1 00:00:01,710 --> 00:00:03,440 Jack: Over 68 million Americans 2 00:00:03,570 --> 00:00:05,940 leave the safety of our borders every year. 3 00:00:06,090 --> 00:00:07,690 If danger strikes, 4 00:00:07,690 --> 00:00:09,890 the FBI's international response team 5 00:00:09,890 --> 00:00:12,150 is called into action. 6 00:00:28,880 --> 00:00:31,820 Oh, you guys go ahead. I think I'm going to walk back. 7 00:00:31,820 --> 00:00:33,250 You're crazy. 8 00:00:33,250 --> 00:00:35,560 You're like over a mile from your apartment. 9 00:00:35,560 --> 00:00:37,580 Are we forgetting my three-mile morning jogs? 10 00:00:37,590 --> 00:00:39,060 Despite what the French think, 11 00:00:39,060 --> 00:00:41,590 all Americans aren't fat and lazy. 12 00:00:41,590 --> 00:00:43,290 Sam, are you sure? It's kind of late. 13 00:00:43,290 --> 00:00:45,120 Ladies, we're in Paris. 14 00:00:45,130 --> 00:00:48,800 It's a beautiful night, and you want to squeeze yourself 15 00:00:48,800 --> 00:00:52,340 onto a subway train with a car full of des ã©trangers? 16 00:00:52,340 --> 00:00:55,570 Somebody has watched "Moulin Rouge!" 17 00:00:55,570 --> 00:00:56,900 Way too many times! 18 00:00:56,910 --> 00:00:59,080 Come on! Who's coming with me? 19 00:00:59,080 --> 00:01:01,810 Sam, I love your bohemian soul and all, 20 00:01:01,810 --> 00:01:04,240 but my soles are hurting like hell. 21 00:01:04,250 --> 00:01:07,320 No way I'm walking across town in these shoes. 22 00:01:07,320 --> 00:01:08,720 Quel dommage. 23 00:01:12,990 --> 00:01:16,330 ♪ 24 00:01:27,040 --> 00:01:28,670 Oh. Damn it. 25 00:01:37,080 --> 00:01:40,380 Mademoiselle, ã§a va? 26 00:01:40,380 --> 00:01:41,840 Ça va, merci. Uh... 27 00:01:41,850 --> 00:01:45,880 I just completely forgot how to say, "i broke my heel." 28 00:01:45,890 --> 00:01:47,690 "Je cassã© mon Talon." 29 00:01:47,690 --> 00:01:49,390 Of course, you speak English. 30 00:01:49,390 --> 00:01:51,620 Un peu. Uh, may I help you, miss? 31 00:01:51,630 --> 00:01:53,230 No, I'm good. 32 00:01:53,230 --> 00:01:55,630 Thank you. Merci. 33 00:01:55,630 --> 00:01:57,730 Well, you sure i can't offer you a ride? 34 00:01:57,740 --> 00:02:00,210 I can take you anywhere you like. 35 00:02:01,840 --> 00:02:05,680 Elementary-school teacher from Nashville, Tennessee, 36 00:02:05,680 --> 00:02:07,810 found this morning by two of her friends. 37 00:02:07,810 --> 00:02:10,640 Murdered and staged in the apartment she'd been leasing 38 00:02:10,650 --> 00:02:14,050 due to the brutal and provocative nature 39 00:02:14,050 --> 00:02:15,750 of Samantha Wade's murder, 40 00:02:15,750 --> 00:02:17,710 our ambassador and the French foreign minister 41 00:02:17,720 --> 00:02:19,020 have requested the I.R.T.'S assistance 42 00:02:19,020 --> 00:02:23,790 and given that about two million Americans visit Paris per year, 43 00:02:23,790 --> 00:02:26,090 not to mention an additional 50,000 on work visas, 44 00:02:26,100 --> 00:02:27,830 I'd bet they'd also like us 45 00:02:27,830 --> 00:02:30,060 to draw up a threat assessment to U.S. citizens. 46 00:02:30,070 --> 00:02:32,070 Well, there's nothing more threatening than this. 47 00:02:32,070 --> 00:02:33,770 What are these things in her eyes? 48 00:02:33,770 --> 00:02:35,800 French investigators have identified them 49 00:02:35,810 --> 00:02:40,340 bladed instruments used by land surveyors to inscribe trees. 50 00:02:40,340 --> 00:02:42,670 Not exactly your go-to murder weapon. 51 00:02:42,680 --> 00:02:44,720 Especially in an urban environment. 52 00:02:44,720 --> 00:02:47,790 These tools are really old... Pre-world war I. 53 00:02:47,790 --> 00:02:49,690 No prints, so they're not gonna help us narrow down 54 00:02:49,690 --> 00:02:50,860 our unsub's current occupation. 55 00:02:50,860 --> 00:02:53,220 Aren't exactly the murder weapons, either. 56 00:02:53,220 --> 00:02:54,380 I mean, even from these photos, 57 00:02:54,390 --> 00:02:55,790 you can see that the ocular injuries 58 00:02:55,790 --> 00:02:59,390 but I don't see an official autopsy report here, monty. 59 00:02:59,400 --> 00:03:02,400 The autopsy is being performed by the Paris coroner 60 00:03:02,400 --> 00:03:04,040 as you guys sail over the Atlantic. 61 00:03:04,040 --> 00:03:05,830 It says here that late last night, 62 00:03:05,840 --> 00:03:07,870 Samantha had dinner with the same two friends 63 00:03:07,870 --> 00:03:10,270 who found her this morning... Sheila Martin and Renee alston. 64 00:03:10,270 --> 00:03:13,840 She chose to walk home while they took the Metro train. 65 00:03:13,840 --> 00:03:15,970 Yeah, and that was around 12:30 A.M. local time. 66 00:03:15,980 --> 00:03:18,150 So Samantha could have easily been followed home. 67 00:03:18,150 --> 00:03:21,950 But there were not signs of forced entry into her apartment. 68 00:03:21,950 --> 00:03:23,810 So it's possible that she knew 69 00:03:23,820 --> 00:03:25,480 or was familiar with her attacker. 70 00:03:25,490 --> 00:03:29,300 Are interviewing all of her known friends and associates, 71 00:03:29,300 --> 00:03:31,420 including Sheila and Renee. 72 00:03:31,430 --> 00:03:33,200 Everybody's alibi is checking out. 73 00:03:33,200 --> 00:03:36,140 Which means Samantha's assailant might have presented in a way 74 00:03:36,140 --> 00:03:37,890 that felt comfortable to her. 75 00:03:37,900 --> 00:03:39,360 Well, safe enough to open the door. 76 00:03:39,370 --> 00:03:41,040 Clara: Well, there's also this French saying, 77 00:03:41,040 --> 00:03:42,740 se mettre le doigt dans l'oeil, 78 00:03:42,740 --> 00:03:44,410 which means to put your finger in your eye. 79 00:03:44,410 --> 00:03:46,950 It's the French equivalent of putting your foot in your mouth. 80 00:03:46,950 --> 00:03:48,170 As in to make a mistake. 81 00:03:48,180 --> 00:03:49,380 A mistake that, obviously, 82 00:03:49,380 --> 00:03:50,920 someone felt Samantha had to pay for. 83 00:03:50,920 --> 00:03:52,140 Jack: Got to be more to it. 84 00:03:52,150 --> 00:03:54,150 I mean, this staging is so extreme. 85 00:03:54,150 --> 00:03:57,010 It's like he's pictured it in his mind's eye for a while, 86 00:03:57,020 --> 00:03:58,860 and now he's bringing it to life. 87 00:03:58,860 --> 00:04:00,260 Well, if that's the case, Jack, 88 00:04:00,260 --> 00:04:01,860 all of this preparation and effort, 89 00:04:01,860 --> 00:04:03,760 he's definitely got a taste for it now. 90 00:04:11,430 --> 00:04:14,760 ♪ 91 00:04:14,770 --> 00:04:16,400 Bon aprã¨s-midi. 92 00:04:16,410 --> 00:04:20,310 ♪ 93 00:04:30,890 --> 00:04:32,460 Just a sec! 94 00:04:34,860 --> 00:04:36,500 Man: Pardon me, mademoiselle. 95 00:04:36,500 --> 00:04:37,920 You left something behind. 96 00:04:41,830 --> 00:04:45,490 ♪ 97 00:04:46,970 --> 00:04:49,810 ♪ 98 00:04:49,810 --> 00:04:51,980 No, please! 99 00:04:51,980 --> 00:04:55,410 N'ayez pas peur. Cesera beintã´t. 100 00:04:55,410 --> 00:04:59,940 ♪ 101 00:05:23,170 --> 00:05:25,530 ♪ 102 00:05:27,180 --> 00:05:31,220 ♪ 103 00:05:31,220 --> 00:05:35,320 "The bonds between ourselves and another person 104 00:05:35,320 --> 00:05:37,490 exist only in our minds." 105 00:05:37,490 --> 00:05:39,590 Marcel proust. 106 00:05:45,260 --> 00:05:47,960 You must be from the FBI, no? 107 00:05:47,970 --> 00:05:49,230 Yes, we are. 108 00:05:49,230 --> 00:05:51,290 I'm unit chief Jack Garrett. 109 00:05:51,300 --> 00:05:54,030 These are supervisory special agents 110 00:05:54,040 --> 00:05:56,070 seger, Jarvis, and Simmons. 111 00:05:56,070 --> 00:05:57,070 And you are? 112 00:05:57,070 --> 00:05:58,470 Commissaire Pierre clement, 113 00:05:58,480 --> 00:06:00,610 lead inspector, police judiciaire. 114 00:06:00,610 --> 00:06:02,940 If you would follow me, please. 115 00:06:03,950 --> 00:06:06,590 I'm not fluent in these joint operations, 116 00:06:06,590 --> 00:06:10,210 so you must forgive me if I don't appreciate having, 117 00:06:10,220 --> 00:06:12,890 how you say, my hand held. 118 00:06:12,890 --> 00:06:15,230 Commissaire clement, we are not here to hold your hand, 119 00:06:15,230 --> 00:06:18,000 just lend our expertise and experience. 120 00:06:18,000 --> 00:06:21,930 During your flight, another woman was found... 121 00:06:21,930 --> 00:06:23,260 Staged in her apartment. 122 00:06:23,270 --> 00:06:26,340 Instead of mutilating the eyes, he cut off her head. 123 00:06:26,340 --> 00:06:27,440 Took it with him. 124 00:06:27,440 --> 00:06:29,340 Another American woman? Oui. 125 00:06:29,340 --> 00:06:31,240 We have made an identification. 126 00:06:33,380 --> 00:06:35,410 Simmons: Bianca Lewis, 37 years old, 127 00:06:35,410 --> 00:06:38,140 work visa says she was employed as a publicist. 128 00:06:38,150 --> 00:06:40,120 Living in Paris for about 18 months. 129 00:06:40,120 --> 00:06:43,220 Is there any connection between Bianca Lewis and Samantha Wade? 130 00:06:43,220 --> 00:06:46,290 None that my inspectors have been able to establish thus far. 131 00:06:46,290 --> 00:06:48,530 We'll follow up with victimology back home. 132 00:06:48,530 --> 00:06:50,260 But right now, all we know 133 00:06:50,260 --> 00:06:51,530 is Samantha was a tourist 134 00:06:51,530 --> 00:06:55,600 and Bianca was a temporary non-immigrant worker. 135 00:06:55,600 --> 00:06:58,600 Still, female American... Both staying in the 18th arrondissement. 136 00:06:58,600 --> 00:07:02,670 Part of the right bank in the northern section of city. 137 00:07:02,670 --> 00:07:04,600 Hey, guys, take a look at this. 138 00:07:09,650 --> 00:07:12,220 Somebody has been seriously over-sharing with the press. 139 00:07:12,220 --> 00:07:13,720 Well, that would be me, mademoiselle. 140 00:07:13,720 --> 00:07:16,990 In my experience, sharing with our journalists 141 00:07:16,990 --> 00:07:20,390 often has a way of... shaking the fruit out of the tree. 142 00:07:20,390 --> 00:07:23,030 And smacking you on the head, right? 143 00:07:23,030 --> 00:07:25,330 Let's just say that your faith in the press corps 144 00:07:25,330 --> 00:07:27,270 is a little stronger than ours. 145 00:07:27,270 --> 00:07:30,030 So, I've arranged for you to work out of this room. 146 00:07:30,030 --> 00:07:31,590 And copies of all our reports 147 00:07:31,600 --> 00:07:34,030 will be made available as soon as we... 148 00:07:34,040 --> 00:07:37,180 Actually, I'll need to visit the Bianca Lewis crime scene 149 00:07:37,180 --> 00:07:38,670 with agent Simmons here. 150 00:07:38,680 --> 00:07:41,710 I'll also need agent Jarvis to review the autopsy findings 151 00:07:41,710 --> 00:07:44,170 while agent seger looks over the evidence 152 00:07:44,180 --> 00:07:46,280 collected at the Samantha Wade scene. 153 00:07:46,280 --> 00:07:48,110 Anything else you require, sir? 154 00:07:48,120 --> 00:07:49,350 No, that's it. 155 00:07:49,350 --> 00:07:50,580 For now. 156 00:07:50,590 --> 00:07:52,760 Tres bien. 157 00:07:52,760 --> 00:07:56,260 ♪ 158 00:07:56,260 --> 00:07:57,730 Let's get to work. 159 00:07:57,730 --> 00:08:00,330 Jack: Just like at Samantha's apartment. 160 00:08:00,330 --> 00:08:02,470 Bianca's body was posed 161 00:08:02,470 --> 00:08:04,700 in the same area of the room as Samantha's, 162 00:08:04,700 --> 00:08:06,630 the same sitting position... 163 00:08:06,640 --> 00:08:09,480 With all the violence concentrated right here. 164 00:08:09,480 --> 00:08:11,630 Everything else looks pretty undisturbed. 165 00:08:11,640 --> 00:08:14,300 Like Bianca had just come home from grocery shopping. 166 00:08:14,310 --> 00:08:16,140 Simmons: These bags are pretty full, though. 167 00:08:16,150 --> 00:08:18,520 Maybe somebody helped her carry them up the stairs. 168 00:08:18,520 --> 00:08:20,320 What are you thinking, Jack? 169 00:08:20,320 --> 00:08:24,150 He killed her before he removed her head. 170 00:08:24,150 --> 00:08:27,180 It's like what Mae said about Samantha's eyes. 171 00:08:27,190 --> 00:08:28,430 ♪ 172 00:08:28,430 --> 00:08:30,160 You think he took the head as a trophy? 173 00:08:30,160 --> 00:08:31,160 It's hard to say. 174 00:08:31,160 --> 00:08:32,350 Maybe he thought in this case, 175 00:08:32,360 --> 00:08:34,090 having a severed head lying around 176 00:08:34,100 --> 00:08:36,270 would just confuse his message. 177 00:08:36,270 --> 00:08:38,400 Well, I'm confused. 178 00:08:38,400 --> 00:08:41,660 We have one woman with gouged eyes, 179 00:08:41,670 --> 00:08:44,100 another with no head. 180 00:08:44,110 --> 00:08:47,210 What the hell's he trying to say, 181 00:08:47,210 --> 00:08:49,750 besides, "I'm a sick, misogynistic son of a bitch"? 182 00:08:49,750 --> 00:08:55,420 The staging at both scenes was deliberate, complicated. 183 00:08:55,420 --> 00:08:57,190 It would have taken a lot of time. 184 00:08:57,190 --> 00:09:00,560 And yet our unsub had no fear of interruption or distraction. 185 00:09:00,560 --> 00:09:02,190 Because you think that he knew 186 00:09:02,190 --> 00:09:04,220 they were staying in these apartments alone. 187 00:09:04,230 --> 00:09:06,630 Which would suggest that even if Samantha and Bianca didn't know each other, 188 00:09:06,630 --> 00:09:08,330 they might have known the unsub. 189 00:09:08,330 --> 00:09:11,390 Except he's completely objectified his victims. 190 00:09:11,400 --> 00:09:14,330 It's a lot harder to objectify someone 191 00:09:14,340 --> 00:09:16,580 you've had a relationship with... 192 00:09:16,580 --> 00:09:18,430 Rather than a stranger. 193 00:09:18,440 --> 00:09:21,470 So how do you get to know someone without really knowing them? 194 00:09:29,320 --> 00:09:33,330 Three years of college French, don't fail me now. 195 00:09:34,320 --> 00:09:35,780 Okay. 196 00:09:35,790 --> 00:09:38,290 "L'agression ã coup de couteau..." 197 00:09:38,300 --> 00:09:41,830 "The sharp-force injury to each eye occurred..." 198 00:09:41,830 --> 00:09:43,590 "...aprã¨s la mort." 199 00:09:43,600 --> 00:09:46,500 "Postmortem." Good call, Jarvis. 200 00:09:46,500 --> 00:09:51,400 "With Samantha's cause de dã©cã¨s actually being etranglement." 201 00:09:51,410 --> 00:09:54,380 Strangulation, broken hyroid bone. 202 00:09:55,810 --> 00:09:59,680 While Bianca's cause of death is... 203 00:09:59,680 --> 00:10:02,380 Also etranglement, wow. 204 00:10:02,390 --> 00:10:03,790 Okay, "avant la mort..." 205 00:10:03,790 --> 00:10:07,320 "Antemortem contusions suggest manual strangulation 206 00:10:07,320 --> 00:10:10,490 prior to the crude disarticulation of the head." 207 00:10:10,490 --> 00:10:11,650 Hold on. 208 00:10:11,660 --> 00:10:14,260 "Also recovered a fragment of metal, 209 00:10:14,260 --> 00:10:16,590 possibly a piece of l'arme du crime." 210 00:10:16,600 --> 00:10:17,830 The murder weapon. 211 00:10:17,830 --> 00:10:20,430 Oh, way to bury the lede, guys. 212 00:10:21,800 --> 00:10:26,670 ♪ 213 00:10:37,350 --> 00:10:38,350 ♪ 214 00:10:38,360 --> 00:10:39,690 Weird. 215 00:10:43,730 --> 00:10:45,630 Quoi de neuf, mon Cher ami? 216 00:10:45,630 --> 00:10:47,900 Hey, I need you to run some evidence for me. 217 00:10:47,900 --> 00:10:49,800 Okay, but you do know that the French 218 00:10:49,800 --> 00:10:52,240 pretty much invented forensic science, right? 219 00:10:52,240 --> 00:10:53,810 Yeah. Give or take a hundred years. 220 00:10:53,810 --> 00:10:56,430 I'm just saying that they've got a pretty good crime lab 221 00:10:56,440 --> 00:10:57,640 right there in Paris. 222 00:10:57,640 --> 00:10:59,400 So the coroner was able to recover 223 00:10:59,410 --> 00:11:02,450 a piece of the murder weapon from Bianca's body, 224 00:11:02,450 --> 00:11:04,380 and I know that they're gonna mass-spec 225 00:11:04,380 --> 00:11:08,410 but there is this weird piece of this symbol on it. 226 00:11:08,420 --> 00:11:12,290 These curvy, wavy lines look like I got some work to do. 227 00:11:12,290 --> 00:11:14,330 So Samantha had dinner with her friends 228 00:11:14,330 --> 00:11:15,880 here in the 10th arrondissement. 229 00:11:15,890 --> 00:11:19,250 And then she walked back to her apartment here in the 18th. 230 00:11:19,260 --> 00:11:21,460 We have yet to determine the precise route, 231 00:11:21,460 --> 00:11:23,760 so a broad search of cctv footage 232 00:11:23,770 --> 00:11:25,670 has turned up nothing yet. 233 00:11:25,670 --> 00:11:28,810 It would appear she arrived home, 234 00:11:28,810 --> 00:11:30,480 and then some time later, 235 00:11:30,480 --> 00:11:32,730 she invited the intruder inside the premises. 236 00:11:32,740 --> 00:11:35,370 That's a very long way to walk in those heels. 237 00:11:35,380 --> 00:11:38,520 That's what her friends thought, too. 238 00:11:42,220 --> 00:11:44,490 One of the heels is broken. 239 00:11:44,490 --> 00:11:47,560 Snapped off in the struggle with her assailant, to be sure. 240 00:11:47,560 --> 00:11:49,460 Are you sure? 241 00:11:49,460 --> 00:11:50,800 Did you see this residue? 242 00:11:50,800 --> 00:11:54,360 I did not personally process the victim's clothes, no. 243 00:11:54,360 --> 00:11:57,330 But I'm not sure how gravel would be probative. 244 00:11:57,330 --> 00:12:00,560 Do you see how it sort of shimmers in the light? 245 00:12:00,570 --> 00:12:04,410 It's used to set, among other things, cobblestones... 246 00:12:04,410 --> 00:12:06,910 In some of your famous little streets around here. 247 00:12:06,910 --> 00:12:09,410 Agent seger, those cobblestone streets 248 00:12:09,410 --> 00:12:10,940 are hundreds of years old. 249 00:12:10,950 --> 00:12:14,550 That's why people travel all over the world to walk on them. 250 00:12:14,550 --> 00:12:16,680 The dirty little secret is some of those stones 251 00:12:16,690 --> 00:12:18,560 are not nearly as old as advertised. 252 00:12:18,560 --> 00:12:20,630 Bien sur, they require maintenance. 253 00:12:20,630 --> 00:12:22,750 And some of them even need to be replaced. 254 00:12:22,760 --> 00:12:24,860 That's where the epoxy mortar comes in. 255 00:12:26,560 --> 00:12:29,790 48 hours ago, Samantha took a walk 256 00:12:29,800 --> 00:12:31,900 on a freshly paved cobblestone street, 257 00:12:31,900 --> 00:12:34,460 somewhere between the restaurant and her apartment. 258 00:12:34,470 --> 00:12:36,430 That's when she broke her heel. 259 00:12:36,440 --> 00:12:38,040 And she walked home from there. 260 00:12:38,040 --> 00:12:39,600 But she didn't. 261 00:12:39,610 --> 00:12:42,710 Look at the autopsy photos of her feet. 262 00:12:43,650 --> 00:12:45,820 There's no scratches, no dirt... 263 00:12:45,820 --> 00:12:48,990 Nothing to suggest that she walked barefoot anywhere. 264 00:12:48,990 --> 00:12:51,520 She got a ride back to her apartment. 265 00:12:51,520 --> 00:12:53,580 I suppose she could have hailed a taxi. 266 00:12:53,590 --> 00:12:57,660 From a street that had had recent road work done. 267 00:12:57,660 --> 00:13:00,620 And if we're lucky, some sort of surveillance camera. 268 00:13:00,630 --> 00:13:02,000 Putting Mae's metal fragment aside, 269 00:13:02,000 --> 00:13:04,400 I found the street that you're looking for, Clara... 270 00:13:04,400 --> 00:13:05,390 Cour des rãªves. 271 00:13:05,400 --> 00:13:06,760 Right, but commissaire clement said 272 00:13:06,770 --> 00:13:08,510 that there were no cctv cameras nearby. 273 00:13:08,510 --> 00:13:09,740 He is correct. 274 00:13:09,740 --> 00:13:11,510 However, there's an American bank 275 00:13:11,510 --> 00:13:14,080 on a nearby corner with a camera that captured this. 276 00:13:14,080 --> 00:13:15,850 They were kind enough to send me the security-camera footage. 277 00:13:15,850 --> 00:13:18,550 Jack: That's not a taxi. 278 00:13:18,550 --> 00:13:20,090 Is that the best image we have of the driver? 279 00:13:20,090 --> 00:13:23,510 Mae: Oh, it doesn't look like she knows this guy. 280 00:13:23,520 --> 00:13:26,390 I mean, not only does she get into a car with a stranger, 281 00:13:26,390 --> 00:13:29,560 there's no record of Samantha requesting a ride-share. 282 00:13:29,560 --> 00:13:31,590 What if it was a gypsy cab? 283 00:13:31,590 --> 00:13:32,820 Gypsy cab in Paris? 284 00:13:32,830 --> 00:13:34,360 Hold on. 285 00:13:34,360 --> 00:13:36,530 Wait. What's that right there... 286 00:13:36,530 --> 00:13:38,430 Hanging from the rearview mirror? 287 00:13:38,440 --> 00:13:40,010 It looks like a hackney horse. 288 00:13:40,010 --> 00:13:42,530 Which is a recent symbol for gypsy cabs in the city. 289 00:13:42,540 --> 00:13:44,740 And that's how you get to know someone without knowing them. 290 00:13:44,740 --> 00:13:47,700 Our unsub drives a gypsy cab. 291 00:13:47,710 --> 00:13:49,440 Makes perfect sense... He needs a way to learn 292 00:13:49,450 --> 00:13:51,450 if his prospective victims are American, living alone. 293 00:13:51,450 --> 00:13:54,550 It's kind of like "taxi cab confessions." 294 00:13:54,550 --> 00:13:56,410 I mean, taxi-cab drivers and bartenders... 295 00:13:56,420 --> 00:13:59,490 That we feel the most comfortable confiding in. 296 00:13:59,490 --> 00:14:00,990 Because they are shared intimacies 297 00:14:00,990 --> 00:14:02,630 we want to believe are fleeting 298 00:14:02,630 --> 00:14:04,030 and don't have a lasting impact. 299 00:14:04,030 --> 00:14:05,630 Simmons: At least we have the image of the vehicle. 300 00:14:05,630 --> 00:14:07,700 This partial license-plate number won't get us very far. 301 00:14:07,700 --> 00:14:09,600 It won't get us anywhere. 302 00:14:09,600 --> 00:14:11,400 Those plates are stolen. 303 00:14:11,400 --> 00:14:13,630 And I got to be honest, it's not gonna be that easy 304 00:14:13,640 --> 00:14:15,710 tracking down this one particular vehicle. 305 00:14:15,710 --> 00:14:18,640 There's at least 25,000 of them registered in Paris alone. 306 00:14:18,640 --> 00:14:20,600 Well, we can start by having the local police 307 00:14:20,610 --> 00:14:24,710 well, that's a start, but our unsub's hunting ground 308 00:14:24,710 --> 00:14:27,940 wherever he can find a vulnerable American woman. 309 00:14:27,950 --> 00:14:29,950 And with 2 victims in less than 48 hours, 310 00:14:29,950 --> 00:14:32,510 he's already hunting for his next victim right now. 311 00:14:32,520 --> 00:14:33,620 ♪ 312 00:14:59,180 --> 00:15:02,010 Hey, hey. Bonjour. 313 00:15:02,020 --> 00:15:06,060 Uh, je veux que vous me chassez... 314 00:15:06,060 --> 00:15:07,790 Sorry. Pardon. 315 00:15:07,790 --> 00:15:09,680 Um, peux tu... 316 00:15:09,690 --> 00:15:12,420 Oh, it's all right, mademoiselle. I do speak English. 317 00:15:12,430 --> 00:15:14,170 Oh! Seriously? 318 00:15:14,170 --> 00:15:15,460 That's awesome. 319 00:15:15,470 --> 00:15:17,100 I can take you anywhere you like. 320 00:15:17,100 --> 00:15:18,800 How about 17 rue de foss? 321 00:15:24,070 --> 00:15:26,200 Where are you from, then? 322 00:15:26,210 --> 00:15:27,910 San Diego, California. 323 00:15:27,910 --> 00:15:28,900 Ah. 324 00:15:28,910 --> 00:15:30,610 And what brings you to Paris? 325 00:15:30,610 --> 00:15:33,180 A music internship... I play piano. 326 00:15:33,180 --> 00:15:35,780 In the cafe where you work, i presume? 327 00:15:35,790 --> 00:15:37,560 No, I just need some extra cash. 328 00:15:37,560 --> 00:15:39,820 And it's helping me improve my French. 329 00:15:40,860 --> 00:15:42,790 So, uh, 17 rue de foss. 330 00:15:42,790 --> 00:15:45,120 That is not a hostel or hotel. 331 00:15:45,130 --> 00:15:48,160 No, yeah, I'm staying with a friend. 332 00:15:48,160 --> 00:15:50,660 Ah. A boyfriend? 333 00:15:50,670 --> 00:15:53,140 I wish. 334 00:15:53,140 --> 00:15:54,840 You must have a special boyfriend, 335 00:15:54,840 --> 00:15:57,170 a beautiful butterfly like you. 336 00:15:57,170 --> 00:15:58,770 Oh, not so much. 337 00:15:58,780 --> 00:16:00,710 Hmm. 338 00:16:00,710 --> 00:16:05,920 How are you getting along with this friend you're staying with? 339 00:16:06,850 --> 00:16:10,790 Um, do you mind just letting me out up at the corner up here? 340 00:16:10,790 --> 00:16:14,020 No, I know, that's okay. Just right up here. 341 00:16:14,020 --> 00:16:16,620 No, it's not. It's not safe here. 342 00:16:16,630 --> 00:16:19,760 Okay, look, francois, i want out now! 343 00:16:19,760 --> 00:16:21,860 ♪ 344 00:16:24,770 --> 00:16:27,900 You let me out right now, or I'm sending this to the cops. 345 00:16:27,900 --> 00:16:28,900 Do you hear me? 346 00:16:30,040 --> 00:16:32,080 What the hell are you doing?! 347 00:16:45,860 --> 00:16:47,830 Clement: Katherine barker, 25. 348 00:16:47,830 --> 00:16:50,820 A music intern from San Diego, California. 349 00:16:50,830 --> 00:16:54,030 She was discovered in an alley in the 2nd arrondissement. 350 00:16:54,030 --> 00:16:57,670 He literally tore out her heart and stuck it in her hands. 351 00:16:57,670 --> 00:16:59,300 Mae: Looks like she suffered compound fractures to her legs 352 00:16:59,300 --> 00:17:03,770 and that tells me that he tore her heart out 353 00:17:03,770 --> 00:17:04,800 after he ran her over. 354 00:17:04,810 --> 00:17:06,680 But why change the pattern here? 355 00:17:06,680 --> 00:17:09,010 Why stage the body in an alley, not her own apartment? 356 00:17:09,010 --> 00:17:10,940 Because Katherine fought back. 357 00:17:10,950 --> 00:17:12,320 She tried to get away. 358 00:17:12,320 --> 00:17:14,790 These abrasions on her face, along her legs... 359 00:17:14,790 --> 00:17:18,050 I'd say from jumping out of a moving vehicle. 360 00:17:18,050 --> 00:17:19,950 So now we're looking at 3 victims 361 00:17:19,960 --> 00:17:21,090 in the span of 72 hours. 362 00:17:21,090 --> 00:17:22,790 And given that our unsub 363 00:17:22,790 --> 00:17:25,290 needs to find an American woman in a foreign city, 364 00:17:25,300 --> 00:17:27,900 it's as if he doesn't have a cooling-off period. 365 00:17:27,900 --> 00:17:30,800 I think it's time we speak to the public about what we know. 366 00:17:30,800 --> 00:17:33,970 To avoid contact with the driver of this gypsy cab, 367 00:17:33,970 --> 00:17:36,810 implore them to notify us immediately if they should see him. 368 00:17:36,810 --> 00:17:38,980 That strategy cuts both ways. 369 00:17:38,980 --> 00:17:44,080 No doubt a warning will protect the public in the near term. 370 00:17:44,080 --> 00:17:47,150 What we're concerned with is if we're not able 371 00:17:47,150 --> 00:17:49,990 to apprehend the unsub immediately afterwards, 372 00:17:49,990 --> 00:17:52,320 then he might respond by abandoning the car. 373 00:17:52,320 --> 00:17:54,220 And right now, as long as he feels comfortable 374 00:17:54,220 --> 00:17:56,690 behind that wheel, then we have a chance of catching him. 375 00:17:56,690 --> 00:18:00,160 Not only will it make it harder for us to track him down, 376 00:18:00,160 --> 00:18:02,990 it will force him to alter his m.O. Even further. 377 00:18:03,000 --> 00:18:06,040 So you're telling me I'm damned if I do, damned if I don't. 378 00:18:06,040 --> 00:18:09,710 Letting the unsub know what we know right now 379 00:18:09,710 --> 00:18:11,870 is really a nuclear option. 380 00:18:11,870 --> 00:18:14,970 I will wait then... Until morning. 381 00:18:14,980 --> 00:18:17,780 Then we sound the alarms. 382 00:18:17,780 --> 00:18:20,920 ♪ 383 00:19:16,170 --> 00:19:17,970 Monty: So what did I tell you, Mae? The French 384 00:19:17,970 --> 00:19:19,430 ran a radiocarbon dating on the metal fragment 385 00:19:19,440 --> 00:19:21,900 that was recovered from Bianca Lewis' body. 386 00:19:21,910 --> 00:19:23,440 Turns out to be an iron composite 387 00:19:23,450 --> 00:19:26,320 that was smelted down into what is essentially a hand saw... 388 00:19:26,320 --> 00:19:28,150 Some time in the late 19th century. 389 00:19:28,150 --> 00:19:29,980 Well, I'm gonna go out on a limb and say 390 00:19:29,990 --> 00:19:32,160 this probably won't help us narrow down our unsub's identity. 391 00:19:32,160 --> 00:19:34,090 Maybe, but it did help me identify 392 00:19:34,090 --> 00:19:36,190 those weird wavy lines etched into the fragment. 393 00:19:36,190 --> 00:19:39,020 Now, because the timber scribes and the hand saw 394 00:19:39,030 --> 00:19:41,030 are both very old and very French, 395 00:19:41,030 --> 00:19:43,070 I did some digging and discovered a logo 396 00:19:43,070 --> 00:19:45,400 for a once-renowned wood-craftsman company 397 00:19:45,400 --> 00:19:46,460 out of marseilles. 398 00:19:46,470 --> 00:19:48,300 Le lion de l'eau. 399 00:19:48,300 --> 00:19:52,000 Company was founded by the boulanger family in 1880. 400 00:19:52,010 --> 00:19:55,480 It remained family-owned until it was sold in 1987. 401 00:19:55,480 --> 00:19:58,020 And whatever happened after that to either the company 402 00:19:58,020 --> 00:20:01,110 or the boulanger family was not uploaded for digital posterity. 403 00:20:01,120 --> 00:20:02,250 So what are we thinking? 404 00:20:02,250 --> 00:20:04,080 If our unsub's weapons of choice 405 00:20:04,090 --> 00:20:05,990 can be loosely traced back to this company, 406 00:20:05,990 --> 00:20:08,390 then is he a possible relative of the boulanger family? 407 00:20:08,390 --> 00:20:11,350 Or a subsidiary that acquired some of the company's assets. 408 00:20:11,360 --> 00:20:12,500 Your guess is as good as mine. 409 00:20:12,500 --> 00:20:14,070 Jack: We don't have time for guesswork. 410 00:20:14,070 --> 00:20:16,320 We need to be able to provide clement and his people 411 00:20:16,330 --> 00:20:19,960 otherwise he's gonna release the information we have 412 00:20:19,970 --> 00:20:21,070 to the public. 413 00:20:21,070 --> 00:20:22,810 So let's go over it again. 414 00:20:22,810 --> 00:20:25,310 Okay, we're looking for someone who is criminally sophisticated, 415 00:20:25,310 --> 00:20:29,050 strong, patient, which suggests to me an older male, 416 00:20:29,050 --> 00:20:30,280 probably in his 40s. 417 00:20:30,280 --> 00:20:32,350 Simmons: Hunting for the right victim takes time, 418 00:20:32,350 --> 00:20:34,120 so it doesn't look like he has a job. 419 00:20:34,120 --> 00:20:37,890 And he's only striking when the victim is the right type. 420 00:20:37,890 --> 00:20:39,220 Yeah, and based on his staging of the bodies 421 00:20:39,220 --> 00:20:43,520 it appears to me that Katherine, Bianca, and Samantha 422 00:20:43,530 --> 00:20:47,100 are all surrogates for our unsub's true target, 423 00:20:47,100 --> 00:20:49,000 and their murders are probably a means 424 00:20:49,000 --> 00:20:51,170 to build his courage and confidence 425 00:20:51,170 --> 00:20:53,170 in order to commit the ultimate act. 426 00:20:53,170 --> 00:20:54,510 So somewhere out there is an American woman 427 00:20:54,510 --> 00:20:56,160 who broke this guy's heart. 428 00:20:56,170 --> 00:20:59,000 Or rejected him or committed some perceived slight 429 00:20:59,010 --> 00:21:01,480 that he now feels that he has to redress... 430 00:21:01,480 --> 00:21:03,520 In the most brutal way possible. 431 00:21:03,520 --> 00:21:06,780 Jack? 432 00:21:08,050 --> 00:21:13,560 ♪ 433 00:21:13,560 --> 00:21:15,790 Clement is dropping the bomb. 434 00:21:48,160 --> 00:21:50,890 ♪ 435 00:22:00,400 --> 00:22:02,230 You were right. 436 00:22:02,240 --> 00:22:05,140 He abandoned his vehicle in entrepã´t... 437 00:22:05,140 --> 00:22:06,870 The 10th arrondissement. 438 00:22:06,880 --> 00:22:09,180 He left nothing behind for us. 439 00:22:09,180 --> 00:22:11,050 I know you believe 440 00:22:11,050 --> 00:22:14,350 I have altered this monster's behavior unpredictably. 441 00:22:14,350 --> 00:22:17,260 But I would like to believe i stalled his progress. 442 00:22:17,260 --> 00:22:19,580 He will most certainly need another car 443 00:22:19,590 --> 00:22:21,590 in order to maintain his deceit. 444 00:22:21,590 --> 00:22:23,250 If he maintains his deceit. 445 00:22:23,260 --> 00:22:25,030 He could just go into a tailspin... 446 00:22:25,030 --> 00:22:26,160 You need to double down. 447 00:22:26,160 --> 00:22:27,990 Call in reinforcements if you have to. 448 00:22:28,000 --> 00:22:30,240 Your department needs to show overwhelming force 449 00:22:30,240 --> 00:22:31,590 on the streets of Paris tonight 450 00:22:31,600 --> 00:22:33,530 and every night until we catch this man. 451 00:22:33,540 --> 00:22:35,240 This unsub needs to feel your breath 452 00:22:35,240 --> 00:22:39,110 and every American woman out there who could be his next victim 453 00:22:39,110 --> 00:22:42,110 needs to feel like there's a cop on every corner who's there to protect them. 454 00:22:42,110 --> 00:22:43,870 I will do what I can. 455 00:22:46,210 --> 00:22:49,110 All right, we need to focus on a possible connection 456 00:22:49,120 --> 00:22:51,320 between our unsub and the boulanger family 457 00:22:51,320 --> 00:22:53,660 or this craftsman company in marseilles. 458 00:22:53,660 --> 00:22:56,130 And we need to find some way to get our hands on hard copies 459 00:22:56,130 --> 00:22:57,400 of all those records and histories. 460 00:22:57,400 --> 00:22:58,990 All right, I'm on it. 461 00:23:19,410 --> 00:23:21,140 Man: Mademoiselle, do you speak English? 462 00:23:21,150 --> 00:23:22,320 English? 463 00:23:22,320 --> 00:23:23,490 Yes. 464 00:23:23,490 --> 00:23:25,160 Are you American, by chance? 465 00:23:31,260 --> 00:23:32,560 Ay, ay, ay! 466 00:23:55,050 --> 00:23:57,120 ♪ 467 00:24:35,090 --> 00:24:38,050 Clement: Her name is Alexandra Lafayette. 468 00:24:38,060 --> 00:24:40,400 Her husband came home last night and startled an intruder, 469 00:24:40,400 --> 00:24:41,560 who escaped. 470 00:24:41,560 --> 00:24:43,420 But that's when he found her. 471 00:24:44,300 --> 00:24:49,040 My inspectors didn't immediately connect her 472 00:24:49,040 --> 00:24:52,210 with the American women until they saw this. 473 00:24:52,210 --> 00:24:56,110 ♪ 474 00:24:58,280 --> 00:24:59,720 Mae: Looks like a butterfly. 475 00:24:59,720 --> 00:25:01,450 I don't understand. 476 00:25:01,450 --> 00:25:05,620 He filled her stomach full of dead butterflies. 477 00:25:05,620 --> 00:25:07,080 Yeah, but it doesn't look like any kind of butterfly 478 00:25:07,090 --> 00:25:11,060 he didn't take the time to stage her body at the scene. 479 00:25:11,060 --> 00:25:14,030 As I said, madame Lafayette's husband walked in on him. 480 00:25:14,030 --> 00:25:16,530 Yeah, but how did he not know that she was living with her husband? 481 00:25:16,530 --> 00:25:18,790 I mean, do you think that he didn't have a chance to ask her? 482 00:25:18,800 --> 00:25:20,600 Or maybe he no longer cares. 483 00:25:20,600 --> 00:25:21,800 Why wouldn't he care? 484 00:25:21,800 --> 00:25:23,360 It's a terrible risk. 485 00:25:23,370 --> 00:25:26,170 Because maybe he doesn't have time to care 486 00:25:26,180 --> 00:25:28,350 if his victims are American or French. 487 00:25:28,350 --> 00:25:30,040 And now any vulnerable woman will do. 488 00:25:30,050 --> 00:25:32,350 He has to finish what he started before it's too late. 489 00:25:32,350 --> 00:25:34,120 Too late for what, mademoiselle? 490 00:25:34,120 --> 00:25:36,320 Well, for one thing, he knows that we're on to him. 491 00:25:36,320 --> 00:25:38,760 And it's just a matter of time before we shut him down, right? 492 00:25:38,750 --> 00:25:41,120 Right, but I think there's something else applying pressure to him, 493 00:25:41,120 --> 00:25:42,620 forcing him to accelerate his mission, 494 00:25:42,630 --> 00:25:46,660 and this time, it's his butterflies in the stomach. 495 00:25:46,660 --> 00:25:48,560 That is what he was trying to say. 496 00:25:48,560 --> 00:25:51,090 I think we've been looking at these murders 497 00:25:51,100 --> 00:25:52,600 like they're just rehearsals. 498 00:25:52,600 --> 00:25:55,060 But maybe they're the main event. 499 00:25:55,070 --> 00:25:56,530 How do you figure? 500 00:25:56,540 --> 00:25:58,840 I think our visceral reaction to the brutality here 501 00:25:58,840 --> 00:26:01,100 is keeping us from seeing the scene 502 00:26:01,110 --> 00:26:02,580 from the unsub's point of view. 503 00:26:02,580 --> 00:26:05,350 I have butterflies in my stomach. 504 00:26:07,650 --> 00:26:11,320 I have my heart in my hands. 505 00:26:11,320 --> 00:26:13,290 I lost my head. 506 00:26:13,290 --> 00:26:14,660 ♪ 507 00:26:14,660 --> 00:26:15,860 And I am blinded by love. 508 00:26:15,860 --> 00:26:17,330 This is not love. 509 00:26:17,330 --> 00:26:19,330 This is vicious and cruel. 510 00:26:19,330 --> 00:26:22,230 Yes, but, you see, they aren't either of those things to our unsub. 511 00:26:22,230 --> 00:26:23,860 To him, these crime scenes are a way 512 00:26:23,870 --> 00:26:25,470 for him to try and express himself. 513 00:26:25,470 --> 00:26:27,810 Yeah, and you think that he's trying to express himself 514 00:26:27,810 --> 00:26:30,130 to this idealized American woman? 515 00:26:30,140 --> 00:26:33,280 I think he is trying to tell her how she makes him feel. 516 00:26:33,280 --> 00:26:35,750 It's like a series of sick, twisted valentines. 517 00:26:35,750 --> 00:26:38,810 I think she's the object of his affections, 518 00:26:38,810 --> 00:26:40,810 and he will try and reach out to her for sure. 519 00:26:40,820 --> 00:26:43,650 But if and when she rejects his affections... 520 00:26:43,650 --> 00:26:45,510 He will feel betrayed by love 521 00:26:45,520 --> 00:26:47,480 and ultimately lash out on her. 522 00:26:47,490 --> 00:26:49,790 Let us presume you're correct, agent seger. 523 00:26:49,790 --> 00:26:51,690 If we can't find this man, 524 00:26:51,690 --> 00:26:53,650 perhaps we find this woman. 525 00:26:53,660 --> 00:26:56,820 I just know if she will be any easier to find than him. 526 00:26:56,830 --> 00:26:59,890 Yeah, but let's not forget about these guys here. 527 00:26:59,900 --> 00:27:01,660 I mean... 528 00:27:01,670 --> 00:27:05,710 Something tells me that this butterfly effect may just... 529 00:27:05,710 --> 00:27:07,210 How did you say it, commissaire clement? 530 00:27:07,210 --> 00:27:08,750 Shake the fruit out of the tree? 531 00:27:08,750 --> 00:27:10,710 ♪ 532 00:27:11,710 --> 00:27:14,510 Monty: Say hello to my little friend. 533 00:27:14,520 --> 00:27:17,520 Udaspes folus... A.K.A. The grass demon butterfly. 534 00:27:17,520 --> 00:27:20,790 Not only does he not normally reside in your intestines, 535 00:27:20,790 --> 00:27:23,660 but he's a non-native to the European continent. 536 00:27:23,660 --> 00:27:25,930 He prefers India and southeast Asia. 537 00:27:25,930 --> 00:27:28,430 So our unsub either gets hold of these demon butterflies 538 00:27:28,430 --> 00:27:29,900 by importing them or stealing them. 539 00:27:29,900 --> 00:27:32,270 Let's go with what's behind door number two. 540 00:27:32,270 --> 00:27:35,210 Import records show a delivery was made to the Paris area 541 00:27:35,210 --> 00:27:38,630 about nine months ago, to Maison des papillons, 542 00:27:38,640 --> 00:27:40,900 which is literally "house o' butterflies." 543 00:27:40,910 --> 00:27:42,710 Then about a week ago, a trespassing charge was filed 544 00:27:42,710 --> 00:27:46,710 against a 42-year-old man named Paul mossier. 545 00:27:46,720 --> 00:27:48,720 Wait a second. That name sounds familiar. 546 00:27:48,720 --> 00:27:49,920 That last name... Mossier. 547 00:27:49,920 --> 00:27:52,520 When I followed up with the boulanger family 548 00:27:52,520 --> 00:27:55,220 and what's become of the le lion de l'eau company, 549 00:27:55,220 --> 00:27:57,320 there was a dispute over inheritance 550 00:27:57,330 --> 00:27:59,930 that was filed 20 years ago by Killian mossier. 551 00:27:59,930 --> 00:28:02,930 Could be an uncle on madame boulanger's side. 552 00:28:02,930 --> 00:28:04,890 I'm not big on coincidence. 553 00:28:04,900 --> 00:28:08,570 And if Paul is connected to the family, 554 00:28:08,570 --> 00:28:10,230 then that's how he gets the murder weapons. 555 00:28:10,240 --> 00:28:13,210 Monty, what else can you tell us about this Paul mossier? 556 00:28:13,210 --> 00:28:14,610 He's got a bit of a record 557 00:28:14,610 --> 00:28:16,350 dating back the last several years. 558 00:28:16,350 --> 00:28:18,680 Various assaults, disorderly conduct. 559 00:28:18,680 --> 00:28:20,540 Then it says here that following 560 00:28:20,550 --> 00:28:22,850 an attempted assault on a police officer, 561 00:28:22,850 --> 00:28:25,650 Paul mossier was remanded to a psychiatric hospital. 562 00:28:25,650 --> 00:28:27,480 He's supposed to be an in-patient 563 00:28:27,490 --> 00:28:28,960 at l'institut du pinel. 564 00:28:28,960 --> 00:28:30,900 Clara and I will check it out... 565 00:28:30,900 --> 00:28:32,890 While you two stay here and try to identify 566 00:28:32,900 --> 00:28:36,970 the American woman who's the focus of our unsub's attention. 567 00:28:38,700 --> 00:28:40,440 ♪ 568 00:28:41,440 --> 00:28:43,240 Bonjour. Bonjour. 569 00:28:43,240 --> 00:28:44,810 Je suis l'officier seger. 570 00:28:44,810 --> 00:28:46,980 C'est l'unitã© du chef Garrett. 571 00:28:46,980 --> 00:28:48,880 Nous sommes du FBI. 572 00:28:48,880 --> 00:28:51,720 Nous aimerions parler avec monsieur Paul mossier. 573 00:28:51,720 --> 00:28:53,440 Excuse me. 574 00:28:53,450 --> 00:28:55,280 You are looking for Paul? 575 00:28:55,280 --> 00:28:59,680 Dr. Alain gilles, clinical director of behavioral health. 576 00:28:59,690 --> 00:29:01,360 Is Paul mossier a patient here? 577 00:29:01,360 --> 00:29:04,630 I'm sorry, but, uh, why does the FBI want to speak to him? 578 00:29:04,630 --> 00:29:08,000 His name's come up with regards to an ongoing investigation. 579 00:29:09,000 --> 00:29:10,800 You think he has something to do 580 00:29:10,800 --> 00:29:13,300 with the American women who have been murdered. 581 00:29:14,370 --> 00:29:15,870 We need to speak to him. 582 00:29:15,870 --> 00:29:18,770 Paul was released from our supervision over two weeks ago. 583 00:29:18,770 --> 00:29:20,800 When he was remanded to this facility, 584 00:29:20,810 --> 00:29:25,310 I'm truly not at Liberty to share those details with you. 585 00:29:25,310 --> 00:29:27,010 Were you his primary therapist? 586 00:29:27,020 --> 00:29:28,750 Yes, myself and Dr. Bernard. 587 00:29:28,750 --> 00:29:32,310 Paul showed the greatest signs of improvement 588 00:29:32,320 --> 00:29:33,480 over the last months 589 00:29:33,490 --> 00:29:35,860 while working with one of our volunteers. 590 00:29:35,860 --> 00:29:37,560 She, uh, used art therapy. 591 00:29:40,330 --> 00:29:42,060 Jack: Is this her? 592 00:29:42,060 --> 00:29:44,960 Yes. Her name is Amy Wallace. 593 00:29:44,970 --> 00:29:47,670 Amy's an American, isn't she? 594 00:29:47,670 --> 00:29:49,840 Yes, she is. May we speak with her? 595 00:29:49,840 --> 00:29:51,840 Unfortunately, she is no longer here. 596 00:29:51,840 --> 00:29:54,340 She left about a month ago. 597 00:29:54,340 --> 00:29:58,670 ♪ 598 00:29:59,910 --> 00:30:02,510 Did she see this before she left? 599 00:30:02,520 --> 00:30:03,720 No. 600 00:30:03,720 --> 00:30:06,020 Paul took her absence very hard. 601 00:30:06,020 --> 00:30:08,020 He comes from a family of craftsmen, 602 00:30:08,020 --> 00:30:10,350 but due to his struggles with mental health, 603 00:30:10,360 --> 00:30:11,400 they rejected him. 604 00:30:11,400 --> 00:30:13,050 Amy was probably the first person 605 00:30:13,060 --> 00:30:15,360 to help him realize his potential. 606 00:30:15,360 --> 00:30:17,360 But this hospital felt comfortable releasing him 607 00:30:17,370 --> 00:30:18,870 despite his known aggressive tendencies 608 00:30:18,870 --> 00:30:21,340 and this suggestion of a violent fantasy? 609 00:30:21,340 --> 00:30:23,010 It's not what I would have preferred, 610 00:30:23,010 --> 00:30:24,510 but Paul had improved enough 611 00:30:24,510 --> 00:30:26,510 that we could no longer hold him involuntarily. 612 00:30:26,510 --> 00:30:30,080 Do you know if Paul tried to contact Amy after his release? 613 00:30:30,080 --> 00:30:32,380 As a matter of fact, he did, yes. 614 00:30:32,380 --> 00:30:35,580 And that's when someone mentioned that she had gotten engaged 615 00:30:35,580 --> 00:30:37,950 and that she was returning to the United States. 616 00:30:37,950 --> 00:30:40,050 But you don't know if or when she returned to the U.S.? 617 00:30:40,060 --> 00:30:41,730 No, I do not, I'm sorry. 618 00:30:43,020 --> 00:30:45,390 Thank you, doctor. 619 00:30:45,390 --> 00:30:46,850 Sure. 620 00:30:46,860 --> 00:30:49,060 Thank you. 621 00:30:49,060 --> 00:30:51,360 We need to find Amy Wallace... now. 622 00:30:51,370 --> 00:30:52,600 ♪ 623 00:30:56,600 --> 00:30:59,070 Paul? 624 00:30:59,070 --> 00:31:00,400 Bonjour, Amy. 625 00:31:00,410 --> 00:31:02,880 I didn't know you knew where I lived. 626 00:31:02,880 --> 00:31:04,980 Well, I apologize for not calling 627 00:31:04,980 --> 00:31:06,820 before dropping by like this. 628 00:31:06,820 --> 00:31:08,120 No, it's fine. I... 629 00:31:08,120 --> 00:31:10,590 Just thought you were the movers. 630 00:31:10,590 --> 00:31:14,060 They're already an hour late, and I'm moving back home. 631 00:31:14,060 --> 00:31:15,060 Oh. 632 00:31:15,060 --> 00:31:17,160 But it's really good to see you. 633 00:31:17,160 --> 00:31:19,860 It's really good to see you, too. 634 00:31:19,860 --> 00:31:22,420 Sorry I haven't had a chance to visit. 635 00:31:22,430 --> 00:31:23,790 It's been a busy time. 636 00:31:23,800 --> 00:31:27,170 I'm no longer a patient at the hospital. 637 00:31:27,170 --> 00:31:30,170 Wonderful. 638 00:31:30,170 --> 00:31:32,900 And you're still working on the things we were focused on? 639 00:31:32,910 --> 00:31:34,410 Oh, yes, I have. 640 00:31:34,410 --> 00:31:36,680 I-i need to show you something. 641 00:31:36,680 --> 00:31:37,780 Okay. 642 00:31:37,780 --> 00:31:40,080 Uh, but, uh, it's not here. 643 00:31:40,080 --> 00:31:43,180 So I need to take you... To see it. 644 00:31:43,190 --> 00:31:45,120 Paul, like I said, i can't leave. 645 00:31:45,120 --> 00:31:47,490 I'm still waiting for the movers. 646 00:31:47,490 --> 00:31:49,730 I... 647 00:31:49,730 --> 00:31:53,530 I've been working really hard, Amy. 648 00:31:53,530 --> 00:31:55,000 Please... 649 00:31:55,000 --> 00:31:56,530 Come... 650 00:31:56,530 --> 00:31:58,460 With me. 651 00:31:59,770 --> 00:32:00,970 Okay. 652 00:32:00,970 --> 00:32:03,140 Let me just grab my coat. 653 00:32:03,140 --> 00:32:05,580 Okay. 654 00:32:10,750 --> 00:32:14,080 Paul, stop, stop! 655 00:32:14,080 --> 00:32:15,610 Please. 656 00:32:15,620 --> 00:32:17,490 I'm not going to hurt you. 657 00:32:17,490 --> 00:32:21,490 We're just playing le jeu d'ã©vanouissement. 658 00:32:21,490 --> 00:32:23,660 It's a fainting game. 659 00:32:23,660 --> 00:32:29,200 Good night, my love. 660 00:32:31,130 --> 00:32:32,190 ♪ 661 00:32:44,780 --> 00:32:48,020 My inspectors have searched the building and outer perimeter. 662 00:32:48,020 --> 00:32:50,860 There's no sign of Paul mossier or Amy Wallace. 663 00:32:50,860 --> 00:32:52,110 No sign of a struggle. 664 00:32:52,120 --> 00:32:54,690 If we're right, at this moment, 665 00:32:54,690 --> 00:32:56,160 Paul's intention is not to hurt Amy, 666 00:32:56,160 --> 00:32:58,160 but to try and impress her with what he's done. 667 00:32:58,160 --> 00:33:00,060 So he would have incapacitated her 668 00:33:00,060 --> 00:33:03,220 in order to transport her someplace he feels safe and comfortable. 669 00:33:03,230 --> 00:33:05,790 I cannot believe his intention is not to kill her. 670 00:33:05,800 --> 00:33:07,560 She could already be dead 671 00:33:07,570 --> 00:33:09,040 and he's taken her body somewhere to pose it. 672 00:33:09,040 --> 00:33:11,910 Believe it or not, Paul's actually trying to woo Amy, 673 00:33:11,910 --> 00:33:14,210 which means we have time, but you are right. 674 00:33:14,210 --> 00:33:16,510 Eventually, Amy will see what Paul has done, 675 00:33:16,510 --> 00:33:18,210 and she will absolutely reject him. 676 00:33:18,210 --> 00:33:19,570 And that's when he kills her. 677 00:33:19,580 --> 00:33:21,740 The question is, where did he take her? 678 00:33:23,920 --> 00:33:25,090 Simmons, what do you got? 679 00:33:25,090 --> 00:33:29,190 Alexandra Lafayette called for roadside assistance. 680 00:33:29,190 --> 00:33:31,120 When the tow-truck driver finally showed up, 681 00:33:31,130 --> 00:33:32,560 he sees another tow truck 682 00:33:32,560 --> 00:33:34,660 hauling away appears to be Alexandra's vehicle. 683 00:33:34,660 --> 00:33:36,760 Mae: That was under the bridge near the rue de l'ã©toile, 684 00:33:36,770 --> 00:33:38,700 and monty's got a hook up to the cctv cameras 685 00:33:38,700 --> 00:33:41,140 at the intersection running both north and south of there. 686 00:33:41,140 --> 00:33:45,840 I was able to spot our unsub's new ride, which is a tow truck, 687 00:33:45,840 --> 00:33:48,300 and he's clearly got Alexandra's car hooked up to it. 688 00:33:48,310 --> 00:33:50,850 He's heading northbound on the rue d'ã©toile. 689 00:33:50,850 --> 00:33:52,610 But I ran all the cctv footage. 690 00:33:52,610 --> 00:33:54,010 I lost them heading north-northeast 691 00:33:54,020 --> 00:33:57,950 I don't think he'd take her completely out of the city, Jack. 692 00:33:57,950 --> 00:34:00,180 That's a pretty industrial area. It's a good place to lay low. 693 00:34:00,190 --> 00:34:02,130 But there's no record of a Paul mossier 694 00:34:02,130 --> 00:34:04,220 owning or leasing property out in that area. 695 00:34:04,230 --> 00:34:05,300 Simmons: Well, it's got to be connected 696 00:34:05,300 --> 00:34:08,320 Mae and i will check the records again. 697 00:34:08,330 --> 00:34:11,240 We need to set up a command post out near the airport. 698 00:34:38,230 --> 00:34:40,300 Paul? Where am I? 699 00:34:52,310 --> 00:34:54,380 Aah! 700 00:34:57,110 --> 00:34:58,170 No! 701 00:35:03,190 --> 00:35:07,990 That's why I need you to see everything I've done, okay? 702 00:35:07,990 --> 00:35:11,330 Monty: According to those files you scanned for me, 703 00:35:11,330 --> 00:35:14,260 the mossier clan is like some withering bastard branch 704 00:35:14,260 --> 00:35:15,820 of the boulanger family tree. 705 00:35:15,830 --> 00:35:17,790 But the mossiers... Or what's left of them... 706 00:35:17,800 --> 00:35:19,640 They held title to five separate holdings 707 00:35:19,640 --> 00:35:20,940 on the outskirts of Paris. 708 00:35:20,940 --> 00:35:23,170 From meaux all the way to plaisir. 709 00:35:23,170 --> 00:35:25,870 Jack and Clara are getting pretty close to that one property in villepinte. 710 00:35:25,870 --> 00:35:28,670 We have lost our sense of history. 711 00:35:28,680 --> 00:35:31,950 They are calling me the butcher of Paris. 712 00:35:31,950 --> 00:35:34,920 That name was given to Marcel petiot. 713 00:35:34,920 --> 00:35:37,850 He was a doctor who killed 23 people 714 00:35:37,850 --> 00:35:39,750 during world war ii. 715 00:35:39,760 --> 00:35:42,160 He was a butcher. 716 00:35:42,160 --> 00:35:43,330 And moi? 717 00:35:43,330 --> 00:35:45,790 I am... An artiste. 718 00:35:45,790 --> 00:35:50,320 I took flesh and bone and made them, uh... 719 00:35:50,330 --> 00:35:51,930 Transcendent. 720 00:35:51,930 --> 00:35:55,930 But none of this would be possible without you. 721 00:35:55,940 --> 00:35:58,110 You are my muse, Amy. 722 00:35:58,110 --> 00:36:02,980 Because of you, i am transcendent. 723 00:36:02,980 --> 00:36:07,780 You've always been special, Paul. 724 00:36:09,020 --> 00:36:12,190 But I couldn't see that before you. 725 00:36:12,190 --> 00:36:13,420 I know. 726 00:36:16,320 --> 00:36:18,250 You know... 727 00:36:18,260 --> 00:36:20,460 When I was a little boy, 728 00:36:20,460 --> 00:36:24,690 my father tried to teach me how to carve the wood. 729 00:36:27,870 --> 00:36:29,470 He got frustrated 730 00:36:29,470 --> 00:36:33,430 and burned my hand with his cigarette. 731 00:36:34,440 --> 00:36:39,110 Told me I was not his blood. 732 00:36:39,110 --> 00:36:41,910 I...I am so sorry. 733 00:36:41,920 --> 00:36:46,890 Will you please let me go, Paul? 734 00:36:46,890 --> 00:36:48,460 I can't. Yeah. 735 00:36:48,460 --> 00:36:51,430 Yes, you can. 736 00:36:51,430 --> 00:36:53,330 No, no, Amy. 737 00:36:53,330 --> 00:36:57,900 Without you, I am nothing. 738 00:36:57,900 --> 00:37:01,000 I love you, Amy. 739 00:37:01,000 --> 00:37:03,100 Je t'aime. 740 00:37:05,340 --> 00:37:11,980 You understand what I've done, don't you? 741 00:37:11,980 --> 00:37:13,950 I do. 742 00:37:25,430 --> 00:37:27,260 ♪ 743 00:37:27,260 --> 00:37:29,790 How do you like it? 744 00:37:31,270 --> 00:37:34,810 ♪ 745 00:37:41,340 --> 00:37:43,300 Jack, the French national police 746 00:37:43,310 --> 00:37:45,340 have detained Killian mossier in Toulouse. 747 00:37:45,350 --> 00:37:47,520 He has confirmed that his nephew has taken possession 748 00:37:47,520 --> 00:37:49,320 of the property you're heading to now. 749 00:37:49,320 --> 00:37:50,550 Jack: Does he know if his nephew 750 00:37:50,550 --> 00:37:52,180 has stockpiled any other weapons? 751 00:37:52,190 --> 00:37:53,990 He knows that his nephew's crazy. 752 00:37:53,990 --> 00:37:55,530 I... 753 00:37:55,530 --> 00:37:59,290 I can't believe you did that. 754 00:37:59,290 --> 00:38:02,190 All those women, Paul? 755 00:38:02,200 --> 00:38:05,170 Oh. Je suis dã©solã©. 756 00:38:05,170 --> 00:38:07,040 Oh, sorry? 757 00:38:07,040 --> 00:38:09,570 You're disgusting. 758 00:38:09,570 --> 00:38:10,960 ♪ 759 00:38:10,970 --> 00:38:11,970 You're sick. 760 00:38:11,970 --> 00:38:13,930 You've always been sick. 761 00:38:13,940 --> 00:38:18,810 ♪ 762 00:38:22,380 --> 00:38:24,880 Huh? 763 00:38:31,160 --> 00:38:32,430 ♪ 764 00:38:33,430 --> 00:38:35,930 Tu est... 765 00:38:35,930 --> 00:38:38,060 Une salope... 766 00:38:38,070 --> 00:38:39,400 ♪ 767 00:38:39,400 --> 00:38:41,230 Sans coeur! 768 00:38:41,240 --> 00:38:42,370 ♪ 769 00:38:49,610 --> 00:38:55,080 ♪ 770 00:38:58,450 --> 00:39:00,410 I'm sorry, Amy. 771 00:39:05,260 --> 00:39:09,230 ♪ 772 00:39:11,170 --> 00:39:13,570 ♪ 773 00:39:13,570 --> 00:39:14,940 Put it down, Paul! 774 00:39:14,940 --> 00:39:16,170 Now! 775 00:39:16,170 --> 00:39:17,500 ♪ 776 00:39:25,250 --> 00:39:28,320 ♪ 777 00:40:28,310 --> 00:40:31,610 This is one time that I am kind of okay with 778 00:40:31,610 --> 00:40:33,510 the mechanical delay on the jet. 779 00:40:33,520 --> 00:40:36,250 This is a beautiful city. 780 00:40:36,250 --> 00:40:37,580 Yes, it is. 781 00:40:37,590 --> 00:40:40,190 It's hard sometimes to appreciate the beauty. 782 00:40:40,190 --> 00:40:42,720 Yeah, we got to find it... somehow. 783 00:40:42,720 --> 00:40:46,620 Otherwise, I don't think we could do the job we need to do. 784 00:40:46,630 --> 00:40:49,730 Yeah, even the darkest night will end, and the sun will rise. 785 00:40:49,730 --> 00:40:51,530 To beauty... 786 00:40:51,530 --> 00:40:54,190 Wherever we may find it. 787 00:40:54,200 --> 00:40:55,260 ♪