1
00:00:01,768 --> 00:00:02,938
<i>PREVIOUSLY ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

2
00:00:02,936 --> 00:00:04,036
‐WHERE IS HE?
‐I DON'T KNOW.

3
00:00:04,037 --> 00:00:07,207
‐HE'S LYING.
‐YOU ARE SO PRETTY.

4
00:00:07,207 --> 00:00:08,837
BUT THEY CAN MESS UP
YOUR FACE SO BADLY

5
00:00:08,842 --> 00:00:10,542
THAT YOUR OWN MOTHER
WON'T RECOGNIZE YOU.

6
00:00:10,544 --> 00:00:12,414
HE'S PISSED
'CAUSE YOU'RE KNOCKING HER OFF,

7
00:00:12,412 --> 00:00:14,082
SO NOW HE'S MESSING
WITH OUR BUSINESS.

8
00:00:14,080 --> 00:00:15,480
SO WHAT DOES HE WANT
TO GET OUR PHONES BACK ON?

9
00:00:15,481 --> 00:00:17,951
[ Crying ]
DAVID! OH, DAVID.

10
00:00:17,951 --> 00:00:19,221
DAVID.

11
00:00:19,219 --> 00:00:21,449
Your bitch is dead.

12
00:00:21,454 --> 00:00:23,994
WHY DID YOU DO IT?
YOU SET IT UP.

13
00:00:23,990 --> 00:00:26,090
YOU TAKE ME TO YOUR SISTER'S
HOUSE RIGHT NOW!

14
00:00:26,092 --> 00:00:28,662
THAT SHE WOULD PUT HIM
IN FOSTER CARE!

15
00:00:28,662 --> 00:00:30,662
YOU TAKE ME
TO HER RIGHT NOW!

16
00:00:30,664 --> 00:00:33,404
[ POLICE RADIO CHATTER ]

17
00:00:33,399 --> 00:00:37,239
MS. SALLISON?
MS. SALLISON.

18
00:00:37,237 --> 00:00:39,067
YES?

19
00:00:39,072 --> 00:00:40,312
ARE YOU OKAY?

20
00:00:40,306 --> 00:00:42,936
DAMN IT, BLAKE.

21
00:00:42,943 --> 00:00:44,483
I KNOW.

22
00:00:44,477 --> 00:00:47,277
NO. YOU DON'T.

23
00:00:48,782 --> 00:00:50,782
THIS IS ALWAYS SAD.

24
00:00:50,784 --> 00:00:55,794
YOU HAVE NO IDEA
HOW SAD THIS IS.

25
00:00:55,789 --> 00:00:57,759
WHAT DO YOU MEAN?

26
00:00:57,758 --> 00:01:01,638
I GOT HIM THE MONEY,
BLAKE.

27
00:01:01,635 --> 00:01:03,995
WHAT?

28
00:01:04,004 --> 00:01:06,544
HIS INHERITANCE.
HE TOLD ME HE WAS CLEAN.

29
00:01:06,540 --> 00:01:08,240
YOU HAD HIM TAKE
A DRUG TEST.

30
00:01:08,241 --> 00:01:09,481
YES.

31
00:01:09,475 --> 00:01:12,605
JENNIFER, YOU CAN'T BLAME
YOURSELF FOR KIDS LIKE THIS.

32
00:01:12,613 --> 00:01:13,613
THE HELL I CAN'T!

33
00:01:13,614 --> 00:01:14,884
YOU CAN'T.

34
00:01:14,881 --> 00:01:16,851
WELL, THE CRYERS WILL.

35
00:01:16,850 --> 00:01:20,220
LOOK, HE HAD THIS PROBLEM
BEFORE YOU HELPED HIM.

36
00:01:20,220 --> 00:01:21,250
NO.

37
00:01:23,056 --> 00:01:25,286
I DID THIS.

38
00:01:25,291 --> 00:01:28,731
DO NOT DO THAT TO YOURSELF.
HE DID THIS.

39
00:01:28,729 --> 00:01:30,599
I GAVE HIM THE MONEY,
BLAKE.

40
00:01:30,597 --> 00:01:33,197
THAT'S LIKE PUTTING THE DRUGS
IN HIS HANDS.

41
00:01:33,199 --> 00:01:35,339
WELL, IF YOU'RE GONNA
PLACE BLAME,

42
00:01:35,335 --> 00:01:36,865
BLAME HIS PARENTS
FOR BEING RICH

43
00:01:36,870 --> 00:01:39,170
OR BLAME THE DRUG DEALERS
WHO SOLD IT TO HIM

44
00:01:39,172 --> 00:01:41,512
OR BLAME THE NEEDLE MAKERS
WHO MADE THE NEEDLES.

45
00:01:41,508 --> 00:01:42,678
‐I GET IT.
‐DO YOU?

46
00:01:42,676 --> 00:01:45,706
YES, I ‐‐ I GET IT.

47
00:01:48,949 --> 00:01:51,379
YOU HAVE TO MAKE A CALL.

48
00:01:53,453 --> 00:01:56,263
I KNOW.
I KNOW.

49
00:01:56,256 --> 00:01:57,886
WHAT DO YOU WANT US
TO DO?

50
00:01:57,891 --> 00:02:00,131
[ SIGHS ]

51
00:02:00,126 --> 00:02:03,836
CALL THE M.E.

52
00:02:03,837 --> 00:02:06,867
ARE YOU GONNA TELL
HIS PARENTS?

53
00:02:09,510 --> 00:02:12,680
I CA‐‐ I CAN'T DO THAT.

54
00:02:12,679 --> 00:02:15,249
I CAN'T ‐‐ I CAN'T EVEN
LOOK AT THEM.

55
00:02:15,248 --> 00:02:18,448
OKAY. I'LL TELL THEM.

56
00:02:18,451 --> 00:02:20,451
PLEASE.

57
00:02:20,453 --> 00:02:22,393
I WILL.

58
00:02:22,388 --> 00:02:24,788
THANK YOU.

59
00:02:24,791 --> 00:02:27,091
CALL YOU LATER.

60
00:02:27,093 --> 00:02:30,663
I'M FINE, BLAKE.

61
00:02:30,664 --> 00:02:32,004
I'M FINE.

62
00:02:35,569 --> 00:02:38,569
‐‐Captions by VITAC‐‐
www.vitac.com

63
00:02:38,572 --> 00:02:41,582
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

64
00:02:41,575 --> 00:02:44,205
♪♪♪♪

65
00:03:01,201 --> 00:03:03,401
[ ENGINE SHUTS OFF ]

66
00:03:05,506 --> 00:03:07,106
MOM.

67
00:03:07,107 --> 00:03:09,277
ARE YOU JUST GONNA WATCH ME
WALK THE WAY OVER HERE?

68
00:03:09,275 --> 00:03:11,105
I WAS TRYING TO GIVE YOU
A CHANCE TO CALM DOWN.

69
00:03:11,111 --> 00:03:12,111
YOU THINK YOU'RE FUNNY.

70
00:03:12,112 --> 00:03:13,282
I'M NOT BEING FUNNY.

71
00:03:13,279 --> 00:03:15,119
THIS IS YOUR NEPHEW,
AND YOU DON'T CARE.

72
00:03:15,115 --> 00:03:17,015
‐YES, I DO CARE.
‐YOU DON'T ACT LIKE IT.

73
00:03:17,017 --> 00:03:19,787
MOM, IT'S CANDACE'S BABY.
IT'S NOT YOURS.

74
00:03:19,786 --> 00:03:20,886
MOVE.

75
00:03:20,887 --> 00:03:22,717
‐CALM DOWN.
‐I AM CALM!

76
00:03:22,723 --> 00:03:24,663
YOU'RE NOT GOING TO HER HOUSE
LIKE THIS AGAIN.

77
00:03:26,192 --> 00:03:28,532
SHE PUT THAT BABY
IN FOSTER CARE, BENNY.

78
00:03:28,529 --> 00:03:31,059
DIDN'T SHE SAY
IT WAS TEMPORARY?

79
00:03:31,064 --> 00:03:32,404
A DAY IS TOO LONG.

80
00:03:32,398 --> 00:03:35,368
MOM, YOU ALREADY
HAD IT OUT WITH HER.

81
00:03:35,368 --> 00:03:36,768
CAN'T WE JUST SLEEP ON THIS?

82
00:03:36,770 --> 00:03:38,140
WHERE'S
THAT BABY SLEEPING?

83
00:03:38,138 --> 00:03:39,908
‐I'M SURE HE'S FINE.
‐HOW DO YOU KNOW?

84
00:03:39,906 --> 00:03:42,536
I KNOW SHE WOULDN'T LET HIM
STAY IN SOME BAD PLACE. COME ON.

85
00:03:42,543 --> 00:03:44,913
WHERE WAS HE WHEN I WAS LOOKING
FOR HIM ALL THOSE YEARS?

86
00:03:44,911 --> 00:03:46,951
HE WAS BEING ABUSED.

87
00:03:46,947 --> 00:03:49,247
SHE DON'T CARE ABOUT HIM AT ALL,
BENNY ‐‐ AT ALL.

88
00:03:49,249 --> 00:03:50,549
YES, SHE DOES.

89
00:03:50,551 --> 00:03:52,551
BOY,
IF YOU DON'T MOVE OUT ‐‐

90
00:03:52,553 --> 00:03:54,153
‐MOVE.
‐NO.

91
00:03:54,154 --> 00:03:57,524
TAKE YOUR HANDS OFF HER.
I MEAN IT.

92
00:03:57,524 --> 00:03:59,234
MA'AM, I'M FINE.

93
00:03:59,225 --> 00:04:01,195
ARE YOU SURE?
I CAN CALL THE POLICE.

94
00:04:01,201 --> 00:04:02,771
YES, MA'AM, I'M FINE.

95
00:04:02,769 --> 00:04:05,739
WELL, FOR HEAVEN'S SAKES,
IS HE HURTING YOU?

96
00:04:05,739 --> 00:04:07,069
NO, MA'AM.

97
00:04:07,073 --> 00:04:08,713
WELL, IT'S OKAY
TO ASK FOR HELP.

98
00:04:08,709 --> 00:04:11,679
YES, MA'AM, I KNOW.
I'M ‐‐ I'M FINE, REALLY.

99
00:04:11,678 --> 00:04:13,978
OLD LADY,
GO TO BED, WILL YA?

100
00:04:15,348 --> 00:04:18,248
BENNY, WATCH YOUR MOUTH.

101
00:04:18,251 --> 00:04:19,691
AND YOU CANNOT PARK HERE.

102
00:04:19,686 --> 00:04:21,756
WE HAVE RULES
IN THIS NEIGHBORHOOD.

103
00:04:21,755 --> 00:04:23,085
SHOW SOME RESPECT.

104
00:04:23,089 --> 00:04:24,319
I'M SORRY, MA'AM.

105
00:04:24,324 --> 00:04:26,894
ALL RIGHT?
I WON'T BE HERE TOO LONG.

106
00:04:26,893 --> 00:04:29,103
YEAH, YOU'VE ALREADY BEEN HERE
TOO LONG.

107
00:04:29,095 --> 00:04:31,195
MA.

108
00:04:31,197 --> 00:04:33,297
‐BENNY, MOVE.
‐YOU'RE NOT GOING OVER THERE.

109
00:04:33,299 --> 00:04:36,769
YOUNG MAN, WHY DON'T YOU STOP
HARASSING THIS YOUNG LADY

110
00:04:36,770 --> 00:04:40,040
AND GO ON OVER THERE TO
THAT LADY OF ILL REPUTE'S HOUSE.

111
00:04:40,040 --> 00:04:41,540
WELL, I KNOW WHAT SHE IS.

112
00:04:41,542 --> 00:04:43,182
‐WHAT?
‐BENNY.

113
00:04:43,176 --> 00:04:45,906
YES, I SEE THESE MEN
COMING IN AND OUT

114
00:04:45,912 --> 00:04:48,922
AT UNGODLY HOURS OF THE NIGHT,
ALL NIGHT LONG.

115
00:04:48,915 --> 00:04:50,775
AND I'VE SEEN YOU
OVER THERE, TOO.

116
00:04:50,784 --> 00:04:52,994
‐THIS OLD WOMAN.
‐SHH!

117
00:04:52,986 --> 00:04:56,256
SHE HAS THESE PEOPLE COMING IN
ALL THROUGH THE NIGHT,

118
00:04:56,256 --> 00:04:57,456
AND IT'S NOT RIGHT.

119
00:04:57,457 --> 00:04:58,727
YOUNG LADY LIKE THAT

120
00:04:58,725 --> 00:05:00,425
SHOULDN'T HAVE
THAT MANY GENTLEMEN CALLERS.

121
00:05:00,426 --> 00:05:02,366
AND YOU HAVE TO MOVE
YOUR TRUCK.

122
00:05:02,368 --> 00:05:04,668
I WANT YOU TO MOVE YOUR TRUCK
RIGHT NOW,

123
00:05:04,671 --> 00:05:05,811
OR I'M GONNA CALL
THE POLICE.

124
00:05:05,806 --> 00:05:07,136
LOOK ‐‐

125
00:05:07,140 --> 00:05:09,810
AND I HAVE A LOT OF
POLICE OFFICERS IN MY FAMILY.

126
00:05:09,810 --> 00:05:11,950
LOOK, LADY,
I'LL MOVE MY DAMN TRUCK

127
00:05:11,945 --> 00:05:13,305
WHEN I'M READY
TO MOVE MY TRUCK ‐‐

128
00:05:13,313 --> 00:05:15,423
BENJAMIN YOUNG,
YOU BETTER SHOW SOME RESPECT!

129
00:05:15,415 --> 00:05:16,515
WHAT?

130
00:05:16,517 --> 00:05:17,917
YOU APOLOGIZE NOW.

131
00:05:18,985 --> 00:05:20,315
DO IT.

132
00:05:22,188 --> 00:05:24,058
I'M SORRY.

133
00:05:26,292 --> 00:05:29,332
SHE SAID MOVE YOUR TRUCK.
MOVE IT.

134
00:05:29,329 --> 00:05:32,169
‐DON'T GO OVER THERE.
‐MOVE YOUR TRUCK!

135
00:05:33,299 --> 00:05:35,799
DON'T GO OVER THERE.

136
00:05:35,802 --> 00:05:38,772
MOVE YOUR TRUCK.

137
00:05:38,772 --> 00:05:40,812
DON'T GO OVER THERE.

138
00:05:44,711 --> 00:05:47,281
[ ENGINE STARTS ]

139
00:05:56,456 --> 00:05:58,316
WELL, THANK YOU,
YOUNG LADY.

140
00:05:58,324 --> 00:06:00,534
AT LEAST
SOMEBODY HAS SOME RESPECT.

141
00:06:00,534 --> 00:06:01,744
I'M SORRY.

142
00:06:01,735 --> 00:06:02,895
WELL...

143
00:06:02,903 --> 00:06:06,213
[ SIGHS ]

144
00:06:06,206 --> 00:06:08,676
YOU SHOULDN'T GO OVER THERE.
SHE'S TROUBLE.

145
00:06:08,675 --> 00:06:11,035
‐IS SHE?
‐OH, YES.

146
00:06:11,044 --> 00:06:13,984
I SAW A MAN GO IN THERE,
AND HE NEVER CAME OUT.

147
00:06:13,980 --> 00:06:16,080
‐IS THAT RIGHT?
‐OH, YES.

148
00:06:16,082 --> 00:06:17,482
YES.

149
00:06:17,483 --> 00:06:21,093
I TOLD MY SON ABOUT IT,
BUT HE DIDN'T BELIEVE ME.

150
00:06:21,087 --> 00:06:22,587
OH, SHE IS TROUBLE.

151
00:06:22,589 --> 00:06:26,229
YOU KNOW, SHE HAS VISITORS
COMING IN AND OUT OF THAT HOUSE

152
00:06:26,226 --> 00:06:28,696
ALL DAY AND ALL NIGHT.

153
00:06:28,695 --> 00:06:32,095
I NEVER WILL UNDERSTAND
WHY IN THE WORLD

154
00:06:32,098 --> 00:06:35,798
SOMEBODY BUILT THAT BIG, MODERN
HOUSE IN THIS NEIGHBORHOOD.

155
00:06:35,802 --> 00:06:38,442
WELL, IT STICKS OUT
LIKE A SORE THUMB.

156
00:06:38,438 --> 00:06:39,838
JUST LOOK AT IT.
DON'T YOU THINK?

157
00:06:39,840 --> 00:06:42,110
YES, MA'AM, IT DOES.
[ CHUCKLES ]

158
00:06:42,108 --> 00:06:43,838
DO YOU KNOW HER?

159
00:06:43,844 --> 00:06:45,914
SHE'S MY DAUGHTER.

160
00:06:47,514 --> 00:06:49,354
YOUR DAUGHTER?

161
00:06:49,349 --> 00:06:51,079
MM‐HMM.

162
00:06:51,084 --> 00:06:52,594
OH, I AM SORRY.

163
00:06:52,586 --> 00:06:54,686
DON'T APOLOGIZE.
SHE'S A HANDFUL.

164
00:06:54,688 --> 00:06:56,518
NO, I'M REALLY SORRY.

165
00:06:56,523 --> 00:06:58,863
YEAH, I AM, TOO.

166
00:06:58,859 --> 00:07:02,039
YOU DO KNOW THAT SHE'S TROUBLE,
DON'T YOU?

167
00:07:02,035 --> 00:07:03,495
ABSOLUTELY.

168
00:07:05,071 --> 00:07:06,241
I'M PEARL.

169
00:07:06,239 --> 00:07:08,239
I'M HANNA.

170
00:07:08,241 --> 00:07:10,941
YOU KNOW, I DID SEE A MAN
GO IN THERE,

171
00:07:10,944 --> 00:07:12,714
AND HE NEVER DID COME OUT.

172
00:07:12,713 --> 00:07:14,783
‐IS THAT RIGHT?
‐OH, YES, YES.

173
00:07:14,781 --> 00:07:17,151
YEAH, AND HE WAS DRIVING
A WHITE CAR, TOO.

174
00:07:17,150 --> 00:07:25,660
THE LICENSE PLATE WAS
Y‐U‐000‐125.

175
00:07:25,659 --> 00:07:27,689
YEAH,
AND HE HAD A HAT ON, TOO.

176
00:07:27,694 --> 00:07:30,764
YEAH, HE HAD A HAT ON,
AND HE WAS C‐‐

177
00:07:32,432 --> 00:07:35,272
AFRICAN‐AMERICAN.

178
00:07:36,970 --> 00:07:39,570
DARKER SKIN THAN YOURS,
THOUGH.

179
00:07:39,573 --> 00:07:42,843
WELL,
AND, UH, HE DID HAVE A HAT ON.

180
00:07:42,843 --> 00:07:45,513
AND HE HAD AN AFRO,
LIKE IN THE '70s,

181
00:07:45,512 --> 00:07:46,952
ONLY IT WAS SHORTER.

182
00:07:46,947 --> 00:07:49,517
AND HE HAD
A TERRIBLE PRESENCE.

183
00:07:49,516 --> 00:07:52,716
IT WAS EVIL.
IT WAS REALLY SCARY, YOU KNOW?

184
00:07:52,719 --> 00:07:54,189
AND HE HAD BIGGER CLOTHES.

185
00:07:54,187 --> 00:07:55,987
YOU KNOW, BIG ‐‐
TOO BIG FOR HIM.

186
00:07:55,989 --> 00:07:57,289
THAT'S CAMOUFLAGE, THOUGH.

187
00:07:57,290 --> 00:07:59,660
AND HE HAD AN INSANE LOOK
IN HIS EYES.

188
00:07:59,660 --> 00:08:02,570
AND I PRINTED OUT A PICTURE
OF HIM FROM MY CAMERAS.

189
00:08:02,569 --> 00:08:04,539
‐YOU DID?
‐OH, I DID. YES, I DO.

190
00:08:04,538 --> 00:08:06,738
I HAVE A LOT OF CAMERAS
AROUND HERE,

191
00:08:06,740 --> 00:08:08,340
AND THEY'RE ON HER HOUSE.

192
00:08:08,341 --> 00:08:10,141
‐THEY ARE?
‐OH, YES.

193
00:08:10,143 --> 00:08:12,583
I'LL HAVE YOU KNOW
I HAVE A LOT OF CAMERAS.

194
00:08:12,579 --> 00:08:14,279
SO YOU TELL YOUR DAUGHTER

195
00:08:14,280 --> 00:08:17,720
THAT IF ANY OF HER VISITORS
WANT TO COME OVER HERE,

196
00:08:17,718 --> 00:08:21,518
I AM BEING MONITORED
BY A LOT OF MEN IN BLUE.

197
00:08:21,522 --> 00:08:23,092
MM‐HMM.

198
00:08:23,089 --> 00:08:25,789
DID I TELL YOU I HAVE
A LOT POLICEMEN IN MY FAMILY?

199
00:08:27,360 --> 00:08:29,730
YEAH, WELL, MY CAMERAS
ARE TRAINED RIGHT ON HER HOUSE.

200
00:08:29,730 --> 00:08:32,700
'COURSE, I DIDN'T MEAN
TO SET IT UP THAT WAY.

201
00:08:32,699 --> 00:08:35,199
BUT YOU KNOW, I HAD TO HAVE THEM
RIGHT HERE ON MY DRIVEWAY

202
00:08:35,201 --> 00:08:36,941
BECAUSE I HAVE TO WATCH
MY CAR.

203
00:08:36,937 --> 00:08:38,337
WELL, YOU UNDERSTAND.

204
00:08:38,338 --> 00:08:42,208
YES, YES, I SEE.

205
00:08:42,208 --> 00:08:44,078
WOULD YOU LIKE TO SEE IT?

206
00:08:44,077 --> 00:08:46,007
THE PICTURE?

207
00:08:46,012 --> 00:08:47,652
YES, YEAH.

208
00:08:47,648 --> 00:08:49,378
YES, I WOULD.

209
00:08:49,382 --> 00:08:51,992
OKAY, I'LL GO GET,
BUT DON'T SHOW IT TO HIM.

210
00:08:51,985 --> 00:08:53,815
WHO?

211
00:08:53,820 --> 00:08:54,920
HIM.

212
00:08:54,921 --> 00:08:58,321
WHOEVER HE IS.

213
00:08:58,324 --> 00:08:59,834
WELL, THAT'S MY SON.

214
00:09:01,234 --> 00:09:03,174
YOUR SON?

215
00:09:03,169 --> 00:09:04,839
YES, MA'AM.

216
00:09:04,838 --> 00:09:07,368
OH.

217
00:09:07,373 --> 00:09:10,383
MS. PEARL?

218
00:09:19,953 --> 00:09:21,693
[ DOOR CLOSES ]

219
00:09:29,563 --> 00:09:32,003
HOLD ON, WHOA.
HOLD ON, HOLD ON.

220
00:09:31,998 --> 00:09:33,198
ARE YOU CALM YET?

221
00:09:33,199 --> 00:09:34,169
YES.

222
00:09:34,167 --> 00:09:35,467
SO, LET'S GO HOME.

223
00:09:35,468 --> 00:09:39,908
SO I'M SUPPOSED TO GO
TO YOUR HOUSE AND SLEEP.

224
00:09:39,906 --> 00:09:41,236
DO YOU KNOW
WHAT TIME IT IS?

225
00:09:41,241 --> 00:09:42,681
NO.

226
00:09:42,676 --> 00:09:44,646
AND I DON'T KNOW
WHERE YOUR NEPHEW IS.

227
00:09:47,514 --> 00:09:48,984
MOM, JUST ‐‐

228
00:09:48,982 --> 00:09:50,682
THANK YOU.

229
00:10:01,668 --> 00:10:03,668
[ KNOCK ON DOOR ]

230
00:10:03,670 --> 00:10:06,310
[ DOORBELL RINGS ]

231
00:10:11,778 --> 00:10:14,178
[ SIGHS ] WHAT?

232
00:10:14,180 --> 00:10:16,780
SO, YOU PUT YOUR BABY
IN FOSTER CARE?

233
00:10:16,783 --> 00:10:18,993
WHAT CONCERN IS THAT
OF YOURS?

234
00:10:18,985 --> 00:10:21,615
YOU WOULDN'T LET ME
HAVE HIM.

235
00:10:21,622 --> 00:10:22,862
[ SIGHS ]

236
00:10:22,856 --> 00:10:23,986
I'M TIRED.

237
00:10:23,990 --> 00:10:25,230
CANDACE.

238
00:10:25,225 --> 00:10:26,955
I'M GOING TO BED.

239
00:10:26,960 --> 00:10:28,630
CANDACE.

240
00:10:28,629 --> 00:10:30,859
BENNY, TAKE HER HOME.

241
00:10:32,398 --> 00:10:34,968
IS IT BECAUSE
QUINCY WAS HERE?

242
00:10:36,903 --> 00:10:40,143
‐WHAT?
‐WHAT ARE YOU TALKING ABOUT?

243
00:10:40,140 --> 00:10:42,310
I KNOW
HE WAS AT THIS HOUSE.

244
00:10:42,308 --> 00:10:43,708
MOM, WHAT ‐‐

245
00:10:43,710 --> 00:10:46,350
THAT LADY ACROSS THE STREET
JUST TOLD ME.

246
00:10:46,346 --> 00:10:48,546
SHE SAID QUINCY CAME HERE?

247
00:10:48,549 --> 00:10:50,379
MM‐HMM.

248
00:10:50,383 --> 00:10:52,393
SHE IDENTIFIED HIM
TO A "T."

249
00:10:52,385 --> 00:10:55,155
SHE EVEN SAID
SHE HAD A PICTURE OF HIM.

250
00:10:56,623 --> 00:11:01,033
IS THAT WHY YOU PUT YOUR BABY
IN TEMPORARY FOSTER CARE?

251
00:11:01,034 --> 00:11:02,704
'CAUSE YOU'RE SCARED?

252
00:11:04,505 --> 00:11:07,805
THEN LET ME AND BENNY
TAKE HIM, PLEASE.

253
00:11:09,242 --> 00:11:10,782
GOOD NIGHT.

254
00:11:10,777 --> 00:11:12,947
CANDACE.

255
00:11:12,946 --> 00:11:16,576
DO YOU AT LEAST KNOW
WHERE HE IS?

256
00:11:16,583 --> 00:11:19,953
OF COURSE I DO.
WHO DO YOU THINK I AM?

257
00:11:19,953 --> 00:11:22,263
DON'T ASK ME THAT.

258
00:11:23,824 --> 00:11:25,464
YOU SEE?
GOOD NIGHT.

259
00:11:25,458 --> 00:11:27,088
WAIT.
WAIT, WAIT, WAIT.

260
00:11:27,093 --> 00:11:29,433
ARE THEY GOOD PEOPLE?

261
00:11:30,496 --> 00:11:31,696
GOOD NIGHT.

262
00:11:31,698 --> 00:11:34,568
CANDACE, JUST TELL HER THAT,
PLEASE.

263
00:11:34,568 --> 00:11:37,868
PLEASE.
SO I CAN SLEEP.

264
00:11:41,141 --> 00:11:43,411
YES.

265
00:11:43,409 --> 00:11:44,909
YOU'LL BE HAPPY TO KNOW

266
00:11:44,911 --> 00:11:47,411
IT'S A PASTOR OF A CHURCH
AND HIS WIFE.

267
00:11:47,413 --> 00:11:49,783
THEY HAVE
SEVERAL FOSTER CHILDREN.

268
00:11:49,783 --> 00:11:51,523
THEY DO THIS ALL THE TIME.

269
00:11:51,518 --> 00:11:54,588
THEY CAME HIGHLY RECOMMENDED,
AND I'VE MET WITH THEM.

270
00:11:54,588 --> 00:11:58,958
HE'LL ONLY BE WITH THEM FOR...
A SHORT PERIOD OF TIME.

271
00:11:58,959 --> 00:12:00,369
FOR HOW LONG?

272
00:12:01,768 --> 00:12:03,468
LONG ENOUGH.

273
00:12:03,469 --> 00:12:06,069
QUINCY KNOWS
WHERE YOU LIVE.

274
00:12:06,072 --> 00:12:07,812
YOU KNOW
HE'S GONNA COME BACK HERE.

275
00:12:07,808 --> 00:12:11,238
YOU HAVE TO LET US
TAKE THAT BABY, PLEASE.

276
00:12:11,244 --> 00:12:13,114
PLEASE.

277
00:12:15,782 --> 00:12:17,722
PLEASE.

278
00:12:17,718 --> 00:12:19,118
GOOD NIGHT.

279
00:12:19,119 --> 00:12:21,089
CANDACE.
GOOD NIGHT.

280
00:12:21,087 --> 00:12:22,257
‐CANDACE!
‐COME ON, MOM.

281
00:12:22,255 --> 00:12:24,155
‐NO! BENNY.
‐LET'S GO.

282
00:12:24,157 --> 00:12:25,157
NO.

283
00:12:25,158 --> 00:12:26,758
LOOK, NOW YOU KNOW
HE'S FINE.

284
00:12:26,760 --> 00:12:27,690
OKAY? COME ON.

285
00:12:27,694 --> 00:12:28,864
‐BENNY, SHE ‐‐
‐JUST COME ON.

286
00:12:28,862 --> 00:12:31,102
LET'S GO HOME.
PLEASE.

287
00:12:31,097 --> 00:12:33,197
‐ALL RIGHT.
‐THAT'S ENOUGH FOR ONE DAY.

288
00:12:33,199 --> 00:12:35,299
ALL RIGHT.

289
00:12:36,870 --> 00:12:40,440
ALL RIGHT, ALL RIGHT,
ALL RIGHT.

290
00:12:40,440 --> 00:12:44,340
[ VEHICLE DOOR OPENS, CLOSES ]

291
00:12:53,887 --> 00:12:57,687
"SHE WAS AT HER BEST FRIEND,
VERONICA HARRINGTON'S, HOUSE

292
00:12:57,691 --> 00:13:00,701
HAVING TEA WHEN THEY INTERRUPTED
AN INTRUDER,

293
00:13:00,701 --> 00:13:02,341
WHO SHOT HER FIVE TIMES.

294
00:13:02,335 --> 00:13:03,735
AN OFFICER WAS PRESENT."

295
00:13:03,737 --> 00:13:04,867
THIS IS SUCH BULL.

296
00:13:04,871 --> 00:13:07,141
WAIT. THIS HAPPENED
AT MY MOM'S?

297
00:13:07,140 --> 00:13:08,410
YES.
WHAT?

298
00:13:08,408 --> 00:13:09,908
AND YOU KNOW SHE DID IT.

299
00:13:09,910 --> 00:13:11,980
WHA ‐‐ HEY, CAN I SEE THAT
FOR A SECOND?

300
00:13:11,978 --> 00:13:13,278
READ IT.

301
00:13:19,285 --> 00:13:22,915
HEY, UH ‐‐ WAIT!
I WASN'T FINISHED READING THAT.

302
00:13:22,923 --> 00:13:26,693
LANDON, COME ON.

303
00:13:26,693 --> 00:13:28,363
WELL, GET YOUR OWN PHONE.

304
00:13:28,361 --> 00:13:30,661
I DON'T HAVE A PHONE YET,
LANDON.

305
00:13:30,664 --> 00:13:33,604
‐I'M WAITING TO GET ONE.
‐WELL, I NEED MINE.

306
00:13:33,600 --> 00:13:36,200
WHAT IS WRONG WITH YOU?

307
00:13:36,202 --> 00:13:38,542
I'M GETTING OUT OF HERE.
YOU PEOPLE IN THIS TOWN...

308
00:13:38,539 --> 00:13:40,039
WHAT? WHAT?
WHERE ARE YOU GONNA GO?

309
00:13:40,040 --> 00:13:41,270
FAR AWAY.

310
00:13:41,274 --> 00:13:42,684
NO, LANDON, JUST ‐‐

311
00:13:42,676 --> 00:13:44,606
‐JUST GET OUT, O‐KAY?
‐LANDON, WAIT, WAIT, WAIT.

312
00:13:44,611 --> 00:13:45,711
GET OUT, JEFFERY.

313
00:13:45,712 --> 00:13:46,912
WAIT!
WHAT'S WRONG WITH YOU, MAN?

314
00:13:46,913 --> 00:13:48,113
I DON'T TRUST YOU.

315
00:13:48,114 --> 00:13:49,224
I DON'T TRUST CANDACE.

316
00:13:49,215 --> 00:13:51,045
I DON'T TRUST YOUR MOTHER,
ANY OF YOU.

317
00:13:51,051 --> 00:13:53,591
YOU PEOPLE ARE ALL CRAZY.

318
00:13:53,587 --> 00:13:55,117
SHE KILLED HER.

319
00:13:55,121 --> 00:13:57,391
AND ‐‐ AND ALL OF YOU
ARE UP TO SOMETHING.

320
00:13:57,390 --> 00:14:00,130
EVERY ONE OF YOU IS ALWAYS
UP TO SOMETHING, JEFFERY.

321
00:14:00,126 --> 00:14:02,036
SO JUST GET OUT OF HERE.

322
00:14:02,035 --> 00:14:03,765
PEOPLE IN THIS TOWN
ARE NUTS.

323
00:14:03,770 --> 00:14:05,040
LANDON, JUST WAIT.
CAN YOU ‐‐

324
00:14:05,038 --> 00:14:06,338
NO. OKAY,
JUST GET OUT, OKAY?

325
00:14:06,339 --> 00:14:07,409
GET OUT.

326
00:14:07,407 --> 00:14:10,177
‐IT'S JUST ME.
‐GET OUT OF HERE NOW!

327
00:14:12,879 --> 00:14:14,579
OKAY.

328
00:14:33,099 --> 00:14:35,239
[ SIGHS ]

329
00:14:42,408 --> 00:14:44,238
YOU KNOW,
SHE SAID SOMETHING.

330
00:14:44,244 --> 00:14:45,254
WHO?

331
00:14:45,245 --> 00:14:46,245
PEARL.

332
00:14:46,246 --> 00:14:47,576
WHO?

333
00:14:47,581 --> 00:14:50,251
THAT LADY WHO LIVES
ACROSS THE STREET FROM CANDACE.

334
00:14:50,250 --> 00:14:51,750
WHAT?

335
00:14:51,752 --> 00:14:55,092
SHE SAID SHE SAW QUINCY GO IN,
BUT SHE DIDN'T SEE HIM COME OUT.

336
00:14:58,525 --> 00:15:00,125
THAT LADY ‐‐ THAT OLD LADY
DON'T KNOW QUINCY.

337
00:15:00,126 --> 00:15:01,566
SHE DON'T KNOW
WHAT SHE'S TALKING ABOUT.

338
00:15:01,568 --> 00:15:03,938
THAT WOMAN'S CRAZY.

339
00:15:03,937 --> 00:15:05,907
SHE DIDN'T SEEM CRAZY
TO ME.

340
00:15:05,906 --> 00:15:09,276
EH.
BUT I DON'T KNOW, MOM.

341
00:15:09,275 --> 00:15:13,205
HOW'D SHE SEE HIM GO IN,
BUT SHE DIDN'T SEE HIM COME OUT?

342
00:15:16,249 --> 00:15:19,119
UH, MAYBE SHE MISSED HIM.
YOU KNOW, I MEAN, SHE'S OLD.

343
00:15:22,856 --> 00:15:25,226
ON A VIDEO?

344
00:15:25,225 --> 00:15:27,725
WHAT?

345
00:15:27,728 --> 00:15:30,298
SHE HAS CAMERAS.

346
00:15:32,533 --> 00:15:34,433
I KNOW THAT.

347
00:15:34,434 --> 00:15:35,474
HOW DO YOU KNOW?

348
00:15:35,468 --> 00:15:36,938
I SAW THEM.

349
00:15:36,937 --> 00:15:41,067
WELL, HOW'D SHE MISS IT
ON A VIDEO?

350
00:15:41,074 --> 00:15:43,084
I DON'T KNOW.
MAYBE SHE DID.

351
00:15:43,076 --> 00:15:44,806
SOMEBODY LIKE THAT?

352
00:15:44,811 --> 00:15:46,211
OLD AND AIN'T GOT
NOTHING TO DO.

353
00:15:46,212 --> 00:15:48,352
THAT'S ALL THEY DO IS
SIT AROUND AND WATCH EVERYTHING

354
00:15:48,348 --> 00:15:50,518
INCLUDING VIDEOS
OF THEIR HOUSE.

355
00:15:50,517 --> 00:15:51,747
HOME SURVEILLANCE.

356
00:15:53,486 --> 00:15:54,616
WHAT?

357
00:15:54,621 --> 00:15:56,191
BEFORE I WORKED
FOR THE CRYERS,

358
00:15:56,189 --> 00:15:57,919
I WORKED FOR AN OLD LADY
LIKE THAT.

359
00:15:57,924 --> 00:16:00,034
THAT'S ALL SHE'D EVER DO
IS WATCH HER NEIGHBORS,

360
00:16:00,026 --> 00:16:00,826
WATCH EVERYTHING.

361
00:16:00,834 --> 00:16:02,304
I'M TELLING YOU,

362
00:16:02,302 --> 00:16:05,642
IF SHE HAD CAMERAS,
SHE'D BE IN HEAVEN.

363
00:16:07,240 --> 00:16:11,010
WELL, UH,
MAYBE HE WENT OUT THE BACK.

364
00:16:11,011 --> 00:16:13,811
BUT WHY WOULD YOUR SISTER
EVEN LET HIM IN?

365
00:16:15,782 --> 00:16:17,722
I DON'T KNOW.

366
00:16:20,353 --> 00:16:22,023
YOU DON'T SEEM UPSET.

367
00:16:22,022 --> 00:16:25,292
WHAT DO YOU MEAN?

368
00:16:25,291 --> 00:16:26,931
YOU'RE NOT.

369
00:16:30,430 --> 00:16:32,430
BECAUSE I KNOW CANDACE
WOULDN'T LET HIM IN.

370
00:16:32,432 --> 00:16:33,902
I MEAN...

371
00:16:36,870 --> 00:16:39,370
I DON'T KNOW, BENNY.

372
00:16:41,241 --> 00:16:42,341
MOM, GO TO BED.

373
00:16:42,342 --> 00:16:46,482
MNH‐MNH.
THIS DOESN'T MAKE SENSE TO ME.

374
00:16:46,479 --> 00:16:48,479
WELL, I DON'T KNOW.

375
00:16:51,585 --> 00:16:55,485
WHY YOU KEEP LOOKING
AT YOUR PHONE?

376
00:16:55,488 --> 00:16:57,658
WHY?
ARE YOU A DETECTIVE?

377
00:16:57,658 --> 00:17:00,498
I'M JUST ASKING.

378
00:17:02,068 --> 00:17:04,538
LOOK, I TEXTED SOMEBODY,
AND I'M WAITING ON A CALL.

379
00:17:04,538 --> 00:17:05,968
WHO?

380
00:17:05,972 --> 00:17:07,042
IT'S INFORMATION
FOR A TOW.

381
00:17:07,040 --> 00:17:08,210
WOULD YOU GOT TO BED?

382
00:17:08,208 --> 00:17:10,578
YOU KNOW, DAVID HARRINGTON
CAME TO SEE ME.

383
00:17:10,577 --> 00:17:12,347
HE DID?

384
00:17:12,345 --> 00:17:13,405
YES.

385
00:17:13,413 --> 00:17:14,413
ABOUT WHAT?

386
00:17:14,414 --> 00:17:15,384
ABOUT YOU.

387
00:17:15,381 --> 00:17:16,781
OH, YEAH?

388
00:17:16,783 --> 00:17:17,753
YES.

389
00:17:17,751 --> 00:17:19,991
HE TOLD ME
HE WENT TO SEE YOU.

390
00:17:21,555 --> 00:17:23,685
‐IS THAT RIGHT?
‐YES.

391
00:17:23,690 --> 00:17:25,960
IS THERE SOMETHING
YOU WANT TO TELL ME?

392
00:17:25,959 --> 00:17:26,989
NO.

393
00:17:28,795 --> 00:17:30,925
ARE YOU STILL MESSING AROUND
WITH THAT WOMAN, BENJAMIN?

394
00:17:30,931 --> 00:17:32,701
NO.

395
00:17:32,699 --> 00:17:33,929
ARE YOU LYING TO ME?

396
00:17:33,934 --> 00:17:37,604
NO, I'M NOT.
AND I'M NOT LYING.

397
00:17:38,672 --> 00:17:41,442
OKAY.

398
00:17:41,441 --> 00:17:42,781
THAT'S ALL YOU GONNA SAY?

399
00:17:42,776 --> 00:17:43,876
YEAH.

400
00:17:43,877 --> 00:17:46,377
AND ALL I'M GONNA SAY
IS THIS.

401
00:17:46,379 --> 00:17:47,949
YOU ARE
IN THE MIDDLE OF FIRE

402
00:17:47,948 --> 00:17:50,278
IF YOU ARE STILL MESSING AROUND
WITH THAT WOMAN.

403
00:17:50,283 --> 00:17:52,853
SHE'S A LIAR,
A MANIPULATOR,

404
00:17:52,853 --> 00:17:55,823
AND SHE IS PLAYING GAMES
TO MAKE THAT MAN JEALOUS.

405
00:17:55,822 --> 00:17:57,962
AND SHE WILL USE YOU UP
TO DO IT.

406
00:17:57,958 --> 00:17:58,828
YOU HEAR ME?

407
00:17:58,825 --> 00:18:00,225
YES.

408
00:18:00,226 --> 00:18:01,936
SHE'LL STOOP TO ANYTHING,
BENJAMIN.

409
00:18:01,935 --> 00:18:04,235
I HEAR YOU, MA.

410
00:18:04,237 --> 00:18:05,467
SHE'S LIKE YOUR SISTER.

411
00:18:05,471 --> 00:18:07,541
I THOUGHT YOU SAID YOU WANTED
TO TALK ABOUT ONE THING.

412
00:18:07,541 --> 00:18:09,441
ALL RIGHT, I'M NOT TALKING ABOUT
MRS. HARRINGTON.

413
00:18:09,442 --> 00:18:11,142
I'M TALKING ABOUT
YOUR SISTER.

414
00:18:11,144 --> 00:18:13,284
‐MA.
‐NO, LISTEN, BENNY.

415
00:18:13,279 --> 00:18:15,419
LISTEN, THE WAY QUINCY WAS
LOOKING FOR HER.

416
00:18:15,415 --> 00:18:17,315
‐IF HE DONE FOUND HER...
‐WHAT?

417
00:18:17,317 --> 00:18:19,117
...THERE'S NO WAY
HE WOULD HAVE BEEN ABLE TO ‐‐

418
00:18:19,119 --> 00:18:20,319
WHAT DO ‐‐ WHAT?

419
00:18:20,320 --> 00:18:22,190
YOU THINK...

420
00:18:22,188 --> 00:18:25,428
YOU THINK
SHE DID SOMETHING TO HIM?

421
00:18:27,360 --> 00:18:29,330
NOW YOU'RE TALKING CRAZY.

422
00:18:29,329 --> 00:18:30,629
BENNY.

423
00:18:30,631 --> 00:18:31,801
CANDY?

424
00:18:31,798 --> 00:18:33,868
I'M SERIOUS.

425
00:18:33,867 --> 00:18:36,967
SHE DON'T WEIGH
BUT A BUCK 20.

426
00:18:36,970 --> 00:18:39,610
I MEAN,
HOW IS SHE EVEN GONNA...

427
00:18:39,606 --> 00:18:42,376
I KNOW.

428
00:18:42,375 --> 00:18:46,475
MA, THAT OLD WOMAN
ACROSS THE STREET

429
00:18:46,479 --> 00:18:48,719
DON'T KNOW WHAT
SHE'S TALKING ABOUT, OKAY?

430
00:18:48,715 --> 00:18:50,675
YOU NEED TO LET THAT GO.

431
00:18:50,684 --> 00:18:53,954
SHE GOT YOU TALKING CRAZY NOW.
I MEAN...

432
00:18:55,188 --> 00:18:56,988
GUESS YOU'RE RIGHT.

433
00:18:56,990 --> 00:18:59,190
NOW GO TO BED.

434
00:18:59,192 --> 00:19:01,232
I HOPE
SHE'S TELLING THE TRUTH.

435
00:19:01,234 --> 00:19:03,204
UGH,
THAT OLD LADY'S CRAZY.

436
00:19:03,203 --> 00:19:07,143
I'M TALKING ABOUT CANDACE ‐‐
SAYING THE BABY IS SAFE.

437
00:19:07,140 --> 00:19:10,640
SHE LIES SO MUCH YOU NEVER KNOW
WHEN SHE'S TELLING THE TRUTH.

438
00:19:10,644 --> 00:19:13,554
I MEAN,
IT'S HER BABY, THOUGH.

439
00:19:13,547 --> 00:19:14,847
YOU KNOW?

440
00:19:14,848 --> 00:19:16,718
SHE LIES
WHEN THE TRUTH WILL DO.

441
00:19:16,717 --> 00:19:20,017
I KNOW.
YOU ALWAYS SAY THAT.

442
00:19:20,020 --> 00:19:22,960
I JUST HOPE
HE'S SOMEWHERE SAFE.

443
00:19:25,692 --> 00:19:27,292
OH, MY GOD.

444
00:19:27,293 --> 00:19:28,703
‐MA.
‐WHAT?

445
00:19:28,695 --> 00:19:30,095
STOP.

446
00:19:30,096 --> 00:19:32,426
LISTEN, DO YOU THINK MAYBE
SHE GAVE THAT BABY TO QUINCY?

447
00:19:32,432 --> 00:19:34,402
OH, MA, YOU ‐‐
I'M GOING TO BED.

448
00:19:34,400 --> 00:19:35,770
NO, NO, WHAT IF SHE DID?

449
00:19:35,769 --> 00:19:37,039
SHE DIDN'T DO THAT.

450
00:19:37,037 --> 00:19:38,907
HOW DO YOU KNOW?

451
00:19:40,340 --> 00:19:41,540
BECAUSE I KNOW.

452
00:19:41,542 --> 00:19:43,782
HOW DO YOU KNOW?

453
00:19:43,777 --> 00:19:46,507
LOOK, GIVE CANDACE SOME CREDIT,
ALL RIGHT?

454
00:19:46,513 --> 00:19:48,183
I MEAN,
THAT'S HER CHILD.

455
00:19:48,181 --> 00:19:51,221
YEAH, BUT THAT DOESN'T
MAKE HER A MOTHER, BENNY.

456
00:19:51,217 --> 00:19:53,617
LOOK, I DON'T WANT TO HEAR THIS,
ALL RIGHT?

457
00:19:53,620 --> 00:19:56,190
I'M GOING TO BED.
GOOD NIGHT.

458
00:19:56,189 --> 00:19:58,289
I HOPE YOU'RE RIGHT.

459
00:19:58,291 --> 00:20:00,731
I AM, ALL RIGHT?

460
00:20:00,734 --> 00:20:01,904
HE'S FINE.

461
00:20:01,902 --> 00:20:03,602
OKAY?

462
00:20:03,604 --> 00:20:04,774
GOOD NIGHT.

463
00:20:35,902 --> 00:20:38,672
[ CELLPHONE RINGING ]

464
00:20:44,077 --> 00:20:45,147
YO.

465
00:20:45,145 --> 00:20:46,245
WHAT THE HELL?

466
00:20:46,246 --> 00:20:48,276
IT'S THAT OLD BROAD
ACROSS THE STREET.

467
00:20:48,281 --> 00:20:49,651
I KNOW, SHE'S ‐‐

468
00:20:49,650 --> 00:20:52,320
I knew she was watching
everything.

469
00:20:52,318 --> 00:20:54,518
CANDACE, I TOLD YOU SHE HAD
CAMERAS POINTED ON THAT HOUSE.

470
00:20:54,521 --> 00:20:56,391
I TOLD YOU.

471
00:20:56,389 --> 00:20:58,189
I GOT TO FIND OUT
WHAT SHE KNOWS.

472
00:20:58,191 --> 00:20:59,661
WELL,
HOW YOU GONNA DO THAT?

473
00:20:59,660 --> 00:21:02,370
I'VE GOT MY WAYS.

474
00:21:02,368 --> 00:21:03,668
CANDACE.

475
00:21:03,670 --> 00:21:04,940
[ SIGHS ]

476
00:21:04,938 --> 00:21:07,168
DON'T DO NOTHING STUPID.

477
00:21:07,173 --> 00:21:08,983
I WON'T,
BUT I NEED TO FIND OUT.

478
00:21:08,975 --> 00:21:12,145
WELL, DO THAT 'CAUSE SHE COULD
GET US BUSTED ‐‐ FOR REAL.

479
00:21:12,145 --> 00:21:15,245
I KNOW.

480
00:21:15,248 --> 00:21:18,018
WE GOT TO GET THAT BODY
OUT OF THERE.

481
00:21:18,018 --> 00:21:19,818
I KNOW THAT.

482
00:21:19,820 --> 00:21:21,150
How?

483
00:21:21,154 --> 00:21:22,924
BENNY, I DON'T KNOW.

484
00:21:22,923 --> 00:21:25,693
ALL RIGHT, UH...

485
00:21:25,692 --> 00:21:28,762
LET ME, UH...
LET ME THINK OF SOMETHING.

486
00:21:28,762 --> 00:21:33,402
SURELY, HE SMELLS.
WE CAN'T MOVE HIM.

487
00:21:33,399 --> 00:21:35,569
We have to wait.

488
00:21:35,569 --> 00:21:37,339
WELL, FOR HOW LONG?

489
00:21:37,337 --> 00:21:39,807
UNTIL HE STOPS SMELLING.

490
00:21:39,806 --> 00:21:41,206
How long's
that gonna take?

491
00:21:41,207 --> 00:21:43,437
I ‐‐ I DON'T KNOW.
MONTHS?

492
00:21:43,443 --> 00:21:47,383
ALL RIGHT, I'LL, UH...
I'LL LOOK IT UP.

493
00:21:47,380 --> 00:21:49,080
NO, DON'T LOOK IT UP.

494
00:21:49,082 --> 00:21:50,552
WHAT,
DO YOU THINK I'M CRAZY?

495
00:21:50,551 --> 00:21:52,621
I'LL LOOK IT UP AT THE LIBRARY
OR SOMETHING.

496
00:21:52,619 --> 00:21:54,049
NO, I'LL DO IT.

497
00:21:54,054 --> 00:21:55,624
From where?

498
00:21:55,622 --> 00:21:57,622
HER HOUSE.

499
00:21:57,624 --> 00:21:59,094
WHAT?

500
00:21:59,092 --> 00:22:01,132
YEAH,
DON'T WORRY ABOUT IT.

501
00:22:01,134 --> 00:22:02,474
I'LL ‐‐ I'LL DO IT.

502
00:22:02,468 --> 00:22:04,538
WELL,
WHAT ARE YOU GONNA DO?

503
00:22:06,540 --> 00:22:08,210
WHAT I KNOW HOW TO DO.

504
00:22:08,208 --> 00:22:10,408
CANDACE.

505
00:22:10,410 --> 00:22:13,050
OKAY,
I'LL TALK TO YOU LATER.

506
00:22:13,046 --> 00:22:14,816
HEY.

507
00:22:14,815 --> 00:22:16,275
YEAH?

508
00:22:18,484 --> 00:22:20,954
Is your baby
with that preacher?

509
00:22:20,954 --> 00:22:22,464
HE'S FINE.

510
00:22:22,455 --> 00:22:24,655
IS HE WITH HIM?

511
00:22:24,658 --> 00:22:27,488
HE'S FINE, OKAY?
GOOD NIGHT.

512
00:22:27,493 --> 00:22:28,803
CANDACE.

513
00:22:28,795 --> 00:22:29,795
GOOD NIGHT.

514
00:22:29,796 --> 00:22:31,566
YOU'RE STILL LYING TO ME.

515
00:22:31,565 --> 00:22:33,125
BYE.

516
00:22:33,133 --> 00:22:34,543
[ CELLPHONE BEEPS ]

517
00:22:34,535 --> 00:22:36,795
YOU SEE...

518
00:22:47,347 --> 00:22:49,477
[ BUZZER ]

519
00:23:00,393 --> 00:23:02,003
GUARD!

520
00:23:02,002 --> 00:23:05,042
JIM,
I CAME TO APOLOGIZE.

521
00:23:05,038 --> 00:23:07,008
YOU GO TO HELL.

522
00:23:07,007 --> 00:23:09,237
DAVID,
YOU GO STRAIGHT TO HELL.

523
00:23:11,444 --> 00:23:14,354
I THOUGHT YOU PUT A HIT OUT
ON MY WIFE.

524
00:23:14,347 --> 00:23:17,277
I DID.

525
00:23:17,283 --> 00:23:19,953
AND YOU CALLED IT OFF.

526
00:23:19,953 --> 00:23:21,923
NO.

527
00:23:21,922 --> 00:23:23,892
I DID NOT.

528
00:23:23,890 --> 00:23:28,160
YES, JIM, YOU DID.

529
00:23:28,161 --> 00:23:30,301
I KNOW YOU DID.

530
00:23:33,499 --> 00:23:37,299
ALL RIGHT, I DID.

531
00:23:37,303 --> 00:23:38,913
WHY?

532
00:23:38,905 --> 00:23:40,065
SURE AS HELL ISN'T

533
00:23:40,073 --> 00:23:42,613
BECAUSE I'M AFRAID OF YOU
OR ANY OF YOUR THREATS.

534
00:23:42,609 --> 00:23:43,739
I CAN TELL YOU THAT.

535
00:23:43,744 --> 00:23:47,854
I KNOW THAT
IT WASN'T OUT OF FEAR.

536
00:23:47,848 --> 00:23:50,178
SO WHY?

537
00:23:53,854 --> 00:23:55,964
WHEN I SAW
THE LOOK ON YOUR FACE

538
00:23:55,956 --> 00:23:59,026
AND HOW YOU PROTECT THAT ‐‐

539
00:23:59,025 --> 00:24:02,535
THAT WIFE...OF YOURS,

540
00:24:02,536 --> 00:24:05,206
ALL I COULD SEE
WAS THE LOOK ON MY FACE

541
00:24:05,205 --> 00:24:07,435
WHEN I THINK OF AMANDA.

542
00:24:07,440 --> 00:24:09,410
HMM.

543
00:24:09,409 --> 00:24:12,249
SO, YOU CAN THANK ME
ANYTIME.

544
00:24:12,245 --> 00:24:14,515
ANYTIME.

545
00:24:14,515 --> 00:24:16,045
HMM.

546
00:24:20,020 --> 00:24:22,860
MAGGIE DAY IS DEAD.

547
00:24:26,459 --> 00:24:28,359
WHAT?

548
00:24:28,361 --> 00:24:30,431
YES.

549
00:24:30,430 --> 00:24:32,030
SHOT TO DEATH.

550
00:24:36,903 --> 00:24:38,873
AT VERONICA'S.

551
00:24:40,641 --> 00:24:45,751
APPARENTLY, THEY ‐‐
THEY INTERRUPTED AN INTRUDER.

552
00:24:45,746 --> 00:24:47,706
BURGLARY.

553
00:24:50,383 --> 00:24:51,593
AT LEAST
THAT'S THE STORY

554
00:24:51,585 --> 00:24:54,085
THAT VERONICA'S TELLING
THE POLICE.

555
00:24:54,087 --> 00:24:56,417
DAVID, YOU NEED TO SLEEP
FULLY CLOTHED

556
00:24:56,422 --> 00:24:58,262
WITH YOUR KEYS
IN YOUR HANDS

557
00:24:58,258 --> 00:25:00,388
AND BOTH EYES WIDE OPEN
FROM NOW ON.

558
00:25:00,393 --> 00:25:01,943
NO NEED.

559
00:25:01,935 --> 00:25:03,735
WHY?

560
00:25:03,737 --> 00:25:06,237
I FILED FOR A DIVORCE.

561
00:25:06,239 --> 00:25:08,239
WELL, THEN,
IT'S ALL THE MORE NEED

562
00:25:08,241 --> 00:25:10,281
FOR YOU TO BE CAUTIOUS,
MY FRIEND.

563
00:25:10,276 --> 00:25:13,276
YOU KNOW THAT YOUR WIFE
DOES NOT LIKE TO BE SHAMED,

564
00:25:13,279 --> 00:25:15,919
ESPECIALLY NOT PUBLICLY.

565
00:25:18,418 --> 00:25:21,148
YOU KNOW WHAT, JIM?

566
00:25:21,154 --> 00:25:25,164
AT THIS POINT,
I REALLY DON'T GIVE A DAMN.

567
00:25:25,158 --> 00:25:28,328
I NEED TO ASK YOU
A QUESTION.

568
00:25:30,831 --> 00:25:32,631
DID YOU LOVE
MAGGIE DAY?

569
00:25:34,535 --> 00:25:38,265
DID YOU LOVE
MAGGIE DAY?

570
00:25:40,140 --> 00:25:43,140
NO.

571
00:25:43,143 --> 00:25:46,213
DID YOU SLEEP
WITH MAGGIE DAY?

572
00:25:50,050 --> 00:25:53,690
I NEVER CHEATED ON MY WIFE.

573
00:25:53,687 --> 00:25:56,317
YOU'RE A STRONG MAN.

574
00:25:57,824 --> 00:25:59,734
YOU'RE A VERY STRONG MAN,

575
00:25:59,726 --> 00:26:03,166
BUT I CERTAINLY WISH
YOU WOULD FIND SOME OTHER WAY

576
00:26:03,169 --> 00:26:07,169
TO VENT YOUR...FRUSTRATION.

577
00:26:07,173 --> 00:26:09,213
[ CHUCKLES ]

578
00:26:11,211 --> 00:26:13,751
I AM SORRY.

579
00:26:13,747 --> 00:26:19,047
I'VE BEEN TOLD
I HAVE A MEAN RIGHT.

580
00:26:19,052 --> 00:26:21,022
YOURS ISN'T TOO BAD,
EITHER.

581
00:26:23,289 --> 00:26:25,689
YOU DON'T HAVE MARKS
ON YOUR FACE, DAVID.

582
00:26:25,692 --> 00:26:27,932
MY RIBS ARE PRETTY BAD.

583
00:26:27,928 --> 00:26:30,828
HOW ARE YOUR TOES?

584
00:26:30,831 --> 00:26:34,031
[ BOTH LAUGH ]

585
00:26:37,938 --> 00:26:39,738
WHERE DOES THAT LEAVE US?

586
00:26:42,242 --> 00:26:46,752
I SUPPOSE WE'RE...

587
00:26:46,747 --> 00:26:49,047
FRENEMIES.

588
00:26:49,049 --> 00:26:51,349
FRENEMIES?

589
00:26:51,351 --> 00:26:52,591
YES.

590
00:26:52,586 --> 00:26:54,346
[ CHUCKLES ]
OKAY, I LIKE THAT.

591
00:26:54,354 --> 00:26:56,024
FRENEMIES ‐‐
WE'RE FRENEMIES.

592
00:26:56,022 --> 00:26:57,792
[ LAUGHS ]

593
00:26:57,791 --> 00:27:00,961
UH...

594
00:27:00,961 --> 00:27:02,641
I'M GONNA WORK ON
GETTING YOU OUT OF HERE.

595
00:27:02,636 --> 00:27:04,936
YEAH, SON OF BITCH,
HE GAVE ME NO BAIL

596
00:27:04,938 --> 00:27:06,808
AND 30 DAYS
FOR CONTEMPT OF COURT.

597
00:27:06,807 --> 00:27:08,067
YEAH, I KNOW.

598
00:27:08,074 --> 00:27:09,584
YOU HAVE ANYTHING ON HIM?

599
00:27:09,576 --> 00:27:12,446
I DON'T,
BUT I WILL INQUIRE.

600
00:27:12,445 --> 00:27:15,215
QUICKLY, PLEASE.

601
00:27:15,215 --> 00:27:17,415
YES, YES.
YEAH, AND, DAVID...

602
00:27:17,417 --> 00:27:20,547
FRENEMIES OR NO,

603
00:27:20,554 --> 00:27:24,764
I OWE YOU
A SERIOUS ASS KICKING.

604
00:27:27,160 --> 00:27:31,800
THAT IS ONE DEBT I WILL DO
MY BEST NOT TO BE REPAID.

605
00:27:31,798 --> 00:27:34,898
ALL RIGHT.

606
00:27:34,901 --> 00:27:37,201
[ CHUCKLES ]

607
00:27:45,478 --> 00:27:47,108
TAKE CARE.
YEAH.

608
00:27:47,113 --> 00:27:49,723
YOU TOO.

609
00:27:54,621 --> 00:27:57,321
[ BUZZER ]

610
00:28:12,813 --> 00:28:15,283
[ TELEPHONE RINGING ]

611
00:28:40,073 --> 00:28:42,843
[ RINGING CONTINUES ]

612
00:28:50,383 --> 00:28:53,253
[ Line ringing ]

613
00:28:53,253 --> 00:28:56,523
[ TELEPHONE RINGING ]

614
00:29:04,070 --> 00:29:05,510
HELLO?

615
00:29:05,506 --> 00:29:06,666
Hanna.

616
00:29:06,673 --> 00:29:07,943
MRS. CRYER?

617
00:29:07,941 --> 00:29:10,981
Do you know
what time it is?

618
00:29:10,977 --> 00:29:12,847
GOT A PHONE CALL.

619
00:29:12,846 --> 00:29:15,116
WHAT?

620
00:29:15,115 --> 00:29:17,845
I GOT THAT PHONE CALL.

621
00:29:17,851 --> 00:29:20,251
WHAT ARE
YOU TALKING ABOUT?

622
00:29:22,889 --> 00:29:25,859
NOBODY CALLS THIS LATE,
HANNA.

623
00:29:25,859 --> 00:29:28,229
WHAT'D THEY SAY?

624
00:29:28,228 --> 00:29:31,198
I...

625
00:29:31,197 --> 00:29:34,597
I DIDN'T ANSWER IT.

626
00:29:34,601 --> 00:29:37,301
MRS. CRYER.

627
00:29:37,303 --> 00:29:40,613
[ TELEPHONE RINGING ]
IT'S RINGING AGAIN, HANNA.

628
00:29:40,607 --> 00:29:41,937
ANSWER IT.

629
00:29:41,942 --> 00:29:45,082
NO.

630
00:29:45,078 --> 00:29:46,308
MRS. CRYER.

631
00:29:46,312 --> 00:29:49,552
I CAN FEEL IT.

632
00:29:49,550 --> 00:29:52,090
ANSWER IT.
IT ‐‐ IT MAY BE NOTHING.

633
00:29:52,085 --> 00:29:54,955
NO. NO.

634
00:29:54,955 --> 00:29:57,985
What's the number
that's calling you?

635
00:29:57,991 --> 00:30:00,231
[ WHIMPERING ]

636
00:30:00,226 --> 00:30:01,396
MRS. CRYER?

637
00:30:01,401 --> 00:30:03,201
[ RINGING CONTINUES ]

638
00:30:03,203 --> 00:30:05,013
[ CRYING ]

639
00:30:05,005 --> 00:30:06,965
[ TELEPHONE BEEPS ]

640
00:30:08,842 --> 00:30:13,612
IT'S 912‐555‐4016.

641
00:30:13,614 --> 00:30:15,254
OKAY,
I'LL CALL YOU BACK.

642
00:30:15,248 --> 00:30:17,478
Call it
and I'll call you right back.

643
00:30:17,483 --> 00:30:18,653
OKAY.

644
00:30:30,931 --> 00:30:33,271
[ Line ringing ]

645
00:30:33,266 --> 00:30:35,496
[ CELLPHONE RINGING ]

646
00:30:35,501 --> 00:30:37,701
GOT TO TAKE THIS.

647
00:30:41,975 --> 00:30:43,205
HELLO?

648
00:30:43,209 --> 00:30:45,379
YES, THIS IS
HANNA YOUNG CALLING.

649
00:30:45,378 --> 00:30:46,778
YES?

650
00:30:46,780 --> 00:30:49,180
DID SOMEONE JUST CALL
MRS. KATHERYN CRYER?

651
00:30:49,182 --> 00:30:50,482
YES.

652
00:30:50,483 --> 00:30:52,223
YES,
WHO AM I SPEAKING WITH?

653
00:30:52,218 --> 00:30:53,918
This is Detective Blake.

654
00:30:53,920 --> 00:30:56,290
YES, UM,
WHAT IS THIS ABOUT?

655
00:30:56,289 --> 00:30:59,159
IS SHE AROUND?

656
00:30:59,159 --> 00:31:00,599
NO, WHAT IS IT ABOUT?

657
00:31:00,601 --> 00:31:02,701
HER SON.

658
00:31:04,237 --> 00:31:05,837
IS HE ALL RIGHT?

659
00:31:05,839 --> 00:31:08,269
I NEED TO TALK TO <i>HER.</i>

660
00:31:08,274 --> 00:31:10,684
IS HE OKAY?

661
00:31:10,677 --> 00:31:12,007
WHO ARE YOU, MA'AM?

662
00:31:12,012 --> 00:31:13,552
A friend.

663
00:31:13,547 --> 00:31:15,317
I NEED TO SPEAK
WITH <i>HER.</i>

664
00:31:15,315 --> 00:31:18,075
SHE'S NOT GONNA TALK TO YOU,
SO YOU NEED TO TELL ME.

665
00:31:18,084 --> 00:31:21,664
I'M SORRY, MA'AM.
WE HAVE TO TELL HER.

666
00:31:21,655 --> 00:31:23,815
SOMEONE'S ON THE WAY
TO HER HOUSE RIGHT NOW.

667
00:31:23,824 --> 00:31:25,294
No, no, no,
don't do that.

668
00:31:25,291 --> 00:31:26,761
PLEASE,
SHE CAN'T TAKE IT.

669
00:31:26,760 --> 00:31:29,100
COULD YOU JUST WAIT
AT LEAST TILL I GET THERE.

670
00:31:29,095 --> 00:31:30,725
MA'AM, WHO ARE YOU AND ‐‐

671
00:31:30,731 --> 00:31:33,101
PLEASE, LISTEN.
SHE JUST LOST ONE CHILD.

672
00:31:33,099 --> 00:31:35,299
COULD YOU JUST HAVE THEM WAIT
UNTIL I GET THERE?

673
00:31:35,301 --> 00:31:37,941
I'M ON MY WAY.
I'M ON MY WAY OVER THERE NOW.

674
00:31:37,938 --> 00:31:39,968
OKAY.

675
00:31:40,440 --> 00:31:42,710
[ CELLPHONE BEEPS ]
BENNY.

676
00:31:43,710 --> 00:31:44,950
BENNY.

677
00:31:53,486 --> 00:31:55,116
[ KNOCK ON DOOR ]

678
00:31:55,121 --> 00:31:56,591
BENNY?

679
00:31:56,590 --> 00:31:58,420
BENNY?

680
00:32:00,667 --> 00:32:02,837
BENJAMIN?

681
00:32:05,872 --> 00:32:08,212
BENNY.

682
00:32:08,208 --> 00:32:10,208
BEN.

683
00:32:22,756 --> 00:32:24,216
BENNY,
I WAS LOOKING FOR Y‐‐

684
00:32:26,359 --> 00:32:28,489
HI, LITTLE HANNA.

685
00:32:32,432 --> 00:32:33,702
WHERE YOU GOING?

686
00:32:34,968 --> 00:32:36,638
HUH?

687
00:32:44,377 --> 00:32:45,647
[ ENGINE STARTS ]

688
00:32:45,646 --> 00:32:49,546
‐VERONICA.
‐AREN'T YOU LISTENING?

689
00:32:52,986 --> 00:32:54,556
YOU SEE?

690
00:32:54,555 --> 00:32:56,985
NOW SHE GONNA THINK
SOMETHING'S GOING ON.

691
00:32:56,990 --> 00:32:58,890
LET HER THINK IT.

692
00:32:58,892 --> 00:32:59,792
VERONICA.

693
00:32:59,793 --> 00:33:00,933
I'M SO GLAD
YOU CALLED ME.

694
00:33:00,934 --> 00:33:02,644
I WANT YOU SO BAD.

695
00:33:02,636 --> 00:33:04,336
DON'T YOU MISS ME?

696
00:33:04,337 --> 00:33:05,737
THE ONLY REASON ‐‐

697
00:33:05,739 --> 00:33:07,509
‐DON'T YOU MISS ME?
‐NO.

698
00:33:07,508 --> 00:33:08,608
HMM.

699
00:33:08,609 --> 00:33:10,079
THE ONLY REASON
I'VE BEEN CALLING YOU

700
00:33:10,076 --> 00:33:12,106
IS BECAUSE
I NEED TO TALK.

701
00:33:12,112 --> 00:33:14,982
OKAY. GREAT.
LET'S TALK IN YOUR ROOM.

702
00:33:14,981 --> 00:33:16,851
COME ON.
SHOW ME YOUR NEW HOUSE.

703
00:33:16,850 --> 00:33:18,150
‐COME ON.
‐NO.

704
00:33:20,286 --> 00:33:23,756
MRS. HARRINGTON, OKAY,
THIS IS ‐‐ THIS IS OVER.

705
00:33:23,757 --> 00:33:25,327
‐YOU UNDERSTAND?
‐HMM.

706
00:33:25,325 --> 00:33:28,025
NOW WHAT I NEED YOU TO DO
IS TALK TO YOUR HUSBAND.

707
00:33:28,028 --> 00:33:29,628
‐WHAT?
‐YEAH.

708
00:33:29,630 --> 00:33:31,230
HE CAME BY LOOKING FOR ME,

709
00:33:31,231 --> 00:33:33,471
AND HE DID SOMETHING
TO MY PHONES.

710
00:33:33,466 --> 00:33:35,836
‐REALLY?
‐YEAH.

711
00:33:35,836 --> 00:33:37,166
AT MY TOW YARD.

712
00:33:37,170 --> 00:33:40,870
NOW I'M NOT GETTING NO CALLS
OVER THERE, AND I NEED MY MONEY.

713
00:33:40,874 --> 00:33:43,884
AND NOW HE'S STARTING
TO INTERFERE WITH MY BUSINESS.

714
00:33:43,877 --> 00:33:45,777
‐IS THAT RIGHT?
‐YEAH.

715
00:33:45,779 --> 00:33:47,479
WHAT MAKES YOU THINK
IT'S HIM?

716
00:33:47,480 --> 00:33:50,550
WELL, BECAUSE HE WENT BY THERE
LOOKING FOR ME.

717
00:33:50,551 --> 00:33:52,851
WHAT DID HE SAY
WHEN HE CAME BY?

718
00:33:52,853 --> 00:33:56,563
KEPT ASKING
ABOUT ME AND YOU.

719
00:33:56,557 --> 00:33:58,157
HMM.

720
00:33:58,158 --> 00:34:00,968
YOU KNOW, WHAT WENT DOWN
BETWEEN US, THINGS LIKE THAT.

721
00:34:00,967 --> 00:34:03,067
AND WHAT DID YOU SAY?

722
00:34:03,069 --> 00:34:06,339
I TOLD HIM
TO TALK TO HIS WIFE.

723
00:34:06,339 --> 00:34:08,709
GOOD FOR YOU.

724
00:34:08,709 --> 00:34:10,539
LISTEN,
I'M NOT PLAYING.

725
00:34:10,544 --> 00:34:11,984
YOU BETTER HANDLE THIS.

726
00:34:11,978 --> 00:34:14,278
WHAT DO YOU WANT ME TO DO,
BENJAMIN?

727
00:34:14,280 --> 00:34:16,550
WELL, TELL HIM NOTHING'S GOING
ON SO HE CAN LEAVE ME ALONE.

728
00:34:16,550 --> 00:34:18,850
OKAY, I WILL.

729
00:34:18,852 --> 00:34:20,922
[ CHUCKLES ]

730
00:34:20,921 --> 00:34:23,391
THIS STUNT
OF ME IN THE PAPER ‐‐

731
00:34:23,389 --> 00:34:24,759
I HAD NOTHING TO DO
WITH THAT.

732
00:34:24,758 --> 00:34:26,488
DID YOU KNOW SOMEBODY
WAS TAKING PICTURES?

733
00:34:26,492 --> 00:34:28,732
NO, I DID NOT.

734
00:34:28,729 --> 00:34:30,399
YOU SURE?

735
00:34:30,396 --> 00:34:33,226
I SAID NO.

736
00:34:35,368 --> 00:34:37,868
LET ME
ASK YOU SOMETHING ELSE.

737
00:34:37,871 --> 00:34:40,071
GO AHEAD.

738
00:34:40,073 --> 00:34:44,083
THIS, UH, SOME LITTLE GAME
YOU OLD CHICKS PLAY?

739
00:34:44,077 --> 00:34:46,147
"OLD CHICKS"?

740
00:34:46,146 --> 00:34:48,046
YEAH, WHERE YOU TRY
TO MAKE YOUR MAN JEALOUS

741
00:34:48,048 --> 00:34:49,378
BY SCREWING
SOME YOUNG DUDE.

742
00:34:49,382 --> 00:34:50,782
HUH?

743
00:34:50,784 --> 00:34:52,094
"SCREWING
SOME YOUNG DUDE"?

744
00:34:52,085 --> 00:34:53,685
THAT'S WHAT I SAID,
YEAH.

745
00:34:55,689 --> 00:34:58,659
IF I WANTED TO MAKE
MY HUSBAND JEALOUS,

746
00:34:58,659 --> 00:35:01,429
I WOULD NEED A MAN,
NOT A BOY.

747
00:35:01,434 --> 00:35:03,404
IF I WANTED TO MAKE
MY HUSBAND JEALOUS,

748
00:35:03,403 --> 00:35:06,943
I WOULD NEED SOMEONE THAT KNEW
HOW TO CONJUGATE A VERB.

749
00:35:06,940 --> 00:35:10,380
I WOULD NEED A MAN WHO HAD
SOME DEGREES BEHIND HIS NAME.

750
00:35:10,376 --> 00:35:11,746
I WOULD NEED A MAN

751
00:35:11,745 --> 00:35:14,475
THAT KNEW HOW TO FIND HIS WAY
AROUND THESE PARTS

752
00:35:14,480 --> 00:35:16,850
WITHOUT ASSISTANCE
FROM AN EXPERIENCED WOMAN.

753
00:35:16,850 --> 00:35:18,950
IF I WANTED TO MAKE
MY HUSBAND JEALOUS,

754
00:35:18,952 --> 00:35:21,562
I WOULD NEED A MAN
WITH SEVERAL ZEROS

755
00:35:21,555 --> 00:35:23,915
IN FRONT OF THE DECIMAL POINT
IN HIS BANK ACCOUNT.

756
00:35:23,924 --> 00:35:26,734
YOU SEE,
I COULD NEVER USE YOU, SON,

757
00:35:26,727 --> 00:35:29,697
TO MAKE MY HUSBAND
JEALOUS.

758
00:35:29,696 --> 00:35:31,596
BUT I DID USE YOU.

759
00:35:31,598 --> 00:35:32,928
HMM.

760
00:35:32,933 --> 00:35:34,873
FOR SEX.

761
00:35:36,737 --> 00:35:38,507
AND IT WASN'T GOOD SEX.

762
00:35:38,505 --> 00:35:40,465
WELL, THEN
WHY YOU WANT IT NOW?

763
00:35:40,473 --> 00:35:42,083
DON'T FLATTER YOURSELF.

764
00:35:42,075 --> 00:35:43,035
HMM.

765
00:35:43,043 --> 00:35:45,113
YOU KNOW WHAT?

766
00:35:45,111 --> 00:35:46,451
GET YOUR OLD ASS
AWAY FROM AROUND HERE,

767
00:35:46,446 --> 00:35:47,476
AND DON'T COME BACK.

768
00:35:47,480 --> 00:35:48,820
[ Imitating Benny ]
YOU KNOW WHAT?

769
00:35:48,815 --> 00:35:50,315
GET YOUR OLD ASS
AWAY FROM AROUND HERE,

770
00:35:50,316 --> 00:35:51,746
AND DON'T COME BACK.

771
00:35:51,752 --> 00:35:54,322
[ Normal voice ]
YOU SEE WHAT I MEAN?

772
00:35:54,320 --> 00:35:56,460
AND YOU BETTER TELL YOUR HUSBAND
TO LEAVE ME ALONE.

773
00:35:56,456 --> 00:35:58,356
TELL HIM TO STOP PLAYING
WITH MY PHONE LINES

774
00:35:58,358 --> 00:36:00,558
AND STOP MESSING
WITH MY PLACE OF BUSINESS,

775
00:36:00,561 --> 00:36:02,141
OR IT'S GONNA BE
ME AND HIM.

776
00:36:02,135 --> 00:36:04,465
DO YOURSELF A FAVOR,
LITTLE BOY.

777
00:36:04,470 --> 00:36:07,110
DON'T GET INVOLVED
IN A MAN'S GAME.

778
00:36:07,107 --> 00:36:10,907
YOUR LITTLE PENIS
CAN'T REACH THAT FAR.

779
00:36:10,911 --> 00:36:12,881
TRUST ME.

780
00:36:12,879 --> 00:36:14,109
I KNOW.

781
00:36:14,114 --> 00:36:15,324
[ CHUCKLES ]

782
00:36:15,315 --> 00:36:18,175
WELL, THAT AIN'T
WHAT YOU SAID LAST TIME.

783
00:36:18,184 --> 00:36:19,524
YOU REMEMBER THAT?

784
00:36:19,520 --> 00:36:21,520
MATTER OF FACT...

785
00:36:21,522 --> 00:36:23,592
WHY DON'T YOU LOOK AT IT?

786
00:36:23,590 --> 00:36:25,730
[ ZIPPER UNZIPPING ]

787
00:36:25,726 --> 00:36:27,826
GO ON, LOOK AT IT.

788
00:36:27,828 --> 00:36:30,228
LET YOUR MOUTH WATER.

789
00:36:30,230 --> 00:36:32,100
IT'S GONNA BE THE LAST TIME
YOU SEE THAT.

790
00:36:34,100 --> 00:36:36,000
YOU BELIEVED ME,
DIDN'T YOU?

791
00:36:37,203 --> 00:36:39,673
YOU'VE NEVER HEARD A WOMAN
FAKE IT BEFORE.

792
00:36:39,673 --> 00:36:41,713
I KNOW.

793
00:36:41,708 --> 00:36:43,908
NEVER HEARD IT.

794
00:36:43,910 --> 00:36:45,750
OH.

795
00:36:45,746 --> 00:36:47,676
[ MOANING ]

796
00:36:47,681 --> 00:36:49,781
OH, BENJAMIN!

797
00:36:49,783 --> 00:36:51,383
[ MOANS ]

798
00:36:51,384 --> 00:36:53,854
OHH, PLEASE DON'T STOP.

799
00:36:53,854 --> 00:36:57,364
OHH, PLEASE D‐‐
PLEASE DON'T STOP!

800
00:36:57,357 --> 00:36:58,727
OH, PLEASE.

801
00:36:58,725 --> 00:37:00,865
‐GET YOUR ASS OUT OF HERE.
‐[ CHUCKLES ]

802
00:37:00,867 --> 00:37:02,897
GO ON.

803
00:37:02,902 --> 00:37:06,172
MY HUSBAND'S GONNA RUIN YOU,
SON.

804
00:37:06,172 --> 00:37:08,682
OKAY. WELL, YOU TELL HIM
TO KEEP MESSING WITH ME.

805
00:37:08,675 --> 00:37:10,435
OKAY.

806
00:37:10,443 --> 00:37:13,553
IF I WERE YOU,
I'D STAY AWAY FROM HIM.

807
00:37:13,547 --> 00:37:14,847
HE'S DANGEROUS.

808
00:37:14,848 --> 00:37:16,348
‐OKAY. GO ON.
‐OKAY?

809
00:37:16,349 --> 00:37:18,079
ALL RIGHT.
BYE‐BYE, LITTLE BOY.

810
00:37:18,084 --> 00:37:19,624
DO LIKE I TOLD YOU TO DO
AND GET OUT OF HERE.

811
00:37:19,620 --> 00:37:21,820
‐GOODBYE LITTLE, BENNY BOY.
‐OH, THAT'S FUNNY, RIGHT?

812
00:37:21,822 --> 00:37:24,122
GET YOUR OLD ASS
AWAY FROM AROUND HERE.

813
00:37:24,124 --> 00:37:27,194
‐SEE YOU LATER, SUGAR PIE.
‐YEAH, ALL RIGHT.

814
00:37:27,193 --> 00:37:28,933
[ VEHICLE DOOR CLOSES ]

815
00:37:28,929 --> 00:37:31,729
[ POLICE RADIO CHATTER ]

816
00:37:34,334 --> 00:37:36,374
‐ARE YOU THE DETECTIVE?
‐YEAH.

817
00:37:36,369 --> 00:37:39,309
‐THANK YOU FOR WAITING.
‐SURE.

818
00:37:39,305 --> 00:37:43,135
SHE'S NOT GONNA OPEN THE DOOR.
I'M GONNA CALL HER.

819
00:37:43,143 --> 00:37:46,283
[ TELEPHONE RINGING ]

820
00:37:46,279 --> 00:37:48,549
MRS. CRYER?

821
00:37:48,549 --> 00:37:50,419
Hanna?

822
00:37:50,416 --> 00:37:53,316
YES.

823
00:37:53,319 --> 00:37:55,359
What is it?

824
00:37:55,355 --> 00:37:57,885
YOU NEED TO COME
AND OPEN THE DOOR.

825
00:37:57,891 --> 00:37:59,291
Are you here?

826
00:37:59,292 --> 00:38:01,772
YES.

827
00:38:01,768 --> 00:38:05,308
Why are you here?

828
00:38:05,305 --> 00:38:07,565
YOU NEED TO OPEN
THE DOOR.

829
00:38:07,574 --> 00:38:09,544
Why are you here,
Hanna?

830
00:38:12,412 --> 00:38:13,512
MRS. CRYER.

831
00:38:13,514 --> 00:38:16,424
Hanna, I am not coming
to open the door.

832
00:38:16,416 --> 00:38:18,516
MRS. CRYER,
YOU ASKED ME TO BE HERE,

833
00:38:18,519 --> 00:38:20,019
AND I'M HERE NOW.

834
00:38:20,020 --> 00:38:22,060
YOU NEED TO COME
AND OPEN THE DOOR.

835
00:38:22,055 --> 00:38:23,555
No.

836
00:38:23,557 --> 00:38:25,927
MRS. CRYER,
COME ON NOW.

837
00:38:25,926 --> 00:38:28,426
No, no, no.

838
00:38:28,428 --> 00:38:29,758
WE'RE COMING IN.

839
00:38:32,032 --> 00:38:34,102
YOU NEED TO BE DRESSED,
OKAY?

840
00:38:34,100 --> 00:38:36,370
Hanna, no, no, no.

841
00:38:36,369 --> 00:38:38,769
WE'RE COMING IN
WITH THE EXTRA KEY.

842
00:38:38,772 --> 00:38:41,272
YOU NEED TO COME
DOWNSTAIRS, OKAY?

843
00:38:41,274 --> 00:38:42,614
OKAY?

844
00:38:42,609 --> 00:38:43,909
Okay.

845
00:38:43,910 --> 00:38:45,110
OKAY.

846
00:38:56,389 --> 00:38:58,529
[ DOOR UNLOCKS ]

847
00:39:14,380 --> 00:39:16,020
SHE'S COMING DOWN.

848
00:39:16,016 --> 00:39:17,646
OKAY.

849
00:39:20,420 --> 00:39:22,190
IS IT BAD?

850
00:39:22,188 --> 00:39:24,528
I'M AFRAID SO.

851
00:39:24,525 --> 00:39:27,655
HOW BAD?

852
00:39:27,661 --> 00:39:30,001
BAD.

853
00:39:29,996 --> 00:39:31,766
[ EXHALES DEEPLY ]

854
00:39:31,765 --> 00:39:34,165
LORD JESUS.

855
00:39:34,167 --> 00:39:36,337
WHO ARE YOU TO HER?

856
00:39:36,336 --> 00:39:39,106
I'M A FRIEND.

857
00:39:42,075 --> 00:39:45,005
SHE'S NOT
GONNA TAKE THIS WELL.

858
00:39:48,849 --> 00:39:51,049
[ SNIFFLING ]

859
00:39:51,051 --> 00:39:53,451
I DON'T WANT YOU HERE.

860
00:39:53,453 --> 00:39:57,293
I DON'T WANT YOU HERE.

861
00:39:57,290 --> 00:40:01,670
YOU WERE HERE
WHEN MY DAUGHTER DIED.

862
00:40:03,203 --> 00:40:05,643
WHY ARE YOU HERE?

863
00:40:08,408 --> 00:40:11,648
WHY ‐‐ WHY ‐‐
WHY ARE YOU HERE?

864
00:40:11,645 --> 00:40:14,715
[ CRYING ]

865
00:40:14,715 --> 00:40:17,175
MA'AM, I'M SORRY.

866
00:40:18,685 --> 00:40:21,115
IS MY SON DEAD?

867
00:40:21,121 --> 00:40:23,221
IS HE?

868
00:40:23,223 --> 00:40:24,493
IS HE?

869
00:40:28,595 --> 00:40:30,495
IS HE?

870
00:40:33,567 --> 00:40:35,897
HANNA.

871
00:40:35,902 --> 00:40:39,142
IS MY SON DEAD?

872
00:40:45,879 --> 00:40:48,619
YES, MA'AM, HE IS.

873
00:40:48,615 --> 00:40:51,215
♪♪♪♪

874
00:40:55,388 --> 00:40:58,318
[ SCREAMING ]

875
00:40:58,324 --> 00:41:01,034
♪♪♪♪

876
00:41:06,472 --> 00:41:08,882
[ SCREAMING CONTINUES ]

877
00:41:20,621 --> 00:41:23,161
[ SCREAMING CONTINUES ]

878
00:41:27,894 --> 00:41:29,964
<i>NEXT ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

879
00:41:29,963 --> 00:41:33,303
IT'S A HAPPY TIME.
HAPPY, HAPPY.

880
00:41:33,299 --> 00:41:35,769
COME ON, HAPPY TIME, HAPPY TIME.
LET'S GO.

881
00:41:35,769 --> 00:41:37,099
HOW MUCH ARE YOU
SUING ME FOR, HANNA?

882
00:41:37,103 --> 00:41:39,143
ARE YOU GONNA TAKE IT ALL?
IS THAT IT?

883
00:41:39,139 --> 00:41:42,579
WHY YOU HAVING SEX WITH HIM?
IS HE RAPING YOU FOR THAT MONEY?

884
00:41:42,576 --> 00:41:44,076
WE'RE MEN,
AND I'M NOT ‐‐

885
00:41:44,077 --> 00:41:45,647
YOU'RE NOT GAY.

886
00:41:45,646 --> 00:41:47,606
‐MRS. CRYER, I CAN'T DO THAT.
‐YES.

887
00:41:47,614 --> 00:41:49,184
DON'T ASK ME TO DO THAT.

888
00:41:49,182 --> 00:41:50,382
HANNA,
THERE'S NO ONE ELSE.

889
00:41:50,383 --> 00:41:52,093
I'M JUST WARNING YOU, DUDE.
THIS IS A BAD DUDE.

890
00:41:52,085 --> 00:41:53,285
THAT'S A GOOD MAN.

891
00:41:53,286 --> 00:41:54,656
YOU CAN'T TELL ME
NOTHING BAD ABOUT HIM.

892
00:41:54,655 --> 00:41:57,885
WHEN THAT CLOCK STRIKES 5:00,
HE DEAD.