1
00:00:01,201 --> 00:00:02,501
OH, KATHERYN!
[ SCREAMS ]

2
00:00:02,503 --> 00:00:04,813
<i>PREVIOUSLY ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

3
00:00:04,805 --> 00:00:08,165
OOH, LOOKS LIKE
YOU'VE GOT AN ADMIRER.

4
00:00:08,174 --> 00:00:09,414
I SPOKE TO THE M. E.,

5
00:00:09,409 --> 00:00:11,439
AND HE IS GOING TO RULE IT
AS A SUICIDE.

6
00:00:11,444 --> 00:00:13,554
BUT THAT TRAGEDY
ACTUALLY SAVED HIS CAMPAIGN.

7
00:00:13,547 --> 00:00:14,577
HE'LL PROBABLY WIN.

8
00:00:14,581 --> 00:00:15,981
WHAT TRAGEDY?
HIS DAUGHTER.

9
00:00:15,982 --> 00:00:17,152
SHE COMMITTED SUICIDE.

10
00:00:17,150 --> 00:00:18,350
YOU SEE B...

11
00:00:18,351 --> 00:00:20,191
HE'S GONNA WONDER WHERE YOU GOT
ALL THIS MONEY FROM.

12
00:00:20,186 --> 00:00:23,556
I TOLD HIM THAT I TOOK THE BAR
AND I GOT A JOB.

13
00:00:23,557 --> 00:00:25,327
I'LL TELL THE D.A.
EVERYTHING.

14
00:00:25,325 --> 00:00:27,555
GONNA TELL THEM
ABOUT JIM AND HIS WHORES,

15
00:00:27,561 --> 00:00:28,961
ABOUT YOUR MOTHER
KEEPING THE CAR.

16
00:00:28,962 --> 00:00:30,362
I'M SICK OF IT!

17
00:00:30,363 --> 00:00:32,673
WHAT THE HELL
DID YOU JUST SAY?

18
00:00:38,038 --> 00:00:41,468
UH, MR. CRYER,
UH, WYATT WAS JUST ‐‐

19
00:00:41,474 --> 00:00:43,044
HE WAS JUST VENTING,
YOU KNOW?

20
00:00:43,043 --> 00:00:45,053
JEFFERY, SHUT UP.

21
00:00:45,045 --> 00:00:48,775
WYATT.
WHAT DID YOU SAY?

22
00:00:48,782 --> 00:00:49,982
JEFFERY,
GET OUT OF MY WAY.

23
00:00:49,983 --> 00:00:51,053
JIM?

24
00:00:51,051 --> 00:00:52,651
NOW'S NOT THE TIME
TO CLAM UP, WYATT.

25
00:00:52,653 --> 00:00:54,563
YOU GOT SOMETHING TO SAY,
SAY IT. SAY IT AGAIN.

26
00:00:54,555 --> 00:00:56,115
WHATEVER HE SAID,
WE'RE ALL HURTING.

27
00:00:56,122 --> 00:00:58,422
YEAH, WE'RE ALL HURTING, BUT IT
DOESN'T GIVE HIM THE RIGHT

28
00:00:58,424 --> 00:00:59,934
TO SAY WHAT HE SAID.
SAY IT AGAIN.

29
00:00:59,926 --> 00:01:01,396
WHAT THE HELL
GIVES YOU THE RIGHT?

30
00:01:01,401 --> 00:01:02,801
WHAT?
ARE YOU DEAF?

31
00:01:02,803 --> 00:01:05,443
WHAT THE HELL GIVES YOU THE
RIGHT TO BEHAVE THE WAY YOU DO?

32
00:01:05,438 --> 00:01:07,508
WHO THE HELL
DO YOU THINK YOU'RE TALKING TO?

33
00:01:07,508 --> 00:01:09,208
UNFORTUNATELY,
MY SORRY‐ASS FATHER.

34
00:01:09,208 --> 00:01:11,138
OH, UNFORTUNATELY,
YOUR SORRY‐ASS FATHER?

35
00:01:11,144 --> 00:01:12,484
IS THAT IT?
UNFORTUNATELY?

36
00:01:12,478 --> 00:01:14,578
I'LL TELL YOU WHAT!
YOU'RE NOT GONNA DO THIS.

37
00:01:14,581 --> 00:01:17,181
WHAT IS GOING ON?!
STOP IT!

38
00:01:17,183 --> 00:01:19,323
STOP IT!
YOU KNOW WHAT'S GOING ON.

39
00:01:19,319 --> 00:01:20,489
YOU ALL KNOW
WHAT'S GOING ON!

40
00:01:20,486 --> 00:01:21,816
REALLY?
YEAH.

41
00:01:21,822 --> 00:01:24,322
WHY DON'T YOU ENLIGHTEN US,
WYATT CRYER, OTHER THAN THE FACT

42
00:01:24,324 --> 00:01:26,264
THAT WE'RE MOURNING
THE LOSS OF YOUR SISTER.

43
00:01:26,259 --> 00:01:27,659
MR. CRYER,
HE DIDN'T MEAN IT.

44
00:01:27,661 --> 00:01:28,931
JEFFERY,
STAY OUT OF THIS.

45
00:01:28,929 --> 00:01:33,029
FOR THE LAST TIME,
WHAT IS GOING ON?

46
00:01:33,033 --> 00:01:38,173
I OVERHEARD OUR SON SAY
"NO WONDER AMANDA CHECKED OUT."

47
00:01:38,171 --> 00:01:39,871
BUT HE DIDN'T MEAN IT.

48
00:01:39,873 --> 00:01:41,373
JEFFERY,
I SAID STAY OUT OF IT.

49
00:01:41,374 --> 00:01:43,784
I THINK HE DID MEAN IT.
AND I'M LOOKING FORWARD

50
00:01:43,777 --> 00:01:45,577
TO MAKING HIM EAT
EVERY SINGLE LAST WORD.

51
00:01:45,579 --> 00:01:47,479
LIKE TO YOU SEE YOU TRY,
YOU SON OF A BITCH.

52
00:01:47,480 --> 00:01:49,720
OH, NO. NO.
JIM, DON'T. DON'T.

53
00:01:51,417 --> 00:01:52,947
OH.

54
00:01:52,953 --> 00:01:55,563
SO, THE BIG MAN
IS DRINKING AGAIN.

55
00:01:57,858 --> 00:01:59,528
ISN'T THAT
WHAT IT LOOKS LIKE?

56
00:02:03,203 --> 00:02:05,613
[ GLASS CLINKS ]
PUT IT DOWN.

57
00:02:05,606 --> 00:02:07,906
EXCUSE ME.
I GOT THIS.

58
00:02:07,908 --> 00:02:10,508
I WANT TO SEE YOU WALK YOUR ASS
OVER HERE AND TAKE IT.

59
00:02:10,511 --> 00:02:14,381
NO. DAVID.

60
00:02:14,380 --> 00:02:18,350
I SAID
PUT THE BOTTLE DOWN.

61
00:02:21,755 --> 00:02:24,285
OH, YOU WANT TO DRINK? YOU WANT
TO DRINK? THERE! DRINK IT!

62
00:02:24,290 --> 00:02:25,460
WYATT! JIM!

63
00:02:25,458 --> 00:02:27,188
DRINK ALL YOU WANT!
SON OF A BITCH!

64
00:02:27,193 --> 00:02:28,603
JIM!

65
00:02:28,595 --> 00:02:29,995
WYATT!

66
00:02:29,996 --> 00:02:31,296
[ GRUNTS ]

67
00:02:31,297 --> 00:02:32,727
STOP IT! STOP IT!

68
00:02:32,733 --> 00:02:34,403
COME ON!
YOU WANT TO RUIN YOUR LIFE?

69
00:02:34,400 --> 00:02:36,070
STOP IT!
YOU WANT TO RUIN YOUR LIFE?

70
00:02:36,069 --> 00:02:37,699
ALL RIGHT, JIM,
YOU'VE MADE YOUR ‐‐

71
00:02:37,704 --> 00:02:38,744
NO!
ENOUGH!

72
00:02:38,739 --> 00:02:40,139
Veronica:
JEFFERY, LET HIM GO!

73
00:02:40,140 --> 00:02:41,980
ENOUGH! ENOUGH!
UNGRATEFUL SON OF A BITCH!

74
00:02:41,975 --> 00:02:43,305
OH, YEAH?
I GET IT FROM YOU!

75
00:02:43,309 --> 00:02:44,339
IS THAT RIGHT?
YEAH!

76
00:02:44,344 --> 00:02:45,684
ENOUGH OF THIS!

77
00:02:45,679 --> 00:02:47,749
ENOUGH OF THIS.
HOW DARE YOU.

78
00:02:47,748 --> 00:02:49,978
JEFFERY, LET HIM GO.

79
00:02:49,983 --> 00:02:51,653
JEFFERY, I SAID
LET HIM GO, BOY!

80
00:02:51,652 --> 00:02:52,722
NO! NO!

81
00:02:52,719 --> 00:02:54,489
YOU ARE GETTING
BESIDE YOURSELF.

82
00:02:54,487 --> 00:02:57,487
‐‐Captions by VITAC‐‐
www.vitac.com

83
00:02:57,490 --> 00:03:00,500
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

84
00:03:09,676 --> 00:03:11,436
WYATT, I WANT YOU
TO GO TO YOUR ROOM

85
00:03:11,444 --> 00:03:13,514
AND STAY THERE
UNTIL I TELL YOU TO COME OUT.

86
00:03:13,514 --> 00:03:15,524
GO TO HELL.
ENOUGH. ENOUGH.

87
00:03:15,516 --> 00:03:17,176
LET ME GO!

88
00:03:18,952 --> 00:03:20,292
WHAT MAKES THIS ENOUGH,
MOM?

89
00:03:20,286 --> 00:03:22,056
AMANDA KILLING HERSELF
MAKES THIS ENOUGH?

90
00:03:22,055 --> 00:03:24,385
WYATT, PLEASE.
WHAT MAKES THIS ENOUGH NOW?

91
00:03:24,390 --> 00:03:25,590
YOU WILL NOT DO THIS.

92
00:03:25,592 --> 00:03:27,192
WHY THE HELL NOT?
NOT NOW.

93
00:03:27,193 --> 00:03:30,103
WHY WASN'T IT ENOUGH WHEN DAD
WAS SLEEPING WITH CELINE

94
00:03:30,096 --> 00:03:33,666
AND CANDACE AND HEATHER
AND VANESSA AND LISA AND MARGOT

95
00:03:33,667 --> 00:03:36,997
AND ALL OF MY BABYSITTERS
AND MY HIGH SCHOOL MATH TEACHER?

96
00:03:37,003 --> 00:03:38,473
HUH?

97
00:03:38,471 --> 00:03:40,571
WHAT ARE YOU TALKING ABOUT?

98
00:03:40,574 --> 00:03:42,744
I...READ ALL THE E‐MAILS.

99
00:03:42,743 --> 00:03:44,213
[ CELLPHONE CLATTERS ]

100
00:03:44,210 --> 00:03:46,580
ALL OF THEM.
ALL THE E‐MAILS.

101
00:03:46,580 --> 00:03:48,480
FOR YEARS.

102
00:03:48,481 --> 00:03:50,081
AND THE ONES
YOU WROTE TO YOURSELF

103
00:03:50,083 --> 00:03:52,723
TO REMEMBER
YOUR CONQUESTS?

104
00:03:52,719 --> 00:03:54,819
AND HOW PROUD OF YOURSELF
YOU ARE?

105
00:03:54,821 --> 00:03:56,121
YOU MAKE ME SICK.

106
00:03:56,122 --> 00:03:57,892
I DON'T HAVE THE WORDS
TO DESCRIBE

107
00:03:57,891 --> 00:04:00,431
THE DISDAIN
THAT I HAVE FOR YOU.

108
00:04:00,433 --> 00:04:01,703
JIM?

109
00:04:04,404 --> 00:04:07,214
WHEN YOU LEFT ME
AT THAT CAMP...

110
00:04:07,207 --> 00:04:10,777
WITH THAT PRIEST'S HANDS
ALL OVER ME...

111
00:04:10,777 --> 00:04:14,077
YOU WERE WITH CELINE
THAT VERY DAY!

112
00:04:14,080 --> 00:04:17,420
[ Voice breaking ]
YOU TOLD ME YOU WERE AT WORK!

113
00:04:17,417 --> 00:04:19,387
YOU COULDN'T COME.

114
00:04:23,724 --> 00:04:26,564
YOU WERE THERE
EVERY DAY.

115
00:04:26,560 --> 00:04:29,960
[ GRUNTS ANGRILY ]

116
00:04:29,963 --> 00:04:31,733
SAY SOMETHING!

117
00:04:34,000 --> 00:04:36,070
SAY SOMETHING.

118
00:04:36,069 --> 00:04:37,769
SAY SOMETHING!

119
00:04:39,973 --> 00:04:41,613
RIGHT.

120
00:04:47,213 --> 00:04:48,453
WYATT!

121
00:04:51,952 --> 00:04:54,292
JEFFERY,
LET HIM GO, SON.

122
00:04:54,287 --> 00:04:56,017
GO AFTER HIM.

123
00:04:59,726 --> 00:05:03,396
I SAID LET HIM GO.

124
00:05:03,403 --> 00:05:05,043
NOW, YOU SHOULD GO HOME.

125
00:05:07,841 --> 00:05:09,911
GO HOME.

126
00:05:09,910 --> 00:05:12,310
YOUR GUEST IS PROBABLY
WAITING FOR YOU.

127
00:05:12,312 --> 00:05:14,822
IS MELISSA AT YOUR HOUSE?

128
00:05:16,182 --> 00:05:18,592
NO.

129
00:05:18,585 --> 00:05:20,785
THEN, WHAT GUEST
IS SHE REFERRING TO?

130
00:05:20,787 --> 00:05:22,987
HE KNOWS.

131
00:05:22,989 --> 00:05:25,159
NOW GO HOME.

132
00:05:25,158 --> 00:05:27,358
JEFFERY...

133
00:05:27,360 --> 00:05:30,230
YOU SHOULD GO UPSTAIRS
AND TALK TO WYATT.

134
00:05:43,209 --> 00:05:44,579
I'M JUST GONNA GO HOME.

135
00:05:44,578 --> 00:05:46,348
JEFFERY.
I'M GONNA GO HOME.

136
00:05:48,114 --> 00:05:50,884
JEFFERY?

137
00:05:50,884 --> 00:05:52,954
USE THE BACK DOOR, SON.

138
00:05:58,191 --> 00:06:00,971
WHERE ARE YOUR LIMITS?

139
00:06:00,967 --> 00:06:03,867
[ DOOR OPENS, CLOSES ]

140
00:06:03,870 --> 00:06:06,570
JUST OUT OF REACH
OF YOURS.

141
00:06:09,209 --> 00:06:11,949
[ CELLPHONE BEEPS ]

142
00:06:11,945 --> 00:06:14,945
HI, JEFFERY, I JUST HEARD.
PLEASE CALL ME BACK.

143
00:06:14,948 --> 00:06:16,778
[ CELLPHONE BEEPING ]

144
00:06:20,320 --> 00:06:22,790
HELLO?
HEY.

145
00:06:22,789 --> 00:06:24,489
HI.
IT'S MAMA.

146
00:06:24,490 --> 00:06:27,460
What about her?
SHE WANTS TO COME SEE YOU.

147
00:06:27,460 --> 00:06:28,490
WHAT?

148
00:06:28,494 --> 00:06:30,104
SHE SAID
SHE WANTS TO COME SEE YOU.

149
00:06:30,096 --> 00:06:31,726
Why?
I DON'T KNOW.

150
00:06:31,732 --> 00:06:33,532
DID YOU TELL HER
ABOUT MY NEW JOB?

151
00:06:33,534 --> 00:06:35,704
No, not yet.

152
00:06:35,702 --> 00:06:37,572
WELL, THEN,
WHAT DOES SHE WANT?

153
00:06:37,571 --> 00:06:40,111
I DON'T KNOW, BUT I'M GONNA
BRING HER BY AND SEE YOU.

154
00:06:40,106 --> 00:06:42,036
NO, BENNY.
I'M NOT IN THE MOOD FOR THIS.

155
00:06:42,042 --> 00:06:44,042
LISTEN, I'M GONNA BRING HER BY,
ALL RIGHT?

156
00:06:44,044 --> 00:06:46,454
BENNY, I REALLY DON'T FEEL LIKE
FIGHTING WITH HER.

157
00:06:46,446 --> 00:06:48,746
NO, I DON'T ‐‐ I DON'T THINK
THAT'S WHAT THIS IS.

158
00:06:48,749 --> 00:06:50,119
THEN WHAT IS IT?

159
00:06:50,116 --> 00:06:52,686
I THINK SHE'S JUST SAD
ABOUT HER BOSS' DAUGHTER DYING,

160
00:06:52,686 --> 00:06:54,416
SO SHE SAID
SHE WANTS TO COME SEE YOU.

161
00:06:54,420 --> 00:06:55,590
[ SIGHS ]

162
00:06:55,589 --> 00:06:57,719
SHE PROBABLY THINKS I HAD
SOMETHING TO DO WITH IT.

163
00:06:57,724 --> 00:06:58,864
The girl committed suicide.

164
00:06:58,859 --> 00:07:00,759
HOW COULD YOU HAVE SOMETHING
TO DO WITH IT?

165
00:07:00,761 --> 00:07:02,241
WELL, YOU KNOW OUR MOTHER.
SO...

166
00:07:02,235 --> 00:07:03,835
BENNY, I REALLY
DON'T WANT TO ‐‐

167
00:07:03,837 --> 00:07:05,667
LISTEN, I'M GONNA
BRING HER BY.

168
00:07:05,672 --> 00:07:07,072
WELL, THEN, I WON'T BE HERE.

169
00:07:07,073 --> 00:07:08,643
Yes, you will, all right?
Stop it.

170
00:07:08,642 --> 00:07:10,742
NOW, I GOT TO GO. SHE'S OUTSIDE
WAITING ON ME, ALL RIGHT?

171
00:07:10,744 --> 00:07:12,954
I'M GONNA SEE YOU IN A FEW.
[ SIGHS ]

172
00:07:12,946 --> 00:07:14,306
[ CELLPHONE BEEPS ]

173
00:07:14,314 --> 00:07:15,924
[ CELLPHONE BEEPS ]

174
00:07:19,352 --> 00:07:21,622
Hello?
HEY. IT'S ME.

175
00:07:21,622 --> 00:07:23,192
JEFFERY.

176
00:07:23,189 --> 00:07:25,389
So, you heard?

177
00:07:25,391 --> 00:07:27,961
IS IT TRUE?
YEAH.

178
00:07:27,961 --> 00:07:30,161
WHAT THE HELL?
WHY WOULD SHE DO THAT?

179
00:07:30,163 --> 00:07:33,133
I DON'T KNOW. YOU KNOW, I TRIED
TO TELL YOU, CANDACE.

180
00:07:33,133 --> 00:07:35,843
I‐I KNOW, BUT I DIDN'T THINK
SHE WAS SUICIDAL.

181
00:07:35,836 --> 00:07:37,366
WELL, I TRIED TO TELL YOU.

182
00:07:37,370 --> 00:07:38,540
I‐I really did.

183
00:07:38,539 --> 00:07:40,509
I DO FEEL HORRIBLE.
So do I.

184
00:07:40,507 --> 00:07:42,707
AND I JUST LEFT THE CRYERS.
THEY'RE A MESS.

185
00:07:42,709 --> 00:07:43,879
I'm sure.

186
00:07:43,877 --> 00:07:46,447
UM, WHAT DID JIM SAY?
WHAT? WAIT, NO.

187
00:07:46,446 --> 00:07:47,646
No, what?
NO.

188
00:07:47,648 --> 00:07:49,648
I'm not doing this.
NOT DOING WHAT?

189
00:07:49,650 --> 00:07:50,920
GIVING YOU INFORMATION.

190
00:07:50,917 --> 00:07:52,847
I'M NOT LOOKING
FOR INFORMATION.

191
00:07:52,853 --> 00:07:55,693
WELL, THEN,
DON'T ASK ME ABOUT HIM.

192
00:07:55,689 --> 00:07:56,859
OKAY.

193
00:07:56,857 --> 00:07:58,287
SHE WAS MY FRIEND.

194
00:07:58,291 --> 00:08:00,091
AND MINE, TOO, JEFFERY.
Be honest.

195
00:08:00,093 --> 00:08:01,803
YOU NEVER CARED
ABOUT THAT GIRL.

196
00:08:01,802 --> 00:08:03,242
I REALLY DID LIKE HER.

197
00:08:03,236 --> 00:08:04,906
WELL, SHE LOVED YOU.

198
00:08:04,905 --> 00:08:05,935
I KNOW.

199
00:08:05,939 --> 00:08:07,309
She looked up to you,
Candace.

200
00:08:07,307 --> 00:08:09,637
AND SHE WANTED
TO BE LIKE YOU.

201
00:08:09,643 --> 00:08:10,683
DID SHE?

202
00:08:10,677 --> 00:08:12,577
YES, SHE DID.

203
00:08:12,579 --> 00:08:14,819
[ SIGHS ]
THIS IS REALLY SAD.

204
00:08:14,815 --> 00:08:16,015
I know.

205
00:08:16,016 --> 00:08:17,746
ESPECIALLY BECAUSE
IT WAS AVOIDABLE.

206
00:08:17,751 --> 00:08:20,091
WHAT?
All the trauma, this...

207
00:08:20,086 --> 00:08:22,986
I KNOW QUINCY TOLD HER
ABOUT YOU AND HER DAD,

208
00:08:22,989 --> 00:08:25,029
BUT THERE'S GOT TO BE
SOMETHING ELSE,

209
00:08:25,025 --> 00:08:26,885
SOMETHING ELSE
THAT WOULD MAKE HER BREAK,

210
00:08:26,893 --> 00:08:30,403
SOMETHING ‐‐ SOMETHING
REALLY TRAUMATIC.

211
00:08:30,396 --> 00:08:31,826
I DON'T KNOW.

212
00:08:31,832 --> 00:08:33,432
I THINK YOU DO.

213
00:08:33,433 --> 00:08:35,343
WHAT ARE YOU TALKING ABOUT?

214
00:08:35,335 --> 00:08:37,035
WHAT DO YOU KNOW, CANDACE?

215
00:08:37,037 --> 00:08:38,937
NO, JEFFERY, I DON'T KNOW.

216
00:08:38,939 --> 00:08:41,209
WELL, THEN, YOU REALLY NEED
TO THINK OF SOMETHING.

217
00:08:41,207 --> 00:08:42,477
WHY?

218
00:08:42,475 --> 00:08:44,745
BECAUSE THE CRYERS
ALWAYS NEED SOMEONE TO BLAME,

219
00:08:44,745 --> 00:08:46,875
AND RIGHT NOW,
YOU ARE THE MOST CONVENIENT.

220
00:08:46,880 --> 00:08:48,450
WELL, I HAD NOTHING
TO DO WITH IT.

221
00:08:48,448 --> 00:08:51,318
THAT WON'T MATTER.
[ SIGHS ]

222
00:08:51,317 --> 00:08:52,747
WELL, LET THEM BRING IT.

223
00:08:52,753 --> 00:08:54,523
I'M NOT KIDDING.
ME, NEITHER.

224
00:08:54,521 --> 00:08:55,821
All right.

225
00:08:55,822 --> 00:08:57,622
WELL, LOOK, I GOT TO GO.

226
00:08:57,624 --> 00:09:00,794
I'M SORRY.
I know. So am I.

227
00:09:00,794 --> 00:09:03,104
AND BY THE WAY,
ARE YOU SAFE?

228
00:09:03,103 --> 00:09:04,913
YES.
I'M AT THE SARANDON.

229
00:09:04,905 --> 00:09:06,635
THANK YOU FOR THE HOOKUP.

230
00:09:06,640 --> 00:09:08,340
SURE.

231
00:09:08,341 --> 00:09:10,481
ALL RIGHT,
WELL, I'LL CALL YOU TOMORROW.

232
00:09:10,476 --> 00:09:12,346
OH.
AND JEFFERY, WAIT.

233
00:09:12,345 --> 00:09:13,475
YEAH?

234
00:09:13,479 --> 00:09:15,279
I'M SORRY ABOUT
THAT THING WITH MY BROTHER.

235
00:09:15,281 --> 00:09:16,421
You know what?

236
00:09:16,416 --> 00:09:18,276
DON'T EVEN MENTION THAT.
I GOT YOUR MESSAGE.

237
00:09:18,284 --> 00:09:22,164
JUST DON'T SEND ANYBODY ELSE
TO MY PLACE, PLEASE.

238
00:09:22,155 --> 00:09:24,215
[ SIGHS ]

239
00:09:24,224 --> 00:09:26,194
[ CELLPHONE BEEPS ]

240
00:09:26,192 --> 00:09:28,292
HELLO?

241
00:09:28,294 --> 00:09:29,734
HELLO?

242
00:09:32,265 --> 00:09:34,095
GREAT.

243
00:09:34,100 --> 00:09:35,970
HI, DR. MUSTON.

244
00:09:35,969 --> 00:09:38,169
THIS IS VERONICA HARRINGTON.

245
00:09:38,171 --> 00:09:40,771
COULD YOU PRESCRIBE SOMETHING
FOR MY FRIENDS?

246
00:09:40,774 --> 00:09:44,444
THEY ARE DEVASTATED
OVER THE LOSS OF THEIR DAUGHTER.

247
00:09:44,444 --> 00:09:46,254
YES.

248
00:09:46,246 --> 00:09:49,546
YES, YOU SAW IT ON THE NEWS.

249
00:09:49,550 --> 00:09:51,280
YES, SHE IS HYSTERICAL.

250
00:09:51,284 --> 00:09:55,264
CAN YOU HAVE SOMEONE
BRING SOMETHING OVER RIGHT AWAY?

251
00:09:55,255 --> 00:09:57,815
THANK YOU SO MUCH.

252
00:09:57,824 --> 00:09:59,734
OKAY. BYE‐BYE.

253
00:10:02,603 --> 00:10:03,773
[ CELLPHONE BEEPS ]

254
00:10:03,770 --> 00:10:06,670
WHY ARE YOU FORCING THAT GIRL
ON JEFFERY?

255
00:10:06,673 --> 00:10:07,943
FORCING WHAT GIRL?

256
00:10:07,941 --> 00:10:09,941
YOU KNOW
WHAT I'M TALKING ABOUT.

257
00:10:09,943 --> 00:10:12,813
APPARENTLY, HE LIKES IT.
AND SHE LIKES HIM.

258
00:10:12,813 --> 00:10:14,953
THIS IS WHAT YOU WANT
FOR JEFFERY?

259
00:10:14,948 --> 00:10:16,048
WHAT?

260
00:10:16,049 --> 00:10:19,089
DO YOU WANT HIM TO DO
WHAT AMANDA DID?

261
00:10:19,085 --> 00:10:20,285
OH, DAVID.

262
00:10:21,688 --> 00:10:23,218
I THINK YOU'RE TOUCHING ME.
YES.

263
00:10:23,223 --> 00:10:26,063
I THINK YOU'RE TOUCHING ME, AND
YOU'RE NOT ALLOWED TO TOUCH ME

264
00:10:26,059 --> 00:10:28,629
EVER SINCE YOU PUT YOUR HAND
ON THAT WHORE.

265
00:10:28,629 --> 00:10:30,459
NOW LET ME GO.

266
00:10:34,968 --> 00:10:37,998
IS THIS WHAT YOU WANT
FOR OUR SON?

267
00:10:38,004 --> 00:10:40,274
DAVID, JEFFERY
IS NOT MENTALLY ILL.

268
00:10:40,273 --> 00:10:44,083
NO, BUT IT SEEMS
HIS MOTHER IS.

269
00:10:44,077 --> 00:10:46,207
MY, MY.

270
00:10:46,212 --> 00:10:48,482
HMM.

271
00:10:48,481 --> 00:10:50,351
YOU ARE
REALLY SOMEONE ELSE

272
00:10:50,350 --> 00:10:52,390
NOW THAT THAT WHORE
HAS BEEN IN YOUR EAR.

273
00:10:52,385 --> 00:10:56,355
NO, NO, NO. DO NOT TRY
TO CHANGE THE SUBJECT.

274
00:10:56,356 --> 00:10:58,556
YOU'RE SEEING YOURSELF
DIFFERENTLY NOW, HUH?

275
00:10:58,559 --> 00:11:02,469
I SEE MYSELF AND MY SON
AS WE ARE.

276
00:11:02,468 --> 00:11:06,368
NOW, DO YOU WANT TO GET A CALL
THAT OUR SON HAS TAKEN HIS LIFE

277
00:11:06,372 --> 00:11:07,712
BECAUSE HE COULDN'T COPE

278
00:11:07,708 --> 00:11:10,078
WITH WHAT HIS MOTHER
IS PUTTING HIM THROUGH?

279
00:11:12,045 --> 00:11:13,645
JEFFERY LIKES MELISSA.

280
00:11:13,647 --> 00:11:16,417
ARE YOU THAT DELUSIONAL?
NO, BUT YOU MUST BE.

281
00:11:16,416 --> 00:11:18,916
JEFFERY IS NOT
INTO THAT GIRL.

282
00:11:18,919 --> 00:11:20,419
WELL, WHY ARE THEY
HAVING SEX?

283
00:11:20,420 --> 00:11:22,020
THEY ARE NOT.
YES, THEY ARE.

284
00:11:22,022 --> 00:11:25,232
HOW WOULD YOU KNOW?
BECAUSE HE TOLD ME.

285
00:11:25,225 --> 00:11:26,455
[ SCOFFS ]

286
00:11:26,459 --> 00:11:28,529
OH, YOU'RE JEALOUS?

287
00:11:28,529 --> 00:11:30,159
[ SCOFFS ]

288
00:11:30,163 --> 00:11:32,333
YOU'RE JEALOUS BECAUSE OUR SON
IS TELLING ME

289
00:11:32,332 --> 00:11:36,102
ABOUT HIS SEXUAL ENCOUNTERS,
AND HE'S NOT TELLING YOU.

290
00:11:36,102 --> 00:11:38,512
AND THAT'S WHAT FATHERS DO,
RIGHT?

291
00:11:38,505 --> 00:11:40,635
[ CHUCKLES ]
WELL, MAYBE IF YOU TELL HIM

292
00:11:40,641 --> 00:11:42,711
EVERYTHING THAT YOU'RE DOING
WITH MAGGIE,

293
00:11:42,709 --> 00:11:45,649
THEN, HE WILL TELL YOU
WHAT'S GOING ON WITH HIM.

294
00:11:45,646 --> 00:11:47,206
I'M NOT GONNA
TELL YOU AGAIN.

295
00:11:47,213 --> 00:11:49,823
I'M NOT HAVING SEX
WITH THAT WOMAN.

296
00:11:49,816 --> 00:11:51,046
LIAR.

297
00:11:51,051 --> 00:11:53,791
AND JEFFERY IS NOT
INTERESTED IN THAT GIRL.

298
00:11:53,787 --> 00:11:54,887
STILL LYING.

299
00:11:54,888 --> 00:11:56,918
AND YOU ARE LYING TO YOURSELF
IF YOU THINK

300
00:11:56,923 --> 00:11:59,363
THAT HE'S INTERESTED
IN THAT GIRL OR ANY OTHER GIRL.

301
00:11:59,359 --> 00:12:01,129
JEFFERY IS INTERESTED
IN THAT GIRL,

302
00:12:01,134 --> 00:12:02,644
AND SHE IS INTERESTED
IN HIM.

303
00:12:02,636 --> 00:12:04,866
AND I'M GOING
TO CALL MELISSA,

304
00:12:04,871 --> 00:12:07,871
AND I'M GOING TO TELL HER
THAT HE IS GAY

305
00:12:07,874 --> 00:12:10,914
AND SHE NEEDS TO FIND SOMEBODY
WHO'S INTERESTED IN HER.

306
00:12:10,911 --> 00:12:12,851
YOU KNOW WHAT?
I WILL CALL HER FOR YOU.

307
00:12:12,846 --> 00:12:15,516
DON'T DARE ME.
GIVE ME YOUR PHONE.

308
00:12:15,516 --> 00:12:17,216
GIVE ME YOUR PHONE!

309
00:12:21,722 --> 00:12:24,122
[ CELLPHONE RINGS ]

310
00:12:24,124 --> 00:12:25,234
[ CELLPHONE BEEPS ]

311
00:12:25,225 --> 00:12:27,285
HELLO?
HI, MELISSA?

312
00:12:27,293 --> 00:12:29,503
MRS. HARRINGTON.
Hi, sweetie.

313
00:12:29,495 --> 00:12:31,255
How are you?
I'M OKAY.

314
00:12:31,264 --> 00:12:32,774
GOOD.

315
00:12:32,766 --> 00:12:34,426
What can I do for you?

316
00:12:34,434 --> 00:12:36,604
I'M SO SORRY
TO CALL YOU THIS LATE.

317
00:12:36,603 --> 00:12:38,343
IT'S OKAY.

318
00:12:38,338 --> 00:12:40,568
BUT I'M HERE
WITH JEFFERY'S FATHER,

319
00:12:40,574 --> 00:12:43,144
AND HE HAS SOMETHING
HE'D LIKE TO SAY TO YOU.

320
00:12:43,143 --> 00:12:44,343
Okay.

321
00:12:44,344 --> 00:12:45,714
HERE YOU GO.

322
00:12:48,549 --> 00:12:50,749
HELLO, MELISSA?

323
00:12:50,751 --> 00:12:52,791
HI.
Hi.

324
00:12:52,786 --> 00:12:54,756
UH, I KNOW IT'S LATE,

325
00:12:54,755 --> 00:12:57,755
SO I'M NOT GOING
TO BEAT AROUND THE BUSH.

326
00:12:57,758 --> 00:12:59,728
JEFFERY IS GAY,

327
00:12:59,726 --> 00:13:03,036
AND HE'S NOT INTERESTED
IN YOU, OKAY?

328
00:13:03,036 --> 00:13:05,066
NOW, I KNOW
YOU'RE A VERY NICE GIRL,

329
00:13:05,071 --> 00:13:08,311
YOU SHOULD BE ABLE
TO FIND A VERY NICE GUY.

330
00:13:08,308 --> 00:13:12,048
Seeing my son
is going nowhere.

331
00:13:12,045 --> 00:13:14,975
MM.

332
00:13:14,981 --> 00:13:16,051
HELLO?

333
00:13:18,418 --> 00:13:19,448
HEL‐‐ HI.

334
00:13:19,452 --> 00:13:21,722
ARE YOU THERE?
Yes.

335
00:13:21,722 --> 00:13:24,062
DID YOU HEAR WHAT I SAID?

336
00:13:24,057 --> 00:13:25,887
YES, I DID.

337
00:13:25,892 --> 00:13:29,632
WELL, THERE'S NO POINT
IN YOU SEEING JEFFERY ANYMORE.

338
00:13:29,630 --> 00:13:32,330
BUT WE HAVE PLANS TOMORROW,

339
00:13:32,332 --> 00:13:36,072
AND I'M REALLY
LOOKING FORWARD TO IT.

340
00:13:36,069 --> 00:13:39,139
NOW, YOU UNDERSTAND
THAT HE'S GAY?

341
00:13:39,139 --> 00:13:43,179
YES, I DO.

342
00:13:43,176 --> 00:13:45,546
BUT I REALLY LIKE HIM.

343
00:13:45,546 --> 00:13:48,206
AND, EVENTUALLY,
HE'LL LIKE ME, TOO.

344
00:13:48,214 --> 00:13:50,184
I'm sure of it.

345
00:13:50,183 --> 00:13:51,953
MELISSA.

346
00:13:51,952 --> 00:13:54,562
NOW, YOU ‐‐

347
00:13:54,555 --> 00:13:58,525
SWEETHEART, LISTEN,
THANK YOU.

348
00:13:58,525 --> 00:14:00,585
WE'LL TALK LATER?

349
00:14:00,594 --> 00:14:02,774
ALL RIGHT. BYE‐BYE.

350
00:14:02,769 --> 00:14:04,609
BYE.

351
00:14:04,605 --> 00:14:05,865
[ CELLPHONE BEEPS ]

352
00:14:10,644 --> 00:14:12,454
[ MONITOR BEEPING ]

353
00:14:15,916 --> 00:14:17,346
WHAT THE HELL WAS THAT?

354
00:14:17,350 --> 00:14:19,250
OH, YOU KNOW,
YOUNG PEOPLE TODAY, THEY ‐‐

355
00:14:19,252 --> 00:14:21,222
[ CHUCKLES ]
IT JUST DOESN'T MATTER TO THEM

356
00:14:21,221 --> 00:14:23,691
THE WAY IT WOULD TO SOMEONE
OF OUR GENERATION, YOU KNOW?

357
00:14:23,690 --> 00:14:25,190
NO, NO,
YOU'RE UP TO SOMETHING.

358
00:14:25,191 --> 00:14:27,431
ME? NO.

359
00:14:29,863 --> 00:14:32,733
YOU ARE UP TO SOMETHING.

360
00:14:32,733 --> 00:14:34,473
DAVID...

361
00:14:34,467 --> 00:14:38,767
WHY DON'T YOU HEAD TO THE HOTEL,
SEE THAT STICK?

362
00:14:38,772 --> 00:14:40,312
I'M SURE
SHE MISSES YOU.

363
00:14:40,306 --> 00:14:42,036
NO.

364
00:14:42,042 --> 00:14:44,042
I'M COMING HOME.

365
00:14:44,044 --> 00:14:45,784
AGAIN.

366
00:14:45,779 --> 00:14:47,849
I DARE YOU.

367
00:15:02,135 --> 00:15:03,865
[ KNOCK ON DOOR ]

368
00:15:12,312 --> 00:15:14,882
HEY.

369
00:15:14,881 --> 00:15:16,621
HEY.

370
00:15:16,617 --> 00:15:19,787
CAN WE COME IN?

371
00:15:19,786 --> 00:15:22,456
SURE.

372
00:15:22,455 --> 00:15:24,155
[ SIGHS ]

373
00:15:28,895 --> 00:15:32,325
THIS IS NICE.

374
00:15:32,332 --> 00:15:34,742
THANKS.

375
00:15:34,735 --> 00:15:37,435
EXPENSIVE.

376
00:15:37,437 --> 00:15:38,937
YEAH.

377
00:15:38,939 --> 00:15:40,409
WHO'S PAYING FOR IT?

378
00:15:40,406 --> 00:15:42,706
ONE OF MY MEN.
YOU KNOW I'M HOEING.

379
00:15:42,709 --> 00:15:44,609
STOP IT.

380
00:15:44,611 --> 00:15:46,411
WHAT? SHE ASKED.

381
00:15:51,384 --> 00:15:54,194
STOP.

382
00:15:54,187 --> 00:15:55,687
WHAT IS THIS?

383
00:15:57,357 --> 00:15:59,827
TELL HER.
TELL HER WHAT?

384
00:15:59,826 --> 00:16:01,026
JUST TELL HER.

385
00:16:01,027 --> 00:16:02,997
WHAT AM I SUPPOSED
TO BE TELLING HER?

386
00:16:03,003 --> 00:16:04,673
SHE WANTED TO SEE ME.

387
00:16:04,671 --> 00:16:07,241
MOM, CANDACE
PASSED THE BAR.

388
00:16:07,240 --> 00:16:09,910
SHE GOT A NEW JOB
AT A NICE LAW FIRM.

389
00:16:09,910 --> 00:16:12,610
HER BOSS PUT HER UP HERE.

390
00:16:12,613 --> 00:16:14,723
IS THAT RIGHT?
YEAH.

391
00:16:16,950 --> 00:16:20,650
WELL, THAT'S GOOD...
IF IT'S TRUE.

392
00:16:20,654 --> 00:16:22,724
IT IS.

393
00:16:22,723 --> 00:16:23,963
OKAY.

394
00:16:23,957 --> 00:16:25,887
[ SIGHS ]
WHAT DO YOU WANT?

395
00:16:28,128 --> 00:16:30,958
I WANT TO TALK TO YOU.

396
00:16:30,964 --> 00:16:32,234
ABOUT?

397
00:16:32,232 --> 00:16:33,472
SIT.

398
00:16:33,466 --> 00:16:36,166
NO, I'LL STAND.

399
00:16:36,169 --> 00:16:38,169
CANDACE, PLEASE SIT DOWN.

400
00:16:57,457 --> 00:17:00,767
THERE ARE MANY THINGS IN MY LIFE
THAT I STILL STRUGGLE WITH

401
00:17:00,767 --> 00:17:02,637
IN MY WALK WITH GOD.

402
00:17:04,805 --> 00:17:08,575
I TRY TO PRAY EVERY DAY.
I TRY TO LIVE RIGHT.

403
00:17:08,575 --> 00:17:12,105
MY ‐‐ MY AIM
IS TO DO THE RIGHT THING.

404
00:17:12,112 --> 00:17:14,822
AND I KNOW GOD IS PLEASED.

405
00:17:14,815 --> 00:17:17,815
BUT THERE'S JUST
THIS ONE AREA OF MY LIFE

406
00:17:17,818 --> 00:17:20,648
THAT I STRUGGLE WITH
MORE THAN MOST.

407
00:17:20,654 --> 00:17:21,794
[ SIGHS ]

408
00:17:21,788 --> 00:17:24,418
AND THAT'S YOU, DAUGHTER.

409
00:17:24,424 --> 00:17:28,334
EVERY TIME
I TRY TO FORGIVE YOU,

410
00:17:28,328 --> 00:17:31,058
I GET SO ANGRY.

411
00:17:31,064 --> 00:17:33,174
I HAD NOTHING
TO DO WITH AMANDA.

412
00:17:33,166 --> 00:17:35,036
WELL, THAT'S NOT
WHAT I'M TALKING ABOUT.

413
00:17:35,035 --> 00:17:36,535
WELL, THEN,
WHAT ARE YOU SAYING?

414
00:17:36,537 --> 00:17:38,437
LET HER FINISH.

415
00:17:38,438 --> 00:17:41,638
WHAT I'M SAYING IS
THAT YET AGAIN,

416
00:17:41,642 --> 00:17:44,852
I WENT TO GOD
ABOUT YOU ON MY KNEES,

417
00:17:44,845 --> 00:17:48,375
ASKING HIM
TO REMOVE THIS BITTERNESS

418
00:17:48,381 --> 00:17:51,381
THAT I FEEL
EVERY TIME I LOOK AT YOU.

419
00:17:51,384 --> 00:17:53,894
YOU'RE MY DAUGHTER.

420
00:17:53,887 --> 00:17:55,987
[ SCOFFS ]

421
00:17:55,989 --> 00:17:59,929
I KNOW I DIDN'T HAVE A MANSION
TO RAISE YOU IN...

422
00:17:59,926 --> 00:18:02,996
OR ANY KIND OF LEGACY
TO GIVE YOU,

423
00:18:03,003 --> 00:18:07,073
BUT I TRIED MY BEST
TO GIVE YOU WHAT I HAVE.

424
00:18:07,073 --> 00:18:10,443
AND THAT'S THE WORD OF GOD

425
00:18:10,443 --> 00:18:13,753
AND A SOMEWHAT STABLE HOME.

426
00:18:13,747 --> 00:18:17,017
THAT'S ALL I HAVE, CANDACE.

427
00:18:17,017 --> 00:18:21,657
YOU'VE BEEN ASHAMED OF ME
SINCE YOU WERE A LITTLE GIRL.

428
00:18:21,655 --> 00:18:24,355
ALWAYS RUNNING AHEAD OF ME

429
00:18:24,357 --> 00:18:27,387
SO THE OTHER KIDS WOULDN'T
SEE ME BRINGING YOU TO SCHOOL

430
00:18:27,393 --> 00:18:29,403
IN MY MAID'S UNIFORM.

431
00:18:31,632 --> 00:18:33,572
YOU WERE ABOUT 9.

432
00:18:36,302 --> 00:18:38,712
AND?

433
00:18:38,705 --> 00:18:43,635
I AM SAYING...

434
00:18:43,644 --> 00:18:48,314
THAT I WANT YOU
TO FORGIVE ME...

435
00:18:48,314 --> 00:18:53,124
FOR EVERYTHING
I DIDN'T HAVE...

436
00:18:53,119 --> 00:18:58,119
FOR ANY THING
I DID.

437
00:18:58,124 --> 00:19:02,844
FORGIVE ME
FOR MY BAD CHOICES.

438
00:19:02,836 --> 00:19:04,436
GO ON.

439
00:19:04,437 --> 00:19:08,467
I JUST WANT YOU
TO FORGIVE ME.

440
00:19:08,474 --> 00:19:09,814
FOR?

441
00:19:09,810 --> 00:19:11,440
CANDACE,
SHE JUST SAID ‐‐

442
00:19:11,444 --> 00:19:14,114
MNH‐MNH, BENNY.

443
00:19:14,114 --> 00:19:16,284
SHE'S MISSING A HUGE ONE.

444
00:19:18,251 --> 00:19:20,191
I SAID IT BEFORE.

445
00:19:23,724 --> 00:19:27,364
I AM SO...SORRY.

446
00:19:29,362 --> 00:19:31,232
WHAT'S SHE TALKING ABOUT?

447
00:19:33,867 --> 00:19:36,497
YOU WANT TO TELL HIM?

448
00:19:36,503 --> 00:19:41,213
WHEN I WAS 22...

449
00:19:41,207 --> 00:19:43,807
I HAD A BOYFRIEND
NAMED MARVIN.

450
00:19:48,682 --> 00:19:51,852
CANDY WAS 5.

451
00:19:51,852 --> 00:19:53,422
TELL HIM.

452
00:20:01,668 --> 00:20:04,368
HE WAS MOLESTING HER.

453
00:20:14,848 --> 00:20:17,218
AND WHAT DID YOU DO
WHEN I TOLD YOU?

454
00:20:19,419 --> 00:20:21,789
I PUT HIM OUT.

455
00:20:21,788 --> 00:20:25,458
NO, YOU DIDN'T.
YES, I DID.

456
00:20:25,458 --> 00:20:28,158
I REMEMBER.

457
00:20:28,161 --> 00:20:29,201
HE LEFT YOU.

458
00:20:29,195 --> 00:20:31,965
NO, CANDACE,
THAT'S NOT WHAT HAPPENED.

459
00:20:31,965 --> 00:20:34,265
I CALLED THE POLICE.

460
00:20:34,267 --> 00:20:37,267
OTHERWISE,
I MIGHT'VE KILLED HIM.

461
00:20:37,270 --> 00:20:40,870
HE LEFT 'CAUSE HE DIDN'T
WANT TO GO TO JAIL.

462
00:20:40,874 --> 00:20:45,054
BUT THEY FOUND HIM,
AND THEY ARRESTED HIM.

463
00:20:45,045 --> 00:20:47,675
THEY DID.

464
00:20:47,681 --> 00:20:49,421
YOU DON'T REMEMBER
ALL THOSE POLICE

465
00:20:49,415 --> 00:20:53,485
COMING TO YOUR SCHOOL,
ASKING YOU ALL THOSE QUESTIONS?

466
00:20:53,486 --> 00:20:54,786
YOU WEREN'T THERE.

467
00:20:54,788 --> 00:20:57,018
THEY WOULDN'T LET ME
BE THERE.

468
00:20:59,192 --> 00:21:02,042
BUT I WAS IN
THE ROOM NEXT DOOR.

469
00:21:02,035 --> 00:21:06,505
I DID THAT.
I DID THAT.

470
00:21:06,507 --> 00:21:11,507
AND GOD KNOWS...
HOW SORRY I AM

471
00:21:11,512 --> 00:21:15,452
I EVER LET HIM
IN OUR HOUSE.

472
00:21:15,448 --> 00:21:17,248
I'M SO SORRY.

473
00:21:21,855 --> 00:21:23,855
WHY ARE YOU
BRINGING THIS UP?

474
00:21:27,794 --> 00:21:30,034
AMANDA.

475
00:21:30,030 --> 00:21:31,970
WHAT ABOUT HER?

476
00:21:31,965 --> 00:21:33,565
YOU KNOW?

477
00:21:33,567 --> 00:21:35,437
YES.

478
00:21:35,435 --> 00:21:39,805
SHE WAS IN PAIN.

479
00:21:39,806 --> 00:21:41,906
SHE HAD SOME THINGS
THAT HAPPENED TO HER

480
00:21:41,908 --> 00:21:44,078
WHEN SHE WAS
A LITTLE GIRL, TOO.

481
00:21:44,077 --> 00:21:45,647
AND I JUST KEEP THINKING

482
00:21:45,646 --> 00:21:50,616
MAYBE IF YOU GOT SOME HELP
FOR SOME OF THIS STUFF,

483
00:21:50,617 --> 00:21:53,787
YOUR LIFE WOULD BE BETTER.
YOU'D BE BETTER.

484
00:21:53,787 --> 00:21:56,287
I'M FINE.
NO, HONEY, YOU'RE NOT.

485
00:21:56,289 --> 00:21:58,059
DON'T YOU SEE?

486
00:21:58,058 --> 00:22:00,388
THAT'S OVER.
THAT'S THE PAST.

487
00:22:00,393 --> 00:22:02,373
I'M GOOD.

488
00:22:02,368 --> 00:22:07,708
CANDACE, TRUE HEALING
COMES WITH FORGIVENESS...

489
00:22:07,708 --> 00:22:10,808
AND WORKING THROUGH
SOME OF THIS STUFF.

490
00:22:10,811 --> 00:22:12,281
I SAID I WAS FINE.

491
00:22:12,278 --> 00:22:14,978
NOT LIVING IN NO HOTEL
ON NO CON, YOU'RE NOT.

492
00:22:14,981 --> 00:22:16,681
MOM.

493
00:22:16,683 --> 00:22:18,453
SEE, BENNY? I TOLD YOU.

494
00:22:18,451 --> 00:22:20,091
IT'S LEGIT.

495
00:22:20,086 --> 00:22:23,786
BABY, IT DON'T WORK
LIKE THAT.

496
00:22:23,790 --> 00:22:26,030
AIN'T NOBODY
GONNA GIVE HER A JOB

497
00:22:26,026 --> 00:22:27,786
AND PUT HER UP
IN A PLACE LIKE THIS

498
00:22:27,794 --> 00:22:30,064
FRESH OUT OF LAW SCHOOL.

499
00:22:30,063 --> 00:22:32,933
AND I DON'T EVEN KNOW WHEN
YOU WOULD'VE HAD TIME TO STUDY,

500
00:22:32,933 --> 00:22:36,003
MUCH LESS TAKE A BAR EXAM.

501
00:22:36,002 --> 00:22:37,902
WELL, I DID.
MM‐HMM.

502
00:22:37,904 --> 00:22:41,784
BUT YOU KNOW
WHAT IS GOOD, THOUGH?

503
00:22:41,775 --> 00:22:43,435
IF YOU PUT YOUR MIND TO IT,

504
00:22:43,443 --> 00:22:46,483
YOU WOULD BE
ONE HELL OF A LAWYER.

505
00:22:46,479 --> 00:22:49,719
I SAW YOU.
I HEARD YOU IN THAT COURTROOM.

506
00:22:49,716 --> 00:22:52,086
EVEN THE JUDGE WAS SHOCKED
AT HOW GOOD YOU ARGUED

507
00:22:52,085 --> 00:22:55,055
AGAINST TONY AND HIS LAWYER
FOR YOUR BROTHER.

508
00:22:55,055 --> 00:22:57,015
WHAT? ARGUED FOR ME? WHAT?

509
00:22:59,492 --> 00:23:03,072
I JUST WANT YOU
TO FORGIVE ME.

510
00:23:03,069 --> 00:23:04,369
IF NOT FOR ME, FOR YOU,

511
00:23:04,370 --> 00:23:08,440
AND GET SOME HELP
BEFORE IT'S TOO LATE FOR YOU.

512
00:23:08,441 --> 00:23:10,581
WHAT'S SHE TALKING ABOUT
ARGUING FOR ME?

513
00:23:10,577 --> 00:23:13,407
ARE YOU DONE?
NO.

514
00:23:13,413 --> 00:23:15,683
I LOVE YOU, CANDACE.

515
00:23:21,955 --> 00:23:23,085
[ SNIFFLES ]

516
00:23:23,089 --> 00:23:25,929
PLEASE FORGIVE ME.

517
00:23:33,700 --> 00:23:35,640
YOU HAVE TO GO.

518
00:23:43,176 --> 00:23:45,546
OKAY.
[ SNIFFLES ]

519
00:23:56,990 --> 00:24:00,260
I NEED TO SAY
ONE MORE THING.

520
00:24:00,260 --> 00:24:03,000
IF YOU DON'T STOP THIS,
DAUGHTER,

521
00:24:03,003 --> 00:24:05,473
YOU'RE GONNA
END UP DEAD, TOO.

522
00:24:05,471 --> 00:24:07,171
COME ON.

523
00:24:07,173 --> 00:24:09,213
YOU HAVE TO GO NOW.

524
00:24:09,209 --> 00:24:12,109
SHE'S ON THE RIGHT TRACK.

525
00:24:12,112 --> 00:24:14,482
I HOPE SO, BABY.

526
00:24:14,480 --> 00:24:16,280
I SURE HOPE SO.

527
00:24:19,953 --> 00:24:23,163
TOLD YOU, BENNY.

528
00:24:23,156 --> 00:24:25,156
TOLD YOU.
[ SIGHS ]

529
00:24:25,158 --> 00:24:27,388
LOOK, I'M GONNA CALL YOU LATER,
ALL RIGHT?

530
00:24:27,393 --> 00:24:29,063
MM.

531
00:24:29,062 --> 00:24:30,962
[ SIGHS ]
LOCK THIS DOOR.

532
00:24:30,964 --> 00:24:32,404
MM‐HMM.

533
00:24:44,077 --> 00:24:45,707
[ SIGHS ]

534
00:24:56,757 --> 00:25:00,867
WHAT AM I
SUPPOSED TO DO?

535
00:25:00,867 --> 00:25:03,437
NOTHING RIGHT NOW.

536
00:25:03,436 --> 00:25:05,406
I HAVE TO CALL
THE FUNERAL HOME.

537
00:25:09,242 --> 00:25:10,912
I HAVE TO CALL
THE FUNERAL HOME.

538
00:25:10,911 --> 00:25:12,811
KATHERYN...

539
00:25:12,813 --> 00:25:14,523
THAT CAN WAIT.

540
00:25:14,515 --> 00:25:17,215
IT CAN WAIT.

541
00:25:17,217 --> 00:25:19,747
I'VE NEVER CALLED
A FUNERAL HOME BEFORE.

542
00:25:22,388 --> 00:25:26,958
RIGHT NOW,
YOU JUST HAVE TO RELAX.

543
00:25:26,960 --> 00:25:29,200
THEY GROW UP SO FAST,
VERONICA.

544
00:25:33,700 --> 00:25:36,500
I REMEMBER...

545
00:25:36,503 --> 00:25:40,173
I REMEMBER SHE BROKE HER ARM
IN GYMNASTICS.

546
00:25:40,173 --> 00:25:43,283
I WAS IN A PANIC.

547
00:25:43,276 --> 00:25:45,306
I FLEW IN A SPECIALIST
FROM NEW YORK

548
00:25:45,311 --> 00:25:47,781
BECAUSE I WANTED IT
TO HEAL PERFECTLY.

549
00:25:50,617 --> 00:25:52,987
I WANTED HER
TO BE PERFECT.

550
00:25:56,022 --> 00:25:58,022
BUT THERE'S NO SUCH THING.

551
00:26:01,802 --> 00:26:05,072
THEY AREN'T PERFECT.

552
00:26:05,071 --> 00:26:07,241
THEY AREN'T OURS TO CONTROL.

553
00:26:10,010 --> 00:26:16,550
THEY'RE INDIVIDUALS. THEY COME
TO US THAT WAY WITH THEIR...

554
00:26:16,550 --> 00:26:20,390
OWN MINDS AND OPINIONS
AND THOUGHTS, FLAWS.

555
00:26:24,625 --> 00:26:28,825
THE MORE WE TRY TO CONTROL THEM,
THE MORE THEY BECOME THEMSELVES.

556
00:26:33,634 --> 00:26:37,144
[ SIGHS ]

557
00:26:37,137 --> 00:26:39,537
JEFFERY IS GAY, VERONICA.

558
00:26:39,540 --> 00:26:41,010
WHAT?

559
00:26:41,007 --> 00:26:42,837
YOU KNOW IT.

560
00:26:45,946 --> 00:26:49,046
[ SIGHS ]
IT'S GETTING LATE, KATHERYN.

561
00:26:49,049 --> 00:26:50,479
I'M GONNA GO HOME.

562
00:26:50,483 --> 00:26:52,993
HE'S GAY, VERONICA.

563
00:26:52,986 --> 00:26:55,086
AND YOU CAN'T CHANGE HIM.

564
00:26:57,423 --> 00:26:59,363
I WILL TALK TO YOU
IN THE MORNING, KATHERYN.

565
00:26:59,359 --> 00:27:03,199
AND HE'LL STILL BE GAY
IN THE MORNING.

566
00:27:03,203 --> 00:27:06,813
I'M GONNA OVERLOOK
THIS BEHAVIOR...

567
00:27:06,807 --> 00:27:09,407
BECAUSE I KNOW
YOU'RE IN A LOT OF PAIN.

568
00:27:09,409 --> 00:27:12,679
AND SO ARE YOU.

569
00:27:12,679 --> 00:27:15,119
HE CAN'T BE
WHAT YOU WANT HIM TO BE.

570
00:27:15,115 --> 00:27:17,045
KATHERYN,
YOU REALLY NEED TO REST.

571
00:27:21,121 --> 00:27:24,391
HE'S GAY, VERONICA.

572
00:27:24,390 --> 00:27:28,060
AND YOU CANNOT MAKE HIM
INTO WHO YOU WANT HIM TO BE

573
00:27:28,061 --> 00:27:30,961
ANY MORE THAN WE COULD MAKE
WYATT WHAT WE WANT HIM TO BE

574
00:27:30,964 --> 00:27:33,474
OR AMANDA WHAT...

575
00:27:33,466 --> 00:27:35,596
OR AMANDA
WHAT I WANTED HER TO BE.

576
00:27:35,602 --> 00:27:38,672
KATHERYN...

577
00:27:38,672 --> 00:27:42,842
WE RAISED OUR CHILDREN
VERY DIFFERENTLY.

578
00:27:42,843 --> 00:27:44,613
WHAT DOES THAT MEAN?

579
00:27:47,814 --> 00:27:51,524
NO. GO ON.

580
00:27:51,518 --> 00:27:53,688
SAY IT.

581
00:27:53,687 --> 00:27:55,517
IT'S GETTING LATE.

582
00:27:59,092 --> 00:28:01,772
SAY WHAT YOU HAVE TO SAY.

583
00:28:05,238 --> 00:28:07,708
I LOVE YOU.

584
00:28:07,708 --> 00:28:09,878
AND YOU WILL
GET THROUGH THIS.

585
00:28:12,713 --> 00:28:16,083
NOW, I HAVE TO GO, BUT I WILL
CALL YOU IN THE MORNING.

586
00:28:33,133 --> 00:28:34,773
SURE.

587
00:28:49,583 --> 00:28:52,523
LANDON, WHERE THE HELL
HAVE YOU BEEN?

588
00:28:52,519 --> 00:28:53,919
HERE.

589
00:28:53,920 --> 00:28:55,860
YEAH, WELL,
I CAN SEE THAT.

590
00:28:55,856 --> 00:28:56,986
WHAT IS IT, LOVE?

591
00:28:56,990 --> 00:28:58,790
WELL, I'VE BEEN
AT THE CAMPAIGN OFFICES

592
00:28:58,792 --> 00:29:00,162
HANDLING ALL OF THIS ALONE.

593
00:29:00,160 --> 00:29:01,670
WELL, I'VE BEEN
FIRED, REMEMBER?

594
00:29:01,668 --> 00:29:02,698
OH, GET OFF IT.

595
00:29:02,703 --> 00:29:04,573
NO. THEY DON'T WANT ME
ON THE CAMPAIGN.

596
00:29:04,571 --> 00:29:07,211
I NEED YOU.
YOU'RE NOT FIRED.

597
00:29:07,207 --> 00:29:09,737
LISTEN, AS ‐‐ AS TRAGIC
AS THIS WHOLE THING HAS BEEN,

598
00:29:09,743 --> 00:29:12,253
IT'S PRACTICALLY ASSURED HIM
THE GOVERNOR'S MANSION.

599
00:29:12,245 --> 00:29:14,105
YOU SHOULD SEE THESE NUMBERS,
IT'S ‐‐

600
00:29:14,114 --> 00:29:15,924
NO. NO MORE NUMBERS
FOR ME TONIGHT.

601
00:29:15,916 --> 00:29:17,546
LANDON, I'M SERIOUS.

602
00:29:17,551 --> 00:29:20,121
HIS DAUGHTER IS DEAD.

603
00:29:20,120 --> 00:29:22,990
WHAT CAN WE DO
TO BRING HER BACK?

604
00:29:22,989 --> 00:29:24,159
NOTHING.

605
00:29:24,157 --> 00:29:26,457
SO WE MIGHT AS WELL
MAXIMIZE THIS TRAGEDY.

606
00:29:26,459 --> 00:29:27,789
YOUR FANGS ARE SHOWING.

607
00:29:27,794 --> 00:29:30,634
WE NEED TO FIND A WAY
TO WRAP OUR ARMS AROUND THIS.

608
00:29:30,631 --> 00:29:33,531
I WANT TO GET MY ARMS
AROUND <i>HIM.</i>

609
00:29:33,534 --> 00:29:34,644
WHO?

610
00:29:34,635 --> 00:29:36,565
HIM. THAT GUY.
SO SEXY.

611
00:29:39,372 --> 00:29:41,272
AND STRAIGHT.

612
00:29:41,274 --> 00:29:43,184
I KNOW.

613
00:29:43,176 --> 00:29:45,076
HE HASN'T LOOKED AT ME ONCE.

614
00:29:45,078 --> 00:29:48,918
LANDON. LANDON.
I NEED YOU TO BE CLEAR.

615
00:29:48,915 --> 00:29:50,575
WE NEED TO LINE UP
THE PRESS TOMORROW

616
00:29:50,584 --> 00:29:53,024
AND LET THEM KNOW THAT HE WAS
LATE BECAUSE OF THIS TRAGEDY

617
00:29:53,019 --> 00:29:54,819
AND THAT WE'RE GONNA
MAKE AN ANNOUNCEMENT

618
00:29:54,821 --> 00:29:57,861
AS SOON AS THE FAMILY'S
HAD ENOUGH TIME TO GRIEVE.

619
00:29:57,858 --> 00:29:59,488
NOW, AS FAR
AS THE HARRINGTONS ‐‐

620
00:29:59,492 --> 00:30:01,372
NO.
I WILL NOT WORK WITH THEM.

621
00:30:01,367 --> 00:30:03,797
NO, CUT THE CRAP.
WHAT? SHE'S WICKED.

622
00:30:03,804 --> 00:30:05,344
YOU'RE WICKED.
WHAT?

623
00:30:05,338 --> 00:30:07,168
I WATCHED THE TAPE.

624
00:30:07,173 --> 00:30:10,443
YOU AMBUSHED HER.

625
00:30:10,443 --> 00:30:12,353
OKAY, ALL RIGHT. FINE.
YEAH, I TRIED.

626
00:30:12,345 --> 00:30:14,105
YEAH, BUT IT DIDN'T WORK, DID
IT?

627
00:30:14,114 --> 00:30:17,884
NO, IT DIDN'T.
SHE WAS PREPARED.

628
00:30:17,884 --> 00:30:21,124
SHE'S A NATURAL PREDATOR.
THEY KNOW HOW TO SURVIVE.

629
00:30:21,121 --> 00:30:23,191
YEAH, JUST LIKE COCKROACHES.

630
00:30:23,189 --> 00:30:25,259
[ SCOFFS ]

631
00:30:25,258 --> 00:30:27,288
CANDACE, WHAT HAPPENED?
WHERE DID YOU GO?

632
00:30:27,293 --> 00:30:28,463
I WA‐‐ YOU LEFT ME HERE.

633
00:30:28,461 --> 00:30:31,201
I HAD TO MAKE
SOME PHONE CALLS.

634
00:30:31,197 --> 00:30:33,967
WHAT IS SHE DOING HERE?
I DON'T KNOW.

635
00:30:33,967 --> 00:30:35,737
CANDACE,
YOU REMEMBER MAGGIE?

636
00:30:35,736 --> 00:30:37,166
HI.

637
00:30:37,170 --> 00:30:38,200
I NEED A SHOT.

638
00:30:38,204 --> 00:30:40,144
NO, NO, NO.
MORE CHAMPAGNE.

639
00:30:40,140 --> 00:30:41,210
YEAH.

640
00:30:42,509 --> 00:30:45,149
YOU'RE IN MY SEAT,
BY THE WAY.

641
00:30:45,145 --> 00:30:47,775
EXCUSE ME?

642
00:30:47,781 --> 00:30:50,121
YOU'RE IN MY SEAT.

643
00:30:50,116 --> 00:30:51,686
[ CHUCKLES ]

644
00:30:51,685 --> 00:30:53,245
DOES IT ‐‐ DOES IT HAVE
YOUR NAME ON IT?

645
00:30:53,253 --> 00:30:54,523
MM‐HMM.

646
00:30:54,521 --> 00:30:56,691
"CANDACE YOUNG, BAD BITCH."
YOU DIDN'T SEE IT?

647
00:30:56,690 --> 00:30:58,660
OKAY, LET'S ‐‐ LET'S ‐‐
[ LAUGHS ]

648
00:30:58,659 --> 00:31:02,099
LADIES, LET'S JUST NOT HAVE
A CAT FIGHT TONIGHT HERE.

649
00:31:02,102 --> 00:31:05,512
I GUESS YOU DON'T HANG OUT
AT HOTEL BARS THAT MUCH?

650
00:31:05,506 --> 00:31:08,736
AND YOU HANG OUT
WITH MARRIED MEN, HUH?

651
00:31:08,742 --> 00:31:10,782
Landon:
IT'S BEEN A LONG DAY.

652
00:31:10,777 --> 00:31:13,207
THANK YOU, LANDON.
YOU ARE WELCOME.

653
00:31:15,281 --> 00:31:18,351
HOW IS JIM?

654
00:31:18,351 --> 00:31:21,251
EXCUSE ME?

655
00:31:21,254 --> 00:31:24,194
JIM CRYER ‐‐ HOW IS HE?

656
00:31:24,190 --> 00:31:26,090
MOURNING.

657
00:31:26,092 --> 00:31:28,632
IS HE AT HOME?

658
00:31:28,629 --> 00:31:30,929
WHY?
LET ME TELL YOU HOW THIS WORKS.

659
00:31:30,931 --> 00:31:34,701
I ASK THE QUESTIONS,
AND YOU JUST ANSWER THEM.

660
00:31:34,701 --> 00:31:36,801
IS HE AT HOME?
YES.

661
00:31:36,803 --> 00:31:38,343
LANDON.
WHAT?

662
00:31:38,338 --> 00:31:41,338
GREAT. I'M GONNA STOP BY
TOMORROW MORNING.

663
00:31:41,341 --> 00:31:43,241
EXCUSE ME?

664
00:31:43,243 --> 00:31:45,183
DID YOU MISS SOMETHING?

665
00:31:45,178 --> 00:31:49,478
[ Slowly ] I'M GOING TO STOP BY
TOMORROW MORNING.

666
00:31:49,482 --> 00:31:51,152
YOU CAN'T GO OVER THERE.
WHY NOT?

667
00:31:51,151 --> 00:31:53,091
THERE ARE PRESS VANS
ALL OVER THE PLACE.

668
00:31:53,086 --> 00:31:55,316
THEY'RE WATCHING
EVERYBODY WHO GOES IN AND OUT.

669
00:31:55,321 --> 00:31:57,521
AND?
[ SCOFFS ]

670
00:31:57,524 --> 00:31:59,094
I'M SORRY.
YOU ARE ONE CRAZY WOMAN.

671
00:31:59,092 --> 00:32:02,142
I AM, AND SO ARE YOU.

672
00:32:02,135 --> 00:32:04,165
DAVID?

673
00:32:04,170 --> 00:32:06,870
ARE YOU REALLY INTO HIM?

674
00:32:06,873 --> 00:32:09,013
[ SCOFFS ]
I BEG YOUR PARDON?

675
00:32:09,009 --> 00:32:11,709
I'VE BEEN TOLD
THAT YOU WERE, UH ‐‐

676
00:32:11,712 --> 00:32:14,752
YOU BOTH WERE HERE
ALL HUGGED UP AT THE BAR.

677
00:32:16,550 --> 00:32:17,580
[ CLEARS THROAT ]

678
00:32:17,584 --> 00:32:19,824
MM. QUIET NOW, ARE WE?

679
00:32:19,820 --> 00:32:21,520
BY THE WAY, UH,
YOU DON'T LOOK LIKE

680
00:32:21,522 --> 00:32:23,222
YOU'RE ANY MATCH
FOR THAT VERONICA.

681
00:32:23,223 --> 00:32:25,733
SHE IS FULL OF TESTOSTERONE.

682
00:32:31,832 --> 00:32:34,802
MISS YOUNG.

683
00:32:34,801 --> 00:32:37,141
[ SIGHS ]
I KNEW I'D MAKE YOU GET UP.

684
00:32:41,241 --> 00:32:43,481
HOW YOU DOING?

685
00:32:43,476 --> 00:32:45,176
NOT SO GOOD.

686
00:32:48,081 --> 00:32:49,551
He's coming. He's coming.

687
00:32:49,550 --> 00:32:51,180
HI. I WAS WONDERING
IF I COULD ‐‐

688
00:32:51,184 --> 00:32:52,494
ABSOLUTELY NOT.

689
00:32:52,485 --> 00:32:55,615
...GET THE CHAIR BACK.
I'M EXPECTING A BEAUTIFUL WOMAN.

690
00:32:57,824 --> 00:32:59,294
THANK YOU.

691
00:33:04,270 --> 00:33:06,340
DON'T GET NO BETTER THAN ME,
BABY.

692
00:33:14,080 --> 00:33:15,620
[ CELLPHONE RINGING ]

693
00:33:19,720 --> 00:33:22,020
[ CELLPHONE BEEPS ]
HELLO?

694
00:33:22,022 --> 00:33:24,832
YES.

695
00:33:24,825 --> 00:33:27,185
WHAT?

696
00:33:27,193 --> 00:33:28,493
WHERE IS SHE?

697
00:33:30,463 --> 00:33:31,833
NO.

698
00:33:34,735 --> 00:33:36,695
MNH‐MNH.

699
00:33:36,703 --> 00:33:37,873
SHE STILL DOESN'T KNOW

700
00:33:37,871 --> 00:33:41,211
THE APPROPRIATE TIME
TO CALL A MARRIED MAN.

701
00:33:41,207 --> 00:33:42,707
I‐I UNDERSTAND.
I UNDERSTAND.

702
00:33:42,709 --> 00:33:44,909
JUST ‐‐ JUST ‐‐
JUST TRY TO KEEP HER THERE.

703
00:33:44,911 --> 00:33:46,351
I'M ON MY WAY.

704
00:33:48,515 --> 00:33:51,475
SHE WAITING FOR YOU
AT THE HOTEL?

705
00:33:51,484 --> 00:33:53,224
VERONICA, GO HOME.

706
00:33:55,321 --> 00:33:57,521
GLADLY.
YOU GO TO HELL.

707
00:34:17,017 --> 00:34:18,917
[ KEYS JINGLE ]

708
00:34:35,435 --> 00:34:38,035
COME ON, CANDACE.
ARE YOU KIDDING ME?

709
00:34:38,038 --> 00:34:40,068
COME ON, CANDACE.
JUST ‐‐

710
00:34:43,510 --> 00:34:45,980
[ SIGHS ]

711
00:34:45,979 --> 00:34:48,679
[ CELLPHONE BEEPS ]

712
00:34:48,682 --> 00:34:51,592
Hi, this is Candace.
You know what to do.

713
00:34:51,585 --> 00:34:53,315
REALLY, CANDACE?
REALLY?

714
00:34:53,319 --> 00:34:55,819
I MEAN, THIS IS ‐‐ THIS IS ‐‐
THIS IS JUST WRONG.

715
00:34:55,822 --> 00:34:58,732
WHY WOULD YOU SEND A MAN OVER
HERE NOW?

716
00:34:58,725 --> 00:35:01,995
I MEAN, I'M ‐‐ I'M REALLY UPSET
ABOUT THE AMANDA SITUATION,

717
00:35:02,002 --> 00:35:04,202
SO PLEASE JUST STOP IT.

718
00:35:04,204 --> 00:35:05,844
OKAY? STOP THIS.

719
00:35:08,742 --> 00:35:10,282
CALL ME.

720
00:35:10,276 --> 00:35:11,976
[ CELLPHONE BEEPS ]

721
00:35:19,052 --> 00:35:21,222
HEY!

722
00:35:21,221 --> 00:35:23,161
OUT. GET OUT.

723
00:35:27,928 --> 00:35:29,828
QUINCY.

724
00:35:29,830 --> 00:35:31,200
YO.

725
00:35:32,533 --> 00:35:34,373
[ SIGHS ]

726
00:35:34,367 --> 00:35:36,767
MAN, YOU NEED
TO GET OUT OF HERE.

727
00:35:36,770 --> 00:35:38,140
WHERE'S CANDACE?

728
00:35:38,138 --> 00:35:39,508
SHE'S NOT HERE.

729
00:35:42,509 --> 00:35:44,679
I CAN SEE THAT.

730
00:35:44,678 --> 00:35:47,848
BEEN WAITING HERE
A FEW HOURS.

731
00:35:47,848 --> 00:35:50,448
WHERE SHE AT?

732
00:35:50,450 --> 00:35:52,220
I DON'T KNOW.

733
00:35:53,954 --> 00:35:56,864
YOU DON'T KNOW
WHERE SHE IS?

734
00:35:56,857 --> 00:35:58,527
NO, I DON'T.

735
00:36:02,536 --> 00:36:03,996
YEAH, YOU DO.

736
00:36:04,004 --> 00:36:06,374
MAN, GET OUT OF HERE.

737
00:36:06,372 --> 00:36:08,312
WHERE SHE AT, THOUGH?

738
00:36:08,308 --> 00:36:11,878
I ALREADY TOLD YOU SHE'S NOT
HERE AND YOU NEED TO LEAVE.

739
00:36:11,878 --> 00:36:15,048
[ SIGHS ]

740
00:36:15,048 --> 00:36:18,078
YOU'RE GONNA TELL ME
WHERE SHE IS.

741
00:36:18,084 --> 00:36:19,394
OKAY, OKAY.

742
00:36:19,385 --> 00:36:23,655
UH, S‐SHE WAS HERE,
BUT SHE LEFT, OKAY?

743
00:36:23,657 --> 00:36:25,527
OKAY.

744
00:36:25,526 --> 00:36:26,886
CALL HER.

745
00:36:26,893 --> 00:36:28,633
I‐I DON'T HAVE HER NUMBER.

746
00:36:35,201 --> 00:36:38,171
PUT YOUR PASSWORD IN.

747
00:36:38,171 --> 00:36:40,411
PUT YOUR PASSWORD IN.
NO.

748
00:36:40,406 --> 00:36:42,236
PUT YOUR DAMN PASSWORD
IN THE PHONE

749
00:36:42,242 --> 00:36:43,942
BEFORE I BREAK
YOUR NECK, BOY.

750
00:36:43,944 --> 00:36:46,484
I HEARD YOU TALKING TO HER.
THAT WAS SOMEBODY ELSE.

751
00:36:46,479 --> 00:36:48,079
SOMEBODY ELSE, HUH?

752
00:36:48,081 --> 00:36:51,021
SOMEBODY ELSE NAMED CANDACE?
I HEARD YOU TALKING TO HER.

753
00:36:51,017 --> 00:36:52,717
LOOK, I DON'T KNOW
WHERE SHE IS!

754
00:36:52,719 --> 00:36:54,859
I DO‐‐
[ GRUNTS ]

755
00:36:54,855 --> 00:36:58,155
PUT YOUR DAMN PASSWORD
IN THIS PHONE.

756
00:37:00,700 --> 00:37:02,870
I SAID NO.

757
00:37:05,605 --> 00:37:07,365
[ CHUCKLES ]

758
00:37:18,652 --> 00:37:22,392
YOUR MAMA DIDN'T TELL ME
YOU HAD HEART.

759
00:37:22,388 --> 00:37:26,488
MY MOM?
YEAH.

760
00:37:26,492 --> 00:37:27,992
YOU LEAVE HER OUT OF THIS.

761
00:37:27,994 --> 00:37:30,934
SHE'S ALREADY IN THIS.

762
00:37:30,931 --> 00:37:33,331
KNEE DEEP, THIGH HIGH, BABY.

763
00:37:33,333 --> 00:37:35,473
WHAT THE HELL
ARE YOU TALKING ABOUT?

764
00:37:35,468 --> 00:37:36,968
OH, YOU DON'T KNOW?

765
00:37:36,970 --> 00:37:40,270
YOUR MAMA'S A GANGSTER.

766
00:37:40,273 --> 00:37:44,043
SHE CALLED AND TOLD ME
CANDACE WAS HERE.

767
00:37:44,044 --> 00:37:46,884
AND NOW THAT SHE'S NOT,

768
00:37:46,880 --> 00:37:50,980
SHE'S GONNA KNOW
THAT YOU KNOW WHERE SHE IS.

769
00:37:50,984 --> 00:37:53,854
MY MOTHER WOULD NEVER BE
INVOLVED WITH SOMEONE LIKE YOU.

770
00:37:53,854 --> 00:37:55,694
WANT TO BET?

771
00:37:55,689 --> 00:37:58,089
YOUR MOTHER GOT ME OUT
OF THE FEDERAL PENITENTIARY

772
00:37:58,091 --> 00:38:01,101
IN 24 HOURS.

773
00:38:01,101 --> 00:38:04,071
AMAZING.

774
00:38:04,070 --> 00:38:06,540
WHAT A SWEET ASS.

775
00:38:06,540 --> 00:38:09,180
MMM.

776
00:38:09,175 --> 00:38:11,945
SHE GOT ME OUT OF JAIL
TO COME GET CANDY.

777
00:38:16,449 --> 00:38:18,219
MY MOTHER?

778
00:38:18,218 --> 00:38:20,288
WHAT'S THE PASSWORD, SON?

779
00:38:23,624 --> 00:38:25,594
SHE SENT YOU HERE?

780
00:38:30,931 --> 00:38:33,071
ALL RIGHT.

781
00:38:33,066 --> 00:38:35,936
I'LL CALL HER.

782
00:38:35,936 --> 00:38:37,366
GOOD.

783
00:38:42,843 --> 00:38:44,183
[ CELLPHONE BEEPS ]

784
00:38:44,177 --> 00:38:46,907
[ Ringing ]

785
00:38:46,913 --> 00:38:51,353
Yes, Jeffery?
MOM.

786
00:38:51,351 --> 00:38:53,591
I WASN'T TALKING
ABOUT HER ASS.

787
00:38:53,587 --> 00:38:55,057
QUINCY IS HERE?

788
00:38:55,055 --> 00:38:56,355
WHO?
Quincy.

789
00:38:56,356 --> 00:39:00,966
HE SAYS THAT YOU SENT HIM HERE
TO FIND CANDACE.

790
00:39:00,967 --> 00:39:02,397
OKAY.

791
00:39:02,402 --> 00:39:05,072
"OKAY"? OKAY WHAT?
YOU KNOW ABOUT THIS?

792
00:39:05,071 --> 00:39:06,511
ABOUT WHAT?

793
00:39:06,507 --> 00:39:08,777
HE'S SITTING HERE
IN MY APARTMENT, MOM.

794
00:39:08,775 --> 00:39:11,605
LET ME TALK TO HIM.
PUT HIM ON THE DAMN PHONE.

795
00:39:23,557 --> 00:39:24,727
WHAT UP, MA?

796
00:39:24,725 --> 00:39:26,855
WHY DID YOU TELL HIM
THAT I SENT YOU THERE,

797
00:39:26,860 --> 00:39:28,760
YOU SNITCHING LITTLE BITCH?
SAY WHAT?

798
00:39:28,762 --> 00:39:31,932
I THOUGHT YOU HAD SOME KIND OF
CODE AGAINST THAT KIND OF THING,

799
00:39:31,932 --> 00:39:33,202
dumbass criminal.

800
00:39:33,199 --> 00:39:35,739
YO, FOR REAL, YOU GOT ABOUT ONE
MORE TIME TO CALL ME ‐‐

801
00:39:35,736 --> 00:39:38,196
Let me talk to my son, boy.

802
00:39:46,146 --> 00:39:48,746
MOM?
JEFFERY, HE WON'T HURT YOU.

803
00:39:48,749 --> 00:39:51,219
JUST TELL HIM
WHERE THAT GIRL IS.

804
00:39:51,217 --> 00:39:54,487
I CAN'T DO THAT.
OKAY.

805
00:39:54,487 --> 00:39:57,857
THEN HE WILL HURT YOU.

806
00:39:57,858 --> 00:40:00,258
MOM.
I told you, Jeffery.

807
00:40:00,260 --> 00:40:02,540
I AM NOT PLAYING WITH YOU.

808
00:40:02,536 --> 00:40:05,306
YOU WOULD DO THAT TO ME?
IT'S DONE.

809
00:40:08,441 --> 00:40:09,911
[ BEEP ]

810
00:40:17,551 --> 00:40:19,451
[ SIGHS ]

811
00:40:29,530 --> 00:40:31,870
IF YOU DON'T
GIVE HER UP RIGHT NOW...

812
00:40:34,167 --> 00:40:35,867
...IT'S GONNA BE A PROBLEM.

813
00:40:40,340 --> 00:40:42,110
BIG PROBLEM.

814
00:40:46,880 --> 00:40:48,380
FEEL ME?

815
00:40:51,752 --> 00:40:53,352
[ DISH CLATTERS ]

816
00:40:56,590 --> 00:40:58,560
WHAT YOU WANT TO DO?

817
00:40:58,559 --> 00:41:00,629
I ALREADY TOLD YOU.

818
00:41:03,837 --> 00:41:05,707
I DON'T KNOW WHERE SHE IS.

819
00:41:05,706 --> 00:41:07,366
[ SCOFFS ]

820
00:41:07,373 --> 00:41:08,683
OKAY.

821
00:41:12,613 --> 00:41:14,053
[ BOTH GRUNTING ]

822
00:41:29,696 --> 00:41:32,726
<i>NEXT ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

823
00:41:32,733 --> 00:41:35,973
BUT I REMEMBER BEING RUSHED
TO THE HOSPITAL BY MY FATHER,

824
00:41:35,969 --> 00:41:37,639
AND MY UNCLE
WENT TO LOOK FOR YOU.

825
00:41:37,638 --> 00:41:41,138
BUT YOU WERE WITH CELINE.
I DIDN'T KNOW YOU KNEW THAT.

826
00:41:41,141 --> 00:41:43,841
WHAT DO YOU WANT?
TO TALK.

827
00:41:43,844 --> 00:41:46,314
I DON'T DO GIRLS.

828
00:41:46,312 --> 00:41:47,582
[ CHUCKLES ]

829
00:41:47,581 --> 00:41:50,321
WHAT IS SHE UP TO?
I DON'T KNOW WHAT SHE'S UP TO,

830
00:41:50,316 --> 00:41:51,616
BUT PLAY THIS OUT.

831
00:41:51,618 --> 00:41:55,958
WHEN IT COMES TO GETTING
TO CANDY, I WILL KILL YOU.

832
00:41:55,956 --> 00:41:58,116
MAN: D. A.'s office.
WHAT'S THIS ABOUT?

833
00:41:58,124 --> 00:41:59,634
IT'S ABOUT THE HIT‐AND‐RUN.