1
00:00:01,000 --> 00:00:04,680
SEPT 2

2
00:00:06,240 --> 00:00:07,960
Production OFFICE

3
00:00:12,760 --> 00:00:14,840
It's not really a contract.

4
00:00:14,920 --> 00:00:19,320
It's a kind of insurance
for us to ensure that,

5
00:00:19,400 --> 00:00:21,880
if you get hurt,
we never met.

6
00:00:21,960 --> 00:00:25,360
We don't know you.
We are not responsible. He understands?

7
00:00:30,200 --> 00:00:33,120
These are this week's paychecks.

8
00:00:33,200 --> 00:00:34,840
These aren't for me, right?

9
00:00:34,920 --> 00:00:39,200
Exactly, but you still sign them.
Then return them to me.

10
00:00:40,640 --> 00:00:43,960
It's a tough world, boy.
What can you do?

11
00:00:46,320 --> 00:00:48,080
{\an8}<i>We're up to our necks in this shit.</i>

12
00:00:48,680 --> 00:00:49,800
But you knew that.

13
00:00:49,880 --> 00:00:51,200
- Yes.
- That's right.

14
00:00:51,280 --> 00:00:53,520
Lastly, the most important thing.

15
00:00:53,600 --> 00:00:56,160
This is your resignation letter.

16
00:00:57,920 --> 00:00:59,880
Don't look at me like that!

17
00:00:59,960 --> 00:01:02,160
- Is Corinna ready?
- I don't know.

18
00:01:02,920 --> 00:01:04,880
Sign without the date.

19
00:01:05,800 --> 00:01:09,440
For when we no longer need you,
we can put the date,

20
00:01:09,520 --> 00:01:10,760
Thank you and bye.

21
00:01:17,080 --> 00:01:19,680
<i>Contract? These children today.</i>

22
00:01:19,760 --> 00:01:23,000
What contract? You need passion.

23
00:01:30,840 --> 00:01:32,360
ALESSANDRO
the intern

24
00:01:34,600 --> 00:01:35,800
{\an8}CORINNA
the star

25
00:01:35,880 --> 00:01:37,360
{\an8}ARIANNA
the assistant director

26
00:01:40,720 --> 00:01:42,120
{\an8}ITALA
the script supervisor

27
00:01:44,200 --> 00:01:45,400
{\an8}GLORY
the makeup artist

28
00:01:47,360 --> 00:01:48,360
{\an8}STANIS
the celebrity

29
00:01:52,240 --> 00:01:53,960
{\an8}REN� 
the director

30
00:01:56,200 --> 00:01:57,640
{\an8}LOPEZ
the channel executive

31
00:02:02,240 --> 00:02:04,040
{\an8}DUCCIO
the director of photography

32
00:02:04,120 --> 00:02:05,680
{\an8}BIASTIC
the chief electrician

33
00:02:09,280 --> 00:02:10,800
{\an8}SERGIO
the production manager

34
00:02:11,560 --> 00:02:12,960
{\an8}LORENZO
the slave

35
00:02:35,760 --> 00:02:37,320
{\an8}Look how beautiful this is!

36
00:02:40,400 --> 00:02:42,160
{\an8}Look how wonderful it is!

37
00:02:44,040 --> 00:02:45,640
{\an8}What a magical world!

38
00:02:46,440 --> 00:02:49,120
{\an8} It's so exciting to be here!

39
00:02:50,000 --> 00:02:52,160
{\an8}One day, I will be a great director

40
00:02:53,280 --> 00:02:55,960
and all of this will depend on me.

41
00:02:58,400 --> 00:03:01,320
It's a sign of destiny to be here.

42
00:03:01,400 --> 00:03:03,760
One day, everyone will respect me

43
00:03:03,840 --> 00:03:06,720
because I will be a great director.

44
00:03:08,120 --> 00:03:10,280
A great director!

45
00:03:11,400 --> 00:03:14,680
A great director!

46
00:03:19,960 --> 00:03:25,320
But now bring me a coffee,
or none of this will come true.

47
00:03:26,280 --> 00:03:30,320
- Do you want a coffee?
- A slightly larger dose of espresso coffee.

48
00:03:43,240 --> 00:03:46,480
It's been clear since yesterday
who can't do anything. Right?

49
00:03:46,560 --> 00:03:47,560
Well, I...

50
00:03:47,640 --> 00:03:49,000
Stay with the actors today.

51
00:03:49,080 --> 00:03:52,000
Bring them coffee,
pizza, water, whatever you need.

52
00:03:52,080 --> 00:03:54,080
- Right.
- You talk too much.

53
00:03:54,960 --> 00:03:58,920
- Orlando Serpentieri will be here today.
- Really? Orlando Serpentieri?

54
00:03:59,000 --> 00:04:00,640
Is he in <i>The Eyes of My Heart?</i>

55
00:04:00,720 --> 00:04:03,960
I saw him last week at the theater.
He was an incredible Macbeth.

56
00:04:04,040 --> 00:04:07,520
Fascinating. See if Stanis and Corinna
they need something.

57
00:04:07,600 --> 00:04:11,120
Just one thing. Corinna thinks I am
a critic of <i>La Repubblica.</i>

58
00:04:11,200 --> 00:04:13,400
Antonio Di Pollina from <i>Repubblica</i>.

59
00:04:13,480 --> 00:04:15,040
Is a journalist here?

60
00:04:15,120 --> 00:04:17,840
- Are you Di Pollina?
- If you want.

61
00:04:17,920 --> 00:04:19,000
Let's be informal.

62
00:04:19,080 --> 00:04:21,560
No! She will definitely recognize me!

63
00:04:23,000 --> 00:04:25,080
This is Alessandro. He's all yours.

64
00:04:33,840 --> 00:04:35,280
We've met before, right?

65
00:04:39,680 --> 00:04:40,720
In Capri?

66
00:04:42,680 --> 00:04:44,560
Yes, in Capri.

67
00:04:46,920 --> 00:04:48,000
Liar.

68
00:04:52,680 --> 00:04:53,880
It was in Cortina.

69
00:04:55,520 --> 00:04:58,320
Okay, I just wanted to see if you remembered.

70
00:05:13,080 --> 00:05:16,440
Excuse me, can you tell me
How do these coffee makers work?

71
00:05:16,920 --> 00:05:18,120
Conductor!

72
00:05:18,200 --> 00:05:20,480
- I can make one for you!
- No, please.

73
00:05:20,560 --> 00:05:23,560
Explain to me
so I can finally learn.

74
00:05:23,640 --> 00:05:25,240
It's simple.

75
00:05:25,320 --> 00:05:29,200
You open this,
insert the capsule and close it.

76
00:05:30,200 --> 00:05:32,320
Put this down. And here it is.

77
00:05:33,160 --> 00:05:35,960
- I'm Orlando.
- A pleasure. I'm Alessandro.

78
00:05:36,640 --> 00:05:39,920
- Can you give me a hand?
- Of course, sorry.

79
00:05:49,240 --> 00:05:52,360
- "Grandma, please tell me what to do."
- Yes. And I say:

80
00:05:52,440 --> 00:05:53,600
THE EYES OF MY HEART 2

81
00:05:53,680 --> 00:05:59,920
"Freedom is recognizing
your own chains..."

82
00:06:00,400 --> 00:06:04,320
Don't tell me.
"And the countess's ring is the symbol of that."

83
00:06:04,400 --> 00:06:06,720
- "Thank you, grandma." Thanks.
- You're welcome.

84
00:06:08,680 --> 00:06:11,600
You're not a fish, Boris.
You are a genius!

85
00:06:12,680 --> 00:06:16,360
What? Tell me. Talk to Dad, Boris.

86
00:06:16,440 --> 00:06:19,200
Nemo? Nemo sucks, of course!

87
00:06:19,280 --> 00:06:21,240
- Arianna!
- Tell me, Ren�.

88
00:06:21,320 --> 00:06:23,120
I want to energize everyone today.

89
00:06:23,200 --> 00:06:25,000
We must give our all.

90
00:06:25,080 --> 00:06:27,880
If I hear a person
speaking ill of this production,

91
00:06:27,960 --> 00:06:30,320
I'm going to fire her. Did you understand? There.

92
00:06:30,400 --> 00:06:33,480
Go! Everyone must be sharp!
Come on, you can do it!

93
00:06:33,560 --> 00:06:35,160
The dialogue is terrible.

94
00:06:36,480 --> 00:06:38,040
How can you go from Macbeth

95
00:06:38,120 --> 00:06:40,800
for grandpa Alberto
from <i>The Eyes of My Heart 2?</i>

96
00:06:40,880 --> 00:06:44,600
The answer is quite simple.
I have a mortgage.

97
00:06:44,680 --> 00:06:48,440
By the way, kid.
I need to ask you a favor.

98
00:06:48,520 --> 00:06:50,760
I found out about this paper five days ago,

99
00:06:50,840 --> 00:06:54,760
but, frankly,
I didn't have time to read anything.

100
00:06:54,840 --> 00:06:58,600
Could you explain to me
What's with that ring?

101
00:07:00,080 --> 00:07:03,360
It's my second day,
So I don't know much either.

102
00:07:03,440 --> 00:07:05,760
But I can call
to the assistant director, Arianna.

103
00:07:05,840 --> 00:07:10,640
No. Technically,
I've had the script for a while.

104
00:07:11,560 --> 00:07:13,600
But there were like ten encyclopedias,

105
00:07:13,680 --> 00:07:16,440
each one hundred minutes long,
to read in three days.

106
00:07:16,520 --> 00:07:19,600
And, frankly,
I'm too old for that.

107
00:07:19,680 --> 00:07:23,440
So you can find out for me

108
00:07:23,520 --> 00:07:26,720
What is this script about?

109
00:07:26,800 --> 00:07:28,600
Discreetly, of course.

110
00:07:28,680 --> 00:07:31,640
- Okay, I'll try.
- Try.

111
00:07:32,600 --> 00:07:33,600
Try.

112
00:07:40,760 --> 00:07:43,480
- I don't know. I wanted...
- Should I move something?

113
00:07:46,440 --> 00:07:47,680
Come here.

114
00:07:48,680 --> 00:07:51,200
- Listen, did you like it?
- From what?

115
00:07:51,760 --> 00:07:56,400
All. This series. This big
love story. Did you like it?

116
00:07:56,480 --> 00:08:00,600
Yes, it all seems very...

117
00:08:01,800 --> 00:08:04,000
But I also want to understand the plot.

118
00:08:04,840 --> 00:08:07,160
In general terms, what is it about?

119
00:08:08,880 --> 00:08:13,600
<i>The Eyes of My Heart</i> is about...

120
00:08:14,760 --> 00:08:20,480
It penetrates the human soul,
and we must believe her!

121
00:08:20,560 --> 00:08:21,560
Yes.

122
00:08:24,440 --> 00:08:26,680
- I just wanted...
- Out! Get out.

123
00:08:36,920 --> 00:08:37,920
DRESSING ROOM

124
00:08:38,000 --> 00:08:39,000
Come in.

125
00:08:40,760 --> 00:08:41,920
Did you discover anything?

126
00:08:42,360 --> 00:08:45,320
Who am I? Why do they call me "Grandma"?

127
00:08:45,400 --> 00:08:48,320
They're not even related. What did you discover?

128
00:08:48,400 --> 00:08:50,760
Sorry, but I don't know anything yet.

129
00:08:50,840 --> 00:08:52,360
People will start saying

130
00:08:52,440 --> 00:08:55,640
that I'm a snob and that I think I'm superior.

131
00:08:55,720 --> 00:08:59,840
At least tell me about the damn ring.
Find out for me, please. I beg you.

132
00:08:59,920 --> 00:09:02,560
- Yes, I'll find out.
- Do it.

133
00:09:13,240 --> 00:09:14,280
SET 1

134
00:09:14,360 --> 00:09:15,560
Mrs. Itala?

135
00:09:17,920 --> 00:09:21,240
"Madam"? Call me Itala.

136
00:09:21,320 --> 00:09:23,600
Excuse me, can I ask you a favor?

137
00:09:23,680 --> 00:09:26,160
- Don't be so formal.
- Thanks.

138
00:09:26,240 --> 00:09:27,680
- Honey.
- Thanks.

139
00:09:27,760 --> 00:09:28,760
What it was?

140
00:09:28,840 --> 00:09:32,240
Please can you explain to me,
even if in general,

141
00:09:32,320 --> 00:09:34,760
the story of <i>The Eyes of My Heart?</i>

142
00:09:34,840 --> 00:09:36,760
It's beautiful.

143
00:09:37,560 --> 00:09:40,960
You must know from the previous story,
that the count

144
00:09:41,040 --> 00:09:43,000
he had left everything to Giulia.

145
00:09:43,960 --> 00:09:45,320
But...

146
00:09:46,560 --> 00:09:48,240
- Did someone send you?
- No.

147
00:09:48,320 --> 00:09:51,480
They complained about my work
and they sent you to probe me.

148
00:09:51,560 --> 00:09:53,360
They have a lot of courage.

149
00:09:53,440 --> 00:09:58,400
Tell your friends I won't give in.
I will never leave.

150
00:09:58,480 --> 00:10:00,720
Go tell them that, you disgusting spy!

151
00:10:00,800 --> 00:10:02,800
Skirt! Go!

152
00:10:06,960 --> 00:10:09,680
<i>Just a few minutes,
and we'll be ready to shoot.</i>

153
00:10:09,760 --> 00:10:10,880
I saw how you do it.

154
00:10:10,960 --> 00:10:14,480
I really like. I like the approach
where he seems lost. It works.

155
00:10:14,560 --> 00:10:17,560
And pretend you don't know about the ring
seems like a great idea.

156
00:10:17,640 --> 00:10:19,480
Well done, Maestro. Keep going!

157
00:10:19,560 --> 00:10:21,680
The joy of life!

158
00:10:26,440 --> 00:10:27,480
Between.

159
00:10:51,880 --> 00:10:53,520
<i>It's all a bit mysterious.</i>

160
00:10:55,000 --> 00:10:56,440
Anyway, the story turns

161
00:10:56,520 --> 00:11:00,400
obsessively around
from a clinic where there are three families.

162
00:11:00,480 --> 00:11:03,960
One of the good rich, one of the bad rich,

163
00:11:04,040 --> 00:11:07,080
and one of poor people
which is a little good and a little bad.

164
00:11:14,720 --> 00:11:16,800
What does the ring represent? Whose is it?

165
00:11:17,880 --> 00:11:20,640
Only God knows whose ring it is.

166
00:11:51,400 --> 00:11:54,680
Come on, let's record.
There is a lot of positive energy today! Let's go!

167
00:11:54,760 --> 00:11:57,040
But, Ferretti,
shouldn't we practice first?

168
00:11:57,120 --> 00:11:59,040
- No!
- But we never did it together.

169
00:11:59,120 --> 00:12:01,000
No, Maestro. Let's just film it.

170
00:12:01,080 --> 00:12:03,200
If it's not good, we'll remake it. All good?

171
00:12:03,280 --> 00:12:04,640
Camera!

172
00:12:06,000 --> 00:12:07,080
Rolling!

173
00:12:08,760 --> 00:12:10,000
First take, 627.

174
00:12:11,600 --> 00:12:14,560
And, action!

175
00:12:16,760 --> 00:12:17,760
Giulia,

176
00:12:19,680 --> 00:12:21,680
Don't you realize

177
00:12:22,320 --> 00:12:24,840
that if you don't return
that damn ring,

178
00:12:25,440 --> 00:12:26,680
Will you ever be free?

179
00:12:26,760 --> 00:12:30,160
Giorgio, I don't care anymore
with freedom.

180
00:12:30,240 --> 00:12:31,520
But this is absurd!

181
00:12:33,240 --> 00:12:36,560
You cannot give in to blackmail
of the treacherous Dr. Randelli!

182
00:12:38,360 --> 00:12:41,440
It's absurd. Yes, it's absurd.

183
00:12:42,080 --> 00:12:44,360
But aren't you listening?

184
00:12:46,000 --> 00:12:48,240
<i>Think about what they just said.</i>

185
00:12:48,320 --> 00:12:53,040
<i>You said you don't care anymore
with freedom.</i>

186
00:12:53,120 --> 00:12:58,960
And you appointed Dr. Randelli, right?

187
00:12:59,040 --> 00:13:04,800
- Yes.
- The man has an old debt with me.

188
00:13:06,840 --> 00:13:10,160
Cut! I need 30 seconds. Conductor!

189
00:13:10,280 --> 00:13:12,280
- One moment, please?
- Certainly.

190
00:13:12,960 --> 00:13:15,480
- Come.
- Is something wrong?

191
00:13:15,560 --> 00:13:19,000
No, it's okay.
You're great. I really liked.

192
00:13:19,880 --> 00:13:25,640
This thing about being lost,
As I said before, it's good.

193
00:13:25,720 --> 00:13:30,920
The only thing is to try to loosen it up a little.

194
00:13:31,000 --> 00:13:33,240
- Release.
- Release what?

195
00:13:33,320 --> 00:13:37,120
The character, Serpentieri.
Loosen it a little.

196
00:13:37,240 --> 00:13:41,040
Did you see the difference
between you and the other two actors?

197
00:13:41,120 --> 00:13:44,760
Yes, there was a difference.
Let's say it was generational.

198
00:13:44,840 --> 00:13:48,480
Exactly! You make them look bad.

199
00:13:49,520 --> 00:13:52,400
Try to loosen up. Did you understand?
Think about something else.

200
00:13:52,480 --> 00:13:55,680
Think about your home,
wife, groceries, the weather.

201
00:13:55,760 --> 00:13:57,960
Do this, if I may say so,

202
00:13:58,760 --> 00:14:00,360
so it looks effortless.

203
00:14:01,440 --> 00:14:05,760
Have you seen Corinna and Stanis?
Exactly like them. Effortlessly.

204
00:14:06,400 --> 00:14:07,400
And it works, right?

205
00:14:07,480 --> 00:14:12,120
Forgive me, Ferretti,
but this request seems very strange.

206
00:14:12,560 --> 00:14:15,160
No effort, Maestro.
I'm counting on you.

207
00:14:15,240 --> 00:14:16,760
So, shall we redo the shot?

208
00:14:16,840 --> 00:14:18,120
No, that was great.

209
00:14:18,240 --> 00:14:19,760
Now, let's do the close-ups,

210
00:14:19,840 --> 00:14:22,120
and during close-ups, don't strain yourself.

211
00:14:22,800 --> 00:14:25,000
Come on, let's go. Camera!

212
00:14:27,200 --> 00:14:28,400
Rolling!

213
00:14:29,560 --> 00:14:31,680
Second take, 627!

214
00:14:35,880 --> 00:14:36,880
Action!

215
00:14:41,280 --> 00:14:42,480
A ring,

216
00:14:43,200 --> 00:14:46,480
even if it means a lot to you,
as you say,

217
00:14:46,560 --> 00:14:48,120
can't ruin your life.

218
00:14:49,160 --> 00:14:52,440
Cut! If it's good for the camera,
It's fine with me.

219
00:14:53,160 --> 00:14:55,000
Can we take a break, gentlemen.

220
00:14:56,480 --> 00:14:57,480
Thanks.

221
00:14:57,560 --> 00:15:01,120
No, please don't be so formal.
I think this must be theater.

222
00:15:01,200 --> 00:15:04,480
Because it really seems
that you don't know anything about the ring.

223
00:15:04,560 --> 00:15:06,320
It's impressive.

224
00:15:06,400 --> 00:15:09,280
- I'm going to have to do a little theater.
- Where is the theater?

225
00:15:09,360 --> 00:15:11,280
There is one on Epidaurus.

226
00:15:11,920 --> 00:15:14,400
Conductor? If I may.

227
00:15:15,440 --> 00:15:20,560
There is still the small problem
that I mentioned before. No, later.

228
00:15:21,480 --> 00:15:25,560
Try to understand, Ferretti, what is
Asking me is simply absurd.

229
00:15:25,640 --> 00:15:27,320
Listen, Master.

230
00:15:28,200 --> 00:15:30,840
I have power over the script.

231
00:15:30,920 --> 00:15:35,120
If I say your character works,
they will develop it.

232
00:15:35,200 --> 00:15:37,440
Otherwise, it ends here.
Just like that.

233
00:15:38,080 --> 00:15:42,160
It's obvious that if you're here,
It means you need that role.

234
00:15:42,240 --> 00:15:43,520
Think about it, Maestro.

235
00:15:43,600 --> 00:15:46,680
Release Grandpa Alberto. Release him!

236
00:15:46,760 --> 00:15:49,560
- Effortlessly?
- Effortless.

237
00:16:01,840 --> 00:16:03,360
Conductor. Are you okay?

238
00:16:03,440 --> 00:16:05,560
Yes. And you? Did you discover anything?

239
00:16:05,640 --> 00:16:06,720
Yes, a little.

240
00:16:09,440 --> 00:16:13,640
- It's all a bit confusing, though...
- Maestro, what are you doing there?

241
00:16:13,720 --> 00:16:18,160
- Come join us!
- Don't worry. I'm right here.

242
00:16:18,240 --> 00:16:22,360
Not really. What are you doing
What about so-and-so? Come here.

243
00:16:22,440 --> 00:16:26,840
Stanis La Rochelle is talking badly
of you. Isn't that right?

244
00:16:26,920 --> 00:16:28,040
- How boring!
- He comes!

245
00:16:28,120 --> 00:16:30,120
I'll be back as soon as I can.

246
00:16:30,200 --> 00:16:33,160
Maybe the Maestro is gay.

247
00:16:35,840 --> 00:16:36,840
Bi?

248
00:16:38,960 --> 00:16:42,680
I think the choice you made is very brave.
to follow the theater.

249
00:16:42,760 --> 00:16:46,840
Very brave indeed.
Almost incomprehensible, if I may say so.

250
00:16:46,920 --> 00:16:48,480
Can I say this? I will say.

251
00:16:48,560 --> 00:16:52,480
I'm crazy, like you,
and I know this because we are similar.

252
00:16:52,560 --> 00:16:54,600
I need to do theater.
I was talking to Ren�.

253
00:16:54,680 --> 00:16:57,000
Sooner or later, I'll accept it.
I can feel it.

254
00:16:57,960 --> 00:17:00,400
- You're doing <i>Macbeth</i> now, right?
- Yes.

255
00:17:01,120 --> 00:17:03,440
But can I tell you something just between us?

256
00:17:03,520 --> 00:17:07,000
Lately, I've been feeling like Shakespeare

257
00:17:07,080 --> 00:17:09,080
It's a little, how can I say?

258
00:17:09,440 --> 00:17:10,840
He's a little too Italian.

259
00:17:10,920 --> 00:17:12,160
I don't know if...

260
00:17:12,240 --> 00:17:13,840
- �.
- It saw?

261
00:17:20,440 --> 00:17:21,440
I understand.

262
00:17:23,320 --> 00:17:25,640
This is all a little tiring, isn't it?

263
00:17:26,160 --> 00:17:30,000
Don't even tell me, Maestro. I'm exhausted.

264
00:17:34,520 --> 00:17:35,960
Want something to cheer you up?

265
00:17:42,120 --> 00:17:43,120
Why not?

266
00:17:45,800 --> 00:17:47,840
I dropped the ball yesterday.

267
00:17:47,920 --> 00:17:51,800
A friend convinced me to buy
a fishing boat for 30 thousand euros.

268
00:17:51,880 --> 00:17:55,480
He says it's a good deal,
but I already regret it.

269
00:17:55,560 --> 00:17:59,440
Because I have some business
at fish auction in Sicily.

270
00:17:59,520 --> 00:18:01,960
But this boat thing
seems like a stupid idea.

271
00:18:03,920 --> 00:18:07,440
The point is that I am someone
who follows his instincts.

272
00:18:11,600 --> 00:18:13,680
Forgive me. Feel free.

273
00:18:13,760 --> 00:18:16,640
In fact, this ring...

274
00:18:18,840 --> 00:18:19,880
What ring?

275
00:18:21,200 --> 00:18:22,960
Did you also make a bad deal?

276
00:18:24,480 --> 00:18:26,480
I'm starting to think like this.

277
00:18:33,280 --> 00:18:35,440
Maestro, I'm waiting
a change of style,

278
00:18:35,520 --> 00:18:37,840
- as we discussed.
- Of course.

279
00:18:37,920 --> 00:18:39,440
Excuse me for a second.

280
00:18:39,520 --> 00:18:41,800
- Remember that we are already going to film.
- Yes.

281
00:18:42,920 --> 00:18:43,920
What's up?

282
00:18:44,000 --> 00:18:47,160
Giulia, that is, Corinna,
inherited the clinic.

283
00:18:47,240 --> 00:18:52,040
- But the Count stole half.
- No, tell me about the ring.

284
00:18:52,160 --> 00:18:56,680
- The ring must be in your pocket.
- In my pocket?

285
00:19:07,000 --> 00:19:08,000
Conductor?

286
00:19:08,600 --> 00:19:09,800
I am going!

287
00:19:15,960 --> 00:19:16,960
Now, gentlemen,

288
00:19:17,040 --> 00:19:20,080
in the following scene, the one we are filming,

289
00:19:20,160 --> 00:19:25,920
we have Giulia and Giorgio,

290
00:19:26,000 --> 00:19:28,920
who leave their grandfather alone.

291
00:19:29,600 --> 00:19:33,000
The camera slowly approaches.

292
00:19:37,800 --> 00:19:38,920
It was easy, right?

293
00:19:39,880 --> 00:19:42,240
A slightly larger dose of espresso.

294
00:19:43,280 --> 00:19:46,360
- Sorry, the coffee...
- No.

295
00:19:47,080 --> 00:19:50,400
Don't say anything. I know you understand.

296
00:19:57,600 --> 00:20:03,920
The grandfather takes the ring.
Look at him. Talk to him.

297
00:20:06,680 --> 00:20:08,880
We know exactly where the ring is from, yes?

298
00:20:08,960 --> 00:20:10,440
For sure!

299
00:20:10,520 --> 00:20:12,360
And then, we cut!

300
00:20:15,240 --> 00:20:18,040
- And, cameras!
- Rolling!

301
00:20:19,120 --> 00:20:21,400
And, action!

302
00:20:22,440 --> 00:20:26,400
Grandma Alberto, I'm going to talk to the count.

303
00:20:26,480 --> 00:20:30,360
Giulia, please
wait at least until tomorrow.

304
00:20:31,280 --> 00:20:34,920
Grandma Alberto said
that perhaps there is another solution.

305
00:20:36,920 --> 00:20:39,760
See you tomorrow, Grandma Alberto. Giulia.

306
00:20:40,640 --> 00:20:42,160
See you soon, Grandma Alberto.

307
00:20:50,920 --> 00:20:51,960
<i>Count,</i>

308
00:20:54,520 --> 00:20:56,400
<i>I will not allow you</i>

309
00:20:57,080 --> 00:20:59,880
<i>do my granddaughter</i>

310
00:21:01,280 --> 00:21:02,760
<i>unhappy again.</i>

311
00:21:03,880 --> 00:21:05,280
Not this time!

312
00:21:15,880 --> 00:21:17,480
Cut!

313
00:21:17,560 --> 00:21:19,440
Good. That was good.

314
00:21:19,520 --> 00:21:22,800
Very good. Congratulations, Maestro.

315
00:21:22,880 --> 00:21:26,960
Very good. My sincere greetings.
I congratulate you.

316
00:21:27,040 --> 00:21:29,880
Ladies and gentlemen, I suggest we give

317
00:21:29,960 --> 00:21:34,280
a big round of applause
to our Maestro, Orlando Serpentieri.

318
00:21:34,360 --> 00:21:37,880
- And welcome to The <i>Eyes of My Heart!</i>
- Bravo!

319
00:21:40,440 --> 00:21:41,880
Yes! I knew!

320
00:21:41,960 --> 00:21:45,160
- I knew you wouldn't betray me!
- Finally! There she is!

321
00:21:45,240 --> 00:21:48,520
No, it's the accountant
with the week's payment.

322
00:21:48,600 --> 00:21:50,200
You understand. They are young.

323
00:21:50,280 --> 00:21:51,840
Is that the woman with our payment?

324
00:21:51,920 --> 00:21:53,920
- Yes.
- Excuse me for a moment.

325
00:21:54,600 --> 00:21:57,080
- Take the table.
- No, it's my turn!

326
00:21:57,160 --> 00:21:59,680
- Guys, calm down!
- Excuse me? I arrived first.

327
00:21:59,760 --> 00:22:01,920
Move for a second.
Lady, come here.

328
00:22:02,000 --> 00:22:03,840
Do it in order.

329
00:22:03,920 --> 00:22:08,240
- First on the list, Gloria.
- There she is!

330
00:22:08,320 --> 00:22:11,040
In second place is Pietra,
third, Pinolo.

331
00:22:11,120 --> 00:22:16,160
Lopez, answer me.
Nothing, this guy never responds.

332
00:22:16,240 --> 00:22:18,040
Come here, Maestro.

333
00:22:20,200 --> 00:22:21,240
Come on.

334
00:22:22,000 --> 00:22:24,680
- Can I?
- Tell me.

335
00:22:26,560 --> 00:22:29,640
Don't you think that Serpentieri,
in this last shot,

336
00:22:30,560 --> 00:22:31,960
Was it worse than before?

337
00:22:33,240 --> 00:22:34,240
Outside!

338
00:22:34,320 --> 00:22:37,640
- I just said that in the last take...
- Out!

339
00:22:37,720 --> 00:22:41,400
Arianna, please Lopez's phone number
is always busy.

340
00:22:41,480 --> 00:22:44,480
- Call him please. It's urgent.
- For what?

341
00:22:45,040 --> 00:22:46,160
Maestro Serpentieri.

342
00:22:47,520 --> 00:22:49,880
He doesn't convince me. He is boring and slow.

343
00:22:49,960 --> 00:22:54,040
Tell him to find one of those men
older people who are a little happier.

344
00:22:54,120 --> 00:22:57,000
- Sorry, but Serpentieri is untouchable.
- Why?

345
00:22:57,680 --> 00:23:01,640
I thought you knew.
The Minister of Culture recommended it.

346
00:23:05,280 --> 00:23:09,080
- Coming soon, in <i>The Eyes of My Heart 2...</i>
- Let me take care of it.

347
00:23:09,160 --> 00:23:13,480
<i>Orlando Serpentieri is Grandpa Alberto</i>
<i>in</i>The Count's Ring.

348
00:23:14,440 --> 00:23:18,160
That man has an old debt with me.

349
00:23:18,240 --> 00:23:19,600
<i>A perfidious blackmail.</i>

350
00:23:19,680 --> 00:23:23,040
That if you don't return
that damn ring, you will never be free!

351
00:23:23,120 --> 00:23:24,520
<i>A doctor's hopes.</i>

352
00:23:25,160 --> 00:23:26,360
I have...

353
00:23:28,400 --> 00:23:29,440
How old I am.

354
00:23:31,080 --> 00:23:33,600
<i>The determination of a great surgeon.</i>

355
00:23:33,680 --> 00:23:37,080
You cannot give in to blackmail
of the treacherous Dr. Randelli!

356
00:23:37,160 --> 00:23:38,520
<i>The mystery of a ring.</i>

357
00:23:38,600 --> 00:23:41,560
Even if it means a lot to you,
as you say,

358
00:23:41,640 --> 00:23:43,040
can't ruin your life.

359
00:23:43,120 --> 00:23:47,360
<i>Don't miss Orlando Serpentieri in the episode:</i>
The Count's Ring.

360
00:23:47,600 --> 00:23:49,040
Not this time!

361
00:23:51,600 --> 00:23:54,960
{\an8}<i>Coming soon in</i>The Eyes of My Heart 2.

362
00:23:55,080 --> 00:23:56,640
It's okay, yes?

363
00:23:56,720 --> 00:23:58,920
- Goodbye.
- See you soon.

364
00:24:01,960 --> 00:24:05,680
So, even the Minister is bi?

365
00:24:39,960 --> 00:24:41,960
Subtitles: Renata Silva