1 00:00:01,202 --> 00:00:04,002 [ DRAMATIC MUSIC PLAYS ] 2 00:00:30,431 --> 00:00:34,341 [ SIRENS WAILING, HELICOPTER PASSING ] 3 00:00:34,335 --> 00:00:37,035 [ INDISTINCT CONVERSATIONS ] 4 00:00:41,909 --> 00:00:44,649 [ POLICE RADIO CHATTER ] 5 00:00:53,687 --> 00:00:57,057 BELIEVE ME, GOD DID US A FAVOR. 6 00:00:57,057 --> 00:00:59,327 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 7 00:00:59,327 --> 00:01:01,357 ARRESTING THAT LITTLE VATO'S ASS, 8 00:01:01,362 --> 00:01:03,962 OR AT LEAST ZIPPING HIM UP IN A BIGGER BODY BAG. 9 00:01:03,964 --> 00:01:07,244 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 10 00:01:07,235 --> 00:01:09,235 "KEEP IT REAL, BABY GIRL"? 11 00:01:09,237 --> 00:01:12,007 MAN, THAT'S SOMEBODY'S KID. 12 00:01:12,005 --> 00:01:13,465 [ CAMERA SHUTTER CLICKS ] 13 00:01:13,474 --> 00:01:16,184 MOST GOOD COPS ARE PASSIONATE COPS. 14 00:01:16,177 --> 00:01:17,647 PUT ENOUGH OF THEM TOGETHER, 15 00:01:17,645 --> 00:01:21,075 AND OCCASIONALLY THOSE PASSIONS EXPLODE. 16 00:01:21,081 --> 00:01:23,451 Munoz: OH, FROSTY THE SNOW MAN. 17 00:01:23,451 --> 00:01:25,421 Nate: DOESN'T LOOK JOLLY TO ME. 18 00:01:25,419 --> 00:01:28,259 LOOKS LIKE HE CAUGHT A FEW HOT ONES AND MELTED. 19 00:01:28,256 --> 00:01:30,956 AH, THERE'S ONE GOOD ONE FOR MY COLLECTION HERE. 20 00:01:30,958 --> 00:01:33,288 REMEMBER HIS BROTHER BIGFOOT, FUNERAL HE HAD -- 21 00:01:33,294 --> 00:01:35,334 STRETCH HUMMERS, STRIPPERS THROWING CASH? 22 00:01:35,329 --> 00:01:36,899 YEAH, BIGFOOT HAD STYLE. 23 00:01:36,897 --> 00:01:40,297 BUT FROSTY AIN'T HAVING NO PARADE -- TELL YOU THAT MUCH. 24 00:01:40,301 --> 00:01:42,001 NOBODY SHOT FROSTY? 25 00:01:42,002 --> 00:01:44,572 DID I STUTTER? NOBODY SHOT HIM. 26 00:01:44,572 --> 00:01:49,312 SO THE BULLETS JUST FELL OUT OF THE SKY LIKE RAINDROPS, 27 00:01:49,310 --> 00:01:50,480 LANDED ON MY MAN. 28 00:01:50,478 --> 00:01:52,208 WHAT ELSE YOU WANT ME TO SAY? 29 00:01:52,213 --> 00:01:54,113 START WITH THE TRUTH, ASSHOLE. 30 00:01:54,114 --> 00:01:56,354 I AIN'T GETTING KILLED OVER THIS SHIT. 31 00:01:56,350 --> 00:01:59,720 NOBODY DID IT. THAT'S ALL I'M SAYING. 32 00:01:59,720 --> 00:02:01,660 YOUR BUDDY OVER THERE -- 33 00:02:01,655 --> 00:02:05,355 HE'S GOT A MOTHER, A GIRLFRIEND, A SISTER. 34 00:02:05,359 --> 00:02:07,729 DOESN'T MATTER, 'CAUSE I'M GONNA HAVE TO TELL THEM 35 00:02:07,728 --> 00:02:09,658 THAT NOBODY SHOT THEIR BABY THREE TIMES 36 00:02:09,663 --> 00:02:11,633 AND HOLD THEM AS THEY CRY THEIR EYES OUT. 37 00:02:11,632 --> 00:02:13,702 I'M STANDING IN LIVING ROOMS FOUR TIMES A WEEK 38 00:02:13,701 --> 00:02:15,201 'CAUSE OF ASSHOLES LIKE YOU. 39 00:02:15,203 --> 00:02:17,143 I HATE IT. 40 00:02:17,137 --> 00:02:19,407 SO DON'T TELL ME NOBODY DID THIS. 41 00:02:19,407 --> 00:02:21,437 DON'T TELL ME THAT. 42 00:02:21,442 --> 00:02:23,812 LOOK AT ME! DON'T TELL ME THAT! 43 00:02:23,811 --> 00:02:25,151 SAMMY. 44 00:02:25,145 --> 00:02:28,245 WHAT YOU GETTING ALL LOCO ON THIS KID FOR? 45 00:02:28,249 --> 00:02:30,219 NOBODY, MY ASS. HE'S LYING, NATE. 46 00:02:30,218 --> 00:02:32,248 [BLEEP] LYING. 47 00:02:37,791 --> 00:02:39,531 NOBODY IS SOMEBODY. 48 00:02:39,527 --> 00:02:41,627 [ DOG BARKS, CAR ALARM BLARES ] 49 00:02:41,629 --> 00:02:43,559 YOU ALL RIGHT? 50 00:02:43,564 --> 00:02:45,704 COME ON. KEEP IT TOGETHER. 51 00:03:17,130 --> 00:03:18,570 [ ENGINE REVS ] 52 00:03:18,566 --> 00:03:21,466 Hill: IT'S HOT IN JANUARY. 53 00:03:21,469 --> 00:03:24,269 FROSTY FROM WESTSIDE RIDAZ 54 00:03:24,272 --> 00:03:26,272 WAS SHOT DEAD THIS MORNING OFF FLORENCE. 55 00:03:26,274 --> 00:03:27,944 Man: THE INJUSTICE. 56 00:03:27,941 --> 00:03:30,741 DOWNTOWN CALLED HALF AN HOUR AFTER HE STAINED THE SIDEWALK. 57 00:03:30,744 --> 00:03:32,654 WE DON'T WANT OCTOBER ALL OVER AGAIN, 58 00:03:32,646 --> 00:03:34,516 WITH THE RIDAZ AND LATIN HUSTLAZ 59 00:03:34,515 --> 00:03:36,645 LIGHTING EACH OTHER UP ON EVERY OTHER BLOCK. 60 00:03:36,650 --> 00:03:39,650 THE LAST THING OUR NEW CHIEF WANTS IS A RACIAL GANG WAR 61 00:03:39,653 --> 00:03:41,763 TO BREAK OUT OVER THE MLK HOLIDAY. 62 00:03:41,755 --> 00:03:45,025 SHOOTOUT ON KING BOULEVARD! HEY! [ APPLAUSE ] 63 00:03:45,025 --> 00:03:47,895 HEY, I LEAVE FOR FOUR MONTHS, AND THE WHOLE WORLD FALLS APART. 64 00:03:47,895 --> 00:03:50,795 YOU FORGOT HOW TO READ YOUR WATCH IN REHAB, OFFICER DUDEK? 65 00:03:50,798 --> 00:03:52,468 SORRY ABOUT THAT, SIR. WON'T HAPPEN AGAIN. 66 00:03:52,466 --> 00:03:54,666 GODDAMN RIGHT. FIND A SEAT. 67 00:03:54,668 --> 00:03:59,038 THESE FLYERS HAVE INFORMATION ON CLOTHING, 68 00:03:59,039 --> 00:04:00,869 HAND SIGNS, GRAFFITI, 69 00:04:00,874 --> 00:04:04,114 KNOWN HANGOUTS OF THE RIDAZ AND HUSTLAZ. 70 00:04:04,111 --> 00:04:06,981 YOU SEE ANY TRAFFIC INFRACTIONS, WRITE THEM UP. 71 00:04:06,980 --> 00:04:08,320 TOW THE CAR IF YOU CAN. 72 00:04:08,316 --> 00:04:09,916 THE MORE GANGSTERS WE GET OFF THE STREET, 73 00:04:09,917 --> 00:04:12,387 THE BETTER CHANCE WE HAVE OF THIS THING NOT ESCALATING. 74 00:04:12,386 --> 00:04:14,856 ALL RIGHT? THAT'S IT FOR NOW. 75 00:04:14,855 --> 00:04:16,155 STAY FROSTY. 76 00:04:16,156 --> 00:04:18,226 Man: HOPEFULLY BETTER THAN HIM. [ LAUGHTER ] 77 00:04:18,225 --> 00:04:20,285 BROWN, A35, WITH SHERMAN. 78 00:04:20,294 --> 00:04:24,234 GONZALEZ, A25, WITH ROKOS. 79 00:04:24,231 --> 00:04:27,641 A10 IS ROBINSON WITH LISCO. HEY, YOU AND ME, ROMEO. 80 00:04:28,502 --> 00:04:30,572 WHAT'S GOING ON, SARGE? 81 00:04:30,571 --> 00:04:32,411 DEWEY'S RIDING WITH YOU IN A43. 82 00:04:32,406 --> 00:04:35,336 LOOK. I CAN'T STICK HIM IN A U-BOAT BY HIMSELF. 83 00:04:35,343 --> 00:04:36,783 HE'S BEEN OUT FOR MONTHS. 84 00:04:36,777 --> 00:04:39,177 YOU'RE THE BEST I GOT. GET HIM BACK IN THE SADDLE. 85 00:04:39,179 --> 00:04:41,519 OKAY? ALL RIGHT. 86 00:04:42,716 --> 00:04:45,046 [ LAUGHS ] 87 00:04:47,120 --> 00:04:48,820 [ SIREN CHIRPS ] 88 00:04:49,723 --> 00:04:53,433 REDHEAD SALLY? YOU? REALLY? 89 00:04:53,427 --> 00:04:56,927 YEAH. SALLY. WHAT'S SO GODDAMN FUNNY? 90 00:04:58,065 --> 00:05:00,525 WHAT? 91 00:05:00,534 --> 00:05:03,004 [ DOOR CLOSES, ENGINE TURNS OVER ] 92 00:05:03,003 --> 00:05:06,713 [ POLICE RADIO CHATTER, CAMERA SHUTTER CLICKING ] 93 00:05:10,844 --> 00:05:14,424 MAN, SHE WASN'T EVEN HOME FIVE MINUTES. 94 00:05:14,415 --> 00:05:16,015 THIS IS UGLY. 95 00:05:18,185 --> 00:05:20,845 [ SIGHS ] 96 00:05:20,854 --> 00:05:24,064 [ SIREN WAILS ] 97 00:05:26,159 --> 00:05:28,199 [ DOG BARKING IN DISTANCE ] 98 00:05:28,195 --> 00:05:30,625 Josie: YOU LOOK AT THIS? 99 00:05:30,631 --> 00:05:33,371 THE GUN IS STILL SMOKING IN HIS HAND, 100 00:05:33,367 --> 00:05:35,697 WITH A HANDWRITTEN SUICIDE NOTE. 101 00:05:35,703 --> 00:05:39,573 AND HIS WALLET HAS A RECEIPT FOR THE GUN AND THE BULLETS. 102 00:05:39,573 --> 00:05:43,483 WE'RE GONNA BE OUT OF HERE BY 5:00. THIS IS BEAUTIFUL. 103 00:05:44,845 --> 00:05:48,075 IT JUST SEEMS WEIRD. SHE'LL BE AS BIG AS A HOUSE. 104 00:05:48,081 --> 00:05:50,621 MISSIONARY'S OUT OF THE QUESTION AFTER THE FIFTH MONTH. 105 00:05:50,618 --> 00:05:52,388 BUT IF TAMMI'S ANYTHING LIKE MARIELLA WAS, 106 00:05:52,386 --> 00:05:54,086 SHE'S GONNA BE ALL OVER YOU. 107 00:05:54,087 --> 00:05:56,387 Sammy: I JUST CAN'T GET MY HEAD AROUND IT, THAT'S ALL. 108 00:05:56,390 --> 00:05:57,760 HEAD AROUND WHAT -- THE CASE 109 00:05:57,758 --> 00:05:59,788 OR YOUR WIFE'S RAPIDLY EXPANDING ASS? 110 00:05:59,793 --> 00:06:02,133 WE EVEN GOT A NAME FOR THIS SHOOTER YET? 111 00:06:02,129 --> 00:06:03,859 WE GOT NOBODY, BOSS. 112 00:06:03,864 --> 00:06:06,534 YOU SAY THAT WITH SOME PRIDE, BRYANT. 113 00:06:06,534 --> 00:06:10,174 NOBODY, AS IN JUAN "NOBODY" VARGAS, 114 00:06:10,170 --> 00:06:11,640 LATIN HUSTLAZ. 115 00:06:11,639 --> 00:06:13,439 HIS MOTHER HASN'T SEEN HIM. NEITHER HAS HIS P.O. 116 00:06:13,441 --> 00:06:14,681 HE'S OUT AND ABOUT. 117 00:06:14,675 --> 00:06:17,545 SO NOBODY'S SEEN NOBODY. CUTE. 118 00:06:17,545 --> 00:06:19,205 WE NEED TO GET HIM INTO CUSTODY 119 00:06:19,212 --> 00:06:22,122 BEFORE SOMEBODY DECIDES TO EVEN THE SCORE FOR FROSTY. 120 00:06:22,115 --> 00:06:24,845 YOU HAVE ANY SPECIFIC STREET CORNERS WE CAN HIT? 121 00:06:24,852 --> 00:06:26,192 I GOT A C.I. I CAN TALK TO 122 00:06:26,186 --> 00:06:27,956 WHO KNOWS THE LATIN HUSTLAZ PRETTY WELL. 123 00:06:27,955 --> 00:06:29,915 OKAY. LET'S DO THAT, ALL RIGHT? 124 00:06:29,923 --> 00:06:31,663 NOBODY. 125 00:06:31,659 --> 00:06:32,959 SEE, THAT'S THE PROBLEM 126 00:06:32,960 --> 00:06:35,200 WITH THESE NEW-SCHOOL GANGSTERS THESE DAYS -- 127 00:06:35,195 --> 00:06:37,495 NO AMBITION. 128 00:06:37,498 --> 00:06:40,168 [ SNIFFS ] AHH. 129 00:06:40,167 --> 00:06:41,937 YOU SMELL THAT, HUH? 130 00:06:41,935 --> 00:06:45,035 GARBAGE AND PISS. [ LAUGHS ] 131 00:06:45,038 --> 00:06:48,378 THAT'S LIFE, BABY. THAT IS LIFE. 132 00:06:48,375 --> 00:06:52,275 I USED TO THINK I COULD SEE STUFF WHEN I WAS DRINKING. 133 00:06:52,279 --> 00:06:53,909 BLIND AS A BAT, MAN. 134 00:06:53,914 --> 00:06:56,454 MY EYES ARE WIDE OPEN NOW, BABY. 135 00:06:56,450 --> 00:06:58,750 * I CAN SEE CLEARLY NOW 136 00:06:58,752 --> 00:07:02,622 * THE RAIN IS GONE 137 00:07:02,623 --> 00:07:04,733 JOHN, YOU KNOW WHAT THIS JOB IS ABOUT? 138 00:07:04,725 --> 00:07:06,525 ABOUT STEP NUMBER FOUR, MY MAN. 139 00:07:06,527 --> 00:07:08,857 YOU HAVE TO BE WILLING TO TAKE A SERIOUS, 140 00:07:08,862 --> 00:07:11,102 DEEP-ASS INVENTORY OF YOURSELF. 141 00:07:11,098 --> 00:07:14,098 I MEAN, IF YOU WANT TO BE OUT HERE CATCHING DEMONS, JOHN, 142 00:07:14,101 --> 00:07:16,341 YOU GOT TO KNOW YOUR OWN DEMONS, BROTHER. 143 00:07:16,336 --> 00:07:18,736 SURE, PEOPLE ARE GONNA FIGHT. THEY'RE GONNA [BLEEP] 144 00:07:18,739 --> 00:07:20,109 THEY'RE GONNA KILL EACH OTHER. 145 00:07:20,107 --> 00:07:22,477 I MEAN, WE CAN'T DO ANYTHING ABOUT THAT. 146 00:07:22,476 --> 00:07:24,206 I MEAN, THEY'RE DRIVING THE CARS. 147 00:07:24,211 --> 00:07:26,451 WE'RE JUST THE GUARDRAILS, BABY. WE DON'T GOT ANY REAL POWER. 148 00:07:26,446 --> 00:07:28,546 THE REAL POWER IS FROM THE MAN UPSTAIRS. 149 00:07:28,549 --> 00:07:30,419 HEY, LOOK AT ME. 150 00:07:30,417 --> 00:07:32,117 THE SOONER YOU REALIZE THAT, 151 00:07:32,119 --> 00:07:35,789 YOU START UNDERSTANDING HOW IT ALL WORKS, MAN. 152 00:07:35,789 --> 00:07:38,459 YOU SEEING THIS? WHOA. 153 00:07:38,458 --> 00:07:40,188 LIGHT 'EM UP. 154 00:07:40,193 --> 00:07:41,803 [ SIREN CHIRPS ] 155 00:07:47,267 --> 00:07:48,497 AHH. YOU READY FOR THIS? 156 00:07:48,502 --> 00:07:50,142 YOU KIDDING ME? 157 00:07:50,137 --> 00:07:52,737 I WAS DOING THIS FOR THREE YEARS BEFORE YOU EVER BECAME A BOOT. 158 00:08:06,119 --> 00:08:07,889 CAN YOU ROLL THE WINDOW DOWN, PLEASE? 159 00:08:10,658 --> 00:08:12,758 I'M GONNA HAVE TO ASK YOU TO STEP OUT. 160 00:08:12,760 --> 00:08:15,630 CAN -- CAN EVERYBODY STEP OUT OF THE CAR? 161 00:08:32,980 --> 00:08:36,020 STEP ON THROUGH, PLEASE. EVERYBODY OUT. 162 00:08:41,288 --> 00:08:43,558 LET'S GO. EVERYBODY OUT. 163 00:08:44,958 --> 00:08:48,228 COME ON. EVERYBODY. EVERYBODY. 164 00:08:50,764 --> 00:08:52,374 OFFICERS, I'M SORRY. 165 00:08:52,365 --> 00:08:55,095 WE ALWAYS TAKE TWO CARS, BUT TODAY ONE BROKE DOWN. 166 00:08:55,102 --> 00:08:57,612 WE'RE LATE FOR A GIG AT MY COUSIN'S RESTAURANT. 167 00:08:57,605 --> 00:08:59,065 IT'S THEIR GRAND OPENING. 168 00:08:59,072 --> 00:09:01,682 AND IF WE DON'T MAKE IT, SHE'S GONNA KILL ME. 169 00:09:01,675 --> 00:09:03,775 SHE'LL KILL ME. 170 00:09:03,777 --> 00:09:06,507 YOU, UH -- YOU KNOW "CIELITO LINDO"? 171 00:09:06,513 --> 00:09:11,053 [ DOWN-TEMPO RandB PLAYING, INDISTINCT CONVERSATIONS ] 172 00:09:14,254 --> 00:09:15,724 ESE, CHECK IT OUT. 173 00:09:15,723 --> 00:09:17,223 WE'RE HAVING AN MLK UNITY CAR SHOW THIS SUNDAY. 174 00:09:17,224 --> 00:09:19,094 FAT TERRY'S GONNA BE THERE. YOU SHOULD COME BY. 175 00:09:19,092 --> 00:09:20,432 OH, YEAH? YEAH. 176 00:09:20,427 --> 00:09:22,757 WHAT EVER HAPPENED TO FAT TERRY'S GOLD SIX-TREY IMPALA? 177 00:09:22,763 --> 00:09:24,433 OH, MAN, THAT VATO SOLD THAT 178 00:09:24,431 --> 00:09:25,971 SO HE COULD GET THAT LAP-BAND THING DONE, MAN. 179 00:09:25,966 --> 00:09:27,566 ACTUALLY, HE'S JUST TERRY NOW, 180 00:09:27,567 --> 00:09:29,037 'CAUSE HE AIN'T FAT NO MORE, YOU KNOW? 181 00:09:29,036 --> 00:09:30,696 OH, THAT'S MESSED UP, MAN -- MAKE A MAN CHOOSE 182 00:09:30,704 --> 00:09:32,014 BETWEEN HIS HEALTH AND HIS SHOW CAR. 183 00:09:32,005 --> 00:09:33,765 SHIT, THAT'S WHAT I'M SAYING, HOMES. 184 00:09:33,774 --> 00:09:37,584 YO, UH, WHAT ARE YOU HEARING ABOUT FROSTY AND NOBODY? 185 00:09:38,846 --> 00:09:40,446 MAN, I AIN'T NO SNITCH. 186 00:09:40,447 --> 00:09:42,477 I'M OFF THE PAPER NOW, YOU KNOW? 187 00:09:42,482 --> 00:09:45,352 WE'RE NOT GONNA PUT YOUR NAME ANYWHERE NEAR THIS SHIT, MAN. 188 00:09:45,352 --> 00:09:47,252 JUST TELL US WHAT THE STREET'S SAYING. 189 00:09:48,989 --> 00:09:51,519 COME ON, DUDE. YOU CAN TRUST ME. 190 00:09:51,524 --> 00:09:53,994 WELL, I HEARD THAT NOBODY'S COUSIN LETI 191 00:09:53,994 --> 00:09:56,264 WAS CREEPING ACROSS TOWN WITH FROSTY, HOMES. 192 00:09:56,263 --> 00:09:57,973 LIKE ROMEO AND JULIET? 193 00:09:57,965 --> 00:10:00,825 [ SPEAKING SPANISH ] 194 00:10:00,834 --> 00:10:02,604 HE'S MY PARTNER, MAN. HE'S GOOD. 195 00:10:02,602 --> 00:10:04,442 DON'T WORRY ABOUT IT, ALL RIGHT? 196 00:10:04,437 --> 00:10:06,637 YEAH, YEAH, THAT BLACK AND BROWN TOGETHER 197 00:10:06,640 --> 00:10:08,210 AND ALL THAT SHIT, HOMES. 198 00:10:08,208 --> 00:10:10,278 HEY, THEY WERE IN GLENDALE, AT THE CHEESECAKE FACTORY. 199 00:10:10,277 --> 00:10:12,577 AND SOME HEINA THAT WORKS ACROSS THE WAY AT THE MALL 200 00:10:12,579 --> 00:10:14,079 CAUGHT THEM SLIPPING, DOG. 201 00:10:14,081 --> 00:10:16,351 SO WORD GOT BACK TO NOBODY, AND NOBODY HIT UP FROSTY, 202 00:10:16,349 --> 00:10:18,619 AND FROSTY SLAPPED THE SHIT OUT OF HIM, HOMES, 203 00:10:18,618 --> 00:10:20,048 IN FRONT OF ALL THE HOMIES. 204 00:10:20,053 --> 00:10:23,523 THIS WHOLE THING IS OVER A STUPID GIRL? 205 00:10:23,523 --> 00:10:24,733 [ SCOFFS ] 206 00:10:24,725 --> 00:10:26,285 IF YOU'D SEEN THIS GIRL, HOMES, 207 00:10:26,293 --> 00:10:28,733 YOU WOULDN'T THINK IT WAS SO STUPID, ESE. 208 00:10:29,629 --> 00:10:30,829 WOW. ALL RIGHT, MAN. 209 00:10:30,831 --> 00:10:32,071 YOU'RE ALWAYS HELPFUL, MAN. 210 00:10:32,065 --> 00:10:33,595 [ "CIELITO LINDO" PLAYING ] 211 00:10:33,600 --> 00:10:34,800 Dewey: HEY! 212 00:10:34,802 --> 00:10:36,902 THERE WAS A TIME RIGHT ABOUT NOW 213 00:10:36,904 --> 00:10:39,744 WHEN I'D HAVE TO BE FIRING UP A COUPLE OF MARGARITAS, 214 00:10:39,740 --> 00:10:41,270 BUT I-I DON'T DO THAT NOW. 215 00:10:41,274 --> 00:10:43,614 I KNOW WHAT YOU'RE SAYING. I GOT THREE YEARS IN. 216 00:10:43,610 --> 00:10:44,910 SHUT THE HELL UP! 217 00:10:44,912 --> 00:10:46,152 YOU JUST HAVE TO KEEP DOING THE STEPS 218 00:10:46,146 --> 00:10:47,306 EVERY SINGLE DAY, HERMANO. 219 00:10:47,314 --> 00:10:49,684 LOOK, LOOK. FOUR MONTHS, BABY. 220 00:10:49,683 --> 00:10:51,993 YOU'RE MY HERO! COME HERE! 221 00:10:51,985 --> 00:10:54,985 [ LAUGHS ] OKAY. ALL RIGHT. STOP, STOP. OKAY, STOP. 222 00:10:54,988 --> 00:10:57,188 SIR, YOU HAVE 11 PEOPLE IN YOUR VEHICLE. 223 00:10:57,190 --> 00:10:59,330 IT'S A SEVEN-SEATER, CORRECT? YES. 224 00:10:59,326 --> 00:11:02,596 OKAY. YEAH, THAT MANY PEOPLE IN A VAN IS DANGEROUS. 225 00:11:02,595 --> 00:11:03,995 YOU CAN CAUSE AN ACCIDENT. 226 00:11:03,997 --> 00:11:05,967 I'M VERY SORRY, BUT WE REALLY NEED THIS GIG. 227 00:11:05,966 --> 00:11:08,296 NO, I UNDERSTAND THAT, BUT YOU'RE GONNA HAVE TO -- JOHN, JOHN, LISTEN. 228 00:11:08,301 --> 00:11:10,341 LET'S -- LET'S JUST THROW A COUPLE OF THEM IN THE BACK OF THE CAR. 229 00:11:10,337 --> 00:11:11,837 IT'S ONLY A FEW BLOCKS AWAY. WE'LL GIVE THEM A RIDE DOWN THERE. 230 00:11:11,839 --> 00:11:13,209 NO, WE'RE NOT GONNA DO THAT, OKAY? 231 00:11:13,206 --> 00:11:14,776 NO, WE'RE NOT GIVING ANYBODY A RIDE. 232 00:11:14,775 --> 00:11:16,335 NO, SIR, YOU NEED TO HANDLE THIS ON YOUR OWN. 233 00:11:16,343 --> 00:11:18,353 GET THE VAN -- WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 234 00:11:18,345 --> 00:11:19,905 JOHN, JOHN, THIS IS MY FAVORITE PART. 235 00:11:19,913 --> 00:11:23,083 * AY, AY, AY, AY 236 00:11:23,083 --> 00:11:26,853 * CANTA Y NO LLORES 237 00:11:26,854 --> 00:11:29,824 * PORQUE CANTANDO SE ALEGRAN 238 00:11:29,823 --> 00:11:31,623 * CIELITO LINDO 239 00:11:31,624 --> 00:11:33,834 * LOS CORAZONES 240 00:11:33,827 --> 00:11:37,427 [ MUSIC CONTINUES ] 241 00:11:53,413 --> 00:11:55,023 SOMEBODY SHOT NOBODY. 242 00:11:55,015 --> 00:11:58,285 SOMEBODY JUST MESSED UP OUR WEEKEND. 243 00:11:58,285 --> 00:12:00,145 [ SIRENS WAILING ] 244 00:12:00,153 --> 00:12:09,063 YOU MEAN NOBODY MESSED UP OUR WEEKEND. 245 00:12:09,062 --> 00:12:10,802 THE FIRST SHARE, IN FRONT OF THE WHOLE GROUP. 246 00:12:10,798 --> 00:12:12,668 I MEAN, YOU'RE STANDING THERE THINKING, 247 00:12:12,665 --> 00:12:15,765 "THERE'S NO WAY I'M AS BAD AS THESE PATHETIC PIECES OF SHIT." 248 00:12:15,769 --> 00:12:18,639 BUT THE MORE YOU TALK, THE MORE YOU LISTEN, 249 00:12:18,638 --> 00:12:22,778 YOU START REALIZE, YOU KNOW, WE'RE ALL THE SAME, BROTHER. 250 00:12:22,776 --> 00:12:25,506 WE'RE JUST TRYING TO FIGURE IT OUT. 251 00:12:25,512 --> 00:12:26,782 [ SIGHS ] 252 00:12:26,780 --> 00:12:28,550 THERE'S THIS ONE GUY IN MY GROUP. 253 00:12:28,548 --> 00:12:29,918 YOU KNOW HIM, MAN. 254 00:12:29,917 --> 00:12:32,047 THE, UH -- HE'S LIKE THE DEPUTY MAYOR. 255 00:12:32,052 --> 00:12:34,992 OH, YOU THOUGHT I WAS BAD. JESUS. [ LAUGHS ] 256 00:12:34,988 --> 00:12:37,388 THE MAID RUN OUT SCREAMING. SHE WAS GOING CRAZY. 257 00:12:37,390 --> 00:12:39,030 WHICH ROOM? 42. 258 00:12:39,026 --> 00:12:41,386 SHE WAS CRYING, SPANISH. 259 00:12:41,394 --> 00:12:43,164 DID YOU CHECK IT OUT? 260 00:12:44,731 --> 00:12:46,431 WHAT ARE THE COPS FOR, THEN? 261 00:12:46,433 --> 00:12:47,433 YOU GOT A PASSKEY? 262 00:12:47,434 --> 00:12:50,674 YEAH. HERE. PASSKEY -- TAKE IT. 263 00:12:50,670 --> 00:12:52,640 WAIT INSIDE. 264 00:12:52,639 --> 00:12:54,069 [ HORN HONKS ] 265 00:12:55,608 --> 00:12:57,278 [ SIGHS ] 266 00:12:58,478 --> 00:13:00,548 D.B.? NO. 267 00:13:00,547 --> 00:13:02,317 HOT AS IT IS TODAY, 268 00:13:02,315 --> 00:13:05,045 WE'D HAVE SMELLED IT BEFORE WE HIT THE STAIRS. 269 00:13:12,559 --> 00:13:13,759 POLICE! OPEN UP! 270 00:13:13,760 --> 00:13:16,230 [ MUFFLED SHOUTING ] 271 00:13:23,303 --> 00:13:25,073 IT'S JAMMED. 272 00:13:26,239 --> 00:13:29,309 MAYBE WE SHOULD HEED THE SIGN. [ CHUCKLES ] 273 00:13:29,309 --> 00:13:31,909 YOU WANT ME TO GO BACK DOWNSTAIRS? 274 00:13:31,912 --> 00:13:34,882 [BLEEP] THAT. WE'RE ALREADY UP HERE. 275 00:13:34,882 --> 00:13:36,452 ALL RIGHT. 276 00:13:37,918 --> 00:13:41,148 [ MUFFLED SHOUTING ] 277 00:13:41,154 --> 00:13:43,994 CLEAR! 278 00:13:43,991 --> 00:13:45,391 [ GASPING ] 279 00:13:45,392 --> 00:13:46,932 WHAT'S YOUR NAME? 280 00:13:46,927 --> 00:13:48,457 DAN CHARNAS. 281 00:13:48,461 --> 00:13:51,031 WHAT HAPPENED HERE, MR. CHARNAS? 282 00:13:51,031 --> 00:13:52,431 MY GIRLFRIEND TIED ME UP. 283 00:13:52,432 --> 00:13:54,232 BY HERSELF? 284 00:13:54,234 --> 00:13:56,344 NO. SHE WAS WITH MY WIFE AND MY OTHER GIRLFRIEND. 285 00:13:56,336 --> 00:13:58,066 MY WIFE WAS THE ONE HOLDING THE GUN. 286 00:13:58,071 --> 00:13:59,241 PLAYER, PLAYER! 287 00:13:59,239 --> 00:14:01,039 [ CHUCKLES ] WHAT? 288 00:14:01,041 --> 00:14:02,911 I WAS CHECKING OUT SOME HIP-HOP IN REHAB, MAN. 289 00:14:02,910 --> 00:14:04,210 THERE WAS THIS BALLPLAYER. 290 00:14:04,211 --> 00:14:05,881 I CAN'T REALLY TELL YOU HIS NAME, 291 00:14:05,879 --> 00:14:07,779 BUT, UH, LET'S JUST SAY HE COMES OFF THE BENCH 292 00:14:07,780 --> 00:14:09,220 FOR THE LAKERS, BABY -- MONEY. 293 00:14:09,216 --> 00:14:11,376 LOOK, HEY, I GOT TO TAKE A PISS, MAN. 294 00:14:11,384 --> 00:14:13,224 ALL RIGHT. JUST GIVE ME A SECOND TO GET YOU UNTIED. 295 00:14:13,220 --> 00:14:16,320 NO, NO. HEY. THAT'S NOT THE PROBLEM, OFFICER. 296 00:14:18,625 --> 00:14:19,955 YEAH. 297 00:14:24,331 --> 00:14:26,101 AAH! OH! 298 00:14:26,099 --> 00:14:27,629 WHAT? DOES IT -- WHAT? DOES IT LOOK BAD? 299 00:14:27,634 --> 00:14:29,744 W-WHAT'D THE HELL DID SHE USE, KRAZY GLUE? 300 00:14:29,736 --> 00:14:31,166 YEAH. YEAH. 301 00:14:31,171 --> 00:14:32,871 ALL RIGHT. WE'RE GONNA NEED AN R.A. UNIT. 302 00:14:32,872 --> 00:14:34,472 OH, NO. COME ON. 303 00:14:34,474 --> 00:14:36,444 SHIT, I THOUGHT MY WIFE WAS PISSED. 304 00:14:36,443 --> 00:14:37,953 WHAT? 305 00:14:37,945 --> 00:14:39,375 A43, SEND AN R.A. UNIT TO OUR LOCATION. 306 00:14:39,379 --> 00:14:41,279 [ Dispatcher speaking indistinctly ] YEAH. 307 00:14:41,281 --> 00:14:42,881 WE GOT A STICKY SITUATION HERE. 308 00:14:42,882 --> 00:14:44,122 HEY. HEY, WHERE YOU GOING?! 309 00:14:44,117 --> 00:14:45,447 WHAT'S THE USE OF A TRAFFIC CAM 310 00:14:45,452 --> 00:14:47,252 IF ALL YOU GET IS A PARTIAL PLATE? 311 00:14:47,254 --> 00:14:49,764 AT LEAST WE GOT THE MAKE OF THE CAR RIGHT AFTER NOBODY GOT SHOT. 312 00:14:49,756 --> 00:14:51,256 THAT'LL NARROW IT DOWN. 313 00:14:51,258 --> 00:14:54,458 YOU KNOW HOW MANY CADILLAC ESCALADES THAT COULD BE? 314 00:14:54,461 --> 00:14:58,471 SO CHUY THINKS LETI STILL WORKS ON OLVERA STREET? 315 00:14:58,465 --> 00:15:00,995 YEAH. CHUY'S USUALLY GOT PRETTY GOOD INFO. 316 00:15:01,001 --> 00:15:03,871 WHAT'S SHE DOING DATING A GANGSTER, ESE? 317 00:15:03,870 --> 00:15:06,110 BETTER TO DATE A GANGSTER THAN A COP 318 00:15:06,106 --> 00:15:08,036 IN THIS NEIGHBORHOOD, HOMEY. 319 00:15:08,041 --> 00:15:09,741 Lydia: 30 YEARS OF MARRIAGE. 320 00:15:09,742 --> 00:15:12,612 THEY LOST $6 MILLION IN CONDOS THAT THEY INVESTED 321 00:15:12,612 --> 00:15:15,922 BEFORE THE MARKET CRASHED, AND HE FILED FOR BANKRUPTCY. 322 00:15:15,915 --> 00:15:17,945 HMM. 323 00:15:17,951 --> 00:15:19,451 AND OF COURSE, AT THAT EXACT TIME 324 00:15:19,452 --> 00:15:21,052 IS WHEN SHE FILED FOR DIVORCE. 325 00:15:21,054 --> 00:15:23,594 ROMANCE WITHOUT FINANCE IS A NUISANCE. 326 00:15:23,590 --> 00:15:25,660 [ CHUCKLES ] GUESS HE DIDN'T TAKE IT WELL. 327 00:15:25,658 --> 00:15:28,158 YOU KNOW, I READ SOMEWHERE THAT AS A BLACK WOMAN OVER 30, 328 00:15:28,161 --> 00:15:30,031 I HAVE A BETTER CHANCE OF GETTING SHOT 329 00:15:30,030 --> 00:15:31,200 THAN GETTING MARRIED. 330 00:15:31,198 --> 00:15:32,868 I GOT SHOT WHEN I WAS AT NEWTON. LOOK. 331 00:15:32,865 --> 00:15:34,395 AND I'VE BEEN DIVORCED TWICE. 332 00:15:34,401 --> 00:15:38,611 TRUST ME, NENA, BOTH EXPERIENCES ARE OVERRATED. 333 00:15:38,605 --> 00:15:41,135 OH, THE DAUGHTER -- SHE'S FLYING IN FROM ATLANTA, 334 00:15:41,141 --> 00:15:42,541 AND SHE WANTS TO SPEAK WITH US 335 00:15:42,542 --> 00:15:43,782 AFTER SHE IDENTIFIES HER PARENTS. 336 00:15:43,776 --> 00:15:45,176 SPEAK TO US ABOUT WHAT? 337 00:15:45,178 --> 00:15:47,408 OUR JOB IS TO GET THE CASE DOWN. IT'S DOWN. 338 00:15:47,414 --> 00:15:49,084 BUT YOU GOT TO FEEL FOR THE DAUGHTER. 339 00:15:49,082 --> 00:15:50,552 I MEAN, BOTH OF HER PARENTS ARE DEAD 340 00:15:50,550 --> 00:15:52,550 AND HER FATHER'S THE KILLER? 341 00:15:52,552 --> 00:15:53,522 NO. 342 00:15:53,520 --> 00:15:55,420 I SAVE MY PITY FOR THE FAMILIES 343 00:15:55,422 --> 00:15:57,092 WHOSE MURDERERS WE CAN'T CATCH. 344 00:15:57,090 --> 00:15:59,160 THERE'S A SALE AT NORDSTROM THIS WEEKEND. 345 00:15:59,159 --> 00:16:00,529 YOU WANT TO GO? 346 00:16:00,527 --> 00:16:02,157 YOU'RE INCREDIBLE. 347 00:16:02,162 --> 00:16:04,402 THE DEN MOTHER? 348 00:16:04,397 --> 00:16:05,327 [ LAUGHS ] 349 00:16:05,332 --> 00:16:07,072 YOU PREFER BUGS THE BADGE BUNNY? 350 00:16:07,067 --> 00:16:08,467 THAT'S WHAT THEY USED TO CALL HER. 351 00:16:08,468 --> 00:16:10,668 SHE TRIED TO GET ME TO DO A THREESOME WITH HER ONCE. 352 00:16:10,670 --> 00:16:14,610 SHE STILL HAVE THAT AUTOGRAPHED "DIRTY HARRY" POSTER 353 00:16:14,607 --> 00:16:15,977 BY THE FRONT DOOR? 354 00:16:19,879 --> 00:16:20,909 UH-OH. 355 00:16:20,913 --> 00:16:22,783 SHIT. 356 00:16:22,782 --> 00:16:25,152 [ POLICE RADIO CHATTER ] 357 00:16:31,491 --> 00:16:33,691 SIR. 358 00:16:33,693 --> 00:16:35,603 YOU ALL RIGHT? 359 00:16:35,595 --> 00:16:37,855 YOU OKAY? 360 00:16:37,864 --> 00:16:39,434 IT'S MY GIRL ROSA. 361 00:16:39,432 --> 00:16:40,832 I DON'T KNOW WHY SHE'S TRIPPING LIKE THIS. 362 00:16:40,833 --> 00:16:42,303 DID SHE CUT YOU? 363 00:16:42,302 --> 00:16:43,902 IT WAS AN ACCIDENT, HOMES. SHE DIDN'T MEAN IT. 364 00:16:43,903 --> 00:16:45,673 ALL RIGHT. WHERE IS SHE? 365 00:16:45,672 --> 00:16:47,812 THE BACK OF THE CARRUCHA OVER THERE. 366 00:16:47,807 --> 00:16:48,537 RIGHT HERE? 367 00:16:49,742 --> 00:16:52,412 ALL RIGHT. WE'LL CHECK IT OUT. STAY HERE. 368 00:17:02,589 --> 00:17:04,589 [ DOG BARKS ] 369 00:17:08,795 --> 00:17:11,155 [ SIREN WAILING ] 370 00:17:11,164 --> 00:17:13,234 YOU GOT TO BE KIDDING ME. 371 00:17:13,233 --> 00:17:14,733 HIS BLOOD'S REAL. 372 00:17:21,674 --> 00:17:25,114 SIR, HOW'D YOU GET THAT CUT ON YOUR ARM? 373 00:17:25,112 --> 00:17:27,182 YOU DIDN'T SEE HER? YEAH, YEAH, YEAH. 374 00:17:27,180 --> 00:17:28,720 WE SAW HER. WE SAW HER. COME HERE. 375 00:17:28,715 --> 00:17:30,075 SO, WHAT HAPPENED? 376 00:17:30,083 --> 00:17:32,323 I JUST TOLD HER TO CHANGE HER CLOTHES, 377 00:17:32,319 --> 00:17:33,889 GO PUT ON SOMETHING NICE, EH? UH-HUH. 378 00:17:33,886 --> 00:17:36,116 SHE ALWAYS WANTS TO GO OUT LOOKING LIKE THAT. YEAH. 379 00:17:36,123 --> 00:17:37,663 THE MOVIES, THE PARK. 380 00:17:37,657 --> 00:17:39,457 AND THEN I GOT TO GET INTO FIGHTS WITH DUDES, 381 00:17:39,459 --> 00:17:41,159 'CAUSE -- 'CAUSE THEY BE LOOKING AT HER, 382 00:17:41,161 --> 00:17:42,661 THEN THEY BE LOOKING AT ME, TALKING SHIT. 383 00:17:42,662 --> 00:17:43,662 OKAY. ALL RIGHT. 384 00:17:43,663 --> 00:17:45,533 SO SHE CUT YOU WHEN SHE GOT MAD. 385 00:17:45,532 --> 00:17:47,332 YEAH. BUT I DIDN'T WANT TO, DOG. 386 00:17:47,334 --> 00:17:49,304 SHE MADE IT DO IT -- SHE STARTS YELLING, 387 00:17:49,302 --> 00:17:51,402 SHE LOSES IT, AND I JUST WANTED HER TO CALM DOWN. 388 00:17:51,404 --> 00:17:55,484 A35 REQUESTING AN R.A. UNIT AT 1200 EAST PLEASANT AVENUE, 389 00:17:55,475 --> 00:17:58,875 WILL THEN BE EN ROUTE FOR MENTAL EVALUATION. 390 00:17:58,878 --> 00:18:00,348 YOU EVER BEEN IN LOVE? 391 00:18:00,347 --> 00:18:02,447 IT'S A BITCH, ESE. 392 00:18:05,017 --> 00:18:06,347 WHAT'S IT GONNA BE, SAMMY JR. 393 00:18:06,353 --> 00:18:08,193 OR ONE OF THOSE WHITE-BOY VALLEY NAMES 394 00:18:08,188 --> 00:18:10,788 LIKE KYLE OR PRESTON, DYLAN? 395 00:18:10,790 --> 00:18:12,560 WAYNE, AFTER MY DAD. 396 00:18:12,559 --> 00:18:16,459 RACHEL, MAYBE -- MAYBE -- IF IT'S A GIRL. GOOD. 397 00:18:16,463 --> 00:18:18,373 AT LEAST IT'S NOT GONNA BE BRITTANY OR AMBER, 398 00:18:18,365 --> 00:18:20,095 OR ONE OF THOSE PORN-STAR NAMES, RIGHT? 399 00:18:20,099 --> 00:18:22,469 YOU'VE GIVEN THIS WAY TOO MUCH THOUGHT, MAN. 400 00:18:24,604 --> 00:18:26,914 DAMN. WAS THAT KID BORN SAGGING? 401 00:18:26,906 --> 00:18:29,706 PROBABLY DIDN'T HAVE MUCH OF A CHOICE. 402 00:18:29,709 --> 00:18:33,579 NOW THAT I'M GONNA BE A DAD, THIS WHOLE THING IS HITTING ME. 403 00:18:33,580 --> 00:18:35,320 YOU KNOW, ALL THE GUYS WE ARRESTED. 404 00:18:35,315 --> 00:18:36,715 ALL THE BODIES WE STOOD OVER -- 405 00:18:36,716 --> 00:18:38,686 HOW MANY OF THEM DO YOU THINK HAD FATHERS -- 406 00:18:38,685 --> 00:18:40,915 I MEAN IN THE HOUSE, AROUND? 407 00:18:40,920 --> 00:18:42,260 NOT TOO MANY, MAN. 408 00:18:42,255 --> 00:18:44,615 THIS WHOLE GANG PROBLEM IS ABOUT PARENTING. 409 00:18:44,624 --> 00:18:47,694 YOU WALK INTO THE LIVING ROOM, IT'S ALWAYS THE SAME SONG. 410 00:18:47,694 --> 00:18:50,404 "WHY, WHY, WHY? WHY DID THE LORD TAKE MY BABY?" 411 00:18:50,397 --> 00:18:52,627 AND I'M THINKING, "WELL, MAYBE HE'S DEAD 412 00:18:52,632 --> 00:18:55,872 "BECAUSE YOU'RE A CRACKHEAD AND DON'T KNOW WHO THE FATHER IS, 413 00:18:55,868 --> 00:18:59,438 "OR MAYBE HAD YOU RAISED HIM INSTEAD OF THE HOMIES, 414 00:18:59,439 --> 00:19:01,009 I WOULDN'T BE STANDING HERE." 415 00:19:01,007 --> 00:19:04,537 FATHER'S DAY IS THE MOST CONFUSING DAY IN THE GHETTO. 416 00:19:05,678 --> 00:19:07,478 THERE SHE IS. 417 00:19:07,480 --> 00:19:10,520 THE FACE THAT LAUNCHED A THOUSAND BULLETS. 418 00:19:10,517 --> 00:19:13,147 I'D DODGE A FEW BULLETS FOR A SHOT AT THAT ASS. 419 00:19:13,152 --> 00:19:15,292 YEAH. 420 00:19:15,288 --> 00:19:17,288 MAYBE FROSTY WASN'T SO CRAZY AFTER ALL. 421 00:19:17,290 --> 00:19:20,530 ONCE YOU GO BROWN, YOU STICK AROUND. 422 00:19:20,527 --> 00:19:23,627 I'M GONNA PRETEND YOU DIDN'T JUST SAY THAT. 423 00:19:23,630 --> 00:19:25,600 WHAT? 424 00:19:25,598 --> 00:19:27,298 A-AND I WON'T TELL MARIELLA 425 00:19:27,300 --> 00:19:29,100 WHAT YOU SAID ABOUT HER ASS, EITHER. 426 00:19:29,101 --> 00:19:31,101 [ LAUGHS ] [ CELLPHONE RINGS ] 427 00:19:31,103 --> 00:19:32,573 ALL RIGHT. 428 00:19:34,807 --> 00:19:37,377 GEEZ. WHAT? 429 00:19:39,612 --> 00:19:42,952 [ SIRENS WAILING, HELICOPTER PASSING ] 430 00:19:42,949 --> 00:19:45,489 [ INDISTINCT CONVERSATIONS ] 431 00:19:52,158 --> 00:19:53,728 NO! 432 00:19:53,726 --> 00:19:55,356 [ SCREAMING ] 433 00:19:55,362 --> 00:19:57,302 OH, MY BABY! 434 00:19:57,297 --> 00:20:01,067 OH! 435 00:20:01,067 --> 00:20:04,897 WHY?! WHY?! WHY?! 436 00:20:06,539 --> 00:20:08,839 DAMN. 437 00:20:08,841 --> 00:20:10,081 [ SIGHS ] 438 00:20:10,076 --> 00:20:11,706 WHAT THE HELL ARE WE DOING HERE? 439 00:20:11,711 --> 00:20:14,611 YOU JINXED US WITH ALL THAT LONG-WEEKEND AND NORDSTROM TALK. 440 00:20:14,614 --> 00:20:17,084 WHO THE HELL CARES IF JOKER SHOT LIL SCOOBY? 441 00:20:17,083 --> 00:20:18,223 IT'S STILL MURDER. 442 00:20:18,217 --> 00:20:20,047 HEY, SAL. 443 00:20:20,052 --> 00:20:21,422 HEY, LYDIA. HOW ARE YOU? 444 00:20:21,421 --> 00:20:24,221 DETECTIVE OCHOA. HEY, SAL. 445 00:20:24,223 --> 00:20:26,433 HOW'S SUSAN? I DON'T KNOW. 446 00:20:26,426 --> 00:20:28,656 YOU PROBABLY TALK TO HER MORE THAN I DO THESE DAYS. 447 00:20:28,661 --> 00:20:31,131 OF COURSE, YOU KNEW THAT BEFORE YOU ASKED THE QUESTION, HUH? 448 00:20:31,130 --> 00:20:32,600 SO WHAT'S GOING ON? 449 00:20:32,599 --> 00:20:35,269 RIDAZ AND HUSTLAZ ARE AT IT AGAIN. 450 00:20:35,268 --> 00:20:37,898 METRO'S SENDING OUT BOY PLATOON FOR CRIME SUPPRESSION. 451 00:20:37,904 --> 00:20:39,614 IT'S THE THIRD BODY IN 10 HOURS. 452 00:20:39,606 --> 00:20:42,836 WE DON'T HAVE ENOUGH COPPERS TO COVER THE CASES. 453 00:20:42,842 --> 00:20:45,382 SO THIS IS OURS NOW? 454 00:20:45,378 --> 00:20:48,008 ALL GIFT-WRAPPED WITH A BOW. 455 00:20:48,014 --> 00:20:50,324 HEY, ONE MORE DEAD BODY, AND WE'RE GONNA END UP 456 00:20:50,317 --> 00:20:51,917 ON THE FRONT PAGE OF THE TIMES. 457 00:20:51,918 --> 00:20:54,748 AND ALL THE 11:00 NEWS SHOWS ARE GONNA MAKE US LOOK LIKE IDIOTS. 458 00:20:54,754 --> 00:20:57,364 NATE, SAM, YOU FINISH UP THE CANVASS 459 00:20:57,357 --> 00:21:01,357 AND THEN, UH, TAKE THESE GUYS BACK TO ALVARADO, DEBRIEF THEM. 460 00:21:01,361 --> 00:21:03,101 HOOK UP WITH METRO. 461 00:21:03,095 --> 00:21:05,625 SNATCH UP SOME GANGSTERS WHILE THEY'RE WORKING THE HOMICIDE. 462 00:21:05,632 --> 00:21:07,132 YOU GOT THAT? GOT IT. 463 00:21:07,133 --> 00:21:10,003 AND HEY, NO MORE DEAD BODIES THIS WEEKEND, OKAY? 464 00:21:10,002 --> 00:21:11,442 GOOD TO SEE YOU. 465 00:21:11,438 --> 00:21:14,138 SEE YOU LATER, SAL. 466 00:21:14,140 --> 00:21:18,010 IN MY NEWTON GANG-UNIT DAYS, WE NEVER NEEDED ANY HELP. 467 00:21:18,010 --> 00:21:20,350 WE WORKED TRIPLES BY OURSELVES -- ONE DETECTIVE. 468 00:21:20,347 --> 00:21:21,877 HIGHEST CLEARANCE RATE IN THE CITY. 469 00:21:21,881 --> 00:21:25,691 I HEARD THEY WERE WEEPING IN THE HALLS WHEN YOU LEFT. 470 00:21:25,685 --> 00:21:27,485 WHY DON'T YOU GO BACK? 471 00:21:33,225 --> 00:21:34,885 SEE YOU GUYS. 472 00:21:36,796 --> 00:21:39,266 I MEAN, IT'S COMMON KNOWLEDGE. I'M NOT ASHAMED OF IT. 473 00:21:39,265 --> 00:21:40,725 I'M A FREAK. PEOPLE KNOW THAT. 474 00:21:40,733 --> 00:21:42,503 KNOW WHAT I MEAN? ALL Y'ALL KNOW. 475 00:21:42,502 --> 00:21:44,772 I LIKE THAT SWINGING-FROM- THE-CHANDELIER STUFF. 476 00:21:44,771 --> 00:21:47,211 HELL, I DON'T EVEN CARE IF MONKEYS IS WATCHING. 477 00:21:47,206 --> 00:21:48,936 YOU KNOW? Chickie: [ LAUGHS ] 478 00:21:48,941 --> 00:21:51,541 AND SO WHEN SALLY BREAKS OUT THE POLAROID CAMERA, 479 00:21:51,544 --> 00:21:54,054 WELL, SHOOT, I GET CONFUSED, 480 00:21:54,046 --> 00:21:56,616 SINCE, YOU KNOW, NORMALLY I'M THE TECHNOLOGICAL ONE 481 00:21:56,616 --> 00:21:58,246 WHEN IT COMES TO STUFF LIKE THAT. 482 00:21:58,250 --> 00:22:01,720 I'M A GYNECOLOGIST IN MY SPARE TIME, RIGHT? MM-HMM. 483 00:22:01,721 --> 00:22:03,591 SO I BREAK OUT MY BRAND-NEW iPHONE, 484 00:22:03,590 --> 00:22:05,530 THINKING I'M GONNA GET A CHANCE TO USE 485 00:22:05,525 --> 00:22:07,255 SOME OF THAT H.D.-VIDEO ACTION. 486 00:22:07,259 --> 00:22:08,499 TAKE A LITTLE TRIP TO BRAZIL 487 00:22:08,495 --> 00:22:10,025 WITHOUT EVER GOING TO THE AIRPORT? 488 00:22:10,029 --> 00:22:11,459 OH, NOT EVEN, BROTHER. 489 00:22:11,464 --> 00:22:13,374 SHE WAS ALREADY DRESSED FOR WINTER. 490 00:22:13,366 --> 00:22:14,696 YEAH, SHE GOT THAT FUR COAT. 491 00:22:14,701 --> 00:22:15,771 [ LAUGHTER ] COME ON. 492 00:22:15,768 --> 00:22:16,998 YEAH. THAT'S THE DEAL. 493 00:22:17,003 --> 00:22:18,843 BOOT KNOWS WHAT I'M TALKING ABOUT. 494 00:22:18,838 --> 00:22:20,268 MM-HMM. UH-HUH, UH-HUH. 495 00:22:20,272 --> 00:22:22,812 WELL, ANYWAY, SHE STOPS ME -- FIRST TIME EVER. 496 00:22:22,809 --> 00:22:24,909 I MEAN, SHE REALLY WANTS THIS POLAROID. 497 00:22:24,911 --> 00:22:26,481 SO SHE STANDS ME UP AGAINST THE WALL, 498 00:22:26,479 --> 00:22:28,079 PULLS OUT HER CAMERA, AND TAKES A PICTURE 499 00:22:28,080 --> 00:22:30,620 LIKE WHEN WE SNATCH UP ONE OF THESE LITTLE BABY GANGSTERS 500 00:22:30,617 --> 00:22:32,387 TRYING TO MAKE A, UM -- F.I. CARD. 501 00:22:32,385 --> 00:22:34,845 EXACTLY, AND THEN SHE SIGNS MY NAME 502 00:22:34,854 --> 00:22:37,124 AND TOSSES THE POLAROID IN A SHOE BOX. 503 00:22:37,123 --> 00:22:39,233 John: SHE'S PROBABLY GOT HALF THE DIVISION IN THERE. 504 00:22:39,225 --> 00:22:40,555 THIS IS WHAT I'M SAYING. 505 00:22:40,560 --> 00:22:42,960 SO, DID SHE TAKE A PICTURE OF YOU YET, BOOT? 506 00:22:42,962 --> 00:22:44,532 NO. 507 00:22:44,531 --> 00:22:47,401 Dewey: ANYBODY GOT A BUCK? I'M TRYING TO GET ANOTHER COFFEE. 508 00:22:47,400 --> 00:22:49,100 JOHN, GIVE ME A DOLLAR. 509 00:22:50,770 --> 00:22:54,370 YOU'D THINK I ASKED YOU FOR YOUR FIRSTBORN OR SOMETHING. 510 00:22:56,476 --> 00:22:58,446 I DEALT WITH IT FOR FIVE YEARS. 511 00:22:58,445 --> 00:23:00,475 YOU CAN'T TAKE IT FOR FOUR HOURS? 512 00:23:00,480 --> 00:23:01,610 YOU KNOW WHAT? 513 00:23:01,614 --> 00:23:03,554 WHEN HE WAS DRUNK, IT WAS FUNNY. 514 00:23:03,550 --> 00:23:05,890 IF I GOT TO HEAR ONE MORE THING ABOUT A.A., 515 00:23:05,885 --> 00:23:08,815 I'M GONNA BRING BACK THE DARYL GATES CHOKE HOLD MYSELF. 516 00:23:08,821 --> 00:23:10,961 HEY, DID YOU GUYS HEAR ABOUT THAT SHOOTING 517 00:23:10,957 --> 00:23:13,427 DOWN AT EAST GAGE STREET BETWEEN THE RIDAZ AND THE HUSTLAZ? 518 00:23:13,426 --> 00:23:14,756 STUPID IDIOTS. 519 00:23:14,761 --> 00:23:17,061 IF THEY HAD A HALF A BRAIN BETWEEN THEM, 520 00:23:17,063 --> 00:23:19,933 THEY'D BELIEVE IN A HIGHER POWER AND SANITY COULD BE RESTORED. 521 00:23:19,932 --> 00:23:21,532 STEP NUMBER TWO, MY FRIENDS. 522 00:23:21,534 --> 00:23:22,844 ALL RIGHT. LET'S GO. 523 00:23:22,835 --> 00:23:24,995 YOU GET THAT FOR ME, PLEASE? YES. 524 00:23:25,004 --> 00:23:28,484 HEY, BOOT, SALLY EVER ASK YOU TO WEAR YOUR HAT? 525 00:23:28,475 --> 00:23:30,075 HUH? 526 00:23:30,076 --> 00:23:32,746 I USED TO KEEP MY SPARE SET OF BLUES IN HER CLOSET, MAN. 527 00:23:32,745 --> 00:23:35,945 SHE'S A FREAK! [ LAUGHS ] 528 00:23:37,484 --> 00:23:39,394 * HEY, I KNOW I WANT YOU, WANT YOU * 529 00:23:39,385 --> 00:23:41,115 * I KNOW YOU WANT ME, WANT ME * 530 00:23:41,120 --> 00:23:43,120 * YOU KNOW I WANT YOU, WANT YOU * 531 00:23:43,122 --> 00:23:44,992 * I KNOW YOU WANT ME 532 00:23:44,991 --> 00:23:47,191 * YOU KNOW I WANT YOU, WANT YOU * 533 00:23:47,193 --> 00:23:49,533 * 1, 2, 3, 4 534 00:23:49,529 --> 00:23:51,759 * UNO, DOS, TRES, CUATRO 535 00:23:51,764 --> 00:23:55,104 [ INDISTINCT CONVERSATIONS ] 536 00:23:55,101 --> 00:23:57,271 * SI ES VERDAD 537 00:23:57,269 --> 00:24:00,369 * QUE TU ERES GUAPA 538 00:24:00,372 --> 00:24:02,512 * YO TE VOY A PONER GOZAR 539 00:24:02,509 --> 00:24:04,509 * TU TIENE LA BOCA GRANDE 540 00:24:04,511 --> 00:24:06,281 * DALE PONTE A JUGAR, COMO? 541 00:24:06,278 --> 00:24:09,148 * 1, 2, 3, 4 542 00:24:09,148 --> 00:24:10,648 * UNO, DOS, TRES, CUATRO 543 00:24:10,650 --> 00:24:13,550 [ GUNFIRE, SCREAMING ] 544 00:24:15,254 --> 00:24:16,824 [ DOG BARKING ] 545 00:24:20,092 --> 00:24:22,432 FIRST BODY WE CAUGHT WAS FROSTY, OF THE WESTSIDE RIDAZ. 546 00:24:22,428 --> 00:24:25,358 ORIGINALLY WE THOUGHT IT WAS TYPICAL BEEF OVER DRUG TERRITORY. 547 00:24:25,364 --> 00:24:26,834 TURNS OUT IT WAS OVER A GIRL. 548 00:24:26,833 --> 00:24:28,333 FROSTY WAS BANGING LETI VARGAS, 549 00:24:28,334 --> 00:24:31,374 FIRST COUSIN OF JUAN VARGAS, STREET NAME NOBODY, 550 00:24:31,370 --> 00:24:32,870 OF THE LATIN HUSTLAZ. 551 00:24:32,872 --> 00:24:35,912 Josie: SO NOBODY SHOT FROSTY, BUT WHO SHOT NOBODY? 552 00:24:35,908 --> 00:24:37,878 CAMS PICKED UP A SILVER ESCALADE 553 00:24:37,877 --> 00:24:39,677 LEAVING THE SCENE OF THE DRIVE-BY. 554 00:24:39,679 --> 00:24:40,949 DAVID MARCUS HAS THE CAR, 555 00:24:40,947 --> 00:24:42,877 AND THE PROFILE FITS THE DESCRIPTION. 556 00:24:42,882 --> 00:24:45,422 MIGHT HAVE THE CAR BUT DOESN'T FIT THE PROFILE. 557 00:24:45,417 --> 00:24:47,017 JUST GOT BACK FROM S.I.D. 558 00:24:47,019 --> 00:24:49,389 NO GSR MARKS ON HIS HAND, NO GUN. 559 00:24:49,388 --> 00:24:52,388 THIS KID DAVID MARCUS IS LITERALLY A CHOIR BOY. 560 00:24:52,391 --> 00:24:54,461 HE PLAYS THE DRUMS AT SECOND A.M.E. 561 00:24:54,460 --> 00:24:56,130 AND THIS TRUCK -- PAID FOR. 562 00:24:56,128 --> 00:24:57,458 PERFECT CREDIT, 563 00:24:57,463 --> 00:24:59,603 MANAGER OF A VIDEO-GAME STORE IN THE FOX HILLS MALL. 564 00:24:59,599 --> 00:25:01,029 NO TATS. 565 00:25:01,033 --> 00:25:02,973 HE DOESN'T EVEN HAVE ANY PARKING TICKETS. 566 00:25:02,969 --> 00:25:05,139 DIAMOND EARRINGS, BAGGY JEANS, 567 00:25:05,137 --> 00:25:08,677 DROVE A TRICKED-OUT S.U.V. BLASTING GLASSES MALONE. 568 00:25:08,675 --> 00:25:11,035 SO? THIS GUY COULD BE AN INNOCENT CIVILIAN. 569 00:25:11,043 --> 00:25:13,553 OR HE'S JUST ANOTHER ASSHOLE WE HAVEN'T CAUGHT YET. 570 00:25:13,546 --> 00:25:15,546 EITHER WAY, LOOK THE PART, PAY THE PRICE. 571 00:25:15,548 --> 00:25:17,578 OH, COME ON, MAN. 572 00:25:17,584 --> 00:25:19,554 IF -- IF DUDE WAS DRIVING A PRIUS, 573 00:25:19,552 --> 00:25:22,122 BUMPING JOHN MAYER, HE'D BE ALIVE RIGHT NOW. 574 00:25:22,121 --> 00:25:23,521 YOU KNOW IT. 575 00:25:23,522 --> 00:25:25,662 YOU SEE? 576 00:25:25,658 --> 00:25:27,758 THAT'S TONY IN FRONT OF HIS ESCALADE, 577 00:25:27,760 --> 00:25:29,660 RODRIGO, NEXT TO EDDIE, MY BABY. 578 00:25:29,662 --> 00:25:33,332 THEY ALL HAVE SHAVED HEADS, EARRINGS, BAGGY JEANS. 579 00:25:33,332 --> 00:25:34,772 THEY LOVE HIP-HOP. 580 00:25:34,767 --> 00:25:37,067 TONY'S A CAPTAIN IN AFGHANISTAN, 581 00:25:37,069 --> 00:25:39,539 RODRIGO JUST BECAME A P2 IN SOUTHEAST, 582 00:25:39,538 --> 00:25:40,838 AT EDDIE'S AT BERKELEY, 583 00:25:40,840 --> 00:25:43,140 AND YOU'RE GONNA TELL ME THAT MY BOYS 584 00:25:43,142 --> 00:25:44,342 DESERVE TO GET SHOT UP 585 00:25:44,343 --> 00:25:47,053 JUST BECAUSE THEY WEAR BAGGY JEANS AND LOVE HIP-HOP? 586 00:25:47,046 --> 00:25:48,746 I BET YOU IF THEY WERE WHITE 587 00:25:48,748 --> 00:25:50,548 AND THEY LIVED NEXT DOOR TO YOU IN SANTA CLARITA -- 588 00:25:50,549 --> 00:25:52,119 CASTAIC -- I LIVE IN CASTAIC. 589 00:25:52,118 --> 00:25:53,918 AND DON'T THROW THAT TIRED "WHITE BOY 590 00:25:53,920 --> 00:25:55,790 DOESN'T UNDERSTAND THE NEIGHBORHOOD" BULLSHIT AT ME. 591 00:25:55,788 --> 00:25:57,688 DON'T DO IT. WHERE DO YOU LIVE? 592 00:25:59,358 --> 00:26:00,688 LA CAГ‘ADA FLINTRIDGE. 593 00:26:00,693 --> 00:26:03,833 OH, TIMES IS HARD. 594 00:26:03,830 --> 00:26:05,770 SO MUCH CRIME OUT IN THE FLINT. 595 00:26:05,765 --> 00:26:07,665 BODIES JUST STACKING UP. 596 00:26:07,667 --> 00:26:10,597 [ CELLPHONES RINGING ] 597 00:26:13,172 --> 00:26:16,212 [ SIRENS WAILING, HELICOPTER PASSING ] 598 00:26:21,948 --> 00:26:24,318 [ WOMAN SPEAKING SPANISH ] 599 00:26:52,478 --> 00:26:53,848 A JOYOUS CELEBRATION -- 600 00:26:53,846 --> 00:26:56,146 A YOUNG GIRL'S FIRST STEP INTO WOMANHOOD, 601 00:26:56,148 --> 00:26:57,018 A QUINCEAГ‘ERA. 602 00:26:57,016 --> 00:26:58,846 INSTEAD, IT'S A CRIME SCENE, 603 00:26:58,851 --> 00:27:00,651 WITH THE GUNMAN STILL AT LARGE 604 00:27:00,653 --> 00:27:02,893 AND TWO INNOCENT VICTIMS LEFT IN HIS WAKE. 605 00:27:02,889 --> 00:27:05,489 A YOUNG MOTHER AND HER 4-YEAR-OLD SON LIE DEAD, 606 00:27:05,491 --> 00:27:06,891 THE FOURTH AND FIFTH VICTIMS 607 00:27:06,893 --> 00:27:09,463 OF AN MLK WEEKEND FULL OF VIOLENCE, 608 00:27:09,461 --> 00:27:10,961 IN SHARP CONTRAST 609 00:27:10,963 --> 00:27:13,873 WITH MARTIN LUTHER KING'S MESSAGE OF NONVIOLENCE. 610 00:27:13,866 --> 00:27:16,536 [ HELICOPTER PASSING, HORN BLARING ] 611 00:27:16,535 --> 00:27:18,265 DETECTIVE SALINGER. 612 00:27:18,270 --> 00:27:20,770 IS THIS SHOOTING RELATED TO THE OTHER ONES? 613 00:27:20,773 --> 00:27:21,913 NO COMMENT. 614 00:27:21,908 --> 00:27:23,808 IS IT RACIALLY MOTIVATED? 615 00:27:25,945 --> 00:27:27,645 HEY, WHAT DO WE GOT? 616 00:27:27,646 --> 00:27:29,816 LYDIA AND I ARE CHECKING TRAFFIC CAMS 617 00:27:29,816 --> 00:27:32,116 TO SEE IF WE GET LUCKY AND CATCH A PLATE. 618 00:27:32,118 --> 00:27:34,788 WE'RE LOOKING FOR A DARK BLUE CHEVY SUBURBAN. 619 00:27:34,787 --> 00:27:36,487 ALL RIGHT. HANG IN THERE. 620 00:27:36,488 --> 00:27:40,128 THE FATHER OF THE BABY IS A LATIN HUSTLA. 621 00:27:40,126 --> 00:27:42,086 DID HE GET A GOOD LOOK AT THE SHOOTER? 622 00:27:42,094 --> 00:27:43,034 NOPE. 623 00:27:43,029 --> 00:27:45,999 DARK, CHEVY SUBURBAN, MAYBE. 624 00:27:45,998 --> 00:27:47,568 SHOOTER WAS BLACK. 625 00:27:47,566 --> 00:27:50,266 THE GUN? Sammy: AK-47, BASED ON THE SHELL CASINGS. 626 00:27:50,269 --> 00:27:52,869 S.I.D. IS RUNNING THE BALLISTICS NOW. 627 00:27:52,872 --> 00:27:55,172 GEEZ. AN AK? 628 00:27:55,174 --> 00:27:57,814 WASN'T EVEN A BULLET FRAGMENT THAT KILLED THE KID. 629 00:27:57,810 --> 00:27:59,480 IT WAS SHRAPNEL FROM THE CAR DOOR. 630 00:27:59,478 --> 00:28:01,648 Nate: THERE'S A LOT OF GUYS COMING UP FROM MEXICO. 631 00:28:01,647 --> 00:28:03,147 AK IS EASY MONEY ON THE STREET. 632 00:28:03,149 --> 00:28:06,019 HARDWARE THAT HEAVY, IT'S GOT TO BE A NEIGHBORHOOD GUN. 633 00:28:06,018 --> 00:28:09,188 THEY PASS IT AROUND THE GANG FROM CRIME TO CRIME. 634 00:28:09,188 --> 00:28:10,688 WELL, GOOD. 635 00:28:10,689 --> 00:28:13,159 IF IT'S BEEN USED BEFORE, MAYBE WE'LL CATCH A BREAK. 636 00:28:13,159 --> 00:28:15,959 LISTEN, FIND ME A GOOD WIT, ALL RIGHT? 637 00:28:18,164 --> 00:28:21,634 THERE'S NO WAY WE FIND A CASING THIS FAR FROM THE HOUSE. 638 00:28:21,633 --> 00:28:24,243 WELL, YOU NEVER KNOW. 639 00:28:24,236 --> 00:28:25,766 [ CHUCKLES ] 640 00:28:25,772 --> 00:28:27,612 HEY, THIS ONE TIME, WHEN I WAS A BOOT, 641 00:28:27,606 --> 00:28:30,936 THIS DRUNK LOST HIS GLASS EYE IN THE MIDDLE OF THE STREET. 642 00:28:30,943 --> 00:28:33,213 MY PARTNER AND I HAD TO LOOK FOR IT. 643 00:28:33,212 --> 00:28:35,712 JUST ABOUT THE TIME I'M GONNA GIVE UP 644 00:28:35,714 --> 00:28:38,154 AND GO ASK MY T.O. IF I COULD PUNCH OUT, 645 00:28:38,150 --> 00:28:40,620 KKKT! -- I STEPPED RIGHT ON THAT BITCH. 646 00:28:40,619 --> 00:28:43,059 [ LAUGHS ] OH. 647 00:28:43,055 --> 00:28:44,485 WHAT WAS THE KID'S NAME? 648 00:28:44,490 --> 00:28:47,430 THE HELL WOULD YOU WANT THAT IN YOUR HEAD FOR? 649 00:28:47,426 --> 00:28:50,856 BELIEVE ME, GOD DID US A FAVOR. 650 00:28:50,863 --> 00:28:52,133 THIS NEIGHBORHOOD, TWO GANGSTER PARENTS -- 651 00:28:52,131 --> 00:28:54,631 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 652 00:28:54,633 --> 00:28:56,173 ARRESTING THAT LITTLE VATO'S ASS, 653 00:28:56,168 --> 00:28:59,068 DAMN SURE BE ZIPPING HIM UP IN A BIGGER BODY BAG. 654 00:28:59,071 --> 00:29:00,911 THE UNIVERSE SAVED US A TRIP. 655 00:29:00,907 --> 00:29:04,107 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 656 00:29:04,110 --> 00:29:06,580 "KEEP IT REAL, BABY GIRL"? 657 00:29:06,578 --> 00:29:08,778 MAN, THAT'S SOMEBODY'S KID. 658 00:29:08,781 --> 00:29:10,751 YEAH. TWO [BLEEP] GANGSTERS. 659 00:29:10,749 --> 00:29:13,549 YOU SEE ANY BONA FIDE HUMANS AROUND HERE? 660 00:29:13,552 --> 00:29:15,492 [ INDISTINCT SHOUTING ] 661 00:29:15,487 --> 00:29:17,917 [BLEEP] GET BACK IN YOUR TUNA BOAT, BITCH! 662 00:29:17,924 --> 00:29:20,234 BITCH? I'LL SHOW YOU A BITCH! Sal: HEY, HEY! 663 00:29:20,226 --> 00:29:22,756 KNOCK IT OFF! KNOCK IT OFF! MEET ME IN A PARKING LOT OFF SHIFT! 664 00:29:22,761 --> 00:29:24,761 GOD DAMN IT, THERE'S CAMERAS EVERYWHERE! BITCH. 665 00:29:24,763 --> 00:29:26,173 SHUT HIM UP. LOOK AT ME. LOOK AT ME. 666 00:29:26,165 --> 00:29:27,895 EVERYBODY GET THE HELL OUT OF HERE NOW. 667 00:29:27,900 --> 00:29:29,200 GET HIM OUT OF HERE. John: ALL RIGHT. 668 00:29:29,201 --> 00:29:30,771 LET GET OF ME, MAN. JUST LET GO OF ME. 669 00:29:30,769 --> 00:29:32,599 LET GO. GET OUT OF HERE, ALL OF YOU. 670 00:29:32,604 --> 00:29:34,244 LYDIA. 671 00:29:40,947 --> 00:29:43,847 [ INDISTINCT CONVERSATIONS ] 672 00:29:47,887 --> 00:29:50,057 "I'LL SHOW YOU A BITCH, BITCH." 673 00:29:51,657 --> 00:29:53,927 TUNA BOAT, MY ASS. 674 00:29:53,926 --> 00:29:56,426 [ LAUGHS ] [ SCOFFS ] 675 00:29:58,998 --> 00:30:00,828 Dewey: ARE YOU KIDDING ME, MAN? 676 00:30:00,833 --> 00:30:02,433 ARE YOU FREAKIN' KIDDING ME?! 677 00:30:02,434 --> 00:30:03,974 THOSE STUPID BITCHES. 678 00:30:03,970 --> 00:30:05,770 JOHN, I'VE NEVER HIT A WOMAN IN MY LIFE. 679 00:30:05,771 --> 00:30:07,041 I'M NOT A WOMAN-BEATER, MAN. 680 00:30:07,039 --> 00:30:09,279 BUT TONIGHT I WAS THIS CLOSE 681 00:30:09,275 --> 00:30:11,405 TO BEATING BOTH THOSE BITCHES DOWN, MAN. 682 00:30:11,410 --> 00:30:13,880 ARMED OR UNARMED. I DON'T GIVE A SHIT! 683 00:30:13,880 --> 00:30:15,510 THE ONLY PIECE OF METAL 684 00:30:15,514 --> 00:30:18,354 THOSE BITCHES SHOULD BE ALLOWED TO CARRY IS A FRYING PAN! 685 00:30:18,350 --> 00:30:21,320 JESUS CHRIST! 686 00:30:21,320 --> 00:30:23,390 OH [BLEEP] JOHN, YOU KNOW WHAT? 687 00:30:23,389 --> 00:30:25,419 ALL I DID WAS TELL THE TRUTH, BRO. 688 00:30:25,424 --> 00:30:27,594 THAT IS IT, MAN. I TOLD THE TRUTH. 689 00:30:27,593 --> 00:30:28,933 YOU KNOW AS WELL AS I DO 690 00:30:28,928 --> 00:30:31,328 WE SHOULD BUS EVERY ONE OF THOSE DIRTY GANGSTERS 691 00:30:31,330 --> 00:30:34,300 DOWN TO THE COLISEUM, THROW IN SOME GUNS AND AMMO, 692 00:30:34,300 --> 00:30:36,340 LOCK THE DOOR, AND LET GOD SORT IT OUT. 693 00:30:36,335 --> 00:30:37,935 LET'S GET SOME MORE COFFEE. 694 00:30:37,937 --> 00:30:40,067 YES, LET'S GET SOME COFFEE. 695 00:30:40,072 --> 00:30:42,212 STUPID BITCHES. 696 00:30:42,208 --> 00:30:45,008 GET IN YOUR TUNA BOAT AND GET OUT OF MY FACE. 697 00:30:45,011 --> 00:30:46,881 OH, GREAT. 698 00:30:49,115 --> 00:30:50,875 YOU WANT YOUR COFFEE BLACK, RIGHT? 699 00:30:50,883 --> 00:30:51,853 YEP. 700 00:30:51,850 --> 00:30:54,120 NOT A WORD, BOOT. 701 00:30:54,120 --> 00:30:57,460 [ SIGHS ] LET'S ROLL. 702 00:30:57,456 --> 00:30:58,816 WHAT? 703 00:30:58,824 --> 00:31:00,234 COME ON. 704 00:31:05,131 --> 00:31:07,301 [ ENGINE TURNS OVER ] 705 00:31:10,069 --> 00:31:12,199 [ TIRES SCREECH, ENGINE REVS ] 706 00:31:14,106 --> 00:31:16,176 SON OF A BITCH! 707 00:31:21,613 --> 00:31:23,523 WE GOT AT LEAST FIVE DIFFERENT CASES 708 00:31:23,515 --> 00:31:25,985 WHERE AN AK WAS USED IN THE LAST THREE MONTHS. 709 00:31:25,985 --> 00:31:27,585 ALL NEAR RIDAZ TERRITORY. 710 00:31:27,586 --> 00:31:29,416 WOULDN'T THEY JUST TOSS THE GUN? 711 00:31:29,421 --> 00:31:31,221 TOSS AN AK? NO WAY, MAN. 712 00:31:31,223 --> 00:31:32,763 IT'S TOO HARD TO REPLACE. IT'S GOLDEN. 713 00:31:32,758 --> 00:31:35,628 ALEJANDRO JOAQUIN CUERVO. 714 00:31:36,862 --> 00:31:39,032 4 YEARS OLD. 715 00:31:39,966 --> 00:31:42,796 REMEMBER THE NAME. 716 00:31:42,801 --> 00:31:45,301 REMEMBER THE FACE. 717 00:31:45,304 --> 00:31:47,644 HE'S A REMINDER AS TO WHY WE DRAG OUR SORRY ASSES 718 00:31:47,639 --> 00:31:49,279 OUT OF BED EVERY MORNING 719 00:31:49,275 --> 00:31:51,705 IN THE SERVICE OF A CITY WHO JUST DOESN'T GIVE A DAMN. 720 00:31:51,710 --> 00:31:54,750 FIGHTING GANG CRIME IS LIKE PUNCHING WATER. 721 00:31:54,746 --> 00:31:57,376 NO MATTER HOW HARD YOU HIT, YOU JUST CAN'T SEEM TO LEAVE A DENT. 722 00:31:57,383 --> 00:31:59,893 BUT WHEN A BABY IS MURDERED, IT MAKES YOU REMEMBER 723 00:31:59,885 --> 00:32:02,915 WHAT IT FELT LIKE THE FIRST TIME YOU PUT YOUR BLUES ON 724 00:32:02,921 --> 00:32:04,321 AND STOOD IN FRONT OF A MIRROR. 725 00:32:04,323 --> 00:32:07,793 IT MAKES YOU REMEMBER WHY YOU BECAME A COP. 726 00:32:07,793 --> 00:32:09,963 THE MISSION'S CLEAR. 727 00:32:09,962 --> 00:32:13,232 PUNISH EVIL EVERYWHERE. 728 00:32:13,232 --> 00:32:15,772 THERE ARE HARDWORKING, DECENT FOLKS 729 00:32:15,767 --> 00:32:17,537 THAT LIVE IN THESE COMMUNITIES. 730 00:32:17,536 --> 00:32:19,706 CERTAIN LINES JUST CANNOT BE CROSSED. 731 00:32:19,705 --> 00:32:22,365 THERE'S ONLY ONE WAY TO SEND THAT MESSAGE SOMETIMES. 732 00:32:24,043 --> 00:32:27,083 SO WE'RE GONNA SEND OUR BOOTS SO FAR UP THESE GANGSTERS' ASSES, 733 00:32:27,079 --> 00:32:30,349 THEY WON'T EVEN DREAM ABOUT PULLING THIS BULLSHIT AGAIN. 734 00:32:30,349 --> 00:32:32,779 GOD DAMN IT, I WANT THE GUN. 735 00:32:32,784 --> 00:32:34,324 I WANT THE KILLER. 736 00:32:34,320 --> 00:32:37,460 I WANT THEM BOTH -- PRONTO. 737 00:32:38,724 --> 00:32:41,764 YOU KNOW WHAT WE'RE LOOKING FOR, RIGHT? 738 00:32:41,760 --> 00:32:43,430 YOU GUYS DON'T KNOW? 739 00:32:43,429 --> 00:32:48,529 WE'RE LOOKING FOR AN AK-47. YOU GUYS KNOW WHERE THAT IS? 740 00:32:48,534 --> 00:32:50,944 NOBODY KNOWS? 741 00:32:50,936 --> 00:32:52,036 WHAT ABOUT YOU? 742 00:32:52,038 --> 00:32:54,638 [ UP-TEMPO HIP-HOP PLAYING ] 743 00:32:54,640 --> 00:32:56,010 GET YOUR HANDS UP! 744 00:32:56,008 --> 00:32:57,778 [ INDISTINCT SHOUTING ] HANDS UP! 745 00:32:57,776 --> 00:32:59,306 HANDS UP RIGHT NOW! 746 00:32:59,311 --> 00:33:01,451 [BLEEP] HEY, MAN. Y'ALL GOT A WARRANT, MAN? 747 00:33:01,447 --> 00:33:03,017 WHAT THE HELL'S GOING ON, MAN? 748 00:33:03,015 --> 00:33:04,615 HEY, MAN, THAT'S MEDICINAL RIGHT THERE, MAN! 749 00:33:04,616 --> 00:33:07,016 I WANT NAMES, LOCATION, GUN, 750 00:33:07,019 --> 00:33:09,419 RIGHT NOW, OR I TAKE YOU IN. 751 00:33:09,421 --> 00:33:11,321 THREE STRIKES, YOU'RE OUT. 752 00:33:11,323 --> 00:33:14,993 SEE, BABY? THAT'S WHY YOU NEVER TRUST THE POLICE, MAN! 753 00:33:14,993 --> 00:33:17,303 [ DOG BARKING ] 754 00:33:17,296 --> 00:33:19,426 [ CAR ALARM BLARING ] 755 00:33:21,167 --> 00:33:22,897 WHERE'S THE AK? 756 00:33:22,901 --> 00:33:24,041 HUH? 757 00:33:24,036 --> 00:33:25,336 WHERE'S THE GUN?! 758 00:33:26,538 --> 00:33:29,208 GIVE ME THE OTHER HAND. GIVE ME THE OTHER HAND. 759 00:33:29,208 --> 00:33:31,508 TELL US WHERE THE SHIT IS. 760 00:33:31,510 --> 00:33:32,640 COME ON, BOYS. 761 00:33:32,644 --> 00:33:35,684 YOU WANT TO GO HOME, YOU WANT TO GO TO JAIL? 762 00:33:35,681 --> 00:33:38,351 WE WON'T PUT YOUR NAME ANYWHERE NEAR THIS. 763 00:33:38,350 --> 00:33:40,550 JUST TELL US WHERE THE GUN'S AT. 764 00:33:49,728 --> 00:33:51,158 TAKE HIM. 765 00:33:52,998 --> 00:33:54,368 GO! 766 00:33:54,366 --> 00:33:56,096 BACK DOOR! KITCHEN, KITCHEN, KITCHEN, KITCHEN! 767 00:33:56,102 --> 00:33:57,272 HE'S RUNNING! 768 00:34:06,945 --> 00:34:08,575 PIGS CAN'T CATCH ME. 769 00:34:12,384 --> 00:34:14,754 [ GRUNTS ] [BLEEP] HEY THERE, DIRTY. 770 00:34:14,753 --> 00:34:17,663 CAN I GET YOU A CHAIR? 771 00:34:19,291 --> 00:34:20,531 Vern: MORETTA! 772 00:34:20,526 --> 00:34:22,156 PULL UP, MAN. 773 00:34:22,161 --> 00:34:25,231 WE GOT IT. IT WAS UNDER THE COUCH. 774 00:34:26,665 --> 00:34:29,065 AK-47 WITH YOUR SHEET -- 775 00:34:29,067 --> 00:34:30,737 MAN, YOU AIN'T EVER COMING OUT. 776 00:34:30,736 --> 00:34:32,066 PULL YOUR LEG UNDER. 777 00:34:32,070 --> 00:34:33,940 YOU KILLED A HUSTLA BABY. 778 00:34:33,939 --> 00:34:35,569 I KNOW A COUPLE VATOS IN FOLSOM 779 00:34:35,574 --> 00:34:37,144 THAT WOULD LOVE TO HOLLER AT YOU. 780 00:34:37,143 --> 00:34:38,783 MAN, I AIN'T KILL THAT KID, MAN. 781 00:34:38,777 --> 00:34:41,847 ON GOD, ONE OF THE HOMIES JUST DROPPED THAT GUN OFF, MAN. 782 00:34:41,847 --> 00:34:45,147 GIVE US A NAME. 783 00:34:45,151 --> 00:34:47,951 A NAME, ASSHOLE. 784 00:34:47,953 --> 00:34:49,523 G-RON, MAN. 785 00:34:49,521 --> 00:34:51,421 MAN, LOOK, G-RON KILLED THAT KID, MAN. 786 00:34:51,423 --> 00:35:01,903 I SWEAR TO GOD THAT'S ALL I KNOW. 787 00:35:01,900 --> 00:35:03,640 WAS HE ALWAYS LIKE THAT? 788 00:35:03,635 --> 00:35:06,505 NO. HE WAS PASSIONATE AND FOCUSED, LIKE YOU. 789 00:35:06,505 --> 00:35:08,635 THE JOB DOESN'T MAKE YOU SOMETHING. 790 00:35:08,640 --> 00:35:10,580 IT JUST BRINGS OUT WHO YOU ALREADY ARE. 791 00:35:10,576 --> 00:35:12,776 YOU CAN'T TELL ME DEAD BABIES DON'T BOTHER YOU ANYMORE. 792 00:35:12,778 --> 00:35:15,408 YOU GOT TO LEARN WHEN TO TURN OFF 793 00:35:15,414 --> 00:35:17,754 THE CAMERA INSIDE YOUR HEAD. 794 00:35:19,751 --> 00:35:21,521 HOW DO YOU DO THAT? 795 00:35:23,255 --> 00:35:24,785 WELL, WHEN YOU LEARN HOW TO DO THAT, 796 00:35:24,790 --> 00:35:26,730 YOU'RE READY TO BE A TRAINING OFFICER. 797 00:35:30,962 --> 00:35:32,862 SEE THE SUBURBAN? 798 00:35:32,864 --> 00:35:34,134 YEAH. 799 00:35:34,132 --> 00:35:36,772 LIGHT 'EM UP ON MY SIGNAL. 800 00:35:38,637 --> 00:35:39,867 [ TIRES SCREECH ] 801 00:35:39,871 --> 00:35:42,611 [ SIREN WAILING ] 802 00:35:42,608 --> 00:35:46,808 A43, SHOW US IN PURSUIT OF A DARK BLUE CHEVY SUBURBAN, 803 00:35:46,812 --> 00:35:52,052 LICENSE PLATE THREE-ADAM-BAKER FOUR-FIVE-SEVEN-DAVID. 804 00:35:52,050 --> 00:35:56,390 HEADING EAST ON VAN NESS, JUST PASSING SLAUSON. 805 00:35:56,388 --> 00:36:00,228 [ POLICE RADIO CHATTER ] 806 00:36:03,362 --> 00:36:06,602 [ ENGINE REVVING, TIRES SCREECHING ] 807 00:36:19,411 --> 00:36:21,911 [ TIRES SCREECH ] 808 00:36:50,242 --> 00:36:52,142 [ BOTH GRUNTING ] 809 00:36:52,143 --> 00:36:54,213 OW! SHIT! 810 00:36:54,212 --> 00:36:56,982 [ BREATHING HEAVILY ] 811 00:36:56,982 --> 00:36:58,122 GET UP. 812 00:36:58,116 --> 00:36:59,416 I AM. GET UP! 813 00:36:59,418 --> 00:37:00,988 WHAT'S YOUR NAME? GREG RONALDSON. 814 00:37:00,986 --> 00:37:02,816 WHAT'S YOUR STREET NAME?! YOU GOT THESE ON TOO TIGHT. 815 00:37:02,821 --> 00:37:03,861 YOUR STREET NAME! 816 00:37:03,855 --> 00:37:05,655 G-RON. 817 00:37:05,657 --> 00:37:07,127 WHAT? 818 00:37:07,125 --> 00:37:08,325 LET'S TAKE A TRIP, G-RON. 819 00:37:08,327 --> 00:37:10,897 LAY OFF, MAN. 820 00:37:10,896 --> 00:37:13,296 Josie: SO, HOW DOES A GOOD GUY LIKE DAVID MARCUS 821 00:37:13,299 --> 00:37:15,529 END UP WITH AN ASSHOLE BEST FRIEND LIKE YOU? 822 00:37:15,534 --> 00:37:16,944 WAS HE IN THE STREETS? 823 00:37:16,935 --> 00:37:17,995 HELL NAW. 824 00:37:18,003 --> 00:37:19,873 HIS POPS WOULD HAVE WHUPPED HIS ASS. 825 00:37:19,871 --> 00:37:23,241 BUT Y'ALL HUNG ANYWAY? SINCE MARKHAM ELEMENTARY. 826 00:37:23,241 --> 00:37:25,641 BUT HE DIDN'T END UP A RIDA. 827 00:37:25,644 --> 00:37:28,814 DID ALL YOUR FRIENDS END UP AS COPS? 828 00:37:28,814 --> 00:37:29,924 YOU GOT CHOICES. 829 00:37:29,915 --> 00:37:31,745 BUT YOUR PEOPLES ARE YOUR PEOPLES. 830 00:37:31,750 --> 00:37:33,850 HE EVER LET YOU BORROW THE CAR? 831 00:37:33,852 --> 00:37:35,292 THREE WEEKS AGO. 832 00:37:35,287 --> 00:37:36,787 BUNCH OF US TOOK SOME CLUCK-CLUCKS 833 00:37:36,788 --> 00:37:38,758 DOWN TO THE CHEESECAKE FACTORY IN GLENDALE. 834 00:37:38,757 --> 00:37:41,087 FROSTY'S GIRL -- SHE WAS THERE. 835 00:37:41,092 --> 00:37:44,662 YOUR FRIEND IS DEAD BECAUSE YOU BORROWED HIS CAR. 836 00:37:44,663 --> 00:37:47,503 THEY KNEW THE CAR. THEY THOUGHT THEY HAD YOU. 837 00:37:47,499 --> 00:37:49,439 BUT INSTEAD IT WAS DAVID WHO WAS SHOT. 838 00:37:49,435 --> 00:37:50,895 THAT'S NOT MY FAULT. 839 00:37:50,902 --> 00:37:53,742 I NEVER DID NO DIRT AROUND HIM. 840 00:37:53,739 --> 00:37:58,279 DAVID HAD DREAMS, A WIFE, KID. 841 00:37:58,276 --> 00:38:00,476 HE AIN'T DESERVE TO GO OUT LIKE THAT. 842 00:38:00,479 --> 00:38:02,809 SO YOU SHOOT UP A BIRTHDAY PARTY 843 00:38:02,814 --> 00:38:06,224 OUT OF LOYALTY TO A MAN WITH A WIFE, A KID, 844 00:38:06,217 --> 00:38:08,247 A MAN THAT WAS CHURCHGOING? 845 00:38:08,253 --> 00:38:10,193 HE WASN'T EVEN BANGING. 846 00:38:10,188 --> 00:38:12,958 YOU KILLED A BABY, ASSHOLE. 847 00:38:12,958 --> 00:38:17,628 IF I COULD DO IT AGAIN, I'D USE A MAC-10 NEXT TIME, 848 00:38:17,629 --> 00:38:20,299 MAKE SURE I TAKE EVEN MORE OF THEM OUT. 849 00:38:20,298 --> 00:38:21,998 [BLEEP] 'EM. 850 00:38:22,000 --> 00:38:25,540 [BLEEP] 'EM ALL AND ANYBODY WHO'S DOWN WITH THEM. 851 00:38:27,072 --> 00:38:32,042 [ INDISTINCT CONVERSATIONS, DOWN-TEMPO ROCK MUSIC PLAYING ] 852 00:38:45,957 --> 00:38:48,927 [ MUSIC CONTINUES ] 853 00:39:19,257 --> 00:39:21,987 YOU DON'T HAVE A SALLY STORY? 854 00:39:23,895 --> 00:39:24,955 NO. 855 00:39:28,600 --> 00:39:31,870 MY CAR IS PARKED AT HER PLACE. 856 00:39:31,870 --> 00:39:33,440 [ HORN HONKS ] 857 00:39:37,242 --> 00:39:40,852 AND I COULD REALLY USE A MASSAGE AFTER I TACKLED THAT DUDE. 858 00:39:40,846 --> 00:39:42,476 YOU'RE A GLUTTON FOR PUNISHMENT. 859 00:39:42,481 --> 00:39:44,321 YOU GUYS ARE JUST JEALOUS. 860 00:39:44,315 --> 00:39:45,515 YEAH. 861 00:39:45,517 --> 00:39:49,187 YOU HAVE BEEN WARNED, MY FRIEND. 862 00:39:49,187 --> 00:39:51,087 YOU HAVE BEEN WARNED. 863 00:39:51,089 --> 00:39:53,529 WHAT CAN I SAY? 864 00:39:53,525 --> 00:39:56,085 LOVE'S A BITCH, ESE. 865 00:39:57,563 --> 00:40:00,503 SEE YOU TOMORROW! 866 00:40:16,147 --> 00:40:17,447 [ CAR ALARM CHIRPS ] 867 00:40:20,018 --> 00:40:21,588 CAN I HELP YOU WITH SOMETHING? 868 00:40:21,587 --> 00:40:23,287 YEAH. I'M VICTOR CIFUENTES. YEAH? 869 00:40:23,288 --> 00:40:25,718 WE MET A COUPLE OF MONTHS AGO AT THE OPEN HOUSE. YEAH? 870 00:40:25,724 --> 00:40:28,264 I'M TAMMI'S PHOTOGRAPHY INSTRUCTOR. 871 00:40:28,259 --> 00:40:29,959 WHAT'S GOING ON? 872 00:40:29,961 --> 00:40:33,501 LISTEN, I DON'T KNOW HOW ELSE, YOU KNOW, I'M GONNA SAY IT, 873 00:40:33,499 --> 00:40:35,299 SO I'M JUST GONNA SAY IT. 874 00:40:35,300 --> 00:40:37,040 I'M IN LOVE WITH YOUR WIFE. 875 00:40:38,770 --> 00:40:40,910 WE NEED TO BE ADULT ABOUT THIS, 876 00:40:40,906 --> 00:40:42,236 FIGURE IT OUT, 877 00:40:42,240 --> 00:40:44,340 AND DO WHAT'S IN THE BEST INTERESTS OF THE BABY. 878 00:40:44,342 --> 00:40:45,682 THAT'S ALL I WANTED TO SAY. 879 00:40:53,652 --> 00:40:57,222 [ VEHICLE DOOR OPENS, CLOSES ] 880 00:40:59,858 --> 00:41:02,758 [ ENGINE TURNS OVER ]