 --> 00:53:01,000 {\an1}... 865 00:53:01,560 --> 00:53:03,040 - Doctor Acheray? 866 00:53:03,200 --> 00:53:05,760 Come quickly. It's mom. She feels bad. 867 00:53:09,200 --> 00:53:11,200 Rain 868 00:53:11,360 --> 00:53:36,360 {\an1}... ... 869 00:53:38,560 --> 00:53:40,480 - I have to find someone to blame. 870 00:53:43,000 --> 00:53:44,760 I have to find someone to blame. 871 00:53:45,840 --> 00:53:47,480 I have to find someone to blame. 872 00:53:47,640 --> 00:53:49,640 {\an1}... 873 00:53:49,800 --> 00:53:51,800 Thunder 874 00:53:51,960 --> 00:54:00,400 {\an1}... ... 875 00:54:00,560 --> 00:54:20,480 {\an1}... 876 00:54:20,640 --> 00:54:24,200 - “Night of terror, of crime and mystery! 877 00:54:24,360 --> 00:54:27,240 "Is the widow a survivor or an accomplice?” 878 00:54:27,400 --> 00:54:29,720 Buy “The Morning” and you will know everything! 879 00:54:29,880 --> 00:54:31,440 - Tomorrow, in "Le Matin"... 880 00:54:31,600 --> 00:54:34,440 - “Night of terror, of crime and mystery." 881 00:54:34,600 --> 00:54:37,600 Several newspaper sellers shout the same thing. 882 00:54:37,760 --> 00:54:56,760 ... 883 00:55:02,880 --> 00:55:06,720 TELETEXT SUBTITLE LYSI MEDIA