1
00:02:06,167 --> 00:02:09,708
The first time I saw a movie
at the Cinemathique Francaise...

2
00:02:09,792 --> 00:02:12,875
I thought, "Only the French...

3
00:02:12,958 --> 00:02:16,583
Only the French would house
a cinema inside a palace."

4
00:02:27,125 --> 00:02:30,542
The movie was
Sam Fuller's Shock Corridor.

5
00:02:30,625 --> 00:02:34,458
Its images were so powerful,
it was like being hypnotized.

6
00:02:37,000 --> 00:02:39,750
I was 20 years old.
It was the late '60s...

7
00:02:39,833 --> 00:02:42,917
and I'd come to Paris
for a year to study French.

8
00:02:43,000 --> 00:02:45,042
But it was here
that I got my real education.

9
00:02:47,417 --> 00:02:51,958
I became a member of what in those days
was kind of a free masonry.

10
00:02:52,083 --> 00:02:54,167
A free masonry of cinephiles...

11
00:02:54,250 --> 00:02:57,208
what we'd call "film buffs."

12
00:03:03,750 --> 00:03:05,833
I was one of the insatiables...

13
00:03:05,917 --> 00:03:10,958
the ones you'd always find
sitting closest to the screen.

14
00:03:11,083 --> 00:03:13,750
Why do we sit so close?

15
00:03:13,833 --> 00:03:17,375
Maybe it was because we wanted
to receive the images first...

16
00:03:17,458 --> 00:03:20,125
when they were still new,
still fresh...

17
00:03:20,250 --> 00:03:23,917
before they cleared the hurdles
of the rows behind us...

18
00:03:24,000 --> 00:03:28,667
before they'd been relayed back
from row to row, spectator to spectator...

19
00:03:28,750 --> 00:03:32,250
until worn-out, secondhand,
the size of a postage stamp...

20
00:03:32,333 --> 00:03:34,333
it returned to the
projectionist's cabin.

21
00:03:34,417 --> 00:03:38,125
Doctor, I'm not nuts!
I'm here from the paper! I'm a plant!

22
00:03:38,250 --> 00:03:41,125
Maybe, too, the screen
really was a screen.

23
00:03:41,250 --> 00:03:44,583
It screened us...
from the world.

24
00:03:55,250 --> 00:03:59,667
But there was one evening
in the spring of 1968...

25
00:03:59,750 --> 00:04:03,000
when the world finally
burst through the screen.

26
00:04:03,083 --> 00:04:05,667
The pawn of an obscure coalition...

27
00:04:05,750 --> 00:04:07,292
of dubious interests...

28
00:04:07,417 --> 00:04:09,542
the Minister Malraux
has driven...

29
00:04:09,625 --> 00:04:13,417
Henri Langlois out
of the French Cinematheque.

30
00:04:13,500 --> 00:04:16,458
If offered us all
a free and fair conception...

31
00:04:16,583 --> 00:04:18,625
of French film culture.

32
00:04:18,750 --> 00:04:22,375
Now, for bureaucratic reasons,
culture's arch-enemies...

33
00:04:22,458 --> 00:04:24,958
have seized this bastion
of liberty.

34
00:04:26,500 --> 00:04:27,958
Resist them!

35
00:04:28,083 --> 00:04:30,958
- Liberty isn't given!
- It's taken!

36
00:04:31,083 --> 00:04:32,708
All those who love film...

37
00:04:32,792 --> 00:04:34,292
- In France...
- And abroad.

38
00:04:34,417 --> 00:04:35,500
Are with you.

39
00:04:35,583 --> 00:04:38,875
And with Henry Langlois!

40
00:04:47,667 --> 00:04:50,833
It was Henri Langlois,
who created the CinÃ©mathÃ¨que...

41
00:04:50,917 --> 00:04:52,917
and it was because
he liked to show movies...

42
00:04:53,000 --> 00:04:55,958
instead of letting them rot
in some underground vault...

43
00:04:56,083 --> 00:04:59,000
to show any movies...
good, bad, old, new...

44
00:04:59,083 --> 00:05:01,875
silents, Westerns, thrillers...

45
00:05:01,958 --> 00:05:06,958
that all the New Wave filmmakers
came here to learn their craft.

46
00:05:07,083 --> 00:05:10,208
This was where
modern cinema was born.

47
00:05:10,292 --> 00:05:12,333
What lies behind it?

48
00:05:12,417 --> 00:05:14,625
The police!

49
00:05:16,458 --> 00:05:18,708
Langlois had been sacked
by the government...

50
00:05:18,792 --> 00:05:23,250
and it seemed like every film buff
in Paris had turned out in protest.

51
00:05:23,333 --> 00:05:25,958
It was our very own
cultural revolution.

52
00:05:25,958 --> 00:05:27,958
It was our very own
cultural revolution.

53
00:05:50,125 --> 00:05:51,833
Excuse me.

54
00:05:55,500 --> 00:05:56,833
Can you remove this?

55
00:05:57,750 --> 00:05:59,792
It's stuck to my lips.

56
00:05:59,917 --> 00:06:03,833
Can you remove my cigarette?
It's stuck.

57
00:06:03,917 --> 00:06:07,667
Yes, yes... of course.

58
00:06:09,333 --> 00:06:11,167
Sorry.

59
00:06:11,250 --> 00:06:14,542
- What are you, English?
- No. I'm American.

60
00:06:14,625 --> 00:06:17,500
You can put it out now.

61
00:06:21,250 --> 00:06:24,250
- What's your name?
- Matthew.

62
00:06:24,333 --> 00:06:26,708
You're here a lot, aren't you?
But you never talk to anyone.

63
00:06:26,750 --> 00:06:28,708
We've been wondering
why you're always alone.

64
00:06:28,792 --> 00:06:31,833
I don't really know anybody.

65
00:06:31,917 --> 00:06:34,000
How come you're
chained to the gates?

66
00:06:34,083 --> 00:06:36,458
I'm not chained to the gates.

67
00:06:40,583 --> 00:06:43,375
- You're awfully clean.
- What?

68
00:06:43,458 --> 00:06:45,958
For someone who likes
the cinema so much.

69
00:06:46,083 --> 00:06:48,042
- Do you know Jacques?
- Jacques?

70
00:06:48,125 --> 00:06:50,625
"If shit could shit,
it would smell just like Jacques."

71
00:06:50,750 --> 00:06:52,792
My brother's
gone to talk to him.

72
00:06:52,917 --> 00:06:56,042
When he gets back, you'll be able
to smell Jacques on him.

73
00:06:56,125 --> 00:06:59,250
It's like being around pigs.

74
00:06:59,333 --> 00:07:01,667
- You speak English really well.
- What?

75
00:07:01,750 --> 00:07:05,667
- You speak English really well.
- My mother's English.

76
00:07:05,750 --> 00:07:09,875
- Here's Theo. When I introduce you,
just give him a sniff.
- Come on.

77
00:07:09,958 --> 00:07:12,500
Truffaut, Godard, Charbol, Rivette...

78
00:07:12,583 --> 00:07:16,042
and Renoir, Jean Roach,
Rohmer are here.

79
00:07:16,125 --> 00:07:18,833
Signoret, Jean Marais
and God knows who else.

80
00:07:18,917 --> 00:07:20,208
Marcel Carne too.

81
00:07:20,292 --> 00:07:22,000
Why is Came here?

82
00:07:22,083 --> 00:07:25,333
What should we do?
Stay or leave?

83
00:07:25,417 --> 00:07:27,792
I don't know.

84
00:07:27,917 --> 00:07:31,625
Theo, this is Matthew.

85
00:07:31,750 --> 00:07:34,250
- You were right. He's American.
- Hi.

86
00:07:37,292 --> 00:07:41,042
I've seen you around. You've been coming
to all the Nicholas Rays.

87
00:07:41,125 --> 00:07:43,625
Yeah. I really like his movies.

88
00:07:43,750 --> 00:07:47,292
- What? They Live By Night?
- Mm-mm. More like...

89
00:07:47,417 --> 00:07:51,792
Johnny Guitar
and Rebel Without a Cause.

90
00:07:51,917 --> 00:07:55,292
- You know what Godard wrote about him?
- No. What?

91
00:07:55,417 --> 00:07:57,458
"Nicholas Ray is cinema."

92
00:07:57,583 --> 00:08:00,542
- What's up with you?
- Me?

93
00:08:00,625 --> 00:08:02,833
Come on, stick with me!

94
00:08:35,625 --> 00:08:36,958
Fascists!

95
00:08:37,083 --> 00:08:40,042
- Bastards!
- Assholes!

96
00:08:43,417 --> 00:08:47,875
And that was how I first met
Theo and Isabelle.

97
00:08:55,750 --> 00:08:58,417
I could hear my heart pounding.

98
00:08:58,500 --> 00:09:01,792
I don't know if it was because I'd
just been chased by the police...

99
00:09:01,917 --> 00:09:05,125
or because I was already
in love with my new friends.

100
00:09:05,250 --> 00:09:08,333
As we walked and talked
and talked and talked...

101
00:09:08,417 --> 00:09:11,083
about politics, about movies...

102
00:09:11,167 --> 00:09:14,083
and why the French could never come
close to producing a good rock band...

103
00:09:14,125 --> 00:09:17,167
- I'm starving.
- I forgot the sandwiches.

104
00:09:17,250 --> 00:09:20,292
I didn't want that night
ever to end.

105
00:09:22,417 --> 00:09:25,208
- Merci.
- Didn't you bring anything?

106
00:09:25,292 --> 00:09:27,625
No. I'm okay.
Please eat.

107
00:09:27,750 --> 00:09:30,458
Don't mind me.

108
00:09:30,583 --> 00:09:33,875
- No. I'm really not hungry.
- I've broken it now. Take it.

109
00:09:33,958 --> 00:09:37,167
- You're very kind, but I don't...
- For goodness sake,
take it when you're offered it.

110
00:09:37,250 --> 00:09:39,250
Thank you.

111
00:09:39,333 --> 00:09:41,333
Theo, don't you have
something for Matthew?

112
00:09:41,333 --> 00:09:43,333
This is fine.

113
00:09:43,417 --> 00:09:46,917
- I gave him a third of mine.
- Okay.

114
00:09:49,083 --> 00:09:53,083
- Really, I didn't come here
to eat your sandwiches.
- He doesn't want it.

115
00:09:53,167 --> 00:09:56,667
Yes, he does! He's just too polite
to say he does.

116
00:09:56,750 --> 00:09:59,167
- Aren't you, Matthew?
- You're very kind.

117
00:09:59,250 --> 00:10:03,083
- So where are you from exactly?
- San Diego.

118
00:10:03,167 --> 00:10:07,875
What about you two?
Were you both born in Paris?

119
00:10:07,958 --> 00:10:12,542
I entered this world on
the Champs ElysÃ©es, 1959.

120
00:10:12,625 --> 00:10:14,583
The pavement of the Champs-Elysees.

121
00:10:14,667 --> 00:10:17,792
And you know what my
very first words were?

122
00:10:17,917 --> 00:10:19,875
No. What?

123
00:10:19,958 --> 00:10:21,958
"New York Herald Tribune!"

124
00:10:22,083 --> 00:10:24,833
New York Herald Tribune!

125
00:10:24,917 --> 00:10:29,750
- New York Herald Tribune!
- New York Herald Tribune!

126
00:10:29,833 --> 00:10:33,583
Will you come to Rome with me?

127
00:10:37,083 --> 00:10:39,042
Here! Right here! Here!

128
00:10:39,125 --> 00:10:41,750
No, there!

129
00:10:41,833 --> 00:10:44,208
- Good night, Matthew!
- Night.

130
00:11:34,083 --> 00:11:36,042
"Dear Mom...

131
00:11:36,125 --> 00:11:41,000
"I've got some real news this time.

132
00:11:41,083 --> 00:11:44,625
I just met
my first French friends."

133
00:12:28,333 --> 00:12:30,917
- Hello.
- Matthew?

134
00:12:31,000 --> 00:12:33,250
Who is this?

135
00:12:33,333 --> 00:12:36,500
- Don't be suspicious. It's me.
- Theo?

136
00:12:36,583 --> 00:12:39,500
- Don't tell me I woke you up.
- No, I...

137
00:12:39,583 --> 00:12:42,833
- I've been up for ages.
- You don't sound as if
you've been up for ages.

138
00:12:42,917 --> 00:12:45,542
I always sound like this
in the morning.

139
00:12:45,625 --> 00:12:48,417
Sorry. I had to call you early
because I go to class at 9:00.

140
00:12:48,500 --> 00:12:54,625
- Right.
- Listen, you want to have
dinner tomorrow night?

141
00:12:54,750 --> 00:13:00,083
Um, you mean like a real dinner
in a nice restaurant?

142
00:13:00,167 --> 00:13:03,833
No, not in a restaurant.
Here at home.

143
00:13:03,917 --> 00:13:07,125
Yeah, I'd...
Sure, that'd be great.

144
00:13:07,250 --> 00:13:09,708
Yes? Okay, why don't you...

145
00:13:09,792 --> 00:13:11,792
Theo, please get off the phone.
It's 9:00.

146
00:13:11,917 --> 00:13:16,875
Yes, yes. Why don't you meet us for
a drink first at Le Raspail, 6:00?

147
00:13:16,958 --> 00:13:18,958
You know where it is?

148
00:13:19,083 --> 00:13:21,875
- Boulevard Saint-Germain?
- Be there are 6:00.

149
00:13:28,500 --> 00:13:30,708
Hey!

150
00:13:30,792 --> 00:13:33,542
Third floor!

151
00:13:33,625 --> 00:13:35,958
You know, there's room
in here for all of us.

152
00:13:36,083 --> 00:13:39,583
- Theo and I are contagious!
- What?

153
00:13:39,667 --> 00:13:42,458
- We're very contagious!
- Contagious?

154
00:13:42,542 --> 00:13:44,417
You mustn't catch us.

155
00:14:02,917 --> 00:14:05,375
- It's beautiful.
- You think so?

156
00:14:05,458 --> 00:14:06,958
Good luck.

157
00:14:15,583 --> 00:14:17,292
Evening, Maman.

158
00:14:19,792 --> 00:14:21,250
What are you doing here?

159
00:14:21,333 --> 00:14:23,500
- We're here for dinner.
- What?

160
00:14:23,583 --> 00:14:25,417
With Matthew.

161
00:14:25,500 --> 00:14:28,083
- Didn't Isabelle say?
- Which Matthew?

162
00:14:28,167 --> 00:14:30,250
This Matthew.

163
00:14:30,333 --> 00:14:33,625
He's our new friend.
Matthew, this is my mother.

164
00:14:33,750 --> 00:14:35,708
- Hi.
- Very pleased to meet you, Matthew.

165
00:14:35,792 --> 00:14:39,333
- Likewise.
- Oh, you're American, are you?

166
00:14:39,417 --> 00:14:41,708
- Yeah. I'm from California.
- Oh.

167
00:14:41,792 --> 00:14:44,375
Matthew lives in that nasty student
Hotel Malebranche...

168
00:14:44,458 --> 00:14:47,250
- so we invited him to dinner.
- Oh.

169
00:14:47,333 --> 00:14:48,917
What's wrong?

170
00:14:49,000 --> 00:14:52,292
What can I say, Isabelle?
I'm cooking for two...

171
00:14:52,417 --> 00:14:53,958
and now there are five of us.

172
00:14:54,083 --> 00:14:55,167
Didn't Theo tell you?

173
00:14:55,250 --> 00:14:58,000
No, he didn't.
And neither did you.

174
00:14:58,083 --> 00:15:01,250
Have you got mashed potatoes
for brains or what?

175
00:15:01,375 --> 00:15:03,167
You were supposed to tell her!

176
00:15:03,250 --> 00:15:04,917
You're crazy!

177
00:15:05,000 --> 00:15:07,583
Bitch, cow, slut...

178
00:15:07,667 --> 00:15:10,625
Oh, for God's sake!
Put a sock in it, you two!

179
00:15:12,958 --> 00:15:15,917
I must apologize for
my children's behavior, Matthew.

180
00:15:16,000 --> 00:15:19,250
No. I'm the one
who should be apologizing.

181
00:15:19,333 --> 00:15:21,833
Please don't put yourself out
on account of me.

182
00:15:21,917 --> 00:15:24,458
That's very sweet of you,
seeing as you're completely blameless.

183
00:15:28,125 --> 00:15:30,875
Let me look at you.

184
00:15:30,958 --> 00:15:34,792
Okay. I want you to make
a good impression on Papa.

185
00:15:45,167 --> 00:15:47,125
Papa, it's me.

186
00:15:47,250 --> 00:15:48,750
We're eating in.

187
00:15:48,833 --> 00:15:51,208
And the cinematheque?

188
00:15:51,292 --> 00:15:53,542
Closed until further notice.

189
00:15:53,625 --> 00:15:56,125
Papa, can't you see we have a guest?

190
00:15:56,250 --> 00:15:59,458
- This is Matthew.
- Oh.

191
00:16:00,917 --> 00:16:02,875
- Sir.
- Matthew.

192
00:16:02,958 --> 00:16:05,917
Matthew's dining
with us tonight.

193
00:16:06,000 --> 00:16:10,375
My young Matthew,
inspiration is like a baby.

194
00:16:10,458 --> 00:16:14,458
It does not choose a nice,
seemly hour to enter the world.

195
00:16:14,583 --> 00:16:19,042
It has no consideration
for the poor poets. I know.

196
00:16:20,417 --> 00:16:22,708
But when it does come...

197
00:16:22,792 --> 00:16:26,875
when it deigns to come,
then you know it's...

198
00:16:32,083 --> 00:16:36,917
Young man, I was speaking to you.
I imagine you were listening.

199
00:16:37,000 --> 00:16:39,375
I was.
I'm... I'm sorry.

200
00:16:40,833 --> 00:16:43,542
What?

201
00:16:43,625 --> 00:16:46,583
Nothing.
I was just, um...

202
00:16:48,250 --> 00:16:51,417
You seemed to be mesmerized
by this tin lighter.

203
00:16:51,500 --> 00:16:53,625
I'd like to know why.

204
00:16:55,500 --> 00:16:57,500
- Well?
- George, please.

205
00:16:57,583 --> 00:17:01,083
- Matthew's our guest.
- No, no. I'm genuinely curious.

206
00:17:01,167 --> 00:17:03,958
I'd like to know why.

207
00:17:06,083 --> 00:17:09,625
I was just... I was fidgeting
with Isabelle's lighter...

208
00:17:09,750 --> 00:17:11,750
and... I wasn't
really realizing it...

209
00:17:11,833 --> 00:17:13,833
then I noticed,
and I thought it was rude...

210
00:17:13,917 --> 00:17:15,917
so I put it down on the table.

211
00:17:16,000 --> 00:17:18,625
But I put it diagonally across
one of these squares.

212
00:17:18,750 --> 00:17:21,250
Do you see?

213
00:17:21,333 --> 00:17:23,375
Look.

214
00:17:23,458 --> 00:17:26,125
That's when I noticed
that the lighter's length...

215
00:17:26,250 --> 00:17:29,208
is exactly the same length
as the diagonal itself.

216
00:17:29,292 --> 00:17:34,083
So I put it lengthwise,
along the outside edge.

217
00:17:34,167 --> 00:17:37,958
- Look. It fits there too.
- Yeah.

218
00:17:38,083 --> 00:17:40,708
But it fits there.

219
00:17:42,458 --> 00:17:45,792
And it fits like this
and like this...

220
00:17:45,917 --> 00:17:49,167
and this way too.

221
00:17:49,250 --> 00:17:52,500
And I bet you if
I just split it in half...

222
00:17:52,583 --> 00:17:56,458
you know, it's
got to fit somewhere.

223
00:17:56,583 --> 00:17:58,958
I mean, it really
fits anywhere. Look.

224
00:18:00,333 --> 00:18:02,125
See?

225
00:18:02,250 --> 00:18:05,750
I was noticing that the more
you look at everything...

226
00:18:05,833 --> 00:18:10,625
this table, the objects on it,
the refrigerator, this room...

227
00:18:10,750 --> 00:18:17,042
your nose, the world Suddenly...

228
00:18:17,125 --> 00:18:21,417
you realize that there's some
sort of cosmic harmony...

229
00:18:21,500 --> 00:18:26,250
of shapes and sizes.

230
00:18:26,333 --> 00:18:30,292
I was just wondering why.
I don't know why that is.

231
00:18:30,417 --> 00:18:32,958
I know that it is.

232
00:18:40,458 --> 00:18:43,125
You have an interesting
friend here.

233
00:18:43,250 --> 00:18:46,542
More interesting, I suspect,
than you know.

234
00:18:49,000 --> 00:18:53,667
I mean, when we look around us,
what is it we see?

235
00:18:53,750 --> 00:18:58,542
Complete chaos.

236
00:18:58,625 --> 00:19:00,875
Yet viewed from above...

237
00:19:00,958 --> 00:19:04,208
viewed, as it were, by God...

238
00:19:04,292 --> 00:19:07,125
everything suddenly
fits together.

239
00:19:09,833 --> 00:19:14,375
My children believe that
their demonstrations and sit-ins...

240
00:19:14,458 --> 00:19:16,417
and happenings...

241
00:19:16,500 --> 00:19:20,292
what, they believe that these possess
the capacity...

242
00:19:20,417 --> 00:19:25,292
not only to provoke society,
but also to transform it.

243
00:19:30,500 --> 00:19:34,708
What is it you're saying?
If Langlois is dismissed,
we shouldn't do anything?

244
00:19:34,792 --> 00:19:40,583
If immigrants are deported,
if students are beaten up,
we shouldn't do anything?

245
00:19:40,667 --> 00:19:43,917
What I'm saying is that
a little lucidity would not go amiss.

246
00:19:44,000 --> 00:19:48,333
So, uh,
everyone's wrong but you?

247
00:19:48,417 --> 00:19:51,083
In France, in Italy,
Germany, America?

248
00:19:51,167 --> 00:19:53,542
Listen to me, Theo.
Before you can change the world...

249
00:19:53,625 --> 00:19:56,708
you must realize
you yourself are part of it.

250
00:19:56,792 --> 00:20:00,500
You cannot stand outside
looking in.

251
00:20:00,583 --> 00:20:03,583
You're the one
who stands outside.

252
00:20:03,667 --> 00:20:06,833
You're the one who refused to sign
a petition against the Vietnam War.

253
00:20:06,917 --> 00:20:10,125
Poets don't sign petitions.
They sign poems.

254
00:20:10,250 --> 00:20:13,333
A petition is a poem.

255
00:20:13,417 --> 00:20:17,417
Yes! And a poem is a petition.
Thank you, but I'm not gaga yet.

256
00:20:17,500 --> 00:20:19,500
I don't need you to remind me
of my own work!

257
00:20:19,583 --> 00:20:22,875
- Hmm?
- That's right.

258
00:20:22,958 --> 00:20:25,958
A petition is a poem,
a poem is a petition.

259
00:20:26,083 --> 00:20:28,583
Yes.

260
00:20:28,583 --> 00:20:31,083
Those are the most famous
lines you ever wrote.

261
00:20:32,500 --> 00:20:34,583
And now look at you.

262
00:20:36,583 --> 00:20:38,667
I hope I'll never be like him.

263
00:20:38,750 --> 00:20:41,500
Theo.

264
00:20:41,583 --> 00:20:43,500
We should say good night, darling.

265
00:20:43,583 --> 00:20:45,125
We got a long day
ahead of us tomorrow.

266
00:20:47,333 --> 00:20:48,458
George.

267
00:20:48,583 --> 00:20:50,833
Yes, sorry. You were saying?

268
00:20:50,917 --> 00:20:52,458
We should go to bed.

269
00:20:55,042 --> 00:20:57,833
You had something
to tell the children, didn't you?

270
00:20:58,625 --> 00:21:00,292
Yes, of course.

271
00:21:00,417 --> 00:21:01,875
I'm sorry.

272
00:21:01,958 --> 00:21:04,167
The cheques
are on the mantelpiece.

273
00:21:04,250 --> 00:21:06,875
Don't cash them
until you need them, all right?

274
00:21:09,583 --> 00:21:11,958
Good night, everybody.

275
00:21:12,042 --> 00:21:15,000
Good night, Papa. Have a safe journey.

276
00:21:15,083 --> 00:21:19,125
Good night, dear.
Theo.

277
00:21:19,250 --> 00:21:21,208
A very good night to you, Matthew.

278
00:21:21,292 --> 00:21:24,208
It was a pleasure meeting you, sir.
A pleasure.

279
00:21:25,667 --> 00:21:27,667
- Very nice meeting you, Matthew.
- You too.

280
00:21:27,750 --> 00:21:29,750
- Thank you so much for dinner.
- It's my pleasure.

281
00:21:29,833 --> 00:21:31,833
Why don't you invite Matthew
to spend the night?

282
00:21:31,917 --> 00:21:35,292
I'm not sure I like the sound
of Hotel Malebranche.

283
00:21:35,375 --> 00:21:36,708
Good night.

284
00:22:04,083 --> 00:22:08,667
Why haven't you dazzled us with these
philosophical speculations of yours?

285
00:22:08,750 --> 00:22:13,042
- I didn't know I was being philosophical.
- Papa was awfully impressed.

286
00:22:13,125 --> 00:22:17,292
- Papa's full of shit.
- I think you're lucky.

287
00:22:17,417 --> 00:22:20,208
I... I wish my parents
were that nice.

288
00:22:20,292 --> 00:22:24,417
Other people's parents
are always nicer than our own.

289
00:22:24,500 --> 00:22:27,000
And yet for some reason,
our own grandparents...

290
00:22:27,083 --> 00:22:29,792
are always nicer
than other people's.

291
00:22:31,583 --> 00:22:34,333
You know, that's true.
That's... That's absolutely true.

292
00:22:34,417 --> 00:22:38,625
I never thought about it before,
but it's... it's true.

293
00:22:38,750 --> 00:22:40,417
Matthew, you sweet...

294
00:22:42,167 --> 00:22:47,250
This... is double
the length of...

295
00:22:50,083 --> 00:22:52,083
Well, I'm for bed.

296
00:23:04,750 --> 00:23:07,500
Are you staying?

297
00:23:07,583 --> 00:23:11,750
- Are you okay?
- Yeah, I'm okay.

298
00:23:11,833 --> 00:23:14,708
Good night, Matthew.

299
00:23:24,625 --> 00:23:27,083
Everybody's got a father.

300
00:23:27,167 --> 00:23:29,167
Yes.

301
00:23:29,250 --> 00:23:32,125
But the fact that
God doesn't exist...

302
00:23:32,250 --> 00:23:35,583
doesn't mean
he can take his place.

303
00:24:19,750 --> 00:24:22,167
Okay?

304
00:24:22,250 --> 00:24:24,792
That's fine.

305
00:24:24,917 --> 00:24:26,958
- Good night.
- Good night.

306
00:24:27,083 --> 00:24:29,375
- See you in the morning.
- See you.

307
00:24:29,458 --> 00:24:33,542
Thank... Thank you.

308
00:24:50,417 --> 00:24:51,583
No!

309
00:27:45,667 --> 00:27:47,708
Good morning.

310
00:27:50,667 --> 00:27:52,708
What was that all about?

311
00:27:52,792 --> 00:27:55,042
I was removing the sleep
from your eyes.

312
00:27:55,125 --> 00:27:59,167
Theo lets me do his
every morning.

313
00:27:59,250 --> 00:28:01,417
That's the strangest thing
to want to do.

314
00:28:01,500 --> 00:28:04,542
Didn't you enjoy it?

315
00:28:04,625 --> 00:28:07,958
- Was I supposed to?
- Naturally.

316
00:28:14,583 --> 00:28:17,042
Up, up, up, up, up!
What are you waiting for?

317
00:28:17,125 --> 00:28:20,583
Isabelle, I'm not dressed.

318
00:29:20,250 --> 00:29:23,375
- What are you doing?
- What are you doing?

319
00:29:23,458 --> 00:29:28,417
I've been memorizing this room.

320
00:29:28,500 --> 00:29:31,042
In the future, in my memory...

321
00:29:31,125 --> 00:29:35,125
I shall live a great deal in this room.

322
00:29:35,250 --> 00:29:37,208
Queen Christina...

323
00:29:37,292 --> 00:29:39,292
where Greta Garbo
bids farewell to the room...

324
00:29:39,417 --> 00:29:41,375
where she spent the night
with John Gilbert.

325
00:29:41,458 --> 00:29:43,917
Bravo!

326
00:29:44,000 --> 00:29:46,083
Alors.
We have a private wing to ourselves.

327
00:29:46,167 --> 00:29:48,167
The bathroom's
at the end of the corridor.

328
00:29:48,250 --> 00:29:51,417
If you aren't there in one minute,
we're coming back to get you!

329
00:30:23,458 --> 00:30:25,417
Come in.

330
00:30:27,750 --> 00:30:29,875
Good morning.

331
00:30:29,958 --> 00:30:32,458
Are you going to church?

332
00:30:35,958 --> 00:30:39,292
Oh, sorry. You want to use
my toothbrush?

333
00:30:39,417 --> 00:30:41,375
- Uh, no.
- Sure?

334
00:30:41,458 --> 00:30:44,167
I'll use my finger.

335
00:30:49,750 --> 00:30:52,750
- Sleep well?
- Yeah.

336
00:30:52,833 --> 00:30:55,250
- I mean, fine.
- Good.

337
00:31:05,000 --> 00:31:07,000
- You know, Matthew?
- Hmm.

338
00:31:07,083 --> 00:31:11,792
You really do have the most
beautiful pair of lips.

339
00:31:13,000 --> 00:31:16,375
Can I touch them?

340
00:31:16,458 --> 00:31:20,042
- You... You wanna touch my lips?
- Uh-huh.

341
00:31:20,125 --> 00:31:23,917
Okay.

342
00:31:26,917 --> 00:31:32,667
So red... and ripe
and luscious.

343
00:31:32,750 --> 00:31:36,250
So sullen, brutal.

344
00:31:37,750 --> 00:31:39,708
Let's see what you
look like with lipstick.

345
00:31:39,792 --> 00:31:43,250
- I really should be going.
- You'd make such a pretty girl.

346
00:31:43,333 --> 00:31:46,292
Ignore her, Matthew.
She sucks in all the air around her.

347
00:31:46,417 --> 00:31:51,042
No, I... I really have to, um,
be getting back to my hotel.

348
00:31:51,125 --> 00:31:53,667
No. Why? You have been
invited to stay.

349
00:31:53,750 --> 00:31:56,708
- Really?
- Sure.

350
00:31:56,792 --> 00:31:58,917
You know our parents have left.

351
00:31:59,000 --> 00:32:01,375
They're going to be
introuvÃ©s for a month.

352
00:32:01,458 --> 00:32:04,125
We thought you might like
to move your things here.

353
00:32:04,250 --> 00:32:06,542
- R-Really?
- Sure.

354
00:32:06,625 --> 00:32:10,292
But you just met me two days ago.
You barely even know me.

355
00:32:10,417 --> 00:32:13,208
This way we get to know you. You
don't have to stay in a hotel, do you?

356
00:32:13,292 --> 00:32:14,500
No.

357
00:32:14,500 --> 00:32:15,708
Then we'll go and pick
up what you need...

358
00:32:15,792 --> 00:32:17,792
with my Mobilette, okay?

359
00:32:17,917 --> 00:32:21,708
- Come on.
- But... what about you?

360
00:32:24,792 --> 00:32:26,833
It was my idea.

361
00:32:26,917 --> 00:32:29,875
Whoa! You're scaring me right now!

362
00:32:34,417 --> 00:32:36,417
Jesus.

363
00:32:39,667 --> 00:32:42,333
I'm going to check out
the CinÃ©mathÃ¨que, just in case.

364
00:32:42,417 --> 00:32:44,458
- Okay.
- Don't take too long.

365
00:32:44,583 --> 00:32:47,708
Don't worry, I won't.
I don't have much stuff.

366
00:32:47,792 --> 00:32:49,875
With us, you're not
going to need much.

367
00:32:49,958 --> 00:32:51,958
Okay.

368
00:32:54,750 --> 00:32:59,625
Oh, just don't forget
your toothbrush!

369
00:33:00,750 --> 00:33:02,750
Okay.

370
00:33:10,917 --> 00:33:14,042
"Dear Mom, I guess you're surprised
to be hearing from me...

371
00:33:14,125 --> 00:33:16,125
"so soon after my last letter.

372
00:33:16,250 --> 00:33:18,542
"But I've just moved out of my hotel
and into an apartment...

373
00:33:18,625 --> 00:33:21,125
"belonging to a famous
French author...

374
00:33:21,250 --> 00:33:24,542
"whose children are the same age as me
and have the same interests.

375
00:33:24,625 --> 00:33:29,208
"I know how pleased you?! be to hear I'm
getting in with the right kind of people.

376
00:33:29,292 --> 00:33:31,958
Say hello to Father.
I hope he's not still mad at me."

377
00:33:32,083 --> 00:33:32,250
Listen to this, Matthew.

378
00:33:32,250 --> 00:33:34,042
Listen to this, Matthew.

379
00:33:34,125 --> 00:33:36,958
"The difference between
Keaton and Chaplin...

380
00:33:37,083 --> 00:33:40,000
"is the difference
between prose and poetry...

381
00:33:40,083 --> 00:33:42,500
"between the aristocrat
and the tramp...

382
00:33:42,583 --> 00:33:45,042
"between eccentricity
and mysticism...

383
00:33:45,125 --> 00:33:48,750
between man as a machine
and man as animal."

384
00:33:48,833 --> 00:33:50,458
Not bad, huh?

385
00:33:50,583 --> 00:33:54,625
That's good. Except for me,
there's no comparison.

386
00:33:54,750 --> 00:33:58,625
Why? 'Cause Chaplin's
incomparable?

387
00:34:00,583 --> 00:34:03,917
No. Because Keaton
is incomparable.

388
00:34:04,000 --> 00:34:08,208
Keaton? You think Keaton's
greater than Chaplin?

389
00:34:08,292 --> 00:34:10,292
- Absolutely I do.
- Oh, you're not serious.

390
00:34:10,417 --> 00:34:12,625
- Of course I am.
- You're crazy.

391
00:34:12,750 --> 00:34:16,500
Come on. In the first place, you can't
deny that Keaton's funnier than Chaplin.

392
00:34:16,583 --> 00:34:21,792
- Yes, I can.
- You don't think that Keaton
is funnier than Chaplin?

393
00:34:21,917 --> 00:34:23,167
I don't think anyone's
funnier than Chaplin.

394
00:34:23,167 --> 00:34:24,458
Keaton is!

395
00:34:24,583 --> 00:34:27,542
Even when he's not doing anything,
he's funny And he looks like Godard.

396
00:34:27,625 --> 00:34:31,583
Keaton is a real filmmaker.
Chaplin, all he cares about
is his own performance...

397
00:34:31,667 --> 00:34:34,292
- his own ego.
- That's bullshit.

398
00:34:34,417 --> 00:34:37,125
- It's not bullshit.
- Yes, it is.

399
00:34:37,250 --> 00:34:39,958
You Americans understand fuck-all
about your own culture.

400
00:34:40,083 --> 00:34:44,833
- No wonder you never got
the point of Jerry Lewis.
- Don't even get me started!

401
00:34:44,917 --> 00:34:49,042
Listen, when Chaplin wanted
to have a beautiful shot, he knew how.

402
00:34:49,125 --> 00:34:52,333
Better than Keaton,
better than anybody.

403
00:34:52,417 --> 00:34:54,333
You remember the last shot
of City Lights?

404
00:34:54,417 --> 00:34:58,708
He looks at the flower girl,
she looks at him...

405
00:34:58,792 --> 00:35:01,000
and don't forget,
she'd been blind...

406
00:35:01,083 --> 00:35:04,083
so she was seeing him
for the very first time.

407
00:35:04,167 --> 00:35:07,875
It's as if, through her eyes,
we also see him for the very first time.

408
00:35:07,958 --> 00:35:11,583
Charlie Chaplin, Chariot,
the most famous man in the world...

409
00:35:11,667 --> 00:35:15,458
and it's as if we've never
really seen him before.

410
00:35:20,792 --> 00:35:25,542
Isa, if you play that fucking record again,
I'll break it in two, okay?

411
00:35:25,625 --> 00:35:27,708
But you like Janis Joplin.

412
00:35:30,167 --> 00:35:32,167
Stop it!

413
00:35:32,250 --> 00:35:35,167
I said stop it, Isabelle!

414
00:35:35,250 --> 00:35:37,208
Stop!

415
00:35:37,292 --> 00:35:39,417
- Tell me, what film?
- Wha-What?

416
00:35:39,500 --> 00:35:41,500
Name a film...
Let go!

417
00:35:41,583 --> 00:35:44,125
Name a film where someone
tap dancing drives someone else crazy!

418
00:35:44,167 --> 00:35:47,917
- Oh, I know this!
- Come on! Quick! Quick!

419
00:35:48,000 --> 00:35:53,250
Top Hat! Top Hat!
Fred Astaire's dancing over
Ginger Rogers's room.

420
00:35:56,292 --> 00:35:58,958
And she's mad because he wakes her up.

421
00:36:05,083 --> 00:36:06,875
I'm right.

422
00:36:07,917 --> 00:36:09,458
He's good.

423
00:36:09,583 --> 00:36:12,167
You know what I'm thinking?

424
00:36:12,250 --> 00:36:13,667
What?

425
00:36:13,750 --> 00:36:15,333
"Bande Ã  part."

426
00:36:15,417 --> 00:36:16,875
You're right.

427
00:36:16,958 --> 00:36:20,667
Why are you two
looking at me like that?

428
00:36:20,750 --> 00:36:25,292
Well, you see,
my little Matthew...

429
00:36:25,417 --> 00:36:28,625
there's something Theo and I have
been meaning to do for a long time...

430
00:36:28,750 --> 00:36:31,583
but we've been waiting
for the right person to do it with.

431
00:36:31,667 --> 00:36:34,875
- And I think you're finally it!
- To do what?

432
00:36:34,958 --> 00:36:36,833
Try to be the record
of Bande Ã  part.

433
00:36:36,917 --> 00:36:39,250
- What record?
- You've seen Bande Ã  part, haven't you?

434
00:36:39,333 --> 00:36:42,250
- Yeah.
- Remember the scene where
the three race through the Louvre?

435
00:36:42,333 --> 00:36:45,458
- Uh, vaguely Remind me.
- They try to beat the world record...

436
00:36:45,583 --> 00:36:48,542
- of 9 minutes and 45 seconds.
- Oh, yeah! Of course.

437
00:36:48,625 --> 00:36:50,208
We're going to beat
their record.

438
00:36:51,625 --> 00:36:53,625
Uh, oh.

439
00:36:53,750 --> 00:36:56,667
- What?
- What's the matter?

440
00:36:56,750 --> 00:36:59,792
- Nothing, really, I'm...
- Not afraid, are you?

441
00:36:59,917 --> 00:37:03,500
- No. I'm not afraid.
- What, then?

442
00:37:03,583 --> 00:37:07,333
It's easy for you two. I'm an American,
what you French call an alien.

443
00:37:07,417 --> 00:37:10,208
- So?
- So if I get caught, I get deported.

444
00:37:10,292 --> 00:37:14,083
Well, don't worry, little man,
we're not going to get caught.

445
00:37:14,167 --> 00:37:16,667
- Yeah you don? know that.
- They weren't caught in Bande Ã  part.

446
00:37:16,750 --> 00:37:20,167
- And if we beat their record...
- It's a movie!

447
00:37:20,250 --> 00:37:23,917
- Go get Papa's stopwatch.
- It's a great idea, but...

448
00:37:24,000 --> 00:37:27,042
Matthew, this is a test.

449
00:37:27,125 --> 00:37:30,667
Are you going to pass it
or fail it?

450
00:37:30,750 --> 00:37:35,292
Be careful. A lot depends
on how you answer.

451
00:37:45,500 --> 00:37:47,583
HÃ©! Non! ArrÃªtez!

452
00:38:08,583 --> 00:38:10,875
Nine minutes and 28 seconds.

453
00:38:10,958 --> 00:38:13,458
We beat the record
by 17 seconds!

454
00:38:15,792 --> 00:38:18,667
Matthew!
My little Matthew!

455
00:38:18,750 --> 00:38:20,792
You were wonderful!

456
00:38:25,333 --> 00:38:27,625
- We accept him. One of us!
- One of us!

457
00:38:27,750 --> 00:38:29,792
We accept him, one of us!

458
00:38:29,917 --> 00:38:32,208
We accept him, one of us!

459
00:38:32,292 --> 00:38:34,167
We accept her, we accept her.

460
00:38:34,250 --> 00:38:38,292
Gooble, gobble.
Gooble, gobble.

461
00:38:38,417 --> 00:38:41,292
- We accept him, one of us!
- One of us!

462
00:38:57,958 --> 00:38:59,667
Hey!

463
00:38:59,750 --> 00:39:02,583
Theo. Isabelle.

464
00:39:04,417 --> 00:39:05,708
Theo.

465
00:39:15,958 --> 00:39:17,792
Hey!

466
00:39:28,083 --> 00:39:31,667
- We accept you, one of us!
- One of us! One of us!-

467
00:39:31,750 --> 00:39:33,750
One of us! One of us!

468
00:39:39,750 --> 00:39:40,833
That's Mama.

469
00:39:42,458 --> 00:39:44,875
I'm too wet to answer.

470
00:39:50,125 --> 00:39:53,125
Isa's smart, but she doesn't
know how to deal with parents.

471
00:39:53,250 --> 00:39:57,375
- What do you mean?
- I mean, it's not enough to ignore them.

472
00:39:57,458 --> 00:40:00,417
They should all be arrested...

473
00:40:00,500 --> 00:40:04,792
put on trial,
confess their crimes...

474
00:40:04,917 --> 00:40:08,458
sent to the country
for self-criticism...

475
00:40:08,583 --> 00:40:11,583
and reeducation!

476
00:40:11,667 --> 00:40:16,125
- They're already in the country.
- They are at the seaside.

477
00:40:16,208 --> 00:40:17,917
That's different.

478
00:40:18,958 --> 00:40:22,417
AllÃ´. AllÃ´?

479
00:40:23,583 --> 00:40:25,208
Too bad.

480
00:40:25,292 --> 00:40:27,875
My parents never go anywhere.

481
00:40:27,958 --> 00:40:31,125
At least you have
the house to yourselves.

482
00:40:33,250 --> 00:40:35,250
Where are you going?

483
00:40:35,333 --> 00:40:38,542
Uh, I gotta get
out of these clothes.

484
00:40:38,625 --> 00:40:41,750
It'll be cold in your room.
Come into mine.

485
00:40:43,750 --> 00:40:46,250
Okay.

486
00:41:10,000 --> 00:41:11,958
You can wear this.

487
00:41:13,917 --> 00:41:16,375
Thanks.

488
00:41:34,792 --> 00:41:37,750
I'm going to get a Coca.
You want one?

489
00:41:37,833 --> 00:41:39,792
Okay.

490
00:42:26,917 --> 00:42:29,458
- Matthew!
- Yeah!

491
00:42:29,583 --> 00:42:33,583
- Just open the door. My hands are full.
- Just a second.

492
00:42:36,625 --> 00:42:38,875
- Why didn't you open the door?
- I was...

493
00:42:38,958 --> 00:42:41,417
I was dressing.

494
00:42:58,625 --> 00:43:00,625
What film?

495
00:43:07,750 --> 00:43:10,792
In what film does a chorus line
dance like this...

496
00:43:10,917 --> 00:43:14,500
with a singer in a fur coat?

497
00:43:14,583 --> 00:43:17,375
- I've seen this film?
- We saw it together.

498
00:43:17,458 --> 00:43:20,458
- We did? Give me a clue.
- Certainly not.

499
00:43:20,583 --> 00:43:23,250
- Come on. Be a sport. Director's name.
- No.

500
00:43:25,000 --> 00:43:27,000
Number of words in the title.

501
00:43:27,083 --> 00:43:29,083
- I said no. Non!
- Isabelle!

502
00:43:29,167 --> 00:43:34,125
- The first letter of the first word.
- God! You're pathetic

503
00:43:34,250 --> 00:43:37,292
Isn't he pathetic, Matthew?
Don't you think he's pathetic?

504
00:43:37,417 --> 00:43:40,708
- Matthew, I bet you know.
- Don't you dare help him.

505
00:43:42,833 --> 00:43:44,875
Did the Sphinx
give Oedipus a clue?

506
00:43:44,958 --> 00:43:48,167
Fuck you.

507
00:43:48,250 --> 00:43:50,250
Give up?

508
00:43:51,583 --> 00:43:53,583
Yeah.

509
00:44:02,417 --> 00:44:07,292
- Blonde Venus. Marlene Dietrich. 1932.
- Shit.

510
00:44:07,417 --> 00:44:09,875
I knew that.

511
00:44:11,083 --> 00:44:14,417
- Forfeit.
- If you insist.

512
00:44:14,500 --> 00:44:18,583
I dare you to do now...
in front of us...

513
00:44:18,667 --> 00:44:22,292
what I've watched you do...
in front of her.

514
00:44:22,417 --> 00:44:23,875
Who?

515
00:44:23,958 --> 00:44:26,042
I don't know
what you're talking about.

516
00:44:26,125 --> 00:44:28,208
Oh, yes, you do, my pet.

517
00:44:28,292 --> 00:44:31,167
- Forfeit.

518
00:44:31,250 --> 00:44:34,125
What a bitch you are.

519
00:44:34,250 --> 00:44:36,417
A bitch and a sadist.

520
00:44:36,500 --> 00:44:39,583
Are you going to pay
the forfeit or not?

521
00:44:46,125 --> 00:44:48,125
Very well.

522
00:44:48,125 --> 00:44:50,125
SharePirate.Com Subs

523
00:44:55,917 --> 00:44:58,625
Mm-mm-mm. I want you to do it
the way you did it...

524
00:44:58,750 --> 00:45:00,750
when you thought
no one was watching.

525
00:46:48,833 --> 00:46:52,792
Let's have a drink.
I'll meet you downstairs.

526
00:46:52,917 --> 00:46:55,583
- Matthew.
- Yes?

527
00:47:00,250 --> 00:47:02,208
Yes.

528
00:47:27,458 --> 00:47:29,667
Why don't you admit
you were thrilled?

529
00:47:29,750 --> 00:47:31,875
Come on.
You can tell me.

530
00:47:31,958 --> 00:47:34,458
What?

531
00:47:34,583 --> 00:47:36,583
Weren't you just
a tiny bit excited?

532
00:47:36,708 --> 00:47:41,500
- What is it exactly
you're trying to get me to say?
- I asked you a question.

533
00:47:41,583 --> 00:47:43,583
Well, I suppose you know
who you sound like.

534
00:47:43,708 --> 00:47:45,667
- Who?
- Isabelle.

535
00:47:45,750 --> 00:47:47,792
Why not?
She's my twin sister.

536
00:47:47,917 --> 00:47:50,000
- You two are twins?
- Yes.

537
00:47:50,083 --> 00:47:52,167
She'd be me if she were a man.

538
00:47:52,250 --> 00:47:54,750
- That's crap. You're not identical.
- Yes, we are.

539
00:47:54,875 --> 00:47:59,083
We're Siamese twins,
joined here.

540
00:48:01,708 --> 00:48:03,875
You're a strange one, Theo.

541
00:48:03,958 --> 00:48:08,833
Half an hour ago, I saw you look at her
as though you wanted to strangle her.

542
00:48:08,917 --> 00:48:11,417
I did.

543
00:48:11,542 --> 00:48:13,667
I don't understand you.

544
00:48:13,750 --> 00:48:16,792
- Don't you have any brothers or sisters?
- I have two older sisters.

545
00:48:16,917 --> 00:48:19,500
Didn't you ever
want to strangle them?

546
00:48:19,583 --> 00:48:23,833
Of course I did! But I never masturbated
in front of them, and I never...

547
00:48:23,917 --> 00:48:27,417
They never forced me to do
anything I never wanted to do.

548
00:48:28,958 --> 00:48:30,958
You think Isabelle
forced me, do you?

549
00:48:42,958 --> 00:48:47,125
Deep down I knew things
couldn't go on as before.

550
00:48:47,250 --> 00:48:49,833
Now the stakes had been raised.

551
00:48:49,917 --> 00:48:52,458
But for a while, at
least, there did seem to

552
00:48:52,500 --> 00:48:55,042
be a kind of truce between
Theo and Isabelle.

553
00:48:55,125 --> 00:49:01,792
And then one evening... Theo!

554
00:49:14,083 --> 00:49:16,958
- What film?
- "What film?â€

555
00:49:17,042 --> 00:49:22,083
Name a film where a cross
marks the spot of a murder,
or pay the forfeit.

556
00:49:24,542 --> 00:49:27,958
- You too, Matthew.
- Me?

557
00:49:28,042 --> 00:49:31,958
What... What have I done?

558
00:49:32,042 --> 00:49:35,333
Name a film or pay the forfeit.

559
00:49:35,417 --> 00:49:39,000
- Uh, um...
- Time's up.

560
00:49:39,083 --> 00:49:43,458
- Time's up? You didn't
even give me a chance.
- The film?

561
00:49:43,542 --> 00:49:48,458
Scarface.
Howard Hawks, 1932.

562
00:49:48,542 --> 00:49:51,375
And the forfeit?

563
00:49:51,458 --> 00:49:54,750
Well, now...

564
00:49:56,750 --> 00:49:59,708
as you know, Isabelle,
I'm not a sadist.

565
00:49:59,792 --> 00:50:03,875
I just want to see everyone happy,
no one left out.

566
00:50:03,958 --> 00:50:07,208
So I'd like you...

567
00:50:08,750 --> 00:50:13,458
and Matthew... to make
love in front of me.

568
00:50:13,542 --> 00:50:15,667
But not in here.

569
00:50:15,750 --> 00:50:18,875
I don't fancy sleeping in someone
else's revolting sweat.

570
00:50:18,958 --> 00:50:21,958
- No offense, Matthew.
- Where?

571
00:50:22,083 --> 00:50:24,375
In the spare room...

572
00:50:24,458 --> 00:50:27,042
in front of the Delacroix.

573
00:50:27,125 --> 00:50:30,333
Maybe one reproduction
will inspire another.

574
00:50:30,417 --> 00:50:32,667
- Um, um...
- I won't do it.

575
00:50:32,750 --> 00:50:34,917
- Won't do it?
- You wouldn't.

576
00:50:35,042 --> 00:50:37,042
Matthew isn't my type.

577
00:50:46,375 --> 00:50:48,333
Okay.

578
00:51:45,542 --> 00:51:48,000
I gotta go to the bathroom.

579
00:51:54,917 --> 00:51:57,708
Matthew! Matthew.

580
00:52:37,375 --> 00:52:40,167
Matthew.

581
00:52:40,250 --> 00:52:42,250
Matthew.

582
00:52:42,375 --> 00:52:44,333
Yes?

583
00:52:44,417 --> 00:52:47,542
This is silly.
Come out of there.

584
00:52:54,375 --> 00:52:57,167
Okay.

585
00:52:59,750 --> 00:53:02,625
Okay. All right.

586
00:53:02,750 --> 00:53:05,625
Look. Wait. Look.
You're hurting me!

587
00:53:05,750 --> 00:53:09,292
I'm not violent. I'm...
I'm against violence.

588
00:53:09,417 --> 00:53:13,708
- I'm not gonna resist. Look.
- So shut up. Okay?

589
00:53:13,792 --> 00:53:17,667
- Okay.
- Now, Matthew, you aren't
being very gallant.

590
00:53:19,292 --> 00:53:22,583
Is the prospect of making love to me
so hateful?

591
00:53:25,042 --> 00:53:28,042
I've seen you.
I saw you in bed together.

592
00:53:28,125 --> 00:53:31,667
Oh. Our guest
has been spying on us.

593
00:53:31,750 --> 00:53:35,500
Hmm. Now, that wasn't
a friendly thing to do, Matthew.

594
00:53:35,583 --> 00:53:39,583
Especially when we've
been so hospitable.

595
00:53:41,542 --> 00:53:43,500
Okay, okay. Look...

596
00:53:43,583 --> 00:53:46,208
- Shh, shh.
- I'm not resisting! I'm not resisting!

597
00:54:01,792 --> 00:54:05,417
Oh, how sweet
of you, Matthew...

598
00:54:05,542 --> 00:54:07,667
to keep my image
next to your heart.

599
00:54:07,750 --> 00:54:12,917
I didn't mean... Good.

600
00:54:15,250 --> 00:54:21,417
Oh, Matthew. Oh, come on.
Oh, wake up. Oh.

601
00:54:21,542 --> 00:54:24,292
Come on, wake up.

602
00:54:24,417 --> 00:54:26,375
Isabelle?

603
00:54:26,458 --> 00:54:28,875
No. I'm Theo.

604
00:54:28,958 --> 00:54:31,833
Where is Isabelle?

605
00:55:15,583 --> 00:55:18,542
You have to help me.

606
00:55:38,458 --> 00:55:40,917
Sorry.

607
00:59:31,750 --> 00:59:34,042
Oh, that was the best one.

608
00:59:36,042 --> 00:59:38,458
What about yesterday?

609
00:59:38,583 --> 00:59:42,125
- Where?
- In Papa's study.

610
00:59:42,250 --> 00:59:44,917
You thought that was better?

611
00:59:45,042 --> 00:59:48,250
Mm-hmm. Please, please,
please, please.

612
00:59:48,375 --> 00:59:50,583
- What?
- Stay inside.

613
00:59:53,250 --> 00:59:55,375
Matthew.

614
00:59:55,458 --> 00:59:57,958
My love.

615
00:59:58,042 --> 01:00:00,792
My first love.

616
01:00:00,917 --> 01:00:05,583
My great love.
My great lover.

617
01:00:06,917 --> 01:00:09,875
My Valentino.

618
01:00:42,417 --> 01:00:45,250
You know, I thought
you had many lovers.

619
01:00:48,417 --> 01:00:51,292
When I first saw you
at the CinÃ©mathÃ¨que-

620
01:00:51,417 --> 01:00:55,292
you and Theo...
you looked so cool.

621
01:00:57,250 --> 01:00:59,708
So sophisticated.

622
01:01:01,750 --> 01:01:05,667
- Like a movie star.
- I was.

623
01:01:05,750 --> 01:01:08,000
I was acting, Matthew.

624
01:01:13,583 --> 01:01:19,542
How did you and... How
did you and Theo...

625
01:01:19,625 --> 01:01:22,875
come together
the way that you are?

626
01:01:22,958 --> 01:01:25,542
Theo and me?

627
01:01:25,625 --> 01:01:28,417
It was love at first sight.

628
01:01:40,583 --> 01:01:43,042
But he's never been inside you?

629
01:01:43,125 --> 01:01:46,167
He's always inside me.

630
01:01:51,042 --> 01:01:53,500
What would you do...

631
01:01:56,042 --> 01:01:59,083
What would you do
if your parents found out?

632
01:01:59,208 --> 01:02:01,500
It must never happen.

633
01:02:01,583 --> 01:02:07,250
Yeah, I know.
But, uh, what if it did?

634
01:02:09,417 --> 01:02:12,042
It must never, never happen.

635
01:02:12,125 --> 01:02:15,500
I understand that.
But let's say that it did.

636
01:02:16,958 --> 01:02:22,000
What would you...
What would you do?

637
01:02:27,958 --> 01:02:29,958
I would kill myself.

638
01:02:49,208 --> 01:02:51,167
Where are you going?

639
01:02:51,250 --> 01:02:54,708
Kitchen. I have to get
something to eat.

640
01:02:54,792 --> 01:02:56,792
Good luck.

641
01:03:24,750 --> 01:03:27,458
Theo?

642
01:03:27,583 --> 01:03:30,375
- Theo?
- Hmm?

643
01:03:30,458 --> 01:03:32,792
- Want some honey?
- No, thank you.

644
01:03:32,875 --> 01:03:34,875
- Oh, it's good.
- No.

645
01:03:34,958 --> 01:03:37,250
- It's really good. Try some.
- No.

646
01:03:37,375 --> 01:03:40,333
- Just try a little bit.
- No. Thank you.

647
01:03:50,417 --> 01:03:52,917
I want you to know
that I'm grateful.

648
01:03:54,792 --> 01:03:56,792
Grateful?

649
01:03:56,875 --> 01:04:01,542
Remember what you told me in that cafe
about you and Isabelle?

650
01:04:01,625 --> 01:04:04,292
- Hmm.
- You were right.

651
01:04:04,417 --> 01:04:08,500
I mean, for me, you two are...

652
01:04:08,583 --> 01:04:12,542
you're like two halves
of the same person.

653
01:04:12,625 --> 01:04:16,167
Now you've made me feel
like I'm a part of you.

654
01:04:18,250 --> 01:04:20,208
Both of you.

655
01:04:22,792 --> 01:04:26,167
Let's get something
straight, okay?

656
01:04:29,542 --> 01:04:32,250
You're a nice boy
and I like you a lot...

657
01:04:32,375 --> 01:04:35,042
but no...

658
01:04:35,125 --> 01:04:38,750
it wasn't always meant
to be the three of us.

659
01:04:42,792 --> 01:04:45,792
I told you something else,
remember?

660
01:04:47,708 --> 01:04:50,625
That Isa and I
are Siamese twins.

661
01:04:50,708 --> 01:04:52,750
Yeah.

662
01:04:52,875 --> 01:04:54,875
I wasn't joking.

663
01:05:43,375 --> 01:05:45,542
What's this?

664
01:05:45,625 --> 01:05:49,708
That, my dear brother,
is a cheese fondue...

665
01:05:49,792 --> 01:05:53,250
accompanied by a compote
of broccoli and prunes.

666
01:05:53,375 --> 01:05:55,708
- And this?
- That's ratatouille.

667
01:05:55,792 --> 01:05:58,917
And you expect me
to eat this muck?

668
01:05:59,042 --> 01:06:01,875
- You expected me to cook it.
- I prefer to starve.

669
01:06:01,958 --> 01:06:04,958
You will. There's
nothing else in the house.

670
01:06:05,042 --> 01:06:08,250
Matthew, can I serve you?

671
01:06:11,917 --> 01:06:14,667
The fondue or the ratatouille?

672
01:06:16,417 --> 01:06:18,667
Which is which?

673
01:06:18,750 --> 01:06:21,792
This is fondue,
and this is ratatouille.

674
01:06:21,875 --> 01:06:25,333
No. This is the fondue,
and this is the ratatouille.

675
01:06:26,583 --> 01:06:30,667
- The... ratatouille.
- Ratatouille.

676
01:06:37,458 --> 01:06:39,750
Uh, that-that? fine.

677
01:06:39,875 --> 01:06:42,167
Mm-hmm. Okay.

678
01:06:47,458 --> 01:06:50,208
Just eat it as if you were
in some exotic country...

679
01:06:50,292 --> 01:06:53,583
you've never visited before
and this is the national dish.

680
01:07:06,875 --> 01:07:10,042
It looks like
he's vomiting in reverse.

681
01:07:10,125 --> 01:07:14,417
It's horrible, isn't it?

682
01:07:14,542 --> 01:07:18,125
I'm sorry, Isabelle.
I know you tried.

683
01:07:18,250 --> 01:07:21,542
Thank you, Matthew. I'm glad
somebody appreciates my efforts.

684
01:07:21,625 --> 01:07:24,708
- You say there's no food in the house?
- Nothing you'd want to eat.

685
01:07:24,792 --> 01:07:27,292
- And we cashed all the cheques?
- Yes.

686
01:07:27,417 --> 01:07:30,792
- So what do we do now?
- I'm going to call Papa.

687
01:07:53,583 --> 01:07:56,375
The phone is dead!

688
01:08:43,542 --> 01:08:47,042
What's all this?

689
01:08:47,125 --> 01:08:49,500
It's lunch.

690
01:08:49,583 --> 01:08:54,000
So, Isabelle, a filet mignon.

691
01:08:54,083 --> 01:08:56,375
- No.
- No?

692
01:08:56,458 --> 01:09:00,375
Oh, Matthew, would you
like a rump steak?

693
01:09:02,292 --> 01:09:04,375
Stop it. It's disgusting.

694
01:09:06,542 --> 01:09:10,542
Oh, look. What about
this banana?

695
01:09:10,625 --> 01:09:13,333
One banana for three of us?

696
01:09:13,417 --> 01:09:16,583
- Uh, yes.
- I'm starving.

697
01:09:16,708 --> 01:09:19,292
Let me see it.

698
01:09:19,417 --> 01:09:22,333
- Why?
- Just let me see it.

699
01:09:29,750 --> 01:09:32,583
- What are you doing?
- Just watch.

700
01:09:48,708 --> 01:09:51,125
Et voilÃ .

701
01:09:54,708 --> 01:09:57,917
Oh, Matthew, you never
cease to surprise.

702
01:09:58,042 --> 01:10:00,542
- Mmm.
- Mmm.

703
01:10:34,458 --> 01:10:37,833
- Hey Theo.
- Salut.

704
01:10:37,917 --> 01:10:40,000
- Okay?
- Fine.

705
01:10:40,083 --> 01:10:43,417
- Where were you the other night?
- I couldn't make it. Sorry.

706
01:10:43,542 --> 01:10:45,583
What's up? We hardly
see you now.

707
01:10:45,708 --> 01:10:48,042
- We can't count on you.
- Stop pissing me off!

708
01:10:48,125 --> 01:10:49,958
You're not with us anymore.

709
01:10:50,042 --> 01:10:52,000
I am, but it's complicated.

710
01:10:52,083 --> 01:10:53,417
Why?

711
01:10:53,542 --> 01:10:56,083
Because! Get off my back.
I can't explain now.

712
01:11:03,542 --> 01:11:04,792
Loser!

713
01:11:06,250 --> 01:11:08,875
Theo, wait for me.

714
01:11:17,042 --> 01:11:18,750
A little souvenir from Nepal.

715
01:11:18,833 --> 01:11:21,417
Thanks, that's sweet.

716
01:11:23,875 --> 01:11:27,167
- Call me.
- Okay, with pleasure.

717
01:11:28,917 --> 01:11:29,958
See you.

718
01:11:36,958 --> 01:11:40,000
We hardly left the apartment anymore.

719
01:11:40,083 --> 01:11:43,375
- We didn't know or care
if it was day or night.
- Come on. Come on.

720
01:11:43,458 --> 01:11:44,708
What?

721
01:11:44,708 --> 01:11:45,958
It felt as if we were
drifting out to sea...

722
01:11:46,042 --> 01:11:48,500
leaving the world
far behind us.

723
01:11:56,750 --> 01:11:59,167
- Too strong for you?
- That was really good.

724
01:11:59,250 --> 01:12:01,708
- Good? Again?
- Yeah.

725
01:12:01,792 --> 01:12:04,458
No.

726
01:12:04,542 --> 01:12:06,542
Clapton's God, Matthew.

727
01:12:06,625 --> 01:12:09,375
I don't believe in God.
But if I did...

728
01:12:09,458 --> 01:12:11,958
he would be a black,
left-handed guitarist.

729
01:12:12,042 --> 01:12:14,667
This is not Chaplin and Keaton.

730
01:12:14,750 --> 01:12:17,333
This is Clapton and Hendrix.

731
01:12:17,417 --> 01:12:20,958
Matthew, Clapton reinvented
the electric guitar.

732
01:12:21,042 --> 01:12:23,625
Matthew, believe me.

733
01:12:23,750 --> 01:12:25,917
- Clapton plugs in a guitar...
- Okay, Jimi Hendrix...

734
01:12:26,042 --> 01:12:29,125
He plugs in an electric guitar,
and he plays it like an acoustic guitar.

735
01:12:29,250 --> 01:12:33,292
Hendrix plugs in an electric guitar,
he plays with his teeth.

736
01:12:36,792 --> 01:12:41,417
There are soldiers in
the Vietnam War right now.

737
01:12:41,542 --> 01:12:44,583
Who are they
listening to? Clapton?

738
01:12:44,708 --> 01:12:49,333
No. They're listening to Hendrix,
the guy who tells the truth.

739
01:12:49,417 --> 01:12:51,875
It's fucked up! It's all fucked up!

740
01:12:51,958 --> 01:12:54,292
You're talking
about soldiers in Vietnam?

741
01:12:54,375 --> 01:12:56,458
- Yes.
- Okay, what are they doing in Vietnam?

742
01:12:56,542 --> 01:12:59,708
- They're at war.
- What are they doing? Please tell me.

743
01:12:59,792 --> 01:13:03,125
- They're fighting.
- They're killing farmers!

744
01:13:03,250 --> 01:13:04,750
They're dying too.

745
01:13:04,833 --> 01:13:07,542
They're killing children,
they're burning fields!

746
01:13:07,625 --> 01:13:11,125
They wanna be there. They wanna die,
and they wanna kill people.

747
01:13:11,208 --> 01:13:13,917
Shouldn't you be...
Shouldn't you be in Vietnam?

748
01:13:14,042 --> 01:13:17,542
- Right now, shouldn't you be in Vietnam?
- I don't believe in violence.

749
01:13:17,625 --> 01:13:21,208
- Where are you, Matthew?
Shouldn't you be there right now?
- I'm lucky.

750
01:13:21,292 --> 01:13:25,333
I'm in a university. I have friends
who aren't in university.

751
01:13:25,417 --> 01:13:28,250
And they're expendable.
They're expendable.

752
01:13:28,375 --> 01:13:29,708
I'm am fucking lucky.

753
01:13:29,792 --> 01:13:31,208
Youngsters that don't want the war.

754
01:13:31,292 --> 01:13:33,708
Do you think you can
say it to the government?

755
01:13:33,792 --> 01:13:36,833
"No. I'm against violence.
I don't agree with your war."

756
01:13:36,917 --> 01:13:39,083
- Maybe in France.
- Okay, anybody...

757
01:13:39,208 --> 01:13:42,875
In America, you have to go.
If you don't go, you go to jail.

758
01:13:42,958 --> 01:13:45,958
Okay, I prefer to go in jail.
I prefer to go in jail.

759
01:13:46,042 --> 01:13:49,625
- Instead of killing people,
Matthew, I prefer to go in jail.
- You don't understand.

760
01:13:49,750 --> 01:13:52,958
I read it in Cahiers du CinÃ©ma.

761
01:13:53,042 --> 01:13:55,667
"A filmmaker
is like a Peeping Tom."

762
01:13:55,750 --> 01:13:58,042
A voyeur.

763
01:13:58,125 --> 01:14:01,917
It's as if the camera is a...

764
01:14:02,042 --> 01:14:05,125
The keyhole
to your parents' bedroom.

765
01:14:07,292 --> 01:14:11,125
And you spy on them,
and you're disgusted.

766
01:14:11,208 --> 01:14:13,750
You feel guilty...

767
01:14:13,875 --> 01:14:18,458
but you can't...
you can't look away.

768
01:14:18,542 --> 01:14:21,333
It makes films like crimes...

769
01:14:21,417 --> 01:14:24,375
and directors like criminals.

770
01:14:25,958 --> 01:14:28,750
It should be illegal.

771
01:14:28,875 --> 01:14:31,500
There goes my chance
to be a filmmaker.

772
01:14:31,583 --> 01:14:34,833
- Why?
- My parents always left
the bedroom door open.

773
01:14:37,250 --> 01:14:40,625
You'll have to direct theater,
not cinema.

774
01:14:40,750 --> 01:14:42,750
Oh, maybe.

775
01:14:44,208 --> 01:14:44,708
Uh.

776
01:14:48,708 --> 01:14:52,042
Whoop.

777
01:14:54,292 --> 01:14:57,083
Oop.

778
01:14:58,583 --> 01:15:01,583
My parents only fucked
once in their life.

779
01:15:01,708 --> 01:15:05,125
That's why we're twins. They
didn't want to make it twice.

780
01:16:16,250 --> 01:16:18,958
Don't be alarmed, Matthew.

781
01:16:19,042 --> 01:16:21,333
It's good news.

782
01:16:21,417 --> 01:16:23,500
It only happens once a month.

783
01:16:23,583 --> 01:16:26,417
Oh.

784
01:16:28,958 --> 01:16:30,958
I love you, Isabelle.

785
01:16:31,042 --> 01:16:33,083
I love you too, Matthew.

786
01:16:33,208 --> 01:16:36,125
Yeah, but I really love you.

787
01:16:36,208 --> 01:16:39,833
I really, really love you too.
We both do. Don't we, Theo?

788
01:16:39,917 --> 01:16:41,917
Oh, yeah.

789
01:16:42,042 --> 01:16:44,667
That's not what I wanted you to say.

790
01:16:44,750 --> 01:16:47,417
What do you want us to say?

791
01:16:47,542 --> 01:16:49,500
I wanted you to say
you love me.

792
01:16:49,583 --> 01:16:51,583
We just did, Matthew.

793
01:16:51,708 --> 01:16:53,667
No, you said you love me too.

794
01:16:53,750 --> 01:16:56,167
I don't want you
to say you love me too.

795
01:16:56,250 --> 01:16:58,333
I want you to say
that you... love me.

796
01:16:58,417 --> 01:17:01,292
Oh, we love you,
we love you, we love you.

797
01:17:01,375 --> 01:17:06,292
That's not right, either.
You have to say it first.

798
01:17:06,375 --> 01:17:08,625
My God, Matthew.
You already said it first.

799
01:17:08,750 --> 01:17:12,458
Why is that? Why am I always
the first to say it?

800
01:17:12,542 --> 01:17:16,292
Oh, poor Matthew. Oh!

801
01:17:16,375 --> 01:17:20,458
We do love you very much.

802
01:17:20,542 --> 01:17:24,542
I don't want to be loved very much.
I want to be loved.

803
01:17:26,125 --> 01:17:28,875
You know what
someone once said?

804
01:17:28,958 --> 01:17:33,083
"There's no such thing as love.
There are only proofs of love."

805
01:17:35,042 --> 01:17:37,958
Are you ready to give us
proof of your love?

806
01:17:39,625 --> 01:17:41,625
You want proof of my love?

807
01:17:41,750 --> 01:17:43,708
Mm-hmm.

808
01:17:43,792 --> 01:17:46,500
Okay.

809
01:17:48,375 --> 01:17:50,583
Get out of the bath.

810
01:18:02,750 --> 01:18:04,833
Shaving cream.

811
01:18:04,917 --> 01:18:07,917
- Razor.
- Thanks.

812
01:18:08,042 --> 01:18:10,708
- What are you doing?
- What do you think I'm doing?

813
01:18:10,792 --> 01:18:13,333
- You're not serious.
- Yes, I am.

814
01:18:13,417 --> 01:18:15,458
It's nothing
you need to worry about.

815
01:18:15,542 --> 01:18:18,875
- It's an operation I've performed before.
- Relax. It grows back.

816
01:18:18,958 --> 01:18:21,792
- You're both fucking crazy!
- What's the matter?

817
01:18:21,875 --> 01:18:24,625
This is what you call proof of love?
Turning me into a freak?

818
01:18:24,750 --> 01:18:26,417
One of us, one of us,
one of us, one of us.

819
01:18:26,417 --> 01:18:28,125
It's just a game.

820
01:18:28,208 --> 01:18:30,292
It's just a game!

821
01:18:30,375 --> 01:18:33,542
A game, Isabelle?
A game? Think about it.

822
01:18:33,625 --> 01:18:36,875
Think about it. Is this something
you do to each other?

823
01:18:36,958 --> 01:18:40,500
You want to shave my pubic hair?
You want me to be a little boy for you?

824
01:18:40,583 --> 01:18:44,083
A little prepubescent Theo at six,
who you can play games with?

825
01:18:44,208 --> 01:18:46,292
- You can touch peepee.
- Matthew, just...

826
01:18:46,375 --> 01:18:49,417
I'll show you mine. You show me yours.
Come on! Come on!

827
01:18:49,542 --> 01:18:51,792
Just calm down.
We hear you.

828
01:18:51,875 --> 01:18:54,500
Theo, think about it.
Think.

829
01:18:54,583 --> 01:18:57,708
You sleep in the same bed
together, every night.

830
01:18:57,792 --> 01:19:00,792
You bathe together. You pee
in the john together.

831
01:19:00,875 --> 01:19:03,250
You play these little games.

832
01:19:03,375 --> 01:19:07,875
I wish you could step
out of yourselves and just look.

833
01:19:07,958 --> 01:19:11,583
- Why? Why are you so cruel?
- Because I love you.

834
01:19:11,708 --> 01:19:13,875
You have a strange way
of showing it.

835
01:19:13,958 --> 01:19:17,208
No, I love... I really
love you. Both of you.

836
01:19:17,292 --> 01:19:19,292
And I admire you.

837
01:19:19,375 --> 01:19:23,917
And I look at you,
and I listen to you and I think...

838
01:19:24,042 --> 01:19:26,333
you're never gonna grow.

839
01:19:26,417 --> 01:19:29,333
You won't grow
like this. You won't.

840
01:19:29,417 --> 01:19:33,542
Not as long as you keep clinging
to each other the way that you do.

841
01:19:36,083 --> 01:19:38,667
Isabelle, have you ever
been out on a date?

842
01:19:38,750 --> 01:19:41,000
- A date?
- Yeah, a date.

843
01:19:41,083 --> 01:19:43,875
- What kind of date?
- You ever been out with a boy?

844
01:19:43,958 --> 01:19:46,792
- I've been out with Theo.
- Not Theo.

845
01:19:46,875 --> 01:19:48,958
Have you ever been
out with a boy...

846
01:19:49,042 --> 01:19:51,042
that you met at school
that you liked?

847
01:19:51,125 --> 01:19:54,167
I was never taken to school prom,
if that's what you mean.

848
01:19:54,250 --> 01:19:56,792
I'm afraid we don't have
proms in France.

849
01:19:56,875 --> 01:19:58,875
You have dates
in France, Isabelle.

850
01:19:58,958 --> 01:20:01,375
Come on. Have you ever
been out with a boy?

851
01:20:01,458 --> 01:20:04,708
Why do you keep asking me that?
You know I haven't.

852
01:20:04,792 --> 01:20:07,083
Would you like to?

853
01:20:07,208 --> 01:20:09,917
- Is this an invitation?
- It's an invitation.

854
01:20:10,042 --> 01:20:12,667
Would you like to go
out on a date with me?

855
01:20:12,750 --> 01:20:15,750
Just the two of us.
Don't look at Theo.

856
01:20:15,875 --> 01:20:19,375
Isabelle, you don't
need his permission.

857
01:20:53,083 --> 01:20:56,875
Oh, no, no, no. We can't sit in the front.
We have to sit in the back.

858
01:20:56,958 --> 01:21:00,000
The front is for people
who don't have dates.

859
01:21:00,083 --> 01:21:02,333
Ooh. Sorry. Excuse me.

860
01:21:02,417 --> 01:21:08,250
- Chocolats glacÃ©s, cacahuÃ¨tes, bonbons.
- So we sit in the back.

861
01:21:22,542 --> 01:21:25,750
Ladies and gentlemen...

862
01:21:25,875 --> 01:21:29,292
the motion picture
you are about to see...

863
01:21:29,375 --> 01:21:31,792
is a story of music.

864
01:21:31,875 --> 01:21:35,000
I play the role
of Tom Miller, an agent...

865
01:21:35,083 --> 01:21:38,500
a small-time theatrical agent
who had been a...

866
01:21:38,583 --> 01:21:41,875
Well, you'll see.

867
01:21:41,958 --> 01:21:47,083
This motion picture was photographed
in the grandeur of CinemaScope, and...

868
01:21:49,042 --> 01:21:51,750
Pardon me.

869
01:22:05,208 --> 01:22:09,708
Sorry I can't stay,
but I have a train on tap.

870
01:22:09,792 --> 01:22:12,833
All the best, Jerri.

871
01:22:12,917 --> 01:22:16,000
Can't stand to hear me
sing again, huh?

872
01:22:18,083 --> 01:22:20,125
You know it isn't that.

873
01:23:33,917 --> 01:23:36,375
When I looked at the TV screen...

874
01:23:36,458 --> 01:23:39,167
I remembered the battle
of the CinÃ©mathÃ¨que.

875
01:23:39,250 --> 01:23:43,208
Except this time the demonstrators
weren't film buffs.

876
01:23:43,292 --> 01:23:46,958
They weren't even
just students any longer.

877
01:23:47,042 --> 01:23:49,958
It was hard to figure out
what was happening...

878
01:23:50,042 --> 01:23:53,792
but it looked like shops had closed
their doors, factories had gone on strike.

879
01:23:53,875 --> 01:23:58,833
And it was beginning
to spread all over Paris.

880
01:23:58,917 --> 01:24:01,792
We're willing to consider...

881
01:24:01,875 --> 01:24:04,375
all legitimate demands.

882
01:24:05,875 --> 01:24:09,292
Theo and I never watch
television. We're purists.

883
01:24:09,375 --> 01:24:11,458
The purest of the pure.

884
01:24:11,542 --> 01:24:14,917
- Well, let's go.
- Yeah, but...

885
01:24:16,875 --> 01:24:18,833
Jesus.

886
01:25:15,792 --> 01:25:18,417
- What's wrong?
- They're not mine.

887
01:25:27,208 --> 01:25:29,500
No, no, no. Your room.

888
01:25:29,583 --> 01:25:32,917
- No.
- I don't know how long I've
been here, but in all that time...

889
01:25:33,042 --> 01:25:36,542
I haven't...
I haven't seen your room.

890
01:25:36,667 --> 01:25:39,750
- You do have a room, right?
- Yeah, yeah. Of course I have.

891
01:25:39,833 --> 01:25:41,833
Don't think I've always
lived in Theo's pigsty.

892
01:25:41,917 --> 01:25:44,667
- How come you never go in there?
How come we never...
- No, no, no.

893
01:25:44,750 --> 01:25:47,417
No, no one's making
love on my bed.

894
01:25:47,542 --> 01:25:50,000
- Oh, please? Come on.
It's your room. It's part of you.
- No. No. No. No.

895
01:25:50,083 --> 01:25:52,750
- I want to see it just tonight.
- No. No.

896
01:25:52,833 --> 01:25:55,333
Non, non, et non.

897
01:26:11,833 --> 01:26:15,292
I discovered a side of Isabelle
I'd never seen before...

898
01:26:15,375 --> 01:26:19,625
a secret side
she hadn't wanted me to see.

899
01:26:19,708 --> 01:26:23,500
I suddenly thought of my sisters'
bedrooms in San Diego.

900
01:26:23,583 --> 01:26:25,792
I thought of our house,
and our neighbors' houses...

901
01:26:25,875 --> 01:26:28,417
all alike,
and their green lawns...

902
01:26:28,542 --> 01:26:32,208
and their sprinklers
and their station wagons
parked outside the garage door.

903
01:27:24,542 --> 01:27:27,625
What sculpture?

904
01:27:30,167 --> 01:27:33,792
I always wanted to make love
to the Venus de Milo.

905
01:27:37,083 --> 01:27:41,417
I can't stop you.

906
01:27:41,542 --> 01:27:45,250
I've got no arms.

907
01:27:46,917 --> 01:27:49,625
I can't stop you!

908
01:28:26,083 --> 01:28:28,417
What's wrong?

909
01:28:28,542 --> 01:28:30,833
What's wrong?

910
01:28:30,917 --> 01:28:33,917
Don't. Don't.

911
01:28:34,000 --> 01:28:37,292
Don't.
Don't listen to it.

912
01:28:37,375 --> 01:28:39,750
Don't listen to it.
Don't cry.

913
01:28:39,875 --> 01:28:42,500
Shh!

914
01:28:42,583 --> 01:28:45,583
- Don't.
- Please. Leave me alone.

915
01:28:45,667 --> 01:28:48,917
Leave me alone.
Please. Please.

916
01:28:49,000 --> 01:28:52,333
Please!

917
01:28:55,333 --> 01:28:58,625
- Go away!
- Isabelle! Isabelle!

918
01:28:58,708 --> 01:29:02,917
- Theo! Open up! Theo!
- Isabelle!

919
01:29:03,042 --> 01:29:07,625
- Theo!
- You're gonna hurt yourself!
You're gonna hurt yourself!

920
01:29:07,708 --> 01:29:10,958
- Who are you?
- What? What are you talking about?

921
01:29:11,042 --> 01:29:13,833
- What are you doing in my room!
- What do you mean, what...

922
01:29:13,917 --> 01:29:16,833
Get out! Get out!

923
01:29:16,917 --> 01:29:20,875
Theo! Theo! Theo!

924
01:29:21,000 --> 01:29:22,958
Theo! Theo!

925
01:29:26,667 --> 01:29:27,958
Theo!

926
01:29:31,458 --> 01:29:33,458
Theo!

927
01:29:52,458 --> 01:29:54,833
A revolution isn't a gala dinner.

928
01:29:54,958 --> 01:29:59,667
It cannot be created like a book,
a drawing or a tapestry

929
01:29:59,792 --> 01:30:04,042
It cannot unfold with such elegance,
tranquillity and delicacy...

930
01:30:04,125 --> 01:30:06,708
or with such sweetness,
affability, courtesy...

931
01:30:06,792 --> 01:30:09,792
restraint and generosity.

932
01:30:09,875 --> 01:30:11,875
A revolution is an uprising...

933
01:30:11,958 --> 01:30:13,750
a violent act...

934
01:30:13,833 --> 01:30:17,167
by which one class
overthrows another.

935
01:31:05,083 --> 01:31:08,333
Chateau Lafite, 1955.

936
01:31:09,792 --> 01:31:15,500
Chateau Chasse Spleen, 1959.

937
01:31:15,625 --> 01:31:19,833
Grand vin, 1937.
Happy Birthday, Papa!

938
01:31:21,000 --> 01:31:23,708
Uh, good.

939
01:31:25,333 --> 01:31:27,542
- Listen, Matthew.
- Yes?

940
01:31:27,625 --> 01:31:30,833
- You're a big movie buff, right?
- Oui.

941
01:31:30,917 --> 01:31:33,833
Then why don't you think of Mao
as a great director...

942
01:31:35,625 --> 01:31:38,083
making a movie with
a cast of millions.

943
01:31:38,167 --> 01:31:41,292
All those millions
of Red Guards...

944
01:31:41,417 --> 01:31:45,000
marching together
into the future...

945
01:31:45,083 --> 01:31:47,833
with the Little Red Book
in their hands.

946
01:31:49,333 --> 01:31:51,792
Books, not guns.

947
01:31:51,875 --> 01:31:55,167
Culture, not violence.

948
01:31:55,250 --> 01:31:59,792
Can't you see what a beautiful,
epic movie that would make?

949
01:31:59,917 --> 01:32:01,917
I guess, but...

950
01:32:02,000 --> 01:32:04,458
it's easy to say,
"Books, not guns."

951
01:32:04,542 --> 01:32:07,792
But it's not true.
It's not books.

952
01:32:07,875 --> 01:32:11,917
It's "book." A book.
Just one book.

953
01:32:12,000 --> 01:32:14,333
- Shut up. You sound just like my father.
- No, no.

954
01:32:14,417 --> 01:32:16,958
No, listen to me.
The Red Guards...

955
01:32:17,042 --> 01:32:19,083
that you admire...

956
01:32:19,167 --> 01:32:21,250
they all carry the same book...

957
01:32:21,333 --> 01:32:23,583
they all sing the same songs...

958
01:32:23,667 --> 01:32:26,250
they all parrot
the same slogans.

959
01:32:26,333 --> 01:32:31,250
So in this big, epic movie...

960
01:32:31,333 --> 01:32:34,208
everybody...
is an extra.

961
01:32:35,750 --> 01:32:39,292
That's scary to me.
That gives me the creeps.

962
01:32:39,417 --> 01:32:42,625
I'm sorry to say it,
but for me there is...

963
01:32:42,708 --> 01:32:45,625
a distinct contradiction.

964
01:32:45,708 --> 01:32:48,042
Why?

965
01:32:48,125 --> 01:32:52,625
Because... if you really
believed what you were saying...

966
01:32:52,750 --> 01:32:54,750
you'd be out there.

967
01:32:54,833 --> 01:32:59,167
- Where?
- Out there, on the street.

968
01:32:59,250 --> 01:33:02,958
- I don't know what you mean.
- Yes, you do. There's something
going on out there.

969
01:33:03,042 --> 01:33:06,625
Something that feels like
it could be really important.

970
01:33:06,708 --> 01:33:08,708
Something that feels like
things could change.

971
01:33:08,792 --> 01:33:12,292
Even I get that.
But you're not out there.

972
01:33:12,375 --> 01:33:17,375
You're inside, with me,
drinking expensive wine,
talking about film.

973
01:33:17,458 --> 01:33:20,833
- Talking about Maoism. Why?
- Okay That's enough.

974
01:33:20,917 --> 01:33:24,250
- No, tell me why. Ask yourself why.
- That's enough.

975
01:33:24,333 --> 01:33:27,167
Because I don't think
you really believe it.

976
01:33:27,250 --> 01:33:31,250
I think you buy the lamp, and you put
up the posters, but I don't...

977
01:33:31,333 --> 01:33:33,583
I don't think you

978
01:33:33,667 --> 01:33:36,500
- You speak... too much.
- Okay.

979
01:33:39,792 --> 01:33:41,792
Theo! Just listen to me.
Listen.

980
01:33:41,875 --> 01:33:46,042
I think...
I think you prefer...

981
01:33:46,125 --> 01:33:50,083
I think you prefer
when... when...

982
01:33:50,167 --> 01:33:56,375
when the word "together"
means not "a million," but just two.

983
01:33:56,458 --> 01:34:00,375
- Oh-oh-oh, boys, boys!
- Or three?

984
01:34:05,458 --> 01:34:09,708
- Isa. Come and join us.
- No, thank you, my sweet.

985
01:34:09,792 --> 01:34:11,542
It smells like a whorehouse.

986
01:34:11,625 --> 01:34:13,333
Thanks a lot.

987
01:34:13,458 --> 01:34:16,542
I've got a surprise for you.
In the salon.

988
01:34:29,208 --> 01:34:31,875
- It's beautiful.
- Hey, come on! Get in!

989
01:34:40,792 --> 01:34:43,167
We used to do this
when we were little.

990
01:34:43,250 --> 01:34:45,250
Ow!

991
01:34:45,333 --> 01:34:49,167
More wine.

992
01:34:49,250 --> 01:34:51,708
Thank you.

993
01:34:54,167 --> 01:34:56,458
Isabelle.

994
01:34:56,542 --> 01:34:59,000
Oh! God,
your breath is foul!

995
01:34:59,083 --> 01:35:01,333
Yeah. Oh, I'm sorry.

996
01:35:01,417 --> 01:35:03,375
You're drunk!

997
01:35:03,458 --> 01:35:05,625
Yes, I'm drunk.

998
01:35:05,708 --> 01:35:07,542
And you're beautiful.

999
01:35:07,625 --> 01:35:11,333
And tomorrow morning,
I'll be sober...

1000
01:35:11,417 --> 01:35:15,042
but you'll still be beautiful.

1001
01:35:15,125 --> 01:35:20,875
- Eh, bien.
- Go to sleep, Matthew.

1002
01:35:20,958 --> 01:35:23,000
Yes.

1003
01:35:28,125 --> 01:35:29,333
Idiot...

1004
01:35:29,458 --> 01:35:31,542
you can hardly keep
your eyes open.

1005
01:35:39,792 --> 01:35:42,333
Night-night.

1006
01:35:53,458 --> 01:35:57,542
Theo? Theo?

1007
01:35:59,458 --> 01:36:00,708
Wake up.

1008
01:36:03,833 --> 01:36:05,083
What is it?

1009
01:36:06,125 --> 01:36:07,667
I want you to listen.

1010
01:36:09,042 --> 01:36:10,750
- Why?
- Because.

1011
01:36:12,333 --> 01:36:15,792
- Theo...
- Mm?

1012
01:36:15,875 --> 01:36:18,667
I love you.
You know that?

1013
01:36:18,792 --> 01:36:20,833
I love you too.

1014
01:36:22,208 --> 01:36:25,042
You love me too?
That's funny.

1015
01:36:27,625 --> 01:36:29,917
Are you listening?

1016
01:36:30,000 --> 01:36:34,042
It's forever, right?

1017
01:36:34,125 --> 01:36:37,083
- What's forever?
- The two of us.

1018
01:36:38,417 --> 01:36:40,542
- Right?
- Yes.

1019
01:36:41,875 --> 01:36:44,250
Why did Matthew say that?

1020
01:36:44,333 --> 01:36:47,000
What did Matthew say?

1021
01:36:47,125 --> 01:36:50,583
That we're monsters, freaks.

1022
01:36:52,458 --> 01:36:56,375
I just want you to tell me
that it's forever.

1023
01:36:56,458 --> 01:36:58,333
It's forever.

1024
01:36:59,333 --> 01:37:01,667
- Isa!
- You don't understand.

1025
01:37:01,792 --> 01:37:04,208
We'll talk about it
in the morning.

1026
01:37:04,292 --> 01:37:06,083
I promise.

1027
01:37:32,292 --> 01:37:34,333
Oh!

1028
01:39:02,917 --> 01:39:06,083
Good. We must
leave now, darling.

1029
01:39:06,167 --> 01:39:09,792
- Already?
- What would you like?
To have dinner with them?

1030
01:39:25,167 --> 01:39:27,333
Let's leave on tiptoe.

1031
01:44:49,958 --> 01:44:53,208
Isa? What's happening?

1032
01:44:53,292 --> 01:44:56,292
- The street came flying into the room!
- What?

1033
01:44:56,417 --> 01:44:57,833
The street came flying
into the room!

1034
01:44:57,875 --> 01:45:00,500
- What's that smell?
- It's tear gas.

1035
01:45:24,458 --> 01:45:27,708
- Hit the streets!
- Go! Go on!

1036
01:45:38,958 --> 01:45:40,833
Hit the streets!

1037
01:45:45,792 --> 01:45:48,583
Matthew!

1038
01:45:48,667 --> 01:45:51,292
Isabelle!

1039
01:45:52,917 --> 01:45:55,000
Isabelle!

1040
01:45:58,083 --> 01:46:00,333
- Hi!
- Hi!

1041
01:46:02,750 --> 01:46:06,792
Dans la rue! Dans la rue!
Dans la rue! Dans la rue!

1042
01:46:20,083 --> 01:46:23,042
This is just the start.
The fight goes on!

1043
01:46:39,542 --> 01:46:42,375
- Theo, this is wrong. This is wrong.
- No, this is wonderful!

1044
01:46:42,458 --> 01:46:44,458
This is violence!
This is violence.

1045
01:46:44,542 --> 01:46:46,750
It's not violence. It's wonderful.
Come with me!

1046
01:46:46,833 --> 01:46:49,000
This is fucking fascism
in a fucking bottle!

1047
01:46:49,125 --> 01:46:51,458
I'm no fascist!
The cops are fascists!

1048
01:46:51,542 --> 01:46:55,000
- Yeah, and then police hit people!
- Shut up!

1049
01:46:55,125 --> 01:46:57,542
You can't understand.
Leave me be!

1050
01:46:57,625 --> 01:47:00,500
Listen to me for a second, okay?
This is what they do.

1051
01:47:00,583 --> 01:47:02,917
This is not what we do.
We use this.

1052
01:47:03,000 --> 01:47:07,667
- We do this. We use this. We use this!
- Stop it!

1053
01:47:11,833 --> 01:47:14,500
Isabelle. Come on.

1054
01:47:14,583 --> 01:47:16,625
Isa...

1055
01:47:23,750 --> 01:47:27,000
Chickens again!


