1
00:00:03,937 --> 00:00:06,607
>>> OKAY.

2
00:00:06,607 --> 00:00:10,777
CONAN, YOU LOOK GREAT, AND THE SHOW IS ABOUT TO START, SO IT'S TIME TO GET ON THE STAGE.

3
00:00:10,777 --> 00:00:16,082
>> I FEEL SOMETHING WRONG.

4
00:00:16,082 --> 00:00:17,518
>> REALLY?

5
00:00:17,518 --> 00:00:18,218
>> Yes.

6
00:00:18,218 --> 00:00:20,754
DON'T YOU FIND IT A LITTLE TOO MUCH?

7
00:00:20,754 --> 00:00:21,321
>> NO.

8
00:00:21,321 --> 00:00:21,955
I DON'T THINK SO.

9
00:00:21,955 --> 00:00:22,923
YOU LOOK FINE.

10
00:00:22,923 --> 00:00:24,124
SO, GOOD LUCK.

11
00:00:24,124 --> 00:00:25,192
>> NO, NO.

12
00:00:25,192 --> 00:00:28,996
I THINK SHE USED TOO MUCH WHITE POWDER.

13
00:00:28,996 --> 00:00:30,397
>> Oh.

14
00:00:30,397 --> 00:00:31,965
HONEY, I DON'T USE ANY WHITE POWDER.

15
00:00:31,965 --> 00:00:33,133
THAT'S YOUR SKIN.

16
00:00:33,133 --> 00:00:33,834
>> OKAY.

17
00:00:33,834 --> 00:00:35,269
YOU HAVE TO CLEAN IT.

18
00:00:35,269 --> 00:00:36,136
DO IT AGAIN.

19
00:00:36,136 --> 00:00:38,739
>> CONAN, THAT WILL TAKE, LIKE, TWO HOURS.

20
00:00:38,739 --> 00:00:42,276
DELL ROY LINDO IS SITTING READY.

21
00:00:42,276 --> 00:00:43,310
>> DELL ROY LINDO CAN WAIT.

22
00:00:43,310 --> 00:00:44,244
I CAN'T LOOK LIKE THIS.

23
00:00:44,244 --> 00:00:45,546
>> YOU LOOK FINE.

24
00:00:45,546 --> 00:00:45,746
GO GO.

25
00:00:45,746 --> 00:00:49,149
>> I LOOK LIKE BETTY DAVIS WITH LUPUS.

26
00:00:49,149 --> 00:00:49,850
>> CONAN, COME ON.

27
00:00:49,850 --> 00:00:50,851
>> I DON'T DO IT.

28
00:00:50,851 --> 00:00:54,221
>> I SAID GO.

29
00:00:54,221 --> 00:01:00,761
>> Oh, NO.

30
00:01:01,662 --> 00:01:06,900
♪

31
00:01:12,406 --> 00:01:16,243
♪

32
00:01:19,279 --> 00:01:22,749
>> NO!

33
00:01:25,118 --> 00:01:33,026
♪

34
00:01:37,731 --> 00:01:41,969
>> WHAT THE FUCK IS THAT?

35
00:01:43,170 --> 00:01:45,872
♪

36
00:01:47,274 --> 00:01:51,578
>> SORRY.

37
00:01:53,647 --> 00:01:58,485
♪

38
00:02:00,220 --> 00:02:04,491
>> AWESOME!

39
00:02:04,491 --> 00:02:07,661
HA HA!

40
00:02:10,330 --> 00:02:17,971
>> BUT TWO MONTHS OF DEATH, NO, IT'S NOT THAT MANY.

41
00:02:17,971 --> 00:02:18,205
NOT TWO.

42
00:02:18,205 --> 00:02:23,577
SO -- >> THANK YOU FOR THE TRIP.

43
00:02:23,577 --> 00:02:29,282
I CAN'T SEEM TO BREAK WITH THESE KIDS.

44
00:02:29,282 --> 00:02:29,816
DAMNED!

45
00:02:29,816 --> 00:02:31,918
THEY ARE CATCHING US.

46
00:02:31,918 --> 00:02:33,220
WHAT IS THE PLAN?

47
00:02:33,220 --> 00:02:38,025
>> I'M GOING TO TAKE A TURN INTO THAT GAS PUT OVER THERE, I'LL SLOW DOWN, AND YOU JUMP DOWN AND ROLL.

48
00:02:38,025 --> 00:02:39,826
>> WHAT ARE YOU SAYING?

49
00:02:39,826 --> 00:02:41,695
I HAVE BOTH HIPS REPLACED.

50
00:02:41,695 --> 00:02:42,162
>> DON'T BE AFRAID.

51
00:02:42,162 --> 00:02:42,729
>> OKAY.

52
00:02:42,729 --> 00:02:43,263
DON'T BE AFRAID.

53
00:02:43,263 --> 00:02:46,767
>> START HERE.

54
00:02:46,767 --> 00:02:46,967
ALRIGHT.

55
00:02:46,967 --> 00:02:54,841
JUMP ON THE COUNT OF FOUR.

56
00:02:54,841 --> 00:02:55,409
>> WOO.

57
00:02:55,409 --> 00:02:59,880
WE CAN GET BACK TO THINGS THAT ARE IMPORTANT, LIKE FANS.

58
00:02:59,880 --> 00:03:03,617
>> BE CALM.

59
00:03:04,484 --> 00:03:09,523
♪

60
00:03:58,105 --> 00:04:00,073
>> HI!

61
00:04:00,073 --> 00:04:00,240
THIS.

62
00:04:00,240 --> 00:04:03,477
I WAS GOING TO THE OSCAR, AND I WAS CHASED BY THESE KIDS.

63
00:04:03,477 --> 00:04:05,746
CAN I GO TO A SHIELD?

64
00:04:05,746 --> 00:04:10,150
>> I TRUST YOU, BUT THIS IS A BLUES PUB.

65
00:04:10,150 --> 00:04:10,917
>> BLUES PUB?

66
00:04:10,917 --> 00:04:13,286
I'M GOOD AT MUSIC.

67
00:04:13,286 --> 00:04:18,725
♪ OH DANNY BOY ♪ THE FLUTES, THE FLUTES ARE FALLING DOWN ♪

68
00:04:18,725 --> 00:04:18,925
Yes.

69
00:04:18,925 --> 00:04:26,500
THIS GUY LIKES IT.

70
00:04:27,400 --> 00:04:34,841
♪

71
00:04:37,277 --> 00:04:42,149
♪

72
00:04:45,018 --> 00:04:54,461
>> WE'RE INVITING OUR HOST, CONAN O'BRIEN.

73
00:04:56,296 --> 00:04:56,797
[ APPLAUSE AND CHEERING ]

74
00:04:56,797 --> 00:05:00,667
♪

75
00:05:02,903 --> 00:05:04,237
>> THANK YOU.

76
00:05:04,237 --> 00:05:05,739
THANK.

77
00:05:05,739 --> 00:05:10,177
THANK.

78
00:05:10,177 --> 00:05:16,716
THIS.

79
00:05:16,716 --> 00:05:17,951
THANKS A LOT.

80
00:05:17,951 --> 00:05:22,222
THANK AMY MADIGAN SO MUCH FOR THE WIG.

81
00:05:22,222 --> 00:05:22,722
THANK YOU SO MUCH, AMY.

82
00:05:22,722 --> 00:05:24,825
THANK YOU FOR THAT.

83
00:05:24,825 --> 00:05:25,091
THIS.

84
00:05:25,091 --> 00:05:35,268
I'M CONAN O'BRIEN, AND I'M SO HONORED TO BE THE FINAL HOST OF THE ACADEMY AWARDS.

85
00:05:35,268 --> 00:05:35,435
YES.

86
00:05:35,435 --> 00:05:35,635
YES.

87
00:05:35,635 --> 00:05:37,771
NEXT YEAR IT WILL BE A WAYMO CAR WEARING A VEST.

88
00:05:37,771 --> 00:05:39,372
SO, LET'S LOOK AT THAT.

89
00:05:39,372 --> 00:05:39,573
ARE NOT.

90
00:05:39,573 --> 00:05:42,275
IT'S GREAT TO BACK TO HOST THE OSCAR.

91
00:05:42,275 --> 00:05:46,413
LAST YEAR WHEN I WAS PRESENT, LOS ANGELES WAS ON FIRE.

92
00:05:46,413 --> 00:05:57,157
BUT THIS YEAR, EVERYTHING IS GREAT.

93
00:05:57,157 --> 00:05:57,357
OH.

94
00:05:57,357 --> 00:05:58,758
YOU PEOPLE APPLAUSE FOR THAT?

95
00:05:58,758 --> 00:06:00,160
WEIRD.

96
00:06:00,160 --> 00:06:01,228
WEIRD.

97
00:06:01,228 --> 00:06:03,163
SECURITY IS EXTREMELY STRONG TONIGHT.

98
00:06:03,163 --> 00:06:04,731
I JUST WANT TO MENTION THAT.

99
00:06:04,731 --> 00:06:05,198
YES.

100
00:06:05,198 --> 00:06:14,975
I AM AWARE OF CONCERNS ABOUT AN ATTACK FROM BOTH THE OPERA AND BALLET COMMUNITIES.

101
00:06:19,112 --> 00:06:25,919
THEY ARE JUST ANGRY BECAUSE YOU FORGET JAZZ MUSIC.

102
00:06:25,919 --> 00:06:28,822
I SHOULD WARN, TONIGHT MAY GET POLITICAL, OKAY?

103
00:06:28,822 --> 00:06:35,862
AND IF THAT MAKES YOU UNCOMFORTABLE, THERE WILL BE AN ALTERNATIVE OSCAR HOSTED BY KID ROCK -- Yeah.

104
00:06:35,862 --> 00:06:39,366
IT TAKES PLACE AT DAVE AND BUSTERS AT THE END OF THE ROAD.

105
00:06:39,366 --> 00:06:41,067
LOTS OF TICKETS FOR THAT.

106
00:06:41,067 --> 00:06:42,135
NETFLIX -- SO FUN.

107
00:06:42,135 --> 00:06:48,909
A LOT OF GREAT PEOPLE ARE HERE, AND SOME OF THE PEOPLE BEHIND THE SCENE, NETFLIX COO TED SARANDOS IS HERE.

108
00:06:48,909 --> 00:06:49,976
AND THIS IS SO INTERESTING.

109
00:06:49,976 --> 00:06:56,016
THIS WAS HIS FIRST TIME AT A CINEMA.

110
00:06:56,016 --> 00:06:59,552
THIS IS WHAT EVERYONE IS TALKING ABOUT.

111
00:06:59,552 --> 00:07:04,557
WHY DO THEY GATHER TOGETHER TO ENJOY?

112
00:07:04,557 --> 00:07:15,635
THEY SHOULD HAVE BEEN HOME ALONE, WHERE I COULD HAVE MADE MONEY FROM THEM!

113
00:07:15,635 --> 00:07:15,835
YES.

114
00:07:15,835 --> 00:07:24,911
I COULD DO -- MANY, MANY GOOD MOVIES THIS YEAR.

115
00:07:24,911 --> 00:07:27,547
IT'S BEEN A GREAT YEAR FOR MOVIES, RIGHT?

116
00:07:27,547 --> 00:07:28,949
REALLY SHOCKED.

117
00:07:28,949 --> 00:07:31,451
YES.

118
00:07:31,451 --> 00:07:33,620
I SAID THAT LAST YEAR, BUT I LIE.

119
00:07:33,620 --> 00:07:34,587
HA HA.

120
00:07:34,587 --> 00:07:34,754
ARE NOT.

121
00:07:34,754 --> 00:07:36,156
THIS YEAR IS REALLY STUNNING.

122
00:07:36,156 --> 00:07:39,092
I LOVE "HAMNET."

123
00:07:39,092 --> 00:07:46,566
I LOVE "BUGONIA."

124
00:07:46,566 --> 00:07:48,134
YEAH, IT'S TOO GOOD, ISN'T IT.

125
00:07:48,134 --> 00:07:54,107
THIS IS A BIG YEAR FOR MOVIES WHERE THE NAME SOUNDS LIKE BRAND CURED MEAT.

126
00:07:54,107 --> 00:07:56,576
THERE WAS A LITTLE BUGONIA ABOUT 10:00.

127
00:07:56,576 --> 00:07:57,677
IT'S NOT THAT COMFORTABLE AFTER EATING.

128
00:07:57,677 --> 00:08:00,647
ON THE WAY HOME, YOU WILL FEEL IT CLEARLY.

129
00:08:00,647 --> 00:08:10,256
AT THE BEGINNING -- AT THE BEGINNING OF THE MOVIE "HAMNET," A MESSAGE APPEARS ON THE SCREEN EXPLAINING THAT THE NAMES HAMNET AND HAMLET HAVE BEEN USED INTERCHANGEALLY.

130
00:08:10,256 --> 00:08:10,457
YES.

131
00:08:10,457 --> 00:08:19,332
THAT'S WHEN I KNOW I SHOULD WEAR YOUR SAFETY BELT.

132
00:08:19,332 --> 00:08:19,666
ROLLER COaster.

133
00:08:19,666 --> 00:08:24,838
IN "HAMNET," WILLIAM SHAKESPEARE'S WIFE, AGNES, GIVES BIRTH ALONE IN THE FOREST.

134
00:08:24,838 --> 00:08:29,843
OR AS WE CALL IT IN AMERICA, AFFORDABLE HEALTH CARE.

135
00:08:29,843 --> 00:08:30,043
YES.

136
00:08:30,043 --> 00:08:33,346
IS IT A LITTLE TOO REAL FOR YOU?

137
00:08:33,346 --> 00:08:36,316
ALRIGHT.

138
00:08:36,316 --> 00:08:36,816
"F1."

139
00:08:36,816 --> 00:08:40,820
I LOVED "F1."

140
00:08:40,820 --> 00:08:42,922
IT'S AWESOME.

141
00:08:42,922 --> 00:08:44,424
"F1" IS NOMINATED FOR BEST MOVIE.

142
00:08:44,424 --> 00:08:55,668
IT'S THE STORY OF A RACER WHO FINALLY WON AFTER DECIDING TO DRIVE FASTER.

143
00:08:55,668 --> 00:08:55,869
YES.

144
00:08:55,869 --> 00:08:57,771
YES.

145
00:08:57,771 --> 00:09:02,842
"F1" RECEIVED FOUR NOMINATIONS.

146
00:09:02,842 --> 00:09:08,014
"F1" WAS SO SUCCESSFUL THAT THEY ARE MAKING A SEQUEL, "CAPS LOCK."

147
00:09:08,014 --> 00:09:11,951
SOME QUESTIONS I SAID TO MYSELF.

148
00:09:11,951 --> 00:09:14,354
AND LADIES, LET'S APPROVE FOR "SINNERS."

149
00:09:14,354 --> 00:09:18,191
LET'S CHURCH FOR "SINNERS."

150
00:09:18,191 --> 00:09:22,462
YES.

151
00:09:23,430 --> 00:09:26,399
[ APPLAUSE AND CHEERING ]

152
00:09:32,505 --> 00:09:32,705
Yes.

153
00:09:32,705 --> 00:09:41,147
"SINNERS" MOVIE DIRECTOR RYAN COOGLER SAYS THAT HE REFUSED TO BE A VOTING MEMBER OF THE ACADEMY BECAUSE HE DIDN'T LIKE EVALUATING THE WORK OF FELLOW ARTISTS.

154
00:09:41,147 --> 00:09:41,347
YES.

155
00:09:41,347 --> 00:09:41,548
YES.

156
00:09:41,548 --> 00:09:51,291
BUT THE REST OF YOU SEEM TO LIKE IT A LOT.

157
00:09:51,291 --> 00:09:51,858
"ONE BATTLE AFTER ANOTHER."

158
00:09:51,858 --> 00:09:52,692
I LOVE THAT MOVIE.

159
00:09:52,692 --> 00:09:54,027
WHAT A GREAT MOVIE.

160
00:09:54,027 --> 00:09:58,364
INCREDIBLE MOVIE.

161
00:09:58,364 --> 00:10:01,701
MANY MEMORABLE SCENES FROM "ONE BATTLE AFTER ANOTHER."

162
00:10:01,701 --> 00:10:06,873
THE BEST SUPPORTING ACTOR CANDIDATE, SEAN PENN, OF COURSE HAS AN ERECTION UNDER THE MUDGE OF THE GUN.

163
00:10:06,873 --> 00:10:07,073
YES.

164
00:10:07,073 --> 00:10:14,781
AND THEN PAUL THOMAS HENDERSON SAID, HEY, LET'S PUT IT IN THE MOVIE, HA?

165
00:10:14,781 --> 00:10:16,583
I WAS IN A MOVIE THIS YEAR.

166
00:10:16,583 --> 00:10:16,783
YES.

167
00:10:16,783 --> 00:10:26,326
I WAS IN A MOVIE WITH THE LOVELY ROSE BYRNE.

168
00:10:26,326 --> 00:10:34,334
MY ACTOR ROSE BYRNE IS NOMINATED FOR BEST ACTRESS IN "IF I HAD LEGS, I'D KICK YOU."

169
00:10:34,334 --> 00:10:34,534
YES.

170
00:10:34,534 --> 00:10:34,734
YES.

171
00:10:34,734 --> 00:10:38,304
IT'S VERY DIFFICULT TO PERFORM A SCENES WITH SOMEONE FOR WHICH YOU'VE ALWAYS HAD A GREAT AFFAIR.

172
00:10:38,304 --> 00:10:43,243
BUT ROSE, SHE DID A GREAT JOB.

173
00:10:43,243 --> 00:10:45,111
ADmirable CONTROL.

174
00:10:45,111 --> 00:10:54,053
THIS YEAR, WE ADDED A NEW CATEGORY TO THE OSCAR, BEST ACTRESS.

175
00:10:54,053 --> 00:10:54,254
YES.

176
00:10:54,254 --> 00:10:54,454
YES.

177
00:10:54,454 --> 00:11:04,464
THAT MEANS TONIGHT A DIRECTOR WILL WIN THE OSCAR, AND FOR THE REST OF THEM, WE'VE DECIDED TO GO IN A DIFFERENT DIRECTION.

178
00:11:04,464 --> 00:11:06,933
THEY ARE DREAM KILLERS.

179
00:11:06,933 --> 00:11:07,367
THAT'S RIGHT.

180
00:11:07,367 --> 00:11:14,941
A LOT OF LITTLE KNOWN CATEGORIES TONIGHT WILL OF COURSE CONOR THE BEST SHORT DOCUMENTARIES OR -- Yeah.

181
00:11:14,941 --> 00:11:20,547
BEST SHORT DOCUMENTARIES.

182
00:11:20,547 --> 00:11:37,230
OR, AS I USUALLY CALL THEM -- [APPLAUSE AND CHEERING]

183
00:11:37,230 --> 00:11:40,934
WHAT THE HELL IS WRONG WITH THAT?

184
00:11:40,934 --> 00:11:46,606
THE BEST SHORT DOCUMENTS, OR AS I USUALLY CALL THEM, LITTLE SAD STORIES.

185
00:11:46,606 --> 00:11:47,473
DID YOU WATCH IT?

186
00:11:47,473 --> 00:11:47,974
I HAVE.

187
00:11:47,974 --> 00:11:51,644
DOES IT MAKE YOU SAD?

188
00:11:51,644 --> 00:11:52,545
A LITTLE BIT.

189
00:11:52,545 --> 00:11:57,317
AMAZON STUDIOS DID NOT RECEIVE ANY NOMINATIONS THIS YEAR.

190
00:11:57,317 --> 00:11:58,318
YES.

191
00:11:58,318 --> 00:12:03,990
ALSO NOT NOMINATED, WALMART, ALIBABA, AND CHEWY.

192
00:12:03,990 --> 00:12:13,499
WHY DON'T THE SITE I ORDER TOILET PAPER ON WIN MORE OSCARS?

193
00:12:13,499 --> 00:12:26,012
THIS IS THE FIRST TIME SINCE 2012 -- THE FIRST TIME SINCE 2012 -- THAT NO BRITISH ACTOR HAS BEEN NOMINATED FOR BEST ACTOR OR ACTRESS.

194
00:12:26,012 --> 00:12:26,212
YES.

195
00:12:26,212 --> 00:12:30,817
HIS SPEAKER SAID, YEAH, WE AT LEAST ARRESTED PEDOPHILES.

196
00:12:30,817 --> 00:12:37,357
SO, THAT IS OUR POINT OF PRIDE.

197
00:12:38,291 --> 00:12:42,095
[ APPLAUSE AND CHEERING ]

198
00:12:44,330 --> 00:12:51,404
BY THE WAY, I HAVE TO SAY AGAIN, MICHAEL B. JORDAN, YOU ARE EXTRAORDINARY.

199
00:12:51,404 --> 00:12:57,610
IT WAS EXTRAORDINARY TO PLAY THE INCREDIBLE TWIN BROTHERS SMOKE AND STACK IN "SINNERS," IT WAS INCREDIBLE.

200
00:12:57,610 --> 00:12:59,646
I CAN'T GET BORED OF THIS MAN.

201
00:12:59,646 --> 00:13:06,152
SO, AS A SPECIAL GIFT, EVERYONE FILLING THE BLANK SEAT AT TONIGHT'S OSCAR WILL BE MICHAEL B. JORDAN.

202
00:13:06,152 --> 00:13:10,390
LOOK AT THIS.

203
00:13:10,390 --> 00:13:17,930
BY THE WAY, HOW DO I LOOK TONIGHT, MICHAEL B. JORDAN?

204
00:13:17,930 --> 00:13:18,131
ALRIGHT.

205
00:13:18,131 --> 00:13:18,731
LEONARDO DICAPRIO.

206
00:13:18,731 --> 00:13:20,033
SIR, IT'S GOOD TO MEET YOU.

207
00:13:20,033 --> 00:13:22,268
I BOW BEFORE YOU.

208
00:13:22,268 --> 00:13:25,905
HE IS THE STAR OF MANY MOVIES AND THE KING OF MEMES.

209
00:13:25,905 --> 00:13:29,242
HE IS THE KING OF MEMES, THIS GUY.

210
00:13:29,242 --> 00:13:33,846
LET'S CREATE A NEW MEME WITH LEO NOW.

211
00:13:33,846 --> 00:13:42,689
FEELING WHEN YOU DISAGREE WITH THIS.

212
00:13:46,059 --> 00:13:48,728
THEY WILL SHOW THAT SEGMENT AGAIN WHEN EDITING.

213
00:13:48,728 --> 00:13:48,928
DIRECT.

214
00:13:48,928 --> 00:13:51,297
ALRIGHT.

215
00:13:51,297 --> 00:13:52,632
I'LL TALK LATER.

216
00:13:52,632 --> 00:13:59,772
TONIGHT'S OSCAR IS BEING WATCHED BY MORE THAN A BILLION PEOPLE AROUND THE WORLD.

217
00:13:59,772 --> 00:13:59,972
YES.

218
00:13:59,972 --> 00:14:02,342
LET'S -- LET'S SAY GREETINGS TO SOME OF THEM.

219
00:14:02,342 --> 00:14:04,444
IF YOU'RE WATCHING FROM SPAIN --

220
00:14:10,416 --> 00:14:13,853
IF YOU ARE LOOKING AT US IN ARGENTINA --

221
00:14:19,692 --> 00:14:22,428
AND TO FRIENDS IN LOS ANGELES --

222
00:14:28,301 --> 00:14:31,704
[ APPLAUSE AND CHEERING ]

223
00:14:35,708 --> 00:14:35,908
YES.

224
00:14:35,908 --> 00:14:37,577
TONIGHT IS AN INTERNATIONAL EVENT.

225
00:14:37,577 --> 00:14:50,223
IF I COULD BE SERIOUS FOR A MOMENT, EVERYONE WATCHING RIGHT NOW AROUND THE WORLD IS AWARE THAT THESE ARE VERY CHAOS, SCARY TIMES, OKAY?

226
00:14:50,223 --> 00:14:55,561
IT IS IN MOMENTS LIKE THESE I BELIEVE THAT THE OSCAR IS ESPECIALLY RESONANT.

227
00:14:55,561 --> 00:14:58,231
LOOK AT THIS.

228
00:14:58,231 --> 00:15:03,002
31 COUNTRIES ACROSS SIX CONTINENTS ARE REPRESENTED TONIGHT.

229
00:15:03,002 --> 00:15:06,973
AND EVERY MOVIE -- EVERY MOVIE -- Yeah.

230
00:15:06,973 --> 00:15:17,216
EACH MOVIE THAT WE HONOR IS THE PRODUCT OF THOUSANDS OF PEOPLE SPEAKING DIFFERENT LANGUAGES, WORKING HARD TO CREATE SOMETHING BEAUTIFUL.

231
00:15:17,216 --> 00:15:31,631
TONIGHT WE CELEBRATE NOT ONLY CINEMA BUT ALSO THE IDEALS OF GLOBAL ART, COLLABORATION, PATIENCE, RESILIENCE, AND THE RAREEST VIRTUE IN TODAY, OPTIMISM.

232
00:15:31,631 --> 00:15:35,435
SO, LET US CELEBRATE TOGETHER.

233
00:15:35,435 --> 00:15:38,838
LET'S CELEBRATE.

234
00:15:38,838 --> 00:15:47,647
LET'S CELEBRATE TOGETHER NOT BECAUSE WE THINK EVERYTHING IS GOOD BUT BECAUSE WE WORK AND HOPE FOR A BETTER FUTURE IN THE DAYS TO COME.

235
00:15:47,647 --> 00:15:53,553
NOW, WE ARE ABOUT TO START AWARDING.

236
00:15:53,553 --> 00:15:58,357
I JUST WANT TO SAY THIS IN A SPIRIT OF OPTIMISM, OKAY?

237
00:15:58,357 --> 00:15:58,558
ENJOY.

238
00:15:58,558 --> 00:16:01,160
I HAVE SEEN A LOT OF THIS CEREMONY.

239
00:16:01,160 --> 00:16:06,399
I'M ALWAYS VERY IMPRESSED BY HOW GREAT THE WINNERS ARE.

240
00:16:06,399 --> 00:16:06,666
SO SO.

241
00:16:06,666 --> 00:16:16,542
WHEN YOU WIN, YOU SHARE YOUR GLORY WITH YOUR CORNER CANDIDATES, WITH YOUR TEAM, WITH YOUR SPOUSE.

242
00:16:16,542 --> 00:16:26,152
IT IS REFRESHING TO WITNESS ALL THIS HUMILITY AND HUMILITY.

243
00:16:26,152 --> 00:16:30,423
BUT HONESTLY, I DON'T KNOW IF I CAN DO THAT.

244
00:16:30,423 --> 00:16:48,574
IF IT WAS ME AND I WAS NOMINATED FOR THE OSCAR -- >> THE CANDIDATES FOR BEST ACHIEVEMENT ARE ANTONIO BANDERAS, RENEE ZELLWEGER, DENZEL WASHINGTON, GLENN CLOSE, AND CONAN O'BRIEN.

245
00:16:48,574 --> 00:16:57,250
AND THE WINNER IS -- CONAN O'BRIEN.

246
00:16:58,084 --> 00:17:06,058
♪

247
00:17:08,127 --> 00:17:13,965
♪

248
00:17:51,370 --> 00:17:53,906
>> CICERO, MY OSCAR!

249
00:17:53,906 --> 00:17:57,777
COME TO ME, CICERO!

250
00:17:57,777 --> 00:17:57,977
ARRIVE!

251
00:17:57,977 --> 00:17:59,545
COME TO ME!

252
00:17:59,545 --> 00:18:03,449
GREAT!

253
00:18:06,152 --> 00:18:08,287
♪

254
00:18:10,890 --> 00:18:15,695
>> THIS IS HOW ALL THE OSCARS WILL BE AWARDED TONIGHT.

255
00:18:15,695 --> 00:18:17,129
JOSH ROGEN, LADIES.

256
00:18:17,129 --> 00:18:18,297
PRAISE FOR HIM.

257
00:18:18,297 --> 00:18:30,076
TO PRESENT OUR FIRST AWARD, FELLOW OSCAR HOST, ZOE SALDANA.

258
00:18:31,577 --> 00:18:35,114
♪

259
00:18:40,386 --> 00:18:57,169
>> LADIES, LADIES, LADIES, WHAT I LOVE ABOUT EACH OF THE SUPPORTING ACTRESS NOMINATIONS IS THE RANGE OF CONTRASTS CONTAINED IN EACH ROLE.

260
00:18:57,169 --> 00:19:11,384
THERE IS VULNERABILITY AND FEARlessness, PHYSICAL STRONGNESS, AND EMOTIONAL QUIETNESS, BOTH SOFTNESS AND DEDICATION TO WHAT EACH PERSON HAS PLAYED ON THE SCREEN.

261
00:19:11,384 --> 00:19:20,326
YOU ALL HAVE ENABLED WHAT CREATES THE EXCITEMENT OF THE ART OF ACTING.

262
00:19:20,326 --> 00:19:24,230
>> ELLE FANNING, "SENTIMENTAL VALUE."

263
00:19:24,230 --> 00:19:27,767
>> I CAN'T CONTINUE ANYMORE.

264
00:19:27,767 --> 00:19:30,503
I WANT A HOUSE.

265
00:19:30,503 --> 00:19:34,240
I WANT A HOUSE.

266
00:19:34,240 --> 00:19:38,277
>> INGA IBSDOTTER LILLEAAS, "SENTIMENTAL VALUE."

267
00:19:43,182 --> 00:19:46,118
>> AMY MADIGAN, "WEAPONS."

268
00:19:46,118 --> 00:19:50,256
>> I REALIZED TOO LATE THAT I WAS STANDING AT THE WRONG CORNER OF THE STREET.

269
00:19:50,256 --> 00:19:54,460
AND WHEN I REALIZED THAT, OH, I WAS COMPLETELY LOST.

270
00:19:54,460 --> 00:19:59,532
SO, I HAD TO WALK ACROSS TOWN TO GET HERE.

271
00:19:59,532 --> 00:20:07,239
>> WUNMI MOSAKU, "SINNERS."

272
00:20:07,239 --> 00:20:12,678
>> YOU AND YOUR CRAZY BROTHER HAVE BEEN SAFE EVERY DAY SINCE YOU LEFT.

273
00:20:12,678 --> 00:20:16,782
>> TEYANA TAYLOR, "ONE BATTLE AFTER ANOTHER."

274
00:20:16,782 --> 00:20:22,855
>> -- FOR THE SAME REASON THAT HE HAS -- THE WORLD.

275
00:20:22,855 --> 00:20:30,262
YOU AND YOUR FALLING EGO WILL NEVER MAKE THIS REVOLUTION LIKE ME.

276
00:20:30,262 --> 00:20:42,641
>> AND THE OSCAR AWARD GOES TO -- AMY MADIGAN.

277
00:20:42,641 --> 00:20:51,417
>> THIS IS THE SECOND NOMINATION FOR AMY MADIGAN.

278
00:21:09,368 --> 00:21:15,374
>> HA, HA, HA, HA, HA, HA.

279
00:21:15,374 --> 00:21:17,443
[ LAUGHTER ]

280
00:21:17,443 --> 00:21:18,477
SO AMAZING!

281
00:21:18,477 --> 00:21:24,250
I MEAN, EVERYONE HAS ASKED ME IN THE PRESS AND EVERYTHING, UMM, IT'S BEEN 40 YEARS.

282
00:21:24,250 --> 00:21:27,153
AND, YOU KNOW, WHAT'S DIFFERENT FROM THIS TIME?

283
00:21:27,153 --> 00:21:29,655
THE DIFFERENT THING IS THAT I HAVE THIS LITTLE YELLOW GUY!

284
00:21:29,655 --> 00:21:40,633
I MEAN, I WAS IN THE BATHROOM LAST NIGHT TRYING TO THINK OF SOMETHING TO SAY WHILE I WAS SHAVING MY LEGS, AND I THOUGHT, I'M WEARING TOO LONG PANTS.

285
00:21:40,633 --> 00:21:43,135
I DON'T HAVE TO WORRY ABOUT THAT.

286
00:21:43,135 --> 00:21:49,909
AND, YOU KNOW, WE WERE ADVISED THAT, YOU KNOW, YOU SHOULD NOT READ ALL THESE NAMES BECAUSE NO ONE KNOWS WHO THESE PEOPLE ARE.

287
00:21:49,909 --> 00:21:51,977
BUT YOU DON'T HAVE TO READ IT AT A TIME.

288
00:21:51,977 --> 00:22:02,154
THEY ARE THE PEOPLE WHO MEAN TO YOU, THAT YOU WOULD NOT BE HERE WITHOUT THEM.

289
00:22:02,154 --> 00:22:08,694
FIRST AND ABOVE ALL, I MUST THANK ZACK CRAIG, OUR SCRIPT AND DIRECTOR.

290
00:22:08,694 --> 00:22:20,039
HE WROTE -- HE WROTE A DREAM ROLE, AND HE LET ME GRAB IT WITH THROAT AND STRENGTH.

291
00:22:20,039 --> 00:22:28,214
I WANT TO THANK MARY, YOU KNOW, WHO IS ALWAYS ON SET, OUR PRODUCER, AND OF COURSE, YOU KNOW, WARNER BROTHERS AND PAM AND MIKE.

292
00:22:28,214 --> 00:22:32,017
BUT, YOU KNOW, THAT'S ALL THE PEOPLE THAT HELPED ME GET HERE.

293
00:22:32,017 --> 00:22:39,592
YOU KNOW, YOU'RE JUST -- AS YOU CAN SEE, I'M A LITTLE LITTLE CONFUSED.

294
00:22:39,592 --> 00:22:40,459
DO YOU UNDERSTAND WHAT I MEAN?

295
00:22:40,459 --> 00:22:51,670
I ALSO WANT TO THANK ELLE AND INGA AND WUNMI AND TEYANA.

296
00:22:51,670 --> 00:22:54,773
ME -- OH, MY LEGS ARE SHAVING.

297
00:22:54,773 --> 00:23:11,957
BECAUSE WHEN I WAS DOING ALL THE SCENES IN "WEAPONS", I WAS, LIKE, TRAVELING ALONE AND EVERYONE FROM "ONE BATTLE" AND EVERYONE FROM "SINNERS" AND ALL THE MOVIES, THEY JUST, LIKE, HUG ME AND SAID, YEAH, JUST COME ON HERE AND TELL US ABOUT YOU AND YOU MAY KNOW US.

298
00:23:11,957 --> 00:23:19,632
SO, I THINK THAT -- BUT MOST OF ALL I WANT TO THANK MY BEAUTIFUL DAUGHTER, LILLY, HER HUSBAND, SHAWN, AND OF COURSE ALL THE DOGS.

299
00:23:19,632 --> 00:23:27,773
BUT MOST IMPORTANTLY IS MY BELOVED ED.

300
00:23:27,773 --> 00:23:30,709
THE ONE WHO HAS BEEN WITH ME FOREVER.

301
00:23:30,709 --> 00:23:32,444
AND THAT'S A LONG TIME.

302
00:23:32,444 --> 00:23:36,615
AND IT WOULD MEAN NOTHING IF HE WASN'T BY ME.

303
00:23:36,615 --> 00:23:37,583
SO, THANK YOU SO MUCH.

304
00:23:37,583 --> 00:23:40,719
I'M SO THRILLED.

305
00:23:40,719 --> 00:23:53,832
♪

306
00:23:53,832 --> 00:23:56,835
>> Announcer: COMING SOON, WILL ARNETT AND CHANNING TATUM.

307
00:23:56,835 --> 00:23:59,338
WITH THAT WE WILL CELEBRATE MUSIC FROM "SINNERS."

308
00:23:59,338 --> 00:24:02,308
HERE IN THE SHOW "THE OSCARS" FROM THE DOLE THEATER AT OVATION HOLLYWOOD.

309
00:24:11,350 --> 00:24:15,955
>> CONan: I'M IN RHYTHM WITH TIMOTHEE RIGHT NOW.

310
00:24:15,955 --> 00:24:17,089
HE DON'T THINK SO.

311
00:24:17,089 --> 00:24:18,090
ALRIGHT.

312
00:24:18,090 --> 00:24:18,657
WELCOME BACK.

313
00:24:18,657 --> 00:24:24,163
WE'RE BROADCAST LIVE FROM THE "THE LITTLE GUY" THEATER.

314
00:24:24,163 --> 00:24:32,805
LOOK AT HIM PUTING HIS NAME IN FRONT OF THAT THEATER.

315
00:24:32,805 --> 00:24:34,206
[ LAUGHTER ]

316
00:24:39,812 --> 00:24:46,185
STARTING IN 2029 -- DID YOU KNOW THIS -- INSTEAD OF ABC, OSCAR WILL BE BROADCAST ONLY ON YOUTUBE.

317
00:24:46,185 --> 00:24:46,485
YES.

318
00:24:46,485 --> 00:24:47,686
THAT'S THE FUTURE.

319
00:24:47,686 --> 00:24:48,087
YES.

320
00:24:48,087 --> 00:24:49,321
THAT'S A BIG CHANGE.

321
00:24:49,321 --> 00:24:59,498
SOME PEOPLE ARE WORRIED THIS WILL CHANGE THE WAY THE OSCAR IS RECEIVED, BUT I AM ASSURED THAT -- >> GOING BACK TO THE FLASHLIGHT.

322
00:24:59,498 --> 00:25:03,635
GET UP TO LUMENS IN A HANDHELD FLASHLIGHT.

323
00:25:03,635 --> 00:25:11,276
THE FLASHLIGHT KILLED BIN LADEN.

324
00:25:11,276 --> 00:25:16,081
>> CONAN: I'M SORRY ABOUT THAT, BUT, LIKE I SAID, I DON'T THINK THIS WILL CHANGE THE OSCAR AT ALL.

325
00:25:16,081 --> 00:25:21,253
I THINK -- >> WERE YOU INJURED IN THE INCIDENT INVOLVING A TACTICAL FLASHLIGHT?

326
00:25:21,253 --> 00:25:25,357
YOU MAY BE ELIGIBLE FOR COMPENSATION.

327
00:25:25,357 --> 00:25:30,929
DON'T LET IT OVERVIEW YOU.

328
00:25:30,929 --> 00:25:33,465
>> Conan: POOR JANE LYNCH.

329
00:25:33,465 --> 00:25:42,141
OUR NEXT HOSTS ARE THE TWO MOST ALPHA DETERMINANT MEN IN MY BOOK CLUB, INVITING WILL ARNETT AND CHANNING TATUM.

330
00:25:44,810 --> 00:25:46,345
♪

331
00:25:50,215 --> 00:25:53,352
>> WE ARE HERE TONIGHT TO CELEBRATE EXCELLENCE IN THE FIELD OF ANIMATION.

332
00:25:53,352 --> 00:25:57,589
>> THAT'S RIGHT.

333
00:25:57,589 --> 00:25:59,391
>> THAT'S RIGHT, THAT'S RIGHT.

334
00:25:59,391 --> 00:26:08,467
AND, WILL, LET ME ADD, I'M A FAN OF YOUR WORK IN ANIMATED FILMS -- "BOJACK HORSEMAN," "LEGO BATMAN" -- PROBABLY MY FAVORITE.

335
00:26:08,467 --> 00:26:09,001
>> HE WAS IN THAT MOVIE TOO!

336
00:26:09,001 --> 00:26:10,035
>> I'M IN!

337
00:26:10,035 --> 00:26:12,671
MAN, YOU ARE SO AMAZING.

338
00:26:12,671 --> 00:26:14,273
HAVE YOU EVER CONSIDERED ACTING IN FRONT OF CAMERA?

339
00:26:14,273 --> 00:26:19,545
>> UM, YEAH, I DID THAT.

340
00:26:19,545 --> 00:26:22,481
IN FACT, THIS YEAR I MADE A MOVIE WITH BRADLEY COOPER.

341
00:26:22,481 --> 00:26:23,749
>> WHAT?

342
00:26:23,749 --> 00:26:23,982
REALLY?

343
00:26:23,982 --> 00:26:25,784
I LOVE THAT GUY.

344
00:26:25,784 --> 00:26:26,852
HE IS SO AMAZING.

345
00:26:26,852 --> 00:26:30,823
HE TAKES RISKS WITH NON-ACTORS.

346
00:26:30,823 --> 00:26:36,962
HE GETS, LIKE, REALLY GREAT PERFORMANCES FROM THEM.

347
00:26:36,962 --> 00:26:39,398
LADY GAGA -- YOU TOO, I GUESS.

348
00:26:39,398 --> 00:26:42,434
HE IS A MAGICIAN.

349
00:26:42,434 --> 00:26:44,803
THERE'S A MAGIC WAND.

350
00:26:44,803 --> 00:26:46,138
I'M SURE HE'S NOMINATED.

351
00:26:46,138 --> 00:26:49,475
>> I WAS NOT NOMINATED.

352
00:26:49,475 --> 00:26:49,842
>> IT'S OKAY.

353
00:26:49,842 --> 00:26:50,142
ME TOO.

354
00:26:50,142 --> 00:26:52,344
I GUESS WE'RE BOTH FREE FOR VOICE WORK.

355
00:26:52,344 --> 00:26:56,248
>> THE CANDIDATES FOR BEST ANIMATED FILM ARE --

356
00:26:58,016 --> 00:27:00,652
>> "ARCO."

357
00:27:00,652 --> 00:27:04,389
UGO BIENVENU, FELIX DE GIVRY, SOPHIE MAS AND NATALIE PORTMAN.

358
00:27:04,389 --> 00:27:06,558
"ELIO."

359
00:27:06,558 --> 00:27:13,365
MADELINE SHARAFIAN, DOMEE SHI, ADRIAN MOLINA AND MARY ALICE DRUMM.

360
00:27:13,365 --> 00:27:15,000
"KPOP DEMON HUNTERS."

361
00:27:15,000 --> 00:27:20,172
MAGGIE KANG, CHRIS APPELHANS AND MICHELLE L.M. WONG.

362
00:27:20,172 --> 00:27:24,543
"LITTLE AMELIE OR THE CHARACTER OF RAIN."

363
00:27:24,543 --> 00:27:28,780
MAILYS VALLADE, LIANE-CHO HAN, NIDIA SANTIAGO AND HENRI MAGALON.

364
00:27:28,780 --> 00:27:30,883
"ZOOTOPIA 2."

365
00:27:30,883 --> 00:27:37,789
JARED BUSH, BYRON HOWARD AND YVETT MERINO.

366
00:27:40,826 --> 00:27:53,772
>> AND THE OSCAR AWARD BELONGS TO -- KPOP DEMON HUNTERS.

367
00:27:53,772 --> 00:27:54,072
[ APPLAUSE ]

368
00:27:54,072 --> 00:28:02,981
>> Announcer: THIS IS THE FIRST TIME OSCAR WINNING FOR MAGGIE KANG, CHRIS APPELHANS AND MICHELLE L.M.

369
00:28:02,981 --> 00:28:05,684
WONG.

370
00:28:08,820 --> 00:28:11,924
♪

371
00:28:17,229 --> 00:28:20,933
[ APPLAUSE ]

372
00:28:31,176 --> 00:28:36,615
[ APPLAUSE ]

373
00:28:42,087 --> 00:28:42,487
>> THANK YOU.

374
00:28:42,487 --> 00:28:56,101
THANK YOU TO THE ACADEMY AND TO ALL THE FANS WHO HELPED US GET HERE, AND FOR THOSE WHO LOOK LIKE ME, I'M SO SORRY THAT IT'S BEEN SO LONG BEFORE WE'VE SEEN THEMSELVES IN A MOVIE LIKE THIS.

375
00:28:56,101 --> 00:28:56,401
[ APPLAUSE ]

376
00:28:56,401 --> 00:28:58,303
BUT IT IS HERE.

377
00:28:58,303 --> 00:29:01,640
AND THAT MEANS THE NEXT GENERATION DOESN'T HAVE TO WANT ANY MORE.

378
00:29:01,640 --> 00:29:03,875
THIS PRIZE IS FOR KOREAN AND FOR KOREAN PEOPLE EVERYWHERE.

379
00:29:03,875 --> 00:29:11,116
[ CLAP ]

380
00:29:11,116 --> 00:29:29,768
>> MUSIC AND STORIES HAVE THE POWER TO CONNECT US TOGETHER ACROSS CULTURES AND BOUNDARIES, SO I JUST WANT TO TAKE A MOMENT TO TELL ALL THE YOUNG FILMMAKERS, ARTISTS, MUSICIAN IN EVERYWHERE OF THE WORLD, LET'S TELL THE STORIES YOUR STORY, SING WITH YOUR OWN VOICE.

381
00:29:29,768 --> 00:29:30,902
I PROMISE YOU THE WORLD IS WAITING.

382
00:29:30,902 --> 00:29:33,005
[ APPLAUSE ]

383
00:29:33,005 --> 00:29:37,042
>> THANK YOU TO OUR PARTNERS AT NETFLIX.

384
00:29:37,042 --> 00:29:37,209
♪

385
00:29:37,209 --> 00:29:40,812
OH, OKAY.

386
00:29:40,812 --> 00:30:01,500
THANK YOU TO OUR PARTNERS AT NETFLIX WHO MADE ALL OF THIS REAL AND, OF COURSE, THANK YOU TO THE TEAMS AT SONY PICTURES AND SONY PICTURES MUSIC FOR YOUR EXCELLENCE IN FILMMAKING AND THE LOVE TO OUR HUSBANDS, ERIC, RAD AND MAUREEN FOR IT ALL SUPPORT.

387
00:30:01,500 --> 00:30:04,002
MOTHER, THIS IS FOR YOU.

388
00:30:08,840 --> 00:30:09,741
♪

389
00:30:16,615 --> 00:30:21,720
>> AND NOW THE AWARD FOR BEST ANIMATED SHORT FILMS AND THE CREATORS WHO BRING THESE ANIMATED STORIES TO LIFE.

390
00:30:21,720 --> 00:30:22,554
>> THAT'S RIGHT.

391
00:30:22,554 --> 00:30:35,434
TONIGHT WE ARE HONORING PEOPLE, NOT A.I. BECAUSE ANIMATION -- YEAH -- IT'S NOT JUST A PROP, IT'S AN ART FORM AND NEEDS TO BE PROTECTED.

392
00:30:35,434 --> 00:30:36,468
AM I RIGHT?

393
00:30:36,468 --> 00:30:36,768
[ APPLAUSE ]

394
00:30:36,768 --> 00:30:39,071
AM I RIGHT?

395
00:30:39,071 --> 00:30:40,806
[ APPLAUSE ]

396
00:30:40,806 --> 00:30:41,039
>> Yes.

397
00:30:41,039 --> 00:30:42,007
I FEEL THE SAME TOO.

398
00:30:42,007 --> 00:30:42,908
>> IT'S LATE.

399
00:30:42,908 --> 00:30:44,343
I WON THE HOSTING OF THIS SHOW.

400
00:30:44,343 --> 00:30:46,111
>> I DIDN'T REALIZE THIS WAS A COMPETITION.

401
00:30:46,111 --> 00:30:49,081
>> THAT'S WHY HE WENT SECOND.

402
00:30:49,081 --> 00:30:53,952
OKAY, THE CANDIDATES ARE -- "BUTTERFLY."

403
00:30:53,952 --> 00:30:56,822
FLORENCE MIAILHE AND RON DYENS.

404
00:30:56,822 --> 00:30:57,622
"FOREVERGREEN."

405
00:30:57,622 --> 00:31:06,665
NATHAN ENGELHARDT AND JEREMY SPEARS.

406
00:31:06,665 --> 00:31:08,233
"THE GIRL WHO CRIED PEARLS."

407
00:31:08,233 --> 00:31:09,034
CHRIS LAVIS AND MACIEK SZCZERBOWSKI.

408
00:31:09,034 --> 00:31:09,434
"RETIREMENT PLAN."

409
00:31:09,434 --> 00:31:11,970
JOHN KELLY AND ANDREW FREEDMAN.

410
00:31:11,970 --> 00:31:12,838
"THE THREE SISTERS."

411
00:31:12,838 --> 00:31:15,006
KONSTANTIN BRONZIT.

412
00:31:17,776 --> 00:31:28,954
>> AND THE OSCAR AWARD BELONGS -- >> "THE GIRL WHO CRIED PEARLS."

413
00:31:28,954 --> 00:31:40,832
>> Announcer: THIS IS THE SECOND NOMINATION OF CHRIS LAVIS AND MACIEK SZCZERBOWSKI.

414
00:31:40,832 --> 00:31:44,269
THEY HAVE BEEN NOMINATED BEFORE.

415
00:31:44,269 --> 00:31:45,036
>> OH, MY GOD.

416
00:31:45,036 --> 00:31:51,410
WE ARE REALLY EXCITED.

417
00:31:51,410 --> 00:31:57,616
I GUESS PEOPLE THINK THAT IT TAKES PATIENCE TO SPEND FIVE YEARS MAKING A PUNCH MOVIE.

418
00:31:57,616 --> 00:32:01,553
IT TAKES PATIENCE TO LIVE WITH SOMEONE THAT TAKES FIVE YEARS TO MAKE A DRUNK MOVIE.

419
00:32:01,553 --> 00:32:07,626
I WANT TO THANK MY WIFE MAYA, MY DAUGHTER.

420
00:32:07,626 --> 00:32:08,994
>> OUR BEAUTIFUL STEPHANIE AND NOLA.

421
00:32:08,994 --> 00:32:09,394
NOLA.

422
00:32:09,394 --> 00:32:16,868
WE WANT TO THANK THE NATIONAL FILM BOARD, OUR GREAT PRODUCERS, JULIE, MARK AND CHRISTIE.

423
00:32:16,868 --> 00:32:25,744
>> OUR GREAT ASSOCIATE BRIDGETTE HENRY, PATRICK WATSON, JAMES HEINEMAN.

424
00:32:25,744 --> 00:32:38,356
>> AND TO CLOSE QUICKLY, WE REALLY WANT TO THANK OUR AMAZING NEIGHBORHOOD AND THE TALENTED COMMUNITY OF ARTISTS WITH WHOM WE'VE HAD THE GREAT LUCK TO WORK WITH.

425
00:32:38,356 --> 00:32:41,092
THANK YOU GREAT CITY MONTREAL.

426
00:32:41,092 --> 00:32:41,493
THANK YOU, CANADA.

427
00:32:41,493 --> 00:32:44,830
>> CAP DA!

428
00:32:44,830 --> 00:32:45,130
CANADA!

429
00:32:47,199 --> 00:32:50,235
♪

430
00:33:04,249 --> 00:33:10,956
>>> THERE ARE MYTHS ABOUT HUMANS, BETWEEN LIFE AND DEATH.

431
00:33:10,956 --> 00:33:22,634
>> MISSISSIPPI RIVER DELTA BLUES MUSIC IS A FORM OF HEALING AND AFFIRMATION OF THE EXISTENCE OF PEOPLE WHO DREAM, WHO BUILD, FIGHT, LOVE.

432
00:33:22,634 --> 00:33:24,669
IT IS BOTH SACRED AND PROSECULAR.

433
00:33:24,669 --> 00:33:26,905
SIMPLE BUT COMPLEX.

434
00:33:26,905 --> 00:33:30,742
BOTH HUMAN AND GOD.

435
00:33:30,742 --> 00:33:34,713
IT IS A POWERFUL GLOBAL CULTURE IN ITS IMAGE.

436
00:33:34,713 --> 00:33:40,785
IT IS ABOUT THAT POWER AND THE SONG IS ABOUT THOSE PEOPLE.

437
00:33:46,358 --> 00:33:57,602
>> JUST DANCE WITH THE DEVIL, ONE DAY HE WILL FOLLOW HOME.

438
00:33:57,602 --> 00:33:59,170
>> KEEP TEACHING.

439
00:33:59,170 --> 00:34:00,438
SPEAK HIS WORDS.

440
00:34:00,438 --> 00:34:02,140
I KNOW THE TRUTH IS PAINFUL.

441
00:34:02,140 --> 00:34:07,045
SO I LIE TO YOU.

442
00:34:07,045 --> 00:34:09,648
♪ SOMETHING I STILL WANT TO TELL YOU FOR A LONG TIME ♪

443
00:34:09,648 --> 00:34:15,353
♪ IT MIGHT MAKE YOU PAIN HOPE YOU WILL NOT LOSE YOUR MIND ♪

444
00:34:15,353 --> 00:34:19,090
♪ OH I'M JUST A BOY ABOUT 8 YEARS OLD ♪

445
00:34:19,090 --> 00:34:23,962
♪ YOU THROWN ME A BIBLE ON THAT MISSISSIPPI ROAD ♪

446
00:34:23,962 --> 00:34:28,800
♪ I SEE THAT MY SON, I LOVED FATHER, I HAVE DONE EVERYTHING I COULD ♪

447
00:34:28,800 --> 00:34:36,041
♪ THEY SAY THE TRUTH IS PAINFUL SO I LIE TO YOU YES I LIE TO YOU ♪

448
00:34:36,041 --> 00:34:40,978
♪ I LOVE BLUES

449
00:34:42,781 --> 00:34:49,853
♪

450
00:34:50,989 --> 00:34:55,460
♪

451
00:34:57,729 --> 00:35:09,908
♪ SOMEONE, PLEASE HOLD ME IN YOUR ARMS TONIGHT ♪

452
00:35:09,908 --> 00:35:16,214
♪ SOMEONE, PLEASE HOLD ME IN YOUR ARMS TONIGHT ♪

453
00:35:16,214 --> 00:35:26,992
♪ SOMEONE, PLEASE HOLD ME IN YOUR ARMS TONIGHT ♪

454
00:35:26,992 --> 00:35:40,071
♪ SOMEONE HUG ME I HOPE YOU CAN ENDORSE IT ALL ♪

455
00:35:40,071 --> 00:35:44,309
♪ BECAUSE OF WHAT I DO OUT THERE, FATHER NEVER TEACHES ♪

456
00:35:44,309 --> 00:35:51,016
♪ YOU SEE THAT YOU ARE FILLED WITH BLUES OF HOLY WATER TOO ♪

457
00:35:51,016 --> 00:35:56,988
♪ I KNOW THE TRUTH IS PAINFUL SO I LIE TO YOU ♪

458
00:35:56,988 --> 00:36:00,191
♪ SO GO ON AND SPEAK MY WORDS ♪

459
00:36:00,191 --> 00:36:03,928
♪ I KNOW THE TRUTH IS PAINFUL YES I LIE TO YOU ♪

460
00:36:03,928 --> 00:36:11,369
♪ I LOVE BLUES I LOVE BLUES ♪

461
00:36:11,369 --> 00:36:14,506
♪ Yes Yes Yes AYY-AYY-AYY ♪

462
00:36:14,506 --> 00:36:36,461
♪ KNOWING THE TRUTH IS PAINFUL AYY-AYY-AYY ♪ I KNOW THE TRUTH IS PAINFUL SO I LIE TO YOU ♪

463
00:36:36,461 --> 00:36:42,100
♪ OH SOMEBODY, HUG ME IN YOUR ARMS ♪

464
00:36:42,100 --> 00:36:49,107
♪ TONIGHT ♪ AYY-AYY-AYY OHH AYY-AYY-AYY ♪

465
00:36:49,107 --> 00:36:59,284
♪ IN MM-HM-MM'S ARMS ♪

466
00:37:00,218 --> 00:37:05,356
♪

467
00:37:10,361 --> 00:37:15,133
[ APPLAUSE ]

468
00:37:15,133 --> 00:37:21,339
♪

469
00:37:26,578 --> 00:37:31,950
[ APPLAUSE ]

470
00:37:31,950 --> 00:37:37,322
♪ I'M ON A NEW LEVEL >> I HAVE A MISSION.

471
00:37:37,322 --> 00:37:40,925
IF YOU THINK IT'S A BLESSING, IT'S NOT.

472
00:37:40,925 --> 00:37:45,196
IT PUT ME AT A BIG DISADVANTAGE IN LIFE.

473
00:37:45,196 --> 00:37:50,902
IT MEANS I HAVE AN OBLIGATION TO COMPLETE A SPECIFIC THING.

474
00:37:50,902 --> 00:37:55,740
♪ I'M ON A NEW LEVEL >> AND WITH THAT OBLIGATION COMES WITH SACRIFICE.

475
00:37:55,740 --> 00:37:59,644
>> WHAT DO YOU PLAN TO DO IF THIS WHOLE DREAM OF YOURS DOESN'T COME TRUE?

476
00:37:59,644 --> 00:38:08,787
>> THAT DON'T EVEN ENTER MY THOUGHTS.

477
00:38:08,787 --> 00:38:19,964
♪ I'M ON A NEW LEVEL >>> BEFORE WE GO FURTHER, LET'S GIVE A CLEAR OF APPLAUSE FOR OUR EXCELLENT CONDUCTORS, MICHAEL BEARDEN, AND THE INCREDIBLE ACADEMY SYMPHONY ORCHESTRA.

478
00:38:19,964 --> 00:38:20,398
MAESTRO.

479
00:38:20,398 --> 00:38:20,765
[ CLAP ].

480
00:38:20,765 --> 00:38:26,638
>> AND THE MASTER OF CONCERT, CHARLIE BICHEROT.

481
00:38:26,638 --> 00:38:28,072
SIR, WE WELCOME YOU.

482
00:38:28,072 --> 00:38:46,457
AND FOR THOSE WHO ARE FANS OF "MARTY SUPREME," YOU WILL LOVE THE ORCHESTRA'S NEWEST INSTRUMENT, TIMOTHEE CHALAMET BUM DRUM.

483
00:38:46,457 --> 00:38:46,791
[ CLAP ].

484
00:38:46,791 --> 00:38:55,133
>> WE'RE HERE TONIGHT TO CELEBRATE THIS YEAR'S MOVIES, BUT I NEED TO EMPHASIZE THIS, WE ALSO CARE DEEPLY ABOUT PRESERVING CINEMA HISTORY.

485
00:38:55,133 --> 00:38:56,901
IT MUST BE PRESERVED.

486
00:38:56,901 --> 00:39:04,075
I WANT TO HIGHLIGHT A STUDIO COMMITTED TO DOING JUST THAT FOR THE SMARTPHONE GENERATION.

487
00:39:04,075 --> 00:39:14,752
>> VENTURA CROSS ROADS LABS, A GROUP OF FILM PRESERVATIONS COMMITTED TO ONE SIMPLE GOAL, TO MAKE MOVIES VERY TALL AND VERY TALL.

488
00:39:14,752 --> 00:39:23,628
AS MORE PEOPLE DEPEND ON PERSONAL DEVICES FOR ENTERTAINMENT, VENTURA CROSS ROADS MEETS THIS NEED BY UPDATED THE CLASSICS FOR TODAY'S MOVIE AUDIENCE.

489
00:39:23,628 --> 00:39:26,397
USING A.I. SOFTWARE

490
00:39:26,397 --> 00:39:31,603
Sophisticated, VENTURA CROSS ROADS PRESERVES ONLY THE MOST VISUAL INTERESTING PARTS OF THE FRAME.

491
00:39:31,603 --> 00:39:33,404
>> YES, YES, YES!

492
00:39:33,404 --> 00:39:51,122
>> SO NOW FUTURE AUDIENCES CAN ENJOY REVISITING CLASSICS, LIKE "TWO ANGRY MEN" AND "ODD FAT II" HOLLYWOOD'S BIGGEST MOVIES, MADE SMALLER AND TIGGER, ALL THROUGH VENTURA CROSS ROADS.

493
00:39:51,122 --> 00:39:52,123
OH, ONE MORE THING.

494
00:39:52,123 --> 00:39:56,494
>> TELL THEM MARTY SENT YOU.

495
00:39:56,494 --> 00:39:58,529
[ CLAP ].

496
00:39:58,529 --> 00:39:59,330
>> IMPORTANT WORK.

497
00:39:59,330 --> 00:39:59,998
IMPORTANT WORK.

498
00:39:59,998 --> 00:40:04,702
IT'S TIME TO INTRODUCE THE NEXT HOST, BUT LET'S MAKE THIS SPECIAL.

499
00:40:04,702 --> 00:40:12,110
WE CAN HAVE A BUM, OKAY.

500
00:40:12,110 --> 00:40:13,311
WHY, CONAN, WHY.

501
00:40:13,311 --> 00:40:17,682
AT ONE TIME IN MY LIFE, I WERE BOTH HAIR STYLES.

502
00:40:17,682 --> 00:40:39,103
WE WELCOME OSCAR MASTER ANN HATHAWAY AND BARONEN ANNA WINTOUR.

503
00:40:39,103 --> 00:40:40,438
♪

504
00:40:40,438 --> 00:40:59,424
>> WHETHER IT'S TWO GEM-TONED HATS, A FULLY CRAFT HEADSET, A SIMPLE PAIR OF UNCOMPACT GLASS, COMPLEX AND IMPRESSIVE WORKS THAT BRING LIFE TO A GOTHIC CLASSIC, OR WATCHING THE COLOR OF RED TURNING RUST COLOR IN 16TH CENTURY ENGLAND.

505
00:40:59,424 --> 00:41:01,960
A CHARACTER'S COSTUME IS KEY TO TELLING A STORY.

506
00:41:01,960 --> 00:41:06,197
IT COULD BE ARGUED THAT ONE'S WARDROBE IN REAL LIFE IS ALSO IMPORTANT.

507
00:41:06,197 --> 00:41:17,041
WILL IT MAKE A PERSON LOOK ELEGANT AND ATTRACTIVE, SUCH AS THE MOST IMPORTANT NIGHT IN HOLLYWOOD AND WILL THE MOST IMPORTANT PEOPLE IN THE FASHION INDUSTRY EVALUATE ON APPEARANCES.

508
00:41:17,041 --> 00:41:27,018
ANNA, JUST CURIOUS, WHAT DO YOU THINK ABOUT MY OUTFIT TONIGHT?

509
00:41:27,018 --> 00:41:36,260
>> AND THE CANDIDATES ARE -- [ LAUGHTER ].

510
00:41:36,260 --> 00:41:40,732
♪

511
00:41:40,732 --> 00:41:44,869
>>> "AVATAR: FIRE AND ASH," COSTUME DESIGN BY DEBORAH L.

512
00:41:44,869 --> 00:41:46,671
SCOTT.

513
00:41:46,671 --> 00:41:53,811
"FRANKENSTEIN" COSTUME DESIGN BY KATE HOLLY.

514
00:41:53,811 --> 00:42:02,920
"HAMNET," COSTUME DESIGN BY -- >> "MARTY SUPREME," COSTUME DESIGN BY MIAKO BELITZI.

515
00:42:02,920 --> 00:42:09,594
"SINNERS," COSTUME DESIGN BY RUTH E.-COTTA.

516
00:42:09,594 --> 00:42:22,206
>> AND THE OSCAR AWARD FOR BEST COSTUME DESIGN GOES TO -- "FRANKENSTEIN" KATE HOLLY.

517
00:42:22,206 --> 00:42:26,844
>> THIS IS THE FIRST TIME WINNING AN OSCAR AND BEING NOMINATED FOR KATE HOLLY.

518
00:42:26,844 --> 00:42:38,656
SHE IS AN APPRECIATED NEW ZEALAND COSTUME DESIGNER, KNOWN FOR WORKS IN THE FANTASY AND SCIENCE FICTION GENRES.

519
00:42:38,656 --> 00:42:47,965
[ CLAP ].

520
00:42:47,965 --> 00:42:57,775
♪

521
00:42:57,775 --> 00:43:12,123
>> ON BEHALF OF MYSELF AND THE GREAT TEAM I WORK WITH, THE ARTISTS, THE ALCHEMISTS, THE DREAM WEAVERS, WE ARE EXTREMELY GRATEFUL TO THE ACADEMY FOR RECOGNIZING OUR PROFESSION.

522
00:43:12,123 --> 00:43:20,264
IT'S AN HONOR TO PLAY WITH RUTH, MIAGA, AND SCOTT.

523
00:43:20,264 --> 00:43:23,234
IT'S GREAT TO KNOW YOU.

524
00:43:23,234 --> 00:43:26,871
AND GUILLERMO, I WILL NOT CRY.

525
00:43:26,871 --> 00:43:32,210
THANK YOU FOR YOUR VISION AND FOR TAKING US ON YOUR JOURNEY.

526
00:43:32,210 --> 00:43:34,679
IT IS A PRIVILEGE TO BE PART OF IT.

527
00:43:34,679 --> 00:43:37,548
ALL OF OUR NOMINATIONS ARE ALSO HIS NOMINATIONS.

528
00:43:37,548 --> 00:43:39,217
WE SHARE WITH YOU.

529
00:43:39,217 --> 00:43:48,526
A BIG THANK YOU TO THE AMAZING CAST AND A SPECIAL THANK YOU TO DENNIS AND MY FAMILY WHO HAVE SUFFERED SO MUCH [MUTE]

530
00:43:48,526 --> 00:43:50,528
OVER THE PAST YEARS.

531
00:43:50,528 --> 00:43:58,302
MY BELOVED DAUGHTER, LITTLE EDDIE WITH BIG EDDI-E AND ALL WHO HAVE SUPPORTED US ALL THE WAY.

532
00:43:58,302 --> 00:44:01,405
NETFLIX, SCOTT, MILES FAMILY.

533
00:44:01,405 --> 00:44:01,873
I DON'T KNOW ANYMORE.

534
00:44:01,873 --> 00:44:02,740
I'VE LOST MY CALM.

535
00:44:02,740 --> 00:44:05,143
BUT I AM SO, SO GRATEFUL.

536
00:44:05,143 --> 00:44:13,284
THANK YOU SO MUCH FOR RECOGNIZED OUR PROFESSION.

537
00:44:13,284 --> 00:44:23,561
[ CLAP ].

538
00:44:23,561 --> 00:44:24,662
♪

539
00:44:24,662 --> 00:44:28,866
>> HAIR AND MAKEUP CHOICES CAN MAKE A PERFORMANCE COME TO LIFE.

540
00:44:28,866 --> 00:44:37,041
THESE ARTISTS DELICATELY BALANCE BETWEEN BOLDNESS AND TRANSPARENCY, CONSTANTLY ASKING THEMSELVES WHETHER THEY SHOULD PULL BACK OR PLAY TO THE BEST.

541
00:44:37,041 --> 00:44:42,647
THESE FIVE NOMINATED FILMS ARE STUNNING EXAMPLES OF VISION, ARTISTIC AND INTELLIGENCE.

542
00:44:42,647 --> 00:44:44,448
ANNA, DO YOU WANT TO READ THE CANDIDATES?

543
00:44:44,448 --> 00:44:47,885
>> THANK YOU, EMILY.

544
00:44:47,885 --> 00:45:06,537
AND THE CANDIDATES ARE -- >> "FRANKENSTEIN" MIKE HILL, JORDAN SAMUEL.

545
00:45:06,537 --> 00:45:09,240
KAKUHO.

546
00:45:09,240 --> 00:45:33,864
"SINNERS" -- "THE SMASHING MACHINE -- "THE UGLY STEPSISTER" -- >> AND THE OSCAR AWARD WENT TO -- MIKE HILL, JORDAN SAMUEL AND FIONA FOR "FRANKENSTEIN".

547
00:45:33,864 --> 00:45:44,609
>> THIS IS THE FIRST TIME WINNING AN OSCAR AND NOMINATION FOR MIKE HILL, JORDAN SAMUEL.

548
00:45:44,609 --> 00:46:04,362
THE PASTOR'S MAKE-UP PROCESS TAKES 11 HOURS A DAY, WITH 42 DIFFERENT PIECE OF PROSENSITIES.

549
00:46:04,362 --> 00:46:08,599
>> AMAZING.

550
00:46:08,599 --> 00:46:16,240
TRADITION.

551
00:46:16,240 --> 00:46:20,344
>> OKAY.

552
00:46:20,344 --> 00:46:22,913
THANK YOU SO MUCH.

553
00:46:22,913 --> 00:46:27,351
WHEN WE MADE THIS MOVIE.

554
00:46:27,351 --> 00:46:30,488
WE THOUGHT THAT WE WERE PART OF SOMETHING SPECIAL.

555
00:46:30,488 --> 00:46:32,657
THANK YOU.

556
00:46:32,657 --> 00:46:35,459
THANK YOU COLLEAGUES.

557
00:46:35,459 --> 00:46:37,461
THANKS MILES AND SCOTT.

558
00:46:37,461 --> 00:46:39,797
THANK YOU NETFLIX.

559
00:46:39,797 --> 00:46:48,673
AND OF COURSE, THANK YOU TO NATE JACOB ELORDI, WHO SITTED 400 HOURS ON A COSTUME CHAIR DURING FILMING.

560
00:46:48,673 --> 00:46:56,380
A PERSONAL THANK YOU TO DEAR MEG AND TO MY FRIEND GUILLERMO DEL TORO, HE DID IT, FRIEND.

561
00:46:56,380 --> 00:47:03,654
HE BROUGHT OUR BELOVED "FRANKENSTEIN" BACK AND WE WANT TO THANK HIM FOR ALLOWING US TO TURN HIS DREAM PROJECT INTO OUR DREAM PROJECT.

562
00:47:03,654 --> 00:47:05,189
THANK YOU.

563
00:47:05,189 --> 00:47:05,623
[ CLAP ].

564
00:47:05,623 --> 00:47:10,361
>> WE WANT TO THANK ALL THE PROSTHETICS, MAKEUP AND HAIR PEOPLE FOR ALL THE HARD WORK THEY HAVE DONE.

565
00:47:10,361 --> 00:47:17,568
IT WAS CLEAR ON SCREEN AND WE ARE FOREVER GRATEFUL TO YOU.

566
00:47:17,568 --> 00:47:18,336
THANK.

567
00:47:18,336 --> 00:47:33,150
♪

568
00:47:33,150 --> 00:47:38,322
>> Announcer: COMING SOON, A STAR-STARMED EVENT FOR THE FIRST CASTING OSCAR AWARDS.

569
00:47:38,322 --> 00:47:40,291
ONLY AVAILABLE AT "THE OSCARS," HERE ON ABC.

570
00:47:50,134 --> 00:47:51,302
♪

571
00:47:51,302 --> 00:47:54,839
>>> WHEN YOU TOUCHED ME, WHAT DID YOU SEE?

572
00:47:54,839 --> 00:47:58,642
>> I SEE A VIEW.

573
00:47:58,642 --> 00:48:01,545
PLACES AND LANDS THAT HAVE NOT BEEN EXPLORED.

574
00:48:01,545 --> 00:48:04,749
>> THE MOVIE IS ABOUT HOPE.

575
00:48:04,749 --> 00:48:06,717
EMPATHY.

576
00:48:06,717 --> 00:48:08,519
PAIN.

577
00:48:08,519 --> 00:48:12,390
AND LOVE.

578
00:48:12,390 --> 00:48:17,862
WE HAVE THE POWER TO TURN THESE EMOTIONS INTO ART.

579
00:48:17,862 --> 00:48:21,866
>> WHAT DO YOU SEE?

580
00:48:21,866 --> 00:48:28,339
>> LOVE IS NOT DEAD, IT ONLY TRANSFORMS.

581
00:48:28,339 --> 00:48:28,639
[ APPLAUSE ]

582
00:48:28,639 --> 00:48:43,120
>> Announcer: PLEASE INVITE PAUL MESCAL, GWYNETH PALTROW, CHASE INFINITI, WAGNER MOURA AND DELROY LINDO.

583
00:48:43,120 --> 00:48:45,089
♪

584
00:48:45,089 --> 00:48:55,199
[APPLAUSE].

585
00:48:55,199 --> 00:49:07,978
>> THE FIVE OF US ON THIS STAGE ARE REALLY HONORED TO BE AWARDED THE FIRST OSCAR AWARD FOR ACCOMMODATION.

586
00:49:07,978 --> 00:49:08,312
[ CLAP ].

587
00:49:08,312 --> 00:49:12,650
AN EXCELLENT CAST DIRECTOR DETERMINES THE SOUL OF A STORY.

588
00:49:12,650 --> 00:49:14,852
AND NINA, YOU'VE FOUND THE SOUL OF "HAMNET" IN THE WILLIAM AND AGNES' FAMILY.

589
00:49:14,852 --> 00:49:27,231
THEY ARE THE HEART OF THE MOVIE, AND WATCHING YOU WORK WITH CHLOE ZHAO TO MAKE THE PERFECT EMOTIONAL CONNECTION BETWEEN THE KIDS AND JESSIE AND I WAS AN INCREDIBLE THING TO WITNESS.

590
00:49:27,231 --> 00:49:30,701
SO THANK YOU.

591
00:49:30,701 --> 00:49:34,972
[ CLAP ].

592
00:49:34,972 --> 00:49:42,947
>> BEING PART OF "MARTY SUPREME" MEANS STEPPING INTO A CAST THAT FEEL SO ALIVE FROM DAY ONE.

593
00:49:42,947 --> 00:49:47,351
AND THAT COMES FROM THE EXCELLENCE OF JENNIFER VENDITTI.

594
00:49:47,351 --> 00:49:59,196
JENNIFER, YOU HAVE THIS RARE ABILITY TO SEE OTHERS AS THEY ARE AND UNDERSTAND EXACTLY HOW THEY BELONG TO A STORY.

595
00:49:59,196 --> 00:50:04,168
WITH YOUR BACKGROUND IN DOCUMENTARIES, YOU UNDERSTAND THE TRUE VALUE OF LIVED EXPERIENCE.

596
00:50:04,168 --> 00:50:06,337
IT CANNOT BE FAKED.

597
00:50:06,337 --> 00:50:10,207
IN YOUR EYES, EVERYONE IS A CHARACTER WITH A STORY TO TELL.

598
00:50:10,207 --> 00:50:17,314
AND AS A LUCKY ONE AMONG THEM, I FEEL THAT ATTENTION EVERY DAY ON SET.

599
00:50:17,314 --> 00:50:33,364
TONIGHT WE'RE CONORING THE INVISIBLE INTELLIGENT ARCHITECTURE THAT YOU HAVE BUILT UNDER EVERY MOMENT OF "MARTY SUPREM."

600
00:50:33,364 --> 00:50:42,506
>>> I'M HERE TONIGHT BECAUSE OF A CASTING DIRECTOR CASSANDRA KULUKUNDIS.

601
00:50:42,506 --> 00:50:44,074
SHE SPENT YEARS SEARCHING FOR WILLA.

602
00:50:44,074 --> 00:50:48,779
AND SHE SAW SOMETHING IN ME THAT EVEN I DIDN'T KNOW.

603
00:50:48,779 --> 00:50:49,880
HER FAITH IN ME HELPED ME BELIEVE IN MYSELF.

604
00:50:49,880 --> 00:51:04,328
AND THOUGH OF HER DETERMINATION, IMAGINATION AND INSTINCTION, I WAS CHOSEN IN MY FIRST MOTION, "ONE BATTLE AFTER ANOTHER," WHICH HAS 13 OSCAR NOMINATIONS TONIGHT.

605
00:51:04,328 --> 00:51:04,662
[ CLAP ].

606
00:51:04,662 --> 00:51:19,643
GREAT CASTING DIRECTORS LIKE CASSANDRA KNOW HOW TO MIX THE ACTRESS WE LOVE WITH NEW FACES AND MAKE A MOVIE FEEL UNPREDICTABLE AND COMPLETELY UNIQUE.

607
00:51:19,643 --> 00:51:26,016
[ CLAP ].

608
00:51:26,016 --> 00:51:31,355
>> "THE SECRET AGENT" -- [ APPLAUSE ].

609
00:51:31,355 --> 00:51:35,593
"THE SECRET AGENT" IS SET IN BRAZIL IN THE LATE 1970S.

610
00:51:35,593 --> 00:51:49,640
GABRIEL DOMINGUES HAD TO PUT PEOPLE IN THE MOVIE whose faces looked like they belonged to that era.

611
00:51:49,640 --> 00:51:56,714
GABRIEL, YOU ACHIEVED THAT GOAL.

612
00:51:56,714 --> 00:51:57,047
[ CLAP ].

613
00:51:57,047 --> 00:51:59,283
YOU HAVE FOUND THOSE FACES.

614
00:51:59,283 --> 00:52:18,102
AND YOU DID IT BY GIVING ATTENTION AND ATTENTION TO THE SMALLEST ROLE AS WELL AS THE BIGGEST, AND THE LIFE IT BRINGS TO OUR FILM IS PRICELESS.

615
00:52:18,102 --> 00:52:29,046
GABRIEL, YOU USED YOUR TECHNIQUES TO SHAPE AN ENTIRE WORLD IN "THE SECRET AGENT."

616
00:52:29,046 --> 00:52:30,114
[ CLAP ].

617
00:52:30,114 --> 00:52:41,992
AND FOR THAT I ASK -- >> FRANCINE MAISLER.

618
00:52:41,992 --> 00:52:46,363
[ CLAP ].

619
00:52:46,363 --> 00:52:54,138
WHEN YOU LOOK BACK AT THE CAST OF "SINNERS," IT'S CLEAR TO EVERYONE THAT YOU KNOW HOW TO DISCOVER NEW TALENT.

620
00:52:54,138 --> 00:53:02,079
I AM PERSONALLY VERY GRATEFUL TO YOU FOR MADE A SPACE FOR SOMEONE WHO HAS BEEN IN THIS CAREER FOR A WHILE TIME.

621
00:53:02,079 --> 00:53:04,314
IN "SINNERS," EACH CHARACTER HAS A UNIQUE FEELING.

622
00:53:04,314 --> 00:53:06,450
SEPARATE.

623
00:53:06,450 --> 00:53:12,589
FULL OF LIFE.

624
00:53:12,589 --> 00:53:18,028
FRANCINE, AND YET TOGETHER, THEY CREATED SOMETHING GREATER, A LIVING, BREATHING WORLD.

625
00:53:18,028 --> 00:53:19,997
THAT IS NOT RANDOM.

626
00:53:19,997 --> 00:53:24,902
THAT HAPPENS BECAUSE, FRANCINE, YOU UNDERSTAND THAT IDENTITY IS CULTURAL.

627
00:53:24,902 --> 00:53:27,004
GENERALIZATIONAL.

628
00:53:27,004 --> 00:53:35,412
COMMUNITY.

629
00:53:35,412 --> 00:53:40,718
[ CLAP ].

630
00:53:40,718 --> 00:53:50,728
>> AND THE FIRST OSCAR AWARD FOR ACTOR GOES TO -- CASSANDRA KULUKUNDIS.

631
00:53:50,728 --> 00:53:55,165
"ONE BATTLE AFTER ANOTHER."

632
00:53:55,165 --> 00:54:11,014
THE BEST ACTRESS OSCAR IS THE ACADEMY'S FIRST NEW COMPETITIVE AWARD IN 24 YEARS.

633
00:54:11,014 --> 00:54:14,585
[ CLAP ].

634
00:54:14,585 --> 00:54:16,320
>> YEAH, I SAID THAT.

635
00:54:16,320 --> 00:54:16,653
ALRIGHT.

636
00:54:16,653 --> 00:54:18,122
WOW, WOW, WOW, WOW.

637
00:54:18,122 --> 00:54:18,355
ALRIGHT.

638
00:54:18,355 --> 00:54:27,297
OBVIOUSLY I SHOULD THANK THE ACADEMY FOR ADDING THIS CATEGORY AND THANK THE CAST DIRECTORS WHO HAVE FIGHTED TIRED TO MAKE IT REAL DESPITE ALL THE OBSTACLES IN THE PATH.

639
00:54:27,297 --> 00:54:29,333
I GIVE THIS PRIZE TO YOU.

640
00:54:29,333 --> 00:54:39,143
AND FOR THOSE CAST DIRECTORS WHO HAVE NEVER HAD THE CHANCE TO BE HERE, WHO HAVEN'T EVEN HAD THE CHANCE TO HAVE THEIR NAME APPEAR ON THE MOVIE, SO THIS AWARD IS FOR YOU.

641
00:54:39,143 --> 00:54:48,986
WHEN PAUL THOMAS ANDERSON CALLS YOU, YOU GO INTO THE PTA WITNESS PROTECTION PROGRAM AND YOU REALLY DON'T TALK TO YOUR FRIENDS AND FAMILY UNLESS THEY HAVE SOMEONE THAT'S RIGHT FOR THE FILM.

642
00:54:48,986 --> 00:54:54,024
AND I MADE THEM ALL WORK AND I GET ANGRY WITH THEM WHEN THEY DON'T CONTRIBUTE.

643
00:54:54,024 --> 00:55:02,900
AND I HAVE TO THANK ALL OF THE FILM CREW MEMBERS WHO I HAVE IN ALL OF YOUR DEPARTMENTS WHETHER YOU LIKE ME OR NOT, WHETHER IT'S THE LOCATION DEPARTMENT, WHO REALLY HATE ME.

644
00:55:02,900 --> 00:55:04,201
STUNTS.

645
00:55:04,201 --> 00:55:08,605
PRODUCTION DESIGN, Yeah, EVERYONE AND THE EDITORS OF COURSE, THANK YOU.

646
00:55:08,605 --> 00:55:12,042
BUT THIS IS A THING.

647
00:55:12,042 --> 00:55:16,680
AND I JUST THANK YOU FOR -- I MEAN, TEN MOVIES.

648
00:55:16,680 --> 00:55:22,886
WE HAVE BEEN DOING THIS FOR OVER 30 YEARS.

649
00:55:22,886 --> 00:55:23,153
GREET.

650
00:55:23,153 --> 00:55:25,322
Yeah, I HOPE YOU WILL GET ONE TONIGHT.

651
00:55:25,322 --> 00:55:27,891
THANK YOU SO MUCH, EVERYONE.

652
00:55:27,891 --> 00:55:31,528
THANK.

653
00:55:31,528 --> 00:55:34,832
[ CLAP ].

654
00:55:34,832 --> 00:55:36,433
♪

655
00:55:36,433 --> 00:55:37,901
>> Announcer: TONIGHT, WE CELEBRATE GREATNESS.

656
00:55:37,901 --> 00:55:38,936
LEGENDS.

657
00:55:38,936 --> 00:55:39,436
SYMBOLS.

658
00:55:39,436 --> 00:55:40,003
THE BEST THINGS.

659
00:55:40,003 --> 00:55:43,473
AND NOW, MEET THE CANDY TO RULE THEM ALL -- THE BEST WHOPPER YOU'VE EVER TASTED.

660
00:55:49,746 --> 00:55:55,152
♪

661
00:55:55,152 --> 00:55:58,222
>>> WHY DON'T YOU WANT TO ACCEPT THE ROLE?

662
00:55:58,222 --> 00:56:01,325
>> HE WANT YOU TO TAKE THE ROLE.

663
00:56:01,325 --> 00:56:03,493
>> I CAN'T WORK WITH HIM.

664
00:56:03,493 --> 00:56:06,263
WE REALLY CAN'T TALK.

665
00:56:10,267 --> 00:56:18,342
>> I TRY TO UNDERSTAND PEOPLE IN THE FILMS I MAKE.

666
00:56:18,342 --> 00:56:24,882
CINEMATIC LANGUAGE SOMEHOW BRINGS US CLOSER TO HUMANS COMPARED TO EVERYDAY LIFE.

667
00:56:24,882 --> 00:56:35,525
WE ARE ALLOWED TO REALLY LOOK AT OTHERS.

668
00:56:35,525 --> 00:56:50,841
[ CLAP ].

669
00:56:50,841 --> 00:56:51,141
[ LAUGH ].

670
00:56:51,141 --> 00:56:56,013
>>> OSCAR IS AN INTERNATIONAL EVENT.

671
00:56:56,013 --> 00:57:02,619
IN THAT SPIRIT, LIVE FROM LONDON, OUR HOST, MATT BARRY.

672
00:57:02,619 --> 00:57:04,154
>> THANK YOU, CONAN.

673
00:57:04,154 --> 00:57:06,957
THIS IS A GREAT HONOR AND IT'S THRILLING TO BE HERE TONIGHT.

674
00:57:06,957 --> 00:57:09,660
>> WE ARE SO HAPPY TO HAVE YOU, MATT.

675
00:57:09,660 --> 00:57:11,628
WHO ARE YOU EXCITED TO MEET TONIGHT?

676
00:57:11,628 --> 00:57:28,345
>> OH, I'VE ALWAYS BEEN A FAN OF BENE ICIO DEL TORO, SIGOURNE WEAVER -- >> HE DIED ALMOST 60 YEARS AGO?

677
00:57:28,345 --> 00:57:29,813
>> RIGHT?

678
00:57:29,813 --> 00:57:31,715
OH, IT'S LIVE TV.

679
00:57:31,715 --> 00:57:33,650
>> NO, IT'S NOT THAT.

680
00:57:33,650 --> 00:57:35,719
ANYWAY, MATT BARRY, I GREETING TO YOU.

681
00:57:35,719 --> 00:57:38,655
THANK YOU SO MUCH FOR PARTICIPATING TONIGHT.

682
00:57:38,655 --> 00:57:38,989
>> THANK YOU.

683
00:57:38,989 --> 00:57:40,290
>> Yes.

684
00:57:40,290 --> 00:57:40,624
>> THANK YOU.

685
00:57:40,624 --> 00:57:59,643
>> TO PRESENT OUR NEXT AWARD, IS A MAN WITH THE BODY OF A MARVEL COMICS HERO AND THE VOICE OF A MARVEL COMICS COLLECTOR, OSCAR CANDIDATE, KUMAIL NANJIANI.

686
00:57:59,643 --> 00:58:06,616
♪

687
00:58:06,616 --> 00:58:12,189
>> IT HURTS BECAUSE IT'S TRUE.

688
00:58:12,189 --> 00:58:14,191
I WAS NOT WARNED THAT IT WOULD HAPPEN.

689
00:58:14,191 --> 00:58:18,762
I'M HERE TO PRESENT THE OSCAR AWARD FOR BEST LIVE-ACTION SHORT FILM.

690
00:58:18,762 --> 00:58:21,898
THERE IS A REAL ART IN MAKING A SHORT FILM.

691
00:58:21,898 --> 00:58:34,044
TO TELL A STORY EFFECTIVELY TAKES UNBELIEVABLE VISION AND CREATIVITY AND A LOT OF DISCIPLINE AND, I WILL SAY, I THINK THAT MANY MOVIES WOULD WORK AS WELL AS, EVEN BETTER THAN, SHORT MOVIES.

692
00:58:34,044 --> 00:58:38,949
YOU KNOW, WE SHOULD TAKE SOME OF THESE MOVIES AND REMAKE THEM INTO SHORT MOVIES.

693
00:58:38,949 --> 00:58:40,083
WILL SAVE TIME.

694
00:58:40,083 --> 00:58:43,553
WE HAVE TOO MUCH THINGS GOING ON.

695
00:58:43,553 --> 00:58:45,222
INSTEAD OF "IT'S A WONDERFUL LIFE."

696
00:58:45,222 --> 00:58:49,292
TRY -- "IT'S A WONDERFUL MONTH."

697
00:58:49,292 --> 00:58:55,932
"WEST SIDE ANECDOTE," "THE KING'S TWEET."

698
00:58:55,932 --> 00:59:12,649
"SOME OF THAT JAZZ," "CALL ME BY YOUR NICKNAME," "NO COUNTY FOR OLD MAN," "ONE BATTLE --" THAT'S IT.

699
00:59:12,649 --> 00:59:13,583
YOU HAVE ONE.

700
00:59:13,583 --> 00:59:17,721
CHOOSE WISELY, PAUL.

701
00:59:17,721 --> 00:59:20,857
"SCHINDLER'S POST-IT."

702
00:59:20,857 --> 00:59:25,395
THE CANDIDATES ARE -- "BUTCHER'S STAIN."

703
00:59:25,395 --> 00:59:28,465
MEYER LEVINSON-BLOUNT AND ORON CASPI.

704
00:59:28,465 --> 00:59:33,170
"A FRIEND OF DOROTHY."

705
00:59:33,170 --> 00:59:36,073
LEE KNIGHT AND JAMES DEAN "JANE AUSTEN'S PERIOD DRAMA."

706
00:59:36,073 --> 00:59:39,943
JULIA AKS AND STEVE PINDER.

707
00:59:39,943 --> 00:59:42,579
"THE SINGERS."

708
00:59:42,579 --> 00:59:44,114
SAM A. DAVIS AND JACK PIATT.

709
00:59:44,114 --> 00:59:44,748
"TWO PEOPLE EXCHANGE SALIVA."

710
00:59:44,748 --> 00:59:52,923
ALEXANDRE SINGH AND NATALIE MUSTEATA.

711
00:59:52,923 --> 01:00:00,997
>> AND THE OSCAR AWARD BELONGS -- TIE.

712
01:00:00,997 --> 01:00:01,731
I'M NOT JOKING.

713
01:00:01,731 --> 01:00:03,166
IT'S ACTUALLY A TIE.

714
01:00:03,166 --> 01:00:03,834
EVERYONE BE CALM.

715
01:00:03,834 --> 01:00:06,236
WE WILL GET THROUGH THIS.

716
01:00:06,236 --> 01:00:07,604
FOCUS.

717
01:00:07,604 --> 01:00:08,105
KEEP CALM.

718
01:00:08,105 --> 01:00:15,612
I WILL NAME ONE WINNER, THEY WILL GO UP, RECEIVE THEIR PRIZE AND COME BACK TO NAME THE REST OF THE WINNER AND THEN THEY WILL RECEIVE THEIR PRIZE.

719
01:00:15,612 --> 01:00:15,812
ALRIGHT.

720
01:00:15,812 --> 01:00:16,646
START HERE.

721
01:00:16,646 --> 01:00:23,954
AN OSCAR AWARD BELONGS TO "THE SINGERS."

722
01:00:23,954 --> 01:00:28,391
[ CLAP ].

723
01:00:28,391 --> 01:00:31,495
>> THIS IS THE FIRST TIME NOMINATION FOR JACK HIDE.

724
01:00:31,495 --> 01:00:37,434
FIRST WINNER AND SECOND TIME NOMINATION FOR SAM A. DAVIS.

725
01:00:37,434 --> 01:00:40,904
>> WELCOME, WELCOME.

726
01:00:40,904 --> 01:00:43,673
I DON'T KNOW THAT -- I DON'T KNOW THAT THAT COULD HAPPEN, HO.

727
01:00:43,673 --> 01:00:45,775
BUT WE ARE SO HAPPY TO BE UP HERE.

728
01:00:45,775 --> 01:00:52,482
FIRST I WANT TO THANK MY PARENTS WHO CONVINCED A KID FROM POTTERVILLE, MICHIGAN, THAT THIS WAS A POSSIBLE CAREER PATH.

729
01:00:52,482 --> 01:00:54,151
THANK YOU DAD, THANK YOU MOTHER.

730
01:00:54,151 --> 01:00:58,421
TO THE ENTIRE FILM CREW, BUT ESPECIALLY TO THE PEOPLE BEHIND ME, DAVID AND JACK.

731
01:00:58,421 --> 01:01:00,590
MY MANUFACTURERS.

732
01:01:00,590 --> 01:01:03,093
THE PEOPLE WHO BROUGHT THIS WORK TO LIFE.

733
01:01:03,093 --> 01:01:11,034
TO OUR AMAZING CAST, PEOPLE ACTING FOR THE FIRST TIME, PEOPLE WHO HAVE NEVER ACTED BEFORE AND WHO NEVER REALLY IMAGINED THEMSELVES WILL APPEAR ON THE BIG SCREEN.

734
01:01:11,034 --> 01:01:13,970
MIKE YOUNG IS HERE.

735
01:01:13,970 --> 01:01:18,008
A BUS PLAYER IN THE NEW YORK SUBTRACT, YOU MAY HAVE SEEN HIM.

736
01:01:18,008 --> 01:01:26,149
THANK YOU NETFLIX, THANK YOU PARIS GIRLFRIEND, THANK YOU LAHABR MOUSE LODGE.

737
01:01:26,149 --> 01:01:32,389
AND FINALLY "THE SINGERS" IS A SIMPLE STORY ABOUT THE POWER OF MUSIC AND ART TO BEL US TOGETHER IN A TIME WHEN WE LIVE IN AN INCREASINGLY ISOLATED WORLD.

738
01:01:32,389 --> 01:01:36,426
MAY WE CONTINUE TO FIND BEAUTY IN UNEXPECTED PLACES.

739
01:01:36,426 --> 01:01:41,131
AND PRAY FOR US ALL TO BE BRAVE ENOUGH TO CONTINUE TO SING.

740
01:01:41,131 --> 01:01:45,035
THANK.

741
01:01:45,035 --> 01:01:49,573
[ CLAP ].

742
01:01:49,573 --> 01:01:56,213
>> IRONICALLY, THE SHORT FILM OSCAR WILL TAKE DOUBLE TIME.

743
01:01:56,213 --> 01:01:57,113
[ LAUGH ].

744
01:01:57,113 --> 01:01:57,414
[ LAUGH ].

745
01:01:57,414 --> 01:02:05,889
>> AND THE SECOND OSCAR AWARD GOES TO -- "TWO PEOPLE EXCHANGING SALIVA."

746
01:02:05,889 --> 01:02:06,356
[ CLAP ].

747
01:02:06,356 --> 01:02:23,506
>> THIS IS THE FIRST TIME OSCAR WINNING AND NOMINATION FOR ALEXANDRA SINGH AND NATALIE MUSTIAT.

748
01:02:23,506 --> 01:02:42,993
>> I BELIEVE THIS HAS ONLY HAPPENED THREE TIMES IN PAST HISTORY, AND WE ARE SO EXCITED TO SHARE THIS OSCAR WITH "THE SINGERS". WE LOVE ALL OF OUR FELLOW CANDIDATES AND WE ARE SO, SO GRATEFUL TO ALL OF THE PEOPLE WHO SUPPORTED OUR FILM AND TO THE PEOPLE WHO MADE OUR FILM, OUR FILM CREW.

749
01:02:42,993 --> 01:03:03,980
CO-PRODUCERS, JULIAN MOORE AND ISABEL, OUR FAMILY, OUR FRIENDS, SOUVENIR SHOP AND LITTLE DAUGHTER SOFIA SINGH AND THANK YOU TO THE ACADEMY FOR SUPPORTING A MOVIE THAT IS QUITE AND BELONGS TO THE QUEER COMMUNITY AND MADE BY MOSTLY WOMEN!

750
01:03:03,980 --> 01:03:05,215
>> WOMEN!

751
01:03:05,215 --> 01:03:08,551
>> WOMEN!

752
01:03:08,551 --> 01:03:11,154
[ CLAP ].

753
01:03:11,154 --> 01:03:19,396
>> AND THANK YOU --.

754
01:03:19,396 --> 01:03:22,098
[ LAUGH ].

755
01:03:22,098 --> 01:03:37,847
>> AND FOR GIVING THE AWARD TO A FRENCH FILM MADE BY A FRENCH-INDIAN-BRITISH, A ROMANIAN-AMERICAN, AN ARGENTIANS AND AN ITALIAN.

756
01:03:37,847 --> 01:03:41,618
LUXEMBOURG, KOSOVO AND IRAN, WHO CANNOT BE PRESENT TONIGHT.

757
01:03:41,618 --> 01:03:43,653
>> SHE JUST GIVES BIRTH TO A GIRL.

758
01:03:43,653 --> 01:03:46,356
>> TWO DAYS AGO.

759
01:03:46,356 --> 01:03:46,556
NILO.

760
01:03:46,556 --> 01:03:47,257
>> JANE.

761
01:03:47,257 --> 01:03:56,232
>> YOU ARE HOPE IN A WORLD THAT IS DARK AND UNREASONABLE AND LOUD AND HORRIFYING, BUT THAT'S WHY WE MAKE MOVIES, RIGHT?

762
01:03:56,232 --> 01:03:56,499
RIGHT?

763
01:03:56,499 --> 01:03:59,936
BECAUSE WE BELIEVE THAT ART CAN CHANGE PEOPLE'S SOULS.

764
01:03:59,936 --> 01:04:10,947
IT MIGHT TAKE TEN YEARS BUT WE CAN CHANGE SOCIETY THROUGH THEATER AND BALLET, AND ALSO CINEMA.

765
01:04:10,947 --> 01:04:14,551
THANK YOU SO MUCH.

766
01:04:14,551 --> 01:04:18,555
>> THANK YOU.

767
01:04:18,555 --> 01:04:22,559
[ CLAP ].

768
01:04:22,559 --> 01:04:26,296
>> I JUST WANT TO SAY CONGRATULATIONS TO BOTH WINNERS.

769
01:04:26,296 --> 01:04:32,469
YOU JUST Destroyed 22 MILLION OSCAR GUESSINGS.

770
01:04:32,469 --> 01:04:43,046
AND I KNOW WE'RE BEING STUPID, BUT TAKEN A MICROPHONE FROM A MAN WHILE HE'S TALKING IS SO FUNNY.

771
01:04:43,046 --> 01:04:50,854
>>> NEXT -- NEXT IS A VERY, VERY KIND MAN AND AN OSCAR WINNER FOR BEST SUPPORTING ACTOR.

772
01:04:50,854 --> 01:05:02,132
PLEASE -- I LOVE THIS GUY -- KIERAN CULKIN.

773
01:05:02,132 --> 01:05:08,638
♪

774
01:05:08,638 --> 01:05:08,972
[APPLAUSE].

775
01:05:08,972 --> 01:05:15,111
>> I HAVE THE HONOR TO INTRODUCE THE CANDIDATES FOR BEST SUPPORTING ACTOR.

776
01:05:15,111 --> 01:05:29,826
GENTLEMEN, YOU HAVE GIVED US PERFORMANCES THAT WE WILL ALWAYS REMEMBER AND NOW IT IS AN EXCELLENT JOY FOR ME TO GIVE ONE OF YOU A MOMENT THAT I HOPE YOU WILL NEVER FORGET.

777
01:05:29,826 --> 01:05:34,764
BENICIO DEL TORO, "ONE BATTLE AFTER ANOTHER."

778
01:05:34,764 --> 01:05:35,965
>> ARE YOU SURE?

779
01:05:35,965 --> 01:05:36,900
>> YES, SIR.

780
01:05:36,900 --> 01:05:38,835
>> HAVE YOU DRINK ALCOHOL TODAY?

781
01:05:38,835 --> 01:05:39,736
>> I DRINK A LITTLE.

782
01:05:39,736 --> 01:05:41,971
>> A LITTLE WHAT?

783
01:05:41,971 --> 01:05:42,639
>> A LITTLE BEER.

784
01:05:42,639 --> 01:05:48,545
JACOB ELORDI, "FRANKENSTEIN."

785
01:05:48,545 --> 01:05:57,554
>> I AM THE CHILD OF A DYSFUNCTIONAL FAMILY, A PILL OF RUBBISH, A PILL OF TRASH IN THE PILL OF Abandoned Debt.

786
01:05:57,554 --> 01:06:01,624
DELROY LINDO, "SINNERS."

787
01:06:01,624 --> 01:06:04,194
>> SO IS BLUES.

788
01:06:04,194 --> 01:06:08,097
>> WHITE PEOPLE SAY BLUES IS GOOD, THEY JUST DON'T LIKE THE PEOPLE WHO MAKE IT.

789
01:06:08,097 --> 01:06:13,002
SEAN PENN, "ONE BATTLE AFTER ANOTHER."

790
01:06:13,002 --> 01:06:17,307
>> IF THIS DOESN'T CLARIFY, YOU WILL BE FREE.

791
01:06:17,307 --> 01:06:24,180
BUT IF IT IS BRIGHT, IF IT IS A STRAIGHT LINE, YOU WILL HAVE PROBLEMS.

792
01:06:24,180 --> 01:06:28,451
STELLAN SKARSGARD, "SENTIMENTAL VALUE."

793
01:06:28,451 --> 01:06:32,789
>> KILL THE BEST DOCTORS OF A GENERATION, YOU'RE LUCKY THAT SHE'S HERE.

794
01:06:32,789 --> 01:06:39,729
YOU SHOULD BE GRATEFUL.

795
01:06:39,729 --> 01:06:50,473
>> AND THE OSCAR AWARD GOES TO -- SEAN PENN, ""ONE BATTLE AFTER ANOTHER."

796
01:06:50,473 --> 01:06:50,840
[APPLAUSE].

797
01:06:50,840 --> 01:07:01,284
SEAN PENN CAN'T BE PRESENT TONIGHT OR DOESN'T WANT TO BE, SO I'LL ACCEPT THE AWARD IN HIS stead.

798
01:07:01,284 --> 01:07:06,723
[APPLAUSE].

799
01:07:06,723 --> 01:07:11,928
>> Announcer: COMING SOON, AWARDS FOR BEST Adaptation and Original Screenplay as we celebrate more of our favorite movies.

800
01:07:11,928 --> 01:07:16,566
HERE IN THE SHOW "THE OSCARS" FROM THE DOLBY THEATER AT OVATION HOLLYWOOD.

801
01:07:16,566 --> 01:07:22,772
♪

802
01:07:32,348 --> 01:07:35,018
>>> I KNOW WHO YOU ARE.

803
01:07:35,018 --> 01:07:36,886
I KNOW WHAT YOU ARE.

804
01:07:36,886 --> 01:07:39,022
>> YOU KNOW I'M NOT AN ALIEN.

805
01:07:39,022 --> 01:07:39,889
>> WISE.

806
01:07:39,889 --> 01:07:42,458
>> WHAT IS THE DIFFERENCE?

807
01:07:42,458 --> 01:07:53,803
>> I FIND IT ATTRACTIVE THAT PEOPLE ARE WILLING TO ASK QUESTIONS ABOUT WHAT REALITY IS AND TRY TO FIND THEIR OWN TRUTH.

808
01:07:53,803 --> 01:08:02,378
IT ALL STARTS WITH SOMETHING BEAUTIFUL.

809
01:08:02,378 --> 01:08:06,516
[ CLAP ]

810
01:08:10,720 --> 01:08:17,894
>> CONAN: WE'VE JUST STARTED THE SHOW, WE'VE HAD A TIE, RIGHT, AND THE ONE PERSON ABSENT IS SEAN PENN.

811
01:08:17,894 --> 01:08:19,495
THIS EVENT IS CRAZY.

812
01:08:19,495 --> 01:08:23,232
YOU MUST FOLLOW THIS!

813
01:08:23,232 --> 01:08:40,984
THERE IS A LOT OF INFORMATION THAT SOME MOVIE STUDIOS ARE NOW REQUIRING FILMMAKERS TO RETURN INFORMATION AND RETURN TO THE PLOT SEVERAL TIMES IN THEIR MOVIES TO SATISFY THE MODERN MOVIE VIEWING AUDIENCE WHO ONLY WATCH PARTY BECAUSE THEY ARE DISTRESSED BY THEIR PHONES.

814
01:08:40,984 --> 01:08:42,885
SOME PEOPLE ARE URGED ABOUT THIS.

815
01:08:42,885 --> 01:08:44,453
I DON'T THINK IT'S A BIG PROBLEM.

816
01:08:44,453 --> 01:08:48,658
PLEASE ENJOY THIS SCENES FROM AN UPDATED HOLLYWOOD CLASSIC.

817
01:08:50,393 --> 01:08:54,130
[ PIANO PLAY "AS TIME GOES BY"]

818
01:08:54,130 --> 01:09:02,939
>> Announcer: "CASABLANCA" WITH CONAN O'BRIEN AND STERLING K. BROWN.

819
01:09:02,939 --> 01:09:07,710
>> AMONG THE FEW BARS, SHE WALKED INTO MINE AGAIN.

820
01:09:07,710 --> 01:09:12,247
>> SHE WILL BE ILSA, RIGHT?

821
01:09:12,247 --> 01:09:13,816
>> YEAH, THAT'S HER NAME.

822
01:09:13,816 --> 01:09:19,255
>> IT MUST BE VERY DIFFICULT BECAUSE SHE MADE HIM AT THE TRAIN STATION IN PARIS.

823
01:09:19,255 --> 01:09:28,598
>> IT DEFINITELY CONTRIBUTES TO MY GENERAL DOUBT WITH THIS BEING WORLD WAR II AND ALL.

824
01:09:28,598 --> 01:09:32,535
>> WORLD WAR II -- IT WAS THE WAR WITH HITLER, RIGHT?

825
01:09:32,535 --> 01:09:37,473
>> CHẮC CHẮN RỒI, SAM.

826
01:09:37,473 --> 01:09:37,740
MM-MM-MM.

827
01:09:37,740 --> 01:09:44,981
AND, RICK, TO REMAIN, YOU JUST REALIZED THAT YOU STILL LOVE ILSA EVEN THOUGH SHE IS MARRIED?

828
01:09:44,981 --> 01:09:47,917
>> THAT'S RIGHT, SAM.

829
01:09:47,917 --> 01:09:48,818
I'M IN LOVE.

830
01:09:48,818 --> 01:09:51,621
>> TRONG THẾ CHIẾN THỨ HAI.

831
01:09:51,621 --> 01:09:53,022
IT'S CRAZY.

832
01:09:53,022 --> 01:09:58,194
>> THANK YOU SO MUCH, STERLING K. BROWN, LADIES.

833
01:09:58,194 --> 01:10:10,406
AND NOW, TO AWARD THE SCRIPT AWARDS -- >> AND, TO BE CLEAR, THE AWARD WE'RE TALKING ABOUT IS THE OSCAR.

834
01:10:10,406 --> 01:10:12,475
>> Conan: THAT'S RIGHT.

835
01:10:12,475 --> 01:10:15,445
PLEASE INVITE CHRIS EVANS AND OSCAR OWNER ROBERT DOWNEY JR.

836
01:10:18,414 --> 01:10:19,182
[ APPLAUSE ]

837
01:10:20,283 --> 01:10:23,486
♪

838
01:10:30,526 --> 01:10:31,227
>> HI.

839
01:10:31,227 --> 01:10:42,371
THE SCRIPT, THAT'S RIGHT, IS THE MOVING MOVIE OF ANY MOVIE AND THIS TRULY HAS BEEN AN OUTSTANDING YEAR FOR SCRIPT WRITING -- >> DOWNEY?

840
01:10:42,371 --> 01:10:44,907
>> Yes?

841
01:10:44,907 --> 01:10:46,375
>> WHAT DID YOU BUY ME FOR YOUR ANNIVERSARY?

842
01:10:46,375 --> 01:10:51,714
>> HEY, WAIT, I -- >> THIS IS THE 14TH ANNIVERSARY OF THE FIRST "AVENGERS" MOVIE.

843
01:10:51,714 --> 01:10:58,187
I BOUGHT YOU A SIGNED COPY OF THE SCRIPT, IT'S BEHIND THE SCENE, FROM THE FIRST READING.

844
01:10:58,187 --> 01:10:58,721
THE ENTIRE CAST HAS SIGNED IT.

845
01:10:58,721 --> 01:11:01,357
I HAVE THOUGHT ABOUT THIS CAREFULLY.

846
01:11:01,357 --> 01:11:01,724
>> SORRY, YOU.

847
01:11:01,724 --> 01:11:04,761
UM, AND THIS IS FOR YOU.

848
01:11:04,761 --> 01:11:06,062
I HAVE IT IN ME.

849
01:11:06,062 --> 01:11:10,399
LOOK, THIS IS FOR YOU.

850
01:11:10,399 --> 01:11:11,000
>> IS THIS YOUR PARKING TICKET?

851
01:11:11,000 --> 01:11:11,234
DO YOU DRIVE YOURSELF?

852
01:11:11,234 --> 01:11:11,968
>> Yes.

853
01:11:11,968 --> 01:11:13,703
I DO THAT.

854
01:11:13,703 --> 01:11:16,372
I AM A MAN OF THE PEOPLE.

855
01:11:16,372 --> 01:11:18,407
I DIDN'T REALLY THINK CAREFULLY.

856
01:11:18,407 --> 01:11:19,609
I WILL NEED THAT AGAIN.

857
01:11:19,609 --> 01:11:21,377
SORRY.

858
01:11:21,377 --> 01:11:27,116
>> THE CANDIDATES FOR BEST ADAPTED SCRIPT ARE -- >> "BUGONIA."

859
01:11:27,116 --> 01:11:31,821
SCENARIO BY WILL TRACY.

860
01:11:31,821 --> 01:11:37,960
>> SHOULD I BELIEVE YOU ARE A 45 YEAR OLD WOMAN, A NORMAL WOMAN?

861
01:11:37,960 --> 01:11:46,602
>> I FOLLOW A VERY STRICT DIET AND AGING REVERSAL THERAPY.

862
01:11:46,602 --> 01:11:48,137
"FRANKENSTEIN."

863
01:11:48,137 --> 01:11:51,240
ADAPTED INTO A SCENARIO BY GUILLERMO DEL TORO.

864
01:11:51,240 --> 01:11:59,115
>> CONSIDER THIS AS MY SON, WHEREEVER YOU GO OR BACK YOU ARE THERE.

865
01:11:59,115 --> 01:11:59,649
"HAMNET."

866
01:11:59,649 --> 01:12:03,452
SCENARIO BY CHLOE ZHAO AND MAGGIE O'FARRELL.

867
01:12:03,452 --> 01:12:05,588
>> NO ONE ELSE COULD DO IT.

868
01:12:05,588 --> 01:12:18,067
I WILL TALK TO MY STEPMOTHER AND BROTHERS AND, OF COURSE, THEY WILL DISAGREE, BUT I DON'T CARE BECAUSE I DON'T HAVE THE TALENT TO WAIT.

869
01:12:18,067 --> 01:12:22,605
>> "ONE BATTLE AFTER ANOTHER" WRITTEN BY PAUL THOMAS ANDERSON.

870
01:12:22,605 --> 01:12:24,707
>> A Pile, 10 OR 20.

871
01:12:24,707 --> 01:12:30,046
>> WEAPONS?

872
01:12:30,046 --> 01:12:32,215
>> I THINK THEY ARE VEGAN.

873
01:12:32,215 --> 01:12:33,749
>> "TRAIN DREAMS."

874
01:12:33,749 --> 01:12:36,919
SCRIPT BY CLINT BENTLEY AND GREG KWEDAR.

875
01:12:36,919 --> 01:12:40,623
>> HE WORRIED MORE AND MORE THAT SOMETHING TERRIBLE WAS PURSUING HIM.

876
01:12:40,623 --> 01:12:42,925
DEATH WILL FIND HIM HERE.

877
01:12:42,925 --> 01:12:49,565
AWAY FROM THE ONLY PLACE HE REALLY WANT TO GO TO.

878
01:12:52,068 --> 01:13:01,410
>> AND THE OSCAR AWARD BELONGS -- >> "ONE BATTLE AFTER ANOTHER," PAUL THOMAS ANDERSON.

879
01:13:01,410 --> 01:13:15,892
>> Announcer: THIS IS THE FIRST OSCAR WINNER AND THE 14TH NOMINATION FOR PAUL THOMAS ANDERSON INCLUDING THIS YEAR'S NOMINATIONS FOR BEST DIRECTOR AND FILM.

880
01:13:17,159 --> 01:13:21,864
[ APPLAUSE ]

881
01:13:28,604 --> 01:13:31,173
>> THANK YOU.

882
01:13:31,173 --> 01:13:33,542
THANK YOU VERY, VERY MUCH.

883
01:13:33,542 --> 01:13:38,381
I AM EXTREMELY HONORED TO BE PART OF THIS HISTORY.

884
01:13:38,381 --> 01:13:48,257
THIS IS AN WORK OF AN ADAPTATION, SO I GIVE THANKS AND RESPECT TO THOMAS PINCHON.

885
01:13:48,257 --> 01:14:00,636
ANY WRITER KNOWS THAT YOU EITHER ASK FOR FORGIVENESS OR SPECIAL THANK YOU FOR YOUR FAMILY AND THE PEOPLE WHO SHARE YOUR HOME, WHO HAVE SUFFERED LIVING WITH A WRITER.

886
01:14:00,636 --> 01:14:04,774
THANK YOU MAYA -- [ APPLAUSE ]

887
01:14:04,774 --> 01:14:06,909
Yes, THANK UNCLE PAUL, JOJO.

888
01:14:06,909 --> 01:14:27,663
I WROTE THIS MOVIE FOR MY CHILDREN TO SAY SORRY FOR THE MESSY HOUSEHOLDINGS THAT WE LEAVE IN THIS WORLD, WHAT WE ARE GOING TO GIVE BACK TO THEM, BUT, ALSO WITH THE ENCOURAGEMENT THAT THEY WILL BE THE GENERATION THAT, HOPEFULLY, WILL BRING US A LITTLE LITTLE REASON. COURSE AND COURTESY.

889
01:14:27,663 --> 01:14:28,898
LUCY, JACK AND IDA, I LOVE YOU.

890
01:14:28,898 --> 01:14:30,399
THANK YOU SO MUCH.

891
01:14:30,399 --> 01:14:33,002
THANK.

892
01:14:33,002 --> 01:14:33,269
[ APPLAUSE ]

893
01:14:33,903 --> 01:14:39,108
♪

894
01:14:51,554 --> 01:14:56,592
>> NO, DOWNEY.

895
01:14:56,592 --> 01:15:05,034
OKAY, SPEAKING OF ANNIVERSARY, IT'S BEEN 50 YEARS SINCE FRANK PIERSON WON BEST ORIGINAL SCRIPT FOR "DOG DAY AFTERNOON."

896
01:15:05,034 --> 01:15:11,240
>> EVANS, I JUST JOKE, I'M ALREADY WORRIED FOR YOU.

897
01:15:11,240 --> 01:15:16,512
I BOUGHT YOU AN ORIGINAL CHANNING TATUM UNDERWEAR FROM "MAGIC MIKE."

898
01:15:16,512 --> 01:15:20,182
WITH SEQUINS!

899
01:15:20,182 --> 01:15:23,452
GLOBAL EFFECT.

900
01:15:23,452 --> 01:15:24,453
USE LIGHT.

901
01:15:24,453 --> 01:15:26,389
>> I DON'T KNOW WHAT TO SAY.

902
01:15:26,389 --> 01:15:33,662
>> I WILL NEED THAT AGAIN FOR -- >> WHAT FOR?

903
01:15:33,662 --> 01:15:36,899
>> I HAVE TO WORK LATER.

904
01:15:36,899 --> 01:15:37,500
>> WHAT ARE YOU SAYING?

905
01:15:37,500 --> 01:15:44,840
>> THE CANDIDATES FOR BEST ORIGINAL SCRIPT ARE -- "BLUE MOON."

906
01:15:44,840 --> 01:15:47,810
WRITTEN BY ROBERT KAPLOW.

907
01:15:47,810 --> 01:15:53,549
>> WHISKEY MADE LAUREN'S HEART.

908
01:15:53,549 --> 01:15:56,852
>> "IT WAS JUST AN ACCIDENT" WRITTEN BY JAFAR PANAHI.

909
01:15:56,852 --> 01:16:01,223
CONTRIBUTOR SCENARIOS NADER SAIVAR, SHADMEHR RASTIN, MEHDI MAHMOUDIAN.

910
01:16:13,335 --> 01:16:19,575
>> "MARTY SUPREME" WRITTEN BY RONALD BRONSTEIN AND JOSH SAFDIE.

911
01:16:19,575 --> 01:16:20,910
>> DO THAT JOB?

912
01:16:20,910 --> 01:16:21,677
>> NO.

913
01:16:21,677 --> 01:16:22,912
I MEAN THAT'S MY JOB.

914
01:16:22,912 --> 01:16:23,612
>> HOW DO YOU LIVE?

915
01:16:23,612 --> 01:16:27,283
>> I LIVE WITH FAITH IN MYSELF, MONEY WILL COME.

916
01:16:27,283 --> 01:16:30,753
MY STRUGGLE IS NOT EVEN ABOUT MONEY.

917
01:16:30,753 --> 01:16:31,253
>> HOW DO YOU PAY THE RENT?

918
01:16:31,253 --> 01:16:31,554
>> I DON'T.

919
01:16:31,554 --> 01:16:32,488
"SENTIMENTAL VALUE."

920
01:16:32,488 --> 01:16:34,457
WRITTEN BY ESKIL VOGT, JOACHIM TRIER.

921
01:16:44,467 --> 01:16:52,541
>> "SINNERS" WRITTEN BY RYAN COOGLER.

922
01:16:52,541 --> 01:16:54,376
>> OPEN NEXT WEEKEND.

923
01:16:54,376 --> 01:16:57,079
>> NO, IT'S NOT TONIGHT.

924
01:16:57,079 --> 01:16:58,447
THE BIG OPENING BEGINS WITH A BIG BANG.

925
01:16:58,447 --> 01:17:03,352
>> OR WE START WITH A GUN SHOOT.

926
01:17:03,352 --> 01:17:06,222
>> IT WAS A GREAT DAY TO BE FREE, RIGHT?

927
01:17:06,222 --> 01:17:11,293
[ APPLAUSE ]

928
01:17:11,293 --> 01:17:18,634
>> AND THE OSCAR AWARD GOES TO -- "SINNERS," RYAN COOGLER.

929
01:17:18,634 --> 01:17:21,737
[ APPLAUSE ]

930
01:17:21,737 --> 01:17:29,044
>> Announcer: RYAN COOGLER HAS THREE NOMINATIONS THIS YEAR, AND THIS IS THE FIRST TIME HE'S WON THE OSCAR WITH A TOTAL OF FIVE NOMINATIONS.

931
01:17:29,845 --> 01:17:36,051
♪

932
01:17:50,399 --> 01:17:53,068
[ APPLAUSE ]

933
01:17:53,068 --> 01:18:02,044
>> PLEASE, PLEASE, PLEASE -- PLEASE SIT DOWN BECAUSE I'M SO THRILLED AND THEY'RE GOING TO LET ME GO.

934
01:18:02,044 --> 01:18:04,547
I GREW UP IN OAKLAND, ORIGINALLY IN CALIFORNIA.

935
01:18:04,547 --> 01:18:06,615
WE CAN TALK A LOT.

936
01:18:06,615 --> 01:18:11,820
SO I WANT TO THANK THE ACADEMY FOR THINKING OF OUR MOVIE THAT CAME OUT ALMOST A YEAR AGO.

937
01:18:11,820 --> 01:18:13,289
THIS IS AN UNBELIEVABLE HONOR.

938
01:18:13,289 --> 01:18:15,624
I WANT TO THANK MY FELLOW CANDIDATES.

939
01:18:15,624 --> 01:18:26,902
I WANT TO THANK YOU FOR YOUR GIFTS, FOR YOUR FRIENDSHIP OVER THE PAST YEARS AND MONTHS, WARNER BROS., EVERYONE, ALL THE CAST AND CREW, PLEASE STAND UP.

940
01:18:26,902 --> 01:18:28,070
YOU GUYS ARE AMAZING.

941
01:18:28,070 --> 01:18:31,473
YOU GUYS ARE AMAZING.

942
01:18:31,473 --> 01:18:31,774
[ APPLAUSE ]

943
01:18:31,774 --> 01:18:37,112
YOU GUYS -- OH MY GOD -- YOU GUYS -- YOU ARE ALL WINNERS IN MY EYES.

944
01:18:37,112 --> 01:18:40,683
YOU ALL ARE WINNERS IN MY EYES.

945
01:18:40,683 --> 01:18:45,254
YOU ARE THE BEST PRODUCERS IN THE WORLD, THE WORST WIFE AND MOTHERS IN THE WORLD.

946
01:18:45,254 --> 01:18:48,057
EVERY DAY I GET WITH YOU IS BETTER THAN THE DAY BEFORE.

947
01:18:48,057 --> 01:18:52,094
TO MY PARENTS HERE, THANK YOU FOR THE MEMORIES, THANK YOU FOR HELPING ME BELIEVE IN MYSELF.

948
01:18:52,094 --> 01:18:56,799
AND TO MY CHILDREN AT HOME WATCHING, I'M SORRY FOR THE TIME AWAY FROM HOME.

949
01:18:56,799 --> 01:18:58,133
DAD LOVES YOU.

950
01:18:58,133 --> 01:19:04,473
I HOPE I HAVE GIVED WONDERFUL MEMORIES AND YOU ARE BLESSED TO LIVE A LONG LIFE AND I WANT YOU TO REMEMBER THIS ONE THING, DAD LOVES YOU MORE THAN ANYTHING.

951
01:19:04,473 --> 01:19:04,740
THANK.

952
01:19:04,740 --> 01:19:06,041
[ APPLAUSE ]

953
01:19:06,041 --> 01:19:13,649
♪

954
01:19:13,649 --> 01:19:17,753
>> Announcer: COMING SOON, MORE STARS, MORE ENVELOPES, MORE EXCITEMENT.

955
01:19:17,753 --> 01:19:21,457
THEN, A CEREMONY HONORS THE GLOBAL PHENOMENON "KPOP DEMON HUNTERS."

956
01:19:21,457 --> 01:19:22,324
HERE IN "THE OSCARS."

957
01:19:27,129 --> 01:19:32,067
♪

958
01:19:32,067 --> 01:19:36,272
[APPLAUSE].

959
01:19:39,942 --> 01:19:43,312
>>> EVERY YEAR -- THANK YOU.

960
01:19:43,312 --> 01:19:49,918
EACH YEAR WE REMEMBER THE PASSINGS OF GREAT ARTISTS IN OUR INDUSTRY.

961
01:19:49,918 --> 01:19:55,724
AND SADLY, TONIGHT, WE ARE FACED WITH THE PASSING OF SOME OF THE OUTSTANDING GIANTS IN THE FILM FIELD.

962
01:19:55,724 --> 01:20:05,501
HERE TO TALK ABOUT A GOOD FRIEND, A GREAT TALENT, BILLY CRYSTAL.

963
01:20:05,501 --> 01:20:16,111
[ CLAP ].

964
01:20:16,111 --> 01:20:17,713
>> THANK YOU SO MUCH.

965
01:20:17,713 --> 01:20:24,153
I FIRST MET ROB REINER IN 1975 WHEN I WAS CAST TO PLAY THE PLAYER OF HIS BEST FRIEND IN AN EPISODE OF "ALL IN THE FAMILY."

966
01:20:24,153 --> 01:20:28,590
AND IT GOES SO GOOD THAT ROB SAYS, YOU KNOW, PLAYING HIS BEST FRIEND IS SO FUN, WHY DON'T WE MOVE ON.

967
01:20:28,590 --> 01:20:35,030
AND IT WAS EXCITING TO WATCH HIM GROW FROM AN EXCELLENT COMEDIAN TO A MASTER STORYTELLER.

968
01:20:35,030 --> 01:20:39,968
HIS FIRST MOVIE IS "THIS IS SPINAL TAP."

969
01:20:39,968 --> 01:20:40,336
YES.

970
01:20:40,336 --> 01:20:40,703
[ CLAP ].

971
01:20:40,703 --> 01:20:42,838
YOU CAN STOP THERE.

972
01:20:42,838 --> 01:20:49,712
HUMOR AND EXCELLENCE WITH THE COMEDY TURNED UP TO 11.

973
01:20:49,712 --> 01:20:54,950
THEN IT'S JOHN CUE SACK AND THE PURSUIT OF LOVE IN "THE SURE THING."

974
01:20:54,950 --> 01:21:03,959
AND THEN HE BEAUTIFULLY CARVES THE PAIN OF THE BOYS WHO ARE ABOUT TO BECOME MEN IN "STAND BY ME."

975
01:21:03,959 --> 01:21:04,860
[ CLAP ].

976
01:21:04,860 --> 01:21:22,044
NEXT, THE UNBELIEVABLE STORY OF TRUE LOVE AND RODENTS OF UNUSUAL SIZES, REVENGE, A GENTLE GIANT, SWORD BATTLES AND HIS WIFE IN "THE PRINCESS BRIDE."

977
01:21:22,044 --> 01:21:42,531
THEN WITH BRUNO, MEG RYAN AND MYSELF, THEN NEW YORK IN THE FALL, THE KATZ STORE, THE PECAN CAKE AND WHEN YOU REALIZE YOU WANT TO SPEND THE REST OF YOUR LIFE WITH SOMEONE, YOU WANT THE REST OF YOUR LIFE TO START ASAP.

978
01:21:42,531 --> 01:21:46,101
AUDIENCES THEN LINE UP TO SEE HIS FUNNY, CHARACTERISTIC MOVIES.

979
01:21:46,101 --> 01:21:50,038
SO HE BROUGHT TO THEM Misery.

980
01:21:50,038 --> 01:21:57,112
A CRIME PSYCHOLOGY MOVIE AND AN OSCAR AWARD FOR KATHY BAITS PLAYING A PSYCHOLOGIST IN THAT PSYCHOLOGICAL MOVIE.

981
01:21:57,112 --> 01:22:08,056
BEST MOVIE NOMINATED WITH DEMI MOORE, KEVIN POLLACK AND TOM CRUISE AND JACK NICHOLSON, WHO WARNS US, HE CAN'T TOLERATE THE TRUTH.

982
01:22:08,056 --> 01:22:11,093
WHICH IS SIMPLY ALL WE WANT TODAY.

983
01:22:11,093 --> 01:22:18,100
THEN ENTER THE OVAL ROOM INTO A US PRESIDENT GRABBING WITH A NEW LOVE AND HIS OWN ETHICS.

984
01:22:18,100 --> 01:22:34,383
MY FRIENDS, ROB'S MOVIES WILL LAST FOR MANY LIFESTYLES BECAUSE THEY ARE ABOUT THINGS THAT MAKE US LAUGH AND CRY AND WHAT WE Aspire TO BE, MUCH BETTER IN HIS EYES, KINDER, MORE FUNNY, BUT ALSO HUMAN MORE.

985
01:22:34,383 --> 01:22:38,487
AND WHEN MICHELLE SINGER ENTERED HIS LIFE, THEY BECAME UNSTOPABLE.

986
01:22:38,487 --> 01:22:51,266
A TALENTED PHOTOGRAPHER, SHE NOT ONLY PRODUCED FILM WITH ROB, BUT SHE WAS ALSO THE SOURCE OF ENERGY THAT MADE THEM WORK TIRED TO FIGHT AGAINST SOCIAL INJUSTICE IN THE COUNTRY THAT THEY BOTH LOVE.

987
01:22:51,266 --> 01:23:04,146
NOW ROB AND MICHELE -- ROB AND MICHELE REINER ARE THE DRIVERS FOR THE BREAKDOWN DECISION FOR SAME-SAME MARRIAGE ACROSS THE UNITED STATES.

988
01:23:04,146 --> 01:23:07,783
[ CLAP ].

989
01:23:07,783 --> 01:23:09,318
AND THEIR LOSS IS PRICELESS.

990
01:23:09,318 --> 01:23:22,364
AND TO THE MILLIONS OF PEOPLE WHO ENJOYED HIS MOVIES, I WANT YOU TO KNOW HERE AND AROUND THE WORLD, HOW MANY TIMES ROB TOLD ME THAT IT MEAN SO MUCH TO HIM, THAT HIS WORKS MEAN TO YOU. YOU.

991
01:23:22,364 --> 01:23:37,846
AND FOR US OF US WHO HAVE THE PRIVILEGE OF WORKING WITH HIM AND KNOWING HIM AND LOVING HIM, ALL WE CAN SAY IS, MAN, WE HAD SOME MOMENTS OF FUN TOGETHER RUNNING UP THE CASTLE.

992
01:23:37,846 --> 01:23:41,049
[ CLAP ].

993
01:23:41,049 --> 01:23:49,091
♪

994
01:23:49,091 --> 01:24:09,044
♪

995
01:24:09,044 --> 01:24:15,284
♪

996
01:24:15,284 --> 01:24:21,323
♪

997
01:24:21,323 --> 01:24:34,469
[ CLAP ].

998
01:24:34,469 --> 01:24:39,808
♪

999
01:24:39,808 --> 01:24:47,015
>> I CAN'T STOP I CAN'T STOP THINKING ABOUT YOU SINCE THE FIRST TIME I MET YOU.

1000
01:24:47,015 --> 01:25:00,395
♪

1001
01:25:00,395 --> 01:25:09,204
♪

1002
01:25:09,204 --> 01:25:15,510
>> I HOPE YOU WILL COME BACK ONE DAY.

1003
01:25:15,510 --> 01:25:26,722
♪

1004
01:25:26,722 --> 01:25:37,532
♪

1005
01:25:37,532 --> 01:25:48,377
♪

1006
01:25:48,377 --> 01:25:55,751
♪

1007
01:25:55,751 --> 01:25:56,985
>> MEN HAVE OWN THINGS.

1008
01:25:56,985 --> 01:25:57,819
WOMEN HAVE OWN THINGS.

1009
01:25:57,819 --> 01:26:03,458
IT'S NOT THAT THE GREATEST FORCE BEHIND THE UNIVERSE IS INTERESTED IN SUCH STUPID THINGS.

1010
01:26:03,458 --> 01:26:12,267
>> LAST YEAR WE LOST MANY ARTISTS, INCLUDING ACTRESS WHOSE TALENT AND UNIQUENESS OPENED THE WORLD TO ALL OF US.

1011
01:26:12,267 --> 01:26:18,774
WOMEN LIKE CLAUDIA, whose careers spanned six decades, helped bring European cinema to America.

1012
01:26:18,774 --> 01:26:24,913
THREE-TIME OSCAR CANDIDATE, DIANE LADD, WHO BRINGS STRONG HUMANITY AND INTELLIGENCE TO EVERY ROLE.

1013
01:26:24,913 --> 01:26:32,454
COMEDY GENIUS AND THE FLUTE RAPTOR, OUR MIGHTY WIND.

1014
01:26:32,454 --> 01:26:32,988
[ CLAP ].

1015
01:26:32,988 --> 01:26:37,159
AND MY COMMUNITY CANADA, CATHERINE O'HARA.

1016
01:26:37,159 --> 01:26:40,595
SHE MAKES US LAUGH TO TEARS.

1017
01:26:40,595 --> 01:26:47,369
AND THE ICON, DIANE KEATON.

1018
01:26:47,369 --> 01:26:49,404
[ CLAP ].

1019
01:26:49,404 --> 01:26:54,609
ANNIE HALL, THE GODFATHER, AND IT'S JUST HER FIRST DECADE.

1020
01:26:54,609 --> 01:27:08,423
FOR MORE THAN 50 YEARS, BRILLIANT ON SCREEN AND UNFORGETTABLE IN LIFE, BELIEVE ME WHEN I SAY THAT THERE IS NO ACTRESS OF MY GENERATION THAT IS NOT INSPIRED AND ENJOYED BY HER UNIQUENESS.

1021
01:27:08,423 --> 01:27:15,731
SHE WEARED A LOT OF HATS, LITERALLY AND FIGURALLY.

1022
01:27:15,731 --> 01:27:25,006
ACTOR, ARTIST, AUTHOR, ACTIVIST, BUT NO HAT IS MORE IMPORTANT TO HER THAN BEING A MOTHER OF TWO CHILDREN.

1023
01:27:25,006 --> 01:27:28,443
SHE MEANS SO MUCH TO SO MANY OF US.

1024
01:27:28,443 --> 01:27:36,685
I REMEMBER SHE USED TO SING AN OLD GIRL SCOUT SONG ON THE FILM SET, THAT WAS VERY LIKE HER.

1025
01:27:36,685 --> 01:27:38,453
MAKE NEW FRIENDS BUT KEEP OLD FRIENDS.

1026
01:27:38,453 --> 01:27:42,057
ONE IS SILVER, AND THE OTHER IS GOLD.

1027
01:27:42,057 --> 01:27:45,527
A STRAIGHT CIRCLE, IT HAS NO ENDING POINT.

1028
01:27:45,527 --> 01:27:49,164
THAT'S THE TIME I'LL BE YOUR FRIEND.

1029
01:27:49,164 --> 01:28:05,814
AND SO, TO OUR FRIEND, DIANE KEATON, CELEBRATING A LIFE OF SILVER AND GOLD, A LEGEND WITHOUT END.

1030
01:28:05,814 --> 01:28:10,619
[ CLAP ].

1031
01:28:10,619 --> 01:28:12,821
>> SO SO, SO LOVING.

1032
01:28:12,821 --> 01:28:25,233
>> THE AUDIENCE IS THERE WAITING FOR IT, AND YOU GET CAUGHT IN THE EMOTION OF THE MOMENT AND YOU JUST, YOU KNOW, YOU WANT TO GIVE THEM WHATEVER THEY WANT.

1033
01:28:25,233 --> 01:28:30,105
AND --.

1034
01:28:30,105 --> 01:28:37,112
♪

1035
01:28:37,112 --> 01:28:55,330
♪

1036
01:28:55,330 --> 01:29:08,610
♪

1037
01:29:08,610 --> 01:29:19,955
♪

1038
01:29:19,955 --> 01:29:24,426
♪

1039
01:29:24,426 --> 01:29:33,168
>> SO HE CAN BACK TO THE HAPPIEST TIME FOR HIM.

1040
01:29:33,168 --> 01:29:35,370
♪

1041
01:29:35,370 --> 01:29:38,807
>> KEEP GOING.

1042
01:29:38,807 --> 01:29:55,790
>> SOMETIMES THINGS MAY OR MAY NOT BE TRUE, THINGS WHICH A MAN SHOULD BELIEVE MOST, BUT MAN IS INHERENTLY GOOD IN HONOR, COURAGE AND VIRTUE IN EVERYTHING.

1043
01:29:55,790 --> 01:30:00,095
>> I JUST THINK ABOUT THAT LITTLE KID, IS HE PROUD OF ME?

1044
01:30:00,095 --> 01:30:07,903
THE ANSWER IS YES, SO I KNOW I'M RIGHT WHERE I NEED TO BE.

1045
01:30:07,903 --> 01:30:14,943
♪

1046
01:30:14,943 --> 01:30:26,354
♪

1047
01:30:26,354 --> 01:30:46,574
>> AFTER I READ THE FIRST SCRIPT, I COULD ONLY IMAGINE ONLY ONE MAN FOR THE ROLE OF HUBLE, AND THAT WAS ROBERT REDFORD, BUT HE DECLINED BECAUSE HE SAID THE CHARACTER HAD NO PLOT.

1048
01:30:46,574 --> 01:30:50,512
HE REPRESENTS NOTHING.

1049
01:30:50,512 --> 01:30:52,180
AND HE WAS RIGHT.

1050
01:30:52,180 --> 01:30:59,220
THROUGH MANY DRAFTS LATER, BOB FINALLY AGREES TO DO IT.

1051
01:30:59,220 --> 01:31:02,057
HE IS AN EXCELLENT, SMART ACTOR.

1052
01:31:02,057 --> 01:31:11,766
AND WE HAD A GREAT TIME ACTING TOGETHER BECAUSE WE NEVER REALLY KNEW WHAT THE OTHER WOULD DO OR SEE.

1053
01:31:11,766 --> 01:31:24,279
AND I'M SO GLAD BECAUSE THE WAY WE USED TO BE IS NOW CONSIDERED A LOVE STORY CLASSIC, BUT IT ALSO TALK ABOUT A DARK PERIOD IN OUR HISTORY.

1054
01:31:24,279 --> 01:31:36,858
THE LATE 40'S AND EARLY 50'S WHEN PEOPLE ACCUSED EACH OTHER AND HAD TO Obey Oaths of Allegiance.

1055
01:31:36,858 --> 01:31:43,164
NOW, BOB HAS A REAL PERSONALITY ON SCREEN AND OFF.

1056
01:31:43,164 --> 01:31:58,646
HE SPEAK UP TO DEFEND FREE PRESS, PROTECT THE ENVIRONMENT AND ENCOURAGE NEW VOICES AT HIS SUNDANCE INSTITUTE, AND SOME OF THEM -- [ APPLAUSE ].

1057
01:31:58,646 --> 01:32:06,921
SOME OF THEM ARE BEING NOMINATED FOR OSCAR TONIGHT, WHICH IS SO AMAZING.

1058
01:32:06,921 --> 01:32:10,058
HE IS THOUGHT AND COURAGEOUS.

1059
01:32:10,058 --> 01:32:20,168
I CALL HIM THE INTELLECTUAL COWBOY WHO PAVED HIS OWN PATH AND WON THE ACADEMY AWARD FOR BEST DIRECTOR.

1060
01:32:20,168 --> 01:32:28,043
AND I MISS HIM NOW MORE THAN EVER EVEN THOUGH HE LIKES TO TAKE ME A LOT.

1061
01:32:28,043 --> 01:32:31,446
HE WILL CALL ME -- HE WILL CALL ME BABS.

1062
01:32:31,446 --> 01:32:36,084
AND I'LL SAY -- BOB, DO I LOOK LIKE BABS?

1063
01:32:36,084 --> 01:32:38,186
I'M NOT A BABS, YOU KNOW.

1064
01:32:38,186 --> 01:32:42,791
BUT THE WAY HE SAID MADE ME LAUGH.

1065
01:32:42,791 --> 01:32:58,740
AND YEARS LATER, WE WERE -- WE TALKED ON THE PHONE ABOUT POLITICS, OUR GENERAL ART, OUR HOBBIES.

1066
01:32:58,740 --> 01:33:04,379
AND AS WE WERE ABOUT TO HANG UP THE PHONE, HE SAID, BABS, I LOVE YOU SO MUCH.

1067
01:33:04,379 --> 01:33:07,282
AND I WILL ALWAYS BE THAT.

1068
01:33:07,282 --> 01:33:15,223
AND IN THE LAST LETTER I WROTE TO BOB, I ENDED IT WITH -- I LOVE YOU TOO.

1069
01:33:15,223 --> 01:33:25,934
AND I SIGNED IT, BABS.

1070
01:33:25,934 --> 01:33:34,976
♪

1071
01:33:34,976 --> 01:33:47,388
♪ THAT'S THE LAUGHTER THAT YOU WILL REMEMBER ♪

1072
01:33:47,388 --> 01:34:00,702
♪ WHENEVER WE REMEMBER THE WAY WE USED TO BE ♪

1073
01:34:00,702 --> 01:34:03,738
Oh, YES.

1074
01:34:03,738 --> 01:34:17,051
♪ THE WAY WE USED TO BE ♪ Oh

1075
01:34:17,585 --> 01:34:24,125
[APPLAUSE].

1076
01:34:24,125 --> 01:34:26,261
>> THANK YOU.

1077
01:34:26,261 --> 01:34:27,061
THANK YOU SO MUCH.

1078
01:34:37,872 --> 01:34:46,548
>>> FORGIVE ME, SON.

1079
01:34:46,548 --> 01:34:56,691
>> MY CREATOR TOLD HIS STORY, AND I WILL TELL HIM MY STORY.

1080
01:34:56,691 --> 01:35:03,364
>> THE ESSENCE IS THE IDEA OF LOVING AN IMPERFECT MAN AND FORGIVING THOSE Flaws.

1081
01:35:03,364 --> 01:35:08,403
>> I CAN'T DIE AND I CAN'T LIVE.

1082
01:35:08,403 --> 01:35:09,804
ALONE.

1083
01:35:09,804 --> 01:35:12,373
[ APPLAUSE ]

1084
01:35:18,713 --> 01:35:19,514
>> CONAN: WELCOME BACK.

1085
01:35:19,514 --> 01:35:27,655
OF COURSE WE HERE AT OSCAR ARE ALWAYS TRYING TO FIND OUT WAYS TO REACH YOUNG AUDIENCES.

1086
01:35:27,655 --> 01:35:32,694
I AM ASSURED THAT THE SEQUEL WILL DO THAT.

1087
01:35:32,694 --> 01:35:59,287
WHEN HOSTS TRY TO "RIZ" YOUNGER AUDIENCES BY GOING TO "BRAIN ROT" MODE AND EVEN THOUGH YOU ARE 6-7 YEARS OLD, THAT'S A MESSAGE THAT YOUTH WILL DEFINITELY SEE WHEN WATCHING BROAD TV.

1088
01:35:59,287 --> 01:36:04,292
SHE APPEARED IN 74 MOVIES AND HE APPEARED IN 74 MOVIES LAST YEAR.

1089
01:36:04,292 --> 01:36:13,101
INVITING OSCAR CANDIDATES SIGOURNEY WEAVER AND PEDRO PASCAL.

1090
01:36:14,135 --> 01:36:18,973
♪

1091
01:36:26,080 --> 01:36:32,387
>> PRODUCTION DESIGNERS HAVE A SPECIAL KIND OF CINEMA MAGIC THAT TAKES PLACE LONG BEFORE THE CAMERA STARTS ROLLING.

1092
01:36:32,387 --> 01:36:36,124
IT STARTS WITH A SKETCH, A SURFACE TEXTURE, A DOOR.

1093
01:36:36,124 --> 01:36:39,827
AND SUDDENLY, A WHOLE WORLD EXISTED.

1094
01:36:39,827 --> 01:36:45,800
>> CITIES, PALACES, GALAXIES.

1095
01:36:45,800 --> 01:36:48,870
>> SOMETIMES THERE ARE ENTIRE WORLDS THAT OUR CHARACTERS LIVE IN.

1096
01:36:48,870 --> 01:36:54,108
>> SHE HAS A LITTLE EXPERIENCE WITH THOSE THINGS.

1097
01:36:54,108 --> 01:36:55,143
>> A LITTLE.

1098
01:36:55,143 --> 01:37:06,888
THE GOOD, THE BAD, AND SOME REALLY ADORABLE.

1099
01:37:06,888 --> 01:37:14,128
[ LAUGH ]

1100
01:37:14,128 --> 01:37:14,696
STAY AWAY FROM IT, YOU BASTARDS!

1101
01:37:14,696 --> 01:37:17,231
>> HI, REMEMBER THAT GOOD CHARACTER.

1102
01:37:17,231 --> 01:37:18,933
I PISSED MY PANTS A LITTLE.

1103
01:37:18,933 --> 01:37:24,205
>> THAT'S MY GENTLE MOTHER'S INSTINCT.

1104
01:37:24,205 --> 01:37:29,377
>> I'M SORRY, CATE.

1105
01:37:29,377 --> 01:37:33,147
>> I HAVE NO REGRETS.

1106
01:37:33,147 --> 01:37:48,563
AND NOW THE ARTISTS AND WORLD-BUILDERS NOMINATED TONIGHT FOR PRODUCTION DESIGN ACHIEVEMENTS ARE -- ♪

1107
01:37:48,563 --> 01:37:49,564
>> "FRANKENSTEIN."

1108
01:37:49,564 --> 01:37:51,699
PRODUCTION DESIGN BY TAMARA DEVERELL.

1109
01:37:51,699 --> 01:37:54,902
SET DECORATION BY SHANE VIEAU.

1110
01:37:54,902 --> 01:37:57,538
"HAMNET."

1111
01:37:57,538 --> 01:37:59,107
PRODUCTION DESIGN BY FIONA CROMBIE.

1112
01:37:59,107 --> 01:38:02,043
SET DECORATION BY ALICE FELTON.

1113
01:38:02,043 --> 01:38:02,410
"MARTY SUPREME."

1114
01:38:02,410 --> 01:38:05,780
DESIGN MANUFACTURED BY JACK FISK.

1115
01:38:05,780 --> 01:38:07,615
SET DECORATION BY ADAM WILLIS.

1116
01:38:07,615 --> 01:38:09,183
"ONE BATTLE AFTER ANOTHER."

1117
01:38:09,183 --> 01:38:11,819
DESIGN MANUFACTURED BY FLORENCIA MARTIN.

1118
01:38:11,819 --> 01:38:14,455
SET DECORATION BY ANTHONY CARLINO.

1119
01:38:14,455 --> 01:38:14,989
"SINNERS."

1120
01:38:14,989 --> 01:38:18,159
DESIGN PRODUCTION BY HANNAH BEACHLER.

1121
01:38:18,159 --> 01:38:29,804
SET DECORATION BY MONIQUE CHAMPAGNE.

1122
01:38:29,804 --> 01:38:40,047
>> AND THE OSCAR AWARD GOES TO -- TAMARA DEVERELL AND SHANE VIEAU FOR "FRANKENSTEIN."

1123
01:38:40,047 --> 01:38:54,395
>> THIS IS TAMARA DEVERELL'S FIRST WIN AND THE FIRST WIN AND FOURTH NOMINATION FOR SHANE VIEAU.

1124
01:39:00,868 --> 01:39:04,338
[ APPLAUSE ]

1125
01:39:12,380 --> 01:39:19,887
>> THANK YOU THE ACADEMY AND ALL THE OTHER CANDIDATES FOR YOUR INSPIRING WORKS.

1126
01:39:19,887 --> 01:39:21,589
WOW.

1127
01:39:21,589 --> 01:39:23,958
GUILLERMO, THANK YOU FOR YOUR HEART AND ART.

1128
01:39:23,958 --> 01:39:25,460
HE IS A MASTER STORYTELLER.

1129
01:39:25,460 --> 01:39:31,599
IT IS AN HONOR FOR US TO HELP RIDE HIS GREAT SHIP.

1130
01:39:31,599 --> 01:39:37,672
THANK YOU MILES DALE, SCOTT AND THE ENTIRE NETFLIX TEAM FOR YOUR SUPPORT AND SUPPORT OF THIS CREATIVE JOURNEY.

1131
01:39:37,672 --> 01:39:47,148
WE SHARE THIS WITH AN AMAZING FILM TEAM IN TORONTO AND THE UK, LANDSCAPE, PAINT AND CONSTRUCTION, SO MANY TALENTED HANDS.

1132
01:39:47,148 --> 01:39:55,456
A THANK YOU TO GUY DAVIS, OUR CONCEPTUAL ARTIST, AND THE EXCELLENT DIRECTOR GORDON, WHO IS ON TONIGHT.

1133
01:39:55,456 --> 01:40:05,933
THANK YOU PERSONALLY TO OUR FAMILY AND FRIENDS, MOMS AND DADS, MY HUSBAND, KENNY, OUR CHILDREN, RACHEL AND DAVID, FOR THE LOVE AND SUPPORT AND, FINALLY, THANK YOU, MARY SHELLY, FOR THE STORY.

1134
01:40:05,933 --> 01:40:09,604
[ CLAP ]

1135
01:40:24,085 --> 01:40:31,959
>> AND NOW, IT'S TIME TO CELEBRATE THOSE WHO PUSHED THE BOUNDARIES OF WHAT WE THOUGHT WAS POSSIBLE IN CINEMA.

1136
01:40:31,959 --> 01:40:38,866
>> ARTISTS WHO MIX VIRTUALITY AND REALITY CREATE CINEMATIC EFFECTS THAT INDUCE Awe, WONDER, AND EXCITEMENT.

1137
01:40:38,866 --> 01:40:45,806
BELOW ARE THIS YEAR'S CANDIDATES FOR VISUAL EFFECTS ACHIEVEMENT.

1138
01:40:45,806 --> 01:40:47,542
♪

1139
01:40:47,542 --> 01:40:49,644
>> "AVATAR: FIRE AND ASH."

1140
01:40:49,644 --> 01:40:55,416
JOE LETTERI, RICHARD BANEHAM, ERIC SAINDON AND DANIEL BARRETT.

1141
01:40:55,416 --> 01:40:55,616
"F1."

1142
01:40:55,616 --> 01:41:00,721
RYAN TUDHOPE, NICOLAS CHEVALLIER, ROBERT HARRINGTON AND KEITH DAWSON.

1143
01:41:00,721 --> 01:41:02,290
"JURASSIC WORLD REBIRTH."

1144
01:41:02,290 --> 01:41:07,595
DAVID VICKERY, STEPHEN APLIN, CHARMAINE CHAN AND NEIL CORBOULD.

1145
01:41:07,595 --> 01:41:09,163
"THE LOST BUS."

1146
01:41:09,163 --> 01:41:13,434
CHARLIE NOBLE, DAVID ZARETTI, RUSSELL BOWEN AND BRANDON K. McLAUGHLIN.

1147
01:41:13,434 --> 01:41:16,070
"SINNERS."

1148
01:41:16,070 --> 01:41:22,376
MICHAEL RALLA, ESPEN NORDAHL, GUIDO WOLTER AND DONNIE DEAN.

1149
01:41:24,879 --> 01:41:39,293
>> AND THE WINNER, AND THE OSCAR AWARD BELONGS TO "AVATAR: FIRE AND ASH."

1150
01:41:39,293 --> 01:41:58,379
>> Announcer: THIS IS THE SIXTH OSCAR WINNER AND THE Twelfth NOMINATION FOR JOE LETTERI, THE THIRD WINNER AND THE THIRD NOMINATION FOR RICHARD BANEHAM, THE FOURTH NOMINATION FOR ERIC SAINDON, THE FIFTH NOMINATION FOR DANIEL BARRETT.

1151
01:42:01,816 --> 01:42:04,051
[ APPLAUSE ]

1152
01:42:19,200 --> 01:42:22,870
>> FIRST AND MOST OF ALL, THANK YOU TO OUR FAMILY.

1153
01:42:22,870 --> 01:42:27,475
LOVE, SUPPORT, WIFE, PARTNERS, 2,200 ARTISTS.

1154
01:42:27,475 --> 01:42:44,759
THIS WAS A Huge, Huge Collaboration IN terms of EFFECTS, EVERYONE IN THE MOVIE, SO TO ALL OF OUR FAMILY, THIS IS EVERYTHING.

1155
01:42:44,759 --> 01:42:56,437
JIM CAMERON, HE ACTUALLY SHAPES EVERY FRAME OF THE MOVIE AND HAS A BIG PART IN THE EFFECTS, THANK YOU RAY SANCINNI, INDUSTRIAL LIGHT AND MAGIC, THANK YOU.

1156
01:42:56,437 --> 01:43:02,376
>> AND TO THE MAN WE MISS ON STAGE TONIGHT, JOHN LANDAU, WE MISS YOU.

1157
01:43:02,376 --> 01:43:04,311
HE IS STILL THE HEART AND SOUL OF THIS MOVIE.

1158
01:43:04,311 --> 01:43:05,479
THANK.

1159
01:43:05,479 --> 01:43:06,580
>> THANK YOU.

1160
01:43:06,580 --> 01:43:06,947
[ CLAP ]

1161
01:43:06,947 --> 01:43:14,388
>> OUR CAST -- ♪

1162
01:43:24,565 --> 01:43:25,132
>> CONan: OKAY, I'M SORRY.

1163
01:43:25,132 --> 01:43:34,375
I WAS JUST BACKSTAGE AND NOTICED SOMETHING, THEY TURNED TO THE AUDIENCE AND I REALIZED GROGU COULDN'T APPLAUSE.

1164
01:43:34,375 --> 01:43:35,142
TRY TO APPLAUSE.

1165
01:43:35,142 --> 01:43:35,409
TRY.

1166
01:43:35,409 --> 01:43:36,777
TRY TO APPLAUSE.

1167
01:43:36,777 --> 01:43:37,244
ARE NOT!

1168
01:43:37,244 --> 01:43:37,478
ARE NOT!

1169
01:43:37,478 --> 01:43:42,183
IT'S A CRUEL THING TO BRING A CREATURE THAT CANNOT APPLAUSE TO AN AWARDS CEREMONY.

1170
01:43:42,183 --> 01:43:44,251
DO THESE PEOPLE HAVE BOTTOM?

1171
01:43:44,251 --> 01:43:48,355
WE WILL BE BACK TO OSCAR.

1172
01:43:48,355 --> 01:43:49,356
CLAP!

1173
01:43:49,356 --> 01:43:49,557
CLAP!

1174
01:43:49,557 --> 01:43:49,757
CLAP!

1175
01:43:49,757 --> 01:43:50,291
♪

1176
01:44:02,203 --> 01:44:06,874
>>> THIS WORLD IS COMPLICATED WITH EACH OTHER.

1177
01:44:06,874 --> 01:44:13,981
EACH ROPE WE PULL, WE DO NOT KNOW HOW IT AFFECTS THE STRUCTURE OF THINGS.

1178
01:44:13,981 --> 01:44:19,854
>> THE REAL STORY EXPLORES HOW WE LEAD LOVE.

1179
01:44:19,854 --> 01:44:22,623
AND LOSS.

1180
01:44:22,623 --> 01:44:25,392
WHEN THE WORLD SHIFTS AROUND US.

1181
01:44:25,392 --> 01:44:27,695
>> SO BEAUTIFUL, RIGHT?

1182
01:44:27,695 --> 01:44:28,863
>> WHAT IS IT?

1183
01:44:28,863 --> 01:44:32,700
>> ALL.

1184
01:44:32,700 --> 01:44:39,740
EVERY MOMENT OF IT.

1185
01:44:39,740 --> 01:44:41,008
♪

1186
01:44:41,008 --> 01:44:46,514
>> Announcer: PLEASE INVITE JIMMY KIMMEL.

1187
01:44:46,514 --> 01:44:52,019
♪

1188
01:44:54,555 --> 01:45:02,096
>> I'M JIMMY KIMMEL AND WELCOME TO THE 98TH ANNUAL ACADEMY AWARDS.

1189
01:45:02,096 --> 01:45:04,899
WAIT, AREN'T I THE HOST?

1190
01:45:04,899 --> 01:45:06,433
OH SHIT, THIS IS SO EMBARRASSING.

1191
01:45:06,433 --> 01:45:13,941
IN FACT, CONAN WAS OUTSIDE FOR A BREATH OF AIR AND Accidentally exposed his face to the sunlight and caught fire.

1192
01:45:13,941 --> 01:45:16,944
SO I'LL FINISH THE REST OF THE SHOW.

1193
01:45:16,944 --> 01:45:28,455
I'M HERE TO PRESENT THE DOCUMENTARY OSCAR AND WE'VE HEARD A LOT ABOUT -- [APPLAUSE]

1194
01:45:28,455 --> 01:45:37,198
WE HEAR A LOT -- [APPLAUSE]

1195
01:45:37,198 --> 01:45:39,967
THEY WILL CUT OFF YOUR TICKETS NEXT YEAR.

1196
01:45:39,967 --> 01:45:47,675
WE HEARD A LOT ABOUT COURAGE IN SHOWS LIKE THIS BUT TELLING A STORY CAN COST YOU YOUR LIFE BECAUSE TELLING IT IS REAL COURAGE.

1197
01:45:47,675 --> 01:45:52,179
AS YOU KNOW, THERE ARE SOME COUNTRIES WHERE LEADERS DO NOT SUPPORT FREEDOM OF SPEECH.

1198
01:45:52,179 --> 01:45:54,849
I HAVE NO RIGHT TO SAY WHAT COUNTRIES THESE ARE.

1199
01:45:54,849 --> 01:45:56,083
[ LAUGHTER ]

1200
01:45:56,083 --> 01:45:59,620
LET'S LET'S SAY NORTH KOREA AND CBS.

1201
01:45:59,620 --> 01:46:07,761
FORTUNATELY -- [ APPLAUSE ]

1202
01:46:07,761 --> 01:46:25,646
FORTUNATELY FOR ALL OF US, THERE IS AN INTERNATIONAL COMMUNITY OF FILMMAKERS DEDICATED TO TELLING THE TRUTH, OFTEN AT GREAT RISK, TO MAKE MOVIES THAT TEACH US, EXPOSE INJUSTICE, INSPIRED US TO ACTION, AND ALSO HAVE DOCUMENTS WHICH YOU GO AROUND WHITE HOUSE TO TRY ON SHOES.

1203
01:46:25,646 --> 01:46:31,151
BELOW ARE THE CANDIDATES FOR SHORT DOCUMENTARY FILM.

1204
01:46:35,890 --> 01:46:36,423
>> "ALL THE EMPTY ROOMS."

1205
01:46:36,423 --> 01:46:38,292
JOSHUA SEFTEL AND CONALL JONES.

1206
01:46:38,292 --> 01:46:41,128
"ARMED ONLY WITH A CAMERA: THE LIFE AND DEATH OF BRENT RENAUD."

1207
01:46:41,128 --> 01:46:43,831
CRAIG RENAUD AND JUAN ARREDONDO.

1208
01:46:43,831 --> 01:46:45,966
"CHILDREN NO MORE: "WERE AND ARE GONE."

1209
01:46:45,966 --> 01:46:48,068
HILLA MEDALIA AND SHEILA NEVINS.

1210
01:46:48,068 --> 01:46:51,272
"THE DEVIL IS BUSY."

1211
01:46:51,272 --> 01:46:54,441
CHRISTALYN HAMPTON AND GEETA GANDBHIR.

1212
01:46:54,441 --> 01:46:54,975
"PERFECTLY A STRANGENESS."

1213
01:46:54,975 --> 01:47:03,751
ALISON McALPINE.

1214
01:47:03,751 --> 01:47:05,185
>> OKAY.

1215
01:47:05,185 --> 01:47:17,564
AND THE OSCAR AWARD FOR BEST SHORT DOCUMENTARY FILMS GOES TO "ALL THE EMPTY ROOMS."

1216
01:47:17,564 --> 01:47:26,240
JOSHUA SEFTEL AND CONALL JONES.

1217
01:47:26,240 --> 01:47:33,213
>> Announcer: THIS IS THE FIRST WINNING FOR JOSHUA SEFTEL AND CONALL JONES.

1218
01:47:33,213 --> 01:47:36,817
♪

1219
01:47:40,154 --> 01:47:42,690
>> THANK YOU ACADEMY.

1220
01:47:42,690 --> 01:47:48,696
THANK YOU TO THE GREAT STEVE HARTMAN -- [ APPLAUSE ]

1221
01:47:48,696 --> 01:47:56,303
THANK YOU LOU, THANK YOU NETFLIX, TED, ADAM AND CHLOE AND THANK YOU TO OUR COMPASSIONATE FILMMAKING TEAM.

1222
01:47:56,303 --> 01:48:11,151
THE EMPTY ROOM IN OUR MOVIE BELONG TO FOUR LITTLE CHILDREN WHO WERE ALL KILLED IN SCHOOL SHOOTINGS, HALLE, GRACIE, DOMINICK AND JACKIE.

1223
01:48:11,151 --> 01:48:16,757
>> MY DAUGHTER JACKIE WAS 9 YEARS OLD WHEN SHE WAS KILLED IN UVALDE.

1224
01:48:16,757 --> 01:48:20,160
SINCE THAT DAY, MY BEDROOM WAS FROZEN IN TIME.

1225
01:48:20,160 --> 01:48:22,429
JACKIE IS NOT JUST A HEADLINE.

1226
01:48:22,429 --> 01:48:24,665
YOU ARE OUR LIGHT AND LIFE.

1227
01:48:24,665 --> 01:48:29,536
GUN VIOLENCE IS CURRENTLY THE LEADING CAUSE OF DEATH IN CHILDREN AND ADOLESCENTS.

1228
01:48:29,536 --> 01:48:33,974
WE BELIEVE THAT IF THE WORLD COULD SEE THEIR EMPTY BEDROOMS, AMERICA WOULD BE DIFFERENT.

1229
01:48:33,974 --> 01:48:34,274
THANK.

1230
01:48:34,274 --> 01:48:41,415
[ APPLAUSE ]

1231
01:48:43,717 --> 01:48:49,690
♪

1232
01:48:57,965 --> 01:49:07,741
>> THE NEXT OSCAR AWARD IS FOR A LONG-LONG DOCUMENTARY, WHICH IS THE SAME AS A SHORT DOCUMENTARY BUT LONGER.

1233
01:49:07,741 --> 01:49:08,675
BELOW ARE THE CANDIDATES.

1234
01:49:08,675 --> 01:49:11,745
♪

1235
01:49:11,745 --> 01:49:12,479
"THE ALABAMA SOLUTION."

1236
01:49:12,479 --> 01:49:16,717
ANDREW JARECKI AND CHARLOTTE KAUFMAN.

1237
01:49:16,717 --> 01:49:17,351
"COME SEE ME IN THE GOOD LIGHT."

1238
01:49:17,351 --> 01:49:21,989
RYAN WHITE, JESSICA HARGRAVE, TIG NOTARO AND STEF WILLEN.

1239
01:49:21,989 --> 01:49:23,057
"CUTTING THROUGH ROCKS."

1240
01:49:23,057 --> 01:49:29,463
SARA KHAKI AND MOHAMMADREZA EYNI.

1241
01:49:29,463 --> 01:49:30,998
"MR. NOBODY AGAINST PUTIN."

1242
01:49:30,998 --> 01:49:36,303
DAVID BORENSTEIN, PAVEL TALANKIN, HELLE FABER AND ALZBETA KARASKOVA.

1243
01:49:36,303 --> 01:49:39,473
"THE PERFECT NEIGHBOR."

1244
01:49:39,473 --> 01:49:46,480
GEETA GANDBHIR, ALISA PAYNE, NIKON KWANTU AND SAM BISBEE.

1245
01:49:50,551 --> 01:49:59,359
>> OH, GOD, IS HE ANGRY THAT HIS WIFE DIDN'T BE NOMINATED FOR THIS AWARD?

1246
01:49:59,359 --> 01:50:18,946
AND THE OSCAR AWARD FOR BEST LONG-TIME DOCUMENTARY FILMS GOES TO -- "MR. NOBODY AGAINST PUTIN" DAVID BORENSTEIN, PAVEL TALANKIN, HELLE FABER AND ALZBETA KARASKOVA.

1247
01:50:18,946 --> 01:50:27,721
>> Announcer: THIS IS THE FIRST TIME WINNING.

1248
01:50:27,721 --> 01:50:29,189
WIN.

1249
01:50:31,725 --> 01:50:34,895
♪

1250
01:50:41,869 --> 01:50:44,638
>> THANK YOU ACADEMY.

1251
01:50:44,638 --> 01:50:52,479
THANK YOU TO OUR FAMILY, THANK YOU TO YOUR FRIENDS AND THANK YOU TO THE OTHER DOCUMENTARY CANDIDATES WHO HAVE BECOME GOOD FRIENDS OF US.

1252
01:50:52,479 --> 01:50:55,549
"MR. NOBODY AGAINST PUTIN" TELLS ABOUT HOW YOU LOST YOUR COUNTRY.

1253
01:50:55,549 --> 01:51:03,824
AND WHAT WE FIND WHEN WE WORK WITH THESE LETTERS IS THAT YOU LOSE IT THROUGH COUNTLESS SMALL ACTS OF CONSOLIDITY.

1254
01:51:03,824 --> 01:51:10,264
WHEN WE ARE AGREEMENT, WHEN THE GOVERNMENT KILLS PEOPLE IN THE STREETS OF BIG CITIES.

1255
01:51:10,264 --> 01:51:17,704
WHEN WE SAY NOTHING, WHEN THE FINALITY TAKES OVER THE MEDIA AND CONTROLS HOW WE PRODUCE AND CONSUME IT.

1256
01:51:17,704 --> 01:51:25,045
[ APPLAUSE ]

1257
01:51:25,045 --> 01:51:35,022
WE ALL FACE A MORAL CHOICE, BUT, FORTUNATELY, EVEN AN ANNOUNCEMENT IS STRONGER THAN YOU THINK.

1258
01:51:35,022 --> 01:51:41,628
AND THIS IS PAVEL TALANKIN, THE MAIN CHARACTER IN OUR MOVIE.

1259
01:51:45,966 --> 01:51:46,533
[SPEAKING RUSSIAN]

1260
01:51:46,533 --> 01:51:47,067
[SPEAKING RUSSIAN]

1261
01:51:47,067 --> 01:51:57,144
>> FOR FOUR YEARS, WE LOOKED UP TO THE SKY FOR A METEOR TO MAKE A VERY IMPORTANT WISH.

1262
01:52:01,915 --> 01:52:16,063
>> Translator: BUT THERE ARE COUNTRIES WHERE INSTEAD OF METEOR, THEY HAVE DRONE BOMBS AND DRONE.

1263
01:52:16,063 --> 01:52:21,935
IN THE NAME OF OUR FUTURE, IN THE NAME OF ALL THE CHILDREN, STOP ALL THESE WARS NOW.

1264
01:52:21,935 --> 01:52:27,140
[ APPLAUSE ]

1265
01:52:27,140 --> 01:52:34,548
♪

1266
01:52:46,260 --> 01:52:52,566
>>> THERE WAS A MOMENT IN THE CAR WHEN EVERYTHING BECAME QUIET.

1267
01:52:52,566 --> 01:52:57,871
MY HEARTBEAT SLOWED, AND I COULD SEE EVERYTHING.

1268
01:52:57,871 --> 01:53:03,110
>> HE'S FLYING.

1269
01:53:03,110 --> 01:53:10,083
>> THE LAST THING I DID WAS DRIVE THAT CAR.

1270
01:53:10,083 --> 01:53:13,887
I WILL TAKE THAT LIFE.

1271
01:53:13,887 --> 01:53:18,558
>> IF YOU WIN, YOU WILL BE THE BEST PERSON IN THE WORLD.

1272
01:53:18,558 --> 01:53:20,594
♪

1273
01:53:20,594 --> 01:53:27,334
[ APPLAUSE ]

1274
01:53:27,334 --> 01:53:28,835
>> Conan: A REALLY FUN MOVIE.

1275
01:53:28,835 --> 01:53:33,840
HEY, ANOTHER FUN FAST FACT, BRAD PITT AND I ARE ON THE SAME PAGE.

1276
01:53:33,840 --> 01:53:34,541
IT'S SO REAL.

1277
01:53:34,541 --> 01:53:42,949
MY WIFE TOLD ME THIS WITH TEARS RUNNING ON HER FACE!

1278
01:53:42,949 --> 01:53:48,855
THESE FOLLOWERS ARE THE ONLY REASON THAT THE PHRASE "WEDDING DRESS STREET DIARRHEA" IS IN MY SEARCH HISTORY.

1279
01:53:48,855 --> 01:53:52,326
ONLY REASON!

1280
01:53:52,326 --> 01:54:00,334
HERE TO CELEBRATE THE 15TH ANNIVERSARY OF "BRIDESMAIDS" WE INVITE MAYA RUDOLPH, KRISTEN WIIG, ROSE BYRNE, MELISSA McCARTHY, AND ELLIE KEMPER.

1281
01:54:00,334 --> 01:54:05,439
[ APPLAUSE ]

1282
01:54:07,107 --> 01:54:11,912
♪

1283
01:54:19,119 --> 01:54:21,288
[ APPLAUSE ]

1284
01:54:22,923 --> 01:54:25,158
>> THANK YOU.

1285
01:54:25,158 --> 01:54:29,529
>> WE ARE SO HAPPY TO BE HERE TOGETHER TONIGHT.

1286
01:54:29,529 --> 01:54:32,566
I CAN'T BELIEVE IT'S BEEN 15 YEARS.

1287
01:54:32,566 --> 01:54:41,842
WE'RE NOT GOOD WITH NUMBERS, BUT WE WORKED OUT BEHIND THE SCENE THAT THAT MEANS WE SHOWED THIS MOVIE IN 1883.

1288
01:54:41,842 --> 01:54:51,118
>> AND WE'RE SO HAPPY TO BE BACK HERE TO PRESENT THE OSCAR AWARD FOR BEST BACKGROUND MUSIC.

1289
01:54:51,118 --> 01:54:56,523
THE BACKGROUND MUSIC OF A MOVIE HELPS US TO FEEL, IT INVITES US TO ENTER A WORLD OF -- OH!

1290
01:54:56,523 --> 01:54:59,126
SORRY.

1291
01:54:59,126 --> 01:54:59,826
WHAT'S UP?

1292
01:54:59,826 --> 01:55:03,063
OH, WHAT, ARE THESE NOTES?

1293
01:55:03,063 --> 01:55:06,700
>> IS THIS FROM PEOPLE IN THE AUDIENCE?

1294
01:55:06,700 --> 01:55:07,868
>> WEIRD.

1295
01:55:07,868 --> 01:55:10,036
>> SO STRANGE.

1296
01:55:10,036 --> 01:55:13,907
WELL, MINE SAID "FIRST OF ALL, YOU LADIES LOOK EXTREMELY BEAUTIFUL TONIGHT."

1297
01:55:13,907 --> 01:55:18,812
OH, SO BEAUTIFUL.

1298
01:55:18,812 --> 01:55:19,146
Oh, THANK YOU!

1299
01:55:19,146 --> 01:55:21,481
"ALL YOU ARE BEAUTIFUL.

1300
01:55:21,481 --> 01:55:26,620
SIGNED, STELLAN SKARSGARD."

1301
01:55:26,620 --> 01:55:32,692
[ APPLAUSE ]

1302
01:55:32,692 --> 01:55:38,632
>> OH, THIS IS MINE, "ROSE, COULD YOU STOP LOOKING AT ME?

1303
01:55:38,632 --> 01:55:39,232
TOO MUCH EYE COMMUNICATION.

1304
01:55:39,232 --> 01:55:41,902
I'M THINKING OF LEAVING.

1305
01:55:41,902 --> 01:55:45,572
I FEEL VERY UNCOMFORTABLE.

1306
01:55:45,572 --> 01:55:51,144
DEAR LEONARDO DICAPRIO."

1307
01:55:51,144 --> 01:55:53,013
I'M SORRY, I'VE BEEN LOOKING AT YOU.

1308
01:55:53,013 --> 01:55:56,383
I THOUGHT YOU WERE SOMEONE ELSE.

1309
01:55:56,383 --> 01:55:58,585
>> THAT OFTEN HAPPENS TO HIM.

1310
01:55:58,585 --> 01:56:02,355
OH, THIS IS -- OKAY, TO SEE.

1311
01:56:02,355 --> 01:56:04,825
I HAVE TO SAY MINE IS ALMOST UNREADABLE.

1312
01:56:04,825 --> 01:56:07,060
THE WRITING IS REALLY BAD.

1313
01:56:07,060 --> 01:56:11,431
IT SAID, "Hello, I'm with STellan SKarsgard and I wrote a private note.

1314
01:56:11,431 --> 01:56:14,401
I ALSO AGREE THEY LOOK BRILLIANT.

1315
01:56:14,401 --> 01:56:20,574
EVERYTHING YOU HAVE DONE TO YOUR FACES IS SO ELEGANT.

1316
01:56:20,574 --> 01:56:26,146
DEAR ELLE FANNING."

1317
01:56:26,146 --> 01:56:28,348
>> OKAY, WAIT, MORE.

1318
01:56:28,348 --> 01:56:37,357
IT SAYS, YOU'RE KIDDING, IT'S ME AGAIN, STELLAN SKARSGARD.

1319
01:56:37,357 --> 01:56:37,591
C'mon!

1320
01:56:37,591 --> 01:56:40,193
C'mon!

1321
01:56:40,193 --> 01:56:42,929
>> OKAY, MINE IS SHORT.

1322
01:56:42,929 --> 01:56:44,865
"YOU HAVE BEEN TALKING FOR SO LONG.

1323
01:56:44,865 --> 01:56:46,933
THIS PERFORMANCE COULD HAVE BEEN MUCH SHORTER.

1324
01:56:46,933 --> 01:56:48,768
THIS KEEPS GOING ON FOREVER.

1325
01:56:48,768 --> 01:56:51,137
YOU GUYS DON'T EVEN TALK ABOUT BACKGROUND MUSIC.

1326
01:56:51,137 --> 01:56:54,741
JUST THAT.

1327
01:56:54,741 --> 01:56:55,375
LOVE YOU GUYS SO MUCH!

1328
01:56:55,375 --> 01:56:56,343
BENICIO del TORO.

1329
01:56:56,343 --> 01:57:06,386
OR FOR THOSE WHO REFUSE TO LEARN SPANISH, THE MEANING OF THE BULL.”

1330
01:57:06,386 --> 01:57:07,120
RIGHT?

1331
01:57:07,120 --> 01:57:12,292
>> END IT.

1332
01:57:12,292 --> 01:57:14,928
>> WELL, THIS LAST ONE IS SHORT.

1333
01:57:14,928 --> 01:57:19,132
IT JUST SIGNS, "I'M TIRED AND I WANT TO GO HOME.

1334
01:57:19,132 --> 01:57:23,837
THIS PROGRAM IS VERY LONG AND THERE IS NO PIZZA.

1335
01:57:23,837 --> 01:57:27,274
SIGNED, CHILD IN "HAMNET."

1336
01:57:27,274 --> 01:57:30,076
THE BOY IS RIGHT.

1337
01:57:30,076 --> 01:57:31,444
OKAY, WE'LL GET TO WORK.

1338
01:57:31,444 --> 01:57:38,685
THE CANDIDATES FOR BEST BACKGROUND MUSIC ARE -- ♪

1339
01:57:38,685 --> 01:57:46,126
"FRANKENSTEIN" BY ALEXANDRE DESPLAT.

1340
01:57:46,126 --> 01:57:57,103
"ONE BATTLE AFTER ANOTHER" BY JONNY GREENWOOD.

1341
01:57:57,103 --> 01:57:59,372
♪

1342
01:57:59,372 --> 01:58:03,109
"BUGONIA" BY JERSKIN FENDRIX.

1343
01:58:03,109 --> 01:58:07,113
♪

1344
01:58:07,113 --> 01:58:09,482
"HAMNET" BY MAX RICHTER.

1345
01:58:09,482 --> 01:58:14,421
♪

1346
01:58:14,421 --> 01:58:16,957
"SINNERS" BY LUDWIG GORANSSON.

1347
01:58:16,957 --> 01:58:22,062
♪

1348
01:58:34,941 --> 01:58:44,884
>> AND THE OSCAR AWARD GOES TO -- "SINNERS" LUDWIG GORANSSON.

1349
01:58:44,884 --> 01:58:56,863
>> Announcer: THIS IS THE THIRD OSCAR WINNING FOR LUDWIG GORANSSON, WHO WON FOR "BLACK PANTHER" AND "OPPENHEIMER."

1350
01:58:59,132 --> 01:59:01,234
[ CLAP ]

1351
01:59:07,540 --> 01:59:14,614
>> MY DAD BOUGHT HIS FIRST BLUES ALBUM IN SWEDEN IN 1964.

1352
01:59:14,614 --> 01:59:27,427
IT'S JOHNNY HOOKER'S ALBUM AND THOUGH IT'S ON THE OTHER SIDE OF THE WORLD, IN A PLACE WHERE MY DAD HAS NEVER BEEN AND A PLACE WHICH HE COULDN'T RELATE TO, THE MUSIC IS SO POWERFUL THAT IT CHANGED MY DAD'S LIFE AND HE DEDICATED HIS ENTIRE LIFE TO IT. MUSIC.

1353
01:59:27,427 --> 01:59:38,304
AND WHEN I WAS ABOUT 7 YEARS OLD, A BOY, HE PUT A GUITAR IN MY ARMS AND I LOVED THE GUITAR AND IT BECAME EVERYTHING TO ME.

1354
01:59:38,304 --> 01:59:49,582
IT WAS THE GUITAR THAT OPENED SO MANY DOORS FOR ME AND IT WAS THE GUITAR THAT BROUGHT ME TO AMERICA AND IT WAS THE LAST GUITAR THAT LEADS ME TO ONE OF THE GREATEST STORYTELLERS OF OUR TIME, RYAN COOGLER.

1355
01:59:49,582 --> 01:59:54,821
[ APPLAUSE ]

1356
01:59:54,821 --> 01:59:59,059
RYAN, THANK YOU FOR YOUR VISION AND FOR MAKING A MOVIE THAT RESOLVED WITH THE WHOLE WORLD.

1357
01:59:59,059 --> 02:00:02,128
THANK.

1358
02:00:02,128 --> 02:00:04,030
♪

1359
02:00:15,875 --> 02:00:24,117
>> WE'RE ALSO HERE TO PRESENT THE OSCAR AWARD FOR AUDIO ACHIEVEMENT.

1360
02:00:24,117 --> 02:00:27,253
>> YOU KNOW, EARLIER TODAY, WHEN I WAS COUNTING MONEY, I ASKED MYSELF, "WHAT IS SOUND?

1361
02:00:27,253 --> 02:00:30,990
REALLY."

1362
02:00:30,990 --> 02:00:33,660
AM I RIGHT?

1363
02:00:33,660 --> 02:00:35,929
>> IT'S A MYSTERY, MAYA.

1364
02:00:35,929 --> 02:00:40,600
THEY ASKED SCIENTISTS AND STEVEN SPIELBERG.

1365
02:00:40,600 --> 02:00:41,434
HE DON'T KNOW.

1366
02:00:41,434 --> 02:00:45,538
I FEEL A LITTLE DISAPPOINTED WITH YOU, STEVEN.

1367
02:00:45,538 --> 02:00:48,007
>> ACTUALLY I THINK I CAN HELP HERE.

1368
02:00:48,007 --> 02:00:54,814
I JUST TALKED ABOUT THIS TO A WOMAN I MET ON A ROLL COaster.

1369
02:00:54,814 --> 02:00:59,119
SHE SAID IF THERE WAS NO SOUND -- WE WOULDN'T HEAR ANYTHING.

1370
02:00:59,119 --> 02:01:01,721
>> WHAT?

1371
02:01:01,721 --> 02:01:07,427
>> THAT'S RIGHT, KRISTEN, AND IT'S ESPECIALLY IMPORTANT IN THE MOVIE.

1372
02:01:07,427 --> 02:01:16,002
I TRIED WATCHING "MARTY SUPREME" WITHOUT SOUND.

1373
02:01:16,002 --> 02:01:23,710
>> THAT'S HOW DIRECTORS CREATE CLASSICS, WITH THEIR OWN STYLE.

1374
02:01:23,710 --> 02:01:31,518
WHEN WE THINK ABOUT MARTIN SCORSESE, WE THINK ABOUT HIS FAVORITE SOUNDS.

1375
02:01:31,518 --> 02:01:34,154
[ BOING ]

1376
02:01:34,154 --> 02:02:00,146
>> AND AUDIO ACHIEVEMENTS ARE -- >> "F1," GARETH JOHN, AL NELSON, GWENDOLYN YATES WHITTLE.

1377
02:02:00,146 --> 02:02:00,680
"FRANKENSTEIN."

1378
02:02:00,680 --> 02:02:03,416
GREG CHAPMAN, NATHAN ROBITAILLE, NELSON FERREIRA, CHRISTIAN COOKE, AND BRAD ZOERN.

1379
02:02:03,416 --> 02:02:03,983
"ONE BATTLE AFTER ANOTHER."

1380
02:02:03,983 --> 02:02:09,689
JOSE ANTONIO GARCIA, CHRISTOPHER SCARABOSIO, GO TONY VILLAFLOR.

1381
02:02:09,689 --> 02:02:11,124
"SINNERS."

1382
02:02:11,124 --> 02:02:21,301
CHRIS WELCKER, BENJAMIN A. BURTT, FELIPE PACHECO, BRANDON PROCTOR, VÀ STEVE BOEDDEKER.

1383
02:02:21,301 --> 02:02:21,835
"SIRAT."

1384
02:02:21,835 --> 02:02:29,676
AMANDA VILLAVIEJA, LAIA CASANOVAS, VÀ YASMINA PRADERAS.

1385
02:02:29,676 --> 02:02:34,247
♪

1386
02:02:34,247 --> 02:02:43,957
>> VÀ GIẢI OSCAR THUỘC VỀ "F1."

1387
02:02:47,126 --> 02:03:07,647
>> Announcer: THIS IS THE FIRST OSCAR WINNER AND THE FOURTH NOMINATION FOR GWENDOLYN YATES WHITTLE AND JUAN PERALTA, THE SECOND NOMINATION FOR GARETH JOHN AND AL NELSON AND THE EIGHTH NOMINATION FOR GARY A.RIZZO.

1388
02:03:13,386 --> 02:03:15,622
[ APPLAUSE ]

1389
02:03:20,827 --> 02:03:25,064
>> THANK YOU ACADEMY.

1390
02:03:25,064 --> 02:03:36,843
I WANT TO THANK JOE KAKACZYNSKI, BRAD PITT, PLAN B, LEWIS HAMILTON, FORMULA ONE, AND EVERYONE AT APPLE FOR SUPPORTING AN ENJOYABLE CINEMATIC EXPERIENCE.

1391
02:03:36,843 --> 02:03:43,616
>> THIS AWARD IS FOR THE ENTIRE SOUND PRODUCTION TEAM, SKYWALKER SOUND, A BIG THANK YOU TO OUR AMAZING TOBY.

1392
02:03:43,616 --> 02:03:53,092
>> TO MY SPONSORS, PARENTS, CHILDREN -- I'M SORRY.

1393
02:03:53,092 --> 02:03:54,560
SORRY, SORRY, SORRY.

1394
02:03:54,560 --> 02:04:01,501
OUR GRATEFULNESS goes to our spouses, parents, children, grandchildren, and the films that were made for you.

1395
02:04:01,501 --> 02:04:08,942
GO SEE BLOCKBUSTERS, GO SEE INDEPENDENT MOVIES, GET INSPIRED, GO WITH FRIENDS, GET A NEW PERSPECTIVE.

1396
02:04:08,942 --> 02:04:09,208
THANK.

1397
02:04:09,208 --> 02:04:12,111
[ APPLAUSE ]

1398
02:04:12,979 --> 02:04:17,984
♪

1399
02:04:17,984 --> 02:04:23,756
>> Announcer: WE WELCOME THE PRESIDENT OF THE ACADEMY OF MOVIE ARTS AND SCIENCES, LYNETTE HOWELL TAYLOR.

1400
02:04:35,668 --> 02:04:41,074
>> FOR THE LAST 98 YEARS, YOU HAVE HEARD THE WORDS "THANK YOU ACADEMY."

1401
02:04:41,074 --> 02:04:45,144
BUT HAVE YOU EVER WONDERED WHO THE ACADEMY IS?

1402
02:04:45,144 --> 02:04:58,558
THE ACADEMY OF CINEMATIC ARTS AND SCIENCES IS OVER 11,000 STORYTELLERS FROM ALL OVER THE WORLD AND, YES, WE ARE MOST KNOWN FOR PRESENTING TONIGHT'S AWARDS, BUT THE ACADEMY'S WORK EXTENDS FURTHER THAN THIS STAGE.

1403
02:04:58,558 --> 02:05:19,112
LAST YEAR AT THE SCIENCE AND TECHNICAL AWARDS, WE HONORED 14 INITIATIVES THAT HAVE PUSHED FILMMAKING FORWARD, AND WE AWARDED THE OSCAR TO THE COMMUNITY THAT CREATED AND SUPPORTED SUBTITLING TECHNOLOGY, RECEIVED ON BEHALF OF MARLEE MATLIN, THE PIONEER.

1404
02:05:19,112 --> 02:05:21,647
[ CLAP ]

1405
02:05:21,647 --> 02:05:37,864
AT THE STUDENT ACADEMY AWARDS, WE SPONSOR THE NEXT GENERATION OF FILMMAKERS, AND WE CELEBRATE OUTSTANDING LIFETIME CONTRIBUTION TO MOVIES AT THE ANNUAL GOVERNOR'S AWARDS, WHERE LAST YEAR, TOM CRUISE, DEBBIE ALLEN, WYNN THOMAS, AND DOLLY PARTON WERE HONORED VINH.

1406
02:05:37,864 --> 02:05:42,735
[ APPLAUSE ]

1407
02:05:42,735 --> 02:05:55,381
WE ALSO PRESERVE, MANAGE, AND PROGRAM THE HISTORY OF GLOBAL CINEMA THROUGH THE 52 MILLION ITEMS IN THE ACADEMY COLLECTION AND THE STUNNING ACADEMY OF MOTION MUSEUM.

1408
02:05:55,381 --> 02:06:01,387
[ CLAP ]

1409
02:06:01,387 --> 02:06:07,093
GROWING UP IN LIVERPOOL, ENGLAND, IT WAS MOVIES THAT CONNECTED ME TO THE REST OF THE WORLD.

1410
02:06:07,093 --> 02:06:19,305
WE ALL NEED THE PLEASURE AND ENTERTAINMENT OF CINEMA AND MOVIES THAT ILLUMINATE THE TRUTH, ILLUMINATE OUR COMPLEX HISTORY, AND CONNECT US THROUGH DIVERSE EXPERIENCES.

1411
02:06:19,305 --> 02:06:30,783
MOVIES CAN CHANGE PERSPECTIVES SO TONIGHT I WOULD LIKE TO THANK THE ACADEMY, BECAUSE I DON'T KNOW WHAT WE WOULD BE WITHOUT STORYTELLERS.

1412
02:06:30,783 --> 02:06:33,052
[ CLAP ]

1413
02:06:33,052 --> 02:06:34,620
>> Announcer: SHE'S NOT JUST A MOVIE STAR.

1414
02:06:34,620 --> 02:06:35,688
SHE IS AN ICON.

1415
02:06:35,688 --> 02:06:42,295
MARILYN MONROE: HOLLYWOOD ICON, NEW EXHIBITION OPENS MAY 31 AT THE ACADEMY OF THE MOVIE MUSEUM IN LOS ANGELES.

1416
02:06:42,295 --> 02:06:47,567
SHOWING AN IMPRESSIVE COLLECTION OF ORIGINAL ITEMS AND AN EXTENSIVE EXHIBITION OF MARILYN'S CINEMA COSTUME.

1417
02:06:47,567 --> 02:06:50,369
TICKETS ARE ON SALE AT ACADEMYMUSEUM.ORG.

1418
02:06:54,807 --> 02:07:09,956
♪

1419
02:07:09,956 --> 02:07:17,964
>> I REALLY DON'T WANT TO MAKE A MOVIE ABOUT DICTATORSHIP.

1420
02:07:17,964 --> 02:07:27,340
I WANT TO RE-RECREATE A SENSE OF TIME IN VERY DIFFICULT CIRCUMSTANCES, PEOPLE GATHERING AND THEY PROTECT EACH OTHER.

1421
02:07:32,945 --> 02:07:42,054
♪

1422
02:07:42,054 --> 02:07:55,601
>> Announcer: PLEASE INVITE BILL PULLMAN AND LEWIS PULLMAN.

1423
02:07:55,601 --> 02:08:01,507
>> MOVIE EDITING, SOMETIMES CAN SEEM ALMOST AN INVISIBLE ART FORM, YOU KNOW.

1424
02:08:01,507 --> 02:08:02,341
>> THAT'S RIGHT, Yes.

1425
02:08:02,341 --> 02:08:05,645
THE BETTER THE EDITING TECHNIQUE, THE LESS REMARKABLE IT IS.

1426
02:08:05,645 --> 02:08:10,049
>> BUT BEHIND THE SCENES, CREDITORS ALWAYS SHAPE THE STORY.

1427
02:08:10,049 --> 02:08:12,885
>> Yes.

1428
02:08:12,885 --> 02:08:18,157
KIND OF LIKE GROWING UP WITH A FAMOUS FATHER.

1429
02:08:18,157 --> 02:08:18,925
>> Yes.

1430
02:08:18,925 --> 02:08:21,827
YES.

1431
02:08:21,827 --> 02:08:23,162
>> A LITTLE.

1432
02:08:23,162 --> 02:08:24,664
>> THAT'S RIGHT.

1433
02:08:24,664 --> 02:08:26,299
BUT I DON'T REALLY SHAPE ANYTHING.

1434
02:08:26,299 --> 02:08:28,334
YOU KNOW, I STAY BACKSTAGE.

1435
02:08:28,334 --> 02:08:33,339
I THOUGHT THERE WOULD BE A POSITION FOR YOU IN THE FIELD OF CATTLE MANAGEMENT.

1436
02:08:33,339 --> 02:08:34,507
>> THAT'S RIGHT, Yes.

1437
02:08:34,507 --> 02:08:36,008
>> THAT DIDN'T REALLY SUCCEED.

1438
02:08:36,008 --> 02:08:37,910
>> A BIG DISAPPOINTMENT.

1439
02:08:37,910 --> 02:08:40,146
>> Yes.

1440
02:08:40,146 --> 02:08:40,313
BUT.

1441
02:08:40,313 --> 02:08:43,583
DO IT YOURSELF, YOU DID WELL.

1442
02:08:43,583 --> 02:08:46,586
>> THANK YOU FOR SAYING THAT, DAD.

1443
02:08:46,586 --> 02:08:47,286
WE ARE LUCKY.

1444
02:08:47,286 --> 02:08:52,692
IT TURNS OUT THAT AUDIENCES ARE NOT ALWAYS, YOU KNOW, CARE ABOUT THE SEQUEL.

1445
02:08:52,692 --> 02:08:58,197
>> I HOPE THEY LIKE THE SEQUEL EVEN MORE THAN THE ORIGINAL.

1446
02:08:58,197 --> 02:08:58,764
BUT A LITTLE MORE.

1447
02:08:58,764 --> 02:09:01,934
>> WELL, STILL NO JUDGMENT, YEAH.

1448
02:09:01,934 --> 02:09:08,174
>> BUT TONIGHT WE ARE LUCKY BECAUSE WE GET TO HONOR THE ARTISTS THAT CREATE THE FINAL FINAL PRODUCT.

1449
02:09:08,174 --> 02:09:10,076
FILM EDITORS.

1450
02:09:10,076 --> 02:09:22,888
>> BELOW ARE THE CANDIDATES -- >> "F1," STEVEN MIRIONI.

1451
02:09:22,888 --> 02:09:24,624
>> I HEARD THAT.

1452
02:09:24,624 --> 02:09:25,358
LET HIM PASS.

1453
02:09:25,358 --> 02:09:25,691
OH, MY FAULT.

1454
02:09:25,691 --> 02:09:26,392
"MARTY SUPREME".

1455
02:09:26,392 --> 02:09:32,632
RONALD BRONSTEIN AND JOSH SAFDIE.

1456
02:09:32,632 --> 02:09:33,666
"ONE BATTLE AFTER ANOTHER."

1457
02:09:33,666 --> 02:09:44,076
ANDY JURGENSEN.

1458
02:09:44,076 --> 02:09:44,610
"SENTIMENTAL VALUE."

1459
02:09:44,610 --> 02:09:48,314
OLIVIER BUGGE COUTTE.

1460
02:09:48,314 --> 02:09:51,684
>> I HAVE YOUR PHONE.

1461
02:09:51,684 --> 02:09:53,419
OH MY GOD.

1462
02:09:53,419 --> 02:09:54,353
"SINNERS."

1463
02:09:54,353 --> 02:10:07,900
MICHAEL P. SHAWVER.

1464
02:10:07,900 --> 02:10:18,311
>> AND THE WINNER IS -- >> "ONE BATTLE AFTER ANOTHER," ANDY JURGENSEN.

1465
02:10:18,311 --> 02:10:31,390
>> THIS IS THE FIRST TIME OSCAR WINNER AND NOMINATION FOR ANDY JURGENSEN.

1466
02:10:31,390 --> 02:10:32,491
♪

1467
02:10:32,491 --> 02:10:34,627
[APPLAUSE].

1468
02:10:34,627 --> 02:10:35,161
>> WOW.

1469
02:10:35,161 --> 02:10:37,763
THANK YOU SO MUCH.

1470
02:10:37,763 --> 02:10:45,037
FIRST OF ALL I WANT TO SEND A THANK YOU TO ALL MY FRIENDS THAT ARE AT A BAR RIGHT NOW WATCHING ME.

1471
02:10:45,037 --> 02:10:46,605
YOU CAN ORDER A FEW GLASSES OF WINE NOW.

1472
02:10:46,605 --> 02:10:59,118
I WANT TO SEND A SPECIAL THANK YOU TO MY CREDIT TEAM WHO WORKED HARD BEHIND THE SCENES.

1473
02:10:59,118 --> 02:11:00,119
YOU GUYS ARE AMAZING.

1474
02:11:00,119 --> 02:11:01,187
THANK YOU PAUL.

1475
02:11:01,187 --> 02:11:03,255
THANK YOU FOR TAKING ME ON THIS JOURNEY AND FOR YOUR PARTNERSHIP.

1476
02:11:03,255 --> 02:11:04,323
THANK YOU TO THE GREAT CAST.

1477
02:11:04,323 --> 02:11:09,528
LOVE TO MY PARENTS AND SISTERS, WHO ARE ON THE BALCONY SOMEWHERE.

1478
02:11:09,528 --> 02:11:13,165
AND TO MY LIFEMATE BILL, WHO BRINGS GREAT JOY TO MY LIFE EVERY DAY.

1479
02:11:13,165 --> 02:11:23,576
AND FINALLY, I WANT TO DEDICATE THIS AWARD TO MY AUNT, BARBARA HALL, WHO HAS BEEN THE FILM ARCHIVE FOR THE ACADEMY FOR OVER 25 YEARS.

1480
02:11:23,576 --> 02:11:24,076
SHE LOVES HER JOB.

1481
02:11:24,076 --> 02:11:28,247
AND SHE LIKES SHOWING OLD MOVIES AND TEACHING ME ABOUT CINEMA HISTORY.

1482
02:11:28,247 --> 02:11:29,281
AND I MISS HER EVERY DAY.

1483
02:11:29,281 --> 02:11:31,884
AND I WOULDN'T BE HERE WITHOUT AUNT AND UNCLE VAL.

1484
02:11:31,884 --> 02:11:32,918
SO THANK YOU SO MUCH.

1485
02:11:32,918 --> 02:11:33,953
THANK.

1486
02:11:33,953 --> 02:11:37,623
[ CLAP ].

1487
02:11:37,623 --> 02:11:53,439
♪

1488
02:11:53,439 --> 02:12:05,284
>> Announcer: WELCOME, OSCAR CANDIDATE DEMI MOORE.

1489
02:12:05,284 --> 02:12:08,988
>> FILMING IS THE LANGUAGE OF LIGHT AND MOTION.

1490
02:12:08,988 --> 02:12:15,428
THAT'S HOW A MOVIE BREATHES.

1491
02:12:15,428 --> 02:12:20,099
HOW A MOMENT BECOMES UNFORGETTABLE.

1492
02:12:20,099 --> 02:12:24,136
MAKES US FEEL THE MOTION AND TURN MOMENTS INTO MEMORIES.

1493
02:12:24,136 --> 02:12:27,573
WE CELEBRATE THE STORYTELLERS WHO SHAPE THE WAY WE SEE CINEMA.

1494
02:12:27,573 --> 02:12:34,280
BELOW ARE THE CANDIDATES FOR ACHIEVEMENTS AND CINEMATICISM.

1495
02:12:34,280 --> 02:12:34,780
"FRANKENSTEIN."

1496
02:12:34,780 --> 02:12:36,348
DAN LAUSTSEN.

1497
02:12:36,348 --> 02:12:37,950
"MARTY SUPREME."

1498
02:12:37,950 --> 02:12:39,985
DARIUS KHONDJI.

1499
02:12:39,985 --> 02:12:42,054
"ONE BATTLE AFTER ANOTHER."

1500
02:12:42,054 --> 02:12:44,657
MICHAEL BAUMAN.

1501
02:12:44,657 --> 02:12:47,293
"SINNERS."

1502
02:12:47,293 --> 02:12:50,396
AUTUMN DURALD ARKAPAW.

1503
02:12:50,396 --> 02:12:57,703
"TRAIN DREAMS" ADOLPHO VELOSO.

1504
02:12:57,703 --> 02:13:02,908
AND THE OSCAR BELONGS TO -- "SINNERS."

1505
02:13:02,908 --> 02:13:09,982
AUTUMN DURALD ARKAPAW.

1506
02:13:09,982 --> 02:13:10,316
[ CLAP ].

1507
02:13:10,316 --> 02:13:10,483
♪

1508
02:13:10,483 --> 02:13:26,832
>> THIS IS THE FIRST TIME WINNING AN OSCAR AND BEING NOMINATED FOR AUTUMN DURALD ARKAPAW.

1509
02:13:26,832 --> 02:13:27,466
♪

1510
02:13:27,466 --> 02:13:46,118
[APPLAUSE].

1511
02:13:46,118 --> 02:14:05,804
[CHEERING AND APPLAUSE].

1512
02:14:05,804 --> 02:14:08,607
[CHEERING AND APPLAUSE].

1513
02:14:08,607 --> 02:14:19,184
>> AIDAN, WHERE ARE YOU?

1514
02:14:19,184 --> 02:14:25,124
WHENEVER I SAY THANK YOU RYAN, HE RESPONDS AND SAY, NO, THANK YOU.

1515
02:14:25,124 --> 02:14:27,526
THANK YOU FOR TRUSTING ME, AND THANK YOU FOR TRUSTING ME.

1516
02:14:27,526 --> 02:14:33,666
AND THAT'S THE KIND OF PEOPLE I GET TO MAKE MOVIES WITH.

1517
02:14:33,666 --> 02:14:35,901
SO, A VERY, VERY RESPECTABLE PERSON.

1518
02:14:35,901 --> 02:14:37,503
AND HE IS HONEST.

1519
02:14:37,503 --> 02:14:40,406
AND HE IS REALLY, HONEST.

1520
02:14:40,406 --> 02:14:50,849
AND I FELT LIKE I HAD TO MEET HIM, LIKE THAT LITTLE GIRL WHOSE MOTHER OVER THERE TOLD THAT THEY COULD DO ANYTHING MUST MEET RYAN.

1521
02:14:50,849 --> 02:14:57,456
THAT GIRL SHOULD ALSO LOOK UP THE NAME OF ELLEN CROSS, WHO IS ALSO IN THE AUDIENCE TODAY.

1522
02:14:57,456 --> 02:15:03,529
AND THAT GIRL SHOULD MEET RACHEL MORRISON TOO.

1523
02:15:03,529 --> 02:15:05,230
I AM SO HONORED TO BE HERE.

1524
02:15:05,230 --> 02:15:08,367
AND I REALLY WANT ALL THE WOMEN IN THE AUDIENCE TO STAND UP.

1525
02:15:08,367 --> 02:15:26,819
BECAUSE I FEEL I COULDN'T BE HERE WITHOUT YOU.

1526
02:15:26,819 --> 02:15:27,653
[CHEERING AND APPLAUSE].

1527
02:15:27,653 --> 02:15:32,424
I'M REALLY, REALLY, HONEST ABOUT IT.

1528
02:15:32,424 --> 02:15:37,496
I HAVE FELT SO MUCH LOVE FROM ALL THE WOMEN THROUGHOUT THIS ENTIRE CAMPAIGN.

1529
02:15:37,496 --> 02:15:43,235
AND MEETING SO MANY PEOPLE, AND I FEEL MOMENTS LIKE THESE HAPPEN BECAUSE OF YOU.

1530
02:15:43,235 --> 02:15:44,403
I WANT TO THANK YOU FOR THAT.

1531
02:15:44,403 --> 02:16:05,591
I WANT TO THANK WARNER BROTHERS, MY ENTIRE CREW, ETHAN, BRIAN, MIGUEL, DRAY, JOSH, EVERYONE WHO WORKED HARD AND MY CAST, MICHAEL, DELROY, WUNMI, OMAR, LILI, JACK, HAILEY.

1532
02:16:05,591 --> 02:16:14,733
THESE PEOPLE ARE SO BEAUTIFUL -- THESE PEOPLE ARE SO BEAUTIFUL, AND I WAS HONORABLE TO PHOTOGRAPH THEM.

1533
02:16:14,733 --> 02:16:16,935
MY HUSBAND, AIDAN'S SON, PARENTS ARE OVER THERE.

1534
02:16:16,935 --> 02:16:17,569
THANK YOU SO MUCH.

1535
02:16:17,569 --> 02:16:19,304
THIS IS AN HONOR.

1536
02:16:19,304 --> 02:16:23,208
THANK.

1537
02:16:23,208 --> 02:16:23,709
[CHEERING AND APPLAUSE].

1538
02:16:23,709 --> 02:16:37,222
♪

1539
02:16:37,222 --> 02:16:46,531
♪

1540
02:16:46,531 --> 02:16:59,044
>> DEMONS HAVE ALWAYS Haunted OUR WORLD, STEALING OUR SOULS AND TRANSMITTING POWER TO THEIR KIND, UNTIL HEROES RISE UP TO DEFEND US.

1541
02:16:59,044 --> 02:17:17,896
BORN WITH A VOICE THAT CAN CHASATE THE DARKNESS, OUR MUSIC ITS THE SOUL AND BELTS PEOPLE TOGETHER.

1542
02:17:17,896 --> 02:17:20,566
♪

1543
02:17:20,566 --> 02:17:32,044
WITH THIS CONNECTION, THE FIRST HUNTERS CREATED A SHIELD TO PROTECT OUR WORLD, AND NOW THAT DUTY BELONGS TO YOU.

1544
02:17:32,044 --> 02:17:38,282
THE WORLD WILL KNOW YOU AS POP STARS, BUT YOU WILL BE MORE THAN THAT.

1545
02:17:38,282 --> 02:17:50,262
YOU WILL BE HUNTERS.

1546
02:17:50,262 --> 02:17:54,532
♪

1547
02:17:54,532 --> 02:17:58,704
♪ I USED TO BE A GHOST I USED TO BE LONELY ♪

1548
02:17:58,704 --> 02:18:02,374
[ SINGING IN KOREAN ]

1549
02:18:02,374 --> 02:18:06,978
♪ BEING GIVEN THE THRONE I DON'T KNOW HOW TO BELIEVE ♪

1550
02:18:06,978 --> 02:18:09,615
♪ I AM THE QUEEN THAT I AM DESTINY TO BE ♪

1551
02:18:09,615 --> 02:18:14,286
♪ I'VE LIVED TWO LIVES TRYING TO PLAY BOTH SIDE ♪

1552
02:18:14,286 --> 02:18:17,956
♪ BUT I CAN'T FIND MY OWN PLACE ♪

1553
02:18:17,956 --> 02:18:22,093
♪ BEING CALLED A BAD CHILD BECAUSE I'M TOO WILD ♪

1554
02:18:22,093 --> 02:18:27,799
♪ BUT NOW THAT'S HOW I MAKE A LIVING ♪

1555
02:18:27,799 --> 02:18:28,333
[ SINGING IN KOREAN ]

1556
02:18:28,333 --> 02:18:30,936
♪ ON STAGE I NO LONGER HIDE ♪

1557
02:18:30,936 --> 02:18:35,641
♪ NOW I SHINE LIKE I WAS BORN TO DO IT ♪

1558
02:18:35,641 --> 02:18:38,744
♪ WE DREAM BIG AND WE GO FAR ♪

1559
02:18:38,744 --> 02:18:44,016
♪ NOW I BELIEVE WE WILL RISE THIS IS OUR MOMENT ♪

1560
02:18:44,016 --> 02:18:45,550
♪ YOU KNOW TOGETHER WE ARE SHINING ♪

1561
02:18:45,550 --> 02:18:49,188
♪ WILL BECOME GOLDEN ♪

1562
02:18:49,188 --> 02:18:53,859
♪ OH RISE UP WITH OUR VOICES ♪

1563
02:18:53,859 --> 02:18:54,393
[ SINGING IN KOREAN ]

1564
02:18:54,393 --> 02:18:56,995
♪ WILL BECOME GOLDEN ♪

1565
02:18:56,995 --> 02:19:03,769
♪ OH I'M NO LONGER HIDING NOW I SHINE LIKE I WAS BORN TO DO IT ♪

1566
02:19:03,769 --> 02:19:07,940
♪ OH OUR TIME OF NO FEAR, NO LIES ♪

1567
02:19:07,940 --> 02:19:16,380
♪ THAT'S WHO WE ARE BORN TO BE ♪

1568
02:19:16,380 --> 02:19:21,452
♪ YOU KNOW WE WILL, WILL, WILL BE GOLDEN ♪

1569
02:19:21,452 --> 02:19:32,064
♪ WANT, WANT TO BE GOLDEN ♪ OH OUR TIME OF NO FEAR, NO LIES ♪

1570
02:19:32,064 --> 02:19:39,204
♪ THAT'S WHO WE ARE BORN TO BE ♪

1571
02:19:39,204 --> 02:19:45,843
[CHEERING AND APPLAUSE].

1572
02:19:45,843 --> 02:19:50,515
♪

1573
02:19:50,515 --> 02:19:54,253
>> Announcer: COMING SOON, AWARD FOR BEST ORIGINAL SONG.

1574
02:19:54,253 --> 02:19:59,391
TO HEAR ALL TONIGHT'S NOMINATED SONGS, SCAN THE QR CODE ON THE SCREEN NOW.

1575
02:19:59,391 --> 02:20:00,659
♪

1576
02:20:06,098 --> 02:20:15,540
♪

1577
02:20:15,540 --> 02:20:19,111
>>> IT'S THE END OF THE ROAD, HUH?

1578
02:20:19,111 --> 02:20:22,247
>> NOT FOR HIM.

1579
02:20:22,247 --> 02:20:25,851
>> ALL EVOLUTION BEGINS WITH FIGHTING DEMONS.

1580
02:20:25,851 --> 02:20:26,885
>> I NEED TO FIND MY DAUGHTER.

1581
02:20:26,885 --> 02:20:30,555
>> I HAVE KEPT SOMETHING FOR A WHILE.

1582
02:20:30,555 --> 02:20:33,659
I WANT TO PROTECT YOU.

1583
02:20:33,659 --> 02:20:36,295
>> I CAN'T REMEMBER THE ANSWER TO YOUR QUESTION.

1584
02:20:36,295 --> 02:20:41,266
>> I UNDERSTAND AND THE QUESTION IS -- [ SCREAMING ]

1585
02:20:41,266 --> 02:20:47,139
♪

1586
02:20:47,139 --> 02:20:52,878
[ APPLAUSE ]

1587
02:20:52,878 --> 02:21:00,619
>> CONan: THIS IS A HISTORIC NIGHT.

1588
02:21:00,619 --> 02:21:07,492
I BELIEVE AUTUMN ARKEPAW WAS THE FIRST WOMAN TO WIN A FILM.

1589
02:21:07,492 --> 02:21:07,926
IT'S AMAZING, INCREDIBLE.

1590
02:21:07,926 --> 02:21:08,160
IT'S SO REAL.

1591
02:21:08,160 --> 02:21:10,295
I LIKE THAT.

1592
02:21:10,295 --> 02:21:12,931
ONE OF THE NEXT HOSTS MARRIED ONE OF THE JONAS BROTHERS.

1593
02:21:12,931 --> 02:21:15,500
THE OTHER PERSON PRONOUNCED THEM AS "HO-NUS BROTHERS."

1594
02:21:15,500 --> 02:21:19,671
PLEASE INVITE PRIYANKA CHOPRA JONAS AND OSCAR MASTER JAVIER BARDEM.

1595
02:21:19,671 --> 02:21:39,458
♪

1596
02:21:39,458 --> 02:21:42,594
>> NO TO WAR AND FREEDOM FOR PALESTINE.

1597
02:21:42,594 --> 02:21:49,334
[ APPLAUSE ]

1598
02:21:49,334 --> 02:21:56,108
MY LOVE FOR CINEMA COMES FROM ITS UNIQUE ABILITY TO CONNECT THE HUMAN EXPERIENCE ACROSS CULTURES.

1599
02:21:56,108 --> 02:22:09,121
THE CONDITIONS FOR BEST INTERNATIONAL FILM BRING US STORIES FROM ALL OVER THE WORLD, EACH SORTING FROM FORCES THAT ARE FAMILIAR TO ALL OF US.

1600
02:22:09,121 --> 02:22:15,894
>> VIBRANT AND COMPETITIVE, THEY REMIND US THAT IT IS NEVER REALLY FAR AWAY.

1601
02:22:15,894 --> 02:22:20,065
BECAUSE EVERY STORY CREATES RIPPLES THAT REACH FAR BEYOND WHERE IT STARTS.

1602
02:22:20,065 --> 02:22:27,372
>> BELOW ARE THE CANDIDATES FOR BEST INTERNATIONAL FILM.

1603
02:22:27,372 --> 02:22:28,407
FROM BRAZIL, "THE SECRET AGENT."

1604
02:22:28,407 --> 02:22:33,645
DIRECTED BY KLEBER MENDONCA FILHO.

1605
02:22:33,645 --> 02:22:35,714
FROM FRANCE, "IT WAS JUST AN ACCIDENT."

1606
02:22:35,714 --> 02:22:38,316
DIRECTED BY JAFAR PANAHI.

1607
02:22:38,316 --> 02:22:41,453
FROM NORWAY, "SENTIMENTAL VALUE."

1608
02:22:41,453 --> 02:22:43,522
DIRECTED BY JOACHIM TRIER.

1609
02:22:43,522 --> 02:22:45,624
FROM SPAIN, "SIRAT."

1610
02:22:45,624 --> 02:22:50,295
DIRECTED BY OLIVER LAXE.

1611
02:22:50,295 --> 02:22:52,898
FROM TUNISIA, "THE VOICE OF HIND RAJAB."

1612
02:22:52,898 --> 02:22:58,070
DIRECTED BY KAOUTHER BEN HANIA.

1613
02:22:58,070 --> 02:23:00,138
>> OKAY.

1614
02:23:00,138 --> 02:23:11,716
AND THE OSCAR BELONGS TO -- "SENTIMENTAL VALUE" NORWAY, JOACHIM TRIER.

1615
02:23:11,716 --> 02:23:12,050
[ CLAP ].

1616
02:23:12,050 --> 02:23:14,820
>> Announcer: THIS IS THE FIRST OSCAR WINNER AND THE SEVENTH NOMINATION FOR NORWAY.

1617
02:23:14,820 --> 02:23:19,024
"SENTIMENTAL VALUE" HAS NINE NOMINATIONS INCLUDING BEST MOVIE.

1618
02:23:19,024 --> 02:23:24,196
[ APPLAUSE ]

1619
02:23:24,196 --> 02:23:34,639
♪

1620
02:23:34,639 --> 02:23:44,516
[ APPLAUSE ]

1621
02:23:44,516 --> 02:23:45,550
>> THANK YOU.

1622
02:23:45,550 --> 02:23:48,687
OH MY GOD.

1623
02:23:48,687 --> 02:23:50,789
THANK YOU SO MUCH.

1624
02:23:50,789 --> 02:23:52,357
I'M JUST A MOVIE ENTHUSIAST FROM NORWAY.

1625
02:23:52,357 --> 02:23:55,060
THANK YOU SO MUCH.

1626
02:23:55,060 --> 02:23:57,496
HONESTLY, THIS MEANS A LOT TO ME.

1627
02:23:57,496 --> 02:24:03,969
THANK YOU ACADEMY AND THANK YOU NEON WHO BROUGHT OUR FILM HERE AND HELPED US.

1628
02:24:03,969 --> 02:24:10,242
THIS MOVIE IS ABOUT A VERY TROUBLE FAMILY AND IT IS THE OPPOSITE OF WHAT I FEEL WITH THE GREAT GROUP BEHIND ME.

1629
02:24:10,242 --> 02:24:15,947
I THINK I MAKE MOVIES TO FEEL AT HOME WITH PEOPLE, AND I REALLY FEEL AT HOME WITH THE FILMMAKER.

1630
02:24:15,947 --> 02:24:23,755
1,072 PEOPLE IN THE TITLE AND I LOVE ALL OF THEM AND I SHARE THIS WITH THEM.

1631
02:24:23,755 --> 02:24:24,723
THE CAST IS BEHIND ME, I HAVE NEVER BEEN SO PROUD.

1632
02:24:24,723 --> 02:24:27,058
THANKS FOR WANT TO WORK WITH ME.

1633
02:24:27,058 --> 02:24:34,332
MY REAL FAMILY, MY MOTHER AND DAD, FOR LETTING ME SEE MOVIES, MY WIFE, BECAUSE, YOU KNOW -- LIVING WITH FILMMAKERS IS NOT ALWAYS EASY.

1634
02:24:34,332 --> 02:24:41,139
I LOVE YOU.

1635
02:24:41,139 --> 02:25:17,375
MY CHILDREN AND I WANT TO -- BECAUSE I'M IN THIS CATEGORY AND I FEEL I REPRESENT GLOBAL FILMMAKING, THIS IS A MOMENT LIKE THIS, I WANT TO RECOGNIZE THE GREAT FILMS THAT WE'VE BEEN NOMINATED TOGETHER, IMPORTANT, BEAUTIFUL MOVIES THAT REFLECT THE CRISIS OUR PRESENT AND THE CRISIS OF THE PAST, AND I WANT TO FINISH BY QUOTING -- NOT ACTUALLY QUOTING BUT INTERPRETING THE GREAT AMERICAN WRITER JAMES BALDWIN, WHO REMINDS US THAT ALL ADULTS ARE RESPONSIBLE TO ALL CHILDREN, AND WE SHOULD NOT FORGET US VOTES FOR POLITICIANS WHO DON'T TAKE THIS IMPORTANTLY.

1636
02:25:17,375 --> 02:25:17,876
ALRIGHT.

1637
02:25:17,876 --> 02:25:18,910
THANK.

1638
02:25:18,910 --> 02:25:24,149
[ APPLAUSE ]

1639
02:25:24,149 --> 02:25:33,992
♪

1640
02:25:33,992 --> 02:25:42,334
♪

1641
02:25:42,334 --> 02:25:45,003
♪

1642
02:25:45,003 --> 02:25:49,107
>> Announcer: WE'RE INVITING OSCAR HOST, LIONEL RICHIE.

1643
02:25:49,107 --> 02:25:54,346
[ APPLAUSE ]

1644
02:25:54,346 --> 02:26:01,119
♪

1645
02:26:01,119 --> 02:26:10,996
[ APPLAUSE ]

1646
02:26:10,996 --> 02:26:12,063
>> OKAY, OKAY.

1647
02:26:12,063 --> 02:26:13,632
OK.

1648
02:26:13,632 --> 02:26:15,200
ALRIGHT.

1649
02:26:15,200 --> 02:26:16,701
ALRIGHT.

1650
02:26:16,701 --> 02:26:17,202
I'M BACK.

1651
02:26:17,202 --> 02:26:17,702
I'M BACK.

1652
02:26:17,702 --> 02:26:18,770
I'M BACK.

1653
02:26:18,770 --> 02:26:22,907
WOW.

1654
02:26:22,907 --> 02:26:36,488
LET ME TELL YOU, 40 YEARS AGO, I WAS LUCKY ENOUGH TO STAND ON THIS STAGE AND WIN AN OSCAR FOR "SAY YOU SAY ME" FROM THE MOVIE "WHITE NIGHTS."

1655
02:26:36,488 --> 02:26:37,022
DID I SAY 40 YEARS AGO?

1656
02:26:37,022 --> 02:26:40,659
IT'S SO LOLLY.

1657
02:26:40,659 --> 02:26:44,329
AND NOW I'M BUSTED WITH THE THOUGHT THAT MY BIRTHDAY COMES EVERY THURSDAY.

1658
02:26:44,329 --> 02:26:47,432
IT'S GETTING WORSE BY THE MINUTE.

1659
02:26:47,432 --> 02:26:49,534
STORIES CAN'T BE TOLD WITHOUT MUSIC.

1660
02:26:49,534 --> 02:26:55,240
LET ME SAY, WRITING A SONGS FOR A MOVIE IS NOT AS EASY AS YOU THINK.

1661
02:26:55,240 --> 02:27:01,513
YOU ARE ASKED TO CAPTURE THE HEART AND SOUL OF A STORY IN JUST A FEW MINUTES.

1662
02:27:01,513 --> 02:27:04,616
TONIGHT, WE WILL CONOR THE WRITER OF WORDS.

1663
02:27:04,616 --> 02:27:14,459
BELOW ARE THE CONCEPTS FOR BEST ORIGINAL SONG.

1664
02:27:14,459 --> 02:27:16,027
"DEAR ME" FROM "DIANE WARREN: RELENTLESS."

1665
02:27:16,027 --> 02:27:20,198
MUSIC AND LYRICS BY DIANE WARREN.

1666
02:27:20,198 --> 02:27:27,505
♪ DEAR ME, EVERYTHING WILL BE Alright ♪

1667
02:27:27,505 --> 02:27:32,210
♪ TRUST ME, ALL THE PAIN WILL FADE ♪

1668
02:27:32,210 --> 02:27:35,847
>> "TRAIN DREAMS" FROM "TRAIN DREAMS."

1669
02:27:35,847 --> 02:27:42,120
MUSIC BY NICK CAVE AND BRYCE DESSNER.

1670
02:27:42,120 --> 02:27:43,154
WORDS BY NICK CAVE.

1671
02:27:43,154 --> 02:27:49,928
♪ LATELY I'VE BEEN DREAMING CRAZY DREAMS I CAN'T EXPLAIN ♪

1672
02:27:49,928 --> 02:27:55,667
♪ A WOMAN STANDING IN THE MIDDLE OF A FLOWER FIELD ♪

1673
02:27:55,667 --> 02:28:01,940
♪ SCREAMING, TRAIN LEADER CRAZY DREAMS LAST FOR HOURS ♪

1674
02:28:01,940 --> 02:28:04,509
>> "SWEET DREAMS OF JOY" FROM "VIVA VERDI."

1675
02:28:04,509 --> 02:28:07,078
MUSIC AND LYRICS BY NICHOLAS PIKE.

1676
02:28:07,078 --> 02:28:14,886
♪

1677
02:28:14,886 --> 02:28:15,920
>> "I LIED TO YOU" FROM "SINNERS."

1678
02:28:15,920 --> 02:28:20,091
MUSIC AND LYRICS BY RAPHAEL SAADIQ AND LUDWIG GORANSSON.

1679
02:28:20,091 --> 02:28:23,261
"GOLDEN" FROM "KPOP DEMON HUNTERS."

1680
02:28:23,261 --> 02:28:37,909
MUSIC AND LYRICS BY EJAE, MARK SONNENBLICK, JOONG GYU KWAK, YU HAN LEE, HEE DONG NAM, JEONG HOON SEO AND TEDDY PARK.

1681
02:28:37,909 --> 02:28:38,076
♪

1682
02:28:38,076 --> 02:28:53,525
>> AND THE OSCAR BELONGS TO -- "GOLDEN."

1683
02:28:53,525 --> 02:29:01,866
>> Announcer: "GOLDEN" FROM "KPOP DEMON HUNTERS" MADE AWARDS HISTORY, THE FIRST KPOP SONG TO WIN BEST ORIGINAL SONG.

1684
02:29:01,866 --> 02:29:13,711
THIS IS THE FIRST TIME WINNING AN OSCAR AND NOMINATION FOR EACH MEMBER OF THE CREATIVE TEAM.

1685
02:29:13,711 --> 02:29:13,878
♪

1686
02:29:13,878 --> 02:29:14,212
[APPLAUSE].

1687
02:29:14,212 --> 02:29:18,383
>> THANK YOU.

1688
02:29:18,383 --> 02:29:21,519
THANK YOU SO MUCH ACADEMY FOR THIS AWARD.

1689
02:29:21,519 --> 02:29:22,020
OH MY GOD.

1690
02:29:22,020 --> 02:29:25,657
SORRY.

1691
02:29:25,657 --> 02:29:31,996
GROWING UP, YOU KNOW, PEOPLE USED TO MAKE PICKS OF ME FOR LIKEING KPOP, BUT NOW EVERYONE IS SINGING OUR SONG AND ALL THE LYRICS IN KOREAN.

1692
02:29:31,996 --> 02:29:35,600
I'M SO PROUD.

1693
02:29:35,600 --> 02:29:40,805
AND I REALIZED THAT THIS SONG, THIS AWARD IS NOT ABOUT SUCCESS.

1694
02:29:40,805 --> 02:29:53,318
IT'S ABOUT RESOLENCE AND I'M SO GRATEFUL FOR OUR TEAM AND I JUST WANT TO THANK MY MOTHER, MY DAD, MY BROTHER, MY Fiancé, MY MANAGER FOR ALWAYS BEING BY ME.

1695
02:29:53,318 --> 02:29:57,989
I WANT TO THANK THE RESOLENT CAST OF "DEMON HUNTERS."

1696
02:29:57,989 --> 02:30:00,592
OUR PRODUCER, MICHELLE WONG.

1697
02:30:00,592 --> 02:30:01,092
THANK YOU FOR THIS MOVIE.

1698
02:30:01,092 --> 02:30:02,594
THANK YOU NETFLIX.

1699
02:30:02,594 --> 02:30:08,266
THANK SONY ANIMATION.

1700
02:30:08,266 --> 02:30:11,369
AND ANYONE ELSE?

1701
02:30:11,369 --> 02:30:20,845
♪

1702
02:30:20,845 --> 02:30:24,482
>> Announcer: COMING SOON, AWARDS FOR BEST ACTRESS AND BEST ACTOR.

1703
02:30:24,482 --> 02:30:29,153
HERE IN THE SHOW "THE OSCARS" FROM THE DOLBY THEATER AT OVATION HOLLYWOOD.

1704
02:30:29,153 --> 02:30:30,755
♪

1705
02:30:36,794 --> 02:30:39,097
♪

1706
02:30:39,097 --> 02:30:41,699
>> Announcer: WE ARE BACK TO OSCAR.

1707
02:30:41,699 --> 02:30:45,904
PLEASE INVITE ZENDAYA AND ROBERT PATTINSON.

1708
02:30:45,904 --> 02:30:59,751
♪

1709
02:30:59,751 --> 02:31:05,490
>> A DIRECTOR IS A RARE KIND OF VISION, IT'S THE ABILITY TO SEE AN WHOLE WORLD BEFORE ANYONE ELSE.

1710
02:31:05,490 --> 02:31:14,866
>> AND THEN I INVITED HUNDREDS OF PEOPLE TO HELP BRING IT TO LIFE, ACTORS, DESIGNERS, CINEMAGIERS, EDITORS, ALL LED BY THEIR VOICES.

1711
02:31:14,866 --> 02:31:23,374
>> THE FIVE FILMMAKERS WE HONOR TONIGHT, EACH CREATE UNFORGETTABLE STORIES THAT HAVE THRILLED US.

1712
02:31:23,374 --> 02:31:23,708
TO SURPRISE US.

1713
02:31:23,708 --> 02:31:24,943
>> AND REMIND US WHY WE LOVE GOING TO THE MOVIES.

1714
02:31:24,943 --> 02:31:32,884
>> BELOW ARE THE CANDIDATES FOR DIRECTING ACHIEVEMENTS.

1715
02:31:32,884 --> 02:31:33,051
♪

1716
02:31:33,051 --> 02:31:36,554
CHLOE ZHAO, "HAMNET."

1717
02:31:36,554 --> 02:31:41,759
JOSH SAFDIE, "MARTY SUPREME."

1718
02:31:41,759 --> 02:31:44,362
PAUL THOMAS ANDERSON, "ONE BATTLE AFTER ANOTHER."

1719
02:31:44,362 --> 02:31:48,499
JOACHIM TRIER, "SENTIMENTAL VALUE."

1720
02:31:48,499 --> 02:31:50,635
RYAN COOGLER, "SINNERS."

1721
02:31:50,635 --> 02:31:57,909
♪

1722
02:31:57,909 --> 02:32:03,114
>> AND THE OSCAR AWARD GOES TO -- "ONE BATTLE AFTER ANOTHER," PAUL THOMAS ANDERSON.

1723
02:32:03,114 --> 02:32:09,187
[ APPLAUSE ]

1724
02:32:09,187 --> 02:32:09,354
♪

1725
02:32:09,354 --> 02:32:15,927
>> Announcer: THIS IS THE SECOND OSCAR WINNER TONIGHT AND THE 14TH NOMINATION FOR PAUL THOMAS ANDERSON.

1726
02:32:15,927 --> 02:32:16,961
♪

1727
02:32:16,961 --> 02:32:37,782
[ APPLAUSE ]

1728
02:32:37,782 --> 02:32:39,884
>> THANK YOU SO MUCH.

1729
02:32:39,884 --> 02:32:41,953
THANK YOU VERY, VERY MUCH.

1730
02:32:41,953 --> 02:32:44,589
YOU GUYS MAKE A MAN HAVE TO WORK HARD TO GET ONE OF THESE THINGS.

1731
02:32:44,589 --> 02:32:49,761
I'M REALLY SO APPRECIATED.

1732
02:32:49,761 --> 02:32:57,068
I SHARED THIS WITH A FRIEND OF ME ON THE OTHER SIDE OF THE DARK.

1733
02:32:57,068 --> 02:33:06,944
HIS NAME IS ADAM AND HE WAS DRINKING GIN AND WAS SO HAPPY FOR ME AND OUR TEAM.

1734
02:33:06,944 --> 02:33:15,319
I WANT TO THANK THE ACADEMY FOR CONSIDERING THAT MY WORK IS WORTHY OF THIS NOBLE HONOR.

1735
02:33:15,319 --> 02:33:27,265
AND TO MY CLASS mates, CHLOE, RYAN, JOACHIM AND JOSH, I COULDN'T EXPECT A BETTER CLASS.

1736
02:33:27,265 --> 02:33:34,038
THIS IS AN HONOR TO BE WORKING WITH YOU.

1737
02:33:34,038 --> 02:33:41,345
THERE WILL ALWAYS BE A LITTLE DOUBT IN YOUR HEART AS TO WHETHER YOU ARE DESERVING OR NOT, BUT THERE IS NO DOUBT ABOUT THE JOY OF HAVING IT FOR YOUR OWN.

1738
02:33:41,345 --> 02:33:48,619
[ LAUGHTER ]

1739
02:33:48,619 --> 02:33:58,529
I'M HERE BECAUSE OF PEOPLE'S FAITH IN ME, THEY GIVING ME THEIR FAITH AND THEIR TIME, AND THAT'S THE BEST PART OF BEING ON A FILM TEAM IS BEING WITH PEOPLE.

1740
02:33:58,529 --> 02:34:01,632
WE NEED EACH OTHER.

1741
02:34:01,632 --> 02:34:03,701
THIS IS A GREAT GIFT AND I AM SO GLAD TO CALL CINEMA HOME.

1742
02:34:03,701 --> 02:34:05,803
THIS IS REALLY AMAZING.

1743
02:34:05,803 --> 02:34:06,838
THANK YOU FROM THE BOTTOM OF MY HEART.

1744
02:34:06,838 --> 02:34:07,872
I LOVE THIS.

1745
02:34:07,872 --> 02:34:08,439
THANK YOU.

1746
02:34:08,439 --> 02:34:11,008
THANK YOU SO MUCH.

1747
02:34:11,008 --> 02:34:16,214
[ APPLAUSE ]

1748
02:34:16,214 --> 02:34:26,657
♪

1749
02:34:26,657 --> 02:34:31,829
>> CONAN: THE NEXT HOST WHO BRAVELY SAVED LAST YEAR'S OSCAR FROM BEING AUTUMN.

1750
02:34:31,829 --> 02:34:37,535
WE'RE INVITING OSCAR HOST ADRIEN BRODY.

1751
02:34:37,535 --> 02:34:44,308
♪

1752
02:34:44,308 --> 02:34:50,581
>> GOOD EVENING.

1753
02:34:50,581 --> 02:34:57,855
I WILL EAT IT.

1754
02:34:57,855 --> 02:35:15,039
I KNOW THIS HAS BEEN A LONG NIGHT, BUT -- BUT I -- JUST ONE THING HERE -- ♪

1755
02:35:15,039 --> 02:35:16,073
OKAY, STOP, STOP.

1756
02:35:16,073 --> 02:35:17,141
WAIT.

1757
02:35:17,141 --> 02:35:22,313
PLEASE KEEP THE MUSIC.

1758
02:35:22,313 --> 02:35:25,449
I HAVE SOMETHING VERY IMPORTANT TO SAY.

1759
02:35:25,449 --> 02:35:33,558
AND THE CANDIDATES FOR MALE ACTOR ARE -- ♪

1760
02:35:33,558 --> 02:35:40,665
ETHAN HAWKE, "BLUE MOON."

1761
02:35:40,665 --> 02:35:45,203
>> BEAUTY AND WORDS.

1762
02:35:45,203 --> 02:35:55,947
WAGNER MOURA, "THE SECRET AGENT."

1763
02:35:55,947 --> 02:36:03,754
MICHAEL B. JORDAN, "SINNERS."

1764
02:36:03,754 --> 02:36:07,425
>> HE WILL NEVER BE FOUND UNTIL THIS.

1765
02:36:07,425 --> 02:36:11,963
>> TIMOTHEE CHALAMET, "MARTY SUPREME"."

1766
02:36:11,963 --> 02:36:15,366
>> OF COURSE, FORGET THAT.

1767
02:36:15,366 --> 02:36:18,703
I WILL NOT BE STABLE NOW, OKAY?

1768
02:36:18,703 --> 02:36:23,608
>> LEONARDO DiCAPRIO, "ONE BATTLE AFTER ANOTHER."

1769
02:36:23,608 --> 02:36:26,244
>> Yes, THANK YOU.

1770
02:36:26,244 --> 02:36:27,245
HEY, THANK YOU, SENSAI.

1771
02:36:27,245 --> 02:36:32,550
THANK YOU.

1772
02:36:32,550 --> 02:36:32,817
THANK YOU!

1773
02:36:32,817 --> 02:36:42,994
VIVA REVOLUTION!

1774
02:36:42,994 --> 02:36:57,575
>> AND THE OSCAR BELONGS TO -- MICHAEL B. JORDAN.

1775
02:36:57,575 --> 02:37:02,246
>> Announcer: THIS IS THE FIRST TIME AN OSCAR WINNER AND NOMINATION FOR MICHAEL B. JORDAN.

1776
02:37:02,246 --> 02:37:09,020
♪

1777
02:37:09,020 --> 02:37:33,711
[ APPLAUSE ]

1778
02:37:33,711 --> 02:37:46,791
[CHEERING AND APPLAUSE].

1779
02:37:46,791 --> 02:37:48,359
>> WOW, GOD IS GOOD.

1780
02:37:48,359 --> 02:37:54,065
GOD IS GOOD.

1781
02:37:54,065 --> 02:37:58,769
AND, MOTHER, WHAT'S WRONG?

1782
02:37:58,769 --> 02:38:00,838
I KNOW YOUR FEELINGS ABOUT YOUR MOTHER AND YOUR DAD HERE.

1783
02:38:00,838 --> 02:38:03,474
DAD, WHERE ARE YOU?

1784
02:38:03,474 --> 02:38:07,111
MY DAD CAME HERE FROM GHANA TO BE PRESENT.

1785
02:38:07,111 --> 02:38:10,214
MY BROTHER AND SISTER ARE HERE, MY FAMILY.

1786
02:38:10,214 --> 02:38:28,899
I WANT TO THANK -- I WANT TO THANK -- I WANT TO THANK WARNER BROS., FOR BELIEVING IN THIS DREAM, RYAN COOGLER'S VISION AND BETTING ON A CULTURE AND BETTING ON ORIGINAL IDEAS AND ORIGINAL ART.

1787
02:38:28,899 --> 02:38:30,434
YOU ARE AN AMAZING, AMAZING PERSON.

1788
02:38:30,434 --> 02:38:35,373
I AM SO HONORED TO CALL YOU A PARTNER AND A FRIEND, AND YOU HAVE GIVEN ME THE OPPORTUNITY AND THE SPACE TO BE SEEN, AND I LOVE YOU, MAN, LOVE YOU SO MUCH.

1789
02:38:35,373 --> 02:38:36,207
EXTREMELY.

1790
02:38:36,207 --> 02:38:45,049
I WANT TO THANK MY AMAZING CAST, WUNMI, FOR GIVING SMOKE THE CHANCE TO BE ITSELF.

1791
02:38:45,049 --> 02:38:47,151
HALEY IS AT HOME, SHE'S ABOUT TO HAVE A BABY RIGHT NOW.

1792
02:38:47,151 --> 02:38:52,323
THANK YOU FOR BEING HALF OF THE STACK.

1793
02:38:52,323 --> 02:38:59,697
MILES, DELROY, JAMIE, EVERYONE, OMAR, THE ENTIRE CAST, THANK YOU FOR SUPPORTING ME THROUGH THIS PROCESS.

1794
02:38:59,697 --> 02:39:10,074
MY TEAM, PHIL SUTTON, GREG, LINDSAY -- UH -- UH -- OH, GOD, GUYS.

1795
02:39:10,074 --> 02:39:14,745
[ CLAP ]

1796
02:39:14,745 --> 02:39:26,857
I'M HERE BECAUSE OF THE PEOPLE BEFORE ME, SYDNEY POITIER, DENZEL WASHINGTON, HALLE BERRY, JAMIE FOXX, FOREST WHITAKER, WILL SMITH.

1797
02:39:26,857 --> 02:39:40,504
AND TO BE AMONG THOSE GIANTS, THOSE GREAT PEOPLE, AMONG MY ANCESTORS, AMONG MY TEAM-mates, THANK YOU TO EVERYONE AT HOME, IN THIS AUDIENCE AND FOR SUPPORTING ME IN MY CAREER.

1798
02:39:40,504 --> 02:39:41,172
I FEEL IT.

1799
02:39:41,172 --> 02:39:44,809
I KNOW YOU WANT ME TO DO WELL, AND I WANT TO DO IT BECAUSE YOU'VE BETTED ON ME, SO THANK YOU FOR CONTINUE BETTING ON ME.

1800
02:39:44,809 --> 02:39:47,945
AND I WILL KEEP MOVING FORWARD AND I WILL CONTINUE BEING THE BEST VERSION OF MYSELF THAT I CAN BE.

1801
02:39:47,945 --> 02:39:59,123
I WANT TO SAY THANK YOU TO EVERYONE IN THIS AUDIENCE WHO CONTRIBUTED TO MY SUCCESS AND TO EVERYONE AT HOME WHO SUPPORTED "SINNERS" AND WENT TO SEE THE MOVIE ONCE, TWICE, THREE, FOUR FIVE TIMES, THANK YOU.

1802
02:39:59,123 --> 02:39:59,757
YOU GUYS MADE THIS MOVIE.

1803
02:39:59,757 --> 02:40:00,424
I LOVE YOU, I LOVE YOU.

1804
02:40:00,424 --> 02:40:06,130
[ APPLAUSE ]

1805
02:40:06,130 --> 02:40:20,978
♪

1806
02:40:20,978 --> 02:40:24,648
>> Announcer: COMING SOON, AWARDS FOR BEST ACTRESS AND BEST MOVIE.

1807
02:40:24,648 --> 02:40:28,586
ONLY AVAILABLE AT "THE OSCARS," HERE ON ABC.

1808
02:40:28,586 --> 02:40:29,887
♪

1809
02:40:37,228 --> 02:40:42,900
♪

1810
02:40:48,239 --> 02:40:53,844
>> CONan: I DON'T KNOW WHAT THAT'S ABOUT.

1811
02:40:53,844 --> 02:40:56,046
WE'RE ALMOST DONE.

1812
02:40:56,046 --> 02:40:57,982
IT'S ALMOST DONE.

1813
02:40:57,982 --> 02:41:01,485
IT'S ALMOST DONE.

1814
02:41:01,485 --> 02:41:07,258
[ APPLAUSE ]

1815
02:41:07,258 --> 02:41:08,292
ARE WE BROADCASTING?

1816
02:41:08,292 --> 02:41:11,162
NEVER KNOW.

1817
02:41:11,162 --> 02:41:22,173
THE NEXT HOST MAY BRING BACK PAINFUL MEMORIES OF Accidentally WATCHING "ANORA" WITH THEIR PARENTS.

1818
02:41:22,173 --> 02:41:25,676
WE'RE INVITING OSCAR HOST MIKEY MADISON.

1819
02:41:25,676 --> 02:41:30,814
♪

1820
02:41:38,923 --> 02:41:54,672
>> AS ARTISTS, WE ALWAYS LEARN TO LISTEN -- LISTEN TO OUR INSTINCTS, LISTEN TO OTHERS, AND LISTEN TO THE CORE TRUTH INSIDE A STORY.

1821
02:41:54,672 --> 02:42:04,448
JESSIE, ROSE, KATE, EMMA AND RENATE, YOU AMAZED US WITH YOUR PERFORMANCES.

1822
02:42:04,448 --> 02:42:07,785
JESSIE BUCKLEY, "HAMNET."

1823
02:42:07,785 --> 02:42:11,088
>> I WILL CUT MY HAIR.

1824
02:42:11,088 --> 02:42:11,355
>> I KNOW.

1825
02:42:11,355 --> 02:42:12,556
>> I DON'T KNOW.

1826
02:42:12,556 --> 02:42:18,429
ROSE BYRNE, "IF I HAD LEGS I'D KICK YOU."

1827
02:42:18,429 --> 02:42:20,130
>> I DON'T.

1828
02:42:20,130 --> 02:42:22,199
THIS IS NOT WHAT IT SHOULD BE.

1829
02:42:22,199 --> 02:42:22,566
THIS CAN'T BE LIKE THAT.

1830
02:42:23,467 --> 02:42:26,637
KATE HUDSON, "SONG SUNG BLUE."

1831
02:42:26,637 --> 02:42:31,809
>> BAD THINGS GO ON OVER AND OVER, AND I JUST WANT TO SING AND I WANT TO SHINE.

1832
02:42:47,091 --> 02:42:50,894
EMMA STONE, "BUGONIA."

1833
02:42:50,894 --> 02:42:53,130
>> SHE KILLED HER.

1834
02:42:53,130 --> 02:43:00,838
I GUESS YOU WILL BE ARRESTED FOR GIVING A PATIENT ANTIfreeze AND I WILL BE RELEASED AND GO BACK TO WORK.

1835
02:43:00,838 --> 02:43:08,479
YOU'VE GOT FREE, YOU PERVERT MONKEY.

1836
02:43:08,479 --> 02:43:15,586
>> AND THE OSCAR AWARD GOES TO -- JESSIE BUCKLEY.

1837
02:43:15,586 --> 02:43:20,224
>> Announcer: THIS IS THE FIRST OSCAR WIN AND THE SECOND NOMINATION FOR JESSIE BUCKLEY.

1838
02:43:20,224 --> 02:43:24,561
PREVIOUSLY, SHE WAS NOMINATED FOR A SUPPORTING ROLE IN "THE LOST DAUGHTER."

1839
02:43:26,096 --> 02:43:32,903
[ APPLAUSE ]

1840
02:43:34,738 --> 02:43:40,010
♪

1841
02:43:52,489 --> 02:43:53,557
[ APPLAUSE ]

1842
02:43:59,430 --> 02:44:02,266
>> WOW.

1843
02:44:02,266 --> 02:44:04,168
THANK YOU SO MUCH.

1844
02:44:04,168 --> 02:44:12,109
THIS IS -- THIS IS REALLY A BIG THING.

1845
02:44:12,109 --> 02:44:15,946
THANK YOU TO THE AMAZING WOMEN WITH whom I walk.

1846
02:44:15,946 --> 02:44:22,686
I AM INSPIRED BY YOUR ART AND YOUR HEART, AND I WANT TO WORK WITH EACH OF YOU.

1847
02:44:22,686 --> 02:44:35,099
TO THE PRODUCERS WHO CREATED THIS SPACE FOR US TO STAND AND TO MY LIFETIME COMPANIONS, HILDA, JESSICA, LINDSEY, WITHOUT YOU, NOTHING WOULD BE POSSIBLE.

1848
02:44:35,099 --> 02:44:39,470
MY FAMILY, MY AILEN FAMILY, THEY ARE ALL HERE.

1849
02:44:39,470 --> 02:44:45,275
AILEN HAS TAKEN THEIR FLIGHT.

1850
02:44:45,275 --> 02:44:57,855
MOMMY, DADDY, THANK YOU FOR TEACHING US TO DREAM AND NEVER BE LIMITED BY EXPECTATIONS BUT PURSUE OUR OWN PASSION.

1851
02:44:57,855 --> 02:44:59,923
YOU, I LOVE YOU, I LOVE YOU.

1852
02:44:59,923 --> 02:45:00,224
I LOVE YOU.

1853
02:45:00,224 --> 02:45:01,925
YOU ARE THE BEST FATHER.

1854
02:45:01,925 --> 02:45:05,262
YOU ARE MY BEST FRIEND AND I WANT TO HAVE 20,000 MORE CHILDREN WITH YOU.

1855
02:45:05,262 --> 02:45:06,697
I'M TRULY.

1856
02:45:06,697 --> 02:45:08,065
I'M TRULY.

1857
02:45:08,065 --> 02:45:22,780
AND HER LITTLE DAUGHTER, 8 MONTHS OLD, DOESN'T KNOW WHAT'S HAPPENING AND PROBABLY IS DREAMING ABOUT MILK, THIS IS A PRETTY BIG THING AND I LOVE YOU AND I LOVE BEING YOUR MOTHER AND I CAN'T wait TO EXPLORE LIFE WITH YOU.

1858
02:45:22,780 --> 02:45:43,133
CHLOE AND MAGGIE, GUYS -- TO KNOW THIS BRILLIANT WOMAN AND THE JOURNEY TO UNDERSTAND THE POSSIBILITY OF A MOTHER'S LOVE WAS THE GREATEST INTERSECTION OF MY LIFE.

1859
02:45:43,133 --> 02:45:44,768
TODAY IS MOTHER'S DAY IN THE UK.

1860
02:45:44,768 --> 02:45:44,968
TODAY IS MOTHER'S DAY IN THE UK.

1861
02:45:44,968 --> 02:45:49,840
[ APPLAUSE ]

1862
02:45:49,840 --> 02:45:55,446
SO I WANT TO GIVE THIS AWARD TO THE BEAUTIFUL CHAOS OF A MOTHER'S HEART.

1863
02:45:55,446 --> 02:46:01,785
[ APPLAUSE ]

1864
02:46:01,785 --> 02:46:06,723
WE ALL COME FROM A LINE OF WOMEN WHO CONTINUE TO BE CREATIVE DESPITE ALL OBSTACLES.

1865
02:46:06,723 --> 02:46:11,695
THANK YOU FOR RECOGNIZED ME IN THIS ROLE, THIS IS THE GREATEST HONOR.

1866
02:46:11,695 --> 02:46:16,400
I CAN'T EVEN BELIEVE IT.

1867
02:46:17,334 --> 02:46:24,641
♪

1868
02:46:27,377 --> 02:46:35,919
>> Announcer: WE'RE INVITING EWAN McGREGOR AND OSCAR HOST, NICOLE KIDMAN.

1869
02:46:40,491 --> 02:46:41,391
♪

1870
02:46:50,400 --> 02:46:56,473
>> I HAVE TO SAY I LOVED ALL THE MOVIES THIS YEAR.

1871
02:46:56,473 --> 02:46:58,342
>> FAVORITE?

1872
02:46:58,342 --> 02:47:00,511
DID YOU SAY YOU LOVED THEM?

1873
02:47:00,511 --> 02:47:01,778
>> WHAT?

1874
02:47:01,778 --> 02:47:07,951
>> LOVE, YOU KNOW, LOVE IS LIKE OXYGEN.

1875
02:47:07,951 --> 02:47:11,355
>> OH, LOVE IS A GLORIOUS THING.

1876
02:47:11,355 --> 02:47:11,555
OH, LOVE IS A GLORIOUS THING.

1877
02:47:11,555 --> 02:47:14,658
>> LOVE LIFTS US TO WHERE WE BELONG.

1878
02:47:14,658 --> 02:47:15,726
[ LAUGH ]

1879
02:47:15,726 --> 02:47:28,739
BUT I HAVE TO SAY, NICOLE, EVEN THOUGH IT'S BEEN 25 YEARS, EVERY TIME I HEAR THE WORD LOVE, I STILL IMAGINE SOMEBODY DOWN THE CHANDELIER AND SIGNAL TO THE ORCHESTRA.

1880
02:47:28,739 --> 02:47:29,773
>> DON'T TEMPT ME.

1881
02:47:29,773 --> 02:47:40,951
>> I HAVE TO SAY THAT THESE CANDIDATES REMIND US WHY WE LOVE CINEMA IN THE FIRST PLACE.

1882
02:47:40,951 --> 02:47:55,966
♪ BECAUSE ALL YOU NEED IS LOVE ♪ ALL YOU NEED IS LOVE ♪ LOVE IS ALL YOU NEED AND BELOW ARE THE NOMINATIONS FOR BEST MOVIE.

1883
02:47:55,966 --> 02:47:58,735
♪

1884
02:47:58,735 --> 02:47:59,770
>> "BUGONIA."

1885
02:47:59,770 --> 02:48:05,042
ED GUINEY VÀ ANDREW LOWE, YORGOS LANTHIMOS, EMMA STONE, VÀ LARS KNUDSEN.

1886
02:48:05,042 --> 02:48:07,177
"F1."

1887
02:48:07,177 --> 02:48:14,585
CHAD OMAN, BRAD PITT, DEDE GARDNER, JEREMY KLEINER, JOSEPH KOSINSKI, VÀ JERRY BRUCKHEIMER.

1888
02:48:14,585 --> 02:48:16,486
"FRANKENSTEIN."

1889
02:48:16,486 --> 02:48:19,423
GUILLERMO DEL TORO, J. MILES DALE, VÀ SCOTT STUBER.

1890
02:48:19,423 --> 02:48:20,958
"HAMNET."

1891
02:48:20,958 --> 02:48:26,229
LIZA MARSHALL, PIPPA HARRIS, NICOLAS GONDA, STEVEN SPIELBERG, VÀ SAM MENDES.

1892
02:48:26,229 --> 02:48:28,498
"MARTY SUPREME."

1893
02:48:28,498 --> 02:48:36,473
ELI BUSH, RONALD BRONSTEIN, JOSH SAFDIE, ANTHONY KATAGAS, VÀ TIMOTHEE CHALAMET.

1894
02:48:36,473 --> 02:48:37,407
"ONE BATTLE AFTER ANOTHER."

1895
02:48:37,407 --> 02:48:40,577
ADAM SOMNER, SARA MURPHY, VÀ PAUL THOMAS ANDERSON.

1896
02:48:40,577 --> 02:48:42,145
"THE SECRET AGENT."

1897
02:48:42,145 --> 02:48:44,314
EMILIE LESCLAUX.

1898
02:48:44,314 --> 02:48:45,849
"SENTIMENTAL VALUE."

1899
02:48:45,849 --> 02:48:50,087
MARIA EKERHOVD VÀ ANDREA BERENTSEN OTTMAR.

1900
02:48:50,087 --> 02:48:50,621
"SINNERS."

1901
02:48:50,621 --> 02:48:56,393
ZINZI COOGLER, SEV OHANIAN, VÀ RYAN COOGLER.

1902
02:48:56,393 --> 02:48:56,760
"TRAIN DREAMS."

1903
02:48:56,760 --> 02:49:07,037
MARISSA McMAHON, TEDDY SCHWARZMAN, WILL JANOWITZ, ASHLEY SCHLAIFER, VÀ MICHAEL HEIMLER.

1904
02:49:11,375 --> 02:49:17,314
>> GIẢI OSCAR THUỘC VỀ "ONE BATTLE AFTER ANOTHER."

1905
02:49:17,314 --> 02:49:24,054
[ VỖ TAY ]

1906
02:49:24,054 --> 02:49:42,406
ADAM SOMNER -- >> Announcer: NOMINATED FOR 13 ACADEMY AWARDS, "ONE BATTLE AFTER ANOTHER" WON SIX OSCARS FOR BEST ACTRESS, ADAPTED SCRIPT, MOVIE EDITING, DIRECTING AND FILM.

1907
02:49:58,755 --> 02:50:03,660
[ APPLAUSE ]

1908
02:50:14,938 --> 02:50:19,609
>> THANK YOU.

1909
02:50:19,609 --> 02:50:38,462
MAKING THIS MOVIE WITH THIS CAST AND THIS TEAM AND PAUL HAS BEEN THE MOST AMAZING FILMMAKING EXPERIENCE I COULD IMAGINE, SO RECEIVING THIS AWARD IS TRULY OUTSTANDING -- MY HEART IS BELLING WITH GRATEFULNESS.

1910
02:50:38,462 --> 02:50:43,333
THANKS MIKE AND PAMMY AT WARNER BROS.

1911
02:50:43,333 --> 02:50:48,338
THANK YOU BRIAN LOREN, THANK YOU ADAM SUMNER, ERICA.

1912
02:50:48,338 --> 02:50:50,674
I SHARE THIS WITH YOU.

1913
02:50:50,674 --> 02:51:00,784
THANK YOU TO MY FAMILY, ALL FOUR PARENTS, MY AMAZING BROTHERS, FANNY, JOSH, RYAN, I LOVE YOU.

1914
02:51:00,784 --> 02:51:03,553
I AM GRATEFUL TO YOU.

1915
02:51:03,553 --> 02:51:03,920
PAUL!

1916
02:51:03,920 --> 02:51:18,001
>> IN 1975, THE OSCAR CONDITIONS FOR BEST MOVIE WERE DOG DAY AFTERNOON, ONE FLEW OVER THE CUCKOO'S NEST, JAWS, NASHVILLE AND NONE OF THEM WAS THE BEST.

1917
02:51:18,001 --> 02:51:31,882
IT'S JUST THE EMOTION OF THAT DAY, BUT WE'RE SO HAPPY TO BE PART OF THIS, AN AMAZING, AMAZING JOURNEY WITH COLLECTIVES, FELLOW FILMMAKERS, EVEN THOSE WHO ARE NOT RECOGNIZED BY THE ACADEMY.

1918
02:51:31,882 --> 02:51:40,190
SO MANY GOOD MOVIES THIS YEAR AND I MISSED THE BEST ACTING AWARD AND I FORGOT TO THANK MY CAST.

1919
02:51:40,190 --> 02:51:46,963
WITH LEO, TEYANA, SHAWN, REGINA AND ESPECIALLY MY AMERICAN GIRL CHASE.

1920
02:51:46,963 --> 02:51:49,499
YOU ARE THE HEART OF THIS MOVIE.

1921
02:51:49,499 --> 02:51:54,805
THIS ENTIRE TEAM, WHAT A NIGHT, GUYS, MAKE A MARTINI.

1922
02:51:54,805 --> 02:51:56,173
THIS IS AMAZING.

1923
02:51:56,173 --> 02:51:56,406
DIFFERENCE.

1924
02:51:56,406 --> 02:51:57,174
THANK YOU SO MUCH.

1925
02:51:57,174 --> 02:51:57,507
THANK.

1926
02:51:57,507 --> 02:51:57,774
THANK.

1927
02:51:57,774 --> 02:51:58,775
THANK.

1928
02:51:58,775 --> 02:51:59,810
THANK.

1929
02:51:59,810 --> 02:52:06,483
♪

1930
02:52:06,483 --> 02:52:07,517
>> CONan: THAT'S OUR PROGRAM.

1931
02:52:07,517 --> 02:52:09,719
THIS IS AN HONOR AND A JOY.

1932
02:52:09,719 --> 02:52:14,291
WE LOVE YOU.

1933
02:52:14,291 --> 02:52:16,927
WISH YOU A GOOD NIGHT.

1934
02:52:29,206 --> 02:52:30,540
>> GREAT PROGRAM, CONAN.

1935
02:52:30,540 --> 02:52:31,474
REALLY AMAZING.

1936
02:52:31,474 --> 02:52:32,275
>> Conan: WOW, THANK YOU.

1937
02:52:32,275 --> 02:52:40,083
>> IN FACT, WE LIKED IT SO MUCH, WE DECIDED TO MAKE HIM OSCAR HOST FOR LIFE.

1938
02:52:40,083 --> 02:52:42,118
>> Conan: LIFETIME SHOW HOST?

1939
02:52:42,118 --> 02:52:42,752
>> THAT'S RIGHT.

1940
02:52:42,752 --> 02:52:44,788
>> Conan: I DON'T KNOW WHAT MORE TO SAY.

1941
02:52:44,788 --> 02:52:46,122
>> COME SEE MY NEW OFFICE.

1942
02:52:46,122 --> 02:52:49,426
>> Conan: I LIKE THAT SO MUCH.

1943
02:52:49,426 --> 02:52:51,895
>> HIS EFFORTS SATISFIED THE ACADEMY VERY MUCH.

1944
02:52:51,895 --> 02:52:52,863
>> Conan: WOW.

1945
02:52:52,863 --> 02:52:55,832
>> PEOPLE HAVEN'T STOP TALKING ABOUT HIS PERFORMANCE.

1946
02:52:55,832 --> 02:52:58,301
IT IS REALLY SOMETHING.

1947
02:52:58,301 --> 02:53:01,605
>> CONAN: COMING FROM THE ACADEMY, IT'S REALLY AN HONOR, SIR.

1948
02:53:01,605 --> 02:53:03,039
>> AN HONOR THAT YOU DESERVE TO RECEIVE.

1949
02:53:03,039 --> 02:53:07,143
AND WE'VE ARRIVED, APARTMENT 55.

1950
02:53:07,143 --> 02:53:10,213
>> IS ALL THIS FOR ME?

1951
02:53:10,213 --> 02:53:13,350
>> THAT'S YOUR NAME, RIGHT?

1952
02:53:13,350 --> 02:53:16,486
COME IN.

1953
02:53:16,486 --> 02:53:17,354
STABLE PLACE.

1954
02:53:17,354 --> 02:53:27,163
>> Conan: THIS VIEW IS AMAZING.

1955
02:53:27,163 --> 02:53:29,599
>> DAMN IT, I FORGOT YOUR KEYS.

1956
02:53:29,599 --> 02:53:34,304
I'LL BE BACK NOW.

1957
02:53:44,347 --> 02:53:49,552
>> Conan: LIFETIME SHOW HOST.

1958
02:54:08,038 --> 02:54:13,877
>> Announcer: THE ACADEMY IS GLAD TO RECOGNIZE DELTA AIRLINES FOR PROVIDING AIR TRANSPORTATION FOR SOME OF TONIGHT'S HOSTS, PERFORMERS AND CANDIDATES.

1959
02:54:13,877 --> 02:54:16,046
TOGETHER, WE CAN CONTINUE TO RISE HIGH.

1960
02:54:16,046 --> 02:54:24,621
>> Announcer: LED LIGHTS AND PROJECTORS ARE PARTLY SUPPLIED BY SENOVVA.

1961
02:57:14,557 --> 02:57:16,759
>> Announcer: ALL QUALIFIED MEMBERS OF THE ACADEMY ARE IN OSCAR VOTING.

1962
02:57:16,759 --> 02:57:20,497
NOMINATIONS FOR BEST FILM ARE DETERMINED BY ALL QUALIFIED MEMBERS.

1963
02:57:20,497 --> 02:57:28,838
IN OTHER CATEGORIES, NOMINATIONS ARE DETERMINED BY MEMBERS OF A PARTICULAR BRANCH OR VOTERS WHO MEET THE CATEGORY ELIGIBILITY REQUIREMENTS.

1964
02:57:28,838 --> 02:57:35,745
ALL OSCAR VOTING ARE CONDUCTED BY SECRET BALLOTS AND COMPILED BY THE INDEPENDENT AUDITING COMPANY PRICEWATERHOUSECOOPERS.

1965
02:57:35,745 --> 02:57:43,286
THE RESULTS OF THE FINAL SECRET VOTE WILL BE KNOWN ONLY BY PWC UNTIL THE SEALED ENVELOPES ARE OPENED LIVE ON THE AIR.