1
00:00:03,937 --> 00:00:06,607
>>> ALL RIGHT.

2
00:00:06,607 --> 00:00:08,942
CONAN, YOU LOOK GREAT, AND THE

3
00:00:08,942 --> 00:00:09,810
SHOW'S ABOUT TO START, SO TIME

4
00:00:09,810 --> 00:00:10,777
TO HIT THE STAGE.

5
00:00:10,777 --> 00:00:15,315
>> I FEEL LIKE SOMETHING'S A

6
00:00:15,315 --> 00:00:16,082
LITTLE OFF.

7
00:00:16,082 --> 00:00:17,518
>> REALLY?

8
00:00:17,518 --> 00:00:18,218
>> YEAH.

9
00:00:18,218 --> 00:00:20,754
DON'T YOU THINK IT'S A BIT MUCH?

10
00:00:20,754 --> 00:00:21,321
>> NO.

11
00:00:21,321 --> 00:00:21,955
I DON'T THINK SO.

12
00:00:21,955 --> 00:00:22,923
YOU LOOK FINE.

13
00:00:22,923 --> 00:00:24,124
SO, BREAK A LEG.

14
00:00:24,124 --> 00:00:25,192
>> NO, NO.

15
00:00:25,192 --> 00:00:27,027
I THINK YOU USED WAY TOO MUCH

16
00:00:27,027 --> 00:00:28,996
WHITE.

17
00:00:28,996 --> 00:00:30,397
>> OH.

18
00:00:30,397 --> 00:00:31,965
SWEETIE, I DIDN'T USE ANY WHITE.

19
00:00:31,965 --> 00:00:33,133
THAT'S JUST YOU.

20
00:00:33,133 --> 00:00:33,834
>> OKAY.

21
00:00:33,834 --> 00:00:35,269
YOU'VE GOT TO WASH THIS OFF.

22
00:00:35,269 --> 00:00:36,136
WE START AGAIN.

23
00:00:36,136 --> 00:00:37,971
>> CONAN, THAT WOULD TAKE, LIKE,

24
00:00:37,971 --> 00:00:38,739
TWO HOURS.

25
00:00:38,739 --> 00:00:42,276
DELL ROY LINDO IS SEATED.

26
00:00:42,276 --> 00:00:43,310
>> DELL ROY LINDO CAN WAIT.

27
00:00:43,310 --> 00:00:44,244
I CAN'T LOOK LIKE THIS.

28
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>> YOU LOOK FINE.

29
00:00:45,546 --> 00:00:45,746
GO.

30
00:00:45,746 --> 00:00:48,949
>> I LOOK LIKE BETTY DAVIS WITH

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LUPUS.

32
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>> CONAN, GO.

33
00:00:49,850 --> 00:00:50,851
>> I WON'T DO IT.

34
00:00:50,851 --> 00:00:54,221
>> I SAID, GO.

35
00:00:54,221 --> 00:01:00,761
>> OH, NO.

36
00:01:01,662 --> 00:01:06,900
♪

37
00:01:12,406 --> 00:01:16,243
♪

38
00:01:19,279 --> 00:01:22,749
>> NO!

39
00:01:25,118 --> 00:01:33,026
♪

40
00:01:37,731 --> 00:01:41,969
>> WHAT THE HELL IS THAT?

41
00:01:43,170 --> 00:01:45,872
♪

42
00:01:47,274 --> 00:01:51,578
>> SORRY.

43
00:01:53,647 --> 00:01:58,485
♪

44
00:02:00,220 --> 00:02:04,491
>> YES!

45
00:02:04,491 --> 00:02:07,661
HA HA!

46
00:02:10,330 --> 00:02:17,170
>> BUT TWO MONTHS DEAD, NAY, NOT

47
00:02:17,170 --> 00:02:17,971
SO MUCH.

48
00:02:17,971 --> 00:02:18,205
NOT TWO.

49
00:02:18,205 --> 00:02:22,476
SO --

50
00:02:22,476 --> 00:02:23,577
>> THANKS FOR THE LIFT.

51
00:02:23,577 --> 00:02:24,911
I CAN'T SEEM TO SHAKE THESE

52
00:02:24,911 --> 00:02:29,282
KIDS.

53
00:02:29,282 --> 00:02:29,816
DAMN!

54
00:02:29,816 --> 00:02:31,918
THEY'RE GAINING ON US.

55
00:02:31,918 --> 00:02:33,220
WHAT'S THE PLAN?

56
00:02:33,220 --> 00:02:35,122
>> I'M GOING TO TURN AT THIS GAS

57
00:02:35,122 --> 00:02:36,690
STATION, I'M GOING TO SLOW DOWN,

58
00:02:36,690 --> 00:02:38,025
AND YOU TUCK AND ROLL.

59
00:02:38,025 --> 00:02:39,826
>> WHAT ARE YOU TALKING ABOUT?

60
00:02:39,826 --> 00:02:41,695
I'VE HAD BOTH HIPS REPLACED.

61
00:02:41,695 --> 00:02:42,162
>> NO FEAR.

62
00:02:42,162 --> 00:02:42,729
>> OKAY.

63
00:02:42,729 --> 00:02:43,263
NO FEAR.

64
00:02:43,263 --> 00:02:46,767
>> HERE WE GO.

65
00:02:46,767 --> 00:02:46,967
OKAY.

66
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JUMP ON FOUR.

67
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>> WOO.

68
00:02:55,409 --> 00:02:57,778
WE CAN GET BACK TO THE IMPORTANT

69
00:02:57,778 --> 00:02:59,880
STUFF, LIKE THE FANS.

70
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>> BE COOL.

71
00:03:04,484 --> 00:03:09,523
♪

72
00:03:58,105 --> 00:04:00,073
>> WOW!

73
00:04:00,073 --> 00:04:00,240
HEY.

74
00:04:00,240 --> 00:04:01,975
I'M GOING TO THE OSCARS, AND

75
00:04:01,975 --> 00:04:03,477
I'VE GOT THESE KIDS CHASING ME.

76
00:04:03,477 --> 00:04:05,746
CAN I JUST COME IN AND HIDE?

77
00:04:05,746 --> 00:04:07,814
>> I BELIEVE YOU, BUT THIS HERE

78
00:04:07,814 --> 00:04:10,150
A JUKE JOINT, BLUES MUSIC.

79
00:04:10,150 --> 00:04:10,917
>> JUKE JOINT?

80
00:04:10,917 --> 00:04:13,286
I'M GREAT AT MUSIC.

81
00:04:13,286 --> 00:04:14,721
♪ OH DANNY BOY

82
00:04:14,721 --> 00:04:17,891
♪ THE PIPES THE PIPES ARE

83
00:04:17,891 --> 00:04:18,725
FALLING ♪

84
00:04:18,725 --> 00:04:18,925
YEAH.

85
00:04:18,925 --> 00:04:26,500
THIS GUY LIKES IT.

86
00:04:27,400 --> 00:04:34,841
♪

87
00:04:37,277 --> 00:04:42,149
♪

88
00:04:45,018 --> 00:04:46,920
>> PLEASE WELCOME YOUR HOST,

89
00:04:46,920 --> 00:04:54,461
CONAN O'BRIEN.

90
00:04:56,296 --> 00:04:56,797
[ CHEERS AND APPLAUSE ]

91
00:04:56,797 --> 00:05:00,667
♪

92
00:05:02,903 --> 00:05:04,237
>> THANK YOU.

93
00:05:04,237 --> 00:05:05,739
THANK YOU.

94
00:05:05,739 --> 00:05:10,177
THANK YOU.

95
00:05:10,177 --> 00:05:16,716
HEY.

96
00:05:16,716 --> 00:05:17,951
THANK YOU VERY MUCH.

97
00:05:17,951 --> 00:05:20,020
BIG THANKS TO AMY MADIGAN FOR

98
00:05:20,020 --> 00:05:22,222
THE WIG.

99
00:05:22,222 --> 00:05:22,722
THANK YOU SO MUCH, AMY.

100
00:05:22,722 --> 00:05:24,825
THANK YOU FOR THAT.

101
00:05:24,825 --> 00:05:25,091
HEY.

102
00:05:25,091 --> 00:05:27,260
I AM CONAN O'BRIEN, AND I AM

103
00:05:27,260 --> 00:05:28,595
HONORED TO BE THE LAST HUMAN

104
00:05:28,595 --> 00:05:35,268
HOST OF THE ACADEMY AWARDS.

105
00:05:35,268 --> 00:05:35,435
YES.

106
00:05:35,435 --> 00:05:35,635
YEAH.

107
00:05:35,635 --> 00:05:37,070
NEXT YEAR IT'S GOING TO BE A

108
00:05:37,070 --> 00:05:37,771
WAYMO IN A TUX.

109
00:05:37,771 --> 00:05:39,372
SO, CHECK THAT OUT.

110
00:05:39,372 --> 00:05:39,573
NO.

111
00:05:39,573 --> 00:05:40,707
IT'S GREAT TO BE BACK HOSTING

112
00:05:40,707 --> 00:05:42,275
THE OSCARS.

113
00:05:42,275 --> 00:05:44,611
LAST YEAR WHEN I HOSTED, LOS

114
00:05:44,611 --> 00:05:46,413
ANGELES WAS ON FIRE.

115
00:05:46,413 --> 00:05:49,549
BUT THIS YEAR, EVERYTHING'S

116
00:05:49,549 --> 00:05:57,157
GOING GREAT.

117
00:05:57,157 --> 00:05:57,357
OH.

118
00:05:57,357 --> 00:05:58,758
YOU APPLAUD THAT?

119
00:05:58,758 --> 00:06:00,160
THAT'S WEIRD.

120
00:06:00,160 --> 00:06:01,228
THAT'S WEIRD.

121
00:06:01,228 --> 00:06:02,929
SECURITY IS EXTREMELY TIGHT

122
00:06:02,929 --> 00:06:03,163
TONIGHT.

123
00:06:03,163 --> 00:06:04,731
JUST GOING TO MENTION THAT.

124
00:06:04,731 --> 00:06:05,198
YEAH.

125
00:06:05,198 --> 00:06:06,466
I'M TOLD THERE'S CONCERNS ABOUT

126
00:06:06,466 --> 00:06:08,835
A TAX FROM BOTH THE OPERA AND

127
00:06:08,835 --> 00:06:14,975
BALLET COMMUNITIES.

128
00:06:19,112 --> 00:06:21,014
THEY'RE JUST MAD YOU LEFT OUT

129
00:06:21,014 --> 00:06:25,919
JAZZ.

130
00:06:25,919 --> 00:06:27,554
I SHOULD WARN YOU, TONIGHT COULD

131
00:06:27,554 --> 00:06:28,822
GET POLITICAL, OKAY?

132
00:06:28,822 --> 00:06:30,790
AND IF THAT MAKES YOU

133
00:06:30,790 --> 00:06:31,791
UNCOMFORTABLE, THERE'S AN

134
00:06:31,791 --> 00:06:34,160
ALTERNATE OSCARS BEING HOSTED BY

135
00:06:34,160 --> 00:06:35,862
KID ROCK -- YEAH.

136
00:06:35,862 --> 00:06:37,097
IT'S AT THE DAVE AND BUSTERS

137
00:06:37,097 --> 00:06:39,366
DOWN THE STREET.

138
00:06:39,366 --> 00:06:41,067
A LOT OF TICKETS FOR THAT.

139
00:06:41,067 --> 00:06:42,135
NETFLIX -- THIS IS EXCITING.

140
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A LOT OF COOL PEOPLE ARE HERE,

141
00:06:44,371 --> 00:06:46,172
AND SOME OF THEM BEHIND THE

142
00:06:46,172 --> 00:06:48,375
SCENES, NETFLIX CEO TED SARANDOS

143
00:06:48,375 --> 00:06:48,909
IS HERE.

144
00:06:48,909 --> 00:06:49,976
AND THIS IS EXCITING.

145
00:06:49,976 --> 00:06:52,145
IT'S HIS FIRST TIME IN A

146
00:06:52,145 --> 00:06:56,016
THEATER.

147
00:06:56,016 --> 00:06:59,286
THIS IS WHAT THEY'RE TALKING

148
00:06:59,286 --> 00:06:59,552
ABOUT.

149
00:06:59,552 --> 00:07:01,421
WHY ARE THEY ALL TOGETHER

150
00:07:01,421 --> 00:07:04,557
ENJOYING THEMSELVES?

151
00:07:04,557 --> 00:07:07,027
THEY SHOULD BE HOME ALONE WHERE

152
00:07:07,027 --> 00:07:15,635
I CAN MONETIZE IT!

153
00:07:15,635 --> 00:07:15,835
YEAH.

154
00:07:15,835 --> 00:07:23,176
I CAN DO --

155
00:07:23,176 --> 00:07:24,411
SO MANY, SO MANY GREAT FILMS

156
00:07:24,411 --> 00:07:24,911
THIS YEAR.

157
00:07:24,911 --> 00:07:26,613
WHAT AN INCREDIBLE YEAR FOR

158
00:07:26,613 --> 00:07:27,547
FILM, WASN'T IT?

159
00:07:27,547 --> 00:07:28,949
ABSOLUTELY STUNNING.

160
00:07:28,949 --> 00:07:31,451
YEAH.

161
00:07:31,451 --> 00:07:33,320
I SAID THAT LAST YEAR, BUT I WAS

162
00:07:33,320 --> 00:07:33,620
LYING.

163
00:07:33,620 --> 00:07:34,587
HA HA.

164
00:07:34,587 --> 00:07:34,754
NO.

165
00:07:34,754 --> 00:07:36,156
THIS YEAR IS STUNNING.

166
00:07:36,156 --> 00:07:39,092
I LOVED "HAMNET."

167
00:07:39,092 --> 00:07:46,566
I LOVED "BUGONIA."

168
00:07:46,566 --> 00:07:48,134
YEAH, WEREN'T THEY AMAZING.

169
00:07:48,134 --> 00:07:50,503
IT'S BEEN A BIG YEAR FOR MOVIES

170
00:07:50,503 --> 00:07:53,840
THAT SOUND LIKE OFF BRAND LUNCH

171
00:07:53,840 --> 00:07:54,107
MEAT.

172
00:07:54,107 --> 00:07:56,376
HAD A LITTLE BUGONIA AROUND

173
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10:00.

174
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IT'S NOT SITTING WELL.

175
00:07:57,677 --> 00:07:59,913
ON THE RIDE HOME, YOU'LL

176
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APPRECIATE IT.

177
00:08:00,647 --> 00:08:02,515
AT THE -- AT THE BEGINNING OF

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"HAMNET," A MESSAGE COMES ON THE

179
00:08:03,950 --> 00:08:06,753
SCREEN EXPLAINING THAT THE NAMES

180
00:08:06,753 --> 00:08:09,889
HAMNET AND HAMLET WERE USED

181
00:08:09,889 --> 00:08:10,256
INTERCHANGEABLY.

182
00:08:10,256 --> 00:08:10,457
YEAH.

183
00:08:10,457 --> 00:08:13,393
THAT'S WHEN I KNEW I'D BETTER

184
00:08:13,393 --> 00:08:19,332
BUCKLE UP.

185
00:08:19,332 --> 00:08:19,666
ROLLERCOASTER.

186
00:08:19,666 --> 00:08:20,967
IN "HAMNET," WILLIAM

187
00:08:20,967 --> 00:08:23,236
SHAKESPEARE'S WIFE, AGNES, GIVES

188
00:08:23,236 --> 00:08:24,838
BIRTH BY HERSELF IN THE WOODS.

189
00:08:24,838 --> 00:08:26,906
OR AS WE CALL THAT HERE IN

190
00:08:26,906 --> 00:08:29,843
AMERICA, AFFORDABLE HEALTH CARE.

191
00:08:29,843 --> 00:08:30,043
YEAH.

192
00:08:30,043 --> 00:08:33,346
TOO REAL FOR YOU, HUH?

193
00:08:33,346 --> 00:08:36,316
ALL RIGHT.

194
00:08:36,316 --> 00:08:36,816
"F1."

195
00:08:36,816 --> 00:08:40,820
I LOVED "F1."

196
00:08:40,820 --> 00:08:42,922
IT WAS GREAT.

197
00:08:42,922 --> 00:08:44,424
"F1" IS UP FOR BEST PICTURE.

198
00:08:44,424 --> 00:08:46,226
IT'S THE STORY OF A RACECAR

199
00:08:46,226 --> 00:08:49,262
DRIVER WHO FINALLY WINS AFTER

200
00:08:49,262 --> 00:08:55,668
DECIDES TO GO FASTER.

201
00:08:55,668 --> 00:08:55,869
YEAH.

202
00:08:55,869 --> 00:08:57,771
YEAH.

203
00:08:57,771 --> 00:09:02,842
"F1" RECEIVED FOUR NOMINATIONS.

204
00:09:02,842 --> 00:09:05,011
"F1" DID SO WELL, THEY'RE MAKING

205
00:09:05,011 --> 00:09:08,014
A SEQUEL, "CAPS LOCK."

206
00:09:08,014 --> 00:09:11,951
SOME OF THESE I DO FOR MYSELF.

207
00:09:11,951 --> 00:09:12,919
AND LADIES AND GENTLEMEN, LET'S

208
00:09:12,919 --> 00:09:14,354
HEAR IT FOR "SINNERS."

209
00:09:14,354 --> 00:09:18,191
LET'S HEAR IT FOR "SINNERS."

210
00:09:18,191 --> 00:09:22,462
YEAH.

211
00:09:23,430 --> 00:09:26,399
[ CHEERS AND APPLAUSE ]

212
00:09:32,505 --> 00:09:32,705
YEAH.

213
00:09:32,705 --> 00:09:33,973
"SINNERS" DIRECTOR RYAN COOGLER

214
00:09:33,973 --> 00:09:35,575
SAID HE DECLINED TO BECOME A

215
00:09:35,575 --> 00:09:37,043
VOTING MEMBER OF THE ACADEMY

216
00:09:37,043 --> 00:09:38,511
BECAUSE HE DOESN'T LIKE JUDGING

217
00:09:38,511 --> 00:09:41,147
HIS FELLOW ARTISTS' WORK.

218
00:09:41,147 --> 00:09:41,347
YEAH.

219
00:09:41,347 --> 00:09:41,548
YEAH.

220
00:09:41,548 --> 00:09:43,883
BUT THE REST OF YOU SEEM TO LOVE

221
00:09:43,883 --> 00:09:51,291
IT.

222
00:09:51,291 --> 00:09:51,858
"ONE BATTLE AFTER ANOTHER."

223
00:09:51,858 --> 00:09:52,692
I LOVE THAT FILM.

224
00:09:52,692 --> 00:09:54,027
WHAT A GREAT FILM.

225
00:09:54,027 --> 00:09:58,364
AMAZING FILM.

226
00:09:58,364 --> 00:10:01,134
LOTS OF MEMORABLE SCENES FROM

227
00:10:01,134 --> 00:10:01,701
"ONE BATTLE AFTER ANOTHER."

228
00:10:01,701 --> 00:10:03,636
BEST SUPPORTING ACTOR NOMINEE,

229
00:10:03,636 --> 00:10:05,271
SEAN PENN, OF COURSE GOT AN

230
00:10:05,271 --> 00:10:06,873
ERECTION AT GUN POINT.

231
00:10:06,873 --> 00:10:07,073
YEAH.

232
00:10:07,073 --> 00:10:08,875
AND THEN PAUL THOMAS HENDERSON

233
00:10:08,875 --> 00:10:11,711
SAID, HEY, LET'S PUT THAT IN THE

234
00:10:11,711 --> 00:10:14,781
FILM, HUH?

235
00:10:14,781 --> 00:10:16,583
I WAS IN A MOVIE THIS YEAR.

236
00:10:16,583 --> 00:10:16,783
YEAH.

237
00:10:16,783 --> 00:10:21,020
I WAS IN A MOVIE WITH THE LOVELY

238
00:10:21,020 --> 00:10:26,326
ROSE BYRNE.

239
00:10:26,326 --> 00:10:28,795
MY COSTAR ROSE BYRNE IS

240
00:10:28,795 --> 00:10:30,930
NOMINATED FOR BEST ACTRESS IN

241
00:10:30,930 --> 00:10:34,334
"IF I HAD LEGS, I'D KICK YOU."

242
00:10:34,334 --> 00:10:34,534
YEAH.

243
00:10:34,534 --> 00:10:34,734
YEAH.

244
00:10:34,734 --> 00:10:36,302
IT'S HARD TO ACT IN A SCENE WITH

245
00:10:36,302 --> 00:10:37,437
SOMEONE YOU'VE ALWAYS HAD A

246
00:10:37,437 --> 00:10:38,304
MASSIVE CRUSH ON.

247
00:10:38,304 --> 00:10:43,042
BUT ROSE, YOU DID A FANTASTIC

248
00:10:43,042 --> 00:10:43,243
JOB.

249
00:10:43,243 --> 00:10:45,111
ADMIRABLE RESTRAINT.

250
00:10:45,111 --> 00:10:48,448
THIS YEAR, WE'VE ADDED A NEW

251
00:10:48,448 --> 00:10:53,820
CATEGORY TO THE OSCARS, BEST

252
00:10:53,820 --> 00:10:54,053
CASTING.

253
00:10:54,053 --> 00:10:54,254
YEAH.

254
00:10:54,254 --> 00:10:54,454
YEAH.

255
00:10:54,454 --> 00:10:56,656
WHICH MEANS TONIGHT ONE CASTING

256
00:10:56,656 --> 00:10:58,224
DIRECTOR WILL WIN AN OSCAR, AND

257
00:10:58,224 --> 00:11:00,260
FOR THE REST OF YOU, WE DECIDED

258
00:11:00,260 --> 00:11:04,464
TO GO IN ANOTHER DIRECTION.

259
00:11:04,464 --> 00:11:06,933
THEY'RE DREAM KILLERS.

260
00:11:06,933 --> 00:11:07,367
THEY ARE.

261
00:11:07,367 --> 00:11:09,335
A LOT OF LESSER KNOWN CATEGORIES

262
00:11:09,335 --> 00:11:10,537
TONIGHT OF COURSE WILL BE

263
00:11:10,537 --> 00:11:11,571
HONORING THE BEST DOCUMENTARY

264
00:11:11,571 --> 00:11:14,941
SHORT FILMS OR -- YEAH.

265
00:11:14,941 --> 00:11:20,547
BEST DOCUMENTARY SHORT FILMS.

266
00:11:20,547 --> 00:11:29,956
OR, AS I LIKE TO CALL THEM --

267
00:11:29,956 --> 00:11:37,230
[ CHEERS AND APPLAUSE ]

268
00:11:37,230 --> 00:11:40,934
WHAT THE HELL IS THAT ALL ABOUT?

269
00:11:40,934 --> 00:11:42,502
BEST DOCUMENTARY SHORT FILM LS,

270
00:11:42,502 --> 00:11:44,370
OR AS I LIKE TO CALL THEM,

271
00:11:44,370 --> 00:11:46,606
LITTLE SADS.

272
00:11:46,606 --> 00:11:47,473
DID YOU WATCH IT?

273
00:11:47,473 --> 00:11:47,974
I DID.

274
00:11:47,974 --> 00:11:51,644
DID IT MAKE YOU SAD?

275
00:11:51,644 --> 00:11:52,545
A LITTLE BIT.

276
00:11:52,545 --> 00:11:54,080
AMAZON STUDIOS DIDN'T RECEIVE

277
00:11:54,080 --> 00:11:57,317
ANY NOMINATIONS THIS YEAR.

278
00:11:57,317 --> 00:11:58,318
YEAH.

279
00:11:58,318 --> 00:12:03,156
ALSO SHUT OUT, WALMART, ALIBABA,

280
00:12:03,156 --> 00:12:03,990
AND CHEWY.

281
00:12:03,990 --> 00:12:06,025
WHY ISN'T THE WEBSITE I ORDER

282
00:12:06,025 --> 00:12:07,961
TOILET PAPER FROM WINNING MORE

283
00:12:07,961 --> 00:12:13,499
OSCARS?

284
00:12:13,499 --> 00:12:17,804
IT'S THE FIRST TIME SINCE

285
00:12:17,804 --> 00:12:19,706
2012 -- FIRST TIME SINCE 2012 --

286
00:12:19,706 --> 00:12:21,641
THAT THERE ARE NO BRITISH ACTORS

287
00:12:21,641 --> 00:12:25,778
NOMINATED FOR BEST ACTOR OR BEST

288
00:12:25,778 --> 00:12:26,012
ACTRESS.

289
00:12:26,012 --> 00:12:26,212
YEAH.

290
00:12:26,212 --> 00:12:27,947
BRITISH SPOKESPERSON SAID, YEAH,

291
00:12:27,947 --> 00:12:30,516
WELL, AT LEAST WE ARREST OUR

292
00:12:30,516 --> 00:12:30,817
PEDOPHILES.

293
00:12:30,817 --> 00:12:37,357
SO, WE GOT THAT GOING FOR US.

294
00:12:38,291 --> 00:12:42,095
[ CHEERS AND APPLAUSE ]

295
00:12:44,330 --> 00:12:46,599
BY THE WAY, I HAVE TO SAY AGAIN,

296
00:12:46,599 --> 00:12:50,703
MICHAEL B. JORDAN, YOU ARE

297
00:12:50,703 --> 00:12:51,404
INCREDIBLE.

298
00:12:51,404 --> 00:12:53,840
INCREDIBLE PLAYING IDENTICAL

299
00:12:53,840 --> 00:12:56,676
TWIN BROTHERS SMOKE AND STACK IN

300
00:12:56,676 --> 00:12:57,610
"SINNERS," JUST AMAZING.

301
00:12:57,610 --> 00:12:59,646
I CANNOT GET ENOUGH OF THIS MAN.

302
00:12:59,646 --> 00:13:02,849
SO, AS A SPECIAL TREAT, EVERY

303
00:13:02,849 --> 00:13:04,784
SEAT FILLER AT TONIGHT'S OSCARS

304
00:13:04,784 --> 00:13:06,152
WILL BE MICHAEL B. JORDAN.

305
00:13:06,152 --> 00:13:10,390
CHECK IT OUT.

306
00:13:10,390 --> 00:13:12,425
BY THE WAY, HOW AM I LOOKING

307
00:13:12,425 --> 00:13:17,930
TONIGHT, MICHAEL B. JORDANS?

308
00:13:17,930 --> 00:13:18,131
OKAY.

309
00:13:18,131 --> 00:13:18,731
LEONARDO DiCAPRIO.

310
00:13:18,731 --> 00:13:20,033
SIR, GOOD TO SEE YOU.

311
00:13:20,033 --> 00:13:22,268
I BOW TO YOU.

312
00:13:22,268 --> 00:13:24,470
HE'S THE STAR OF SO MANY MOVIES

313
00:13:24,470 --> 00:13:25,905
AND THE KING OF MEMES.

314
00:13:25,905 --> 00:13:29,075
HE'S THE KING OF MEMES, THIS

315
00:13:29,075 --> 00:13:29,242
GUY.

316
00:13:29,242 --> 00:13:33,212
LET'S MAKE A NEW MEME WITH LEO

317
00:13:33,212 --> 00:13:33,846
RIGHT NOW.

318
00:13:33,846 --> 00:13:36,516
THAT FEELING WHEN YOU DIDN'T

319
00:13:36,516 --> 00:13:42,689
AGREE TO THIS.

320
00:13:46,059 --> 00:13:48,728
THEY'LL PULL THAT UP IN EDITING.

321
00:13:48,728 --> 00:13:48,928
LIVE.

322
00:13:48,928 --> 00:13:51,297
OKAY.

323
00:13:51,297 --> 00:13:52,632
WE'LL TALK LATER.

324
00:13:52,632 --> 00:13:54,734
TONIGHT'S OSCARS ARE BEING

325
00:13:54,734 --> 00:13:56,336
WATCHED BY MORE THAN A BILLION

326
00:13:56,336 --> 00:13:59,772
PEOPLE AROUND THE WORLD.

327
00:13:59,772 --> 00:13:59,972
YEAH.

328
00:13:59,972 --> 00:14:02,141
LET'S -- LET'S SAY HI TO SOME OF

329
00:14:02,141 --> 00:14:02,342
THEM.

330
00:14:02,342 --> 00:14:04,444
IF YOU'RE WATCHING FROM SPAIN --

331
00:14:10,416 --> 00:14:11,517
IF YOU'RE SEEING US IN

332
00:14:11,517 --> 00:14:13,853
ARGENTINA --

333
00:14:19,692 --> 00:14:20,760
AND TO OUR FRIENDS IN LOS

334
00:14:20,760 --> 00:14:22,428
ANGELES --

335
00:14:28,301 --> 00:14:31,704
[ CHEERS AND APPLAUSE ]

336
00:14:35,708 --> 00:14:35,908
YES.

337
00:14:35,908 --> 00:14:37,343
TONIGHT IS AN INTERNATIONAL

338
00:14:37,343 --> 00:14:37,577
EVENT.

339
00:14:37,577 --> 00:14:40,546
IF I CAN BE SERIOUS FOR JUST A

340
00:14:40,546 --> 00:14:41,981
MOMENT, EVERYONE WATCHING RIGHT

341
00:14:41,981 --> 00:14:44,617
NOW AROUND THE WORLD IS ALL TOO

342
00:14:44,617 --> 00:14:47,186
AWARE THAT THESE ARE VERY

343
00:14:47,186 --> 00:14:49,655
CHAOTIC, FRIGHTENING TIMES,

344
00:14:49,655 --> 00:14:50,223
OKAY?

345
00:14:50,223 --> 00:14:52,792
IT'S AT MOMENTS LIKE THESE THAT

346
00:14:52,792 --> 00:14:54,794
I BELIEVE THAT THE OSCARS ARE

347
00:14:54,794 --> 00:14:55,561
PARTICULARLY RESONANT.

348
00:14:55,561 --> 00:14:58,231
CHECK IT OUT.

349
00:14:58,231 --> 00:14:59,632
31 COUNTRIES ACROSS SIX

350
00:14:59,632 --> 00:15:02,735
CONTINENTS ARE REPRESENTED THIS

351
00:15:02,735 --> 00:15:03,002
EVENING.

352
00:15:03,002 --> 00:15:06,773
AND EVERY FILM -- EVERY FILM --

353
00:15:06,773 --> 00:15:06,973
YEAH.

354
00:15:06,973 --> 00:15:09,442
EVERY FILM WE SALUTE IS THE

355
00:15:09,442 --> 00:15:11,511
PRODUCT OF THOUSANDS OF PEOPLE

356
00:15:11,511 --> 00:15:12,779
SPEAKING DIFFERENT LANGUAGES,

357
00:15:12,779 --> 00:15:14,414
WORKING HARD TO MAKE SOMETHING

358
00:15:14,414 --> 00:15:17,216
OF BEAUTY.

359
00:15:17,216 --> 00:15:17,884
WE PAY TRIBUTE TONIGHT NOT JUST

360
00:15:17,884 --> 00:15:21,020
TO FILM BUT TO THE IDEALS OF

361
00:15:21,020 --> 00:15:25,091
GLOBAL ARTISTRY, COLLABORATION,

362
00:15:25,091 --> 00:15:27,193
PATIENCE, RESILIENCE, AND THAT

363
00:15:27,193 --> 00:15:30,863
RAREST OF QUALITIES TODAY,

364
00:15:30,863 --> 00:15:31,631
OPTIMISM.

365
00:15:31,631 --> 00:15:35,435
SO, LET US PLEASE CELEBRATE.

366
00:15:35,435 --> 00:15:38,838
LET US CELEBRATE.

367
00:15:38,838 --> 00:15:41,908
LET US CELEBRATE NOT BECAUSE WE

368
00:15:41,908 --> 00:15:44,977
THINK ALL IS WELL BUT BECAUSE WE

369
00:15:44,977 --> 00:15:45,678
WORK AND HOPE FOR BETTER IN THE

370
00:15:45,678 --> 00:15:47,647
DAYS AHEAD.

371
00:15:47,647 --> 00:15:52,718
NOW, WE'RE ABOUT TO START

372
00:15:52,718 --> 00:15:53,553
HANDING OUT AWARDS.

373
00:15:53,553 --> 00:15:56,255
I JUST WANT TO SAY THIS IN THE

374
00:15:56,255 --> 00:15:58,357
SPIRIT OF OPTIMISM, OKAY?

375
00:15:58,357 --> 00:15:58,558
ENJOY.

376
00:15:58,558 --> 00:16:00,860
I'VE SEEN A LOT OF THESE

377
00:16:00,860 --> 00:16:01,160
CEREMONIES.

378
00:16:01,160 --> 00:16:03,362
I AM ALWAYS SO IMPRESSED BY HOW

379
00:16:03,362 --> 00:16:06,399
GRACIOUS THE WINNERS ARE.

380
00:16:06,399 --> 00:16:06,666
REALLY.

381
00:16:06,666 --> 00:16:09,202
WHEN YOU GUYS WIN, YOU SHARE

382
00:16:09,202 --> 00:16:11,504
YOUR GLORY WITH YOUR

383
00:16:11,504 --> 00:16:16,142
CO-NOMINEES, WITH YOUR TEAM,

384
00:16:16,142 --> 00:16:16,542
WITH YOUR SPOUSE.

385
00:16:16,542 --> 00:16:18,311
IT'S REFRESHING TO SEE ALL THIS

386
00:16:18,311 --> 00:16:26,152
MODESTY AND GENUINE HUMILITY.

387
00:16:26,152 --> 00:16:28,921
BUT HONESTLY, I DON'T KNOW IF I

388
00:16:28,921 --> 00:16:30,423
COULD DO THAT.

389
00:16:30,423 --> 00:16:33,192
IF IT WERE ME AND I WAS UP FOR

390
00:16:33,192 --> 00:16:34,994
AN OSCAR --

391
00:16:34,994 --> 00:16:37,463
>> THE NOMINEES FOR BEST

392
00:16:37,463 --> 00:16:41,033
ACHIEVEMENT ARE ANTONIO

393
00:16:41,033 --> 00:16:42,935
BANDERAS, RENEE ZELLWEGER,

394
00:16:42,935 --> 00:16:45,738
DENZEL WASHINGTON, GLENN CLOSE,

395
00:16:45,738 --> 00:16:48,574
AND CONAN O'BRIEN.

396
00:16:48,574 --> 00:16:52,245
AND THE WINNER IS --

397
00:16:52,245 --> 00:16:57,250
CONAN O'BRIEN.

398
00:16:58,084 --> 00:17:06,058
♪

399
00:17:08,127 --> 00:17:13,965
♪

400
00:17:51,370 --> 00:17:53,906
>> CICERO, MY OSCAR!

401
00:17:53,906 --> 00:17:57,777
COME TO ME, CICERO!

402
00:17:57,777 --> 00:17:57,977
COME!

403
00:17:57,977 --> 00:17:59,545
COME TO ME!

404
00:17:59,545 --> 00:18:03,449
YES!

405
00:18:06,152 --> 00:18:08,287
♪

406
00:18:10,890 --> 00:18:13,059
>> THIS IS HOW ALL OSCARS WILL

407
00:18:13,059 --> 00:18:15,695
BE HANDED OUT TONIGHT.

408
00:18:15,695 --> 00:18:17,129
JOSH ROGEN, EVERYBODY.

409
00:18:17,129 --> 00:18:18,297
GIVE IT UP FOR HIM.

410
00:18:18,297 --> 00:18:20,766
HERE TO PRESENT OUR FIRST AWARD,

411
00:18:20,766 --> 00:18:22,268
FELLOW OSCAR WINNER, ZOE

412
00:18:22,268 --> 00:18:30,076
SALDANA.

413
00:18:31,577 --> 00:18:35,114
♪

414
00:18:40,386 --> 00:18:45,424
>> LADIES, LADIES, LADIES, WHAT

415
00:18:45,424 --> 00:18:47,426
I LOVED ABOUT EVERY SINGLE

416
00:18:47,426 --> 00:18:49,762
PERFORMANCE NOMINATED FOR

417
00:18:49,762 --> 00:18:51,797
SUPPORTING ACTRESS WAS THE SHEER

418
00:18:51,797 --> 00:18:54,934
SCOPE OF CONTRAST CONTAINED IN

419
00:18:54,934 --> 00:18:57,169
EACH ONE.

420
00:18:57,169 --> 00:19:00,373
THERE WAS VULNERABILITY AND

421
00:19:00,373 --> 00:19:01,307
FEARLESSNESS, FIERCE

422
00:19:01,307 --> 00:19:04,543
PHYSICALITY, AND QUIET EMOTION,

423
00:19:04,543 --> 00:19:08,180
BOTH SUBTLETY AND A BALLS TO THE

424
00:19:08,180 --> 00:19:09,415
WALL COMMITMENT TO WHAT EACH ONE

425
00:19:09,415 --> 00:19:11,384
OF YOU PUT ON SCREEN.

426
00:19:11,384 --> 00:19:14,920
YOU ALL ALLOWED WHAT MAKES THE

427
00:19:14,920 --> 00:19:20,326
ART OF ACTING SO EXHILARATING.

428
00:19:20,326 --> 00:19:23,996
>> ELLE FANNING, "SENTIMENTAL

429
00:19:23,996 --> 00:19:24,230
VALUE."

430
00:19:24,230 --> 00:19:27,767
>> I CAN'T DO IT ANYMORE.

431
00:19:27,767 --> 00:19:30,503
I WANT A HOME.

432
00:19:30,503 --> 00:19:34,240
I WANT A HOME.

433
00:19:34,240 --> 00:19:36,242
>> INGA IBSDOTTER LILLEAAS,

434
00:19:36,242 --> 00:19:38,277
"SENTIMENTAL VALUE."

435
00:19:43,182 --> 00:19:46,118
>> AMY MADIGAN, "WEAPONS."

436
00:19:46,118 --> 00:19:48,487
>> I REALIZED FAR TOO LATE THAT

437
00:19:48,487 --> 00:19:49,889
I WAS STANDING ON THE WRONG

438
00:19:49,889 --> 00:19:50,256
CORNER.

439
00:19:50,256 --> 00:19:52,191
AND BY THE TIME I PUT THAT

440
00:19:52,191 --> 00:19:54,193
TOGETHER, OH, I'D MISSED IT

441
00:19:54,193 --> 00:19:54,460
ENTIRELY.

442
00:19:54,460 --> 00:19:56,796
SO, I HAD TO WALK ALL THE WAY

443
00:19:56,796 --> 00:19:59,532
ACROSS TOWN TO GET HERE.

444
00:19:59,532 --> 00:20:07,239
>> WUNMI MOSAKU, "SINNERS."

445
00:20:07,239 --> 00:20:09,875
>> YOU AND THAT CRAZY BROTHER OF

446
00:20:09,875 --> 00:20:11,243
YOURS SAFE EVERY DAY SINCE

447
00:20:11,243 --> 00:20:12,678
YOU'VE BEEN GONE.

448
00:20:12,678 --> 00:20:14,380
>> TEYANA TAYLOR, "ONE BATTLE

449
00:20:14,380 --> 00:20:16,782
AFTER ANOTHER."

450
00:20:16,782 --> 00:20:18,551
>> -- THE SAME REASON YOU

451
00:20:18,551 --> 00:20:22,855
WERE -- THE WORLD.

452
00:20:22,855 --> 00:20:24,957
YOU AND YOUR CRUMBLING EGO WILL

453
00:20:24,957 --> 00:20:26,792
NEVER DO THIS REVOLUTION LIKE

454
00:20:26,792 --> 00:20:30,262
ME.

455
00:20:30,262 --> 00:20:34,767
>> AND THE OSCAR GOES TO --

456
00:20:34,767 --> 00:20:42,641
AMY MADIGAN.

457
00:20:42,641 --> 00:20:44,477
>> THIS IS THE SECOND NOMINATION

458
00:20:44,477 --> 00:20:51,417
FOR AMY MADIGAN.

459
00:21:09,368 --> 00:21:15,374
>> HA, HA, HA, HA, HA, HA.

460
00:21:15,374 --> 00:21:17,443
[ LAUGHTER ]

461
00:21:17,443 --> 00:21:18,477
THIS IS GREAT!

462
00:21:18,477 --> 00:21:21,313
I MEAN, EVERYBODY'S ASKING ME IN

463
00:21:21,313 --> 00:21:22,815
THE PRESS AND ALL THIS, WELL,

464
00:21:22,815 --> 00:21:24,250
IT'S BEEN 40 YEARS.

465
00:21:24,250 --> 00:21:24,917
AND, YOU KNOW, WHAT'S DIFFERENT

466
00:21:24,917 --> 00:21:27,153
ABOUT THIS TIME?

467
00:21:27,153 --> 00:21:28,754
WHAT'S DIFFERENT IS I HAVE THIS

468
00:21:28,754 --> 00:21:29,655
LITTLE GOLD GUY!

469
00:21:29,655 --> 00:21:31,190
SO, I MEAN, I WAS IN THE SHOWER

470
00:21:31,190 --> 00:21:34,827
LAST NIGHT TRYING TO THINK OF

471
00:21:34,827 --> 00:21:36,095
SOMETHING TO SAY AS I WAS

472
00:21:36,095 --> 00:21:39,498
SHAVING MY LEGS, AND I THOUGHT,

473
00:21:39,498 --> 00:21:40,633
I'VE GOT PANTS ON.

474
00:21:40,633 --> 00:21:42,601
I DON'T HAVE TO WORRY ABOUT

475
00:21:42,601 --> 00:21:43,135
THAT.

476
00:21:43,135 --> 00:21:44,970
AND, YOU KNOW, WE WERE KIND OF

477
00:21:44,970 --> 00:21:46,438
ADVISED THAT, YOU KNOW, DON'T

478
00:21:46,438 --> 00:21:47,640
SAY ALL THESE NAMES BECAUSE

479
00:21:47,640 --> 00:21:49,275
NOBODY KNOWS WHO THE HELL THESE

480
00:21:49,275 --> 00:21:49,909
PEOPLE ARE.

481
00:21:49,909 --> 00:21:51,811
BUT YOU'RE NOT RATTLING THEM

482
00:21:51,811 --> 00:21:51,977
OFF.

483
00:21:51,977 --> 00:21:52,945
THEY'RE PEOPLE THAT MEAN

484
00:21:52,945 --> 00:21:54,647
SOMETHING TO YOU, THAT YOU

485
00:21:54,647 --> 00:22:02,154
COULDN'T BE HERE WITHOUT THEM.

486
00:22:02,154 --> 00:22:04,757
FIRST AND FOREMOST, I JUST HAVE

487
00:22:04,757 --> 00:22:06,325
TO THANK ZACK CRAIG, OUR WRITER

488
00:22:06,325 --> 00:22:08,694
AND DIRECTOR.

489
00:22:08,694 --> 00:22:11,230
HE JUST WROTE -- HE JUST WROTE A

490
00:22:11,230 --> 00:22:13,032
DREAM PART, AND HE JUST LET ME

491
00:22:13,032 --> 00:22:20,039
GRAB IT BY THE THROAT AND BALL.

492
00:22:20,039 --> 00:22:21,674
I WANT TO THANK MARY, YOU KNOW,

493
00:22:21,674 --> 00:22:24,109
WHO WAS ON SET ALL THE TIME, OUR

494
00:22:24,109 --> 00:22:25,211
PRODUCER, AND OF COURSE, YOU

495
00:22:25,211 --> 00:22:27,613
KNOW, WARNER BROTHERS AND PAM

496
00:22:27,613 --> 00:22:28,214
AND MIKE.

497
00:22:28,214 --> 00:22:29,915
BUT, YOU KNOW, IT'S ALL THE

498
00:22:29,915 --> 00:22:31,817
PEOPLE WHO HAVE HELPED ME GET

499
00:22:31,817 --> 00:22:32,017
HERE.

500
00:22:32,017 --> 00:22:34,286
YOU KNOW, YOU'RE JUST -- AS YOU

501
00:22:34,286 --> 00:22:39,325
CAN TELL, I'M A LITTLE

502
00:22:39,325 --> 00:22:39,592
FLUMMOXED.

503
00:22:39,592 --> 00:22:40,459
YOU KNOW WHAT I MEAN?

504
00:22:40,459 --> 00:22:42,661
I ALSO WANT TO GIVE TRIBUTE TO

505
00:22:42,661 --> 00:22:51,437
ELLE AND INGA AND WUNMI AND

506
00:22:51,437 --> 00:22:51,670
TEYANA.

507
00:22:51,670 --> 00:22:54,773
I -- OH, MY LEGS ARE SHAKING.

508
00:22:54,773 --> 00:22:56,475
BECAUSE WHEN I WAS DOING ALL THE

509
00:22:56,475 --> 00:22:57,843
"WEAPONS" STUFF, I WAS, KIND OF,

510
00:22:57,843 --> 00:23:00,813
TRAVELING ON MY OWN AND PEOPLE

511
00:23:00,813 --> 00:23:02,448
FROM "ONE BATTLE" AND PEOPLE

512
00:23:02,448 --> 00:23:03,949
FROM "SINNERS" AND ALL THE

513
00:23:03,949 --> 00:23:05,818
FILMS, THEY JUST, KIND OF, GAVE

514
00:23:05,818 --> 00:23:07,553
ME A HUG AND SAID, YEAH, COME ON

515
00:23:07,553 --> 00:23:09,688
IN AND LET US KNOW YOU AND YOU

516
00:23:09,688 --> 00:23:11,957
CAN KNOW US.

517
00:23:11,957 --> 00:23:13,926
SO, I THINK THAT -- BUT MOST OF

518
00:23:13,926 --> 00:23:16,562
ALL I WANT TO THANK MY BEAUTIFUL

519
00:23:16,562 --> 00:23:18,097
DAUGHTER, LILLY, HER HUSBAND,

520
00:23:18,097 --> 00:23:19,431
SHAWN, AND OF COURSE ALL THE

521
00:23:19,431 --> 00:23:19,632
DOGS.

522
00:23:19,632 --> 00:23:23,769
BUT THE MOST IMPORTANT IS MY

523
00:23:23,769 --> 00:23:27,773
BELOVED ED.

524
00:23:27,773 --> 00:23:30,709
WHO'S BEEN WITH ME FOREVER.

525
00:23:30,709 --> 00:23:32,444
AND THAT'S A LONG TIME.

526
00:23:32,444 --> 00:23:35,614
AND NONE OF THIS WOULD MEAN

527
00:23:35,614 --> 00:23:36,415
ANYTHING IF HE WASN'T BY MY

528
00:23:36,415 --> 00:23:36,615
SIDE.

529
00:23:36,615 --> 00:23:37,583
SO, THANK YOU VERY MUCH.

530
00:23:37,583 --> 00:23:40,719
I'M VERY OVERWHELMED.

531
00:23:40,719 --> 00:23:53,832
♪

532
00:23:53,832 --> 00:23:55,267
>> Announcer: COMING UP NEXT,

533
00:23:55,267 --> 00:23:56,835
WILL ARNETT AND CHANNING TATUM.

534
00:23:56,835 --> 00:23:57,436
PLUS WE CELEBRATE MUSIC FROM

535
00:23:57,436 --> 00:23:59,338
"SINNERS."

536
00:23:59,338 --> 00:24:00,940
HERE ON "THE OSCARS" FROM THE

537
00:24:00,940 --> 00:24:01,840
DOLE BY THEATRE AT OVATION

538
00:24:01,840 --> 00:24:02,308
HOLLYWOOD.

539
00:24:11,350 --> 00:24:14,153
>> Conan: I'M VIBING WITH

540
00:24:14,153 --> 00:24:15,955
TIMOTHEE RIGHT NOW.

541
00:24:15,955 --> 00:24:17,089
HE DOESN'T THINK SO.

542
00:24:17,089 --> 00:24:18,090
ALL RIGHT.

543
00:24:18,090 --> 00:24:18,657
WELCOME BACK.

544
00:24:18,657 --> 00:24:20,893
WE'RE COMING TO YOU LIVE FROM

545
00:24:20,893 --> 00:24:24,163
THE HAS A SMALL PENIS THEATER.

546
00:24:24,163 --> 00:24:26,565
LET'S SEE HIM PUT HIS NAME IN

547
00:24:26,565 --> 00:24:32,805
FRONT OF THAT.

548
00:24:32,805 --> 00:24:34,206
[ LAUGHTER ]

549
00:24:39,812 --> 00:24:41,413
STARTING IN 2029 -- DID YOU KNOW

550
00:24:41,413 --> 00:24:43,349
THIS -- INSTEAD OF ABC, THE

551
00:24:43,349 --> 00:24:45,517
OSCARS ARE GOING TO AIR SOLELY

552
00:24:45,517 --> 00:24:46,185
ON YOUTUBE.

553
00:24:46,185 --> 00:24:46,485
YEAH.

554
00:24:46,485 --> 00:24:47,686
IT'S THE FUTURE.

555
00:24:47,686 --> 00:24:48,087
YES.

556
00:24:48,087 --> 00:24:49,321
IT'S A BIG CHANGE.

557
00:24:49,321 --> 00:24:50,856
SOME PEOPLE ARE WORRIED THIS

558
00:24:50,856 --> 00:24:52,891
WILL CHANGE HOW THE OSCARS ARE

559
00:24:52,891 --> 00:24:56,362
VIEWED, BUT I'VE BEEN ASSURED

560
00:24:56,362 --> 00:24:56,929
THAT --

561
00:24:56,929 --> 00:24:59,498
>> BACK TO THE FLASHLIGHT.

562
00:24:59,498 --> 00:25:02,634
UP TO LUMENS OF BRIGHTNESS IN A

563
00:25:02,634 --> 00:25:03,635
HAND HELD FLASHLIGHT.

564
00:25:03,635 --> 00:25:07,606
THE SAME FLASHLIGHT THAT KILLED

565
00:25:07,606 --> 00:25:11,276
BIN LADEN.

566
00:25:11,276 --> 00:25:12,811
>> Conan: I'M SORRY ABOUT THAT,

567
00:25:12,811 --> 00:25:14,680
BUT, LIKE I SAID, I DON'T THINK

568
00:25:14,680 --> 00:25:15,914
THIS WILL CHANGE THE OSCARS AT

569
00:25:15,914 --> 00:25:16,081
ALL.

570
00:25:16,081 --> 00:25:16,849
I THINK --

571
00:25:16,849 --> 00:25:19,451
>> HAVE YOU BEEN INJURED IN A

572
00:25:19,451 --> 00:25:20,986
TACTICAL FLASHLIGHT-RELATED

573
00:25:20,986 --> 00:25:21,253
INCIDENT?

574
00:25:21,253 --> 00:25:25,024
YOU MAY BE ELIGIBLE FOR

575
00:25:25,024 --> 00:25:25,357
COMPENSATION.

576
00:25:25,357 --> 00:25:25,991
DON'T LET IT GET THE BETTER OF

577
00:25:25,991 --> 00:25:30,929
YOU.

578
00:25:30,929 --> 00:25:33,465
>> Conan: POOR JANE LYNCH.

579
00:25:33,465 --> 00:25:36,502
OUR NEXT PRESENTERS ARE THE

580
00:25:36,502 --> 00:25:37,136
TWO MOST AGGRESSIVE ALPHA MALES

581
00:25:37,136 --> 00:25:37,770
IN MY BOOK CLUB, PLEASE WELCOME

582
00:25:37,770 --> 00:25:42,141
WILL ARNETT AND CHANNING TATUM.

583
00:25:44,810 --> 00:25:46,345
♪

584
00:25:50,215 --> 00:25:50,783
>> TONIGHT WE ARE HERE TO

585
00:25:50,783 --> 00:25:51,283
CELEBRATE EXCELLENCE IN

586
00:25:51,283 --> 00:25:53,352
ANIMATION.

587
00:25:53,352 --> 00:25:57,589
>> THAT IS RIGHT.

588
00:25:57,589 --> 00:25:59,391
>> THAT'S RIGHT, THAT'S RIGHT.

589
00:25:59,391 --> 00:26:01,126
AND, WILL, MIGHT I ADD, I'M SUCH

590
00:26:01,126 --> 00:26:01,994
A BIG FAN OF YOUR WORK IN

591
00:26:01,994 --> 00:26:04,096
ANIMATION --

592
00:26:04,096 --> 00:26:04,663
"BOJACK HORSEMAN,"

593
00:26:04,663 --> 00:26:07,266
"LEGO BATMAN" --

594
00:26:07,266 --> 00:26:08,467
MAYBE MY FAVORITE OF ALL.

595
00:26:08,467 --> 00:26:09,001
>> YOU WERE ALSO IN THAT!

596
00:26:09,001 --> 00:26:10,035
>> I WAS!

597
00:26:10,035 --> 00:26:12,671
MAN, YOU'RE SO GOOD.

598
00:26:12,671 --> 00:26:13,305
HAVE YOU EVER CONSIDERED TRYING

599
00:26:13,305 --> 00:26:14,273
TO ACT IN FRONT OF THE CAMERA?

600
00:26:14,273 --> 00:26:19,545
>> UM, YEAH, I'VE DONE THAT.

601
00:26:19,545 --> 00:26:20,813
IN FACT, THIS YEAR I MADE A

602
00:26:20,813 --> 00:26:22,481
MOVIE WITH BRADLEY COOPER.

603
00:26:22,481 --> 00:26:23,749
>> WHAT?

604
00:26:23,749 --> 00:26:23,982
REALLY?

605
00:26:23,982 --> 00:26:25,784
I LOVE THAT GUY.

606
00:26:25,784 --> 00:26:26,852
HE'S SO GOOD.

607
00:26:26,852 --> 00:26:30,522
HE JUST TAKES SO MANY RISKS ON

608
00:26:30,522 --> 00:26:30,823
NON-ACTORS.

609
00:26:30,823 --> 00:26:32,825
HE PULLS, LIKE, REALLY AMAZING

610
00:26:32,825 --> 00:26:36,962
PERFORMANCES OUT OF THEM.

611
00:26:36,962 --> 00:26:39,398
LADY GAGA -- YOU, I'M ASSUMING.

612
00:26:39,398 --> 00:26:42,434
HE'S A REAL MIRACLE WORKER.

613
00:26:42,434 --> 00:26:44,803
HAS A MAGIC WAND.

614
00:26:44,803 --> 00:26:46,138
I'M SURE YOU GOT NOMINATED.

615
00:26:46,138 --> 00:26:49,475
>> I DID NOT GET NOMINATED.

616
00:26:49,475 --> 00:26:49,842
>> THAT'S OKAY.

617
00:26:49,842 --> 00:26:50,142
ME NEITHER.

618
00:26:50,142 --> 00:26:51,677
I GUESS WE'RE BOTH AVAILABLE FOR

619
00:26:51,677 --> 00:26:52,344
VOICE-OVER WORK.

620
00:26:52,344 --> 00:26:53,378
>> YOUR NOMINEES FOR BEST

621
00:26:53,378 --> 00:26:56,248
ANIMATED FEATURE ARE --

622
00:26:58,016 --> 00:27:00,652
>> "ARCO."

623
00:27:00,652 --> 00:27:01,253
UGO BIENVENU, FELIX DE GIVRY,

624
00:27:01,253 --> 00:27:04,389
SOPHIE MAS AND NATALIE PORTMAN.

625
00:27:04,389 --> 00:27:06,558
"ELIO."

626
00:27:06,558 --> 00:27:08,660
MADELINE SHARAFIAN, DOMEE SHI,

627
00:27:08,660 --> 00:27:12,831
ADRIAN MOLINA AND

628
00:27:12,831 --> 00:27:13,365
MARY ALICE DRUMM.

629
00:27:13,365 --> 00:27:15,000
"KPOP DEMON HUNTERS."

630
00:27:15,000 --> 00:27:19,738
MAGGIE KANG, CHRIS APPELHANS AND

631
00:27:19,738 --> 00:27:20,172
MICHELLE L.M. WONG.

632
00:27:20,172 --> 00:27:21,874
"LITTLE AMELIE OR THE CHARACTER

633
00:27:21,874 --> 00:27:24,543
OF RAIN."

634
00:27:24,543 --> 00:27:25,177
MAILYS VALLADE, LIANE-CHO HAN,

635
00:27:25,177 --> 00:27:27,012
NIDIA SANTIAGO AND

636
00:27:27,012 --> 00:27:28,780
HENRI MAGALON.

637
00:27:28,780 --> 00:27:30,883
"ZOOTOPIA 2."

638
00:27:30,883 --> 00:27:31,917
JARED BUSH, BYRON HOWARD AND

639
00:27:31,917 --> 00:27:37,789
YVETT MERINO.

640
00:27:40,826 --> 00:27:46,131
>> AND THE OSCAR GOES TO --

641
00:27:46,131 --> 00:27:53,772
KPOP DEMON HUNTERS.

642
00:27:53,772 --> 00:27:54,072
[ APPLAUSE ]

643
00:27:54,072 --> 00:27:57,442
>> Announcer: THIS IS THE FIRST

644
00:27:57,442 --> 00:28:01,046
OSCAR WIN FOR MAGGIE KANG, CHRIS

645
00:28:01,046 --> 00:28:02,981
APPELHANS AND MICHELLE L.M.

646
00:28:02,981 --> 00:28:05,684
WONG.

647
00:28:08,820 --> 00:28:11,924
♪

648
00:28:17,229 --> 00:28:20,933
[ APPLAUSE ]

649
00:28:31,176 --> 00:28:36,615
[ APPLAUSE ]

650
00:28:42,087 --> 00:28:42,487
>> THANK YOU.

651
00:28:42,487 --> 00:28:45,557
THANK YOU TO THE ACADEMY AND TO

652
00:28:45,557 --> 00:28:48,060
ALL THE FANS WHO GOT US HERE,

653
00:28:48,060 --> 00:28:49,494
AND FOR THOSE OF YOU WHO LOOK

654
00:28:49,494 --> 00:28:51,463
LIKE ME, I AM SO SORRY THAT IT

655
00:28:51,463 --> 00:28:53,298
TOOK US SO LONG TO SEE US IN A

656
00:28:53,298 --> 00:28:56,101
MOVIE LIKE THIS.

657
00:28:56,101 --> 00:28:56,401
[ APPLAUSE ]

658
00:28:56,401 --> 00:28:58,303
BUT IT IS HERE.

659
00:28:58,303 --> 00:29:00,305
AND THAT MEANS THAT THE NEXT

660
00:29:00,305 --> 00:29:01,273
GENERATIONS DON'T HAVE TO GO

661
00:29:01,273 --> 00:29:01,640
LONGING.

662
00:29:01,640 --> 00:29:03,442
THIS IS FOR KOREA AND FOR

663
00:29:03,442 --> 00:29:03,875
KOREANS EVERYWHERE.

664
00:29:03,875 --> 00:29:11,116
[ APPLAUSE ]

665
00:29:11,116 --> 00:29:13,885
>> MUSIC AND STORIES HAVE THIS

666
00:29:13,885 --> 00:29:16,388
POWER TO CONNECT US AS HUMANS

667
00:29:16,388 --> 00:29:18,590
ACROSS CULTURES AND BORDERS, SO

668
00:29:18,590 --> 00:29:20,726
I JUST WANT TO TAKE A MOMENT TO

669
00:29:20,726 --> 00:29:23,996
SAY TO ALL THE YOUNG FILMMAKERS,

670
00:29:23,996 --> 00:29:24,563
ARTISTS, MUSICIANS IN ALL

671
00:29:24,563 --> 00:29:27,666
CORNERS OF THE GLOBE, TELL YOUR

672
00:29:27,666 --> 00:29:29,768
STORY, SING IN YOUR VOICE.

673
00:29:29,768 --> 00:29:30,669
I PROMISE YOU THE WORLD IS

674
00:29:30,669 --> 00:29:30,902
WAITING.

675
00:29:30,902 --> 00:29:33,005
[ APPLAUSE ]

676
00:29:33,005 --> 00:29:36,808
>> THANK YOU TO OUR PARTNERS AT

677
00:29:36,808 --> 00:29:37,042
NETFLIX.

678
00:29:37,042 --> 00:29:37,209
♪

679
00:29:37,209 --> 00:29:40,812
OH, OKAY.

680
00:29:40,812 --> 00:29:41,880
THANK YOU TO OUR PARTNERS AT

681
00:29:41,880 --> 00:29:43,015
NETFLIX WHO MADE ALL OF THIS

682
00:29:43,015 --> 00:29:45,350
POSSIBLE AND, OF COURSE, TO OUR

683
00:29:45,350 --> 00:29:50,255
CREWS AT SONY PICTURES AND SONY

684
00:29:50,255 --> 00:29:51,490
PICTURES MUSIC FOR YOUR

685
00:29:51,490 --> 00:29:54,026
EXCELLENCE IN MAKING FILMS AND

686
00:29:54,026 --> 00:29:58,163
LOVE TO OUR SPOUSES, ERIC, RAD

687
00:29:58,163 --> 00:30:01,266
AND MAUREEN FOR ALL OF YOUR

688
00:30:01,266 --> 00:30:01,500
SUPPORT.

689
00:30:01,500 --> 00:30:04,002
MOM, THIS IS FOR YOU.

690
00:30:08,840 --> 00:30:09,741
♪

691
00:30:16,615 --> 00:30:18,283
>> AND NOW THE AWARD FOR BEST

692
00:30:18,283 --> 00:30:19,651
ANIMATED SHORT AND THE CREATIVE

693
00:30:19,651 --> 00:30:21,153
PEOPLE WHO BRING THESE ANIMATED

694
00:30:21,153 --> 00:30:21,720
STORIES TO LIFE.

695
00:30:21,720 --> 00:30:22,554
>> THAT'S RIGHT.

696
00:30:22,554 --> 00:30:25,557
TONIGHT WE ARE CELEBRATING

697
00:30:25,557 --> 00:30:28,293
PEOPLE NOT A.I. BECAUSE

698
00:30:28,293 --> 00:30:31,663
ANIMATION -- YEAH -- IT'S MORE

699
00:30:31,663 --> 00:30:34,900
THAN A PROP, IT'S AN ART FORM

700
00:30:34,900 --> 00:30:35,434
AND NEEDS TO BE PROTECTED.

701
00:30:35,434 --> 00:30:36,468
AM I RIGHT?

702
00:30:36,468 --> 00:30:36,768
[ APPLAUSE ]

703
00:30:36,768 --> 00:30:39,071
AM I RIGHT?

704
00:30:39,071 --> 00:30:40,806
[ APPLAUSE ]

705
00:30:40,806 --> 00:30:41,039
>> YEAH.

706
00:30:41,039 --> 00:30:42,007
I FEEL THAT WAY, TOO.

707
00:30:42,007 --> 00:30:42,908
>> TOO LATE.

708
00:30:42,908 --> 00:30:44,109
I ALREADY WON THE PRESENTING

709
00:30:44,109 --> 00:30:44,343
SEGMENT.

710
00:30:44,343 --> 00:30:45,811
>> I DIDN'T REALIZE IT WAS A

711
00:30:45,811 --> 00:30:46,111
COMPETITION.

712
00:30:46,111 --> 00:30:48,847
>> THAT'S WHY YOU CAME IN

713
00:30:48,847 --> 00:30:49,081
SECOND.

714
00:30:49,081 --> 00:30:52,918
ALL RIGHT, THE NOMINEES ARE --

715
00:30:52,918 --> 00:30:53,952
"BUTTERFLY."

716
00:30:53,952 --> 00:30:56,822
FLORENCE MIAILHE AND RON DYENS.

717
00:30:56,822 --> 00:30:57,622
"FOREVERGREEN."

718
00:30:57,622 --> 00:31:00,826
NATHAN ENGELHARDT AND

719
00:31:00,826 --> 00:31:06,665
JEREMY SPEARS.

720
00:31:06,665 --> 00:31:08,233
"THE GIRL WHO CRIED PEARLS."

721
00:31:08,233 --> 00:31:08,600
CHRIS LAVIS AND

722
00:31:08,600 --> 00:31:09,034
MACIEK SZCZERBOWSKI.

723
00:31:09,034 --> 00:31:09,434
"RETIREMENT PLAN."

724
00:31:09,434 --> 00:31:11,970
JOHN KELLY AND ANDREW FREEDMAN.

725
00:31:11,970 --> 00:31:12,838
"THE THREE SISTERS."

726
00:31:12,838 --> 00:31:15,006
KONSTANTIN BRONZIT.

727
00:31:17,776 --> 00:31:24,616
>> AND THE OSCAR GOES TO --

728
00:31:24,616 --> 00:31:28,954
>> "THE GIRL WHO CRIED PEARLS."

729
00:31:28,954 --> 00:31:31,690
>> Announcer: THIS IS THE SECOND

730
00:31:31,690 --> 00:31:33,024
NOMINATION FOR CHRIS LAVIS AND

731
00:31:33,024 --> 00:31:40,832
MACIEK SZCZERBOWSKI.

732
00:31:40,832 --> 00:31:44,269
THEY WERE PREVIOUSLY NOMINATED.

733
00:31:44,269 --> 00:31:45,036
>> OH, BOY.

734
00:31:45,036 --> 00:31:51,410
WE REALLY ARE THAT NERVOUS.

735
00:31:51,410 --> 00:31:54,379
I GUESS PEOPLE THINK IT TAKES

736
00:31:54,379 --> 00:31:55,580
PATIENCE TO TAKE FIVE YEARS TO

737
00:31:55,580 --> 00:31:57,616
MAKE A PUPPET FILM.

738
00:31:57,616 --> 00:31:59,317
IT TAKES PATIENCE TO LIVE WITH

739
00:31:59,317 --> 00:32:00,585
SOMEONE WHO TAKES FIVE YEARS TO

740
00:32:00,585 --> 00:32:01,553
MAKE A PUPPET FILM.

741
00:32:01,553 --> 00:32:05,690
I WOULD LIKE TO THANK MY WIFE

742
00:32:05,690 --> 00:32:07,626
MAYA, MY DAUGHTER.

743
00:32:07,626 --> 00:32:08,994
>> STEPHANIE AND OUR BEAUTIFUL

744
00:32:08,994 --> 00:32:09,394
NOLA.

745
00:32:09,394 --> 00:32:11,062
WE'D LIKE TO THANK THE NATIONAL

746
00:32:11,062 --> 00:32:13,064
FILM BOARD, OUR AMAZING

747
00:32:13,064 --> 00:32:16,501
PRODUCERS, JULIE, MARK AND

748
00:32:16,501 --> 00:32:16,868
CHRISTIE.

749
00:32:16,868 --> 00:32:19,638
>> OUR WONDERFUL COLLABORATORS

750
00:32:19,638 --> 00:32:24,810
BRIDGETTE HENRY, PATRICK WATSON,

751
00:32:24,810 --> 00:32:25,744
JAMES HEINEMAN.

752
00:32:25,744 --> 00:32:27,412
>> AND TO GET OFF QUICK, WE

753
00:32:27,412 --> 00:32:29,748
REALLY WANT TO THANK OUR AMAZING

754
00:32:29,748 --> 00:32:31,883
NEIGHBORHOOD AND THE AMAZINGLY

755
00:32:31,883 --> 00:32:32,818
TALENTED COMMUNITY OF ARTISTS

756
00:32:32,818 --> 00:32:37,689
THAT WE'VE HAD THE SUPERB LUCK

757
00:32:37,689 --> 00:32:38,356
TO WORK WITH.

758
00:32:38,356 --> 00:32:40,826
THANK YOU THE FANTASTIC CITY OF

759
00:32:40,826 --> 00:32:41,092
MONTREAL.

760
00:32:41,092 --> 00:32:41,493
THANK YOU, CANADA.

761
00:32:41,493 --> 00:32:44,830
>> CAP DA!

762
00:32:44,830 --> 00:32:45,130
CANADA!

763
00:32:47,199 --> 00:32:50,235
♪

764
00:33:04,249 --> 00:33:08,787
>>> THERE ARE LEGENDS OF PEOPLE,

765
00:33:08,787 --> 00:33:10,956
BETWEEN LIFE AND DEATH.

766
00:33:10,956 --> 00:33:13,091
>> THE DELTA BLUES IS A FORM OF

767
00:33:13,091 --> 00:33:15,026
HEALING AND AFFIRMATION OF THE

768
00:33:15,026 --> 00:33:18,830
EXISTENCE OF A PEOPLE WHO DREAM,

769
00:33:18,830 --> 00:33:22,634
WHO BUILT, WHO FOUGHT, WHO LOVE.

770
00:33:22,634 --> 00:33:24,669
IT IS BOTH SACRED AND PROFANE.

771
00:33:24,669 --> 00:33:26,905
SIMPLE YET COMPLEX.

772
00:33:26,905 --> 00:33:30,742
BOTH HUMAN AND DIVINE.

773
00:33:30,742 --> 00:33:33,011
IT'S POWERFUL GLOBAL CULTURE IN

774
00:33:33,011 --> 00:33:34,713
HIS IMAGE.

775
00:33:34,713 --> 00:33:35,580
IT WAS ABOUT THAT POWER AND THE

776
00:33:35,580 --> 00:33:40,785
SONG ABOUT THOSE PEOPLE.

777
00:33:46,358 --> 00:33:49,528
>> YOU KEEP DANCING WITH THE

778
00:33:49,528 --> 00:33:50,996
DEVIL, ONE DAY HE'S GOING TO

779
00:33:50,996 --> 00:33:57,602
FOLLOW YOU HOME.

780
00:33:57,602 --> 00:33:59,170
>> PREACH ON.

781
00:33:59,170 --> 00:34:00,438
SPEAK YOUR WORDS.

782
00:34:00,438 --> 00:34:02,140
I KNOW THE TRUTH HURTS.

783
00:34:02,140 --> 00:34:07,045
SO I LIED TO YOU.

784
00:34:07,045 --> 00:34:08,079
♪ SOMETHIN I BEEN

785
00:34:08,079 --> 00:34:08,813
WANTIN' TO TELL YA

786
00:34:08,813 --> 00:34:09,648
FOR A LONG TIME ♪

787
00:34:09,648 --> 00:34:11,283
♪ IT MIGHT HURT YA

788
00:34:11,283 --> 00:34:14,953
HOPE YOU DON'T

789
00:34:14,953 --> 00:34:15,353
LOSE YOUR MIND ♪

790
00:34:15,353 --> 00:34:18,657
♪ WELL I WAS JUST A BOY

791
00:34:18,657 --> 00:34:19,090
'BOUT 8 YEARS OLD ♪

792
00:34:19,090 --> 00:34:20,824
♪ YOU THREW ME A BIBLE

793
00:34:20,824 --> 00:34:23,962
ON THAT MISSISSIPPI ROAD ♪

794
00:34:23,962 --> 00:34:25,563
♪ SEE I LOVE YA PAPA

795
00:34:25,563 --> 00:34:28,800
YOU DID ALL YOU COULD DO ♪

796
00:34:28,800 --> 00:34:32,804
♪ THEY SAY THE TRUTH HURTS

797
00:34:32,804 --> 00:34:35,607
SO I LIED TO YOU

798
00:34:35,607 --> 00:34:36,041
YES I LIED TO YOU ♪

799
00:34:36,041 --> 00:34:40,978
♪ I LOVE THE BLUES

800
00:34:42,781 --> 00:34:49,853
♪

801
00:34:50,989 --> 00:34:55,460
♪

802
00:34:57,729 --> 00:35:02,467
♪ SOMEBODY TAKE ME

803
00:35:02,467 --> 00:35:09,908
IN YOUR ARMS TONIGHT ♪

804
00:35:09,908 --> 00:35:10,942
♪ SOMEBODY TAKE ME

805
00:35:10,942 --> 00:35:16,214
IN YOUR ARMS TONIGHT ♪

806
00:35:16,214 --> 00:35:21,519
♪ SOMEBODY TAKE ME

807
00:35:21,519 --> 00:35:26,992
IN YOUR ARMS TONIGHT ♪

808
00:35:26,992 --> 00:35:35,300
♪ SOMEBODY TAKE ME

809
00:35:35,300 --> 00:35:36,801
I HOPE YOU CAN STAND IT

810
00:35:36,801 --> 00:35:40,071
STAND IT ALL ♪

811
00:35:40,071 --> 00:35:41,139
♪ 'CAUSE WHAT I'M OUT HERE

812
00:35:41,139 --> 00:35:41,673
DOIN YOU DIDN'T PREACH

813
00:35:41,673 --> 00:35:44,309
AT ALL ♪

814
00:35:44,309 --> 00:35:46,378
♪ SEE I'M FULL OF THE BLUES

815
00:35:46,378 --> 00:35:51,016
HOLY WATER TOO ♪

816
00:35:51,016 --> 00:35:52,817
♪ I KNOW THE TRUTH HURTS

817
00:35:52,817 --> 00:35:56,988
SO I LIED TO YOU ♪

818
00:35:56,988 --> 00:35:59,658
♪ SO PREACH ON

819
00:35:59,658 --> 00:36:00,191
SPEAK YOUR WORDS ♪

820
00:36:00,191 --> 00:36:00,725
♪ I KNOW THE TRUTH HURTS

821
00:36:00,725 --> 00:36:03,928
YES I LIED TO YOU ♪

822
00:36:03,928 --> 00:36:04,963
♪ I LOVE THE BLUES

823
00:36:04,963 --> 00:36:11,369
I LOVE THE BLUES ♪

824
00:36:11,369 --> 00:36:14,005
♪ YEAH YEAH YEAH

825
00:36:14,005 --> 00:36:14,506
AYY-AYY-AYY ♪

826
00:36:14,506 --> 00:36:18,743
♪ KNOW THE TRUTH HURTS

827
00:36:18,743 --> 00:36:32,223
AYY-AYY-AYY

828
00:36:32,223 --> 00:36:34,225
♪ I KNOW THE TRUTH HURTS

829
00:36:34,225 --> 00:36:36,461
SO I LIED TO YOU ♪

830
00:36:36,461 --> 00:36:36,961
♪ WELL SOMEBODY TAKE ME

831
00:36:36,961 --> 00:36:42,100
IN YOUR ARMS ♪

832
00:36:42,100 --> 00:36:45,003
♪ TONIGHT

833
00:36:45,003 --> 00:36:45,370
♪ AYY-AYY-AYY

834
00:36:45,370 --> 00:36:46,438
OHH

835
00:36:46,438 --> 00:36:49,107
AYY-AYY-AYY ♪

836
00:36:49,107 --> 00:36:54,446
♪ IN YOUR ARMS

837
00:36:54,446 --> 00:36:59,284
MM-HM-MM ♪

838
00:37:00,218 --> 00:37:05,356
♪

839
00:37:10,361 --> 00:37:15,133
[ APPLAUSE ]

840
00:37:15,133 --> 00:37:21,339
♪

841
00:37:26,578 --> 00:37:31,950
[ APPLAUSE ]

842
00:37:31,950 --> 00:37:33,618
♪ I'M ON A NEW LEVEL

843
00:37:33,618 --> 00:37:37,322
>> I HAVE A PURPOSE.

844
00:37:37,322 --> 00:37:38,823
IF YOU THINK THAT'S SOME SORT OF

845
00:37:38,823 --> 00:37:40,925
BLESSING, IT'S NOT.

846
00:37:40,925 --> 00:37:43,261
IT PUTS ME AT A HUGE LIFE

847
00:37:43,261 --> 00:37:45,196
DISADVANTAGE.

848
00:37:45,196 --> 00:37:47,465
IT MEANS I HAVE AN OBLIGATION TO

849
00:37:47,465 --> 00:37:50,668
SEE A VERY SPECIFIC THING

850
00:37:50,668 --> 00:37:50,902
THROUGH.

851
00:37:50,902 --> 00:37:52,904
♪ I'M ON A NEW LEVEL

852
00:37:52,904 --> 00:37:54,706
>> AND WITH THAT OBLIGATION

853
00:37:54,706 --> 00:37:55,740
COMES SACRIFICE.

854
00:37:55,740 --> 00:37:57,375
>> WHAT DO YOU PLAN TO DO IF

855
00:37:57,375 --> 00:37:58,376
THIS WHOLE DREAM OF YOURS

856
00:37:58,376 --> 00:37:59,644
DOESN'T WORK OUT?

857
00:37:59,644 --> 00:38:07,852
>> THAT DOESN'T EVEN ENTER MY

858
00:38:07,852 --> 00:38:08,453
CONS

859
00:38:08,453 --> 00:38:08,787
CONSCIOUSNESS.

860
00:38:08,787 --> 00:38:09,721
♪ I'M ON A NEW LEVEL

861
00:38:09,721 --> 00:38:10,922
>>> BEFORE WE GO ANY FURTHER,

862
00:38:10,922 --> 00:38:12,457
HOW ABOUT A HAND FOR OUR

863
00:38:12,457 --> 00:38:14,692
BRILLIANT CONDUCTOR, MICHAEL

864
00:38:14,692 --> 00:38:17,695
BEARDEN AND THE INCREDIBLE

865
00:38:17,695 --> 00:38:19,964
ACADEMY ORCHESTRA.

866
00:38:19,964 --> 00:38:20,398
MAESTRO.

867
00:38:20,398 --> 00:38:20,765
[ APPLAUSE ].

868
00:38:20,765 --> 00:38:26,304
>> AND CONCERT MASTER, CHARLIE

869
00:38:26,304 --> 00:38:26,638
BICHEROT.

870
00:38:26,638 --> 00:38:28,072
SIR, WE SALUTE YOU.

871
00:38:28,072 --> 00:38:30,175
AND FOR THOSE OF YOU WHO ARE

872
00:38:30,175 --> 00:38:32,143
FANS OF "MARTY SUPREME," YOU'LL

873
00:38:32,143 --> 00:38:36,247
LOVE THE ORCHESTRA'S NEWEST

874
00:38:36,247 --> 00:38:40,785
INSTRUMENT, THE TIMOTHEE

875
00:38:40,785 --> 00:38:46,457
CHALAMET BUM DRUM.

876
00:38:46,457 --> 00:38:46,791
[ APPLAUSE ].

877
00:38:46,791 --> 00:38:47,792
>> TONIGHT WE'RE HERE TO

878
00:38:47,792 --> 00:38:49,828
CELEBRATE THIS YEAR'S FILMS, BUT

879
00:38:49,828 --> 00:38:52,163
I NEED TO STRESS THIS, WE ALSO

880
00:38:52,163 --> 00:38:54,299
CARE DEEPLY ABOUT PRESERVING

881
00:38:54,299 --> 00:38:55,133
FILM HISTORY.

882
00:38:55,133 --> 00:38:56,901
IT MUST BE PRESERVED.

883
00:38:56,901 --> 00:38:58,903
I WANTED TO HIGHLIGHT ONE STUDIO

884
00:38:58,903 --> 00:39:01,573
COMMITTED TO DOING JUST THAT FOR

885
00:39:01,573 --> 00:39:04,075
THE SMART PHONE GENERATION.

886
00:39:04,075 --> 00:39:07,378
>> VENTURA CROSS ROADS LABS A A

887
00:39:07,378 --> 00:39:10,148
GROUP OF FILM PRESERVATIONIST

888
00:39:10,148 --> 00:39:11,382
COMMITTED TO ONE SIMPLE GOAL,

889
00:39:11,382 --> 00:39:14,519
MAKING MOVIES VERY TALL AND VERY

890
00:39:14,519 --> 00:39:14,752
SKINNY.

891
00:39:14,752 --> 00:39:15,887
AS MORE PEOPLE DEPEND ON THEIR

892
00:39:15,887 --> 00:39:17,789
PERSONAL DEVICES FOR

893
00:39:17,789 --> 00:39:18,957
ENTERTAINMENT, VENTURA CROSS

894
00:39:18,957 --> 00:39:20,725
ROADS IS MEETING THIS NEED BY

895
00:39:20,725 --> 00:39:21,826
UPDATING YESTERDAY'S CLASSICS

896
00:39:21,826 --> 00:39:23,628
FOR TODAY'S MOVIE AUDIENCES.

897
00:39:23,628 --> 00:39:26,397
USING SOPHISTICATED A.I.

898
00:39:26,397 --> 00:39:28,666
SOFTWARE, VENTURA CROSS ROADS

899
00:39:28,666 --> 00:39:30,401
PRESERVES ONLY THE MOST VISUALLY

900
00:39:30,401 --> 00:39:31,603
INTERESTING PARTS OF THE FRAME.

901
00:39:31,603 --> 00:39:33,404
>> YES, YES, YES!

902
00:39:33,404 --> 00:39:36,174
>> SO NOW FUTURE AUDIENCES CAN

903
00:39:36,174 --> 00:39:38,977
ENJOY REIMAGED CLASSICS, LIKE

904
00:39:38,977 --> 00:39:43,982
"TWO ANGRY MEN" AND "ODD FAT II"

905
00:39:43,982 --> 00:39:46,017
HOLLYWOOD'S BIGGEST MOVIES, MADE

906
00:39:46,017 --> 00:39:49,621
SMALLER AND TALLER, ALL THANKS

907
00:39:49,621 --> 00:39:51,122
TO VENTURA CROSS ROADS.

908
00:39:51,122 --> 00:39:52,123
OH, ONE MORE THING.

909
00:39:52,123 --> 00:39:56,494
>> TELL THEM MARTY SENT YOU.

910
00:39:56,494 --> 00:39:58,529
[ APPLAUSE ].

911
00:39:58,529 --> 00:39:59,330
>> IMPORTANT WORK.

912
00:39:59,330 --> 00:39:59,998
IMPORTANT WORK.

913
00:39:59,998 --> 00:40:03,101
IT'S TIME TO INTRODUCE THE NEXT

914
00:40:03,101 --> 00:40:04,469
PRESENTER, BUT LET'S MAKE THIS

915
00:40:04,469 --> 00:40:04,702
SPECIAL.

916
00:40:04,702 --> 00:40:10,041
CAN WE HAVE A BUM DRUM ROLL,

917
00:40:10,041 --> 00:40:12,110
PLEASE.

918
00:40:12,110 --> 00:40:13,311
WHY, CONAN, WHY.

919
00:40:13,311 --> 00:40:15,546
AT ONE POINT IN MY LIFE I HAD

920
00:40:15,546 --> 00:40:17,682
BOTH OF THEIR HAIRCUTS.

921
00:40:17,682 --> 00:40:23,922
PLEASE WELCOME OSCAR WINNER ANN

922
00:40:23,922 --> 00:40:39,103
HATHAWAY AND DAME ANNA WINTOUR.

923
00:40:39,103 --> 00:40:40,438
♪

924
00:40:40,438 --> 00:40:42,740
>> WHETHER IT'S TWO DISTINCT

925
00:40:42,740 --> 00:40:44,609
JEWEL-TONED HATS, METICULOUSLY

926
00:40:44,609 --> 00:40:46,678
CRAFTED HEAD DRESS, A SIMPLE

927
00:40:46,678 --> 00:40:49,113
PAIR OF SEMIRIMLESS EYEGLASSES,

928
00:40:49,113 --> 00:40:50,615
COMPLEX AND DRAMATIC PIECES THAT

929
00:40:50,615 --> 00:40:53,918
BRING TO LIFE A GOTHIC CLASSIC,

930
00:40:53,918 --> 00:40:56,587
OR WATCHING RED TURN RUST IN

931
00:40:56,587 --> 00:40:59,424
16th CENTURY ENGLAND.

932
00:40:59,424 --> 00:41:00,892
A CHARACTER'S COSTUME IS KEY TO

933
00:41:00,892 --> 00:41:01,960
TELLING A STORY.

934
00:41:01,960 --> 00:41:04,162
ONE COULD ARGUE THAT ONE'S

935
00:41:04,162 --> 00:41:06,030
WARDROBE IN REAL LIFE IS ALSO

936
00:41:06,030 --> 00:41:06,197
KEY.

937
00:41:06,197 --> 00:41:08,733
DOES IT MAKE ONE APPEAR ELEGANT

938
00:41:08,733 --> 00:41:10,468
AND ATTRACTIVE ON SAY THE MOST

939
00:41:10,468 --> 00:41:12,003
IMPORTANT NIGHT IN HOLLYWOOD AND

940
00:41:12,003 --> 00:41:13,638
SAY THE MOST IMPORTANT PEOPLE IN

941
00:41:13,638 --> 00:41:16,407
FASHION WILL BE JUDGING HOW ONE

942
00:41:16,407 --> 00:41:17,041
LOOKS.

943
00:41:17,041 --> 00:41:23,247
ANNA, JUST CURIOUS, WHAT DO YOU

944
00:41:23,247 --> 00:41:27,018
THINK OF MY DRESS TONIGHT?

945
00:41:27,018 --> 00:41:35,059
>> AND THE NOMINEES ARE --

946
00:41:35,059 --> 00:41:36,260
[LAUGHTER].

947
00:41:36,260 --> 00:41:40,732
♪

948
00:41:40,732 --> 00:41:42,166
>>> "AVATAR: FIRE AND ASH,"

949
00:41:42,166 --> 00:41:44,869
COSTUME DESIGN BY DEBORAH L.

950
00:41:44,869 --> 00:41:46,671
SCOTT.

951
00:41:46,671 --> 00:41:49,707
"FRANKENSTEIN" COSTUME DESIGN BY

952
00:41:49,707 --> 00:41:53,811
KATE HOLLY.

953
00:41:53,811 --> 00:41:56,180
"HAMNET," COSTUME DESIGN BY --

954
00:41:56,180 --> 00:41:57,982
>> "MARTY SUPREME," COSTUME

955
00:41:57,982 --> 00:42:02,920
DESIGN BY MIAKO BELITZI.

956
00:42:02,920 --> 00:42:04,856
"SINNERS," COSTUME DESIGN BY

957
00:42:04,856 --> 00:42:09,594
RUTH E.-COTTA.

958
00:42:09,594 --> 00:42:10,828
>> AND THE OSCAR FOR BEST

959
00:42:10,828 --> 00:42:15,767
COSTUME DESIGN GOES TO --

960
00:42:15,767 --> 00:42:22,206
"FRANKENSTEIN" KATE HOLLY.

961
00:42:22,206 --> 00:42:23,641
>> THIS IS THE FIRST OSCAR WIN

962
00:42:23,641 --> 00:42:26,844
AND NOMINATION FOR KATE HOLLY.

963
00:42:26,844 --> 00:42:28,413
SHE'S AN ACCLAIMED NEW ZEALAND

964
00:42:28,413 --> 00:42:30,348
BORN COSTUME DESIGNER, RENOWN

965
00:42:30,348 --> 00:42:33,117
FOR HER WORK IN FANTASY AND SCI

966
00:42:33,117 --> 00:42:38,656
FI FILMS.

967
00:42:38,656 --> 00:42:47,965
[ APPLAUSE ].

968
00:42:47,965 --> 00:42:57,775
♪

969
00:42:57,775 --> 00:43:00,778
>> ON BEHALF OF MYSELF AND THE

970
00:43:00,778 --> 00:43:02,647
AMAZING TEAM THAT I WORK WITH,

971
00:43:02,647 --> 00:43:08,352
THE ARTISANS, THE AL CHEEMISTS,

972
00:43:08,352 --> 00:43:09,921
THE DREAM WEAVERS, WE'RE SO

973
00:43:09,921 --> 00:43:11,322
THANKFUL TO THE ACADEMY FOR

974
00:43:11,322 --> 00:43:12,123
RECOGNIZING OUR CRAFT.

975
00:43:12,123 --> 00:43:14,158
IT'S BEEN SUCH A PRIVILEGE TO

976
00:43:14,158 --> 00:43:20,064
STAND ALONGSIDE RUTH, MIAGA, AND

977
00:43:20,064 --> 00:43:20,264
SCOTT.

978
00:43:20,264 --> 00:43:23,067
IT'S BEEN AMAZING KNOWING YOU

979
00:43:23,067 --> 00:43:23,234
ALL.

980
00:43:23,234 --> 00:43:26,671
AND GUILLERMO, I'M NOT GOING TO

981
00:43:26,671 --> 00:43:26,871
CRY.

982
00:43:26,871 --> 00:43:30,675
THANK YOU FOR THE VISION AND FOR

983
00:43:30,675 --> 00:43:32,210
TAKING US ON YOUR JOURNEY.

984
00:43:32,210 --> 00:43:33,444
IT'S BEEN A GREAT PRIVILEGE TO

985
00:43:33,444 --> 00:43:34,679
BE PART OF IT.

986
00:43:34,679 --> 00:43:37,248
ALL OUR NOMINATIONS ARE YOUR

987
00:43:37,248 --> 00:43:37,548
NOMINATIONS.

988
00:43:37,548 --> 00:43:39,217
WE SHARE WITH YOU.

989
00:43:39,217 --> 00:43:42,587
A BIG SHOUTOUT TO OUR FANTASTIC

990
00:43:42,587 --> 00:43:45,623
CAST AND EXTRA ONE TO DENNIS AND

991
00:43:45,623 --> 00:43:47,625
MY FAMILY WHO PUT UP WITH A LOT

992
00:43:47,625 --> 00:43:47,825
OF

993
00:43:47,825 --> 00:43:48,526
[ MUTED ]

994
00:43:48,526 --> 00:43:50,528
OVER THE YEARS.

995
00:43:50,528 --> 00:43:52,797
MY DARLING DAUGHTER WHO IS

996
00:43:52,797 --> 00:43:56,234
LITTLE EDDIE TO BY BIG EDDI-E

997
00:43:56,234 --> 00:43:57,301
AND EVERYBODY WHO SUPPORTED US

998
00:43:57,301 --> 00:43:58,302
ALONG THE WAY.

999
00:43:58,302 --> 00:44:01,205
THE NETFLIX FAMILY, SCOTT,

1000
00:44:01,205 --> 00:44:01,405
MILES.

1001
00:44:01,405 --> 00:44:01,873
I DON'T KNOW ANYMORE.

1002
00:44:01,873 --> 00:44:02,740
I'VE LOST IT.

1003
00:44:02,740 --> 00:44:05,143
BUT I'M SO, SO GRATEFUL.

1004
00:44:05,143 --> 00:44:09,113
THANK YOU VERY MUCH FOR

1005
00:44:09,113 --> 00:44:13,284
RECOGNIZING OUR CRAFT.

1006
00:44:13,284 --> 00:44:23,561
[ APPLAUSE ].

1007
00:44:23,561 --> 00:44:24,662
♪

1008
00:44:24,662 --> 00:44:26,831
>> HAIR AND MAKEUP CHOICES CAN

1009
00:44:26,831 --> 00:44:28,866
MAKE A PERFORMANCE COME ALIVE.

1010
00:44:28,866 --> 00:44:31,502
THESE ARTISTS DELICATELY BALANCE

1011
00:44:31,502 --> 00:44:32,904
BEING BOLD YET TRANSPARENT,

1012
00:44:32,904 --> 00:44:34,238
CONSTANTLY ASKING THEMSELVES DO

1013
00:44:34,238 --> 00:44:36,841
I PULL BACK OR DO I GO FOR

1014
00:44:36,841 --> 00:44:37,041
BROKE.

1015
00:44:37,041 --> 00:44:38,709
THESE FIVE NOMINATED FILMS ARE

1016
00:44:38,709 --> 00:44:41,712
STUNNING EXAMPLES OF VISION,

1017
00:44:41,712 --> 00:44:42,647
ART, AND CRAFT.

1018
00:44:42,647 --> 00:44:44,182
ANNA, WOULD YOU LIKE TO READ THE

1019
00:44:44,182 --> 00:44:44,448
NOMINEES?

1020
00:44:44,448 --> 00:44:47,885
>> THANK YOU, EMILY.

1021
00:44:47,885 --> 00:44:54,292
AND THE NOMINEES ARE --

1022
00:44:54,292 --> 00:44:59,096
>> "FRANKENSTEIN" MIKE HILL,

1023
00:44:59,096 --> 00:45:06,537
JORDAN SAMUEL.

1024
00:45:06,537 --> 00:45:09,240
KAKUHO.

1025
00:45:09,240 --> 00:45:14,879
"SINNERS" -- "THE SMASHING

1026
00:45:14,879 --> 00:45:20,384
MACHINE -- "THE UGLY

1027
00:45:20,384 --> 00:45:23,955
STEPSISTER" --

1028
00:45:23,955 --> 00:45:28,960
>> AND THE OSCAR GOES TO -- MIKE

1029
00:45:28,960 --> 00:45:32,396
HILL, JORDAN SAMUEL AND FIONA

1030
00:45:32,396 --> 00:45:33,864
FOR "FRANKENSTEIN".

1031
00:45:33,864 --> 00:45:35,866
>> THIS IS THE FIRST OSCAR WIN

1032
00:45:35,866 --> 00:45:40,538
AND NOMINATION FOR MIKE HILL,

1033
00:45:40,538 --> 00:45:44,609
JORDAN SAMUEL.

1034
00:45:44,609 --> 00:45:47,078
THE PREACHER TRANSFORMATION TOOK

1035
00:45:47,078 --> 00:45:53,084
11 HOURS EACH DAY, 42 INDIVIDUAL

1036
00:45:53,084 --> 00:46:04,362
PROSTHETIC PIECES.

1037
00:46:04,362 --> 00:46:08,599
>> FANTASTIC.

1038
00:46:08,599 --> 00:46:16,240
OLD SCHOOL.

1039
00:46:16,240 --> 00:46:20,344
>> OKAY.

1040
00:46:20,344 --> 00:46:22,913
THANK YOU SO MUCH.

1041
00:46:22,913 --> 00:46:27,351
WHILE WE'RE MAKING THIS FILM.

1042
00:46:27,351 --> 00:46:29,420
WE HAVE THE THOUGHT WE ARE A

1043
00:46:29,420 --> 00:46:30,488
PART OF SPECIAL.

1044
00:46:30,488 --> 00:46:32,657
THANK YOU.

1045
00:46:32,657 --> 00:46:35,459
THANKS TO OUR FELLOW NOM INOMIN.

1046
00:46:35,459 --> 00:46:37,461
THANK YOU TO MILES AND SCOTT.

1047
00:46:37,461 --> 00:46:39,797
THANK YOU TO NETFLIX.

1048
00:46:39,797 --> 00:46:42,900
AND OF COURSE, MY NATE JACOB

1049
00:46:42,900 --> 00:46:46,437
ELORDI WHO SAT FOR 400 HOURS IN

1050
00:46:46,437 --> 00:46:48,673
THE MAKEUP CHAIR DURING FILMING.

1051
00:46:48,673 --> 00:46:52,743
A PERSONAL THANK YOU TO MY DEAR

1052
00:46:52,743 --> 00:46:54,478
MEG AND TO OUR FRIEND GUILLERMO

1053
00:46:54,478 --> 00:46:56,380
DEL TORO, YOU DID IT, MATE.

1054
00:46:56,380 --> 00:46:58,683
YOU BROUGHT OUR BELOVED

1055
00:46:58,683 --> 00:46:59,617
"FRANKENSTEIN" BACK AND WE WANT

1056
00:46:59,617 --> 00:47:01,285
TO THANK YOU FOR ALLOWING US TO

1057
00:47:01,285 --> 00:47:02,453
MAKE YOUR DREAM PROJECT BECOME

1058
00:47:02,453 --> 00:47:03,654
OUR DREAM PROJECT.

1059
00:47:03,654 --> 00:47:05,189
THANK YOU, SIR.

1060
00:47:05,189 --> 00:47:05,623
[ APPLAUSE ].

1061
00:47:05,623 --> 00:47:08,059
>> WE WANT TO THANK ALL THE

1062
00:47:08,059 --> 00:47:08,893
PROSTHETIC, MAKEUP AND HAIR

1063
00:47:08,893 --> 00:47:10,027
PEOPLE FOR ALL THE HARD WORK

1064
00:47:10,027 --> 00:47:10,361
THEY DID.

1065
00:47:10,361 --> 00:47:11,996
IT SHOWED ON THE SCREEN AND

1066
00:47:11,996 --> 00:47:17,568
WE'RE INDEBTED TO YOU, FOREVER.

1067
00:47:17,568 --> 00:47:18,336
THANK YOU.

1068
00:47:18,336 --> 00:47:33,150
♪

1069
00:47:33,150 --> 00:47:34,685
>> Announcer: COMING UP, AN

1070
00:47:34,685 --> 00:47:35,720
ALL-STAR PRESENTATION FOR THE

1071
00:47:35,720 --> 00:47:38,322
FIRST EVER OSCAR FOR CASTING.

1072
00:47:38,322 --> 00:47:39,357
ONLY AT "THE OSCARS," HERE ON

1073
00:47:39,357 --> 00:47:40,291
ABC.

1074
00:47:50,134 --> 00:47:51,302
♪

1075
00:47:51,302 --> 00:47:52,903
>>> WHEN YOU TOUCHED ME, WHAT

1076
00:47:52,903 --> 00:47:54,839
DID YOU SEE?

1077
00:47:54,839 --> 00:47:58,642
>> I SAW A LANDSCAPE.

1078
00:47:58,642 --> 00:48:01,545
PLACES, UNDISCOVERED COUNTRIES.

1079
00:48:01,545 --> 00:48:04,749
>> THE FILM IS ABOUT HOPE.

1080
00:48:04,749 --> 00:48:06,717
EMPATHY.

1081
00:48:06,717 --> 00:48:08,519
GRIEF.

1082
00:48:08,519 --> 00:48:12,390
AND LOVE.

1083
00:48:12,390 --> 00:48:14,759
WE HAVE THE POWER OF

1084
00:48:14,759 --> 00:48:17,595
TRANSFORMING THESE FEELINGS INTO

1085
00:48:17,595 --> 00:48:17,862
ART.

1086
00:48:17,862 --> 00:48:21,866
>> WHAT DO YOU SEE?

1087
00:48:21,866 --> 00:48:27,471
>> LOVE DOESN'T DIE, JUST

1088
00:48:27,471 --> 00:48:28,339
TRANSFORMS.

1089
00:48:28,339 --> 00:48:28,639
[ APPLAUSE ]

1090
00:48:28,639 --> 00:48:29,874
>> Announcer: PLEASE WELCOME

1091
00:48:29,874 --> 00:48:34,044
PAUL MESCAL, GWYNETH PALTROW,

1092
00:48:34,044 --> 00:48:35,079
CHASE INFINITI, WAGNER MOURA AND

1093
00:48:35,079 --> 00:48:43,120
DELROY LINDO.

1094
00:48:43,120 --> 00:48:45,089
♪

1095
00:48:45,089 --> 00:48:55,199
[ APPLAUSE ].

1096
00:48:55,199 --> 00:48:56,767
>> THE FIVE OF US ON THIS STAGE

1097
00:48:56,767 --> 00:48:58,302
ARE TRULY HONORED TO BE

1098
00:48:58,302 --> 00:49:00,438
PRESENTING THE FIRST EVER OSCAR

1099
00:49:00,438 --> 00:49:07,978
FOR ACHIEVEMENT IN CASTING.

1100
00:49:07,978 --> 00:49:08,312
[ APPLAUSE ].

1101
00:49:08,312 --> 00:49:09,547
A GREAT CASTING DIRECTOR

1102
00:49:09,547 --> 00:49:12,650
IDENTIFIES THE SOUL OF A STORY.

1103
00:49:12,650 --> 00:49:14,218
AND NINA, YOU FOUND THE SOUL OF

1104
00:49:14,218 --> 00:49:14,852
"HAMNET" IN WILLIAM AND AGNES'

1105
00:49:14,852 --> 00:49:19,924
FAMILY.

1106
00:49:19,924 --> 00:49:20,958
THEY WERE THE HEART OF THE FILM,

1107
00:49:20,958 --> 00:49:22,560
AND SEEING YOU WORK WITH

1108
00:49:22,560 --> 00:49:24,094
CHLOE ZHAO TO BRING TOGETHER THE

1109
00:49:24,094 --> 00:49:25,663
PERFECT EMOTIONAL CONNECTION

1110
00:49:25,663 --> 00:49:27,231
BETWEEN THE CHILDREN AND JESSIE

1111
00:49:27,231 --> 00:49:30,701
AND I WAS INCREDIBLE TO WATCH.

1112
00:49:30,701 --> 00:49:34,972
SO THANK YOU.

1113
00:49:34,972 --> 00:49:37,808
[ APPLAUSE ].

1114
00:49:37,808 --> 00:49:39,610
>> BEING A PART OF "MARTY

1115
00:49:39,610 --> 00:49:41,078
SUPREME" MEANT STEPPING INTO A

1116
00:49:41,078 --> 00:49:42,947
CAST THAT FELT INCREDIBLY ALIVE

1117
00:49:42,947 --> 00:49:44,415
FROM THE FIRST DAY.

1118
00:49:44,415 --> 00:49:47,351
AND THAT COMES FROM THE

1119
00:49:47,351 --> 00:49:55,125
BRILLIANCE OF JENNIFER VENDITTI.

1120
00:49:55,125 --> 00:49:56,427
JENNIFER, YOU HAVE THIS RARE

1121
00:49:56,427 --> 00:49:57,862
ABILITY TO SEE PEOPLE AS THEY

1122
00:49:57,862 --> 00:49:59,196
TRULY ARE AND UNDERSTAND EXACTLY

1123
00:49:59,196 --> 00:50:01,232
HOW THEY BELONG INSIDE A STORY.

1124
00:50:01,232 --> 00:50:02,766
WITH YOUR BACKGROUND IN

1125
00:50:02,766 --> 00:50:04,168
DOCUMENTARIES, YOU KNOW THE TRUE

1126
00:50:04,168 --> 00:50:06,337
VALUE OF LIVED EXPERIENCE.

1127
00:50:06,337 --> 00:50:08,706
IT CAN'T BE FAKED.

1128
00:50:08,706 --> 00:50:10,207
IN YOUR EYES, EVERYONE IS A

1129
00:50:10,207 --> 00:50:13,444
CHARACTER WITH A STORY TO TELL.

1130
00:50:13,444 --> 00:50:14,879
AND AS SOMEONE LUCKY ENOUGH TO

1131
00:50:14,879 --> 00:50:17,314
BE AMONG THEM, I FELT THAT CARE

1132
00:50:17,314 --> 00:50:18,349
EVERYDAY ON SET.

1133
00:50:18,349 --> 00:50:20,851
TONIGHT WE'RE CELEBRATING THE

1134
00:50:20,851 --> 00:50:22,086
INVISIBLE, EXQUISITE

1135
00:50:22,086 --> 00:50:24,522
ARCHITECTURE YOU BUILT BENEATH

1136
00:50:24,522 --> 00:50:33,364
EVERY MOMENT OF "MARTY SUPREM."

1137
00:50:33,364 --> 00:50:34,465
>>> I'M STANDING HERE TONIGHT

1138
00:50:34,465 --> 00:50:40,804
BECAUSE OF A CASTING DIRECT OR

1139
00:50:40,804 --> 00:50:42,506
CASSANDRA KULUKUNDIS.

1140
00:50:42,506 --> 00:50:43,107
SHE SPENT YEARS SEARCHING FOR

1141
00:50:43,107 --> 00:50:44,074
WILLA.

1142
00:50:44,074 --> 00:50:47,745
AND SHE SAW SOMETHING IN ME THAT

1143
00:50:47,745 --> 00:50:48,312
EVEN I DIDN'T EVEN KNOW WAS

1144
00:50:48,312 --> 00:50:48,779
THERE.

1145
00:50:48,779 --> 00:50:49,346
HER BELIEF IN ME HELPED ME

1146
00:50:49,346 --> 00:50:49,880
BELIEVE IN MYSELF.

1147
00:50:49,880 --> 00:50:51,382
AND THANKS TO HER DETERMINATION,

1148
00:50:51,382 --> 00:50:52,950
IMAGINATION AND INSTINCTS I WAS

1149
00:50:52,950 --> 00:50:57,621
CAST IN MY FIRST FEATURE FILM,

1150
00:50:57,621 --> 00:50:58,222
"ONE BATTLE AFTER ANOTHER,"

1151
00:50:58,222 --> 00:51:03,093
WHICH HAS 13 OSCAR NOMINATIONS

1152
00:51:03,093 --> 00:51:04,328
TONIGHT.

1153
00:51:04,328 --> 00:51:04,662
[ APPLAUSE ].

1154
00:51:04,662 --> 00:51:05,863
GREAT CASTING DIRECTORS LIKE

1155
00:51:05,863 --> 00:51:07,464
CASSANDRA KNOW HOW TO BRING

1156
00:51:07,464 --> 00:51:08,999
TOGETHER ACTORS WE LOVE WITH NEW

1157
00:51:08,999 --> 00:51:12,269
FACES AND MAKE A FILM FEEL

1158
00:51:12,269 --> 00:51:16,874
UNEXPECTED AND COMPLETELY

1159
00:51:16,874 --> 00:51:19,643
ORIGINAL.

1160
00:51:19,643 --> 00:51:26,016
[ APPLAUSE ].

1161
00:51:26,016 --> 00:51:30,588
>> "THE SECRET AGENT" --

1162
00:51:30,588 --> 00:51:31,355
[ APPLAUSE ].

1163
00:51:31,355 --> 00:51:33,190
"THE SECRET AGENT" IS SET IN

1164
00:51:33,190 --> 00:51:35,593
BRAZIL IN THE LATE 1970S.

1165
00:51:35,593 --> 00:51:40,764
GABRIEL DOMINGUES HAD TO

1166
00:51:40,764 --> 00:51:42,833
POPULATE THE FILM WITH PEOPLE

1167
00:51:42,833 --> 00:51:45,469
WHO HAVE FACES THAT LOOKED LIKE

1168
00:51:45,469 --> 00:51:49,640
THEY BELONG IN THAT TIME.

1169
00:51:49,640 --> 00:51:56,714
GABRIEL, YOU ACHIEVED THAT GOAL.

1170
00:51:56,714 --> 00:51:57,047
[ APPLAUSE ].

1171
00:51:57,047 --> 00:51:59,283
YOU FOUND THOSE FACES.

1172
00:51:59,283 --> 00:52:01,385
AND YOU DID IT BY TAKING AS MUCH

1173
00:52:01,385 --> 00:52:04,521
CARE AND ATTENTION WITH THE

1174
00:52:04,521 --> 00:52:08,158
SMALLEST PARTS AS YOU DID WITH

1175
00:52:08,158 --> 00:52:10,894
THE BIGGEST PARTS, AND THE LIFE

1176
00:52:10,894 --> 00:52:17,768
IT GAVE TO OUR FILM IS

1177
00:52:17,768 --> 00:52:18,102
IMMEASURABLE.

1178
00:52:18,102 --> 00:52:19,303
GABRIEL, YOU USED YOUR TECHNIQUE

1179
00:52:19,303 --> 00:52:23,941
TO SHAPE AN ENTIRE WORLD IN "THE

1180
00:52:23,941 --> 00:52:29,046
SECRET AGENT."

1181
00:52:29,046 --> 00:52:30,114
[ APPLAUSE ].

1182
00:52:30,114 --> 00:52:35,052
AND FOR THAT I SAY --

1183
00:52:35,052 --> 00:52:41,992
>> FRANCINE MAISLER.

1184
00:52:41,992 --> 00:52:46,363
[ APPLAUSE ].

1185
00:52:46,363 --> 00:52:48,932
WE LOOK BACK AT THE CAST OF

1186
00:52:48,932 --> 00:52:50,167
"SINNERS," IT'S APPARENT TO

1187
00:52:50,167 --> 00:52:52,636
EVERYONE YOU KNOW HOW TO

1188
00:52:52,636 --> 00:52:54,138
DISCOVER NEW TALENT.

1189
00:52:54,138 --> 00:52:55,372
I'M VERY GRATEFUL PERSONALLY TO

1190
00:52:55,372 --> 00:52:59,443
YOU THAT YOU MADE ROOM FOR ONE

1191
00:52:59,443 --> 00:53:01,879
WHO'S BEEN DOING THIS A LITTLE

1192
00:53:01,879 --> 00:53:02,079
WHILE.

1193
00:53:02,079 --> 00:53:03,280
IN "SINNERS," EVERY CHARACTER

1194
00:53:03,280 --> 00:53:04,314
FEELS SINGULAR.

1195
00:53:04,314 --> 00:53:06,450
DISTINCT.

1196
00:53:06,450 --> 00:53:12,589
FULLY LIVED IN.

1197
00:53:12,589 --> 00:53:14,124
FRANCINE, AND YET TOGETHER THEY

1198
00:53:14,124 --> 00:53:16,093
FORMED SOMETHING MUCH LARGER, A

1199
00:53:16,093 --> 00:53:18,028
LIVING, BREATHING WORLD.

1200
00:53:18,028 --> 00:53:19,997
THAT DIDN'T HAPPEN BY ACCIDENT.

1201
00:53:19,997 --> 00:53:22,299
THAT HAPPENED BECAUSE, FRANCINE,

1202
00:53:22,299 --> 00:53:22,933
YOU UNDERSTOOD THAT IDENTITY IS

1203
00:53:22,933 --> 00:53:24,902
CULTURAL.

1204
00:53:24,902 --> 00:53:27,004
IT'S GENERATIONAL.

1205
00:53:27,004 --> 00:53:35,412
IT'S COMMUNAL.

1206
00:53:35,412 --> 00:53:40,718
[ APPLAUSE ].

1207
00:53:40,718 --> 00:53:48,125
>> AND THE VERY FIRST OSCAR FOR

1208
00:53:48,125 --> 00:53:48,525
CASTING GOES TO --

1209
00:53:48,525 --> 00:53:50,728
CASSANDRA KULUKUNDIS.

1210
00:53:50,728 --> 00:53:55,165
"ONE BATTLE AFTER ANOTHER."

1211
00:53:55,165 --> 00:53:57,000
THE BEST CASTING OSCAR FOR FIRST

1212
00:53:57,000 --> 00:54:02,206
NEW COMPETITIVE ACADEMY AWARD IN

1213
00:54:02,206 --> 00:54:11,014
24 YEARS.

1214
00:54:11,014 --> 00:54:14,585
[ APPLAUSE ].

1215
00:54:14,585 --> 00:54:16,320
>> YEAH, I SAID THAT.

1216
00:54:16,320 --> 00:54:16,653
OKAY.

1217
00:54:16,653 --> 00:54:18,122
WOW, WOW, WOW, WOW.

1218
00:54:18,122 --> 00:54:18,355
OKAY.

1219
00:54:18,355 --> 00:54:19,923
I HAVE TO OBVIOUSLY THANK THE

1220
00:54:19,923 --> 00:54:21,458
ACADEMY FOR EVEN ADDING THIS

1221
00:54:21,458 --> 00:54:23,227
CATEGORY AND FOR THE CASTING

1222
00:54:23,227 --> 00:54:24,361
DIRECTORS THAT FOUGHT TIRELESSLY

1223
00:54:24,361 --> 00:54:25,562
TO MAKE IT HAPPEN DESPITE

1224
00:54:25,562 --> 00:54:27,297
EVERYTHING IN THEIR WAY.

1225
00:54:27,297 --> 00:54:29,333
I DEDICATE THIS TO YOU.

1226
00:54:29,333 --> 00:54:30,868
AND TO THE CASTING DIRECTORS WHO

1227
00:54:30,868 --> 00:54:33,737
NEVER GOT A CHANCE TO GET UP

1228
00:54:33,737 --> 00:54:34,638
HERE, WHO DIDN'T EVEN GET A

1229
00:54:34,638 --> 00:54:37,341
CHANCE TO GET THEIR NAME ON THE

1230
00:54:37,341 --> 00:54:39,143
MOVIE, SO THAT'S FOR YOU GUYS.

1231
00:54:39,143 --> 00:54:41,111
WHEN PAUL THOMAS ANDERSON CALLS

1232
00:54:41,111 --> 00:54:43,247
YOU, YOU ENTER THE PTA WITNESS

1233
00:54:43,247 --> 00:54:44,648
PROTECTION PROGRAM AND YOU

1234
00:54:44,648 --> 00:54:45,415
LITERALLY DON'T TALK TO YOUR

1235
00:54:45,415 --> 00:54:47,084
FRIENDS AND YOUR FAMILY UNLESS

1236
00:54:47,084 --> 00:54:48,185
THEY HAVE SOMEBODY THAT'S RIGHT

1237
00:54:48,185 --> 00:54:48,986
FOR THE MOVIE.

1238
00:54:48,986 --> 00:54:50,888
AND I PUT THEM ALL TO WORK AND I

1239
00:54:50,888 --> 00:54:51,889
GET MAD AT THEM WHEN THEY

1240
00:54:51,889 --> 00:54:54,024
HAVEN'T PROVIDED.

1241
00:54:54,024 --> 00:54:56,527
AND I HAVE TO THANK ALL THE CREW

1242
00:54:56,527 --> 00:54:57,928
WHO I AM IN ALL YOUR DEPARTMENTS

1243
00:54:57,928 --> 00:54:59,062
WHETHER YOU LIKE ME OR NOT,

1244
00:54:59,062 --> 00:55:00,264
WHETHER IT'S LOCATIONS, WHO

1245
00:55:00,264 --> 00:55:02,900
REALLY HATES ME.

1246
00:55:02,900 --> 00:55:04,201
STUNTS.

1247
00:55:04,201 --> 00:55:05,469
PRODUCTION DESIGN, YEAH,

1248
00:55:05,469 --> 00:55:07,905
EVERYONE AND EDITORS OBVIOUSLY,

1249
00:55:07,905 --> 00:55:08,605
THANK YOU.

1250
00:55:08,605 --> 00:55:12,042
BUT LIKE THIS IS A THING.

1251
00:55:12,042 --> 00:55:13,410
AND I JUST THANK YOU FOR -- I

1252
00:55:13,410 --> 00:55:16,680
MEAN, TEN MOVIES.

1253
00:55:16,680 --> 00:55:22,653
WE'VE DONE THIS FOR OVER PO 30

1254
00:55:22,653 --> 00:55:22,886
YEARS.

1255
00:55:22,886 --> 00:55:23,153
HI.

1256
00:55:23,153 --> 00:55:25,055
YEAH, I HOPE YOU GET ONE

1257
00:55:25,055 --> 00:55:25,322
TONIGHT.

1258
00:55:25,322 --> 00:55:27,891
THANK YOU VERY MUCH, EVERYBODY.

1259
00:55:27,891 --> 00:55:31,528
THANK YOU.

1260
00:55:31,528 --> 00:55:34,832
[ APPLAUSE ].

1261
00:55:34,832 --> 00:55:36,433
♪

1262
00:55:36,433 --> 00:55:37,067
>> Announcer: TONIGHT, WE HONOR

1263
00:55:37,067 --> 00:55:37,901
GREATNESS.

1264
00:55:37,901 --> 00:55:38,936
LEGENDS.

1265
00:55:38,936 --> 00:55:39,436
ICONS.

1266
00:55:39,436 --> 00:55:40,003
THE VERY BEST.

1267
00:55:40,003 --> 00:55:41,004
AND NOW, MEET THE ONE THAT RULES

1268
00:55:41,004 --> 00:55:41,538
THEM ALL --

1269
00:55:41,538 --> 00:55:42,539
THE BEST WHOPPER YOU'VE EVER

1270
00:55:42,539 --> 00:55:43,473
TASTED.

1271
00:55:49,746 --> 00:55:55,152
♪

1272
00:55:55,152 --> 00:55:57,521
>>> WHY DIDN'T YOU WANT TO DO

1273
00:55:57,521 --> 00:55:58,222
THE ROLE?

1274
00:55:58,222 --> 00:56:01,325
>> HE WANTED YOU TO DO IT.

1275
00:56:01,325 --> 00:56:03,493
>> I CAN'T WORK WITH HIM.

1276
00:56:03,493 --> 00:56:06,263
WE CAN'T REALLY TALK.

1277
00:56:10,267 --> 00:56:14,605
>> I TRY TO UNDERSTAND PEOPLE IN

1278
00:56:14,605 --> 00:56:18,342
THE MOVIES I MAKE.

1279
00:56:18,342 --> 00:56:19,509
CINEMATIC LANGUAGE SOMEHOW GETS

1280
00:56:19,509 --> 00:56:21,879
US CLOSER TO PEOPLE THAN WE CAN

1281
00:56:21,879 --> 00:56:24,882
IN OUR EVERYDAY LIFE.

1282
00:56:24,882 --> 00:56:31,421
WE'RE ALLOWED TO REALLY LOOK AT

1283
00:56:31,421 --> 00:56:35,525
OTHERS.

1284
00:56:35,525 --> 00:56:50,841
[ APPLAUSE ].

1285
00:56:50,841 --> 00:56:51,141
[LAUGHTER].

1286
00:56:51,141 --> 00:56:55,345
>>> THE OF THE CARS ARE AN

1287
00:56:55,345 --> 00:56:56,013
INTERNATIONAL EVENT.

1288
00:56:56,013 --> 00:56:57,948
IN THAT SPIRIT, PLEASE WELCOME

1289
00:56:57,948 --> 00:57:01,652
LIVE FROM LONDON OUR ANNOUNCER,

1290
00:57:01,652 --> 00:57:02,619
MATT BARRY.

1291
00:57:02,619 --> 00:57:04,154
>> THANK YOU, CONAN.

1292
00:57:04,154 --> 00:57:05,789
IT'S A HUGE HONOR AND A THRILL

1293
00:57:05,789 --> 00:57:06,957
TO BE HERE TONIGHT.

1294
00:57:06,957 --> 00:57:09,059
>> WELL, WE'RE THRILLED TO HAVE

1295
00:57:09,059 --> 00:57:09,660
YOU, MATT.

1296
00:57:09,660 --> 00:57:11,361
WHO ARE YOU EXCITED TO SEE

1297
00:57:11,361 --> 00:57:11,628
TONIGHT?

1298
00:57:11,628 --> 00:57:14,531
>> WELL, I'VE ALWAYS BEEN A FAN

1299
00:57:14,531 --> 00:57:26,310
OF BENE ICIO DEL TORO, SIGOURNE

1300
00:57:26,310 --> 00:57:26,610
WEAVER --

1301
00:57:26,610 --> 00:57:28,345
>> HE DIED ALMOST 60 YEARS AGO?

1302
00:57:28,345 --> 00:57:29,813
>> IS THAT RIGHT?

1303
00:57:29,813 --> 00:57:31,715
WELL, THAT'S LIVE TV FOR YOU.

1304
00:57:31,715 --> 00:57:33,650
>> NO, IT'S NOT.

1305
00:57:33,650 --> 00:57:35,519
ANY WAY, MATT BARRY, I SALUTE

1306
00:57:35,519 --> 00:57:35,719
YOU.

1307
00:57:35,719 --> 00:57:36,720
THANK YOU VERY MUCH FOR DOING

1308
00:57:36,720 --> 00:57:38,655
THIS TONIGHT.

1309
00:57:38,655 --> 00:57:38,989
>> THANK YOU.

1310
00:57:38,989 --> 00:57:40,290
>> YEAH.

1311
00:57:40,290 --> 00:57:40,624
>> BLESS YOU.

1312
00:57:40,624 --> 00:57:41,858
>> HERE TO PRESENT OUR NEXT

1313
00:57:41,858 --> 00:57:43,393
AWARD, IS A MAN WHO HAS THE BODY

1314
00:57:43,393 --> 00:57:44,962
OF A MARVEL COMICS HERO AND THE

1315
00:57:44,962 --> 00:57:49,433
VOICE OF A MARVEL COMICS

1316
00:57:49,433 --> 00:57:58,875
COLLECTOR, OSCAR NOMINEE, KUMAIL

1317
00:57:58,875 --> 00:57:59,643
NANJIANI.

1318
00:57:59,643 --> 00:58:06,616
♪

1319
00:58:06,616 --> 00:58:12,189
>> IT HURTS BECAUSE IT'S TRUE.

1320
00:58:12,189 --> 00:58:13,457
I'VE GOT NO WARNING THAT WAS

1321
00:58:13,457 --> 00:58:14,191
GOING TO HAPPEN.

1322
00:58:14,191 --> 00:58:15,625
I AM HERE TO PRESENT THE

1323
00:58:15,625 --> 00:58:16,259
OSCAR FOR BEST LIVE ACTION SHORT

1324
00:58:16,259 --> 00:58:18,762
FILM.

1325
00:58:18,762 --> 00:58:20,731
THERE IS A REAL ART TO MAKING A

1326
00:58:20,731 --> 00:58:21,898
SHORT FILM.

1327
00:58:21,898 --> 00:58:26,269
TO TELL A STORY THAT EFFICIENTLY

1328
00:58:26,269 --> 00:58:26,870
TAKES VISION AND UNBELIEVABLE

1329
00:58:26,870 --> 00:58:27,371
CREATIVITY AND A LOT OF

1330
00:58:27,371 --> 00:58:28,071
DISCIPLINE AND, I'LL SAY IT, I

1331
00:58:28,071 --> 00:58:29,606
THINK MANY FULL-LENGTH MOVIES

1332
00:58:29,606 --> 00:58:30,674
WOULD ACTUALLY WORK JUST AS

1333
00:58:30,674 --> 00:58:31,274
WELL, IF NOT BETTER, AS SHORT

1334
00:58:31,274 --> 00:58:34,044
FILMS.

1335
00:58:34,044 --> 00:58:35,846
YOU KNOW WHAT, WE SHOULD TAKE

1336
00:58:35,846 --> 00:58:37,748
SOME OF THESE FEATURE FILMS,

1337
00:58:37,748 --> 00:58:38,949
REMAKE THEM AS SHORTS.

1338
00:58:38,949 --> 00:58:40,083
SAVE US SOME TIME.

1339
00:58:40,083 --> 00:58:43,553
WE HAVE SO MUCH GOING ON.

1340
00:58:43,553 --> 00:58:44,321
INSTEAD OF "IT'S A WONDERFUL

1341
00:58:44,321 --> 00:58:45,222
LIFE."

1342
00:58:45,222 --> 00:58:45,522
HOW ABOUT --

1343
00:58:45,522 --> 00:58:49,292
"IT'S A WONDERFUL MONTH."

1344
00:58:49,292 --> 00:58:54,564
"WEST SIDE ANECDOTE," "THE

1345
00:58:54,564 --> 00:58:55,932
KING'S TWEET."

1346
00:58:55,932 --> 00:58:59,503
"SOME OF THAT JAZZ," "CALL ME BY

1347
00:58:59,503 --> 00:59:03,974
YOUR NICKNAME," "NO COUNTY FOR

1348
00:59:03,974 --> 00:59:12,082
OLD MAN," "ONE BATTLE --" THAT'S

1349
00:59:12,082 --> 00:59:12,649
IT.

1350
00:59:12,649 --> 00:59:13,583
YOU GET ONE.

1351
00:59:13,583 --> 00:59:17,721
CHOOSE WISELY, PAUL.

1352
00:59:17,721 --> 00:59:20,857
"SCHINDLER'S POST-IT."

1353
00:59:20,857 --> 00:59:24,061
THE NOMINEES ARE --

1354
00:59:24,061 --> 00:59:25,395
"BUTCHER'S STAIN."

1355
00:59:25,395 --> 00:59:26,396
MEYER LEVINSON-BLOUNT AND

1356
00:59:26,396 --> 00:59:28,465
ORON CASPI.

1357
00:59:28,465 --> 00:59:33,170
"A FRIEND OF DOROTHY."

1358
00:59:33,170 --> 00:59:33,804
LEE KNIGHT AND JAMES DEAN "JANE

1359
00:59:33,804 --> 00:59:36,073
AUSTEN'S PERIOD DRAMA."

1360
00:59:36,073 --> 00:59:39,943
JULIA AKS AND STEVE PINDER.

1361
00:59:39,943 --> 00:59:42,579
"THE SINGERS."

1362
00:59:42,579 --> 00:59:44,114
SAM A. DAVIS AND JACK PIATT.

1363
00:59:44,114 --> 00:59:44,748
"TWO PEOPLE EXCHANGING SALIVA."

1364
00:59:44,748 --> 00:59:45,615
ALEXANDRE SINGH AND

1365
00:59:45,615 --> 00:59:52,923
NATALIE MUSTEATA.

1366
00:59:52,923 --> 01:00:00,263
>> AND THE OSCAR GOES TO --

1367
01:00:00,263 --> 01:00:00,997
IT'S A TIE.

1368
01:00:00,997 --> 01:00:01,731
I'M NOT JOKING.

1369
01:00:01,731 --> 01:00:03,166
IT'S ACTUALLY A TIE.

1370
01:00:03,166 --> 01:00:03,834
EVERYONE CALM DOWN.

1371
01:00:03,834 --> 01:00:06,236
WE'RE GOING TO GET THROUGH THIS.

1372
01:00:06,236 --> 01:00:07,604
FOCUS UP.

1373
01:00:07,604 --> 01:00:08,105
REMAIN CALM.

1374
01:00:08,105 --> 01:00:09,706
I'M GOING TO NAME ONE WINNER,

1375
01:00:09,706 --> 01:00:11,074
THEY'LL COME UP, ACCEPT THEIR

1376
01:00:11,074 --> 01:00:12,742
AWARD AND COME BACK AND NAME

1377
01:00:12,742 --> 01:00:14,344
ANOTHER WINNER AND THEN THEY'LL

1378
01:00:14,344 --> 01:00:15,612
ACCEPT THEIR AWARD.

1379
01:00:15,612 --> 01:00:15,812
OKAY.

1380
01:00:15,812 --> 01:00:16,646
HERE WE GO.

1381
01:00:16,646 --> 01:00:23,954
ONE OSCAR GOES TO "THE SINGERS."

1382
01:00:23,954 --> 01:00:28,391
[ APPLAUSE ].

1383
01:00:28,391 --> 01:00:30,460
>> THIS IS THE FIRST NOMINATION

1384
01:00:30,460 --> 01:00:31,495
FOR JACK HIDE.

1385
01:00:31,495 --> 01:00:33,497
FIRST WIN AND SECOND NOMINATION

1386
01:00:33,497 --> 01:00:37,434
FOR SAM A. DAVIS.

1387
01:00:37,434 --> 01:00:40,904
>> IT'S A TIE, WOW.

1388
01:00:40,904 --> 01:00:42,205
I DIDN'T KNOW THAT -- I DIDN'T

1389
01:00:42,205 --> 01:00:43,673
KNOW THAT WAS A THING, A TIE.

1390
01:00:43,673 --> 01:00:45,775
BUT WE'RE HAPPY TO BE UP HERE.

1391
01:00:45,775 --> 01:00:47,144
FIRST I WANT TO THANK MY PARENTS

1392
01:00:47,144 --> 01:00:48,778
WHO CONVINCED A KID FROM

1393
01:00:48,778 --> 01:00:50,881
POTTERVILLE, MICHIGAN, THAT THIS

1394
01:00:50,881 --> 01:00:52,482
WAS A VIABLE CAREER AVENUE.

1395
01:00:52,482 --> 01:00:54,151
THANK YOU, MOM AND DAD.

1396
01:00:54,151 --> 01:00:55,519
TO OUR ENTIRE CREW, BUT

1397
01:00:55,519 --> 01:00:56,920
ESPECIALLY TO THESE GUYS

1398
01:00:56,920 --> 01:00:58,221
STANDING BEHIND ME, DAVID AND

1399
01:00:58,221 --> 01:00:58,421
JACK.

1400
01:00:58,421 --> 01:01:00,590
MY PRODUCERS.

1401
01:01:00,590 --> 01:01:02,792
WHO WILLED THIS THING INTO

1402
01:01:02,792 --> 01:01:03,093
EXISTENCE.

1403
01:01:03,093 --> 01:01:05,962
TO OUR INCREDIBLE CAST OF FIRST

1404
01:01:05,962 --> 01:01:07,230
TIMERS, PEOPLE WHO NEVER ACTED

1405
01:01:07,230 --> 01:01:08,198
BEFORE AND NEVER REALLY IMAGINED

1406
01:01:08,198 --> 01:01:09,432
THEMSELVES ON THE BIG SCREEN.

1407
01:01:09,432 --> 01:01:11,034
MIKE YOUNG IS HERE.

1408
01:01:11,034 --> 01:01:13,970
NEW YORK CITY SUBWAY BUSKER, YOU

1409
01:01:13,970 --> 01:01:15,906
MAY HAVE SEEN HIM.

1410
01:01:15,906 --> 01:01:18,008
THANK YOU TO NETFLIX TO MY

1411
01:01:18,008 --> 01:01:23,079
GIRLFRIEND PARIS, TO LAHABR

1412
01:01:23,079 --> 01:01:24,114
MOUSE LODGE.

1413
01:01:24,114 --> 01:01:26,149
AND FINALLY "THE SINGERS" IS A

1414
01:01:26,149 --> 01:01:27,684
SIMPLE STORY ABOUT THE POWER OF

1415
01:01:27,684 --> 01:01:28,518
MUSIC AND ART TO BRING US

1416
01:01:28,518 --> 01:01:29,786
TOGETHER IN A MOMENT WHEN WE

1417
01:01:29,786 --> 01:01:32,189
LIVE IN AN INCREASINGLY ISOLATED

1418
01:01:32,189 --> 01:01:32,389
WORLD.

1419
01:01:32,389 --> 01:01:33,890
MAY WE KEEP LOOKING FOR BEAUTY

1420
01:01:33,890 --> 01:01:36,426
AND UNEXPECTED PLACES.

1421
01:01:36,426 --> 01:01:39,429
AND MAY WE ALL BE BRAVE ENOUGH

1422
01:01:39,429 --> 01:01:41,131
TO KEEP ON SINGING.

1423
01:01:41,131 --> 01:01:45,035
THANK YOU.

1424
01:01:45,035 --> 01:01:49,573
[ APPLAUSE ].

1425
01:01:49,573 --> 01:01:51,541
>> IRONIC THAT THE SHORT FILM

1426
01:01:51,541 --> 01:01:56,213
OSCAR IS GOING TO TAKE TWICE AS

1427
01:01:56,213 --> 01:01:57,113
LONG.

1428
01:01:57,113 --> 01:01:57,414
[LAUGHTER].

1429
01:01:57,414 --> 01:01:59,683
>> AND THE SECOND OSCAR GOES

1430
01:01:59,683 --> 01:02:05,555
TO -- "TWO PEOPLE EXCHANGING

1431
01:02:05,555 --> 01:02:05,889
SALIVA."

1432
01:02:05,889 --> 01:02:06,356
[ APPLAUSE ].

1433
01:02:06,356 --> 01:02:07,891
>> THIS IS THE FIRST OSCAR WIN

1434
01:02:07,891 --> 01:02:11,127
AND NOMINATION FOR ALEXANDRA

1435
01:02:11,127 --> 01:02:23,506
SINGH AND NATALIE MUSTIAT.

1436
01:02:23,506 --> 01:02:25,508
>> I BELIEVE THIS HAS ONLY

1437
01:02:25,508 --> 01:02:26,610
HAPPENED THREE TIMES IN HISTORY

1438
01:02:26,610 --> 01:02:27,811
BEFORE, AND WE ARE SO HAPPY TO

1439
01:02:27,811 --> 01:02:31,381
BE SHARING THIS OSCAR WITH "THE

1440
01:02:31,381 --> 01:02:33,516
SINGERS" WE LOVE ALL OF OUR

1441
01:02:33,516 --> 01:02:36,119
FELLOW NOMINEES AND WE'RE SO, SO

1442
01:02:36,119 --> 01:02:37,120
GRATEFUL FOR EVERYONE WHO HAS

1443
01:02:37,120 --> 01:02:41,891
SUPPORTED OUR FILM AND WHO MADE

1444
01:02:41,891 --> 01:02:42,993
OUR FILM OUR CREW.

1445
01:02:42,993 --> 01:02:46,129
OUR EPs, JULIAN MOORE AND

1446
01:02:46,129 --> 01:02:50,166
ISABEL, OUR FAMILY, OUR FRIENDS,

1447
01:02:50,166 --> 01:02:52,469
SOUVENIR SHOP AND OUR LITTLE

1448
01:02:52,469 --> 01:02:55,071
GIRL SOFIA SINGH AND THANK YOU

1449
01:02:55,071 --> 01:02:56,906
TO THE ACADEMY FOR SUPPORTING A

1450
01:02:56,906 --> 01:02:59,809
FILM THAT IS WEIRD AND THAT IS

1451
01:02:59,809 --> 01:03:02,345
QUEER AND THAT IS MADE BY A

1452
01:03:02,345 --> 01:03:03,980
MAJORITY OF WOMEN!

1453
01:03:03,980 --> 01:03:05,215
>> WOMEN!

1454
01:03:05,215 --> 01:03:08,551
>> WOMEN!

1455
01:03:08,551 --> 01:03:11,154
[ APPLAUSE ].

1456
01:03:11,154 --> 01:03:19,396
>> AND THANK YOU --.

1457
01:03:19,396 --> 01:03:22,098
[LAUGHTER].

1458
01:03:22,098 --> 01:03:23,900
>> AND FOR HAVING REWARDED A

1459
01:03:23,900 --> 01:03:27,671
FRENCH FILM MADE BY A FRANCO

1460
01:03:27,671 --> 01:03:30,140
INDIAN BRIT, A ROMANIAN

1461
01:03:30,140 --> 01:03:36,012
AMERICAN, ARGENTINIAN AND

1462
01:03:36,012 --> 01:03:37,847
ITALIAN.

1463
01:03:37,847 --> 01:03:40,617
LUXEMBOURG, KOSOVO AND IRAN WHO

1464
01:03:40,617 --> 01:03:41,618
CANNOT BE HERE TONIGHT.

1465
01:03:41,618 --> 01:03:43,653
>> SHE JUST HAD A BABY GIRL.

1466
01:03:43,653 --> 01:03:46,356
>> TWO DAYS AGO.

1467
01:03:46,356 --> 01:03:46,556
NILO.

1468
01:03:46,556 --> 01:03:47,257
>> JANE.

1469
01:03:47,257 --> 01:03:49,592
>> YOU ARE THE HOPE IN A WORLD

1470
01:03:49,592 --> 01:03:52,228
THAT IS DARK AND ABSURD AND

1471
01:03:52,228 --> 01:03:53,963
RIDICULOUS AND HORRIFYING, BUT

1472
01:03:53,963 --> 01:03:56,232
THAT IS WHY WE MAKE FILMS, ISN'T

1473
01:03:56,232 --> 01:03:56,499
IT?

1474
01:03:56,499 --> 01:03:59,469
BECAUSE WE BELIEVE THAT ART CAN

1475
01:03:59,469 --> 01:03:59,936
CHANGE PEOPLE'S SOULS.

1476
01:03:59,936 --> 01:04:01,938
MAKE MAYBE IT TAKES TEN YEARS

1477
01:04:01,938 --> 01:04:03,406
TIME BUT WE CAN CHANGE SOCIETY

1478
01:04:03,406 --> 01:04:10,080
THROUGH THEATER AND BALLET, AND

1479
01:04:10,080 --> 01:04:10,947
ALSO CINEMA.

1480
01:04:10,947 --> 01:04:14,551
THANK YOU SO MUCH.

1481
01:04:14,551 --> 01:04:18,555
>> THANK YOU.

1482
01:04:18,555 --> 01:04:22,559
[ APPLAUSE ].

1483
01:04:22,559 --> 01:04:24,594
>> I JUST WANT TO SAY

1484
01:04:24,594 --> 01:04:26,296
CONGRATULATIONS TO BOTH WINNERS.

1485
01:04:26,296 --> 01:04:32,268
YOU JUST RUINED 22 MILLION OSCAR

1486
01:04:32,268 --> 01:04:32,469
POOLS.

1487
01:04:32,469 --> 01:04:34,671
AND I KNOW WE'RE TIGHT, BUT TO

1488
01:04:34,671 --> 01:04:38,141
RETRACT A MICROPHONE ON A MAN AS

1489
01:04:38,141 --> 01:04:43,046
HE'S SPEAKING IS HILARIOUS.

1490
01:04:43,046 --> 01:04:46,616
>>> NEXT UP -- NEXT UP IS A

1491
01:04:46,616 --> 01:04:48,084
REALLY, REALLY FINE FELLOW AND

1492
01:04:48,084 --> 01:04:50,453
OSCAR WINNER FOR BEST SUPPORTING

1493
01:04:50,453 --> 01:04:50,854
ACTOR.

1494
01:04:50,854 --> 01:04:53,690
PLEASE WELCOME -- I LOVE THIS

1495
01:04:53,690 --> 01:05:02,132
GUY -- KIERAN CULKIN.

1496
01:05:02,132 --> 01:05:08,638
♪

1497
01:05:08,638 --> 01:05:08,972
[ APPLAUSE ].

1498
01:05:08,972 --> 01:05:11,608
>> I HAVE THE HONOR OF SHINING

1499
01:05:11,608 --> 01:05:13,610
NOMINEES FOR ACTOR IN A

1500
01:05:13,610 --> 01:05:15,111
SUPPORTING ROLE.

1501
01:05:15,111 --> 01:05:16,880
GENTLEMEN, YOU GAVE US

1502
01:05:16,880 --> 01:05:17,947
PERFORMANCES WE WILL ALWAYS

1503
01:05:17,947 --> 01:05:20,150
REMEMBER AND NOW IT IS MY

1504
01:05:20,150 --> 01:05:21,151
GENUINE PLEASURE TO GIVE ONE OF

1505
01:05:21,151 --> 01:05:25,955
YOU A MOMENT I HOPE YOU WILL

1506
01:05:25,955 --> 01:05:29,826
NEVER FORGET.

1507
01:05:29,826 --> 01:05:30,427
BENICIO DEL TORO, "ONE BATTLE

1508
01:05:30,427 --> 01:05:34,764
AFTER ANOTHER."

1509
01:05:34,764 --> 01:05:35,965
>> YOU SURE ABOUT THAT?

1510
01:05:35,965 --> 01:05:36,900
>> YES, MA'AM.

1511
01:05:36,900 --> 01:05:38,835
>> YOU'VE BEEN DRINKING TODAY?

1512
01:05:38,835 --> 01:05:39,736
>> I'VE HAD A FEW.

1513
01:05:39,736 --> 01:05:41,971
>> A FEW WHAT?

1514
01:05:41,971 --> 01:05:42,639
>> FEW SMALL BEERS.

1515
01:05:42,639 --> 01:05:48,545
JACOB ELORDI, "FRANKENSTEIN."

1516
01:05:48,545 --> 01:05:53,249
>> I AM THE CHILD OF A TROUBLED

1517
01:05:53,249 --> 01:05:56,653
HOUSE, A WRECKAGE, A REFUSE IN

1518
01:05:56,653 --> 01:05:57,554
THE DISCARDED DEBT.

1519
01:05:57,554 --> 01:06:01,624
DELROY LINDO, "SINNERS."

1520
01:06:01,624 --> 01:06:04,194
>> BLUES, TOO.

1521
01:06:04,194 --> 01:06:07,030
>> WHITE FOLKS SAY THE BLUES ARE

1522
01:06:07,030 --> 01:06:07,664
FINE, THEY JUST DON'T LIKE THE

1523
01:06:07,664 --> 01:06:08,097
PEOPLE WHO MAKE IT.

1524
01:06:08,097 --> 01:06:08,698
SEAN PENN, "ONE BATTLE AFTER

1525
01:06:08,698 --> 01:06:13,002
ANOTHER."

1526
01:06:13,002 --> 01:06:16,439
>> THIS DOESN'T LIGHTEN UP,

1527
01:06:16,439 --> 01:06:17,307
YOU'LL GO FREE.

1528
01:06:17,307 --> 01:06:20,910
BUT IF IT DOES LINE UP, IF IT'S

1529
01:06:20,910 --> 01:06:23,947
A STRAIGHT LINE, YOU GOT A

1530
01:06:23,947 --> 01:06:24,180
PROBLEM.

1531
01:06:24,180 --> 01:06:24,814
STELLAN SKARSGARD, "SENTIMENTAL

1532
01:06:24,814 --> 01:06:28,451
VALUE."

1533
01:06:28,451 --> 01:06:30,787
>> KILL THE BEST DOCTORS OF A

1534
01:06:30,787 --> 01:06:32,055
GENERATION, YOU'RE LUCKY THAT

1535
01:06:32,055 --> 01:06:32,789
SHE'S HERE.

1536
01:06:32,789 --> 01:06:39,729
YOU SHOULD BE GRATEFUL.

1537
01:06:39,729 --> 01:06:45,935
>> AND THE OSCAR GOES TO -- SEAN

1538
01:06:45,935 --> 01:06:49,973
PENN, ""ONE BATTLE AFTER

1539
01:06:49,973 --> 01:06:50,473
ANOTHER."

1540
01:06:50,473 --> 01:06:50,840
[ APPLAUSE ].

1541
01:06:50,840 --> 01:06:52,208
SEAN PENN COULDN'T BE HERE THIS

1542
01:06:52,208 --> 01:06:53,443
EVENING OR DIDN'T WANT TO, SO

1543
01:06:53,443 --> 01:06:57,146
I'LL BE ACCEPTING THE AWARD ON

1544
01:06:57,146 --> 01:07:01,284
HIS BEHALF.

1545
01:07:01,284 --> 01:07:06,723
[ APPLAUSE ].

1546
01:07:06,723 --> 01:07:07,757
>> Announcer: STILL TO COME, THE

1547
01:07:07,757 --> 01:07:09,325
AWARDS FOR ADAPTED AND ORIGINAL

1548
01:07:09,325 --> 01:07:09,959
SCREENPLAY AS WE CELEBRATE MORE

1549
01:07:09,959 --> 01:07:11,928
MOVIES WE LOVE.

1550
01:07:11,928 --> 01:07:13,496
HERE ON "THE OSCARS" FROM THE

1551
01:07:13,496 --> 01:07:14,531
DOLBY THEATER AT OVATION

1552
01:07:14,531 --> 01:07:16,566
HOLLYWOOD.

1553
01:07:16,566 --> 01:07:22,772
♪

1554
01:07:32,348 --> 01:07:35,018
>>> I KNOW WHO YOU ARE.

1555
01:07:35,018 --> 01:07:36,886
I KNOW WHAT YOU ARE.

1556
01:07:36,886 --> 01:07:39,022
>> YOU KNOW I'M NOT AN ALIEN.

1557
01:07:39,022 --> 01:07:39,889
>> WISE.

1558
01:07:39,889 --> 01:07:42,458
>> WHAT'S THE DIFFERENCE?

1559
01:07:42,458 --> 01:07:43,793
>> I FIND FASCINATING THAT

1560
01:07:43,793 --> 01:07:45,194
PEOPLE ARE WILLING TO QUESTION

1561
01:07:45,194 --> 01:07:49,432
WHAT REALITY IS AND TRY AND FIND

1562
01:07:49,432 --> 01:07:53,803
THEIR OWN TRUTH.

1563
01:07:53,803 --> 01:07:58,374
IT ALL STARTS WITH SOMETHING

1564
01:07:58,374 --> 01:08:02,378
MAGNIFICENT.

1565
01:08:02,378 --> 01:08:06,516
[ APPLAUSE ]

1566
01:08:10,720 --> 01:08:11,921
>> Conan: WE'RE BARELY INTO THIS

1567
01:08:11,921 --> 01:08:14,958
SHOW, WE ALREADY HAVE A TIE,

1568
01:08:14,958 --> 01:08:17,694
RIGHT, AND A NO-SHOW IN SEAN

1569
01:08:17,694 --> 01:08:17,894
PENN.

1570
01:08:17,894 --> 01:08:19,495
THIS THING IS A HUMDINGER.

1571
01:08:19,495 --> 01:08:23,232
YOU'VE GOT TO STAY TUNED!

1572
01:08:23,232 --> 01:08:25,167
IT'S BEEN WIDELY REPORTED THAT

1573
01:08:25,167 --> 01:08:28,171
SOME STUDIOS ARE NOW INSISTING

1574
01:08:28,171 --> 01:08:29,973
FILMMAKERS REPEAT INFORMATION

1575
01:08:29,973 --> 01:08:31,774
AND RESTATE THE PLOT SEVERAL

1576
01:08:31,774 --> 01:08:33,376
TIMES IN THEIR MOVIES IN ORDER

1577
01:08:33,376 --> 01:08:36,679
TO ACCOMMODATE THE MODERN MOVIE

1578
01:08:36,679 --> 01:08:37,947
VIEWER WHO IS HALF WATCHING

1579
01:08:37,947 --> 01:08:39,782
BECAUSE THEY'RE DISTRACTED BY

1580
01:08:39,782 --> 01:08:40,984
THEIR PHONES.

1581
01:08:40,984 --> 01:08:42,685
SOME PEOPLE ARE UPSET ABOUT

1582
01:08:42,685 --> 01:08:42,885
THIS.

1583
01:08:42,885 --> 01:08:44,453
I DON'T THINK IT'S A BIG DEAL.

1584
01:08:44,453 --> 01:08:46,189
PLEASE ENJOY THIS SCENE FROM AN

1585
01:08:46,189 --> 01:08:48,658
UPDATED HOLLYWOOD CLASSIC.

1586
01:08:50,393 --> 01:08:52,595
[ PIANO PLAYING "AS TIME GOES

1587
01:08:52,595 --> 01:08:54,130
BY"]

1588
01:08:54,130 --> 01:08:55,198
>> Announcer: "CASABLANCA" WITH

1589
01:08:55,198 --> 01:08:58,401
CONAN O'BRIEN AND

1590
01:08:58,401 --> 01:09:02,939
STERLING K. BROWN.

1591
01:09:02,939 --> 01:09:06,709
>> OF ALL THE GYN JOINTS, SHE

1592
01:09:06,709 --> 01:09:07,710
WALKS INTO MINE.

1593
01:09:07,710 --> 01:09:12,247
>> SHE WOULD BE AN ILSA, RIGHT?

1594
01:09:12,247 --> 01:09:13,816
>> YEAH, THAT'S HER NAME.

1595
01:09:13,816 --> 01:09:14,951
>> THAT'S GOT TO BE TOUGH

1596
01:09:14,951 --> 01:09:16,219
BECAUSE SHE GHOSTED YOU AT THAT

1597
01:09:16,219 --> 01:09:19,255
TRAIN STATION IN PARIS.

1598
01:09:19,255 --> 01:09:23,158
>> IT DEFINITELY CONTRIBUTED TO

1599
01:09:23,158 --> 01:09:24,493
MY OVERALL CYNICISM WHAT WITH

1600
01:09:24,493 --> 01:09:28,598
THIS BEING WORLD WAR II AND ALL.

1601
01:09:28,598 --> 01:09:30,233
>> WORLD WAR II -- THAT'S THE

1602
01:09:30,233 --> 01:09:32,535
HITLER ONE, RIGHT?

1603
01:09:32,535 --> 01:09:37,473
>> SURE IS, SAM.

1604
01:09:37,473 --> 01:09:37,740
MM-MM-MM.

1605
01:09:37,740 --> 01:09:39,876
AND, RICK, TO REITERATE, YOU'RE

1606
01:09:39,876 --> 01:09:40,977
JUST NOW REALIZING THAT YOU'RE

1607
01:09:40,977 --> 01:09:43,078
STILL IN LOVE WITH ILSA EVEN

1608
01:09:43,078 --> 01:09:44,981
THOUGH SHE'S MARRIED?

1609
01:09:44,981 --> 01:09:47,917
>> THAT'S RIGHT, SAM.

1610
01:09:47,917 --> 01:09:48,818
I'M IN LOVE.

1611
01:09:48,818 --> 01:09:51,621
>> DURING WORLD WAR II.

1612
01:09:51,621 --> 01:09:53,022
IT'S CRAZY.

1613
01:09:53,022 --> 01:09:54,323
>> THANK YOU VERY MUCH, STERLING

1614
01:09:54,323 --> 01:09:58,194
K. BROWN, EVERYBODY.

1615
01:09:58,194 --> 01:09:59,762
AND NOW, TO PRESENT THE AWARDS

1616
01:09:59,762 --> 01:10:00,863
FOR SCREENWRITING --

1617
01:10:00,863 --> 01:10:01,898
>> AND, TO BE CLEAR, THE AWARD

1618
01:10:01,898 --> 01:10:02,932
WE'RE TALKING ABOUT IS THE

1619
01:10:02,932 --> 01:10:10,406
OSCAR.

1620
01:10:10,406 --> 01:10:12,475
>> Conan: THAT'S CORRECT.

1621
01:10:12,475 --> 01:10:13,109
PLEASE WELCOME CHRIS EVANS AND

1622
01:10:13,109 --> 01:10:15,445
OSCAR WINNER ROBERT DOWNEY JR.

1623
01:10:18,414 --> 01:10:19,182
[ APPLAUSE ]

1624
01:10:20,283 --> 01:10:23,486
♪

1625
01:10:30,526 --> 01:10:31,227
>> WOW.

1626
01:10:31,227 --> 01:10:32,528
THE SCRIPT, RIGHT, IS THE

1627
01:10:32,528 --> 01:10:34,063
DRIVING FORCE OF ANY FILM AND

1628
01:10:34,063 --> 01:10:36,232
THIS HAS TRULY BEEN A BANNER

1629
01:10:36,232 --> 01:10:39,669
YEAR FOR SCREENWRITING TO SAY --

1630
01:10:39,669 --> 01:10:42,371
>> DOWNEY?

1631
01:10:42,371 --> 01:10:44,907
>> YEAH?

1632
01:10:44,907 --> 01:10:45,541
>> WHAT DID YOU GET ME FOR OUR

1633
01:10:45,541 --> 01:10:46,375
ANNIVERSARY?

1634
01:10:46,375 --> 01:10:46,876
>> DUDE, HOLD ON, I'M --

1635
01:10:46,876 --> 01:10:47,543
>> IT'S THE 14th ANNIVERSARY OF

1636
01:10:47,543 --> 01:10:51,714
THE FIRST "AVENGERS" FILM.

1637
01:10:51,714 --> 01:10:54,517
I GOT YOU A SIGNED COPY OF THE

1638
01:10:54,517 --> 01:10:56,586
SCRIPT, IT'S BACKSTAGE, FROM THE

1639
01:10:56,586 --> 01:10:58,187
FIRST TABLE READ.

1640
01:10:58,187 --> 01:10:58,721
THE WHOLE CAST SIGNED IT.

1641
01:10:58,721 --> 01:11:01,357
I REALLY THOUGHT THIS THROUGH.

1642
01:11:01,357 --> 01:11:01,724
>> SORRY, BUDDY.

1643
01:11:01,724 --> 01:11:04,761
UM, AND THIS IS FOR YOU.

1644
01:11:04,761 --> 01:11:06,062
I GOT IT ON ME.

1645
01:11:06,062 --> 01:11:10,399
LOOK, THAT'S FOR YOU.

1646
01:11:10,399 --> 01:11:11,000
>> IS THIS YOUR VALET PARKING

1647
01:11:11,000 --> 01:11:11,234
TICKET?

1648
01:11:11,234 --> 01:11:11,968
YOU SELF DROVE?

1649
01:11:11,968 --> 01:11:13,703
>> I DID.

1650
01:11:13,703 --> 01:11:16,372
I'M A MAN OF THE PEOPLE.

1651
01:11:16,372 --> 01:11:16,906
I DIDN'T REALLY THINK IT

1652
01:11:16,906 --> 01:11:18,407
THROUGH.

1653
01:11:18,407 --> 01:11:19,609
I'M GONNA NEED THAT BACK.

1654
01:11:19,609 --> 01:11:21,377
SORRY.

1655
01:11:21,377 --> 01:11:22,011
>> THE NOMINEES FOR BEST ADAPTED

1656
01:11:22,011 --> 01:11:26,082
SCREENPLAY ARE --

1657
01:11:26,082 --> 01:11:27,116
>> "BUGONIA."

1658
01:11:27,116 --> 01:11:31,821
SCREENPLAY BY WILL TRACY.

1659
01:11:31,821 --> 01:11:33,122
>> I'M SUPPOSED TO BELIEVE

1660
01:11:33,122 --> 01:11:37,393
YOU'RE A 45-YEAR-OLD WOMAN,

1661
01:11:37,393 --> 01:11:37,960
HUMAN WOMAN?

1662
01:11:37,960 --> 01:11:40,096
>> I FOLLOW A VERY STRICT

1663
01:11:40,096 --> 01:11:41,330
REVERSE AGING DIET AND THERAPY

1664
01:11:41,330 --> 01:11:46,602
PROGRAM.

1665
01:11:46,602 --> 01:11:48,137
"FRANKENSTEIN."

1666
01:11:48,137 --> 01:11:48,671
WRITTEN FOR THE SCREEN BY

1667
01:11:48,671 --> 01:11:51,240
GUILLERMO DEL TORO.

1668
01:11:51,240 --> 01:11:53,109
>> CONSIDER THIS MY SON,

1669
01:11:53,109 --> 01:11:55,978
WHEREVER YOU ARRIVE OR RECOURSE

1670
01:11:55,978 --> 01:11:59,115
YOU HAVE.

1671
01:11:59,115 --> 01:11:59,649
"HAMNET."

1672
01:11:59,649 --> 01:12:02,385
SCREENPLAY BY CHLOE ZHAO AND

1673
01:12:02,385 --> 01:12:03,452
MAGGIE O'FARRELL.

1674
01:12:03,452 --> 01:12:05,588
>> NO ONE ELSE WILL DO.

1675
01:12:05,588 --> 01:12:06,389
I WILL SPEAK WITH YOUR

1676
01:12:06,389 --> 01:12:07,657
STEPMOTHER AND YOUR BROTHER AND,

1677
01:12:07,657 --> 01:12:11,861
OF COURSE, THEY WILL NOT AGREE,

1678
01:12:11,861 --> 01:12:13,429
BUT I DON'T CARE BECAUSE I HAVE

1679
01:12:13,429 --> 01:12:18,067
NO TALENT FOR WAITING.

1680
01:12:18,067 --> 01:12:20,469
>> "ONE BATTLE AFTER ANOTHER"

1681
01:12:20,469 --> 01:12:22,605
WRITTEN BY PAUL THOMAS ANDERSON.

1682
01:12:22,605 --> 01:12:24,707
>> A BUNCH, 10 OR 20.

1683
01:12:24,707 --> 01:12:30,046
>> WEAPONS?

1684
01:12:30,046 --> 01:12:32,215
>> I THINK THEY'RE VEGETARIAN.

1685
01:12:32,215 --> 01:12:33,749
>> "TRAIN DREAMS."

1686
01:12:33,749 --> 01:12:34,383
SCREENPLAY BY CLINT BENTLEY AND

1687
01:12:34,383 --> 01:12:36,919
GREG KWEDAR.

1688
01:12:36,919 --> 01:12:38,821
>> YOU WORRY MORE AND MORE

1689
01:12:38,821 --> 01:12:39,956
SOMETHING TERRIBLE WAS FOLLOWING

1690
01:12:39,956 --> 01:12:40,623
HIM.

1691
01:12:40,623 --> 01:12:41,224
THE DEATH WOULD FIND HIM OUT

1692
01:12:41,224 --> 01:12:42,925
HERE.

1693
01:12:42,925 --> 01:12:46,395
FAR AWAY FROM THE ONLY PLACE HE

1694
01:12:46,395 --> 01:12:49,565
REALLY WANTED TO BE.

1695
01:12:52,068 --> 01:12:55,238
>> AND THE OSCAR GOES TO --

1696
01:12:55,238 --> 01:12:57,506
>> "ONE BATTLE AFTER ANOTHER,"

1697
01:12:57,506 --> 01:13:01,410
PAUL THOMAS ANDERSON.

1698
01:13:01,410 --> 01:13:03,079
>> Announcer: THIS IS THE FIRST

1699
01:13:03,079 --> 01:13:04,714
OSCAR WIN AND 14th NOMINATION

1700
01:13:04,714 --> 01:13:07,216
FOR PAUL THOMAS ANDERSON

1701
01:13:07,216 --> 01:13:08,551
INCLUDING HIS NOMINATION THIS IS

1702
01:13:08,551 --> 01:13:09,318
YEAR FOR DIRECTING AND BEST

1703
01:13:09,318 --> 01:13:15,892
PICTURE.

1704
01:13:17,159 --> 01:13:21,864
[ APPLAUSE ]

1705
01:13:28,604 --> 01:13:31,173
>> THANK YOU.

1706
01:13:31,173 --> 01:13:33,542
THANK YOU VERY, VERY MUCH.

1707
01:13:33,542 --> 01:13:34,277
I'M INCREDIBLY HONORED TO BE

1708
01:13:34,277 --> 01:13:38,381
PART OF THIS HISTORY.

1709
01:13:38,381 --> 01:13:41,984
THIS IS AN ADAPTION SO I OWE A

1710
01:13:41,984 --> 01:13:45,621
HUGE DEBT OF ADMIRATION AND LOVE

1711
01:13:45,621 --> 01:13:48,257
TO THOMAS PINCHON.

1712
01:13:48,257 --> 01:13:50,259
ANY WRITER KNOWS THAT YOU EITHER

1713
01:13:50,259 --> 01:13:53,763
BEG FOR FORGIVENESS OR YOUR

1714
01:13:53,763 --> 01:13:54,797
SPECIAL THANKS IS TO YOUR FAMILY

1715
01:13:54,797 --> 01:13:56,365
AND THE PEOPLE YOU SHARE A ROOF

1716
01:13:56,365 --> 01:13:57,633
WITH, WHO PUT UP WITH WHAT IT

1717
01:13:57,633 --> 01:14:00,636
MEANS TO LIVE WITH A WRITER.

1718
01:14:00,636 --> 01:14:03,239
TO MAYA --

1719
01:14:03,239 --> 01:14:04,774
[ APPLAUSE ]

1720
01:14:04,774 --> 01:14:06,909
YEAH, UNCLE PAUL, JOJO.

1721
01:14:06,909 --> 01:14:10,379
I WROTE THIS MOVIE FOR MY KIDS

1722
01:14:10,379 --> 01:14:13,082
TO SAY SORRY FOR THE

1723
01:14:13,082 --> 01:14:14,250
HOUSEKEEPING MESS THAT WE LEFT

1724
01:14:14,250 --> 01:14:16,319
IN THIS WORLD WE'RE HANDING OFF

1725
01:14:16,319 --> 01:14:19,021
TO THEM BUT, ALSO, WITH THE

1726
01:14:19,021 --> 01:14:19,922
ENCOURAGEMENT THAT THEY WILL BE

1727
01:14:19,922 --> 01:14:22,692
THE GENERATION THAT HOPEFULLY

1728
01:14:22,692 --> 01:14:27,430
BRINGS US SOME COMMON SENSE AND

1729
01:14:27,430 --> 01:14:27,663
DECENCY.

1730
01:14:27,663 --> 01:14:28,898
LUCY, JACK AND IDA, I LOVE YOU.

1731
01:14:28,898 --> 01:14:30,399
THANK YOU VERY MUCH.

1732
01:14:30,399 --> 01:14:33,002
THANK YOU.

1733
01:14:33,002 --> 01:14:33,269
[ APPLAUSE ]

1734
01:14:33,903 --> 01:14:39,108
♪

1735
01:14:51,554 --> 01:14:56,592
>> NO, DOWNEY.

1736
01:14:56,592 --> 01:14:58,227
OKAY, SPEAKING OF ANNIVERSARIES,

1737
01:14:58,227 --> 01:15:02,898
IT WAS 50 YEARS AGO THAT

1738
01:15:02,898 --> 01:15:03,933
FRANK PIERSON WON BEST ORIGINAL

1739
01:15:03,933 --> 01:15:04,433
SCREENPLAY FOR "DOG DAY

1740
01:15:04,433 --> 01:15:05,034
AFTERNOON."

1741
01:15:05,034 --> 01:15:06,102
>> EVANS, I WAS JUST JOSHING, I

1742
01:15:06,102 --> 01:15:11,240
GOT YOU COVERED.

1743
01:15:11,240 --> 01:15:15,478
I GOT YOU THE OFFICIAL

1744
01:15:15,478 --> 01:15:16,112
CHANNING TATUM THONG FROM "MAGIC

1745
01:15:16,112 --> 01:15:16,512
MIKE."

1746
01:15:16,512 --> 01:15:20,182
SEQUINED!

1747
01:15:20,182 --> 01:15:23,452
MIRROR BALL EFFECT.

1748
01:15:23,452 --> 01:15:24,453
LIGHT USAGE.

1749
01:15:24,453 --> 01:15:26,389
>> I HAVE NO WORDS.

1750
01:15:26,389 --> 01:15:32,395
>> I'M GONNA NEED THAT BACK FOR

1751
01:15:32,395 --> 01:15:32,561
--

1752
01:15:32,561 --> 01:15:33,662
>> FOR WHAT?

1753
01:15:33,662 --> 01:15:36,899
>> I HAVE TO WORK LATER.

1754
01:15:36,899 --> 01:15:37,500
>> WHAT ARE YOU TALKING ABOUT?

1755
01:15:37,500 --> 01:15:38,034
>> THE NOMINEES FOR BEST

1756
01:15:38,034 --> 01:15:44,306
ORIGINAL SCREENPLAY ARE --

1757
01:15:44,306 --> 01:15:44,840
"BLUE MOON."

1758
01:15:44,840 --> 01:15:47,810
WRITTEN BY ROBERT KAPLOW.

1759
01:15:47,810 --> 01:15:52,615
>> THE WHISKEY THAT MADE

1760
01:15:52,615 --> 01:15:53,549
LAUREN'S HEART.

1761
01:15:53,549 --> 01:15:55,284
>> "IT WAS JUST AN ACCIDENT"

1762
01:15:55,284 --> 01:15:56,852
WRITTEN BY JAFAR PANAHI.

1763
01:15:56,852 --> 01:15:57,319
SCRIPT COLLABORATORS

1764
01:15:57,319 --> 01:15:58,921
NADER SAIVAR, SHADMEHR RASTIN,

1765
01:15:58,921 --> 01:16:01,223
MEHDI MAHMOUDIAN.

1766
01:16:13,335 --> 01:16:15,004
>> "MARTY SUPREME"

1767
01:16:15,004 --> 01:16:15,638
WRITTEN BY RONALD BRONSTEIN AND

1768
01:16:15,638 --> 01:16:19,575
JOSH SAFDIE.

1769
01:16:19,575 --> 01:16:20,910
>> DO THE JOB?

1770
01:16:20,910 --> 01:16:21,677
>> NO.

1771
01:16:21,677 --> 01:16:22,912
I MEAN IT'S MY JOB.

1772
01:16:22,912 --> 01:16:23,612
>> HOW DO YOU LIVE?

1773
01:16:23,612 --> 01:16:25,681
>> I LIVE WITH I BELIEVE IN

1774
01:16:25,681 --> 01:16:27,283
MYSELF, THE MONEY WILL FOLLOW.

1775
01:16:27,283 --> 01:16:29,051
MY STRUGGLE ISN'T EVEN ABOUT

1776
01:16:29,051 --> 01:16:30,753
MONEY.

1777
01:16:30,753 --> 01:16:31,253
>> HOW DO YOU PAY RENT?

1778
01:16:31,253 --> 01:16:31,554
>> I DON'T.

1779
01:16:31,554 --> 01:16:32,488
"SENTIMENTAL VALUE."

1780
01:16:32,488 --> 01:16:32,988
WRITTEN BY ESKIL VOGT,

1781
01:16:32,988 --> 01:16:34,457
JOACHIM TRIER.

1782
01:16:44,467 --> 01:16:50,372
>> "SINNERS"

1783
01:16:50,372 --> 01:16:52,541
WRITTEN BY RYAN COOGLER.

1784
01:16:52,541 --> 01:16:54,376
>> OPEN UP NEXT WEEKEND.

1785
01:16:54,376 --> 01:16:57,079
>> NO, IT'S GOT TO BE TONIGHT.

1786
01:16:57,079 --> 01:16:58,013
GRAND OPENING STARTS WITH A

1787
01:16:58,013 --> 01:16:58,447
BANG.

1788
01:16:58,447 --> 01:17:03,352
>> OR WE START WITH A MISFIRE.

1789
01:17:03,352 --> 01:17:04,453
>> THAT'S A MIGHTY FINE DAY TO

1790
01:17:04,453 --> 01:17:06,222
BE FREE, AIN'T IT?

1791
01:17:06,222 --> 01:17:11,293
[ APPLAUSE ]

1792
01:17:11,293 --> 01:17:15,764
>> AND THE OSCAR GOES TO --

1793
01:17:15,764 --> 01:17:18,634
"SINNERS," RYAN COOGLER.

1794
01:17:18,634 --> 01:17:21,737
[ APPLAUSE ]

1795
01:17:21,737 --> 01:17:23,005
>> Announcer: RYAN COOGLER HAS

1796
01:17:23,005 --> 01:17:23,906
THREE NOMINATIONS THIS YEAR, AND

1797
01:17:23,906 --> 01:17:25,808
THIS IS HIS FIRST OSCAR WIN WITH

1798
01:17:25,808 --> 01:17:29,044
FIVE NOMINATIONS OVERALL.

1799
01:17:29,845 --> 01:17:36,051
♪

1800
01:17:50,399 --> 01:17:53,068
[ APPLAUSE ]

1801
01:17:53,068 --> 01:17:57,773
>> PLEASE, PLEASE, PLEASE --

1802
01:17:57,773 --> 01:17:59,942
PLEASE SIT DOWN BECAUSE I'M VERY

1803
01:17:59,942 --> 01:18:01,510
NERVOUS AND THEY'RE GOING TO

1804
01:18:01,510 --> 01:18:02,044
PLAY ME OFF.

1805
01:18:02,044 --> 01:18:04,046
I GREW UP IN OAKLAND,

1806
01:18:04,046 --> 01:18:04,547
ORIGINALLY, CALIFORNIA.

1807
01:18:04,547 --> 01:18:06,615
WE CAN TALK A LOT.

1808
01:18:06,615 --> 01:18:08,851
SO I WANT TO THANK THE ACADEMY

1809
01:18:08,851 --> 01:18:10,219
FOR THINKING OF OUR MOVIE THAT

1810
01:18:10,219 --> 01:18:11,820
CAME OUT ALMOST A YEAR AGO.

1811
01:18:11,820 --> 01:18:13,289
THIS IS AN INCREDIBLE HONOR.

1812
01:18:13,289 --> 01:18:15,357
I WANT TO THANK MY FELLOW

1813
01:18:15,357 --> 01:18:15,624
NOMINEES.

1814
01:18:15,624 --> 01:18:18,160
I WANT TO THANK YOU FOR THE

1815
01:18:18,160 --> 01:18:20,429
GIFTS, FOR YOUR FRIENDSHIP OVER

1816
01:18:20,429 --> 01:18:24,533
THE PAST YEARS AND MONTHS,

1817
01:18:24,533 --> 01:18:25,367
WARNER BROS., EVERYBODY, ALL MY

1818
01:18:25,367 --> 01:18:26,902
CAST AND CREW, PLEASE STAND UP.

1819
01:18:26,902 --> 01:18:28,070
YOU GUYS ARE AMAZING.

1820
01:18:28,070 --> 01:18:31,473
YOU GUYS ARE AMAZING.

1821
01:18:31,473 --> 01:18:31,774
[ APPLAUSE ]

1822
01:18:31,774 --> 01:18:34,643
YOU GUYS -- OH, MY GOD -- YOU

1823
01:18:34,643 --> 01:18:36,345
GUYS ARE ALL -- YOU ALL ARE

1824
01:18:36,345 --> 01:18:37,112
WINNERS IN MY BOOK.

1825
01:18:37,112 --> 01:18:40,683
YOU ALL ARE WINNERS IN MY BOOK.

1826
01:18:40,683 --> 01:18:41,951
YOU ARE THE BEST PRODUCERS IN

1827
01:18:41,951 --> 01:18:44,920
THE WORLD, THE BEST WIFE AND MOM

1828
01:18:44,920 --> 01:18:45,254
IN THE WORLD.

1829
01:18:45,254 --> 01:18:45,921
EVERY DAY I GET TO SPEND WITH

1830
01:18:45,921 --> 01:18:47,323
YOU IS BETTER THAN THE DAY THAT

1831
01:18:47,323 --> 01:18:48,057
CAME BEFORE IT.

1832
01:18:48,057 --> 01:18:49,124
TO MY PARENTS HERE, THANK YOU

1833
01:18:49,124 --> 01:18:50,125
FOR ALL THE MEMORIES, THANK YOU

1834
01:18:50,125 --> 01:18:52,094
FOR MAKING ME BELIEVE IN MYSELF.

1835
01:18:52,094 --> 01:18:53,662
AND TO MY BABIES AT HOME

1836
01:18:53,662 --> 01:18:54,897
WATCHING, I APOLOGIZE NOR ALL

1837
01:18:54,897 --> 01:18:56,799
THE TIME AWAY.

1838
01:18:56,799 --> 01:18:58,133
DAD LOVES YOU.

1839
01:18:58,133 --> 01:18:59,702
I HOPE I'VE GIVEN UP GREAT

1840
01:18:59,702 --> 01:19:01,003
MEMORIES AND YOU ARE BLESSED TO

1841
01:19:01,003 --> 01:19:02,538
LIVE A LONG LIFE AND I WANT YOU

1842
01:19:02,538 --> 01:19:03,706
TO REMEMBER THIS ONE THING, I

1843
01:19:03,706 --> 01:19:04,473
LOVE YOU MORE THAN ANYTHING.

1844
01:19:04,473 --> 01:19:04,740
THANK YOU.

1845
01:19:04,740 --> 01:19:06,041
[ APPLAUSE ]

1846
01:19:06,041 --> 01:19:13,649
♪

1847
01:19:13,649 --> 01:19:14,717
>> Announcer: STILL TO COME,

1848
01:19:14,717 --> 01:19:16,318
MORE STARS, MORE ENVELOPES, MORE

1849
01:19:16,318 --> 01:19:17,753
EXCITEMENT.

1850
01:19:17,753 --> 01:19:19,788
THEN LATER, A CELEBRATION OF THE

1851
01:19:19,788 --> 01:19:20,389
GLOBAL SENSATION "KPOP DEMON

1852
01:19:20,389 --> 01:19:21,457
HUNTERS."

1853
01:19:21,457 --> 01:19:22,324
HERE ON "THE OSCARS."

1854
01:19:27,129 --> 01:19:32,067
♪

1855
01:19:32,067 --> 01:19:36,272
[ APPLAUSE ].

1856
01:19:39,942 --> 01:19:43,312
>>> EVERY YEAR -- THANK YOU.

1857
01:19:43,312 --> 01:19:46,682
EVERY YEAR WE ACKNOWLEDGE THE

1858
01:19:46,682 --> 01:19:49,618
LOSS OF GREAT ARTISTS IN OUR

1859
01:19:49,618 --> 01:19:49,918
INDUSTRY.

1860
01:19:49,918 --> 01:19:52,621
AND SADLY TONIGHT, WE ARE FACED

1861
01:19:52,621 --> 01:19:54,156
WITH THE PASSING OF SOME

1862
01:19:54,156 --> 01:19:55,724
EXTRAORDINARY GIANTS IN FILM.

1863
01:19:55,724 --> 01:19:59,328
HERE TO SPEAK ABOUT A GOOD

1864
01:19:59,328 --> 01:20:01,297
FRIEND, AN AMAZING TALENT IS MR.

1865
01:20:01,297 --> 01:20:05,501
BILLY CRYSTAL.

1866
01:20:05,501 --> 01:20:16,111
[ APPLAUSE ].

1867
01:20:16,111 --> 01:20:17,713
>> THANK YOU SO MUCH.

1868
01:20:17,713 --> 01:20:20,049
I FIRST MET ROB REINER IN 1975

1869
01:20:20,049 --> 01:20:21,250
WHEN I WAS CAST AS HIS BEST

1870
01:20:21,250 --> 01:20:22,618
FRIEND IN AN EPISODE OF "ALL IN

1871
01:20:22,618 --> 01:20:24,153
THE FAMILY."

1872
01:20:24,153 --> 01:20:25,821
AND IT WENT SO WELL ROB SAID,

1873
01:20:25,821 --> 01:20:26,755
YOU KNOW, IT WAS FUN PLAYING

1874
01:20:26,755 --> 01:20:27,956
YOUR BEST FRIEND, WHY DON'T WE

1875
01:20:27,956 --> 01:20:28,590
KEEP IT GOING.

1876
01:20:28,590 --> 01:20:30,693
AND IT WAS A THRILL TO SEE HIM

1877
01:20:30,693 --> 01:20:32,294
EVOLVE FROM A GREAT COMIC ACTOR

1878
01:20:32,294 --> 01:20:35,030
TO A MASTER STORY TELLER.

1879
01:20:35,030 --> 01:20:37,800
HIS FIRST FILM IS "THIS IS

1880
01:20:37,800 --> 01:20:39,968
SPINAL TAP."

1881
01:20:39,968 --> 01:20:40,336
YES.

1882
01:20:40,336 --> 01:20:40,703
[ APPLAUSE ].

1883
01:20:40,703 --> 01:20:42,838
YOU CAN STOP RIGHT THERE.

1884
01:20:42,838 --> 01:20:45,474
THE HILARIOUS AND BRILLIANT WITH

1885
01:20:45,474 --> 01:20:49,712
THE COMEDY WAS TURNED UP TO 11.

1886
01:20:49,712 --> 01:20:51,980
THEN JOHN CUE SACK AND THE

1887
01:20:51,980 --> 01:20:54,717
PURSUIT OF LOVE IN "THE SURE

1888
01:20:54,717 --> 01:20:54,950
THING."

1889
01:20:54,950 --> 01:20:57,486
AND THEN HE BEAUTIFULLY PORTRAYS

1890
01:20:57,486 --> 01:20:59,555
THE PAINT OF BOYS ABOUT TO

1891
01:20:59,555 --> 01:21:03,959
BECOME MEN IN "STAND BY ME."

1892
01:21:03,959 --> 01:21:04,860
[ APPLAUSE ].

1893
01:21:04,860 --> 01:21:07,529
NEXT, THE INCONCEIVABLE TALE OF

1894
01:21:07,529 --> 01:21:12,534
TRUE LOVE AND RODENTS OF UNUSUAL

1895
01:21:12,534 --> 01:21:15,537
SIZE, REVENREVENGE, A GENTLE GI

1896
01:21:15,537 --> 01:21:17,940
SWORD FIGHTS AND HIS WIFE IN

1897
01:21:17,940 --> 01:21:22,044
"THE PRINCESS BRIDE."

1898
01:21:22,044 --> 01:21:27,549
THEN WITH BRUNO, MEG RYAN AND

1899
01:21:27,549 --> 01:21:29,718
MYSELF, THEN IT WAS NEW YORK IN

1900
01:21:29,718 --> 01:21:36,792
THE FALL, KATZ'S DELI, PECAN PIE

1901
01:21:36,792 --> 01:21:37,960
AND WHEN YOU REALIZE YOU WANT TO

1902
01:21:37,960 --> 01:21:39,428
SPEND THE REST OF YOUR LIFE WITH

1903
01:21:39,428 --> 01:21:40,596
SOMEBODY, YOU WANT THE REST OF

1904
01:21:40,596 --> 01:21:41,764
YOUR LIFE TO START AS SOON AS

1905
01:21:41,764 --> 01:21:42,531
POSSIBLE.

1906
01:21:42,531 --> 01:21:43,832
AUDIENCES THEN LINED UP TO SEE

1907
01:21:43,832 --> 01:21:46,101
HIS FUNNY, CHARMING FILMS.

1908
01:21:46,101 --> 01:21:50,038
SO, HE GAVE THEM MISERY.

1909
01:21:50,038 --> 01:21:52,708
A PSYCHO DRAMA AND AN OSCAR FOR

1910
01:21:52,708 --> 01:21:55,544
KATHY BAITS PLAYS THE PSYCHO IN

1911
01:21:55,544 --> 01:21:57,112
THAT DRAMA.

1912
01:21:57,112 --> 01:22:00,582
BEST PICTURE NOMINEE WITH DEMI

1913
01:22:00,582 --> 01:22:03,852
MOORE, KEVIN POLLACK AND TOM

1914
01:22:03,852 --> 01:22:05,687
CRUISE AND JACK NICHOLSON WHO

1915
01:22:05,687 --> 01:22:07,723
WARNED US, YOU CAN'T HANDLE THE

1916
01:22:07,723 --> 01:22:08,056
TRUTH.

1917
01:22:08,056 --> 01:22:10,893
WHICH IS SIMPLY WHAT WE ALL WANT

1918
01:22:10,893 --> 01:22:11,093
TODAY.

1919
01:22:11,093 --> 01:22:13,295
THEN INTO THE OVAL OFFICE AT AN

1920
01:22:13,295 --> 01:22:13,996
AMERICAN PRESIDENT WRESTLING

1921
01:22:13,996 --> 01:22:17,299
WITH A NEW LOVE AND HIS OWN

1922
01:22:17,299 --> 01:22:17,833
MOR

1923
01:22:17,833 --> 01:22:18,100
MORALITY.

1924
01:22:18,100 --> 01:22:21,136
MY FRIENDS, ROB'S MOVIES WILL

1925
01:22:21,136 --> 01:22:22,404
LAST FOR LIFE TIMES BECAUSE THEY

1926
01:22:22,404 --> 01:22:25,274
WERE ABOUT WHAT MAKES US LAUGH

1927
01:22:25,274 --> 01:22:28,010
AND CRY AND WHAT WE ASPIRE TO BE

1928
01:22:28,010 --> 01:22:31,079
FAR BETTER IN HIS EYES, FAR

1929
01:22:31,079 --> 01:22:33,549
KINDER, FAR FUNNIER, BUT FAR

1930
01:22:33,549 --> 01:22:34,383
MORE HUMAN.

1931
01:22:34,383 --> 01:22:36,084
AND WHEN MICHELLE SINGER ENTERED

1932
01:22:36,084 --> 01:22:38,487
HIS LIFE, THEY WERE UNSTOPPABLE.

1933
01:22:38,487 --> 01:22:40,122
A GIFTED PHOTOGRAPHER, SHE NOT

1934
01:22:40,122 --> 01:22:42,024
ONLY PRODUCED FILMS WITH ROB,

1935
01:22:42,024 --> 01:22:43,525
BUT HE WAS ENERGY THAT HAD THEM

1936
01:22:43,525 --> 01:22:44,993
WORKING TIRELESSLY TO FIGHT

1937
01:22:44,993 --> 01:22:47,763
SOCIAL INJUSTICE IN THE COUNTRY

1938
01:22:47,763 --> 01:22:51,266
THAT THEY BOTH LOVED.

1939
01:22:51,266 --> 01:22:53,969
NOW ROB AND MICHELE -- ROB AND

1940
01:22:53,969 --> 01:22:56,138
MICHELE REINER WERE THE DRIVING

1941
01:22:56,138 --> 01:22:57,840
FORCE IN THE LANDMARK DECISION

1942
01:22:57,840 --> 01:23:00,108
FOR MARRIAGE EQUALITY ACROSS THE

1943
01:23:00,108 --> 01:23:04,146
UNITED STATES.

1944
01:23:04,146 --> 01:23:07,783
[ APPLAUSE ].

1945
01:23:07,783 --> 01:23:09,318
AND THEIR LOSS IS IMMEASURABLE.

1946
01:23:09,318 --> 01:23:10,819
AND TO THE MILLIONS WHO HAVE

1947
01:23:10,819 --> 01:23:14,723
ENJOYED HIS FILMS ALL LEISLEISU

1948
01:23:14,723 --> 01:23:16,325
I WANT YOU TO KNOW HERE AND

1949
01:23:16,325 --> 01:23:18,594
AROUND THE WORLD HOW MANY TIMES

1950
01:23:18,594 --> 01:23:19,161
ROB TOLD ME THAT IT MEANT

1951
01:23:19,161 --> 01:23:20,362
EVERYTHING TO HIM THAT HIS WORK

1952
01:23:20,362 --> 01:23:22,364
MEANT SOMETHING TO YOU.

1953
01:23:22,364 --> 01:23:24,233
AND FOR US, WHO HAD THE

1954
01:23:24,233 --> 01:23:26,335
PRIVILEGE OF WORKING WITH AND

1955
01:23:26,335 --> 01:23:29,404
KNOWING HIM, AND LOVING HIM, ALL

1956
01:23:29,404 --> 01:23:32,341
WE CAN SAY IS, BUDDY, WHAT FUN

1957
01:23:32,341 --> 01:23:37,846
WE HAD STORMING THE CASTLE.

1958
01:23:37,846 --> 01:23:41,049
[ APPLAUSE ].

1959
01:23:41,049 --> 01:23:49,091
♪

1960
01:23:49,091 --> 01:24:09,044
♪

1961
01:24:09,044 --> 01:24:15,284
♪

1962
01:24:15,284 --> 01:24:21,323
♪

1963
01:24:21,323 --> 01:24:34,469
[ APPLAUSE ].

1964
01:24:34,469 --> 01:24:39,808
♪

1965
01:24:39,808 --> 01:24:41,343
>> I HAVEN'T BEEN ABLE TO STOP

1966
01:24:41,343 --> 01:24:45,881
THINKING ABOUT YOU SINCE I FIRST

1967
01:24:45,881 --> 01:24:47,015
MET YOU.

1968
01:24:47,015 --> 01:25:00,395
♪

1969
01:25:00,395 --> 01:25:09,204
♪

1970
01:25:09,204 --> 01:25:15,344
>> I HOPE YOU'LL COME BACK SOME

1971
01:25:15,344 --> 01:25:15,510
DAY.

1972
01:25:15,510 --> 01:25:26,722
♪

1973
01:25:26,722 --> 01:25:37,532
♪

1974
01:25:37,532 --> 01:25:48,377
♪

1975
01:25:48,377 --> 01:25:55,751
♪

1976
01:25:55,751 --> 01:25:56,985
>> MEN HAVE THINGS.

1977
01:25:56,985 --> 01:25:57,819
WOMEN HAVE THINGS.

1978
01:25:57,819 --> 01:26:00,889
WHAT IS THE GREATERS FORCE

1979
01:26:00,889 --> 01:26:02,457
BEHIND THE UNIVERSE CARE ABOUT

1980
01:26:02,457 --> 01:26:03,458
SUCH FOOLISHNESS.

1981
01:26:03,458 --> 01:26:04,926
>> THIS PAST YEAR WE LOST SO

1982
01:26:04,926 --> 01:26:07,095
MANY ARTISTS, INCLUDING

1983
01:26:07,095 --> 01:26:08,664
ACTRESSES WHOSE TALENT AND

1984
01:26:08,664 --> 01:26:09,564
ORIGINALITY WIDENED THE WORLD

1985
01:26:09,564 --> 01:26:12,267
FOR ALL OF US.

1986
01:26:12,267 --> 01:26:15,070
WOMEN LIKE CLAUDIA, WHOSE

1987
01:26:15,070 --> 01:26:16,371
SIX-DECADE CAREER HELPED BRING

1988
01:26:16,371 --> 01:26:18,774
EUROPEAN CINEMA TO AMERICA.

1989
01:26:18,774 --> 01:26:21,376
THREE-TIME OSCAR NOMINEE DIANE

1990
01:26:21,376 --> 01:26:22,911
LADD WHO BROUGHT FIERCE HUMANITY

1991
01:26:22,911 --> 01:26:24,913
AND WHIT TO EVERY ROLE.

1992
01:26:24,913 --> 01:26:27,482
COMEDIC GENIUS AND SCENE

1993
01:26:27,482 --> 01:26:32,454
STEALER, OUR MIGHTY WIND.

1994
01:26:32,454 --> 01:26:32,988
[ APPLAUSE ].

1995
01:26:32,988 --> 01:26:36,324
AND MY FELLOW CANADIAN,

1996
01:26:36,324 --> 01:26:37,159
CATHERINE O'HARA.

1997
01:26:37,159 --> 01:26:40,228
SHE MADE US LAUGH UNTIL WE

1998
01:26:40,228 --> 01:26:40,595
CRIED.

1999
01:26:40,595 --> 01:26:47,369
AND THE ICON, DIANE KEATON.

2000
01:26:47,369 --> 01:26:49,404
[ APPLAUSE ].

2001
01:26:49,404 --> 01:26:52,741
ANNIE HALL, THE GOD FATHER, AND

2002
01:26:52,741 --> 01:26:54,609
THAT'S JUST HER FIRST DECADE.

2003
01:26:54,609 --> 01:26:57,913
FOR OVER 50 YEARS, LUMINOUS ON

2004
01:26:57,913 --> 01:26:59,715
SCREEN AND INDELIBLE IN LIFE,

2005
01:26:59,715 --> 01:27:00,949
BELIEVE ME WHEN I SAY THERE

2006
01:27:00,949 --> 01:27:02,551
ISN'T AN ACTRESS OF MY

2007
01:27:02,551 --> 01:27:04,986
GENERATION WHO IS NOT INSPIRED

2008
01:27:04,986 --> 01:27:06,922
BY AND ENTHRALLED WITH HER

2009
01:27:06,922 --> 01:27:08,423
ABSOLUTE SINGULARITY.

2010
01:27:08,423 --> 01:27:13,528
SHE WORE SO MANY HATS, LITERALLY

2011
01:27:13,528 --> 01:27:15,731
AND FIGURATIVELY.

2012
01:27:15,731 --> 01:27:19,167
ACTRESS, ARTIST, AUTHOR,

2013
01:27:19,167 --> 01:27:20,602
ACTIVIST, BUT NO HAT MORE

2014
01:27:20,602 --> 01:27:22,070
IMPORTANT TO HER THAN BEING

2015
01:27:22,070 --> 01:27:25,006
MOTHER TO HER TWO CHILDREN.

2016
01:27:25,006 --> 01:27:28,276
SHE MEANT SO MUCH TO SO MANY OF

2017
01:27:28,276 --> 01:27:28,443
US.

2018
01:27:28,443 --> 01:27:30,712
I REMEMBER SHE USED TO SING THIS

2019
01:27:30,712 --> 01:27:32,581
OLD GIRL SCOUT SONG ON SET,

2020
01:27:32,581 --> 01:27:36,685
WHICH IS JUST SO HER.

2021
01:27:36,685 --> 01:27:38,086
MAKE NEW FRIENDS BUT KEEP THE

2022
01:27:38,086 --> 01:27:38,453
OLD.

2023
01:27:38,453 --> 01:27:41,089
ONE IS SILVER, AND THE OTHER IS

2024
01:27:41,089 --> 01:27:42,057
GOLD.

2025
01:27:42,057 --> 01:27:45,360
A CIRCLE IS ROUND, IT HAS NO

2026
01:27:45,360 --> 01:27:45,527
END.

2027
01:27:45,527 --> 01:27:48,463
THAT'S HOW LONG I'LL BE YOUR

2028
01:27:48,463 --> 01:27:49,164
FRIEND.

2029
01:27:49,164 --> 01:27:52,367
AND SO TO OUR FRIEND, DIANE

2030
01:27:52,367 --> 01:27:55,971
KEATON, CELEBRATING A LIFE IN

2031
01:27:55,971 --> 01:28:01,209
SILVER AND GOLD, A LEGEND WITH

2032
01:28:01,209 --> 01:28:05,814
NO END.

2033
01:28:05,814 --> 01:28:10,619
[ APPLAUSE ].

2034
01:28:10,619 --> 01:28:12,821
>> SUCH, SUCH LOVE.

2035
01:28:12,821 --> 01:28:14,189
>> THE AUDIENCE WAS THERE

2036
01:28:14,189 --> 01:28:15,490
WAITING FOR IT, AND YOU GET

2037
01:28:15,490 --> 01:28:17,125
CAUGHT UP IN THE HEAT OF THE

2038
01:28:17,125 --> 01:28:18,493
MOMENT AND YOU JUST, YOU KNOW,

2039
01:28:18,493 --> 01:28:23,465
YOU WANT TO GIVE THEM ANYTHING

2040
01:28:23,465 --> 01:28:25,233
THEY WANT.

2041
01:28:25,233 --> 01:28:30,105
AND --.

2042
01:28:30,105 --> 01:28:37,112
♪

2043
01:28:37,112 --> 01:28:55,330
♪

2044
01:28:55,330 --> 01:29:08,610
♪

2045
01:29:08,610 --> 01:29:19,955
♪

2046
01:29:19,955 --> 01:29:24,426
♪

2047
01:29:24,426 --> 01:29:26,428
>> THAT HE MIGHT GET TO GO BACK

2048
01:29:26,428 --> 01:29:30,799
TO THE TIME THAT WAS HAPPIEST

2049
01:29:30,799 --> 01:29:33,168
FOR HIM.

2050
01:29:33,168 --> 01:29:35,370
♪

2051
01:29:35,370 --> 01:29:38,807
>> GET ON WITH IT.

2052
01:29:38,807 --> 01:29:42,344
>> SOMETIMES THINGS MAY OR MAY

2053
01:29:42,344 --> 01:29:46,348
NOT BE TRUE, THINGS A MAN NEEDS

2054
01:29:46,348 --> 01:29:47,582
TO BELIEVE IN THE MOST, BUT

2055
01:29:47,582 --> 01:29:52,220
PEOPLE ARE BASICALLY GOOD IN

2056
01:29:52,220 --> 01:29:55,023
HONOR, COURAGE AND VIRTUE IN

2057
01:29:55,023 --> 01:29:55,790
EVERYTHING.

2058
01:29:55,790 --> 01:29:58,126
>> I JUST THINK ABOUT THAT

2059
01:29:58,126 --> 01:29:59,928
LITTLE KID, WOULD HE BE PROUD OF

2060
01:29:59,928 --> 01:30:00,095
ME?

2061
01:30:00,095 --> 01:30:01,997
THE ANSWER IS YES, THEN I KNOW

2062
01:30:01,997 --> 01:30:06,835
I'M EXACTLY WHERE I'M SUPPOSED

2063
01:30:06,835 --> 01:30:07,903
TO BE.

2064
01:30:07,903 --> 01:30:14,943
♪

2065
01:30:14,943 --> 01:30:26,354
♪

2066
01:30:26,354 --> 01:30:30,659
>> AFTER I READ THE FIRST

2067
01:30:30,659 --> 01:30:34,963
SCRIPT, I COULD ONLY IMAGINE ONE

2068
01:30:34,963 --> 01:30:40,602
MAN IN THE ROLE OF HUBLE, AND

2069
01:30:40,602 --> 01:30:41,937
THAT WAS ROBERT REDFORD, BUT HE

2070
01:30:41,937 --> 01:30:43,738
TURNED IT DOWN BECAUSE HE SAID

2071
01:30:43,738 --> 01:30:46,574
THE CHARACTER HAD NO BACKBONE.

2072
01:30:46,574 --> 01:30:50,512
HE DOESN'T STAND FOR ANYTHING.

2073
01:30:50,512 --> 01:30:52,180
AND HE WAS RIGHT.

2074
01:30:52,180 --> 01:30:56,551
SO MANY DRAFTS LATER BOB FINALLY

2075
01:30:56,551 --> 01:30:59,220
AGREED TO DO IT.

2076
01:30:59,220 --> 01:31:01,856
HE WAS A BRILLIANT, SUBTLE

2077
01:31:01,856 --> 01:31:02,057
ACTOR.

2078
01:31:02,057 --> 01:31:04,759
AND WE HAD A WONDERFUL TIME

2079
01:31:04,759 --> 01:31:06,494
PLAYING OFF EACH OTHER BECAUSE

2080
01:31:06,494 --> 01:31:07,963
WE NEVER QUITE KNEW WHAT THE

2081
01:31:07,963 --> 01:31:11,599
OTHER ONE WAS GOING TO DO OR

2082
01:31:11,599 --> 01:31:11,766
SEE.

2083
01:31:11,766 --> 01:31:15,403
AND I'M THRILLED THAT THE WAY WE

2084
01:31:15,403 --> 01:31:18,940
WERE IS NOW CONSIDERED A CLASSIC

2085
01:31:18,940 --> 01:31:22,110
LOVE STORY, BUT IT'S ALSO ABOUT

2086
01:31:22,110 --> 01:31:24,279
A DARK TIME IN OUR HISTORY.

2087
01:31:24,279 --> 01:31:28,183
THE LATE 40s AND EARLY 50s WHEN

2088
01:31:28,183 --> 01:31:31,019
PEOPLE WERE INFORMING ON EACH

2089
01:31:31,019 --> 01:31:36,257
OTHER AND SUBJECT TO LOYALTY

2090
01:31:36,257 --> 01:31:36,858
OATHS.

2091
01:31:36,858 --> 01:31:40,862
NOW, BOB HAD REAL BACKBONE ON

2092
01:31:40,862 --> 01:31:43,164
AND OFF THE SCREEN.

2093
01:31:43,164 --> 01:31:45,667
HE SPOKE UP TO DEFEND FREEDOM OF

2094
01:31:45,667 --> 01:31:48,403
THE PRESS, PROTECT THE

2095
01:31:48,403 --> 01:31:50,939
ENVIRONMENT AND ENCOURAGE NEW

2096
01:31:50,939 --> 01:31:53,708
VOICES AT HIS SUNDANCE

2097
01:31:53,708 --> 01:31:58,146
INSTITUTE, AND SOME OF WHOM --

2098
01:31:58,146 --> 01:31:58,646
[ APPLAUSE ].

2099
01:31:58,646 --> 01:32:01,649
SOME OF WHOM ARE UP FOR OSCARS

2100
01:32:01,649 --> 01:32:06,921
TONIGHT, WHICH IS SO GREAT.

2101
01:32:06,921 --> 01:32:10,058
HE WAS THOUGHTFUL AND BOLD.

2102
01:32:10,058 --> 01:32:13,261
I CALLED HIM AN INTELLECTUAL

2103
01:32:13,261 --> 01:32:16,631
COWBOY WHO BLAZED HIS OWN TRAIL

2104
01:32:16,631 --> 01:32:19,334
AND WON THE ACADEMY AWARD FOR

2105
01:32:19,334 --> 01:32:20,168
BEST DIRECTOR.

2106
01:32:20,168 --> 01:32:24,739
AND I MISS HIM NOW MORE THAN

2107
01:32:24,739 --> 01:32:26,941
EVER EVEN THOUGH HE LOVED

2108
01:32:26,941 --> 01:32:28,043
TEASING ME.

2109
01:32:28,043 --> 01:32:30,211
HE WOULD CALL ME -- HE WOULD

2110
01:32:30,211 --> 01:32:31,446
CALL ME BABS.

2111
01:32:31,446 --> 01:32:33,681
AND I WOULD SAY -- BOB, DO I

2112
01:32:33,681 --> 01:32:36,084
LOOK LIKE A BABS?

2113
01:32:36,084 --> 01:32:38,186
I'M NOT A BABS, YOU KNOW.

2114
01:32:38,186 --> 01:32:42,557
BUT THE WAY HE SAID IT MADE ME

2115
01:32:42,557 --> 01:32:42,791
LAUGH.

2116
01:32:42,791 --> 01:32:47,195
AND MANY YEARS LATER WE WERE --

2117
01:32:47,195 --> 01:32:49,597
WE WERE CHATTING ON THE PHONE

2118
01:32:49,597 --> 01:32:56,371
ABOUT THE USUAL POLITICS, ART,

2119
01:32:56,371 --> 01:32:58,740
OUR FAVORITE.

2120
01:32:58,740 --> 01:33:00,708
AND AS WE WERE HANGING UP HE

2121
01:33:00,708 --> 01:33:04,379
SAID, BABS, I LOVE YOU DEARLY.

2122
01:33:04,379 --> 01:33:07,282
AND I ALWAYS WILL.

2123
01:33:07,282 --> 01:33:10,251
AND IN THE LAST NOTE, I EVER

2124
01:33:10,251 --> 01:33:13,922
WROTE TO BOB, I ENDED IT WITH --

2125
01:33:13,922 --> 01:33:15,223
I LOVE YOU, TOO.

2126
01:33:15,223 --> 01:33:25,934
AND I SIGNED IT, BABS.

2127
01:33:25,934 --> 01:33:34,976
♪

2128
01:33:34,976 --> 01:33:43,151
♪ SO IT'S THE LAUGHTER

2129
01:33:43,151 --> 01:33:47,388
THE LAUGHTER WILL REMEMBER ♪

2130
01:33:47,388 --> 01:33:59,534
♪ WHEN EVER WE REMEMBER THE WAY

2131
01:33:59,534 --> 01:34:00,702
WE WERE ♪

2132
01:34:00,702 --> 01:34:03,738
OH, YES.

2133
01:34:03,738 --> 01:34:11,913
♪ THE WAY WE WERE

2134
01:34:11,913 --> 01:34:17,051
♪ OH

2135
01:34:17,585 --> 01:34:24,125
[ APPLAUSE ].

2136
01:34:24,125 --> 01:34:26,261
>> THANK YOU.

2137
01:34:26,261 --> 01:34:27,061
THANK YOU SO MUCH.

2138
01:34:37,872 --> 01:34:46,548
>>> FORGIVE ME, MY SON.

2139
01:34:46,548 --> 01:34:52,053
>> MY MAKER TOLD HIS TALE, AND I

2140
01:34:52,053 --> 01:34:56,691
WILL TELL YOU MINE.

2141
01:34:56,691 --> 01:34:58,560
>> THE BACKBONE IS THE IDEA OF

2142
01:34:58,560 --> 01:35:01,329
LOVING A GUY THAT ISN'T PERFECT

2143
01:35:01,329 --> 01:35:02,764
AND FORGIVING THOSE

2144
01:35:02,764 --> 01:35:03,364
IMPERFECTIONS.

2145
01:35:03,364 --> 01:35:04,666
>> I CANNOT DIE AND I CANNOT

2146
01:35:04,666 --> 01:35:08,403
LIVE.

2147
01:35:08,403 --> 01:35:09,804
ALONE.

2148
01:35:09,804 --> 01:35:12,373
[ APPLAUSE ]

2149
01:35:18,713 --> 01:35:19,514
>> Conan: WELCOME BACK.

2150
01:35:19,514 --> 01:35:21,583
OF COURSE WE HERE AT THE OSCARS

2151
01:35:21,583 --> 01:35:22,684
ARE ALWAYS TRYING TO FIGURE OUT

2152
01:35:22,684 --> 01:35:27,355
WAYS TO REACH A YOUNG ER

2153
01:35:27,355 --> 01:35:27,655
DEMOGRAPHIC.

2154
01:35:27,655 --> 01:35:29,224
I'VE BEEN ASSURED THIS NEXT

2155
01:35:29,224 --> 01:35:32,694
SEGMENT WILL DO JUST THAT.

2156
01:35:32,694 --> 01:35:34,762
WHEN YOUR HOST TRIES TO RIZ UP

2157
01:35:34,762 --> 01:35:36,397
THE YOUNGER DEMOGRAPHICS BY

2158
01:35:36,397 --> 01:35:42,670
GOING BRAIN ROT MODE AND EVEN

2159
01:35:42,670 --> 01:35:46,808
THOUGH YOU HAVE ARE 6-7, WELL,

2160
01:35:46,808 --> 01:35:48,476
THAT'S A MESSAGE THAT THE YOUNG

2161
01:35:48,476 --> 01:35:49,777
PEOPLE WILL DEFINITELY SEE

2162
01:35:49,777 --> 01:35:59,287
WATCHING BROADCAST TELEVISION.

2163
01:35:59,287 --> 01:36:00,989
SHE'S APPEARED IN 74 MOVIES AND

2164
01:36:00,989 --> 01:36:01,789
HE APPEARED IN 74 MOVIES LAST

2165
01:36:01,789 --> 01:36:04,292
YEAR.

2166
01:36:04,292 --> 01:36:07,362
PLEASE WELCOME OSCAR NOMINEE

2167
01:36:07,362 --> 01:36:07,996
SIGOURNEY WEAVER AND PEDRO

2168
01:36:07,996 --> 01:36:13,101
PASCAL.

2169
01:36:14,135 --> 01:36:18,973
♪

2170
01:36:26,080 --> 01:36:27,649
>> PRODUCTION DESIGNERS POSSESS

2171
01:36:27,649 --> 01:36:28,249
A SPECIAL KIND OF MOVIE MAGIC

2172
01:36:28,249 --> 01:36:29,751
THAT HAPPENS LONG BEFORE THE

2173
01:36:29,751 --> 01:36:32,387
CAMERAS ROLL.

2174
01:36:32,387 --> 01:36:33,988
IT BEGINS WITH A SKETCH, A

2175
01:36:33,988 --> 01:36:36,124
TEXTURE, A DOORWAY.

2176
01:36:36,124 --> 01:36:38,226
AND SUDDENLY, AN ENTIRE WORLD

2177
01:36:38,226 --> 01:36:39,827
EXISTS.

2178
01:36:39,827 --> 01:36:44,032
>> CITIES, PALACES, ENTIRE

2179
01:36:44,032 --> 01:36:45,800
GALAXIES.

2180
01:36:45,800 --> 01:36:46,434
>> SOMETIMES EVEN ALIEN WORLDS

2181
01:36:46,434 --> 01:36:48,870
THAT OUR CHARACTERS LIVE IN.

2182
01:36:48,870 --> 01:36:50,438
>> YOU'VE HAD SOME EXPERIENCE

2183
01:36:50,438 --> 01:36:54,108
WITH THOSE.

2184
01:36:54,108 --> 01:36:55,143
>> A LITTLE.

2185
01:36:55,143 --> 01:36:59,414
THE GOOD, THE BAD, AND SOME

2186
01:36:59,414 --> 01:37:06,888
DOWNRIGHT ADORABLE.

2187
01:37:06,888 --> 01:37:14,128
[ LAUGHTER ]

2188
01:37:14,128 --> 01:37:14,696
GET AWAY FROM HIM YOU BITCH!

2189
01:37:14,696 --> 01:37:17,231
>> WOW, GOOD CHARACTER RECALL.

2190
01:37:17,231 --> 01:37:18,933
I PEED MYSELF A LITTLE.

2191
01:37:18,933 --> 01:37:19,500
>> IT'S MY SOFT MATERNAL

2192
01:37:19,500 --> 01:37:24,205
INSTINCT.

2193
01:37:24,205 --> 01:37:29,377
>> I'M SORRY, CATE.

2194
01:37:29,377 --> 01:37:33,147
>> I STAND BY IT.

2195
01:37:33,147 --> 01:37:34,248
AND NOW, THE ARTISTS AND WORLD

2196
01:37:34,248 --> 01:37:35,316
BUILDERS WHO ARE NOMINATED

2197
01:37:35,316 --> 01:37:37,785
TONIGHT FOR ACHIEVEMENT IN

2198
01:37:37,785 --> 01:37:43,624
PRODUCTION DESIGN ARE --

2199
01:37:43,624 --> 01:37:48,563
♪

2200
01:37:48,563 --> 01:37:49,564
>> "FRANKENSTEIN."

2201
01:37:49,564 --> 01:37:51,165
PRODUCTION DESIGN BY

2202
01:37:51,165 --> 01:37:51,699
TAMARA DEVERELL.

2203
01:37:51,699 --> 01:37:54,902
SET DECORATION BY SHANE VIEAU.

2204
01:37:54,902 --> 01:37:57,538
"HAMNET."

2205
01:37:57,538 --> 01:37:58,005
PRODUCTION DESIGN BY

2206
01:37:58,005 --> 01:37:59,107
FIONA CROMBIE.

2207
01:37:59,107 --> 01:38:02,043
SET DECORATION BY ALICE FELTON.

2208
01:38:02,043 --> 01:38:02,410
"MARTY SUPREME."

2209
01:38:02,410 --> 01:38:05,780
PRODUCTION DESIGN BY JACK FISK.

2210
01:38:05,780 --> 01:38:07,615
SET DECORATION BY ADAM WILLIS.

2211
01:38:07,615 --> 01:38:09,183
"ONE BATTLE AFTER ANOTHER."

2212
01:38:09,183 --> 01:38:10,752
PRODUCTION DESIGN BY

2213
01:38:10,752 --> 01:38:11,819
FLORENCIA MARTIN.

2214
01:38:11,819 --> 01:38:13,788
SET DECORATION BY

2215
01:38:13,788 --> 01:38:14,455
ANTHONY CARLINO.

2216
01:38:14,455 --> 01:38:14,989
"SINNERS."

2217
01:38:14,989 --> 01:38:16,023
PRODUCTION DESIGN BY

2218
01:38:16,023 --> 01:38:18,159
HANNAH BEACHLER.

2219
01:38:18,159 --> 01:38:19,227
SET DECORATION BY

2220
01:38:19,227 --> 01:38:29,804
MONIQUE CHAMPAGNE.

2221
01:38:29,804 --> 01:38:30,371
>> AND THE OSCAR GOES TO --

2222
01:38:30,371 --> 01:38:37,745
TAMARA DEVERELL AND SHANE VIEAU

2223
01:38:37,745 --> 01:38:40,047
FOR "FRANKENSTEIN."

2224
01:38:40,047 --> 01:38:41,949
>> THIS IS THE FIRST WIN FOR

2225
01:38:41,949 --> 01:38:47,688
TAMARA DEVERELL AND THE FIRST

2226
01:38:47,688 --> 01:38:49,590
WIN AND FOURTH NOMINATION FOR

2227
01:38:49,590 --> 01:38:54,395
SHANE VIEAU.

2228
01:39:00,868 --> 01:39:04,338
[ APPLAUSE ]

2229
01:39:12,380 --> 01:39:13,748
>> THANK YOU TO THE ACADEMY AND

2230
01:39:13,748 --> 01:39:16,350
TO ALL THE OTHER NOMINEES FOR

2231
01:39:16,350 --> 01:39:19,887
YOUR INSPIRED WORK.

2232
01:39:19,887 --> 01:39:21,589
WOW.

2233
01:39:21,589 --> 01:39:22,957
GUILLERMO, THANK YOU FOR YOUR

2234
01:39:22,957 --> 01:39:23,958
HUMANITY AND ARTISTRY.

2235
01:39:23,958 --> 01:39:25,460
YOU ARE A MASTER STORYTELLER.

2236
01:39:25,460 --> 01:39:27,462
IT WAS AN HONOR FOR US TO HELP

2237
01:39:27,462 --> 01:39:31,599
STEER YOUR FANTASTIC SHIP.

2238
01:39:31,599 --> 01:39:33,034
HUGE THANKS TO MILES DALE, TO

2239
01:39:33,034 --> 01:39:34,769
SCOTT AND THE ENTIRE NETFLIX

2240
01:39:34,769 --> 01:39:36,103
TEAM FOR SUPPORTING AND

2241
01:39:36,103 --> 01:39:37,672
UPLIFTING THIS CREATIVE JOURNEY.

2242
01:39:37,672 --> 01:39:39,507
WE SHARE THIS WITH AN AMAZING

2243
01:39:39,507 --> 01:39:42,477
CREW IN TORONTO AND THE UK,

2244
01:39:42,477 --> 01:39:45,112
SCENIC, PAINT AND CONSTRUCTION,

2245
01:39:45,112 --> 01:39:47,148
SO MANY TALENTED HANDS.

2246
01:39:47,148 --> 01:39:49,116
A SHOUTOUT TO GUY DAVIS, OUR

2247
01:39:49,116 --> 01:39:53,621
CONCEPT ARTIST AND OUR SUPERB

2248
01:39:53,621 --> 01:39:55,156
DIRECTOR GORDON WHO IS HERE

2249
01:39:55,156 --> 01:39:55,456
TONIGHT.

2250
01:39:55,456 --> 01:39:56,691
PERSONAL THANKS TO OUR FAMILY

2251
01:39:56,691 --> 01:39:59,460
AND FRIENDS, OUR MOMS AND DADS,

2252
01:39:59,460 --> 01:40:00,194
MY HUSBAND, KENNY, OUR KIDS,

2253
01:40:00,194 --> 01:40:01,395
RACHEL AND DAVID, FOR THEIR LOVE

2254
01:40:01,395 --> 01:40:03,965
AND SUPPORT AND, FINALLY, THANK

2255
01:40:03,965 --> 01:40:05,933
YOU, MARY SHELLY, FOR THE STORY.

2256
01:40:05,933 --> 01:40:09,604
[ APPLAUSE ]

2257
01:40:24,085 --> 01:40:25,786
>> AND NOW, IT'S TIME TO PAY

2258
01:40:25,786 --> 01:40:26,687
TRIBUTE TO THOSE WHO PUSH THE

2259
01:40:26,687 --> 01:40:27,755
BOUNDARIES OF WHAT WE EVER

2260
01:40:27,755 --> 01:40:31,959
THOUGHT POSSIBLE IN CINEMA.

2261
01:40:31,959 --> 01:40:32,560
>> THE ARTISTS WHO BLEND THE

2262
01:40:32,560 --> 01:40:35,696
VIRTUAL WITH THE REAL THAT

2263
01:40:35,696 --> 01:40:36,297
CREATE CINEMATIC EFFECTS THAT

2264
01:40:36,297 --> 01:40:36,831
INSPIRE AWE, WONDER, AND

2265
01:40:36,831 --> 01:40:38,866
EXCITEMENT.

2266
01:40:38,866 --> 01:40:41,536
HERE ARE THIS YEAR'S NOMINEES

2267
01:40:41,536 --> 01:40:42,603
FOR ACHIEVEMENT IN VISUAL

2268
01:40:42,603 --> 01:40:45,806
EFFECTS.

2269
01:40:45,806 --> 01:40:47,542
♪

2270
01:40:47,542 --> 01:40:49,644
>> "AVATAR: FIRE AND ASH."

2271
01:40:49,644 --> 01:40:51,178
JOE LETTERI, RICHARD BANEHAM,

2272
01:40:51,178 --> 01:40:55,416
ERIC SAINDON AND DANIEL BARRETT.

2273
01:40:55,416 --> 01:40:55,616
"F1."

2274
01:40:55,616 --> 01:40:56,484
RYAN TUDHOPE,

2275
01:40:56,484 --> 01:40:57,018
NICOLAS CHEVALLIER,

2276
01:40:57,018 --> 01:40:59,186
ROBERT HARRINGTON AND

2277
01:40:59,186 --> 01:41:00,721
KEITH DAWSON.

2278
01:41:00,721 --> 01:41:02,290
"JURASSIC WORLD REBIRTH."

2279
01:41:02,290 --> 01:41:03,925
DAVID VICKERY, STEPHEN APLIN,

2280
01:41:03,925 --> 01:41:05,459
CHARMAINE CHAN AND

2281
01:41:05,459 --> 01:41:07,595
NEIL CORBOULD.

2282
01:41:07,595 --> 01:41:09,163
"THE LOST BUS."

2283
01:41:09,163 --> 01:41:10,765
CHARLIE NOBLE, DAVID ZARETTI,

2284
01:41:10,765 --> 01:41:12,934
RUSSELL BOWEN AND

2285
01:41:12,934 --> 01:41:13,434
BRANDON K. McLAUGHLIN.

2286
01:41:13,434 --> 01:41:16,070
"SINNERS."

2287
01:41:16,070 --> 01:41:18,205
MICHAEL RALLA, ESPEN NORDAHL,

2288
01:41:18,205 --> 01:41:22,376
GUIDO WOLTER AND DONNIE DEAN.

2289
01:41:24,879 --> 01:41:30,017
>> AND THE WINNER AND THE OSCAR

2290
01:41:30,017 --> 01:41:39,293
GOES TO "AVATAR: FIRE AND ASH."

2291
01:41:39,293 --> 01:41:40,595
>> Announcer: THIS IS THE SIXTH

2292
01:41:40,595 --> 01:41:42,263
OSCAR WIN AND 12th NOMINATION

2293
01:41:42,263 --> 01:41:44,498
FOR JOE LETTERI, THE THIRD WIN

2294
01:41:44,498 --> 01:41:47,535
AND THIRD NOMINATION FOR RICHARD

2295
01:41:47,535 --> 01:41:48,903
BANEHAM, FOURTH-TIME NOMINEE FOR

2296
01:41:48,903 --> 01:41:50,972
ERIC SAINDON, FIVE-TIME NOMINEE

2297
01:41:50,972 --> 01:41:58,379
DANIEL BARRETT.

2298
01:42:01,816 --> 01:42:04,051
[ APPLAUSE ]

2299
01:42:19,200 --> 01:42:21,135
>> FIRST AND FOREMOST, THANK YOU

2300
01:42:21,135 --> 01:42:22,870
TO OUR FAMILIES.

2301
01:42:22,870 --> 01:42:24,739
THE LOVE, SUPPORT, OUR WIVES,

2302
01:42:24,739 --> 01:42:27,141
OUR PARTNERS, THERE'S 2,200

2303
01:42:27,141 --> 01:42:27,475
ARTISTS.

2304
01:42:27,475 --> 01:42:31,012
THIS IS A MASSIVE, MASSIVE

2305
01:42:31,012 --> 01:42:32,380
COLLABORATION ON THE EFFECTS

2306
01:42:32,380 --> 01:42:34,181
SIDE, EVERYBODY ON THE MOVIE, SO

2307
01:42:34,181 --> 01:42:38,252
TO ALL OUR FAMILIES, IT'S LIKE

2308
01:42:38,252 --> 01:42:39,487
THIS IS EVERYTHING.

2309
01:42:39,487 --> 01:42:44,759
AGAIN, TRULY, TRULY EVERYTHING.

2310
01:42:44,759 --> 01:42:47,862
JIM CAMERON, HE LITERALLY

2311
01:42:47,862 --> 01:42:48,929
INFORMS EVERY FRAME OF THE MOVIE

2312
01:42:48,929 --> 01:42:50,765
AND HAS A BIG PART OF THE

2313
01:42:50,765 --> 01:42:54,201
EFFECTS TO RAY SANCINNI,

2314
01:42:54,201 --> 01:42:55,903
INDUSTRIAL LIGHT AND MAGIC,

2315
01:42:55,903 --> 01:42:56,437
THANK YOU.

2316
01:42:56,437 --> 01:42:57,972
>> AND TO THE ONE WE'RE MISSING

2317
01:42:57,972 --> 01:43:01,609
UP HERE TONIGHT, JOHN LANDAU, WE

2318
01:43:01,609 --> 01:43:02,376
MISS YOU.

2319
01:43:02,376 --> 01:43:03,444
YOU'RE STILL THE HEART AND SOUL

2320
01:43:03,444 --> 01:43:04,311
OF THIS MOVIE.

2321
01:43:04,311 --> 01:43:05,479
THANK YOU.

2322
01:43:05,479 --> 01:43:06,580
>> THANK YOU.

2323
01:43:06,580 --> 01:43:06,947
[ APPLAUSE ]

2324
01:43:06,947 --> 01:43:09,817
>> OUR CAST --

2325
01:43:09,817 --> 01:43:14,388
♪

2326
01:43:24,565 --> 01:43:25,132
>> Conan: OKAY, I'M SORRY.

2327
01:43:25,132 --> 01:43:28,302
I WAS JUST BACKSTAGE AND NOTICED

2328
01:43:28,302 --> 01:43:29,336
SOMETHING, THEY CUT TO THE

2329
01:43:29,336 --> 01:43:32,606
AUDIENCE AND I REALIZED GROGU

2330
01:43:32,606 --> 01:43:34,375
CAN'T CLAP.

2331
01:43:34,375 --> 01:43:35,142
TRY TO CLAP.

2332
01:43:35,142 --> 01:43:35,409
TRY.

2333
01:43:35,409 --> 01:43:36,777
TRY TO CLAP.

2334
01:43:36,777 --> 01:43:37,244
NO!

2335
01:43:37,244 --> 01:43:37,478
NO!

2336
01:43:37,478 --> 01:43:39,113
WHAT A CRUEL THING TO DO TO

2337
01:43:39,113 --> 01:43:40,881
BRING A CREATURE WHO CAN'T CLAP

2338
01:43:40,881 --> 01:43:42,183
TO AN AWARDS SHOW.

2339
01:43:42,183 --> 01:43:44,018
IS THERE NO BOTTOM TO THESE

2340
01:43:44,018 --> 01:43:44,251
PEOPLE?

2341
01:43:44,251 --> 01:43:47,054
WE'LL BE RIGHT BACK WITH MORE

2342
01:43:47,054 --> 01:43:48,355
OSCARS.

2343
01:43:48,355 --> 01:43:49,356
CLAP!

2344
01:43:49,356 --> 01:43:49,557
CLAP!

2345
01:43:49,557 --> 01:43:49,757
CLAP!

2346
01:43:49,757 --> 01:43:50,291
♪

2347
01:44:02,203 --> 01:44:04,605
>>> THIS WORLD IS INTRICATELY

2348
01:44:04,605 --> 01:44:06,874
STITCHED TOGETHER.

2349
01:44:06,874 --> 01:44:09,343
EVERY THREAD WE PULL, WE KNOW

2350
01:44:09,343 --> 01:44:11,812
NOT HOW IT AFFECTS THE DESIGN OF

2351
01:44:11,812 --> 01:44:13,981
THINGS.

2352
01:44:13,981 --> 01:44:17,084
>> THE STORY REALLY EXPLORES HOW

2353
01:44:17,084 --> 01:44:19,854
WE NAVIGATE LOVE.

2354
01:44:19,854 --> 01:44:22,623
AND LOSS.

2355
01:44:22,623 --> 01:44:25,059
AS THE WORLD TRANSFORMS AROUND

2356
01:44:25,059 --> 01:44:25,392
US.

2357
01:44:25,392 --> 01:44:27,695
>> BEAUTIFUL, AIN'T IT?

2358
01:44:27,695 --> 01:44:28,863
>> WHAT IS?

2359
01:44:28,863 --> 01:44:32,700
>> ALL OF IT.

2360
01:44:32,700 --> 01:44:39,740
EVERY BIT OF IT.

2361
01:44:39,740 --> 01:44:41,008
♪

2362
01:44:41,008 --> 01:44:43,744
>> Announcer: PLEASE WELCOME

2363
01:44:43,744 --> 01:44:46,514
JIMMY KIMMEL.

2364
01:44:46,514 --> 01:44:52,019
♪

2365
01:44:54,555 --> 01:44:56,123
>> I'M JIMMY KIMMEL AND WELCOME

2366
01:44:56,123 --> 01:44:57,958
TO THE 98th ANNUAL ACADEMY

2367
01:44:57,958 --> 01:45:02,096
AWARDS.

2368
01:45:02,096 --> 01:45:04,899
WAIT, AM I NOT HOSTING THE SHOW?

2369
01:45:04,899 --> 01:45:06,433
OH, WELL, THIS IS EMBARRASSING.

2370
01:45:06,433 --> 01:45:08,936
ACTUALLY, CONAN WENT OUTSIDE TO

2371
01:45:08,936 --> 01:45:11,172
GET SOME AIR AND INADVERTENTLY

2372
01:45:11,172 --> 01:45:12,773
EXPOSED HIS FACE TO THE SUN AND

2373
01:45:12,773 --> 01:45:13,941
WAS INCINERATED.

2374
01:45:13,941 --> 01:45:15,509
SO I WILL BE FINISHING OUT THE

2375
01:45:15,509 --> 01:45:16,944
REST OF THE PROGRAM.

2376
01:45:16,944 --> 01:45:19,213
I AM HERE TO PRESENT THE OSCAR

2377
01:45:19,213 --> 01:45:20,815
FOR DOCUMENTARY FILMS AND WE

2378
01:45:20,815 --> 01:45:21,749
HEAR A LOT ABOUT --

2379
01:45:21,749 --> 01:45:28,455
[ APPLAUSE ]

2380
01:45:28,455 --> 01:45:31,725
WE HEAR A GREAT DEAL --

2381
01:45:31,725 --> 01:45:37,198
[ APPLAUSE ]

2382
01:45:37,198 --> 01:45:38,599
THEY'RE GOING TO CUT DOWN ON

2383
01:45:38,599 --> 01:45:39,967
YOUR TICKETS FOR NEXT YEAR.

2384
01:45:39,967 --> 01:45:41,869
WE HEAR A LOT ABOUT COURAGE AT

2385
01:45:41,869 --> 01:45:43,504
SHOWS LIKE THIS BUT TELLING A

2386
01:45:43,504 --> 01:45:45,139
STORY THAT COULD GET YOU KILLED

2387
01:45:45,139 --> 01:45:47,675
FOR TELLING IT IS REAL COURAGE.

2388
01:45:47,675 --> 01:45:49,176
AS YOU KNOW THERE ARE SOME

2389
01:45:49,176 --> 01:45:51,412
COUNTRIES WHOSE LEADERS DON'T

2390
01:45:51,412 --> 01:45:52,179
SUPPORT FREE SPEECH.

2391
01:45:52,179 --> 01:45:54,849
I'M NOT AT LIBERTY TO SAY WHICH.

2392
01:45:54,849 --> 01:45:56,083
[ LAUGHTER ]

2393
01:45:56,083 --> 01:45:57,818
LET'S JUST LEAVE IT AT NORTH

2394
01:45:57,818 --> 01:45:59,620
KOREA AND CBS.

2395
01:45:59,620 --> 01:45:59,987
FORTUNATELY --

2396
01:45:59,987 --> 01:46:07,761
[ APPLAUSE ]

2397
01:46:07,761 --> 01:46:08,929
FORTUNATELY FOR ALL OF US

2398
01:46:08,929 --> 01:46:09,630
THERE'S AN INTERNATIONAL

2399
01:46:09,630 --> 01:46:11,365
COMMUNITY OF FILMMAKERS

2400
01:46:11,365 --> 01:46:13,267
DEDICATED TO TELLING THE TRUTH,

2401
01:46:13,267 --> 01:46:15,469
OFTENTIMES AT GREAT RISK TO MAKE

2402
01:46:15,469 --> 01:46:16,804
FILMS THAT TEACH US, THAT CALL

2403
01:46:16,804 --> 01:46:19,039
OUT INJUSTICE, THAT INSPIRE US

2404
01:46:19,039 --> 01:46:20,674
TO TAKE ACTION, AND THERE ARE

2405
01:46:20,674 --> 01:46:21,909
ALSO DOCUMENTARIES WHERE YOU

2406
01:46:21,909 --> 01:46:22,476
WALK AROUND THE WHITE HOUSE

2407
01:46:22,476 --> 01:46:25,646
TRYING ON SHOES.

2408
01:46:25,646 --> 01:46:26,680
HERE ARE THE NOMINEES FOR

2409
01:46:26,680 --> 01:46:31,151
DOCUMENTARY SHORT FILM.

2410
01:46:35,890 --> 01:46:36,423
>> "ALL THE EMPTY ROOMS."

2411
01:46:36,423 --> 01:46:37,958
JOSHUA SEFTEL AND AND

2412
01:46:37,958 --> 01:46:38,292
CONALL JONES.

2413
01:46:38,292 --> 01:46:38,926
"ARMED ONLY WITH A CAMERA: THE

2414
01:46:38,926 --> 01:46:41,128
LIFE AND DEATH OF BRENT RENAUD."

2415
01:46:41,128 --> 01:46:43,831
CRAIG RENAUD AND JUAN ARREDONDO.

2416
01:46:43,831 --> 01:46:44,465
"CHILDREN NO MORE: "WERE AND ARE

2417
01:46:44,465 --> 01:46:45,966
GONE."

2418
01:46:45,966 --> 01:46:48,068
HILLA MEDALIA AND SHEILA NEVINS.

2419
01:46:48,068 --> 01:46:51,272
"THE DEVIL IS BUSY."

2420
01:46:51,272 --> 01:46:51,772
CHRISTALYN HAMPTON AND

2421
01:46:51,772 --> 01:46:54,441
GEETA GANDBHIR.

2422
01:46:54,441 --> 01:46:54,975
"PERFECTLY A STRANGENESS."

2423
01:46:54,975 --> 01:47:03,751
ALISON McALPINE.

2424
01:47:03,751 --> 01:47:05,185
>> ALL RIGHT.

2425
01:47:05,185 --> 01:47:07,721
AND THE OSCAR FOR DOCUMENTARY

2426
01:47:07,721 --> 01:47:13,861
SHORT FILM GOES TO "ALL THE

2427
01:47:13,861 --> 01:47:17,564
EMPTY ROOMS."

2428
01:47:17,564 --> 01:47:18,032
JOSHUA SEFTEL AND AND

2429
01:47:18,032 --> 01:47:26,240
CONALL JONES.

2430
01:47:26,240 --> 01:47:29,710
>> Announcer: THIS IS THE FIRST

2431
01:47:29,710 --> 01:47:31,845
WIN FOR JOSHUA SEFTEL AND CONALL

2432
01:47:31,845 --> 01:47:33,213
JONES.

2433
01:47:33,213 --> 01:47:36,817
♪

2434
01:47:40,154 --> 01:47:42,690
>> THANK YOU TO THE ACADEMY.

2435
01:47:42,690 --> 01:47:48,395
TO THE AMAZING STEVE HARTMAN --

2436
01:47:48,395 --> 01:47:48,696
[ APPLAUSE ]

2437
01:47:48,696 --> 01:47:52,099
TO LOU, TO NETFLIX, TED, ADAM

2438
01:47:52,099 --> 01:47:54,768
AND CHLOE AND TO OUR INCREDIBLY

2439
01:47:54,768 --> 01:47:56,303
COMPASSIONATE FILM MAKING TEAM.

2440
01:47:56,303 --> 01:47:58,238
THE EMPTY ROOMS IN OUR FILM

2441
01:47:58,238 --> 01:48:01,575
BELONG TO FOUR YOUNG CHILDREN

2442
01:48:01,575 --> 01:48:03,844
WHO WERE ALL KILLED IN SCHOOL

2443
01:48:03,844 --> 01:48:05,846
SHOOTINGS, HALLE, GRACIE,

2444
01:48:05,846 --> 01:48:11,151
DOMINICK AND JACKIE.

2445
01:48:11,151 --> 01:48:12,987
>> MY DAUGHTER JACKIE WAS 9

2446
01:48:12,987 --> 01:48:16,523
YEARS OLD WHEN SHE WAS KILLED IN

2447
01:48:16,523 --> 01:48:16,757
UVALDE.

2448
01:48:16,757 --> 01:48:18,759
SINCE THAT DAY HER BEDROOM HAS

2449
01:48:18,759 --> 01:48:20,160
BEEN FROZEN IN TIME.

2450
01:48:20,160 --> 01:48:22,162
JACKIE IS MORE THAN JUST A

2451
01:48:22,162 --> 01:48:22,429
HEADLINE.

2452
01:48:22,429 --> 01:48:24,665
SHE IS OUR LIGHT AND OUR LIFE.

2453
01:48:24,665 --> 01:48:26,767
GUN VIOLENCE IS NOW THE NUMBER

2454
01:48:26,767 --> 01:48:29,103
ONE CAUSE OF DEATH IN KIDS AND

2455
01:48:29,103 --> 01:48:29,536
TEENS.

2456
01:48:29,536 --> 01:48:30,938
WE BELIEVE THAT IF THE WORLD

2457
01:48:30,938 --> 01:48:33,340
COULD SEE THEIR EMPTY BEDROOMS

2458
01:48:33,340 --> 01:48:33,974
WE WOULD BE A DIFFERENT AMERICA.

2459
01:48:33,974 --> 01:48:34,274
THANK YOU.

2460
01:48:34,274 --> 01:48:41,415
[ APPLAUSE ]

2461
01:48:43,717 --> 01:48:49,690
♪

2462
01:48:57,965 --> 01:48:59,666
>> THE NEXT OSCAR IS FOR

2463
01:48:59,666 --> 01:49:00,901
DOCUMENTARY FEATURE FILM, WHICH

2464
01:49:00,901 --> 01:49:02,803
IS LIKE A DOCUMENTARY SHORT FILM

2465
01:49:02,803 --> 01:49:07,741
BUT LONGER.

2466
01:49:07,741 --> 01:49:08,675
HERE ARE THE NOMINEES.

2467
01:49:08,675 --> 01:49:11,745
♪

2468
01:49:11,745 --> 01:49:12,479
"THE ALABAMA SOLUTION."

2469
01:49:12,479 --> 01:49:13,580
ANDREW JARECKI AND

2470
01:49:13,580 --> 01:49:16,717
CHARLOTTE KAUFMAN.

2471
01:49:16,717 --> 01:49:17,351
"COME SEE ME IN THE GOOD LIGHT."

2472
01:49:17,351 --> 01:49:20,421
RYAN WHITE, JESSICA HARGRAVE,

2473
01:49:20,421 --> 01:49:21,989
TIG NOTARO AND STEF WILLEN.

2474
01:49:21,989 --> 01:49:23,057
"CUTTING THROUGH ROCKS."

2475
01:49:23,057 --> 01:49:25,726
SARA KHAKI AND

2476
01:49:25,726 --> 01:49:29,463
MOHAMMADREZA EYNI.

2477
01:49:29,463 --> 01:49:30,998
"MR. NOBODY AGAINST PUTIN."

2478
01:49:30,998 --> 01:49:33,934
DAVID BORENSTEIN,

2479
01:49:33,934 --> 01:49:34,701
PAVEL TALANKIN, HELLE FABER AND

2480
01:49:34,701 --> 01:49:36,303
ALZBETA KARASKOVA.

2481
01:49:36,303 --> 01:49:39,473
"THE PERFECT NEIGHBOR."

2482
01:49:39,473 --> 01:49:42,643
GEETA GANDBHIR, ALISA PAYNE,

2483
01:49:42,643 --> 01:49:46,480
NIKON KWANTU AND SAM BISBEE.

2484
01:49:50,551 --> 01:49:52,252
>> OH, MAN, IS HE GOING TO BE

2485
01:49:52,252 --> 01:49:53,053
MAD HIS WIFE WASN'T NOMINATED

2486
01:49:53,053 --> 01:49:59,359
FOR THIS.

2487
01:49:59,359 --> 01:50:01,628
AND THE OSCAR FOR DOCUMENTARY

2488
01:50:01,628 --> 01:50:04,264
FEATURE FILM GOES TO --

2489
01:50:04,264 --> 01:50:09,770
"MR. NOBODY AGAINST PUTIN" DAVID

2490
01:50:09,770 --> 01:50:12,739
BORENSTEIN, PAVEL TALANKIN,

2491
01:50:12,739 --> 01:50:18,645
HELLE FABER AND ALZBETA

2492
01:50:18,645 --> 01:50:18,946
KARASKOVA.

2493
01:50:18,946 --> 01:50:25,786
>> Announcer: THIS IS THE FIRST

2494
01:50:25,786 --> 01:50:27,721
W

2495
01:50:27,721 --> 01:50:29,189
WIN.

2496
01:50:31,725 --> 01:50:34,895
♪

2497
01:50:41,869 --> 01:50:44,638
>> THANK YOU TO THE ACADEMY.

2498
01:50:44,638 --> 01:50:47,174
THANK YOU TO OUR FAMILY, THANK

2499
01:50:47,174 --> 01:50:48,242
YOU TO OUR FRIENDS AND THANK YOU

2500
01:50:48,242 --> 01:50:49,710
TO THE OTHER DOCUMENTARY

2501
01:50:49,710 --> 01:50:50,511
NOMINEES WHO HAVE BECOME SUCH

2502
01:50:50,511 --> 01:50:52,479
GOOD FRIENDS OF OURS.

2503
01:50:52,479 --> 01:50:53,747
"MR. NOBODY AGAINST PUTIN" IS

2504
01:50:53,747 --> 01:50:55,549
ABOUT HOW YOU LOSE YOUR COUNTRY.

2505
01:50:55,549 --> 01:50:57,951
AND WHAT WE SAW WHEN WORKING

2506
01:50:57,951 --> 01:51:00,154
WITH THIS FOOTAGE IS THAT YOU

2507
01:51:00,154 --> 01:51:01,955
LOSE IT THROUGH COUNTLESS SMALL

2508
01:51:01,955 --> 01:51:03,824
LITTLE ACTS OF COMPLICITY.

2509
01:51:03,824 --> 01:51:06,827
WHEN WE ACT COMPLICIT, WHEN A

2510
01:51:06,827 --> 01:51:08,795
GOVERNMENT MURDERS PEOPLE ON THE

2511
01:51:08,795 --> 01:51:10,264
STREETS OF OUR MAJOR CITIES.

2512
01:51:10,264 --> 01:51:14,535
WHEN WE DON'T SAY ANYTHING, WHEN

2513
01:51:14,535 --> 01:51:15,936
OLIGARCHS TAKE OVER THE MEDIA

2514
01:51:15,936 --> 01:51:17,304
AND CONTROL HOW WE CAN PRODUCE

2515
01:51:17,304 --> 01:51:17,704
IT AND CONSUME IT.

2516
01:51:17,704 --> 01:51:25,045
[ APPLAUSE ]

2517
01:51:25,045 --> 01:51:29,383
WE ALL FACE A MORAL CHOICE, BUT,

2518
01:51:29,383 --> 01:51:31,318
LUCKILY, EVEN A NOBODY IS MORE

2519
01:51:31,318 --> 01:51:35,022
POWERFUL THAN YOU THINK.

2520
01:51:35,022 --> 01:51:38,492
AND HERE'S PAVEL TALANKIN, THE

2521
01:51:38,492 --> 01:51:41,628
MAIN CHARACTER IN OUR FILM.

2522
01:51:45,966 --> 01:51:46,533
[ SPEAKING IN A NON-ENGLISH

2523
01:51:46,533 --> 01:51:47,067
LANGUAGE ].

2524
01:51:47,067 --> 01:51:49,803
>> FOR FOUR YEARS WE LOOK AT THE

2525
01:51:49,803 --> 01:51:51,605
SKY FOR SHOOTING STARS TO MAKE A

2526
01:51:51,605 --> 01:51:57,144
VERY IMPORTANT WISH.

2527
01:52:01,915 --> 01:52:03,450
>> Translator: BUT THERE ARE

2528
01:52:03,450 --> 01:52:04,952
COUNTRIES WHERE INSTEAD OF

2529
01:52:04,952 --> 01:52:06,186
SHOOTING STARS THEY HAVE

2530
01:52:06,186 --> 01:52:07,888
SHOOTING BOMBS AND SHOOTING

2531
01:52:07,888 --> 01:52:16,063
DRONES.

2532
01:52:16,063 --> 01:52:18,332
IN THE NAME OF OUR FUTURE, IN

2533
01:52:18,332 --> 01:52:20,601
THE NAME OF ALL OF OUR CHILDREN,

2534
01:52:20,601 --> 01:52:21,935
STOP ALL OF THESE WARS NOW.

2535
01:52:21,935 --> 01:52:27,140
[ APPLAUSE ]

2536
01:52:27,140 --> 01:52:34,548
♪

2537
01:52:46,260 --> 01:52:49,796
>>> THERE'S THIS MOMENT IN THE

2538
01:52:49,796 --> 01:52:52,566
CAR WHERE EVERYTHING GOES QUIET.

2539
01:52:52,566 --> 01:52:55,602
MY HEARTBEAT SLOWS, AND I CAN

2540
01:52:55,602 --> 01:52:57,871
SEE EVERYTHING.

2541
01:52:57,871 --> 01:53:03,110
>> HE'S FLYING.

2542
01:53:03,110 --> 01:53:07,080
>> THE LAST THING I DO IS DRIVE

2543
01:53:07,080 --> 01:53:10,083
THAT CAR.

2544
01:53:10,083 --> 01:53:13,887
I WILL TAKE THAT LIFE.

2545
01:53:13,887 --> 01:53:15,689
>> IF YOU WIN, YOU ARE THE

2546
01:53:15,689 --> 01:53:18,558
ABSOLUTE BEST IN THE WORLD.

2547
01:53:18,558 --> 01:53:20,594
♪

2548
01:53:20,594 --> 01:53:27,334
[ APPLAUSE ]

2549
01:53:27,334 --> 01:53:28,835
>> Conan: SUCH A FUN MOVIE.

2550
01:53:28,835 --> 01:53:30,570
HEY, ANOTHER QUICK, FUN FACT,

2551
01:53:30,570 --> 01:53:32,906
BRAD PITT AND I ARE THE EXACT

2552
01:53:32,906 --> 01:53:33,840
SAME PAGE.

2553
01:53:33,840 --> 01:53:34,541
TRUE.

2554
01:53:34,541 --> 01:53:37,010
I WAS TOLD THIS BY MY WIFE WITH

2555
01:53:37,010 --> 01:53:42,949
TEARS STREAMING DOWN HER FACE!

2556
01:53:42,949 --> 01:53:45,752
THESE NEXT PRESENTERS

2557
01:53:45,752 --> 01:53:46,753
ARE THE ONLY REASON THE PHRASE

2558
01:53:46,753 --> 01:53:48,355
"WEDDING DRESS STREET DIARRHEA"

2559
01:53:48,355 --> 01:53:48,855
IS IN MY SEARCH HISTORY.

2560
01:53:48,855 --> 01:53:52,326
THE ONLY REASON!

2561
01:53:52,326 --> 01:53:54,528
HERE TO CELEBRATE THE 15th

2562
01:53:54,528 --> 01:53:56,830
ANNIVERSARY OF "BRIDESMAIDS"

2563
01:53:56,830 --> 01:53:57,431
PLEASE WELCOME MAYA RUDOLPH,

2564
01:53:57,431 --> 01:53:57,964
KRISTEN WIIG, ROSE BYRNE,

2565
01:53:57,964 --> 01:53:58,432
MELISSA McCARTHY, AND

2566
01:53:58,432 --> 01:54:00,334
ELLIE KEMPER.

2567
01:54:00,334 --> 01:54:05,439
[ APPLAUSE ]

2568
01:54:07,107 --> 01:54:11,912
♪

2569
01:54:19,119 --> 01:54:21,288
[ APPLAUSE ]

2570
01:54:22,923 --> 01:54:25,158
>> THANK YOU.

2571
01:54:25,158 --> 01:54:28,762
>> WE ARE SO HAPPY TO ALL BE

2572
01:54:28,762 --> 01:54:29,529
HERE TOGETHER TONIGHT.

2573
01:54:29,529 --> 01:54:31,865
I CANNOT BELIEVE THAT IT'S BEEN

2574
01:54:31,865 --> 01:54:32,566
15 YEARS.

2575
01:54:32,566 --> 01:54:34,701
NOW WE ARE NOT GOOD WITH

2576
01:54:34,701 --> 01:54:36,470
NUMBERS, BUT WE FIGURED OUT

2577
01:54:36,470 --> 01:54:39,139
BACKSTAGE THAT MEANS WE SHOT

2578
01:54:39,139 --> 01:54:41,842
THIS MOVIE IN 1883.

2579
01:54:41,842 --> 01:54:44,978
>> AND WE ARE SO HAPPY TO BE

2580
01:54:44,978 --> 01:54:46,413
BACK HERE TO PRESENT THE OSCAR

2581
01:54:46,413 --> 01:54:51,118
FOR BEST SCORE.

2582
01:54:51,118 --> 01:54:53,620
NOW, A FILM'S SCORE HELPS US

2583
01:54:53,620 --> 01:54:54,254
FEEL, IT INVITES US INTO A WORLD

2584
01:54:54,254 --> 01:54:56,523
OF -- OH!

2585
01:54:56,523 --> 01:54:59,126
SORRY.

2586
01:54:59,126 --> 01:54:59,826
WHAT'S HAPPENING?

2587
01:54:59,826 --> 01:55:03,063
OH, WHAT, ARE THESE NOTES?

2588
01:55:03,063 --> 01:55:03,697
>> ARE THESE FROM PEOPLE IN THE

2589
01:55:03,697 --> 01:55:06,700
AUDIENCE?

2590
01:55:06,700 --> 01:55:07,868
>> THAT'S WEIRD.

2591
01:55:07,868 --> 01:55:10,036
>> THIS IS STRANGE.

2592
01:55:10,036 --> 01:55:10,670
WELL, MINE SAYS "FIRST OF ALL,

2593
01:55:10,670 --> 01:55:11,204
YOU LADIES LOOK EXTREMELY

2594
01:55:11,204 --> 01:55:13,907
BEAUTIFUL TONIGHT."

2595
01:55:13,907 --> 01:55:18,812
OH, THAT'S NICE.

2596
01:55:18,812 --> 01:55:19,146
AW, THANK YOU!

2597
01:55:19,146 --> 01:55:21,481
"YOU'RE ALL AGING WELL.

2598
01:55:21,481 --> 01:55:26,620
SIGNED, STELLAN SKARSGARD."

2599
01:55:26,620 --> 01:55:32,692
[ APPLAUSE ]

2600
01:55:32,692 --> 01:55:36,263
>> OH, THIS ONE'S FOR ME, "ROSE,

2601
01:55:36,263 --> 01:55:38,064
CAN YOU PLEASE STOP LOOKING AT

2602
01:55:38,064 --> 01:55:38,632
ME?

2603
01:55:38,632 --> 01:55:39,232
THE EYE CONTACT IS TOO MUCH.

2604
01:55:39,232 --> 01:55:41,902
I'M THINKING OF LEAVING.

2605
01:55:41,902 --> 01:55:45,572
I'M SO UNCOMFORTABLE.

2606
01:55:45,572 --> 01:55:51,144
SINCERELY, LEONARDO DiCAPRIO."

2607
01:55:51,144 --> 01:55:52,646
I APOLOGIZE, I HAVE BEEN STARING

2608
01:55:52,646 --> 01:55:53,013
AT YOU.

2609
01:55:53,013 --> 01:55:53,580
I THOUGHT YOU WERE SOMEBODY

2610
01:55:53,580 --> 01:55:56,383
ELSE.

2611
01:55:56,383 --> 01:55:58,585
>> IT HAPPENS TO HIM A LOT.

2612
01:55:58,585 --> 01:56:02,355
OH, THIS IS -- OKAY, LET'S SEE.

2613
01:56:02,355 --> 01:56:04,090
I HAVE TO SAY MINE IS ALMOST

2614
01:56:04,090 --> 01:56:04,825
IMPOSSIBLE TO READ.

2615
01:56:04,825 --> 01:56:06,593
THE HANDWRITING IS REALLY PRETTY

2616
01:56:06,593 --> 01:56:07,060
TERRIBLE.

2617
01:56:07,060 --> 01:56:09,362
IT SAYS, "HI, I'M WITH STELLAN

2618
01:56:09,362 --> 01:56:10,797
SKARSGARD WRITING MY OWN

2619
01:56:10,797 --> 01:56:11,431
SEPARATE NOTE.

2620
01:56:11,431 --> 01:56:14,167
I ALSO AGREE YOU LADIES LOOK

2621
01:56:14,167 --> 01:56:14,401
RADIANT.

2622
01:56:14,401 --> 01:56:15,702
ALL THE THINGS YOU'VE DONE TO

2623
01:56:15,702 --> 01:56:20,574
YOUR FACES ARE VERY TASTEFUL.

2624
01:56:20,574 --> 01:56:26,146
YOURS TRULY ELLE FANNING."

2625
01:56:26,146 --> 01:56:28,348
>> OKAY, WAIT, THERE'S MORE.

2626
01:56:28,348 --> 01:56:29,516
IT SAYS, JUST KIDDING, IT'S ME

2627
01:56:29,516 --> 01:56:37,357
AGAIN, STELLAN SKARSGARD.

2628
01:56:37,357 --> 01:56:37,591
COME ON!

2629
01:56:37,591 --> 01:56:40,193
COME ON!

2630
01:56:40,193 --> 01:56:42,929
>> OKAY, MINE'S SHORT.

2631
01:56:42,929 --> 01:56:44,231
"YOU GUYS HAVE BEEN TALKING FOR

2632
01:56:44,231 --> 01:56:44,865
A LONG TIME.

2633
01:56:44,865 --> 01:56:46,700
THIS BIT COULD HAVE BEEN A LOT

2634
01:56:46,700 --> 01:56:46,933
SHORTER.

2635
01:56:46,933 --> 01:56:48,768
THIS IS REALLY GOING ON AND ON.

2636
01:56:48,768 --> 01:56:50,937
YOU AREN'T EVEN TALKING ABOUT

2637
01:56:50,937 --> 01:56:51,137
SCORE.

2638
01:56:51,137 --> 01:56:54,741
THAT'S ALL.

2639
01:56:54,741 --> 01:56:55,375
LOVE YOU LOTS!

2640
01:56:55,375 --> 01:56:56,343
BENICIO del TORO.

2641
01:56:56,343 --> 01:57:01,181
OR FOR THOSE OF YOU WHO REFUSE

2642
01:57:01,181 --> 01:57:03,917
TO LEARN SPANISH, IT'S BENEDICT

2643
01:57:03,917 --> 01:57:06,386
OF THE BULL."

2644
01:57:06,386 --> 01:57:07,120
IS THAT RIGHT?

2645
01:57:07,120 --> 01:57:12,292
>> WRAP IT UP.

2646
01:57:12,292 --> 01:57:14,928
>> WELL, THIS LAST ONE IS QUICK.

2647
01:57:14,928 --> 01:57:18,164
IT JUST SAYS, "I'M TIRED AND I

2648
01:57:18,164 --> 01:57:19,132
WANT TO GO HOME.

2649
01:57:19,132 --> 01:57:20,867
THIS SHOW IS VERY LONG AND

2650
01:57:20,867 --> 01:57:23,837
THERE'S NO PIZZA.

2651
01:57:23,837 --> 01:57:27,274
SIGNED, THE KID FROM "HAMNET."

2652
01:57:27,274 --> 01:57:30,076
HE'S RIGHT.

2653
01:57:30,076 --> 01:57:31,444
OKAY, WE'LL GET TO IT.

2654
01:57:31,444 --> 01:57:32,012
THE NOMINEES FOR BEST SCORE

2655
01:57:32,012 --> 01:57:34,848
ARE --

2656
01:57:34,848 --> 01:57:38,685
♪

2657
01:57:38,685 --> 01:57:39,085
"FRANKENSTEIN" BY

2658
01:57:39,085 --> 01:57:46,126
ALEXANDRE DESPLAT.

2659
01:57:46,126 --> 01:57:49,362
"ONE BATTLE AFTER ANOTHER" BY

2660
01:57:49,362 --> 01:57:57,103
JONNY GREENWOOD.

2661
01:57:57,103 --> 01:57:59,372
♪

2662
01:57:59,372 --> 01:58:03,109
"BUGONIA" BY JERSKIN FENDRIX.

2663
01:58:03,109 --> 01:58:07,113
♪

2664
01:58:07,113 --> 01:58:09,482
"HAMNET" BY MAX RICHTER.

2665
01:58:09,482 --> 01:58:14,421
♪

2666
01:58:14,421 --> 01:58:16,957
"SINNERS" BY LUDWIG GORANSSON.

2667
01:58:16,957 --> 01:58:22,062
♪

2668
01:58:34,941 --> 01:58:40,914
>> AND THE OSCAR GOES TO --

2669
01:58:40,914 --> 01:58:44,884
"SINNERS" LUDWIG GORANSSON.

2670
01:58:44,884 --> 01:58:45,919
>> Announcer: THIS IS THE THIRD

2671
01:58:45,919 --> 01:58:50,190
OSCAR WIN FOR LUDWIG GORANSSON

2672
01:58:50,190 --> 01:58:52,892
WHO WON FOR "BLACK PANTHER" AND

2673
01:58:52,892 --> 01:58:56,863
"OPPENHEIM."

2674
01:58:59,132 --> 01:59:01,234
[ APPLAUSE ]

2675
01:59:07,540 --> 01:59:11,111
>> MY DAD BOUGHT HIS FIRST BLUES

2676
01:59:11,111 --> 01:59:14,614
ALBUM IN SWEDEN 1964.

2677
01:59:14,614 --> 01:59:16,249
IT WAS A JOHNNY HOOKER ALBUM AND

2678
01:59:16,249 --> 01:59:17,350
EVEN THOUGH IT WAS ON THE OTHER

2679
01:59:17,350 --> 01:59:19,486
SIDE OF THE WORLD IN A PLACE MY

2680
01:59:19,486 --> 01:59:20,687
DAD HAD NEVER BEEN AND A PLACE

2681
01:59:20,687 --> 01:59:22,489
HE COULD NOT RELATE TO, THE

2682
01:59:22,489 --> 01:59:24,090
MUSIC WAS SO POWERFUL THAT IT

2683
01:59:24,090 --> 01:59:26,226
CHANGED MY DAD'S LIFE AND HE

2684
01:59:26,226 --> 01:59:27,427
DEVOTED HIS WHOLE LIFE TO MUSIC.

2685
01:59:27,427 --> 01:59:29,996
AND WHEN I WAS ABOUT 7 YEARS

2686
01:59:29,996 --> 01:59:31,765
OLD, A LITTLE BOY, HE PUT A

2687
01:59:31,765 --> 01:59:35,135
GUITAR IN MY ARMS AND I LOVED

2688
01:59:35,135 --> 01:59:37,203
THE GUITAR AND IT BECAME

2689
01:59:37,203 --> 01:59:38,304
EVERYTHING TO ME.

2690
01:59:38,304 --> 01:59:39,773
IT WAS THE GUITAR THAT OPENED UP

2691
01:59:39,773 --> 01:59:41,107
A LOT OF DOORS FOR ME AND IT WAS

2692
01:59:41,107 --> 01:59:42,575
THE GUITAR THAT BROUGHT ME OVER

2693
01:59:42,575 --> 01:59:44,744
TO THE STATES AND IT WAS THE

2694
01:59:44,744 --> 01:59:46,146
GUITAR THAT EVENTUALLY LED ME TO

2695
01:59:46,146 --> 01:59:48,048
ONE OF THE GREATEST STORY

2696
01:59:48,048 --> 01:59:49,349
TELLERS OF OUR TIME, RYAN

2697
01:59:49,349 --> 01:59:49,582
COOGLER.

2698
01:59:49,582 --> 01:59:54,821
[ APPLAUSE ]

2699
01:59:54,821 --> 01:59:56,423
RYAN, THANK YOU FOR YOUR VISION

2700
01:59:56,423 --> 01:59:58,425
AND MAKING A MOVIE THAT

2701
01:59:58,425 --> 01:59:59,059
RESONATED WITH THE WHOLE WORLD.

2702
01:59:59,059 --> 02:00:02,128
THANK YOU.

2703
02:00:02,128 --> 02:00:04,030
♪

2704
02:00:15,875 --> 02:00:23,116
>> WE ARE ALSO HERE TO PRESENT

2705
02:00:23,116 --> 02:00:23,717
THE OSCAR FOR ACHIEVEMENT IN

2706
02:00:23,717 --> 02:00:24,117
SOUND.

2707
02:00:24,117 --> 02:00:25,385
>> YOU KNOW EARLIER TODAY, WHEN

2708
02:00:25,385 --> 02:00:26,720
I WAS COUNTING MY MONEY, I ASKED

2709
02:00:26,720 --> 02:00:27,253
MYSELF, "WHAT IS SOUND?

2710
02:00:27,253 --> 02:00:30,990
REALLY."

2711
02:00:30,990 --> 02:00:33,660
AM I RIGHT?

2712
02:00:33,660 --> 02:00:35,929
>> IT'S A MYSTERY, MAYA.

2713
02:00:35,929 --> 02:00:38,064
THEY'VE ASKED SCIENTISTS AND

2714
02:00:38,064 --> 02:00:40,600
STEVEN SPIELBERG.

2715
02:00:40,600 --> 02:00:41,434
HE DOESN'T KNOW.

2716
02:00:41,434 --> 02:00:42,969
I FIND MYSELF DISAPPOINTED WITH

2717
02:00:42,969 --> 02:00:45,538
YOU, STEVEN.

2718
02:00:45,538 --> 02:00:47,273
>> I ACTUALLY THINK I CAN HELP

2719
02:00:47,273 --> 02:00:48,007
OUT HERE.

2720
02:00:48,007 --> 02:00:49,409
I WAS JUST TALKING ABOUT THIS

2721
02:00:49,409 --> 02:00:51,578
WITH A WOMAN

2722
02:00:51,578 --> 02:00:54,814
I MET ON A ROLLERCOASTER.

2723
02:00:54,814 --> 02:00:55,348
SHE SAID WITHOUT SOUND --

2724
02:00:55,348 --> 02:00:59,119
WE WOULDN'T HEAR ANYTHING.

2725
02:00:59,119 --> 02:01:01,721
>> WHAT?

2726
02:01:01,721 --> 02:01:05,091
>> THAT'S RIGHT, KRISTEN, AND

2727
02:01:05,091 --> 02:01:07,160
IT'S ESPECIALLY IMPORTANT IN

2728
02:01:07,160 --> 02:01:07,427
FILM.

2729
02:01:07,427 --> 02:01:12,966
I TRIED WATCHING "MARTY SUPREME"

2730
02:01:12,966 --> 02:01:16,002
WITHOUT THE SOUND.

2731
02:01:16,002 --> 02:01:17,570
>> IT'S HOW DIRECTORS HAVE

2732
02:01:17,570 --> 02:01:19,506
CREATED THE CLASSICS, THEIR OWN

2733
02:01:19,506 --> 02:01:23,710
STYLE.

2734
02:01:23,710 --> 02:01:25,345
WHEN WE THINK OF MARTIN SCORCESE

2735
02:01:25,345 --> 02:01:31,518
WE THINK OF HIS FAVORITE.

2736
02:01:31,518 --> 02:01:34,154
[ BOING ]

2737
02:01:34,154 --> 02:01:35,121
>> AND THE ACHIEVEMENTS IN SOUND

2738
02:01:35,121 --> 02:01:44,164
ARE --

2739
02:01:44,164 --> 02:01:51,037
>> "F1," GARETH JOHN,AL NELSON,

2740
02:01:51,037 --> 02:02:00,146
GWENDOLYN YATES WHITTLE.

2741
02:02:00,146 --> 02:02:00,680
"FRANKENSTEIN."

2742
02:02:00,680 --> 02:02:01,748
GREG CHAPMAN, NATHAN ROBITAILLE,

2743
02:02:01,748 --> 02:02:02,782
NELSON FERREIRA,

2744
02:02:02,782 --> 02:02:03,416
CHRISTIAN COOKE, AND BRAD ZOERN.

2745
02:02:03,416 --> 02:02:03,983
"ONE BATTLE AFTER ANOTHER."

2746
02:02:03,983 --> 02:02:04,918
JOSE ANTONIO GARCIA,

2747
02:02:04,918 --> 02:02:07,120
CHRISTOPHER SCARABOSIO, AND

2748
02:02:07,120 --> 02:02:09,689
TONY VILLAFLOR.

2749
02:02:09,689 --> 02:02:11,124
"SINNERS."

2750
02:02:11,124 --> 02:02:11,758
CHRIS WELCKER,

2751
02:02:11,758 --> 02:02:13,927
BENJAMIN A. BURTT,

2752
02:02:13,927 --> 02:02:14,961
FELIPE PACHECO, BRANDON PROCTOR,

2753
02:02:14,961 --> 02:02:21,301
AND STEVE BOEDDEKER.

2754
02:02:21,301 --> 02:02:21,835
"SIRAT."

2755
02:02:21,835 --> 02:02:23,469
AMANDA VILLAVIEJA,

2756
02:02:23,469 --> 02:02:25,371
LAIA CASANOVAS, AND

2757
02:02:25,371 --> 02:02:29,676
YASMINA PRADERAS.

2758
02:02:29,676 --> 02:02:34,247
♪

2759
02:02:34,247 --> 02:02:43,957
>> AND THE OSCAR GOES TO "F1."

2760
02:02:47,126 --> 02:02:48,728
>> Announcer: THIS IS THE FIRST

2761
02:02:48,728 --> 02:02:52,899
OSCAR WIN AND FOUR-TIME NOMINEE

2762
02:02:52,899 --> 02:02:56,836
GWENDOLYN YATES WHITTLE AND JUAN

2763
02:02:56,836 --> 02:02:58,037
PERALTA, THE SECOND NOMINATION

2764
02:02:58,037 --> 02:03:00,240
FOR GARETH JOHN AND AL NELSON

2765
02:03:00,240 --> 02:03:01,774
AND EIGHTH NOMINATION FOR GARY

2766
02:03:01,774 --> 02:03:07,647
A.RIZZO.

2767
02:03:13,386 --> 02:03:15,622
[ APPLAUSE ]

2768
02:03:20,827 --> 02:03:25,064
>> THANK YOU TO THE ACADEMY.

2769
02:03:25,064 --> 02:03:30,036
I WANT TO THANK JOE KAKACZYNSKI

2770
02:03:30,036 --> 02:03:32,438
BRAD PITT, PLAN B, LEWIS

2771
02:03:32,438 --> 02:03:33,306
HAMILTON, FORMULA ONE, AND

2772
02:03:33,306 --> 02:03:35,341
EVERYONE AT APPLE FOR SUPPORTING

2773
02:03:35,341 --> 02:03:36,843
SUCH A FUN CINEMATIC EXPERIENCE.

2774
02:03:36,843 --> 02:03:38,478
>> THIS IS FOR THE WHOLE

2775
02:03:38,478 --> 02:03:40,146
PRODUCTION SOUND TEAM, SKYWALKER

2776
02:03:40,146 --> 02:03:42,582
SOUND, A BIG SHOUT TO OUR

2777
02:03:42,582 --> 02:03:43,616
AMAZING TOBY.

2778
02:03:43,616 --> 02:03:47,220
>> TO OUR PARTNERS, OUR PARENTS,

2779
02:03:47,220 --> 02:03:51,691
OUR CHILDREN --

2780
02:03:51,691 --> 02:03:53,092
I'M SORRY.

2781
02:03:53,092 --> 02:03:54,560
SORRY, SORRY, SORRY.

2782
02:03:54,560 --> 02:03:56,296
OUR GRATITUDE GOES TO OUR

2783
02:03:56,296 --> 02:03:57,730
PARTNERS, OUR PARENTS, OUR

2784
02:03:57,730 --> 02:03:58,898
CHILDREN, GRANDCHILDREN, MOVIES

2785
02:03:58,898 --> 02:04:01,501
ARE MADE FOR YOU.

2786
02:04:01,501 --> 02:04:03,836
GO SEE THE BLOCKBUSTERS, GO SEE

2787
02:04:03,836 --> 02:04:05,571
THE INDEPENDENTS, BE INSPIRED,

2788
02:04:05,571 --> 02:04:07,473
GO WITH A FRIEND, GET A FRESH

2789
02:04:07,473 --> 02:04:08,942
POINT OF VIEW.

2790
02:04:08,942 --> 02:04:09,208
THANK YOU.

2791
02:04:09,208 --> 02:04:12,111
[ APPLAUSE ]

2792
02:04:12,979 --> 02:04:17,984
♪

2793
02:04:17,984 --> 02:04:19,118
>> Announcer: PLEASE WELCOME THE

2794
02:04:19,118 --> 02:04:19,686
PRESIDENT OF THE ACADEMY OF

2795
02:04:19,686 --> 02:04:21,120
MOTION PICTURE ARTS AND

2796
02:04:21,120 --> 02:04:23,756
SCIENCES, LYNETTE HOWELL TAYLOR.

2797
02:04:35,668 --> 02:04:36,302
>> FOR 98 YEARS, YOU HAVE HEARD

2798
02:04:36,302 --> 02:04:37,770
THE WORDS "THANK YOU TO THE

2799
02:04:37,770 --> 02:04:41,074
ACADEMY."

2800
02:04:41,074 --> 02:04:43,242
BUT HAVE YOU EVER WONDERED WHO

2801
02:04:43,242 --> 02:04:45,144
IS THE ACADEMY?

2802
02:04:45,144 --> 02:04:45,745
THE ACADEMY OF MOTION PICTURE

2803
02:04:45,745 --> 02:04:49,615
ARTS AND SCIENCES IS OVER

2804
02:04:49,615 --> 02:04:51,050
11,000 STORY TELLERS FROM ALL

2805
02:04:51,050 --> 02:04:51,918
OVER THE WORLD AND, YES, WE ARE

2806
02:04:51,918 --> 02:04:53,853
MOST KNOWN FOR

2807
02:04:53,853 --> 02:04:54,921
GIVING OUT AWARDS ON THIS NIGHT,

2808
02:04:54,921 --> 02:04:58,091
BUT THE ACADEMY'S WORK EXTENDS

2809
02:04:58,091 --> 02:04:58,558
FAR BEYOND THIS STAGE.

2810
02:04:58,558 --> 02:05:00,793
LAST YEAR AT THE SCIENTIFIC AND

2811
02:05:00,793 --> 02:05:03,129
TECHNICAL AWARDS, WE HONORED

2812
02:05:03,129 --> 02:05:05,031
14 INNOVATIONS THAT PUSHED

2813
02:05:05,031 --> 02:05:06,099
FILMMAKING FORWARD, AND WE

2814
02:05:06,099 --> 02:05:07,400
AWARDED AN OSCAR TO THE

2815
02:05:07,400 --> 02:05:09,802
COMMUNITY THAT CREATED AND

2816
02:05:09,802 --> 02:05:14,007
SUPPORTS CAPTIONING TECHNOLOGY,

2817
02:05:14,007 --> 02:05:14,607
ACCEPTED BY THE TRAILBLAZING

2818
02:05:14,607 --> 02:05:19,112
MARLEE MATLIN.

2819
02:05:19,112 --> 02:05:21,647
[ APPLAUSE ]

2820
02:05:21,647 --> 02:05:23,249
AT THE STUDENT ACADEMY AWARDS,

2821
02:05:23,249 --> 02:05:25,885
WE CHAMPION THE NEXT GENERATION

2822
02:05:25,885 --> 02:05:26,986
OF FILMMAKERS, AND WE CELEBRATE

2823
02:05:26,986 --> 02:05:28,021
EXTRAORDINARY LIFETIME

2824
02:05:28,021 --> 02:05:30,123
CONTRIBUTIONS TO CINEMA AT THE

2825
02:05:30,123 --> 02:05:31,157
ANNUAL GOVERNORS AWARDS, WHERE

2826
02:05:31,157 --> 02:05:34,360
LAST YEAR, TOM CRUISE,

2827
02:05:34,360 --> 02:05:35,495
DEBBIE ALLEN, WYNN THOMAS, AND

2828
02:05:35,495 --> 02:05:37,864
DOLLY PARTON WERE HONORED.

2829
02:05:37,864 --> 02:05:42,735
[ APPLAUSE ]

2830
02:05:42,735 --> 02:05:45,438
WE ALSO PRESERVE, CURATE AND

2831
02:05:45,438 --> 02:05:48,041
PROGRAM OUR GLOBAL FILM HISTORY

2832
02:05:48,041 --> 02:05:51,144
THROUGH THE 52 MILLION ITEMS IN

2833
02:05:51,144 --> 02:05:51,778
OUR ACADEMY COLLECTION AND OUR

2834
02:05:51,778 --> 02:05:52,378
SPECTACULAR ACADEMY MUSEUM OF

2835
02:05:52,378 --> 02:05:55,381
MOTION PICTURES.

2836
02:05:55,381 --> 02:06:01,387
[ APPLAUSE ]

2837
02:06:01,387 --> 02:06:03,322
GROWING UP IN LIVERPOOL,

2838
02:06:03,322 --> 02:06:06,259
ENGLAND, IT WAS THE MOVIES THAT

2839
02:06:06,259 --> 02:06:06,893
CONNECTED ME TO THE REST OF THE

2840
02:06:06,893 --> 02:06:07,093
WORLD.

2841
02:06:07,093 --> 02:06:08,194
WE ALL NEED THE JOY AND

2842
02:06:08,194 --> 02:06:09,228
ENTERTAINMENT OF CINEMA AND

2843
02:06:09,228 --> 02:06:13,099
FILMS THAT SHINE A LIGHT ON

2844
02:06:13,099 --> 02:06:14,500
TRUTH, ILLUME NIGHT OUR

2845
02:06:14,500 --> 02:06:16,069
COMPLICATED HISTORY AND CONNECT

2846
02:06:16,069 --> 02:06:16,569
US THROUGH OUR DIVERSE

2847
02:06:16,569 --> 02:06:19,305
EXPERIENCES.

2848
02:06:19,305 --> 02:06:22,008
MOVIES CAN CHANGE PERSPECTIVES

2849
02:06:22,008 --> 02:06:24,143
SO TONIGHT I WOULD LIKE TO SAY

2850
02:06:24,143 --> 02:06:25,344
THANK YOU TO THE ACADEMY,

2851
02:06:25,344 --> 02:06:26,646
BECAUSE I DON'T KNOW WHERE ANY

2852
02:06:26,646 --> 02:06:27,647
OF US WOULD BE WITHOUT OUR

2853
02:06:27,647 --> 02:06:30,783
STORYTELLERS.

2854
02:06:30,783 --> 02:06:33,052
[ APPLAUSE ]

2855
02:06:33,052 --> 02:06:34,087
>> Announcer: SHE WASN'T JUST A

2856
02:06:34,087 --> 02:06:34,620
MOVIE STAR.

2857
02:06:34,620 --> 02:06:35,688
SHE WAS ICONIC.

2858
02:06:35,688 --> 02:06:36,789
MARILYN MONROE: HOLLYWOOD ICON,

2859
02:06:36,789 --> 02:06:38,558
THE NEW EXHIBITION OPENING

2860
02:06:38,558 --> 02:06:39,625
MAY 31st AT THE ACADEMY MUSEUM

2861
02:06:39,625 --> 02:06:40,159
OF MOTION PICTURES IN

2862
02:06:40,159 --> 02:06:42,295
LOS ANGELES.

2863
02:06:42,295 --> 02:06:44,363
FEATURING A STUNNING ARRAY OF

2864
02:06:44,363 --> 02:06:45,465
ORIGINAL OBJECTS AND AN

2865
02:06:45,465 --> 02:06:46,099
EXTENSIVE SHOWCASE OF MARILYN'S

2866
02:06:46,099 --> 02:06:47,567
MOVIE COSTUMES.

2867
02:06:47,567 --> 02:06:48,668
TICKETS ARE ON SALE NOW AT

2868
02:06:48,668 --> 02:06:50,369
ACADEMYMUSEUM.ORG.

2869
02:06:54,807 --> 02:07:09,956
♪

2870
02:07:09,956 --> 02:07:13,693
>> I DIDN'T REALLY WANT TO MAKE

2871
02:07:13,693 --> 02:07:17,964
A FILM ABOUT THE DICTATORSHIP.

2872
02:07:17,964 --> 02:07:22,068
I WANTED TO REBUILD A SENSE OF

2873
02:07:22,068 --> 02:07:23,870
TIME IN VERY DIFFICULT

2874
02:07:23,870 --> 02:07:25,972
SITUATIONS, PEOPLE GET TOGETHER

2875
02:07:25,972 --> 02:07:27,340
AND THEY PROTECT EACH OTHER.

2876
02:07:32,945 --> 02:07:42,054
♪

2877
02:07:42,054 --> 02:07:43,422
>> Announcer: PLEASE WELCOME

2878
02:07:43,422 --> 02:07:55,601
BILL PULLMAN AND LEWIS PULLMAN.

2879
02:07:55,601 --> 02:07:58,704
>> FILM EDITING, IT'S SOMETIMES

2880
02:07:58,704 --> 02:08:00,473
CAN SEEM ALMOST LIKE IT'S AN

2881
02:08:00,473 --> 02:08:01,507
INVISIBLE ART FORM, YOU KNOW.

2882
02:08:01,507 --> 02:08:02,341
>> THAT'S RIGHT, YEAH.

2883
02:08:02,341 --> 02:08:04,510
THE BETTER THE EDITING, THE LESS

2884
02:08:04,510 --> 02:08:05,645
IT STANDS OUT.

2885
02:08:05,645 --> 02:08:07,813
>> BUT BEHIND THE SCENES, THE

2886
02:08:07,813 --> 02:08:09,849
EDITORS ARE ALWAYS SHAPING THE

2887
02:08:09,849 --> 02:08:10,049
STORY.

2888
02:08:10,049 --> 02:08:12,885
>> YEAH.

2889
02:08:12,885 --> 02:08:17,490
KIND OF LIKE GROWING UP WITH A

2890
02:08:17,490 --> 02:08:18,157
FAMOUS DAD.

2891
02:08:18,157 --> 02:08:18,925
>> YEAH.

2892
02:08:18,925 --> 02:08:21,827
YEAH.

2893
02:08:21,827 --> 02:08:23,162
>> LITTLE BIT.

2894
02:08:23,162 --> 02:08:24,664
>> THAT'S RIGHT.

2895
02:08:24,664 --> 02:08:26,032
BUT I DIDN'T REALLY SHAPE

2896
02:08:26,032 --> 02:08:26,299
ANYTHING.

2897
02:08:26,299 --> 02:08:28,000
YOU KNOW, I STAYED BEHIND THE

2898
02:08:28,000 --> 02:08:28,334
SCENES.

2899
02:08:28,334 --> 02:08:30,536
I DID THINK THAT THERE WOULD BE

2900
02:08:30,536 --> 02:08:33,039
A PLACE FOR YOU IN LIVESTOCK

2901
02:08:33,039 --> 02:08:33,339
MANAGEMENT.

2902
02:08:33,339 --> 02:08:34,507
>> THAT'S RIGHT, YEAH.

2903
02:08:34,507 --> 02:08:36,008
>> THAT DIDN'T REALLY WORK OUT.

2904
02:08:36,008 --> 02:08:37,910
>> BIG DISAPPOINTMENT THERE.

2905
02:08:37,910 --> 02:08:40,146
>> YEAH.

2906
02:08:40,146 --> 02:08:40,313
BUT.

2907
02:08:40,313 --> 02:08:43,316
ALL ON YOUR OWN, YOU DID JUST

2908
02:08:43,316 --> 02:08:43,583
FINE.

2909
02:08:43,583 --> 02:08:46,586
>> THANK YOU FOR SAYING THAT.

2910
02:08:46,586 --> 02:08:47,286
WE'RE LUCKY.

2911
02:08:47,286 --> 02:08:49,889
TURNS OUT AUDIENCES DON'T

2912
02:08:49,889 --> 02:08:52,458
ALWAYS, YOU KNOW, MIND THE

2913
02:08:52,458 --> 02:08:52,692
SEQUEL.

2914
02:08:52,692 --> 02:08:55,494
>> I HOPE THAT THEY LIKE THE

2915
02:08:55,494 --> 02:08:57,930
SEQUEL EVEN MORE THAN THE

2916
02:08:57,930 --> 02:08:58,197
ORIGINAL.

2917
02:08:58,197 --> 02:08:58,764
BUT A LITTLE MORE.

2918
02:08:58,764 --> 02:09:01,634
>> WELL, JURY IS STILL OUT,

2919
02:09:01,634 --> 02:09:01,934
YEAH.

2920
02:09:01,934 --> 02:09:03,936
>> BUT TONIGHT WE'RE LUCKY

2921
02:09:03,936 --> 02:09:06,172
BECAUSE WE GET TO CELEBRATE THE

2922
02:09:06,172 --> 02:09:08,174
ARTISTS WHO MAKE THE FINAL CUT.

2923
02:09:08,174 --> 02:09:10,076
THE EDITORS.

2924
02:09:10,076 --> 02:09:17,483
>> HERE ARE THE NOMINEES --

2925
02:09:17,483 --> 02:09:22,888
>> "F1," STEVEN MIRIONI.

2926
02:09:22,888 --> 02:09:24,624
>> I HEAR YOU.

2927
02:09:24,624 --> 02:09:25,358
LETTING HIM THROUGH.

2928
02:09:25,358 --> 02:09:25,691
OOPS, MY BAD.

2929
02:09:25,691 --> 02:09:26,392
"MARTY SUPREME".

2930
02:09:26,392 --> 02:09:26,892
RONALD BRONSTEIN AND

2931
02:09:26,892 --> 02:09:32,632
JOSH SAFDIE.

2932
02:09:32,632 --> 02:09:33,666
"ONE BATTLE AFTER ANOTHER."

2933
02:09:33,666 --> 02:09:44,076
ANDY JURGENSEN.

2934
02:09:44,076 --> 02:09:44,610
"SENTIMENTAL VALUE."

2935
02:09:44,610 --> 02:09:48,314
OLIVIER BUGGE COUTTE.

2936
02:09:48,314 --> 02:09:51,684
>> I HAVE YOUR PHONE.

2937
02:09:51,684 --> 02:09:53,419
OH MY GOD.

2938
02:09:53,419 --> 02:09:54,353
"SINNERS."

2939
02:09:54,353 --> 02:10:07,900
MICHAEL P. SHAWVER.

2940
02:10:07,900 --> 02:10:10,503
>> AND THE WINNER IS --

2941
02:10:10,503 --> 02:10:17,276
>> "ONE BATTLE AFTER ANOTHER,"

2942
02:10:17,276 --> 02:10:18,311
ANDY JURGENSEN.

2943
02:10:18,311 --> 02:10:20,379
>> THIS IS THE FIRST OSCAR WIN

2944
02:10:20,379 --> 02:10:23,516
AND NOMINATION FOR ANDY

2945
02:10:23,516 --> 02:10:31,390
JURGENSEN.

2946
02:10:31,390 --> 02:10:32,491
♪

2947
02:10:32,491 --> 02:10:34,627
[ APPLAUSE ].

2948
02:10:34,627 --> 02:10:35,161
>> WOW.

2949
02:10:35,161 --> 02:10:37,763
THANK YOU VERY MUCH.

2950
02:10:37,763 --> 02:10:38,331
FIRST OFF I WANT TO GIVE A

2951
02:10:38,331 --> 02:10:41,934
SHOUTOUT TO ALL MY FRIENDS WHO

2952
02:10:41,934 --> 02:10:44,003
ARE AT A BAR RIGHT NOW WATCHING

2953
02:10:44,003 --> 02:10:45,037
ME.

2954
02:10:45,037 --> 02:10:46,605
YOU CAN ORDER SOME SHOTS NOW.

2955
02:10:46,605 --> 02:10:47,673
I WANT TO GIVE A SPECIAL THANK

2956
02:10:47,673 --> 02:10:54,947
YOU TO MY EDITORIAL CREW WHO

2957
02:10:54,947 --> 02:10:56,515
WORKED THEIR BUTTS OFF BEHIND

2958
02:10:56,515 --> 02:10:59,118
THE SCENES.

2959
02:10:59,118 --> 02:11:00,119
YOU GUYS ARE AMAZING.

2960
02:11:00,119 --> 02:11:01,187
THANK YOU TO PAUL.

2961
02:11:01,187 --> 02:11:01,821
THANK YOU FOR TAKING ME ON THIS

2962
02:11:01,821 --> 02:11:03,255
JOURNEY AND OUR COLLABORATION.

2963
02:11:03,255 --> 02:11:03,823
THANK YOU TO THE WONDERFUL

2964
02:11:03,823 --> 02:11:04,323
CASTING CREW.

2965
02:11:04,323 --> 02:11:05,891
LOVE TO MY PARENTS AND MY

2966
02:11:05,891 --> 02:11:06,425
SISTERS WHO ARE UP IN THE

2967
02:11:06,425 --> 02:11:09,528
BALCONY SOMEWHERE.

2968
02:11:09,528 --> 02:11:10,096
AND TO MY PARTNER BILL WHO

2969
02:11:10,096 --> 02:11:10,696
BRINGS SO MUCH JOY TO MY LIFE

2970
02:11:10,696 --> 02:11:13,165
EVERYDAY.

2971
02:11:13,165 --> 02:11:14,200
AND LASTLY, I WOULD LIKE TO

2972
02:11:14,200 --> 02:11:16,302
DEDICATE THIS TO MY AUNT,

2973
02:11:16,302 --> 02:11:17,837
BARBARA HALL, WHO WAS A FILM

2974
02:11:17,837 --> 02:11:18,437
ARCHIVIST FOR THE ACADEMY FOR

2975
02:11:18,437 --> 02:11:23,576
OVER 25 YEARS.

2976
02:11:23,576 --> 02:11:24,076
SHE LOVED HER JOB.

2977
02:11:24,076 --> 02:11:26,679
AND SHE LOVED SHOWING THE OLD

2978
02:11:26,679 --> 02:11:27,279
MOVIES AND TEACHING ME ABOUT

2979
02:11:27,279 --> 02:11:28,247
FILM HISTORY.

2980
02:11:28,247 --> 02:11:29,281
AND I MISS HER EVERYDAY.

2981
02:11:29,281 --> 02:11:30,349
AND I WOULD NOT BE UP HERE IF IT

2982
02:11:30,349 --> 02:11:31,884
WASN'T FOR HER AND MY UNCLE VAL.

2983
02:11:31,884 --> 02:11:32,918
SO THANK YOU VERY MUCH.

2984
02:11:32,918 --> 02:11:33,953
THANK YOU.

2985
02:11:33,953 --> 02:11:37,623
[ APPLAUSE ].

2986
02:11:37,623 --> 02:11:53,439
♪

2987
02:11:53,439 --> 02:11:54,640
>> Announcer: PLEASE WELCOME,

2988
02:11:54,640 --> 02:12:05,284
OSCAR NOMINEE DEMI MOORE.

2989
02:12:05,284 --> 02:12:07,453
>> CINEMATOGRAPHY IS THE

2990
02:12:07,453 --> 02:12:08,988
LANGUAGE OF LIGHT AND MOVEMENT.

2991
02:12:08,988 --> 02:12:15,428
IT'S HOW A FILM BREATHES.

2992
02:12:15,428 --> 02:12:17,596
HOW A MOMENT BECOMES

2993
02:12:17,596 --> 02:12:20,099
UNFORGETTABLE.

2994
02:12:20,099 --> 02:12:21,634
MAKES US FEEL MOVEMENT INTO A

2995
02:12:21,634 --> 02:12:24,136
MOTION AND MOMENT INTO A MEMORY.

2996
02:12:24,136 --> 02:12:26,205
WE HONOR MEMORY TELLERS WHO

2997
02:12:26,205 --> 02:12:27,573
SHAPE THE WAY WE SEE FILM.

2998
02:12:27,573 --> 02:12:29,241
HERE ARE THE NOMINEES FOR

2999
02:12:29,241 --> 02:12:34,280
ACHIEVEMENT AND CINEMATOGRAPHY.

3000
02:12:34,280 --> 02:12:34,780
"FRANKENSTEIN."

3001
02:12:34,780 --> 02:12:36,348
DAN LAUSTSEN.

3002
02:12:36,348 --> 02:12:37,950
"MARTY SUPREME."

3003
02:12:37,950 --> 02:12:39,985
DARIUS KHONDJI.

3004
02:12:39,985 --> 02:12:42,054
"ONE BATTLE AFTER ANOTHER."

3005
02:12:42,054 --> 02:12:44,657
MICHAEL BAUMAN.

3006
02:12:44,657 --> 02:12:47,293
"SINNERS."

3007
02:12:47,293 --> 02:12:50,396
AUTUMN DURALD ARKAPAW.

3008
02:12:50,396 --> 02:12:51,964
"TRAIN DREAMS"

3009
02:12:51,964 --> 02:12:57,703
ADOLPHO VELOSO.

3010
02:12:57,703 --> 02:13:02,341
AND THE OSCAR GOES TO --

3011
02:13:02,341 --> 02:13:02,908
"SINNERS."

3012
02:13:02,908 --> 02:13:09,982
AUTUMN DURALD ARKAPAW.

3013
02:13:09,982 --> 02:13:10,316
[ APPLAUSE ].

3014
02:13:10,316 --> 02:13:10,483
♪

3015
02:13:10,483 --> 02:13:13,385
>> THIS IS THE FIRST OSCAR WIN

3016
02:13:13,385 --> 02:13:23,128
AND NOMINATION FOR AUTUMN DURALD

3017
02:13:23,128 --> 02:13:26,832
ARKAPAW.

3018
02:13:26,832 --> 02:13:27,466
♪

3019
02:13:27,466 --> 02:13:46,118
[ APPLAUSE ].

3020
02:13:46,118 --> 02:14:05,804
[ CHEERS AND APPLAUSE ].

3021
02:14:05,804 --> 02:14:08,607
[ CHEERS AND APPLAUSE ].

3022
02:14:08,607 --> 02:14:19,184
>> AIDAN, WHERE ARE YOU AT?

3023
02:14:19,184 --> 02:14:21,320
WHEN EVER I SAY THANK YOU TO

3024
02:14:21,320 --> 02:14:24,823
RYAN, HE REPLIES AND SAYS, NO,

3025
02:14:24,823 --> 02:14:25,124
THANK YOU.

3026
02:14:25,124 --> 02:14:26,425
THANK YOU FOR BELIEVING IN ME,

3027
02:14:26,425 --> 02:14:27,526
AND THANK YOU FOR TRUSTING ME.

3028
02:14:27,526 --> 02:14:28,894
AND THAT'S THE KIND OF GUY THAT

3029
02:14:28,894 --> 02:14:33,666
I GET TO MAKE FILMS WITH.

3030
02:14:33,666 --> 02:14:35,901
SO VERY, VERY HONORABLE PERSON.

3031
02:14:35,901 --> 02:14:37,503
AND HE MEANS IT.

3032
02:14:37,503 --> 02:14:40,406
AND HE REALLY, TRULY MEANS IT.

3033
02:14:40,406 --> 02:14:46,145
AND I FEEL LIKE I HAD TO MEET

3034
02:14:46,145 --> 02:14:46,779
HIM, LIKE THIS LITTLE GIRL THAT

3035
02:14:46,779 --> 02:14:47,980
THEIR MOTHER WHO IS OVER THERE

3036
02:14:47,980 --> 02:14:49,715
TOLD THEM THEY COULD DO ANYTHING

3037
02:14:49,715 --> 02:14:50,849
HAD TO MEET RYAN.

3038
02:14:50,849 --> 02:14:54,787
THAT GIRL ALSO HAD TO LOOK UP

3039
02:14:54,787 --> 02:14:56,322
ELLEN CROSS'S NAME WHO IS ALSO

3040
02:14:56,322 --> 02:14:57,456
IN THIS ROOM TODAY.

3041
02:14:57,456 --> 02:15:02,328
AND THAT GIRL ALSO HAD TO MEET

3042
02:15:02,328 --> 02:15:03,529
RACHEL MORRISON.

3043
02:15:03,529 --> 02:15:05,230
I'M SO HONORED TO BE HERE.

3044
02:15:05,230 --> 02:15:06,432
AND I REALLY WANT ALL THE WOMEN

3045
02:15:06,432 --> 02:15:08,367
IN THE ROOM TO STAND UP.

3046
02:15:08,367 --> 02:15:11,470
BECAUSE I FEEL LIKE I DON'T GET

3047
02:15:11,470 --> 02:15:26,819
HERE WITHOUT YOU GUYS.

3048
02:15:26,819 --> 02:15:27,653
[ CHEERS AND APPLAUSE ].

3049
02:15:27,653 --> 02:15:32,224
I REALLY, REALLY, TRULY MEAN

3050
02:15:32,224 --> 02:15:32,424
THAT.

3051
02:15:32,424 --> 02:15:34,226
I HAVE FELT SO MUCH LOVE FROM

3052
02:15:34,226 --> 02:15:36,962
ALL THE WOMEN ON THIS WHOLE

3053
02:15:36,962 --> 02:15:37,496
CAMPAIGN.

3054
02:15:37,496 --> 02:15:40,065
AND GOTTEN TO MEET SO ME PEOPLE,

3055
02:15:40,065 --> 02:15:41,300
AND I FEEL LIKE MOMENTS LIKE

3056
02:15:41,300 --> 02:15:43,235
THIS HAPPEN BECAUSE OF YOU GUYS.

3057
02:15:43,235 --> 02:15:44,403
I WANT TO THANK YOU FOR THAT.

3058
02:15:44,403 --> 02:15:47,139
I WANT TO THANK WARNER BROTHERS,

3059
02:15:47,139 --> 02:15:50,876
MY WHOLE CREW, ETHAN, BRIAN,

3060
02:15:50,876 --> 02:15:53,112
MIGUEL, DRAY, JOSH, ALL THESE

3061
02:15:53,112 --> 02:15:54,113
PEOPLE THAT WORK THEIR HEARTS

3062
02:15:54,113 --> 02:15:59,418
OUT AND MY CAST, MICHAEL,

3063
02:15:59,418 --> 02:16:04,923
DELROY, WUNMI, OMAR, LILI, JACK,

3064
02:16:04,923 --> 02:16:05,591
HAILEY.

3065
02:16:05,591 --> 02:16:07,493
THESE ARE SO BEAUTIFUL -- THESE

3066
02:16:07,493 --> 02:16:11,330
PEOPLE ARE SO BEAUTIFUL, AND I'M

3067
02:16:11,330 --> 02:16:14,033
HONORED TO BE THERE

3068
02:16:14,033 --> 02:16:14,733
PHOTOGRAPHING THEM.

3069
02:16:14,733 --> 02:16:16,402
MY HUSBAND, SON AIDAN, PARENTS

3070
02:16:16,402 --> 02:16:16,935
BACK THERE.

3071
02:16:16,935 --> 02:16:17,569
THANK YOU SO MUCH.

3072
02:16:17,569 --> 02:16:19,304
THIS IS AN HONOR.

3073
02:16:19,304 --> 02:16:23,208
THANK YOU.

3074
02:16:23,208 --> 02:16:23,709
[ CHEERS AND APPLAUSE ].

3075
02:16:23,709 --> 02:16:37,222
♪

3076
02:16:37,222 --> 02:16:46,531
♪

3077
02:16:46,531 --> 02:16:50,201
>> DEMONS HAVE ALWAYS HAUNTED

3078
02:16:50,201 --> 02:16:51,236
OUR WORLD, STEALING OUR SOULS

3079
02:16:51,236 --> 02:16:54,373
AND CHANNELING STRENGTH BACK TO

3080
02:16:54,373 --> 02:16:55,941
THEIR KIN, UNTIL HEROES AROSE TO

3081
02:16:55,941 --> 02:16:59,044
DEFEND US.

3082
02:16:59,044 --> 02:17:02,681
BORN WITH VOICES THAT CAN DRIVE

3083
02:17:02,681 --> 02:17:04,782
BACK THE DARKNESS, OUR MUSIC

3084
02:17:04,782 --> 02:17:05,817
IGNITES THE SOUL AND BRINGS

3085
02:17:05,817 --> 02:17:17,896
PEOPLE TOGETHER.

3086
02:17:17,896 --> 02:17:20,566
♪

3087
02:17:20,566 --> 02:17:23,168
WITH THIS CONNECTION, THE FIRST

3088
02:17:23,168 --> 02:17:27,840
HUNTERS CREATED A SHIELD TO

3089
02:17:27,840 --> 02:17:29,407
PROTECT OUR WORLD, AND NOW THAT

3090
02:17:29,407 --> 02:17:32,044
DUTY FALLS TO YOU.

3091
02:17:32,044 --> 02:17:33,579
THE WORLD WILL KNOW YOU AS POP

3092
02:17:33,579 --> 02:17:34,213
STARS, BUT YOU WILL BE MUCH MORE

3093
02:17:34,213 --> 02:17:38,282
THAN THAT.

3094
02:17:38,282 --> 02:17:50,262
YOU WILL BE HUNTERS.

3095
02:17:50,262 --> 02:17:54,532
♪

3096
02:17:54,532 --> 02:17:55,634
♪ I WAS A GHOST

3097
02:17:55,634 --> 02:17:58,704
I WAS ALONE ♪

3098
02:17:58,704 --> 02:18:02,374
[ SINGING IN KOREAN ]

3099
02:18:02,374 --> 02:18:04,442
♪ GIVEN THE THRONE

3100
02:18:04,442 --> 02:18:05,443
I DIDN'T KNOW HOW

3101
02:18:05,443 --> 02:18:06,978
TO BELIEVE ♪

3102
02:18:06,978 --> 02:18:08,580
♪ I WAS THE QUEEN THAT I'M

3103
02:18:08,580 --> 02:18:09,615
MEANT TO BE ♪

3104
02:18:09,615 --> 02:18:11,150
♪ I LIVED TWO LIVES

3105
02:18:11,150 --> 02:18:14,286
TRIED TO PLAY BOTH SIDES ♪

3106
02:18:14,286 --> 02:18:15,320
♪ BUT I COULDN'T FIND

3107
02:18:15,320 --> 02:18:17,956
MY OWN PLACE ♪

3108
02:18:17,956 --> 02:18:19,992
♪ CALLED A PROBLEM CHILD

3109
02:18:19,992 --> 02:18:22,093
'CAUSE I GOT TOO WILD ♪

3110
02:18:22,093 --> 02:18:24,163
♪ BUT NOW THAT'S HOW I'M

3111
02:18:24,163 --> 02:18:27,799
GETTING PAID ♪

3112
02:18:27,799 --> 02:18:28,333
[ SINGING IN KOREAN ]

3113
02:18:28,333 --> 02:18:29,902
♪ ON STAGE

3114
02:18:29,902 --> 02:18:30,936
I'M DONE HIDIN' ♪

3115
02:18:30,936 --> 02:18:32,504
♪ NOW I'M SHININ

3116
02:18:32,504 --> 02:18:35,641
LIKE I'M BORN TO BE ♪

3117
02:18:35,641 --> 02:18:36,141
♪ WE DREAMIN' HARD

3118
02:18:36,141 --> 02:18:38,744
WE CAME SO FAR ♪

3119
02:18:38,744 --> 02:18:40,344
♪ NOW I BELIEVE

3120
02:18:40,344 --> 02:18:42,447
WE'RE GOIN' UP UP UP

3121
02:18:42,447 --> 02:18:44,016
IT'S OUR MOMENT ♪

3122
02:18:44,016 --> 02:18:45,049
♪ YOU KNOW TOGETHER

3123
02:18:45,049 --> 02:18:45,550
WE'RE GLOWING ♪

3124
02:18:45,550 --> 02:18:46,584
♪ GONNA BE

3125
02:18:46,584 --> 02:18:49,188
GONNA BE GOLDEN ♪

3126
02:18:49,188 --> 02:18:50,222
♪ OH UP UP UP

3127
02:18:50,222 --> 02:18:53,859
WITH OUR VOICES ♪

3128
02:18:53,859 --> 02:18:54,393
[ SINGING IN KOREAN ]

3129
02:18:54,393 --> 02:18:54,893
♪ GONNA BE

3130
02:18:54,893 --> 02:18:56,995
GONNA BE GOLDEN ♪

3131
02:18:56,995 --> 02:18:58,564
♪ OH I'M DONE HIDIN'

3132
02:18:58,564 --> 02:19:00,632
NOW I'M SHININ'

3133
02:19:00,632 --> 02:19:03,769
LIKE I'M BORN TO BE ♪

3134
02:19:03,769 --> 02:19:05,838
♪ OH OUR TIME

3135
02:19:05,838 --> 02:19:07,940
NO FEARS NO LIES ♪

3136
02:19:07,940 --> 02:19:10,008
♪ THAT'S WHO WE'RE BORN

3137
02:19:10,008 --> 02:19:16,380
TO BE ♪

3138
02:19:16,380 --> 02:19:19,584
♪ YOU KNOW WE'RE GONNA, GONNA,

3139
02:19:19,584 --> 02:19:21,452
GONNA BE GOLDEN ♪

3140
02:19:21,452 --> 02:19:30,495
♪ WANNA, WANNA BE GOLDEN

3141
02:19:30,495 --> 02:19:31,530
♪ OH OUR TIME

3142
02:19:31,530 --> 02:19:32,064
NO FEARS NO LIES ♪

3143
02:19:32,064 --> 02:19:33,098
♪ THAT'S WHO WE'RE BORN

3144
02:19:33,098 --> 02:19:39,204
TO BE ♪

3145
02:19:39,204 --> 02:19:45,843
[ CHEERS AND APPLAUSE ].

3146
02:19:45,843 --> 02:19:50,515
♪

3147
02:19:50,515 --> 02:19:52,284
>> Announcer: COMING UP,

3148
02:19:52,284 --> 02:19:53,585
THE AWARD FOR BEST ORIGINAL

3149
02:19:53,585 --> 02:19:54,253
SONG.

3150
02:19:54,253 --> 02:19:55,821
TO HEAR ALL OF TONIGHT'S

3151
02:19:55,821 --> 02:19:57,489
ORIGINAL SONG NOMINEES, SCAN THE

3152
02:19:57,489 --> 02:19:59,391
QR CODE ON YOUR SCREEN NOW.

3153
02:19:59,391 --> 02:20:00,659
♪

3154
02:20:06,098 --> 02:20:15,540
♪

3155
02:20:15,540 --> 02:20:18,143
>>> THIS IS THE END OF THE LINE,

3156
02:20:18,143 --> 02:20:19,111
HUH?

3157
02:20:19,111 --> 02:20:22,247
>> NOT FOR YOU.

3158
02:20:22,247 --> 02:20:24,816
>> EVERY EVOLUTION BEGINS BY

3159
02:20:24,816 --> 02:20:25,851
FIGHTING DEMONS.

3160
02:20:25,851 --> 02:20:26,885
>> I NEED TO FIND MY DAUGHTER.

3161
02:20:26,885 --> 02:20:27,452
>> I'VE BEEN HOLDING ON TO

3162
02:20:27,452 --> 02:20:30,555
SOMETHING FOR A WHILE NOW.

3163
02:20:30,555 --> 02:20:33,659
I WANTED TO PROTECT YOU.

3164
02:20:33,659 --> 02:20:35,227
>> I CANNOT REMEMBER THE ANSWER

3165
02:20:35,227 --> 02:20:36,295
TO YOUR QUESTION.

3166
02:20:36,295 --> 02:20:36,929
>> I UNDERSTAND AND THE QUESTION

3167
02:20:36,929 --> 02:20:40,933
IS --

3168
02:20:40,933 --> 02:20:41,266
[ SCREAMING ]

3169
02:20:41,266 --> 02:20:47,139
♪

3170
02:20:47,139 --> 02:20:52,878
[ APPLAUSE ]

3171
02:20:52,878 --> 02:20:53,478
>> Conan: THIS IS A HISTORIC

3172
02:20:53,478 --> 02:21:00,619
NIGHT.

3173
02:21:00,619 --> 02:21:04,690
I BELIEVE AUTUMN ARKEPAW WAS THE

3174
02:21:04,690 --> 02:21:07,125
FIRST WOMAN TO WIN

3175
02:21:07,125 --> 02:21:07,492
CINEMATOGRAPHY.

3176
02:21:07,492 --> 02:21:07,926
AMAZING, INCREDIBLE.

3177
02:21:07,926 --> 02:21:08,160
REALLY.

3178
02:21:08,160 --> 02:21:10,295
I LOVE THAT.

3179
02:21:10,295 --> 02:21:11,330
ONE OF OUR NEXT PRESENTERS IS

3180
02:21:11,330 --> 02:21:11,897
MARRIED TO ONE OF THE JONAS

3181
02:21:11,897 --> 02:21:12,931
BROTHERS.

3182
02:21:12,931 --> 02:21:13,932
THE OTHER PRONOUNCES THEM

3183
02:21:13,932 --> 02:21:15,500
"HO-NUS BROTHERS."

3184
02:21:15,500 --> 02:21:16,034
PLEASE WELCOME

3185
02:21:16,034 --> 02:21:18,136
PRIYANKA CHOPRA JONAS AND OSCAR

3186
02:21:18,136 --> 02:21:19,671
WINNER JAVIER BARDEM.

3187
02:21:19,671 --> 02:21:39,458
♪

3188
02:21:39,458 --> 02:21:42,594
>> NO TO WAR AND FREE PALESTINE.

3189
02:21:42,594 --> 02:21:49,334
[ APPLAUSE ]

3190
02:21:49,334 --> 02:21:51,470
MY LOVE FOR CINEMA COMES FROM

3191
02:21:51,470 --> 02:21:53,538
ITS UNIQUE ABILITY TO CONNECT

3192
02:21:53,538 --> 02:21:54,106
THE HUMAN EXPERIENCE ACROSS

3193
02:21:54,106 --> 02:21:56,108
CULTURES.

3194
02:21:56,108 --> 02:21:58,210
THE NOMINEES FOR INTERNATIONAL

3195
02:21:58,210 --> 02:22:00,312
FEATURE FILM BRING US STORIES

3196
02:22:00,312 --> 02:22:02,347
FROM AROUND THE WORLD, EACH

3197
02:22:02,347 --> 02:22:03,382
ROOTED IN FORCES THAT ARE DEEPLY

3198
02:22:03,382 --> 02:22:09,121
FAMILIAR TO US ALL.

3199
02:22:09,121 --> 02:22:10,689
>> VISCERAL AND ENGROSSING, THEY

3200
02:22:10,689 --> 02:22:13,792
REMIND US THAT INTERNATIONAL IS

3201
02:22:13,792 --> 02:22:15,894
NEVER TRULY FAR AWAY.

3202
02:22:15,894 --> 02:22:18,997
BECAUSE EVERY STORY SENDS A

3203
02:22:18,997 --> 02:22:19,564
RIPPLE FAR BEYOND WHERE IT

3204
02:22:19,564 --> 02:22:20,065
BEGINS.

3205
02:22:20,065 --> 02:22:21,633
>> HERE ARE THE NOMINEES FOR

3206
02:22:21,633 --> 02:22:27,372
BEST INTERNATIONAL FEATURE FILM.

3207
02:22:27,372 --> 02:22:28,407
FROM BRAZIL, "THE SECRET AGENT."

3208
02:22:28,407 --> 02:22:32,577
DIRECTED BY

3209
02:22:32,577 --> 02:22:33,645
KLEBER MENDONCA FILHO.

3210
02:22:33,645 --> 02:22:34,246
FROM FRANCE, "IT WAS JUST AN

3211
02:22:34,246 --> 02:22:35,714
ACCIDENT."

3212
02:22:35,714 --> 02:22:38,316
DIRECTED BY JAFAR PANAHI.

3213
02:22:38,316 --> 02:22:38,850
FROM NORWAY, "SENTIMENTAL

3214
02:22:38,850 --> 02:22:41,453
VALUE."

3215
02:22:41,453 --> 02:22:43,522
DIRECTED BY JOACHIM TRIER.

3216
02:22:43,522 --> 02:22:45,624
FROM SPAIN, "SIRAT."

3217
02:22:45,624 --> 02:22:50,295
DIRECTED BY OLIVER LAXE.

3218
02:22:50,295 --> 02:22:50,929
FROM TUNISIA, "THE VOICE OF HIND

3219
02:22:50,929 --> 02:22:52,898
RAJAB."

3220
02:22:52,898 --> 02:22:58,070
DIRECTED BY KAOUTHER BEN HANIA.

3221
02:22:58,070 --> 02:23:00,138
>> OKAY.

3222
02:23:00,138 --> 02:23:02,774
AND THE OSCAR GOES TO --

3223
02:23:02,774 --> 02:23:04,843
"SENTIMENTAL VALUE" NORWAY,

3224
02:23:04,843 --> 02:23:11,716
JOACHIM TRIER.

3225
02:23:11,716 --> 02:23:12,050
[ APPLAUSE ].

3226
02:23:12,050 --> 02:23:12,751
>> Announcer: THIS IS THE FIRST

3227
02:23:12,751 --> 02:23:13,385
OSCAR WIN AND SEVENTH NOMINATION

3228
02:23:13,385 --> 02:23:14,820
FOR NORWAY.

3229
02:23:14,820 --> 02:23:16,922
"SENTIMENTAL VALUE" HAS NINE

3230
02:23:16,922 --> 02:23:17,489
NOMINATIONS INCLUDING BEST

3231
02:23:17,489 --> 02:23:19,024
PICTURE.

3232
02:23:19,024 --> 02:23:24,196
[ APPLAUSE ]

3233
02:23:24,196 --> 02:23:34,639
♪

3234
02:23:34,639 --> 02:23:44,516
[ APPLAUSE ]

3235
02:23:44,516 --> 02:23:45,550
>> THANK YOU.

3236
02:23:45,550 --> 02:23:48,687
OH, MY GOODNESS.

3237
02:23:48,687 --> 02:23:50,789
THANK YOU SO MUCH.

3238
02:23:50,789 --> 02:23:51,823
I'M JUST A FILM NERD FROM

3239
02:23:51,823 --> 02:23:52,357
NORWAY.

3240
02:23:52,357 --> 02:23:55,060
THANK YOU SO MUCH.

3241
02:23:55,060 --> 02:23:57,295
HONESTLY, THIS MEANS THE WORLD

3242
02:23:57,295 --> 02:23:57,496
TO ME.

3243
02:23:57,496 --> 02:23:58,130
THANKS TO THE ACADEMY AND THANKS

3244
02:23:58,130 --> 02:23:59,297
TO NEON WHO BROUGHT OUR FILM

3245
02:23:59,297 --> 02:24:03,969
OVER HERE AND HELPED US.

3246
02:24:03,969 --> 02:24:05,537
THIS FILM IS ABOUT A VERY

3247
02:24:05,537 --> 02:24:06,571
DYSFUNCTIONAL FAMILY AND IT'S

3248
02:24:06,571 --> 02:24:08,140
THE OPPOSITE OF WHAT I FELT WITH

3249
02:24:08,140 --> 02:24:10,242
THIS BEAUTIFUL GROUP BEHIND ME.

3250
02:24:10,242 --> 02:24:12,310
I THINK I MAKE FILMS TO FEEL AT

3251
02:24:12,310 --> 02:24:14,379
HOME WITH PEOPLE, AND I REALLY

3252
02:24:14,379 --> 02:24:15,947
FELT AT HOME WITH THE CREW.

3253
02:24:15,947 --> 02:24:20,719
1,072 PEOPLE IN THESE CREDITS

3254
02:24:20,719 --> 02:24:23,388
AND I LOVE THEM ALL AND I SHARE

3255
02:24:23,388 --> 02:24:23,755
THIS WITH THEM.

3256
02:24:23,755 --> 02:24:24,389
THE CAST BEHIND ME, I'VE NEVER

3257
02:24:24,389 --> 02:24:24,723
BEEN SO PROUD.

3258
02:24:24,723 --> 02:24:25,323
THANK YOU FOR WANTING TO WORK

3259
02:24:25,323 --> 02:24:27,058
WITH ME.

3260
02:24:27,058 --> 02:24:29,127
MY REAL FAMILY, MY MOM AND DAD,

3261
02:24:29,127 --> 02:24:32,264
FOR SHOWING ME MOVIES, MY WIFE,

3262
02:24:32,264 --> 02:24:32,864
FOR, YOU KNOW -- IT'S NOT SO

3263
02:24:32,864 --> 02:24:34,332
EASY TO BE WITH FILMMAKERS.

3264
02:24:34,332 --> 02:24:41,139
I LOVE YOU.

3265
02:24:41,139 --> 02:24:43,708
MY KIDS AND I WANT TO -- BECAUSE

3266
02:24:43,708 --> 02:24:44,342
I'M IN THIS CATEGORY AND I FEEL

3267
02:24:44,342 --> 02:24:47,846
I REPRESENT GLOBAL FILM MAKING,

3268
02:24:47,846 --> 02:24:48,513
IT'S BEEN A MOMENT LIKE THIS,

3269
02:24:48,513 --> 02:24:49,748
I WANT TO RECOGNIZE THE

3270
02:24:49,748 --> 02:24:50,282
WONDERFUL FILMS WE WERE

3271
02:24:50,282 --> 02:24:52,884
NOMINATED TOGETHER WITH,

3272
02:24:52,884 --> 02:24:55,487
IMPORTANT, BEAUTIFUL FILM THAT

3273
02:24:55,487 --> 02:24:57,556
REFLECT OUR PRESENT CRISIS AND

3274
02:24:57,556 --> 02:25:00,158
THE CRISIS OF THE PAST, AND I

3275
02:25:00,158 --> 02:25:00,759
WANT TO END BY QUOTING -- NOT

3276
02:25:00,759 --> 02:25:02,727
ACTUALLY QUOTING BUT PARA

3277
02:25:02,727 --> 02:25:06,398
PHRASING THE WONDERFUL AMERICAN

3278
02:25:06,398 --> 02:25:09,501
WRITER JAMES BALDWIN WHO MAKES

3279
02:25:09,501 --> 02:25:11,069
US REMEMBER THAT ALL ADULTS ARE

3280
02:25:11,069 --> 02:25:13,171
RESPONSIBLE FOR ALL CHILDREN,

3281
02:25:13,171 --> 02:25:14,206
AND LET'S NOT VOTE FOR

3282
02:25:14,206 --> 02:25:15,774
POLITICIANS WHO DON'T TAKE THIS

3283
02:25:15,774 --> 02:25:17,375
SERIOUSLY INTO ACCOUNT.

3284
02:25:17,375 --> 02:25:17,876
OKAY.

3285
02:25:17,876 --> 02:25:18,910
THANK YOU.

3286
02:25:18,910 --> 02:25:24,149
[ APPLAUSE ]

3287
02:25:24,149 --> 02:25:33,992
♪

3288
02:25:33,992 --> 02:25:42,334
♪

3289
02:25:42,334 --> 02:25:45,003
♪

3290
02:25:45,003 --> 02:25:47,572
>> Announcer: PLEASE WELCOME

3291
02:25:47,572 --> 02:25:49,107
OSCAR WINNER, LIONEL RICHIE.

3292
02:25:49,107 --> 02:25:54,346
[ APPLAUSE ]

3293
02:25:54,346 --> 02:26:01,119
♪

3294
02:26:01,119 --> 02:26:10,996
[ APPLAUSE ]

3295
02:26:10,996 --> 02:26:12,063
>> ALL RIGHT, ALL RIGHT.

3296
02:26:12,063 --> 02:26:13,632
OKAY.

3297
02:26:13,632 --> 02:26:15,200
ALL RIGHT.

3298
02:26:15,200 --> 02:26:16,701
ALL RIGHT.

3299
02:26:16,701 --> 02:26:17,202
I'M BACK.

3300
02:26:17,202 --> 02:26:17,702
I'M BACK.

3301
02:26:17,702 --> 02:26:18,770
I'M BACK.

3302
02:26:18,770 --> 02:26:22,907
WOW.

3303
02:26:22,907 --> 02:26:24,009
LET ME JUST TELL YOU ALL, 40

3304
02:26:24,009 --> 02:26:25,543
YEARS AGO I WAS LUCKY ENOUGH TO

3305
02:26:25,543 --> 02:26:27,112
STAND ON THIS STAGE AND WIN AN

3306
02:26:27,112 --> 02:26:28,146
OSCAR FOR "SAY YOU SAY ME" FROM

3307
02:26:28,146 --> 02:26:36,488
THE MOVIE "WHITE NIGHTS."

3308
02:26:36,488 --> 02:26:37,022
DID I SAY 40 YEARS AGO?

3309
02:26:37,022 --> 02:26:40,659
THAT'S RIDICULOUS.

3310
02:26:40,659 --> 02:26:41,726
AND NOW I'M TORTURED WITH THE

3311
02:26:41,726 --> 02:26:43,795
IDEA MY BIRTHDAY COMES EVERY

3312
02:26:43,795 --> 02:26:44,329
THURSDAY.

3313
02:26:44,329 --> 02:26:44,863
IT'S GETTING WORSE BY THE

3314
02:26:44,863 --> 02:26:47,432
MINUTE.

3315
02:26:47,432 --> 02:26:48,066
STORIES CANNOT BE TOLD WITHOUT

3316
02:26:48,066 --> 02:26:49,534
MUSIC.

3317
02:26:49,534 --> 02:26:52,103
LET ME TELL YOU, WRITING A SONG

3318
02:26:52,103 --> 02:26:52,704
FOR A MOVIE IS NOT AS EASY AS

3319
02:26:52,704 --> 02:26:55,240
YOU MAY THINK.

3320
02:26:55,240 --> 02:26:56,274
YOU'RE ASKED TO CAPTURE THE

3321
02:26:56,274 --> 02:26:58,910
HEART AND SOUL OF A STORY IN

3322
02:26:58,910 --> 02:27:01,513
JUST A FEW MINUTES.

3323
02:27:01,513 --> 02:27:04,082
TONIGHT WE'RE GOING TO CELEBRATE

3324
02:27:04,082 --> 02:27:04,616
THESE WRITERS.

3325
02:27:04,616 --> 02:27:06,685
HERE ARE THE NOMINEES FOR BEST

3326
02:27:06,685 --> 02:27:14,459
ORIGINAL SONG.

3327
02:27:14,459 --> 02:27:15,060
"DEAR ME" FROM "DIANE WARREN:

3328
02:27:15,060 --> 02:27:16,027
RELENTLESS."

3329
02:27:16,027 --> 02:27:16,561
MUSIC AND LYRICS BY

3330
02:27:16,561 --> 02:27:20,198
DIANE WARREN.

3331
02:27:20,198 --> 02:27:22,801
♪ DEAR ME IT'S GOING TO BE ALL

3332
02:27:22,801 --> 02:27:27,505
RIGHT ALL RIGHT ♪

3333
02:27:27,505 --> 02:27:29,574
♪ TRUST ME ALL OF THE PAIN IS

3334
02:27:29,574 --> 02:27:32,210
GOING TO FADE ♪

3335
02:27:32,210 --> 02:27:32,811
>> "TRAIN DREAMS" FROM "TRAIN

3336
02:27:32,811 --> 02:27:35,847
DREAMS."

3337
02:27:35,847 --> 02:27:41,586
MUSIC BY NICK CAVE AND

3338
02:27:41,586 --> 02:27:42,120
BRYCE DESSNER.

3339
02:27:42,120 --> 02:27:43,154
LYRICS BY NICK CAVE.

3340
02:27:43,154 --> 02:27:48,927
♪ LATELY I'VE BEEN HAVING DREAMS

3341
02:27:48,927 --> 02:27:49,928
CRAZY DREAMS I CAN'T EXPLAIN ♪

3342
02:27:49,928 --> 02:27:50,962
♪ A WOMAN STANDING IN A FIELD OF

3343
02:27:50,962 --> 02:27:55,667
FLOWERS ♪

3344
02:27:55,667 --> 02:27:57,202
♪ SCREAMING LOCOMOTIVE TRAIN

3345
02:27:57,202 --> 02:28:01,940
CRAZY DREAMS GO ON FOR HOURS ♪

3346
02:28:01,940 --> 02:28:02,540
>> "SWEET DREAMS OF JOY" FROM

3347
02:28:02,540 --> 02:28:04,509
"VIVA VERDI."

3348
02:28:04,509 --> 02:28:05,009
MUSIC AND LYRICS BY

3349
02:28:05,009 --> 02:28:07,078
NICHOLAS PIKE.

3350
02:28:07,078 --> 02:28:14,886
♪

3351
02:28:14,886 --> 02:28:15,420
>> "I LIED TO YOU" FROM

3352
02:28:15,420 --> 02:28:15,920
"SINNERS."

3353
02:28:15,920 --> 02:28:16,955
MUSIC AND LYRICS BY

3354
02:28:16,955 --> 02:28:17,489
RAPHAEL SAADIQ AND

3355
02:28:17,489 --> 02:28:20,091
LUDWIG GORANSSON.

3356
02:28:20,091 --> 02:28:20,625
"GOLDEN" FROM "KPOP DEMON

3357
02:28:20,625 --> 02:28:23,261
HUNTERS."

3358
02:28:23,261 --> 02:28:24,796
MUSIC AND LYRICS BY EJAE,

3359
02:28:24,796 --> 02:28:27,432
MARK SONNENBLICK,

3360
02:28:27,432 --> 02:28:30,535
JOONG GYU KWAK, YU HAN LEE,

3361
02:28:30,535 --> 02:28:37,208
HEE DONG NAM, JEONG HOON SEO AND

3362
02:28:37,208 --> 02:28:37,909
TEDDY PARK.

3363
02:28:37,909 --> 02:28:38,076
♪

3364
02:28:38,076 --> 02:28:44,649
>> AND THE OSCAR GOES TO --

3365
02:28:44,649 --> 02:28:53,525
"GOLDEN."

3366
02:28:53,525 --> 02:28:54,159
>> Announcer: "GOLDEN" FROM KPOP

3367
02:28:54,159 --> 02:28:55,593
DEMON HUNTERS MADE ACADEMY

3368
02:28:55,593 --> 02:29:00,298
AWARDS HISTORY, THE FIRST KPOP

3369
02:29:00,298 --> 02:29:01,866
SONG TO WIN BEST ORIGINAL SONG.

3370
02:29:01,866 --> 02:29:03,935
THIS IS THE FIRST OSCAR WIN AND

3371
02:29:03,935 --> 02:29:04,502
NOMINATION FOR EACH OF THE

3372
02:29:04,502 --> 02:29:13,711
SONGWRITING TEAM.

3373
02:29:13,711 --> 02:29:13,878
♪

3374
02:29:13,878 --> 02:29:14,212
[ APPLAUSE ].

3375
02:29:14,212 --> 02:29:18,383
>> THANK YOU.

3376
02:29:18,383 --> 02:29:20,985
THANK YOU SO MUCH TO THE ACADEMY

3377
02:29:20,985 --> 02:29:21,519
FOR THIS AWARD.

3378
02:29:21,519 --> 02:29:22,020
MY GOD.

3379
02:29:22,020 --> 02:29:25,657
SORRY.

3380
02:29:25,657 --> 02:29:28,259
GROWING UP, YOU KNOW, PEOPLE

3381
02:29:28,259 --> 02:29:29,861
MADE FUN OF ME LIKING KPOP, BUT

3382
02:29:29,861 --> 02:29:31,396
NOW EVERYONE IS SINGING OUR SONG

3383
02:29:31,396 --> 02:29:31,996
AND ALL OF THE KOREAN LYRICS.

3384
02:29:31,996 --> 02:29:35,600
I'M SO PROUD.

3385
02:29:35,600 --> 02:29:37,669
AND I REALIZE, LIKE, THE SONG,

3386
02:29:37,669 --> 02:29:40,805
THIS AWARD IS NOT ABOUT SUCCESS.

3387
02:29:40,805 --> 02:29:42,440
IT'S ABOUT RESILIENCE AND I'M

3388
02:29:42,440 --> 02:29:45,510
JUST SO GRATEFUL TO OUR TEAM AND

3389
02:29:45,510 --> 02:29:47,612
I JUST WANT TO THANK MY MOM, MY

3390
02:29:47,612 --> 02:29:49,681
DAD, MY BROTHER, MY FIANCE, MY

3391
02:29:49,681 --> 02:29:50,315
MANAGER FOR ALWAYS STAYING WITH

3392
02:29:50,315 --> 02:29:53,318
ME.

3393
02:29:53,318 --> 02:29:54,886
I WANT TO THANK THE RESILIENT

3394
02:29:54,886 --> 02:29:57,989
CAST OF "DEMON HUNTERS."

3395
02:29:57,989 --> 02:30:00,592
OUR PRODUCER, MICHELLE WONG.

3396
02:30:00,592 --> 02:30:01,092
THANK YOU FOR THIS FILM.

3397
02:30:01,092 --> 02:30:02,594
THANK YOU TO NETFLIX.

3398
02:30:02,594 --> 02:30:08,266
THANK YOU FOR SONY ANIMATION.

3399
02:30:08,266 --> 02:30:11,369
AND IS THERE ANYONE ELSE?

3400
02:30:11,369 --> 02:30:20,845
♪

3401
02:30:20,845 --> 02:30:21,479
>> Announcer: STILL TO COME, THE

3402
02:30:21,479 --> 02:30:23,414
AWARDS FOR BEST DIRECTING AND

3403
02:30:23,414 --> 02:30:24,482
BEST ACTOR.

3404
02:30:24,482 --> 02:30:26,017
HERE ON "THE OSCARS" FROM THE

3405
02:30:26,017 --> 02:30:27,585
DOLBY THEATRE AT OVATION

3406
02:30:27,585 --> 02:30:29,153
HOLLYWOOD.

3407
02:30:29,153 --> 02:30:30,755
♪

3408
02:30:36,794 --> 02:30:39,097
♪

3409
02:30:39,097 --> 02:30:40,131
>> Announcer: WE'RE BACK AT THE

3410
02:30:40,131 --> 02:30:41,699
OSCARS.

3411
02:30:41,699 --> 02:30:43,801
PLEASE WELCOME ZENDAYA AND

3412
02:30:43,801 --> 02:30:45,904
ROBERT PATTINSON.

3413
02:30:45,904 --> 02:30:59,751
♪

3414
02:30:59,751 --> 02:31:01,319
>> DIRECTING IS A RARE KIND OF

3415
02:31:01,319 --> 02:31:03,922
VISION, IT'S THE ABILITY TO SEE

3416
02:31:03,922 --> 02:31:04,956
A WHOLE WORLD BEFORE ANYONE ELSE

3417
02:31:04,956 --> 02:31:05,490
CAN.

3418
02:31:05,490 --> 02:31:08,626
>> AND THEN INVITE HUNDREDS OF

3419
02:31:08,626 --> 02:31:09,260
PEOPLE TO HELP BRING IT TO LIFE,

3420
02:31:09,260 --> 02:31:10,161
ACTORS, DESIGNERS,

3421
02:31:10,161 --> 02:31:12,797
CINEMATOGRAPHERS, EDITORS, ALL

3422
02:31:12,797 --> 02:31:14,866
GUIDED BY THEIR VOICE.

3423
02:31:14,866 --> 02:31:16,968
>> FIVE FILMMAKERS WE CELEBRATE

3424
02:31:16,968 --> 02:31:18,503
TONIGHT, EACH CREATED SOMETHING

3425
02:31:18,503 --> 02:31:19,504
UNFORGETTABLE STORIES THAT MOVED

3426
02:31:19,504 --> 02:31:23,374
US.

3427
02:31:23,374 --> 02:31:23,708
SURPRISED US.

3428
02:31:23,708 --> 02:31:24,409
>> AND REMINDED US WHY WE LOVE

3429
02:31:24,409 --> 02:31:24,943
TO GO TO THE MOVIES.

3430
02:31:24,943 --> 02:31:25,977
>> HERE ARE THE NOMINEES FOR

3431
02:31:25,977 --> 02:31:32,884
ACHIEVEMENT IN DIRECTING.

3432
02:31:32,884 --> 02:31:33,051
♪

3433
02:31:33,051 --> 02:31:36,554
CHLOE ZHAO, "HAMNET."

3434
02:31:36,554 --> 02:31:41,759
JOSH SAFDIE, "MARTY SUPREME."

3435
02:31:41,759 --> 02:31:42,327
PAUL THOMAS ANDERSON, "ONE

3436
02:31:42,327 --> 02:31:44,362
BATTLE AFTER ANOTHER."

3437
02:31:44,362 --> 02:31:44,929
JOACHIM TRIER, "SENTIMENTAL

3438
02:31:44,929 --> 02:31:48,499
VALUE."

3439
02:31:48,499 --> 02:31:50,635
RYAN COOGLER, "SINNERS."

3440
02:31:50,635 --> 02:31:57,909
♪

3441
02:31:57,909 --> 02:32:01,546
>> AND THE OSCAR GOES TO --

3442
02:32:01,546 --> 02:32:02,180
"ONE BATTLE AFTER ANOTHER," PAUL

3443
02:32:02,180 --> 02:32:03,114
THOMAS ANDERSON.

3444
02:32:03,114 --> 02:32:09,187
[ APPLAUSE ]

3445
02:32:09,187 --> 02:32:09,354
♪

3446
02:32:09,354 --> 02:32:10,221
>> Announcer: THIS IS THE SECOND

3447
02:32:10,221 --> 02:32:11,255
OSCAR WIN TONIGHT AND 14th

3448
02:32:11,255 --> 02:32:12,290
NOMINATION FOR PAUL THOMAS

3449
02:32:12,290 --> 02:32:15,927
ANDERSON.

3450
02:32:15,927 --> 02:32:16,961
♪

3451
02:32:16,961 --> 02:32:37,782
[ APPLAUSE ]

3452
02:32:37,782 --> 02:32:39,884
>> THANK YOU VERY MUCH.

3453
02:32:39,884 --> 02:32:41,953
THANK YOU VERY, VERY MUCH.

3454
02:32:41,953 --> 02:32:43,021
YOU MAKE A GUY WORK HARD FOR ONE

3455
02:32:43,021 --> 02:32:44,589
OF THESE.

3456
02:32:44,589 --> 02:32:49,761
I REALLY APPRECIATE IT.

3457
02:32:49,761 --> 02:32:51,329
I SHARE THIS WITH A FRIEND OF

3458
02:32:51,329 --> 02:32:51,929
MINE ON THE OTHER SIDE OF THE

3459
02:32:51,929 --> 02:32:57,068
SHADOWS.

3460
02:32:57,068 --> 02:33:01,239
HER NAME ADAM AND HE IS HAVING A

3461
02:33:01,239 --> 02:33:03,307
GYN AND TONIC AND IS SO HAPPY

3462
02:33:03,307 --> 02:33:06,944
FOR ME AND OUR CREW.

3463
02:33:06,944 --> 02:33:09,047
I WANT TO THANK THE ACADEMY FOR

3464
02:33:09,047 --> 02:33:09,681
FINDING MY WORK WORTHY OF THIS

3465
02:33:09,681 --> 02:33:15,319
HIGHEST HONOR.

3466
02:33:15,319 --> 02:33:22,060
AND MY CLASSMATES, CHLOE, RYAN,

3467
02:33:22,060 --> 02:33:22,694
JOACHIM AND JOSH, I COULDN'T ASK

3468
02:33:22,694 --> 02:33:27,265
FOR A BETTER CLASS.

3469
02:33:27,265 --> 02:33:27,832
IT'S AN HONOR TO BE COUNTED

3470
02:33:27,832 --> 02:33:34,038
AMONGST YOU GUYS.

3471
02:33:34,038 --> 02:33:37,175
THERE WILL ALWAYS BE SOME DOUBT

3472
02:33:37,175 --> 02:33:38,743
IN YOUR HEART THAT YOU DESERVE

3473
02:33:38,743 --> 02:33:39,377
IT, BUT THERE IS NO QUESTION AT

3474
02:33:39,377 --> 02:33:39,944
THE PLEASURE HAVING IT FOR

3475
02:33:39,944 --> 02:33:41,345
MYSELF.

3476
02:33:41,345 --> 02:33:48,619
[ LAUGHTER ]

3477
02:33:48,619 --> 02:33:50,688
I'M HERE BECAUSE OF PEOPLE'S

3478
02:33:50,688 --> 02:33:54,358
FAITH IN ME THAT GIVE ME THEIR

3479
02:33:54,358 --> 02:33:56,961
FAITH AND THEIR TIME, AND THAT'S

3480
02:33:56,961 --> 02:33:57,595
THE BEST PART ABOUT BEING ON A

3481
02:33:57,595 --> 02:33:58,529
FILM CREW IS BEING WITH PEOPLE.

3482
02:33:58,529 --> 02:34:01,632
WE NEED EACH OTHER.

3483
02:34:01,632 --> 02:34:02,700
THIS IS A WONDERFUL GIFT AND I'M

3484
02:34:02,700 --> 02:34:03,267
SO HAPPY TO CALL THE MOVIES

3485
02:34:03,267 --> 02:34:03,701
HOME.

3486
02:34:03,701 --> 02:34:05,803
THIS IS REALLY TERRIFIC.

3487
02:34:05,803 --> 02:34:06,437
THANK YOU FROM THE BOTTOM OF MY

3488
02:34:06,437 --> 02:34:06,838
HEART.

3489
02:34:06,838 --> 02:34:07,872
I LOVE IT.

3490
02:34:07,872 --> 02:34:08,439
THANK YOU, GUYS.

3491
02:34:08,439 --> 02:34:11,008
THANK YOU VERY MUCH.

3492
02:34:11,008 --> 02:34:16,214
[ APPLAUSE ]

3493
02:34:16,214 --> 02:34:26,657
♪

3494
02:34:26,657 --> 02:34:28,192
>> Conan: OUR NEXT PRESENTER

3495
02:34:28,192 --> 02:34:30,294
HEROICALLY SAVED LAST YEAR'S

3496
02:34:30,294 --> 02:34:31,829
OSCARS FROM RUNNING SHORT.

3497
02:34:31,829 --> 02:34:32,897
PLEASE WELCOME OSCAR WINNER

3498
02:34:32,897 --> 02:34:37,535
ADRIEN BRODY.

3499
02:34:37,535 --> 02:34:44,308
♪

3500
02:34:44,308 --> 02:34:50,581
>> GOOD EVENING.

3501
02:34:50,581 --> 02:34:57,855
I'LL EAT IT.

3502
02:34:57,855 --> 02:35:05,163
I KNOW THIS HAS BEEN A LONG

3503
02:35:05,163 --> 02:35:06,731
NIGHT, BUT -- BUT I -- JUST ONE

3504
02:35:06,731 --> 02:35:10,902
THING HERE --

3505
02:35:10,902 --> 02:35:15,039
♪

3506
02:35:15,039 --> 02:35:16,073
ALL RIGHT, STOP, STOP.

3507
02:35:16,073 --> 02:35:17,141
HOLD ON.

3508
02:35:17,141 --> 02:35:22,313
HOLD THE MUSIC, PLEASE.

3509
02:35:22,313 --> 02:35:22,847
I DO HAVE SOMETHING VERY

3510
02:35:22,847 --> 02:35:25,449
IMPORTANT TO SAY.

3511
02:35:25,449 --> 02:35:29,120
AND THE NOMINEES FOR LEAD ACTOR

3512
02:35:29,120 --> 02:35:33,391
ARE --

3513
02:35:33,391 --> 02:35:33,558
♪

3514
02:35:33,558 --> 02:35:40,665
ETHAN HAWKE, "BLUE MOON."

3515
02:35:40,665 --> 02:35:45,002
>> THE BEAUTY AND THE WORD

3516
02:35:45,002 --> 02:35:45,203
TRUNK.

3517
02:35:45,203 --> 02:35:45,736
WAGNER MOURA, "THE SECRET

3518
02:35:45,736 --> 02:35:55,947
AGENT."

3519
02:35:55,947 --> 02:36:03,754
MICHAEL B. JORDAN, "SINNERS."

3520
02:36:03,754 --> 02:36:05,323
>> HE'S NEVER GOING TO FIND

3521
02:36:05,323 --> 02:36:07,425
UNTIL THIS.

3522
02:36:07,425 --> 02:36:08,025
>> TIMOTHEE CHALAMET, "MARTY

3523
02:36:08,025 --> 02:36:11,963
SUPREME"."

3524
02:36:11,963 --> 02:36:13,931
>> IT GOES WITHOUT SAYING, GET

3525
02:36:13,931 --> 02:36:15,366
THAT OUT OF YOUR MIND.

3526
02:36:15,366 --> 02:36:18,436
I WILL NOT SETTLE DOWN RIGHT

3527
02:36:18,436 --> 02:36:18,703
NOW, OKAY?

3528
02:36:18,703 --> 02:36:19,270
>> LEONARDO DiCAPRIO, "ONE

3529
02:36:19,270 --> 02:36:23,608
BATTLE AFTER ANOTHER."

3530
02:36:23,608 --> 02:36:26,244
>> YEAH, THANK YOU.

3531
02:36:26,244 --> 02:36:27,245
HEY, THANK YOU, SENSAI.

3532
02:36:27,245 --> 02:36:32,550
THANK YOU.

3533
02:36:32,550 --> 02:36:32,817
THANK YOU!

3534
02:36:32,817 --> 02:36:42,994
VIVA REVOLUTION!

3535
02:36:42,994 --> 02:36:45,596
>> AND THE OSCAR GOES TO --

3536
02:36:45,596 --> 02:36:57,575
MICHAEL B. JORDAN.

3537
02:36:57,575 --> 02:36:59,143
>> Announcer: THIS IS THE FIRST

3538
02:36:59,143 --> 02:36:59,744
OSCAR WIN AND NOMINATION FOR

3539
02:36:59,744 --> 02:37:02,246
MICHAEL B. JORDAN.

3540
02:37:02,246 --> 02:37:09,020
♪

3541
02:37:09,020 --> 02:37:33,711
[ APPLAUSE ]

3542
02:37:33,711 --> 02:37:46,791
[ CHEERS AND APPLAUSE ].

3543
02:37:46,791 --> 02:37:48,359
>> MAN, GOD IS GOOD.

3544
02:37:48,359 --> 02:37:54,065
GOD IS GOOD.

3545
02:37:54,065 --> 02:37:58,769
AND, MOMMA, WHAT'S UP?

3546
02:37:58,769 --> 02:37:59,370
YOU KNOW HOW I FEEL ABOUT MY

3547
02:37:59,370 --> 02:38:00,838
MOTHER AND MY FATHER IS HERE.

3548
02:38:00,838 --> 02:38:03,474
POPS, WHERE YOU AT?

3549
02:38:03,474 --> 02:38:06,043
MY DAD CAME HERE FROM GHANA TO

3550
02:38:06,043 --> 02:38:07,111
BE HERE.

3551
02:38:07,111 --> 02:38:07,678
MY BROTHER AND MY SISTER IS

3552
02:38:07,678 --> 02:38:10,214
HERE, MY FAMILY.

3553
02:38:10,214 --> 02:38:11,782
I WANT TO THANK -- I WANT TO

3554
02:38:11,782 --> 02:38:13,351
THANK -- I WANT TO THANK WARNER

3555
02:38:13,351 --> 02:38:17,355
BROS., AND FOR BELIEVING IN THIS

3556
02:38:17,355 --> 02:38:18,689
DREAM, THIS VISION OF RYAN

3557
02:38:18,689 --> 02:38:21,892
COOGLER AND BETTING ON A CULTURE

3558
02:38:21,892 --> 02:38:22,793
AND BETTING ON ORIGINAL IDEAS

3559
02:38:22,793 --> 02:38:28,899
AND ORIGINAL ARTISTRY.

3560
02:38:28,899 --> 02:38:30,434
YOU'RE AN AMAZING, AMAZING

3561
02:38:30,434 --> 02:38:31,502
PERSON.

3562
02:38:31,502 --> 02:38:32,536
I'M SO HONORED TO CALL YOU A

3563
02:38:32,536 --> 02:38:33,170
COLLABORATOR AND A FRIEND, AND

3564
02:38:33,170 --> 02:38:34,105
YOU GAVE ME THE OPPORTUNITY AND

3565
02:38:34,105 --> 02:38:34,739
SPACE FOR ME TO BE SEEN, AND I

3566
02:38:34,739 --> 02:38:35,373
LOVE YOU, TOO, BRO, LOVE YOU TO

3567
02:38:35,373 --> 02:38:36,207
DEATH.

3568
02:38:36,207 --> 02:38:38,809
I WOULD LOVE TO THANK MY

3569
02:38:38,809 --> 02:38:41,946
INCREDIBLE CAST, WUNMI, THANK

3570
02:38:41,946 --> 02:38:42,580
YOU FOR GIVING SMOKE OPPORTUNITY

3571
02:38:42,580 --> 02:38:45,049
TO BE HIM.

3572
02:38:45,049 --> 02:38:45,649
HALEY AT HOME, SHE'S GETTING

3573
02:38:45,649 --> 02:38:47,151
READY TO HAVE A BABY RIGHT NOW.

3574
02:38:47,151 --> 02:38:48,686
THANK YOU FOR BEING THE OTHER

3575
02:38:48,686 --> 02:38:52,323
HALF OF STACK.

3576
02:38:52,323 --> 02:38:55,993
MILES, DELROY, JAMIE, EVERYBODY,

3577
02:38:55,993 --> 02:38:58,062
OMAR, THE ENTIRE CAST, THANK YOU

3578
02:38:58,062 --> 02:38:59,697
FOR SUPPORTING ME THROUGH THIS.

3579
02:38:59,697 --> 02:39:05,903
MY TEAM, PHIL SUTTON, GREG,

3580
02:39:05,903 --> 02:39:06,937
LINDSAY -- UH -- UH -- OH, MAN,

3581
02:39:06,937 --> 02:39:10,074
Y'ALL.

3582
02:39:10,074 --> 02:39:14,745
[ APPLAUSE ]

3583
02:39:14,745 --> 02:39:15,312
I STAND HERE BECAUSE OF THE

3584
02:39:15,312 --> 02:39:16,814
PEOPLE THAT CAME BEFORE ME,

3585
02:39:16,814 --> 02:39:17,848
SYDNEY POITIER, DENZEL

3586
02:39:17,848 --> 02:39:23,888
WASHINGTON, HALLE BERRY, JAMIE

3587
02:39:23,888 --> 02:39:26,590
FOXX, FOREST WHITAKER, WILL

3588
02:39:26,590 --> 02:39:26,857
SMITH.

3589
02:39:26,857 --> 02:39:29,126
AND TO BE AMONGST THOSE GIANTS,

3590
02:39:29,126 --> 02:39:32,229
THOSE GREATS, AMONGST MY

3591
02:39:32,229 --> 02:39:35,499
ANCESTORS, AMONGST MY GUYS,

3592
02:39:35,499 --> 02:39:37,435
THANK YOU EVERYBODY AT HOME, IN

3593
02:39:37,435 --> 02:39:40,137
THIS ROOM AND FOR SUPPORTING ME

3594
02:39:40,137 --> 02:39:40,504
OVER MY CAREER.

3595
02:39:40,504 --> 02:39:41,172
I FEEL IT.

3596
02:39:41,172 --> 02:39:42,273
I KNOW YOU GUYS WANT ME TO DO

3597
02:39:42,273 --> 02:39:43,274
WELL, AND I WANT TO DO THAT

3598
02:39:43,274 --> 02:39:43,908
BECAUSE YOU GUYS BET ON ME, SO

3599
02:39:43,908 --> 02:39:44,542
THANK YOU FOR KEEPING BETTING ON

3600
02:39:44,542 --> 02:39:44,809
ME.

3601
02:39:44,809 --> 02:39:45,443
AND I'M GOING TO KEEP STEPPING

3602
02:39:45,443 --> 02:39:46,911
UP AND I'M GOING TO KEEP BEING

3603
02:39:46,911 --> 02:39:47,545
THE BEST VERSION OF MYSELF I CAN

3604
02:39:47,545 --> 02:39:47,945
BE.

3605
02:39:47,945 --> 02:39:48,512
I WANT TO SAY THANK YOU FOR

3606
02:39:48,512 --> 02:39:49,547
EVERYONE IN THIS ROOM THAT HAD

3607
02:39:49,547 --> 02:39:52,650
SOMETHING TO MY SUCCESS AND

3608
02:39:52,650 --> 02:39:53,284
EVERYBODY AT HOME WHO SUPPORTED

3609
02:39:53,284 --> 02:39:54,718
"SINNERS" AND WENT TO SEE THE

3610
02:39:54,718 --> 02:39:57,555
MOVIE ONCE, TWICE, THREE, FOUR

3611
02:39:57,555 --> 02:39:59,123
FIVE TIMES, THANK YOU.

3612
02:39:59,123 --> 02:39:59,757
YOU MADE THIS MOVIE WHAT IT IS.

3613
02:39:59,757 --> 02:40:00,424
I LOVE YOU, I LOVE YOU.

3614
02:40:00,424 --> 02:40:06,130
[ APPLAUSE ]

3615
02:40:06,130 --> 02:40:20,978
♪

3616
02:40:20,978 --> 02:40:22,546
>> Announcer: STILL TO COME, THE

3617
02:40:22,546 --> 02:40:23,180
AWARDS FOR BEST ACTRESS AND BEST

3618
02:40:23,180 --> 02:40:24,648
PICTURE.

3619
02:40:24,648 --> 02:40:26,550
ONLY AT "THE OSCARS," HERE ON

3620
02:40:26,550 --> 02:40:28,586
ABC.

3621
02:40:28,586 --> 02:40:29,887
♪

3622
02:40:37,228 --> 02:40:42,900
♪

3623
02:40:48,239 --> 02:40:51,275
>> Conan: I DON'T KNOW WHAT THAT

3624
02:40:51,275 --> 02:40:53,844
WAS ABOUT.

3625
02:40:53,844 --> 02:40:56,046
WE'RE ALMOST THERE.

3626
02:40:56,046 --> 02:40:57,982
WE'RE ALMOST THERE.

3627
02:40:57,982 --> 02:41:01,485
WE'RE ALMOST THERE.

3628
02:41:01,485 --> 02:41:07,258
[ APPLAUSE ]

3629
02:41:07,258 --> 02:41:08,292
ARE WE ON?

3630
02:41:08,292 --> 02:41:11,162
YOU NEVER KNOW.

3631
02:41:11,162 --> 02:41:13,931
THIS NEXT PRESENTER

3632
02:41:13,931 --> 02:41:14,999
MAY BRING BACK PAINFUL MEMORIES

3633
02:41:14,999 --> 02:41:15,633
OF ACCIDENTALLY WATCHING "ANORA"

3634
02:41:15,633 --> 02:41:22,173
WITH YOUR PARENTS.

3635
02:41:22,173 --> 02:41:23,908
PLEASE WELCOME OSCAR WINNER

3636
02:41:23,908 --> 02:41:25,676
MIKEY MADISON.

3637
02:41:25,676 --> 02:41:30,814
♪

3638
02:41:38,923 --> 02:41:39,957
>> AS ARTISTS WE'RE ALWAYS

3639
02:41:39,957 --> 02:41:42,593
LEARNING HOW TO LISTEN --

3640
02:41:42,593 --> 02:41:44,728
TO OUR INSTINCTS, TO ONE

3641
02:41:44,728 --> 02:41:48,966
ANOTHER, AND TO THE FUNDAMENTAL

3642
02:41:48,966 --> 02:41:54,672
TRUTHS INSIDE A STORY.

3643
02:41:54,672 --> 02:41:58,809
JESSIE, ROSE, KATE, EMMA AND

3644
02:41:58,809 --> 02:42:00,911
RENATE, YOU LEFT US ALL IN AWE

3645
02:42:00,911 --> 02:42:04,448
OF YOUR PERFORMANCES.

3646
02:42:04,448 --> 02:42:07,785
JESSIE BUCKLEY, "HAMNET."

3647
02:42:07,785 --> 02:42:11,088
>> I WOULD CUT MY HAIR.

3648
02:42:11,088 --> 02:42:11,355
>> I KNOW.

3649
02:42:11,355 --> 02:42:12,556
>> YOU DON'T KNOW.

3650
02:42:12,556 --> 02:42:13,424
ROSE BYRNE, "IF I HAD LEGS I'D

3651
02:42:13,424 --> 02:42:18,429
KICK YOU."

3652
02:42:18,429 --> 02:42:20,130
>> I'M NOT.

3653
02:42:20,130 --> 02:42:20,898
THIS ISN'T WHAT IT'S SUPPOSED TO

3654
02:42:20,898 --> 02:42:22,199
BE LIKE.

3655
02:42:22,199 --> 02:42:22,566
THIS CAN'T BE IT.

3656
02:42:23,467 --> 02:42:26,637
KATE HUDSON, "SONG SUNG BLUE."

3657
02:42:26,637 --> 02:42:28,038
>> BAD THINGS HAPPEN OVER AND

3658
02:42:28,038 --> 02:42:28,806
OVER, AND I JUST WANT TO SING

3659
02:42:28,806 --> 02:42:31,809
AND I WANT TO SHINE.

3660
02:42:47,091 --> 02:42:50,894
EMMA STONE, "BUGONIA."

3661
02:42:50,894 --> 02:42:53,130
>> YOU KILLED HER.

3662
02:42:53,130 --> 02:42:56,967
I FIGURED YOU'D BE APPREHENDED

3663
02:42:56,967 --> 02:42:58,002
FEEDING ANTIFREEZE TO A PATIENT

3664
02:42:58,002 --> 02:43:00,170
AND I WOULD BE FREED AND RETURN

3665
02:43:00,170 --> 02:43:00,838
TO WORK.

3666
02:43:00,838 --> 02:43:03,374
YOU GOT AWAY WITH IT, YOU SICK

3667
02:43:03,374 --> 02:43:08,479
APE.

3668
02:43:08,479 --> 02:43:11,715
>> AND THE OSCAR GOES TO --

3669
02:43:11,715 --> 02:43:15,586
JESSIE BUCKLEY.

3670
02:43:15,586 --> 02:43:16,720
>> Announcer: THIS IS THE FIRST

3671
02:43:16,720 --> 02:43:18,656
OSCAR WIN AND SECOND NOMINATION

3672
02:43:18,656 --> 02:43:20,224
FOR JESSIE BUCKLEY.

3673
02:43:20,224 --> 02:43:22,359
PREVIOUSLY SHE WAS NOMINATED FOR

3674
02:43:22,359 --> 02:43:23,093
SUPPORTING ROLE IN "THE LOST

3675
02:43:23,093 --> 02:43:24,561
DAUGHTER."

3676
02:43:26,096 --> 02:43:32,903
[ APPLAUSE ]

3677
02:43:34,738 --> 02:43:40,010
♪

3678
02:43:52,489 --> 02:43:53,557
[ APPLAUSE ]

3679
02:43:59,430 --> 02:44:02,266
>> WOW.

3680
02:44:02,266 --> 02:44:04,168
THANK YOU SO MUCH.

3681
02:44:04,168 --> 02:44:08,205
THIS IS --

3682
02:44:08,205 --> 02:44:12,109
THIS IS REALLY SOMETHING.

3683
02:44:12,109 --> 02:44:13,911
THANK YOU TO THE INCREDIBLE

3684
02:44:13,911 --> 02:44:15,946
WOMEN THAT I STAND BESIDE.

3685
02:44:15,946 --> 02:44:17,848
I AM INSPIRED BY YOUR ART AND

3686
02:44:17,848 --> 02:44:19,650
YOUR HEART, AND I WANT TO WORK

3687
02:44:19,650 --> 02:44:22,686
WITH EVERY SINGLE ONE OF YOU.

3688
02:44:22,686 --> 02:44:26,256
TO THE PRODUCERS WHO CREATED

3689
02:44:26,256 --> 02:44:28,726
THIS FOR US TO STAND IN AND MY

3690
02:44:28,726 --> 02:44:31,595
SHIPMATES FOR LIFE, HILDA,

3691
02:44:31,595 --> 02:44:34,131
JESSICA, LINDSEY, NONE OF THIS

3692
02:44:34,131 --> 02:44:35,099
IS POSSIBLE WITHOUT YOU.

3693
02:44:35,099 --> 02:44:37,368
MY FAMILY, MY IRISH FAMILY,

3694
02:44:37,368 --> 02:44:39,470
THEY'RE ALL HERE.

3695
02:44:39,470 --> 02:44:45,275
IRELAND GOT THEM FLIGHTS.

3696
02:44:45,275 --> 02:44:46,844
MOM, DAD, THANK YOU FOR TEACHING

3697
02:44:46,844 --> 02:44:48,746
US TO DREAM AND TO NEVER BE

3698
02:44:48,746 --> 02:44:52,616
DEFINED BY EXPECTATION BUT TO

3699
02:44:52,616 --> 02:44:57,855
CARE FROM YOUR OWN PASSION.

3700
02:44:57,855 --> 02:44:59,923
YOU, I LOVE YOU, MAN.

3701
02:44:59,923 --> 02:45:00,224
I LOVE YOU.

3702
02:45:00,224 --> 02:45:01,925
YOU'RE THE MOST INCREDIBLE DAD.

3703
02:45:01,925 --> 02:45:03,594
YOU'RE MY BEST FRIEND AND I WANT

3704
02:45:03,594 --> 02:45:04,962
TO HAVE 20,000 MORE BABIES WITH

3705
02:45:04,962 --> 02:45:05,262
YOU.

3706
02:45:05,262 --> 02:45:06,697
I DO.

3707
02:45:06,697 --> 02:45:08,065
I DO.

3708
02:45:08,065 --> 02:45:10,634
AND MY LITTLE GIRL WHO IS 8

3709
02:45:10,634 --> 02:45:12,269
MONTHS, WHO HAS NO IDEA WHAT'S

3710
02:45:12,269 --> 02:45:14,538
GOING ON AND IS PROBABLY

3711
02:45:14,538 --> 02:45:16,240
DREAMING OF MILK, THIS IS KIND

3712
02:45:16,240 --> 02:45:17,875
OF A BIG DEAL AND I LOVE YOU AND

3713
02:45:17,875 --> 02:45:19,109
I LOVE BEING YOUR MOM AND I

3714
02:45:19,109 --> 02:45:21,111
CAN'T WAIT TO DISCOVER LIFE

3715
02:45:21,111 --> 02:45:22,780
BESIDE YOU.

3716
02:45:22,780 --> 02:45:28,952
CHLOE AND MAGGIE, YOU -- TO GET

3717
02:45:28,952 --> 02:45:33,957
TO KNOW THIS INCANDESCENT WOMAN

3718
02:45:33,957 --> 02:45:35,692
AND JOURNEY TO UNDERSTAND THE

3719
02:45:35,692 --> 02:45:37,895
CAPACITY OF A MOTHER'S LOVE IS

3720
02:45:37,895 --> 02:45:42,900
THE GREATEST COLLISION OF MY

3721
02:45:42,900 --> 02:45:43,133
LIFE.

3722
02:45:43,133 --> 02:45:44,768
IT'S MOTHER'S DAY IN THE U.K.

3723
02:45:44,768 --> 02:45:44,968
TODAY.

3724
02:45:44,968 --> 02:45:49,840
[ APPLAUSE ]

3725
02:45:49,840 --> 02:45:53,343
SO I WOULD LIKE TO DEDICATE THIS

3726
02:45:53,343 --> 02:45:54,111
TO THE BEAUTIFUL CHAOS OF A

3727
02:45:54,111 --> 02:45:55,446
MOTHER'S HEART.

3728
02:45:55,446 --> 02:46:01,785
[ APPLAUSE ]

3729
02:46:01,785 --> 02:46:03,654
WE ALL COME FROM A LINEAGE OF

3730
02:46:03,654 --> 02:46:05,789
WOMEN WHO CONTINUE TO CREATE

3731
02:46:05,789 --> 02:46:06,723
AGAINST ALL ODDS.

3732
02:46:06,723 --> 02:46:08,525
THANK YOU FOR RECOGNIZING ME IN

3733
02:46:08,525 --> 02:46:10,928
THIS ROLE, THIS IS THE GREATEST

3734
02:46:10,928 --> 02:46:11,695
HONOR.

3735
02:46:11,695 --> 02:46:16,400
I CAN'T EVEN BELIEVE IT.

3736
02:46:17,334 --> 02:46:24,641
♪

3737
02:46:27,377 --> 02:46:28,445
>> Announcer: PLEASE WELCOME

3738
02:46:28,445 --> 02:46:32,483
EWAN McGREGOR AND OSCAR WINNER,

3739
02:46:32,483 --> 02:46:35,919
NICOLE KIDMAN.

3740
02:46:40,491 --> 02:46:41,391
♪

3741
02:46:50,400 --> 02:46:52,803
>> SO I HAVE TO SAY I ADORED ALL

3742
02:46:52,803 --> 02:46:56,473
OF THE FILMS THIS YEAR.

3743
02:46:56,473 --> 02:46:58,342
>> ADORED?

3744
02:46:58,342 --> 02:47:00,511
WOULD YOU SAY YOU LOVED THEM?

3745
02:47:00,511 --> 02:47:01,778
>> WHAT?

3746
02:47:01,778 --> 02:47:04,882
>> LOVE, YOU KNOW, LIKE LOVE IS

3747
02:47:04,882 --> 02:47:07,951
LIKE OXYGEN.

3748
02:47:07,951 --> 02:47:11,355
>> OH, LOVE IS A MANY SPLENDID

3749
02:47:11,355 --> 02:47:11,555
THING.

3750
02:47:11,555 --> 02:47:14,358
>> LOVE LIFTS US UP WHERE WE

3751
02:47:14,358 --> 02:47:14,658
BELONG.

3752
02:47:14,658 --> 02:47:15,726
[ LAUGHTER ]

3753
02:47:15,726 --> 02:47:17,461
BUT I HAVE TO SAY, NICOLE, EVEN

3754
02:47:17,461 --> 02:47:20,297
THOUGH IT'S BEEN 25 YEARS, EVERY

3755
02:47:20,297 --> 02:47:22,766
TIME I HEAR THE WORD LOVE, I

3756
02:47:22,766 --> 02:47:25,402
STILL IMAGINE SOMEONE IS GOING

3757
02:47:25,402 --> 02:47:27,838
TO LOWER A CHANDELIER AND CUE

3758
02:47:27,838 --> 02:47:28,739
THE ORCHESTRA.

3759
02:47:28,739 --> 02:47:29,773
>> DON'T TEMPT ME.

3760
02:47:29,773 --> 02:47:31,341
>> I HAVE TO SAY THESE NOMINEES

3761
02:47:31,341 --> 02:47:32,576
REMIND US WHY WE FELL IN LOVE

3762
02:47:32,576 --> 02:47:36,580
WITH THE MOVIES IN THE FIRST

3763
02:47:36,580 --> 02:47:40,951
PLACE.

3764
02:47:40,951 --> 02:47:43,086
♪ BECAUSE ALL YOU NEED IS LOVE

3765
02:47:43,086 --> 02:47:44,821
♪ ALL YOU NEED IS LOVE

3766
02:47:44,821 --> 02:47:53,196
♪ LOVE IS ALL YOU NEED

3767
02:47:53,196 --> 02:47:53,931
AND HERE ARE THE NOMINATIONS FOR

3768
02:47:53,931 --> 02:47:55,966
BEST PICTURE.

3769
02:47:55,966 --> 02:47:58,735
♪

3770
02:47:58,735 --> 02:47:59,770
>> "BUGONIA."

3771
02:47:59,770 --> 02:48:01,338
ED GUINEY AND ANDREW LOWE,

3772
02:48:01,338 --> 02:48:02,940
YORGOS LANTHIMOS, EMMA STONE,

3773
02:48:02,940 --> 02:48:05,042
AND LARS KNUDSEN.

3774
02:48:05,042 --> 02:48:07,177
"F1."

3775
02:48:07,177 --> 02:48:09,313
CHAD OMAN, BRAD PITT,

3776
02:48:09,313 --> 02:48:11,415
DEDE GARDNER, JEREMY KLEINER,

3777
02:48:11,415 --> 02:48:11,915
JOSEPH KOSINSKI, AND

3778
02:48:11,915 --> 02:48:14,585
JERRY BRUCKHEIMER.

3779
02:48:14,585 --> 02:48:16,486
"FRANKENSTEIN."

3780
02:48:16,486 --> 02:48:17,788
GUILLERMO DEL TORO,

3781
02:48:17,788 --> 02:48:19,423
J. MILES DALE, AND SCOTT STUBER.

3782
02:48:19,423 --> 02:48:20,958
"HAMNET."

3783
02:48:20,958 --> 02:48:22,593
LIZA MARSHALL, PIPPA HARRIS,

3784
02:48:22,593 --> 02:48:24,494
NICOLAS GONDA, STEVEN SPIELBERG,

3785
02:48:24,494 --> 02:48:26,229
AND SAM MENDES.

3786
02:48:26,229 --> 02:48:28,498
"MARTY SUPREME."

3787
02:48:28,498 --> 02:48:31,535
ELI BUSH, RONALD BRONSTEIN,

3788
02:48:31,535 --> 02:48:32,135
JOSH SAFDIE, ANTHONY KATAGAS,

3789
02:48:32,135 --> 02:48:36,473
AND TIMOTHEE CHALAMET.

3790
02:48:36,473 --> 02:48:37,407
"ONE BATTLE AFTER ANOTHER."

3791
02:48:37,407 --> 02:48:38,008
ADAM SOMNER, SARA MURPHY, AND

3792
02:48:38,008 --> 02:48:40,577
PAUL THOMAS ANDERSON.

3793
02:48:40,577 --> 02:48:42,145
"THE SECRET AGENT."

3794
02:48:42,145 --> 02:48:44,314
EMILIE LESCLAUX.

3795
02:48:44,314 --> 02:48:45,849
"SENTIMENTAL VALUE."

3796
02:48:45,849 --> 02:48:48,485
MARIA EKERHOVD AND

3797
02:48:48,485 --> 02:48:50,087
ANDREA BERENTSEN OTTMAR.

3798
02:48:50,087 --> 02:48:50,621
"SINNERS."

3799
02:48:50,621 --> 02:48:51,254
ZINZI COOGLER, SEV OHANIAN, AND

3800
02:48:51,254 --> 02:48:56,393
RYAN COOGLER.

3801
02:48:56,393 --> 02:48:56,760
"TRAIN DREAMS."

3802
02:48:56,760 --> 02:48:58,562
MARISSA McMAHON,

3803
02:48:58,562 --> 02:49:00,631
TEDDY SCHWARZMAN, WILL JANOWITZ,

3804
02:49:00,631 --> 02:49:01,732
ASHLEY SCHLAIFER, AND

3805
02:49:01,732 --> 02:49:07,037
MICHAEL HEIMLER.

3806
02:49:11,375 --> 02:49:15,078
>> THE OSCAR GOES TO "ONE BATTLE

3807
02:49:15,078 --> 02:49:17,314
AFTER ANOTHER."

3808
02:49:17,314 --> 02:49:24,054
[ APPLAUSE ]

3809
02:49:24,054 --> 02:49:26,690
ADAM SOMNER --

3810
02:49:26,690 --> 02:49:30,494
>> Announcer: NOMINATED FOR 13

3811
02:49:30,494 --> 02:49:31,595
ACADEMY AWARDS "ONE BATTLE AFTER

3812
02:49:31,595 --> 02:49:33,296
ANOTHER" WON SIX OSCARS FOR

3813
02:49:33,296 --> 02:49:36,066
CASTING, ADAPTED SCREENPLAY,

3814
02:49:36,066 --> 02:49:36,733
FILM EDITING, DIRECTING AND BEST

3815
02:49:36,733 --> 02:49:42,406
PICTURE.

3816
02:49:58,755 --> 02:50:03,660
[ APPLAUSE ]

3817
02:50:14,938 --> 02:50:19,609
>> THANK YOU.

3818
02:50:19,609 --> 02:50:21,411
GETTING TO MAKE THIS FILM WITH

3819
02:50:21,411 --> 02:50:25,282
THIS CAST AND THIS CREW AND PAUL

3820
02:50:25,282 --> 02:50:28,118
HAS ALREADY BEEN THE GREATEST

3821
02:50:28,118 --> 02:50:30,120
FILM MAKING EXPERIENCE I CAN

3822
02:50:30,120 --> 02:50:33,824
FATHOM SO RECEIVING THIS AWARD

3823
02:50:33,824 --> 02:50:36,960
IS JUST BEYOND -- MY HEART IS

3824
02:50:36,960 --> 02:50:38,462
EXPLODING WITH GRATITUDE.

3825
02:50:38,462 --> 02:50:40,764
THANK YOU TO MIKE AND PAMMY AT

3826
02:50:40,764 --> 02:50:43,333
WARNER BROS.

3827
02:50:43,333 --> 02:50:45,335
THANK YOU TO BRIAN LOREN, THANK

3828
02:50:45,335 --> 02:50:48,338
YOU TO ADAM SUMNER, ERICA.

3829
02:50:48,338 --> 02:50:50,674
I SHARE THIS WITH YOU.

3830
02:50:50,674 --> 02:50:53,710
THANK YOU TO MY FAMILY, ALL FOUR

3831
02:50:53,710 --> 02:50:57,314
OF MY PARENTS, MY BEAUTIFUL

3832
02:50:57,314 --> 02:51:00,517
BROTHERS, FANNY, JOSH, RYAN, I

3833
02:51:00,517 --> 02:51:00,784
LOVE YOU.

3834
02:51:00,784 --> 02:51:03,553
I'M GRATEFUL FOR YOU.

3835
02:51:03,553 --> 02:51:03,920
PAUL!

3836
02:51:03,920 --> 02:51:06,623
>> IN 1975 THE OSCAR NOMINEES

3837
02:51:06,623 --> 02:51:09,259
FOR BEST PICTURE WERE DOG DAY

3838
02:51:09,259 --> 02:51:11,728
AFTERNOON, ONE FLEW OVER THE

3839
02:51:11,728 --> 02:51:14,030
CUCKOO'S NEST, JAWS, NASHVILLE

3840
02:51:14,030 --> 02:51:18,001
AND THERE IS NO BEST AMONG THEM.

3841
02:51:18,001 --> 02:51:19,669
IT IS JUST WHAT THE MOOD MIGHT

3842
02:51:19,669 --> 02:51:21,304
BE THAT DAY, BUT WE'RE HAPPY TO

3843
02:51:21,304 --> 02:51:24,074
BE PART OF THIS, A WONDERFUL,

3844
02:51:24,074 --> 02:51:25,208
WONDERFUL JOURNEY WITH OUR

3845
02:51:25,208 --> 02:51:28,411
FELLOW NOMINEES, OUR FELLOW

3846
02:51:28,411 --> 02:51:29,646
FILMMAKERS THAT EVEN WEREN'T

3847
02:51:29,646 --> 02:51:31,882
RECOGNIZED BY THE ACADEMY.

3848
02:51:31,882 --> 02:51:33,483
SO MANY GREAT FILMS THIS YEAR

3849
02:51:33,483 --> 02:51:35,485
AND I BLEW IT WHEN I WON A BEST

3850
02:51:35,485 --> 02:51:37,387
DIRECTOR AWARD AND I FORGOT TO

3851
02:51:37,387 --> 02:51:40,190
THANK MY CAST.

3852
02:51:40,190 --> 02:51:44,261
WITH LEO, TEYANA, SHAWN, REGINA

3853
02:51:44,261 --> 02:51:46,129
AND ESPECIALLY CHASE, MY

3854
02:51:46,129 --> 02:51:46,963
AMERICAN GIRL CHASE.

3855
02:51:46,963 --> 02:51:49,499
YOU ARE THE HEART OF THIS MOVIE.

3856
02:51:49,499 --> 02:51:51,568
THIS ENTIRE TEAM, WHAT A NIGHT,

3857
02:51:51,568 --> 02:51:54,805
YOU GUYS, LET'S HAVE A MARTINI.

3858
02:51:54,805 --> 02:51:56,173
THIS IS AMAZING.

3859
02:51:56,173 --> 02:51:56,406
CHEERS.

3860
02:51:56,406 --> 02:51:57,174
THANK YOU VERY MUCH.

3861
02:51:57,174 --> 02:51:57,507
THANK YOU.

3862
02:51:57,507 --> 02:51:57,774
THANK YOU.

3863
02:51:57,774 --> 02:51:58,775
THANK YOU.

3864
02:51:58,775 --> 02:51:59,810
THANK YOU.

3865
02:51:59,810 --> 02:52:06,483
♪

3866
02:52:06,483 --> 02:52:07,517
>> Conan: THAT IS OUR SHOW.

3867
02:52:07,517 --> 02:52:09,719
IT'S BEEN AN HONOR AND A JOY.

3868
02:52:09,719 --> 02:52:14,291
WE LOVE YOU.

3869
02:52:14,291 --> 02:52:16,927
GOOD NIGHT.

3870
02:52:29,206 --> 02:52:30,540
>> GREAT SHOW, CONAN.

3871
02:52:30,540 --> 02:52:31,474
JUST TERRIFIC.

3872
02:52:31,474 --> 02:52:32,275
>> Conan: GEE, THANKS.

3873
02:52:32,275 --> 02:52:34,778
>> IN FACT, WE LIKED IT SO MUCH,

3874
02:52:34,778 --> 02:52:38,582
WE'VE DECIDED TO MAKE YOU OSCARS

3875
02:52:38,582 --> 02:52:40,083
HOST FOR LIFE.

3876
02:52:40,083 --> 02:52:42,118
>> Conan: HOST FOR LIFE?

3877
02:52:42,118 --> 02:52:42,752
>> THAT'S RIGHT.

3878
02:52:42,752 --> 02:52:44,621
>> Conan: I DON'T KNOW WHAT TO

3879
02:52:44,621 --> 02:52:44,788
SAY.

3880
02:52:44,788 --> 02:52:46,122
>> LET'S GO SEE YOUR NEW OFFICE.

3881
02:52:46,122 --> 02:52:46,756
>> Conan: I'D LIKE THAT VERY

3882
02:52:46,756 --> 02:52:49,426
MUCH.

3883
02:52:49,426 --> 02:52:51,127
>> YOUR EFFORTS HAVE PLEASED THE

3884
02:52:51,127 --> 02:52:51,895
ACADEMY GREATLY.

3885
02:52:51,895 --> 02:52:52,863
>> Conan: WOW.

3886
02:52:52,863 --> 02:52:54,197
>> PEOPLE HAVE NOT STOPPED

3887
02:52:54,197 --> 02:52:55,832
TALKING ABOUT YOUR PERFORMANCE.

3888
02:52:55,832 --> 02:52:58,301
IT WAS REALLY SOMETHING.

3889
02:52:58,301 --> 02:52:59,703
>> Conan: COMING FROM THE

3890
02:52:59,703 --> 02:53:01,438
ACADEMY, THAT'S A REAL HONOR,

3891
02:53:01,438 --> 02:53:01,605
SIR.

3892
02:53:01,605 --> 02:53:03,039
>> AN HONOR YOU'VE EARNED.

3893
02:53:03,039 --> 02:53:07,143
AND HERE WE ARE, SUITE 55.

3894
02:53:07,143 --> 02:53:10,213
>> ALL THIS FOR ME?

3895
02:53:10,213 --> 02:53:13,350
>> THAT'S YOUR NAME, ISN'T IT?

3896
02:53:13,350 --> 02:53:16,486
GO IN.

3897
02:53:16,486 --> 02:53:17,354
GET SETTLED.

3898
02:53:17,354 --> 02:53:24,494
>> Conan: THIS VIEW IS

3899
02:53:24,494 --> 02:53:27,163
INCREDIBLE.

3900
02:53:27,163 --> 02:53:29,599
>> DAMN IT, I FORGOT YOUR KEYS.

3901
02:53:29,599 --> 02:53:34,304
I'LL BE RIGHT BACK.

3902
02:53:44,347 --> 02:53:49,552
>> Conan: HOST FOR LIFE.

3903
02:54:08,038 --> 02:54:08,638
>> Announcer: THE ACADEMY IS

3904
02:54:08,638 --> 02:54:09,606
THRILLED TO ACKNOWLEDGE DELTA

3905
02:54:09,606 --> 02:54:10,740
AIR LINES FOR PROVIDING AIR

3906
02:54:10,740 --> 02:54:11,308
TRANSPORTATION FOR SOME OF

3907
02:54:11,308 --> 02:54:12,842
TONIGHT'S PRESENTERS,

3908
02:54:12,842 --> 02:54:13,877
PERFORMERS, AND NOMINEES.

3909
02:54:13,877 --> 02:54:16,046
TOGETHER, WE CAN KEEP CLIMBING.

3910
02:54:16,046 --> 02:54:22,352
>> Announcer: LED AND PROJECTION

3911
02:54:22,352 --> 02:54:24,621
PROVIDED IN PART BY SENOVVA.

3912
02:57:14,557 --> 02:57:15,592
>> Announcer: ALL ELIGIBLE

3913
02:57:15,592 --> 02:57:16,226
ACADEMY MEMBERS PARTICIPATE IN

3914
02:57:16,226 --> 02:57:16,759
OSCARS VOTING.

3915
02:57:16,759 --> 02:57:17,360
BEST PICTURE NOMINATIONS ARE

3916
02:57:17,360 --> 02:57:17,927
DETERMINED BY ALL ELIGIBLE

3917
02:57:17,927 --> 02:57:20,497
MEMBERS.

3918
02:57:20,497 --> 02:57:22,465
IN OTHER CATEGORIES, THE

3919
02:57:22,465 --> 02:57:23,066
NOMINATIONS ARE DETERMINED BY

3920
02:57:23,066 --> 02:57:26,669
MEMBERS OF A SPECIFIC BRANCH OR

3921
02:57:26,669 --> 02:57:28,304
VOTERS WHO MEET THE CATEGORIES

3922
02:57:28,304 --> 02:57:28,838
ELIGIBILITY REQUIREMENTS.

3923
02:57:28,838 --> 02:57:29,472
ALL ROUNDS OF OSCARS VOTING ARE

3924
02:57:29,472 --> 02:57:32,542
DONE BY SECRET BALLOT THAT IS

3925
02:57:32,542 --> 02:57:34,711
TABULATED BY THE INDEPENDENT

3926
02:57:34,711 --> 02:57:35,145
ACCOUNTING FIRM OF

3927
02:57:35,145 --> 02:57:35,745
PRICEWATERHOUSECOOPERS.

3928
02:57:35,745 --> 02:57:38,414
THE RESULTS OF THE FINAL ROUND

3929
02:57:38,414 --> 02:57:40,016
OF SECRET VOTING ARE KNOWN ONLY

3930
02:57:40,016 --> 02:57:40,517
TO PWC UNTIL THE SEALED

3931
02:57:40,517 --> 02:57:43,286
ENVELOPES ARE OPENED ON THE AIR.