1
00:00:01,134 --> 00:00:02,444
THAT IS NOT AN OPTION.
2
00:00:02,435 --> 00:00:04,235
PREVIOUSLY ON "THE HAVES
AND THE HAVE NOTS"...
3
00:00:04,237 --> 00:00:06,467
I AM NOT GIVING MY BROTHER UP.
HE WAS AT THE SCENE!
4
00:00:06,472 --> 00:00:08,272
I THINK WE SHOULD JUST
LET HIM GO DOWN FOR THIS.
5
00:00:08,274 --> 00:00:09,444
WELL, THAT'S NOT
SUCH A BAD IDEA.
6
00:00:09,442 --> 00:00:11,982
[ GASPS ]
SHE JUST SLAPPED ME!
7
00:00:11,978 --> 00:00:13,278
I HATE THAT HO.
8
00:00:13,279 --> 00:00:14,579
I'MA GET HER,
ALL RIGHT?
9
00:00:14,581 --> 00:00:16,521
HE'S BEING QUESTIONED RIGHT NOW
BY THE SECRET SERVICE.
10
00:00:16,517 --> 00:00:17,647
AND THEY WANTED MY DNA.
11
00:00:17,651 --> 00:00:18,821
AND YOU GAVE IT TO THEM?
12
00:00:18,819 --> 00:00:20,519
WHAT COULD I DO?
THEY TOOK IT FROM ME.
13
00:00:20,521 --> 00:00:22,461
YOUR SON WAS THE CHILD
CAUGHT IN THE CROSSFIRE.
14
00:00:22,455 --> 00:00:23,515
HE WAS SHOT.
15
00:00:23,524 --> 00:00:25,594
[ Voice breaking ]
IS HE OKAY?
16
00:00:25,592 --> 00:00:26,992
NO. HE'S NOT
GONNA MAKE IT.
17
00:00:26,993 --> 00:00:28,263
[ SOBS ]
18
00:00:28,261 --> 00:00:29,461
This is the district attorney.
19
00:00:29,462 --> 00:00:30,502
WHERE'S D. A. SALLISON?
20
00:00:30,496 --> 00:00:31,626
WE HAD AN IMMUNITY DEAL.
21
00:00:31,632 --> 00:00:32,672
She's dead.
22
00:00:32,666 --> 00:00:33,826
WHAT HAPPENED TO HER?
23
00:00:33,834 --> 00:00:35,204
That's what we want
to talk to you about.
24
00:00:35,201 --> 00:00:36,871
ROSE:
I just need you to know
25
00:00:36,870 --> 00:00:38,870
HOW REALLY PISSED OFF I AM.
26
00:00:38,872 --> 00:00:42,712
SOME BLACK KID TAKES A SHOT
AT MAMA ROSA'S GRANDSON.
27
00:00:42,709 --> 00:00:44,609
IT'S US THAT SHE'S MAD AT.
28
00:00:44,611 --> 00:00:47,551
IT'S US THAT GOT WAR
OUT OF JAIL.
29
00:00:47,548 --> 00:00:48,878
I AM NOT
BURNING DOWN MY HOUSE.
30
00:00:48,882 --> 00:00:51,182
NOW, IF THERE IS NO EVIDENCE,
THERE IS NO CRIME.
31
00:00:51,184 --> 00:00:53,494
NOW LIGHT THE DAMN MATCH.
32
00:00:53,486 --> 00:00:59,856
♪♪♪♪
33
00:00:59,860 --> 00:01:06,240
♪♪♪♪
34
00:01:06,239 --> 00:01:08,239
KATHERYN!
35
00:01:08,241 --> 00:01:10,381
WHAT IN THE HELL?
36
00:01:10,376 --> 00:01:11,746
YES.
37
00:01:11,745 --> 00:01:12,875
[ GLASS SHATTERING ]
38
00:01:12,879 --> 00:01:15,919
WHAT ARE YOU DOING?
39
00:01:15,916 --> 00:01:18,246
WATCHING THE HOUSE
BURN DOWN.
40
00:01:18,251 --> 00:01:21,151
WHAT IN THE HELL, KATHERYN?!
DID YOU DO THIS?
41
00:01:21,154 --> 00:01:23,024
YES, I DID.
42
00:01:23,023 --> 00:01:24,193
WHY?!
43
00:01:24,190 --> 00:01:27,060
I WAS HOPING
YOU WERE IN THERE.
44
00:01:27,060 --> 00:01:29,060
WHY WOULD YOU DO THAT?
45
00:01:29,062 --> 00:01:31,362
I TOLD HER TO.
46
00:01:31,364 --> 00:01:34,274
WHAT THE HELL
IS GOING ON?
47
00:01:34,267 --> 00:01:35,497
HMPH.
48
00:01:35,502 --> 00:01:37,842
WHAT'S GOING ON
IS THE TWO OF YOU.
49
00:01:37,838 --> 00:01:39,108
VERONICA.
50
00:01:39,105 --> 00:01:42,535
YOU LET SOMEONE DRIVE
JENNIFER SALLISON'S BODY,
51
00:01:42,543 --> 00:01:46,413
LEAVE HER AT THE FRONT
OF NEWS STATION 7
52
00:01:46,412 --> 00:01:48,782
WITH A SIGN THAT SAYS
"MURDERED BY A CRYER."
53
00:01:50,350 --> 00:01:52,250
CARE TO EXPLAIN THAT?
54
00:01:52,252 --> 00:01:53,752
WE HAVE NOTHING
TO EXPLAIN TO YOU.
55
00:01:53,754 --> 00:01:55,024
THIS IS GONNA BE
ON THE NEWS.
56
00:01:55,021 --> 00:01:56,721
HOW IN THE HELL ARE
WE GONNA EXPLAIN THIS?
57
00:01:56,723 --> 00:01:59,393
VERY CAREFULLY.
58
00:01:59,392 --> 00:02:02,872
THIS IS BY FAR THE DUMBEST THING
YOU HAVE EVER DONE, KATHERYN.
59
00:02:02,869 --> 00:02:05,409
WELL, THANK THE COUNSELOR
OVER THERE.
60
00:02:05,405 --> 00:02:06,635
DUMB, HUH?
61
00:02:06,640 --> 00:02:08,110
YOU HEARD ME.
62
00:02:08,108 --> 00:02:09,478
WELL,
THEY HAVE THE BODY.
63
00:02:09,475 --> 00:02:10,975
YEAH. SO?
64
00:02:10,977 --> 00:02:12,807
THAT MEANS THEY HAVE
THE EVIDENCE.
65
00:02:12,813 --> 00:02:15,423
IF THEY HAVE THE BODY,
THEN THEY HAVE DNA,
66
00:02:15,415 --> 00:02:19,215
THEY HAVE CARPET FIBERS,
THEY HAVE BLOOD SPATTER.
67
00:02:19,218 --> 00:02:22,118
I HAD THE HOUSE CLEANED,
VERONICA!
68
00:02:22,122 --> 00:02:24,092
I HAD THIS TAKEN CARE OF.
69
00:02:24,090 --> 00:02:26,390
[ CHUCKLES ]
YOU.
70
00:02:26,392 --> 00:02:28,732
YOU HAD IT TAKEN CARE OF?
‐YES, I DID.
71
00:02:28,729 --> 00:02:31,769
AND THAT'S WHY THE BODY
SHOWED UP AT THE NEWS STATION.
72
00:02:31,765 --> 00:02:33,725
HMM. MAKES SENSE.
73
00:02:33,734 --> 00:02:36,474
‐DAVID ‐‐
‐WHY ARE YOU CALLING DAVID?
74
00:02:36,469 --> 00:02:37,899
YOU NEED ‐‐
75
00:02:37,904 --> 00:02:41,414
THERE IS NOTHING THAT I NEED
OR CARE TO SAY TO HER.
76
00:02:41,407 --> 00:02:43,307
I WILL REMEMBER THAT.
77
00:02:43,309 --> 00:02:45,309
SURE YOU WILL.
YOU REMEMBER EVERYTHING.
78
00:02:45,311 --> 00:02:47,811
SHALL WE TALK ABOUT
ALL THAT I REMEMBER?
79
00:02:47,814 --> 00:02:50,024
SAVE IT FOR DIVORCE COURT.
80
00:02:50,016 --> 00:02:51,586
DARLING, I HAVE.
81
00:02:51,585 --> 00:02:54,245
YES, I'M SURE,
AND I AM PREPARED.
82
00:02:54,254 --> 00:02:56,464
YOU THINK SO?
83
00:02:56,456 --> 00:02:59,526
I KNOW SO.
84
00:02:59,526 --> 00:03:01,766
LOOK AT YOU.
85
00:03:01,768 --> 00:03:05,638
HMM. GETTING ALL BOLD.
86
00:03:05,639 --> 00:03:07,869
I LIKE IT.
87
00:03:07,874 --> 00:03:09,784
IT'S KIND OF HOT.
88
00:03:09,776 --> 00:03:11,376
[ CHUCKLES ]
89
00:03:11,377 --> 00:03:14,407
NOT QUITE AS HOT AS
BENJAMIN YOUNG, BUT IT'S GOOD.
90
00:03:15,549 --> 00:03:18,419
I THINK YOU MIGHT BE
ON TO SOMETHING.
91
00:03:21,187 --> 00:03:22,657
KATHERYN ‐‐
92
00:03:22,656 --> 00:03:26,386
...OFF.
93
00:03:26,392 --> 00:03:28,962
KATHERYN, WHERE IN THE HELL
ARE YOU GOING?!
94
00:03:28,962 --> 00:03:32,032
WE NEED TO FIGURE OUT
WHAT YOUR STORY IS!
95
00:03:32,032 --> 00:03:34,972
YES.
96
00:03:34,968 --> 00:03:37,198
WE NEED
THE FIRE DEPARTMENT.
97
00:03:37,203 --> 00:03:47,013
♪♪♪♪
98
00:03:47,013 --> 00:03:55,963
♪♪♪♪
99
00:03:55,956 --> 00:03:58,956
‐‐Captions by VITAC‐‐
www.vitac.com
100
00:03:58,959 --> 00:04:01,969
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
101
00:04:09,976 --> 00:04:15,376
[ INSECTS CHIRPING ]
102
00:04:15,381 --> 00:04:18,121
[ RADIO CHATTER ]
103
00:04:18,118 --> 00:04:19,618
LOOKS LIKE
WE JUST MISSED HER.
104
00:04:19,620 --> 00:04:22,520
SHE'LL BE BACK.
105
00:04:22,523 --> 00:04:24,733
SIR, SO YOU HAVE YOUR PRIME
MERIDIAN BREAKFAST AT 9:30.
106
00:04:24,725 --> 00:04:27,225
THEN YOUR MEETING WITH
SENATOR BURTON AT 11:00 A. M.
107
00:04:27,227 --> 00:04:29,757
IT'S GOT TO BE SHARP.
HE'S VERY PUNCTUAL.
108
00:04:29,763 --> 00:04:31,773
THEN YOU HAVE THE BOYS AND GIRLS
CLUB MEETING AT 12:45,
109
00:04:31,765 --> 00:04:34,195
THEN YOU HAVE ‐‐
110
00:04:34,200 --> 00:04:36,100
[ BEEP ]
111
00:04:40,206 --> 00:04:41,466
SIR,
WE JUST HAVE A FEW MORE.
112
00:04:41,474 --> 00:04:43,284
THURSDAY MORNING,
YOUR MEETING ‐‐
113
00:04:43,276 --> 00:04:45,946
IS EVERYTHING OKAY?
114
00:04:47,581 --> 00:04:49,721
SIR?
115
00:04:49,716 --> 00:04:53,216
LANDON,
I NEED TO TALK TO YOU.
116
00:04:53,219 --> 00:04:55,419
SURE.
117
00:05:00,093 --> 00:05:01,673
YOU LIKE YOUR JOB?
118
00:05:01,668 --> 00:05:03,768
YES, SIR.
119
00:05:03,770 --> 00:05:05,570
DO YOU?
120
00:05:05,572 --> 00:05:07,172
YES.
121
00:05:07,173 --> 00:05:08,743
ARE YOU NOT HAPPY WITH
MY PERFORMANCE?
122
00:05:08,742 --> 00:05:10,682
I'M NOT HAPPY WITH YOU
CALLING THE POLICE.
123
00:05:13,514 --> 00:05:14,754
SIR, I DID WHAT I ‐‐
124
00:05:14,748 --> 00:05:16,148
WHY WOULD YOU DO THAT
125
00:05:16,149 --> 00:05:20,689
WHEN I MADE IT CLEAR
YOU WERE TO HELP HER?
126
00:05:20,687 --> 00:05:23,017
SIR, WITH ALL DUE RESPECT,
127
00:05:23,023 --> 00:05:25,763
I'M SURE I KNOW OF MANY WOMEN
WHO WOULD BE A BETTER FIT FOR ‐‐
128
00:05:25,759 --> 00:05:26,959
I WANT HER.
129
00:05:26,960 --> 00:05:28,830
WHY?
130
00:05:28,829 --> 00:05:30,459
EXCUSE ME?
131
00:05:30,463 --> 00:05:32,533
I'M SORRY, SIR.
132
00:05:35,301 --> 00:05:39,741
WHY IS SHE SO SPECIAL,
IF I MAY ASK?
133
00:05:41,174 --> 00:05:44,114
[ SIGHS ]
SIR, I AM SORRY.
134
00:05:44,110 --> 00:05:46,850
I JUST THINK THAT THIS IS
THE MOST ASININE THING.
135
00:05:46,847 --> 00:05:49,517
YOU ARE GOING TO BE
PRESIDENT OF THE UNITED STATES,
136
00:05:49,516 --> 00:05:52,886
AND YOU'RE DEALING WITH
A STREET‐LEVEL CRIMINAL.
137
00:05:52,886 --> 00:05:55,456
WOULD IT SURPRISE YOU
IF I TOLD YOU
138
00:05:55,455 --> 00:05:57,155
I WAS
A STREET‐LEVEL CRIMINAL?
139
00:06:00,226 --> 00:06:02,496
UH, YES, IT WOULD.
140
00:06:02,503 --> 00:06:04,743
WELL, HER AND I
AREN'T THAT DIFFERENT.
141
00:06:06,973 --> 00:06:08,443
I THINK YOU ARE.
142
00:06:10,176 --> 00:06:13,106
THAT WOULD BE A FATAL MISTAKE
ON YOUR PART.
143
00:06:15,716 --> 00:06:17,916
SIR, IF I MAY JUST
PLEASE IMPLORE YOU ‐‐
144
00:06:17,918 --> 00:06:19,988
LANDON.
145
00:06:19,986 --> 00:06:22,756
I'M GONNA SAY THIS
ONE MORE TIME.
146
00:06:22,756 --> 00:06:26,186
AND THIS IS NOT
SOMETHING I DO WELL
147
00:06:26,192 --> 00:06:28,192
OR SOMETHING
I'M ACCUSTOMED TO.
148
00:06:30,330 --> 00:06:32,070
HELP HER.
149
00:06:34,100 --> 00:06:36,670
YES, SIR.
150
00:06:36,670 --> 00:06:38,370
THAT'LL BE ALL.
151
00:06:38,371 --> 00:06:40,011
BUT WE NEED TO GO OVER
THE ‐‐
152
00:06:40,006 --> 00:06:47,346
♪♪♪♪
153
00:06:47,347 --> 00:06:50,117
I'M SORRY.
154
00:06:50,116 --> 00:06:55,586
♪♪♪♪
155
00:06:55,589 --> 00:06:57,919
SEND VINCENT IN HERE.
156
00:06:57,924 --> 00:07:04,714
♪♪♪♪
157
00:07:04,705 --> 00:07:06,865
[ DOOR CLOSES ]
158
00:07:06,873 --> 00:07:10,043
Vincent: SIR?
159
00:07:10,043 --> 00:07:15,053
♪♪♪♪
160
00:07:15,048 --> 00:07:17,218
WHAT WAS THAT ABOUT?
161
00:07:17,217 --> 00:07:19,447
THEY WERE LOOKING FOR
SOME YOUNG LADY, SIR.
162
00:07:22,122 --> 00:07:23,792
WHAT DID YOU TELL THEM?
163
00:07:23,790 --> 00:07:25,130
THAT WE HAVE THIS FLOOR
164
00:07:25,125 --> 00:07:27,655
AND WE'LL LET THEM KNOW
IF SHE RETURNS.
165
00:07:29,630 --> 00:07:30,760
THANK YOU.
166
00:07:30,764 --> 00:07:32,474
SURE.
167
00:07:32,465 --> 00:07:35,295
WOULD YOU LIKE TO SEE HER
WHEN SHE GETS HERE, SIR?
168
00:07:36,503 --> 00:07:37,773
MAYBE.
169
00:07:37,771 --> 00:07:40,271
I'LL LET YOU KNOW.
170
00:07:40,273 --> 00:07:44,443
YES, SIR.
171
00:07:44,444 --> 00:07:46,614
[ DOOR OPENS ]
172
00:07:48,782 --> 00:07:50,782
[ DOOR CLOSES ]
173
00:07:50,784 --> 00:07:54,024
♪♪♪♪
174
00:07:54,020 --> 00:07:56,360
[ INSECTS CHIRPING ]
175
00:07:56,356 --> 00:08:03,596
♪♪♪♪
176
00:08:03,604 --> 00:08:10,884
♪♪♪♪
177
00:08:10,877 --> 00:08:18,117
♪♪♪♪
178
00:08:18,118 --> 00:08:19,788
[ GASPS ]
179
00:08:19,786 --> 00:08:22,216
[ SOBS ]
180
00:08:22,222 --> 00:08:25,032
[ CRYING ]
181
00:08:25,025 --> 00:08:32,525
♪♪♪♪
182
00:08:32,533 --> 00:08:36,503
WHAT DID...
183
00:08:36,503 --> 00:08:40,213
WHAT DID THEY...
184
00:08:40,206 --> 00:08:43,836
OH, MY GOD, Q.
185
00:08:43,844 --> 00:08:48,584
Q.
186
00:08:48,582 --> 00:08:52,722
WHAT DID...
187
00:08:52,719 --> 00:08:55,759
OH, Q.
188
00:08:55,756 --> 00:08:58,486
Q.
189
00:08:58,491 --> 00:09:05,411
♪♪♪♪
190
00:09:05,405 --> 00:09:08,265
WHERE ARE YOU, GOD? HUH?
191
00:09:10,877 --> 00:09:12,377
[ SNIFFLES ]
192
00:09:12,378 --> 00:09:14,718
WHERE?
193
00:09:17,383 --> 00:09:21,053
WHERE ARE YOU?
194
00:09:24,858 --> 00:09:26,428
YEAH, WYATT CRYER.
I NEED YOU TO
195
00:09:26,426 --> 00:09:28,056
GO OVER THERE WITH ME.
‐YES, SIR.
196
00:09:28,061 --> 00:09:29,631
I NEED TO FIND OUT
WHAT HE KNOWS
197
00:09:29,630 --> 00:09:31,330
ABOUT JENNIFER'S MURDER.
‐YES, SIR.
198
00:09:31,331 --> 00:09:32,831
‐I'M GONNA GET THE FILE.
‐OKAY.
199
00:09:32,833 --> 00:09:34,673
HEY, TELL FORD I'M GONNA BE GONE
FOR A COUPLE HOURS.
200
00:09:34,668 --> 00:09:37,238
I'M GOING OUT WITH THE D. A.
‐OKAY.
201
00:09:37,237 --> 00:09:38,837
HEY, BRENT?
‐YEAH?
202
00:09:38,839 --> 00:09:41,439
I'M SORRY.
YOU SAID YOU WERE GOING...?
203
00:09:41,441 --> 00:09:43,741
ALWAYS TRYING TO
BE DETECTIVE.
204
00:09:43,744 --> 00:09:45,384
‐YOU KNOW I PASSED THE WRITTEN.
‐YES.
205
00:09:45,378 --> 00:09:48,078
‐AND THE ORAL.
‐YES, I KNOW.
206
00:09:48,081 --> 00:09:49,421
LET ME GO.
207
00:09:49,415 --> 00:09:51,045
LOOK, I'VE TAKEN YOU OUT
ON THINGS BEFORE
208
00:09:51,051 --> 00:09:52,421
THAT WAS WELL ABOVE
YOUR PAY GRADE.
209
00:09:52,418 --> 00:09:55,458
AND I KNOW THIS IS
WELL ABOVE MY PAY GRADE.
210
00:09:55,455 --> 00:09:57,715
‐YES.
‐HOW AM I SUPPOSED TO LEARN
211
00:09:57,724 --> 00:10:00,294
IF I DON'T TAKE A FEW TRIPS
WITH THE GUYS?
212
00:10:00,293 --> 00:10:02,643
OKAY, OKAY, COME ON.
YOU CAN JUST FOLLOW US.
213
00:10:02,636 --> 00:10:04,366
ALL RIGHT, THANK YOU.
214
00:10:04,370 --> 00:10:10,210
♪♪♪♪
215
00:10:10,210 --> 00:10:16,050
♪♪♪♪
216
00:10:16,049 --> 00:10:17,279
LANDON.
217
00:10:17,283 --> 00:10:18,523
YOU STAY AWAY FROM ME.
218
00:10:18,519 --> 00:10:19,849
I'M SORRY
ABOUT WHAT HAPPENED.
219
00:10:19,853 --> 00:10:21,123
WHO WAS THAT GUY?
220
00:10:21,121 --> 00:10:23,461
A FRIEND.
A FRIEND.
221
00:10:23,456 --> 00:10:26,386
WAIT, DID ‐‐ HOW DID ‐‐ DID YOU
KNOW HE'D BE IN THE ROOM?
222
00:10:26,392 --> 00:10:27,962
NO, I DIDN'T.
223
00:10:27,961 --> 00:10:29,731
SO WHY WAS HE THERE?
224
00:10:29,730 --> 00:10:32,770
I KNOW WHY HE WAS THERE,
BUT WHY DIDN'T YOU KNOW?
225
00:10:32,766 --> 00:10:36,566
WELL, HE'S BEEN
SHOWING UP PLACES.
226
00:10:36,570 --> 00:10:39,370
IS HE STALKING YOU?
227
00:10:39,372 --> 00:10:41,272
NO.
228
00:10:41,274 --> 00:10:43,284
ARE YOU SURE?
YEAH.
229
00:10:43,276 --> 00:10:45,146
"SHOWING UP PLACES"
SOUNDS LIKE STALKING.
230
00:10:45,145 --> 00:10:47,075
I DON'T KNOW.
IT'S NOT STALKING.
231
00:10:47,080 --> 00:10:49,080
HE'S JUST CRAZY ABOUT ME.
232
00:10:49,082 --> 00:10:51,222
OR JUST CRAZY.
233
00:10:51,217 --> 00:10:52,917
NO, IT'S ‐‐ IT'S FINE.
234
00:10:52,919 --> 00:10:55,159
OKAY, JEFFERY,
IS HE STRAIGHT?
235
00:10:55,155 --> 00:10:56,985
THAT'S WHAT HE SAYS.
236
00:10:56,990 --> 00:11:00,800
OKAY, YOU HAVE NO IDEA
HOW DANGEROUS THIS IS.
237
00:11:00,801 --> 00:11:02,171
WHY?
238
00:11:02,168 --> 00:11:05,008
JEFFERY, THE GUY ‐‐
HE'S GOT PROBLEMS.
239
00:11:05,005 --> 00:11:06,805
HOW DO YOU KNOW THAT?
240
00:11:06,807 --> 00:11:09,337
[ SCOFFS ]
THE GUY SHOWS UP PLACES, OKAY?
241
00:11:09,342 --> 00:11:10,782
HE IDENTIFIES AS STRAIGHT,
242
00:11:10,777 --> 00:11:13,347
AND YET YOU'RE THE OBJECT
OF HIS AFFECTIONS?
243
00:11:13,346 --> 00:11:16,246
LOOK, I'M ‐‐ I'M TIRED,
244
00:11:16,249 --> 00:11:18,149
SO I'M JUST GONNA
GO UP AND GO TO BED.
245
00:11:18,151 --> 00:11:20,191
OKAY, WELL, IF HE'S IN THE ROOM,
YOU HAD BETTER NOT GO IN THERE.
246
00:11:20,186 --> 00:11:21,486
NO, HE ‐‐ HE WON'T BE.
247
00:11:21,487 --> 00:11:22,757
HOW DO YOU KNOW?
248
00:11:22,756 --> 00:11:24,286
MY MOM MADE SURE OF THAT.
249
00:11:24,290 --> 00:11:25,530
OH, GREAT.
250
00:11:25,526 --> 00:11:27,686
WHAT DID THAT WITCH DO NOW?
251
00:11:27,694 --> 00:11:30,104
SHE'S ALWAYS
DOING SOMETHING.
252
00:11:30,096 --> 00:11:32,966
YEAH, GREAT.
OH, LOOK, HERE SHE IS NOW.
253
00:11:32,966 --> 00:11:34,866
SHE'S THE ONE YOU NEED
A RESTRAINING ORDER AGAINST.
254
00:11:34,868 --> 00:11:36,338
YEAH. I HAVE ONE.
255
00:11:36,336 --> 00:11:38,336
IT'S CLEARLY NOT WORKING.
256
00:11:38,338 --> 00:11:41,308
NO, IT ISN'T.
257
00:11:41,307 --> 00:11:43,107
JEFFERY.
258
00:11:43,109 --> 00:11:44,709
YES?
259
00:11:44,711 --> 00:11:47,351
I AM SICK OF YOU
AND THESE GIRLS.
260
00:11:47,347 --> 00:11:49,617
WELL,
THEN STOP POPPING UP.
261
00:11:49,616 --> 00:11:52,686
WELL, I WOULDN'T HAVE TO
IF YOU WEREN'T HERE.
262
00:11:54,888 --> 00:11:56,288
I'M STAYING HERE.
263
00:11:56,289 --> 00:11:58,989
NO, YOU'RE NOT.
YOU'RE COMING HOME.
264
00:11:58,992 --> 00:12:00,132
MOM ‐‐
265
00:12:00,126 --> 00:12:01,196
JEFFERY, DON'T "MOM" ME.
266
00:12:01,201 --> 00:12:03,541
NOW, I ‐‐
267
00:12:03,537 --> 00:12:07,807
LITTLE GIRL, DON'T YOU HAVE TO
CHECK YOUR LIPSTICK?
268
00:12:07,808 --> 00:12:10,308
I'M SURE IT LOOKS BETTER
THAN YOUR FOUNDATION.
269
00:12:10,310 --> 00:12:13,950
IN YOUR DREAMS.
BYE‐BYE.
270
00:12:16,382 --> 00:12:18,052
I'M NOT COMING HOME.
271
00:12:18,051 --> 00:12:21,861
JEFFERY,
I'VE WORKED TOO HARD ON THIS,
272
00:12:21,855 --> 00:12:23,755
AND I AM NOT IN THE MOOD.
273
00:12:23,757 --> 00:12:25,257
NOW, YOU'RE COMING HOME.
274
00:12:25,258 --> 00:12:26,258
WORKED ON WHAT?
275
00:12:26,259 --> 00:12:28,859
MELISSA AND THAT BABY.
276
00:12:28,862 --> 00:12:32,232
NOW, YOU'RE COMING HOME,
JEFFERY.
277
00:12:32,232 --> 00:12:33,702
NO, I'M NOT.
278
00:12:33,700 --> 00:12:36,540
YOU KNOW THAT I GO BEFORE
THE JUDGE TOMORROW, RIGHT?
279
00:12:36,537 --> 00:12:37,997
YES.
280
00:12:38,004 --> 00:12:41,174
TO TRY TO KEEP THAT BODY
OUT OF EVIDENCE.
281
00:12:41,174 --> 00:12:42,544
YES.
282
00:12:42,543 --> 00:12:44,853
THEN YOU ARE COMING HOME.
283
00:12:44,845 --> 00:12:46,945
NO, I'M NOT.
284
00:12:46,947 --> 00:12:49,247
WHAT?
285
00:12:49,249 --> 00:12:52,049
THAT GIRL TRIED TO KILL HERSELF.
I MEAN, DON'T YOU GET IT?
286
00:12:52,052 --> 00:12:53,452
YES, I GET IT.
287
00:12:53,453 --> 00:12:55,723
THAT'S WHY I NEED YOU
TO GO HOME TO BE SURE
288
00:12:55,722 --> 00:12:59,062
THAT CRAZY DOESN'T BLEED
ON MY GOOD SHEETS AGAIN.
289
00:12:59,059 --> 00:13:02,239
YOUR GOOD SHEETS?
290
00:13:02,235 --> 00:13:04,865
IS THAT ALL
YOU CARE ABOUT?
291
00:13:04,871 --> 00:13:05,871
YES.
292
00:13:05,872 --> 00:13:07,242
THAT GIRL IS IN PAIN.
293
00:13:07,240 --> 00:13:08,410
NO, SHE'S NOT.
294
00:13:08,408 --> 00:13:09,738
MOM,
SHE TRIED TO KILL HERSELF.
295
00:13:09,743 --> 00:13:12,053
SHE'S CALLING OUT FOR ATTENTION,
JEFFERY.
296
00:13:12,045 --> 00:13:14,275
NO, SHE'S NOT.
SHE'S DEPRESSED AND SHE ‐‐
297
00:13:14,280 --> 00:13:17,420
OH, WELL, THEN YOU KNOW HOW TO
PICK THEM, NOW, DON'T YA?
298
00:13:17,417 --> 00:13:21,117
MOM.
299
00:13:21,121 --> 00:13:23,561
ALL RIGHT, YOU KNOW WHAT?
300
00:13:23,557 --> 00:13:25,327
YOU REALLY NEED
TO STOP THIS.
301
00:13:25,325 --> 00:13:29,755
THAT GIRL IS CARRYING
MY GRANDCHILD.
302
00:13:29,763 --> 00:13:32,303
I'M NOT STOPPING
ANYTHING.
303
00:13:32,298 --> 00:13:35,668
NOW, I NEED YOU TO
GET IT TOGETHER
304
00:13:35,669 --> 00:13:37,139
AND GO TO THAT HOSPITAL
305
00:13:37,137 --> 00:13:40,237
AND PICK HER UP
AND TAKE HER TO MY HOUSE.
306
00:13:40,240 --> 00:13:44,110
IS THAT CLEAR?
307
00:13:45,646 --> 00:13:47,876
THOUGHT
I SMELLED SOMETHING.
308
00:13:51,752 --> 00:13:53,822
NO SNAPPY COMEBACK?
309
00:13:53,820 --> 00:13:57,120
OH,
SHE MUST HAVE FOUND OUT.
310
00:13:57,123 --> 00:13:59,193
FOUND OUT WHAT?
311
00:13:59,192 --> 00:14:01,842
HER SON DIED.
312
00:14:01,835 --> 00:14:04,805
HMM.
SORRY TO HEAR THAT.
313
00:14:08,008 --> 00:14:09,278
[ SIGHS ]
314
00:14:09,275 --> 00:14:12,405
APPARENTLY MINE WANTS TO,
AS WELL, HUH?
315
00:14:14,781 --> 00:14:16,181
MOM, JUST...
316
00:14:16,182 --> 00:14:17,452
[ SIGHS ]
317
00:14:17,450 --> 00:14:20,920
JEFFERY, I WILL SEE YOU AT HOME,
OKAY?
318
00:14:24,858 --> 00:14:27,828
AND STAY AWAY
FROM THESE BOYS.
319
00:14:27,828 --> 00:14:33,768
♪♪♪♪
320
00:14:33,767 --> 00:14:39,737
♪♪♪♪
321
00:14:39,740 --> 00:14:41,840
ARE YOU OKAY?
322
00:14:43,844 --> 00:14:45,854
[ ELEVATOR BELL DINGS ]
323
00:14:45,846 --> 00:14:54,346
♪♪♪♪
324
00:14:54,354 --> 00:15:02,844
♪♪♪♪
325
00:15:09,610 --> 00:15:11,040
[ KNOCK ON DOOR ]
326
00:15:11,044 --> 00:15:14,884
YOU WANT ME TO GET IT?
NO, NO, I GOT IT.
327
00:15:14,881 --> 00:15:17,621
[ TELEVISION PLAYING ]
328
00:15:22,556 --> 00:15:23,916
George: WYATT CRYER?
329
00:15:23,924 --> 00:15:25,794
YEAH.
330
00:15:25,792 --> 00:15:29,232
UH, HI. I'M GEORGE.
331
00:15:29,229 --> 00:15:30,229
YEAH, YEAH.
332
00:15:30,230 --> 00:15:32,600
AND THIS IS
DETECTIVE HINES.
333
00:15:32,599 --> 00:15:34,569
YEAH.
334
00:15:34,568 --> 00:15:36,068
THANKS FOR SEEING US.
335
00:15:36,069 --> 00:15:37,639
SURE.
336
00:15:37,638 --> 00:15:38,738
OH, HI.
337
00:15:38,739 --> 00:15:40,169
HI.
338
00:15:40,173 --> 00:15:41,643
OH, THIS IS ANNA.
339
00:15:41,642 --> 00:15:43,482
YOUR GIRLFRIEND?
340
00:15:43,476 --> 00:15:46,506
OH, NO, NO, WE'RE ‐‐
WE'RE NOT TOGETHER.
341
00:15:46,513 --> 00:15:49,253
OH.
OKAY.
342
00:15:49,249 --> 00:15:52,119
George: MR. CRYER.
343
00:15:52,118 --> 00:15:54,248
DOES HE HAVE TO BE HERE?
344
00:15:54,254 --> 00:15:56,994
I'M SORRY?
345
00:16:00,867 --> 00:16:02,167
NEVER MIND.
346
00:16:02,168 --> 00:16:03,868
WHAT CAN YOU TELL US
ABOUT YOUR RELATIONSHIP
347
00:16:03,870 --> 00:16:06,010
WITH JENNIFER SALLISON?
348
00:16:06,006 --> 00:16:08,606
NOT MUCH.
349
00:16:08,609 --> 00:16:10,179
SHE WAS THE D. A. IN MY CASE
350
00:16:10,176 --> 00:16:12,046
AGAINST LIZZIE CASTILLO,
OFFERED ME IMMUNITY.
351
00:16:12,045 --> 00:16:14,715
YES, THAT WE KNOW.
WE HAVE THE DEAL.
352
00:16:14,715 --> 00:16:16,215
OKAY, WELL, YOU GUYS GONNA
HONOR IT, OR WHAT?
353
00:16:16,216 --> 00:16:18,116
YEAH.
WE WILL.
354
00:16:18,118 --> 00:16:19,218
OKAY. AND JEFFERY, TOO?
355
00:16:19,219 --> 00:16:21,519
OF COURSE.
356
00:16:21,522 --> 00:16:24,962
OKAY, SO, I MEAN,
WHEN DO WE GO TO TRIAL?
357
00:16:24,958 --> 00:16:27,788
WELL, UH, ACTUALLY,
I'M NOT HERE TO TALK ABOUT THAT.
358
00:16:27,794 --> 00:16:29,534
I'M HERE TO TALK ABOUT
HER MURDER.
359
00:16:32,198 --> 00:16:33,998
WHOSE?
360
00:16:34,000 --> 00:16:36,640
JENNIFER SALLISON'S.
361
00:16:36,637 --> 00:16:39,207
MURDERED?
362
00:16:39,205 --> 00:16:42,505
YES.
363
00:16:42,509 --> 00:16:44,239
I'M SORRY. I DIDN'T ‐‐
364
00:16:44,244 --> 00:16:46,014
I TOLD YOU THAT.
365
00:16:46,012 --> 00:16:47,552
NO, NO, NO.
YOU DIDN'T TELL ME THAT.
366
00:16:47,548 --> 00:16:49,248
WHAT YOU TOLD ME
WAS THAT SHE DIED.
367
00:16:49,249 --> 00:16:50,849
I THOUGHT SHE HAD, LIKE,
A HEART ATTACK OR SOMETHING.
368
00:16:50,851 --> 00:16:52,021
NO.
369
00:16:52,018 --> 00:16:53,818
SHE WAS MURDERED.
370
00:16:53,820 --> 00:16:56,390
SHOT EIGHT TIMES
AT POINT BLANK RANGE.
371
00:16:58,592 --> 00:17:00,232
WOW. I'M SORRY.
372
00:17:00,226 --> 00:17:02,266
AND HER BODY WAS FOUND
A FEW DAYS LATER,
373
00:17:02,268 --> 00:17:06,438
WRAPPED IN PLASTIC AND WRITTEN
ON IT "MURDERED BY A CRYER."
374
00:17:06,439 --> 00:17:11,339
♪♪♪♪
375
00:17:11,344 --> 00:17:12,884
WHAT?
376
00:17:12,879 --> 00:17:15,719
YEAH.
377
00:17:15,716 --> 00:17:16,846
YOU'RE KIDDING ME.
378
00:17:16,850 --> 00:17:19,490
WISH I WAS.
379
00:17:22,589 --> 00:17:24,459
WHAT CAN I SAY?
I...
380
00:17:24,457 --> 00:17:29,257
HOW IS, UH, HOW WAS HER
RELATIONSHIP WITH YOUR PARENTS?
381
00:17:31,765 --> 00:17:34,425
IT'S FINE, I GUESS.
I MEAN, THEY WERE ENEMIES.
382
00:17:34,434 --> 00:17:36,144
WERE THEY?
383
00:17:36,136 --> 00:17:37,466
YEAH.
384
00:17:37,470 --> 00:17:38,710
YEAH, MY PARENTS
ALWAYS HATED HER.
385
00:17:38,705 --> 00:17:40,435
I DON'T KNOW WHY.
386
00:17:40,440 --> 00:17:42,310
I SEE.
387
00:17:42,308 --> 00:17:45,048
THEN WHEN SHE GOT MY INHERITANCE
RELEASED TO ME,
388
00:17:45,045 --> 00:17:46,945
THAT JUST SET THEM OFF.
389
00:17:46,947 --> 00:17:48,747
I'M SORRY.
SHE DID WHAT?
390
00:17:48,749 --> 00:17:52,249
YEAH, D. A. SALLISON HAD A JUDGE
RELEASE MY INHERITANCE TO ME,
391
00:17:52,252 --> 00:17:55,222
AND MY FOLKS JUST...
392
00:17:55,221 --> 00:17:57,161
REALLY PISSED OFF
ABOUT THAT.
393
00:17:57,157 --> 00:17:58,787
I, YOU KNOW, IT'S JUST...
394
00:17:58,792 --> 00:18:00,902
HOW MUCH WAS IT?
395
00:18:00,901 --> 00:18:03,671
IT WAS $12 MILLION.
396
00:18:03,670 --> 00:18:05,770
WELL, YOUR PARENTS ARE RICH,
RIGHT?
397
00:18:05,772 --> 00:18:08,312
THEY DON'T NEED
$12 MILLION.
398
00:18:08,308 --> 00:18:10,938
IT'S ABOUT CONTROL FOR THEM.
399
00:18:10,944 --> 00:18:13,914
I MEAN, THEY JUST WANTED TO
CONTROL ME, THAT'S ALL.
400
00:18:13,914 --> 00:18:15,524
OKAY.
401
00:18:15,516 --> 00:18:18,816
HOW MUCH
ARE YOUR PARENTS WORTH?
402
00:18:22,155 --> 00:18:24,625
MY MOM'S WORTH
$250 MILLION.
403
00:18:24,625 --> 00:18:29,325
AND MY DAD, HE'S NOT WORTH MUCH
WITHOUT HER.
404
00:18:30,864 --> 00:18:33,004
OKAY.
405
00:18:32,999 --> 00:18:35,669
YEAH, SO, ARE THEY GONNA
GO TO JAIL FOR IT, OR WHAT?
406
00:18:35,669 --> 00:18:37,939
UH, PERHAPS.
WE'RE BUILDING A CASE.
407
00:18:37,938 --> 00:18:39,768
GOOD.
408
00:18:39,773 --> 00:18:41,313
"GOOD"?
409
00:18:41,307 --> 00:18:44,477
YEAH, THEY'RE NOT GOOD PEOPLE,
MAN.
410
00:18:44,477 --> 00:18:46,447
OH. WOW.
411
00:18:46,446 --> 00:18:47,546
‐NO.
‐NO, NO, NO, NO.
412
00:18:47,548 --> 00:18:49,148
TELL ME MORE.
413
00:18:49,149 --> 00:18:50,949
WHERE DO YOU
WANT ME TO START?
414
00:18:50,951 --> 00:18:53,291
UH, WITH WHATEVER
YOU'D LIKE TO SAY.
415
00:18:53,286 --> 00:18:58,726
♪♪♪♪
416
00:18:58,725 --> 00:19:00,465
BUT I WANT HIM
TO LEAVE FIRST.
417
00:19:00,466 --> 00:19:02,296
WHO?
418
00:19:02,302 --> 00:19:04,842
HIM.
419
00:19:04,838 --> 00:19:07,238
ME?
420
00:19:07,240 --> 00:19:09,740
YEAH, YOU.
421
00:19:09,743 --> 00:19:11,813
MAY I ASK WHY, SIR?
422
00:19:11,812 --> 00:19:13,352
YES, WHY.
423
00:19:13,346 --> 00:19:14,976
I DON'T LIKE YOU STARING AT ME
LIKE THAT.
424
00:19:14,981 --> 00:19:16,481
I DON'T LIKE YOU
STANDING BEHIND ME.
425
00:19:16,482 --> 00:19:18,152
I DON'T LIKE THE WAY
YOU TREAT MY FRIENDS.
426
00:19:18,151 --> 00:19:20,551
WHAT'S HE TALKING ABOUT?
427
00:19:20,554 --> 00:19:22,664
BEATS ME.
428
00:19:22,656 --> 00:19:25,186
CAN YOU WAIT OUTSIDE,
PLEASE?
429
00:19:25,191 --> 00:19:28,031
YEAH, SURE.
430
00:19:28,028 --> 00:19:33,668
♪♪♪♪
431
00:19:33,667 --> 00:19:35,437
NOW, GO ON, WYATT.
432
00:19:35,435 --> 00:19:36,935
[ DOOR CLOSES ]
433
00:19:36,937 --> 00:19:39,007
WHAT DO YOU WANT TO TELL ME
ABOUT YOUR PARENTS?
434
00:19:46,547 --> 00:19:52,717
♪♪♪♪
435
00:19:52,719 --> 00:19:53,689
MA'AM.
CHAR‐‐
436
00:19:53,687 --> 00:19:55,157
MA'AM.
GET OFF OF ME. CHARLES!
437
00:19:55,155 --> 00:19:56,615
MA'AM.
DON'T TOUCH ME!
438
00:19:56,623 --> 00:19:58,063
CHARLES!
‐MA'AM, BACK.
439
00:19:58,058 --> 00:19:59,488
‐CHARLES!
‐BACK.
440
00:19:59,492 --> 00:20:01,132
DON'T TOUCH ME.
441
00:20:02,402 --> 00:20:04,102
CAN I HAVE MY PHONES,
PLEASE?
442
00:20:04,104 --> 00:20:06,314
‐CANDACE ‐‐
‐PLEASE.
443
00:20:06,306 --> 00:20:08,106
PLEASE.
444
00:20:08,108 --> 00:20:10,208
VINCE,
I NEED HER PHONES.
445
00:20:13,847 --> 00:20:15,747
[ SIGHS ]
446
00:20:15,749 --> 00:20:17,949
[ SNIFFLES ]
447
00:20:17,951 --> 00:20:20,151
[ Beep ]
448
00:20:20,153 --> 00:20:21,453
BENNY: Leave a message.
449
00:20:21,454 --> 00:20:23,364
HEY, BENNY, IT'S ME.
450
00:20:23,356 --> 00:20:26,026
CALL ME, PLEASE.
451
00:20:26,026 --> 00:20:28,926
VINCE,
CAN I GET A MINUTE?
452
00:20:28,929 --> 00:20:30,099
YES, SIR.
453
00:20:30,096 --> 00:20:31,826
THANK YOU.
454
00:20:31,832 --> 00:20:33,432
[ SNIFFLES ]
455
00:20:33,433 --> 00:20:34,643
ARE YOU OKAY?
456
00:20:34,635 --> 00:20:36,535
[ Voice breaking ] NO.
457
00:20:36,537 --> 00:20:38,637
I'M SORRY.
458
00:20:38,639 --> 00:20:40,709
[ SNIFFLES ]
459
00:20:40,707 --> 00:20:43,037
WHAT HAPPENED?
460
00:20:43,043 --> 00:20:46,353
WELL, I...I...
461
00:20:46,346 --> 00:20:48,206
DID YOU DO THIS?
462
00:20:48,214 --> 00:20:49,984
OF COURSE NOT.
463
00:20:51,785 --> 00:20:54,385
THEN WHAT HAPPENED?
464
00:20:56,389 --> 00:20:58,559
ALL I KNOW IS HE WAS CAUGHT
IN THE CROSSFIRE.
465
00:21:00,801 --> 00:21:02,741
I CAN FIND OUT.
466
00:21:02,736 --> 00:21:06,236
♪♪♪♪
467
00:21:06,239 --> 00:21:08,239
[ DOOR BEEPS ]
468
00:21:08,241 --> 00:21:15,381
♪♪♪♪
469
00:21:15,381 --> 00:21:22,521
♪♪♪♪
470
00:21:22,523 --> 00:21:25,093
[ CELLPHONE BEEPS ]
471
00:21:25,091 --> 00:21:27,631
[ CELLPHONE VIBRATES ]
472
00:21:28,862 --> 00:21:30,262
[ CELLPHONE BEEPS ]
473
00:21:30,263 --> 00:21:31,363
HELLO?
474
00:21:31,364 --> 00:21:32,934
ERICA.
475
00:21:32,933 --> 00:21:34,033
Yeah?
476
00:21:34,034 --> 00:21:35,604
I NEED YOU.
477
00:21:35,602 --> 00:21:38,372
OKAY, WELL,
WHERE ‐‐ WHERE ARE YOU?
478
00:21:38,371 --> 00:21:40,541
Come to 3031.
479
00:21:40,541 --> 00:21:42,741
OKAY.
I'LL BE RIGHT THERE.
480
00:21:44,678 --> 00:21:45,878
[ CELLPHONE BEEPS ]
481
00:21:45,879 --> 00:21:48,249
[ CELLPHONE BEEPS ]
482
00:21:52,218 --> 00:21:54,718
[ Ringing ]
483
00:21:54,721 --> 00:21:56,261
WAR.
‐Yo?
484
00:21:56,256 --> 00:21:59,586
SHE IS IN ROOM 3031
OF THE HOTEL.
485
00:21:59,593 --> 00:22:01,133
WARLOCK:
Yeah, she's next on my stop.
486
00:22:01,134 --> 00:22:03,144
ALL RIGHT,
I'LL TRY TO KEEP HER THERE.
487
00:22:03,136 --> 00:22:04,866
‐All right.
‐HURRY.
488
00:22:04,871 --> 00:22:08,781
‐I'm on it.
‐OKAY.
489
00:22:08,775 --> 00:22:12,605
[ CELLPHONE BEEPS ]
490
00:22:12,613 --> 00:22:14,623
[ CELLPHONE BEEPS ]
491
00:22:14,615 --> 00:22:16,975
[ Ringing ]
492
00:22:16,983 --> 00:22:21,623
[ CELLPHONE RINGS ]
493
00:22:21,622 --> 00:22:25,062
[ CELLPHONE BEEPS ]
494
00:22:25,058 --> 00:22:26,488
HELLO?
495
00:22:26,492 --> 00:22:28,732
CANDACE: It's me.
496
00:22:28,729 --> 00:22:31,769
WHAT DO YOU WANT?
497
00:22:31,765 --> 00:22:35,935
SO, IS IT TRUE?
498
00:22:35,936 --> 00:22:39,906
YEAH.
499
00:22:39,906 --> 00:22:44,306
♪♪♪♪
500
00:22:44,310 --> 00:22:46,310
[ SNIFFLES ]
501
00:22:46,312 --> 00:22:49,982
[ SIGHS ]
SO, MY SON IS DEAD.
502
00:22:49,983 --> 00:22:54,293
YES. [ SIGHS ]
503
00:22:57,323 --> 00:22:59,833
WHAT HAPPENED?
504
00:23:01,802 --> 00:23:03,372
Candace.
505
00:23:03,369 --> 00:23:06,109
TELL ME WHAT HAPPENED.
506
00:23:06,106 --> 00:23:12,546
♪♪♪♪
507
00:23:12,546 --> 00:23:16,146
WAR BUST IN OUR ROOM
LOOKING FOR YOU.
508
00:23:16,149 --> 00:23:19,649
AND MITCH AND BENNY GOT INTO IT,
AND...
509
00:23:19,653 --> 00:23:23,023
he went at him, and he ‐‐
he started shooting,
510
00:23:23,023 --> 00:23:24,993
and he [Sniffles]...
511
00:23:26,893 --> 00:23:30,363
OKAY.
AND HE SHOT MY SON.
512
00:23:30,363 --> 00:23:33,373
YEAH.
513
00:23:36,369 --> 00:23:38,509
WHERE WAS HE?
514
00:23:38,505 --> 00:23:41,235
In the bathroom.
515
00:23:41,241 --> 00:23:44,011
WHY WAS HE
IN THE BATHROOM?
516
00:23:44,010 --> 00:23:47,110
I RAN IN THERE
WITH HIM.
517
00:23:49,816 --> 00:23:51,886
HOW COME
YOU DIDN'T PROTECT HIM?
518
00:23:53,987 --> 00:23:56,217
WHAT?
519
00:23:56,222 --> 00:23:57,862
[ SNIFFLES ]
520
00:23:57,858 --> 00:24:01,428
HE WOULDN'T HAVE GOTTEN SHOT
IF YOU PROTECTED HIM.
521
00:24:01,434 --> 00:24:04,344
CANDACE,
I WAS ON TOP OF THAT BABY.
522
00:24:04,337 --> 00:24:07,737
THEN WHY
DIDN'T YOU GET SHOT?
523
00:24:07,741 --> 00:24:14,951
♪♪♪♪
524
00:24:14,948 --> 00:24:17,048
I DON'T KNOW.
525
00:24:20,020 --> 00:24:22,060
[ Sobbing ]
YOU'RE LYING.
526
00:24:22,055 --> 00:24:24,525
YOU'RE A LIAR.
527
00:24:24,525 --> 00:24:26,755
YOU DIDN'T
PROTECT MY SON.
528
00:24:26,760 --> 00:24:29,530
AND YOU'RE THE ONE
WHO SHOULD BE DEAD.
529
00:24:29,530 --> 00:24:35,370
♪♪♪♪
530
00:24:35,368 --> 00:24:41,238
♪♪♪♪
531
00:24:41,241 --> 00:24:42,981
[ SNIFFLES ]
532
00:24:42,976 --> 00:24:46,006
[ SIGHS DEEPLY ]
533
00:24:48,114 --> 00:24:50,124
[ CELLPHONE RINGS ]
534
00:24:50,116 --> 00:24:51,316
[ CELLPHONE BEEPS ]
535
00:24:51,317 --> 00:24:52,717
HELLO?
Hey, Mitch.
536
00:24:52,719 --> 00:24:53,989
CANDACE.
537
00:24:53,987 --> 00:24:55,987
Hey.
YOU OKAY?
538
00:24:55,989 --> 00:24:58,419
WOULD YOU BE?
539
00:24:58,424 --> 00:25:00,634
You heard.
540
00:25:00,634 --> 00:25:02,074
YEAH.
541
00:25:02,068 --> 00:25:04,438
I'M SORRY, BABY.
542
00:25:06,840 --> 00:25:08,510
I DON'T BELIEVE THIS.
543
00:25:08,509 --> 00:25:10,679
I know.
Me neither.
544
00:25:13,313 --> 00:25:15,153
[ SIGHS ]
545
00:25:17,417 --> 00:25:19,917
SO, ARE YOU SURE
IT WAS HIM?
546
00:25:19,920 --> 00:25:21,620
Oh, yeah. I saw him.
547
00:25:21,622 --> 00:25:22,822
We ‐‐ We all saw him.
548
00:25:22,823 --> 00:25:24,093
WE WERE ALL THERE.
549
00:25:24,090 --> 00:25:25,790
HE WAS IN THE ROOM.
550
00:25:25,792 --> 00:25:29,462
AND JUST LIKE THAT?
551
00:25:29,462 --> 00:25:33,372
YEAH.
HE SHOT THE PLACE UP.
552
00:25:33,366 --> 00:25:36,836
OKAY.
553
00:25:36,837 --> 00:25:38,337
So, uh...
554
00:25:38,338 --> 00:25:42,138
WHAT DO YOU WANT TO DO?
555
00:25:42,142 --> 00:25:50,452
♪♪♪♪
556
00:25:50,450 --> 00:25:53,420
I WANT HIM DEAD.
557
00:25:56,189 --> 00:25:58,189
O‐OKAY.
558
00:26:00,561 --> 00:26:02,701
WHAT'S THE PLAN?
559
00:26:02,703 --> 00:26:06,313
MY GRANDMOTHER HAS A RESTAURANT,
ROSA MALONE.
560
00:26:06,306 --> 00:26:08,166
JUST GET HIM THERE.
561
00:26:08,174 --> 00:26:11,244
OH, I WILL.
562
00:26:11,244 --> 00:26:15,924
♪♪♪♪
563
00:26:15,916 --> 00:26:19,746
[ CELLPHONE BEEPS ]
564
00:26:19,753 --> 00:26:21,563
[ CELLPHONE BEEPS ]
565
00:26:21,555 --> 00:26:24,415
[ Ringing ]
566
00:26:24,424 --> 00:26:27,534
TONY, TELL GRANDMA ROSE
I'M COMING TO THE RESTAURANT.
567
00:26:27,528 --> 00:26:29,028
I'M DELIVERING WAR.
568
00:26:29,029 --> 00:26:31,359
‐YOU'RE DOING WHAT?
‐Just tell her what I said.
569
00:26:31,364 --> 00:26:33,634
YOU'RE BRINGING HIM HERE
570
00:26:33,634 --> 00:26:35,274
to her new restaurant?
571
00:26:35,268 --> 00:26:36,268
YEAH.
572
00:26:36,269 --> 00:26:37,669
Is he after you?
573
00:26:37,671 --> 00:26:38,841
NO.
574
00:26:38,839 --> 00:26:41,069
BUT YOU KNOW WHERE HE IS?
575
00:26:41,074 --> 00:26:42,144
Yeah.
576
00:26:42,142 --> 00:26:44,082
[ CHUCKLES ]
577
00:26:44,077 --> 00:26:46,347
FINALLY
YOU'RE COMING INTO THE FAMILY.
578
00:26:48,314 --> 00:26:49,484
JUST DO WHAT I ASKED.
579
00:26:49,482 --> 00:26:53,122
WE'LL BE READY,
ALL OF US.
580
00:26:53,119 --> 00:26:55,489
I'LL LET MAMA KNOW.
581
00:26:55,488 --> 00:26:57,158
[ CELLPHONE BEEPS ]
582
00:26:57,157 --> 00:27:00,967
♪♪♪♪
583
00:27:06,673 --> 00:27:08,413
[ INSECTS CHIRPING,
KNOCK ON DOOR ]
584
00:27:08,408 --> 00:27:15,148
♪♪♪♪
585
00:27:15,148 --> 00:27:21,888
♪♪♪♪
586
00:27:21,888 --> 00:27:23,058
HI.
587
00:27:23,056 --> 00:27:25,086
HI.
588
00:27:27,761 --> 00:27:30,031
WHAT'S GOING ON?
589
00:27:30,030 --> 00:27:32,100
COME IN.
590
00:27:34,768 --> 00:27:36,338
SIT.
591
00:27:36,336 --> 00:27:41,806
♪♪♪♪
592
00:27:41,808 --> 00:27:47,248
♪♪♪♪
593
00:27:47,247 --> 00:27:49,477
ARE YOU WITH ME?
594
00:27:53,053 --> 00:27:54,593
YES.
595
00:27:54,588 --> 00:27:57,758
WHY DOES YOUR DRESS
SMELL LIKE WAR?
596
00:27:57,758 --> 00:28:01,468
I HAVE NO IDEA.
597
00:28:01,467 --> 00:28:04,507
YOU DON'T DEAL WITH
THAT LEVEL OF THUG.
598
00:28:04,505 --> 00:28:06,705
NO.
599
00:28:06,707 --> 00:28:10,007
SO HOW COULD YOU GET
THAT FRAGRANCE?
600
00:28:10,010 --> 00:28:13,180
I DON'T KNOW, CANDACE.
601
00:28:13,179 --> 00:28:16,219
YOU KNOW I DON'T ‐‐
602
00:28:16,216 --> 00:28:19,346
I'M SCARED TO DEATH OF WAR.
603
00:28:21,855 --> 00:28:24,215
ARE YOU WITH ME?
604
00:28:24,224 --> 00:28:27,934
YES. I DON'T KNOW WHY
YOU KEEP ASKING ME THAT.
605
00:28:27,928 --> 00:28:30,798
WHAT'S GOING ON?
606
00:28:32,899 --> 00:28:36,199
HE KILLED MY SON.
607
00:28:36,202 --> 00:28:39,442
WHAT?
608
00:28:39,439 --> 00:28:41,939
YEP.
609
00:28:41,942 --> 00:28:46,312
CANDACE, I'M SO SORRY.
610
00:28:46,312 --> 00:28:47,952
HE SHOT HIM.
611
00:28:47,948 --> 00:28:49,518
WHY?
612
00:28:49,516 --> 00:28:51,076
WHY?
613
00:28:53,086 --> 00:28:54,516
IT'S OKAY.
614
00:28:54,521 --> 00:28:56,521
NO, IT'S ‐‐ IT'S NOT.
NO, IT'S NOT OKAY.
615
00:28:56,523 --> 00:28:58,663
IT'S SO WRONG.
616
00:29:00,360 --> 00:29:02,640
[ SNIFFLES ]
[ CELLPHONE BEEPS ]
617
00:29:04,104 --> 00:29:06,644
[ Ringing ]
618
00:29:06,640 --> 00:29:08,880
[ CELLPHONE VIBRATES ]
619
00:29:08,875 --> 00:29:09,935
War.
620
00:29:09,943 --> 00:29:11,443
HMM?
621
00:29:11,444 --> 00:29:12,814
CANDY.
622
00:29:12,813 --> 00:29:14,413
Yeah.
623
00:29:14,414 --> 00:29:16,224
YOU KNOW
I'M LOOKING FOR YOU.
624
00:29:16,216 --> 00:29:18,116
I KNOW.
625
00:29:18,118 --> 00:29:20,048
You know, you lied to me.
626
00:29:20,053 --> 00:29:22,493
YEAH.
627
00:29:22,488 --> 00:29:24,888
I KNOW.
628
00:29:24,891 --> 00:29:27,461
SO YOU DID LIE TO ME.
629
00:29:28,995 --> 00:29:30,755
YEP.
630
00:29:30,764 --> 00:29:33,134
YOU GOT $7.4 MILL.
631
00:29:33,133 --> 00:29:36,473
YEAH, I DID.
632
00:29:36,469 --> 00:29:39,339
YOU KNOW YOU GOT TO DIE,
RIGHT?
633
00:29:39,339 --> 00:29:42,109
[ SCOFFS ]
YEAH, WAR.
634
00:29:42,108 --> 00:29:44,908
Where you at?
635
00:29:44,911 --> 00:29:46,581
YOU KNOW.
636
00:29:46,580 --> 00:29:48,080
No, I don't know.
637
00:29:48,081 --> 00:29:52,491
I'M AT THE ARTISAN HOTEL,
ROOM 3031.
638
00:29:54,454 --> 00:29:56,794
YOU KNOW.
639
00:29:56,790 --> 00:29:58,760
DON'T MOVE.
640
00:29:58,759 --> 00:30:00,929
NO.
641
00:30:00,934 --> 00:30:02,644
I'M MOVING.
642
00:30:02,636 --> 00:30:04,436
YOU AIN'T GONNA WAIT FOR ME,
BABY?
643
00:30:04,437 --> 00:30:07,567
NO.
644
00:30:07,574 --> 00:30:09,684
COME ON, BABY.
645
00:30:11,978 --> 00:30:15,548
YOU SHOT MY SON.
646
00:30:15,549 --> 00:30:17,819
GIRL,
THAT WAS AN ACCIDENT.
647
00:30:20,921 --> 00:30:22,461
OKAY.
648
00:30:22,455 --> 00:30:23,755
You waiting for me?
649
00:30:23,757 --> 00:30:25,387
YOU KNOW I'M ABOUT TO
JUMP IN THE CAR
650
00:30:25,391 --> 00:30:27,431
AND BE ON MY WAY,
ALL RIGHT?
651
00:30:27,427 --> 00:30:30,157
NO.
652
00:30:30,163 --> 00:30:32,603
I'M NOT.
653
00:30:35,135 --> 00:30:36,365
[ CELLPHONE BEEPS ]
654
00:30:38,071 --> 00:30:39,971
[ CELLPHONE THUDS ]
655
00:30:43,276 --> 00:30:46,576
WHY DID YOU CALL HIM?
656
00:30:46,580 --> 00:30:48,950
GIVE ME YOUR PHONE.
657
00:30:48,949 --> 00:30:51,279
WHAT?
658
00:30:51,284 --> 00:30:54,694
GIVE ME YOUR PHONE.
659
00:30:54,688 --> 00:30:57,518
‐CANDACE ‐‐
‐GIVE IT TO ME NOW.
660
00:30:57,524 --> 00:31:07,444
♪♪♪♪
661
00:31:07,440 --> 00:31:09,140
WHO ARE YOU
GONNA CALL NOW?
662
00:31:09,142 --> 00:31:11,342
[ CELLPHONE RINGING ]
663
00:31:11,344 --> 00:31:13,484
WHAT?
664
00:31:13,479 --> 00:31:15,819
UNKNOWN NUMBER.
665
00:31:15,816 --> 00:31:17,676
YEAH?
666
00:31:17,684 --> 00:31:20,724
WHO IS IT?
667
00:31:20,721 --> 00:31:22,291
HOW AM I
SUPPOSED TO KNOW?
668
00:31:22,288 --> 00:31:23,818
ANSWER IT.
669
00:31:23,824 --> 00:31:24,864
CANDACE ‐‐
670
00:31:24,858 --> 00:31:28,128
ANSWER IT ON SPEAKERPHONE.
671
00:31:28,128 --> 00:31:32,128
[ RINGING CONTINUES ]
672
00:31:32,132 --> 00:31:36,072
[ CELLPHONE BEEPS ]
673
00:31:36,069 --> 00:31:37,469
HELLO?
674
00:31:37,470 --> 00:31:40,240
DAVID: Erica.
675
00:31:40,240 --> 00:31:41,680
HI, DAVID.
676
00:31:41,675 --> 00:31:44,005
I must apologize.
Something has come up,
677
00:31:44,010 --> 00:31:46,750
and I'm not going to be able to
make it back to you tonight.
678
00:31:46,747 --> 00:31:48,377
OH, THAT'S DISAPPOINTING.
679
00:31:48,381 --> 00:31:50,551
Yes, I know.
680
00:31:50,551 --> 00:31:52,551
I WAS REALLY
LOOKING FORWARD TO IT.
681
00:31:52,553 --> 00:31:55,023
Perhaps tomorrow?
682
00:31:55,021 --> 00:31:56,921
YEAH, OKAY.
683
00:31:56,923 --> 00:31:59,093
Are you busy?
684
00:32:00,927 --> 00:32:03,037
I'M ON THE OTHER LINE
WITH A FRIEND.
685
00:32:03,036 --> 00:32:06,336
SHE'S HAVING TRUST ISSUES.
686
00:32:06,339 --> 00:32:10,239
Oh, so sorry you're having to
deal with that.
687
00:32:10,243 --> 00:32:12,513
SO AM I.
688
00:32:12,513 --> 00:32:17,383
SHE'S A REALLY GOOD FRIEND,
AND...
689
00:32:17,383 --> 00:32:21,763
AND FOR SOME REASON,
DOUBT IS CREEPING IN.
690
00:32:23,924 --> 00:32:25,234
SHE'S ABOUT TO SCREW UP
691
00:32:25,225 --> 00:32:27,855
THE ONLY GOOD THING
IN HER LIFE
692
00:32:27,861 --> 00:32:30,601
BECAUSE OF TRUST.
693
00:32:30,597 --> 00:32:32,727
That's no good at all.
694
00:32:32,733 --> 00:32:35,643
NO, IT'S NOT.
695
00:32:35,636 --> 00:32:38,236
I'll let you get back
to your friend.
696
00:32:38,238 --> 00:32:39,738
OKAY.
697
00:32:39,740 --> 00:32:40,910
I'LL CALL YOU.
698
00:32:40,907 --> 00:32:42,537
Okay.
699
00:32:42,543 --> 00:32:43,883
BYE.
700
00:32:43,877 --> 00:32:45,277
[ SNIFFLES ]
701
00:32:45,278 --> 00:32:47,948
[ CELLPHONE BEEPS ]
702
00:32:49,983 --> 00:32:52,853
SO YOU DON'T TRUST ME,
CANDACE?
703
00:32:54,821 --> 00:32:56,821
I'M YOUR GIRL.
704
00:32:56,823 --> 00:33:01,403
I ALWAYS HAVE BEEN.
705
00:33:01,401 --> 00:33:04,511
PLEASE DON'T DOUBT THAT.
706
00:33:07,440 --> 00:33:10,480
DON'T DOUBT THAT.
I LOVE YOU.
707
00:33:10,476 --> 00:33:11,746
I...
708
00:33:11,745 --> 00:33:14,005
DON'T TOUCH ME.
709
00:33:15,348 --> 00:33:17,978
I'M SORRY.
710
00:33:21,254 --> 00:33:23,124
[ SIGHS ]
711
00:33:23,123 --> 00:33:25,533
PASS ME MY BAG?
712
00:33:25,526 --> 00:33:30,326
♪♪♪♪
713
00:33:30,330 --> 00:33:32,030
COME ON.
714
00:33:32,032 --> 00:33:34,672
WHERE ARE WE GOING?
715
00:33:37,370 --> 00:33:39,310
TO DINNER.
716
00:33:39,305 --> 00:33:41,635
OKAY.
717
00:33:41,642 --> 00:33:48,312
♪♪♪♪
718
00:33:48,314 --> 00:33:54,994
♪♪♪♪
719
00:33:59,893 --> 00:34:02,773
[ INSECTS CHIRPING ]
720
00:34:02,769 --> 00:34:06,769
GIRL, I KNOW THIS PLACE
IS EXPENSIVE.
721
00:34:06,773 --> 00:34:09,113
I GOT IT.
722
00:34:09,109 --> 00:34:11,509
OKAY.
723
00:34:11,512 --> 00:34:13,252
ARE YOU OKAY?
724
00:34:13,246 --> 00:34:15,416
YEAH.
725
00:34:15,415 --> 00:34:18,445
WELL, I'M ‐‐ I'M GONNA
GO TO THE BATHROOM.
726
00:34:18,451 --> 00:34:20,791
OKAY.
727
00:34:24,257 --> 00:34:26,527
CANDACE.
HEY.
728
00:34:26,527 --> 00:34:28,227
HOW YOU DOING, BABY?
YOU LOOK BEAUTIFUL.
729
00:34:28,228 --> 00:34:29,698
‐THANK YOU.
‐GOOD TO SEE YOU.
730
00:34:29,696 --> 00:34:31,526
YOU, TOO.
HMM.
731
00:34:31,532 --> 00:34:33,302
THE TABLE'S ALMOST READY
FOR YOU, OKAY?
732
00:34:33,299 --> 00:34:34,639
YEAH.
733
00:34:34,635 --> 00:34:36,935
ALL RIGHT, NOW, LISTEN,
WHEN THIS GOES DOWN,
734
00:34:36,937 --> 00:34:38,607
I WANT YOU TO STAY LOW,
ALL RIGHT?
735
00:34:38,605 --> 00:34:40,765
‐OKAY.
‐MY GUYS ARE REALLY GOOD.
736
00:34:40,774 --> 00:34:42,414
THEY'LL TAKE CARE OF EVERYTHING.
YOU DON'T HAVE TO WORRY.
737
00:34:42,408 --> 00:34:43,738
I'M NOT WORRIED.
738
00:34:43,744 --> 00:34:45,814
ALL RIGHT. I'LL BE LOOKING OUT
FOR YOU, TOO.
739
00:34:45,812 --> 00:34:47,952
‐OKAY.
‐OKAY.
740
00:34:47,948 --> 00:34:49,618
IS HE ON HIS WAY?
741
00:34:49,616 --> 00:34:52,886
I'M SURE SHE'S CALLING HIM
RIGHT NOW.
742
00:34:52,886 --> 00:34:54,716
WHAT?
WHO'S ‐‐ WHO'S CALLING HIM?
743
00:34:54,721 --> 00:34:56,791
MY FRIEND.
744
00:34:56,790 --> 00:34:58,420
THAT ERICA CHICK?
745
00:34:58,424 --> 00:35:00,294
YEAH.
746
00:35:00,293 --> 00:35:02,643
I KNEW YOU COULDN'T
TRUST THAT GIRL.
747
00:35:02,636 --> 00:35:06,336
ALL RIGHT, LOOK,
I'M GOING TO THE BACK.
748
00:35:06,339 --> 00:35:07,639
I'M GONNA GET READY.
‐MM‐HMM.
749
00:35:07,641 --> 00:35:09,111
‐ALL RIGHT?
‐OKAY.
750
00:35:09,109 --> 00:35:10,479
‐I'LL BE LOOKING OUT FOR YOU.
‐ALL RIGHT.
751
00:35:10,476 --> 00:35:12,606
‐ALL RIGHT, STAY LOW.
‐I WILL.
752
00:35:12,613 --> 00:35:14,013
OKAY.
753
00:35:14,014 --> 00:35:16,954
JUST KILL
THAT ASSHOLE.
754
00:35:16,950 --> 00:35:18,850
DONE.
COME ON.
755
00:35:18,852 --> 00:35:21,592
‐OKAY.
‐I'LL TAKE YOU TO YOUR TABLE.
756
00:35:21,588 --> 00:35:31,528
♪♪♪♪
757
00:35:31,532 --> 00:35:33,372
I'LL BE BACK,
ALL RIGHT?
758
00:35:33,366 --> 00:35:36,636
‐UH‐HUH.
‐ALL RIGHT.
759
00:35:38,705 --> 00:35:40,805
[ SIGHS ]
760
00:35:40,807 --> 00:35:46,277
♪♪♪♪
761
00:35:46,279 --> 00:35:48,879
[ DOOR OPENS ]
762
00:35:52,519 --> 00:35:54,189
BENNY YOUNG.
763
00:35:54,187 --> 00:35:57,617
LOOK, AM I GETTING OUT OF HERE,
OR WHAT, MAN?
764
00:35:57,624 --> 00:35:59,494
YOU SURE ARE.
765
00:35:59,492 --> 00:36:00,632
HUH?
766
00:36:00,634 --> 00:36:02,574
YOU'RE FREE TO GO.
767
00:36:02,569 --> 00:36:04,509
I KNOW THAT'S RIGHT.
768
00:36:04,505 --> 00:36:06,035
I'M ‐‐
I'M ABOUT TO LEAVE?
769
00:36:06,039 --> 00:36:07,669
OKAY.
770
00:36:07,674 --> 00:36:08,684
RIGHT NOW?
771
00:36:08,675 --> 00:36:10,135
OKAY.
772
00:36:10,143 --> 00:36:11,343
THAT MY PHONE?
773
00:36:11,344 --> 00:36:17,624
♪♪♪♪
774
00:36:17,618 --> 00:36:23,888
♪♪♪♪
775
00:36:23,890 --> 00:36:27,060
[ INSECTS CHIRPING ]
776
00:36:27,060 --> 00:36:30,000
[ HELICOPTER BLADES WHIRRING ]
777
00:36:29,996 --> 00:36:37,436
♪♪♪♪
778
00:36:37,437 --> 00:36:40,337
[ CELLPHONE BEEPS ]
779
00:36:40,340 --> 00:36:43,240
[ Ringing ]
780
00:36:43,243 --> 00:36:44,883
HANNA: Hey, baby.
781
00:36:44,878 --> 00:36:46,048
I'M OUT.
782
00:36:46,046 --> 00:36:47,576
Thank God.
783
00:36:47,581 --> 00:36:49,381
What'd they say?
784
00:36:49,382 --> 00:36:50,852
NOTHING.
785
00:36:50,851 --> 00:36:52,221
What do you mean?
786
00:36:52,218 --> 00:36:53,618
MA, I STILL DON'T KNOW.
787
00:36:53,620 --> 00:36:55,120
Where are you?
788
00:36:55,121 --> 00:36:57,391
WELL, I'M OUT FRONT OF
THE POLICE STATION RIGHT NOW.
789
00:36:57,390 --> 00:37:00,530
UH,
WANT TO COME PICK ME UP?
790
00:37:00,527 --> 00:37:02,397
Yeah, I'm on my way.
791
00:37:02,401 --> 00:37:04,101
OKAY.
792
00:37:04,103 --> 00:37:05,813
I'll be there
in a few minutes.
793
00:37:05,805 --> 00:37:09,035
OKAY. THANKS.
794
00:37:09,042 --> 00:37:11,412
[ CELLPHONE BEEPS ]
795
00:37:11,410 --> 00:37:13,150
[ SIGHS ]
796
00:37:13,146 --> 00:37:15,246
I GOT TO TELL YOU,
WHEN I FIRST SAW
797
00:37:15,248 --> 00:37:17,148
THIS LITTLE BRIGHT‐EYED SENATOR
FROM MICHIGAN,
798
00:37:17,150 --> 00:37:19,790
I THOUGHT,
"WHO IS THIS KID?"
799
00:37:19,786 --> 00:37:21,916
I MEAN, I'M TWICE HIS AGE.
800
00:37:21,922 --> 00:37:25,332
AND IN THAT
SHORT FOUR YEARS,
801
00:37:25,325 --> 00:37:28,285
HE HAS COME ALL THIS WAY.
802
00:37:28,294 --> 00:37:31,404
NOW YOU NEED TO
GET OUR VOTE.
803
00:37:31,397 --> 00:37:34,767
IN SPITE OF HIS AGE,
THE TENDER AGE OF 36.
804
00:37:34,768 --> 00:37:36,598
AH, 37.
805
00:37:36,603 --> 00:37:38,103
[ LAUGHTER ]
806
00:37:38,104 --> 00:37:39,174
37.
807
00:37:39,172 --> 00:37:40,412
HAPPY BIRTHDAY.
808
00:37:40,406 --> 00:37:41,606
LAST WEEK.
809
00:37:41,608 --> 00:37:42,808
LAST WEEK, HE SAYS.
810
00:37:42,809 --> 00:37:45,609
[ LAUGHTER ]
811
00:37:45,612 --> 00:37:48,852
NOW I WANT Y'ALL TO GET OUT
THERE AND VOTE FOR THIS MAN.
812
00:37:48,849 --> 00:37:51,279
HE IS NOT ONLY GOOD FOR
THE STATE OF GEORGIA.
813
00:37:51,284 --> 00:37:54,764
HE IS GOOD FOR
THESE ENTIRE UNITED STATES.
814
00:37:54,755 --> 00:37:57,755
[ CHEERS AND APPLAUSE ]
815
00:37:57,758 --> 00:38:04,168
♪♪♪♪
816
00:38:04,170 --> 00:38:06,840
I WANT YOU TO GIVE
A GOOD, OLD GEORGIA WELCOME
817
00:38:06,840 --> 00:38:09,980
FOR YOUR NEXT PRESIDENT OF
THE UNITED STATES OF AMERICA,
818
00:38:09,976 --> 00:38:12,046
CHARLES FREDERICKSON!
819
00:38:12,045 --> 00:38:15,115
[ CHEERS AND APPLAUSE ]
820
00:38:15,115 --> 00:38:24,725
♪♪♪♪
821
00:38:24,725 --> 00:38:25,985
I WANT YOU TO TRAVEL WITH US
822
00:38:25,992 --> 00:38:27,792
AND INTRODUCE ME
EVERYWHERE I GO.
823
00:38:27,794 --> 00:38:29,134
[ LAUGHTER ]
824
00:38:29,129 --> 00:38:31,569
I KNOW YOU CAN'T.
I KNOW YOU CAN'T,
825
00:38:31,565 --> 00:38:34,365
'CAUSE YOU'RE TOO BUSY
RUNNING THIS GREAT STATE.
826
00:38:34,367 --> 00:38:36,737
AND I LOVE GEORGIANS.
827
00:38:36,737 --> 00:38:40,407
[ CHEERS AND APPLAUSE ]
828
00:38:40,406 --> 00:38:48,276
♪♪♪♪
829
00:38:48,281 --> 00:38:56,161
♪♪♪♪
830
00:38:56,156 --> 00:39:04,036
♪♪♪♪
831
00:39:04,037 --> 00:39:07,107
NOW, I WOULD BE REMISS
IF I DIDN'T START OUT
832
00:39:07,107 --> 00:39:09,107
BY ASKING FOR
A MOMENT OF SILENCE
833
00:39:09,109 --> 00:39:11,679
FOR A YOUNG BOY
WHO WAS GUNNED DOWN TRAGICALLY
834
00:39:11,678 --> 00:39:13,578
NOT FAR FROM HERE.
835
00:39:17,851 --> 00:39:20,751
I HAPPEN TO KNOW MEMBERS
OF THE FAMILY PERSONALLY.
836
00:39:20,754 --> 00:39:24,224
AND THERE IS NOTHING
SO SENSELESS AND TRAGIC
837
00:39:24,224 --> 00:39:26,734
THAN SHOOTING AND HARMING
AN INNOCENT CHILD.
838
00:39:26,727 --> 00:39:33,067
♪♪♪♪
839
00:39:33,066 --> 00:39:39,406
♪♪♪♪
840
00:39:39,405 --> 00:39:40,805
[ GUNSHOTS ]
841
00:39:40,807 --> 00:39:44,137
[ ALL SCREAMING ]
842
00:39:44,144 --> 00:39:52,124
♪♪♪♪
843
00:39:52,118 --> 00:40:00,058
♪♪♪♪
844
00:40:00,060 --> 00:40:07,970
♪♪♪♪
845
00:40:07,974 --> 00:40:10,584
A MOMENT OF SILENCE, PLEASE.
846
00:40:13,479 --> 00:40:16,549
[ WOMAN SOBBING ]
847
00:40:16,550 --> 00:40:20,720
♪♪♪♪
848
00:40:20,721 --> 00:40:22,091
YOU OKAY? YOU OKAY?
YEAH.
849
00:40:22,088 --> 00:40:24,358
YOU GOOD?
UH‐HUH.
850
00:40:24,357 --> 00:40:31,397
♪♪♪♪
851
00:40:31,397 --> 00:40:34,097
[ WOMAN SOBBING ]
852
00:40:34,100 --> 00:40:41,010
♪♪♪♪
853
00:40:41,007 --> 00:40:47,947
♪♪♪♪
854
00:40:47,948 --> 00:40:54,858
♪♪♪♪
855
00:40:54,855 --> 00:40:57,385
THANK YOU.
856
00:40:57,390 --> 00:40:59,190
THANK YOU SO MUCH.
857
00:40:59,192 --> 00:41:02,472
I KNOW THE YOUNG FAMILY
WILL APPRECIATE IT.
858
00:41:02,468 --> 00:41:04,038
I THANK YOU.
THANK YOU, GEORGIA.
859
00:41:04,037 --> 00:41:07,067
I LOVE YOU.
[ CHEERS AND APPLAUSE ]
860
00:41:09,142 --> 00:41:10,612
[ TELEVISION TURNS OFF ]
861
00:41:10,611 --> 00:41:17,751
♪♪♪♪
862
00:41:17,751 --> 00:41:20,321
NEXT ON "THE HAVES
AND THE HAVE NOTS"...
863
00:41:20,320 --> 00:41:22,790
DID YOU THINK I WAS GONNA
GET THE MAID TO CLEAN IT UP?
864
00:41:22,789 --> 00:41:25,059
ENJOY CLEANING.
865
00:41:25,058 --> 00:41:26,258
WHO'S THE GIRL?
866
00:41:26,259 --> 00:41:28,729
DO YOU WANT HER TO LIVE?
867
00:41:28,729 --> 00:41:29,799
STAY HERE WITH ME?
868
00:41:29,796 --> 00:41:30,956
YOU KNOW I CAN'T DO THAT.
869
00:41:30,964 --> 00:41:32,334
YOU CAN ALWAYS COME VISIT ME.
870
00:41:32,332 --> 00:41:34,742
SHOULD THAT BE BEFORE
OR AFTER I BURY MY SON?
871
00:41:34,735 --> 00:41:36,295
CANDACE NEEDS TO BE
A PART OF THIS.
872
00:41:36,302 --> 00:41:37,972
SO SHE SHOULD BE A PART OF US
BURYING HIM
873
00:41:37,971 --> 00:41:39,841
WHEN SHE WASN'T THERE
WHEN HE WAS ALIVE.
874
00:41:39,840 --> 00:41:41,840
WHAT HAPPENED
TO YOUR FACE?
875
00:41:41,842 --> 00:41:43,582
WAS IT VERONICA?
876
00:41:43,577 --> 00:41:46,007
‐WHERE ARE YOU GOING?
‐I'M GOING TO TALK TO VERONICA.
877
00:41:46,012 --> 00:41:48,112
YOU BURNED DOWN A HOUSE
FOR NO REASON!
878
00:41:48,114 --> 00:41:50,184
BECAUSE I WAS WISHING
YOU WERE IN IT.
879
00:41:50,183 --> 00:41:51,423
KATHERYN, YOU LOVE ME.
880
00:41:51,417 --> 00:41:52,987
‐NO, I DON'T.
‐YEAH.
881
00:41:52,986 --> 00:41:54,116
‐I'M NOT HAVING THIS.
‐COME HERE.
882
00:41:54,120 --> 00:41:55,620
WILL YOU ‐‐ IT'S TOO LONG
TO START OVER.
883
00:41:55,622 --> 00:41:57,522
STOP IT! STOP IT!
‐HEY, HEY, HEY. EASY, STOP!