1 00:00:01,040 --> 00:00:04,600 (percussive music) 2 00:00:04,720 --> 00:00:06,040 (Margaret) That Lydia bitch Quigley. 3 00:00:06,120 --> 00:00:07,480 She's trying to keep me down. 4 00:00:07,560 --> 00:00:09,720 (Lydia) That woman is pure menace. 5 00:00:09,800 --> 00:00:11,520 Sometimes... 6 00:00:11,600 --> 00:00:13,200 God just fills your glass. 7 00:00:13,280 --> 00:00:15,360 ♪ 8 00:00:15,440 --> 00:00:17,000 (Gibbon) What's your price so I may have her? 9 00:00:17,120 --> 00:00:18,440 (Margaret) I'll be taking sealed bids 10 00:00:18,480 --> 00:00:19,840 for Lucy's virginity 11 00:00:19,960 --> 00:00:21,120 as I did for Charlotte, 12 00:00:21,240 --> 00:00:23,600 my older daughter. 13 00:00:23,640 --> 00:00:26,120 ...one of the brightest stars in London's firmament. 14 00:00:26,160 --> 00:00:27,720 (moaning) 15 00:00:27,800 --> 00:00:28,800 (Howard) Charlotte? 16 00:00:28,840 --> 00:00:30,840 Charlotte, you infernal whore! 17 00:00:30,960 --> 00:00:32,920 ‐I want Lucy. ‐Lucy is exceptional. 18 00:00:33,040 --> 00:00:34,920 (Howard) You may not ever refuse me. 19 00:00:35,040 --> 00:00:36,040 (Lucy) No! 20 00:00:36,120 --> 00:00:39,240 (gasping) 21 00:00:39,360 --> 00:00:41,480 (Margaret) It's my murder now. 22 00:00:41,560 --> 00:00:45,040 (Cunliffe) The beast requires feeding again. 23 00:00:45,120 --> 00:00:48,080 (Lydia) The hounds are coming, vixen. 24 00:00:48,120 --> 00:00:50,560 To catch a beast, you must have bait. 25 00:00:50,680 --> 00:00:52,360 (Lydia) If I knew the nature of the beast, 26 00:00:52,440 --> 00:00:54,480 how much better I could nourish it. 27 00:00:54,560 --> 00:00:55,360 ♪ 28 00:00:55,440 --> 00:00:57,920 If it is you, 29 00:00:58,040 --> 00:00:59,320 who were they? 30 00:00:59,400 --> 00:01:00,480 (gasp) 31 00:01:00,560 --> 00:01:06,480 ♪ 32 00:01:06,560 --> 00:01:08,640 (Charlotte) My mother was sold age 10. 33 00:01:08,720 --> 00:01:09,840 Lydia Quigley 34 00:01:09,920 --> 00:01:11,280 put her to work as a whore. 35 00:01:11,360 --> 00:01:12,480 Charlotte! 36 00:01:12,560 --> 00:01:15,080 (Charlotte) Fate has put me in her house, 37 00:01:15,120 --> 00:01:16,840 and I will bring her down. 38 00:01:16,920 --> 00:01:19,840 ♪ 39 00:01:19,920 --> 00:01:22,200 (dramatic music) 40 00:01:25,080 --> 00:01:27,360 (exotic music) 41 00:01:27,480 --> 00:01:41,280 ♪ 42 00:01:41,360 --> 00:01:42,920 ‐Oh! ‐Oh! 43 00:01:43,000 --> 00:01:44,200 (laughing) 44 00:01:44,280 --> 00:01:45,920 ♪ 45 00:01:46,000 --> 00:01:47,840 ‐Which one, which one? ‐How about her? 46 00:01:47,920 --> 00:01:49,440 (young toff) Angel from the gods 47 00:01:49,480 --> 00:01:51,280 that needs corrupting. 48 00:01:51,360 --> 00:01:52,640 Look at this. 49 00:01:52,720 --> 00:02:02,560 ♪ 50 00:02:02,640 --> 00:02:03,640 (Lydia) Gentlemen. 51 00:02:03,720 --> 00:02:06,480 ♪ 52 00:02:06,560 --> 00:02:07,480 (laughs) 53 00:02:09,920 --> 00:02:12,920 And you, beautiful. 54 00:02:12,960 --> 00:02:13,760 (gasps) 55 00:02:13,800 --> 00:02:15,080 (clicking tongue) 56 00:02:15,200 --> 00:02:17,200 (Lydia) These are untamed naiads; 57 00:02:17,240 --> 00:02:19,240 you'll frighten them away. 58 00:02:19,360 --> 00:02:21,360 You must watch them, 59 00:02:21,480 --> 00:02:23,520 like a work of art. 60 00:02:23,640 --> 00:02:26,480 (young toff) When can we tup the work of art? 61 00:02:26,520 --> 00:02:28,520 (Lydia) When you pay me three gold guineas. 62 00:02:29,960 --> 00:02:30,920 Each. 63 00:02:30,960 --> 00:02:33,320 (mellow music) 64 00:02:33,360 --> 00:02:35,920 ♪ 65 00:02:35,960 --> 00:02:38,320 (chatter) 66 00:02:38,360 --> 00:02:43,480 ♪ 67 00:02:43,600 --> 00:02:44,520 (Violet) All right. 68 00:02:44,640 --> 00:02:46,360 ♪ 69 00:02:46,480 --> 00:02:47,920 (shouting) 70 00:02:47,960 --> 00:02:51,800 ♪ 71 00:02:51,920 --> 00:02:54,200 (Florence) Our Lord knew that virtue 72 00:02:54,320 --> 00:02:55,800 grew in the desert, 73 00:02:55,920 --> 00:02:57,920 not in palaces of luxury. 74 00:02:57,960 --> 00:02:59,320 ♪ 75 00:02:59,360 --> 00:03:01,920 There is honor in poverty, 76 00:03:01,960 --> 00:03:03,880 and strength in hunger. 77 00:03:03,920 --> 00:03:07,200 Those who turn their backs on the sugared coin 78 00:03:07,240 --> 00:03:09,320 will be welcomed into paradise. 79 00:03:09,360 --> 00:03:11,680 ‐Thief! ‐The Lord is always with you. 80 00:03:11,800 --> 00:03:13,360 ‐Thief! ‐If you give him your heart. 81 00:03:13,400 --> 00:03:15,320 ‐Thief! ‐Do not fall into 82 00:03:15,360 --> 00:03:16,400 the fleshly chasm, 83 00:03:16,480 --> 00:03:18,880 for the brief bliss that it offers 84 00:03:18,920 --> 00:03:21,240 will incinerate your soul. 85 00:03:21,360 --> 00:03:24,480 ‐It matches. ‐Embrace your wretchedness 86 00:03:24,520 --> 00:03:26,360 and be thankful, 87 00:03:26,400 --> 00:03:29,240 for as you chew the dry crust 88 00:03:29,360 --> 00:03:31,600 and thirst for clear water, 89 00:03:31,640 --> 00:03:36,600 know that respite is waiting in the next world. 90 00:03:36,640 --> 00:03:37,320 (giggling) 91 00:03:37,360 --> 00:03:39,960 (shouting) 92 00:03:40,080 --> 00:03:43,240 ♪ 93 00:03:43,360 --> 00:03:44,640 (screaming) 94 00:03:44,680 --> 00:03:46,080 (Violet) Get off me! 95 00:03:46,200 --> 00:03:47,640 (shouting) 96 00:03:47,680 --> 00:03:48,600 (Violet) Get off me! 97 00:03:48,640 --> 00:03:49,640 (grunting) 98 00:03:49,760 --> 00:03:50,640 Get off me! 99 00:03:50,680 --> 00:03:52,320 (grunting) 100 00:03:52,360 --> 00:03:53,360 (screaming) 101 00:03:53,400 --> 00:03:55,360 ‐No! ‐Am I not even allowed 102 00:03:55,400 --> 00:03:57,320 to speak to him? I live in the same house. 103 00:03:57,360 --> 00:03:59,040 (North) What exactly are you accusing her of? 104 00:03:59,080 --> 00:04:00,360 Every time I look, you're flashing 105 00:04:00,400 --> 00:04:01,600 your cow's eyes at my man. 106 00:04:01,640 --> 00:04:02,640 (Harriet) How dare you accuse me, 107 00:04:02,760 --> 00:04:03,640 I've done nothing wrong! 108 00:04:03,680 --> 00:04:05,040 Am I blind? 109 00:04:05,080 --> 00:04:07,040 How can you deny it? 110 00:04:07,080 --> 00:04:08,080 (North) This is the manufacture 111 00:04:08,160 --> 00:04:09,640 of your green‐eyed soul. 112 00:04:09,760 --> 00:04:10,800 (dramatic music) 113 00:04:10,920 --> 00:04:12,960 (Margaret) I want you out of my house! 114 00:04:13,080 --> 00:04:14,920 I want you to get out. 115 00:04:14,960 --> 00:04:16,720 (Harriet) I'll not stay to be maligned. 116 00:04:16,840 --> 00:04:18,400 (Margaret) You're in love with him. 117 00:04:18,480 --> 00:04:20,280 How can you deny it? 118 00:04:20,360 --> 00:04:23,360 What? 119 00:04:23,400 --> 00:04:26,160 Don't you feign ignorance with me, William North. 120 00:04:26,280 --> 00:04:28,600 She plays you like a tinker's fiddle. 121 00:04:28,640 --> 00:04:30,520 This isn't about Harriet! 122 00:04:30,600 --> 00:04:32,040 ♪ 123 00:04:32,160 --> 00:04:33,720 I won't suffer her another day. 124 00:04:33,800 --> 00:04:35,040 ♪ 125 00:04:35,160 --> 00:04:36,720 Margaret! 126 00:04:36,840 --> 00:04:38,160 (Harriet) Maggie, Joseph, get your things. 127 00:04:38,280 --> 00:04:40,040 ‐We have to leave. ‐What have you done? 128 00:04:40,080 --> 00:04:42,080 It's been brewing like a hurricane. 129 00:04:42,160 --> 00:04:43,720 Now it breaks. 130 00:04:43,840 --> 00:04:45,520 Maggie, Joseph, please! 131 00:04:45,600 --> 00:04:48,520 ♪ 132 00:04:48,600 --> 00:04:50,400 ‐Harriet Lennox! ‐Go, go. 133 00:04:50,520 --> 00:04:52,960 Harriet Lennox, I want you gone! 134 00:04:53,040 --> 00:04:54,280 (Fanny) Mrs. Wells, please! 135 00:04:54,400 --> 00:04:55,720 (Margaret) Now you keep your chops out, Fanny, 136 00:04:55,840 --> 00:04:56,960 or you and yours will be next! 137 00:04:57,040 --> 00:04:58,200 (Harriet) If you doubt your man's affections, 138 00:04:58,280 --> 00:04:59,400 it's not because of me. 139 00:04:59,480 --> 00:05:00,520 (Margaret) Get out of my house, 140 00:05:00,600 --> 00:05:03,520 you haughty, sneering slut! 141 00:05:03,600 --> 00:05:05,960 Get out of my house! 142 00:05:06,040 --> 00:05:08,600 Go on, get out. 143 00:05:08,720 --> 00:05:10,640 (Harriet) This is a cursed and god‐forsaken house. 144 00:05:10,720 --> 00:05:11,840 (Margaret) Get out, you spider! 145 00:05:11,920 --> 00:05:13,080 (Harriet) Oh, I'm going‐‐ 146 00:05:13,160 --> 00:05:15,840 for fear my daughter ends up like yours. 147 00:05:15,960 --> 00:05:17,200 Go, come on. 148 00:05:17,280 --> 00:05:18,400 (church bells ringing) 149 00:05:18,520 --> 00:05:19,840 (North) You shame us all. 150 00:05:24,400 --> 00:05:25,480 (Margaret) Kitty, 151 00:05:25,520 --> 00:05:27,400 take the gentleman upstairs. 152 00:05:27,520 --> 00:05:28,960 ‐No. ‐What've you done? 153 00:05:29,040 --> 00:05:31,840 ‐Harriet! ‐Ah, my own daughter. 154 00:05:31,920 --> 00:05:33,160 Give her a moment of your time 155 00:05:33,200 --> 00:05:35,480 and she'll take you to circles of heaven. 156 00:05:35,520 --> 00:05:38,040 (Lucy) You'd foist me off as a substitute for Kitty? 157 00:05:41,280 --> 00:05:42,200 Lucy. 158 00:05:42,280 --> 00:05:43,280 (retreating footsteps) 159 00:05:43,400 --> 00:05:44,520 Lucy. 160 00:05:47,520 --> 00:05:48,960 (Kitty) I don't want you to leave. 161 00:05:49,040 --> 00:05:50,400 (Harriet) That woman killed a man 162 00:05:50,520 --> 00:05:54,160 with her bare hands. 163 00:05:54,280 --> 00:05:55,600 You should leave too. 164 00:06:03,160 --> 00:06:04,200 (footsteps) 165 00:06:08,160 --> 00:06:09,360 (Margaret) What are you doing? 166 00:06:13,160 --> 00:06:16,080 (North) There is nothing where there is no trust. 167 00:06:16,160 --> 00:06:18,040 (Margaret) Of course there's trust. 168 00:06:18,080 --> 00:06:20,520 She's been the poison between us. 169 00:06:20,600 --> 00:06:21,840 (North) The poison between us 170 00:06:21,960 --> 00:06:23,720 is a rich man's corpse. 171 00:06:23,840 --> 00:06:25,160 It lies strangled and rotting 172 00:06:25,280 --> 00:06:27,520 in a marble mausoleum. 173 00:06:27,600 --> 00:06:29,920 (somber music) 174 00:06:29,960 --> 00:06:32,040 ♪ 175 00:06:32,080 --> 00:06:33,400 You've gone your own way, 176 00:06:33,520 --> 00:06:36,080 Margaret, always. 177 00:06:36,160 --> 00:06:37,400 Now I'll go mine. 178 00:06:37,520 --> 00:06:42,600 ♪ 179 00:06:42,720 --> 00:06:45,280 (Jacob) Where are you going? 180 00:06:45,360 --> 00:06:46,800 Pa, don't go! 181 00:06:46,840 --> 00:06:48,040 (North) Jacob, go back to your ma. 182 00:06:48,080 --> 00:06:49,400 ‐No! ‐Jacob. 183 00:06:49,520 --> 00:07:10,920 ♪ 184 00:07:10,960 --> 00:07:12,200 (Kitty) He'll soon be back. 185 00:07:12,280 --> 00:07:13,600 ♪ 186 00:07:13,640 --> 00:07:16,960 (Fanny) He better be before she throws me out. 187 00:07:17,040 --> 00:07:19,280 I'll be next, me or Mercy. 188 00:07:19,360 --> 00:07:22,160 She said so. 189 00:07:22,200 --> 00:07:23,480 (Kitty) If she tries it, 190 00:07:23,520 --> 00:07:24,720 I'll come with you. 191 00:07:34,040 --> 00:07:36,280 We could set ourselves up. 192 00:07:36,360 --> 00:07:37,480 I've been thinking a while. 193 00:07:37,520 --> 00:07:40,400 You, me, and Harriet. 194 00:07:40,520 --> 00:07:41,600 Two of us working, 195 00:07:41,640 --> 00:07:43,400 one with the children. 196 00:07:43,520 --> 00:07:45,800 (Fanny) You'd be our bawd? 197 00:07:45,840 --> 00:07:47,600 (Kitty) We wouldn't have a bawd; 198 00:07:47,640 --> 00:07:49,480 we'd share. 199 00:07:49,520 --> 00:07:51,800 I want to live with my daughter. 200 00:07:51,840 --> 00:07:54,840 (Fanny) What about Mrs. Wells? 201 00:07:54,960 --> 00:07:56,920 (Kitty) She uses us, Fan. 202 00:07:59,200 --> 00:08:01,160 (Fanny) I used to pretend she was my mother. 203 00:08:05,480 --> 00:08:06,480 (Kitty) I know. 204 00:08:13,520 --> 00:08:15,280 (knocking) 205 00:08:15,360 --> 00:08:16,480 (door opens) 206 00:08:16,520 --> 00:08:18,200 Justice Josiah Hunt. 207 00:08:20,960 --> 00:08:23,520 Follow me. 208 00:08:23,600 --> 00:08:25,920 (indistinct chatter) 209 00:08:31,640 --> 00:08:33,800 Lydia Quigley? 210 00:08:33,920 --> 00:08:36,000 Charlotte Wells. 211 00:08:36,040 --> 00:08:38,640 (Hunt) W‐what's your position in the house? 212 00:08:41,160 --> 00:08:42,880 Upright, 213 00:08:42,920 --> 00:08:44,800 side‐saddle, 214 00:08:44,880 --> 00:08:45,920 bare‐back, recumbent... 215 00:08:46,040 --> 00:08:48,280 What's yours? 216 00:08:48,320 --> 00:08:51,400 (Lydia) I'm more than delighted to meet you. 217 00:08:51,440 --> 00:08:54,280 ‐Congratulations on your rise. ‐Thank you. 218 00:08:54,320 --> 00:08:56,520 (Lydia) I wrote as soon as I heard of your appointment. 219 00:08:56,560 --> 00:08:58,440 Your predecessor was a dear friend, 220 00:08:58,520 --> 00:09:02,640 as I hope you will be, Justice Hunt. 221 00:09:02,760 --> 00:09:06,520 I see you've met my fair adventuress, Miss Wells. 222 00:09:06,640 --> 00:09:11,320 (Hunt) Forgive me, I don't squander words. 223 00:09:11,400 --> 00:09:12,680 What might you provide for me? 224 00:09:12,800 --> 00:09:14,920 (Lydia) Here, you will find rest, 225 00:09:15,000 --> 00:09:19,440 respite, rejuvenation. 226 00:09:19,520 --> 00:09:21,000 (Hunt) A little more than that, I think? 227 00:09:21,040 --> 00:09:21,920 (laughing) 228 00:09:22,040 --> 00:09:23,040 (Lydia) In my house, 229 00:09:23,120 --> 00:09:24,640 a man's desires are met 230 00:09:24,680 --> 00:09:29,040 with unrestrained and willing grace. 231 00:09:29,160 --> 00:09:32,120 (running footsteps) 232 00:09:32,160 --> 00:09:34,800 (laughing) 233 00:09:34,880 --> 00:09:37,320 It's usually more tranquil here. 234 00:09:37,400 --> 00:09:39,640 May I guess your taste? 235 00:09:41,640 --> 00:09:44,040 You like sincerity, 236 00:09:44,120 --> 00:09:45,760 perhaps a little modesty. 237 00:09:45,800 --> 00:09:47,520 Even‐‐Miss Pettifer. 238 00:09:47,560 --> 00:09:48,800 (stammers) 239 00:09:48,920 --> 00:09:53,680 Or is Miss Wells a fitting match for you? 240 00:09:53,800 --> 00:09:59,280 I sense a man who likes an element of risk. 241 00:09:59,320 --> 00:10:00,400 (laughs) 242 00:10:01,680 --> 00:10:03,640 Choose your pleasure. 243 00:10:03,760 --> 00:10:05,760 Lydia Quigley, this is a warrant for your arrest 244 00:10:05,800 --> 00:10:08,560 as a keeper of a bawdy and disorderly house. 245 00:10:08,640 --> 00:10:11,240 (laughing) 246 00:10:11,280 --> 00:10:12,560 (Lydia) You're trying to gull me. 247 00:10:12,640 --> 00:10:14,760 I'm no common bawd. 248 00:10:14,800 --> 00:10:16,320 And I'm no common fool. 249 00:10:16,400 --> 00:10:19,000 ‐Anne, look to the girls. ‐No, this is a grave mistake. 250 00:10:19,040 --> 00:10:21,520 (Hunt) Find out if any girl is here against her will. 251 00:10:21,560 --> 00:10:25,520 And I want the name of every man before you t‐turn him out. 252 00:10:25,560 --> 00:10:27,880 (Lydia) This is‐‐ this is unheard of. 253 00:10:27,920 --> 00:10:30,560 (commotion) 254 00:10:30,640 --> 00:10:31,560 Insupportable. 255 00:10:31,640 --> 00:10:32,760 (Charlotte) When it happened to Ma, 256 00:10:32,800 --> 00:10:33,920 it was nothing but a fine. 257 00:10:34,040 --> 00:10:35,400 I'll make sure the girls are loyal 258 00:10:35,520 --> 00:10:37,040 and you'll soon placate him. 259 00:10:37,160 --> 00:10:39,400 (chatter) 260 00:10:39,520 --> 00:10:41,440 (frustrated grunt) 261 00:10:41,520 --> 00:10:43,880 (percussive music) 262 00:10:43,920 --> 00:10:57,400 ♪ 263 00:10:57,440 --> 00:10:59,160 Well, fuck my old boots. 264 00:10:59,240 --> 00:11:06,320 ♪ 265 00:11:12,160 --> 00:11:13,280 (thud) 266 00:11:13,400 --> 00:11:15,680 (soft music) 267 00:11:15,800 --> 00:11:21,800 ♪ 268 00:11:21,920 --> 00:11:24,160 (Nancy) Who put the sour plum up your arse? 269 00:11:24,240 --> 00:11:25,280 ♪ 270 00:11:26,920 --> 00:11:28,160 (Margaret) Nance... 271 00:11:28,280 --> 00:11:31,400 Everything you said is coming true. 272 00:11:31,440 --> 00:11:33,240 You said they'd all leave me, 273 00:11:33,280 --> 00:11:35,040 one by one, 274 00:11:35,160 --> 00:11:38,440 that I'd drive them all away. 275 00:11:38,520 --> 00:11:40,760 Charlotte's gone. 276 00:11:40,800 --> 00:11:42,560 Now Will. 277 00:11:42,640 --> 00:11:43,880 That French bitch has left 278 00:11:43,920 --> 00:11:45,320 owing me 50 pound in debt. 279 00:11:48,040 --> 00:11:49,640 My girls shun me. 280 00:11:53,400 --> 00:11:55,280 That slut Harriet said my house is cursed. 281 00:11:57,040 --> 00:11:59,800 No one ever did murder and slept easy. 282 00:12:02,240 --> 00:12:04,400 (Cherry) Violet's been caught thieving. 283 00:12:04,440 --> 00:12:05,920 That new Justice. 284 00:12:06,000 --> 00:12:07,880 He gave Sally McKenzie a month of clink 285 00:12:07,920 --> 00:12:10,040 for scratching her muff in the street. 286 00:12:10,120 --> 00:12:11,160 (sighing) 287 00:12:11,240 --> 00:12:12,400 (Nancy) Come on. 288 00:12:12,520 --> 00:12:13,680 (Margaret) You want me to put myself 289 00:12:13,800 --> 00:12:15,400 in sight of a Justice? 290 00:12:15,520 --> 00:12:16,560 (Nancy) Hiding away won't convince him 291 00:12:16,640 --> 00:12:17,400 of your virtue. 292 00:12:17,440 --> 00:12:18,440 The girl needs us. 293 00:12:18,520 --> 00:12:21,240 (Margaret) No. 294 00:12:21,280 --> 00:12:23,400 (Nancy) You're losing all your friends, are you? 295 00:12:29,880 --> 00:12:32,320 (North) Your mother vexes me sore. 296 00:12:32,400 --> 00:12:36,160 (Lucy) Come home or she'll just vex me. 297 00:12:36,240 --> 00:12:39,000 I know you didn't fuck Harriet. 298 00:12:39,040 --> 00:12:41,040 (North) You don't wear coarseness well. 299 00:12:41,120 --> 00:12:44,160 (murmur of conversation) 300 00:12:44,280 --> 00:12:46,680 I feel for Harriet. 301 00:12:46,800 --> 00:12:48,320 Not in the base way that your mother thinks, 302 00:12:48,400 --> 00:12:51,000 but her and her children. 303 00:12:52,760 --> 00:12:57,400 They make me feel how precious is our freedom. 304 00:12:57,440 --> 00:13:00,440 (Lucy) No one's free, Pa. 305 00:13:00,520 --> 00:13:03,160 (North) Hm, who's got you in chains? 306 00:13:05,520 --> 00:13:06,760 You're free as the wind. 307 00:13:11,240 --> 00:13:14,160 Tell your mother to send my things. 308 00:13:14,280 --> 00:13:15,800 I'm stopping here. 309 00:13:15,880 --> 00:13:18,160 (suspenseful music) 310 00:13:18,280 --> 00:13:21,520 ♪ 311 00:13:21,640 --> 00:13:23,040 (Holland) Mrs. Wells, 312 00:13:23,160 --> 00:13:25,000 what news of Miss Charlotte? 313 00:13:25,040 --> 00:13:27,800 She and her Irish knave kept me in print for days. 314 00:13:27,920 --> 00:13:29,280 Did she murder Sir George Howard? 315 00:13:29,400 --> 00:13:31,920 Go fuck a flogging post, Mr. Holland. 316 00:13:32,040 --> 00:13:34,160 (Oswald) You stand accused of common theft; 317 00:13:34,280 --> 00:13:36,880 that during an act of carnality with James Buckley, 318 00:13:36,920 --> 00:13:38,760 you did steal a cloth purse 319 00:13:38,800 --> 00:13:40,760 containing five shillings and threepence. 320 00:13:40,800 --> 00:13:41,760 How do you plead? 321 00:13:41,800 --> 00:13:43,400 (Violet) The man is thick with gin. 322 00:13:43,440 --> 00:13:45,040 He gave me the purse. 323 00:13:45,160 --> 00:13:46,400 (crowd shouting) 324 00:13:46,520 --> 00:13:48,400 (Amelia) I can vouch for her, sir. 325 00:13:48,440 --> 00:13:49,880 I know her character! 326 00:13:49,920 --> 00:13:52,040 (Hunt) Liar, harlot, thief; 327 00:13:52,160 --> 00:13:53,520 her character is plain. 328 00:13:53,640 --> 00:13:55,000 (Nancy) The witness against this girl 329 00:13:55,040 --> 00:13:56,440 is a notorious drunk. 330 00:13:56,520 --> 00:13:57,800 (Hunt) I'll empty this court 331 00:13:57,920 --> 00:13:59,920 if I hear one word more. 332 00:14:00,000 --> 00:14:01,640 Violet Cross, I sentence you 333 00:14:01,680 --> 00:14:03,280 to be branded on the thumb a thief 334 00:14:03,400 --> 00:14:05,920 and t‐transported to America 335 00:14:06,000 --> 00:14:09,760 for a term of‐‐for a term of seven years servitude. 336 00:14:09,800 --> 00:14:11,400 ‐No, no. ‐Seven years? 337 00:14:11,520 --> 00:14:12,800 For a five shilling purse? 338 00:14:12,920 --> 00:14:14,640 (Margaret) Fine, give her a fine! 339 00:14:14,760 --> 00:14:18,400 (commotion) 340 00:14:18,440 --> 00:14:21,800 (Oswald) The court calls Lydia Quigley! 341 00:14:21,920 --> 00:14:24,880 (Margaret) What in the name of Saint Cock? 342 00:14:24,920 --> 00:14:26,040 (door opening) 343 00:14:27,640 --> 00:14:29,920 (shouting) 344 00:14:33,400 --> 00:14:34,920 (Oswald) Lydia Quigley, 345 00:14:35,000 --> 00:14:37,760 it has been witnessed that you do incite, 346 00:14:37,800 --> 00:14:40,280 procure, counsel, and command young women 347 00:14:40,320 --> 00:14:43,160 to acts of prostitution 348 00:14:43,240 --> 00:14:46,520 and that you keep a bawdy and disorderly house. 349 00:14:46,640 --> 00:14:48,280 How do you plead? 350 00:14:48,400 --> 00:14:49,800 (Lydia) I'm amazed to death. 351 00:14:49,920 --> 00:14:51,760 (shouting) 352 00:14:51,800 --> 00:14:54,920 I'm not capable of such appalling things. 353 00:14:55,000 --> 00:14:57,560 (Hunt) I have seen for myself. 354 00:14:57,640 --> 00:14:59,760 I fine you according to your means. 355 00:14:59,800 --> 00:15:02,320 ‐A fine is not enough! ‐Silence! 356 00:15:02,400 --> 00:15:04,640 (Margaret) This is a vile kidnapper. 357 00:15:04,760 --> 00:15:06,640 She feeds the markets of rape! 358 00:15:06,680 --> 00:15:07,920 (Nancy) Rape, yeah, that's right! 359 00:15:08,040 --> 00:15:09,880 (shouting) 360 00:15:09,920 --> 00:15:11,680 (Hunt) Who makes this accusation? 361 00:15:13,240 --> 00:15:14,640 (Margaret) Margaret Wells of Greek Street. 362 00:15:14,760 --> 00:15:17,160 (Hunt) D‐do you wish to make 363 00:15:17,280 --> 00:15:19,000 a formal accusation? 364 00:15:19,040 --> 00:15:21,160 If so, bring me witnesses and evidence. 365 00:15:21,280 --> 00:15:23,160 Otherwise you speak slander. 366 00:15:23,280 --> 00:15:24,880 (murmur of crowd) 367 00:15:24,920 --> 00:15:26,320 Lydia Quigley, 368 00:15:26,400 --> 00:15:30,640 I fine you for k‐keeping a disorderly house. 369 00:15:30,680 --> 00:15:34,160 Five hundred pounds to be paid in coin forthwith, 370 00:15:34,280 --> 00:15:36,800 or by time in the house of correction. 371 00:15:36,920 --> 00:15:38,280 (Florence) God is good! 372 00:15:38,400 --> 00:15:40,400 (Oswald) Order, order! 373 00:15:40,520 --> 00:15:41,920 (Hunt) Can you pay, Mrs. Quigley? 374 00:15:42,040 --> 00:15:44,040 (Lydia) No, I need time. 375 00:15:44,160 --> 00:15:45,800 (Hunt) You shall have it. 376 00:15:45,920 --> 00:15:48,320 In the house of correction. 377 00:15:48,400 --> 00:15:49,640 (commotion) 378 00:15:49,760 --> 00:15:51,040 (Florence) God is just! 379 00:15:51,160 --> 00:15:54,800 (commotion) 380 00:15:54,920 --> 00:15:56,520 (Lydia) Take your hands off of me. 381 00:15:56,640 --> 00:16:00,920 ♪ 382 00:16:01,000 --> 00:16:03,040 (Nancy) Emily Lacey could get her on the gallows. 383 00:16:03,160 --> 00:16:04,280 (Margaret) Go straight to her, 384 00:16:04,320 --> 00:16:05,680 before Quigley pays her fine. 385 00:16:05,800 --> 00:16:07,560 ♪ 386 00:16:07,640 --> 00:16:10,040 Nance... 387 00:16:10,160 --> 00:16:11,120 Is she falling? 388 00:16:11,160 --> 00:16:12,440 ♪ 389 00:16:12,520 --> 00:16:14,800 (Nancy) I never thought I'd see it. 390 00:16:14,880 --> 00:16:17,040 (Margaret) One hard push and she's in the fiery pit. 391 00:16:17,120 --> 00:16:22,880 ♪ 392 00:16:22,920 --> 00:16:25,520 Here's your story: 393 00:16:25,560 --> 00:16:28,000 Dame Death faces doom. 394 00:16:28,040 --> 00:16:31,040 (Holland) Justice has a new d‐d‐direction. 395 00:16:31,160 --> 00:16:32,400 (laughing) 396 00:16:32,440 --> 00:16:33,400 (Margaret) Someone else must have 397 00:16:33,440 --> 00:16:35,240 knowledge of her crimes. 398 00:16:35,280 --> 00:16:37,120 They may come forward. 399 00:16:37,160 --> 00:16:38,520 Waste no time. 400 00:16:43,800 --> 00:16:45,280 ‐What are we supposed to do? ‐I've got... 401 00:16:45,320 --> 00:16:47,120 (Anne) Shall I lock them in their rooms? 402 00:16:47,160 --> 00:16:49,040 (Charlotte) No, take them out. 403 00:16:49,120 --> 00:16:50,520 (Anne) That isn't safe. 404 00:16:50,560 --> 00:16:51,800 (Charlotte) We have to show the world 405 00:16:51,920 --> 00:16:53,400 this house remains undaunted. 406 00:16:53,440 --> 00:16:54,680 (Anne) Then you take them out. 407 00:16:54,800 --> 00:16:56,000 (Charlotte) Gladly, 408 00:16:56,040 --> 00:16:58,320 if you go to the jail house. 409 00:16:58,400 --> 00:17:01,160 Then do as I propose. 410 00:17:01,240 --> 00:17:03,560 (Emily) Lydia Quigley in jail! 411 00:17:03,640 --> 00:17:06,440 Well, sing my soul. 412 00:17:06,520 --> 00:17:09,000 May she be bitten by a plaguey rat. 413 00:17:09,040 --> 00:17:11,000 (Nancy) She kidnapped you. 414 00:17:11,040 --> 00:17:13,520 She would've had you slain. 415 00:17:13,560 --> 00:17:16,840 It's time to tell the Justice what you know. 416 00:17:16,960 --> 00:17:19,880 (Emily) I can't do that. 417 00:17:20,000 --> 00:17:23,760 (Nancy) Has her money made you soft? 418 00:17:23,800 --> 00:17:25,480 (Emily) I'll speak, 419 00:17:25,520 --> 00:17:26,720 she'll slither out of jail, 420 00:17:26,800 --> 00:17:28,040 and then she'll come for me... 421 00:17:28,080 --> 00:17:30,520 (Nancy) This Justice is a ramrod; 422 00:17:30,560 --> 00:17:31,880 straight as a gunshot. 423 00:17:32,000 --> 00:17:34,280 (moaning) 424 00:17:35,720 --> 00:17:38,280 (Emily) No. 425 00:17:38,320 --> 00:17:40,280 (Charles) Don't say no to little Charlie... 426 00:17:40,320 --> 00:17:41,800 (Nancy) Up! 427 00:17:41,880 --> 00:17:45,040 Your ma's in the clink for being a dirty bawd. 428 00:17:45,120 --> 00:17:48,560 The Justice slapped her with a 500 pound fine. 429 00:17:48,680 --> 00:17:52,560 I'd say that roasts your golden goose. 430 00:17:52,680 --> 00:17:53,760 (Emily) Nance... 431 00:17:57,800 --> 00:18:01,080 (Nancy) Don't let fear hold you back. 432 00:18:01,200 --> 00:18:03,240 She can't come for you from the gibbet. 433 00:18:03,280 --> 00:18:05,600 (percussive music) 434 00:18:05,720 --> 00:18:11,000 ♪ 435 00:18:11,040 --> 00:18:14,440 (Charles) I don't wish my mother dead. 436 00:18:14,520 --> 00:18:15,720 But she should be in jail 437 00:18:15,800 --> 00:18:17,520 after what she did to you. 438 00:18:17,600 --> 00:18:20,520 (Emily) Let's not cross swords with her, Charlie. 439 00:18:20,600 --> 00:18:22,000 (sighs) 440 00:18:22,040 --> 00:18:23,480 We've everything we need. 441 00:18:23,520 --> 00:18:26,960 (Charles) Golden Square is my inheritance. 442 00:18:27,040 --> 00:18:28,840 We could have so much more. 443 00:18:28,960 --> 00:18:38,840 ♪ 444 00:18:38,960 --> 00:18:40,520 (Margaret) Mrs. Scanwell! 445 00:18:40,560 --> 00:18:42,720 (Florence) Mrs. Wells. 446 00:18:42,800 --> 00:18:44,760 A fine day for justice. 447 00:18:44,800 --> 00:18:46,440 (Amelia) How can you say so? 448 00:18:46,520 --> 00:18:47,840 (Florence) My daughter is distressed 449 00:18:47,960 --> 00:18:51,320 at the fate of a harlot she is trying to save. 450 00:18:51,440 --> 00:18:54,040 (Margaret) Miss Scanwell, a word? 451 00:18:54,120 --> 00:18:56,440 (church bell ringing) 452 00:19:03,720 --> 00:19:05,600 Let me give you this. 453 00:19:05,720 --> 00:19:07,040 The last time you offered me help, 454 00:19:07,120 --> 00:19:08,320 I nearly died. 455 00:19:12,320 --> 00:19:13,760 (Margaret) We both know Quigley connects 456 00:19:13,800 --> 00:19:16,360 to Justice Cunliffe's death. 457 00:19:16,480 --> 00:19:18,080 She didn't hold the knife 458 00:19:18,200 --> 00:19:19,800 but it was done on her order, 459 00:19:19,880 --> 00:19:22,520 I am sure. 460 00:19:22,600 --> 00:19:24,120 Speak out. 461 00:19:24,240 --> 00:19:26,120 Say what you know. 462 00:19:26,240 --> 00:19:27,440 They'll believe you. 463 00:19:27,520 --> 00:19:29,520 (Amelia) I must save a soul today, 464 00:19:29,600 --> 00:19:30,800 not damn one. 465 00:19:30,880 --> 00:19:33,480 (Margaret) Think about how she abused your mother. 466 00:19:33,520 --> 00:19:34,720 (Amelia) No. 467 00:19:34,800 --> 00:19:38,600 (dark music) 468 00:19:38,720 --> 00:19:41,040 (man shouting in pain) 469 00:19:41,080 --> 00:19:46,000 ♪ 470 00:19:46,040 --> 00:19:47,200 (panting) 471 00:19:47,280 --> 00:19:49,280 ♪ 472 00:19:49,320 --> 00:19:51,000 (Violet) Please, I beg you, please, please. 473 00:19:51,040 --> 00:19:52,520 Please, please, please. 474 00:19:52,600 --> 00:19:53,880 No, no, please no, please‐‐ 475 00:19:54,000 --> 00:19:56,280 (grunting in pain) 476 00:19:56,360 --> 00:20:00,080 ♪ 477 00:20:00,200 --> 00:20:03,120 (sobbing) 478 00:20:03,240 --> 00:20:06,360 (panting) 479 00:20:06,480 --> 00:20:14,000 ♪ 480 00:20:14,040 --> 00:20:17,440 (door slams) 481 00:20:17,520 --> 00:20:18,520 (spits) 482 00:20:18,600 --> 00:20:20,600 ♪ 483 00:20:28,960 --> 00:20:30,520 (Charles) My mother doesn't deserve all this. 484 00:20:30,560 --> 00:20:33,040 It should be mine. 485 00:20:33,080 --> 00:20:34,200 (knocking) 486 00:20:39,520 --> 00:20:41,280 (Charlotte) So the vultures are gathering. 487 00:20:41,320 --> 00:20:42,480 (Emily) He's here to chuck the cuckoo 488 00:20:42,520 --> 00:20:43,520 out of his nest. 489 00:20:43,600 --> 00:20:45,000 I'm on my way to the Magistrate 490 00:20:45,040 --> 00:20:46,720 to defend your ma. 491 00:20:46,800 --> 00:20:48,280 Will you come? 492 00:20:48,360 --> 00:20:51,200 (Charles) My mother's brought her fate upon herself 493 00:20:51,280 --> 00:20:53,720 and I've no choice but to take the reins. 494 00:20:53,800 --> 00:20:54,960 Where are the girls? 495 00:20:55,040 --> 00:20:58,040 (Charlotte) Out, on my orders. 496 00:20:58,080 --> 00:20:59,760 (Charles) I don't know what you're doing here, 497 00:20:59,800 --> 00:21:01,720 but I want you gone. 498 00:21:01,800 --> 00:21:03,800 (Charlotte) What natural authority. 499 00:21:03,880 --> 00:21:05,800 Your mother will be most impressed. 500 00:21:11,040 --> 00:21:12,600 (Amelia) Justice, a word I beg you! 501 00:21:12,720 --> 00:21:13,680 (Florence) We heartily approve 502 00:21:13,760 --> 00:21:14,800 of your actions today. 503 00:21:14,880 --> 00:21:16,200 (Amelia) All but one. 504 00:21:16,280 --> 00:21:17,520 We pray you might have mercy 505 00:21:17,600 --> 00:21:19,520 on the girl named Violet Cross. 506 00:21:19,560 --> 00:21:21,320 She's known no other life than vice, 507 00:21:21,440 --> 00:21:24,520 but I've seen goodness in her heart. 508 00:21:24,600 --> 00:21:26,800 Goodness and love. 509 00:21:26,880 --> 00:21:28,280 (Hunt) The bronze? 510 00:21:28,320 --> 00:21:29,760 (Amelia) She is worth saving, sir. 511 00:21:29,800 --> 00:21:32,280 (Hunt) Then take c‐comfort. 512 00:21:32,320 --> 00:21:33,800 It's through punishment that the felon 513 00:21:33,840 --> 00:21:35,280 finds redemption and God's love. 514 00:21:35,320 --> 00:21:37,200 (Florence) My daughter taught me the lesson 515 00:21:37,280 --> 00:21:38,680 of forgiveness. 516 00:21:40,280 --> 00:21:42,680 This girl's remorse may transform her 517 00:21:42,760 --> 00:21:44,360 as powerfully as punishment. 518 00:21:44,480 --> 00:21:45,600 (Amelia) Please, 519 00:21:45,720 --> 00:21:47,680 please have pity. 520 00:21:47,760 --> 00:21:49,600 Show her grace. 521 00:21:49,720 --> 00:21:51,200 Do not make her a slave. 522 00:21:53,680 --> 00:21:55,320 (Hunt) I'll assess her for myself. 523 00:21:55,440 --> 00:21:57,040 (Amelia) Thank you, sir. 524 00:21:57,120 --> 00:22:00,080 I thank you and I will pray for you. 525 00:22:00,200 --> 00:22:02,040 (somber music) 526 00:22:02,120 --> 00:22:04,800 (Nancy) Emily Lacey won't speak. 527 00:22:04,880 --> 00:22:07,080 (Margaret) The Scanwell girl neither. 528 00:22:07,200 --> 00:22:08,560 (Nancy) Quigley's messenger‐boy, Rasselas. 529 00:22:08,680 --> 00:22:10,960 He must have some filth on her. 530 00:22:11,040 --> 00:22:13,720 So must your Charlotte. 531 00:22:13,800 --> 00:22:16,680 (Margaret) Charlotte sent me away, 532 00:22:16,760 --> 00:22:18,440 her own mother, 533 00:22:18,520 --> 00:22:20,480 like I was rag and bone. 534 00:22:20,520 --> 00:22:22,240 ♪ 535 00:22:22,280 --> 00:22:24,280 I'd not go to her for a golden lump. 536 00:22:24,360 --> 00:22:28,200 ♪ 537 00:22:28,280 --> 00:22:29,440 (Hunt) Last Sunday, 538 00:22:29,520 --> 00:22:32,240 the body of a girl was found near Bedford Street. 539 00:22:32,280 --> 00:22:36,520 She had been violated and most foully slain. 540 00:22:36,600 --> 00:22:38,360 She was last seen at the employment exchange, 541 00:22:38,480 --> 00:22:42,560 a place you're known to f‐frequent. 542 00:22:42,680 --> 00:22:44,040 (Lydia) Like many householders, 543 00:22:44,080 --> 00:22:45,880 I go there seeking staff. 544 00:22:46,000 --> 00:22:47,720 You can interview the maid I hired. 545 00:22:47,800 --> 00:22:50,520 (Hunt) Torment was done unto that girl. 546 00:22:50,600 --> 00:22:51,840 (Lydia) And to the girl you've just branded 547 00:22:51,960 --> 00:22:52,840 with a hot iron! 548 00:22:52,960 --> 00:22:55,440 Can you not smell her burning flesh? 549 00:22:55,520 --> 00:22:58,040 (Hunt) Who f‐frequents your house? 550 00:23:00,800 --> 00:23:03,760 (Lydia) Your superiors. 551 00:23:03,800 --> 00:23:06,360 Men of land and parliament, 552 00:23:06,480 --> 00:23:09,440 men who honored you with your position. 553 00:23:11,600 --> 00:23:14,760 You could have walked among them. 554 00:23:14,800 --> 00:23:17,520 (Hunt) As my predecessor did? 555 00:23:17,600 --> 00:23:20,000 I'll leave you time to dwell upon his fate. 556 00:23:22,360 --> 00:23:24,080 Obscure and lowly as I am, 557 00:23:24,200 --> 00:23:26,560 I'm entrusted with the law. 558 00:23:26,680 --> 00:23:28,880 The duty is immense. 559 00:23:29,000 --> 00:23:30,800 I hold the scales of life and death. 560 00:23:30,880 --> 00:23:33,280 Why are you barring my visitors? 561 00:23:35,080 --> 00:23:36,520 No visitors have come. 562 00:23:36,600 --> 00:23:38,960 (percussive music) 563 00:23:39,040 --> 00:23:40,040 ♪ 564 00:23:40,120 --> 00:23:42,480 (knocking) 565 00:23:42,520 --> 00:23:44,760 ♪ 566 00:23:44,800 --> 00:23:45,960 (knocking) 567 00:23:46,040 --> 00:23:48,360 ♪ 568 00:23:48,480 --> 00:23:50,080 (Emily) What do you want? 569 00:23:50,200 --> 00:23:51,440 ♪ 570 00:23:51,520 --> 00:23:54,240 (Margaret) I want my Charlotte. 571 00:23:54,280 --> 00:23:56,680 (Emily) How about please? 572 00:23:56,760 --> 00:23:58,360 How about "Sorry for what I did to you"? 573 00:23:58,480 --> 00:24:00,280 How about you fuck off 574 00:24:00,360 --> 00:24:01,280 back to Greek Street? 575 00:24:01,360 --> 00:24:02,480 (laughing) 576 00:24:05,560 --> 00:24:08,520 (Margaret) I know Nancy's been to see you. 577 00:24:08,560 --> 00:24:09,880 You must think on what she's said. 578 00:24:10,000 --> 00:24:12,680 (Emily) Your Charlotte ain't here. 579 00:24:12,760 --> 00:24:14,800 She's gone to help her new ma out of jail! 580 00:24:17,360 --> 00:24:19,520 Why don't you think on that? 581 00:24:19,560 --> 00:24:20,880 Shut her out, Grunt. 582 00:24:23,480 --> 00:24:25,800 (somber music) 583 00:24:25,840 --> 00:24:28,240 ♪ 584 00:24:28,280 --> 00:24:29,280 (Charlotte) Lucy? 585 00:24:29,320 --> 00:24:31,000 ♪ 586 00:24:31,040 --> 00:24:34,080 (chatter and laughter) 587 00:24:34,200 --> 00:24:35,440 (Charlotte) I'm her creature every minute 588 00:24:35,520 --> 00:24:37,000 of the clock, 589 00:24:37,040 --> 00:24:38,880 guessing her bidding, working my wits 590 00:24:39,000 --> 00:24:41,280 like a vile, unscrupled whore. 591 00:24:43,200 --> 00:24:45,800 (Lucy) She must dote on you. 592 00:24:45,880 --> 00:24:48,600 (Charlotte) I edge towards her secrets. 593 00:24:48,720 --> 00:24:50,840 One day she'll let down her guard. 594 00:24:50,960 --> 00:24:51,840 When I'm done, 595 00:24:51,960 --> 00:24:55,040 Mrs. Quigley will be dust and ash. 596 00:24:55,120 --> 00:24:57,800 (Lucy) But she's in jail. You can leave. 597 00:24:57,840 --> 00:24:59,240 (Charlotte) She'll never stay in jail; 598 00:24:59,280 --> 00:25:01,720 you know how it'll go. 599 00:25:01,800 --> 00:25:03,000 I'll not leave. 600 00:25:03,040 --> 00:25:04,040 Not now. 601 00:25:06,200 --> 00:25:08,800 What compels you, Charlotte? 602 00:25:08,840 --> 00:25:11,080 (Charlotte) The world is so misshapen. 603 00:25:11,200 --> 00:25:13,360 Must make a corner of it right. 604 00:25:13,480 --> 00:25:14,720 What of you? 605 00:25:18,360 --> 00:25:20,040 Ma thinks you've betrayed her. 606 00:25:22,280 --> 00:25:23,280 Will you talk to her? 607 00:25:23,360 --> 00:25:25,960 And say what? 608 00:25:26,040 --> 00:25:28,360 Then talk to Pa. 609 00:25:28,480 --> 00:25:30,480 He won't come home. 610 00:25:30,520 --> 00:25:33,600 Poor man suffers her like scrofula. 611 00:25:33,720 --> 00:25:35,320 You should leave too. 612 00:25:35,440 --> 00:25:36,760 You're all grown up, sprat. 613 00:25:36,800 --> 00:25:39,120 (dark music) 614 00:25:39,240 --> 00:25:42,040 ♪ 615 00:25:42,120 --> 00:25:44,560 (Violet) We both face ruin. 616 00:25:44,680 --> 00:25:46,280 Only one of us deserves it. 617 00:25:46,320 --> 00:25:47,680 ♪ 618 00:25:47,760 --> 00:25:49,480 (Lydia) I have nothing in common with you. 619 00:25:49,520 --> 00:25:50,520 ♪ 620 00:25:50,560 --> 00:25:52,040 You're right. 621 00:25:52,120 --> 00:25:55,240 For I had friends in court who spoke for me. 622 00:25:55,280 --> 00:25:58,120 You were jeered at. 623 00:25:58,240 --> 00:26:01,000 Margaret Wells will hound you to the noose, 624 00:26:01,040 --> 00:26:03,480 and Mary Cooper will lead you down to hell. 625 00:26:03,520 --> 00:26:05,240 (Lydia) You. 626 00:26:05,280 --> 00:26:06,520 You. 627 00:26:06,560 --> 00:26:08,200 I'll part with this if you'll take a note 628 00:26:08,280 --> 00:26:10,320 to my man in Golden Square. 629 00:26:22,040 --> 00:26:25,280 That'll do to take the note. 630 00:26:25,360 --> 00:26:27,040 But the ink and paper will cost you more. 631 00:26:27,120 --> 00:26:28,840 (Lydia) What's your price? 632 00:26:28,960 --> 00:26:30,480 (Nuttal) My cudgel wants a tickle. 633 00:26:32,520 --> 00:26:34,840 (sighs) 634 00:26:37,440 --> 00:26:40,040 (Lydia) There's five shillings for you. 635 00:26:40,120 --> 00:26:43,280 (Nuttal) Your ladylike hand on my cudgel. 636 00:26:43,360 --> 00:26:45,720 (Violet laughing) 637 00:26:45,800 --> 00:26:47,040 ♪ 638 00:26:47,080 --> 00:26:49,200 (laughing) 639 00:26:49,280 --> 00:26:58,560 ♪ 640 00:26:58,680 --> 00:27:00,280 (Lydia) Ink and paper, 641 00:27:00,320 --> 00:27:01,880 damn you to the skies! 642 00:27:02,000 --> 00:27:04,280 (laughing) 643 00:27:04,360 --> 00:27:08,760 ♪ 644 00:27:08,800 --> 00:27:09,800 (Nuttal) Yeah... 645 00:27:09,880 --> 00:27:11,120 (muttering) 646 00:27:11,240 --> 00:27:16,440 ♪ 647 00:27:16,520 --> 00:27:17,800 (Lucy) Come out with me. 648 00:27:17,880 --> 00:27:19,440 (Kitty) Where to? 649 00:27:19,520 --> 00:27:20,880 (Lucy) Wherever it's bright. 650 00:27:21,000 --> 00:27:23,320 Find some rich culls and keep what we make. 651 00:27:23,440 --> 00:27:24,800 Are you mad? 652 00:27:24,840 --> 00:27:26,040 (Lucy) Can't stick another night 653 00:27:26,120 --> 00:27:28,520 on my back in this house. 654 00:27:28,600 --> 00:27:30,000 What about your mother? 655 00:27:30,040 --> 00:27:31,520 Fuck my mother. 656 00:27:31,560 --> 00:27:33,720 Are you coming? 657 00:27:33,800 --> 00:27:36,040 (laughing) 658 00:27:43,800 --> 00:27:45,800 Just one more thing, 659 00:27:45,880 --> 00:27:48,280 my dearest love... 660 00:27:48,320 --> 00:27:49,800 My wife would like your wig. 661 00:27:53,240 --> 00:27:57,320 ♪ 662 00:27:57,440 --> 00:27:58,880 Charlie? 663 00:27:59,000 --> 00:27:59,880 Charlie! 664 00:28:00,000 --> 00:28:03,200 ♪ 665 00:28:03,280 --> 00:28:04,440 What are you doing? 666 00:28:06,800 --> 00:28:08,240 (Charles) If I'm going to press a claim 667 00:28:08,280 --> 00:28:09,480 to all of her property, 668 00:28:09,520 --> 00:28:12,080 I need to know the state of her affairs. 669 00:28:30,040 --> 00:28:32,320 (both groan in disgust) 670 00:28:38,280 --> 00:28:39,320 (Margaret) Where are you going? 671 00:28:39,440 --> 00:28:40,960 (Lucy) Out. 672 00:28:41,040 --> 00:28:42,360 (Margaret) No, you're not. 673 00:28:42,480 --> 00:28:45,040 Kept my eye off business all day 674 00:28:45,080 --> 00:28:48,280 and now there's culls to be seen. 675 00:28:48,320 --> 00:28:50,120 (Lucy) Instead of telling me what to do, 676 00:28:50,240 --> 00:28:52,960 why don't you go and find Pa? 677 00:28:53,040 --> 00:28:54,520 He'll be back 678 00:28:54,600 --> 00:28:55,600 when he's ready. 679 00:28:55,720 --> 00:28:56,760 (Lucy) No. 680 00:28:56,800 --> 00:28:59,040 He won't. 681 00:28:59,120 --> 00:29:00,680 He wants you to send his things. 682 00:29:04,080 --> 00:29:06,560 You can't go out. 683 00:29:06,680 --> 00:29:08,760 It's not safe. 684 00:29:08,800 --> 00:29:12,280 I can look after myself, Ma. 685 00:29:12,360 --> 00:29:14,000 As I've proven. 686 00:29:15,520 --> 00:29:17,080 (Kitty) Lucy, wait, I'll come with you. 687 00:29:17,200 --> 00:29:19,840 No, you will not. 688 00:29:19,960 --> 00:29:22,880 I cherish you, Kitty, you know that. 689 00:29:23,000 --> 00:29:25,520 But I will not have mutiny in my house. 690 00:29:25,560 --> 00:29:26,840 So don't try it. 691 00:29:26,960 --> 00:29:29,000 (door closing) 692 00:29:29,040 --> 00:29:31,280 (exotic music) 693 00:29:37,880 --> 00:29:38,840 (knocking) 694 00:29:38,960 --> 00:29:41,280 (dogs barking) 695 00:29:41,320 --> 00:29:43,680 (suspenseful music) 696 00:29:43,760 --> 00:29:52,080 ♪ 697 00:29:52,200 --> 00:29:54,520 (footsteps) 698 00:29:54,560 --> 00:30:07,840 ♪ 699 00:30:07,960 --> 00:30:09,520 (Fallon) Out. 700 00:30:09,600 --> 00:30:10,720 Gentlemen, please. 701 00:30:10,800 --> 00:30:14,440 ♪ 702 00:30:14,520 --> 00:30:17,280 (door closes) 703 00:30:19,520 --> 00:30:21,440 From the High Priestess, 704 00:30:21,520 --> 00:30:23,000 Lydia Quigley. 705 00:30:26,360 --> 00:30:29,680 (Lidington) "I am in fetters for 500 pounds, 706 00:30:29,760 --> 00:30:32,280 and the Wells bitch is baying. 707 00:30:32,360 --> 00:30:33,600 The High Priestess." 708 00:30:35,680 --> 00:30:36,960 What does it mean? 709 00:30:37,040 --> 00:30:40,440 (Fallon) The Priestess has my name, 710 00:30:40,520 --> 00:30:44,760 and thinks I'll pay her damnable fine. 711 00:30:44,800 --> 00:30:47,720 Let her rot. 712 00:30:47,800 --> 00:30:50,520 (Lidington) What does the Wells bitch know? 713 00:30:50,600 --> 00:30:52,600 (Fallon) Nothing. 714 00:30:52,720 --> 00:30:54,040 (Lidington) She was there when you dispatched 715 00:30:54,120 --> 00:30:56,680 Justice Cunliffe. 716 00:30:56,760 --> 00:30:58,080 We should tell the Archons. 717 00:30:58,200 --> 00:31:00,800 (Fallon) I assure you there's no danger. 718 00:31:00,840 --> 00:31:04,200 We must simply muzzle the baying bitch. 719 00:31:04,280 --> 00:31:06,120 I propose some sport 720 00:31:06,240 --> 00:31:07,800 in cutting out her tongue. 721 00:31:07,880 --> 00:31:10,240 (somber music) 722 00:31:10,280 --> 00:31:27,080 ♪ 723 00:31:27,200 --> 00:31:29,040 ‐You came. ‐Of course. 724 00:31:29,120 --> 00:31:30,280 You did as much for me. 725 00:31:30,360 --> 00:31:31,560 Private, if you please. 726 00:31:31,680 --> 00:31:33,080 (Violet) Charlotte Wells... 727 00:31:33,200 --> 00:31:34,360 Curse you to a prison ship 728 00:31:34,480 --> 00:31:36,120 and seven years hard labor. 729 00:31:48,480 --> 00:31:50,520 (Charlotte) The fine is immense. 730 00:31:50,560 --> 00:31:52,040 Tell me where you stow your funds. 731 00:31:52,080 --> 00:31:54,280 (Lydia) Will you tell my son I'm here? 732 00:31:54,320 --> 00:31:55,840 (Charlotte) He knows. 733 00:31:55,960 --> 00:31:59,480 Charles is at yours with Emily Lacey, 734 00:31:59,520 --> 00:32:00,840 on what mission I know not. 735 00:32:00,960 --> 00:32:02,080 (Lydia) He and his doxy 736 00:32:02,200 --> 00:32:03,800 have emptied my pockets. 737 00:32:03,840 --> 00:32:07,240 I cannot pay the fine. 738 00:32:07,280 --> 00:32:09,520 (Charlotte) You must have benefactors somewhere. 739 00:32:09,560 --> 00:32:10,680 (Lydia) No, as you can see, 740 00:32:10,760 --> 00:32:12,280 I'm surrounded by kind friends, 741 00:32:12,360 --> 00:32:15,040 all clamoring to help me. 742 00:32:15,120 --> 00:32:18,280 (Charlotte) Is this self‐pity? 743 00:32:18,360 --> 00:32:19,560 It's a fine you face, 744 00:32:19,680 --> 00:32:21,120 not the noose. 745 00:32:21,240 --> 00:32:25,520 Stop stewing and tell me what to do. 746 00:32:25,560 --> 00:32:30,080 (Lydia) A woman's power is in her secrets. 747 00:32:30,200 --> 00:32:32,520 I've collected them like jewels 748 00:32:32,560 --> 00:32:34,480 and now they'll keep me safe. 749 00:32:39,840 --> 00:32:41,360 Lady Fitz. 750 00:32:43,480 --> 00:32:44,800 Isabella Fitzwilliam, 751 00:32:44,840 --> 00:32:47,880 heiress of Blayne. 752 00:32:48,000 --> 00:32:49,600 The finest jewel of all. 753 00:32:51,320 --> 00:32:52,800 Do you bleed her, 754 00:32:52,840 --> 00:32:55,720 like a surgeon? 755 00:32:55,800 --> 00:32:58,440 I could ruin her with one sentence. 756 00:33:01,280 --> 00:33:04,120 (street noise) 757 00:33:04,240 --> 00:33:06,680 (Fanny) Mrs. Wells. 758 00:33:06,760 --> 00:33:08,680 Did you mean what you said, 759 00:33:08,760 --> 00:33:10,480 that you'd throw me and mine out next? 760 00:33:10,520 --> 00:33:11,280 (knocking) 761 00:33:11,360 --> 00:33:13,880 I'm not a monster. 762 00:33:14,000 --> 00:33:15,720 You're my special girl, 763 00:33:15,800 --> 00:33:17,840 you know that. 764 00:33:17,960 --> 00:33:19,880 You can keep your baby, 765 00:33:20,000 --> 00:33:21,760 till she's weaned. 766 00:33:21,800 --> 00:33:23,240 Now ready yourself for a cull. 767 00:33:27,080 --> 00:33:29,840 (foreboding music) 768 00:33:29,960 --> 00:33:32,520 No need to hide your face, sir. 769 00:33:32,600 --> 00:33:34,680 (Lidington) Pursue Mrs. Quigley 770 00:33:34,760 --> 00:33:36,800 at your peril. 771 00:33:36,840 --> 00:33:39,000 (Margaret) Would that she‐wolf bite me, 772 00:33:39,040 --> 00:33:41,720 even from her cell? 773 00:33:41,800 --> 00:33:45,320 (Lidington) Consider this fair warning. 774 00:33:45,440 --> 00:33:50,280 ♪ 775 00:33:50,320 --> 00:33:53,000 (Margaret) I was afraid of her when I was ten years old. 776 00:33:53,040 --> 00:33:54,280 ♪ 777 00:33:54,360 --> 00:33:55,960 Not now. 778 00:33:56,040 --> 00:33:59,040 Now I'll shout it to the sky: 779 00:33:59,080 --> 00:34:02,280 (shouting) Lydia Quigley's a kidnapping bitch. 780 00:34:02,360 --> 00:34:05,440 Did she tell you to slice Justice Cunliffe? 781 00:34:05,520 --> 00:34:07,280 Do you do all her murders for her? 782 00:34:07,320 --> 00:34:25,280 ♪ 783 00:34:25,320 --> 00:34:27,640 (door opening) 784 00:34:29,320 --> 00:34:31,080 Miss Charlotte Wells, 785 00:34:31,160 --> 00:34:32,800 to see the lady of the house. 786 00:34:34,600 --> 00:34:36,880 (percussive music) 787 00:34:36,960 --> 00:34:54,000 ♪ 788 00:34:54,120 --> 00:34:56,280 (footman) Miss Charlotte Wells. 789 00:34:56,360 --> 00:35:01,280 ♪ 790 00:35:01,360 --> 00:35:03,680 (murmur of conversation) 791 00:35:05,200 --> 00:35:07,600 (Lady Fitz) The notorious C. W... 792 00:35:07,680 --> 00:35:09,640 Have we not all followed your exploits 793 00:35:09,720 --> 00:35:12,240 in the grub street press? 794 00:35:12,280 --> 00:35:13,440 A string of keepers, 795 00:35:13,560 --> 00:35:15,560 their fortunes squandered, 796 00:35:15,640 --> 00:35:18,800 a lover murdered in the park? 797 00:35:18,840 --> 00:35:21,560 Who insults me by inviting this brazen strumpet 798 00:35:21,640 --> 00:35:23,960 into my home? 799 00:35:24,080 --> 00:35:25,800 Is this your mischief? 800 00:35:25,880 --> 00:35:27,600 (Blayne) Mm... 801 00:35:27,680 --> 00:35:29,960 For once, I cannot claim it. 802 00:35:30,080 --> 00:35:31,160 Come. 803 00:35:32,600 --> 00:35:36,240 Let me see the beauty that sent George Howard 804 00:35:36,280 --> 00:35:37,800 to an early grave. 805 00:35:37,880 --> 00:35:40,400 (Charlotte) Your business may be slander, Sir, 806 00:35:40,480 --> 00:35:42,640 but mine is with the lady. 807 00:35:46,800 --> 00:35:48,080 (Lady Fitz) Well, I'll hear it. 808 00:35:51,000 --> 00:35:52,800 Miss Wells and I will take a turn. 809 00:35:54,840 --> 00:35:57,200 (soft music) 810 00:35:57,280 --> 00:36:04,360 ♪ 811 00:36:04,440 --> 00:36:05,880 What do you want? 812 00:36:08,400 --> 00:36:10,080 (Charlotte) My current benefactor, 813 00:36:10,160 --> 00:36:11,320 Mrs. Quigley, 814 00:36:11,400 --> 00:36:12,880 sends me in her hour of need. 815 00:36:12,960 --> 00:36:15,280 (Lady Fitz) So that is it; how dare you come? 816 00:36:16,920 --> 00:36:18,680 (Charlotte) Her situation is quite desperate. 817 00:36:18,760 --> 00:36:21,480 (Lady Fitz) I've read about it in the evening rag. 818 00:36:21,600 --> 00:36:23,840 A stench of crime and kidnap. 819 00:36:26,320 --> 00:36:29,840 How much does she want? 820 00:36:29,920 --> 00:36:32,600 (Charlotte) Five hundred pounds, tomorrow. 821 00:36:32,680 --> 00:36:35,840 (Lady Fitz) My brother holds my purse; 822 00:36:35,920 --> 00:36:37,600 I cannot get it. 823 00:36:40,240 --> 00:36:42,320 She's pressed me to threaten you. 824 00:36:42,400 --> 00:36:44,400 (Lady Fitz) Why? 825 00:36:44,480 --> 00:36:46,160 Does she hold your secret too? 826 00:36:49,720 --> 00:36:51,800 Forgive me. 827 00:36:51,880 --> 00:36:54,160 (Lady Fitz) Perhaps we courtiers 828 00:36:54,240 --> 00:36:57,400 are not unlike you courtesans. 829 00:36:57,480 --> 00:36:58,880 Our lives, like yours, 830 00:36:58,960 --> 00:37:02,000 are a constant game of sham. 831 00:37:02,120 --> 00:37:06,160 Do you ever long to break from that pretense? 832 00:37:06,240 --> 00:37:09,080 If I broke free and spoke my heart, 833 00:37:09,160 --> 00:37:10,320 the sea would bubble, 834 00:37:10,400 --> 00:37:11,600 the sky would turn red, 835 00:37:11,680 --> 00:37:13,760 and London would tumble into dust. 836 00:37:16,280 --> 00:37:18,000 (Charlotte) I should like to witness that. 837 00:37:18,120 --> 00:37:20,760 (Blayne) Izzy? 838 00:37:20,800 --> 00:37:23,080 (Lady Fitz) Say nothing. 839 00:37:23,160 --> 00:37:24,800 Come to me at breakfast. 840 00:37:24,840 --> 00:37:27,200 (percussive music) 841 00:37:27,280 --> 00:37:28,960 ♪ 842 00:37:29,080 --> 00:37:31,360 (giggling) 843 00:37:31,440 --> 00:37:33,800 ♪ 844 00:37:33,840 --> 00:37:35,360 (Anne) Gentlemen, come on in. 845 00:37:35,440 --> 00:37:36,960 Make yourselves comfortable. 846 00:37:37,080 --> 00:37:38,200 Take a seat. 847 00:37:38,280 --> 00:37:40,240 Relax. 848 00:37:40,280 --> 00:37:43,200 (Emily) Anne Pettifer, 849 00:37:43,280 --> 00:37:45,440 how dare you take these girls out! 850 00:37:45,560 --> 00:37:46,360 ♪ 851 00:37:46,440 --> 00:37:48,240 (Anne) Emily... 852 00:37:48,280 --> 00:37:51,440 (Charles) My pretty little doves! 853 00:37:51,560 --> 00:37:52,760 Have you missed me? 854 00:37:52,800 --> 00:37:54,320 (Anne) Mrs. Quigley's not back? 855 00:37:54,400 --> 00:37:56,560 (Emily) No, but here's her finest port. 856 00:37:56,640 --> 00:37:58,000 We can't, she'll find out. 857 00:37:58,120 --> 00:37:59,640 (Emily) Oh, come on, Anne, 858 00:37:59,720 --> 00:38:01,160 you know you want some. 859 00:38:01,240 --> 00:38:03,800 While the cat's away, girls! 860 00:38:03,840 --> 00:38:06,200 (dramatic music) 861 00:38:06,280 --> 00:38:15,800 ♪ 862 00:38:15,840 --> 00:38:18,360 (Fallon) Persephone, 863 00:38:18,440 --> 00:38:20,800 where have you been these past weeks? 864 00:38:20,880 --> 00:38:22,280 I've been pining. 865 00:38:22,320 --> 00:38:24,640 (indistinct chatter) 866 00:38:27,480 --> 00:38:28,880 Let me have you. 867 00:38:28,960 --> 00:38:30,240 (Lucy) No. 868 00:38:30,280 --> 00:38:31,760 (Fallon) Come now. 869 00:38:31,800 --> 00:38:33,920 I wrote to your mother offering excellent terms 870 00:38:34,000 --> 00:38:36,960 to be your keeper. 871 00:38:37,080 --> 00:38:38,240 (Lucy) I burnt it. 872 00:38:40,360 --> 00:38:44,120 I don't like eating seeds or weird fruit. 873 00:38:44,200 --> 00:38:45,600 I won't be your mistress. 874 00:38:49,560 --> 00:38:51,360 Your hands are cold, 875 00:38:51,440 --> 00:38:53,240 like those of a corpse, 876 00:38:53,280 --> 00:38:55,080 and I only fuck the living. 877 00:39:03,440 --> 00:39:06,360 (Lidington) The Wells bitch won't be silenced. 878 00:39:06,440 --> 00:39:08,120 She's shouting kidnap and murder 879 00:39:08,200 --> 00:39:10,800 in the street. 880 00:39:10,880 --> 00:39:12,880 (Fallon) That's the youngest daughter, 881 00:39:12,960 --> 00:39:14,120 there. 882 00:39:16,640 --> 00:39:18,800 (Lidington) A peach. 883 00:39:18,880 --> 00:39:20,880 Shall we pluck her from the family tree? 884 00:39:20,960 --> 00:39:23,280 (Fallon) No. 885 00:39:23,360 --> 00:39:24,840 I want her to savor. 886 00:39:24,920 --> 00:39:26,960 (foreboding music) 887 00:39:27,080 --> 00:39:28,480 ♪ 888 00:39:35,560 --> 00:39:37,280 (Nell) ♪ It was a man ♪ 889 00:39:37,320 --> 00:39:38,760 ♪ A jolly fine man ♪ 890 00:39:38,800 --> 00:39:41,760 ♪ Come love me where I lay ♪ 891 00:39:41,800 --> 00:39:44,720 ♪ And he would marry a fair young wife ♪ 892 00:39:44,800 --> 00:39:47,720 ♪ The clean and country way ♪ 893 00:39:47,800 --> 00:39:50,680 ♪ He'd woo her for to wed and bed ♪ 894 00:39:50,760 --> 00:39:53,800 ♪ Come tup me where I lay ♪ 895 00:39:53,840 --> 00:39:56,560 ♪ And then she kicked him in the head 896 00:39:56,640 --> 00:39:59,800 the clean and country way ♪ 897 00:39:59,840 --> 00:40:01,480 (Cherry) To Violet Cross! 898 00:40:01,600 --> 00:40:03,280 (shouting) 899 00:40:03,320 --> 00:40:04,800 (Nell) The best thieving whore 900 00:40:04,880 --> 00:40:06,200 in Covent Garden! 901 00:40:06,280 --> 00:40:07,760 (Webster) Tup me in her memory. 902 00:40:07,800 --> 00:40:09,440 She ain't dead, blockhead. 903 00:40:09,560 --> 00:40:10,760 (Webster) Tup me anyway. 904 00:40:10,800 --> 00:40:13,320 ‐I've fought for England. ‐Five shillings. 905 00:40:13,400 --> 00:40:15,680 (Webster) You should service us soldiers for free. 906 00:40:15,760 --> 00:40:18,320 No money, no cunny. 907 00:40:18,400 --> 00:40:19,480 (laughing) 908 00:40:23,800 --> 00:40:25,280 (Cherry) Come on, London, 909 00:40:25,360 --> 00:40:27,920 I am virgin fresh! 910 00:40:28,000 --> 00:40:30,360 Three shillings to see my little coal hole! 911 00:40:31,880 --> 00:40:34,440 Come on, you sailors, take me on! 912 00:40:34,560 --> 00:40:35,720 (man) Fuck off. 913 00:40:35,800 --> 00:40:37,720 (vomiting) 914 00:40:37,800 --> 00:40:38,800 (Harriet) Mr. North? 915 00:40:41,720 --> 00:40:43,280 (Nell) Watch how you go, sister. 916 00:40:43,360 --> 00:40:45,280 He's been drinking since this morning. 917 00:40:45,360 --> 00:40:47,000 (Webster) Is this your wife? 918 00:40:47,120 --> 00:40:48,800 (North) I have no wife. 919 00:40:48,880 --> 00:40:50,480 (Nell) She's up at the Wells House. 920 00:40:50,600 --> 00:40:53,960 You can't afford her, soldier boy. 921 00:40:54,080 --> 00:40:55,600 ‐I'm sorry. ‐No need. 922 00:40:55,680 --> 00:40:57,080 You've done nothing wrong. 923 00:40:57,160 --> 00:40:58,120 (Harriet) I have. 924 00:40:58,200 --> 00:41:01,640 I tried to hide the way I feel. 925 00:41:01,720 --> 00:41:03,160 (Webster) You're a ram, granddad. 926 00:41:03,240 --> 00:41:04,280 (North) Say not a word 927 00:41:04,360 --> 00:41:06,160 or you'll feel my hand. 928 00:41:06,240 --> 00:41:07,840 (Webster) I'd rather feel her hand... 929 00:41:07,920 --> 00:41:09,480 So you'd defend her honor? 930 00:41:09,600 --> 00:41:10,840 (Nell) You should take him home, 931 00:41:10,920 --> 00:41:13,280 Mrs. Wells, he's sotted. 932 00:41:13,320 --> 00:41:15,200 (Margaret) You stay away from my house. 933 00:41:15,280 --> 00:41:16,840 (North) Your house? 934 00:41:16,920 --> 00:41:19,240 What, as if I had no part in your success? 935 00:41:19,280 --> 00:41:20,760 If my skin were of your color, 936 00:41:20,800 --> 00:41:22,480 you'd never dare speak so. 937 00:41:22,600 --> 00:41:24,640 (Margaret) Bollocks. 938 00:41:24,720 --> 00:41:26,240 (shouting) Go fetch my linen. 939 00:41:26,280 --> 00:41:28,400 I'm staying here. 940 00:41:28,480 --> 00:41:29,720 (Webster) That's it, you tell her! 941 00:41:29,800 --> 00:41:30,960 (shouting) 942 00:41:31,080 --> 00:41:33,200 That's how you treat a wife, grandpa. 943 00:41:33,280 --> 00:41:35,120 (commotion) 944 00:41:35,200 --> 00:41:37,440 (panting) 945 00:41:39,600 --> 00:41:41,840 (commotion) 946 00:41:44,640 --> 00:41:46,880 (vomiting) 947 00:41:48,840 --> 00:41:51,000 (Rasselas) You're speaking against Mrs. Quigley? 948 00:41:53,080 --> 00:41:55,800 I can help you. 949 00:41:55,880 --> 00:41:57,680 I saw. 950 00:41:57,760 --> 00:41:59,360 That night. 951 00:41:59,440 --> 00:42:01,240 He was white‐wigged, he was wealthy dressed. 952 00:42:01,280 --> 00:42:02,400 (Margaret) Who? 953 00:42:02,480 --> 00:42:04,080 (Rasselas) The man that stabbed 954 00:42:04,160 --> 00:42:05,640 Justice Cunliffe. 955 00:42:05,720 --> 00:42:07,320 (Margaret) You saw? 956 00:42:07,400 --> 00:42:09,200 (Rasselas) I can't tell you who he was. 957 00:42:09,280 --> 00:42:11,360 But if I saw his face again, 958 00:42:11,440 --> 00:42:13,800 I'd know. 959 00:42:13,880 --> 00:42:17,200 (Margaret) And would you tell this to the law? 960 00:42:17,280 --> 00:42:18,360 (Rasselas) He's one of the Lords 961 00:42:18,440 --> 00:42:20,800 who murders for the thrill, 962 00:42:20,880 --> 00:42:23,160 and Quigley's their procuress, I'm sure. 963 00:42:23,240 --> 00:42:25,000 (vomiting) 964 00:42:25,120 --> 00:42:26,680 (Margaret) I'll take this bit of flotsam 965 00:42:26,760 --> 00:42:28,680 to Greek Street. 966 00:42:28,760 --> 00:42:30,360 Too much gin, Cherry? 967 00:42:30,440 --> 00:42:31,840 (Cherry) It doesn't take a lot. 968 00:42:31,920 --> 00:42:33,080 (Margaret) Come on. 969 00:42:33,160 --> 00:42:35,400 (upbeat music) 970 00:42:35,480 --> 00:42:37,800 (commotion) 971 00:42:37,880 --> 00:42:49,920 ♪ 972 00:42:50,000 --> 00:42:51,640 (North) Am I your grandpa now, am I? 973 00:42:51,720 --> 00:42:52,760 Am I? 974 00:42:52,800 --> 00:42:53,920 Huh? 975 00:42:54,000 --> 00:42:56,320 (commotion) 976 00:42:56,400 --> 00:43:00,080 ♪ 977 00:43:00,160 --> 00:43:01,120 Charlotte. 978 00:43:01,200 --> 00:43:03,120 ♪ 979 00:43:03,200 --> 00:43:04,200 (Charlotte) Pa! 980 00:43:04,280 --> 00:43:06,600 (shouting) 981 00:43:06,680 --> 00:43:14,320 ♪ 982 00:43:14,400 --> 00:43:16,360 (North) Did your ma send you? 983 00:43:16,440 --> 00:43:18,400 (Charlotte) Lucy did. 984 00:43:18,480 --> 00:43:19,800 You were looking great, Pa. 985 00:43:19,880 --> 00:43:21,760 (laughing) 986 00:43:21,800 --> 00:43:24,200 (North) I'll bleed all over your beautiful dress. 987 00:43:24,280 --> 00:43:25,480 (Charlotte) I don't care. 988 00:43:28,280 --> 00:43:30,640 (giggling) 989 00:43:30,720 --> 00:43:33,000 (harpsichord music) 990 00:43:33,120 --> 00:43:36,800 ♪ 991 00:43:36,840 --> 00:43:37,800 (harlot) Ooh, me, me! 992 00:43:37,880 --> 00:43:40,240 (giggling) 993 00:43:40,280 --> 00:43:46,160 ♪ 994 00:43:47,800 --> 00:43:50,120 (knocking) 995 00:43:54,680 --> 00:43:56,240 (Fallon) Is Mrs. Wells at home? 996 00:43:56,280 --> 00:43:58,760 (Kitty) Lord Fallon. 997 00:43:58,800 --> 00:44:00,400 (Fallon) I'm here to see her daughter. 998 00:44:00,480 --> 00:44:02,000 (Kitty) They're both out. 999 00:44:02,120 --> 00:44:03,280 (Fallon) Oh... 1000 00:44:03,320 --> 00:44:04,560 Pity. 1001 00:44:04,640 --> 00:44:05,920 I'd hoped to take Miss Wells 1002 00:44:06,000 --> 00:44:09,240 dancing at Ranelagh. 1003 00:44:09,280 --> 00:44:11,800 But... 1004 00:44:11,840 --> 00:44:14,560 you're just as lovely. 1005 00:44:14,640 --> 00:44:18,200 Perhaps I could entice you in her stead. 1006 00:44:18,280 --> 00:44:19,320 Me? 1007 00:44:21,560 --> 00:44:23,360 (Fallon) My carriage 1008 00:44:23,440 --> 00:44:25,880 and my coinage await. 1009 00:44:25,960 --> 00:44:28,280 (mellow music) 1010 00:44:28,360 --> 00:44:45,960 ♪ 1011 00:44:46,080 --> 00:44:48,280 (panting) 1012 00:44:48,360 --> 00:44:50,280 (Emily) I'll do it. 1013 00:44:50,360 --> 00:44:51,600 I will speak. 1014 00:44:51,680 --> 00:44:54,240 ♪ 1015 00:44:54,280 --> 00:44:56,000 (Nancy) Come through. 1016 00:44:56,120 --> 00:44:57,840 Oh, ignore him. 1017 00:44:57,920 --> 00:45:00,240 (shouting) He's a filthy little turd. 1018 00:45:00,280 --> 00:45:01,360 (man) Ow... 1019 00:45:13,880 --> 00:45:15,800 (Emily) Quigley said to me, 1020 00:45:15,840 --> 00:45:19,000 "The hounds are coming, vixen." 1021 00:45:19,120 --> 00:45:20,920 There's a pack of them, 1022 00:45:21,000 --> 00:45:24,560 and Cunliffe was their man. 1023 00:45:24,640 --> 00:45:26,560 I'll speak, but no one can know 1024 00:45:26,640 --> 00:45:27,560 it came from me. 1025 00:45:27,640 --> 00:45:28,960 (Nancy) That's fair. 1026 00:45:29,080 --> 00:45:31,440 They'd kill you like a fly. 1027 00:45:31,560 --> 00:45:34,840 We'll see the Justice private. 1028 00:45:34,920 --> 00:45:36,280 (Emily) I don't want Charles to know 1029 00:45:36,360 --> 00:45:39,320 I snapped his mumma's neck. 1030 00:45:39,400 --> 00:45:43,200 But when she shuffles off, 1031 00:45:43,280 --> 00:45:46,200 we will have Golden Square. 1032 00:45:46,280 --> 00:45:48,800 (Nancy) So that is what inspires you? 1033 00:45:48,840 --> 00:45:50,280 (Emily) Not wrong to have ambition. 1034 00:45:53,840 --> 00:45:55,440 (Nancy) Come to the Magistrate's early. 1035 00:46:00,840 --> 00:46:02,120 (Blayne) Mm. 1036 00:46:02,200 --> 00:46:04,680 What did the harlot want? 1037 00:46:04,760 --> 00:46:06,840 Cumberland sent her. 1038 00:46:06,920 --> 00:46:09,200 Isn't he odious? 1039 00:46:09,280 --> 00:46:10,680 Pair of unfavorable dice 1040 00:46:10,760 --> 00:46:15,240 and 500 pounds is blown off on a breeze. 1041 00:46:15,280 --> 00:46:18,600 (Blayne) You are a paragon of perjury. 1042 00:46:18,680 --> 00:46:20,000 (Lady Fitz) It's the truth! 1043 00:46:22,760 --> 00:46:25,720 (Blayne) What's the money for, my sweetling? 1044 00:46:25,800 --> 00:46:28,800 (Lady Fitz) You know I am a rogue with dice. 1045 00:46:28,840 --> 00:46:30,240 (Blayne) You've done something naughty, 1046 00:46:30,280 --> 00:46:32,240 didn't you? 1047 00:46:32,280 --> 00:46:33,360 Hm? 1048 00:46:36,160 --> 00:46:39,120 (Lady Fitz) I lost that money on purpose, 1049 00:46:39,200 --> 00:46:40,440 and I'll continue to lose 1050 00:46:40,560 --> 00:46:43,360 until you allow me to control my own affairs. 1051 00:46:43,440 --> 00:46:45,800 (Blayne) Is this a rebellion? 1052 00:46:45,880 --> 00:46:48,800 (Lady Fitz) Papa left half his fortune to me. 1053 00:46:48,880 --> 00:46:50,200 (Blayne) Yes, but you can't manage it, 1054 00:46:50,280 --> 00:46:51,600 as this childish antic proves. 1055 00:46:51,680 --> 00:46:54,360 It is my money. 1056 00:46:54,440 --> 00:46:56,800 You know that I will always do what is best for you. 1057 00:46:56,880 --> 00:46:59,240 (soft music) 1058 00:46:59,280 --> 00:47:06,280 ♪ 1059 00:47:06,320 --> 00:47:07,760 (Lady Fitz) I don't want to be at odds 1060 00:47:07,800 --> 00:47:09,280 with you, Harcourt. 1061 00:47:11,720 --> 00:47:14,960 But you know I'm not a little girl. 1062 00:47:15,080 --> 00:47:16,920 I am a clever beast like you. 1063 00:47:19,320 --> 00:47:20,840 Now give me what I want. 1064 00:47:28,840 --> 00:47:29,920 (Margaret) Sir? 1065 00:47:32,640 --> 00:47:33,560 (Lucy) Look. 1066 00:47:33,640 --> 00:47:35,080 (Margaret) Where's my cut? 1067 00:47:35,160 --> 00:47:37,000 Little minx. 1068 00:47:37,120 --> 00:47:38,800 Nance? 1069 00:47:38,880 --> 00:47:40,120 Nance? 1070 00:47:40,200 --> 00:47:41,400 I've got us a witness. 1071 00:47:41,480 --> 00:47:42,640 He can bind Quigley 1072 00:47:42,720 --> 00:47:45,920 to the kidnap of those girls. 1073 00:47:46,000 --> 00:47:47,200 Not on the chaise, 1074 00:47:47,280 --> 00:47:50,160 she's too dirty. 1075 00:47:50,240 --> 00:47:51,800 (suspenseful music) 1076 00:47:51,880 --> 00:47:55,120 Emily Lacey will speak. 1077 00:47:55,200 --> 00:47:57,440 (Margaret) So will this brave young man. 1078 00:47:57,560 --> 00:47:59,480 ♪ 1079 00:47:59,600 --> 00:48:00,800 We've got her. 1080 00:48:00,880 --> 00:48:01,680 ♪ 1081 00:48:01,760 --> 00:48:03,320 Fuck me. 1082 00:48:03,400 --> 00:48:05,280 (Nancy) No, fuck me. 1083 00:48:05,360 --> 00:48:06,640 ♪ 1084 00:48:06,720 --> 00:48:08,240 (Margaret) Fuck you, Nancy Birch. 1085 00:48:08,280 --> 00:48:09,200 Where's the gin? 1086 00:48:09,280 --> 00:48:11,320 Lucy, get the gin. 1087 00:48:11,400 --> 00:48:12,800 ♪ 1088 00:48:12,840 --> 00:48:15,240 And you, you little rat face. 1089 00:48:15,280 --> 00:48:16,400 I like you. 1090 00:48:16,480 --> 00:48:17,840 (knocking) 1091 00:48:17,920 --> 00:48:20,120 Fanny, answer it. 1092 00:48:20,200 --> 00:48:21,480 Tell them to wank! 1093 00:48:21,600 --> 00:48:22,360 (laughing) 1094 00:48:22,440 --> 00:48:24,920 (Nancy) One nice push... 1095 00:48:25,000 --> 00:48:26,760 (Margaret) She's in the fiery pit. 1096 00:48:26,800 --> 00:48:28,160 ♪ 1097 00:48:28,240 --> 00:48:30,560 (indistinct conversation) 1098 00:48:30,640 --> 00:48:39,120 ♪ 1099 00:48:45,720 --> 00:48:47,560 (dramatic music) 1100 00:48:47,640 --> 00:48:49,120 Oh... 1101 00:48:49,200 --> 00:48:51,480 (crying) 1102 00:48:51,600 --> 00:48:53,280 ♪ 1103 00:48:53,360 --> 00:48:55,440 (screaming) Mrs. Wells! 1104 00:48:55,560 --> 00:48:57,600 (crying) 1105 00:48:57,680 --> 00:48:58,680 (Lucy) Kitty... 1106 00:48:58,760 --> 00:49:00,080 (crying) 1107 00:49:00,160 --> 00:49:02,080 (shouting) Ma, Ma! 1108 00:49:02,160 --> 00:49:03,800 ♪ 1109 00:49:03,840 --> 00:49:06,200 (sobbing) 1110 00:49:06,280 --> 00:49:08,280 ♪ 1111 00:49:08,320 --> 00:49:09,320 Get her in. 1112 00:49:09,400 --> 00:49:11,760 (grunting and panting) 1113 00:49:11,800 --> 00:49:15,360 ♪ 1114 00:49:15,440 --> 00:49:16,720 Oh God... 1115 00:49:16,800 --> 00:49:19,120 (crying) 1116 00:49:19,200 --> 00:49:26,120 ♪ 1117 00:49:26,200 --> 00:49:28,480 (sobbing) 1118 00:49:28,600 --> 00:49:38,120 ♪ 1119 00:49:38,200 --> 00:49:40,480 (wailing) 1120 00:49:40,600 --> 00:49:48,200 ♪ 1121 00:49:48,280 --> 00:49:50,600 (theme music) 1122 00:49:50,680 --> 00:50:16,920 ♪