1 00:00:10,0 --> 00:00:13,0 {\a1\pos(320,700)} Subtitles timed to the Artus Film version of the movie (PAL). ASIN B0B7QLS1H1 - Timing will not match with an NTSC copy of the movie. 1 00:01:55,487 --> 00:01:57,079 {\a1\pos(320,1020)}Chew while you view! 1 00:01:57,247 --> 00:01:58,1341 {\a4\pos(320,1020)}…Have Salt Water Taffys, 10 Cents a box!... 2 00:02:00,007 --> 00:02:01,440 {\a1\pos(320,1020)}… one tenth of a dollar. 3 00:02:01,607 --> 00:02:03,199 {\a1\pos(320,1020)}Don't get hungry, folks! 4 00:02:03,367 --> 00:02:05,881 {\a1\pos(320,1020)}Peanuts, popcorn, and candy here! 5 00:02:06,047 --> 00:02:07,719 {\a1\pos(320,1020)}Chew while you view!... 6 00:02:07,887 --> 00:02:09,240 {\a1\pos(320,1020)}Some house, eh, Boss? 7 00:02:09,807 --> 00:02:12,526 {\a1\pos(320,1020)}Before they see S.P. Claus's new Dixie Nitro Glycerin… 8 00:02:12,687 --> 00:02:13,915 {\a1\pos(320,1020)}... they only break down the door.. 9 00:02:14,087 --> 00:02:15,520 {\a1\pos(320,1020)}After they've seen her… 10 00:02:15,927 --> 00:02:19,124 {\a1\pos(320,1020)}Crowds, just like they used to have when this was an opera house, huh, Boss? 11 00:02:19,287 --> 00:02:21,155 {\a1\pos(320,1020)}Grand opera brought crowds like this into this lobby? 12 00:02:21,227 --> 00:02:24,921 {\a1\pos(320,1020)}Girls! That's what the public wants! 18 00:03:09,087 --> 00:03:12,159 ♪ So this is you!♪ 19 00:03:12,727 --> 00:03:16,481 {\a1\pos(320,1020)}♪ Would you mind just Standing there a while?♪ 20 00:03:16,807 --> 00:03:19,605 {\a1\pos(320,1020)}♪ So this is you!♪ 21 00:03:20,367 --> 00:03:24,565 {\a1\pos(320,1020)}♪ Please forgive me If I stare a while!♪ 22 00:03:25,407 --> 00:03:27,363 {\a1\pos(320,1020)}♪ It's hard to believe That I could conceive…♪ 23 00:03:27,527 --> 00:03:32,043 ♪ … A dream like you!♪ 24 00:03:33,087 --> 00:03:35,442 {\a1\pos(320,1020)}♪ But you're in my arms…♪ - He's out there again! 25 00:03:35,607 --> 00:03:38,566 ♪ … So I know it must be true!♪ 26 00:03:38,847 --> 00:03:41,805 ♪ So this is you…♪ 27 00:03:42,687 --> 00:03:45,759 ♪ … And you're everything I hope you'll be.♪ 28 00:03:46,927 --> 00:03:49,839 ♪ I never knew…♪ 29 00:03:50,527 --> 00:03:54,805 {\a1\pos(320,1020)}♪ … That a smile Could be my joy's folly!♪ 30 00:03:55,607 --> 00:03:59,566 {\a1\pos(320,1020)}♪ The birds on a wing, The first signs of spring,…♪ 31 00:03:59,727 --> 00:04:02,116 ♪ …The moon above!♪ 32 00:04:02,287 --> 00:04:06,519 ♪ …All this, at last, my love… ♪ 33 00:04:06,687 --> 00:04:08,542 ♪ …Is you!♪ 34 00:04:10,287 --> 00:04:13,518 {\a1\pos(320,1020)}Keep in line there and smile! Will ya smile? 35 00:04:13,687 --> 00:04:14,915 Hiya Saint- Peter, how goes it? 36 00:04:15,087 --> 00:04:17,726 {\a1\pos(320,1020)}- Lots of mail for you, Mr. Branningan. - I can't read the first of the month! 37 00:04:17,887 --> 00:04:19,400 Hey Jake, is that new doll from Columbus is on yet? 38 00:04:19,567 --> 00:04:22,639 {\a1\pos(320,1020)}Just a minute, Brannigan. How about the 5- Spot you owe me being on? 39 00:04:22,807 --> 00:04:24,035 {\a1\pos(320,1020)}- The 5- Spot? - Yeah! 40 00:04:24,207 --> 00:04:26,926 {\a1\pos(320,1020)}- Oh, you mean the Fin! The Fin, see, I'm gonna tell you what I'm gonna do… 41 00:04:27,327 --> 00:04:29,966 {\a1\pos(320,1020)}- You didn't forget anything, did ya? - Oh, only forget my lyrics. 42 00:04:30,127 --> 00:04:32,357 {\a1\pos(320,1020)}Oh you'd better not. We're not at Columbus Gator, ya know? 43 00:04:32,527 --> 00:04:33,926 Dixie, your muff…! Your muff! 44 00:04:34,087 --> 00:04:35,042 Gee Gee! 45 00:04:35,807 --> 00:04:36,762 - Oh! - Be a good girl! 46 00:04:36,927 --> 00:04:38,201 I'll be rooting for ya! 47 00:04:40,247 --> 00:04:41,396 Help ya, honey? 48 00:04:42,367 --> 00:04:43,686 I'm warning ya, Comic! 49 00:04:43,847 --> 00:04:45,599 {\a1\pos(320,1020)}So did the copper, who gave me this… 50 00:04:45,887 --> 00:04:47,843 {\a1\pos(320,1020)}No romance in those copper souls, Dixie! 51 00:04:48,007 --> 00:04:49,599 {\a1\pos(320,1020)}Just because a guy goes through two red lights again… 52 00:04:49,767 --> 00:04:52,122 {\a1\pos(320,1020)}Quiet, Irish, go upstairs and put your false face on. 53 00:04:52,287 --> 00:04:54,926 Dixie, when I just wanted to wish ya luck! 54 00:04:55,087 --> 00:04:57,601 {\a1\pos(320,1020)}That's OK, Comic, but keep it at a distance! 55 00:05:01,607 --> 00:05:04,805 {\a1\pos(320,1020)}♪ It's all very clear that you were sent here♪ 56 00:05:04,967 --> 00:05:07,435 ♪ …from up above!♪ 57 00:05:07,607 --> 00:05:11,998 ♪…And this at last, my love!...♪ 58 00:05:12,167 --> 00:05:16,285 ♪ …<>is you !♪ 59 00:05:23,687 --> 00:05:26,360 {\a1\pos(320,1020)}Beautiful, Junior. But it's not for me! 60 00:05:26,287 --> 00:05:28,676 ♪ Come on and give me heat!♪ 61 00:05:28,847 --> 00:05:31,315 ♪ 'Cause I don't like my music sweet!♪ 62 00:05:31,487 --> 00:05:34,001 ♪ I wanna feel my impulse beat!♪ 63 00:05:34,167 --> 00:05:37,159 {\a1\pos(320,1020)}♪ Take it off the e-string! Play it on the g-string!♪ 64 00:05:37,327 --> 00:05:39,636 ♪ If this gives you a thrill..♪ 65 00:05:39,807 --> 00:05:42,480 ♪ … It's happ'ning much against my will,… ♪ 66 00:05:42,687 --> 00:05:45,042 ♪ …And only 'cause I've caught a chill…♪ 67 00:05:45,207 --> 00:05:47,279 {\a1\pos(320,1020)}♪ Take it off the e-string! Play it on the g-string!♪ 68 00:05:47,447 --> 00:05:51,838 {\a1\pos(320,1020)}♪ What goes alark Cause when I do my act♪ 69 00:05:53,087 --> 00:05:56,636 {\a1\pos(320,1020)}♪ Boys, it's a fact, Whenever I'm applauded… ♪ 70 00:05:56,807 --> 00:05:58,160 ♪ …You're rewarded!♪ 71 00:05:58,327 --> 00:06:00,321 ♪ Each time the drummer jumps♪ 72 00:06:00,787 --> 00:06:03,562 ♪ I get goose flesh big as lumps♪ 73 00:06:03,727 --> 00:06:06,685 ♪ I start breaking out in bumps♪ 74 00:06:12,087 --> 00:06:16,922 {\a1\pos(320,1020)}♪ Brother, I'm making my eggs and bacon! Earning my pay!♪ 75 00:06:17,287 --> 00:06:19,476 ♪ …Just by shaking this way...♪ 76 00:06:19,647 --> 00:06:21,763 ♪ …Four shows a day!♪ 77 00:06:23,047 --> 00:06:27,757 {\a1\pos(320,1020)}♪ Time was when crime was if you stole some dough!♪ 78 00:06:28,767 --> 00:06:30,359 ♪ …Now - that ain't so!...♪ 79 00:06:30,527 --> 00:06:33,280 ♪ …But if you lack attire It's the Black Mariah!♪ 80 00:06:34,007 --> 00:06:35,966 Hm, hm, Lady Godiva. 81 00:06:37,887 --> 00:06:40,606 {\a1\pos(320,1020)}♪ I know what you're waiting for♪ - I've been waiting a week 82 00:06:40,767 --> 00:06:42,598 {\a1\pos(320,1020)}♪ And I've a mind to do some more.♪ 83 00:06:42,767 --> 00:06:45,964 - I'll stick around! ♪ But I don't wanna break the law!♪ 84 00:06:46,127 --> 00:06:48,005 ♪ 'Cause, listen, Brother, I've got a mother,♪ 85 00:06:48,167 --> 00:06:50,044 {\a1\pos(320,1020)}♪…… Old and gray.♪ - Bet she's a lulu! 86 00:06:50,207 --> 00:06:52,198 ♪I support her this way♪ 87 00:06:52,367 --> 00:06:54,517 ♪ … Four shows a day!♪ 88 00:07:08,767 --> 00:07:10,598 How about a little supper after the show tonight? 89 00:07:10,767 --> 00:07:13,645 {\a1\pos(320,1020)}The only date I make with comics is with the Sunday funnies. 90 00:07:13,807 --> 00:07:14,876 That'd be all right with me. 91 00:07:15,047 --> 00:07:16,241 Sunday morning breakfast! 92 00:07:16,407 --> 00:07:17,804 Yeah, I'm sure it would be. 93 00:07:18,127 --> 00:07:20,197 {\a1\pos(320,1020)}Hey, you forgot to take the hand out of that one. 94 00:07:41,367 --> 00:07:42,766 You're making me wild! 95 00:07:58,007 --> 00:07:59,645 They'll never let her off that stage! 96 00:07:59,807 --> 00:08:00,796 Gee, you work fast! 97 00:08:00,967 --> 00:08:02,241 Nothing to it, Mandy. 98 00:08:02,407 --> 00:08:03,806 Butterflies are usually hard to catch. 99 00:08:03,967 --> 00:08:06,561 {\a1\pos(320,1020)}- Not when you had practice. - Boy, you sure have practice 100 00:08:06,967 --> 00:08:08,366 Pretty sure there won't be no more room… 101 00:08:08,527 --> 00:08:10,040 Having her they can all move over. 102 00:08:10,207 --> 00:08:12,198 {\a1\pos(320,1020)}Many, here's some glitter to start your collection. 103 00:08:12,367 --> 00:08:13,322 Gee, thanks, Biff. 104 00:08:13,487 --> 00:08:15,284 {\a1\pos(320,1020)}You better tell him what that glitter is. 105 00:08:15,687 --> 00:08:17,109 As though I don't know… 106 00:08:17,127 --> 00:08:18,321 Of course I know… 107 00:08:18,487 --> 00:08:20,603 {\a1\pos(320,1020)}- They were it around their waste, and… - Ah huh… 108 00:08:20,767 --> 00:08:22,997 …and they have to… 109 00:08:25,527 --> 00:08:27,324 Oh, you make me so mad! 110 00:08:41,927 --> 00:08:44,122 {\a1\pos(320,1020)}- Easy for you, Dixie! - Thanks, Darling! 111 00:08:44,287 --> 00:08:45,436 {\a1\pos(320,1020)}- Makes we wanna leave the wife. - For a couple less, huh? 112 00:08:45,607 --> 00:08:48,075 That worm's lucky he did run away! 113 00:08:48,247 --> 00:08:51,159 {\a1\pos(320,1020)}Wait till I slap his face … "in a pickle"… false waiter… 114 00:08:51,327 --> 00:08:53,158 {\a1\pos(320,1020)}They'll find a jaw on Staten Island. 115 00:08:53,327 --> 00:08:54,840 {\a1\pos(320,1020)}- Dixie. - Yeah… 116 00:08:56,767 --> 00:08:58,120 What… what did I tell you? 117 00:08:58,287 --> 00:08:59,800 With diamonds in your hair… 118 00:08:59,967 --> 00:09:02,527 {\a1\pos(320,1020)}…and S.B. Foss personally grooming you for stardom 119 00:09:02,687 --> 00:09:04,086 {\a1\pos(320,1020)}No, thanks to your first comic, ... 120 00:09:04,247 --> 00:09:07,000 {\a1\pos(320,1020)}Oh, Foss, they are all alike! Don't you ever make a new one? 121 00:09:07,167 --> 00:09:09,158 Not with comics. Only with girls! 122 00:09:09,327 --> 00:09:11,761 {\a1\pos(320,1020)}And only S.B. Foss can do anything new with them. 123 00:09:11,927 --> 00:09:15,397 {\a1\pos(320,1020)}Then I guess it's up to me. And I'm just the gal to enyoy the job! 124 00:09:20,167 --> 00:09:21,566 {\a1\pos(320,1020)}You really gave them the money for it. 125 00:09:21,727 --> 00:09:22,477 Nice going, dear! 126 00:09:22,647 --> 00:09:25,036 Next show they yell: "Why go home dreaming?" 127 00:09:25,207 --> 00:09:26,925 {\a1\pos(320,1020)}If I could please the customers like that… 128 00:09:27,087 --> 00:09:29,601 …I'd be the happiest girl in the world! 129 00:09:29,887 --> 00:09:31,923 {\a1\pos(320,1020)}That's what keeps me young and beautiful, Alice! 130 00:09:32,247 --> 00:09:35,045 {\a1\pos(320,1020)}Don't we get congrats from the Golden Voice Goddess? 131 00:09:35,607 --> 00:09:37,438 {\a1\pos(320,1020)}- Oh, it had its novelty appeal… - Miau! - Miau! 132 00:09:38,927 --> 00:09:40,246 There's plenty of novelties around here! 133 00:09:40,407 --> 00:09:42,045 - Bravo ! Bravo ! 134 00:09:42,207 --> 00:09:44,482 But that doesn't sound like one of them. 135 00:09:44,767 --> 00:09:47,077 {\a1\pos(320,1020)}If that's who I think it is, save your applause for the acts that need it. Yours! 136 00:09:47,247 --> 00:09:49,363 {\a1\pos(320,1020)}Now is that the way to talk when I handing ya posies? 137 00:09:49,527 --> 00:09:51,757 Your applause is no music to my ears, Brannigan! 138 00:09:51,927 --> 00:09:53,121 Where is that prop you swiped? 139 00:09:53,287 --> 00:09:55,881 {\a1\pos(320,1020)}I meant to tell you, Dixie, when you dress for our date tonight… 140 00:09:56,047 --> 00:09:59,119 {\a1\pos(320,1020)}…blue is my favorite colour and no big hats. It may get in my way. 141 00:09:59,287 --> 00:10:00,606 When I dress for a date with you… 142 00:10:00,767 --> 00:10:03,201 {\a1\pos(320,1020)}…it'll be a suit of armour … and brass knuckles! 143 00:10:04,807 --> 00:10:06,559 {\a1\pos(320,1020)}- Gee…! - That's just a come- on.. 144 00:10:06,727 --> 00:10:07,700 She wants to make it look difficult. 145 00:10:07,727 --> 00:10:08,646 She'll change her tune. 146 00:10:09,927 --> 00:10:11,360 Honey Sugar… 147 00:10:12,407 --> 00:10:13,283 See?! 148 00:10:13,647 --> 00:10:14,602 Yes, Darling! 149 00:10:14,767 --> 00:10:16,405 Russell, Sugar ! 150 00:10:17,847 --> 00:10:19,246 What is it, Angel? 151 00:10:19,407 --> 00:10:20,476 I've just started the play. 152 00:10:20,647 --> 00:10:23,366 {\a1\pos(320,1020)}Yeah, the double play! Wait, till Dolly catches up with you! 153 00:10:23,527 --> 00:10:24,676 How does it sound? 154 00:10:24,847 --> 00:10:27,156 {\a1\pos(320,1020)}- Fine, high class! - That's for us. 155 00:10:27,487 --> 00:10:28,764 Shall we read it together later? 156 00:10:28,800 --> 00:10:30,006 Anytime you say! 157 00:10:30,207 --> 00:10:32,675 {\a1\pos(320,1020)}Why don't you give it up, Goddess? It'll take one little play to get… 158 00:10:32,847 --> 00:10:35,441 {\a1\pos(320,1020)}…you and Russell our of burlesque?… It'll take a dare! 159 00:10:36,247 --> 00:10:38,556 That settles it. We gotta have a new one! 160 00:10:38,727 --> 00:10:39,443 New what? 161 00:10:39,607 --> 00:10:40,960 All the museum pieces… 162 00:10:41,127 --> 00:10:43,436 {\a1\pos(320,1020)}I haven't seen one like this since the World's Fair either. 163 00:10:43,607 --> 00:10:46,280 {\a1\pos(320,1020)}In some ways I think it would have been better to stay on the farm! 164 00:10:46,447 --> 00:10:48,403 {\a1\pos(320,1020)}Mr. Foss always said nothing is too good… 165 00:10:48,567 --> 00:10:50,159 …for S.B. Foss players, but… 166 00:10:50,327 --> 00:10:53,319 {\a1\pos(320,1020)}- … that thing is certainly too something for me. - Me, too! 167 00:10:53,887 --> 00:10:56,037 Hey! Look, to keep you cupid owls from pining so much 168 00:10:56,207 --> 00:10:58,004 {\a1\pos(320,1020)}…there's fellows up here that gonna chip in a buck a piece 169 00:10:58,167 --> 00:11:00,203 {\a1\pos(320,1020)}…on some new plumbing for you. How's that? 170 00:11:00,367 --> 00:11:01,322 Our hero! 171 00:11:01,487 --> 00:11:03,284 {\a1\pos(320,1020)}I'll put the switch on Moey if he's backstage 172 00:11:03,447 --> 00:11:05,642 {\a1\pos(320,1020)}He said he knew where we could get one. 173 00:11:05,727 --> 00:11:06,682 It's nothing, girls! 174 00:11:06,847 --> 00:11:09,077 If was just doing it for lovely young butt 175 00:11:09,247 --> 00:11:10,475 of the Old Opera, Miss Dixie Daisy. 176 00:11:10,807 --> 00:11:12,001 Well, I'm touched. 177 00:11:12,447 --> 00:11:14,802 Mandy, Joey... 178 00:11:15,327 --> 00:11:17,363 …Phil, Biff. 179 00:11:18,367 --> 00:11:21,359 {\a1\pos(320,1020)}Maybe Biff will pay double… with his new interest. 180 00:11:21,527 --> 00:11:23,836 {\a1\pos(320,1020)}If you figure it that way, don't forget your saloon keeper friend Louie 181 00:11:24,007 --> 00:11:25,201 …even if he doesn't work here. 182 00:11:25,367 --> 00:11:27,801 {\a1\pos(320,1020)}Sure! Anybody that saved as much out of the racket as Lou 183 00:11:27,967 --> 00:11:29,605 …can support part of this and buy a drub kit. 184 00:11:29,767 --> 00:11:30,961 Oh, does he? 185 00:11:31,367 --> 00:11:33,676 {\a1\pos(320,1020)}While you're at it, put Russell down for plenty. 186 00:11:34,047 --> 00:11:35,639 He's here so much… 00:11:35,807 --> 00:11:36,922 {\a1\pos(320,1020)}… the guys upstairs will forget what he looks like. 188 00:11:38,367 --> 00:11:40,881 {\a1\pos(320,1020)}Well, someone else had better forget what he looks like, too! 189 00:11:41,047 --> 00:11:43,686 {\a1\pos(320,1020)}Some dames never know when a guy's fed up. 190 00:11:44,327 --> 00:11:46,842 {\a1\pos(320,1020)} Oh, eh, Dolly, we were just kidding about how much jack 191 00:11:47,007 --> 00:11:49,202 {\a1\pos(320,1020)}…we would get out of upstairs upstairs for the new bric-a-brac. 192 00:11:49,927 --> 00:11:52,043 Yeah, I came in on the tail end of it. 193 00:11:53,607 --> 00:11:55,404 ...I'll take care of Russ since I… 194 00:11:55,567 --> 00:11:56,682 … sort of got the habit. 195 00:11:56,847 --> 00:11:58,246 Good thing you have, Girlie! 196 00:11:58,407 --> 00:12:01,240 {\a1\pos(320,1020)}You sure couldn't hold a man unless you did pay up! 197 00:12:02,607 --> 00:12:03,835 Stop it! 198 00:12:06,327 --> 00:12:08,045 Put out the racket up there! 199 00:12:33,207 --> 00:12:36,085 {\a1\pos(320,1020)}Oh, my vocal chords. My voice! ♪♪ 200 00:12:38,687 --> 00:12:41,281 {\a1\pos(320,1020)}Thank heaven, Mother! They're still alright. 201 00:12:41,447 --> 00:12:42,277 Mother…!? 202 00:12:42,447 --> 00:12:44,039 {\a1\pos(320,1020)}What kind of mother would a dame like you have? 203 00:12:44,207 --> 00:12:45,606 A mother with a good golden heart! 204 00:12:49,887 --> 00:12:52,959 {\a1\pos(320,1020)}There's a package for you boys! Don't open it until Christmas! 205 00:12:53,527 --> 00:12:55,006 Bite him again, Dolly! 206 00:12:55,247 --> 00:12:57,807 Take her upstairs.. 207 00:12:57,967 --> 00:12:59,798 Shhhh! Quiet! There's a number on! 208 00:13:00,007 --> 00:13:02,123 Oh, you look, what crawled out from the Antiques! 209 00:13:02,287 --> 00:13:05,165 Eh, what are you burning there? Ground bird seed? 210 00:13:05,487 --> 00:13:06,840 Whoever put those two down in the basement… 211 00:13:07,007 --> 00:13:08,326 … with the rest of the prop! 212 00:13:08,887 --> 00:13:12,323 {\a1\pos(320,1020)}Opera singers didn't mind it, but burlesque artistes… 213 00:13:13,567 --> 00:13:15,239 Times have changed! 214 00:13:15,407 --> 00:13:17,398 {\a1\pos(320,1020)}They ain't got manners. They think they're better... 215 00:13:17,567 --> 00:13:20,843 {\a1\pos(320,1020)}…than an honest man that works for a living… and don't pose around on those stages. 216 00:13:21,007 --> 00:13:22,520 Excuse me! 217 00:13:34,047 --> 00:13:35,765 {\a1\pos(320,1020)}What did you do to the Statue of the Hermit? 218 00:13:35,927 --> 00:13:38,236 {\a1\pos(320,1020)}Boy, were you gettin' dished by the Gruesome Twosome! 219 00:13:39,447 --> 00:13:40,323 It's gin! 220 00:13:40,487 --> 00:13:42,398 {\a1\pos(320,1020)}You know, alcohol, like they use in hospital! 221 00:13:42,567 --> 00:13:44,137 Well, I know a better place to use it! 222 00:13:44,187 --> 00:13:45,176 Gimme! 223 00:13:49,167 --> 00:13:51,078 {\a1\pos(320,1020)}And the next time you girls pull a free for all… 224 00:13:51,247 --> 00:13:52,726 {\a1\pos(320,1020)}… don't pull it during my act! 225 00:13:56,847 --> 00:13:59,520 {\a1\pos(320,1020)}Ya know, it's tough enough doing something artistic for those lugs out there… 226 00:13:59,687 --> 00:14:02,679 {\a1\pos(320,1020)}…without you and Dolly calling each other by your right names! 227 00:14:02,847 --> 00:14:05,361 {\a1\pos(320,1020)}What did you do, honey? Drop your spangles? 228 00:14:07,607 --> 00:14:09,677 And it was embarrassing, believe me, 229 00:14:09,887 --> 00:14:11,605 … but very successful! 230 00:14:12,287 --> 00:14:13,197 What hit me? 231 00:14:16,807 --> 00:14:18,525 {\a1\pos(320,1020)}Hurry it up, Miss Dixie! We're on! 232 00:14:18,687 --> 00:14:21,645 {\a1\pos(320,1020)}Coming! Well, girls, keep the home fires under control… 233 00:14:21,887 --> 00:14:22,861 Shall we join the customers? 234 00:14:22,927 --> 00:14:23,846 That's what we're getting paid for. 235 00:14:24,007 --> 00:14:26,601 {\a1\pos(320,1020)}You're going to feel pretty silly some day when you remember acting like this… 236 00:14:26,767 --> 00:14:27,802 If I remember you that long. 237 00:14:27,967 --> 00:14:30,800 {\a1\pos(320,1020)}Oh, you'll remember! We're going to make sensational partners. 238 00:14:30,967 --> 00:14:33,162 {\a1\pos(320,1020)}- You're sure about that? - Oh, I mean it's some of our dance routines… 239 00:14:33,327 --> 00:14:35,716 {\a1\pos(320,1020)}Naturally! Is there any doubt what a comic means? 240 00:14:35,887 --> 00:14:37,718 You better settle down to it, Dixie! 241 00:14:37,887 --> 00:14:40,321 {\a1\pos(320,1020)}Looks like you and I are in for a good long run here. 242 00:14:40,487 --> 00:14:43,081 {\a1\pos(320,1020)}I've been training for it. I can keep ahead of you. 243 00:14:44,207 --> 00:14:46,004 {\a1\pos(320,1020)}Hurry up, Resistable! You're on! 244 00:14:54,647 --> 00:14:57,161 {\a1\pos(320,1020)}… I told you the last time. There is no use asking… 245 00:14:57,327 --> 00:14:59,761 {\a1\pos(320,1020)}- This time I'll be good! - I said 'no' I mean 'no'! 246 00:14:59,927 --> 00:15:00,643 Where you going? 247 00:15:00,807 --> 00:15:02,160 {\a1\pos(320,1020)}- To meet a blond! - A blond? 248 00:15:02,327 --> 00:15:04,522 {\a1\pos(320,1020)}The blond that works the dice in Kelly's poolroom. Maybe you know her? 249 00:15:04,687 --> 00:15:06,040 {\a1\pos(320,1020)}No, I don't know her. I want a blond. 250 00:15:06,207 --> 00:15:07,356 {\a1\pos(320,1020)}You want a blond? What kind of a blond? 251 00:15:07,527 --> 00:15:09,405 {\a1\pos(320,1020)}Any kind! One like this or one like this or one like this. 252 00:15:09,567 --> 00:15:11,876 {\a1\pos(320,1020)}Just a blond! How come you have all the luck with the girls? 253 00:15:12,047 --> 00:15:14,117 {\a1\pos(320,1020)}Because, my boy, I have something you haven't got! 254 00:15:14,287 --> 00:15:16,642 {\a1\pos(320,1020)}- You got a magic thing there? - This little article… 255 00:15:16,807 --> 00:15:20,356 {\a1\pos(320,1020)}All I have to do is wave that little persuader under the lady's nose. 256 00:15:20,527 --> 00:15:21,482 {\a1\pos(320,1020)}She gives me everything I want. - Anything ?' - Anything I want. 257 00:15:21,647 --> 00:15:22,477 Sell it to me. 258 00:15:22,647 --> 00:15:23,875 My boy, that's a very valuable article. 259 00:15:24,047 --> 00:15:25,765 My price would be 1,000 dollars. 260 00:15:25,927 --> 00:15:27,280 Yeah! So long! 261 00:15:38,447 --> 00:15:39,880 Hey lady, you let you're motor running. 262 00:15:40,087 --> 00:15:41,600 Don't get excited. You didn't start it. 263 00:15:41,767 --> 00:15:42,882 I bet I could stop it. 264 00:15:43,047 --> 00:15:44,162 Maybe I oughta buy that thing. 265 00:15:44,327 --> 00:15:45,396 I thought you said you wanted a blond? 266 00:15:45,567 --> 00:15:46,886 She looks like she's a blond at heart. 267 00:15:47,087 --> 00:15:49,079 {\a1\pos(320,1020)}Hear, hear, you can't talk that way about the sweet, charming, innocent, young lady. 268 00:15:49,247 --> 00:15:50,475 I was just trying to tell her that… 269 00:15:50,647 --> 00:15:53,684 {\a1\pos(320,1020)}Never mind what you were trying. Now are you interested in purchasing that persuader, or not? 270 00:15:53,847 --> 00:15:56,202 {\a1\pos(320,1020)} Well it seems like an awful lot of money for such a small article! 271 00:15:56,367 --> 00:15:59,165 {\a1\pos(320,1020)}My boy, don't you realize the best things always come in small packages? 272 00:15:59,327 --> 00:16:01,716 {\a1\pos(320,1020)}Yes, but before I spend all that money how do I know it's gonna work? 273 00:16:01,887 --> 00:16:04,606 {\a1\pos(320,1020)}Of course it'll work. All you have to do is a persuader under the lady's nose… 274 00:16:04,767 --> 00:16:06,120 …she gives you anything you want. 275 00:16:07,367 --> 00:16:08,720 Oh, hello! Hello! 276 00:16:08,887 --> 00:16:10,286 Oh! There's never anybody around there where you want… 277 00:16:10,447 --> 00:16:11,641 {\a1\pos(320,1020)}- What is it? - It's a raid. 278 00:16:11,807 --> 00:16:13,241 {\a1\pos(320,1020)}- I'm trying to get Foss. - A raid? 279 00:16:13,407 --> 00:16:15,716 {\a1\pos(320,1020)}Them red lights are supposed to flash when the cops are in the lobby. 280 00:16:15,887 --> 00:16:17,639 Why isn't it working? 281 00:16:17,807 --> 00:16:20,685 {\a1\pos(320,1020)}That's well but couldn't you make it a little cheaper? 282 00:16:20,887 --> 00:16:23,481 {\a1\pos(320,1020)}Well, I might sell it in the neighborhood of 500 dollars. 283 00:16:23,647 --> 00:16:25,080 That's an expensive neighborhood. 284 00:16:25,247 --> 00:16:26,600 Well, how much money have you got? 285 00:16:26,767 --> 00:16:27,280 Oh, roughly 400 dollars… 286 00:16:27,447 --> 00:16:28,163 What do you mean - "roughly"? 287 00:16:28,327 --> 00:16:29,806 Well, when you smooth it out it's 3 bucks 288 00:16:29,967 --> 00:16:33,755 {\a1\pos(320,1020)}Well, enough of this nonsense. Now, because I like you and you have an honest face... 289 00:16:33,927 --> 00:16:36,157 {\a1\pos(320,1020)}...I am going to sell you this article for 100 dollars. 290 00:16:36,327 --> 00:16:37,203 100 dollars. 291 00:16:39,767 --> 00:16:42,327 {\a1\pos(320,1020)}Remember, my boy! Just pass it under the nose!. 292 00:16:42,487 --> 00:16:43,886 Just pass it under her nose. 293 00:16:44,687 --> 00:16:46,120 Anything I ask for, anything! 294 00:16:46,287 --> 00:16:48,676 {\a1\pos(320,1020)}Now you have done it, they heard that hands you got down at the the police station. 295 00:16:48,847 --> 00:16:50,280 Something smells fishy around here. 296 00:16:50,447 --> 00:16:52,881 {\a1\pos(320,1020)}- Why wasn't that light on? - Because someone didn't want it on! 297 00:16:53,047 --> 00:16:54,959 {\a1\pos(320,1020)}Look, cut as clean as a whistle right here under my nose! 298 00:16:55,127 --> 00:16:56,037 By somebody who 299 00:16:56,207 --> 00:16:57,162 Now gimme your money… 300 00:16:57,607 --> 00:16:59,120 {\a1\pos(320,1020)}When the lights blank out make a break to the coal shed. 301 00:16:59,287 --> 00:16:59,958 Do you know where it is? 302 00:17:00,167 --> 00:17:02,635 {\a1\pos(320,1020)}I dont hang around the same parts of this theater that you do. 303 00:17:03,047 --> 00:17:04,116 Gimme a kiss! 304 00:17:04,607 --> 00:17:07,201 {\a1\pos(320,1020)}In the cellar next to the vacant room and cut the end of the blackout. 305 00:17:07,367 --> 00:17:10,245 {\a1\pos(320,1020)}Not a chance, Brannigan, I've been saving up for this all evening! 306 00:17:12,887 --> 00:17:13,956 Hey, wait a minute… 307 00:17:37,807 --> 00:17:39,860 {\a1\pos(320,1020)}- Oh, Mandy! - Alice ! 308 00:17:40,327 --> 00:17:42,397 {\a1\pos(320,1020)}Alice, don't get excited, I'll protect you! 309 00:17:42,567 --> 00:17:44,000 Get a go… 310 00:17:57,967 --> 00:17:59,639 What's going on down there? 311 00:18:03,927 --> 00:18:06,521 {\a1\pos(320,1020)}Ok, Ok, come on… on your feet! 312 00:18:07,927 --> 00:18:10,680 Get a flat, baby.. 313 00:18:11,207 --> 00:18:13,117 Go on you flat fleet! 314 00:18:25,287 --> 00:18:26,640 {\a1\pos(320,1020)}Wait a minute! Stop it! Pull up the curtain! 315 00:18:26,807 --> 00:18:29,082 No panic! 316 00:18:29,247 --> 00:18:30,805 I'll fix everything! 317 00:18:30,967 --> 00:18:32,116 Be calm! 318 00:18:34,007 --> 00:18:35,281 Be calm! 319 00:18:38,967 --> 00:18:41,083 Be calm, I beseech you! 320 00:18:41,567 --> 00:18:42,956 Be calm! 321 00:18:44,127 --> 00:18:45,480 Stop it! Stop it! Don't bite! 322 00:18:45,967 --> 00:18:48,720 {\a1\pos(320,1020)}Be calm! S.B. Foss never lets his actors down! 323 00:18:50,287 --> 00:18:52,642 And you are not riding in the wagon! 324 00:18:52,807 --> 00:18:55,605 {\a1\pos(320,1020)}I, S.B. Foss, out of my own pocket have hired some limousines… 325 00:18:55,767 --> 00:18:56,677 …to take you to jail! 326 00:18:56,847 --> 00:18:58,599 Three cheers for Foss, our boss! 327 00:18:58,767 --> 00:19:00,997 Yes, he came just in the niche of time! 328 00:19:02,047 --> 00:19:03,002 Fall in… ! 329 00:19:06,847 --> 00:19:09,839 {\a1\pos(320,1020)}- Well, ya didn't have to… - Didn't have to what…? 330 00:19:11,767 --> 00:19:12,916 Nothing, never mind… 331 00:19:25,687 --> 00:19:26,437 In one hour… 332 00:19:26,607 --> 00:19:30,486 {\a1\pos(320,1020)}S.B. Foss gives you his word that in one hour I will have you out! 333 00:19:37,407 --> 00:19:39,557 I said "one hour", didn't I? 334 00:19:39,967 --> 00:19:41,480 Well, here we are… 335 00:19:41,647 --> 00:19:44,559 {\a1\pos(320,1020)}… all ready for our little snack of steaks and champagne! 336 00:19:46,407 --> 00:19:48,477 Wait wait… 337 00:19:48,647 --> 00:19:50,956 {\a1\pos(320,1020)}What else could the cops do? Not one of you did… 338 00:19:51,127 --> 00:19:52,561 …anything to warrant such a… 339 00:19:52,727 --> 00:19:54,638 …ignoble act like that raid! 340 00:19:55,567 --> 00:19:58,286 {\a1\pos(320,1020)}But, it wasn't the cops that kept the lights from flashing. 341 00:19:58,447 --> 00:20:01,519 {\a1\pos(320,1020)}- It was someone from right our middle! - And it wasn't the cops that tried… 342 00:20:01,687 --> 00:20:03,565 {\a1\pos(320,1020)}…to strangle me. That female flapper was wearing gloves. 343 00:20:03,847 --> 00:20:05,041 Dixie, what are you talking about? 344 00:20:05,207 --> 00:20:06,606 {\a1\pos(320,1020)}When the lights went out I made for the coal shed. 345 00:20:06,767 --> 00:20:08,519 {\a1\pos(320,1020)}I was starting down the stairs when someone grabbed me. 346 00:20:08,687 --> 00:20:10,359 Mandy, you oughta be ashamed of yourself! 347 00:20:10,527 --> 00:20:12,358 It wasn't me, Dixie. Honest it wasn't. 348 00:20:12,527 --> 00:20:14,597 {\a1\pos(320,1020)}Someboday grabbed me and tried to strangle me. 349 00:20:14,767 --> 00:20:17,725 {\a1\pos(320,1020)}Those hands were long and thin and they knew what they were doing! 350 00:20:17,887 --> 00:20:19,445 They were strong enough to make me black out. 351 00:20:19,607 --> 00:20:21,882 Sugar, you're still blacked out. 352 00:20:22,047 --> 00:20:24,402 {\a1\pos(320,1020)}Dixie, somebody was trying to find his way out. 353 00:20:24,567 --> 00:20:27,001 {\a1\pos(320,1020)}Yeah, and that gets a funny thing to mistake for a signpost. 354 00:20:27,167 --> 00:20:29,876 {\a1\pos(320,1020)}Well, I've seen a lot of pink elephants in my day, honey, but never a strangler. 355 00:20:30,167 --> 00:20:32,123 Besides, who would wanna kill you? 356 00:20:32,287 --> 00:20:34,926 Well, I don't say they wanted to kill me. 357 00:20:36,087 --> 00:20:38,442 {\a1\pos(320,1020)}What I'm saying is that somebody in that theater tried… 358 00:20:38,607 --> 00:20:40,404 ... to kill somebody else! 359 00:20:46,807 --> 00:20:49,924 {\a1\pos(320,1020)}Maybe somebody does want to get rid of somebody else around here. 360 00:20:50,087 --> 00:20:51,202 Just what do you mean by that? 361 00:20:51,367 --> 00:20:54,165 {\a1\pos(320,1020)}I mean that three people get crowded at a table for two… 362 00:20:54,327 --> 00:20:56,557 {\a1\pos(320,1020)}… and when some people get crowded, they push! 363 00:20:56,727 --> 00:20:58,558 Please, please! 364 00:20:59,047 --> 00:21:02,084 {\a1\pos(320,1020)}Whatever we got in the Old Opera House, we ain't got murderers. 365 00:21:03,127 --> 00:21:05,595 {\a1\pos(320,1020)}And this is my answer to such foolishness! 366 00:21:05,967 --> 00:21:07,241 Ah, wallpaper! 367 00:21:07,407 --> 00:21:09,967 {\a1\pos(320,1020)}You should have such wallpaper to pretty up your house! 368 00:21:10,767 --> 00:21:14,760 {\a1\pos(320,1020)}To each and everyone of my actors I give free… and without cost… 369 00:21:15,367 --> 00:21:19,246 {\a1\pos(320,1020)}…one paid and full share in my personal stock in the Old Opera House! 370 00:21:21,527 --> 00:21:23,358 Come on up everybody! 371 00:21:23,527 --> 00:21:25,199 Come on… 372 00:21:25,967 --> 00:21:27,400 We can't wait any longer… 373 00:21:27,567 --> 00:21:29,046 Yes, that's right… 374 00:21:29,207 --> 00:21:32,517 {\a1\pos(320,1020)}Now we are one for all and all for the Old Opera House 374 00:21:33,207 --> 00:21:37,517 {\a1\pos(320,1020)}♪ And champagne and cocktails are right in our line…♪ 374 00:21:38,207 --> 00:21:41,517 {\a1\pos(320,1020)}♪ Sweet Caroline…♪ - Remember, easy does it 374 00:21:41,707 --> 00:21:44,517 {\a1\pos(320,1020)}- Shouldn't! Wasn't! ♪ Three cheers for mighty Foss…♪ 375 00:21:49,127 --> 00:21:51,800 So, Sir Galahad finally got here. 376 00:21:51,727 --> 00:21:53,385 You got a bad temper, Songbird! 377 00:21:53,447 --> 00:21:54,562 Why didn't you come down and get me? 378 00:21:54,727 --> 00:21:56,001 I called you, didn't I? 379 00:21:56,167 --> 00:21:58,920 {\a1\pos(320,1020)}I don't go near jails. I don't go near cops. You know that. 380 00:21:59,087 --> 00:22:01,760 {\a1\pos(320,1020)}But, a cell crawlin' with floozies is all right for me? 381 00:22:01,927 --> 00:22:04,441 {\a1\pos(320,1020)}I can be booked like a common tramp, can't I? 382 00:22:04,607 --> 00:22:07,246 {\a1\pos(320,1020)}You might have like it if your boyfriend had serenaded you. 383 00:22:07,447 --> 00:22:09,881 {\a1\pos(320,1020)}You might have worked up a quartet with your cell buddies. 384 00:22:10,207 --> 00:22:13,836 {\a1\pos(320,1020)}Big Louie the Grin. Turns grey when he sees a cop like a gum sole. 385 00:22:14,007 --> 00:22:16,202 {\a1\pos(320,1020)}- You shouldn't have plugged that cop… - Get your coat! 386 00:22:26,447 --> 00:22:29,280 {\a1\pos(320,1020)}You, eh, won't get too lonesome for us, will you? 387 00:22:37,967 --> 00:22:39,400 Lll.. Let's break it up… 388 00:22:43,927 --> 00:22:46,646 You needed that, didn't you? 388 00:22:46,927 --> 00:22:48,646 {\a1\pos(320,1020)}Don't worry! The cops haven't got anything on you - yet! 389 00:22:49,007 --> 00:22:51,123 {\a1\pos(320,1020)}When they do, they will catch up on a lot of things. 390 00:22:51,287 --> 00:22:53,437 {\a1\pos(320,1020)}- Won't they, Louie? - I don't know, will they? 391 00:22:59,287 --> 00:23:00,766 This is more like it. 392 00:23:01,727 --> 00:23:03,160 {\a1\pos(320,1020)}- Do you mind, Curly? - Not at all! 393 00:23:03,327 --> 00:23:04,203 Thank you! 394 00:23:04,367 --> 00:23:06,606 {\a1\pos(320,1020)}See that? He gets it quicker than you do. We belong together! 395 00:23:06,767 --> 00:23:07,756 Champagne cocktail, please. 396 00:23:07,927 --> 00:23:10,304 In a flacon, garcon, dooh... 397 00:23:10,467 --> 00:23:11,525 {\a1\pos(320,1020)}- Linguist? - No, French. 398 00:23:12,287 --> 00:23:14,561 I see you've been here before… 399 00:23:14,727 --> 00:23:16,001 Oh, beer's a lot better for you. 400 00:23:16,167 --> 00:23:17,203 {\a1\pos(320,1020)}Always got your best interest at heart. That's me. 401 00:23:17,367 --> 00:23:19,597 {\a1\pos(320,1020)}And I left the upstairs to come down here with you. 402 00:23:19,767 --> 00:23:20,438 Steaks, champagne... 403 00:23:20,647 --> 00:23:23,002 {\a1\pos(320,1020)}But things upstairs were getting sudden and violent. 404 00:23:23,167 --> 00:23:26,318 Yeah, had been that way all evening. 405 00:23:27,687 --> 00:23:29,962 {\a1\pos(320,1020)}- Biff, I wonder… - Forget that stuff, will ya? 406 00:23:30,767 --> 00:23:32,280 Oh, I get it! 407 00:23:32,447 --> 00:23:35,007 {\a1\pos(320,1020)}You're just pulling this act to make me feel protective. 408 00:23:35,287 --> 00:23:37,243 {\a1\pos(320,1020)}Ain't you ever figure on anybody telling the truth? 409 00:23:37,407 --> 00:23:40,285 {\a1\pos(320,1020)}Not burlesque dames. They're used to wriggling out of things. 410 00:23:41,647 --> 00:23:42,682 Ha ha ha! Did you get that one? 411 00:23:45,847 --> 00:23:46,802 Dixie, tell me something. 412 00:23:46,967 --> 00:23:48,878 Huh, huh. You tell me! 413 00:23:49,207 --> 00:23:50,560 Would would wanna close the Old Opera? 414 00:23:50,727 --> 00:23:52,638 {\a1\pos(320,1020)}And more important - Who'd be after me? 415 00:23:53,207 --> 00:23:55,323 {\a1\pos(320,1020)}Well, Dixie, I'll guess I have to confess… 416 00:23:55,487 --> 00:23:57,081 {\a1\pos(320,1020)}…it was just me taking a natural advantage of the dark. 417 00:23:57,247 --> 00:24:00,284 Oh, no - that's not where you grabbed me. 418 00:24:01,887 --> 00:24:03,798 Go ahead, make a mystery out of it. 419 00:24:04,567 --> 00:24:07,400 {\a1\pos(320,1020)}But, didn't you say before they were probably after somebody else? 420 00:24:07,567 --> 00:24:08,795 Yeah, I know… but… 421 00:24:10,527 --> 00:24:12,485 {\a1\pos(320,1020)}…Huh, Let's get out of here and get some fresh air. 422 00:24:12,647 --> 00:24:14,161 I wanna think this thing out. 423 00:24:14,327 --> 00:24:15,885 If you promise to think something else over first. 423 00:24:15,927 --> 00:24:16,885 Oh, on that track again, huh? 424 00:24:17,047 --> 00:24:19,880 {\a1\pos(320,1020)}Dixie. I don't get it. I've always gotten along before. 425 00:24:20,047 --> 00:24:22,163 Is it the set of my shoulders you don't like? 426 00:24:22,327 --> 00:24:23,442 The look of my eyes? 427 00:24:23,607 --> 00:24:26,599 No. Your shoulders aren't bad. 428 00:24:27,287 --> 00:24:30,085 And your eyes are a pretty colour. But… 429 00:24:30,287 --> 00:24:32,676 {\a1\pos(320,1020)}I guess what I need with you is a good four leaf clover. 430 00:24:33,207 --> 00:24:35,357 {\a1\pos(320,1020)}No, you need more than that, Brannigan. 431 00:24:35,967 --> 00:24:37,161 You're a comic. 432 00:24:37,567 --> 00:24:39,364 What's the matter with comics? 433 00:24:39,727 --> 00:24:41,922 {\a1\pos(320,1020)}I went into show business when I was seven years old. 434 00:24:42,087 --> 00:24:43,839 {\a1\pos(320,1020)}Two days later the first comic I ever met ... 435 00:24:44,007 --> 00:24:45,282 {\a1\pos(320,1020)}...stole my piggy bank in a railroad station in Portland. 436 00:24:45,447 --> 00:24:48,041 {\a1\pos(320,1020)}When I was eleven the comics were looking at my ankles. 437 00:24:48,207 --> 00:24:50,358 When I was fourteen they were... just looking. 438 00:24:50,527 --> 00:24:53,483 {\a1\pos(320,1020)}When I was twenty I'd been stuck with enough lunch checks... 439 00:24:53,647 --> 00:24:55,160 ...to pay for a three-story house. 440 00:24:55,327 --> 00:24:57,887 {\a1\pos(320,1020)}Naw, they're shiftless, dame- chasing, ambitionless... 441 00:24:58,047 --> 00:24:59,844 I've got it - you're ambitious. 442 00:25:00,327 --> 00:25:02,522 {\a1\pos(320,1020)}Maybe I'd like to get away from comics. 443 00:25:03,607 --> 00:25:05,279 {\a1\pos(320,1020)}Maybe I'd like to be in a 4:40 show.. 444 00:25:05,447 --> 00:25:06,546 …and have Sunday nights off. 445 00:25:06,647 --> 00:25:08,080 You'll do it, too, Dixie. 446 00:25:09,087 --> 00:25:10,076 You don't mean that. 447 00:25:10,247 --> 00:25:11,521 I can see it right now…. 448 00:25:11,807 --> 00:25:13,035 Your name up there… 449 00:25:13,327 --> 00:25:14,601 What's your real name, Honey? 450 00:25:16,047 --> 00:25:18,356 {\a1\pos(320,1020)}- Deborah Hoople. - Deborah Hoo... 451 00:25:20,367 --> 00:25:21,881 {\a1\pos(320,1020)}- You'd think… - Yeah, maybe just 'Dixie'. 452 00:25:22,047 --> 00:25:23,799 "Dixie Daisy in Broadway's latest hit!" 453 00:25:23,967 --> 00:25:25,241 {\a1\pos(320,1020)}- And you know what I'm gonna do on opening night? - Nah? 454 00:25:25,407 --> 00:25:27,637 {\a1\pos(320,1020)}Buy the whole first row just for me! 455 00:25:28,047 --> 00:25:30,561 {\a1\pos(320,1020)}- Sounds nice, Brannigan. - You'll see. 456 00:25:30,767 --> 00:25:32,041 Won't take long, either! 457 00:25:32,247 --> 00:25:33,646 C'mon, let's get outa here. 458 00:25:35,367 --> 00:25:36,243 Yup! 459 00:25:44,127 --> 00:25:46,880 {\a1\pos(320,1020)}That's why I ordered beer. I said it was to your interest. 460 00:25:51,767 --> 00:25:52,961 Comic…. 461 00:25:53,447 --> 00:25:54,402 Thank you. 462 00:25:56,247 --> 00:25:57,760 4.50, Sir! 463 00:26:01,447 --> 00:26:02,800 For when I'm not around. 464 00:26:03,247 --> 00:26:04,885 To protect my best interest. 465 00:26:06,567 --> 00:26:08,239 Oh, here's your change, mister! 466 00:26:08,407 --> 00:26:09,396 Keep it! 467 00:26:30,527 --> 00:26:33,917 {\a1\pos(320,1020)}A little silence from the golden tonsils will be appreciated. 468 00:26:34,087 --> 00:26:36,601 {\a1\pos(320,1020)}If the cops had heard her last night they'd have used her for a sirene. 469 00:26:36,767 --> 00:26:39,520 {\a1\pos(320,1020)}We artists all have to put up with jealousy. 470 00:26:45,927 --> 00:26:48,285 {\a1\pos(320,1020)}You look in this window once more and you get a bottle over there. 471 00:26:48,347 --> 00:26:49,526 Those Chop- suey hustlers don't stop talking… 472 00:26:49,687 --> 00:26:51,086 Why don't you dress someplace else. 473 00:26:51,247 --> 00:26:53,044 {\a1\pos(320,1020)}- It's my dressing room! - And it's their porch… 474 00:26:53,207 --> 00:26:56,085 {\a1\pos(320,1020)}- … They're probably a darn sight hotter in that coat. - Boy are they hot tonight…. 475 00:26:56,247 --> 00:26:58,078 A couple of sailors fell right out of their boxes. 476 00:26:58,247 --> 00:26:59,521 What's that work of art? 477 00:26:59,687 --> 00:27:01,757 {\a1\pos(320,1020)}Laurel leaves. For the party tonight. 478 00:27:01,927 --> 00:27:03,519 We're gonna have a regular unveiling. 479 00:27:03,687 --> 00:27:07,077 {\a1\pos(320,1020)}Like when you unveil statues of generals, of horses and things… 481 00:27:08,367 --> 00:27:10,165 {\a1\pos(320,1020)}Maybe that'll teach you to mind your own business! 482 00:27:13,327 --> 00:27:15,760 {\a1\pos(320,1020)}…Not that it matters to you dames but someone has to teach him… 482 00:27:16,327 --> 00:27:17,760 … that a lady is entitled to privacy. 483 00:27:17,927 --> 00:27:19,724 {\a1\pos(320,1020)}You got plenty of privacy if that waiter's hurt. 484 00:27:19,887 --> 00:27:22,879 {\a1\pos(320,1020)}- They have laws for people like you. - Oh yeah? Who gave you a cue? 485 00:27:23,047 --> 00:27:24,719 {\a1\pos(320,1020)}Stick to your own business and I'll stick to mine. 486 00:27:24,887 --> 00:27:25,842 Stick to my own business? Such a laugh! 487 00:27:26,007 --> 00:27:28,965 {\a1\pos(320,1020)}I stood for your knives in the back to keep a little peace around here… 488 00:27:29,127 --> 00:27:29,877 …but I'm through! 489 00:27:30,047 --> 00:27:31,639 {\a1\pos(320,1020)}If you're not jumping on us, you're knocking off waiters 490 00:27:31,807 --> 00:27:33,116 {\a1\pos(320,1020)}… who wouldn't look at you if you were rolled in batter and French fries! 491 00:27:33,287 --> 00:27:35,881 {\a1\pos(320,1020)}And I'm through letting a Corn Belt upstart get pushed ahead of me! 492 00:27:36,047 --> 00:27:37,958 {\a1\pos(320,1020)}When does everybody get the idea you're so hot? 493 00:27:38,127 --> 00:27:39,560 Maybe the customers get the idea. 494 00:27:39,727 --> 00:27:42,163 {\a1\pos(320,1020)}You can have these customers. I'm getting out of this grindhouse. 495 00:27:42,327 --> 00:27:43,442 Are you decent? 496 00:27:43,607 --> 00:27:46,917 {\a1\pos(320,1020)}Oh, I wish he wouldn't say that. It sounds so cheap. 497 00:27:47,447 --> 00:27:51,156 Moey, let me help you! 498 00:27:51,407 --> 00:27:54,001 {\a1\pos(320,1020)}It nearly got me, Folks! Believe me… 499 00:27:54,167 --> 00:27:55,680 Get a load of Beau Brummell. 500 00:27:55,847 --> 00:27:58,236 Is that good, that Beau business? 501 00:27:59,047 --> 00:28:00,241 It ain't hot, is it? 502 00:28:00,407 --> 00:28:02,523 What d'ya mean - 'hot'? 503 00:28:02,687 --> 00:28:04,996 {\a1\pos(320,1020)}It's like this. I think of this pal of mine I used to work with in me old days. 504 00:28:05,167 --> 00:28:07,078 {\a1\pos(320,1020)}When we got legitimate, he took up plumbing. 505 00:28:07,247 --> 00:28:08,442 {\a1\pos(320,1020)}What do you know? He gives me it wholesale. 506 00:28:09,367 --> 00:28:12,006 {\a1\pos(320,1020)}And what's more, I saved you plenty by installing it personally. 507 00:28:13,527 --> 00:28:16,360 {\a1\pos(320,1020)}Just look at that, just look at that. Ain't that gorgeous? 508 00:28:16,527 --> 00:28:18,916 {\a1\pos(320,1020)}Why it's got class! Enough with the Queen of Sheba. 509 00:28:19,087 --> 00:28:21,555 {\a1\pos(320,1020)}Now, you'd really have somting if you had a whole suit to match. 510 00:28:21,727 --> 00:28:22,682 … suite… 511 00:28:22,967 --> 00:28:24,559 {\a1\pos(320,1020)}Come on, come on, everybody, down for the condor… 512 00:28:24,727 --> 00:28:25,682 You, play with that thing later. 513 00:28:25,847 --> 00:28:26,821 {\a1\pos(320,1020)}- Ok! Ok! - C'mon, everybody! 514 00:28:26,887 --> 00:28:28,256 {\a1\pos(320,1020)}- Ok! - What's the matter with Sammy? 515 00:28:28,447 --> 00:28:29,399 He sounds like he swallowed a fly. 516 00:28:29,567 --> 00:28:31,762 {\a1\pos(320,1020)}Probably so, because we didn't ask him to the party. 517 00:28:31,927 --> 00:28:33,042 {\a1\pos(320,1020)}Probably won't even have a party with Mother's Darling throwing… 518 00:28:33,207 --> 00:28:35,846 … bottle grenades at the food supply. 519 00:28:36,007 --> 00:28:39,556 {\a1\pos(320,1020)}I'll try to smooth things over while you girls hand out the allure. 520 00:28:42,967 --> 00:28:44,525 {\a1\pos(320,1020)}- Hey, Dix.. ! - Yeah? 521 00:28:48,727 --> 00:28:50,524 {\a1\pos(320,1020)}- I'm worried. - What about? 522 00:28:50,727 --> 00:28:52,287 {\a1\pos(320,1020)}Look, it was a break for us to come on here, so ok! 523 00:28:52,447 --> 00:28:53,800 But Columbus was never like this. 524 00:28:53,967 --> 00:28:56,003 {\a1\pos(320,1020)}The leader's ready to slit your throat, Dolly's up in the air… 525 00:28:56,167 --> 00:28:57,839 {\a1\pos(320,1020)}Since when couldn't I take care of myself? 526 00:28:58,007 --> 00:28:59,235 Yeah, I know but… 527 00:29:08,607 --> 00:29:10,199 We almost got him that time. 528 00:29:17,327 --> 00:29:18,726 You see what I mean? 529 00:29:18,887 --> 00:29:22,038 {\a1\pos(320,1020)}Ever find a stage gang that didn't eavesdrop? Go on, get down there! 530 00:29:41,767 --> 00:29:42,756 Now is that a sight, I ask ya. 531 00:29:42,927 --> 00:29:44,599 Hold it! 532 00:29:47,447 --> 00:29:49,358 If they could get moonlight on that stage... 533 00:29:49,527 --> 00:29:51,404 ...Foss would be a millionaire tomorrow. 534 00:29:51,727 --> 00:29:53,319 Where you off to, Miss Venus ? 535 00:29:53,487 --> 00:29:54,886 I'm on a peace mission. 536 00:29:55,047 --> 00:29:57,800 {\a1\pos(320,1020)}If you hear any screams, tell Foss to hire a new woman. 537 00:29:59,607 --> 00:30:02,519 You won't lose any arguments, not looking like that. 538 00:30:02,847 --> 00:30:04,405 You won't have time. 539 00:30:05,007 --> 00:30:07,282 If this were a real lasso… 540 00:30:07,447 --> 00:30:08,881 {\a1\pos(320,1020)}…I'd drag you up here like a calf in a Western. 541 00:30:09,447 --> 00:30:11,881 {\a1\pos(320,1020)}Only no calf ever had a hide as pretty as that. 542 00:30:13,687 --> 00:30:15,279 What would you do when you got me? 543 00:30:16,087 --> 00:30:18,885 {\a1\pos(320,1020)}You've had a little trouble putting a brand on, so far. 544 00:30:19,087 --> 00:30:21,157 Ah, that's "so far"… 545 00:30:21,887 --> 00:30:23,765 {\a1\pos(320,1020)}After a sight like that, my Irish ancestors would rise up … 546 00:30:23,927 --> 00:30:25,997 {\a1\pos(320,1020)}…in their graves if Brannigan missed the bus. 547 00:30:26,167 --> 00:30:28,283 I hate to disturb your ancestors. 548 00:30:36,727 --> 00:30:38,126 What's in, friend ? 549 00:30:38,287 --> 00:30:39,515 I'll show you soon myself. 550 00:30:39,687 --> 00:30:41,962 … And if you want to start something… 551 00:30:43,527 --> 00:30:44,516 Hey Biff, the girls' dance number's nearly finished. 552 00:30:44,687 --> 00:30:45,642 You better get ready. 553 00:30:45,807 --> 00:30:47,798 {\a1\pos(320,1020)}Ah, now wait, boys, I'm carrying a white flag. 554 00:30:47,967 --> 00:30:50,164 {\a1\pos(320,1020)}You Chinese fight too darn well for us to wanna mix with you. 555 00:30:50,567 --> 00:30:52,046 C'mon, let me take a look at you. 556 00:30:53,887 --> 00:30:55,605 That is no way to take care of it. 557 00:31:01,327 --> 00:31:03,238 {\a1\pos(320,1020)}You go back, we've got nothing to do with you. 558 00:31:03,407 --> 00:31:05,477 Yeah, but we have something to do with this. 559 00:31:07,447 --> 00:31:08,277 Now here… No dinners? 560 00:31:08,447 --> 00:31:09,800 No more dinners ever, no…. 561 00:31:09,967 --> 00:31:11,162 {\a1\pos(320,1020)}Oh no, look! We had to put up with enough of that dame… 562 00:31:11,327 --> 00:31:13,318 …without her starving us out in the bargain! 563 00:31:13,807 --> 00:31:14,922 She was born with an axe in her mouth. 564 00:31:15,087 --> 00:31:17,442 {\a1\pos(320,1020)}She ought to be put out of her misery like a mad dog. 565 00:31:18,567 --> 00:31:19,602 Come one… 566 00:31:19,807 --> 00:31:23,243 {\a1\pos(320,1020)}…Tell me you'll bring us our dinners and I'll smooth the divorce in giving you some passes. 567 00:31:25,607 --> 00:31:28,883 {\a1\pos(320,1020)}- Things getting are little difficult for you, Biff? - Yeah,Mandy. 568 00:31:29,047 --> 00:31:30,321 You know how it is. 569 00:31:30,807 --> 00:31:32,638 Sometimes these things take time. 570 00:31:32,887 --> 00:31:35,447 {\a1\pos(320,1020)}- They sure do! - You gotta plan it up. 571 00:31:35,687 --> 00:31:39,236 {\a1\pos(320,1020)}Sometimes you finagle them this way, another time you finagle them that way. 572 00:31:39,407 --> 00:31:41,682 That's why I love sweet dumb girls like Alice. 573 00:31:42,487 --> 00:31:43,966 {\a1\pos(320,1020)}- No finagling. - We'll bring the dinners. 574 00:31:44,127 --> 00:31:46,516 {\a1\pos(320,1020)}That's the spirit. Don't spare the ice until that's better. 575 00:31:46,687 --> 00:31:48,837 {\a1\pos(320,1020)}- See you later! - Wait! Wait a minute! 576 00:31:49,447 --> 00:31:53,042 {\a1\pos(320,1020)}Ginseng root. You eat it. Makes you live a long time. 577 00:31:53,207 --> 00:31:55,118 Thanks. Thanks a lot! 578 00:31:59,607 --> 00:32:01,802 {\a1\pos(320,1020)}So he slips you one of the never-die-things. 579 00:32:01,967 --> 00:32:03,116 Yes, Mr. Brannigan. 580 00:32:03,287 --> 00:32:06,199 {\a1\pos(320,1020)}It's a charm to ward off the evil spirit. 581 00:32:16,687 --> 00:32:17,881 Biff, what's the matter? 582 00:32:18,487 --> 00:32:21,126 {\a1\pos(320,1020)}That was my ancestors risin' up in their graves. 583 00:32:27,007 --> 00:32:28,565 {\a1\pos(320,1020)}How'd you make out with the waiters, Dixie? 584 00:32:28,807 --> 00:32:30,923 Yeah, did he put on the feed bag? 585 00:32:31,087 --> 00:32:32,645 {\a1\pos(320,1020)}- Yeah - What's that? I don't know. The waiter gave it to me. 586 00:32:33,527 --> 00:32:35,358 Hey, Dixie's got a new boyfriend. 587 00:32:36,327 --> 00:32:38,204 You eat it and live a long time. 588 00:32:38,367 --> 00:32:39,402 Sealing wax! 589 00:32:40,847 --> 00:32:41,836 Oh, sorry, Girls! 590 00:32:42,007 --> 00:32:44,521 Everything's hunky-dory now! 591 00:32:45,287 --> 00:32:47,198 Oh, Jake has a few surprises… 592 00:32:47,367 --> 00:32:48,880 … he wants to put in for the unveilin'. 593 00:32:49,047 --> 00:32:50,958 So, you had better clear out early for the finale. 594 00:32:51,127 --> 00:32:53,800 {\a1\pos(320,1020)}This place has as much privacy as a hot dog stand. 595 00:32:53,967 --> 00:32:56,003 Look, it's shaped like a man. 596 00:32:56,167 --> 00:32:57,964 Ah, that's disgusting! 597 00:32:58,167 --> 00:33:02,046 {\a1\pos(320,1020)}Not so much like a man, more like a skeleton hanging from the gallows. 598 00:33:02,487 --> 00:33:03,681 Want to trade it in, Dixie? 599 00:33:03,847 --> 00:33:05,485 Aye, you can have the full thing. 600 00:33:07,407 --> 00:33:10,001 The same charming gathering. 601 00:33:10,687 --> 00:33:11,722 Hello. 602 00:33:13,807 --> 00:33:15,719 {\a1\pos(320,1020)}Look what the pigsies brought in out of the rain. 603 00:33:16,287 --> 00:33:19,996 The same old familiar faces. 604 00:33:20,887 --> 00:33:23,037 And some new arrivals. 605 00:33:24,087 --> 00:33:25,315 Who are you? 606 00:33:26,207 --> 00:33:28,721 {\a1\pos(320,1020)}I'm Dixie Daisy, this is Gee Gee Graham. 607 00:33:28,887 --> 00:33:30,764 Who arrrrre you? 608 00:33:31,127 --> 00:33:33,516 I am the Princess Nirvena. 609 00:33:33,687 --> 00:33:35,245 Star of this theatre. 610 00:33:35,607 --> 00:33:38,405 I have been in the hospital for the last two weeks. 611 00:33:38,807 --> 00:33:41,116 Dislocated vertebrae. 612 00:33:42,087 --> 00:33:45,602 {\a1\pos(320,1020)}Maybe she took a little trip to Toledo - for old times sake. 613 00:33:45,767 --> 00:33:47,325 I have never worked in… 614 00:33:47,487 --> 00:33:49,876 … - how you say - a Toledo? 615 00:33:50,047 --> 00:33:52,003 Don't give me that accent business. 616 00:33:52,167 --> 00:33:55,159 {\a1\pos(320,1020)}You knew how to say it when I first knew you: Toledo. 617 00:33:55,327 --> 00:33:57,204 I don't go to Toledo. 618 00:33:57,447 --> 00:33:59,403 Only tramps work in Toledo. 619 00:33:59,567 --> 00:34:01,159 Well - they get around. 620 00:34:01,327 --> 00:34:02,282 No. 621 00:34:03,207 --> 00:34:05,438 I should have danced before royalty. 622 00:34:05,607 --> 00:34:09,566 Instead, the Princess throws pearls… 623 00:34:10,447 --> 00:34:11,846 ... to swine. 624 00:34:12,007 --> 00:34:12,962 You snooty…. 625 00:34:13,127 --> 00:34:14,526 We're on again, Beautiful! 626 00:34:14,727 --> 00:34:15,921 Hello, Black Iris! 627 00:34:16,087 --> 00:34:17,486 {\a1\pos(320,1020)}If it wasn't bad luck, I'd let her have it! 628 00:34:17,647 --> 00:34:19,241 {\a1\pos(320,1020)}- Who was that overexposed debutante? - A dame who thinks she's… 629 00:34:19,407 --> 00:34:21,079 {\a1\pos(320,1020)}…four times sharper than she is. 630 00:34:21,247 --> 00:34:23,522 {\a1\pos(320,1020)}If there's one thing I hate it's a phoney. 631 00:34:25,487 --> 00:34:28,957 {\a1\pos(320,1020)}"I should have danced before rrrroyalty" 632 00:34:29,127 --> 00:34:32,483 {\a1\pos(320,1020)}"instead the Princess throws pearls"… 633 00:34:32,647 --> 00:34:34,365 ... "to swine." 634 00:34:35,607 --> 00:34:38,167 {\a1\pos(320,1020)}I had a black cat like that once only there wasn't so much of it. 635 00:34:38,327 --> 00:34:39,476 Oh, I wouldn't be too hard to her. 636 00:34:39,647 --> 00:34:42,036 {\a1\pos(320,1020)}She's bad luck to some people, not so bad to others. 637 00:34:42,207 --> 00:34:45,358 {\a1\pos(320,1020)}If anyone else drops in that I should meet, tell'm I'm on stage. 638 00:34:51,207 --> 00:34:52,435 I startled you? 639 00:34:52,607 --> 00:34:54,438 {\a1\pos(320,1020)}Vaguely, Sister, I'm only startled by experts. 640 00:34:54,607 --> 00:34:57,282 {\a1\pos(320,1020)}Tell me, why I have been gone, has this Loo-lita... 641 00:34:57,447 --> 00:34:58,766 …has she said anything about me? 642 00:34:58,927 --> 00:35:01,885 Eh, no, you were a smash surprise for me. 643 00:35:02,047 --> 00:35:04,880 {\a1\pos(320,1020)}It's only that some people talk too much. 644 00:35:05,047 --> 00:35:08,722 And this Loo-lita talks a lot too much. 645 00:35:08,927 --> 00:35:11,600 {\a1\pos(320,1020)}Not to me. It's the others in the dressing room. 646 00:35:12,007 --> 00:35:15,124 I dress alone - downstairs. 647 00:35:15,287 --> 00:35:18,597 {\a1\pos(320,1020)}I'd rather live in a pigsty than with those women. 648 00:35:19,000 --> 00:35:21,000 {\a1\pos(320,1020)}What were you doing, Jake? Moving up the whole Opera? 649 00:35:21,000 --> 00:35:22,722 {\a1\pos(320,1020)}I gotta do my suprises upright, Dixie! 650 00:35:25,327 --> 00:35:27,283 Still clumsy, eh? 651 00:35:28,927 --> 00:35:31,441 Yes, I am back. 652 00:35:31,727 --> 00:35:33,638 Just visiting, I hope. 653 00:35:33,847 --> 00:35:35,702 Staying, Mr. Prop Man! 654 00:35:35,767 --> 00:35:37,835 {\a1\pos(320,1020)}The court finds you guilty of being drunk and fines you 5 Dollars. 655 00:35:39,287 --> 00:35:40,686 {\a1\pos(320,1020)}- Here's a 10 Dollar bill. - 10 Dollar bill? 656 00:35:40,847 --> 00:35:43,281 {\a1\pos(320,1020)}Haven't got any change. Go out and get drunk again. 657 00:35:44,687 --> 00:35:47,155 {\a1\pos(320,1020)}The court is now ready to see the file of the divorce case of Miss Peaches Wilson. 658 00:35:47,327 --> 00:35:49,363 Miss Peaches Wilson! 659 00:35:50,007 --> 00:35:52,567 {\a1\pos(320,1020)}What are you waiting? You're on! - I'm sorry, Sammy! 660 00:35:52,727 --> 00:35:55,560 Oh, hello, Excellency! 661 00:35:55,727 --> 00:35:56,603 Wait! 662 00:35:58,127 --> 00:35:59,480 What is that? 663 00:36:00,007 --> 00:36:00,883 That? 664 00:36:08,927 --> 00:36:10,918 Timber! 665 00:36:11,327 --> 00:36:14,205 {\a1\pos(320,1020)}She does what you do - they're liking her better. 666 00:36:14,367 --> 00:36:17,006 {\a1\pos(320,1020)}You two can trade notes at the wingding they're throwing tonight. 667 00:36:17,167 --> 00:36:18,964 Do you think I would go? 668 00:36:19,127 --> 00:36:21,482 I - the Princess? 669 00:36:21,927 --> 00:36:23,280 Free drinks, Highness. 670 00:36:23,387 --> 00:36:24,486 I might come. 671 00:36:25,407 --> 00:36:27,557 Now I want to see Mr. Foss. 672 00:36:27,727 --> 00:36:28,842 Is he here? 673 00:36:29,007 --> 00:36:31,475 {\a1\pos(320,1020)}Right in the same old rat's nest. You want me to tell him you're back? 674 00:36:31,727 --> 00:36:34,400 Tell him to come to my dressing room. 675 00:36:37,487 --> 00:36:39,523 {\a1\pos(320,1020)}I wanna get a cigar, I'll be back right away. 676 00:36:41,207 --> 00:36:43,243 {\a1\pos(320,1020)}Come come, Miss Peaches, we want the truth. 677 00:36:43,407 --> 00:36:44,362 {\a1\pos(320,1020)}- The what? - The truth. 678 00:36:44,527 --> 00:36:46,882 {\a1\pos(320,1020)}- Oh, that old thing! - Were you up before me? 679 00:36:47,047 --> 00:36:48,560 I don't know! What time do you get up? 680 00:36:48,727 --> 00:36:51,685 {\a1\pos(320,1020)}Now, Miss Peaches, the facts of the case are clear to me. 681 00:36:51,847 --> 00:36:53,075 You plead guilty… 682 00:36:53,247 --> 00:36:54,077 …or not guilty? 683 00:36:54,247 --> 00:36:56,283 {\a1\pos(320,1020)}Don't you think that's a rather personal question? 684 00:36:56,447 --> 00:36:57,926 {\a1\pos(320,1020)}- Oh, you have to tell him. - Why? 685 00:36:58,087 --> 00:36:59,645 {\a1\pos(320,1020)}- Why? - Why? 686 00:36:59,807 --> 00:37:02,401 {\a1\pos(320,1020)}Because according to the constitution of the bylaw state coda 687 00:37:02,567 --> 00:37:04,058 {\a1\pos(320,1020)}…section 6 3, upper 7 column 84... 688 00:37:04,127 --> 00:37:05,904 {\a1\pos(320,1020)}.. leading to South Mississippi... 689 00:37:05,967 --> 00:37:07,281 …in all points.. 690 00:37:07,267 --> 00:37:08,786 {\a1\pos(320,1020)}… where it's distinctly stated, that… you… you… huh.. 691 00:37:10,847 --> 00:37:12,846 I hold you in contempt. 692 00:37:13,007 --> 00:37:14,440 I don't like you either. 693 00:37:14,627 --> 00:37:18,395 {\a1\pos(320,1020)}I don't like you ayther. I don't like you either ayther - either ayther. 694 00:37:18,527 --> 00:37:19,243 Enough of that. 695 00:37:19,527 --> 00:37:21,243 Who is the carpenter with the hammer? 696 00:37:21,527 --> 00:37:23,243 {\a1\pos(320,1020)}How dare you refer to me as a carpenter! 697 00:37:23,527 --> 00:37:25,243 {\a1\pos(320,1020)}- I am justice! - Yeah, Well I'm just it, too! 698 00:37:26,527 --> 00:37:28,243 {\a1\pos(320,1020)} - Just as who? - Just as good as you! 699 00:37:30,527 --> 00:37:32,243 Step to the bar . 700 00:37:32,527 --> 00:37:34,243 What for? I'm not thirsty! 695 00:37:35,967 --> 00:37:37,003 Hey, Louie, you know something? 696 00:37:37,167 --> 00:37:39,442 {\a1\pos(320,1020)}Them girls is lucky to know a couple like us. 697 00:37:39,607 --> 00:37:42,485 {\a1\pos(320,1020)}I bring in the fancy gadget, you roll the cage. 698 00:37:42,647 --> 00:37:44,842 {\a1\pos(320,1020)}- We're winning this party! - Yeah. 699 00:37:45,247 --> 00:37:47,202 Where you are going? 700 00:37:47,767 --> 00:37:49,485 I came to get the rest of the beer. 701 00:37:49,527 --> 00:37:50,446 That's all you gonna get. 702 00:37:50,527 --> 00:37:53,205 {\a1\pos(320,1020)}I told Charlie to take it easy on the free drinks for my pal. 703 00:37:53,407 --> 00:37:55,921 Sure, Louie, … sure... 704 00:37:59,527 --> 00:38:01,199 Step aside, talk, dark and with it. 705 00:38:01,367 --> 00:38:02,641 Some gentlemen are passing. 706 00:38:09,827 --> 00:38:11,682 "All my sacrifices, Alfred…" 707 00:38:11,847 --> 00:38:14,486 {\a1\pos(320,1020)}…"are but keys to open the gates of heaven…" 708 00:38:15,647 --> 00:38:18,115 …"And let me be with you!" 709 00:38:18,287 --> 00:38:20,278 I'll bam 'em in the aisles with that one. 710 00:38:20,447 --> 00:38:22,836 I feel it, here… 711 00:38:26,087 --> 00:38:27,042 Coming, Sammy. 712 00:38:28,487 --> 00:38:30,364 {\a1\pos(320,1020)}Some people don't learn easy, Songbird! 713 00:38:30,527 --> 00:38:31,960 Now don't do it, Louie. 714 00:38:32,127 --> 00:38:34,516 {\a1\pos(320,1020)}They've got to take a lot of lessons before they stay in line. 715 00:38:34,687 --> 00:38:35,802 Now don't do it, Louie. 716 00:38:35,967 --> 00:38:36,922 No! 717 00:38:38,007 --> 00:38:38,996 Quiet! 718 00:38:39,207 --> 00:38:41,562 {\a1\pos(320,1020)}- Just kiddin… - You're terrific, Louie. 719 00:38:43,887 --> 00:38:46,685 {\a1\pos(320,1020)}Now it's the rough and tough and big-shot "Louie the Grin"… 720 00:38:46,847 --> 00:38:49,441 {\a1\pos(320,1020)}… winning back women and pushing guys around. 721 00:38:53,727 --> 00:38:55,683 ♪ Come on and give me heat!♪ 722 00:38:55,847 --> 00:38:58,202 ♪ 'Cause I don't like my music sweet!♪ 723 00:38:58,367 --> 00:39:00,676 ♪ I wanna feel my impulse beat!♪ 724 00:39:00,847 --> 00:39:01,836 ♪ Take it off the e-string! 725 00:39:02,007 --> 00:39:03,440 Play it on the g-string!♪ 726 00:39:03,607 --> 00:39:05,723 ♪ If this gives you a thrill..♪ 727 00:39:05,887 --> 00:39:07,196 ♪ … It's happ'ning much against my will,… ♪ 728 00:39:07,367 --> 00:39:09,483 ♪ …And only 'cause I've caught a chill…♪ 729 00:39:09,647 --> 00:39:10,762 ♪ Take it off the e-string!♪ 730 00:39:10,927 --> 00:39:12,406 ♪Play it on the g-string!♪ 731 00:39:12,567 --> 00:39:16,526 ♪ What goes alark ♪ 732 00:39:16,847 --> 00:39:19,644 ♪'Cause when I do my act♪ 733 00:39:20,807 --> 00:39:22,399 ♪ Boys, it's a fact, Whenever I'm applauded...♪ 734 00:39:22,927 --> 00:39:24,155 Go on! Get out!... 735 00:39:24,327 --> 00:39:26,204 … And stay out! 736 00:39:29,127 --> 00:39:32,166 {\a1\pos(320,1020)}♪ Brother, I'm making my eggs and bacon! Earning my pay!♪ 737 00:39:32,647 --> 00:39:34,444 ♪ …Just by shaking this way...♪ 738 00:39:34,607 --> 00:39:36,757 ♪ …Four shows a day!♪ 739 00:41:01,727 --> 00:41:03,126 Shall we drink to it? 740 00:41:03,287 --> 00:41:04,242 Sure. 741 00:42:01,087 --> 00:42:04,045 {\a1\pos(320,1020)}Don't mind staging a small riot to get a laugh. 742 00:42:04,207 --> 00:42:05,322 The things I do for the Old Opera House 743 00:42:05,487 --> 00:42:07,682 {\a1\pos(320,1020)}Next we'll be all hanging from a trapeze. 744 00:42:07,847 --> 00:42:08,916 Tell La Verne not to horse around… 745 00:42:09,087 --> 00:42:10,759 Tell it to your grandmother! 746 00:42:25,967 --> 00:42:28,435 {\a1\pos(320,1020)}Jake must trust you comics as far as he can throw the prop room. 747 00:42:28,607 --> 00:42:29,278 What's up now? 748 00:42:29,447 --> 00:42:30,562 Sealing wax from the box…. 749 00:42:30,727 --> 00:42:32,241 {\a1\pos(320,1020)}…the waiter gave me. He's got it on the catch of the door. 750 00:42:32,407 --> 00:42:35,365 {\a1\pos(320,1020)}Sometimes I think you haven't got the right respect for your fellow workers. 751 00:42:35,527 --> 00:42:37,643 {\a1\pos(320,1020)}Maybe I oughta try Louie's masterful touch on you. 752 00:42:37,807 --> 00:42:39,604 Good thing the Goddess didn't hear this. 753 00:42:41,087 --> 00:42:42,486 Hey, Sammy! 754 00:42:43,327 --> 00:42:45,397 Hey, Sammy, the prima donna is not here. 755 00:42:45,567 --> 00:42:47,239 Oh, what's the use! 756 00:42:47,407 --> 00:42:49,523 {\a1\pos(320,1020)}She can't miss this number. It's the finale. 757 00:42:49,687 --> 00:42:50,961 Look, stall.... 758 00:42:51,127 --> 00:42:53,846 {\a1\pos(320,1020)}… even if you have to stand on your head out there to keep them looking, stall! 759 00:42:54,007 --> 00:42:56,204 {\a1\pos(320,1020)}That dame causes more trouble around here than a forest fire. 760 00:43:01,447 --> 00:43:02,800 {\a1\pos(320,1020)}What d'ya mean, "She isn't here!" Have you looked? 761 00:43:02,967 --> 00:43:04,444 Yes. Jake sealed it. 762 00:43:04,507 --> 00:43:05,906 Oh, I know. If I… 763 00:43:09,407 --> 00:43:11,318 Look, around her neck… 764 00:43:11,327 --> 00:43:12,760 Her g-string… 765 00:43:12,927 --> 00:43:14,804 It ain't there for an ornament either… 766 00:43:18,447 --> 00:43:21,086 Foss, I gotta get Foss! 767 00:43:21,527 --> 00:43:23,324 Biff, get the police. Quick! 768 00:43:33,327 --> 00:43:37,081 Press! And roll evenly… 769 00:43:37,487 --> 00:43:41,446 {\a1\pos(320,1020)}From side to side with a firm touch. 770 00:43:42,207 --> 00:43:44,880 {\a1\pos(320,1020)}Without making a detailed examination I'd say it's the same. 771 00:43:45,047 --> 00:43:46,275 The first finger of the right hand. 772 00:43:46,447 --> 00:43:48,278 {\a1\pos(320,1020)}The finger I pressed against the wax, I was… 773 00:43:48,447 --> 00:43:49,926 Hey, you're holding up the parade. 774 00:43:50,087 --> 00:43:52,317 {\a1\pos(320,1020)}And what a parade! The only thing missing is the elephant. 775 00:43:52,487 --> 00:43:53,556 Is that another limb of the law? 776 00:43:53,727 --> 00:43:56,560 {\a1\pos(320,1020)}Don't worry about him. Save your explanations for His Nibs. 777 00:43:56,727 --> 00:43:57,876 He enjoys hearing them. 778 00:44:01,567 --> 00:44:03,285 {\a1\pos(320,1020)}- Miss Daisy, isn't it? - Yes. 779 00:44:03,447 --> 00:44:05,005 I'm Inspector Harrigan. 780 00:44:05,927 --> 00:44:07,042 Sit down, please. 781 00:44:12,327 --> 00:44:14,602 {\a1\pos(320,1020)}To repeat what I was gonna say, since Miss Daisy... 782 00:44:14,767 --> 00:44:16,440 …was, eh, busy downstairs. 783 00:44:17,047 --> 00:44:18,685 {\a1\pos(320,1020)}Someone was in the room immediately after the body… 784 00:44:18,847 --> 00:44:20,963 {\a1\pos(320,1020)}…was discovered, took that g-string for reasons of his or…. 785 00:44:21,127 --> 00:44:24,039 {\a1\pos(320,1020)}…her own. - What g-string? 786 00:44:24,207 --> 00:44:25,606 The murder weapon, Miss Daisy. 787 00:44:25,767 --> 00:44:28,406 {\a1\pos(320,1020)}It was her own g-string, it was around her neck, we all saw it. 788 00:44:28,567 --> 00:44:29,886 All, but the police. 789 00:44:30,207 --> 00:44:33,005 {\a1\pos(320,1020)}The g-string had disappeared by the time we arrived at the theatre. 790 00:44:33,167 --> 00:44:34,486 It maybe just fell off? 791 00:44:34,647 --> 00:44:35,875 How could anybody take the g-string in that crowd? 792 00:44:36,047 --> 00:44:37,685 Everybody in the theatre ran in. 793 00:44:37,847 --> 00:44:39,156 We are not interested in how it was done… 794 00:44:39,327 --> 00:44:41,204 … we are interested in who did it… 795 00:44:41,367 --> 00:44:43,722 {\a1\pos(320,1020)}…where the weapon was put and why it was taken. 796 00:44:43,887 --> 00:44:46,242 {\a1\pos(320,1020)}Why don't you search us and settle that part of it? 797 00:44:46,407 --> 00:44:48,363 {\a1\pos(320,1020)}Muscles here - he might enjoy it. 798 00:44:48,527 --> 00:44:50,677 You can search me, Mr. Kelly. 799 00:44:50,967 --> 00:44:53,242 Not that I could hide anything on me… 800 00:44:53,847 --> 00:44:55,758 The lady's point is well taken… 801 00:44:55,927 --> 00:44:57,804 A search after this time, in this crowd… 802 00:44:57,967 --> 00:44:59,320 ... would only cause confusion. 803 00:44:59,487 --> 00:45:01,284 {\a1\pos(320,1020)}It's gettin' a little too warm here for me. 804 00:45:01,807 --> 00:45:04,446 {\a1\pos(320,1020)}Well, there's been plenty of time for concealment. 805 00:45:05,087 --> 00:45:07,204 {\a1\pos(320,1020)}But if one of you could suggest why it was taken…. 806 00:45:09,127 --> 00:45:10,606 Well, she always carried money on her… 807 00:45:10,767 --> 00:45:12,598 {\a1\pos(320,1020)}… she used to hide it in the lining of her costume. 808 00:45:12,807 --> 00:45:14,604 {\a1\pos(320,1020)}You think there's a ghoul in this room? 809 00:45:15,207 --> 00:45:16,765 A cinch, it's a murderer. 810 00:45:17,607 --> 00:45:20,201 {\a1\pos(320,1020)}- Oh, yes… - Mr. James Wong. 811 00:45:20,367 --> 00:45:22,358 Yes, I heard of you, Mr. Wong. 812 00:45:23,367 --> 00:45:24,686 That's a nasty bump. 813 00:45:24,967 --> 00:45:26,161 A nasty throw… 814 00:45:26,327 --> 00:45:29,239 {\a1\pos(320,1020)}Nasty enough to cause nastiness all around, eh? 815 00:45:31,007 --> 00:45:31,962 Over here. 816 00:45:33,407 --> 00:45:34,999 I see… 817 00:45:35,887 --> 00:45:37,003 Send out a call for Louie Grindero. 818 00:45:37,167 --> 00:45:38,839 {\a1\pos(320,1020)}- Complete with the car - Louie Dear? 819 00:45:39,007 --> 00:45:40,486 Now that settles it. 820 00:45:40,647 --> 00:45:42,603 {\a1\pos(320,1020)}- Now we can go. - What did I tell you? 821 00:45:42,767 --> 00:45:44,166 I'm afraid… 822 00:45:44,327 --> 00:45:46,079 … that doesn't quite settle the matter. 823 00:45:46,927 --> 00:45:48,804 But he ran away… 824 00:45:49,447 --> 00:45:50,402 Please be seated. 825 00:45:54,407 --> 00:45:57,320 {\a1\pos(320,1020)}Grindero took his car, as much cash he had in the saloon next door, … 826 00:45:57,487 --> 00:46:00,081 {\a1\pos(320,1020)}… after receiving a call from, mmmhhh.. 827 00:46:01,687 --> 00:46:02,961 Ok, so I called him! 828 00:46:03,127 --> 00:46:05,118 {\a1\pos(320,1020)}When we was in the rackets he did me a couple of turns. 829 00:46:05,287 --> 00:46:07,347 {\a1\pos(320,1020)}- All I did was tell 'm she was dead. - I don't care how Louie knew about anything. 830 00:46:07,507 --> 00:46:09,965 {\a1\pos(320,1020)}I know Lolita was so scared of what he was gonna do that she was taking it out on us. 831 00:46:10,127 --> 00:46:12,083 {\a1\pos(320,1020)}- I know he started something and promised more. - He had his reasons… 832 00:46:12,247 --> 00:46:13,157 ... he's scared of cops 833 00:46:13,327 --> 00:46:15,602 {\a1\pos(320,1020)}The pen tossed up and loosened on him and ever since. 834 00:46:15,967 --> 00:46:18,356 {\a1\pos(320,1020)}…He knew what they would do if they got him in again. 835 00:46:18,527 --> 00:46:21,041 {\a1\pos(320,1020)}Well, he may or may not be guilty of this murder… 836 00:46:21,207 --> 00:46:24,744 {\a1\pos(320,1020)}…he'll be examined as thoroughly as any of you, when he is picked up. 837 00:46:25,167 --> 00:46:26,077 But... 838 00:46:26,487 --> 00:46:29,160 {\a1\pos(320,1020)}...Lolita La Verne was murdered between the time she came upstairs… 839 00:46:29,327 --> 00:46:32,239 {\a1\pos(320,1020)}…after her quarrel with Grindero, and the finding of her body. 840 00:46:32,407 --> 00:46:34,477 {\a1\pos(320,1020)}Before I went up at the end of our act. 841 00:46:35,127 --> 00:46:36,401 Perhaps. 842 00:46:36,887 --> 00:46:39,481 {\a1\pos(320,1020)}During most of that time the room was cleared. 843 00:46:39,687 --> 00:46:42,326 {\a1\pos(320,1020)}But the murderer had time to strangle La Verne... 844 00:46:42,487 --> 00:46:45,126 {\a1\pos(320,1020)}...brake Jake's seal and replace it with one of his own. 845 00:46:45,887 --> 00:46:47,843 {\a1\pos(320,1020)}I know she wasn't in there when I put the seal on. 846 00:46:48,007 --> 00:46:49,599 If she had, I'd had said something. 847 00:46:49,767 --> 00:46:50,666 Let us hope so. 848 00:46:52,327 --> 00:46:54,922 {\a1\pos(320,1020)}Well, do all of you still remember exactly nothing.. 849 00:46:55,087 --> 00:46:56,486 …of your own movements or anyone else's? 850 00:46:56,647 --> 00:46:57,716 Oh yes ! 851 00:46:57,887 --> 00:46:59,957 Yes ? Yes, Miss Angel. 852 00:47:00,127 --> 00:47:03,961 {\a1\pos(320,1020)}Well, once I went to the water cooler and I was all alone. 853 00:47:04,127 --> 00:47:04,957 Yes? 854 00:47:05,127 --> 00:47:06,401 Don't you see? 855 00:47:06,567 --> 00:47:07,477 See what? 856 00:47:08,087 --> 00:47:09,839 There was nobody with me. 857 00:47:10,007 --> 00:47:11,599 Anybody could have gone up! 858 00:47:12,407 --> 00:47:13,886 Even you, Miss Angel. 859 00:47:14,247 --> 00:47:15,885 Oh! Oh, excuse me. 860 00:47:16,047 --> 00:47:18,436 Well, it all adds up to this… 861 00:47:20,247 --> 00:47:23,557 {\a1\pos(320,1020)}…the stage hands could wander about the theatre at will… 862 00:47:24,287 --> 00:47:25,416 ...Candy Butcher… 862 00:47:25,687 --> 00:47:27,916 the stage manager, who was angry… 863 00:47:28,087 --> 00:47:29,440 What are you getting at? 864 00:47:29,607 --> 00:47:32,804 {\a1\pos(320,1020)}Sure, I was sore… But I didn't know she was… 865 00:47:32,967 --> 00:47:33,956 Even the flyman, 866 00:47:34,127 --> 00:47:35,685 {\a1\pos(320,1020)}… who makes no secret of his dislike of burlesque performers. 867 00:47:36,327 --> 00:47:39,125 {\a1\pos(320,1020)}You don't like burlesque performers either, Stacchi! 868 00:47:39,287 --> 00:47:42,199 {\a1\pos(320,1020)}Oh, they're not the easiest in the world to get along with. 869 00:47:42,527 --> 00:47:44,119 They don't like my pipe. 870 00:47:45,527 --> 00:47:48,200 {\a1\pos(320,1020)}- Uh, Mr. Rogers. - Yeah. 871 00:47:48,367 --> 00:47:49,436 Where were you? 872 00:47:50,287 --> 00:47:53,245 {\a1\pos(320,1020)}I was first on for finale. Before that I was dressing. 873 00:47:55,607 --> 00:47:57,962 M. Brannigan, could you put that away? 874 00:47:58,127 --> 00:47:59,845 Oh, I can't do my thinking without this. 875 00:48:00,007 --> 00:48:01,440 Seems, I can't do mine with it. 876 00:48:01,607 --> 00:48:03,404 Ok, I'll turn my back. 877 00:48:04,727 --> 00:48:05,955 Where were you? 878 00:48:06,567 --> 00:48:07,477 Me ? 879 00:48:08,047 --> 00:48:09,799 I was up and down. 880 00:48:09,967 --> 00:48:11,059 Up and down the stairs, indeed. 881 00:48:11,127 --> 00:48:12,918 {\a1\pos(320,1020)}- I didn't say that - Did you mean it? 882 00:48:12,987 --> 00:48:16,038 {\a1\pos(320,1020)}I say I didn't. I was up and down. 883 00:48:16,207 --> 00:48:17,799 Where were you up and down? 884 00:48:18,247 --> 00:48:20,317 {\a1\pos(320,1020)}What interest did you have in Lolita La Verne ? 885 00:48:20,487 --> 00:48:22,159 What is an interest in La Verne ? 886 00:48:22,327 --> 00:48:23,043 Goodness! 887 00:48:23,207 --> 00:48:24,765 When you were up and down the stairs… 888 00:48:24,927 --> 00:48:26,599 I wasn't up and down the stairs. 889 00:48:26,807 --> 00:48:28,559 {\a1\pos(320,1020)}I was up and down on the floor. 890 00:48:28,727 --> 00:48:31,605 {\a1\pos(320,1020)}- It's a gag! - I'm not interested in gags. 891 00:48:31,807 --> 00:48:34,116 {\a1\pos(320,1020)}I'm interested in what you were up and down on. 892 00:48:34,287 --> 00:48:37,836 {\a1\pos(320,1020)}The stage. Oh, you make me so mad. 893 00:48:38,007 --> 00:48:39,406 Look, I'll explain it to you. 894 00:48:39,567 --> 00:48:41,398 First I stand up and then she kisses me. 895 00:48:41,607 --> 00:48:42,596 And then I'm down, see? 896 00:48:42,767 --> 00:48:45,201 {\a1\pos(320,1020)}It starts like this. Oh, I'm an incubator baby. 897 00:48:45,367 --> 00:48:47,323 {\a1\pos(320,1020)}You're an incubator baby? What do you do on Mother's Day? 898 00:48:47,487 --> 00:48:48,825 I send flowers to the NOID staff. 899 00:48:49,007 --> 00:48:49,996 What's the matter with these two? 900 00:48:50,167 --> 00:48:51,236 They're comics. 901 00:48:51,687 --> 00:48:53,405 Stop this nonsense! 902 00:48:53,887 --> 00:48:55,240 What are you trying to tell me? 903 00:48:55,407 --> 00:48:57,637 The stage, the skit, up and… 904 00:48:57,807 --> 00:48:59,684 Look, I'll show you…. 905 00:49:05,607 --> 00:49:06,881 Stop this! 906 00:49:08,127 --> 00:49:09,838 {\a1\pos(320,1020)}This nonsense has held up the whole investigation. 907 00:49:09,907 --> 00:49:11,823 {\a1\pos(320,1020)}You've driven more important things out of my mind. 908 00:49:11,987 --> 00:49:13,325 You see? … Where was I at…. 909 00:49:13,567 --> 00:49:15,842 Oh yes, Miss Nirvena. 910 00:49:16,567 --> 00:49:18,876 I am the Princess Nirvena. 911 00:49:19,047 --> 00:49:21,038 And I was in my dressing room…. 912 00:49:21,207 --> 00:49:22,879 …until I hear the excitement. 913 00:49:23,087 --> 00:49:24,440 Is that so? 914 00:49:24,607 --> 00:49:26,484 Why don't you ask her about Toledo? 915 00:49:26,647 --> 00:49:28,602 {\a1\pos(320,1020)}La Verne was always making cracks about Toledo… 916 00:49:28,667 --> 00:49:29,839 Making cracks. Period. 917 00:49:30,287 --> 00:49:32,881 I told her I never worked in Toledo. 918 00:49:33,047 --> 00:49:36,437 That is the truth. Is it not…. 919 00:49:36,607 --> 00:49:39,801 … the truth, Mr. Foss? Isn't it? 920 00:49:40,047 --> 00:49:40,923 She… 921 00:49:42,007 --> 00:49:44,202 {\a1\pos(320,1020)}...never worked in my Toledo theatre… 922 00:49:44,407 --> 00:49:45,283 …with La Verne. 923 00:49:45,447 --> 00:49:47,324 As for cracks La Verne makes 924 00:49:47,487 --> 00:49:49,318 … it is as this person says… 925 00:49:49,487 --> 00:49:51,079 ... Cracks. Period. 926 00:49:51,687 --> 00:49:54,724 {\a1\pos(320,1020)}The cracks she make to her were enough to start a fight. 927 00:49:54,887 --> 00:49:56,879 {\a1\pos(320,1020)}Yes? I was mad enough to take a poke at her… 928 00:49:57,047 --> 00:49:58,526 …and I'm mad now! 929 00:49:58,767 --> 00:49:59,916 Hey you… 930 00:50:00,607 --> 00:50:02,565 {\a1\pos(320,1020)}…you took a poke with a nail file our report shows… 931 00:50:03,007 --> 00:50:05,567 {\a1\pos(320,1020)}I grabbed anything I could lay my hands on. 932 00:50:05,727 --> 00:50:07,399 That sounds natural. 933 00:50:07,567 --> 00:50:09,285 But a nail file... 934 00:50:09,487 --> 00:50:12,797 {\a1\pos(320,1020)}… could be used to kill a person, couldn't it? 935 00:50:13,447 --> 00:50:14,243 Sure… 936 00:50:14,407 --> 00:50:15,806 And if the weapon was murderous,… 937 00:50:15,967 --> 00:50:18,084 {\a1\pos(320,1020)}… the attack might be considered murderous, mightn't it? 938 00:50:18,967 --> 00:50:22,084 {\a1\pos(320,1020)}Wait a minute, you're running words around me like a brush fire. 939 00:50:22,247 --> 00:50:24,397 Not words, Miss Baxter. Facts. 940 00:50:24,967 --> 00:50:26,719 I'm not responsible for the facts. 941 00:50:27,567 --> 00:50:29,285 {\a1\pos(320,1020)}Mr. Rogers was responsible for the quarrel… 942 00:50:29,447 --> 00:50:30,880 {\a1\pos(320,1020)}…because of his interest in Miss La Verne. 943 00:50:31,047 --> 00:50:34,198 {\a1\pos(320,1020)}We hoped to produce a play obtained on the legitimate stage. 944 00:50:34,807 --> 00:50:37,321 {\a1\pos(320,1020)}Our interest was purely professional. 945 00:50:38,127 --> 00:50:40,039 {\a1\pos(320,1020)}Miss La Verne threw a bottle at Mr. Wong earler in the evening… 946 00:50:40,207 --> 00:50:41,117 …and he resented that. 947 00:50:41,287 --> 00:50:43,403 I was mad, I was plenty mad. 948 00:50:43,567 --> 00:50:45,239 {\a1\pos(320,1020)}Bringing on a quarrel between Miss La Verne… 949 00:50:45,407 --> 00:50:48,399 {\a1\pos(320,1020)}- … and Miss Daisy. - Which had been coming on for a long time…. 950 00:50:48,567 --> 00:50:49,636 Put that in, too! 951 00:50:49,807 --> 00:50:53,197 {\a1\pos(320,1020)}She said Miss La Verne should be put out of her misery like a mad dog. 952 00:50:53,927 --> 00:50:55,519 Is that true, Miss Daisy? 953 00:50:55,687 --> 00:50:58,360 Well, yeah, it was a figure of speech! 954 00:50:58,527 --> 00:51:01,837 {\a1\pos(320,1020)}Un unfortunate one seeing it was acted on so suddenly. 955 00:51:02,007 --> 00:51:03,782 Now I have something to say. 956 00:51:03,747 --> 00:51:04,563 Yes? 957 00:51:04,627 --> 00:51:06,966 {\a1\pos(320,1020)}We are all in the room after the body is found. 958 00:51:07,127 --> 00:51:08,719 I am next to her. 959 00:51:08,887 --> 00:51:11,765 {\a1\pos(320,1020)}Suddently she notices something on her finger. 960 00:51:11,927 --> 00:51:13,963 She turns away to wipe it off. 961 00:51:14,407 --> 00:51:16,079 …It is red. 962 00:51:16,247 --> 00:51:18,283 Like the wax on the door perhaps. 963 00:51:18,447 --> 00:51:19,482 I thought we would get to that. 964 00:51:19,647 --> 00:51:22,081 {\a1\pos(320,1020)}Since you started that reunion you made one charge after another. 965 00:51:22,247 --> 00:51:24,556 {\a1\pos(320,1020)}You know it was my print on that wax when I walked into this room. 966 00:51:24,727 --> 00:51:27,446 {\a1\pos(320,1020)}…but you've been saving your little bombshell for the late spot in the bill. 967 00:51:27,607 --> 00:51:29,484 {\a1\pos(320,1020)}If I really had changed the wax, do you really think I'm dumb enough… 968 00:51:29,647 --> 00:51:31,239 {\a1\pos(320,1020)}…to leave my print in the middle of it? 969 00:51:31,927 --> 00:51:33,680 {\a1\pos(320,1020)}Murderers are caught by mistakes, Miss Daisy. 970 00:51:33,887 --> 00:51:36,924 {\a1\pos(320,1020)}I was in the dressing room, I saw the wax, I was curious and I touched it. 971 00:51:37,087 --> 00:51:38,725 Why did you later furtively wipe it off? 972 00:51:38,887 --> 00:51:41,117 I wiped it off, but not furtively. 973 00:51:41,287 --> 00:51:43,084 You turned away from me. 974 00:51:43,847 --> 00:51:46,407 {\a1\pos(320,1020)}I turn away from garbage dumps, too. 975 00:51:47,567 --> 00:51:48,841 One more thing… 976 00:51:49,207 --> 00:51:51,038 {\a1\pos(320,1020)}The wax that was used to re-seal the door… 977 00:51:51,207 --> 00:51:53,038 …has been identified as coming from the box… 978 00:51:53,207 --> 00:51:55,005 {\a1\pos(320,1020)}…given to you by Mr. Wong. - I gave it to Lolita. 979 00:51:55,287 --> 00:51:56,197 You knew about it? 980 00:51:56,367 --> 00:51:58,244 Everybody who was in the room knew about it. 981 00:51:58,407 --> 00:51:59,601 I thought you were regular. 982 00:51:59,767 --> 00:52:01,120 {\a1\pos(320,1020)}I didn't think you trying to throw the blame on us! 983 00:52:01,287 --> 00:52:03,801 {\a1\pos(320,1020)}- I wasn't trying…. - She and La Verne hated each other's insides. 984 00:52:03,967 --> 00:52:05,082 Her remarks have shown that. 985 00:52:05,247 --> 00:52:07,636 {\a1\pos(320,1020)}There are plenty of people I don't like - you for one… 986 00:52:07,807 --> 00:52:09,365 …but I don't go around killing them. 987 00:52:09,527 --> 00:52:10,846 I didn't say you did. 988 00:52:11,007 --> 00:52:13,396 I merely said that you hated the La Verne girl. 989 00:52:13,647 --> 00:52:15,002 {\a1\pos(320,1020)}That you were the only person admittedly in the dressing room… 990 00:52:15,167 --> 00:52:16,646 ...during the time the murder occurred. 991 00:52:16,807 --> 00:52:18,763 {\a1\pos(320,1020)}That the wax used to re-seal the door…. 992 00:52:18,927 --> 00:52:20,440 …came from a box given to you! 993 00:52:20,887 --> 00:52:22,559 That your fingerprint was on the wax 994 00:52:22,727 --> 00:52:24,446 {\a1\pos(320,1020)}And that you tried to take that wax from your finger without being noticed. 994 00:52:24,527 --> 00:52:25,446 … without being noticed 995 00:52:25,607 --> 00:52:26,596 - Stop it! - Dixie. 996 00:52:26,767 --> 00:52:28,439 Why, you two-faced snooper! 997 00:52:28,607 --> 00:52:29,403 A minute! 998 00:52:29,567 --> 00:52:32,355 {\a1\pos(320,1020)}- Inspector, there is some mistake.. - I say it's a big mistake. 999 00:52:32,527 --> 00:52:35,563 {\a1\pos(320,1020)}You can't think this girl did that murder. 1000 00:52:35,727 --> 00:52:38,037 {\a1\pos(320,1020)}Why, look at her, sitting there so beautiful and defenseless. 1001 00:52:38,207 --> 00:52:40,641 {\a1\pos(320,1020)}Why only last week she came to this theatre and made more friends… 1002 00:52:40,807 --> 00:52:42,001 … than a whole litter of kittens. 1003 00:52:42,167 --> 00:52:44,397 {\a1\pos(320,1020)}- Why she couldn't anymore… - Miss Daisy is very beautiful… 1004 00:52:44,567 --> 00:52:47,798 {\a1\pos(320,1020)}…but she doesn't strike me as being either fragile or ethereal. 1005 00:52:47,967 --> 00:52:48,877 Yeah? 1006 00:52:49,367 --> 00:52:52,165 {\a1\pos(320,1020)}Well, furthermore that woman wasn't out of my sight all evening. 1007 00:52:52,327 --> 00:52:56,286 {\a1\pos(320,1020)}That's a silly lie. He just said she was alone in the dressing room. 1008 00:52:58,567 --> 00:52:59,886 Why we're talking about it… 1009 00:53:00,047 --> 00:53:01,958 {\a1\pos(320,1020)}…why don't you give yourself top billing? 1010 00:53:02,327 --> 00:53:03,966 {\a1\pos(320,1020)}You forgot to mention that you told us guys this afternoon… 1011 00:53:04,127 --> 00:53:06,244 … that you'd kill Lolita… 1012 00:53:06,647 --> 00:53:08,524 {\a1\pos(320,1020)}if she kept running ...around with that Louie. 1013 00:53:09,207 --> 00:53:11,004 {\a1\pos(320,1020)}But loved her. I wanted to marry her. 1014 00:53:11,807 --> 00:53:13,263 I loved her too much to kill her. 1015 00:53:14,607 --> 00:53:16,482 {\a1\pos(320,1020)}Is there something you wanted to tell me, Miss Baxter ? 1016 00:53:16,547 --> 00:53:16,763 No. 1017 00:53:16,927 --> 00:53:19,122 {\a1\pos(320,1020)}Didn't you want to tell me it's impossible for Russell Rogers… 1018 00:53:19,287 --> 00:53:21,278 {\a1\pos(320,1020)}…to love La Verne ? - No, no, no! 1019 00:53:21,447 --> 00:53:24,803 {\a1\pos(320,1020)}Impossible because he's already married? Married to you? 1020 00:53:28,447 --> 00:53:30,005 You're surprised that I know this. 1021 00:53:30,807 --> 00:53:32,877 {\a1\pos(320,1020)}Two years ago you were booked during a raid… 1022 00:53:33,047 --> 00:53:34,526 {\a1\pos(320,1020)}It may interest you to know your record was collected. 1023 00:53:34,687 --> 00:53:36,723 {\a1\pos(320,1020)}We didn't wanna make it known because we knew that Foss… 1024 00:53:36,887 --> 00:53:38,320 {\a1\pos(320,1020)}…didn't hire married couples. He never loved me! 1025 00:53:39,367 --> 00:53:40,881 What did you tell me? 1029 00:53:40,447 --> 00:53:43,405 {\a1\pos(320,1020)}She wasn't crying the night she threatened to kill La Verne and me. 1030 00:53:45,407 --> 00:53:46,362 Look at this. 1031 00:53:46,887 --> 00:53:48,161 Those marks. 1032 00:53:48,287 --> 00:53:49,920 She did that a week ago. 1033 00:53:49,987 --> 00:53:50,881 The night I threatened to leave her. 1034 00:53:51,087 --> 00:53:52,078 That isn't true. It's all lies. 1035 00:53:52,247 --> 00:53:55,000 {\a1\pos(320,1020)}How long did you have to practice to make like such a heel? 1036 00:53:57,887 --> 00:53:59,366 Hear, please! 1037 00:54:00,207 --> 00:54:02,846 {\a1\pos(320,1020)}This is the coroner's preliminary report. 1038 00:54:05,807 --> 00:54:07,479 Lolita La Verne ... 1039 00:54:08,687 --> 00:54:09,802 ... was poisoned. 1042 00:54:12,887 --> 00:54:14,843 {\a1\pos(320,1020)}She would have died in three minutes… 1043 00:54:15,007 --> 00:54:16,998 {\a1\pos(320,1020)}…if the strangler had not interfered. 1044 00:54:17,167 --> 00:54:19,362 {\a1\pos(320,1020)}In other word, the murderer was so impatient, he couldn't wait… 1045 00:54:19,527 --> 00:54:21,085 …for the poison to take effect. 1046 00:54:21,447 --> 00:54:24,235 {\a1\pos(320,1020)}…or there are two murderers in the Old Opera House. 1047 00:54:34,127 --> 00:54:36,687 {\a1\pos(320,1020)}This is my first experience with burlesque. 1048 00:54:36,927 --> 00:54:38,519 It's a surprising profession. 1049 00:54:40,007 --> 00:54:42,919 {\a1\pos(320,1020)}You will all remain within reaching distance until the case is settled. 1050 00:54:43,127 --> 00:54:44,116 Poisoned…. 1051 00:54:44,567 --> 00:54:45,886 Let me just get outa here! 1052 00:54:46,087 --> 00:54:47,805 {\a1\pos(320,1020)}- I don't care what happens. - Hear, please! 1053 00:54:49,567 --> 00:54:52,365 {\a1\pos(320,1020)}I thought there was to be a party tonight. 1054 00:54:52,527 --> 00:54:54,324 Are we not to have it? 1055 00:54:54,607 --> 00:54:57,485 {\a1\pos(320,1020)}That's what I like: the sensitive type! 1056 00:54:57,647 --> 00:55:00,764 {\a1\pos(320,1020)}And this is one cookie that is not going back to that room till she's had a bracer. 1057 00:55:00,927 --> 00:55:03,521 {\a1\pos(320,1020)}- Not me either… - I want to... 1059 00:55:06,567 --> 00:55:08,762 I could use one, too! 1060 00:55:11,607 --> 00:55:12,835 Where are you going? 1061 00:55:15,687 --> 00:55:17,882 Biff, Biff... 1062 00:55:18,047 --> 00:55:20,515 {\a1\pos(320,1020)}… the picture of La Verne's mother… It's gone! 1063 00:55:20,807 --> 00:55:22,206 {\a1\pos(320,1020)}- Why that's…!? - Lolita's…. 1064 00:55:22,367 --> 00:55:23,880 {\a1\pos(320,1020)}- I threw it out on the roof. - Biff ! 1065 00:55:24,047 --> 00:55:26,277 {\a1\pos(320,1020)}Listen, Dixie, I found this in my pocket… 1066 00:55:26,447 --> 00:55:28,597 {\a1\pos(320,1020)}… somebody slipped it there, but I didn't think they'd believe that. 1067 00:55:28,767 --> 00:55:30,086 They aren't believing anything. 1068 00:55:30,407 --> 00:55:32,921 {\a1\pos(320,1020)}So I backed up towards the window and… 1069 00:55:33,407 --> 00:55:35,080 {\a1\pos(320,1020)}For once a comic showed some brains… Get rid of it! 1070 00:55:35,247 --> 00:55:37,886 Oh no, Dixie. I couldn't do that. 1071 00:55:38,407 --> 00:55:39,556 I've been thinking. 1072 00:55:40,247 --> 00:55:41,396 I was a coward. 1073 00:55:42,527 --> 00:55:43,482 Biff. 1074 00:55:43,847 --> 00:55:45,883 {\a1\pos(320,1020)}This is evidence. Important evidence. 1075 00:55:46,047 --> 00:55:47,321 This is the murder weapon… 1076 00:55:47,487 --> 00:55:49,125 … and they're bearing down on - you! 1077 00:55:49,287 --> 00:55:51,642 {\a1\pos(320,1020)}Do you think I could think of myself… 1078 00:55:52,287 --> 00:55:53,879 {\a1\pos(320,1020)}- I'm gonna turn it in. - If they… 1079 00:55:54,047 --> 00:55:55,480 …won't believe you? 1080 00:55:55,887 --> 00:55:56,984 I'll have to take that chance, Dixie. 1081 00:55:56,997 --> 00:55:58,599 When I saw you in trouble up there… 1082 00:55:58,767 --> 00:56:01,042 …Harragan putting you around, I.. 1083 00:56:01,207 --> 00:56:02,322 Yes, I know. 1084 00:56:02,527 --> 00:56:03,960 You stuck up for me. 1085 00:56:05,207 --> 00:56:06,526 That was swell of you. 1086 00:56:08,127 --> 00:56:10,243 {\a1\pos(320,1020)}Maybe you changed your mind about me? 1087 00:56:10,607 --> 00:56:13,041 Well, now, don't rush me…. 1088 00:56:13,767 --> 00:56:16,804 After all, you are a comic. 1089 00:56:17,087 --> 00:56:18,884 It'll be swell to think you had… 1090 00:56:19,407 --> 00:56:20,522 Maybe you're worried. 1091 00:56:21,487 --> 00:56:23,876 Maybe for a few minutes, you… 1092 00:56:27,087 --> 00:56:28,202 Biff ! 1093 00:56:32,927 --> 00:56:36,476 {\a1\pos(320,1020)}Oh, my goodness, you two certainly have strange tastes in romance. 1094 00:56:36,807 --> 00:56:40,482 {\a1\pos(320,1020)}Imagine being alone in a room where a woman was murdered. 1095 00:56:40,687 --> 00:56:41,540 And with a man! 1096 00:56:41,607 --> 00:56:43,562 {\a1\pos(320,1020)}We wanted you to join the party… Looks like we broke one up. 1097 00:56:43,727 --> 00:56:46,560 {\a1\pos(320,1020)}I'm coming. But pipe this - the picture of La Verne's mother is gone! 1098 00:56:46,727 --> 00:56:48,319 {\a1\pos(320,1020)}- Was it there tonight? - She never let it out of her sight! 1099 00:56:48,487 --> 00:56:50,159 She carried it here and home again. 1100 00:56:50,327 --> 00:56:52,045 She spoke to it, too…. 1101 00:56:52,207 --> 00:56:54,402 {\a1\pos(320,1020)}Oh Mr. Kelly will be so excited to hear about this… 1102 00:56:54,567 --> 00:56:57,877 {\a1\pos(320,1020)}Ah, don't, Angel! No more police until we get some sleep. 1103 00:56:58,047 --> 00:56:59,878 Biff, maybe we both could do with some of that. 1104 00:57:00,047 --> 00:57:03,562 {\a1\pos(320,1020)}Huhu, tonight I got too much on my mind for sleep. 1105 00:57:03,887 --> 00:57:04,922 Good night, Dixie. 1106 00:57:09,367 --> 00:57:11,061 Irish. 1107 00:57:43,247 --> 00:57:44,441 What you got in your hand there, Bud? 1108 00:57:44,607 --> 00:57:46,325 Oh nothing, I just… 1109 00:57:46,607 --> 00:57:47,403 Hello! 1110 00:57:47,567 --> 00:57:48,716 Don't make a move till I get down. 1111 00:57:48,887 --> 00:57:51,401 {\a1\pos(320,1020)}Who? Me? What's the matter with a guy getting a little fresh air out here. 1112 00:57:51,567 --> 00:57:53,285 {\a1\pos(320,1020)}Let's see what you were trying to tuck away, Funny Man! 1113 00:57:53,447 --> 00:57:54,596 Oh nothing, I was just…. 1114 00:57:54,767 --> 00:57:56,564 {\a1\pos(320,1020)}- Give! - Really, I just walked… 1115 00:57:56,727 --> 00:57:57,682 Give! 1116 00:57:59,647 --> 00:58:02,400 {\a1\pos(320,1020)}Well now, ain't the cute and pretty. The murder weapon! 00:58:02,647 --> 00:58:04,603 {\a1\pos(320,1020)}Or maybe you carried it for sentimental reasons? 1118 00:58:04,767 --> 00:58:07,486 {\a1\pos(320,1020)}- Why did ya kill La Verne? - Ain't that just like a flatfoot… 1119 00:58:07,647 --> 00:58:09,126 I found it in my pocket, planted… 1120 00:58:09,287 --> 00:58:10,766 {\a1\pos(320,1020)}That's why I was looking for you to give it to you… 1121 00:58:10,927 --> 00:58:13,521 {\a1\pos(320,1020)}You found it? You were going to give it to me? Out here? 1122 00:58:13,687 --> 00:58:15,757 {\a1\pos(320,1020)}Well, it's dark and I had to look for you… 1123 00:58:15,927 --> 00:58:17,121 Oh you had a look, did you? 1124 00:58:17,287 --> 00:58:19,039 {\a1\pos(320,1020)}Were you looking for me down the drain pipe? 1125 00:58:19,207 --> 00:58:22,005 {\a1\pos(320,1020)}Do I look like the kind of guy you'd find on a drain pipe? 1126 00:58:23,007 --> 00:58:26,443 {\a1\pos(320,1020)}Maybe I wouldn't look in such a classy spot for such a dumb flatfoot… 1127 00:58:26,607 --> 00:58:29,679 {\a1\pos(320,1020)}The Inspector is going to be plenty interested in a guy who tries to get rid of a murder weapon. 1128 00:58:29,847 --> 00:58:31,405 {\a1\pos(320,1020)}We'll just take a litte ride down to headquarters. 1129 00:58:31,567 --> 00:58:33,159 {\a1\pos(320,1020)}Oh, sure, we'll be down and see the Inspector… 1131 00:58:33,527 --> 00:58:34,880 {\a1\pos(320,1020)}That's why I was looking for you in the first place. 1132 00:58:35,047 --> 00:58:37,242 {\a1\pos(320,1020)}Now I will explain it again. It was dark and I was looking for you.... 1133 00:58:37,807 --> 00:58:41,322 {\a1\pos(320,1020)}…and I bent down to get a better look at the upstairs dressing room, you see? 1134 00:58:41,487 --> 00:58:44,047 {\a1\pos(320,1020)}My arm was hanging down by the drain pipe and… 1135 00:58:46,487 --> 00:58:48,318 What is that drain pipe doing there? 1136 00:58:49,527 --> 00:58:51,324 I can confirm that, Officer! 1137 00:58:51,487 --> 00:58:53,921 {\a1\pos(320,1020)}I'm sure Mr. Brannigan wanted to do his duty. 1138 00:58:54,487 --> 00:58:57,320 He was so worried about important evidence! 1139 00:58:57,967 --> 00:58:59,161 Well I'm through talking, go on you… 1140 00:58:59,327 --> 00:59:02,717 {\a1\pos(320,1020)}You burlesque people are on such a merry-go-round, you'll have me catchin' brass rings. 1141 00:59:02,887 --> 00:59:04,366 Did this guy give you a chuckle, Dixie? 1142 00:59:04,527 --> 00:59:06,802 {\a1\pos(320,1020)}He couldn't find a gold fish in a cold cream jar. 1143 00:59:06,967 --> 00:59:09,401 {\a1\pos(320,1020)}You weren't using that drain pipe for a Maypole… 1144 00:59:09,567 --> 00:59:11,558 Oh now listen, Dixie, I was just… 1145 00:59:15,167 --> 00:59:18,000 {\a1\pos(320,1020)}Oh well, maybe that little kiss was worth it. 1146 00:59:18,327 --> 00:59:20,637 {\a1\pos(320,1020)}Good thing for you. It's the last little kiss you'll get from this working girl. 1147 00:59:20,807 --> 00:59:23,037 {\a1\pos(320,1020)}Maybe life in the electric chair wouldn't be so bad. 1148 00:59:23,207 --> 00:59:25,243 Maybe you'll get a try. Come on…. 1149 00:59:28,567 --> 00:59:30,398 Good-bye, Dixie! 1150 00:59:31,087 --> 00:59:32,803 So long, Comic! 1151 00:59:53,567 --> 00:59:54,602 Hotel Benard. 1152 01:00:05,247 --> 01:00:06,302 Taxi. 1153 01:00:07,567 --> 01:00:08,477 Follow that cab… 1154 01:01:27,887 --> 01:01:28,922 What's the matter, Dixie? 1155 01:01:29,087 --> 01:01:31,476 {\a1\pos(320,1020)}You're not worried about that lug sitting in the cell, are you? 1156 01:01:31,647 --> 01:01:34,559 {\a1\pos(320,1020)}No, I was thinking how we felt when we pulled out of Columbus. 1157 01:01:34,807 --> 01:01:37,356 {\a1\pos(320,1020)}The Old Opera was going to be the last rung in the ladder to the Great White Way! 1158 01:01:37,527 --> 01:01:39,995 {\a1\pos(320,1020)}- You are doing all right. - Oh, sure, fine… 1159 01:01:40,447 --> 01:01:42,438 {\a1\pos(320,1020)}First we run into comics, then murderers… 1160 01:01:42,607 --> 01:01:45,917 {\a1\pos(320,1020)}…and now that Cossack from Canarsy is on in my spot! 1161 01:01:55,007 --> 01:01:55,837 Hi. 1162 01:01:56,087 --> 01:01:56,997 I was expecting you. 1163 01:01:57,167 --> 01:01:58,998 {\a1\pos(320,1020)}Then maybe you were expecting my two weeks notice… 1164 01:01:59,167 --> 01:02:01,123 {\a1\pos(320,1020)}…and, on second thought, no notice, do me…! 1165 01:02:01,287 --> 01:02:02,720 Is it so bad? 1166 01:02:04,127 --> 01:02:05,685 I'm not working burlesque for laughs! 1167 01:02:05,847 --> 01:02:07,565 {\a1\pos(320,1020)}This little girl's got her way to make in the world. 1168 01:02:07,727 --> 01:02:09,160 {\a1\pos(320,1020)}When you brought me here you promised me the moon! 1169 01:02:09,327 --> 01:02:10,918 {\a1\pos(320,1020)}Now I'm getting green cheese and not liking it. 1170 01:02:10,987 --> 01:02:11,922 Why? I've been doing all right! 1171 01:02:11,987 --> 01:02:14,360 My face hasn't fallen apart since yesterday. 1172 01:02:14,567 --> 01:02:15,443 I know. 1173 01:02:16,927 --> 01:02:18,679 She wants to get out of burlesque. 1174 01:02:19,167 --> 01:02:21,681 {\a1\pos(320,1020)}She wants me to produce a show for her. I told her to wait… 1175 01:02:22,567 --> 01:02:24,046 …she gets impatient, so… 1176 01:02:25,447 --> 01:02:26,596 The family, huh? 1177 01:02:32,407 --> 01:02:34,523 {\a1\pos(320,1020)}So that's the fire that started in Toledo. 1178 01:02:36,287 --> 01:02:38,642 {\a1\pos(320,1020)}She went to South America and then she came back. 1179 01:02:40,167 --> 01:02:42,761 Letters, cancelled cheques, copies of… 1180 01:02:45,127 --> 01:02:46,196 Yeah, I get it… 1181 01:02:47,847 --> 01:02:48,757 Dixie... 1182 01:02:51,327 --> 01:02:53,443 … I don't know what to do. 1183 01:02:55,127 --> 01:02:57,100 Don't worry. Everything's gonna be all right. 1184 01:03:20,247 --> 01:03:22,715 You look thoughtful, Miss Daisy. 1185 01:03:23,007 --> 01:03:24,998 Thoughtful has no words, Stacchi. 1186 01:03:25,367 --> 01:03:26,925 I am not surprised. 1187 01:03:29,967 --> 01:03:32,323 {\a1\pos(320,1020)}Every day there is more and more trouble around the Old Opera. 1188 01:03:32,487 --> 01:03:33,681 Not like the old days, huh? 1189 01:03:33,847 --> 01:03:36,884 {\a1\pos(320,1020)}We had trouble then, not murders maybe… but… 1190 01:03:37,047 --> 01:03:39,436 … I could tell you … 1191 01:03:40,167 --> 01:03:41,759 Don't you ever look at the labels? 1192 01:03:42,207 --> 01:03:44,517 {\a1\pos(320,1020)}After 35 years, I know what box belongs to who. 1193 01:03:45,447 --> 01:03:47,517 And one for Miss Daisy. 1194 01:03:48,847 --> 01:03:52,556 {\a1\pos(320,1020)}Yes, I believe we are the oldest thing yet in the theatre. 1195 01:03:53,447 --> 01:03:54,960 The Box… 1196 01:03:55,127 --> 01:03:57,119 … the Hermit… 1197 01:03:58,247 --> 01:03:59,839 and me. 1198 01:04:00,847 --> 01:04:03,281 {\a1\pos(320,1020)}Another one from the old gay in row three. 1199 01:04:03,847 --> 01:04:05,565 Is that a new wrinkle, Stacchi ? 1200 01:04:05,887 --> 01:04:09,436 {\a1\pos(320,1020)}In the old days, the prima donnas would get those… 1201 01:04:09,647 --> 01:04:13,606 {\a1\pos(320,1020)}…maybe from one of the boxes with dozens of roses. 1202 01:04:14,287 --> 01:04:18,280 {\a1\pos(320,1020)}And after the performce is over we of the company would wait… 1203 01:04:18,447 --> 01:04:21,086 {\a1\pos(320,1020)}.. and see the prima donnas go out… 1204 01:04:21,367 --> 01:04:22,344 … and there would be crowds… 1205 01:04:22,407 --> 01:04:25,080 {\a1\pos(320,1020)}…and the wealtiest men in the city, waiting… 1206 01:04:25,247 --> 01:04:28,762 … in evening clothes and carriages. 1207 01:04:30,647 --> 01:04:31,523 I... 1208 01:04:32,607 --> 01:04:35,201 …I was baritone. 1209 01:04:41,207 --> 01:04:44,040 Then you lost your voice, huh? 1210 01:04:46,367 --> 01:04:49,439 So I took up smoking a pipe… 1211 01:04:49,607 --> 01:04:50,835 ... and sitting here. 1212 01:04:51,767 --> 01:04:53,804 {\a1\pos(320,1020)}We were no better than you people with saving the money. 1213 01:04:54,967 --> 01:04:57,356 {\a1\pos(320,1020)}Well, home again after 20 years in the clink… 1214 01:04:57,527 --> 01:04:58,846 ... Framed by the villain. 1215 01:04:59,007 --> 01:05:00,884 {\a1\pos(320,1020)}The light in the window, the faithful caretaker… 1216 01:05:01,047 --> 01:05:03,436 {\a1\pos(320,1020)}…and the little woman… - They give you a watchdog? 1217 01:05:03,647 --> 01:05:06,525 {\a1\pos(320,1020)}No exactly Miss Daisy. If you will tell Miss Angel I'm here? 1218 01:05:06,727 --> 01:05:07,716 What's this? 1219 01:05:08,687 --> 01:05:10,643 {\a1\pos(320,1020)}Ha, you're behind in your literature, Irish! 1220 01:05:10,807 --> 01:05:12,479 These are 35 years old. 1221 01:05:12,647 --> 01:05:13,966 You weigh your way in with this literature. 1222 01:05:14,127 --> 01:05:16,277 {\a1\pos(320,1020)}I learned more about burlesque in five minutes… 1223 01:05:16,447 --> 01:05:18,836 {\a1\pos(320,1020)}…than I did all the time that I.. - Yeah, well...hurry it up.. 1224 01:05:19,007 --> 01:05:21,521 {\a1\pos(320,1020)}…or we'll send Joey again and you can sit in the clink for good. 1225 01:05:21,687 --> 01:05:22,756 Get a load of that guy… 1226 01:05:22,927 --> 01:05:24,963 {\a1\pos(320,1020)}- How come you're out… - Oh that had to let me go… 1227 01:05:25,127 --> 01:05:26,196 {\a1\pos(320,1020)}- … new evidence… - Yeah? 1228 01:05:26,367 --> 01:05:28,756 {\a1\pos(320,1020)}They found Louie's car right around the corner from the theatre. 1229 01:05:28,927 --> 01:05:30,265 {\a1\pos(320,1020)}…so he didn't use that in his getaway. 1230 01:05:30,327 --> 01:05:31,824 {\a1\pos(320,1020)}They didn't find La Verne's picture of her mother… 1231 01:05:31,987 --> 01:05:33,439 {\a1\pos(320,1020)}… but they´did find the frame. - Where? 1232 01:05:33,607 --> 01:05:35,199 They won't say where… 1233 01:05:35,367 --> 01:05:37,881 {\a1\pos(320,1020)}They found Lolita's bank book in her appartment. 1234 01:05:38,047 --> 01:05:40,245 {\a1\pos(320,1020)}Yesterday, she drew 10,000 smackers out of the bank… 1235 01:05:40,307 --> 01:05:41,804 Now, where did that money go to? 1236 01:05:41,967 --> 01:05:44,401 {\a1\pos(320,1020)}Maybe down the drain pipe with the rest of the evidence. 1237 01:05:44,567 --> 01:05:47,525 {\a1\pos(320,1020)}Aren't you a teeny weeny bit glad to see me back? 1238 01:05:48,327 --> 01:05:49,316 No. 1239 01:05:51,207 --> 01:05:52,037 OK. 1240 01:05:52,207 --> 01:05:54,357 {\a1\pos(320,1020)}You'll see me in a minute. We're on next. 1241 01:06:05,327 --> 01:06:08,080 {\a1\pos(320,1020)}Imagine you being here tonight, Mr. Kelly. 1242 01:06:11,127 --> 01:06:13,322 {\a1\pos(320,1020)}Everything is happening to me tonight. 1243 01:06:14,607 --> 01:06:17,724 {\a1\pos(320,1020)}Tonight I do my fifth specialty. 1244 01:06:17,887 --> 01:06:21,436 {\a1\pos(320,1020)}Well, I'll be right there to give you my encouragement. 1245 01:06:21,647 --> 01:06:22,966 Oh, thank you. 1246 01:06:23,287 --> 01:06:26,280 {\a1\pos(320,1020)}Of course, now I have to watch my weight much closer… 1247 01:06:28,527 --> 01:06:31,519 {\a1\pos(320,1020)}The Inspector doesn't like us to eat candy on the duty… 1248 01:06:31,687 --> 01:06:33,757 {\a1\pos(320,1020)}…but after all, this is an important case. 1249 01:06:33,927 --> 01:06:37,761 {\a1\pos(320,1020)}Please, Mr. Kelly. Please don't talk about the murder. 1250 01:06:37,927 --> 01:06:39,440 So drearsome. 1251 01:06:39,647 --> 01:06:40,680 Who do you think done it? 1252 01:06:40,807 --> 01:06:42,196 Well, it could be almost anybody. 1253 01:06:43,367 --> 01:06:46,165 {\a1\pos(320,1020)}Oh, do you really think so, Mr. Kelly ? 1254 01:06:48,767 --> 01:06:49,597 Here are your pals. 1255 01:06:49,767 --> 01:06:51,519 {\a1\pos(320,1020)}You wanna headline them some of your big discoveries? 1256 01:06:51,687 --> 01:06:53,803 - Come on, get on stage! - OK. 1257 01:07:06,927 --> 01:07:07,564 Well, well, well!... 1258 01:07:07,727 --> 01:07:09,445 {\a1\pos(320,1020)}… Here I am in a strange and foreign country… 1259 01:07:09,607 --> 01:07:12,246 {\a1\pos(320,1020)}…and before me stands the mysterious Egyptian gezekabut. 1260 01:07:12,447 --> 01:07:14,405 {\a1\pos(320,1020)}This is the land of the Tse- Tse fly the Guna- Guna bird and… 1261 01:07:14,567 --> 01:07:15,602 …the Can- Can girl… 1262 01:07:15,767 --> 01:07:17,997 {\a1\pos(320,1020)}… and those strange mysterious love potions… 1263 01:07:18,167 --> 01:07:20,522 …which nowadays we call "vitamin pills". 1264 01:07:20,687 --> 01:07:22,439 I am what is knows as an archeologist. 1265 01:07:22,647 --> 01:07:24,603 {\a1\pos(320,1020)}An archeologist that's a guy that digs up mummies. 1266 01:07:24,767 --> 01:07:27,440 {\a1\pos(320,1020)}Why the other day I dig up a mummy and he was a hepcat. 1267 01:07:27,607 --> 01:07:28,926 How did I know he was a hepcat? 1268 01:07:29,087 --> 01:07:31,726 {\a1\pos(320,1020)}Because he turned to me and said: "Do you dig me, Jack?" 1269 01:07:37,007 --> 01:07:38,838 It's the Princess! Another… 1270 01:07:39,807 --> 01:07:41,365 Around the neck again… 1271 01:07:44,567 --> 01:07:45,920 Bring the curtain down! 1272 01:07:50,247 --> 01:07:51,919 All right, step aside… 1273 01:07:51,967 --> 01:07:53,002 Where does that box come from? 1274 01:07:53,167 --> 01:07:53,917 Prop room…. 1275 01:07:54,087 --> 01:07:55,076 Get in there… 1276 01:07:55,247 --> 01:07:56,726 Oh Mr. Kelly, don't leave me. 1277 01:07:56,887 --> 01:07:59,447 {\a1\pos(320,1020)}Boss, somebody just knocked off the Princess! 1278 01:08:07,847 --> 01:08:09,360 When was she last seen alive? 1279 01:08:09,527 --> 01:08:10,357 After her number, I guess… 1280 01:08:10,527 --> 01:08:11,437 Inspector… 1281 01:08:11,767 --> 01:08:12,916 … Inspector, could it… 1282 01:08:13,167 --> 01:08:13,920 … could it be suicide? 1283 01:08:19,007 --> 01:08:19,917 It's Louie! 1284 01:08:26,527 --> 01:08:27,482 Get back! 1285 01:08:34,127 --> 01:08:35,355 The lights out! 1286 01:08:35,527 --> 01:08:37,518 Give me some help! 1287 01:08:42,047 --> 01:08:43,366 Put a spot in him! 1288 01:08:46,767 --> 01:08:49,440 {\a1\pos(320,1020)}He was hiding in the prop room and the he got me first. 1289 01:08:49,607 --> 01:08:50,676 Is there another way to the ceiling? 1290 01:08:50,847 --> 01:08:53,315 {\a1\pos(320,1020)}There's another ladder of there. You can take him from both sides. 1291 01:08:53,487 --> 01:08:54,920 Kelly, Mel, get over there! 1292 01:08:55,927 --> 01:08:57,042 You're surrounded, Louie! 1293 01:08:57,207 --> 01:09:00,643 You won't get me back in the clink, Copper! 1294 01:09:03,687 --> 01:09:06,201 Hurry up, I've been waiting for you! 1295 01:09:13,767 --> 01:09:16,042 I ain't done it! I didn't kill her! 1296 01:09:16,247 --> 01:09:18,317 You're not getting me for it, Copper! 1297 01:09:33,567 --> 01:09:34,841 I told you to stay back! 1298 01:09:36,207 --> 01:09:37,640 I told you to lay off 1299 01:09:40,087 --> 01:09:42,043 I told you, you won't get me! 1300 01:09:57,167 --> 01:09:58,566 Guilty or not…. 1301 01:09:59,327 --> 01:10:00,966 {\a1\pos(320,1020)}…he was afraid of a rap before it was even pinned on him. 1302 01:10:01,927 --> 01:10:02,757 Well… 1303 01:10:02,967 --> 01:10:05,435 …we can cross off one of our question marks. 1304 01:10:05,767 --> 01:10:07,678 {\a1\pos(320,1020)}Or hang one on more on our collection 1305 01:10:07,847 --> 01:10:09,360 Don't look at me as if I were crazy. 1306 01:10:09,527 --> 01:10:12,599 {\a1\pos(320,1020)}Put it down to woman's intuition but I'm sure feeling a chunk of it. 1307 01:10:12,927 --> 01:10:14,883 Why should he kill the Princess? 1308 01:10:15,447 --> 01:10:17,642 {\a1\pos(320,1020)}If we knew all the motives in murder cases, Miss Daisy, … 1309 01:10:17,807 --> 01:10:19,240 … there would be no mysteries. 1310 01:10:19,407 --> 01:10:21,284 {\a1\pos(320,1020)}And besides, the prop room was locked! 1311 01:10:21,567 --> 01:10:23,125 {\a1\pos(320,1020)}- What's that? - It was, allright… 1312 01:10:23,287 --> 01:10:26,006 {\a1\pos(320,1020)}If he were inside he couldn't 've got out to kill the Princess! 1313 01:10:29,487 --> 01:10:32,036 {\a1\pos(320,1020)}I guess, we gonna have to go upstairs again. 1314 01:10:33,527 --> 01:10:34,482 Round them up. 1315 01:10:34,647 --> 01:10:36,478 C'mon, girls… 1316 01:10:37,887 --> 01:10:40,526 - Hey, you, upstairs! - I... 1317 01:10:54,327 --> 01:10:57,046 {\a1\pos(320,1020)}- Jake. - Yes, Sir! 1318 01:10:58,767 --> 01:11:00,962 Why was the prop room locked? 1319 01:11:01,127 --> 01:11:01,923 Had to be… 1320 01:11:02,087 --> 01:11:05,204 {\a1\pos(320,1020)}Why only a month ago a certain comic walks out with a boundle of my dishes… 1321 01:11:05,367 --> 01:11:06,595 …and he says it's his laundry! 1322 01:11:06,767 --> 01:11:10,476 {\a1\pos(320,1020)}Why that guy never owned more than one shirt at a time in his life! 1323 01:11:10,647 --> 01:11:11,921 {\a1\pos(320,1020)}- That's a lie! - What's a lie? 1324 01:11:12,087 --> 01:11:14,681 {\a1\pos(320,1020)}That you stole my dishes or you got only one shirt? 1325 01:11:15,167 --> 01:11:17,123 Inspector, the way I figure't is… 1326 01:11:17,407 --> 01:11:18,317 Go on, Jake! 1327 01:11:18,487 --> 01:11:20,603 {\a1\pos(320,1020)}...Well, last night, the prop room was open. 1328 01:11:20,767 --> 01:11:22,325 {\a1\pos(320,1020)}Some of the liquor was stored there for the party and… 1329 01:11:22,487 --> 01:11:24,717 {\a1\pos(320,1020)}Louie must have run into the basement and ducked there. 1330 01:11:24,887 --> 01:11:26,957 {\a1\pos(320,1020)}Then we trapped him when we went in for that bracer. 1331 01:11:27,127 --> 01:11:28,845 And I locked the door when we left. 1332 01:11:29,167 --> 01:11:30,486 He couldn't have got out after you left? 1333 01:11:30,647 --> 01:11:31,716 No, Sir! 1334 01:11:32,247 --> 01:11:35,398 {\a1\pos(320,1020)}Well, seems like we're right back where we started. 1335 01:11:37,167 --> 01:11:38,395 Eh, Mr. Brannigan... 1336 01:11:38,567 --> 01:11:41,365 {\a1\pos(320,1020)}… too bad we, eh, didn't release you after this killing. 1337 01:11:41,967 --> 01:11:45,323 {\a1\pos(320,1020)}Miss Daisy, Mr. Rogers, Miss Baxter... 1338 01:11:45,487 --> 01:11:47,557 {\a1\pos(320,1020)}We found it when we went over the prop room. 1339 01:11:49,847 --> 01:11:51,280 … from anybody here… 1340 01:11:51,447 --> 01:11:52,402 … you, Jake ? 1341 01:11:52,767 --> 01:11:55,201 I, yes, I…. 1342 01:11:55,607 --> 01:11:57,359 Yes, if it is the picture of the mother 1344 01:12:05,927 --> 01:12:06,962 I found it, honest I found it… 1345 01:12:07,127 --> 01:12:08,446 …. like I did the frame. 1346 01:12:08,607 --> 01:12:10,438 {\a1\pos(320,1020)}Just after the ruckus about the party. 1347 01:12:10,607 --> 01:12:12,438 I was gonna turn it in, too…. 1348 01:12:12,447 --> 01:12:15,007 …it was torn and you scared me and I... 1349 01:12:15,167 --> 01:12:18,079 {\a1\pos(320,1020)}There is no reason for you to be scared, unless you're guilty, Jake! 1350 01:12:18,247 --> 01:12:19,680 You don't believe me! 1351 01:12:21,287 --> 01:12:24,677 {\a1\pos(320,1020)}Listen, there's plenty people been acting suspicious around here lately. 1352 01:12:24,847 --> 01:12:26,963 {\a1\pos(320,1020)}You never said nothing about knowing the Princess! 1353 01:12:27,127 --> 01:12:31,006 {\a1\pos(320,1020)}Asking why he took her to her hotel last night and went upstairs with her, too! 1354 01:12:31,167 --> 01:12:32,725 Ask her, why she followed him. 1355 01:12:32,887 --> 01:12:34,843 {\a1\pos(320,1020)}Why she was still sitting there when I left. 1356 01:12:34,847 --> 01:12:37,156 {\a1\pos(320,1020)}Why did you follow the Princess, Jake? 1357 01:12:37,727 --> 01:12:39,604 Well, I was just trying to help. 1358 01:12:39,767 --> 01:12:41,359 Yes - Yes, Jake? 1359 01:12:42,167 --> 01:12:44,123 {\a1\pos(320,1020)}- Nothing. - Inspector,… 1360 01:12:45,287 --> 01:12:46,959 ... he was only trying to help me. 1361 01:12:47,207 --> 01:12:48,720 Mr. Foss? 1362 01:12:48,847 --> 01:12:49,916 I lied. 1363 01:12:50,127 --> 01:12:52,118 {\a1\pos(320,1020)}The Princess did work in my Toledo theatre… We were… 1364 01:12:52,287 --> 01:12:55,246 …we were well acquainted. 1365 01:12:55,687 --> 01:12:57,325 Blackmail, Mr. Foss ? 1366 01:12:58,967 --> 01:12:59,922 I see… 1367 01:13:01,607 --> 01:13:03,040 And where do you come in, Jake? 1368 01:13:03,207 --> 01:13:04,720 I'd been with them in Toledo. 1369 01:13:04,887 --> 01:13:06,445 I knew she had him on the spot. 1370 01:13:06,607 --> 01:13:08,916 {\a1\pos(320,1020)}I thought if I found out something I would make her lay off! 1371 01:13:09,607 --> 01:13:10,483 Listen…. 1372 01:13:11,167 --> 01:13:13,000 {\a1\pos(320,1020)}…when my wife was sick, I found the hospital money in my envelope… 1373 01:13:13,167 --> 01:13:14,361 without even asking. 1374 01:13:15,167 --> 01:13:17,317 Things like that you can't repay. 1375 01:13:18,607 --> 01:13:21,519 {\a1\pos(320,1020)}Sometimes a person can find a way, Jake! 1376 01:13:22,487 --> 01:13:25,001 {\a1\pos(320,1020)}Was the Princess satisfied with what you were getting her? 1377 01:13:25,767 --> 01:13:27,166 Eh, she kept quiet. 1378 01:13:27,527 --> 01:13:28,721 She wanted a lot. 1379 01:13:30,087 --> 01:13:33,875 {\a1\pos(320,1020)}You had every reason to wish that she were dead, didn't you? 1380 01:13:34,047 --> 01:13:36,277 {\a1\pos(320,1020)}- Inspector, I... - Uh, Miss Baxter... 1381 01:13:36,447 --> 01:13:38,881 …I beg your pardon, Mrs. Rogers…. 1382 01:13:39,767 --> 01:13:42,440 {\a1\pos(320,1020)}…why were you following the Princess last night? 1383 01:13:43,447 --> 01:13:45,005 I couldn't make it out…. 1384 01:13:46,047 --> 01:13:47,321 First La Verne... 1385 01:13:47,967 --> 01:13:49,161 …then the Princess. 1386 01:13:51,327 --> 01:13:52,680 I was trying to figure the connection. 1387 01:13:52,847 --> 01:13:53,836 Naturally! 1388 01:13:54,527 --> 01:13:57,599 {\a1\pos(320,1020)}Mr. Rogers, why did you go home with the Princess? 1389 01:13:58,127 --> 01:14:01,244 {\a1\pos(320,1020)}Gentlemen don't usually… answer that question. 1390 01:14:01,407 --> 01:14:03,398 Since when were you a gentleman? 1391 01:14:05,007 --> 01:14:06,520 How long did you stay? 1392 01:14:06,767 --> 01:14:07,756 I can tell you! 1393 01:14:07,967 --> 01:14:10,879 {\a1\pos(320,1020)}I sat up long enough in that lobby chair to fall asleep. 1394 01:14:11,447 --> 01:14:13,563 {\a1\pos(320,1020)}When I woke up he was standing at the cigar stand…. 1395 01:14:13,727 --> 01:14:17,481 {\a1\pos(320,1020)}... buying a box of cigars. And a humidor to put 'em in. 1396 01:14:17,687 --> 01:14:19,155 Cigars? Oh well! 1397 01:14:19,727 --> 01:14:23,515 {\a1\pos(320,1020)}That doesn't sound very much as though he were in a murdering mood, does it? 1398 01:14:24,647 --> 01:14:26,558 {\a1\pos(320,1020)}You have any cigars on you now, Mr. Rogers? 1399 01:14:26,767 --> 01:14:28,644 Sure! Go ahead! 1400 01:14:33,527 --> 01:14:36,087 Ooohhh… excellent brand! Excellent! 1401 01:14:36,407 --> 01:14:38,285 {\a1\pos(320,1020)}My wife saves up sometimes and gives me these for a birthday present. 1402 01:14:38,887 --> 01:14:39,922 You always smoke 'em? 1403 01:14:40,087 --> 01:14:41,202 I like class. 1404 01:14:41,367 --> 01:14:44,564 {\a1\pos(320,1020)}That's a laugh! I smoked his cigars before. 1405 01:14:44,727 --> 01:14:46,001 Pounded seaweed. 1406 01:14:46,167 --> 01:14:47,441 As a matter of fact, I…. 1407 01:14:47,607 --> 01:14:49,677 {\a1\pos(320,1020)}You've changed to something a little more expensive. 1408 01:14:51,167 --> 01:14:52,680 I see…. Why Mr. Rogers? 1409 01:14:53,487 --> 01:14:55,877 {\a1\pos(320,1020)}Why suddenly switch to the most extravagant cigars you can buy? 1410 01:14:56,287 --> 01:14:58,881 {\a1\pos(320,1020)}And a whole box at a time, not the usual two or three… 1411 01:14:59,047 --> 01:15:00,685 …and a humidor to keep them in. 1412 01:15:01,087 --> 01:15:02,406 Why, Mr. Rogers? 1413 01:15:02,567 --> 01:15:03,761 Let me tell you! 1414 01:15:04,127 --> 01:15:07,278 {\a1\pos(320,1020)}10,000 Dollars is missing. Taken from the murdered woman. 1415 01:15:07,447 --> 01:15:09,597 {\a1\pos(320,1020)}Enough to buy a good many of these cigars. 1416 01:15:09,767 --> 01:15:11,758 {\a1\pos(320,1020)}- Money taken by you. - Oh, no. 1417 01:15:11,927 --> 01:15:14,521 {\a1\pos(320,1020)}La Verne was afraid of Louie. She was going to throw you over. 1418 01:15:14,687 --> 01:15:16,337 {\a1\pos(320,1020)}But you wanted the money she had promised. 1419 01:15:16,307 --> 01:15:18,282 {\a1\pos(320,1020)}Was that why she withdrew the 10,000 dollars? 1420 01:15:18,447 --> 01:15:19,880 Yes. She gave me that money. 1421 01:15:20,047 --> 01:15:21,878 When? What time a day? 1422 01:15:22,447 --> 01:15:25,201 {\a1\pos(320,1020)}Oh no, you took that money when she was dead. 1423 01:15:25,367 --> 01:15:28,404 Or dying. You poisoned her. 1424 01:15:28,567 --> 01:15:32,116 {\a1\pos(320,1020)}But she was strong. Tough. You watched her writhing and crawling toward the door. 1425 01:15:32,287 --> 01:15:33,925 {\a1\pos(320,1020)}- She was going to call for help. - Oh stop it! 1426 01:15:34,087 --> 01:15:35,759 {\a1\pos(320,1020)}- The Princess gave me the money. - The Princess? 1427 01:15:35,927 --> 01:15:37,883 {\a1\pos(320,1020)}- Sounds like a stall to me! - Please. 1428 01:15:38,527 --> 01:15:40,245 Why, Mr. Rogers? 1429 01:15:40,587 --> 01:15:41,645 Well, to produce my play. 1430 01:15:44,007 --> 01:15:45,645 She wanted to get out of burlesque. 1431 01:15:48,967 --> 01:15:50,400 I heard her kill La Verne. 1432 01:15:52,007 --> 01:15:52,996 Go on. 1433 01:15:53,527 --> 01:15:54,357 Well… 1434 01:15:54,527 --> 01:15:57,041 {\a1\pos(320,1020)}… after Louie left they were making cracks at me and I… 1435 01:15:57,647 --> 01:15:59,205 {\a1\pos(320,1020)}…went down to the Princess's room. 1436 01:15:59,367 --> 01:16:01,403 {\a1\pos(320,1020)}She wasn't there - she was up with La Verne. 1437 01:16:02,087 --> 01:16:04,043 {\a1\pos(320,1020)}I heard them talking through the ventilator… 1438 01:16:04,607 --> 01:16:07,724 {\a1\pos(320,1020)}Lolita knew about Toledo she'd been threatening to tell to 1439 01:16:07,887 --> 01:16:09,366 Foss' wife and crab the Princess's racket. 1440 01:16:09,807 --> 01:16:12,275 {\a1\pos(320,1020)}Last night Nirvena pretended she didn't mind paying off… 1441 01:16:12,447 --> 01:16:13,721 {\a1\pos(320,1020)}… that there was enough for both of them. 1442 01:16:13,887 --> 01:16:14,956 They drink to it. 1443 01:16:15,207 --> 01:16:17,004 I heard her fill the glasses and… 1444 01:16:17,687 --> 01:16:19,086 …then Lolita gagged. 1445 01:16:19,527 --> 01:16:21,063 And you sat by through that? 1446 01:16:22,247 --> 01:16:23,805 {\a1\pos(320,1020)}After a couple of minutes I went up. 1447 01:16:24,167 --> 01:16:26,442 {\a1\pos(320,1020)}The Princess was coming down from the 3rd floor. 1448 01:16:27,047 --> 01:16:30,323 {\a1\pos(320,1020)}When she left the room she must have heard someone 1449 01:16:30,487 --> 01:16:31,681 …coming up, the Strangler. He ducked upstairs. 1450 01:16:31,847 --> 01:16:33,200 But on the way down I… 1451 01:16:33,567 --> 01:16:35,178 {\a1\pos(320,1020)}…saw her open the door and look in for a minute. 1452 01:16:35,227 --> 01:16:36,685 {\a1\pos(320,1020)}Don't you see? That's why she had to be killed. 1453 01:16:36,747 --> 01:16:38,285 {\a1\pos(320,1020)}- She saw… - You, perhaps… 1454 01:16:38,447 --> 01:16:40,039 Did you come up to finish the job? 1455 01:16:40,207 --> 01:16:41,083 You knew about the money. 1456 01:16:41,247 --> 01:16:43,920 {\a1\pos(320,1020)}Lolita said she had it on her but it was gone when I took the g-string. 1457 01:16:44,087 --> 01:16:46,476 {\a1\pos(320,1020)}I oughta scatter your teeth for planting it on me. 1458 01:16:46,647 --> 01:16:49,320 {\a1\pos(320,1020)}- I had to get rid of it. - He makes me squirm. 1459 01:16:49,487 --> 01:16:51,637 He's not a very strong character. 1460 01:16:51,807 --> 01:16:53,206 Why should I kill the Princess? 1461 01:16:53,367 --> 01:16:55,358 Dead women tell no tales, Mr. Rogers. 1462 01:16:55,527 --> 01:16:58,039 {\a1\pos(320,1020)}No, no, I couldn't do it. Believe me, I couldn't. 1463 01:16:59,247 --> 01:17:01,000 No, I don't believe you could. 1464 01:17:01,167 --> 01:17:02,361 You let me go? 1465 01:17:02,647 --> 01:17:03,921 No, Mr. Rogers. 1466 01:17:04,447 --> 01:17:07,519 {\a1\pos(320,1020)}It's a very uncomfortable thing to be an accessory after the fact. 1467 01:17:09,287 --> 01:17:11,437 {\a1\pos(320,1020)}Take Mr. Rogers down to Headquarters. 1468 01:17:11,687 --> 01:17:12,517 Book him! 1469 01:17:13,727 --> 01:17:14,716 Russ! 1470 01:17:17,047 --> 01:17:18,356 {\a1\pos(320,1020)}You got me in this. Take you filthy hands off me! 1471 01:17:18,527 --> 01:17:19,801 Take it easy. 1472 01:17:22,247 --> 01:17:23,202 Inspector…. 1473 01:17:23,367 --> 01:17:25,597 {\a1\pos(320,1020)}…whatever I thought.. Well, I take it back. 1474 01:17:25,767 --> 01:17:27,156 {\a1\pos(320,1020)}- That certainly makes me feel relieved. - Me, too! 1475 01:17:27,327 --> 01:17:28,965 Then I hope not too relieved. 1476 01:17:29,327 --> 01:17:33,320 {\a1\pos(320,1020)}We've eliminated one suspect, Louie, and one mystery, the poison. 1477 01:17:33,807 --> 01:17:35,240 But the Strangler…. 1478 01:17:37,647 --> 01:17:39,842 {\a1\pos(320,1020)}Well, Miss Daisy, does your woman's intuition tell you… 1479 01:17:40,007 --> 01:17:41,520 … Mr. Rogers is guilty? 1480 01:17:41,887 --> 01:17:42,922 No. 1481 01:17:43,807 --> 01:17:46,445 {\a1\pos(320,1020)}I must warn you all to stay as far away from the theatre as possible. 1482 01:17:46,607 --> 01:17:49,566 {\a1\pos(320,1020)}The murderer will probably strike again. 1483 01:17:50,647 --> 01:17:53,480 In fact it might be best to close the… 1484 01:17:54,847 --> 01:17:55,882 Close the… 1485 01:17:59,007 --> 01:18:02,716 There will be no show tomorrow. 1486 01:18:03,967 --> 01:18:05,798 {\a1\pos(320,1020)}You can come to my office for your cheques. 1487 01:18:06,647 --> 01:18:07,557 That's all. 1488 01:18:23,527 --> 01:18:24,516 Wait a minute… 1489 01:18:27,247 --> 01:18:30,637 {\a1\pos(320,1020)}I'm not exactly used to making speeches. 1490 01:18:30,807 --> 01:18:33,480 {\a1\pos(320,1020)}It isn't my beautiful diction that gets me by in burlesque… 1491 01:18:33,647 --> 01:18:34,636 …but here goes. 1492 01:18:34,847 --> 01:18:37,645 {\a1\pos(320,1020)}This murderer seems to have done pretty well what he tried to do - … 1493 01:18:37,807 --> 01:18:39,081 … close the Old Opera. 1494 01:18:39,287 --> 01:18:40,117 First he pulled the raid… 1495 01:18:40,287 --> 01:18:43,165 {\a1\pos(320,1020)}… and when that wasn't enough he really started putting on the pressure. 1496 01:18:43,847 --> 01:18:45,565 Now it looks he's gonna get what he wants… 1497 01:18:45,727 --> 01:18:47,524 {\a1\pos(320,1020)}… and darned if I'm for letting him get away with it. 1498 01:18:47,687 --> 01:18:50,677 {\a1\pos(320,1020)}And darned if I'm for sticking around to get strangled with my own bead work. 1499 01:18:50,747 --> 01:18:52,044 {\a1\pos(320,1020)}I've left a lof of jobs in my time… 1500 01:18:52,247 --> 01:18:55,796 {\a1\pos(320,1020)}…but I always stuck until the last kick in the pants if the job was worth having. 1501 01:18:56,087 --> 01:18:59,682 {\a1\pos(320,1020)}And I'm not gonna be scared out of the best job I ever had by a couple of ghosts. 1502 01:18:59,927 --> 01:19:03,556 {\a1\pos(320,1020)}We're all stockholders, aren't we? We've got a right to protect our property. 1503 01:19:03,727 --> 01:19:06,719 {\a1\pos(320,1020)}We've got a stake in seeing that the Old Opera keeps going. 1504 01:19:08,487 --> 01:19:09,317 You know... 1505 01:19:10,287 --> 01:19:12,721 {\a1\pos(320,1020)}…once I thought I wanted to get out of burlesque. 1506 01:19:12,887 --> 01:19:14,240 Now I'm not so sure. 1507 01:19:16,167 --> 01:19:18,044 Maybe I'm not so snooty anymore. 1508 01:19:20,087 --> 01:19:22,282 Maybe I just wanna stick around… 1509 01:19:22,687 --> 01:19:25,485 …with Gee Gee, Dolly... 1510 01:19:27,087 --> 01:19:29,362 ...Fossy, and Jake, and Sammy, and... 1511 01:19:30,207 --> 01:19:33,085 ...Alice and Mandy, and... 1512 01:19:37,087 --> 01:19:39,362 {\a1\pos(320,1020)}… come on, who's gonna be the first to chip in with me? 1513 01:19:39,527 --> 01:19:45,404 {\a1\pos(320,1020)}- Count me in, Dixie. - We'll stick and stick and …stick. 1514 01:19:45,567 --> 01:19:51,319 {\a1\pos(320,1020)}All right, we're all bats but I'm bats but I'm bats with you! 1515 01:19:53,967 --> 01:19:55,685 Well, I guess I get dressed. 1519 01:20:02,087 --> 01:20:03,839 A surprising profession. 1521 01:20:10,247 --> 01:20:12,477 Who says I'm hurrying, I'm not… 1522 01:20:21,127 --> 01:20:24,722 {\a1\pos(320,1020)}Believe me, matinee are going to feel a lot better than night shows for a while. 1523 01:20:24,887 --> 01:20:27,118 {\a1\pos(320,1020)}Mr. Kelly said I was the bravest girl he'd ever seen. 1524 01:20:27,287 --> 01:20:29,084 I'm going out with him tonight. 1525 01:20:29,367 --> 01:20:33,201 {\a1\pos(320,1020)}And believe me, tonight's one night I'll be glad to have a policeman beside me. 1526 01:20:33,367 --> 01:20:34,516 What's the matter, Angel, scared? 1527 01:20:34,687 --> 01:20:38,282 {\a1\pos(320,1020)}Don't joke about it. I still haven't decided at whether I like you or not. 1528 01:20:40,407 --> 01:20:41,840 Darling…. 1529 01:20:42,207 --> 01:20:44,040 {\a1\pos(320,1020)}Well, I guess I'll have to get along without you tonight, Sarah Jane. 1530 01:20:45,207 --> 01:20:46,560 I'll finish this at home. 1531 01:20:47,127 --> 01:20:48,799 You needn't do that, Miss Daisy. 1532 01:20:49,487 --> 01:20:51,242 {\a1\pos(320,1020)}I noticed nothing ever happens after I come on. 1533 01:20:51,307 --> 01:20:52,565 {\a1\pos(320,1020)}.. I hear you had a little more excitement tonight. 1534 01:20:52,727 --> 01:20:53,682 A little… 1535 01:20:54,287 --> 01:20:55,003 So long… 1536 01:20:55,167 --> 01:20:56,395 {\a1\pos(320,1020)}- See you at the Peer. - Yes, sure. 1537 01:20:56,567 --> 01:20:58,523 {\a1\pos(320,1020)}I'll be back in a minute, I wanna get some cigarettes from the machine in the lobby. 1538 01:20:58,687 --> 01:21:00,803 {\a1\pos(320,1020)}I'll be ready then. Bring me a pack, too! 1539 01:21:03,087 --> 01:21:04,440 Where are you going, honey? 1540 01:21:04,527 --> 01:21:05,082 Who, me? 1541 01:21:05,967 --> 01:21:09,198 {\a1\pos(320,1020)}I'm going down to the Peerless Bar and Grill with the rest of you. 1542 01:21:09,367 --> 01:21:10,846 For a midnight snack…. 1543 01:21:11,847 --> 01:21:13,485 …and a whale of a time. 1544 01:21:42,167 --> 01:21:44,397 You can't even scream. 1545 01:21:44,887 --> 01:21:46,559 Your throat is tight. 1546 01:21:46,727 --> 01:21:48,763 Your tongue is dry. 1547 01:21:49,807 --> 01:21:51,684 "A few minutes" your friend said. 1548 01:21:51,847 --> 01:21:53,803 You're hoping there won't be time. 1549 01:21:54,007 --> 01:21:56,237 It took only a few seconds for Lolita. 1550 01:21:56,407 --> 01:21:59,843 {\a1\pos(320,1020)}A little longer for the Princess, but she wasn't half dead already. 1551 01:22:00,007 --> 01:22:03,477 {\a1\pos(320,1020)}And now… another lovely lady of burlesque… 1552 01:22:03,647 --> 01:22:05,683 The loveliest of them all. 1553 01:22:05,927 --> 01:22:08,395 I wanted to kill every woman on that stage. 1554 01:22:08,567 --> 01:22:11,561 {\a1\pos(320,1020)}Close the Old Opera. She'd be gone forever. 1555 01:22:11,627 --> 01:22:13,102 Once it was a place of glory! 1556 01:22:13,247 --> 01:22:16,364 You aren't afraid of ghosts? Then be one! 1557 01:22:20,047 --> 01:22:22,038 Not so free with the murder, pal! 1558 01:22:22,207 --> 01:22:24,562 Dixie, Dixie ! 1559 01:22:27,407 --> 01:22:29,796 Dixie, Honey, are you allright? 1560 01:22:32,047 --> 01:22:33,036 Dixie, Honey! 1561 01:22:33,207 --> 01:22:34,196 Biff. 1562 01:22:35,167 --> 01:22:36,600 {\a1\pos(320,1020)}You sound like you're glad to see the face. 1563 01:22:36,767 --> 01:22:39,679 {\a1\pos(320,1020)}I never was so glad to see a face in my life. 1564 01:22:40,287 --> 01:22:41,686 What were you doing out there? 1565 01:22:41,847 --> 01:22:42,836 {\a1\pos(320,1020)}- Who, me? - Yeah. 1566 01:22:43,007 --> 01:22:43,883 C'mon, sit down. 1567 01:22:45,007 --> 01:22:47,760 {\a1\pos(320,1020)}You remember a little grand standing that flat floot here misunderstood… 1568 01:22:47,927 --> 01:22:49,280 Yeah, the maypole 1569 01:22:49,447 --> 01:22:51,642 {\a1\pos(320,1020)}And the reading matter I educated myself with in the clink? 1570 01:22:51,807 --> 01:22:52,557 Yes. 1571 01:22:52,727 --> 01:22:54,001 Mr. Brannigan's taste in reading was ... 1572 01:22:54,167 --> 01:22:57,318 {\a1\pos(320,1020)}…unexpectedly useful. Very unexpectedly… 1573 01:22:57,327 --> 01:23:00,125 {\a1\pos(320,1020)}Right in the middle of it I found a dame's picture that looked familiar. 1574 01:23:00,287 --> 01:23:02,084 {\a1\pos(320,1020)}- La Verne's… - her mother, sure… 1575 01:23:02,247 --> 01:23:05,523 {\a1\pos(320,1020)}I didn't remember until I got a flash of that torn picture and checked it upstairs afterwards. 1576 01:23:05,687 --> 01:23:08,599 {\a1\pos(320,1020)}Then all I had to do was look at the name: Stacchiero. 1577 01:23:08,767 --> 01:23:12,555 {\a1\pos(320,1020)}Now everybody knows how Stacchi, or rather Stacchiero here was sour on burlesque. 1578 01:23:12,727 --> 01:23:15,878 {\a1\pos(320,1020)}It must have really thrown him off his net when he found his own granddaughter was working here. 1579 01:23:16,047 --> 01:23:17,162 Granddaughter? 1580 01:23:17,327 --> 01:23:19,761 {\a1\pos(320,1020)}Sure, you never know where you find a relative in show business, but… 1581 01:23:19,927 --> 01:23:22,521 {\a1\pos(320,1020)}… Grandpappy's pride couldn't swallow us. 1582 01:23:22,687 --> 01:23:24,917 {\a1\pos(320,1020)}You mean, you figured that out all by yourself? 1583 01:23:25,087 --> 01:23:26,281 Some grandstanding, eh? 1584 01:23:26,447 --> 01:23:29,325 {\a1\pos(320,1020)}Now the way I figure it while he was hiding in the cellar during the raid… 1585 01:23:29,487 --> 01:23:32,365 {\a1\pos(320,1020)}…he sees you flying for the coal chute and he really goes bats. 1586 01:23:32,527 --> 01:23:34,757 {\a1\pos(320,1020)}Next he tries his little strangling act on La Verne. 1587 01:23:34,927 --> 01:23:36,646 {\a1\pos(320,1020)}…The Princess catches him at it so that makes it her turn next. 1588 01:23:36,807 --> 01:23:39,196 {\a1\pos(320,1020)}And while I'm upstairs trying to sell this story to these two… 1589 01:23:39,367 --> 01:23:42,326 {\a1\pos(320,1020)}…I hear about Gee Gee being dumb enough to leave you alone so he could finish what he started. 1590 01:23:43,047 --> 01:23:45,481 {\a1\pos(320,1020)}Why didn't you just send him an engraved invitation, Honey? 1591 01:23:45,647 --> 01:23:47,160 Well, that does it! 1592 01:23:47,527 --> 01:23:49,995 {\a1\pos(320,1020)}Why you Hammond Bushling Hockshaw… 1593 01:23:50,167 --> 01:23:53,284 {\a1\pos(320,1020)}Dixie had a hunch it was Stacchi ever since she spotted his… 1594 01:23:53,447 --> 01:23:55,244 {\a1\pos(320,1020)}… hands in the mailbox, the hands that tried to choke her to Glory, so…. 1595 01:23:55,407 --> 01:23:56,886 … she framed all this. 1596 01:23:57,047 --> 01:24:00,278 {\a1\pos(320,1020)}I've been sitting down the stairs with him waiting for something to happen. 1597 01:24:00,447 --> 01:24:02,881 {\a1\pos(320,1020)}What we didn't know was that Stacchi was already in the room. 1598 01:24:03,047 --> 01:24:05,607 {\a1\pos(320,1020)}What I didn't know was that I'd be too scared even to scream. 1599 01:24:05,767 --> 01:24:07,917 {\a1\pos(320,1020)}But I had to try my hunch out some way. 1600 01:24:08,087 --> 01:24:10,396 {\a1\pos(320,1020)}Nobody seemed to think a lot of my intuition. 1601 01:24:10,607 --> 01:24:13,917 {\a1\pos(320,1020)}As I said before: burlesque is a surprising business. 1602 01:24:14,107 --> 01:24:16,867 {\a1\pos(320,1020)}So surprising it took a couple of artists just to figure this out. 1603 01:24:16,927 --> 01:24:18,397 Mr. Kelly, where were you? 1604 01:24:18,567 --> 01:24:20,125 I was waiting! 1605 01:24:20,527 --> 01:24:22,483 We, uh, I, uh, we had a… 1606 01:24:22,647 --> 01:24:24,285 You mean - Stacchi? 1607 01:24:26,167 --> 01:24:28,123 Oh, the things that happen around here… 1608 01:24:28,287 --> 01:24:31,404 - Alice! Are you all right? - Of course, I'm all right! 1610 01:24:36,967 --> 01:24:38,243 Hey… 1611 01:24:40,927 --> 01:24:41,837 Dixie! 1612 01:24:43,007 --> 01:24:45,680 {\a1\pos(320,1020)}I thought you was a girl that didn't like comics, even from a distance. 1613 01:24:45,887 --> 01:24:47,398 Well, from close this one isn't bad. 1614 01:24:47,607 --> 01:24:49,359 Say, what is this routine? 1615 01:24:49,527 --> 01:24:51,165 Oh, it's the same old routine. 1616 01:24:52,207 --> 01:24:53,799 But maybe with a different finish. 1617 01:24:53,967 --> 01:24:55,036 I want a blond… 1618 01:24:55,327 --> 01:24:56,885 You want a blond? What kind of a blond? 1619 01:24:57,047 --> 01:25:00,881 {\a1\pos(320,1020)}Any kind! One like this or one like this or one like this. 1620 01:25:01,047 --> 01:25:02,116 You look like you're a blond at heart. 1621 01:25:02,287 --> 01:25:03,242 Maybe I feel like one. 1622 01:25:03,407 --> 01:25:04,920 Hey, Lady, you left your motor running. 1623 01:25:05,087 --> 01:25:05,917 You started it. 1624 01:25:06,087 --> 01:25:07,406 And I bet I can finish. 1625 01:25:09,847 --> 01:25:11,200 Brannigan. 1626 01:25:15,407 --> 01:25:16,635 Brannigan ! 1627 01:25:17,047 --> 01:25:20,517 {\a1\pos(320,1020)}Invite the gang, Gee Gee, we're dunking donuts at a wedding breakfast. 1628 01:25:23,807 --> 01:25:24,956 Ouch! Oh! Oh, Dixie! 1629 01:25:30,967 --> 01:25:31,877 Look! 1630 01:25:32,687 --> 01:25:33,642 Well? 1631 01:25:38,607 --> 01:25:40,199 Isn't love thrilling? 1632 01:25:40,407 --> 01:25:41,840 Oh, it sure is. 1633 01:25:42,127 --> 01:25:43,116 Yeah. 1634 01:25:43,887 --> 01:25:46,720 {\a1\pos(320,1020)}If only you'd speak up or do something. 1635 01:25:46,887 --> 01:25:48,481 {\a1\pos(320,1020)}I thought that you and that fellow in there, you're always… 1636 01:25:48,727 --> 01:25:52,686 {\a1\pos(320,1020)}Oh don't be silly. Never did like big fellows. 1637 01:25:53,487 --> 01:25:57,480 {\a1\pos(320,1020)}Then… you mean that… you would… that is… you could… 1638 01:26:02,327 --> 01:26:05,872 You make me so… glad! 1639 01:26:07,447 --> 01:26:14,506 {\a1\pos(320,1020)}©2025 - Check out my English subtitles of "Days of Glory", PAL version, too!