1
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(FILM REEL CLICKING)

2
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Provided by explosiveskull
https://twitter.com/kaboomskull

3
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(UPBEAT PIANO MUSIC)

4
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♪ If I was leaning
on a rainbow ♪

5
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♪ Where stars shine
and moonbeams glow ♪

6
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♪ I could leave my
troubles, forget my woes ♪

7
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♪ If I was leaning
on a rainbow ♪

8
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(HUMMING)

9
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♪ If I was sitting
on top of the world ♪

10
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♪ With fine wine,
diamonds and pearls ♪

11
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♪ Ain't nobody would
bring me down ♪

12
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♪ If I was sitting
on top of the world ♪

13
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(UPBEAT PIANO MUSIC)

14
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CHARLES: <i>Oh.</i>

15
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<i>Uh.</i>

16
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<i>Come on, you blithering idiot.</i>

17
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<i>There's only 26 letters
in the damned alphabet.</i>

18
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<i>All you've gotta do is put
them in the right bloody order.</i>

19
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(SIGHS)

20
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Write something.

21
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Anything.

22
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(SIGHS)

23
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(SOFT LIGHT MUSIC)

24
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(KEYS STRIKING)

25
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(SOFT LIGHT MUSIC)

26
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Right.

27
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Music.

28
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(UPBEAT SWING MUSIC)

29
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Charles.

30
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(SIGHS)

31
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Think.

32
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(UPBEAT SWING MUSIC)

33
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Charles?

34
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Darling?

35
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Charles? They can
hear you in Timbuktu!

36
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(UPBEAT SWING MUSIC)

37
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(NEEDLE SCRATCHES)

38
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(SIGHS)

39
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Much obliged.

40
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(SIGHS)

41
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If you insist on living
like a nocturnal animal,

42
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at least be civil enough
to hide your tracks.

43
00:02:57,219 --> 00:02:58,755
Morning, Edith.

44
00:02:58,788 --> 00:02:59,989
Good morning, ma'am.

45
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Oh, he's finally
gone through with it.

46
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EDITH: Oh yes.
Scandalous, isn't it?

47
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On the contrary, I
think giving up the throne

48
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for love is awfully romantic.

49
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I'll have a grilled grapefruit
and a strong coffee please.

50
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Mr. Condomine's
asked for his eggs

51
00:03:16,639 --> 00:03:17,917
to be brought out
to his study again.

52
00:03:17,941 --> 00:03:19,341
Well, given his
mood, I hope they're

53
00:03:19,374 --> 00:03:21,176
being served sunny side up.

54
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Here we go.

55
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Two soft-boiled eggs.
For William Shakespeare.

56
00:03:30,620 --> 00:03:32,589
And what does Her Majesty
want this morning?

57
00:03:32,622 --> 00:03:34,691
She's sticking to the
Hollywood diet.

58
00:03:34,724 --> 00:03:35,724
Hollywood diet.

59
00:03:37,627 --> 00:03:40,228
It'll take a lot more
than an exotic fruit

60
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to turn her into Greta Garbo.

61
00:03:42,097 --> 00:03:44,067
Oh.

62
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And don't dilly-dally
in the garden, Edith.

63
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He'll only send it back,
if the toast is cold.

64
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(UPBEAT LIGHT MUSIC)

65
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I'm not a bad man.

66
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I mean, yes, I like
to flirt a bit.

67
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And the occasional flutter.

68
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(KNOCKING ON DOOR)

69
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Excuse me, sir.
Your breakfast.

70
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CHARLES: Edith.

71
00:04:30,380 --> 00:04:32,382
Yes, sir?

72
00:04:32,415 --> 00:04:34,884
Would you remind Edna
that the word 'toast'

73
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is derived from
the Latin 'tostare',

74
00:04:38,286 --> 00:04:41,624
meaning 'to scorch' or
'to roast'?

75
00:04:41,658 --> 00:04:46,663
Whereas this... is a
cold, hard piece of bread.

76
00:04:49,132 --> 00:04:50,533
Apologies, sir.

77
00:04:51,366 --> 00:04:52,366
Thank you.

78
00:04:53,569 --> 00:04:55,004
Do you need anything else?

79
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Divine intervention.

80
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(UPBEAT LIGHT MUSIC)

81
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It's wonderfully
patriotic, Harold.

82
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You've really excelled yourself.

83
00:05:06,949 --> 00:05:08,818
And I'm certain the
judges will agree.

84
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(CHARLES SCREAMING)

85
00:05:12,021 --> 00:05:13,122
Oh!

86
00:05:14,924 --> 00:05:17,994
(UPBEAT LIGHT MUSIC)

87
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How was it so easy for you,

88
00:05:28,137 --> 00:05:29,639
my Manhattan muse?

89
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(DOOR CREAKS OPEN)

90
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Charles (CHUCKLES).

91
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You really should be
praying to Cadmus

92
00:05:37,814 --> 00:05:39,482
and not decapitating him.

93
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I'm sorry.

94
00:05:41,283 --> 00:05:44,286
You've been commissioned to
write a 90-page screenplay,

95
00:05:44,319 --> 00:05:46,189
not <i>War and Peace.</i>

96
00:05:47,289 --> 00:05:49,092
I'm at my wits' end.

97
00:05:49,125 --> 00:05:51,165
I just don't understand
how it can be so problematic

98
00:05:51,194 --> 00:05:54,063
to adapt a story that
you've already written.

99
00:05:54,097 --> 00:05:55,297
(SIGHS)

100
00:05:55,330 --> 00:05:56,909
I'm sorry, Charles. I
just don't know how long

101
00:05:56,933 --> 00:05:59,202
I can go on like
this, with you stuck

102
00:05:59,234 --> 00:06:03,606
in an imaginary world and
me alone in the real one.

103
00:06:04,741 --> 00:06:05,741
I miss you.

104
00:06:08,010 --> 00:06:09,010
I miss us.

105
00:06:10,947 --> 00:06:11,947
So do I.

106
00:06:16,284 --> 00:06:19,188
(SOFT FLUTE MUSIC)

107
00:06:20,757 --> 00:06:21,824
Look at that.

108
00:06:24,427 --> 00:06:26,662
Just found it
amongst some papers.

109
00:06:26,696 --> 00:06:29,165
It's sweet of you to
try and spare my feelings.

110
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And a little naive.

111
00:06:31,067 --> 00:06:32,367
Why?

112
00:06:32,401 --> 00:06:34,570
Because you imagine that I
mind you thinking of Elvira.

113
00:06:35,337 --> 00:06:37,272
Well, don't you?

114
00:06:37,305 --> 00:06:41,911
(LAUGHS) No. I'm not in
the least bit jealous of her.

115
00:06:41,944 --> 00:06:43,689
I just wonder if I died,
whether you'd continue

116
00:06:43,713 --> 00:06:45,280
to look at photographs of me.

117
00:06:46,382 --> 00:06:47,382
Darling.

118
00:06:50,285 --> 00:06:51,788
You're not the dying type.

119
00:06:54,490 --> 00:06:55,591
Ha!

120
00:06:55,625 --> 00:06:58,127
He's simply
incorrigible, Violet.

121
00:06:58,161 --> 00:07:01,464
I found him mooning over
pictures of Elvira yesterday.

122
00:07:01,497 --> 00:07:02,765
Elvira?

123
00:07:02,799 --> 00:07:05,300
He's been shirking work
and pining for the ex-wife.

124
00:07:06,636 --> 00:07:07,837
Ah!

125
00:07:07,870 --> 00:07:08,870
Oh!

126
00:07:09,438 --> 00:07:10,540
Game, set and match.

127
00:07:13,209 --> 00:07:16,112
There's really nothing
to feel insecure about.

128
00:07:16,145 --> 00:07:17,613
Elvira may have been
very attractive,

129
00:07:17,647 --> 00:07:19,682
but the poor woman's gone.

130
00:07:19,715 --> 00:07:21,884
As has the spark
in our relationship.

131
00:07:21,918 --> 00:07:23,318
Charles is a man.

132
00:07:23,351 --> 00:07:24,319
You can't expect him to juggle

133
00:07:24,352 --> 00:07:26,155
more than one thing at a time.

134
00:07:26,189 --> 00:07:29,458
My advice... leave him
to worry about the words

135
00:07:29,492 --> 00:07:31,661
and find someone else
to shake your sheets.

136
00:07:32,895 --> 00:07:34,897
Oh come on, don't be a prude.

137
00:07:34,931 --> 00:07:38,100
One must be practical for a
marriage to run the course.

138
00:07:38,134 --> 00:07:39,468
Do you remember
what you learnt

139
00:07:39,502 --> 00:07:41,971
in our last lesson,
Mrs. Bradman?

140
00:07:42,004 --> 00:07:45,708
Strong, firm grip.
How could I forget?

141
00:07:45,741 --> 00:07:48,244
(LIGHT MUSIC)

142
00:07:49,512 --> 00:07:51,013
(CHUCKLING)

143
00:07:53,249 --> 00:07:56,886
So, what seems to be
the trouble, old chap?

144
00:07:56,919 --> 00:07:59,789
Things don't seem to be
flowing as they used to.

145
00:07:59,822 --> 00:08:01,991
Oh.

146
00:08:02,024 --> 00:08:04,002
Name me a wordsmith who
hasn't wrestled with a bout

147
00:08:04,026 --> 00:08:07,530
of writer's block
once in a while, eh.

148
00:08:07,563 --> 00:08:09,599
And the truth is,
it's not just the words

149
00:08:09,632 --> 00:08:10,632
that have dried up.

150
00:08:12,268 --> 00:08:13,769
Hm-hm.

151
00:08:13,803 --> 00:08:15,671
Big Ben's stopped chiming.

152
00:08:17,707 --> 00:08:19,108
Hm.

153
00:08:19,141 --> 00:08:22,178
Mr. Peasbody's
got stage fright.

154
00:08:22,211 --> 00:08:24,447
Oh, you poor fellow.

155
00:08:24,480 --> 00:08:26,415
It's like playing
billiards with a rope.

156
00:08:27,416 --> 00:08:29,919
(PILLS RATTLING)

157
00:08:29,952 --> 00:08:32,255
Try a couple of these.

158
00:08:32,288 --> 00:08:34,323
Should put some
fuel back in your tank.

159
00:08:34,357 --> 00:08:35,291
CHARLES: What are they?

160
00:08:35,324 --> 00:08:36,859
Benzedrine sulfate.

161
00:08:36,893 --> 00:08:39,562
(COUGHS) amphetamine.

162
00:08:39,595 --> 00:08:41,831
Enhances cheerfulness,

163
00:08:41,864 --> 00:08:44,533
alertness, and as
Violet would testify,

164
00:08:44,567 --> 00:08:47,069
does wonders for your libido.

165
00:08:47,103 --> 00:08:49,405
Sounds too good to be
true. Is it habit forming?

166
00:08:49,438 --> 00:08:52,074
No, not at all. Been
using them for years.

167
00:08:52,909 --> 00:08:56,012
(UPBEAT LIGHT MUSIC)

168
00:09:00,283 --> 00:09:01,617
Ah.

169
00:09:01,651 --> 00:09:03,486
Ah, slow down.

170
00:09:03,519 --> 00:09:05,221
Charles, you'll give
us both a coronary.

171
00:09:05,254 --> 00:09:08,257
I've never
felt more alive.

172
00:09:08,291 --> 00:09:09,859
Why? What's happened?

173
00:09:09,892 --> 00:09:11,994
I decided to take your advice

174
00:09:12,028 --> 00:09:13,829
and look on the positives.

175
00:09:13,863 --> 00:09:16,198
Surely it's better
to be up than down.

176
00:09:16,232 --> 00:09:17,476
I just don't want
you to exhaust yourself

177
00:09:17,500 --> 00:09:19,936
before the medium show
at the theater tonight.

178
00:09:19,969 --> 00:09:21,437
Ugh.

179
00:09:21,470 --> 00:09:23,606
Nobody in their right mind
would waste a perfectly

180
00:09:23,639 --> 00:09:25,574
pleasant evening
pretending to be fascinated

181
00:09:25,608 --> 00:09:27,710
by someone holding a
one-way conversation.

182
00:09:28,511 --> 00:09:29,511
- Ah.
- Ah.

183
00:09:31,047 --> 00:09:33,383
(THEATRE BELL RINGS)

184
00:09:33,417 --> 00:09:35,952
ANNOUNCER: <i>Ladies and
gentlemen, please take your seats.</i>

185
00:09:35,985 --> 00:09:39,355
<i>This evening's performance
will commence in two minutes.</i>

186
00:09:39,389 --> 00:09:40,957
Isn't that your cook?

187
00:09:42,325 --> 00:09:44,560
And your maid?

188
00:09:44,593 --> 00:09:47,029
Oh yes. So it is.

189
00:09:47,063 --> 00:09:48,331
Poor Edith.

190
00:09:48,364 --> 00:09:50,132
She's been very taken
with this sort of thing

191
00:09:50,166 --> 00:09:53,836
since she lost her brother
fighting the fascists in Spain.

192
00:09:53,869 --> 00:09:56,372
Primitive superstition
can be very persuasive.

193
00:09:56,406 --> 00:09:58,207
Especially with the
emotionally susceptible.

194
00:09:58,240 --> 00:09:59,809
Hm.

195
00:09:59,842 --> 00:10:03,045
(DRAMATIC SHOW MUSIC)

196
00:10:03,079 --> 00:10:06,248
(AUDIENCE APPLAUDING)

197
00:10:14,590 --> 00:10:16,859
Ladies and gentlemen,

198
00:10:16,892 --> 00:10:19,862
welcome to an evening
that will change

199
00:10:19,895 --> 00:10:23,467
your perceptions of
the world we inhabit.

200
00:10:23,499 --> 00:10:25,634
(AUDIENCE MURMURING)

201
00:10:25,668 --> 00:10:28,170
That will answer, irrefutably,

202
00:10:29,505 --> 00:10:33,075
the question that has
confounded mankind

203
00:10:33,109 --> 00:10:35,044
since the dawn of time.

204
00:10:35,077 --> 00:10:37,613
(DREAMY MUSIC)

205
00:10:38,848 --> 00:10:42,051
Is there life after death?

206
00:10:43,686 --> 00:10:44,488
No.

207
00:10:44,520 --> 00:10:47,089
(DREAMY MUSIC)

208
00:10:52,261 --> 00:10:53,362
There she is.

209
00:10:53,397 --> 00:10:55,965
(DREAMY MUSIC)

210
00:11:03,272 --> 00:11:06,809
Mesdames et messeurs, bonsoir.

211
00:11:09,879 --> 00:11:14,283
From the Great Pyramid
of Cholula in the West

212
00:11:15,519 --> 00:11:19,155
to Mount Taishan in the east,

213
00:11:19,188 --> 00:11:21,757
from Whanganui-a-Tara
in the south

214
00:11:21,791 --> 00:11:23,759
to Uppsala in the north,

215
00:11:24,627 --> 00:11:27,096
I have traveled the globe,

216
00:11:27,129 --> 00:11:31,567
communing with gurus,
swamis and shaman.

217
00:11:32,568 --> 00:11:36,205
These wise sages have guided me

218
00:11:36,238 --> 00:11:39,608
to a deeper dimension

219
00:11:39,642 --> 00:11:44,647
where finally I
experienced an epiphany

220
00:11:44,680 --> 00:11:49,419
and broke through
to the other side.

221
00:11:49,453 --> 00:11:52,721
(DREAMY MUSIC)

222
00:11:52,755 --> 00:11:55,658
(AUDIENCE GASPING)

223
00:11:57,993 --> 00:12:02,532
I am certain that everyone here

224
00:12:02,566 --> 00:12:06,936
has sensed the spirits of
their departed loved ones.

225
00:12:06,969 --> 00:12:09,839
And I am certain we all wish

226
00:12:09,872 --> 00:12:13,543
we could communicate
with them again

227
00:12:13,577 --> 00:12:17,880
to say the things
we never got to say.

228
00:12:17,913 --> 00:12:19,348
- I've got it. Sorry.
- Shh.

229
00:12:19,382 --> 00:12:24,387
Tonight, I will use the
precious mystical gift

230
00:12:26,255 --> 00:12:28,757
to make that possible.

231
00:12:30,059 --> 00:12:31,093
(SHRIEKS)

232
00:12:31,127 --> 00:12:32,795
Bugger!

233
00:12:32,828 --> 00:12:35,064
(ROPE WHOOSHING)

234
00:12:35,097 --> 00:12:36,899
(SCREAMING)

235
00:12:36,932 --> 00:12:39,802
(AUDIENCE GASPING)

236
00:12:39,835 --> 00:12:41,170
(MADAME ARCATI GROANING)

237
00:12:41,203 --> 00:12:43,372
Madame Arcati.

238
00:12:43,406 --> 00:12:46,242
Oh, it's a conjuring trick.

239
00:12:46,275 --> 00:12:48,378
I told you. She's a fraud.

240
00:12:48,411 --> 00:12:50,580
That's an
outrageous accusation.

241
00:12:51,847 --> 00:12:53,483
I merely lost contact.

242
00:12:53,517 --> 00:12:55,951
Charles was right. It
was all a put-up job.

243
00:12:55,985 --> 00:12:56,785
(AUDIENCE BOOING)

244
00:12:56,819 --> 00:12:58,053
Where'd he go?

245
00:12:58,087 --> 00:12:58,888
(FLASHBULB POPPING)

246
00:12:58,921 --> 00:13:00,189
Please, please.

247
00:13:00,222 --> 00:13:01,790
(REPORTERS SHOUTING)

248
00:13:01,824 --> 00:13:03,859
Madame Arcati has
just been through

249
00:13:03,893 --> 00:13:06,295
a very traumatic experience.

250
00:13:06,328 --> 00:13:08,398
Please just... Please.

251
00:13:08,431 --> 00:13:10,400
I would
ask you to respect

252
00:13:10,433 --> 00:13:13,969
her privacy at this
difficult time.

253
00:13:14,003 --> 00:13:15,704
MANDEEP: <i>Oh, my giddy aunt!</i>

254
00:13:19,909 --> 00:13:21,611
MADAME ARCATI: <i>I've
told you, Mandeep,</i>

255
00:13:21,645 --> 00:13:23,979
<i>I don't want to
see a living soul.</i>

256
00:13:24,947 --> 00:13:27,283
My name is Charles Condomine.

257
00:13:27,316 --> 00:13:28,851
I'm an award-winning writer.

258
00:13:28,884 --> 00:13:31,220
And especially not
the gutter press.

259
00:13:31,253 --> 00:13:34,256
Look, I'm not a reporter.
I write crime novels,

260
00:13:34,290 --> 00:13:35,525
and screenplays.

261
00:13:35,559 --> 00:13:38,194
Well, I can't abide
fiction or fantasy.

262
00:13:42,499 --> 00:13:43,499
Madame Arcati?

263
00:13:45,134 --> 00:13:47,803
I'm not here to
question your integrity.

264
00:13:47,836 --> 00:13:51,541
Faking an exotic accent doesn't
mean your gift isn't real.

265
00:13:51,575 --> 00:13:54,710
I fully understand that, like
me, you occasionally have

266
00:13:54,743 --> 00:13:57,780
to employ a certain
artistic license

267
00:13:57,813 --> 00:13:59,649
to entertain the masses.

268
00:13:59,683 --> 00:14:02,686
They expect me to
deliver a spectacle,

269
00:14:02,718 --> 00:14:07,223
a transcendental miracle,
night after night.

270
00:14:07,256 --> 00:14:10,226
Of course, of course. There's
no need to justify yourself.

271
00:14:10,259 --> 00:14:11,259
I'm a believer.

272
00:14:13,496 --> 00:14:15,632
I'm simply here to
invite you to conduct

273
00:14:15,665 --> 00:14:18,133
a private seance at my home.

274
00:14:18,167 --> 00:14:20,403
Well. I'm not a traveling
banjo player, Mr. Condomine.

275
00:14:20,437 --> 00:14:23,138
I don't do requests.

276
00:14:23,172 --> 00:14:26,308
Well, there might be some
influential guests attending.

277
00:14:27,711 --> 00:14:29,546
Could be the perfect
opportunity to fend off

278
00:14:29,579 --> 00:14:33,282
any bad publicity from
tonight's unfortunate events.

279
00:14:36,553 --> 00:14:38,854
When were you wishing
this to take place?

280
00:14:39,922 --> 00:14:41,023
As soon as possible.

281
00:14:42,858 --> 00:14:45,395
Then I suggest this Thursday,

282
00:14:45,428 --> 00:14:49,331
midsummer night, the solstice.

283
00:14:49,365 --> 00:14:53,068
The sacred turning
point of the seasons.

284
00:14:56,473 --> 00:14:58,475
Perfect.

285
00:14:58,508 --> 00:15:00,510
I told her how
profoundly interested I was

286
00:15:00,543 --> 00:15:01,910
in anything to do
with the occult,

287
00:15:01,944 --> 00:15:03,380
and she blossomed like a rose.

288
00:15:03,413 --> 00:15:05,090
Well, hosting an evening
with a professional charlatan

289
00:15:05,114 --> 00:15:06,616
sounds like an absolute scream.

290
00:15:06,650 --> 00:15:07,983
Doesn't it?

291
00:15:08,017 --> 00:15:09,861
But will it get you closer
to finishing your screenplay?

292
00:15:09,885 --> 00:15:11,263
Well, I need the
old girl to show me

293
00:15:11,287 --> 00:15:12,756
a few tricks of the trade.

294
00:15:12,788 --> 00:15:14,367
That's what's gonna make
my new hero truly unique.

295
00:15:14,391 --> 00:15:16,526
What's so unique about him?

296
00:15:16,559 --> 00:15:17,359
He's dead.

297
00:15:17,394 --> 00:15:18,193
Dead?

298
00:15:18,227 --> 00:15:19,396
As a doornail.

299
00:15:19,429 --> 00:15:21,196
He's the victim of a
vicious unsolved murder

300
00:15:21,230 --> 00:15:23,332
and communicates with the
living through a medium

301
00:15:23,365 --> 00:15:25,635
who helps bring people
back from beyond the grave.

302
00:15:25,669 --> 00:15:28,237
Maybe she could resurrect
your career at the same time.

303
00:15:28,270 --> 00:15:29,439
Daddy's on the warpath.

304
00:15:29,472 --> 00:15:30,683
He's certain to
find another writer

305
00:15:30,707 --> 00:15:32,308
if you don't deliver soon.

306
00:15:34,411 --> 00:15:37,012
(THUNDER RUMBLES)

307
00:15:37,046 --> 00:15:39,982
(MYSTERIOUS MUSIC)

308
00:15:58,802 --> 00:16:00,503
Is anybody there?

309
00:16:04,741 --> 00:16:07,142
Is anybody there?

310
00:16:07,176 --> 00:16:10,879
One rap for yes,
two raps for no.

311
00:16:13,416 --> 00:16:14,216
(BANGING)

312
00:16:14,249 --> 00:16:15,249
Ooh.

313
00:16:16,553 --> 00:16:18,187
Is that you, Maia?

314
00:16:18,220 --> 00:16:19,188
Who's Maia?

315
00:16:19,221 --> 00:16:21,123
My spirit guide.

316
00:16:21,156 --> 00:16:23,325
She was Tutankhamun's wet nurse.

317
00:16:24,561 --> 00:16:26,228
I do hope she's
not still lactating.

318
00:16:26,261 --> 00:16:28,063
(CHORTLING)

319
00:16:28,097 --> 00:16:32,167
I would ask you not to
be flippant, Dr. Bradman.

320
00:16:32,201 --> 00:16:36,305
She may be in Shamballa, but
the woman still has feelings.

321
00:16:36,338 --> 00:16:39,074
Please forgive
me, Madame Arcati.

322
00:16:39,108 --> 00:16:40,643
I didn't mean to cause offense.

323
00:16:41,578 --> 00:16:43,747
(MYSTERIOUS MUSIC)

324
00:16:43,780 --> 00:16:47,450
(SPEAKING ARABIC)

325
00:16:52,555 --> 00:16:54,724
(SPEAKING ARABIC...)

326
00:17:02,164 --> 00:17:04,834
(TABLE BANGING)

327
00:17:04,868 --> 00:17:07,369
Now we're getting somewhere.

328
00:17:09,304 --> 00:17:11,373
Is it me you wish to speak to?

329
00:17:11,408 --> 00:17:13,777
(TABLE RATTLING)

330
00:17:13,810 --> 00:17:16,446
Is it Dr. Bradman?
Or perhaps one

331
00:17:16,479 --> 00:17:18,848
of his less fortunate patients?

332
00:17:18,882 --> 00:17:21,518
(TABLE RATTLING)

333
00:17:21,551 --> 00:17:22,752
Mrs. Bradman?

334
00:17:22,786 --> 00:17:24,687
(TABLE RATTLING)

335
00:17:26,489 --> 00:17:27,690
Mrs. Condomine?

336
00:17:27,724 --> 00:17:29,324
(TABLE RATTLING)

337
00:17:29,358 --> 00:17:30,926
Oh, behave yourself, Maia.

338
00:17:32,595 --> 00:17:33,830
Mr. Condomine?

339
00:17:36,866 --> 00:17:38,768
(TABLE BANGING)

340
00:17:38,802 --> 00:17:40,603
It appears that
someone wishes to speak

341
00:17:40,637 --> 00:17:43,305
to you, Mr. Condomine.

342
00:17:43,338 --> 00:17:44,874
Do you know anyone
who has recently

343
00:17:44,908 --> 00:17:46,942
passed over to the other side?

344
00:17:46,975 --> 00:17:48,210
Only my old literary agent,

345
00:17:48,243 --> 00:17:49,422
but it's unlikely
he'd make contact.

346
00:17:49,446 --> 00:17:51,581
He died owing me a
fortune in royalties.

347
00:17:51,614 --> 00:17:53,817
(GROUP GIGGLING)

348
00:17:53,850 --> 00:17:56,886
Are you Mr. Condomine's
literary agent.

349
00:17:57,854 --> 00:18:00,790
(TABLE RATTLING)

350
00:18:00,824 --> 00:18:02,459
No.

351
00:18:02,492 --> 00:18:04,059
I'm afraid we've drawn a blank.

352
00:18:06,429 --> 00:18:09,532
Is there anyone on the other
side you think of often?

353
00:18:10,633 --> 00:18:13,536
(MYSTERIOUS MUSIC)

354
00:18:16,773 --> 00:18:18,273
No, well, there's
nothing for it.

355
00:18:18,307 --> 00:18:20,008
I shall have to
go into a trance.

356
00:18:22,545 --> 00:18:24,980
This is the moment I hate.

357
00:18:25,013 --> 00:18:27,383
Are, are you nervous, or?

358
00:18:27,417 --> 00:18:29,419
When I was a child,
I used to be sick.

359
00:18:30,687 --> 00:18:31,888
Mm-hm.

360
00:18:31,921 --> 00:18:33,590
Now let's see,
what have we here?

361
00:18:35,123 --> 00:18:37,460
Oh, Brahms. No, that's
too dark and depressing.

362
00:18:38,761 --> 00:18:40,797
Rachmaninoff. No, too florid.

363
00:18:43,031 --> 00:18:44,734
Oh no, this is better.

364
00:18:44,767 --> 00:18:45,768
<i>Always.</i>

365
00:18:47,069 --> 00:18:48,370
Does it have to be that song?

366
00:18:48,404 --> 00:18:51,474
Well Maia likes a tune
she can hum along to.

367
00:18:51,508 --> 00:18:55,344
("ALWAYS" INSTRUMENTAL MUSIC)

368
00:19:00,383 --> 00:19:02,519
(HUMMING)

369
00:19:05,488 --> 00:19:07,557
♪ Always ♪

370
00:19:12,996 --> 00:19:16,633
♪ I'll be loving you Always ♪

371
00:19:16,666 --> 00:19:17,600
(THUNDER)

372
00:19:17,634 --> 00:19:22,472
♪ With a love
that's true Always ♪

373
00:19:22,505 --> 00:19:24,908
♪ Then the things you plan ♪

374
00:19:24,941 --> 00:19:27,410
♪ Need a helping hand ♪

375
00:19:27,443 --> 00:19:29,111
♪ I will understand ♪

376
00:19:29,144 --> 00:19:32,482
(MADAME ARCATI WHIMPERS)

377
00:19:34,149 --> 00:19:36,486
(SCREAMING)

378
00:19:37,554 --> 00:19:38,588
Crikey.

379
00:19:38,621 --> 00:19:40,355
(STORM RAGING)

380
00:19:40,390 --> 00:19:42,458
(SCREAMING)

381
00:19:42,492 --> 00:19:44,293
(WHIMPERING)

382
00:19:45,895 --> 00:19:47,497
What the devil's going on?

383
00:19:47,530 --> 00:19:49,364
Must be a power cut.

384
00:19:52,167 --> 00:19:56,305
Madame Arcati? Madame
Arcati, can you hear me?

385
00:19:56,338 --> 00:19:57,272
Is she breathing?

386
00:19:57,306 --> 00:19:59,909
She's having some sort of fit.

387
00:19:59,943 --> 00:20:01,778
Please, do something,
Dr. Bradman.

388
00:20:04,212 --> 00:20:05,949
(FINGERS SNAPPING)

389
00:20:05,982 --> 00:20:07,016
(ELECTRICITY SPARKING)

390
00:20:07,050 --> 00:20:07,984
Oh.

391
00:20:08,017 --> 00:20:09,318
Oh, thank goodness.

392
00:20:09,351 --> 00:20:10,553
What happened?

393
00:20:10,587 --> 00:20:11,697
Apart from the French
windows blowing open,

394
00:20:11,721 --> 00:20:12,989
nothing supernatural.

395
00:20:13,022 --> 00:20:16,325
Something
substantial took place.

396
00:20:16,358 --> 00:20:18,494
I can feel it in my base chakra.

397
00:20:18,528 --> 00:20:20,530
Probably trapped wind.

398
00:20:20,563 --> 00:20:22,865
(SNIFFING)

399
00:20:22,899 --> 00:20:24,734
No poltergeists, at any rate.

400
00:20:25,835 --> 00:20:27,670
Any apparitions?

401
00:20:27,704 --> 00:20:29,338
Uh, not that we saw.

402
00:20:29,371 --> 00:20:30,740
What about ectoplasm?

403
00:20:30,773 --> 00:20:32,207
I'm not quite
sure what that is.

404
00:20:32,240 --> 00:20:35,645
A supernatural viscous
substance that exudes

405
00:20:35,678 --> 00:20:38,514
from the body of one in
a spiritualistic trance

406
00:20:38,548 --> 00:20:42,819
and forms the material for
the manifestation of spirits.

407
00:20:42,852 --> 00:20:45,054
No, I definitely would
have remembered that.

408
00:20:45,088 --> 00:20:46,088
Mm-hm.

409
00:20:47,590 --> 00:20:49,868
Well. I suppose I should get
going before the storm rolls in.

410
00:20:49,892 --> 00:20:51,235
Would you care for
some refreshments

411
00:20:51,259 --> 00:20:52,695
before you return to your hotel?

412
00:20:52,729 --> 00:20:56,365
Oh. no, thank you, Mrs. Condomine.
I like to travel light.

413
00:20:56,399 --> 00:20:57,700
Congratulations,
Madame Arcati.

414
00:20:57,734 --> 00:20:59,535
It was a thrilling evening.

415
00:20:59,569 --> 00:21:03,673
I'm well aware of the irony
in your voice, Dr. Bradman.

416
00:21:03,706 --> 00:21:06,375
May I be so bold as to remind
you that modern medicine

417
00:21:06,409 --> 00:21:09,612
is a recent phenomena, and
that physicians have found

418
00:21:09,646 --> 00:21:13,449
value in scientifically
inexplicable practices

419
00:21:13,483 --> 00:21:16,052
since the beginning
of civilization?

420
00:21:16,085 --> 00:21:17,085
Quite so.

421
00:21:17,920 --> 00:21:20,355
Well, good night, everyone.

422
00:21:21,391 --> 00:21:23,960
I'm sorry so little eventuated.

423
00:21:23,993 --> 00:21:27,697
Probably something to
do with a cosmic flux.

424
00:21:27,730 --> 00:21:30,033
Thank you so much for agreeing
to do this, Madame Arcati.

425
00:21:30,066 --> 00:21:32,702
It's been an education
on so many levels.

426
00:21:32,735 --> 00:21:35,071
<i>Merci, Monsieur Condomine.</i>

427
00:21:36,873 --> 00:21:37,874
<i>Et au revoir.</i>

428
00:21:41,276 --> 00:21:44,614
(FOOTSTEPS RECEDING)

429
00:21:44,647 --> 00:21:46,015
(LAUGHING)

430
00:21:46,049 --> 00:21:48,017
Sh, sh sh, sh sh sh.

431
00:21:48,051 --> 00:21:49,819
She might hear us, sh.

432
00:21:49,852 --> 00:21:51,654
I can't. Really, I can't.

433
00:21:51,688 --> 00:21:57,259
(WIND BLOWING AND
THUNDER)

434
00:21:57,292 --> 00:21:59,829
(SIGHS)

435
00:21:59,862 --> 00:22:03,231
I can't quite put my
finger on it, Donald.

436
00:22:03,265 --> 00:22:05,601
I've never experienced
anything like it in my life.

437
00:22:07,003 --> 00:22:09,105
It genuinely felt as if

438
00:22:10,973 --> 00:22:12,809
something tremendous
had happened.

439
00:22:18,748 --> 00:22:19,748
Oh well.

440
00:22:21,117 --> 00:22:22,317
Maybe next time.

441
00:22:24,887 --> 00:22:26,456
Good night, my love.

442
00:22:26,489 --> 00:22:29,058
(GENTLE MUSIC)

443
00:22:30,059 --> 00:22:32,662
(WIND BLOWING, THUNDER)

444
00:22:34,497 --> 00:22:37,467
(THUNDER CRASH)

445
00:22:37,500 --> 00:22:40,103
(RAIN PELTING)

446
00:22:43,906 --> 00:22:46,576
Did you get everything you
need for your screenplay?

447
00:22:46,609 --> 00:22:50,480
Oh, everything
and more (CHUCKLES).

448
00:22:50,513 --> 00:22:53,315
You're not thinking of turning
in for the night, are you?

449
00:22:53,348 --> 00:22:54,348
What?

450
00:22:55,718 --> 00:22:56,995
Wouldn't it be
prudent to get down

451
00:22:57,019 --> 00:22:58,988
the ideas whilst
they're still fresh?

452
00:23:02,125 --> 00:23:04,794
Yes, well, absolutely.

453
00:23:04,827 --> 00:23:09,732
I shall, fix myself
a drink and dig in.

454
00:23:09,766 --> 00:23:11,467
<i>Carpe diem,</i>
darling.

455
00:23:12,168 --> 00:23:13,636
(CHUCKLES)

456
00:23:13,669 --> 00:23:14,771
<i>Carpe diem.</i>

457
00:23:16,739 --> 00:23:19,008
(DOOR OPENING AND CLOSING)

458
00:23:19,041 --> 00:23:21,611
(STORM RAGING)

459
00:23:25,481 --> 00:23:28,316
(RECORD SKIPPING)

460
00:23:35,357 --> 00:23:38,293
(THUNDER RUMBLING)

461
00:23:39,529 --> 00:23:42,865
(SOFT MYSTERIOUS MUSIC)

462
00:23:50,940 --> 00:23:54,043
(THUNDER CRASH)

463
00:23:57,446 --> 00:23:58,481
Jesus Christ.

464
00:24:00,216 --> 00:24:01,216
ELVIRA: Charles?

465
00:24:03,286 --> 00:24:05,121
What on Earth have you done?

466
00:24:07,557 --> 00:24:10,593
The room looks like
a giant peach melba.

467
00:24:13,095 --> 00:24:14,964
And where's my Italian
chandelier gone?

468
00:24:19,802 --> 00:24:20,603
What?

469
00:24:20,636 --> 00:24:22,805
(BUZZING)

470
00:24:31,981 --> 00:24:32,981
Oh, God.

471
00:24:36,219 --> 00:24:37,587
Hello.

472
00:24:37,620 --> 00:24:40,355
(WIND WHISTLING)

473
00:24:41,958 --> 00:24:45,061
Please tell me you haven't
ruined the rest of the house.

474
00:24:45,094 --> 00:24:46,562
No.

475
00:24:46,596 --> 00:24:47,763
(SIGH)

476
00:24:47,797 --> 00:24:51,334
My Moroccan mosaics. Charles.

477
00:24:51,366 --> 00:24:53,769
One weekend away and
the whole place has had

478
00:24:53,803 --> 00:24:56,572
the life and soul
sucked out of it.

479
00:24:56,606 --> 00:24:57,607
This can't be happening.

480
00:24:57,640 --> 00:24:58,908
I must be hallucinating.

481
00:24:58,941 --> 00:25:00,943
Well, judging from
the decor, I would say

482
00:25:00,977 --> 00:25:03,546
that's the understatement
of the century.

483
00:25:03,579 --> 00:25:06,916
(SOFT MYSTERIOUS MUSIC)

484
00:25:09,719 --> 00:25:12,255
I should have known
this wasn't down to you.

485
00:25:15,024 --> 00:25:16,024
Who is she?

486
00:25:17,460 --> 00:25:18,895
It's not what you think.

487
00:25:18,928 --> 00:25:23,666
Please do not humiliate
either one of us any further.

488
00:25:23,699 --> 00:25:25,067
If you've got
something to tell me,

489
00:25:25,101 --> 00:25:27,303
be a man and spit it out.

490
00:25:29,305 --> 00:25:32,808
Elvira... You're dead.

491
00:25:32,842 --> 00:25:34,543
How dare you?

492
00:25:34,577 --> 00:25:35,845
(ELVIRA GRUNTS)

493
00:25:37,647 --> 00:25:38,647
(GASP)

494
00:25:39,315 --> 00:25:42,285
(SCREAMING)

495
00:25:42,318 --> 00:25:43,318
(GASP)

496
00:25:44,388 --> 00:25:46,956
(RAIN TAPPING)

497
00:25:51,160 --> 00:25:53,329
The last thing I
remember is competing

498
00:25:53,362 --> 00:25:56,299
in the South Downs
point-to-point.

499
00:25:56,332 --> 00:25:59,735
That's right, and the
conditions were treacherous,

500
00:25:59,769 --> 00:26:02,104
and as with most things, you
refused to listen to reason.

501
00:26:02,138 --> 00:26:04,106
Well I couldn't miss
the most prestigious meet

502
00:26:04,140 --> 00:26:05,508
of the season, Charles.

503
00:26:05,541 --> 00:26:07,286
Well, you paid the ultimate
price for your folly

504
00:26:07,310 --> 00:26:08,945
and fell at the final fence,

505
00:26:08,978 --> 00:26:11,914
instantly breaking your neck.

506
00:26:11,948 --> 00:26:12,958
The whole episode
was very distressing

507
00:26:12,982 --> 00:26:15,184
for everyone involved.

508
00:26:15,217 --> 00:26:19,021
Well, presumably not as
distressing as it was for me.

509
00:26:19,055 --> 00:26:20,890
They did rename the
jump in your honor.

510
00:26:20,923 --> 00:26:22,792
Oh.

511
00:26:22,825 --> 00:26:24,060
How thoughtful.

512
00:26:27,029 --> 00:26:28,197
I don't understand.

513
00:26:28,230 --> 00:26:30,900
If I'm dead, then how
and why am I here?

514
00:26:30,933 --> 00:26:32,868
I have absolutely no idea.

515
00:26:35,204 --> 00:26:37,106
Maybe you're a ghost.

516
00:26:37,139 --> 00:26:40,710
What? No! (CRIES).

517
00:26:40,743 --> 00:26:42,379
Please, don't get hysterical.

518
00:26:42,412 --> 00:26:43,479
Hysterical?

519
00:26:44,381 --> 00:26:46,482
Concerned, more like.

520
00:26:46,515 --> 00:26:48,351
Procrastination is the
thief of time, Charles,

521
00:26:48,385 --> 00:26:50,586
and yours is running out.

522
00:26:50,619 --> 00:26:51,520
Who's she?

523
00:26:51,554 --> 00:26:52,655
My wife, Ruth.

524
00:26:52,688 --> 00:26:54,156
Yes? Are you all right?

525
00:26:54,190 --> 00:26:55,324
I'm your wife.

526
00:26:55,358 --> 00:26:56,325
Not anymore.

527
00:26:56,359 --> 00:26:57,860
Why? What's the matter?

528
00:26:57,893 --> 00:27:00,663
Ruth, I'm not speaking to
you. I'm talking to Elvira.

529
00:27:00,696 --> 00:27:01,897
Elvira?

530
00:27:01,931 --> 00:27:03,099
Yeah, surely you can see her.

531
00:27:03,132 --> 00:27:04,600
She's standing
right next to you.

532
00:27:04,633 --> 00:27:06,345
Charles, what are you
playing at? Elvira's dead.

533
00:27:06,369 --> 00:27:09,271
Ugh, why does everyone
have to keep saying that?

534
00:27:09,305 --> 00:27:10,573
Elvira, darling, this is Ruth.

535
00:27:10,606 --> 00:27:12,174
Ruth, darling, this is Elvira.

536
00:27:12,208 --> 00:27:13,909
Are you drunk?

537
00:27:13,943 --> 00:27:16,480
Ruth, Elvira is here
with us in the room.

538
00:27:16,512 --> 00:27:19,315
Madame Arcati must have summoned
her up during the seance.

539
00:27:19,348 --> 00:27:23,953
Madame Arcati's a fraud.
You said so yourself.

540
00:27:23,986 --> 00:27:28,190
I'm going to bed, and I
suggest that you retire too.

541
00:27:28,224 --> 00:27:30,726
Finally some time to ourselves
so we can get reacquainted.

542
00:27:30,760 --> 00:27:32,828
That's a thoroughly
immoral suggestion.

543
00:27:32,862 --> 00:27:37,333
Oh, I wasn't for a moment
insinuating we share a bed.

544
00:27:37,366 --> 00:27:38,502
No...

545
00:27:38,534 --> 00:27:39,945
I've come to terms with
your recent inability

546
00:27:39,969 --> 00:27:41,471
to perform in that department.

547
00:27:42,538 --> 00:27:44,040
Hm.

548
00:27:44,073 --> 00:27:46,308
I can't imagine you ever
did with that sourpuss.

549
00:27:46,342 --> 00:27:48,478
Be quiet. You're behaving
like a guttersnipe.

550
00:27:48,512 --> 00:27:52,014
It is your behavior,
Charles, that is unpardonable.

551
00:27:52,048 --> 00:27:54,183
(CLEARS THROAT) Good night.

552
00:27:54,216 --> 00:27:55,718
Hooray.

553
00:27:55,751 --> 00:27:57,253
What a frightful woman.

554
00:27:57,286 --> 00:27:59,855
I can only assume it was
a marriage of convenience?

555
00:28:01,657 --> 00:28:02,459
(CHARLES SIGHS)

556
00:28:02,492 --> 00:28:03,325
Hmm.

557
00:28:03,359 --> 00:28:04,827
I've gone mad.

558
00:28:04,860 --> 00:28:07,296
That's what it is
Stark raving mad.

559
00:28:07,329 --> 00:28:10,266
(THUNDER RUMBLING)

560
00:28:14,270 --> 00:28:17,441
It will ruin your life if you
allow it to get hold of you.

561
00:28:17,474 --> 00:28:18,741
Once and for all, Ruth,

562
00:28:18,774 --> 00:28:21,277
last night had nothing
to do with alcohol.

563
00:28:21,310 --> 00:28:23,012
I wasn't in the least drunk.

564
00:28:23,045 --> 00:28:25,881
Something very peculiar
happened to me.

565
00:28:25,915 --> 00:28:27,451
A one-off psychic delusion,

566
00:28:27,484 --> 00:28:29,251
likely brought on
by work pressure.

567
00:28:29,285 --> 00:28:31,821
A deadline doesn't explain
why when I calmly suggested

568
00:28:31,854 --> 00:28:33,598
that you should return to
bed, you said with a most

569
00:28:33,622 --> 00:28:35,167
disgusting leer that it
was an immoral suggestion.

570
00:28:35,191 --> 00:28:37,760
I thought I was
talking to Elvira.

571
00:28:37,793 --> 00:28:39,728
Well, if you were, I can
only say it conjures up

572
00:28:39,762 --> 00:28:41,531
a fragrant picture of
your first marriage.

573
00:28:41,565 --> 00:28:43,732
My first marriage
was perfectly charming.

574
00:28:43,766 --> 00:28:45,977
And it's in the worst possible
taste for you to sneer at it.

575
00:28:46,001 --> 00:28:47,679
I'm not nearly so interested
in your first marriage

576
00:28:47,703 --> 00:28:49,772
as you think I am.

577
00:28:49,805 --> 00:28:51,273
In fact, its your
second marriage

578
00:28:51,307 --> 00:28:52,808
that's absorbing
me at the moment.

579
00:28:52,842 --> 00:28:54,143
It's headed for the rocks.

580
00:28:57,113 --> 00:28:58,347
(EXHALING)

581
00:28:58,381 --> 00:29:02,151
Well, it's 155 over
99. It is quite high.

582
00:29:02,184 --> 00:29:03,185
(EXHALING)

583
00:29:03,219 --> 00:29:04,421
I'm not surprised,

584
00:29:04,454 --> 00:29:06,088
given the intensity
of the hallucination.

585
00:29:07,790 --> 00:29:10,693
I genuinely believed Elvira
was in the room talking to me.

586
00:29:11,627 --> 00:29:14,431
She was as real as you or I.

587
00:29:14,464 --> 00:29:16,932
Probably best you stop taking
the tablets, old chap.

588
00:29:20,269 --> 00:29:21,804
Darling.

589
00:29:21,837 --> 00:29:24,173
(FOOTSTEPS APPROACHING)

590
00:29:24,206 --> 00:29:27,444
I hate to see you so upset.

591
00:29:27,477 --> 00:29:29,712
Please accept my heartfelt
apology for anything untoward

592
00:29:29,745 --> 00:29:31,847
I might have said last night.

593
00:29:31,881 --> 00:29:32,882
Or this morning.

594
00:29:34,250 --> 00:29:37,454
Apology accepted. Let's
never mention it again.

595
00:29:38,455 --> 00:29:40,856
How are you feeling?

596
00:29:40,890 --> 00:29:43,792
I believe Dr. Bradman
might have solved the riddle.

597
00:29:44,727 --> 00:29:46,729
Ah, well, thank goodness.

598
00:29:46,762 --> 00:29:49,932
Now, let's go and
see your father.

599
00:29:49,965 --> 00:29:51,176
I want to check he
likes my new idea

600
00:29:51,200 --> 00:29:52,445
before committing
it to the page.

601
00:29:52,469 --> 00:29:54,737
I do not want to be late.

602
00:29:54,770 --> 00:29:57,373
(UPBEAT MUSIC)

603
00:30:07,450 --> 00:30:08,851
RUTH: Charles?

604
00:30:10,719 --> 00:30:13,289
(BELL RINGING)

605
00:30:13,322 --> 00:30:15,925
And so, you see, Henry,
it's only through the medium

606
00:30:15,958 --> 00:30:17,470
that the killer can
be brought to justice,

607
00:30:17,494 --> 00:30:19,771
based on new evidence that he
gathers from beyond the grave.

608
00:30:19,795 --> 00:30:22,331
I like the premise,
Charles, but not enough

609
00:30:22,364 --> 00:30:24,668
to wait another six
months to see a script.

610
00:30:24,700 --> 00:30:27,236
Charles will deliver
in a few weeks, Daddy.

611
00:30:27,269 --> 00:30:28,505
You have my word.

612
00:30:30,105 --> 00:30:31,441
And mine.

613
00:30:31,474 --> 00:30:33,251
- HITCHCOCK: Cut!
- ASSISTANT DIRECTOR: And we've cut!

614
00:30:33,275 --> 00:30:35,445
Right, come on, let's go and
watch the next scene.

615
00:30:35,478 --> 00:30:38,582
I think Hitch will be the
perfect director for our film.

616
00:30:38,615 --> 00:30:41,283
Just don't get under his feet.

617
00:30:41,317 --> 00:30:43,620
Come on, darling.

618
00:30:43,653 --> 00:30:45,721
ASSISTANT: <i>Bring Miss Withers
some makeup, please.</i>

619
00:30:45,754 --> 00:30:47,923
HENRY: <i>Googie, darling,
how lovely to see you.</i>

620
00:30:47,957 --> 00:30:49,426
Charles Condomine.

621
00:30:49,459 --> 00:30:51,428
Ah, I'm a big fan of
your books, Mr. Condomine.

622
00:30:51,461 --> 00:30:53,128
When can we expect
Detective Flowers

623
00:30:53,162 --> 00:30:54,730
to crack his next case?

624
00:30:54,763 --> 00:30:58,033
Ah, Charles has actually made
the leap into screenwriting.

625
00:30:58,067 --> 00:30:59,134
With Daddy's help.

626
00:30:59,168 --> 00:31:00,069
Oh, how exciting.

627
00:31:00,102 --> 00:31:01,471
(RUTH LAUGHS)

628
00:31:01,504 --> 00:31:03,683
I'd die to play one of your
strong-willed female characters.

629
00:31:03,707 --> 00:31:06,075
Where do you draw
your inspiration from?

630
00:31:06,108 --> 00:31:07,977
Where do you think? (LAUGHS)

631
00:31:08,010 --> 00:31:11,180
Oh, how romantic,
to marry your muse.

632
00:31:11,213 --> 00:31:14,817
Not so romantic
to replace her.

633
00:31:14,850 --> 00:31:16,261
Why don't you tell her
the truth, Charles,

634
00:31:16,285 --> 00:31:18,220
that you're an astral bigamist?

635
00:31:18,254 --> 00:31:20,490
Be quiet. Stop
behaving like a harlot.

636
00:31:21,658 --> 00:31:22,659
I beg your pardon?

637
00:31:23,627 --> 00:31:24,960
Admit it, Charles.

638
00:31:24,994 --> 00:31:27,564
All of your female
characters are based on me.

639
00:31:27,597 --> 00:31:30,132
You always were vain
and self-obsessed.

640
00:31:30,165 --> 00:31:32,702
How dare you speak to
my leading lady like that?

641
00:31:32,736 --> 00:31:34,870
No, no no.

642
00:31:34,903 --> 00:31:35,903
(THUD)

643
00:31:37,006 --> 00:31:39,542
(GROUP CHATTERING)

644
00:31:39,576 --> 00:31:42,244
Get a grip, Charles.
What on earth is going on?

645
00:31:42,278 --> 00:31:43,278
Elvira is here.

646
00:31:45,515 --> 00:31:46,782
I can see her.

647
00:31:46,815 --> 00:31:48,284
She's right there.

648
00:31:48,317 --> 00:31:51,521
I insist you go home
immediately and lie down.

649
00:31:51,554 --> 00:31:53,255
I have no desire to go to bed

650
00:31:53,289 --> 00:31:54,529
in the middle of the afternoon.

651
00:31:54,557 --> 00:31:56,593
My, how things have changed.

652
00:31:56,626 --> 00:31:58,628
I remember a time
when we could barely

653
00:31:58,662 --> 00:32:00,863
drag ourselves out
of our double divan.

654
00:32:00,896 --> 00:32:03,633
Stop being indecent.
Get out of my sight.

655
00:32:03,667 --> 00:32:06,436
How dare you speak to
my daughter like that!

656
00:32:06,469 --> 00:32:07,546
No, I wasn't speaking to her.

657
00:32:07,570 --> 00:32:09,805
Get off my set.

658
00:32:09,838 --> 00:32:10,640
You're in trouble now.

659
00:32:10,674 --> 00:32:11,741
Don't be so infantile.

660
00:32:11,775 --> 00:32:14,143
I'll give you infantile.

661
00:32:14,176 --> 00:32:15,144
Ooh!

662
00:32:15,177 --> 00:32:16,178
Ooh.

663
00:32:16,211 --> 00:32:17,012
Oww!

664
00:32:17,046 --> 00:32:18,046
Ah.

665
00:32:18,914 --> 00:32:21,685
(ENGINE ROARING)

666
00:32:21,718 --> 00:32:22,985
Does it hurt?

667
00:32:24,320 --> 00:32:25,921
Only if I breathe.

668
00:32:25,954 --> 00:32:27,990
Let me see it, darling.

669
00:32:28,023 --> 00:32:29,325
What about now?

670
00:32:29,358 --> 00:32:30,593
Oh, God!

671
00:32:32,161 --> 00:32:34,263
I suggest you take
yourself to your study.

672
00:32:34,296 --> 00:32:35,574
The only way my father
will forgive you

673
00:32:35,598 --> 00:32:37,767
is if you deliver an
Oscar-worthy script.

674
00:32:37,801 --> 00:32:39,436
How am I supposed to
write in this state?

675
00:32:39,469 --> 00:32:40,869
Well you better try.

676
00:32:40,903 --> 00:32:43,839
Either start typing and
prove you're not barking mad,

677
00:32:43,872 --> 00:32:45,775
or I'll be forced
to call Dr. Bradman

678
00:32:45,809 --> 00:32:48,277
and have you referred
to a nerve specialist.

679
00:32:48,310 --> 00:32:50,714
Ruth, I'm not in
the least neurotic.

680
00:32:50,747 --> 00:32:51,681
And never have been.

681
00:32:51,715 --> 00:32:53,616
Well, psychoanalyst, then.

682
00:32:53,650 --> 00:32:55,184
Ugh.

683
00:32:55,217 --> 00:32:57,721
I refuse to endure months
of expensive humiliation,

684
00:32:57,754 --> 00:32:59,288
only to be told at the end of it

685
00:32:59,321 --> 00:33:01,333
that at the age of four I was
in love with my rocking horse.

686
00:33:01,357 --> 00:33:03,626
Don't take that flippant tone
with me, Charles Condomine.

687
00:33:03,660 --> 00:33:05,695
I'm not the one who
started seeing things.

688
00:33:05,729 --> 00:33:07,029
Ah, so you do believe me then?

689
00:33:07,062 --> 00:33:08,263
Of course I don't.

690
00:33:08,297 --> 00:33:10,265
There's no such thing
as ghosts or ghouls.

691
00:33:11,200 --> 00:33:13,770
(DREAMY MUSIC)

692
00:33:16,271 --> 00:33:19,007
(BURNING, CRACKLING)

693
00:33:26,248 --> 00:33:28,117
I call upon Donald Keeling,

694
00:33:29,853 --> 00:33:31,388
Second Lieutenant

695
00:33:32,722 --> 00:33:36,626
in the 92nd Regiment
of Gordon Highlanders.

696
00:33:38,293 --> 00:33:42,965
Who died on February
the 27th, 1881,

697
00:33:45,234 --> 00:33:47,269
at the Battle of Majuba Hill.

698
00:33:49,071 --> 00:33:50,071
Come forth

699
00:33:51,441 --> 00:33:53,510
and make yourself known to me.

700
00:33:55,645 --> 00:34:00,517
Cecily, your ever devoted wife.

701
00:34:03,453 --> 00:34:05,087
(KNOCKING ON DOOR)

702
00:34:07,956 --> 00:34:11,994
Donald... Is that you?

703
00:34:12,027 --> 00:34:14,664
HOUSEKEEPER: It's housekeeping.
Do you need fresh towels?

704
00:34:15,931 --> 00:34:18,535
(SLOW MUSIC)

705
00:34:23,473 --> 00:34:26,008
(KEYS STRIKING)

706
00:34:26,041 --> 00:34:28,611
(UPBEAT MUSIC)

707
00:34:30,647 --> 00:34:31,748
(ZIP!)

708
00:34:34,451 --> 00:34:36,285
What are you doing here?

709
00:34:36,318 --> 00:34:38,755
Despite removing
every trace of me,

710
00:34:38,788 --> 00:34:40,790
this is still my home.

711
00:34:40,824 --> 00:34:43,091
Besides, I have no
idea how to get back

712
00:34:43,125 --> 00:34:45,428
even if I wanted to.

713
00:34:45,462 --> 00:34:47,071
Are you saying you're
staying indefinitely?

714
00:34:47,095 --> 00:34:48,465
Why?

715
00:34:48,498 --> 00:34:50,299
Would you hate it
so much if I did?

716
00:34:51,568 --> 00:34:54,269
Honestly, Charles, I
really am a little hurt.

717
00:34:54,303 --> 00:34:56,439
You're the only one who
could have called me back.

718
00:34:56,473 --> 00:34:59,074
I most emphatically did
not send for you, Elvira.

719
00:35:01,376 --> 00:35:03,646
(LIGHT MUSIC)

720
00:35:03,680 --> 00:35:06,348
(BIRDS SINGING)

721
00:35:08,618 --> 00:35:09,829
Ruth and I are
about to celebrate

722
00:35:09,853 --> 00:35:11,721
our fifth wedding
anniversary together.

723
00:35:11,754 --> 00:35:13,423
Five?

724
00:35:13,456 --> 00:35:14,557
What is that, leather?

725
00:35:15,692 --> 00:35:16,659
Wood.

726
00:35:16,693 --> 00:35:18,193
Watch out for the splinters.

727
00:35:19,762 --> 00:35:22,499
(LIGHT MUSIC)

728
00:35:22,532 --> 00:35:23,833
Mrs. Condomine.

729
00:35:36,713 --> 00:35:37,981
I'll call Dr. Bradman, see

730
00:35:38,013 --> 00:35:40,148
if he'll accompany
us to the sanitarium.

731
00:35:40,182 --> 00:35:42,284
Ruth, please, listen to me.

732
00:35:42,317 --> 00:35:43,753
I haven't gone mad.

733
00:35:43,786 --> 00:35:45,955
The ghost of my first wife,
Elvira, has crossed over

734
00:35:45,989 --> 00:35:47,165
from the other side and is here

735
00:35:47,189 --> 00:35:48,367
in the room with us right now.

736
00:35:48,391 --> 00:35:49,859
Yes, dear.

737
00:35:49,893 --> 00:35:52,160
I know. I see her
perfectly well,

738
00:35:52,194 --> 00:35:54,263
along with the zebras
and chimpanzees

739
00:35:54,296 --> 00:35:56,365
hiding under the piano.

740
00:35:56,399 --> 00:35:58,701
Ruth, I have always
looked upon you as a woman

741
00:35:58,735 --> 00:36:01,336
of perception and understanding.

742
00:36:01,370 --> 00:36:02,948
I am, but if you say
you're not drinking,

743
00:36:02,972 --> 00:36:05,742
there must be something
pressing on your brain.

744
00:36:06,643 --> 00:36:07,911
Elvira, do something to reveal

745
00:36:07,944 --> 00:36:09,913
that you really
are here, please.

746
00:36:09,946 --> 00:36:11,614
She's going to
have me committed.

747
00:36:13,416 --> 00:36:16,184
Do you remember when we
first heard our song, Charles?

748
00:36:17,520 --> 00:36:21,691
♪ I'll be loving
you Always, Oooh ♪

749
00:36:21,724 --> 00:36:24,827
(UPBEAT PIANO MUSIC)

750
00:36:38,508 --> 00:36:40,009
See? What did I tell you?

751
00:36:40,043 --> 00:36:41,243
It's a cruel trick, Charles,

752
00:36:41,276 --> 00:36:43,111
using some sort
of auto suggestion

753
00:36:43,145 --> 00:36:45,448
or hypnotism to scare me.

754
00:36:45,481 --> 00:36:47,584
It isn't. I swear
it isn't. Darling.

755
00:36:50,620 --> 00:36:51,921
Darling.

756
00:36:51,955 --> 00:36:53,556
Elvira, do something
else, for God sake.

757
00:36:53,590 --> 00:36:54,891
Oh, anything to oblige.

758
00:36:55,892 --> 00:36:57,259
(MYSTERIOUS MUSIC)

759
00:36:57,292 --> 00:36:58,327
(LIPSTICK POPS OPEN)

760
00:36:59,829 --> 00:37:00,597
Look.

761
00:37:00,630 --> 00:37:03,499
(MYSTERIOUS MUSIC)

762
00:37:05,969 --> 00:37:07,102
RUTH: Lord.

763
00:37:07,135 --> 00:37:09,806
(MYSTERIOUS MUSIC)

764
00:37:09,839 --> 00:37:10,839
Ahh!

765
00:37:11,874 --> 00:37:14,811
(SCREAMING)

766
00:37:14,844 --> 00:37:16,579
Adios, interloper.

767
00:37:16,613 --> 00:37:17,747
(DOOR SLAMS)

768
00:37:18,481 --> 00:37:19,482
Oops.

769
00:37:19,515 --> 00:37:20,683
(CHARLES SIGHS)

770
00:37:20,717 --> 00:37:23,218
(MYSTERIOUS MUSIC)

771
00:37:24,319 --> 00:37:25,822
(KNOCKING ON DOOR)

772
00:37:25,855 --> 00:37:27,724
MAN: <i>I'm afraid we
need the room back.</i>

773
00:37:27,757 --> 00:37:29,692
I told you I'll
be packed and ready

774
00:37:29,726 --> 00:37:31,728
to go within an hour.

775
00:37:31,761 --> 00:37:34,329
(UPBEAT MUSIC)

776
00:37:42,605 --> 00:37:43,773
(MANDEEP SIGHS)

777
00:37:46,241 --> 00:37:49,012
Ah, thank God I caught you.

778
00:37:49,045 --> 00:37:50,847
You are my only hope.

779
00:37:50,880 --> 00:37:52,915
Something terrible
has taken place.

780
00:37:52,949 --> 00:37:55,385
You heard strange
noises in the night?

781
00:37:55,418 --> 00:37:57,319
Boards creaking? Doors slamming?

782
00:37:57,352 --> 00:38:00,222
A subdued moaning
in the passages?

783
00:38:00,255 --> 00:38:02,058
Eh, no, none of those.

784
00:38:02,091 --> 00:38:03,126
Oh.

785
00:38:03,158 --> 00:38:05,561
But, it appears that
after the seance

786
00:38:05,595 --> 00:38:07,930
my husband's first wife, Elvira,

787
00:38:07,964 --> 00:38:12,267
who died seven years
ago, is back among us.

788
00:38:12,300 --> 00:38:18,775
At last. A genuine
materialization.

789
00:38:18,808 --> 00:38:22,177
I knew something stupendous
had happened to me that night.

790
00:38:22,210 --> 00:38:24,514
I felt it in my spinal cortex.

791
00:38:24,547 --> 00:38:28,685
Oh, after all these years
of, of spiritual devotion,

792
00:38:28,718 --> 00:38:32,789
I've finally been
rewarded (KISSES).

793
00:38:32,822 --> 00:38:35,458
I appreciate the pride
in your achievement,

794
00:38:35,491 --> 00:38:36,769
but I would like to
point out it's making

795
00:38:36,793 --> 00:38:38,661
my position in my
home untenable,

796
00:38:38,695 --> 00:38:41,698
and I hold you
entirely responsible.

797
00:38:41,731 --> 00:38:44,467
Oh, forgive me,
Mrs. Condomine.

798
00:38:44,500 --> 00:38:46,602
I'm being abominably selfish.

799
00:38:46,636 --> 00:38:49,639
Just to help me get
this clear in my mind,

800
00:38:49,672 --> 00:38:53,109
y-you yourself have not
seen this manifestation?

801
00:38:53,142 --> 00:38:58,614
No, but Charles claims
he can see and talk to her.

802
00:38:58,648 --> 00:39:01,249
Well, if the emotional
connection is strong,

803
00:39:01,283 --> 00:39:03,486
that is sometimes possible.

804
00:39:03,519 --> 00:39:05,088
What?

805
00:39:05,121 --> 00:39:08,991
It can sometimes develop

806
00:39:09,025 --> 00:39:11,594
into a level ten,

807
00:39:11,627 --> 00:39:14,097
something I've never
even dared dream of.

808
00:39:16,766 --> 00:39:20,536
Can he, by any
chance, touch her?

809
00:39:22,739 --> 00:39:24,507
I sincerely hope not.

810
00:39:26,909 --> 00:39:28,411
Why?

811
00:39:28,444 --> 00:39:29,912
Can that happen?

812
00:39:29,946 --> 00:39:34,150
Well. if the returning spirit
feels welcome... it can

813
00:39:36,018 --> 00:39:41,557
gradually become
physically... substantial.

814
00:39:42,725 --> 00:39:44,259
Thank you, Mrs. Bradman.

815
00:39:44,292 --> 00:39:46,963
Well, please do let me know
if you hear from her.

816
00:39:46,996 --> 00:39:48,164
(PHONE HANGING UP)

817
00:39:51,067 --> 00:39:53,603
She's not there either.

818
00:39:53,636 --> 00:39:55,370
I remember when you
couldn't wait to spend

819
00:39:55,404 --> 00:39:57,607
an afternoon alone with me.

820
00:39:57,640 --> 00:40:00,610
Please refrain from
playing with my affections.

821
00:40:00,643 --> 00:40:01,844
I feel strange enough.

822
00:40:01,878 --> 00:40:03,846
So you do still
find me attractive?

823
00:40:03,880 --> 00:40:05,148
Elvira, please.

824
00:40:06,816 --> 00:40:08,050
This isn't appropriate.

825
00:40:09,018 --> 00:40:10,086
Look into my eyes.

826
00:40:11,921 --> 00:40:13,256
(SOFT MUSIC)

827
00:40:13,288 --> 00:40:15,323
And tell me you don't
love me anymore.

828
00:40:18,094 --> 00:40:19,962
I shall always love
the memory of you.

829
00:40:19,996 --> 00:40:23,199
Memories are about
the past, Charles.

830
00:40:23,232 --> 00:40:24,366
But I'm here.

831
00:40:25,367 --> 00:40:27,136
And this is the present.

832
00:40:28,538 --> 00:40:30,173
Why don't we take the boat out

833
00:40:30,206 --> 00:40:32,608
like we used to
and get some air?

834
00:40:35,077 --> 00:40:37,013
I can't. I'm on a deadline.

835
00:40:38,381 --> 00:40:41,284
What are you writing? Checks?

836
00:40:41,316 --> 00:40:42,528
I'll have you know
I've been commissioned

837
00:40:42,552 --> 00:40:44,453
to adapt my first
novel for the screen.

838
00:40:45,521 --> 00:40:46,856
Your first novel?

839
00:40:48,858 --> 00:40:50,259
Nearly wore my
fingers to the bone

840
00:40:50,293 --> 00:40:52,195
committing this
story to the page.

841
00:40:52,228 --> 00:40:53,696
Let's face it, darling.

842
00:40:53,729 --> 00:40:55,507
It's not a coincidence
that you haven't published

843
00:40:55,531 --> 00:40:58,835
a word since my demise.

844
00:40:58,868 --> 00:41:01,571
I won't deny, you did have
a certain flair for plot.

845
00:41:01,604 --> 00:41:02,772
Mm-hmm.

846
00:41:02,805 --> 00:41:03,606
And character.

847
00:41:03,639 --> 00:41:05,007
And?

848
00:41:06,142 --> 00:41:07,109
And dialogue.

849
00:41:07,143 --> 00:41:08,177
Right.

850
00:41:08,211 --> 00:41:10,713
(WATER LAPPING)

851
00:41:10,746 --> 00:41:13,583
(LIGHT MUSIC)

852
00:41:13,616 --> 00:41:15,027
The biggest problem
you have is the twist

853
00:41:15,051 --> 00:41:16,185
into the third act.

854
00:41:16,219 --> 00:41:17,563
It isn't dramatic
enough, which is why you

855
00:41:17,587 --> 00:41:20,022
don't have a satisfying climax.

856
00:41:20,056 --> 00:41:21,424
Tell me something
I don't know.

857
00:41:21,457 --> 00:41:23,001
Wouldn't it be smarter
to put the whole thing

858
00:41:23,025 --> 00:41:25,494
on its head and reveal
the husband as the killer?

859
00:41:26,596 --> 00:41:27,763
Oh that's good.

860
00:41:27,797 --> 00:41:29,866
Or, what would
be more interesting

861
00:41:29,899 --> 00:41:31,667
is if it's the wife
who set him up.

862
00:41:33,569 --> 00:41:35,771
Why would the wife send
her husband to the gallows?

863
00:41:35,805 --> 00:41:37,039
It's obvious, darling.

864
00:41:37,073 --> 00:41:39,141
Susan Rutherford becomes
the prime suspect

865
00:41:39,175 --> 00:41:41,777
when her alibi fails to
materialize, and we naturally

866
00:41:41,811 --> 00:41:44,280
assume that she's trying
to protect the reputation

867
00:41:44,313 --> 00:41:46,215
of the foreign secretary,
whose aspirations

868
00:41:46,249 --> 00:41:48,918
of becoming the prime minister
would be severely compromised

869
00:41:48,951 --> 00:41:52,788
if it was revealed that
he was having an affair.

870
00:41:52,822 --> 00:41:55,858
But, in reality, nothing could
be further from the truth,

871
00:41:55,892 --> 00:41:58,127
which is what we learn
from the victim himself.

872
00:41:58,160 --> 00:42:00,863
And it's only through the medium
that they can work it out.

873
00:42:02,064 --> 00:42:03,165
Work what out?

874
00:42:03,199 --> 00:42:04,166
That she's pregnant
with the dead

875
00:42:04,200 --> 00:42:05,240
foreign secretary's child.

876
00:42:07,536 --> 00:42:09,205
Oh, that's good.

877
00:42:09,238 --> 00:42:10,506
Mm.

878
00:42:10,539 --> 00:42:13,709
(LAUGHS) Well even I
didn't see that one coming.

879
00:42:13,743 --> 00:42:15,011
Of course you didn't, darling.

880
00:42:15,044 --> 00:42:16,178
You're just the writer.

881
00:42:19,048 --> 00:42:22,285
I'm afraid, Mrs.
Condomine, the time has come

882
00:42:22,318 --> 00:42:24,520
for me to admit quite frankly,

883
00:42:24,553 --> 00:42:27,423
I haven't the foggiest
idea how to send her back.

884
00:42:28,824 --> 00:42:31,093
I have my own personal
reasons for wishing

885
00:42:31,127 --> 00:42:33,629
to communicate
with the departed,

886
00:42:33,663 --> 00:42:36,265
but I never for a moment
considered the possibility

887
00:42:36,299 --> 00:42:38,467
of having to send someone back.

888
00:42:38,501 --> 00:42:41,470
Well I suggest
that you find a way.

889
00:42:41,504 --> 00:42:44,473
I refuse to share my
husband with anyone,

890
00:42:44,507 --> 00:42:46,842
especially his dead ex-wife.

891
00:42:46,876 --> 00:42:49,045
Well if I thought for a
moment that your husband

892
00:42:49,078 --> 00:42:51,480
wished to get in
touch with the spirit

893
00:42:51,514 --> 00:42:53,816
of his dead ex-wife,
I would have of course

894
00:42:53,849 --> 00:42:55,051
consulted you first.

895
00:42:55,084 --> 00:42:57,053
After all, <i>noblesse oblige</i>.

896
00:42:57,086 --> 00:42:58,964
He had no intention of
getting in touch with her.

897
00:42:58,988 --> 00:43:00,156
I can assure you.

898
00:43:00,189 --> 00:43:01,500
The whole thing was
planned in order

899
00:43:01,524 --> 00:43:04,560
to get material for
his new project.

900
00:43:04,593 --> 00:43:08,364
Am I to understand I was
invited in the spirit of mockery?

901
00:43:08,398 --> 00:43:09,999
He merely wanted
to make some notes

902
00:43:10,032 --> 00:43:11,734
of the tricks of the trade.

903
00:43:11,767 --> 00:43:13,035
Tricks of the trade?

904
00:43:13,069 --> 00:43:15,439
I've never been so
insulted in my life.

905
00:43:15,471 --> 00:43:17,073
I'm sorry, that
all came out wrong.

906
00:43:17,106 --> 00:43:19,608
I'm, I'm rather overwrought
with the whole affair.

907
00:43:21,811 --> 00:43:23,813
Please, I implore
you to help us.

908
00:43:25,781 --> 00:43:27,650
I will go to the
Spiritual Alliance

909
00:43:27,683 --> 00:43:31,320
on my way back to Sussex
and ask them for guidance.

910
00:43:31,354 --> 00:43:36,158
Sussex? You can't abandon
us in our hour of need.

911
00:43:36,192 --> 00:43:37,927
Well, due to my
recent circumstances,

912
00:43:37,960 --> 00:43:40,229
I can no longer
afford to stay here,

913
00:43:40,262 --> 00:43:41,431
but you can contact me.

914
00:43:43,232 --> 00:43:46,302
I can cover your hotel
bill, and any expenses,

915
00:43:46,335 --> 00:43:49,171
till this terrifying
ordeal has been resolved.

916
00:43:49,205 --> 00:43:50,506
(LIGHT MUSIC)

917
00:43:50,539 --> 00:43:52,708
(PEN SCRIBBLING)

918
00:43:52,742 --> 00:43:56,045
(TYPEWRITER CLACKING)

919
00:43:56,078 --> 00:43:57,313
ELVIRA: <i>Susan
Rutherford leans</i>

920
00:43:57,346 --> 00:43:58,681
<i>over the foreign secretary.</i>

921
00:43:59,682 --> 00:44:01,517
Don't stop.

922
00:44:01,550 --> 00:44:06,255
'The Soviet Union can wait.'
Says the foreign secretary.

923
00:44:06,288 --> 00:44:10,192
He turns, and looks
at Susan longingly.

924
00:44:10,226 --> 00:44:13,529
'This can't, ' he
whispers urgently.

925
00:44:13,562 --> 00:44:15,931
(TYPEWRITER CLACKING)

926
00:44:15,965 --> 00:44:19,368
And then... he starts to slowly

927
00:44:21,037 --> 00:44:22,037
unbutton

928
00:44:22,972 --> 00:44:25,141
her silk blouse,

929
00:44:25,174 --> 00:44:29,912
as they start to
passionately kiss.

930
00:44:32,715 --> 00:44:35,684
Okay. That takes us up
to the first act turn.

931
00:44:38,287 --> 00:44:40,356
You can't just stop mid-flow.

932
00:44:40,390 --> 00:44:43,259
I'm tired, and I'm thirsty,

933
00:44:43,292 --> 00:44:45,561
and I want to go into
town and drink Negronis

934
00:44:45,594 --> 00:44:47,497
like we used to.

935
00:44:47,531 --> 00:44:49,899
But it's, it's getting late.

936
00:44:49,932 --> 00:44:51,643
You really have got a
little too comfortable

937
00:44:51,667 --> 00:44:52,968
in your slippers, Charles.

938
00:44:54,136 --> 00:44:56,705
(UPBEAT MUSIC)

939
00:44:59,375 --> 00:45:04,213
♪ The price of inspiration ♪

940
00:45:04,246 --> 00:45:08,418
♪ Would be too high ♪

941
00:45:08,452 --> 00:45:14,323
♪ If, to inspire my creation, ♪

942
00:45:14,356 --> 00:45:17,827
♪ we had to say goodbye ♪

943
00:45:17,860 --> 00:45:20,464
♪ If you're putting
pen to paper ♪

944
00:45:20,497 --> 00:45:22,499
♪ A singer with a song ♪

945
00:45:22,532 --> 00:45:24,166
♪ nothing's got the rhythm
for the line ♪

946
00:45:24,200 --> 00:45:25,935
What do you want, Elvira?

947
00:45:25,968 --> 00:45:27,236
- Want?
- Hmm.

948
00:45:27,269 --> 00:45:29,705
I don't know what you mean.

949
00:45:29,738 --> 00:45:31,774
I remember whenever you
were overwhelmingly demure,

950
00:45:31,807 --> 00:45:34,110
it usually meant that
you wanted something.

951
00:45:34,143 --> 00:45:37,680
It's horrid of you
to be so suspicious.

952
00:45:37,713 --> 00:45:41,317
All I want is to
be alone with you.

953
00:45:41,350 --> 00:45:44,053
I can't deny, I do feel rather
peculiar seeing you again.

954
00:45:46,655 --> 00:45:49,024
I've missed you
more than life itself.

955
00:45:51,093 --> 00:45:52,194
I've missed you too.

956
00:45:54,063 --> 00:45:55,331
My American dream.

957
00:46:00,102 --> 00:46:03,339
I was utterly heartbroken
after the accident.

958
00:46:08,478 --> 00:46:09,621
The truth is, I
don't believe I ever

959
00:46:09,645 --> 00:46:10,980
really got over losing you.

960
00:46:14,584 --> 00:46:15,684
Do you love Ruth?

961
00:46:17,454 --> 00:46:18,454
Of course I do.

962
00:46:20,689 --> 00:46:22,291
As much as you loved me?

963
00:46:24,326 --> 00:46:25,761
Don't be silly.

964
00:46:28,565 --> 00:46:30,567
It's entirely different.

965
00:46:33,002 --> 00:46:35,572
I'm so glad.

966
00:46:35,605 --> 00:46:38,040
Nothing could have ever been
quite the same, could it?

967
00:46:40,142 --> 00:46:42,244
(SOFT PIANO MUSIC)

968
00:46:42,278 --> 00:46:44,079
(EXHALING)

969
00:46:46,081 --> 00:46:47,517
Let's go to SoHo.

970
00:46:50,019 --> 00:46:52,556
Swap the slippers for
some dancing shoes?

971
00:46:53,390 --> 00:46:57,627
(UPBEAT DANCE MUSIC)

972
00:46:57,661 --> 00:47:01,163
♪ You gotta give a
little, take a little ♪

973
00:47:01,197 --> 00:47:04,200
♪ Let your poor heart
break a little ♪

974
00:47:04,233 --> 00:47:09,606
♪ That's the story of,
that's the glory of love ♪

975
00:47:09,639 --> 00:47:12,975
♪ You gotta laugh a
little, cry a little ♪

976
00:47:13,008 --> 00:47:15,911
♪ Let the clouds
roll back a little ♪

977
00:47:15,945 --> 00:47:21,317
♪ That's the story of,
that's the glory of love ♪

978
00:47:21,350 --> 00:47:26,288
♪ As long as there's the two of us
we got the world and all its charms ♪

979
00:47:26,322 --> 00:47:27,823
CHARLES: I think
I'm gonna be sick.

980
00:47:27,856 --> 00:47:28,824
Oh, God.

981
00:47:28,857 --> 00:47:29,892
RUTH: Charles!

982
00:47:29,925 --> 00:47:31,060
(BRAKES SQUEALING)

983
00:47:31,827 --> 00:47:33,862
(ENGINE GUNNING)

984
00:47:33,896 --> 00:47:36,700
I love being back
behind the wheel of a car.

985
00:47:36,732 --> 00:47:38,801
Can't say the
feeling's mutual.

986
00:47:38,834 --> 00:47:40,470
Charles?

987
00:47:40,503 --> 00:47:42,515
Where on earth have you
been? I've been worried sick.

988
00:47:42,539 --> 00:47:45,040
It's too bad
it's not terminal.

989
00:47:45,074 --> 00:47:48,545
I wanted to clear my head,
so I took a long drive.

990
00:47:48,578 --> 00:47:50,513
In the passenger seat?

991
00:47:50,547 --> 00:47:54,149
Look, let's not quarrel
when we should be celebrating.

992
00:47:54,183 --> 00:47:55,985
I finished the first
act of my screenplay,

993
00:47:56,018 --> 00:47:58,187
and it's rather good.

994
00:47:58,220 --> 00:48:00,356
My screenplay more like.

995
00:48:00,390 --> 00:48:02,124
How did you manage
that in a day?

996
00:48:04,226 --> 00:48:05,629
Elvira helped me.

997
00:48:05,662 --> 00:48:08,130
Do you mean to tell me
that not only has she bullied

998
00:48:08,163 --> 00:48:10,132
her way back over the threshold,

999
00:48:10,165 --> 00:48:12,935
she's trying to work
with you now as well?

1000
00:48:12,968 --> 00:48:14,136
What do you mean trying?

1001
00:48:14,169 --> 00:48:15,639
I've written 15
books in your name.

1002
00:48:15,672 --> 00:48:18,207
Elvira, this is neither
the time nor the place.

1003
00:48:18,240 --> 00:48:20,809
Oh, this is intolerable.

1004
00:48:20,843 --> 00:48:23,912
Elvira, now you listen to me.

1005
00:48:23,946 --> 00:48:24,714
Darling?

1006
00:48:24,748 --> 00:48:25,548
I... Yes?

1007
00:48:25,582 --> 00:48:27,016
She's over there.

1008
00:48:27,049 --> 00:48:28,049
Right.

1009
00:48:31,954 --> 00:48:33,623
Now listen here, Elvira.

1010
00:48:33,657 --> 00:48:35,425
I've been to see Madame Arcati.

1011
00:48:35,458 --> 00:48:36,992
She's going to send you back

1012
00:48:37,026 --> 00:48:39,962
to wherever it is she
regrettably dragged you from.

1013
00:48:41,096 --> 00:48:41,930
Charles?

1014
00:48:41,964 --> 00:48:42,699
(RUTH CRIES)

1015
00:48:42,732 --> 00:48:43,732
Charles?

1016
00:48:44,601 --> 00:48:45,602
(DOOR SLAMMING)

1017
00:48:45,635 --> 00:48:46,969
Don't.

1018
00:48:47,002 --> 00:48:49,406
(OMINOUS MUSIC)

1019
00:48:53,876 --> 00:48:56,546
(CLOCK TICKING)

1020
00:49:00,550 --> 00:49:02,818
Darling, please don't be upset.

1021
00:49:02,851 --> 00:49:05,655
Upset? You've just spent
the night with your ex-wife.

1022
00:49:05,689 --> 00:49:07,923
How do you expect me to feel?

1023
00:49:07,956 --> 00:49:09,258
Ecstatic.

1024
00:49:09,291 --> 00:49:10,627
Oooh.

1025
00:49:10,660 --> 00:49:14,930
Our dream of going to Hollywood
is finally within our grasp.

1026
00:49:14,963 --> 00:49:16,174
As soon as I deliver
this screenplay,

1027
00:49:16,198 --> 00:49:17,434
we'll be crossing the Atlantic

1028
00:49:17,467 --> 00:49:19,669
quicker than you can
say Sunset Boulevard.

1029
00:49:21,904 --> 00:49:24,940
Think of the glitz.
The glamour.

1030
00:49:26,308 --> 00:49:29,078
The good times
we're gonna share.

1031
00:49:29,111 --> 00:49:32,014
You won't be reading about
other people's lives anymore.

1032
00:49:32,047 --> 00:49:33,483
They'll be reading about ours.

1033
00:49:34,517 --> 00:49:36,919
(SOFT MUSIC)

1034
00:49:44,561 --> 00:49:47,397
And you can't
do it without her?

1035
00:49:48,565 --> 00:49:50,533
Of course I can.

1036
00:49:50,567 --> 00:49:52,167
It'll just be a lot
quicker this way.

1037
00:49:55,070 --> 00:49:57,306
There's really no need
for you to be jealous.

1038
00:49:58,775 --> 00:50:01,845
You're the one I love.

1039
00:50:01,877 --> 00:50:04,079
Forgive me that I
don't tell you enough.

1040
00:50:07,650 --> 00:50:09,419
Now that the words are flowing,

1041
00:50:09,452 --> 00:50:12,888
I feel unblocked
in other areas too.

1042
00:50:12,921 --> 00:50:15,324
(SOFT MUSIC)

1043
00:50:19,161 --> 00:50:21,330
Promise me you
can't touch her.

1044
00:50:23,800 --> 00:50:26,870
Darling, she's a ghost.

1045
00:50:29,304 --> 00:50:31,875
And besides, the only woman
I want to touch is you.

1046
00:50:33,610 --> 00:50:36,044
(SOFT MUSIC)

1047
00:50:49,158 --> 00:50:51,728
(BELL TOLLS)

1048
00:50:54,597 --> 00:50:57,232
(CLOCK TICKING)

1049
00:50:59,268 --> 00:51:02,037
(BIRDS SQUAWKING)

1050
00:51:02,070 --> 00:51:04,741
(CLOCK TICKING)

1051
00:51:05,608 --> 00:51:07,610
(GROANING)

1052
00:51:09,846 --> 00:51:13,716
(GENTLE DREAMY MUSIC)

1053
00:51:13,750 --> 00:51:16,419
Listen here, lady.

1054
00:51:16,453 --> 00:51:19,021
You may have summoned
me into this world,

1055
00:51:19,054 --> 00:51:22,826
but there's no way I'm going
to let you send me back again.

1056
00:51:24,494 --> 00:51:25,929
I'm here to stay.

1057
00:51:26,896 --> 00:51:27,896
Is that clear?

1058
00:51:28,932 --> 00:51:31,099
(YAWNING)

1059
00:51:37,507 --> 00:51:38,508
(GASPS)

1060
00:51:38,541 --> 00:51:41,778
(LIGHT MUSIC)

1061
00:51:41,811 --> 00:51:44,079
(SNIFFING)

1062
00:51:45,582 --> 00:51:48,050
(LIGHT MUSIC)

1063
00:51:49,853 --> 00:51:50,853
Oh.

1064
00:51:51,454 --> 00:51:52,455
Mm.

1065
00:51:53,355 --> 00:51:54,156
Hmm.

1066
00:51:54,189 --> 00:51:57,125
(LIGHT MUSIC)

1067
00:51:57,159 --> 00:51:59,696
(WIND BLOWING)

1068
00:52:02,599 --> 00:52:06,235
How dare you ignore me,
you meddling old crone?

1069
00:52:06,268 --> 00:52:09,439
Either you leave me in
your peace to live my life,

1070
00:52:09,472 --> 00:52:12,040
or I'll haunt you
until the day you die.

1071
00:52:12,976 --> 00:52:15,745
(DRAMATIC MUSIC)

1072
00:52:24,119 --> 00:52:26,689
The Tower. Symbol of chaos,

1073
00:52:28,290 --> 00:52:29,290
destruction

1074
00:52:30,827 --> 00:52:31,961
and devastation.

1075
00:52:34,464 --> 00:52:35,464
(SIGHS)

1076
00:52:36,231 --> 00:52:39,234
(BIRDS SINGING)

1077
00:52:39,268 --> 00:52:41,938
(CLOCK TICKING)

1078
00:52:42,972 --> 00:52:45,842
(SOFT BREATHING)

1079
00:52:45,875 --> 00:52:46,843
Wakey-wakey.

1080
00:52:46,876 --> 00:52:47,644
(SOUND OF SHEARS)

1081
00:52:47,677 --> 00:52:49,111
Rise and shine.

1082
00:52:50,914 --> 00:52:53,683
What was I, Charles?
The warm-up act?

1083
00:52:53,716 --> 00:52:56,853
(SOFT DRAMATIC MUSIC)

1084
00:52:57,787 --> 00:52:59,856
If I was you, I'd keep it there.

1085
00:53:04,259 --> 00:53:05,728
Good afternoon, ma'am.

1086
00:53:05,762 --> 00:53:07,864
I'm going to have
to correct you, Edith.

1087
00:53:07,897 --> 00:53:10,633
It's not a good afternoon.
It's a glorious one.

1088
00:53:12,234 --> 00:53:13,870
Shall I prepare lunch?

1089
00:53:13,903 --> 00:53:15,337
Ah, yes please.
You read my mind.

1090
00:53:15,370 --> 00:53:16,873
I'm absolutely famished.

1091
00:53:16,906 --> 00:53:20,108
I'd like a cheese and pickle
platter. With extra pickle.

1092
00:53:21,811 --> 00:53:22,912
Yes, ma'am.

1093
00:53:22,946 --> 00:53:23,980
(LIGHT MUSIC)

1094
00:53:24,013 --> 00:53:25,013
Oh.

1095
00:53:26,416 --> 00:53:28,317
What happened to your leg?

1096
00:53:28,350 --> 00:53:29,852
Oh, I slipped
down the staircase.

1097
00:53:29,886 --> 00:53:31,387
You really must
refrain from doing

1098
00:53:31,421 --> 00:53:32,622
everything at the double.

1099
00:53:32,655 --> 00:53:34,156
You're not in the
navy, you know.

1100
00:53:34,189 --> 00:53:35,625
I wasn't hurrying, ma'am.

1101
00:53:35,658 --> 00:53:38,260
There was axle grease smeared
all over the top step.

1102
00:53:44,934 --> 00:53:46,769
HENRY: <i>Yes, her
agent loves the pitch,</i>

1103
00:53:46,803 --> 00:53:49,338
<i>thinks it would be a
perfect vehicle for her.</i>

1104
00:53:49,371 --> 00:53:50,740
Seriously? Greta Garbo?

1105
00:53:50,773 --> 00:53:52,775
HENRY: <i>Yes.</i>

1106
00:53:52,809 --> 00:53:55,110
Mata Hari speaking my words
would be a dream come true.

1107
00:53:55,143 --> 00:53:57,480
HENRY: <i>Charles, are
you still on track?</i>

1108
00:53:57,513 --> 00:53:58,948
Yes, absolutely
still on track.

1109
00:53:58,982 --> 00:54:00,158
I'll send the next ream of pages

1110
00:54:00,182 --> 00:54:01,784
over as I reach the
second act turn.

1111
00:54:01,818 --> 00:54:03,019
HENRY: <i>Don't let me down.</i>

1112
00:54:03,052 --> 00:54:05,021
Thank you, Henry.
And I appreciate your

1113
00:54:05,054 --> 00:54:06,789
continued patience and belief.

1114
00:54:06,823 --> 00:54:07,490
HENRY: <i>Splendid.</i>

1115
00:54:07,523 --> 00:54:08,223
Goodbye, g...

1116
00:54:08,256 --> 00:54:09,559
(RING TONE...)

1117
00:54:13,997 --> 00:54:16,666
(BIRDS SINGING)

1118
00:54:19,769 --> 00:54:22,839
(UPBEAT LIGHT MUSIC)

1119
00:54:32,280 --> 00:54:34,316
(SIGHS)

1120
00:54:34,349 --> 00:54:36,853
(LIGHT MUSIC)

1121
00:54:50,800 --> 00:54:51,800
(SIGHS)

1122
00:54:52,902 --> 00:54:55,405
(LIGHT MUSIC)

1123
00:54:57,740 --> 00:54:59,207
Elvira, what are you doing?

1124
00:54:59,241 --> 00:55:01,577
Greta Garbo speaking my words?

1125
00:55:01,611 --> 00:55:03,012
Darling, what am
I supposed to say?

1126
00:55:03,046 --> 00:55:05,548
That I've got a ghostwriter?

1127
00:55:06,549 --> 00:55:07,717
Stop it.

1128
00:55:07,750 --> 00:55:09,128
Elvira, that's one
of our wedding gifts.

1129
00:55:09,152 --> 00:55:11,454
Not ours, Charles, Hers.

1130
00:55:14,157 --> 00:55:15,725
(PANTING)

1131
00:55:15,758 --> 00:55:17,225
You care more about
breaking china

1132
00:55:17,259 --> 00:55:19,162
than you do about
breaking my heart.

1133
00:55:21,564 --> 00:55:23,700
(CHUCKLING)

1134
00:55:23,733 --> 00:55:26,669
Elvira, I was unwaveringly
loyal and faithful

1135
00:55:26,703 --> 00:55:28,905
to you in all our
years of marriage.

1136
00:55:28,938 --> 00:55:30,907
What was I supposed
to do after you died?

1137
00:55:30,940 --> 00:55:33,308
Become a recluse and
wear a black armband

1138
00:55:33,341 --> 00:55:34,544
for the rest of my life?

1139
00:55:35,778 --> 00:55:36,813
(CRASH!)

1140
00:55:38,147 --> 00:55:40,383
Ma'am, the garden
judges are here.

1141
00:55:41,283 --> 00:55:42,350
Ah.

1142
00:55:42,385 --> 00:55:43,385
Thank you, Edith.

1143
00:55:44,087 --> 00:55:46,589
(LIGHT MUSIC)

1144
00:55:47,657 --> 00:55:49,792
(GIGGLING)

1145
00:55:49,826 --> 00:55:52,562
(DRAMATIC MUSIC)

1146
00:55:55,098 --> 00:55:57,700
Oh, we've been sabotaged.

1147
00:55:59,035 --> 00:56:00,670
(WHIP CRACKS)

1148
00:56:01,571 --> 00:56:04,107
(LIGHT MUSIC)

1149
00:56:04,140 --> 00:56:07,309
(PASSERSBY CHATTERING)

1150
00:56:07,342 --> 00:56:09,846
(LIGHT MUSIC)

1151
00:56:15,985 --> 00:56:18,721
Oh, that is an
outrageous suggestion.

1152
00:56:18,755 --> 00:56:21,057
As the national director
of the Spiritual Alliance,

1153
00:56:21,090 --> 00:56:22,759
my job is to protect
the reputation

1154
00:56:22,792 --> 00:56:25,161
of genuine psychic practitioners,
not undermine them.

1155
00:56:25,194 --> 00:56:26,429
CALLER: <i>I see.</i>

1156
00:56:26,462 --> 00:56:29,499
And I vow, along with
my friend Harry Houdini,

1157
00:56:29,532 --> 00:56:33,368
to investigate and expose
every fraudulent spiritualist

1158
00:56:33,402 --> 00:56:34,570
operating in this country.

1159
00:56:34,604 --> 00:56:35,538
CALLER: <i>Very good sir.</i>

1160
00:56:35,571 --> 00:56:36,338
(KNOCKING ON DOOR)

1161
00:56:36,371 --> 00:56:37,540
Come in.

1162
00:56:37,573 --> 00:56:38,741
(DOOR CREAKING)

1163
00:56:38,775 --> 00:56:40,342
Madame Arcati here
to see you, sir.

1164
00:56:40,375 --> 00:56:41,386
CALLER: <i>Thank you very
much for your time, sir.</i>

1165
00:56:41,410 --> 00:56:43,813
Yes... well no-no-no,
thank you.

1166
00:56:43,846 --> 00:56:44,847
CALLER: <i>Thank you.</i>

1167
00:56:44,881 --> 00:56:46,391
Always a pleasure to
talk to the press.

1168
00:56:46,415 --> 00:56:47,784
CALLER: <i>Goodbye, sir.</i>

1169
00:56:47,817 --> 00:56:48,951
Well you've got a cheek,

1170
00:56:48,985 --> 00:56:51,788
showing your face
while you're suspended.

1171
00:56:51,821 --> 00:56:53,523
I'm sorry to turn
up unannounced,

1172
00:56:53,556 --> 00:56:56,559
but I urgently
need your guidance.

1173
00:56:56,592 --> 00:57:00,730
I have pulled off a
level-ten manifestation.

1174
00:57:02,231 --> 00:57:04,200
And was this before
or after you conned

1175
00:57:04,233 --> 00:57:06,402
800 people into paying
to see you levitate?

1176
00:57:06,435 --> 00:57:08,070
No, really, you must
believe me, Harry.

1177
00:57:08,104 --> 00:57:12,008
And it is possible this
presence has a physical form.

1178
00:57:12,041 --> 00:57:14,610
(TYPEWRITER CLACKING)

1179
00:57:14,644 --> 00:57:16,245
Margot, where
are the scissors?

1180
00:57:16,279 --> 00:57:18,514
Drawer.

1181
00:57:18,548 --> 00:57:21,918
So you're telling me that the
first level-ten manifestation

1182
00:57:21,951 --> 00:57:25,454
reported in over three
centuries was the result

1183
00:57:25,488 --> 00:57:27,256
of an ordinary
common-or-garden seance.

1184
00:57:27,290 --> 00:57:28,524
Yes, that is correct.

1185
00:57:30,293 --> 00:57:32,428
What did you use as a guide?

1186
00:57:32,461 --> 00:57:36,799
Oh, um, this. 
<i>The Art of the Seance.</i>

1187
00:57:36,833 --> 00:57:37,633
Ohh.

1188
00:57:37,667 --> 00:57:40,169
(LIGHT MUSIC)

1189
00:57:40,203 --> 00:57:41,404
Can you help me?

1190
00:57:41,437 --> 00:57:43,439
Yes, Madame Arcati,
yes, I think I can.

1191
00:57:43,472 --> 00:57:45,842
Do you have your
membership card?

1192
00:57:45,875 --> 00:57:47,310
Membership card, eh...

1193
00:57:50,046 --> 00:57:51,814
Yes.

1194
00:57:51,848 --> 00:57:53,058
I'm going to start
by terminating

1195
00:57:53,082 --> 00:57:55,284
your membership with
immediate effect.

1196
00:57:55,318 --> 00:57:59,856
This is no place for
fantasists or frauds.

1197
00:57:59,889 --> 00:58:02,992
Margot. Madame
Arcati's leaving now.

1198
00:58:03,025 --> 00:58:06,195
(SOFT DRAMATIC MUSIC)

1199
00:58:12,802 --> 00:58:15,972
Meet me at Temple
Square in an hour.

1200
00:58:19,775 --> 00:58:21,911
(BELL TOLLS)

1201
00:58:29,385 --> 00:58:31,888
MARGOT: Chapter four,
page nine, paragraph six.

1202
00:58:37,026 --> 00:58:39,262
(GASPS) A banishing spell.

1203
00:58:39,295 --> 00:58:42,131
Oh, Margot, thank you.

1204
00:58:42,164 --> 00:58:43,566
We don't have long.

1205
00:58:43,599 --> 00:58:44,810
I need to replace it in the safe

1206
00:58:44,834 --> 00:58:46,802
before Mr. Price
returns from lunch.

1207
00:58:46,836 --> 00:58:50,406
It's recorded in
ancient Druidic text.

1208
00:58:50,439 --> 00:58:52,675
I'm a little rusty,
but I'll do my best.

1209
00:58:52,708 --> 00:58:54,911
Oh, oh wait.

1210
00:58:54,944 --> 00:58:58,180
(PASSERSBY CHATTERING)

1211
00:59:02,318 --> 00:59:05,955
Take Ceridwens's
brew of Devil's Claw.

1212
00:59:06,956 --> 00:59:07,857
Devil's Claw.

1213
00:59:07,890 --> 00:59:10,526
Poisoned root of Aconite.

1214
00:59:10,559 --> 00:59:11,994
MADAME ARCATI: Oh, yes.

1215
00:59:12,028 --> 00:59:14,430
Elixir of Vervain flowers.

1216
00:59:14,463 --> 00:59:17,600
Verr..Oh, yes, of course,
that's the enchanter's plant.

1217
00:59:17,633 --> 00:59:20,136
(LIGHT MUSIC)

1218
00:59:25,074 --> 00:59:28,110
The sacrificial offering
is at its strongest

1219
00:59:28,144 --> 00:59:29,312
with a waning moon.

1220
00:59:29,345 --> 00:59:31,948
A waning moon.

1221
00:59:31,981 --> 00:59:34,083
Sprinkle black salt
on a stone altar.

1222
00:59:35,251 --> 00:59:36,452
Salt.

1223
00:59:36,485 --> 00:59:39,855
Then lay the freshly torn
bladder of a carnivore.

1224
00:59:39,889 --> 00:59:41,157
The bl-bladder?

1225
00:59:43,225 --> 00:59:45,127
Oh, no.

1226
00:59:45,161 --> 00:59:47,563
Freshly torn bladderwort.

1227
00:59:47,596 --> 00:59:48,798
Oh.

1228
00:59:48,831 --> 00:59:52,268
Of the carnivorous aquatic
Utricularia plant family.

1229
00:59:52,301 --> 00:59:53,769
Oh, thank heaven.

1230
00:59:53,803 --> 00:59:56,148
I thought for a minute I was going
to have to get my hands dirty.

1231
00:59:56,172 --> 00:59:57,172
(MARGOT LAUGHS)

1232
00:59:57,540 --> 01:00:00,410
(LIGHT MUSIC)

1233
01:00:00,444 --> 01:00:02,712
<i>Au revoir</i>, Madame Arcati.

1234
01:00:04,246 --> 01:00:05,246
Good luck.

1235
01:00:07,316 --> 01:00:10,387
(UPBEAT PARTY MUSIC)

1236
01:00:12,788 --> 01:00:14,523
Will you excuse me?

1237
01:00:16,225 --> 01:00:17,394
What about Clark Gable?

1238
01:00:17,427 --> 01:00:19,996
He'd make a dashing
Detective Frank Flowers.

1239
01:00:20,029 --> 01:00:22,064
Good actor, terrible breath.

1240
01:00:22,098 --> 01:00:23,032
Oh.

1241
01:00:23,065 --> 01:00:24,309
Very tricky for
the leading ladies.

1242
01:00:24,333 --> 01:00:25,735
I was thinking Cary Grant.

1243
01:00:25,768 --> 01:00:27,404
Now we're talking.

1244
01:00:27,437 --> 01:00:29,839
I look forward to making his
acquaintance at the premiere.

1245
01:00:29,872 --> 01:00:31,016
Well I'm afraid
you're getting ahead

1246
01:00:31,040 --> 01:00:32,341
of yourself there, Mrs. Bradman.

1247
01:00:32,375 --> 01:00:35,111
Even I can't make a
film without a script.

1248
01:00:35,144 --> 01:00:37,813
Be rather like trying to perform
surgery without a patient.

1249
01:00:37,847 --> 01:00:39,081
(LAUGHS)

1250
01:00:39,115 --> 01:00:40,859
The typewriter can be a
cruel and demanding mistress.

1251
01:00:40,883 --> 01:00:42,118
Yes, well, let's hope that's

1252
01:00:42,151 --> 01:00:44,320
the only affair
Charles is having.

1253
01:00:44,353 --> 01:00:45,855
(CHUCKLING)

1254
01:00:45,888 --> 01:00:48,524
(DRINK FIZZING)

1255
01:00:49,959 --> 01:00:51,495
Hello, Daddy.

1256
01:00:51,527 --> 01:00:53,362
Time for a speech.

1257
01:00:53,397 --> 01:00:54,464
Ah.

1258
01:00:54,498 --> 01:00:56,866
(CROWD APPLAUDING)

1259
01:00:56,899 --> 01:00:58,167
(DRINK FIZZING)

1260
01:00:58,200 --> 01:01:01,137
Ladies and gentlemen.
Ladies and gentlemen.

1261
01:01:02,605 --> 01:01:04,907
Ha-ha. Oh.

1262
01:01:04,940 --> 01:01:07,276
As a writer, people
are always expecting me

1263
01:01:07,309 --> 01:01:09,446
to come up with lots of words.

1264
01:01:09,479 --> 01:01:11,013
Hm.

1265
01:01:11,047 --> 01:01:13,049
Well, today I'm sure you'll
all be relieved to hear

1266
01:01:13,082 --> 01:01:15,951
that I'm going to keep
things short and sweet.

1267
01:01:15,985 --> 01:01:17,186
Just like my wife.

1268
01:01:17,219 --> 01:01:18,954
(LAUGHING)

1269
01:01:18,988 --> 01:01:21,624
If I were to create a
character as beautiful,

1270
01:01:21,657 --> 01:01:24,960
as poised, as perfect as Ruth,

1271
01:01:24,994 --> 01:01:28,297
my fans would accuse me
of straying into fantasy.

1272
01:01:28,330 --> 01:01:29,399
Oh.

1273
01:01:29,433 --> 01:01:31,033
But thankfully we
are all here today

1274
01:01:31,067 --> 01:01:33,969
to celebrate the fact
that Ruth is my reality,

1275
01:01:34,003 --> 01:01:38,240
and has been for
five fabulous years.

1276
01:01:38,274 --> 01:01:41,077
So, let us be
upstanding, upstandingly,

1277
01:01:41,110 --> 01:01:44,914
and raise our
glasses to true love.

1278
01:01:44,947 --> 01:01:47,950
- True love.
- True love.

1279
01:01:47,983 --> 01:01:49,118
True love.

1280
01:01:49,151 --> 01:01:50,286
(GROUP APPLAUDING)

1281
01:01:50,319 --> 01:01:51,353
Never dies.

1282
01:01:53,122 --> 01:01:55,691
(UPBEAT MUSIC)

1283
01:01:57,960 --> 01:02:00,397
♪ I wish I could I
shimmy like my sister Kate ♪

1284
01:02:00,430 --> 01:02:02,998
♪ She can shake like
a jelly on a plate ♪

1285
01:02:03,032 --> 01:02:05,334
♪ My mama wanted to
know last night ♪

1286
01:02:05,367 --> 01:02:07,770
♪ Why all the boys
treat Kate so nice ♪

1287
01:02:07,803 --> 01:02:10,139
♪ All the boys in
the neighborhood ♪

1288
01:02:10,172 --> 01:02:12,341
♪ Know that she
can shimmy good ♪

1289
01:02:12,374 --> 01:02:14,478
♪ You may be late but
you'll be up to date ♪

1290
01:02:14,511 --> 01:02:17,146
♪ When you can shimmy like
my sister Kate, oh yeah ♪

1291
01:02:17,179 --> 01:02:19,449
♪ Shimmy like my sister Kate ♪

1292
01:02:19,483 --> 01:02:22,284
♪ I went to a dance
with sister Kate ♪

1293
01:02:22,318 --> 01:02:24,620
♪ Everyone thought
that she was great ♪

1294
01:02:24,653 --> 01:02:25,797
♪ I looked around for
something new ♪

1295
01:02:25,821 --> 01:02:26,755
Lord Almighty.

1296
01:02:26,789 --> 01:02:28,290
Ruth, what on earth
are you doing?

1297
01:02:28,324 --> 01:02:29,658
Cooling off.

1298
01:02:29,692 --> 01:02:32,294
All that dancing got
me hot and sticky!

1299
01:02:34,230 --> 01:02:36,198
Everybody's looking.

1300
01:02:36,232 --> 01:02:39,168
I didn't know it was going
to be one of those parties.

1301
01:02:39,201 --> 01:02:40,903
You're as wet as
an otter's pocket.

1302
01:02:40,936 --> 01:02:42,238
What happened to your dress?

1303
01:02:42,271 --> 01:02:44,707
Well what happened
to yours, Daddy?

1304
01:02:45,841 --> 01:02:46,909
Everybody!

1305
01:02:46,942 --> 01:02:48,110
Yes, that's lovely, darling.

1306
01:02:48,144 --> 01:02:49,589
I'm not sure the fish
are enjoying this.

1307
01:02:49,613 --> 01:02:52,314
Why don't you come upstairs
and have a little lie-down, hm?

1308
01:02:52,348 --> 01:02:54,016
Only if you're
going to join me.

1309
01:02:55,217 --> 01:02:57,420
(LAUGHING)

1310
01:02:59,389 --> 01:03:02,559
Oh, make love to me like
it was the first time.

1311
01:03:04,628 --> 01:03:05,995
Whee!

1312
01:03:06,028 --> 01:03:08,632
Does Mr. Peasbody want
to come out and play?

1313
01:03:09,732 --> 01:03:10,732
Oh!

1314
01:03:11,300 --> 01:03:12,300
Ah.

1315
01:03:13,436 --> 01:03:14,803
Well, I'm not
surprised she doesn't

1316
01:03:14,837 --> 01:03:16,772
like to do it with
the lights on.

1317
01:03:16,805 --> 01:03:17,883
Don't be so vulgar, Elvira.

1318
01:03:17,907 --> 01:03:18,707
(GASP)

1319
01:03:18,741 --> 01:03:19,741
She's in here?!

1320
01:03:21,010 --> 01:03:23,746
Now you listen to me,
you low-rent hussy.

1321
01:03:23,779 --> 01:03:26,650
This is my party, my bedroom,

1322
01:03:26,682 --> 01:03:29,985
my house, and Charles
is my husband.

1323
01:03:31,687 --> 01:03:32,788
What did she say?

1324
01:03:32,821 --> 01:03:34,023
She apologized unreservedly

1325
01:03:34,056 --> 01:03:36,025
and has taken herself
back downstairs.

1326
01:03:36,058 --> 01:03:37,026
Oh.

1327
01:03:37,059 --> 01:03:38,170
You should have been
an actor, Charles.

1328
01:03:38,194 --> 01:03:39,496
You really are rather good.

1329
01:03:41,096 --> 01:03:42,331
I'm sorry, Charles.

1330
01:03:42,364 --> 01:03:45,267
I'm just... I'm not
in the mood anymore.

1331
01:03:46,001 --> 01:03:47,001
(SIGHS)

1332
01:03:49,138 --> 01:03:50,138
I am.

1333
01:03:50,973 --> 01:03:51,973
Oh.

1334
01:03:53,776 --> 01:03:56,613
(ROOSTER CROWING)

1335
01:03:57,780 --> 01:04:00,383
(FISH SIZZLING)

1336
01:04:02,419 --> 01:04:05,522
(EDNA HUMMING)

1337
01:04:05,555 --> 01:04:08,558
(FOOTSTEPS APPROACHING)

1338
01:04:08,592 --> 01:04:09,725
(SIGHS)

1339
01:04:09,758 --> 01:04:10,926
Morning, darling.

1340
01:04:12,596 --> 01:04:14,263
You look shattered.

1341
01:04:14,296 --> 01:04:17,366
Yes, had a bit
of a restless night.

1342
01:04:17,400 --> 01:04:18,635
Yes.

1343
01:04:18,668 --> 01:04:20,670
Yes, I thought you were
thrashing around a bit.

1344
01:04:23,272 --> 01:04:25,874
I had Edna prepare Norfolk
kippers, your favorite.

1345
01:04:25,908 --> 01:04:27,677
Hm, that's very sweet.

1346
01:04:27,711 --> 01:04:29,679
I could do with
something hearty.

1347
01:04:29,713 --> 01:04:33,916
I fear I rather overdid
on the bubbles yesterday.

1348
01:04:33,949 --> 01:04:36,553
The party went by in
a bit of a blur.

1349
01:04:38,254 --> 01:04:39,254
Hm.

1350
01:04:39,855 --> 01:04:41,056
What are you stuck on?

1351
01:04:41,090 --> 01:04:43,460
22 down. Greek
god of retribution.

1352
01:04:43,493 --> 01:04:46,328
Seven letters. Third
letter M, seventh letter S.

1353
01:04:47,397 --> 01:04:48,397
(SIGHS)

1354
01:04:49,298 --> 01:04:50,332
Oh, Nemesis.

1355
01:04:51,534 --> 01:04:52,534
Hmm.

1356
01:04:53,737 --> 01:04:56,305
(EDNA HUMMING)

1357
01:05:02,412 --> 01:05:03,412
(GASPS)

1358
01:05:04,614 --> 01:05:05,749
Ah!

1359
01:05:05,781 --> 01:05:08,117
(DRAMATIC MUSIC)

1360
01:05:08,150 --> 01:05:10,487
(SCREAMING)

1361
01:05:11,588 --> 01:05:12,589
(THUMP)

1362
01:05:16,225 --> 01:05:18,395
What on Earth has happened?

1363
01:05:18,428 --> 01:05:21,030
She said the place is cursed.

1364
01:05:21,063 --> 01:05:22,632
(KNIVES VIBRATING)

1365
01:05:22,666 --> 01:05:23,600
(RUTH GASPS)

1366
01:05:23,633 --> 01:05:25,334
EDNA: Not safe!
Not safe at all!

1367
01:05:25,367 --> 01:05:26,670
Edna? Ah.

1368
01:05:27,903 --> 01:05:28,772
You can't leave us!

1369
01:05:28,804 --> 01:05:30,005
EDNA: You can keep your job.

1370
01:05:30,039 --> 01:05:31,574
No, I'm getting out of here.

1371
01:05:31,608 --> 01:05:32,374
Go away!

1372
01:05:32,409 --> 01:05:33,510
(CRACKLING, BURNING)

1373
01:05:33,543 --> 01:05:34,919
I'm having nothing to do with
you, Go away!

1374
01:05:34,943 --> 01:05:36,546
Stay Edna. Please.

1375
01:05:36,579 --> 01:05:39,014
You stick your bleeding
job up your bum!

1376
01:05:39,783 --> 01:05:42,452
(SEAGULLS CALLING)

1377
01:05:46,889 --> 01:05:49,291
(SOFT MUSIC)

1378
01:05:52,328 --> 01:05:53,228
(CAT MEOWING)

1379
01:05:53,262 --> 01:05:54,930
Ah, there you are.

1380
01:05:55,898 --> 01:05:57,066
There you are.

1381
01:05:57,900 --> 01:05:59,402
Now, to work.

1382
01:06:00,969 --> 01:06:02,472
(SOFT MUSIC)

1383
01:06:02,505 --> 01:06:04,039
(CAT MEOWS)

1384
01:06:04,973 --> 01:06:05,974
Yes.

1385
01:06:06,008 --> 01:06:09,345
(SOFT MYSTERIOUS MUSIC)

1386
01:06:12,816 --> 01:06:15,317
(CAT PURRING)

1387
01:06:18,153 --> 01:06:19,153
Hmm.

1388
01:06:19,656 --> 01:06:20,590
Where are you?

1389
01:06:20,623 --> 01:06:21,957
(TYPEWRITER CLICKING)

1390
01:06:21,990 --> 01:06:23,835
(FRENCH ACCENT) - Detective,
I don't see how you can blame a girl

1391
01:06:23,859 --> 01:06:26,228
for falling in love
with the right guy

1392
01:06:26,261 --> 01:06:27,863
for the wrong reasons.

1393
01:06:27,896 --> 01:06:31,133
(NEW YORK ACCENT) But what about
that poor sap of a husband of yours?

1394
01:06:31,166 --> 01:06:32,535
Guys like him are
a dime a dozen.

1395
01:06:32,569 --> 01:06:34,279
What was he, the right
guy at the wrong place

1396
01:06:34,303 --> 01:06:35,638
at the wrong time?

1397
01:06:35,672 --> 01:06:39,476
(FRENCH ACCENT) - Oh, Detective,
just being close to you,

1398
01:06:39,509 --> 01:06:43,312
I feel as if I am
completely naked.

1399
01:06:43,345 --> 01:06:46,014
How do you always manage
to see right through me?

1400
01:06:46,048 --> 01:06:48,050
(TYPEWRITER CLACKING)

1401
01:06:48,083 --> 01:06:51,053
(NEW YORK ACCENT) I see
things just the way they are.

1402
01:06:51,086 --> 01:06:53,390
The rest of the
world needs bifocals.

1403
01:06:56,826 --> 01:06:57,869
I'm not sure about
that last line.

1404
01:06:57,893 --> 01:07:00,397
It feels too, florid.

1405
01:07:00,430 --> 01:07:03,265
Need something simple
and to the point,

1406
01:07:03,298 --> 01:07:08,303
like... 'That's my job,
sweetie. I just do it.'

1407
01:07:10,607 --> 01:07:12,675
Ha.

1408
01:07:12,709 --> 01:07:15,377
Whatever you prefer. It's
your name on the script.

1409
01:07:15,412 --> 01:07:17,881
(TYPEWRITER CLACKING)

1410
01:07:17,913 --> 01:07:19,449
(CHARLES HUMMING)

1411
01:07:19,482 --> 01:07:22,485
And fade to black.

1412
01:07:22,519 --> 01:07:24,119
(TYPEWRITER RINGING)

1413
01:07:24,153 --> 01:07:25,187
Mm.

1414
01:07:25,220 --> 01:07:27,089
Well, dare I say,

1415
01:07:27,122 --> 01:07:29,592
I think the film's gonna be
even better than the book.

1416
01:07:29,626 --> 01:07:31,528
And we finished ahead
of the deadline.

1417
01:07:32,662 --> 01:07:34,464
Just wait till I tell Ruth.

1418
01:07:34,497 --> 01:07:35,297
Mmm.

1419
01:07:35,330 --> 01:07:37,834
(LIGHT MUSIC)

1420
01:07:39,402 --> 01:07:41,438
Let's not tell her just yet.

1421
01:07:45,875 --> 01:07:46,975
(GASPS)

1422
01:07:48,143 --> 01:07:50,145
Oh, for heaven's sake.

1423
01:07:51,346 --> 01:07:52,482
Fiddlesticks.

1424
01:07:52,515 --> 01:07:54,216
Oh. Ah!

1425
01:07:56,486 --> 01:07:58,086
Damn and blast.

1426
01:07:58,120 --> 01:07:59,456
Oh, you alright, darling?

1427
01:07:59,489 --> 01:08:01,065
Knowing you're working fingers
to the bone makes it easier

1428
01:08:01,089 --> 01:08:03,526
for me to enjoy a few
blisters and burns.

1429
01:08:07,530 --> 01:08:09,198
Out of suffering have emerged

1430
01:08:09,231 --> 01:08:10,934
the strongest souls, my dear.

1431
01:08:13,035 --> 01:08:15,070
I've nothing to serve
for lunch, I'm afraid.

1432
01:08:15,103 --> 01:08:16,247
Oh, please don't
worry about it.

1433
01:08:16,271 --> 01:08:18,441
I'm not in the least hungry.

1434
01:08:18,475 --> 01:08:20,309
Dare I ask how it's
going over there?

1435
01:08:22,110 --> 01:08:24,346
The finishing line
is almost in sight.

1436
01:08:24,380 --> 01:08:25,782
Oh, thank goodness.

1437
01:08:25,815 --> 01:08:28,618
I don't like you alone
with her one iota,

1438
01:08:28,651 --> 01:08:30,553
but if it means
you're going to be able

1439
01:08:30,587 --> 01:08:31,888
to deliver the damn script,

1440
01:08:31,921 --> 01:08:33,790
then I can just
about tolerate it.

1441
01:08:35,357 --> 01:08:37,393
You and I do make
a good team, darling.

1442
01:08:37,427 --> 01:08:38,427
Hm.

1443
01:08:42,030 --> 01:08:45,033
I'd like us to move our beds
back together.

1444
01:08:45,067 --> 01:08:46,268
Permanently.

1445
01:08:47,837 --> 01:08:51,541
I think if we're going to be
separated during the days,

1446
01:08:51,574 --> 01:08:54,076
the least we could do is
spend our nights together

1447
01:08:54,109 --> 01:08:55,945
as, as man and wife.

1448
01:08:58,180 --> 01:08:59,649
I should like nothing more.

1449
01:09:02,752 --> 01:09:04,420
I'm going to take a walk.

1450
01:09:05,488 --> 01:09:06,723
Try to clear my head.

1451
01:09:08,123 --> 01:09:10,627
(LIGHT MUSIC)

1452
01:09:13,763 --> 01:09:14,931
(SIGHS)

1453
01:09:16,900 --> 01:09:19,602
Remember when we used to
play hide-and-seek along here?

1454
01:09:19,636 --> 01:09:22,639
And your reward when
you found me? (LAUGHS)

1455
01:09:26,976 --> 01:09:28,343
(GASP)

1456
01:09:28,377 --> 01:09:29,846
Look. Isn't he handsome?

1457
01:09:32,047 --> 01:09:33,650
He's magnificent.

1458
01:09:35,618 --> 01:09:38,287
He can sense me.

1459
01:09:38,320 --> 01:09:40,823
How wonderful not be
frightened of the unknown.

1460
01:09:40,857 --> 01:09:44,494
(LIGHT MUSIC)

1461
01:09:44,527 --> 01:09:46,796
You're not frightened,
are you, Charles?

1462
01:09:47,897 --> 01:09:49,465
Of what?

1463
01:09:49,499 --> 01:09:51,434
Falling back in love.

1464
01:09:53,368 --> 01:09:55,270
How is that possible
when we're existing

1465
01:09:55,304 --> 01:09:56,839
on two different planes?

1466
01:09:58,073 --> 01:09:59,074
I'm alive, and you're...

1467
01:09:59,107 --> 01:10:01,276
Don't. Don't say it.

1468
01:10:01,310 --> 01:10:04,514
(SOFT MUSIC)

1469
01:10:04,547 --> 01:10:07,684
I'm so sorry, Elvira, there's
no easy way to say this.

1470
01:10:11,086 --> 01:10:14,490
But I'm struggling to
see a future in us.

1471
01:10:15,223 --> 01:10:17,994
(BIRDS CHIRPING)

1472
01:10:21,163 --> 01:10:24,333
(SOFT DRAMATIC MUSIC)

1473
01:10:28,404 --> 01:10:31,774
You know, Charles, when you
give someone an eternity ring,

1474
01:10:31,808 --> 01:10:34,343
it's supposed to be a
love that lasts forever.

1475
01:10:36,779 --> 01:10:37,914
Charles?

1476
01:10:37,947 --> 01:10:40,315
(SOFT MUSIC)

1477
01:10:44,921 --> 01:10:47,490
(WATER LAPPING)

1478
01:10:47,523 --> 01:10:50,225
(BIRDS CHIRPING)

1479
01:10:52,194 --> 01:10:54,363
(PLATE SMASHING)

1480
01:10:56,032 --> 01:10:59,435
(SOFT SUSPENSEFUL MUSIC)

1481
01:11:09,078 --> 01:11:10,278
(SIGHS)

1482
01:11:11,313 --> 01:11:14,050
(DRAMATIC MUSIC)

1483
01:11:14,917 --> 01:11:16,653
Charles, watch out!

1484
01:11:17,954 --> 01:11:19,455
(CHARLES PANICKING)

1485
01:11:19,489 --> 01:11:20,489
Damn.

1486
01:11:21,524 --> 01:11:22,759
(CHARLES GROANING)

1487
01:11:24,494 --> 01:11:26,562
She's dangerous, Charles.

1488
01:11:26,596 --> 01:11:28,865
Edna was almost scalped.

1489
01:11:28,898 --> 01:11:30,500
And look what happened to Edith.

1490
01:11:30,533 --> 01:11:32,568
What are you suggesting?

1491
01:11:32,602 --> 01:11:35,405
It's blindingly obvious
that Elvira came here

1492
01:11:35,438 --> 01:11:38,107
for one purpose and
one purpose only.

1493
01:11:38,141 --> 01:11:40,877
She came here to have
you to herself, forever.

1494
01:11:42,078 --> 01:11:43,913
Ow! How?

1495
01:11:43,946 --> 01:11:45,815
By killing you off, of course.

1496
01:11:45,848 --> 01:11:47,116
That's absurd.

1497
01:11:47,150 --> 01:11:48,727
Do you really think
the cabinet climbed up

1498
01:11:48,751 --> 01:11:50,987
onto the roof and jumped
off of its own accord?

1499
01:11:51,020 --> 01:11:53,690
Elvira might be prone
to temper tantrums,

1500
01:11:53,723 --> 01:11:55,458
but she still loves me.

1501
01:11:55,491 --> 01:11:57,727
She'd never wish me any harm.

1502
01:11:57,760 --> 01:11:59,028
Ah.

1503
01:11:59,062 --> 01:12:02,065
If you were dead, it would
be her final triumph over me.

1504
01:12:02,098 --> 01:12:04,634
She'd have you all to herself
on her beastly astral plane,

1505
01:12:04,667 --> 01:12:06,402
and I'd be left high and dry.

1506
01:12:06,436 --> 01:12:09,772
She's probably planning some
sort of spiritual remarriage.

1507
01:12:09,806 --> 01:12:13,208
(SOFT SUSPENSEFUL MUSIC)

1508
01:12:14,376 --> 01:12:16,112
What are we gonna do?

1509
01:12:16,145 --> 01:12:21,084
Yes, the guest's name
is Madame Arcati, room 14.

1510
01:12:21,117 --> 01:12:22,719
CLERK: <i>One moment.</i>

1511
01:12:22,752 --> 01:12:23,962
<i>I'm sorry, but she
left yesterday.</i>

1512
01:12:23,986 --> 01:12:26,522
Oh dear. Did she
leave any messages?

1513
01:12:26,556 --> 01:12:28,057
CLERK: <i>I'm afraid not.</i>

1514
01:12:28,091 --> 01:12:28,891
Thank you.

1515
01:12:28,925 --> 01:12:30,159
(PHONE HANGING UP)

1516
01:12:30,193 --> 01:12:31,928
She checked out yesterday.

1517
01:12:31,961 --> 01:12:32,961
(CHARLES WHIMPERS)

1518
01:12:34,997 --> 01:12:36,165
Well, there's nothing for it.

1519
01:12:36,199 --> 01:12:37,767
I shall have to get
myself arrested.

1520
01:12:37,800 --> 01:12:39,277
Spend the night locked
up in the cells.

1521
01:12:39,301 --> 01:12:41,804
No. We just have
to create our own

1522
01:12:41,838 --> 01:12:43,305
safe place for the night.

1523
01:12:44,272 --> 01:12:45,272
Right.

1524
01:12:45,875 --> 01:12:47,744
(BIRDS CHIRPING)

1525
01:12:47,777 --> 01:12:49,545
Now, gently does it.

1526
01:12:50,713 --> 01:12:51,714
Oh.

1527
01:12:52,448 --> 01:12:54,016
(SNIFFING)

1528
01:12:56,052 --> 01:12:57,887
Oh, precious.

1529
01:12:59,655 --> 01:13:00,655
Herba veneris.

1530
01:13:01,924 --> 01:13:04,427
Nature's divine protector.

1531
01:13:04,460 --> 01:13:06,462
(BIRDS SINGING)

1532
01:13:06,496 --> 01:13:08,296
(SOFT DRAMATIC MUSIC)

1533
01:13:08,330 --> 01:13:10,633
(DOG BARKING AND OWL HOOTING)

1534
01:13:16,973 --> 01:13:17,874
What are you doing with that?

1535
01:13:17,907 --> 01:13:19,051
I've just removed all the heavy

1536
01:13:19,075 --> 01:13:20,510
and sharp objects for a reason.

1537
01:13:20,543 --> 01:13:22,545
I thought you could keep
going with your script

1538
01:13:22,578 --> 01:13:24,247
while we're holed up in here.

1539
01:13:24,279 --> 01:13:27,683
Ah, umm... I've already
finished it.

1540
01:13:27,717 --> 01:13:31,487
(GASPS) Well, I thought you
said you were struggling.

1541
01:13:31,521 --> 01:13:33,723
On reflection, I
think I was overthinking

1542
01:13:33,756 --> 01:13:35,958
through the whole thing.

1543
01:13:35,992 --> 01:13:37,603
I'll give the manuscript
a quick read and drive it

1544
01:13:37,627 --> 01:13:38,804
over to the studio first
thing in the morning.

1545
01:13:38,828 --> 01:13:41,531
Oh, Charles, what
wonderful news.

1546
01:13:41,564 --> 01:13:44,299
Daddy's gonna be over
the moon. As am I.

1547
01:13:44,332 --> 01:13:45,568
Thank you, darling.

1548
01:13:45,601 --> 01:13:48,604
(CHUCKLES) Now we can both
focus on banishing Elvira

1549
01:13:48,638 --> 01:13:51,207
into oblivion once and for all.

1550
01:13:51,240 --> 01:13:52,708
Not a moment too soon.

1551
01:13:52,742 --> 01:13:55,244
Two's company.
Three's a nightmare.

1552
01:13:55,278 --> 01:13:56,012
(RUTH CHUCKLES)

1553
01:13:56,045 --> 01:13:57,045
(KISS)

1554
01:13:58,080 --> 01:13:59,916
(SOFT MYSTERIOUS MUSIC)

1555
01:13:59,949 --> 01:14:01,150
Nearly there.

1556
01:14:01,184 --> 01:14:05,688
(SOFT MYSTERIOUS MUSIC)

1557
01:14:05,721 --> 01:14:09,392
Vervain and dill hinder
witches from their will.

1558
01:14:10,226 --> 01:14:13,563
(SOFT MYSTERIOUS MUSIC)

1559
01:14:21,404 --> 01:14:23,940
(BIRDS CALLING)

1560
01:14:23,973 --> 01:14:26,642
(PHONE RINGING)

1561
01:14:31,848 --> 01:14:32,949
(GASP)

1562
01:14:36,252 --> 01:14:37,252
Charles.

1563
01:14:39,422 --> 01:14:40,422
Charles.

1564
01:14:41,991 --> 01:14:44,660
(PHONE RINGING)

1565
01:14:48,164 --> 01:14:51,133
(PHONE RINGING)

1566
01:14:51,167 --> 01:14:53,336
(SNORING)

1567
01:14:54,237 --> 01:14:56,806
(PHONE RINGING)

1568
01:14:56,839 --> 01:15:00,209
(SOFT MYSTERIOUS MUSIC)

1569
01:15:00,243 --> 01:15:02,879
(PHONE RINGING)

1570
01:15:06,215 --> 01:15:08,885
(PHONE RINGING)

1571
01:15:09,819 --> 01:15:10,987
Hello?

1572
01:15:11,020 --> 01:15:13,356
MADAME ARCATI:
<i>Mrs. Condomine, I have news.</i>

1573
01:15:13,389 --> 01:15:15,958
Doors are opening, and
change is in the air.

1574
01:15:15,992 --> 01:15:18,027
<i>This is no time for
riddles, Madame Arcati.</i>

1575
01:15:18,060 --> 01:15:20,029
<i>We've been urgently
trying to contact you.</i>

1576
01:15:20,062 --> 01:15:22,431
Charles's life is
in grave danger.

1577
01:15:22,465 --> 01:15:25,034
Elvira is trying to murder him.

1578
01:15:25,067 --> 01:15:27,837
I feared she might
become a malevolent spirit.

1579
01:15:27,870 --> 01:15:30,339
That's putting it
mildly. Where are you?

1580
01:15:30,373 --> 01:15:31,807
In Sussex.

1581
01:15:31,841 --> 01:15:34,210
I've gathered everything
together and now I'm ready.

1582
01:15:34,243 --> 01:15:35,444
<i>For what?</i>

1583
01:15:35,478 --> 01:15:36,979
Well, to send her
back, of course.

1584
01:15:37,013 --> 01:15:39,548
Stay put, Madame Arcati.
I'll come and collect you.

1585
01:15:40,683 --> 01:15:42,718
(SHRIEKING)

1586
01:15:43,886 --> 01:15:45,087
The telephone woke me.

1587
01:15:45,988 --> 01:15:47,723
Apologies if I scared you.

1588
01:15:47,757 --> 01:15:50,359
Ah, when Mr. Condomine
wakes up, tell him I've gone

1589
01:15:50,394 --> 01:15:53,796
to fetch Madame Arcati and I
shall be back before lunch.

1590
01:15:53,829 --> 01:15:56,766
(WHISPERS) Madame Arcati...
before...

1591
01:15:56,799 --> 01:15:58,402
(ENGINE REVVING)

1592
01:15:59,502 --> 01:16:02,505
(UPBEAT LIGHT MUSIC)

1593
01:16:09,145 --> 01:16:11,314
(SNORING)

1594
01:16:14,750 --> 01:16:17,520
(SNORING CONTINUES)

1595
01:16:17,553 --> 01:16:20,890
(SOFT MYSTERIOUS MUSIC)

1596
01:16:28,197 --> 01:16:30,733
(SNORING)

1597
01:16:32,335 --> 01:16:33,936
(MYSTERIOUS MUSIC)

1598
01:16:33,970 --> 01:16:36,205
Don't hurt me, I beg you.

1599
01:16:36,238 --> 01:16:38,307
You all right in
there, Mr. Condomine?

1600
01:16:38,341 --> 01:16:40,076
I've never stopped loving you.

1601
01:16:40,109 --> 01:16:41,677
Oh.

1602
01:16:41,711 --> 01:16:44,381
I don't know what to say, sir.

1603
01:16:44,414 --> 01:16:47,950
You have a funny way
of showing it, Charles.

1604
01:16:47,984 --> 01:16:49,494
I was gonna put your
name on the manuscript

1605
01:16:49,518 --> 01:16:52,154
before I delivered it
this morning, I promise.

1606
01:16:52,188 --> 01:16:53,923
That won't be necessary, sir.

1607
01:16:53,956 --> 01:16:55,392
I'm a woman, Charles.

1608
01:16:55,425 --> 01:16:56,902
We're used to not getting
the credit we deserve.

1609
01:16:56,926 --> 01:16:59,762
No, I insist. I'll get changed
and leave straightaway.

1610
01:16:59,795 --> 01:17:02,131
Mrs. Condomine left
in the car a while ago.

1611
01:17:02,164 --> 01:17:04,700
She said she would
be back by lunchtime.

1612
01:17:04,734 --> 01:17:05,968
(GASP)

1613
01:17:06,002 --> 01:17:08,270
Elvira, what have you done?

1614
01:17:08,304 --> 01:17:11,040
(DRAMATIC MUSIC)

1615
01:17:13,209 --> 01:17:14,343
(SCREAMS)

1616
01:17:15,711 --> 01:17:18,047
(SCREAMING)

1617
01:17:19,315 --> 01:17:20,716
(SPLASH)

1618
01:17:20,750 --> 01:17:21,750
Oops.

1619
01:17:23,352 --> 01:17:27,656
(SOFT PIANO MUSIC)

1620
01:17:27,690 --> 01:17:32,462
♪ There are some things
that are out of my control ♪

1621
01:17:34,096 --> 01:17:39,101
♪ Like the wind and
the rain and the snow ♪

1622
01:17:40,770 --> 01:17:47,176
♪ You've completely
over-powered my soul ♪

1623
01:17:47,209 --> 01:17:51,680
♪ There are some things
that are out of my control ♪

1624
01:17:53,916 --> 01:17:58,921
♪ You make it summer
every day of the year ♪

1625
01:18:00,390 --> 01:18:06,796
♪ One glance from you and
the clouds disappear ♪

1626
01:18:06,829 --> 01:18:12,735
♪ Like forces of nature
we were meant to be here ♪

1627
01:18:12,768 --> 01:18:19,675
♪ Now this flame in my
heart burns for you ♪

1628
01:18:19,708 --> 01:18:23,779
♪ There are some things
that are out of my control ♪

1629
01:18:25,482 --> 01:18:31,787
♪ Passing time, the
seasons, growing old ♪

1630
01:18:31,821 --> 01:18:38,227
♪ You've completely
over-powered my soul ♪

1631
01:18:38,260 --> 01:18:43,132
♪ There are some things
that are out of my control ♪

1632
01:18:44,934 --> 01:18:47,336
Mr. Condomine, I would
just like to say that

1633
01:18:47,369 --> 01:18:51,575
I reproach myself bitterly.

1634
01:18:51,607 --> 01:18:53,843
You are not to
blame, Madame Arcati.

1635
01:18:53,876 --> 01:18:56,045
The fault lies squarely
on my shoulders.

1636
01:18:57,447 --> 01:18:59,483
It was my ambition and ego

1637
01:18:59,516 --> 01:19:02,885
that dragged us into
this unbearable mess.

1638
01:19:02,918 --> 01:19:04,497
And that's something I
shall have to live with

1639
01:19:04,521 --> 01:19:05,721
for the rest of my life.

1640
01:19:07,089 --> 01:19:09,493
The last time I spoke
with Mrs. Condomine,

1641
01:19:09,526 --> 01:19:11,760
your life was in danger.

1642
01:19:11,794 --> 01:19:13,262
I urge you to come and see me

1643
01:19:13,295 --> 01:19:15,532
at your earliest
possible convenience.

1644
01:19:15,565 --> 01:19:17,400
Here is my card.

1645
01:19:17,434 --> 01:19:18,434
I'll be waiting.

1646
01:19:20,269 --> 01:19:22,705
You're not going to
stay for refreshments?

1647
01:19:22,738 --> 01:19:25,509
Oh, please don't think
me rude, but I prefer

1648
01:19:25,542 --> 01:19:28,210
to contemplate the
passing of a spirit

1649
01:19:28,244 --> 01:19:30,012
in my own private way.

1650
01:19:30,045 --> 01:19:34,384
(MOURNERS MURMURING)

1651
01:19:34,417 --> 01:19:37,319
My sincerest condolences,
Mr. Condomine.

1652
01:19:43,292 --> 01:19:45,227
Shouldn't that
be congratulations?

1653
01:19:46,762 --> 01:19:48,398
What the hell
are you doing here?

1654
01:19:48,431 --> 01:19:50,332
Have you no shame?

1655
01:19:50,366 --> 01:19:53,470
It was an accident, Charles.
I was trying to kill you.

1656
01:19:53,503 --> 01:19:55,505
How can you be so heartless?

1657
01:19:56,772 --> 01:19:58,542
Death does that to you.

1658
01:19:58,575 --> 01:20:00,910
You know, you can always
tell how well regarded

1659
01:20:00,943 --> 01:20:04,013
someone is by the
attendance at their funeral.

1660
01:20:04,046 --> 01:20:05,247
What's that supposed to mean?

1661
01:20:05,281 --> 01:20:07,584
Bit of a poor turnout
today, if you ask me.

1662
01:20:07,617 --> 01:20:09,018
I barely counted forty people.

1663
01:20:10,953 --> 01:20:12,054
That does it.

1664
01:20:12,087 --> 01:20:13,756
(ELVIRA SHRIEKING)

1665
01:20:13,789 --> 01:20:15,559
Come here!

1666
01:20:15,592 --> 01:20:18,227
(LAUGHS) Just like old times,
Charles.

1667
01:20:18,260 --> 01:20:21,363
Ahh! With you chasing me
round the garden!

1668
01:20:21,398 --> 01:20:23,365
Only today there's gonna
be a different outcome!

1669
01:20:23,400 --> 01:20:25,334
(YELLS)

1670
01:20:25,367 --> 01:20:28,304
(SOFT PIANO MUSIC)

1671
01:20:31,240 --> 01:20:33,042
- Will you excuse me?
- Of course.

1672
01:20:33,976 --> 01:20:37,046
(MOURNERS MURMURING)

1673
01:20:42,117 --> 01:20:45,054
I'm sorry for your
loss, Mr. Mackintosh.

1674
01:20:45,087 --> 01:20:47,890
Ruth was a fine woman,
and a good friend.

1675
01:20:49,091 --> 01:20:51,060
I'm going to miss her deeply.

1676
01:20:51,093 --> 01:20:54,763
Thank you, Mrs. Bradman. I
know she was fond of you too.

1677
01:20:56,232 --> 01:20:57,833
I can't quite
believe she's gone.

1678
01:21:00,202 --> 01:21:02,405
My mother always said
that time is a physician

1679
01:21:02,439 --> 01:21:04,273
that heals every grief.

1680
01:21:04,306 --> 01:21:07,243
(SOFT PIANO MUSIC)

1681
01:21:11,715 --> 01:21:12,915
(MALLET WHOOSHING)

1682
01:21:12,948 --> 01:21:14,183
Ohh!

1683
01:21:14,216 --> 01:21:15,784
You never were
much of an opponent

1684
01:21:15,818 --> 01:21:17,654
on the croquet lawn, Charles.

1685
01:21:18,488 --> 01:21:20,122
You repulse me.

1686
01:21:23,125 --> 01:21:25,194
I'm going to kill you.

1687
01:21:25,227 --> 01:21:26,429
(CROWD PANICKING)

1688
01:21:26,463 --> 01:21:28,163
(PLATES CRASHING)

1689
01:21:28,197 --> 01:21:30,634
Don't be an imbecile.
I'm already dead.

1690
01:21:30,667 --> 01:21:32,268
You better fetch
your medicinal bag

1691
01:21:32,301 --> 01:21:35,070
before someone else gets killed.

1692
01:21:35,104 --> 01:21:39,442
Edna was right.
This place is cursed.

1693
01:21:39,476 --> 01:21:41,877
I can't bear to
see you ever again.

1694
01:21:41,910 --> 01:21:43,446
The feeling's mutual, Charles.

1695
01:21:43,480 --> 01:21:47,651
With age and disappointment,
you've become a pompous ass.

1696
01:21:47,684 --> 01:21:50,085
Charles, Charles!

1697
01:21:51,787 --> 01:21:53,088
Everything's gonna be splendid.

1698
01:21:53,122 --> 01:21:54,056
Not while she's
here, it won't.

1699
01:21:54,089 --> 01:21:55,958
Not while who's here?

1700
01:21:55,991 --> 01:21:56,991
Elvira!

1701
01:22:03,433 --> 01:22:04,601
(EXHALES)

1702
01:22:05,435 --> 01:22:08,103
(HEART BEATING)

1703
01:22:15,311 --> 01:22:16,413
Where am I?

1704
01:22:16,446 --> 01:22:17,447
In the loony bin.

1705
01:22:20,717 --> 01:22:23,052
(SCREAMING)

1706
01:22:25,622 --> 01:22:28,290
(MUFFLED SCREAMING)

1707
01:22:28,324 --> 01:22:30,660
(SCREAMING)

1708
01:22:30,694 --> 01:22:32,395
There's no point in
struggling, Charles.

1709
01:22:32,429 --> 01:22:35,964
The more you thrash around,
the longer they'll keep you in.

1710
01:22:35,998 --> 01:22:37,266
Why am I here?

1711
01:22:37,299 --> 01:22:39,010
You've been sectioned under
the Mental Treatment Act

1712
01:22:39,034 --> 01:22:42,104
and held under mandatory
observation for the next 28 days.

1713
01:22:42,137 --> 01:22:44,808
I hope you rot in hell.

1714
01:22:44,840 --> 01:22:47,076
It's not wise
to be bad-tempered

1715
01:22:47,109 --> 01:22:48,745
with the only person
who can help you.

1716
01:22:48,778 --> 01:22:50,979
I'd rather eat my own
tongue than ask you for help.

1717
01:22:51,013 --> 01:22:52,716
Hmm, You might
just get to do that.

1718
01:22:52,749 --> 01:22:54,883
Dr. McEwan is planning on
taking you down the corridor

1719
01:22:54,917 --> 01:22:57,620
in 15 minutes for
electric shock treatment.

1720
01:22:57,654 --> 01:22:59,422
- What?
- Mm.

1721
01:22:59,456 --> 01:23:01,624
No! No, come back. Wait.

1722
01:23:03,593 --> 01:23:05,103
ELVIRA: Of course,
there's usually a way

1723
01:23:05,127 --> 01:23:06,696
around these things.

1724
01:23:06,730 --> 01:23:08,197
What do you want from me?

1725
01:23:11,100 --> 01:23:13,470
I know you're never going
to forgive me, Charles,

1726
01:23:13,503 --> 01:23:16,105
and being stuck in
purgatory with you grieving

1727
01:23:16,138 --> 01:23:19,609
over another woman is a
fate worse than death.

1728
01:23:19,642 --> 01:23:21,910
I couldn't agree more.

1729
01:23:21,944 --> 01:23:24,980
Which is why I want a divorce.

1730
01:23:25,981 --> 01:23:27,015
With pleasure.

1731
01:23:28,752 --> 01:23:31,153
And I know just the person
who can execute that.

1732
01:23:36,559 --> 01:23:38,428
(STRAPS TIGHTENING)

1733
01:23:38,461 --> 01:23:41,431
(GROANING)

1734
01:23:41,464 --> 01:23:42,364
Good.

1735
01:23:42,399 --> 01:23:45,635
(ALARM BELL RINGING)

1736
01:23:45,668 --> 01:23:47,804
(UPBEAT DRAMATIC MUSIC)

1737
01:23:47,837 --> 01:23:49,572
Oh, move over.

1738
01:23:49,606 --> 01:23:51,446
No way I'm putting my
life in your hands again.

1739
01:23:51,474 --> 01:23:53,375
Don't flatter
yourself, Charles.

1740
01:23:53,410 --> 01:23:55,454
When I think of what might
have happened if I'd succeeded

1741
01:23:55,478 --> 01:23:57,714
in getting you to the other
side, it makes me shudder.

1742
01:23:57,747 --> 01:24:00,215
Nothing but bickering and
squabbling for eternity.

1743
01:24:03,218 --> 01:24:04,754
Drive.

1744
01:24:04,788 --> 01:24:07,724
(UPBEAT DRAMATIC MUSIC)

1745
01:24:07,757 --> 01:24:09,559
(GEARS SHIFTING)

1746
01:24:11,260 --> 01:24:12,961
Looking back on
our married years,

1747
01:24:12,995 --> 01:24:14,497
I can see now with
horrid clarity,

1748
01:24:14,531 --> 01:24:16,433
they were nothing but a mockery.

1749
01:24:16,466 --> 01:24:19,436
You were feckless,
irresponsible,

1750
01:24:20,269 --> 01:24:22,806
morally unstable.

1751
01:24:22,839 --> 01:24:24,349
I think I realized that before
we left Budleigh Salterton.

1752
01:24:24,373 --> 01:24:26,643
Nobody but a monumental
bore would have thought

1753
01:24:26,676 --> 01:24:29,278
of going to Budleigh
Salterton for a honeymoon.

1754
01:24:29,311 --> 01:24:30,723
What's the matter
with Budleigh Salterton?

1755
01:24:30,747 --> 01:24:33,315
Seven hours a day
on a damn golf course

1756
01:24:33,348 --> 01:24:36,719
and a three-piece orchestra
playing <i>Merrie England.</i>

1757
01:24:36,753 --> 01:24:39,154
I'm surprised you didn't
complain at the time.

1758
01:24:39,188 --> 01:24:40,666
I remember you being
quite good at that.

1759
01:24:40,690 --> 01:24:42,090
I did complain.

1760
01:24:42,124 --> 01:24:44,627
But you wouldn't listen.

1761
01:24:44,661 --> 01:24:47,397
That's why I took a
romantic stroll on the moors

1762
01:24:47,430 --> 01:24:49,866
with Captain Bracegirdle.

1763
01:24:49,899 --> 01:24:51,200
What a blind fool I was.

1764
01:24:52,735 --> 01:24:54,369
Did he make love to you?

1765
01:24:54,404 --> 01:24:56,371
Only very discretely.

1766
01:24:56,406 --> 01:24:57,874
(GEARS SHIFTING, GRINDING)

1767
01:25:02,044 --> 01:25:06,014
Mr. Condomine. I'm so
relieved you've arrived safely.

1768
01:25:06,048 --> 01:25:07,484
Follow me.

1769
01:25:07,517 --> 01:25:09,853
Tonight the moon is full, and
we must harness its power.

1770
01:25:09,886 --> 01:25:10,986
We're both ready to perform

1771
01:25:11,019 --> 01:25:12,755
the banishment
ceremony immediately.

1772
01:25:14,591 --> 01:25:15,591
She's here?

1773
01:25:16,559 --> 01:25:17,827
Yes.

1774
01:25:17,861 --> 01:25:20,864
Are you sure she's
amenable to the process?

1775
01:25:20,897 --> 01:25:21,897
- Yes.
- Yes.

1776
01:25:23,198 --> 01:25:26,536
(SOFT MYSTERIOUS MUSIC)

1777
01:25:28,270 --> 01:25:34,109
With this magic smoke I
invoke the spirit of moon fire,

1778
01:25:34,142 --> 01:25:37,947
dancer of time, mistress
of endings and beginnings.

1779
01:25:37,981 --> 01:25:39,214
(COUGHS)

1780
01:25:39,248 --> 01:25:43,151
To return our sacred sister
to her rightful sphere.

1781
01:25:44,420 --> 01:25:45,555
Still here?

1782
01:25:45,588 --> 01:25:46,588
- Yes.
- Yes.

1783
01:25:49,626 --> 01:25:52,695
To you, the spirit of earth.

1784
01:25:52,729 --> 01:25:54,363
To you, the element of air.

1785
01:25:55,899 --> 01:25:58,535
To you, the force of water.

1786
01:25:58,568 --> 01:26:00,703
To you, the power of fire.

1787
01:26:01,671 --> 01:26:04,206
And the gift of enchanter's dew.

1788
01:26:04,239 --> 01:26:07,175
(SOFT LIGHT MUSIC)

1789
01:26:09,579 --> 01:26:10,914
She still here?

1790
01:26:10,947 --> 01:26:12,180
Yes.

1791
01:26:12,214 --> 01:26:14,182
Yes.

1792
01:26:14,216 --> 01:26:17,587
Ghostly specter,
ghoul and fiend,

1793
01:26:17,620 --> 01:26:19,756
never more be thou convened.

1794
01:26:20,590 --> 01:26:23,258
Wolfsbane and holy rite,

1795
01:26:23,292 --> 01:26:25,227
banish thee into the night.

1796
01:26:28,798 --> 01:26:31,034
Oh, bladderwort, bladderwort.

1797
01:26:31,066 --> 01:26:32,067
Bladderwort.

1798
01:26:33,302 --> 01:26:34,303
Oh.

1799
01:26:34,336 --> 01:26:35,336
Oh yes.

1800
01:26:36,338 --> 01:26:37,338
Yes.

1801
01:26:38,140 --> 01:26:40,375
And bladderwort.

1802
01:26:40,410 --> 01:26:42,077
(GASPS)

1803
01:26:42,110 --> 01:26:44,847
(DRAMATIC MUSIC)

1804
01:26:46,315 --> 01:26:47,249
Ruth.

1805
01:26:47,282 --> 01:26:48,017
Ruth?

1806
01:26:48,051 --> 01:26:49,251
(RUTH SIGHS)

1807
01:26:49,284 --> 01:26:50,804
Darling, I'm so
happy to see you again.

1808
01:26:53,022 --> 01:26:54,824
Blast. How could I
have been such a duffer?

1809
01:26:54,857 --> 01:26:57,259
Something must have
gone hideously wrong.

1810
01:26:57,292 --> 01:26:59,161
Yes, not for the first time.

1811
01:26:59,194 --> 01:27:00,663
You hussy.

1812
01:27:00,697 --> 01:27:02,097
Darling.

1813
01:27:02,130 --> 01:27:05,300
Save yourself the
effort. I'm already dead.

1814
01:27:05,334 --> 01:27:07,202
And more to the
point, so are you.

1815
01:27:07,235 --> 01:27:09,072
You popped your
clogs last Tuesday.

1816
01:27:09,104 --> 01:27:11,139
Don't be so insensitive.

1817
01:27:11,173 --> 01:27:12,609
Darling, are you in any pain?

1818
01:27:14,343 --> 01:27:16,779
Charles, what happened to me?

1819
01:27:18,615 --> 01:27:19,749
There was a car accident.

1820
01:27:19,782 --> 01:27:22,685
Which, I have to
admit, I had a hand in.

1821
01:27:22,719 --> 01:27:23,886
I'm sorry, Ruth.

1822
01:27:23,920 --> 01:27:26,254
I'm afraid sorry
doesn't quite cut it.

1823
01:27:26,288 --> 01:27:29,659
Well, even so, in the
spirit of complete openness,

1824
01:27:29,692 --> 01:27:31,628
I'd also like to
apologies for conducting

1825
01:27:31,661 --> 01:27:35,098
an affair with Charles
right under your nose.

1826
01:27:35,130 --> 01:27:37,567
Well, technically, we
are still married, so...

1827
01:27:37,600 --> 01:27:40,937
Stop it, Elvira. Ruth has
been through quite enough.

1828
01:27:40,970 --> 01:27:43,205
What are they
saying, Mr. Condomine?

1829
01:27:43,238 --> 01:27:44,407
Not now, Madame Arcati.

1830
01:27:44,440 --> 01:27:45,942
Things are becoming
quite strained.

1831
01:27:45,975 --> 01:27:48,544
You know, I should have
squeezed malum citrea

1832
01:27:48,578 --> 01:27:50,013
at the crucial point.

1833
01:27:50,046 --> 01:27:52,048
That's lemon juice. Lemon juice.

1834
01:27:52,081 --> 01:27:53,416
(THROAT CLEARING)

1835
01:27:53,449 --> 01:27:55,361
The only reason he was able
to get through that screenplay

1836
01:27:55,385 --> 01:27:57,387
in five days flat is
because I wrote it.

1837
01:27:58,488 --> 01:27:59,489
Yes...

1838
01:27:59,522 --> 01:28:01,189
Charles, is that true?

1839
01:28:01,223 --> 01:28:03,860
Not exactly.

1840
01:28:03,893 --> 01:28:06,161
And Charles didn't want
to tell you we'd finished

1841
01:28:06,194 --> 01:28:08,865
because he wanted to spend
more time alone with me.

1842
01:28:08,898 --> 01:28:09,898
(GASP)

1843
01:28:10,298 --> 01:28:11,333
Ugh.

1844
01:28:11,366 --> 01:28:12,468
Charles.

1845
01:28:13,368 --> 01:28:15,237
Let's not fight, darling.

1846
01:28:15,270 --> 01:28:17,607
Which darling are
you referring to?

1847
01:28:17,640 --> 01:28:19,341
But after everything
I put up with,

1848
01:28:19,374 --> 01:28:20,877
how could you do that to me?

1849
01:28:20,910 --> 01:28:23,780
It's not that
straightforward, darlings.

1850
01:28:23,813 --> 01:28:25,515
I mean, really, Charles,

1851
01:28:25,548 --> 01:28:27,684
you never loved Elvira or me.

1852
01:28:27,717 --> 01:28:31,219
The only person that
you loved is yourself.

1853
01:28:31,253 --> 01:28:32,689
No.

1854
01:28:32,722 --> 01:28:34,991
Finally, something
we do agree on.

1855
01:28:37,593 --> 01:28:38,895
If you wrote the script,

1856
01:28:40,463 --> 01:28:42,165
did he write any of those books?

1857
01:28:42,197 --> 01:28:43,032
No, not a word.

1858
01:28:43,066 --> 01:28:44,400
He took all the glory?

1859
01:28:44,434 --> 01:28:45,811
Aren't you staying
for the second act?

1860
01:28:45,835 --> 01:28:47,036
I think it's best I leave.

1861
01:28:47,070 --> 01:28:50,205
Hell hath no fury
like a woman scorned.

1862
01:28:50,238 --> 01:28:51,339
Try two of them.

1863
01:28:52,775 --> 01:28:54,077
Good luck with the lemons.

1864
01:28:56,612 --> 01:28:57,612
Where did he go?

1865
01:28:58,781 --> 01:29:00,616
Huh, he can run...

1866
01:29:00,650 --> 01:29:02,018
But he can't hide.

1867
01:29:02,051 --> 01:29:04,987
(SPIRITS LAUGHING)

1868
01:29:09,092 --> 01:29:12,428
(SOFT MYSTERIOUS MUSIC)

1869
01:29:17,100 --> 01:29:20,036
Ghostly specter,
ghoul or fiend,

1870
01:29:20,069 --> 01:29:22,939
never more be thou convened.

1871
01:29:22,972 --> 01:29:26,209
Bladderwort, wolfsbane
and holy rite,

1872
01:29:27,275 --> 01:29:29,946
banish thee into the night.

1873
01:29:29,979 --> 01:29:33,216
(FIRE RAGING)

1874
01:29:33,248 --> 01:29:36,152
(MYSTERIOUS MUSIC)

1875
01:29:40,288 --> 01:29:41,691
(EMOTIONAL MUSIC)

1876
01:29:44,326 --> 01:29:45,326
Donald?

1877
01:29:55,605 --> 01:29:58,574
(BIRDS SINGING)

1878
01:30:00,910 --> 01:30:03,646
(ROMANTIC MUSIC)

1879
01:30:16,259 --> 01:30:18,661
Alright, I'm gonna start
with this medium shot here.

1880
01:30:18,694 --> 01:30:20,696
Then I'm gonna come
a little closer, okay?

1881
01:30:20,730 --> 01:30:22,265
Alright, let's
have some passion.

1882
01:30:22,297 --> 01:30:23,633
Alright, roll camera.

1883
01:30:25,535 --> 01:30:26,803
(BELL RINGING)

1884
01:30:26,836 --> 01:30:28,738
- Quiet, please.
- Quiet, please. Sound running.

1885
01:30:28,771 --> 01:30:30,506
ASSISTANT:
Scene 84, take one.

1886
01:30:30,540 --> 01:30:31,339
(BOARD CLAPPING)

1887
01:30:31,373 --> 01:30:33,176
CECIL: And action.

1888
01:30:33,209 --> 01:30:36,311
GARBO: Just being close
to you, Frank,

1889
01:30:36,344 --> 01:30:38,815
I feel as if I'm
completely naked.

1890
01:30:40,216 --> 01:30:44,487
How do you always manage
to see right through me?

1891
01:30:45,521 --> 01:30:47,557
CLARK: That's
my job, sweetie.

1892
01:30:47,590 --> 01:30:48,590
I just do it.

1893
01:30:49,826 --> 01:30:50,793
CECIL:
Cut.

1894
01:30:50,827 --> 01:30:52,161
(BELL RINGS)

1895
01:30:52,195 --> 01:30:53,195
CECIL: Reset.

1896
01:30:55,031 --> 01:30:58,100
I'm not, er... I'm not
feeling the last line.

1897
01:30:59,502 --> 01:31:01,237
Boy wonder, what else you got?

1898
01:31:01,270 --> 01:31:03,172
Uh... wh... uhh...

1899
01:31:07,276 --> 01:31:11,447
What about... 'I see things
just the way they are.

1900
01:31:11,480 --> 01:31:13,783
The rest of the
world needs bifocals.'

1901
01:31:16,485 --> 01:31:17,820
I love it.

1902
01:31:17,854 --> 01:31:19,422
Okay, reset.

1903
01:31:19,455 --> 01:31:20,756
Make-up.

1904
01:31:20,790 --> 01:31:22,124
I wanna move in closer.

1905
01:31:22,158 --> 01:31:23,693
(BELL RINGING)

1906
01:31:23,726 --> 01:31:25,862
You're a genius, Charles.

1907
01:31:25,895 --> 01:31:28,865
Audiences are gonna devour
the whole spiritualist angle.

1908
01:31:28,898 --> 01:31:29,898
Yes.

1909
01:31:32,134 --> 01:31:35,905
Just a shame Ruth
isn't here to enjoy it.

1910
01:31:35,938 --> 01:31:39,374
(FOOTSTEPS APPROACHING)

1911
01:31:39,408 --> 01:31:43,012
Mr. Condomine. Hedda
Hopper, <i>Los Angeles Times.</i>

1912
01:31:43,045 --> 01:31:44,045
Oh.

1913
01:31:45,882 --> 01:31:47,016
Hello.

1914
01:31:47,049 --> 01:31:48,727
How does it feel to
be the talk of the town?

1915
01:31:48,751 --> 01:31:50,162
Oh, that's awfully sweet
of you, but I'm not sure

1916
01:31:50,186 --> 01:31:52,221
anybody's really interested
in the lowly writer.

1917
01:31:52,255 --> 01:31:53,723
(GIGGLING)

1918
01:31:53,756 --> 01:31:55,725
Oh, I have a hunch that
my 35 million readers

1919
01:31:55,758 --> 01:31:59,528
will be enthralled by the
story of a serial plagiarist.

1920
01:31:59,562 --> 01:32:01,130
Plagiarist?

1921
01:32:01,163 --> 01:32:03,499
I know you revel in gossip
and scandal, Miss Hopper,

1922
01:32:03,532 --> 01:32:04,810
but that's a
completely outrageous

1923
01:32:04,834 --> 01:32:06,469
and unfounded accusation.

1924
01:32:06,502 --> 01:32:08,337
There is nothing
unfounded about the writ

1925
01:32:08,371 --> 01:32:10,373
that Senor Morales is serving.

1926
01:32:10,406 --> 01:32:12,708
Would you care to
comment on the fact

1927
01:32:12,742 --> 01:32:15,578
that your 15 Detective
Frank Flowers whodunnits

1928
01:32:15,611 --> 01:32:18,981
are based word for word on
the Inspector Francisco Flores

1929
01:32:19,015 --> 01:32:22,451
crime novels, which are
bestsellers across all of Mexico?

1930
01:32:22,485 --> 01:32:25,054
Say cheese, Mr. Condomine.

1931
01:32:25,087 --> 01:32:26,756
(FLASHBULBS POPPING)

1932
01:32:26,789 --> 01:32:29,258
CHARLES: You.

1933
01:32:29,292 --> 01:32:31,127
Don't look so
shocked, Charles.

1934
01:32:31,160 --> 01:32:32,962
You and I both know
there's no such thing

1935
01:32:32,995 --> 01:32:35,031
as an original story.

1936
01:32:35,064 --> 01:32:36,265
How could you?

1937
01:32:36,299 --> 01:32:37,500
CECIL: Can't
you just be quiet?

1938
01:32:37,533 --> 01:32:39,302
I'm trying to make
a picture here.

1939
01:32:39,335 --> 01:32:42,972
You scheming little witch.

1940
01:32:43,005 --> 01:32:44,974
So much for the
famous British charm.

1941
01:32:46,208 --> 01:32:50,146
♪ I'll be loving you Always ♪

1942
01:32:50,179 --> 01:32:51,547
♪ With a love
that's true... ♪

1943
01:32:51,580 --> 01:32:52,281
Stop it. Stop it.

1944
01:32:52,315 --> 01:32:53,315
♪ Always ♪

1945
01:32:53,883 --> 01:32:55,518
Stop it! No.

1946
01:32:55,551 --> 01:32:58,721
ELVIRA: Your first novel?
Greta Garbo speaking my words?

1947
01:32:58,754 --> 01:32:59,889
Stop it!

1948
01:32:59,922 --> 01:33:01,566
ELVIRA: You and I both know
there's no such thing

1949
01:33:01,590 --> 01:33:02,892
as an original story.

1950
01:33:02,925 --> 01:33:03,826
RUTH: Promise
you can't touch her.

1951
01:33:03,859 --> 01:33:05,294
ELVIRA: I'm a woman, Charles.

1952
01:33:05,328 --> 01:33:06,772
We're used to not getting
the credit we deserve.

1953
01:33:06,796 --> 01:33:09,532
RUTH: The only person
that you loved is yourself.

1954
01:33:09,565 --> 01:33:10,400
(ENGINE REVS)

1955
01:33:10,434 --> 01:33:11,767
(BRAKES SQUEALING)

1956
01:33:11,801 --> 01:33:12,801
Ooh.

1957
01:33:16,939 --> 01:33:18,641
What the hell do you
think you're doing?

1958
01:33:18,674 --> 01:33:20,444
You could have killed me.

1959
01:33:20,476 --> 01:33:21,477
I just did.

1960
01:33:23,413 --> 01:33:24,680
Oh.

1961
01:33:24,714 --> 01:33:27,016
(DRAMATIC MUSIC)

1962
01:33:27,049 --> 01:33:28,049
Oh.

1963
01:33:31,320 --> 01:33:34,458
Nobody will ever
forget you, Charles.

1964
01:33:34,490 --> 01:33:36,492
They'll remember
what a fraud you were.

1965
01:33:36,525 --> 01:33:37,525
Always.

1966
01:33:38,995 --> 01:33:41,398
♪ Au revoir, auf wiedersehen ♪

1967
01:33:41,431 --> 01:33:43,566
♪ We'll never meet again ♪

1968
01:33:43,599 --> 01:33:46,102
♪ Heaven's kinda
nice for roaming ♪

1969
01:33:46,135 --> 01:33:48,137
RUTH: Farewell,
Mr. Peasbody!

1970
01:33:48,170 --> 01:33:49,372
(ELVIRA LAUGHING)

1971
01:33:49,406 --> 01:33:50,940
CHARLES: You can't
just leave me here.

1972
01:33:50,973 --> 01:33:52,074
(RUTH YELPS)

1973
01:33:52,108 --> 01:33:54,343
♪ Off to paradise
we're strolling ♪

1974
01:33:54,377 --> 01:33:55,611
(RUTH SCREAMS. LAUGHS)

1975
01:33:55,644 --> 01:33:58,482
♪ Hanging off the
chandeliers all evening ♪

1976
01:33:58,514 --> 01:34:01,385
♪ While you lie in my web
of lies you're weaving ♪

1977
01:34:01,418 --> 01:34:02,486
<i>Read all about it.</i>

1978
01:34:02,518 --> 01:34:03,652
Read all about it.

1979
01:34:03,686 --> 01:34:05,287
Murdered British
crime writer revealed

1980
01:34:05,321 --> 01:34:07,189
to be serial plagiarist.

1981
01:34:09,258 --> 01:34:12,061
Oh, poor Charles.
How dreadful.

1982
01:34:14,163 --> 01:34:16,332
It's like a plot from
one of his novels.

1983
01:34:16,365 --> 01:34:18,367
Or perhaps from
someone else's.

1984
01:34:18,402 --> 01:34:21,405
(UPBEAT HORN MUSIC)

1985
01:34:25,674 --> 01:34:27,411
MADAME ARCATI:
Is anybody there?

1986
01:34:28,478 --> 01:34:30,112
Is anybody there?

1987
01:34:30,146 --> 01:34:33,549
One knock for yes,
two knocks for no.

1988
01:34:33,582 --> 01:34:35,385
CHARLES: Yes, I'm here.

1989
01:34:35,419 --> 01:34:37,920
Whatever happened to leaving
someone to rest in peace?

1990
01:34:37,953 --> 01:34:40,356
MADAME ARCATI: Mr.
Condomine, I simply wanted

1991
01:34:40,390 --> 01:34:42,892
to apologize for any
part I may have played

1992
01:34:42,925 --> 01:34:45,061
in your untimely demise.

1993
01:34:45,094 --> 01:34:46,838
CHARLES: You weren't behind
the wheel, Madame Arcati.

1994
01:34:46,862 --> 01:34:48,964
MADAME ARCATI:, No,
but I fear I may have

1995
01:34:48,998 --> 01:34:50,633
put fuel in the tank.

1996
01:34:50,666 --> 01:34:52,368
CHARLES: Well, <i>c'est la vie</i>.

1997
01:34:52,402 --> 01:34:55,539
MADAME ARCATI: I also
wanted to express my gratitude.

1998
01:34:55,604 --> 01:34:58,074
Without you, I would
still be searching.

1999
01:34:58,107 --> 01:34:59,184
CHARLES: Well,
at least one of us

2000
01:34:59,208 --> 01:35:01,277
is enjoying a happy ending.

2001
01:35:01,310 --> 01:35:04,680
MADAME ARCATI: May
I be so bold as to ask

2002
01:35:04,713 --> 01:35:06,816
what it's like on
the other side?

2003
01:35:06,849 --> 01:35:07,650
RUTH: Charles.

2004
01:35:07,683 --> 01:35:08,717
ELVIRA: Charles.

2005
01:35:08,751 --> 01:35:09,952
CHARLES: Complicated.

2006
01:35:12,456 --> 01:35:15,459
(SOFT, JAZZY TUNE)

2007
01:35:16,759 --> 01:35:18,861
♪ Your hand is on my hand ♪

2008
01:35:18,894 --> 01:35:21,465
♪ When I'm putting
pen to paper ♪

2009
01:35:21,498 --> 01:35:23,766
♪ We're in harmony ♪

2010
01:35:23,799 --> 01:35:26,168
♪ Trumpets in a band ♪

2011
01:35:26,202 --> 01:35:28,505
♪ Soprano and a tenor ♪

2012
01:35:28,538 --> 01:35:32,241
♪ Where you are is where I am ♪

2013
01:35:32,274 --> 01:35:36,513
(UPBEAT PIANO)

2014
01:35:36,546 --> 01:35:41,485
♪ My fellow, isn't it
swell to be with me ♪

2015
01:35:44,421 --> 01:35:50,560
♪ You were made to
stand in the shade ♪

2016
01:35:50,594 --> 01:35:56,165
♪ Now you're the
notes of my symphony ♪

2017
01:35:56,198 --> 01:36:00,302
♪ Our fingers intertwine when
I go to paint the picture ♪

2018
01:36:00,336 --> 01:36:02,439
♪ We're a vintage wine ♪

2019
01:36:02,472 --> 01:36:05,007
♪ The hourglass in the sand ♪

2020
01:36:05,040 --> 01:36:07,143
♪ A blessed gin and tonic ♪

2021
01:36:07,176 --> 01:36:11,747
♪ Where you are is where I am ♪

2022
01:36:11,780 --> 01:36:15,619
♪ Where you are is where I am ♪

2023
01:36:22,691 --> 01:36:24,260
(UKULELE MUSIC)

2024
01:36:24,293 --> 01:36:28,030
♪ I'm the top banana
in the greenhouse ♪

2025
01:36:28,063 --> 01:36:31,133
♪ I'm the cream
on the apple pie ♪

2026
01:36:31,167 --> 01:36:34,571
♪ It's hard to be humble
when you're genius ♪

2027
01:36:34,604 --> 01:36:38,073
♪ Eclipses the
stars in the sky ♪

2028
01:36:38,107 --> 01:36:41,478
♪ I'm light on my feet, the
toast of German Street ♪

2029
01:36:41,511 --> 01:36:45,080
♪ I'm the prince of Piccadilly,
dear, you'll wanna meet ♪

2030
01:36:45,114 --> 01:36:48,518
♪ So if you wanna say ahoy ♪

2031
01:36:48,552 --> 01:36:52,721
♪ Swing by the Savoy ♪

2032
01:36:52,755 --> 01:36:56,025
♪ I'm the top banana
in the greenhouse ♪

2033
01:36:56,058 --> 01:36:59,361
♪ I'm a champagne kind of guy ♪

2034
01:36:59,396 --> 01:37:03,165
♪ I'm a champagne kind of guy ♪

2035
01:37:05,535 --> 01:37:08,137
(GENTLE MUSIC)

2036
01:37:13,443 --> 01:37:18,280
♪ This life flies passed ♪

2037
01:37:18,314 --> 01:37:21,951
♪ No time to wait
in the shadows ♪

2038
01:37:21,984 --> 01:37:26,822
♪ This love might last ♪

2039
01:37:26,855 --> 01:37:31,160
♪ For a hit, follow the arrow ♪

2040
01:37:31,193 --> 01:37:34,930
♪ I feel the change
in the weather ♪

2041
01:37:34,964 --> 01:37:39,402
♪ Dark clouds are
gathering together ♪

2042
01:37:39,436 --> 01:37:43,105
♪ You're the sun that puts
the shine in my shoes ♪

2043
01:37:43,138 --> 01:37:46,710
♪ Takes away my blues ♪

2044
01:37:46,742 --> 01:37:51,113
♪ So let's sing, do I think ♪

2045
01:37:51,146 --> 01:37:55,084
♪ Like two birds we
belong together ♪

2046
01:37:55,117 --> 01:37:59,723
♪ Let's dance, take a chance ♪

2047
01:37:59,755 --> 01:38:03,359
♪ Make a moment last forever ♪

2048
01:38:03,393 --> 01:38:05,729
♪ Let's dance ♪

2049
01:38:05,761 --> 01:38:08,364
(UPBEAT MUSIC)

2050
01:38:21,243 --> 01:38:24,913
♪ I feel a change
in the weather ♪

2051
01:38:24,947 --> 01:38:29,351
♪ Dark clouds are
gathering together ♪

2052
01:38:29,386 --> 01:38:33,022
♪ You're the sun that puts
the shine in my shoes ♪

2053
01:38:33,055 --> 01:38:36,493
♪ And takes away my blues ♪

2054
01:38:36,526 --> 01:38:41,398
♪ So let's sing, do I think ♪

2055
01:38:41,431 --> 01:38:44,967
♪ Like two birds we
belong together ♪

2056
01:38:45,000 --> 01:38:50,873
♪ Let's dance, take a chance ♪

2057
01:38:50,906 --> 01:38:53,510
♪ Make a moment last forever ♪

2058
01:38:53,543 --> 01:38:59,416
♪ Let's dance ♪

2059
01:38:59,449 --> 01:39:01,751
♪ Make a moment last forever ♪

2060
01:39:01,785 --> 01:39:07,657
♪ Let's dance ♪

2061
01:39:07,691 --> 01:39:12,529
♪ Make a moment last forever ♪

2062
01:39:12,562 --> 01:39:14,764
♪ Let's dance ♪

2063
01:39:14,859 --> 01:39:19,734
Provided by explosiveskull
https://twitter.com/kaboomskull