1
00:00:01,735 --> 00:00:03,395
PREVIOUSLY ON "THE HAVES
AND THE HAVE NOTS"...
2
00:00:03,403 --> 00:00:04,403
JIM?!
3
00:00:04,404 --> 00:00:05,444
HE'S NOT HERE.
4
00:00:05,438 --> 00:00:06,608
SIGN IT!
5
00:00:06,907 --> 00:00:07,907
Maggie: WHERE IS HE?
6
00:00:07,908 --> 00:00:09,108
I HAVE NO IDEA.
7
00:00:09,109 --> 00:00:09,939
I DON'T LIKE THIS.
8
00:00:10,644 --> 00:00:11,654
YO, MAMA!
9
00:00:11,645 --> 00:00:12,475
OH, GOD.
10
00:00:12,478 --> 00:00:13,378
QUINCY.
11
00:00:13,379 --> 00:00:14,409
YOU KNOW HIM?
12
00:00:14,414 --> 00:00:16,084
MRS. CRYER,
THAT BOY IS DANGEROUS.
13
00:00:16,082 --> 00:00:18,122
I'M NOT INTERESTED IN YOU
IN THAT WAY.
14
00:00:18,118 --> 00:00:20,488
YOU JUST HAVE TO DO IT
AGAIN AND AGAIN.
15
00:00:20,486 --> 00:00:22,056
COME ON, HONEY, GET ‐‐
WHOA!
16
00:00:22,055 --> 00:00:24,255
WHOO!
OH!
17
00:00:24,257 --> 00:00:25,027
EW!
18
00:00:26,092 --> 00:00:28,392
OH, GOD!
19
00:00:28,394 --> 00:00:30,304
[ PANTING ]
20
00:00:34,134 --> 00:00:35,574
WYATT!
21
00:00:35,569 --> 00:00:37,039
WHAT THE HELL IS WRONG
WITH YOU?
22
00:00:37,037 --> 00:00:38,067
Hanna: AMANDA!
23
00:00:38,071 --> 00:00:39,641
IT'S AMANDA.
24
00:00:39,640 --> 00:00:42,540
[ PANTING ]
25
00:00:49,182 --> 00:00:52,022
[ Crying ]
WHAT DID YOU DO?!
26
00:00:52,018 --> 00:00:57,118
OH, MY GOD.
27
00:00:57,123 --> 00:00:59,493
WHAT DID YOU DO?
28
00:01:02,703 --> 00:01:05,043
LO Sé.
29
00:01:05,038 --> 00:01:07,408
BECAUSE THAT'S NOTHING
YOU NEED TO WORRY ABOUT, CARLOS.
30
00:01:08,575 --> 00:01:11,305
B‐‐
I KNOW WHAT I'M DOING.
31
00:01:11,311 --> 00:01:13,381
CALL 911.
32
00:01:13,379 --> 00:01:14,409
[ SIGHS ]
I'M ON THE PHONE, HANNA.
33
00:01:15,448 --> 00:01:18,588
SO, I DON'T KNOW
WHAT IT IS THAT YOU ‐‐
34
00:01:18,585 --> 00:01:19,485
CALL 911.
35
00:01:19,485 --> 00:01:20,485
CAN'T YOU SEE I'M ‐‐
36
00:01:20,486 --> 00:01:21,816
CALL 911.
37
00:01:22,856 --> 00:01:23,816
WHAT'S WRONG?
38
00:01:23,824 --> 00:01:25,364
CALL 911.
39
00:01:25,358 --> 00:01:26,488
I HAVE TO CALL YOU BACK.
40
00:01:27,528 --> 00:01:28,858
OH.
41
00:01:28,862 --> 00:01:30,062
HANNA.
42
00:01:30,063 --> 00:01:31,203
[ TELEPHONE BEEPS ]
43
00:01:31,197 --> 00:01:33,467
DID YOU CUT YOURSELF?
WHAT'S HAPPENING?
44
00:01:33,466 --> 00:01:35,366
WOMAN: 911.
What's your emergency?
45
00:01:35,368 --> 00:01:37,238
YES, WE NEED
AN AMBULANCE, PLEASE.
46
00:01:37,237 --> 00:01:39,707
What's your emergency?
47
00:01:39,706 --> 00:01:41,466
SOMEONE IS HURT
REAL BAD.
48
00:01:41,474 --> 00:01:43,444
WHO? HANNA.
49
00:01:44,477 --> 00:01:46,077
SHE'S 21 YEARS OLD.
50
00:01:46,079 --> 00:01:47,809
OH.
51
00:01:47,814 --> 00:01:50,524
I DON'T KNOW WHAT HAPPENED.
I CAN'T TELL.
52
00:01:50,517 --> 00:01:52,047
Celine:
OH, MY GOD.
53
00:01:53,086 --> 00:01:55,456
YES.
54
00:01:55,455 --> 00:01:58,055
YES, THAT'S RIGHT.
55
00:01:58,058 --> 00:02:00,058
THANK YOU.
56
00:02:00,060 --> 00:02:02,740
[ TELEPHONE BEEPS ]
57
00:02:05,038 --> 00:02:07,138
WYATT,
WHAT'S GOING ON.
58
00:02:07,140 --> 00:02:09,080
[ SCREAMS ]
OH, GOD!
59
00:02:09,075 --> 00:02:11,845
[ Crying ] OH, GOD!
60
00:02:11,845 --> 00:02:12,805
[ GASPING ]
61
00:02:16,116 --> 00:02:18,146
WHY?
62
00:02:18,151 --> 00:02:21,691
WHY?
63
00:02:21,688 --> 00:02:23,558
WHY?!
64
00:02:23,557 --> 00:02:26,557
‐‐Captions by VITAC‐‐
www.vitac.com
65
00:02:26,560 --> 00:02:29,600
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
66
00:02:40,473 --> 00:02:43,483
[ CELLPHONE BEEPS ]
67
00:02:43,476 --> 00:02:45,046
MAGGIE.
68
00:02:45,045 --> 00:02:46,375
MAGGIE.
YES.
69
00:02:46,379 --> 00:02:47,749
WHERE IS JIM CRYER?
70
00:02:47,748 --> 00:02:49,178
OH, HE'S ON HIS WAY.
71
00:02:49,182 --> 00:02:51,422
WE GO LIVE
IN 15 MINUTES.
72
00:02:51,417 --> 00:02:53,087
YES, I KNOW.
73
00:02:53,086 --> 00:02:54,086
WHAT'S GOING ON?
74
00:02:54,087 --> 00:02:55,487
LISTEN, IT'S FINE,
REALLY.
75
00:02:55,488 --> 00:02:56,618
JUST ‐‐ JUST RELAX.
76
00:02:56,623 --> 00:02:58,463
EXCUSE ME
FOR JUST ONE MOMENT, OKAY?
77
00:02:58,458 --> 00:03:00,128
IT'S ‐‐ IT'S FINE.
[ SCOFFS ]
78
00:03:00,126 --> 00:03:01,466
ARE YOU ‐‐
79
00:03:01,467 --> 00:03:03,037
IT'S FINE.
ARE YOU SURE?
80
00:03:03,036 --> 00:03:04,136
YES.
81
00:03:04,137 --> 00:03:05,867
MAGGIE,
I DON'T LIKE THIS.
82
00:03:05,872 --> 00:03:07,712
YOU KNOW THAT I HAVE THIS
UNDER CONTROL.
83
00:03:07,708 --> 00:03:09,908
LET ME JUST BE CLEAR.
84
00:03:09,910 --> 00:03:13,710
IF I HAVE COME ALL THIS WAY
TO NOT GET THIS INTERVIEW,
85
00:03:13,714 --> 00:03:16,984
I WILL BE
ON THE OPPOSITE SIDE OF IT.
86
00:03:16,983 --> 00:03:18,923
I UNDERSTAND.
87
00:03:18,919 --> 00:03:21,149
IT'S FINE, I PROMISE.
JUST ‐‐ JUST RELAX.
88
00:03:28,094 --> 00:03:29,964
GET HIS ASS ON THE PHONE
RIGHT NOW.
89
00:03:29,963 --> 00:03:31,203
HE'S NOT ANSWERING
ANY NUMBERS.
90
00:03:31,197 --> 00:03:32,667
[ SIGHS ]
91
00:03:34,467 --> 00:03:35,837
HAVE HIM CALL ME
WHEN HE GETS IN.
92
00:03:35,836 --> 00:03:36,796
[ DOOR OPENS ]
93
00:03:37,838 --> 00:03:40,168
WHAT IS GOING ON,
DAVID?
94
00:03:40,173 --> 00:03:41,583
I HAVE NO IDEA.
95
00:03:41,575 --> 00:03:44,705
NOW, THIS IS NOT LIKE JIM.
HE KNOWS TODAY IS IMPORTANT.
96
00:03:44,711 --> 00:03:46,581
I'M SURE HE'LL BE HERE.
97
00:03:46,580 --> 00:03:48,550
BEING LATE IS NOT
BEING HERE.
98
00:03:48,549 --> 00:03:51,519
I UNDERSTAND.
99
00:03:51,518 --> 00:03:54,388
MAYBE HIS BAD DEEDS ARE
FINALLY CATCHING UP WITH HIM.
100
00:03:54,387 --> 00:03:56,187
[ DOOR OPENS ]
101
00:03:56,189 --> 00:03:57,559
HELLO.
102
00:03:57,558 --> 00:03:59,688
KATHERYN.
MRS. CRYER.
103
00:03:59,693 --> 00:04:01,673
YES.
WHERE'S YOUR HUSBAND?
104
00:04:01,668 --> 00:04:03,498
I DON'T KNOW.
105
00:04:03,504 --> 00:04:05,614
WHAT DO YOU MEAN
YOU DON'T KNOW?
106
00:04:05,606 --> 00:04:07,306
I THOUGHT HE WAS HERE.
107
00:04:08,341 --> 00:04:09,781
IS THERE A REASON
FOR US TO WORRY?
108
00:04:09,776 --> 00:04:11,276
AND WHAT DO YOU MEAN
BY THAT?
109
00:04:11,277 --> 00:04:12,747
WELL, HE SHOULD BE HERE.
110
00:04:12,746 --> 00:04:14,246
WELL, IF I KNOW JIM,
111
00:04:14,247 --> 00:04:18,047
I'M SURE HE'LL MAKE A
GRAND ENTRANCE AT THE 11th HOUR.
112
00:04:18,051 --> 00:04:19,191
KEEP YOUR PANTS ON.
[ CHUCKLES ]
113
00:04:19,185 --> 00:04:21,045
NOW, THAT WOULD BE HARD
FOR HER TO DO
114
00:04:21,054 --> 00:04:24,934
SINCE SHE LIKES BEING
IN VARIOUS STATES OF UNDRESS.
115
00:04:30,363 --> 00:04:31,733
YOU DO.
116
00:04:34,433 --> 00:04:36,503
[ SIGHS, CLEARS THROAT ]
117
00:04:36,503 --> 00:04:38,243
UH, MR. HARRINGTON.
118
00:04:38,237 --> 00:04:39,537
WOULD YOU COME WITH ME?
119
00:04:39,539 --> 00:04:41,809
I'D LIKE TO INTRODUCE YOU
TO THE LIEUTENANT GOVERNOR.
120
00:04:41,808 --> 00:04:44,848
OF COURSE.
121
00:04:44,845 --> 00:04:46,645
[ SIGHS ]
122
00:04:46,647 --> 00:04:49,317
EXCUSE ME, SWEETHEART.
MM.
123
00:04:49,315 --> 00:04:50,845
KATHERYN.
DAVID.
124
00:04:54,555 --> 00:04:56,285
WHAT'S GOT HER
IN A RUFFLE?
125
00:04:56,289 --> 00:04:58,389
[ CHUCKLES ]
YOUR HUSBAND.
126
00:04:58,391 --> 00:05:01,671
WELL, I HAVE NO IDEA
WHERE HE IS.
127
00:05:01,668 --> 00:05:03,068
IT REALLY ISN'T
LIKE HIM.
128
00:05:03,069 --> 00:05:06,909
WELL, HE NEVER GOT
HIS ASS KICKED, EITHER.
129
00:05:06,907 --> 00:05:08,577
[ CHUCKLES ]
130
00:05:08,575 --> 00:05:10,135
THAT WAS
SO EMBARRASSING.
131
00:05:10,143 --> 00:05:12,013
[ CHUCKLES ]
OH.
132
00:05:12,012 --> 00:05:13,812
I AM SO SORRY,
KATHERYN.
133
00:05:13,814 --> 00:05:15,184
LIKE HELL YOU ARE.
134
00:05:15,181 --> 00:05:16,281
I AM.
135
00:05:16,282 --> 00:05:17,282
NO, YOU'RE NOT.
136
00:05:17,283 --> 00:05:20,093
YOU ENJOYED IT
AS MUCH AS I DID.
137
00:05:20,086 --> 00:05:22,756
KATHERYN,
I DON'T LIKE VIOLENCE.
138
00:05:22,756 --> 00:05:23,956
VERONICA.
139
00:05:23,957 --> 00:05:25,257
I DON'T.
140
00:05:26,292 --> 00:05:27,692
WHATEVER.
141
00:05:27,694 --> 00:05:29,504
REALLY, THOUGH,
YOU SHOULD GIVE HIM A CALL.
142
00:05:29,495 --> 00:05:30,495
WYATT HAS HIS PHONE.
143
00:05:30,496 --> 00:05:32,226
WHY?
144
00:05:32,232 --> 00:05:33,272
I DON'T KNOW.
145
00:05:33,266 --> 00:05:34,496
HE SAID HE FOUND IT OUTSIDE
THIS MORNING.
146
00:05:34,501 --> 00:05:35,641
KATHERYN.
147
00:05:35,636 --> 00:05:36,666
[ SCOFFS ]
148
00:05:38,539 --> 00:05:40,609
ARE YOU SURE
EVERYTHING'S OKAY?
149
00:05:42,375 --> 00:05:44,605
I GUESS.
150
00:05:46,580 --> 00:05:48,480
HMM.
151
00:05:48,481 --> 00:05:52,521
[ INDISTINCT CONVERSATIONS ]
152
00:05:54,220 --> 00:05:55,290
Barron: LANDON.
153
00:05:55,288 --> 00:05:56,758
MEET ME DOWN HERE.
154
00:06:02,068 --> 00:06:04,398
WHAT AM I DOING HERE,
LANDON?
155
00:06:04,404 --> 00:06:05,414
Landon: SHH.
WHAT?
156
00:06:05,405 --> 00:06:06,665
JUST BE PATIENT.
157
00:06:06,673 --> 00:06:09,843
YOU KNOW MAGGIE'S GONNA
SHUT ME DOWN AT EVERY TURN.
158
00:06:09,843 --> 00:06:11,583
BUT I WANTED YOU HERE.
159
00:06:11,578 --> 00:06:12,848
WHY?
160
00:06:12,846 --> 00:06:15,146
SO THAT I CAN'T ASK
ANY HARD QUESTIONS?
161
00:06:15,148 --> 00:06:17,178
YOU WILL BE ABLE
TO ASK QUESTIONS.
162
00:06:17,183 --> 00:06:18,353
OH, REALLY?
163
00:06:18,351 --> 00:06:20,521
YES.
I WANT YOU TO.
164
00:06:20,521 --> 00:06:23,891
YOU KNOW THAT MAN RAN
A CAMPAIGN TWO YEARS AGO
165
00:06:23,890 --> 00:06:25,330
TOTALLY
AGAINST GAY RIGHTS.
166
00:06:25,325 --> 00:06:27,585
MAYBE THERE'S BEEN
A CHANGE OF HEART.
167
00:06:27,594 --> 00:06:28,734
YEAH, I DOUBT IT.
168
00:06:28,729 --> 00:06:30,599
BARRON,
DON'T BE SO CYNICAL.
169
00:06:30,597 --> 00:06:32,497
WHAT IS GOING ON?
170
00:06:32,498 --> 00:06:35,098
YOU WILL BE ABLE
TO ASK YOUR QUESTIONS,
171
00:06:35,101 --> 00:06:39,071
AND PLEASE...
ASK YOUR QUESTIONS.
172
00:06:39,072 --> 00:06:42,342
OKAY, ALL RIGHT, I WILL PREPARE
MY LIST FOR JIM CRYER.
173
00:06:42,342 --> 00:06:43,842
NOT HIM.
174
00:06:43,844 --> 00:06:46,014
WH‐‐
THEN WHY AM I HERE?
175
00:06:46,012 --> 00:06:47,912
TAKE ANOTHER GUESS.
176
00:06:47,914 --> 00:06:49,924
UH, DAVID HARRINGTON.
177
00:06:49,916 --> 00:06:51,516
PARTIALLY RIGHT.
178
00:06:51,518 --> 00:06:53,918
THEY'RE
THE ONLY TWO CANDIDATES.
179
00:06:53,920 --> 00:06:57,120
BUT THEY HAVE WIVES,
DON'T THEY?
180
00:06:57,123 --> 00:07:01,173
YES, BUT KATHERYN CRYER'S
ORGANIZATIONS
181
00:07:01,167 --> 00:07:03,197
GIVE TO LOTS
OF GAY CAUSES.
182
00:07:03,203 --> 00:07:06,843
THEN YOU'RE DOWN
TO ONE.
183
00:07:10,711 --> 00:07:12,211
THERE WILL BE A SEAT
FOR YOU DOWN FRONT
184
00:07:12,212 --> 00:07:14,622
AT THE PRESS CONFERENCE
AS SOON AS WE START.
185
00:07:23,924 --> 00:07:26,334
YOU LIKE THE SUIT?
186
00:07:26,326 --> 00:07:28,456
YOU SPARED NO EXPENSE,
I SEE.
187
00:07:28,461 --> 00:07:30,601
HEY, A GIRL'S GOT
A BUDGET.
188
00:07:30,597 --> 00:07:32,327
REALLY?
189
00:07:32,332 --> 00:07:34,432
WITH $7.4 MILLION?
190
00:07:34,434 --> 00:07:36,644
I DIDN'T GET IT YET.
191
00:07:36,637 --> 00:07:38,067
YOU WILL.
192
00:07:42,142 --> 00:07:43,742
YOU BETTER HOPE SO.
193
00:07:43,744 --> 00:07:45,314
DOES IT USUALLY TAKE
THIS LONG?
194
00:07:45,311 --> 00:07:47,981
IT HASN'T EVEN BEEN
AN HOUR, CANDACE.
195
00:07:47,981 --> 00:07:48,981
WHY ARE YOU
SO IMPATIENT?
196
00:07:48,982 --> 00:07:51,822
NOT AS IMPATIENT
AS YOU ARE.
197
00:07:51,818 --> 00:07:53,788
LET ME HELP YOU WITH YOUR TIE.
DON'T.
198
00:07:53,787 --> 00:07:55,317
WHAT TIME IS IT?
199
00:07:55,321 --> 00:07:56,961
ALMOST 10:00.
200
00:07:56,957 --> 00:07:59,857
I CAN'T BE HERE, CANDACE.
I HAVE A SCHEDULE TO KEEP TODAY.
201
00:07:59,860 --> 00:08:00,830
I KNOW.
202
00:08:00,827 --> 00:08:02,767
THERE ARE PEOPLE WAITING
FOR ME.
203
00:08:02,769 --> 00:08:05,639
I KNOW, BUT YOU'RE NOT
IN CONTROL.
204
00:08:05,639 --> 00:08:07,539
NO. I'M ‐‐
205
00:08:07,541 --> 00:08:08,941
HOW DO YOU LIKE NOT BEING
IN CONTROL?
206
00:08:08,942 --> 00:08:10,882
I DON'T LIKE NOT BEING
IN CONTROL, CANDACE.
207
00:08:10,877 --> 00:08:13,447
ISN'T IT OBVIOUS?
I KNOW. I LOVE IT.
208
00:08:13,446 --> 00:08:15,216
I LOVE BEING IN CONTROL.
209
00:08:15,215 --> 00:08:17,045
GREAT. THEN, WHY DON'T
YOU DO SOMETHING PRODUCTIVE
210
00:08:17,050 --> 00:08:19,020
WITH BEING IN CONTROL
AND LET ME THE HELL OUT OF HERE?
211
00:08:20,621 --> 00:08:22,321
NOT UNTIL I GET
THE CONFIRMATION E‐MAIL
212
00:08:22,322 --> 00:08:23,362
THAT THE MONEY IS THERE.
213
00:08:23,356 --> 00:08:24,356
YOU KNOW MAGGIE.
214
00:08:24,357 --> 00:08:25,727
MAGGIE IS WAITING
FOR ME,
215
00:08:25,726 --> 00:08:27,556
AND SHE IS GOING
TO BE LIVID BY NOW.
216
00:08:27,561 --> 00:08:29,831
WELL, YOU'LL SEE
HOW GOOD SHE IS AT HER JOB.
217
00:08:29,830 --> 00:08:31,900
IT'LL BE GREAT
TO SEE HOW SHE SPINS IT.
218
00:08:31,898 --> 00:08:33,398
YOU KNOW,
THEY KEEP SAYING
219
00:08:33,399 --> 00:08:35,599
YOU'LL BE LIVE
ON WHINCHILL AT 10:00 A. M.,
220
00:08:35,602 --> 00:08:37,742
BUT I KEEP SAYING,
"NO, HE WON'T."
221
00:08:37,738 --> 00:08:39,338
THEN WHY THE SUIT?
222
00:08:41,608 --> 00:08:43,708
THAT'S YOUR CASKET SUIT,
BABY.
223
00:08:46,146 --> 00:08:47,806
CANDACE.
224
00:08:49,149 --> 00:08:51,179
YOU DON'T WANT YOUR FAMILY
TO FIND YOU
225
00:08:51,184 --> 00:08:52,854
WITH NO DIGNITY,
NOW, DO YOU?
226
00:08:52,853 --> 00:08:55,523
SO, AFTER ALL THIS,
YOU'RE GONNA HAVE THEM KILL ME?
227
00:08:58,692 --> 00:09:00,332
MAYBE I'LL DO IT MYSELF.
228
00:09:00,326 --> 00:09:03,066
WHAT DO I HAVE TO DO
TO END THIS NIGHTMARE?
229
00:09:04,104 --> 00:09:05,044
DIE.
230
00:09:05,038 --> 00:09:06,008
REALLY?
231
00:09:07,040 --> 00:09:08,680
THAT'LL STOP THE NIGHTMARE.
232
00:09:10,711 --> 00:09:13,411
YOU KNOW,
I USED TO HAVE NIGHTMARES,
233
00:09:13,413 --> 00:09:15,883
AND THEN
I STOPPED DREAMING.
234
00:09:15,882 --> 00:09:18,452
THEN, I MET YOU,
235
00:09:18,451 --> 00:09:20,351
AND THE NIGHTMARES STARTED
ALL OVER AGAIN.
236
00:09:20,353 --> 00:09:23,263
MY HEART BLEEDS
FOR YOU, CANDACE.
237
00:09:38,939 --> 00:09:43,609
IF YOU HIT ME WITH THAT,
YOU BETTER KILL ME.
238
00:09:43,610 --> 00:09:45,250
WHAT'S THE DIFFERENCE?
239
00:09:45,245 --> 00:09:49,275
ACCORDING TO YOU,
I'M DEAD ALREADY, ANYWAY.
240
00:09:50,316 --> 00:09:52,916
PUT IT DOWN.
241
00:09:52,919 --> 00:09:56,459
NOW.
242
00:09:56,456 --> 00:09:57,656
[ PIPE CLATTERS ]
243
00:09:57,658 --> 00:09:59,988
THAT'S A GOOD BOY.
244
00:09:59,993 --> 00:10:05,813
YOU SEE, JIM, YOU CAN TEACH
AN OLD DOG NEW TRICKS.
245
00:10:12,278 --> 00:10:13,378
[ CHUCKLES ]
IT'S HERE.
246
00:10:13,379 --> 00:10:15,249
[ BREATHES DEEPLY ]
IT'S HERE.
247
00:10:15,248 --> 00:10:16,848
CAN I GO NOW?
248
00:10:21,722 --> 00:10:23,792
YOU PROMISE
TO LEAVE ME ALONE?
249
00:10:23,790 --> 00:10:25,790
YES.
250
00:10:25,792 --> 00:10:27,632
YOU REALLY,
REALLY PROMISE?
251
00:10:27,628 --> 00:10:29,198
I REALLY,
REALLY PROMISE ‐‐
252
00:10:29,195 --> 00:10:30,725
CROSS MY HEART
AND HOPE TO DIE.
253
00:10:30,731 --> 00:10:33,431
OH, ME, TOO.
BUT, UH...
254
00:10:36,202 --> 00:10:38,642
YOU REMEMBER YOU ASKED ME
THESE VERY QUESTIONS?
255
00:10:38,639 --> 00:10:40,139
YES.
256
00:10:40,140 --> 00:10:41,740
DID YOU KNOW
THAT I WAS LYING?
257
00:10:41,742 --> 00:10:42,982
ACTUALLY, NO, CANDACE.
258
00:10:42,976 --> 00:10:45,276
I THOUGHT YOU WERE TELLING
THE TRUTH FOR A CHANGE.
259
00:10:48,048 --> 00:10:50,378
YOU DIDN'T THINK
I WOULD COME AFTER YOU?
260
00:10:50,383 --> 00:10:51,893
I MEAN,
I AM CANDACE YOUNG.
261
00:10:51,885 --> 00:10:53,385
[ SIGHS ]
262
00:10:53,386 --> 00:10:54,386
YOU SHOULD KNOW BETTER.
263
00:10:54,387 --> 00:10:56,417
YEAH, SO I'VE LEARNED.
264
00:10:56,422 --> 00:10:58,392
I DON'T BELIEVE
YOU'LL LEAVE ME ALONE.
265
00:10:58,391 --> 00:10:59,391
I WILL.
266
00:10:59,392 --> 00:11:01,272
NO, YOU WON'T.
YES, I WILL.
267
00:11:01,267 --> 00:11:02,337
I WON'T BOTHER YOU.
268
00:11:02,335 --> 00:11:05,735
[ SCOFFS ]
OKAY. SURE.
269
00:11:05,739 --> 00:11:07,639
SO, I CAN GO?
270
00:11:09,676 --> 00:11:10,736
MM.
271
00:11:10,744 --> 00:11:11,984
YES.
272
00:11:11,978 --> 00:11:13,808
YES, YOU CAN.
GOOD.
273
00:11:13,814 --> 00:11:16,884
WHAT DO YOU SAY?
274
00:11:16,883 --> 00:11:18,323
WHAT?
275
00:11:18,318 --> 00:11:21,718
WHAT DO YOU SAY?
276
00:11:25,926 --> 00:11:27,756
THANK YOU.
277
00:11:27,761 --> 00:11:30,261
YOU'RE WELCOME.
278
00:11:31,297 --> 00:11:32,527
OH.
279
00:11:34,768 --> 00:11:35,738
HERE YOU GO.
280
00:11:38,438 --> 00:11:40,608
WHAT IS THAT?
281
00:11:40,607 --> 00:11:42,037
YOU'VE NEVER
SEEN THAT BEFORE?
282
00:11:42,042 --> 00:11:43,782
NO. WHAT IS IT?
283
00:11:43,777 --> 00:11:47,107
RICH PEOPLE.
284
00:11:47,113 --> 00:11:48,583
IT'S A BUS PASS.
285
00:11:49,616 --> 00:11:52,446
CANDACE, I CAN'T GET
TO MY MEETINGS ON TIME
286
00:11:52,452 --> 00:11:53,692
ON THE DAMN BUS.
287
00:11:53,687 --> 00:11:55,017
WELL, THAT'S THE ONLY WAY
YOU'RE GONNA GET THERE ‐‐
288
00:11:55,021 --> 00:11:57,961
ON THE BUS.
289
00:11:57,958 --> 00:11:58,928
BYE.
290
00:12:00,694 --> 00:12:03,774
REMEMBER?
YOU GAVE ME A BUS TICKET?
291
00:12:03,770 --> 00:12:04,870
HM.
292
00:12:04,871 --> 00:12:06,711
YOU KNOW
THEY WON'T LET ME LEAVE.
293
00:12:07,741 --> 00:12:08,681
WAR.
294
00:12:08,675 --> 00:12:10,875
NO, NO.
DON'T ‐‐ DON'T CALL WAR.
295
00:12:10,877 --> 00:12:13,777
OH?
YOU'RE AFRAID OF HIM.
296
00:12:13,780 --> 00:12:15,720
THAT'S GOOD TO KNOW.
THAT'S GOOD INFORMATION.
297
00:12:20,854 --> 00:12:22,324
YO.
298
00:12:22,322 --> 00:12:23,262
I GOT IT.
299
00:12:23,256 --> 00:12:24,356
YOU GOT IT?
300
00:12:26,727 --> 00:12:28,997
ARE YOU SURE HE CAN GO?
301
00:12:28,995 --> 00:12:30,225
HE CAN GO.
302
00:12:31,998 --> 00:12:33,898
YOU HEARD THE LADY.
STEP.
303
00:12:33,900 --> 00:12:35,270
[ SIGHS ]
304
00:12:35,268 --> 00:12:36,098
BYE, JIM.
305
00:12:36,102 --> 00:12:38,142
HEY.
306
00:12:38,138 --> 00:12:40,538
WHERE DO, UH...
307
00:12:40,541 --> 00:12:41,411
WHAT?
308
00:12:41,407 --> 00:12:44,707
WHERE DO I FIND THE BUS?
309
00:12:44,711 --> 00:12:47,411
THERE'S A SIGN OUTSIDE.
IT SAYS "BUS STOP."
310
00:12:47,413 --> 00:12:52,053
YOU WAIT THERE,
AND ONE WILL COME.
311
00:12:52,052 --> 00:12:53,622
HOW LONG
BEFORE IT COMES?
312
00:12:53,620 --> 00:12:56,060
AS LONG AS IT TAKES.
313
00:12:56,857 --> 00:12:57,857
WHICH, UH ‐‐
314
00:12:57,858 --> 00:12:59,858
WHAT?!
315
00:12:59,860 --> 00:13:01,370
ARE YOU SURE
YOU DON'T WANT TO STAY?
316
00:13:01,367 --> 00:13:03,697
WHICH WAY DO I TAKE IT?
317
00:13:03,704 --> 00:13:05,744
DO YOU WANT
TO DO ANOTHER PHOTO SHOOT?
318
00:13:05,739 --> 00:13:08,069
WAR, DO YOU WANT TO GET IN
ON THIS ONE?
319
00:13:08,074 --> 00:13:10,384
HELL NO.
THAT AIN'T MY THING.
320
00:13:10,376 --> 00:13:12,246
BYE, JIM.
321
00:13:23,757 --> 00:13:25,787
[ DOOR OPENS ]
[ LAUGHS ]
322
00:13:25,792 --> 00:13:27,132
OH, YOU A BAD ONE,
CANDY.
323
00:13:27,127 --> 00:13:28,087
[ LAUGHS ]
324
00:13:29,563 --> 00:13:32,633
CANDY CANE.
SO, HOW MUCH YOU GET?
325
00:13:32,633 --> 00:13:34,233
400 G's.
326
00:13:34,234 --> 00:13:35,644
$400,000?
327
00:13:35,636 --> 00:13:37,266
THAT'S WHAT
I'M TALKING ABOUT.
328
00:13:37,270 --> 00:13:39,640
[ LAUGHS ]
CANDY CANE.
329
00:13:40,440 --> 00:13:41,780
YOU MY GIRL, THOUGH.
330
00:13:41,775 --> 00:13:43,405
I GOT
YOUR $100,000 COMING.
331
00:13:43,409 --> 00:13:45,409
THAT'S WHAT
I'M TALKING ABOUT.
332
00:13:45,411 --> 00:13:47,351
THANK YOU.
333
00:13:47,347 --> 00:13:49,947
♪♪ WHOA, NOW ♪♪
334
00:13:49,950 --> 00:13:54,450
[ Rapping ]
♪♪ COME TAKE A RIDE WITH ME ♪♪
335
00:13:54,454 --> 00:13:55,794
♪♪ WE IN THE HOOD ♪♪
336
00:13:55,789 --> 00:13:57,089
♪♪ THAT'S COPS
IN THE STREET BLOCK ♪♪
337
00:13:57,090 --> 00:13:58,320
♪♪ STREET BLOCK ♪♪
338
00:13:58,324 --> 00:14:01,844
♪♪ STASH IN THE SPOT
WHEN THE HEAT'S HOT ♪♪
339
00:14:01,835 --> 00:14:03,795
♪♪ I GOT TO GET MY MONEY RIGHT ♪♪
340
00:14:03,804 --> 00:14:07,244
♪♪ KEEP QUIET AND YOU'LL MAKE IT
THROUGH ANOTHER NIGHT ♪♪
341
00:14:07,240 --> 00:14:09,240
♪♪ THIS NOT A GAME,
THIS THE REAL HOOD ♪♪
342
00:14:09,242 --> 00:14:12,112
♪♪ WE WAS DOING BAD AT TIMES,
BUT WE STILL GOOD ♪♪
343
00:14:12,112 --> 00:14:15,182
♪♪ AND I FEEL GOOD,
EVEN THOUGH THE STREET SENT ME ♪♪
344
00:14:15,181 --> 00:14:16,481
♪♪ YOU KNOW
WHERE I'M COMING FROM ♪♪
345
00:14:16,482 --> 00:14:17,922
♪♪ BUT YOU DON'T AGREE WITH ME ♪♪
346
00:14:17,918 --> 00:14:20,988
♪♪ SO, QUICKLY, GET IT MOVING
ON YOUR HIGH HORSE ♪♪
347
00:14:20,987 --> 00:14:23,817
♪♪ SEE, I WAS BORN INTO IT
THIS WASN'T BY CHOICE ♪♪
348
00:14:23,824 --> 00:14:24,764
♪♪ AND THAT'S A FACT ♪♪
349
00:14:24,758 --> 00:14:26,658
♪♪ CAN'T ADAPT IN MY HABITAT ♪♪
350
00:14:26,660 --> 00:14:27,990
♪♪ WAY OUT YOUR ELEMENT ♪♪
351
00:14:27,994 --> 00:14:29,764
♪♪ CALL THIS THE AFTERMATH ♪♪
352
00:14:29,763 --> 00:14:31,003
♪♪ JUST TAKE A BREATH AND RELAX ♪♪
353
00:14:30,997 --> 00:14:33,027
♪♪ SMELL IT IN THE AIR ♪♪
354
00:14:33,033 --> 00:14:35,443
♪♪ ON MY BLOCK, THIS AIN'T
NOTHING LIKE TIMES SQUARE ♪♪
355
00:14:35,435 --> 00:14:38,195
♪♪ SEE, IN THE HOOD, WE GONNA
RIDE LIKE THE SWAT TEAM ♪♪
356
00:14:38,204 --> 00:14:42,214
♪♪ THE REALITY IS
LIKE A NIGHTMARE TO A DREAM ♪♪
357
00:14:42,208 --> 00:14:43,608
♪♪ THAT'S COPS
IN THE STREET BLOCK ♪♪
358
00:14:50,383 --> 00:14:51,383
[ CELLPHONE BEEPS ]
359
00:14:51,384 --> 00:14:53,454
[ INDISTINCT CONVERSATIONS ]
360
00:14:53,453 --> 00:14:54,493
Maggie: LANDON.
361
00:14:59,325 --> 00:15:00,625
MAGGIE ‐‐
362
00:15:00,627 --> 00:15:01,637
THIS IS INSANE.
I KNOW.
363
00:15:01,635 --> 00:15:02,735
I CAN'T BELIEVE THIS.
NEITHER CAN I.
364
00:15:02,736 --> 00:15:04,066
I HAVE NEVER BEEN
IN THIS POSITION BEFORE.
365
00:15:04,070 --> 00:15:05,740
WHAT DO YOU THINK
WE SHOULD DO?
366
00:15:05,739 --> 00:15:07,839
LET ME THINK.
367
00:15:07,841 --> 00:15:09,711
[ SIGHS ]
368
00:15:09,710 --> 00:15:11,510
[ SIGHS ]
369
00:15:11,512 --> 00:15:12,952
HOW ABOUT WE START
THE PRESS CONFERENCE?
370
00:15:14,014 --> 00:15:15,824
DID YOU NOT JUST HEAR ME?
HE'S NOT HERE YET.
371
00:15:15,816 --> 00:15:18,116
I UNDERSTAND THAT, BUT LET'S
GET HER OUT OF THE PRESS ROOM
372
00:15:18,118 --> 00:15:19,848
SO THAT ALL THE OTHER MEMBERS
OF THE PRESS
373
00:15:19,853 --> 00:15:21,523
DON'T UNDERSTAND
THAT HE'S NOT HERE YET.
374
00:15:21,522 --> 00:15:23,322
NO. NO.
375
00:15:23,323 --> 00:15:24,863
IT'LL AT LEAST BUY YOU
A MINUTE OR TWO,
376
00:15:24,858 --> 00:15:25,958
AND YOU AND I BOTH KNOW
377
00:15:25,959 --> 00:15:27,259
THAT A MINUTE IS
SOMETIMES ALL YOU HAVE
378
00:15:27,260 --> 00:15:28,330
IN THE SOCIAL‐MEDIA WORLD.
379
00:15:28,328 --> 00:15:29,828
GIVE THE SMALLER OUTLETS
THE HARRINGTONS
380
00:15:29,830 --> 00:15:31,200
WHILE WE'RE WAITING
FOR THE CRYERS.
381
00:15:31,197 --> 00:15:32,227
THE SMALLER OUTLETS?
382
00:15:32,232 --> 00:15:33,932
YOU KNOW THAT THEY CAN SPIN
A SMALL STORY
383
00:15:33,934 --> 00:15:35,104
INTO A BIG ONE
IN NO TIME.
384
00:15:35,101 --> 00:15:37,871
DON'T TRUST ME?
YOU KNOW I'M GOOD AT THIS.
385
00:15:37,871 --> 00:15:38,871
[ SIGHS ]
386
00:15:38,872 --> 00:15:40,242
MAGGIE, COME ON.
OKAY, OKAY, ALL RIGHT.
387
00:15:40,240 --> 00:15:41,780
JUST MAKE SURE YOU KEEP IT
ON THE CUFF, OKAY?
388
00:15:41,775 --> 00:15:42,835
OKAY.
389
00:15:42,843 --> 00:15:45,253
AND DO NOT LET BARRON ASK
ANY QUESTIONS.
390
00:15:45,245 --> 00:15:46,945
IF SHE PERSISTS,
YOU FIND A WAY TO SHUT HER DOWN.
391
00:15:46,947 --> 00:15:47,977
YOU UNDERSTAND ME?
392
00:15:47,981 --> 00:15:49,381
THE GAY RIGHTS THING ‐‐
I GOT IT.
393
00:15:49,382 --> 00:15:50,452
YEAH, AND THE RIGHT
TO BEAR ARMS.
394
00:15:50,450 --> 00:15:51,590
I GOT IT.
REALLY ANY HOT‐BUTTON ISSUES.
395
00:15:51,585 --> 00:15:52,515
I'M ALL OVER IT.
396
00:15:53,554 --> 00:15:55,594
OKAY.
[ CLEARS THROAT ]
397
00:16:03,937 --> 00:16:06,467
♪♪ TO A DREAM ♪♪
♪♪ WE IN THE HOOD ♪♪
398
00:16:06,472 --> 00:16:08,882
♪♪ THAT'S COPS
IN THE STREET BLOCK ♪♪
399
00:16:08,875 --> 00:16:12,645
♪♪ STASH IN THE SPOT
WHEN THE HEAT'S HOT ♪♪
400
00:16:12,646 --> 00:16:14,376
♪♪ I GOT TO GET MY MONEY RIGHT ♪♪
♪♪ GET MY MONEY RIGHT ♪♪
401
00:16:14,380 --> 00:16:17,220
♪♪ KEEP QUIET AND YOU'LL MAKE IT
THROUGH ANOTHER NIGHT ♪♪
402
00:16:17,217 --> 00:16:20,147
♪♪ YO, GROWING UP,
I AIN'T HAVE A LOT ♪♪
403
00:16:20,153 --> 00:16:23,093
♪♪ FLIPPING ON THE MATTRESS
IN THE EMPTY LOT ♪♪
404
00:16:23,089 --> 00:16:24,419
♪♪ NEVER AIM FOR THE STARS ♪♪
405
00:16:24,424 --> 00:16:25,894
♪♪ IT'S SHOOT OR GET SHOT ♪♪
[ GUNSHOT ]
406
00:16:25,892 --> 00:16:28,932
♪♪ I HAD HOLES IN MY TENNIS SHOES
AND MY SOCKS ♪♪
407
00:16:28,929 --> 00:16:31,769
♪♪ THAT YOU COULDN'T WALK IN THEM
IF THEY FIT PERFECT ♪♪
408
00:16:31,765 --> 00:16:34,025
♪♪ IF YOU GO WHERE I BEEN,
YOU PROBABLY GET NERVOUS ♪♪
409
00:16:34,034 --> 00:16:37,074
♪♪ WITNESS A MURDER,
TAKE A CHANCE, IT'S THE MAN, ♪♪
410
00:16:37,070 --> 00:16:38,340
♪♪ CATCH HIM OFF BALANCE ♪♪
411
00:16:38,338 --> 00:16:40,468
♪♪ WALKING 'ROUND,
PULLING UP MY PANTS ♪♪
412
00:16:40,473 --> 00:16:43,113
♪♪ I'M IN THE HOOD EVERY DAY
LIKE MECHANICS ♪♪
413
00:16:43,109 --> 00:16:45,979
♪♪ I BE GETTING RATCHET,
I KEEP A TWO‐HANDED ♪♪
414
00:16:45,979 --> 00:16:48,779
♪♪ GOT TO WALK LIGHT,
PARANOID SCHIZOPHRENIC ♪♪
415
00:16:48,782 --> 00:16:52,752
♪♪ IF YOU'RE NOT FROM
AROUND HERE, YOU MIGHT VANISH ♪♪
416
00:16:52,753 --> 00:16:54,823
♪♪ THAT'S COPS
IN THE STREET BLOCK ♪♪
417
00:16:54,821 --> 00:16:58,591
♪♪ STASH IN THE SPOT
WHEN THE HEAT'S HOT
418
00:16:58,592 --> 00:17:00,662
♪♪ I GOT TO GET MY MONEY RIGHT ♪♪
419
00:17:00,661 --> 00:17:05,241
♪♪ KEEP QUIET AND YOU'LL MAKE IT
THROUGH ANOTHER NIGHT ♪♪
420
00:17:05,238 --> 00:17:07,738
♪♪ WARLOCK ♪♪
421
00:17:07,741 --> 00:17:08,711
♪♪ YEAH, YEAH, YEAH ♪♪
♪♪ YO, YO ♪♪
422
00:17:08,709 --> 00:17:10,609
GOOD MORNING.
423
00:17:10,611 --> 00:17:13,151
♪♪ GO, GO, GO, GO, ♪♪
424
00:17:13,146 --> 00:17:17,016
♪♪ GO, GO, GO, GO, GO ♪♪
425
00:17:17,017 --> 00:17:18,817
♪♪ WE IN THE HOOD ♪♪
426
00:17:18,819 --> 00:17:23,059
♪♪ GO, GO, GO, GO, GO, GO ♪♪
427
00:17:23,056 --> 00:17:24,756
♪♪ WE IN THE HOOD ♪♪
428
00:17:24,758 --> 00:17:26,128
I DON'T HAVE
MY WATCH.
429
00:17:28,795 --> 00:17:29,995
♪♪ WE IN THE HOOD ♪♪
430
00:17:32,065 --> 00:17:35,265
[ MID‐TEMPO MUSIC PLAYS ]
431
00:17:48,314 --> 00:17:50,184
♪♪ WHAT IS LIFE ♪♪
432
00:17:50,183 --> 00:17:54,353
♪♪ WHEN IT'S FILLED WITH PAIN? ♪♪
433
00:17:54,354 --> 00:17:55,894
♪♪ WHAT IS HEARTACHE ♪♪
434
00:17:55,889 --> 00:18:00,059
♪♪ OVER AND OVER AGAIN? ♪♪
435
00:18:00,060 --> 00:18:02,970
♪♪ MANY FRACTURED HEARTS ♪♪
436
00:18:02,969 --> 00:18:05,409
♪♪ ALL THE BROKEN PARTS ♪♪
437
00:18:05,405 --> 00:18:07,605
♪♪ PATCHING UP THE SCARS ♪♪
438
00:18:07,608 --> 00:18:11,908
♪♪ IS WHERE IT STARTS ♪♪
439
00:18:11,912 --> 00:18:14,052
♪♪ I GOT TO GET HOME ♪♪
440
00:18:14,047 --> 00:18:18,117
♪♪ GOT TO FIND MY WAY ♪♪
441
00:18:18,118 --> 00:18:20,388
♪♪ I NEED TO GET BACK TO YOU ♪♪
442
00:18:20,386 --> 00:18:24,216
♪♪ WHERE I BELONG ♪♪
443
00:18:24,224 --> 00:18:26,034
♪♪ I GOT TO GET HOME, ♪♪
444
00:18:26,026 --> 00:18:29,926
♪♪ BE IT NIGHT OR DAY ♪♪
445
00:18:29,930 --> 00:18:33,930
♪♪ I NEED TO GET BACK TO YOU ♪♪
446
00:18:33,934 --> 00:18:35,504
WHERE IS HE?
I HAVE NO IDEA.
447
00:18:35,502 --> 00:18:37,802
THIS IS WHY YOU SHOULD BE
RUNNING FOR GOVERNOR
448
00:18:37,804 --> 00:18:39,174
INSTEAD OF YOUR BOY JIM.
449
00:18:39,172 --> 00:18:41,982
THEN, WE WOULDN'T HAVE TO WAIT
FOR ALL THESE PEOPLE
450
00:18:41,975 --> 00:18:43,875
THAT WE HAVE NOTHING TO
DO WITH.
451
00:18:43,877 --> 00:18:45,277
AND THEY SAY BLACK PEOPLE ARE
ALWAYS LATE.
452
00:18:45,278 --> 00:18:46,278
LOOK, VERONICA...
[ SIGHS ]
453
00:18:46,279 --> 00:18:47,279
NOW IS NOT THE TIME.
454
00:18:47,280 --> 00:18:49,020
[ DOOR OPENS ]
455
00:18:50,416 --> 00:18:51,416
VERONICA.
456
00:18:51,417 --> 00:18:53,317
MRS. HARRINGTON.
457
00:18:53,319 --> 00:18:54,789
MRS. HARRINGTON.
458
00:18:54,788 --> 00:18:56,788
THANK YOU.
MR. HARRINGTON.
459
00:18:56,790 --> 00:18:58,090
LANDON.
460
00:18:58,091 --> 00:18:59,731
WE NEED TO BUY SOME TIME WHILE
WE'RE WAITING FOR MR. CRYER,
461
00:18:59,726 --> 00:19:02,236
SO MAGGIE WOULD LIKE TO START
WITH A SMALL PRESS CONFERENCE
462
00:19:02,235 --> 00:19:04,565
WITH THE TWO OF YOU
AND SOME OF THE MEDIA OUTLETS,
463
00:19:04,571 --> 00:19:07,311
IF YOU DON'T MIND.
464
00:19:07,307 --> 00:19:08,507
NOT AT ALL.
465
00:19:08,509 --> 00:19:10,679
NONE OF THE QUESTIONS SHOULD BE
OUT OF THE ORDINARY.
466
00:19:10,677 --> 00:19:12,607
BUT IF ANYTHING MAKES YOU
UNCOMFORTABLE,
467
00:19:12,613 --> 00:19:14,083
WE SHOULD WORK OUT
A SIGNAL.
468
00:19:15,115 --> 00:19:16,945
A SIGNAL?
YES.
469
00:19:16,950 --> 00:19:18,250
THIS HAPPENS ALL THE TIME.
470
00:19:18,251 --> 00:19:20,591
FOR INSTANCE, I ONCE READ
THAT WHEN THE QUEEN OF ENGLAND
471
00:19:20,587 --> 00:19:23,917
IS TIRED OF TALKING TO SOMEONE,
RATHER THAN BEING RUDE,
472
00:19:23,924 --> 00:19:26,034
SHE SIMPLY SHIFTS
HER PURSE SLIGHTLY,
473
00:19:26,026 --> 00:19:28,026
AND HER TEAM MOVES
THE PERSON ALONG.
474
00:19:28,028 --> 00:19:30,998
YOU WOULD BE READING
ABOUT A QUEEN.
475
00:19:35,168 --> 00:19:36,368
SO, WE JUST NEED
A SIGNAL.
476
00:19:36,369 --> 00:19:37,839
OKAY.
477
00:19:37,838 --> 00:19:40,968
SO, MRS. HARRINGTON,
IF THERE ARE ANY QUESTIONS
478
00:19:40,974 --> 00:19:42,484
THAT YOU FEEL ARE DIFFICULT,
479
00:19:42,475 --> 00:19:45,945
THEN ALL YOU HAVE TO DO
IS MAYBE...
480
00:19:45,946 --> 00:19:47,306
NO, NO.
481
00:19:48,348 --> 00:19:50,118
...PUT YOUR HAIR
BEHIND YOUR EAR.
482
00:19:50,116 --> 00:19:51,276
DOES THAT WORK FOR YOU?
483
00:19:51,284 --> 00:19:52,824
I SUPPOSE SO.
484
00:19:52,819 --> 00:19:54,919
OKAY.
IT'LL BE FINE.
485
00:19:56,389 --> 00:19:57,959
AND WHAT ABOUT FOR ME?
486
00:19:57,958 --> 00:20:01,068
UH, MAYBE ADJUST
THE TOP BUTTON OF YOUR SUIT.
487
00:20:03,203 --> 00:20:04,513
OKAY.
488
00:20:04,505 --> 00:20:05,965
SO, IF THERE ARE
ANY QUESTIONS
489
00:20:05,972 --> 00:20:08,242
THAT MAKE YOU FEEL
UNCOMFORTABLE, JUST LET ME KNOW,
490
00:20:08,241 --> 00:20:10,341
AND I WILL BE RIGHT THERE
TO JUMP IN
491
00:20:10,343 --> 00:20:13,083
AND SHIFT
TO THE NEXT QUESTIONS.
492
00:20:14,114 --> 00:20:15,924
EXCELLENT.
THANK YOU, LANDON.
493
00:20:15,916 --> 00:20:17,446
SO, SHALL WE GO?
494
00:20:17,450 --> 00:20:19,250
CERTAINLY.
495
00:20:19,252 --> 00:20:21,692
RIGHT THIS WAY,
MRS. HARRINGTON.
496
00:20:21,688 --> 00:20:22,958
LOVE THOSE SHOES.
497
00:20:22,956 --> 00:20:24,956
YOU WOULD.
498
00:20:34,034 --> 00:20:36,874
♪♪ REMEMBER WORKING
ALL THE LONG DAYS ♪♪
499
00:20:36,870 --> 00:20:38,040
♪♪ ALWAYS LOOKING UP ♪♪
500
00:20:38,038 --> 00:20:39,408
♪♪ YOU GOT TO GET IT
OFF THE BLOCK ♪♪
501
00:20:39,405 --> 00:20:42,735
♪♪ DO IT UP, STEP IT,
LEARNING IT THE HARD WAY ♪♪
502
00:20:42,743 --> 00:20:43,913
♪♪ HARDLY GOT ENOUGH ♪♪
503
00:20:43,910 --> 00:20:46,080
♪♪ GOT TO SELL YOURSELF
JUST TO GET BY ♪♪
504
00:20:46,079 --> 00:20:47,509
♪♪ JUST TO LIVE A GOOD LIFE ♪♪
505
00:20:47,514 --> 00:20:48,584
YO, B, WHAT UP, MAN?
506
00:20:48,582 --> 00:20:49,582
MONEY MITCH.
507
00:20:49,583 --> 00:20:50,783
YEAH, I SEE
YOU'RE BACK AT IT, BABY.
508
00:20:50,784 --> 00:20:51,694
WHAT'S UP, BOY?
509
00:20:51,685 --> 00:20:53,115
DOG, IT'S CRAZY
OUT HERE.
510
00:20:53,119 --> 00:20:54,789
RIGHT? I'M RUNNING
TO A CALL RIGHT NOW.
511
00:20:54,788 --> 00:20:55,988
I SEE YOU, MAN.
YEAH, YEAH.
512
00:20:55,989 --> 00:20:57,459
SO, WHAT'S GOING ON
WITH YOU, MAN?
513
00:20:57,457 --> 00:20:58,957
HEY, YOU KNOW
BLUE BOTTOMED UP.
514
00:20:58,959 --> 00:21:00,229
WHAT ABOUT HIM?
515
00:21:00,226 --> 00:21:01,166
OH, YOU AIN'T HEARD, HUH?
516
00:21:01,167 --> 00:21:02,237
UNH‐UNH.
517
00:21:02,235 --> 00:21:04,335
[SIGHS] MAN, OLD BOY
GOT POPPED BY THE FEDS.
518
00:21:04,337 --> 00:21:06,707
[ SIGHS ]
WHAT?
519
00:21:06,707 --> 00:21:08,237
YEAH, MAN.
520
00:21:08,241 --> 00:21:09,141
MAN, WHAT HAPPENED?
521
00:21:09,142 --> 00:21:10,442
I DON'T EVEN KNOW.
522
00:21:10,443 --> 00:21:12,583
HE WAS DOING SOME ILLEGAL STUFF
WITH SOME FOLKS, YOU KNOW?
523
00:21:12,579 --> 00:21:14,549
RACKETEERING OR SOMETHING.
524
00:21:14,548 --> 00:21:16,348
SO, YOU KNOW, THEY SWOOPED IN
AND TOOK ALL HIS TRUCKS.
525
00:21:16,349 --> 00:21:18,249
THAT'S WHAT HAPPENS, MAN.
I TRIED TO TELL YOU THAT
BOY WAS ROLLING DIRTY.
526
00:21:18,251 --> 00:21:19,421
I KNOW.
527
00:21:19,419 --> 00:21:21,219
SO, NOW THE INDEPENDENTS ARE
OUT HERE ROLLING.
528
00:21:21,221 --> 00:21:22,221
YOU KNOW WHAT, DOG?
529
00:21:22,222 --> 00:21:23,692
I DON'T WISH FED TIME
ON NOBODY,
530
00:21:23,690 --> 00:21:26,030
BUT, MAN, THAT'S GREAT FOR US,
'CAUSE WE NEED THE MONEY, TOO.
531
00:21:26,026 --> 00:21:26,986
RIGHT.
YOU FEEL ME?
532
00:21:26,993 --> 00:21:28,263
RIGHT, RIGHT.
533
00:21:28,261 --> 00:21:30,331
AND NOW THEY'RE GONNA PUT
ALL HIS STUFF UP FOR AUCTION.
534
00:21:30,964 --> 00:21:32,074
WHAT STUFF?
535
00:21:32,065 --> 00:21:34,065
MAN, HIS TRUCKS,
HIS BUILDING, EVERYTHING.
536
00:21:35,101 --> 00:21:37,041
WHAT?
YEAH.
537
00:21:37,037 --> 00:21:38,037
BY WHO?
538
00:21:38,038 --> 00:21:39,368
FEDS, MAN.
539
00:21:39,372 --> 00:21:42,012
THE FEDS GONNA PUT IT UP.
WHAT?
540
00:21:42,008 --> 00:21:45,248
LET ME TELL YOU THIS, MAN ‐‐
ME AND A COUPLE OF GUYS
541
00:21:45,245 --> 00:21:48,445
TRYING TO PUT TOGETHER
SOME FUNDS, PUT A BID ON IT.
542
00:21:48,448 --> 00:21:49,578
I THINK YOU SHOULD JUMP IN
WITH US, B.
543
00:21:49,583 --> 00:21:52,793
YEAH?
YEAH.
544
00:21:52,786 --> 00:21:53,786
HOW MANY YOU GOT?
545
00:21:53,787 --> 00:21:55,617
FOUR OF US.
546
00:21:55,622 --> 00:21:56,622
WHO?
547
00:21:56,623 --> 00:21:58,323
IT WOULD BE ME,
YOU, WILL, AND STAN.
548
00:21:58,324 --> 00:21:59,364
COME ON, MAN.
WILL?
549
00:21:59,359 --> 00:22:00,589
OH, YEAH, MAN.
YEAH.
550
00:22:00,594 --> 00:22:02,774
MITCH, MAN, YOU KNOW
THAT BOY IS SLINGING.
551
00:22:02,769 --> 00:22:04,269
NO, MAN,
HE TRYING TO GET OUT.
552
00:22:04,270 --> 00:22:07,640
NO, MAN.
553
00:22:07,641 --> 00:22:08,541
NO, BRO.
554
00:22:08,542 --> 00:22:09,982
COME ON, MAN.
555
00:22:09,976 --> 00:22:10,976
I CAN'T, MAN.
556
00:22:10,977 --> 00:22:12,607
I GOT ‐‐ DOG,
I GOT TO STAY LEGIT.
557
00:22:12,613 --> 00:22:14,453
I CAN'T EVEN GET DOWN
LIKE THAT, MITCH.
558
00:22:14,447 --> 00:22:15,917
I'M ‐‐
NO, MAN, LOOK ‐‐ I SEE.
559
00:22:15,916 --> 00:22:17,116
I GET IT, BRO.
560
00:22:17,117 --> 00:22:18,747
BUT HE'S TRYING TO GO CLEAN,
YOU KNOW?
561
00:22:22,422 --> 00:22:24,022
[ SIGHS ]
562
00:22:24,024 --> 00:22:24,934
LET ME ASK YOU SOMETHING.
563
00:22:24,925 --> 00:22:26,755
WHAT'S UP?
564
00:22:26,760 --> 00:22:27,930
HOW MUCH MONEY
YOU TALKING ABOUT?
565
00:22:27,928 --> 00:22:31,398
THEY'RE TALKING ABOUT IT GOING
FOR ABOUT 500K.
566
00:22:31,397 --> 00:22:34,567
WE FIGURE WE'RE TRYING TO PUT IN
ABOUT $125,000.
567
00:22:34,568 --> 00:22:36,368
$125,000 APIECE?
COME ON, DOG.
568
00:22:36,369 --> 00:22:37,999
YOU KNOW I AIN'T GOT IT
LIKE THAT.
569
00:22:38,004 --> 00:22:40,714
MAN, I KNOW, BUT LISTEN.
570
00:22:40,707 --> 00:22:42,707
IF YOU CAN, YOU NEED TO TRY
TO MAKE THIS WORK.
571
00:22:42,709 --> 00:22:45,849
YOU KNOW THEY GOT 12 TRUCKS
OVER THERE AND A BUILDING.
572
00:22:45,846 --> 00:22:47,906
I MEAN, IT'S WORTH $2 MILLION
OR $3 MILLION, MAN.
573
00:22:47,914 --> 00:22:49,284
DAMN, WHAT?!
RIGHT.
574
00:22:49,282 --> 00:22:51,282
AS LONG AS ONE OF THE BIG BOYS
DON'T COME IN HERE
575
00:22:51,284 --> 00:22:54,864
AND OUT‐BID US, WHOO,
WE GOT A SERIOUS SHOT AT THAT.
576
00:22:54,855 --> 00:22:56,585
LET ME, UH ‐‐ LET ME ‐‐
LET ME THINK ABOUT IT.
577
00:22:56,590 --> 00:22:58,460
LET ME THINK ABOUT IT, MAN.
LET ME THINK ABOUT IT.
578
00:22:58,458 --> 00:22:59,688
YOU DO THAT. YOU DO THAT.
I GOT TO ROLL.
579
00:22:59,693 --> 00:23:01,333
I'LL HOLLER AT YOU, MAN.
OKAY, YOU BE GOOD.
580
00:23:01,334 --> 00:23:02,474
ALL RIGHT, MAN.
LOOK, LOOK, LOOK.
581
00:23:02,468 --> 00:23:03,398
[ CELLPHONE RINGS ]
582
00:23:03,403 --> 00:23:04,573
I GOT A CALL COMING IN
RIGHT NOW.
583
00:23:04,571 --> 00:23:06,171
SHOOT, MAN, I GOT ONE
ABOUT TO HOP INTO RIGHT NOW.
584
00:23:06,172 --> 00:23:07,212
IT'S BUSY, MAN.
[ LAUGHS ]
585
00:23:07,207 --> 00:23:07,907
LET'S MAKE
THIS MONEY, HUH?
586
00:23:07,908 --> 00:23:08,778
YOU FEEL ME.
587
00:23:08,775 --> 00:23:10,135
ALL RIGHT, KID,
YOU BE GOOD.
588
00:23:10,143 --> 00:23:10,943
CATCH YOU LATER.
589
00:23:10,944 --> 00:23:12,884
♪♪ GOOD LIFE ♪♪
590
00:23:12,879 --> 00:23:15,019
♪♪ WORKING ALL THE LONG DAYS ♪♪
591
00:23:15,015 --> 00:23:16,175
♪♪ ALWAYS LOOKING UP ♪♪
592
00:23:16,182 --> 00:23:17,552
♪♪ YOU GOT TO GET IT
OFF THE BLOCK ♪♪
593
00:23:17,551 --> 00:23:21,051
♪♪ DO IT UP, STEP IT,
LEARNING IT THE HARD WAY ♪♪
594
00:23:28,094 --> 00:23:30,734
JEFFERY,
I'VE BEEN CALLING YOU.
595
00:23:30,731 --> 00:23:34,131
I CALLED YOU FOUR TIMES, AND
YOU'RE NOT ANSWERING YOUR PHONE.
596
00:23:34,134 --> 00:23:35,674
WHERE ARE YOU?
[ SIGHS ]
597
00:23:35,669 --> 00:23:39,739
SO, I'M THINKING
ABOUT, UM, GOING OUT TONIGHT,
598
00:23:39,740 --> 00:23:43,210
CELEBRATING,
GETTING IT IN A LITTLE BIT.
599
00:23:43,209 --> 00:23:45,449
CALL ME BACK.
600
00:23:45,445 --> 00:23:47,805
[ KNOCK ON DOOR ]
601
00:23:58,391 --> 00:23:59,661
WHY YOU DIDN'T ASK
WHO IT WAS?
602
00:23:59,660 --> 00:24:02,070
PEEPHOLE, B.
603
00:24:02,068 --> 00:24:03,538
I'M MAD AT YOU.
604
00:24:03,537 --> 00:24:04,537
WHY?
605
00:24:04,538 --> 00:24:07,868
TWO REASONS.
606
00:24:07,874 --> 00:24:08,884
AND WHY IS THAT?
607
00:24:08,875 --> 00:24:11,035
"A," I ASKED YOU NOT
TO LEAVE THE HOUSE.
608
00:24:11,044 --> 00:24:13,284
SPECIFICALLY ASKED YOU NOT
TO LEAVE THE HOUSE.
609
00:24:15,048 --> 00:24:17,448
I'M FINE.
610
00:24:17,450 --> 00:24:21,420
AND "B," THIS DUDE TRIED
TO KISS MY FACE.
611
00:24:21,421 --> 00:24:22,791
I KNOW.
612
00:24:22,789 --> 00:24:23,859
COME ON, MAN, LOOK.
613
00:24:23,857 --> 00:24:26,227
I‐I KNOCK ON THE DOOR,
DUDE OPENS IT UP,
614
00:24:26,226 --> 00:24:27,286
DIVES AT MY FACE.
615
00:24:27,293 --> 00:24:29,433
YOU KNOW ME.
I ALMOST KNOCKED HIS ASS OUT.
616
00:24:29,429 --> 00:24:30,959
I'M SORRY.
617
00:24:30,964 --> 00:24:32,134
WHAT THE HELL?
618
00:24:32,132 --> 00:24:33,732
IT'S MY FAULT.
619
00:24:33,734 --> 00:24:34,944
HOW'S IT YOUR FAULT?
620
00:24:34,935 --> 00:24:37,835
BECAUSE I TOLD HIM
I WAS SENDING A GUY THERE
621
00:24:37,838 --> 00:24:39,238
AND THAT HE SHOULD
JUST GO FOR IT
622
00:24:39,239 --> 00:24:41,309
AND NOT ASK ANY QUESTIONS.
623
00:24:41,307 --> 00:24:43,437
YOU KNOW WHAT?
THAT ‐‐ THAT'S ‐‐ THAT'S ENOUGH.
624
00:24:43,443 --> 00:24:44,783
THAT'S WAY T.M.I.
625
00:24:44,778 --> 00:24:47,108
YOU DIDN'T HURT HIM,
DID YOU?
626
00:24:47,113 --> 00:24:48,623
JUST HIS FEELINGS ‐‐
627
00:24:48,615 --> 00:24:49,675
KIND OF
LIKE YOU HURT MINE
628
00:24:49,683 --> 00:24:51,153
WHEN I ASKED YOU NOT
TO LEAVE THE CRIB.
629
00:24:51,151 --> 00:24:53,121
AND YOU STILL LEFT
MAMA'S HOUSE.
630
00:24:53,119 --> 00:24:55,089
I'M FINE.
631
00:24:55,088 --> 00:24:56,518
I ALWAYS LAND
ON MY FEET, RIGHT?
632
00:24:56,523 --> 00:24:57,793
I'M GOOD.
633
00:24:57,791 --> 00:25:01,171
CANDACE, YOU KNOW THIS DUDE
IS OUT HERE LOOKING FOR YOU.
634
00:25:01,167 --> 00:25:03,597
WELL, HE SURELY WON'T BE
LOOKING FOR ME HERE.
635
00:25:03,604 --> 00:25:06,144
[ CHUCKLES ]
636
00:25:06,139 --> 00:25:07,909
AND WHO'S PAYING
FOR ALL THIS?
637
00:25:08,942 --> 00:25:10,242
I AM.
638
00:25:11,945 --> 00:25:13,505
BENNY, I'VE COME UP.
639
00:25:13,514 --> 00:25:14,954
CANDACE.
640
00:25:14,948 --> 00:25:15,948
NO.
641
00:25:15,949 --> 00:25:16,949
HEAR ME OUT.
642
00:25:16,950 --> 00:25:18,720
NO, I'M NOT GONNA
HEAR YOU OUT.
643
00:25:18,719 --> 00:25:20,549
YOU GONNA GET YOUR STUFF.
WE GONNA LEAVE.
644
00:25:20,554 --> 00:25:23,164
LET'S GO.
645
00:25:29,229 --> 00:25:30,629
WHAT THE HELL IS
ALL THIS?
646
00:25:31,665 --> 00:25:32,795
CLOTHES.
647
00:25:32,799 --> 00:25:34,639
WHAT THE HELL
DID YOU DO NOW?
648
00:25:34,635 --> 00:25:35,735
I DID IT.
649
00:25:35,736 --> 00:25:37,496
DAMN IT, CANDACE.
650
00:25:37,504 --> 00:25:39,044
WHAT IS ‐‐
IS THIS ANOTHER CON?
651
00:25:39,039 --> 00:25:40,569
HM?
652
00:25:40,574 --> 00:25:42,514
THIS IS WHAT I HATE MOST
ABOUT DEFENDING YOU,
653
00:25:42,509 --> 00:25:45,249
IS MAMA IS ALWAYS RIGHT
ABOUT YOU.
654
00:25:45,245 --> 00:25:47,805
HM? WHAT ‐‐
WHAT DID YOU DO NOW?
655
00:25:47,814 --> 00:25:49,824
BECAUSE, YESTERDAY,
YOU DIDN'T HAVE A DIME.
656
00:25:49,816 --> 00:25:52,486
AND NOW YOU
IN THIS FANCY‐ASS HOTEL,
657
00:25:52,485 --> 00:25:53,685
RIGHT,
WITH ALL THESE CLOTHES.
658
00:25:53,687 --> 00:25:55,117
YOU GOT ALL
THESE NEW CLOTHES, RIGHT?
659
00:25:55,121 --> 00:25:56,291
WELL,
LET'S CHECK THIS OUT.
660
00:25:58,324 --> 00:25:59,334
[ SCOFFS ]
661
00:25:59,325 --> 00:26:02,365
YOU GOT $20,000 FOR A DRESS.
662
00:26:02,368 --> 00:26:03,398
[ SCOFFS ]
663
00:26:03,403 --> 00:26:08,113
WE GOT $6,000
FOR A BAG TO PUT MAKEUP IN.
664
00:26:08,108 --> 00:26:11,078
W‐WE GOT $3,000 FOR HEELS.
WHAT THE HELL, CANDACE?
665
00:26:12,212 --> 00:26:14,552
I'M RICH.
[ CHUCKLES ]
666
00:26:14,548 --> 00:26:18,078
WE NEVER HAVE TO WORRY
ABOUT MONEY EVER AGAIN.
667
00:26:27,594 --> 00:26:30,634
HEY, THERE YOU ARE.
I WAS BEGINNING TO WORRY.
668
00:26:30,631 --> 00:26:32,931
I'M ABOUT TO GO OUT
FOR A PRESS CONFERENCE,
669
00:26:32,933 --> 00:26:34,403
SO YOU ARE
JUST IN TIME.
670
00:26:34,400 --> 00:26:35,870
GOOD TO SEE YOU,
SON.
671
00:26:35,869 --> 00:26:37,569
DAD.
672
00:26:37,571 --> 00:26:41,471
DAVID,
YOU REMEMBER MELISSA.
673
00:26:41,474 --> 00:26:43,214
HELLO.
674
00:26:43,209 --> 00:26:45,379
HI.
675
00:26:48,649 --> 00:26:50,249
LANDON.
676
00:26:50,250 --> 00:26:52,050
YOU'LL BE STANDING
WITH JEFFERY ON THE STAGE?
677
00:26:52,052 --> 00:26:55,162
NO, MELISSA WILL BE STANDING
WITH JEFFERY.
678
00:26:55,155 --> 00:26:59,255
AND HOW CLOSE WILL YOU BE
STANDING TO JEFFERY, LANDON?
679
00:26:59,259 --> 00:27:00,369
DAVID.
680
00:27:02,235 --> 00:27:03,895
I'M SORRY?
681
00:27:05,572 --> 00:27:08,012
DAD, DON'T.
JUST DON'T.
682
00:27:08,008 --> 00:27:10,278
SON, IT'S ALL RIGHT.
683
00:27:13,079 --> 00:27:14,519
DAVID.
684
00:27:14,515 --> 00:27:16,615
DO YOU WANT ME TO ACT AN ASS
IN FRONT OF ALL THESE CAMERAS,
685
00:27:16,617 --> 00:27:17,877
BECAUSE YOU KNOW I WILL.
686
00:27:20,053 --> 00:27:21,153
I DARE YOU.
687
00:27:22,656 --> 00:27:24,186
[ CHUCKLES ]
688
00:27:24,190 --> 00:27:25,830
TRY ME.
689
00:27:27,293 --> 00:27:29,563
DAD.
IT'S ‐‐ IT'S FINE.
690
00:27:29,563 --> 00:27:31,603
I'LL JUST STAND
NEXT TO MELISSA.
691
00:27:34,701 --> 00:27:36,101
SHE'S A GREAT GIRL.
692
00:27:36,102 --> 00:27:38,272
IS EVERYTHING OKAY?
693
00:27:38,271 --> 00:27:40,211
YES.
694
00:27:40,206 --> 00:27:42,436
EVERYTHING IS FINE.
695
00:27:44,210 --> 00:27:48,050
MR. HARRINGTON, JEFFERY SHOULD
STAND WITH HIS DATE.
696
00:27:48,048 --> 00:27:49,818
I THINK THAT
THAT'S MORE APPROPRIATE.
697
00:27:49,816 --> 00:27:54,016
MM, THE YOUNG HOMOSEXUAL
IS SMART.
698
00:27:59,225 --> 00:28:01,495
WE'RE GONNA START
WITH THE PRESS CONFERENCE
699
00:28:01,501 --> 00:28:04,371
TO...BUY SOME TIME
700
00:28:04,370 --> 00:28:07,870
FOR MR. CRYER TO GET HERE,
JEFFERY.
701
00:28:10,677 --> 00:28:14,107
SO, WE'D LIKE TO START
WITH YOU NOW, IF THAT'S OKAY.
702
00:28:15,849 --> 00:28:17,019
FINE.
703
00:28:17,017 --> 00:28:19,217
AS I SAID,
GIVE ME THE SIGNAL
704
00:28:19,219 --> 00:28:22,489
IF ANY QUESTIONS ARE
OUT OF LINE.
705
00:28:22,488 --> 00:28:24,658
YOU WITH THE HAIR
BEHIND YOUR EAR,
706
00:28:24,658 --> 00:28:29,658
AND YOU BY ADJUSTING
THE TOP BUTTON ON YOUR SUIT.
707
00:28:29,663 --> 00:28:31,703
AND I'LL BE RIGHT THERE
TO JUMP IN.
708
00:28:31,698 --> 00:28:33,498
WHAT ABOUT JEFFERY?
709
00:28:33,499 --> 00:28:35,199
WHAT ABOUT HIM?
710
00:28:35,201 --> 00:28:36,571
WELL,
WON'T HE NEED A SIGN?
711
00:28:36,570 --> 00:28:39,440
NO, WE WON'T ALLOW HIM
TO TAKE ANY QUESTIONS.
712
00:28:39,439 --> 00:28:41,369
I THINK
THAT'S FOR THE BEST.
713
00:28:43,076 --> 00:28:45,406
OKAY.
ARE WE READY TO STEP UP?
714
00:28:46,947 --> 00:28:48,477
I BELIEVE WE ARE.
715
00:28:49,750 --> 00:28:52,720
OKAY. JEFFERY, PLEASE, COME.
BRING YOUR DATE.
716
00:28:52,719 --> 00:28:55,359
WHERE'S MAGGIE?
717
00:28:55,355 --> 00:28:56,515
ISN'T THIS HER JOB?
718
00:28:56,523 --> 00:28:58,693
Landon: SHE'S DEALING
WITH MR. CRYER RIGHT NOW.
719
00:29:01,467 --> 00:29:04,737
SHALL I HELP YOU
ONTO THE STAGE?
720
00:29:04,738 --> 00:29:06,208
OH, DARLING.
721
00:29:06,206 --> 00:29:10,006
I AM SURE MY WRIST
IS STRONGER THAN YOURS.
722
00:29:12,445 --> 00:29:13,805
WELL, NO NEED TO WORRY.
723
00:29:13,814 --> 00:29:16,554
EVERYTHING WILL BE JUST FINE,
MRS. HARRINGTON.
724
00:29:16,550 --> 00:29:18,050
I'M NOT.
725
00:29:19,586 --> 00:29:22,486
WHERE ARE YOU, JIM?
726
00:29:22,488 --> 00:29:24,958
PROBABLY SOMEWHERE
WITH CANDACE.
727
00:29:24,958 --> 00:29:27,388
OH.
YOU'RE MIKED.
728
00:29:36,903 --> 00:29:41,213
[ INDISTINCT CONVERSATIONS ]
729
00:29:41,207 --> 00:29:45,347
LADIES AND GENTLEMEN,
PLEASE TAKE YOUR SEATS.
730
00:29:45,345 --> 00:29:47,145
WE WILL NOW BEGIN
OUR PRESS CONFERENCE.
731
00:29:47,147 --> 00:29:49,447
WE WILL START WITH
THE FUTURE LIEUTENANT GOVERNOR
732
00:29:49,449 --> 00:29:51,449
AND HIS WIFE AND FAMILY.
733
00:29:51,451 --> 00:29:55,421
HERE IS MR. DAVID HARRINGTON
AND HIS WIFE, VERONICA.
734
00:29:55,421 --> 00:29:57,761
AND THEIR SON JEFFERY
AND HIS ‐‐
735
00:29:57,758 --> 00:29:59,828
[ COUGHS ]
EXCUSE ME.
736
00:29:59,826 --> 00:30:01,696
...GIRLFRIEND, MELISSA.
737
00:30:01,702 --> 00:30:02,702
[ CAMERA SHUTTER SNAPS ]
738
00:30:02,703 --> 00:30:03,943
WE WILL NOW
BE TAKING QUESTIONS.
739
00:30:07,808 --> 00:30:10,508
HOW DID YOU COME
TO YOUR DECISION TO RUN?
740
00:30:10,511 --> 00:30:13,651
WELL, LOOKING
AT THE STATE OF OUR STATE,
741
00:30:13,647 --> 00:30:14,817
NO PUN INTENDED,
742
00:30:14,815 --> 00:30:18,615
JIM AND I AGREED
THAT SOMETHING HAD TO BE DONE.
743
00:30:18,619 --> 00:30:21,519
NOW, JIM HAS RUN
SEVERAL SUCCESSFUL BUSINESSES,
744
00:30:21,522 --> 00:30:23,062
AS HAVE I.
745
00:30:23,056 --> 00:30:25,056
WE'VE HAD MANY YEARS
OF EXCEPTIONAL SERVICE
746
00:30:25,058 --> 00:30:26,388
ON THE BENCH.
747
00:30:26,392 --> 00:30:28,832
SO WE ARE FAMILIAR
WITH THE SOCIAL, POLITICAL,
748
00:30:28,829 --> 00:30:31,399
AND ECONOMIC CONDITIONS
OF THE STATE.
749
00:30:31,397 --> 00:30:33,127
WE HAVE THE LEGAL EXPERTISE
750
00:30:33,133 --> 00:30:35,443
TO PROMOTE
EFFECTIVE LEGISLATION.
751
00:30:35,435 --> 00:30:38,665
SO WE'RE QUITE CONFIDENT
THAT WHAT WE HAVE TO OFFER
752
00:30:38,672 --> 00:30:41,612
WILL BENEFIT THE CITIZENS
OF THE GREAT STATE OF GEORGIA.
753
00:30:41,608 --> 00:30:44,808
ARE YOU WORRYING ABOUT
THE CURRENT GOVERNOR'S REACH?
754
00:30:44,811 --> 00:30:46,081
HE IS VERY POPULAR.
755
00:30:46,079 --> 00:30:49,119
I BELIEVE IT'S
ONLY A MATTER OF TIME
756
00:30:49,115 --> 00:30:52,715
BEFORE THE VOTERS BECOME
FAMILIAR WITH JIM AND ME,
757
00:30:52,719 --> 00:30:55,419
AND WE WILL GAIN
ON THAT POPULARITY.
758
00:30:56,657 --> 00:30:57,987
YES, YOU. GALE.
759
00:30:57,991 --> 00:31:00,871
WHY NOW, MR. HARRINGTON?
WHY THE GOVERNOR'S MANSION?
760
00:31:00,867 --> 00:31:03,067
WELL, AS I SAID,
IT'S TIMELY,
761
00:31:03,069 --> 00:31:06,069
WHAT JIM AND I HAVE TO OFFER
FOR THE STATE.
762
00:31:06,072 --> 00:31:08,412
NOW, WE CAN ADDRESS
SOME OF THE CHALLENGES
763
00:31:08,408 --> 00:31:10,438
THAT THE PRESENT GOVERNOR
IS FACING
764
00:31:10,443 --> 00:31:13,613
WITH THE STATE BUDGET
AND THE SCHOOL SYSTEM
765
00:31:13,614 --> 00:31:15,484
BY IMPLEMENTING
SOME OF THE PROGRAMS
766
00:31:15,481 --> 00:31:19,351
THAT WE HAVE HELPED PROMOTE
RIGHT HERE LOCALLY IN SAVANNAH
767
00:31:19,352 --> 00:31:21,122
AND HAVE BEEN
QUITE SUCCESSFUL.
768
00:31:21,121 --> 00:31:23,561
IN FACT, I'M CONFIDENT
THAT THOSE SAME PROGRAMS
769
00:31:23,557 --> 00:31:25,687
COULD BE IMPLEMENTED
NATIONALLY.
770
00:31:25,692 --> 00:31:27,662
NEXT QUESTION.
771
00:31:27,661 --> 00:31:30,401
SO, DOES THAT MEAN THAT YOU WILL
BE RUNNING FOR PRESIDENT?
772
00:31:30,396 --> 00:31:32,196
WELL, ONE NEVER KNOWS.
773
00:31:32,198 --> 00:31:34,168
BUT TODAY,
WE ARE STARTING OUR RUN
774
00:31:34,167 --> 00:31:35,297
FOR THE GOVERNOR'S MANSION.
775
00:31:35,301 --> 00:31:36,571
Barron:
I HAVE A QUESTION.
776
00:31:36,570 --> 00:31:37,600
YES, YOU, BARRON.
777
00:31:37,604 --> 00:31:41,614
MY QUESTION IS
FOR MRS. HARRINGTON.
778
00:31:42,643 --> 00:31:44,343
SWEETHEART.
779
00:31:44,344 --> 00:31:47,984
WHAT DO YOU THINK
ABOUT THE FIGHT FOR GAY RIGHTS?
780
00:31:47,981 --> 00:31:51,321
UH, MY WIFE'S VIEWS ARE
THE SAME AS MINE.
781
00:31:51,317 --> 00:31:52,917
I'M ‐‐ I'M SORRY.
782
00:31:52,919 --> 00:31:55,159
I‐I DON'T HAVE
A RECORD OF YOUR VIEWS
783
00:31:55,155 --> 00:31:58,725
OTHER THAN WHAT IS ON RECORD
OF YOU OPPOSING GAY RIGHTS
784
00:31:58,725 --> 00:32:00,725
WHEN YOU WERE LOOKING
TO RUN IN THE SENATE
785
00:32:00,734 --> 00:32:02,144
SEVERAL YEARS AGO.
786
00:32:02,135 --> 00:32:04,465
ACTUALLY,
THAT IS NOT CORRECT.
787
00:32:04,470 --> 00:32:06,740
I STOOD
FOR FAMILY VALUES.
788
00:32:06,740 --> 00:32:10,010
I HAVE NEVER OPPOSED
THE RIGHTS OF ANY CITIZEN.
789
00:32:10,010 --> 00:32:11,510
YES.
790
00:32:11,512 --> 00:32:13,812
MRS. HARRINGTON,
WHAT IS YOUR VIEW
791
00:32:13,814 --> 00:32:15,454
ON THE FIGHT
FOR GAY RIGHTS?
792
00:32:15,448 --> 00:32:17,518
ARE YOU FOR GAY RIGHTS?
793
00:32:17,518 --> 00:32:21,618
I THINK THAT WE SHOULD
ALL BE TREATED EQUALLY, YES.
794
00:32:21,622 --> 00:32:24,932
SO, YOU SUPPORT GAY MARRIAGE
795
00:32:24,925 --> 00:32:27,355
AND THE EQUALITY
OF ALL GAY PEOPLE?
796
00:32:27,360 --> 00:32:29,760
THAT MEANS
THAT THIS IS AMERICA,
797
00:32:29,763 --> 00:32:32,733
AND WE SHOULD
ALL BE TREATED EQUALLY.
798
00:32:32,733 --> 00:32:35,203
BUT THAT'S NOT REALLY ANSWERING
THE QUESTION.
799
00:32:35,201 --> 00:32:37,301
WELL, YES,
I BELIEVE SHE HAS.
800
00:32:37,303 --> 00:32:39,243
SIR, I'M ASKING
YOUR WIFE.
801
00:32:39,239 --> 00:32:41,009
YOU DON'T WANT
PEOPLE TO THINK
802
00:32:41,007 --> 00:32:43,337
THAT SHE CAN'T THINK
FOR HERSELF, DO YOU?
803
00:32:48,048 --> 00:32:50,978
OH, I CAN ABSOLUTELY THINK
FOR MYSELF, YOUNG MAN.
804
00:32:50,984 --> 00:32:52,554
I AM A WOMAN.
805
00:32:54,988 --> 00:32:56,458
OH.
806
00:32:56,456 --> 00:32:58,386
UM...I'M SORRY.
[ CHUCKLES ]
807
00:32:58,391 --> 00:33:00,961
YOU'RE WHAT?
808
00:33:00,961 --> 00:33:05,411
LET'S JUST SAY, FOR INSTANCE,
YOUR HANDSOME SON,
809
00:33:05,405 --> 00:33:07,605
WHO IS OBVIOUSLY NOT GAY,
810
00:33:07,608 --> 00:33:10,808
STANDING THERE
WITH HIS BEAUTIFUL GIRLFRIEND ‐‐
811
00:33:10,811 --> 00:33:13,581
BUT WHAT IF HE WERE GAY
812
00:33:13,580 --> 00:33:15,820
AND HE HAD A PARTNER,
813
00:33:15,816 --> 00:33:19,216
AND HIS PARTNER WAS ILL,
814
00:33:19,219 --> 00:33:22,919
AND HE WAS NOT ALLOWED
TO VISIT HIM IN THE HOSPITAL
815
00:33:22,923 --> 00:33:27,663
OR HAVE ANY RIGHTS TO THE LIFE
THAT THEY BUILT TOGETHER
816
00:33:27,661 --> 00:33:30,501
BECAUSE OF THE LAWS IN
THIS STATE AND IN THIS COUNTRY?
817
00:33:32,332 --> 00:33:33,602
HOW DO YOU FEEL ABOUT THAT?
818
00:33:33,600 --> 00:33:36,270
THAT'S ALL I'M ASKING.
819
00:33:36,269 --> 00:33:39,439
WELL,
MY SON IS NOT GAY.
820
00:33:41,942 --> 00:33:43,942
WHAT IF HE WERE?
821
00:33:44,978 --> 00:33:48,378
WELL, I BELIEVE
WE'VE GOTTEN OFF COURSE HERE.
822
00:33:48,381 --> 00:33:49,621
I DON'T SEE HOW.
823
00:33:49,616 --> 00:33:51,476
THESE ARE QUESTIONS
THAT THE PEOPLE ‐‐
824
00:33:51,484 --> 00:33:54,824
MANY PEOPLE WOULD LIKE
AN ANSWER TO
825
00:33:54,821 --> 00:33:55,921
BEFORE THEY VOTE FOR YOU,
826
00:33:55,922 --> 00:33:59,432
ESPECIALLY PEOPLE
IN THE LGBT COMMUNITY.
827
00:33:59,425 --> 00:34:03,195
AND IT'S
A SIMPLE QUESTION, REALLY.
828
00:34:03,203 --> 00:34:05,613
WHAT DO YOU THINK
OF GAY RIGHTS?
829
00:34:07,541 --> 00:34:09,211
YOU KNOW, WHATEVER
YOU PEOPLE CHOOSE ‐‐
830
00:34:09,209 --> 00:34:10,709
"YOU PEOPLE"?
831
00:34:12,713 --> 00:34:15,753
THERE IT IS.
THEM.
832
00:34:15,749 --> 00:34:19,489
WOULD YOU CARE TO EXPLAIN
"YOU PEOPLE"?
833
00:34:19,485 --> 00:34:20,345
WELL ‐‐
GLADLY.
834
00:34:20,353 --> 00:34:21,663
WHAT MY WIFE
MEANT TO SAY ‐‐
835
00:34:21,655 --> 00:34:24,155
WHAT I MEANT TO SAY...
Sweetheart.
836
00:34:24,157 --> 00:34:27,057
WAS "PEOPLE WHO COME
INTO A PRESS CONFERENCE
837
00:34:27,060 --> 00:34:29,300
WITH AN AGENDA TO PUSH."
838
00:34:29,295 --> 00:34:31,495
SEE, YOU WANT
TO MAKE THIS ABOUT YOU.
839
00:34:31,497 --> 00:34:33,567
"YOU PEOPLE,"
MEANING ANYONE
840
00:34:33,567 --> 00:34:35,667
WHO IS SO FOCUSED
ON THEIR OWN CAUSE
841
00:34:35,669 --> 00:34:37,269
THAT THEY MISS
THE BIG PICTURE
842
00:34:37,270 --> 00:34:41,510
THAT THERE IS A COLLECTIVE ALL
AT WORK HERE,
843
00:34:41,508 --> 00:34:43,708
AND THAT WE MUST
ALL WORK TOGETHER
844
00:34:43,710 --> 00:34:45,750
TO ACHIEVE
THAT COLLECTIVE ALL.
845
00:34:45,746 --> 00:34:50,216
"YOU PEOPLE," MEANING ANYONE
WHO'S VOICE IS USED TO DIVIDE US
846
00:34:50,216 --> 00:34:52,216
AND NOT BRING US
TOGETHER.
847
00:34:52,218 --> 00:34:56,388
YOU SEE, MY HUSBAND AND
THIS CAMPAIGN IS ABOUT UNITY.
848
00:34:56,389 --> 00:34:59,229
IT'S ABOUT BRINGING
EVERYONE TOGETHER, ALL PEOPLE.
849
00:34:59,225 --> 00:35:01,565
PEOPLE OF ALL RACES,
OF ALL CULTURES ‐‐
850
00:35:01,568 --> 00:35:04,838
BLACK PEOPLE, WHITE PEOPLE,
RED, GREEN, GAY, STRAIGHT,
851
00:35:04,838 --> 00:35:06,368
BUT NONE OF THAT MATTERS.
852
00:35:06,372 --> 00:35:11,952
WHAT MATTERS IS THAT WE
ALL ARE AFFORDED EQUAL RIGHTS.
853
00:35:11,945 --> 00:35:13,775
THAT'S WHAT MATTERS.
854
00:35:13,780 --> 00:35:16,520
SO, I APPRECIATE
YOUR QUESTION.
855
00:35:16,517 --> 00:35:17,847
REALLY, I DO.
856
00:35:17,851 --> 00:35:22,161
BUT I REALLY FEEL THAT IT'S
BEEN ASKED AND ANSWERED.
857
00:35:22,155 --> 00:35:25,725
NOW, NEXT QUESTION,
PLEASE.
858
00:35:25,726 --> 00:35:27,826
[ CAMERA SHUTTER SNAPS ]
859
00:35:27,828 --> 00:35:29,758
Woman:
YES, MR. HARRINGTON.
860
00:35:29,763 --> 00:35:33,133
ON THE ISSUE OF GUN VIOLENCE
AND SCHOOL BULLYING,
861
00:35:33,133 --> 00:35:35,103
HOW DO YOU PROPOSE
TO FIX THESE PROBLEMS?
862
00:35:35,101 --> 00:35:36,901
David:
WELL, THAT'S A GOOD QUESTION.
863
00:35:36,903 --> 00:35:38,773
NOT A SIMPLE FIX.
864
00:35:48,749 --> 00:35:49,749
[ DOOR OPENS ]
865
00:35:49,750 --> 00:35:50,950
MAGGIE.
866
00:35:50,951 --> 00:35:52,591
[ DOOR CLOSES ]
I'M SORRY.
867
00:35:52,586 --> 00:35:55,316
I HAVE TO GO LIVE
WITH THIS STORY IN FIVE MINUTES.
868
00:35:55,321 --> 00:35:56,521
I HAVE DAVID HARRINGTON.
869
00:35:56,523 --> 00:35:59,163
I AM NOT INTERESTED
IN DAVID HARRINGTON.
870
00:35:59,159 --> 00:36:01,899
I‐I KNOW.
WHERE IS HE?
871
00:36:01,902 --> 00:36:04,142
T‐THIS IS NOT LIKE HIM
AT ALL.
872
00:36:04,137 --> 00:36:06,207
WHAT DO I TELL MY BOSSES
IN NEW YORK?
873
00:36:06,206 --> 00:36:08,106
W‐WE'RE TRYING
TO FIND HIM.
874
00:36:08,108 --> 00:36:11,178
OKAY, IF HE'S NOT ON THAT CHAIR
THE MINUTE I GO LIVE,
875
00:36:11,177 --> 00:36:12,947
I'M GOING
TO TELL THE COUNTRY
876
00:36:12,946 --> 00:36:15,246
THAT HE IS IRRESPONSIBLE
AND UNRELIABLE.
877
00:36:15,248 --> 00:36:16,618
THIS IS APPALLING.
878
00:36:16,617 --> 00:36:18,647
LISTEN, HE IS ‐‐
HE IS NOT THAT KIND OF MAN.
879
00:36:19,686 --> 00:36:21,246
LOOK AT YOU.
YOU ARE FLUSTERED.
880
00:36:21,254 --> 00:36:23,394
I'VE NEVER SEEN YOU THIS WAY
OVER A CANDIDATE.
881
00:36:23,389 --> 00:36:24,859
YOU CAN'T EVEN COVER
FOR HIM.
882
00:36:24,858 --> 00:36:26,388
JUST GIVE ME TWO MINUTES.
883
00:36:26,392 --> 00:36:27,562
I DON'T HAVE TWO MINUTES.
884
00:36:27,561 --> 00:36:31,061
I HAVE AN INTERVIEW SET UP
AND NO ONE TO INTERVIEW.
885
00:36:31,064 --> 00:36:32,774
THIS IS LIVE TV.
[ DOOR OPENS ]
886
00:36:36,503 --> 00:36:38,303
KATHERYN,
WHERE IS HE?
887
00:36:38,304 --> 00:36:39,374
I HAVE NO IDEA.
888
00:36:39,372 --> 00:36:41,242
PLEASE, PLEASE,
PLEASE TRY AND CALL HIM.
889
00:36:41,241 --> 00:36:43,181
OKAY, BUT HE DOESN'T HAVE
HIS PHONE.
890
00:36:44,210 --> 00:36:45,480
HE LEFT HIS PHONE
AT HOME?
891
00:36:45,478 --> 00:36:47,908
YES. WYATT FOUND IT
OUTSIDE THIS MORNING.
892
00:36:47,914 --> 00:36:49,324
HE MUST'VE DROPPED IT
WHEN HE GOT IN HIS CAR.
893
00:36:49,315 --> 00:36:51,815
AND YOU'RE NOT THE LEAST BIT
CONCERNED ABOUT HIM?
894
00:36:51,818 --> 00:36:54,018
[ SCOFFS ]
MAGGIE, IT'S JIM.
895
00:36:54,020 --> 00:36:55,260
HE'S FINE.
896
00:36:55,255 --> 00:36:58,185
PLEASE, PLEASE TRY
AND GET HIM ON THE PHONE.
897
00:36:58,191 --> 00:37:01,171
OKAY. OKAY, MAYBE HE WENT
BACK TO THE HOUSE.
898
00:37:01,167 --> 00:37:02,867
[ TELEVISION CLICKS ]
899
00:37:02,869 --> 00:37:04,069
[ SIGHS ]
OH, GOD, PLEASE FIND HIM.
900
00:37:04,070 --> 00:37:06,340
[ CELLPHONE BEEPS ]
OH, THIS IS A DISASTER.
901
00:37:06,339 --> 00:37:08,339
ALL OF AMERICA IS
WATCHING US.
902
00:37:08,341 --> 00:37:10,711
JUST CALM DOWN, MAGGIE.
[ SIGHS ]
903
00:37:13,346 --> 00:37:14,306
[ SIGHS ]
904
00:37:16,015 --> 00:37:16,845
NOTHING.
905
00:37:16,850 --> 00:37:19,250
OH!
[ SCOFFS ]
906
00:37:19,252 --> 00:37:21,192
JIM.
907
00:37:21,187 --> 00:37:22,157
[ SIGHS ]
908
00:37:23,624 --> 00:37:25,534
David: LANDON!
I'M SORRY.
909
00:37:25,526 --> 00:37:26,886
WHAT THE HELL WAS THAT?
910
00:37:26,893 --> 00:37:28,803
I COULDN'T
JUST JUMP IN THERE.
911
00:37:28,795 --> 00:37:29,755
WHY THE HELL NOT?
912
00:37:29,763 --> 00:37:31,533
YOU SAW BOTH OF US
GIVING OUR SIGN.
913
00:37:31,532 --> 00:37:33,302
SHE NEEDED TO SAY SOMETHING,
914
00:37:33,299 --> 00:37:35,399
AND YOU WERE GREAT.
915
00:37:35,401 --> 00:37:36,571
SURPRISED YOU,
DIDN'T IT?
916
00:37:36,570 --> 00:37:37,570
NO.
917
00:37:37,571 --> 00:37:39,311
I KNEW
YOU COULD HANDLE IT.
918
00:37:39,305 --> 00:37:42,075
YOU SET ME UP FOR A MASSACRE,
AND I GOT OUT ALIVE.
919
00:37:42,075 --> 00:37:44,335
SEE, THAT'S WHAT I DO.
I GET OUT ALIVE.
920
00:37:44,344 --> 00:37:46,884
YOU, ON THE OTHER HAND,
DON'T.
921
00:37:46,880 --> 00:37:48,080
YOU'RE FIRED.
922
00:37:48,081 --> 00:37:49,451
I DON'T WORK FOR YOU.
923
00:37:49,449 --> 00:37:50,449
LANDON.
924
00:37:50,450 --> 00:37:52,350
YOU'RE FIRED.
925
00:37:55,388 --> 00:37:56,418
GREAT!
926
00:37:56,422 --> 00:37:59,292
IT'S EASY TO LEAVE
PEOPLE LIKE YOU.
927
00:38:01,835 --> 00:38:03,895
[ SIGHS ]
928
00:38:03,904 --> 00:38:05,274
WOW.
929
00:38:05,271 --> 00:38:06,741
BASTARD,
YOU ENJOYED IT.
930
00:38:06,740 --> 00:38:08,310
NO, I DID NOT.
931
00:38:10,744 --> 00:38:11,754
[ GASPS ]
932
00:38:11,745 --> 00:38:13,305
[ GRUNTS ]
933
00:38:13,313 --> 00:38:15,423
YOU ENJOY THAT?
934
00:38:16,850 --> 00:38:18,790
LANDON.
935
00:38:18,785 --> 00:38:19,645
I ‐‐ STOP IT.
936
00:38:19,653 --> 00:38:21,323
YEAH, YOU DID.
937
00:38:21,321 --> 00:38:22,691
OKAY, LET ME GO.
JUST...
938
00:38:22,689 --> 00:38:23,789
LET YOURSELF GO.
939
00:38:23,790 --> 00:38:24,790
LET ME GO!
940
00:38:26,292 --> 00:38:27,462
HE'S GAY, GIRL.
941
00:38:29,696 --> 00:38:31,626
HE IS GAY.
942
00:38:43,009 --> 00:38:44,079
MAGGIE,
WE HAVE A PROBLEM.
943
00:38:44,077 --> 00:38:46,477
OH, YEAH, I'LL SAY.
JIM'S NOT HERE.
944
00:38:46,479 --> 00:38:47,779
HE'S NOT?
NO.
945
00:38:47,781 --> 00:38:50,321
WHAT KIND OF MAN DOESN'T SHOW UP
FOR HIS OWN ANNOUNCEMENT?
946
00:38:50,316 --> 00:38:52,646
OBVIOUSLY,
SOMETHING IS VERY WRONG.
947
00:38:52,653 --> 00:38:53,823
WHERE IS HE, DAVID?
948
00:38:53,820 --> 00:38:55,390
I DON'T KNOW.
949
00:38:55,388 --> 00:38:56,818
KATHERYN CAN'T
GET AHOLD OF HIM.
950
00:38:56,823 --> 00:38:57,793
AND I HAVE BEEN TRYING.
951
00:38:57,791 --> 00:38:59,791
I'LL TRY HIM AGAIN.
952
00:38:59,793 --> 00:39:03,073
[ CELLPHONE CLICKS, BEEPS ]
953
00:39:03,069 --> 00:39:04,099
JIM?
954
00:39:04,104 --> 00:39:06,044
WYATT: We need help!
Send somebody.
955
00:39:06,039 --> 00:39:07,339
WHAT?
[SCOFFS] IS THAT HIM?
956
00:39:07,340 --> 00:39:09,580
I don't know what to do.
CALM ‐‐ CALM DOWN.
957
00:39:09,576 --> 00:39:11,436
CALM DOWN!
I CAN'T UNDERSTAND YOU.
958
00:39:11,444 --> 00:39:12,614
We need help!
959
00:39:12,613 --> 00:39:13,683
WHO NEEDS HELP?
960
00:39:13,680 --> 00:39:14,920
WHAT'S WRONG?
LET ME HAVE THAT.
961
00:39:14,915 --> 00:39:17,045
I DON'T KNOW
IF IT'S JIM OR WYATT.
962
00:39:18,084 --> 00:39:19,654
IS THIS WYATT?
[ SCOFFS ]
963
00:39:19,653 --> 00:39:21,663
YOU HAVE REALLY DONE IT
THIS TIME.
964
00:39:21,655 --> 00:39:22,915
WY‐‐
We need help.
965
00:39:22,923 --> 00:39:24,223
ARE YOU STILL DRINKING?
966
00:39:24,224 --> 00:39:25,994
OH, NO.
SHE'S GOING LIVE.
967
00:39:25,992 --> 00:39:27,432
HELLO, EVERYONE.
968
00:39:27,427 --> 00:39:29,827
WE'RE COMING TO YOU LIVE TODAY
FROM SAVANNAH, GEORGIA,
969
00:39:29,830 --> 00:39:31,970
WHERE I WAS SUPPOSED
TO BE INTERVIEWING
970
00:39:31,965 --> 00:39:35,095
GUBERNATORIAL CANDIDATE
JIM CRYER.
971
00:39:35,101 --> 00:39:38,711
HOWEVER, JUST BEFORE PREPARING
TO GO LIVE TODAY,
972
00:39:38,705 --> 00:39:41,405
HE WAS A NO‐SHOW.
973
00:39:41,407 --> 00:39:44,007
[SIGHS] OH, NO.
SHE'S GONNA BURY HIM.
974
00:39:44,010 --> 00:39:46,510
AND DESPITE EVERY EFFORT
THAT I COULD MAKE TO UNDERSTAND
975
00:39:46,513 --> 00:39:47,983
HOW THE POTENTIAL GOVERNOR ‐‐
976
00:39:47,981 --> 00:39:50,021
Katheryn: AND WE ARE NOT GONNA
START THIS OVER THIS MORNING.
977
00:39:50,016 --> 00:39:51,276
DO YOU UNDERSTAND ME?
978
00:39:51,284 --> 00:39:52,594
DO YOU UNDERSTAND ME?
WHAT'S ‐‐ WHAT'S GOING ON?
979
00:39:52,586 --> 00:39:53,746
I DON'T UNDERSTAND.
WHAT?
980
00:39:53,754 --> 00:39:55,064
WYATT: But Mom ‐‐
SLOW DOWN.
981
00:39:55,055 --> 00:39:57,455
SLOW DOWN, WYATT. DO YOU HAVE
ANY IDEA WHAT TODAY IS?
982
00:39:57,457 --> 00:39:58,657
[ TELEPHONES RINGING ]
983
00:39:58,659 --> 00:40:00,829
DO YOU REALIZE HOW IMPORTANT
THIS IS TO YOUR FATHER.
984
00:40:00,834 --> 00:40:01,974
I HAVE HAD IT WITH YOU.
985
00:40:01,968 --> 00:40:03,568
AFTER EVERYTHING
THAT WE HAVE DONE FOR YOU ‐‐
986
00:40:03,570 --> 00:40:05,640
EVERYTHING ‐‐
AND DON'T YOU FORGET THAT.
987
00:40:05,639 --> 00:40:07,469
I DON'T ‐‐
I DON'T WANT TO HEAR IT.
988
00:40:07,473 --> 00:40:08,813
WE HAVE HAD THIS CONVERSATION.
THIS IS BAD.
989
00:40:08,809 --> 00:40:10,209
WE ARE NOT GONNA
START THIS OVER THIS MORNING.
990
00:40:10,210 --> 00:40:11,280
DO YOU UNDERSTAND?
We need help!
991
00:40:11,277 --> 00:40:12,507
THIS ‐‐ THIS IS NEVER
A GOOD SIGN.
992
00:40:12,513 --> 00:40:14,683
YOU UNDERSTAND ME,
AND I MEAN IT, WYATT, THIS TIME.
993
00:40:14,681 --> 00:40:16,921
We need help!
LANDON?
994
00:40:16,917 --> 00:40:17,777
THIS IS NEVER A GOOD SIGN.
995
00:40:17,784 --> 00:40:18,694
MAGGIE,
WHAT IS IT?
996
00:40:18,685 --> 00:40:20,585
WHAT IS GOING ON
OUT THERE?
997
00:40:20,587 --> 00:40:22,057
LANDON. LANDON, GO.
WHAT?
998
00:40:22,055 --> 00:40:23,155
I'VE BEEN FIRED.
999
00:40:23,156 --> 00:40:24,016
CRISIS ‐‐ GO BIG.
1000
00:40:24,024 --> 00:40:27,934
[ RINGING CONTINUES ]
1001
00:40:27,928 --> 00:40:29,828
DO YOU UNDERSTAND ME?
AND I MEAN IT, WYATT, THIS TIME.
1002
00:40:29,830 --> 00:40:31,100
KATHERYN,
YOUR PHONE IS RINGING.
1003
00:40:31,097 --> 00:40:33,527
HERE. TAKE THIS.
I DON'T KNOW WHAT HE'S SAYING.
1004
00:40:33,534 --> 00:40:34,944
OH, THANK GOD.
WYATT?
1005
00:40:34,935 --> 00:40:36,235
HANNA,
THANK GOODNESS.
1006
00:40:36,236 --> 00:40:38,096
I HAVE GOT WYATT
ON THE OTHER LINE,
1007
00:40:38,104 --> 00:40:39,374
AND I CAN'T ‐‐
HE HUNG UP.
1008
00:40:39,372 --> 00:40:41,242
[ SIGHS ]
1009
00:40:41,241 --> 00:40:44,381
WHAT?
1010
00:40:44,377 --> 00:40:45,807
KATHERYN?
1011
00:40:48,414 --> 00:40:49,554
KATHERYN, WHAT?
1012
00:40:51,084 --> 00:40:53,124
WHAT? KATHERYN?!
WHAT THE HELL IS GOING ON?
1013
00:40:53,119 --> 00:40:54,189
KATHERYN!
KATHERYN!
1014
00:40:54,187 --> 00:40:55,817
KATHERYN!
David: GET ME A CHAIR!
1015
00:40:58,692 --> 00:41:00,492
Woman:
WE ARE SADDENED TO REPORT
1016
00:41:00,493 --> 00:41:03,373
THAT JUDGE JIM CRYER
COULD NOT BE WITH US TODAY
1017
00:41:03,369 --> 00:41:06,409
BECAUSE OF THE DEATH
OF HIS DAUGHTER.
1018
00:41:06,406 --> 00:41:08,466
DETAILS ARE FEW,
1019
00:41:08,474 --> 00:41:10,314
HOWEVER, IT LOOKS AS IF
IT WAS AN APPARENT SUICIDE.
1020
00:41:10,310 --> 00:41:12,250
[ SNIFFLES, GRUNTS ]
1021
00:41:12,245 --> 00:41:14,745
Woman: WE WILL HAVE
MORE INFORMATION FOR YOU
1022
00:41:14,748 --> 00:41:16,178
AS WE LEARN IT OURSELVES.
1023
00:41:18,151 --> 00:41:19,321
[ WHIMPERS ]
1024
00:41:19,319 --> 00:41:21,919
BACK TO YOU, RYAN.
1025
00:41:25,158 --> 00:41:28,458
[ WHIMPERS ]
[ TELEPHONES RINGING ]
1026
00:41:28,461 --> 00:41:30,901
NEXT ON "THE HAVES
AND THE HAVE NOTS"...
1027
00:41:30,897 --> 00:41:32,467
SHOW SOME RESPECT.
GO TO HELL!
1028
00:41:32,465 --> 00:41:33,465
WHO DO YOU THINK
YOU ARE?!
1029
00:41:33,466 --> 00:41:35,166
BELIEVE ME ‐‐
YOU DON'T WANT TO SEE IT.
1030
00:41:35,168 --> 00:41:36,638
YOU FOUND HER?
1031
00:41:36,637 --> 00:41:38,937
YES, MA'AM, I DID.
1032
00:41:38,939 --> 00:41:40,569
IT'S REALLY HER?
1033
00:41:40,574 --> 00:41:42,514
YES, MA'AM, IT IS.
1034
00:41:42,509 --> 00:41:48,679
[ SOBBING ]
1035
00:41:48,682 --> 00:41:50,282
DID YOU TELL HER
YOU'RE IN LOVE WITH ME?
1036
00:41:50,283 --> 00:41:51,823
PLEASE DON'T DO THIS.
Landon: HE'S GAY.
1037
00:41:51,818 --> 00:41:53,688
WE'RE WAITING
FOR THE D. A. TO ARRIVE.
1038
00:41:53,687 --> 00:41:55,157
WHY?
1039
00:41:55,155 --> 00:41:56,985
Katheryn: D. A. s DON'T USUALLY
SHOW UP FOR THINGS LIKE THIS.