1
00:00:01,802 --> 00:00:03,402
<i>PREVIOUSLY ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

2
00:00:03,403 --> 00:00:05,473
Baylor: HE'S ON LIFE SUPPORT.
LIFE SUPPORT?

3
00:00:05,471 --> 00:00:07,041
THE MOTHER OF THE LITTLE GIRL
SAW THE DRIVER.

4
00:00:07,040 --> 00:00:09,180
THIS PERSON RAN OVER
MICHAEL'S GRANDDAUGHTER

5
00:00:09,175 --> 00:00:11,035
AND YOUR SON
LIKE A DOG IN THE STREET.

6
00:00:11,044 --> 00:00:12,614
WHAT ABOUT MY GRANDBABY?

7
00:00:12,613 --> 00:00:13,853
SHE DIED.

8
00:00:13,847 --> 00:00:15,217
JEFFERY, I KILLED THAT GIRL.

9
00:00:15,215 --> 00:00:16,545
PLEASE DON'T TURN ME IN!

10
00:00:16,550 --> 00:00:18,320
DETECTIVE BYRON MARSHALL.

11
00:00:18,318 --> 00:00:20,548
I'M TRYING TO INVESTIGATE
YOUR SON'S CASE.

12
00:00:20,554 --> 00:00:22,294
WHAT IS SHE DOING HERE?
SHE KNOWS.

13
00:00:22,288 --> 00:00:23,818
Officer: HANNA YOUNG,
YOU'RE UNDER ARREST.

14
00:00:23,824 --> 00:00:25,694
WHEN THEY WERE BOOKING ME,
I TOLD THEM THAT WYATT DID IT.

15
00:00:25,692 --> 00:00:27,032
HE'S BEEN ARRESTED.

16
00:00:27,027 --> 00:00:28,487
Jim: I'M GOING TO GET YOU OUT.
POP!

17
00:00:28,494 --> 00:00:30,204
DON'T SAY A WORD TO ANYBODY.

18
00:00:30,196 --> 00:00:31,626
Veronica:
I HAVE IT.

19
00:00:31,632 --> 00:00:34,872
NOW, YOU WILL DO WHAT I SAY,
OR I WILL TURN YOUR ASS IN.

20
00:00:34,868 --> 00:00:36,738
YOU'RE FREE TO GO.
HERE ARE YOUR THINGS.

21
00:00:36,737 --> 00:00:39,167
ARE YOU TELLING ME HE DIDN'T HIT
THAT LITTLE GIRL OR MY SON?

22
00:00:39,172 --> 00:00:42,682
[ SNIFFLES ] I'M TELLING YOU
THAT YOUR SON IS AT MERCY.

23
00:00:42,676 --> 00:00:44,806
YOU NEED TO ASK
FOR DR. BAYLOR.

24
00:00:44,811 --> 00:00:45,511
IS HE BREATHING?

25
00:00:45,512 --> 00:00:46,182
YES.

26
00:00:46,179 --> 00:00:48,449
[ CHUCKLES ]

27
00:00:48,448 --> 00:00:50,378
Jim:
<i>MY SON DID HIT SOMEONE,</i>

28
00:00:50,383 --> 00:00:52,153
<i>HE DID NOT HIT LIZZIE,</i>

29
00:00:52,152 --> 00:00:53,652
<i>HE DID NOT HIT BENNY YOUNG.</i>

30
00:00:53,654 --> 00:00:54,894
LYING!

31
00:00:54,888 --> 00:00:56,818
<i>THERE IS THE CAR.</i>
<i>HERE IS THE VICTIM.</i>

32
00:00:56,823 --> 00:00:58,263
GET IN THE CAR, WYATT.

33
00:00:58,258 --> 00:01:00,758
YOU MOVED BENNY,
YOU TOOK CARE OF HIS BILL,

34
00:01:00,761 --> 00:01:03,271
AND YOU WANT TO GIVE ME
MY JOB BACK.

35
00:01:04,270 --> 00:01:06,670
JEFFERY? YOUR MOM WAS SO
PERSISTENT THAT WE MEET.

36
00:01:06,673 --> 00:01:08,213
Jeffery:
I HAD SEX WITH THE GIRL.

37
00:01:08,208 --> 00:01:09,838
JEFFERY, DO YOU THINK
THIS MAKES YOU STRAIGHT NOW?

38
00:01:09,843 --> 00:01:10,843
KILL HER.

39
00:01:10,844 --> 00:01:12,184
NO! NO. NO!

40
00:01:12,178 --> 00:01:13,408
GET ON YOUR KNEES.

41
00:01:13,413 --> 00:01:14,453
Hannah:
Sorry you can't make it.

42
00:01:14,447 --> 00:01:15,277
YEAH.

43
00:01:15,281 --> 00:01:16,721
MR. CRYER?

44
00:01:16,717 --> 00:01:17,917
Uh...

45
00:01:17,918 --> 00:01:18,918
[ GASPS ]

46
00:01:18,919 --> 00:01:19,919
WHAT ARE YOU DOING
IN MY HOUSE?

47
00:01:19,920 --> 00:01:21,590
AND IF HE WAS IN PRISON
FOR MURDER,

48
00:01:21,588 --> 00:01:23,018
HOW THE HELL
DID HE GET OUT?!

49
00:01:23,023 --> 00:01:24,193
NOW GET OUT OF HERE

50
00:01:24,190 --> 00:01:26,130
AND DO WHAT THE HELL
I SET YOU FREE TO DO.

51
00:01:26,126 --> 00:01:27,926
WHERE IS CANDACE?
I DON'T KNOW.

52
00:01:27,928 --> 00:01:29,428
NOW, YOU GET THE HELL OUT
OF MY ‐‐

53
00:01:29,429 --> 00:01:30,459
[ BOTH GRUNTING ]

54
00:01:30,463 --> 00:01:32,533
Candace:
SOMEBODY TOOK A LOT FROM ME ‐‐

55
00:01:32,533 --> 00:01:33,703
EVERYTHING, BASICALLY.

56
00:01:33,700 --> 00:01:34,770
YOU WANT US
TO TAKE CARE OF HIM?

57
00:01:34,768 --> 00:01:35,698
I WANT HIM BROUGHT HERE

58
00:01:35,702 --> 00:01:37,102
SO I CAN HANDLE HIM MYSELF.

59
00:01:38,905 --> 00:01:40,205
NO, NO, NO,
NO, NO, NO!

60
00:01:40,206 --> 00:01:42,036
YOU'RE MAKING
A BIG MISTAKE!

61
00:01:42,042 --> 00:01:43,912
I'M RUNNING FOR GOVERNOR!
[ TIRES SCREECH ]

62
00:01:43,910 --> 00:01:44,950
I WILL HAVE YOUR ASS!

63
00:01:45,646 --> 00:01:49,046
I'LL LEAVE MINE UNLOCKED.

64
00:01:49,049 --> 00:01:50,879
Jim: WHAT WOULD AMANDA
BE NEEDING A GUN FOR?

65
00:01:50,884 --> 00:01:53,124
Katheryn:
SHE WANTS US DEAD.

66
00:01:53,119 --> 00:01:53,919
[ PANTING ]

67
00:01:55,589 --> 00:01:58,929
[ WOMAN CACKLING ]

68
00:01:58,925 --> 00:02:00,225
[ GUNSHOT ]

69
00:04:39,005 --> 00:04:40,405
[ TIRES SQUEAL ]

70
00:04:41,608 --> 00:04:43,978
Tina:
IT WAS YOU.

71
00:04:43,977 --> 00:04:45,507
YOU.

72
00:04:45,512 --> 00:04:47,252
YOU DID IT.

73
00:04:55,789 --> 00:04:58,089
ASKED YOUR DADDY
WHY HE BEEN SCREWING MY GIRL.

74
00:04:58,091 --> 00:05:00,131
YOUR DADDY'S BEEN SCREWING
CANDACE.

75
00:05:28,294 --> 00:05:30,464
[ SNIFFS ]

76
00:05:30,463 --> 00:05:31,933
[ SIGHS ]

77
00:05:39,305 --> 00:05:41,875
WHAT WOULD
YOUR PASSWORD BE?

78
00:05:48,782 --> 00:05:51,622
[ KEYS CLICK ]

79
00:05:51,618 --> 00:05:53,618
[ SCOFFS ]

80
00:05:53,620 --> 00:05:56,160
REALLY, DAD?

81
00:05:56,156 --> 00:05:58,826
YOUR CAR'S
FIRST LICENSE PLATE.

82
00:05:58,825 --> 00:06:00,165
BRILLIANT.

83
00:06:16,983 --> 00:06:20,793
WHAT THE HELL, DAD?
CANDACE?

84
00:06:31,497 --> 00:06:33,367
CELINE?!

85
00:06:37,170 --> 00:06:38,370
ALL RIGHT.

86
00:06:38,371 --> 00:06:40,841
OKAY.

87
00:06:40,841 --> 00:06:42,081
ALL RIGHT.

88
00:06:42,075 --> 00:06:43,935
[ SIGHS ]

89
00:06:56,422 --> 00:06:59,432
‐‐Captions by VITAC‐‐
www.vitac.com

90
00:06:59,425 --> 00:07:02,465
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

91
00:07:11,411 --> 00:07:13,481
[ MID‐TEMPO
HIP‐HOP MUSIC PLAYING ]

92
00:07:19,352 --> 00:07:22,062
[ LAUGHS ]

93
00:07:22,055 --> 00:07:23,115
WHOO‐WHEE!

94
00:07:23,123 --> 00:07:25,663
HOW MUCH
HAVE YOU HAD TO DRINK?

95
00:07:25,659 --> 00:07:26,789
ONE.
[ CHUCKLES ]

96
00:07:26,793 --> 00:07:28,193
IS THAT ALL?

97
00:07:28,194 --> 00:07:31,834
IT WAS A BIG ONE.
I SEE THAT.

98
00:07:31,832 --> 00:07:33,102
GIVE IT TO ME,
MICHAEL.

99
00:07:34,200 --> 00:07:34,840
COME ON NOW.

100
00:07:34,835 --> 00:07:35,935
NO, GIVE IT TO ME.

101
00:07:39,305 --> 00:07:40,005
[ CHUCKLES ]

102
00:07:40,006 --> 00:07:41,676
MM. MNH‐MNH‐MNH.

103
00:07:41,675 --> 00:07:43,035
NOW GIVE ME YOUR KEYS.

104
00:07:43,043 --> 00:07:44,813
YES, MA'AM.

105
00:07:44,811 --> 00:07:47,781
[ SIGHS ]
[ CHUCKLES ]

106
00:07:47,781 --> 00:07:49,221
NOW GIVE ME YOUR KEYS.
MNH‐MNH.

107
00:07:49,215 --> 00:07:50,645
YOU WANT SOME COFFEE?

108
00:07:50,651 --> 00:07:52,891
IT WAS JUST ONE,
HANNA.

109
00:07:52,886 --> 00:07:54,386
YEAH, BUT YOU'RE
A LIGHTWEIGHT.

110
00:07:54,387 --> 00:07:55,287
[ CHUCKLES ]

111
00:07:55,288 --> 00:07:56,388
DO YOU DRINK?

112
00:07:56,389 --> 00:07:59,459
I ‐‐ NOT REALLY.
I MEAN, JUST A LITTLE BIT.

113
00:07:59,459 --> 00:08:00,729
SO, WHAT'S IN YOUR CUP?

114
00:08:00,734 --> 00:08:02,444
I JUST HAD A BEER.

115
00:08:02,435 --> 00:08:03,995
AND HOW MANY
HAVE YOU HAD?

116
00:08:04,004 --> 00:08:05,174
TWO.

117
00:08:05,171 --> 00:08:06,371
NICE.

118
00:08:06,372 --> 00:08:08,742
[ Chuckling ] BOY, PLEASE.
NO, NO, NO, NO, NO.

119
00:08:08,742 --> 00:08:11,082
THIS IS NICE,
WHAT YOU'RE DOING FOR HIM.

120
00:08:11,077 --> 00:08:14,377
I'M JUST SO HAPPY
HE'S HAPPY AND HOME.

121
00:08:15,682 --> 00:08:18,852
YEAH, HE IS.

122
00:08:22,188 --> 00:08:23,188
MICHAEL, I'M SORRY.

123
00:08:24,424 --> 00:08:25,694
I'M ALL RIGHT.

124
00:08:25,692 --> 00:08:28,162
MAYBE I SHOULD LET YOU
KEEP THIS DRINK.

125
00:08:28,161 --> 00:08:29,801
NO, NO, I'M FINE,
I'M FINE.

126
00:08:29,796 --> 00:08:32,266
YOU WERE RIGHT.
I ‐‐ I HAD ENOUGH.

127
00:08:32,265 --> 00:08:33,595
[ EXHALES SHARPLY ]

128
00:08:33,600 --> 00:08:37,540
BUT IT ‐‐ IT DOES FEEL GOOD
NOT TO...

129
00:08:37,538 --> 00:08:39,238
THINK ABOUT ANYTHING,
YOU KNOW?

130
00:08:39,239 --> 00:08:40,839
OOH‐WHEE, YEAH.

131
00:08:40,841 --> 00:08:42,111
I KNOW.

132
00:08:42,108 --> 00:08:43,078
[ CHUCKLES ]

133
00:08:43,076 --> 00:08:44,706
IT'S BEEN A ROUGH
COUPLE WEEKS.

134
00:08:44,711 --> 00:08:45,881
OOH, YOU'RE TELLING.

135
00:08:45,879 --> 00:08:47,849
FOR ME, TOO.

136
00:08:52,185 --> 00:08:54,245
MMMMM, MNH‐MNH.

137
00:08:54,254 --> 00:08:57,294
DON'T DO IT.
DON'T GET SAD.

138
00:08:57,290 --> 00:09:00,260
THIS IS A HAPPY MOMENT.
LET'S STAY IN IT.

139
00:09:00,260 --> 00:09:01,300
YOU'RE RIGHT.

140
00:09:01,301 --> 00:09:02,571
COME ON.
COME ON NOW.

141
00:09:02,569 --> 00:09:03,469
YOU'RE RIGHT.

142
00:09:03,469 --> 00:09:04,369
[ BOTH CHUCKLE ]

143
00:09:04,370 --> 00:09:05,910
YEAH.

144
00:09:05,906 --> 00:09:08,636
[ LAUGHS ]
YOU'RE RIGHT, YEAH.

145
00:09:08,642 --> 00:09:10,912
HERE, JEROME,
HOLD THIS.

146
00:09:10,911 --> 00:09:13,781
MM. OH!

147
00:09:13,780 --> 00:09:15,480
MM. YEAH.

148
00:09:15,481 --> 00:09:17,451
YOU KNOW WHAT?
UH‐HUH?

149
00:09:17,450 --> 00:09:21,760
I AM LOOKING FORWARD
TO SOME PEACE AROUND HERE.

150
00:09:21,755 --> 00:09:22,715
[ CHUCKLES ]

151
00:09:25,458 --> 00:09:27,758
WE NEED SOME PEACE.

152
00:09:27,761 --> 00:09:30,361
[ Chuckling ] THAT'S RIGHT.
THAT'S RIGHT. AHH.

153
00:09:30,363 --> 00:09:33,303
YEAH. MM‐MM‐MM.

154
00:09:33,299 --> 00:09:34,469
YOU FEEL GOOD.

155
00:09:34,467 --> 00:09:36,637
AND YOU FEEL DRUNK.

156
00:09:36,637 --> 00:09:37,937
[ CHUCKLES ]

157
00:09:37,938 --> 00:09:39,838
YOU KNOW I'M JUST
HOLDING YOU, RIGHT?

158
00:09:39,840 --> 00:09:41,680
AND I'M JUST
HOLDING YOU...

159
00:09:41,675 --> 00:09:42,675
MM.

160
00:09:42,676 --> 00:09:43,736
...UP.

161
00:09:43,744 --> 00:09:45,614
[ BOTH LAUGH ]

162
00:09:45,612 --> 00:09:47,412
YOU'RE TERRIBLE.

163
00:09:47,413 --> 00:09:49,423
NOW, LET ME GO.

164
00:09:49,415 --> 00:09:51,715
MM, OKAY.

165
00:09:53,253 --> 00:09:54,893
GO ON AND GET
SOME COFFEE, MAN.

166
00:09:54,888 --> 00:09:55,618
ALL RIGHT.

167
00:09:55,622 --> 00:09:56,392
[ LAUGHS ]

168
00:09:56,389 --> 00:09:57,719
YOU AND YOUR
SEXY SELF.

169
00:09:57,724 --> 00:09:59,194
WHATEVER.

170
00:09:59,192 --> 00:10:01,742
[ Chuckling ]
GET AWAY FROM ME.

171
00:10:01,735 --> 00:10:03,435
GIVE ME MY BEER.

172
00:10:03,436 --> 00:10:05,336
[ LAUGHS ]
THANK YOU.

173
00:10:05,338 --> 00:10:07,438
OH, WHAT Y'ALL DOING
OVER HERE?

174
00:10:07,440 --> 00:10:08,210
MM.

175
00:10:08,208 --> 00:10:09,708
[ HUMS ]

176
00:10:14,581 --> 00:10:16,151
WHO WAS THAT?

177
00:10:17,551 --> 00:10:19,551
BABY, YOU'VE BEEN WATCHING ME
THE WHOLE TIME.

178
00:10:19,553 --> 00:10:21,893
NO, I'VE BEEN WATCHING THIS MAN
HUG ALL UP ON YOUR LOWER BACK.

179
00:10:21,888 --> 00:10:23,758
[ CHUCKLES ]
WHO IS THAT?

180
00:10:23,757 --> 00:10:25,457
I TOLD YOU.

181
00:10:25,458 --> 00:10:27,158
HE'S THE GRANDFATHER
OF THE LITTLE GIRL

182
00:10:27,160 --> 00:10:30,160
WHO WAS KILLED
BY THE SAME MAN WHO HIT YOU.

183
00:10:30,163 --> 00:10:31,133
[ SIGHS ]

184
00:10:31,131 --> 00:10:32,471
YOU INVITED HIM HERE?
YES, I DID.

185
00:10:32,465 --> 00:10:34,095
ALL RIGHT, WELL, TELL HIM
TO GO HOME. IT'S LATE.

186
00:10:34,100 --> 00:10:35,600
OH, HUSH, BOY.

187
00:10:35,602 --> 00:10:37,472
DON'T LIKE HOW HE'S HUGGING
ALL OVER YOU LIKE THAT.

188
00:10:37,470 --> 00:10:38,440
WHAT?

189
00:10:38,438 --> 00:10:39,938
SEE THE WAY
HE WAS LOOKING AT YOU?

190
00:10:39,940 --> 00:10:42,180
HUGGING ON YOU LIKE HE'S
TRYING TO GET A PIECE
OF YOU OR SOMETHING.

191
00:10:42,175 --> 00:10:43,475
BOY, GO ON SOMEWHERE.

192
00:10:53,486 --> 00:10:55,386
THAT BOY
AIN'T COMING HERE.

193
00:10:56,823 --> 00:10:58,363
WHO?
QUINCY.

194
00:10:58,358 --> 00:10:59,428
WHAT?

195
00:10:59,425 --> 00:11:01,465
PLUS, I GOT DUDES
ON BOTH CORNERS ‐‐

196
00:11:01,467 --> 00:11:02,637
ONE OVER THERE,

197
00:11:02,636 --> 00:11:04,466
AND IF YOU LOOK,
I GOT ONE RIGHT THERE.

198
00:11:04,470 --> 00:11:06,640
THAT BOY AIN'T STUPID.

199
00:11:08,074 --> 00:11:09,884
BENNY, I DON'T WANT YOU
IN THIS FOOLISHNESS.

200
00:11:09,876 --> 00:11:11,106
I AIN'T INVOLVED
IN NO FOOLISHNESS.

201
00:11:11,111 --> 00:11:12,281
THEY'RE JUST
LOOKING OUT FOR US.

202
00:11:13,446 --> 00:11:15,146
AND WHAT ARE THEY GONNA DO
IF HE COMES AROUND?

203
00:11:15,148 --> 00:11:16,448
OH, WE AIN'T GOT TO WORRY
ABOUT THAT.

204
00:11:17,984 --> 00:11:19,354
BENNY, LOOK AT ME.

205
00:11:19,352 --> 00:11:20,792
LOOK AT ME.

206
00:11:20,787 --> 00:11:24,017
YOUR SISTER IS NOT GONNA
GET ALL THESE PEOPLE
SHOT UP OUT HERE.

207
00:11:24,024 --> 00:11:25,534
COME ON. I'M NOT TRYING
TO HEAR ALL THAT.

208
00:11:25,526 --> 00:11:26,826
MAMA, LOOK AT US.
COME ON.

209
00:11:26,827 --> 00:11:28,487
THERE'S A BUNCH
OF PEOPLE OUT HERE.

210
00:11:28,494 --> 00:11:30,034
WE ALL HAVING FUN, ALL RIGHT?
Shh!

211
00:11:30,030 --> 00:11:31,630
I JUST WANT TO MAKE SURE
EVERYTHING IS COOL.

212
00:11:31,632 --> 00:11:33,232
THEY'RE JUST
LOOKING OUT FOR US, ALL RIGHT?

213
00:11:33,233 --> 00:11:34,303
YEAH, WITH GUNS.

214
00:11:34,300 --> 00:11:36,140
SHE IS NOT ‐‐
LISTEN, SHE'S FINE.

215
00:11:36,136 --> 00:11:37,496
LOOK AT HER
OVER THERE.

216
00:11:37,504 --> 00:11:39,174
SHE IS NOT FINE.

217
00:11:39,172 --> 00:11:41,172
SHE'S WORRIED TO DEATH.
[ SIGHS ]

218
00:11:41,174 --> 00:11:43,484
LOOK AT HER WATCHING HER PHONE
EVERY TWO MINUTES.

219
00:11:43,476 --> 00:11:44,906
WELL, THEN,
GO COMFORT HER.

220
00:11:44,911 --> 00:11:47,581
[ SCOFFS ] NO, SHE NEEDS
THE REAL COMFORTER.

221
00:11:47,581 --> 00:11:48,721
WHAT'S THAT
SUPPOSED TO MEAN?

222
00:11:48,715 --> 00:11:50,245
THE HOLY GHOST.

223
00:11:50,250 --> 00:11:52,390
AW, HERE YOU GO AGAIN.
BENNY, I'M TELLING YOU.

224
00:11:52,385 --> 00:11:54,755
WELL, IF SHE AIN'T GOT IT
AND YOU AIN'T GONNA TEACH
HER HOW TO GO GET IT,

225
00:11:54,755 --> 00:11:56,085
THEN STOP
TALKING ABOUT IT.

226
00:11:56,089 --> 00:11:58,659
FOR YOUR INFORMATION,
I WASN'T EVEN LOOKING FOR HIM.

227
00:11:58,659 --> 00:11:59,759
SO, WHO YOU
LOOKING FOR, THEN?

228
00:11:59,760 --> 00:12:01,740
MY BOSS.
YOUR BOSS?

229
00:12:01,735 --> 00:12:02,935
MM‐HMM.

230
00:12:02,936 --> 00:12:04,066
YOU TALKING ABOUT
YOUR EX‐BOSS?

231
00:12:04,070 --> 00:12:05,970
NO, MY CURRENT BOSS.

232
00:12:06,039 --> 00:12:07,539
WHO YOU TALKING ABOUT?

233
00:12:07,541 --> 00:12:08,911
MRS. CRYER.

234
00:12:08,909 --> 00:12:11,079
[ LAUGHS ] YOU TALKING
ABOUT THE WHITE WOMAN?

235
00:12:11,077 --> 00:12:12,977
WHAT DOES HER COLOR
MATTER?

236
00:12:14,648 --> 00:12:15,878
ALL RIGHT.

237
00:12:15,882 --> 00:12:17,122
WHY WERE YOU
LOOKING FOR HER?

238
00:12:17,117 --> 00:12:18,917
SHE SAID
SHE WAS COMING BY.

239
00:12:18,919 --> 00:12:20,749
THAT'S WHY
COLOR MATTERS.

240
00:12:20,754 --> 00:12:21,924
WHAT?

241
00:12:21,922 --> 00:12:23,422
LOOK AROUND HERE.

242
00:12:23,423 --> 00:12:25,233
FIRST OF ALL,
I DON'T SEE ONE WHITE FACE.

243
00:12:25,225 --> 00:12:28,185
SECOND OF ALL, AIN'T NO
WHITE WOMAN COMING TO THIS HOOD

244
00:12:28,194 --> 00:12:29,464
IN THE MIDDLE
OF THE NIGHT.

245
00:12:29,462 --> 00:12:31,572
FROM THE BOUGIE SIDE
OF THE NEIGHBORHOOD?

246
00:12:31,565 --> 00:12:33,425
COME ON, AT 1:00 A. M.?
COME ON NOW.

247
00:12:33,433 --> 00:12:35,703
IS IT THAT LATE ALREADY?
YEAH, IT'S THAT LATE.

248
00:12:35,702 --> 00:12:37,572
LISTEN, SHE AIN'T COMING.
YOU NEED TO LET THAT GO.

249
00:12:37,571 --> 00:12:38,871
WELL, SHE SAID
SHE WAS COMING,

250
00:12:38,872 --> 00:12:40,812
AND THIS IS A NICE PARTY,
THANK YOU.

251
00:12:40,807 --> 00:12:41,777
AND SPEAKING
OF THIS PARTY...

252
00:12:41,775 --> 00:12:43,305
[ CHUCKLES ]

253
00:12:43,309 --> 00:12:45,579
...ALL THESE FOLKS
DRINKING ALL THIS BEER,
EATING ALL THE FOOD ‐‐

254
00:12:45,579 --> 00:12:46,879
HOW MUCH THIS PARTY COST US?
LOOK...

255
00:12:46,880 --> 00:12:47,810
DON'T WORRY
ABOUT THAT, BOY.

256
00:12:47,814 --> 00:12:49,354
MAMA, LISTEN,
I'M HAVING FUN,

257
00:12:49,349 --> 00:12:51,749
BUT YOU KNOW WE AIN'T
GOT NO DAMN MONEY TO BE
WASTING ON THIS PARTY.

258
00:12:51,752 --> 00:12:54,152
YOU WATCH YOUR MOUTH,
AND I'M GOING BACK TO
WORK TOMORROW. OH!

259
00:12:54,154 --> 00:12:56,724
MM‐HMM. SO, WHAT'S THAT MEAN?
WE GOT TWO WEEKS BEFORE
THE LIGHTS CUT OFF?

260
00:12:56,723 --> 00:12:58,123
THE LIGHTS
AIN'T GONNA BE CUT OFF.

261
00:12:58,124 --> 00:12:59,734
LISTEN, I SEEN IT.
I SEEN THE BILL.

262
00:12:59,726 --> 00:13:01,636
AND STOP TRYING
TO HIDE THEM FROM ME.

263
00:13:01,635 --> 00:13:03,635
I KNEW YOU
WERE GONNA FIND THEM.

264
00:13:03,637 --> 00:13:06,807
PLAYING THE WHOLE "STUFF THEM
BEHIND THE FRIDGE" THING.
YOU'RE GONNA CAUSE A FIRE.

265
00:13:06,807 --> 00:13:09,007
WILL YOU PLEASE
STOP WORRYING ABOUT THAT

266
00:13:09,009 --> 00:13:10,179
AND HAVE A GOOD TIME?

267
00:13:10,176 --> 00:13:11,776
WE'LL DEAL
WITH THAT TOMORROW.

268
00:13:11,778 --> 00:13:13,608
OKAY?

269
00:13:13,614 --> 00:13:15,054
GO ON
AND ENJOY YOURSELF.

270
00:13:15,048 --> 00:13:17,248
GO ON. YOU ‐‐ BOY, YOU NEED
TO LEARN HOW TO RELAX.

271
00:13:17,250 --> 00:13:19,090
GO ON. GO BACK TO THE PARTY.
YOU NEED TO STOP DRINKING.

272
00:13:19,085 --> 00:13:21,555
WHAT? ME?
YEAH.

273
00:13:21,555 --> 00:13:23,285
WHERE IS THAT FLASK YOU HAD?
[ CHUCKLES ]

274
00:13:23,289 --> 00:13:24,859
YOU'RE DRINKING
TOO MUCH OF THAT.

275
00:13:54,988 --> 00:13:57,458
[ CELLPHONE RINGING ]

276
00:14:13,179 --> 00:14:14,179
[ RAP MUSIC PLAYING ]

277
00:14:14,180 --> 00:14:15,520
Benny:
C‐MONEY, WHAT'S UP?

278
00:14:15,516 --> 00:14:16,916
HEY.

279
00:14:16,917 --> 00:14:18,077
[ GRUNTS ]

280
00:14:18,084 --> 00:14:19,594
YOU HAVING FUN?

281
00:14:19,586 --> 00:14:20,716
CAN'T YOU TELL?

282
00:14:20,721 --> 00:14:21,691
[ CHUCKLES ]

283
00:14:21,688 --> 00:14:22,918
[ CHUCKLES ]

284
00:14:22,923 --> 00:14:24,793
AIN'T IT PRETTY DOPE
TO SEE EVERYBODY?

285
00:14:24,791 --> 00:14:25,861
SURE.

286
00:14:27,460 --> 00:14:28,530
COUSIN BETTY.

287
00:14:28,529 --> 00:14:29,459
[ BOTH LAUGH ]

288
00:14:29,462 --> 00:14:30,732
PLEASE DON'T
CALL HER OVER HERE.

289
00:14:30,731 --> 00:14:33,471
SHE ‐‐
SHE DRIVES ME CRAZY.

290
00:14:33,466 --> 00:14:35,036
WHAT ARE YOU
TRYING TO DO, BENNY?

291
00:14:35,035 --> 00:14:36,935
YOU CAN'T PROTECT ME
FOREVER.

292
00:14:36,937 --> 00:14:38,937
YOU WANT TO BET?

293
00:14:38,939 --> 00:14:41,109
I'M STAYING
WITH A FRIEND,

294
00:14:41,107 --> 00:14:42,707
AND IT'S SAFE THERE.
OH.

295
00:14:42,709 --> 00:14:43,779
AND WHO'S
THIS FRIEND?

296
00:14:43,777 --> 00:14:45,777
HIS NAME IS JEFFERY.
[ MAKES BUZZER NOISE ]

297
00:14:45,779 --> 00:14:47,779
WRONG ANSWER ALREADY.
HE'S A GUY?

298
00:14:47,781 --> 00:14:49,281
YES.
NO.

299
00:14:49,282 --> 00:14:50,622
HE'S GAY.

300
00:14:50,617 --> 00:14:52,347
WELL, GOOD FOR HIM.
YOU'RE STAYING HERE.

301
00:14:53,453 --> 00:14:55,863
LIKE I WAS SAYING,
HIS NAME IS JEFFERY.

302
00:14:55,856 --> 00:14:58,556
QUINCY KNOWS
NOTHING ABOUT HIM.

303
00:14:58,559 --> 00:14:59,989
I'LL BE FINE,
I'M OKAY.

304
00:14:59,993 --> 00:15:01,173
BUT I HAVE TO GO.

305
00:15:01,167 --> 00:15:02,637
LISTEN, CANDACE,
I'M NOT PLAYING WITH YOU.

306
00:15:02,636 --> 00:15:03,866
NOT LEAVING HERE.

307
00:15:03,870 --> 00:15:06,670
[ SCOFFS ]
SHE DOESN'T WANT ME HERE.

308
00:15:06,673 --> 00:15:08,883
SHE KEEPS LOOKING AT THE STREET
LIKE EVERY FIVE MINUTES

309
00:15:08,875 --> 00:15:11,435
AS IF SHE'S LOOKING FOR
A DRIVE‐BY OR SOMETHING.

310
00:15:11,444 --> 00:15:13,154
IT ‐‐ IT WOULD BE BEST
IF I LEAVE.

311
00:15:13,146 --> 00:15:15,976
FOR YOUR INFORMATION,
SHE'S NOT LOOKING FOR QUINCY.

312
00:15:17,050 --> 00:15:19,120
WHO IS SHE LOOKING FOR?
HER BOSS.

313
00:15:19,119 --> 00:15:20,249
KATHERYN CRYER?

314
00:15:20,253 --> 00:15:21,593
YEAH.
THAT'S WHAT SHE SAID.

315
00:15:21,588 --> 00:15:23,858
[ SCOFFS ] THAT LADY IS NOT
COMING TO THIS NEIGHBORHOOD.

316
00:15:23,857 --> 00:15:25,657
[ Laughing ] THAT'S WHAT
I TRIED TO TELL HER.

317
00:15:25,659 --> 00:15:26,829
[ CHUCKLES ]

318
00:15:26,827 --> 00:15:29,297
SHE REALLY THINKS
THOSE PEOPLE CARE ABOUT HER.

319
00:15:29,295 --> 00:15:30,855
THEY DON'T GIVE A DAMN
ABOUT NOBODY.

320
00:15:30,864 --> 00:15:33,104
WELL, WHAT YOU KNOW
ABOUT THEM?

321
00:15:34,768 --> 00:15:38,298
THEY ARE COLD AND...

322
00:15:38,304 --> 00:15:39,874
RUTHLESS.

323
00:15:39,873 --> 00:15:41,343
OH, YEAH?
MM‐HMM.

324
00:15:41,341 --> 00:15:43,611
YOU HAVE NO IDEA.

325
00:15:43,610 --> 00:15:46,350
GO AHEAD, TELL ME.

326
00:15:46,346 --> 00:15:48,406
HMM.

327
00:15:48,414 --> 00:15:51,324
YOU KNOW, I HEARD
THIS STORY ABOUT JIM CRYER.

328
00:15:51,317 --> 00:15:52,817
HE'S RUNNING
FOR GOVERNOR.

329
00:15:52,819 --> 00:15:54,589
MM‐HMM. YEAH.
YEAH, SOMETHING LIKE THAT.

330
00:15:54,588 --> 00:15:55,688
WELL, THAT'S HER HUSBAND.

331
00:15:55,689 --> 00:15:56,859
UH‐HUH.

332
00:15:56,857 --> 00:15:59,457
SO, THIS GUY
PISSED HIM OFF, RIGHT?

333
00:15:59,459 --> 00:16:02,139
SO HE LOCKED HIM
IN THE BASEMENT FOR A FEW DAYS,

334
00:16:02,135 --> 00:16:06,565
PUT A BAG OVER HIS HEAD,
PUT A GUN BY HIS EAR,

335
00:16:06,573 --> 00:16:07,743
AND PULLED THE TRIGGER.

336
00:16:07,741 --> 00:16:08,811
HE KILLED HIM?

337
00:16:08,809 --> 00:16:09,679
NO.

338
00:16:09,676 --> 00:16:11,706
HE JUST TOOK
EVERYTHING HE HAD ‐‐

339
00:16:11,712 --> 00:16:15,052
MONEY, CAR,
EVERYTHING.

340
00:16:15,048 --> 00:16:17,378
FOR WHAT? WHY?

341
00:16:17,383 --> 00:16:19,323
JUST TO SCARE HIM.

342
00:16:19,319 --> 00:16:21,889
HE DIDN'T SHOOT HIM,

343
00:16:21,888 --> 00:16:24,728
BUT THE GUY WAS SO SCARED THAT
HE THOUGHT HE WOULD HAVE SHOT.

344
00:16:29,696 --> 00:16:32,596
WELL, YOU SHOULD TELL
THAT DUMB‐ASS DUDE TO
LEAVE THAT MAN ALONE.

345
00:16:32,599 --> 00:16:34,799
ONE, THE GUY'S NOT DUMB,
BECAUSE I KNOW HIM,

346
00:16:34,801 --> 00:16:37,571
AND TWO, IT JUST
PISSED THE GUY OFF EVEN MORE.

347
00:16:37,571 --> 00:16:38,911
WHAT'D HE DO?

348
00:16:40,741 --> 00:16:43,611
HE GOT EVEN
WITH HIS ASS.

349
00:16:43,610 --> 00:16:44,750
HOW?

350
00:16:46,212 --> 00:16:47,952
I DON'T KNOW
THE END OF THE STORY,

351
00:16:47,948 --> 00:16:50,548
BUT WHEN I FIND OUT,
I WILL LET YOU KNOW.

352
00:16:51,718 --> 00:16:53,188
[ CHUCKLES ]

353
00:16:53,186 --> 00:16:55,956
IS THIS THE MAFIA OR SOMETHING?
THEY SOUND CRAZY.

354
00:16:55,956 --> 00:16:58,686
NOT AS CRAZY AS THE GUY
HE MESSED WITH.

355
00:16:58,692 --> 00:17:01,202
SOUNDS LIKE
A JACKED‐UP SITUATION.

356
00:17:01,201 --> 00:17:02,771
HOW YOU KNOW
SO MUCH ABOUT IT?

357
00:17:03,870 --> 00:17:05,110
YOU FORGET?

358
00:17:05,105 --> 00:17:06,565
I'M FRIENDS
WITH HIS DAUGHTER.

359
00:17:06,573 --> 00:17:08,743
OH, THAT'S RIGHT.

360
00:17:08,742 --> 00:17:11,042
MM.

361
00:17:11,044 --> 00:17:12,714
WELL, THE WIFE
CAN'T BE THAT BAD.

362
00:17:12,713 --> 00:17:14,923
NO. SHE IS.

363
00:17:14,915 --> 00:17:15,915
MNH‐MNH.

364
00:17:15,916 --> 00:17:19,086
THOSE PEOPLE DO EVERYTHING
FOR A REASON.

365
00:17:19,085 --> 00:17:21,145
WELL, THEN WHY'D SHE MOVE ME
TO A PRIVATE HOSPITAL

366
00:17:21,154 --> 00:17:22,324
AND PAY
FOR ALL MY BILLS?

367
00:17:22,322 --> 00:17:24,122
WHAT?

368
00:17:24,124 --> 00:17:24,994
YEAH.

369
00:17:24,991 --> 00:17:25,891
KATHERYN CRYER?

370
00:17:25,892 --> 00:17:26,892
YEAH, THAT'S
WHAT MAMA SAID.

371
00:17:28,895 --> 00:17:30,225
THAT'S INTERESTING.

372
00:17:30,230 --> 00:17:34,000
SO, SHE CAN'T BE
THAT BAD.

373
00:18:02,468 --> 00:18:04,538
I KNOW
THIS IS HARD FOR YOU.

374
00:18:04,538 --> 00:18:07,138
CAN WE
NOT TALK ABOUT IT?

375
00:18:07,140 --> 00:18:08,940
OKAY.

376
00:18:08,942 --> 00:18:12,112
I'D RATHER WE JUST DO THIS
IF WE'RE GOING TO DO IT.

377
00:18:13,847 --> 00:18:15,347
OKAY.
[ CHUCKLES SOFTLY ]

378
00:18:16,717 --> 00:18:18,217
I'M SORRY.

379
00:18:18,218 --> 00:18:19,448
FOR WHAT?

380
00:18:25,792 --> 00:18:27,662
FOR NOT WANTING
TO TALK.

381
00:18:30,531 --> 00:18:32,131
DON'T BE.

382
00:18:33,166 --> 00:18:35,566
JUST...

383
00:18:35,569 --> 00:18:36,539
[ SIGHS ]

384
00:18:36,537 --> 00:18:38,137
JUST THAT I'VE NEVER...

385
00:18:38,138 --> 00:18:41,308
YEAH, I, UH ‐‐
I GET THAT.

386
00:18:41,307 --> 00:18:43,207
I'M GONNA NEED
A MOMENT,

387
00:18:43,209 --> 00:18:47,679
SOME LIQUID COURAGE

388
00:18:47,681 --> 00:18:51,421
TO SILENCE THE VOICES
IN MY HEAD.

389
00:18:51,417 --> 00:18:54,617
YOU KNOW, I WOULD ASK YOU
WHAT THEY'RE SAYING, BUT...

390
00:18:54,621 --> 00:18:57,691
YOU DON'T WANT
TO TALK, SO...

391
00:18:57,691 --> 00:18:58,391
[ CHUCKLES ]

392
00:18:58,391 --> 00:18:59,291
[ CHUCKLES ]

393
00:19:01,568 --> 00:19:04,398
MAYBE WE SHOULDN'T
DO THIS. EH...

394
00:19:04,404 --> 00:19:06,314
I ALREADY KNOW THAT.

395
00:19:07,774 --> 00:19:10,344
YET HERE I AM.

396
00:19:11,377 --> 00:19:13,647
[ CHUCKLES ]

397
00:19:13,647 --> 00:19:15,417
AND HERE I AM.

398
00:19:26,426 --> 00:19:28,386
MM.

399
00:19:28,394 --> 00:19:30,604
HERE, LET ME, UM,

400
00:19:30,597 --> 00:19:32,897
LET ME GET YOU
ANOTHER DRINK.

401
00:19:39,105 --> 00:19:41,305
[ DRINK POURS ]

402
00:19:47,147 --> 00:19:50,277
SO...

403
00:19:50,283 --> 00:19:51,723
HERE WE ARE.

404
00:19:51,718 --> 00:19:54,618
[ SIGHS ]

405
00:19:54,621 --> 00:19:56,391
[ MOANS ]

406
00:19:58,859 --> 00:20:02,739
NOTHING VENTURED,
NOTHING GAINED, RIGHT?

407
00:20:02,736 --> 00:20:04,806
[ BREATHING HEAVILY ]

408
00:20:21,121 --> 00:20:22,761
[ THUDDING IN TRUNK ]

409
00:20:25,759 --> 00:20:27,429
[ ENGINE SHUTS OFF ]

410
00:20:28,261 --> 00:20:30,101
Jim:
LET ME OUT OF THIS TRUNK!

411
00:20:31,064 --> 00:20:33,574
SEE NOTHING, PEOPLE.

412
00:20:33,567 --> 00:20:35,867
[ MURMURING ]

413
00:20:40,907 --> 00:20:42,607
Jim:
I AM A FEDERAL JUDGE!

414
00:20:42,609 --> 00:20:43,779
YOU FEEL THAT?

415
00:20:43,777 --> 00:20:46,707
MAN, I ASKED YOU
A QUESTION. YOU FEEL THAT?

416
00:20:46,713 --> 00:20:48,153
YES.

417
00:20:48,148 --> 00:20:49,078
GOOD.

418
00:20:49,082 --> 00:20:50,522
SO, YOU SAY
ONE MORE THING,

419
00:20:50,517 --> 00:20:53,017
AND WHAT COME OUT THE END
OF THIS STEEL ‐‐ OOH, BABY ‐‐

420
00:20:53,019 --> 00:20:54,759
IT'S GONNA HAVE YOU
SILENT FOREVER.

421
00:20:54,755 --> 00:20:56,615
YOU GOT ME?

422
00:20:56,623 --> 00:20:57,523
I GOT YOU.

423
00:20:57,524 --> 00:20:58,464
TAKE HIM.

424
00:21:03,469 --> 00:21:04,639
[ SPEAKING
INDISTINCTLY ]

425
00:21:07,407 --> 00:21:12,907
I'M A FEDERAL JUDGE!

426
00:21:12,913 --> 00:21:16,753
YOU HAVE NO IDEA WHAT YOU ARE
GETTING YOURSELF INTO.

427
00:21:16,750 --> 00:21:17,850
I'M A ‐‐

428
00:21:17,851 --> 00:21:20,521
I'M A FEDERAL JUDGE!

429
00:21:23,990 --> 00:21:25,360
[ RESTRAINTS CLICK ]

430
00:21:37,137 --> 00:21:38,097
[ CELLPHONE RINGS ]

431
00:21:38,104 --> 00:21:39,414
MM. UH, ONE SECOND.
MY PHONE.

432
00:21:39,405 --> 00:21:40,565
WHO IS THAT?
JEFFERY.

433
00:21:40,574 --> 00:21:42,514
WHO IS THAT? YOU AIN'T
GOT TIME TO TALK TO HIM.

434
00:21:42,509 --> 00:21:44,179
BENNY, STOP.
BENNY, GIVE ME A SECOND.

435
00:21:44,177 --> 00:21:46,577
YOU NEED TO DANCE WITH YOUR
BROTHER. COME ON NOW. COME ON!

436
00:21:46,580 --> 00:21:48,680
GOT TIME
TO TALK TO <i>HIM?</i>

437
00:21:48,682 --> 00:21:51,022
YO, I'M THE FLYEST
ON THE DANCE FLOOR. HEY.

438
00:21:51,017 --> 00:21:52,717
[ MID‐TEMPO HIP‐HOP MUSIC
PLAYING ]

439
00:22:03,136 --> 00:22:04,196
TALK TO ME.

440
00:22:04,204 --> 00:22:05,614
YEAH, WE GOT HIM.

441
00:22:08,775 --> 00:22:10,275
YEAH?
Yeah.

442
00:22:10,276 --> 00:22:11,546
WHERE IS HE?

443
00:22:11,545 --> 00:22:14,775
HE'S, UH,
HERE IN THE WAR ROOM.

444
00:22:14,781 --> 00:22:16,421
AND, YO, HE MAD.

445
00:22:18,752 --> 00:22:19,992
THANK YOU, WAR.

446
00:22:19,986 --> 00:22:22,286
All righty.
When you coming?

447
00:22:22,288 --> 00:22:23,518
I'M TRYING
TO SHAKE BENNY.

448
00:22:23,524 --> 00:22:24,534
W‐WHY?

449
00:22:24,525 --> 00:22:26,155
HE KNOWS
QUINCY'S AFTER ME.

450
00:22:26,159 --> 00:22:28,089
Well, you know Benny's right
about that.

451
00:22:28,094 --> 00:22:29,804
WELL, HE CAN'T PROTECT ME
FOREVER.

452
00:22:29,796 --> 00:22:31,826
LOOK, CAN, I DON'T WANT
YOUR BROTHER ON THIS.

453
00:22:31,832 --> 00:22:33,602
IF "Q" FIND YOU'RE TRYING
TO GET OVER HERE ‐‐

454
00:22:33,600 --> 00:22:35,440
I'LL BE FINE.
I'LL BE FINE.

455
00:22:35,435 --> 00:22:36,695
How you getting here?

456
00:22:36,703 --> 00:22:37,803
I'LL GET A CAB.

457
00:22:37,804 --> 00:22:39,414
NO, SCRATCH THAT.
I'LL SEND SOMEBODY.

458
00:22:39,405 --> 00:22:41,405
Okay, well, have them meet me
around the corner.

459
00:22:41,407 --> 00:22:43,637
SO, UM...

460
00:22:43,644 --> 00:22:44,954
I'M GONNA TRY
TO SNEAK OUT.

461
00:22:44,945 --> 00:22:45,945
ALL RIGHT.

462
00:22:45,946 --> 00:22:47,206
YO, BE CAREFUL.

463
00:22:47,213 --> 00:22:48,283
"Q" LOOKING EVERYWHERE
FOR YOU.

464
00:22:48,348 --> 00:22:51,078
I TOLD YOU
I'LL BE FINE.

465
00:22:51,084 --> 00:22:52,124
All right.

466
00:22:52,118 --> 00:22:55,458
NOW, ABOUT THIS FOOL
OVER HERE.

467
00:22:56,657 --> 00:22:57,857
YOU SURE YOU GOT THIS?

468
00:22:57,858 --> 00:23:00,028
OH, WAR,

469
00:23:00,026 --> 00:23:03,296
I HAVE NEVER BEEN SO SURE
ABOUT ANYTHING IN MY LIFE.

470
00:23:03,303 --> 00:23:04,943
AND WHAT ABOUT ALL THESE FOLK
HE TALKING ABOUT

471
00:23:04,938 --> 00:23:06,208
GONNA BE LOOKING FOR ME
TOMORROW?

472
00:23:06,206 --> 00:23:07,606
IS THAT WHAT HE SAID?

473
00:23:07,608 --> 00:23:10,978
He been in the trunk,
screaming it the whole way here.

474
00:23:10,977 --> 00:23:12,277
THEN LET THEM LOOK.

475
00:23:12,278 --> 00:23:13,648
[ SCOFFS ]

476
00:23:13,647 --> 00:23:16,047
GIRL, YOU AIN'T NEVER BEEN
SCARED OF NOTHING, I SWEAR.

477
00:23:16,049 --> 00:23:17,419
NO, I HAVEN'T.

478
00:23:17,417 --> 00:23:20,987
ESPECIALLY NO PUNK‐ASS WANNABE
WHO THINKS HE'S GOT SOME POWER.

479
00:23:20,987 --> 00:23:23,487
YEAH,
YOU MY CRAZY CANDY CANE.

480
00:23:23,489 --> 00:23:26,189
YES, I AM.

481
00:23:26,192 --> 00:23:29,132
DID YOU GET EVERYTHING I NEEDED
ON THAT LIST?

482
00:23:29,129 --> 00:23:31,159
Yeah, it's all set up.

483
00:23:31,164 --> 00:23:32,934
OKAY, GOOD.

484
00:23:32,933 --> 00:23:37,303
WELL, NOW, SEND YOUR BOYS,
AND, UH, I'LL ‐‐ I'LL BE READY.

485
00:23:37,303 --> 00:23:39,013
Okay.

486
00:23:39,005 --> 00:23:41,135
HEY.

487
00:23:41,141 --> 00:23:42,381
WHAT'S HE DOING?

488
00:23:42,375 --> 00:23:45,205
MAN, HE OVER THERE SHAKING
LIKE A STRIPPER.

489
00:23:45,211 --> 00:23:47,781
[ LAUGHS ]

490
00:23:47,781 --> 00:23:49,081
PUT HIM ON THE PHONE.

491
00:23:49,082 --> 00:23:50,882
All right, I will.
SPEAKER.

492
00:23:58,759 --> 00:24:02,039
HEY, BOSS,
SOMEBODY WANT TO TALK TO YOU.

493
00:24:03,136 --> 00:24:05,106
CANDACE: Hello, lover.

494
00:24:05,105 --> 00:24:07,205
YOU HAVE LOST YOUR MIND.

495
00:24:07,207 --> 00:24:08,607
YES, DARLING.

496
00:24:08,609 --> 00:24:09,809
Candace.

497
00:24:09,810 --> 00:24:10,910
YES?

498
00:24:10,911 --> 00:24:13,781
I WANT YOU TO TELL YOUR FRIENDS
TO LET ME GO.

499
00:24:13,780 --> 00:24:15,220
NO, THAT CAN'T HAPPEN.

500
00:24:15,215 --> 00:24:18,375
YOU HAVE NO IDEA THE PLANS
I HAVE IN STORE FOR US,

501
00:24:18,384 --> 00:24:19,394
DO YOU, LOVER?

502
00:24:19,385 --> 00:24:20,515
CANDACE.

503
00:24:20,521 --> 00:24:22,991
You locked me in a basement
full of rats

504
00:24:22,989 --> 00:24:25,259
WITH THAT THING
YOU CALL MAMA ROSE.

505
00:24:25,258 --> 00:24:26,258
Candace.

506
00:24:26,259 --> 00:24:28,359
THAT...

507
00:24:28,361 --> 00:24:30,601
THAT SMELL.

508
00:24:30,597 --> 00:24:32,367
THERE WERE THINGS CRAWLING
ALL OVER ME

509
00:24:32,365 --> 00:24:34,165
in that dark and cold place.

510
00:24:34,167 --> 00:24:36,097
I AM WARNING YOU,
CANDACE.

511
00:24:36,102 --> 00:24:39,212
AND I'M WARNING YOU
TO SHUT YOUR MOUTH.

512
00:24:39,205 --> 00:24:40,465
YOU HAD BETTER LET ME GO.

513
00:24:40,473 --> 00:24:42,413
THEY DON'T TAKE ORDERS
FROM YOU.

514
00:24:42,408 --> 00:24:45,148
THEY BETTER TAKE ORDERS FROM ME,
OR THEY'RE ALL GOING TO JAIL.

515
00:24:45,145 --> 00:24:46,475
OH, JIM.

516
00:24:46,479 --> 00:24:49,549
THE THINGS THAT SCARE YOU
BEHIND YOUR MANSION WALLS,

517
00:24:49,550 --> 00:24:51,480
WE DON'T GIVE A DAMN ABOUT.

518
00:24:51,484 --> 00:24:52,924
DON'T YOU GET THAT?

519
00:24:52,919 --> 00:24:54,219
You don't get it.

520
00:24:54,220 --> 00:24:56,960
IN A FEW SHORT HOURS,
EVERY REPORTER IN THIS STATE

521
00:24:56,957 --> 00:24:59,087
IS GOING TO BE
AT MY CAMPAIGN OFFICE.

522
00:24:59,092 --> 00:25:00,592
MY CAMPAIGN OFFICE!

523
00:25:00,594 --> 00:25:03,644
A FORMER PRESIDENT,
THE GOVERNOR OF THIS STATE ‐‐

524
00:25:03,637 --> 00:25:06,137
THEY WILL BE THERE,
EACH AND EVERY ONE OF THEM,

525
00:25:06,139 --> 00:25:08,139
EXPECTING ME
TO MAKE AN ANNOUNCEMENT

526
00:25:08,141 --> 00:25:10,441
THAT I AM RUNNING
FOR GOVERNOR.

527
00:25:10,443 --> 00:25:12,283
What you don't seem
to understand is

528
00:25:12,278 --> 00:25:14,148
IF I AM NOT THERE,

529
00:25:14,147 --> 00:25:17,717
THEY ARE GOING TO SEND OUT
EVERY STATE TROOPER

530
00:25:17,718 --> 00:25:19,548
AND EVERY FEDERAL AGENT

531
00:25:19,553 --> 00:25:22,023
THEY CAN GET
THEIR GREEDY, LITTLE HANDS ON,

532
00:25:22,022 --> 00:25:24,092
AND THEY WILL COME LOOKING
FOR ME.

533
00:25:24,090 --> 00:25:25,460
OH, I KNOW THAT.

534
00:25:25,458 --> 00:25:28,428
THAT'S WHY
I WANTED IT TO BE TONIGHT.

535
00:25:28,428 --> 00:25:29,928
Brace yourself.

536
00:25:29,930 --> 00:25:30,960
CANDACE.

537
00:25:30,964 --> 00:25:32,804
You had them take me
on a dark road

538
00:25:32,799 --> 00:25:35,499
WITH A HOOD OVER MY HEAD
TO PRETEND TO SHOOT ME.

539
00:25:35,501 --> 00:25:37,171
I SHOULD'VE LET THEM
DO IT.

540
00:25:37,170 --> 00:25:38,470
I AM THE KIND OF BITCH

541
00:25:38,471 --> 00:25:40,941
THAT YOU SHOULD'VE KILLED
WHEN YOU HAD THE CHANCE TO.

542
00:25:40,941 --> 00:25:42,941
BELIEVE ME,
I'LL REMEMBER THAT.

543
00:25:42,943 --> 00:25:44,283
War.

544
00:25:44,277 --> 00:25:45,647
YEAH, BABY?

545
00:25:45,646 --> 00:25:49,516
KEEP HIM ON ICE.

546
00:25:49,516 --> 00:25:51,586
I'LL BE THERE SOON.

547
00:25:51,585 --> 00:25:53,715
Okay.

548
00:25:56,122 --> 00:25:57,462
[ CELLPHONE BEEPS ]

549
00:25:57,457 --> 00:25:59,527
[ CHUCKLES ]

550
00:25:59,526 --> 00:26:01,696
LET'S CUT THE LIGHTS OFF,
FELLAS.

551
00:26:01,702 --> 00:26:04,172
LET'S GIVE THE JUDGE
SOME ALONE TIME.

552
00:26:06,973 --> 00:26:08,173
WE'LL BE BACK.

553
00:26:14,114 --> 00:26:15,124
[ SWITCH CLICKS ]

554
00:26:15,115 --> 00:26:16,215
[ DOOR CLOSES ]

555
00:26:16,216 --> 00:26:18,016
UM, I'LL BE BACK.

556
00:26:18,018 --> 00:26:19,188
HERE, KEVIN, TRY THIS.

557
00:26:19,185 --> 00:26:21,385
IT'S GOOD.
I THINK I PUT MY FOOT IN THERE.

558
00:26:21,387 --> 00:26:22,517
ARE YOU GOING TO BED?

559
00:26:22,523 --> 00:26:23,823
NO, I'M NOT GOING TO BED.

560
00:26:23,824 --> 00:26:25,334
I'M GOING TO CHECK
MY MESSAGES.

561
00:26:25,325 --> 00:26:26,755
STAY OUT OF MY BUSINESS,
HEAR?

562
00:26:26,760 --> 00:26:28,390
[ LAUGHS ]

563
00:26:41,441 --> 00:26:43,481
[ CELLPHONE BEEPS ]

564
00:26:43,476 --> 00:26:44,706
Katheryn:
<i>HANNA, IT'S KATHERYN.</i>

565
00:26:44,711 --> 00:26:45,711
<i>I'M SORRY.</i>

566
00:26:45,712 --> 00:26:46,982
<i>I‐I TRIED TO CALL YOU,</i>

567
00:26:46,980 --> 00:26:49,250
<i>BUT I'M NOT GOING TO BE ABLE</i>
<i>TO MAKE IT OVER.</i>

568
00:26:49,249 --> 00:26:51,279
<i>WE HAVE A HUGE PRESS CONFERENCE</i>
<i>TOMORROW</i>

569
00:26:51,284 --> 00:26:52,524
<i>ANNOUNCING JIM'S RUNNING,</i>

570
00:26:52,519 --> 00:26:54,349
<i>AND YOU KNOW</i>
<i>I NEED MY BEAUTY REST.</i>

571
00:26:54,354 --> 00:26:55,994
[ CHUCKLES ]
[ CHUCKLES ]

572
00:26:55,989 --> 00:26:57,089
<i>RAIN CHECK, OKAY?</i>

573
00:26:57,090 --> 00:27:00,030
<i>SEND BENNY MY LOVE.</i>
<i>BYE‐BYE.</i>

574
00:27:00,026 --> 00:27:01,196
[ GROANS ]

575
00:27:01,201 --> 00:27:03,071
[ CELLPHONE BEEPS ]

576
00:27:13,213 --> 00:27:14,823
MICHAEL?

577
00:27:18,084 --> 00:27:19,394
EVERYTHING ALL RIGHT?

578
00:27:19,385 --> 00:27:21,145
YEAH.

579
00:27:21,154 --> 00:27:23,094
YOU SURE?

580
00:27:23,089 --> 00:27:24,089
[ CHUCKLES ]

581
00:27:24,090 --> 00:27:25,260
WHAT ARE YOU GONNA DO
IF IT ISN'T?

582
00:27:25,258 --> 00:27:26,728
ALL THIS STAGGERING.

583
00:27:26,727 --> 00:27:28,727
I'M NOT STAGGERING,
BABY.

584
00:27:28,729 --> 00:27:30,129
MICHAEL,
YOU NEED TO LAY DOWN.

585
00:27:30,130 --> 00:27:31,160
I'M FINE.

586
00:27:31,164 --> 00:27:32,904
JUST LIKE YOU FINE.

587
00:27:32,899 --> 00:27:35,069
[ LAUGHS ]
YEAH.

588
00:27:35,068 --> 00:27:37,998
OKAY, COME ON IN MY ROOM
AND LAY DOWN AND SLEEP IT OFF.

589
00:27:38,004 --> 00:27:40,114
ARE YOU SURE?
UH‐HUH.

590
00:27:40,106 --> 00:27:42,236
ALL RIGHT, LET'S GO.

591
00:27:42,242 --> 00:27:43,342
HEY, WAIT,
WAIT, WAIT, WAIT.

592
00:27:43,343 --> 00:27:44,553
YOU DON'T KNOW
WHERE MY ROOM IS.

593
00:27:44,545 --> 00:27:45,605
I'M FOLLOWING YOU.

594
00:27:45,612 --> 00:27:47,012
[ Chuckling ]
C‐COME ON, MAN.

595
00:27:47,013 --> 00:27:48,153
ALL RIGHT.
GO THAT WAY.

596
00:27:53,353 --> 00:27:55,493
MICHAEL, TURN AROUND.

597
00:27:57,658 --> 00:27:59,028
[ CHUCKLES ]

598
00:28:00,701 --> 00:28:02,071
LAY DOWN.

599
00:28:02,068 --> 00:28:03,298
UNH‐UNH.

600
00:28:08,008 --> 00:28:10,308
LAY DOWN.

601
00:28:10,310 --> 00:28:12,550
[ CHUCKLES ]

602
00:28:15,081 --> 00:28:17,151
WHAT'S THAT MAN DOING
IN YOUR ROOM?

603
00:28:17,150 --> 00:28:20,120
HE IS MY GUEST,
AND HE NEEDS TO SLEEP IT OFF.

604
00:28:20,120 --> 00:28:21,660
HE NEEDS TO
TAKE HIS ASS HOME.

605
00:28:21,655 --> 00:28:23,355
HUSH, BOY.

606
00:28:26,026 --> 00:28:27,356
TELL YOU WHAT,
I'M WATCHING HIM.

607
00:28:27,360 --> 00:28:28,860
[ CHUCKLES ]
AND YOU.

608
00:28:28,862 --> 00:28:30,362
STILL WAITING
FOR YOUR BOSS?

609
00:28:30,363 --> 00:28:33,033
SHE JUST LEFT ME A MESSAGE
AND SAID SHE COULDN'T MAKE IT.

610
00:28:33,033 --> 00:28:34,573
AH.

611
00:28:34,568 --> 00:28:35,898
TOLD YOU.

612
00:28:35,902 --> 00:28:37,472
I TOLD YOU SHE WAS TOO
DAMN SCARED TO COME DOWN HERE.

613
00:28:37,470 --> 00:28:38,740
LISTEN.

614
00:28:38,739 --> 00:28:40,739
THAT WOMAN MOVED YOU TO
THE BEST HOSPITAL IN THIS CITY.

615
00:28:40,741 --> 00:28:42,911
SHE PAID EVERY ONE
OF YOUR HOSPITAL BILLS.

616
00:28:42,909 --> 00:28:45,849
SHE DON'T NEVER NEED TO COME
OVER HERE AND DO NOTHING ELSE.

617
00:28:45,846 --> 00:28:46,846
SHE'S DONE ENOUGH.

618
00:28:46,847 --> 00:28:48,377
HEY, YOU TOLD ME.
MM‐HMM.

619
00:28:48,381 --> 00:28:49,921
SO STOP LISTENING
TO YOUR SISTER.

620
00:28:49,916 --> 00:28:51,176
HOW YOU KNOW
I'M LISTENING TO HER?

621
00:28:51,184 --> 00:28:53,524
[ Laughing ]
WHO YOU THINK YOU TALKING TO?

622
00:28:53,520 --> 00:28:54,620
WHERE'S SHE AT?

623
00:28:54,621 --> 00:28:56,491
I DON'T KNOW.

624
00:28:56,489 --> 00:28:58,529
TELL YOU WHAT, SHE BETTER NOT
HAVE LEFT THIS DAMN HOUSE.

625
00:28:58,525 --> 00:29:00,355
COME ON.

626
00:29:00,360 --> 00:29:03,470
HEY, Y'ALL,
I GOT SOME MORE CHICKEN.

627
00:29:03,469 --> 00:29:05,209
WHAT'S UP, DAWG?

628
00:29:10,243 --> 00:29:12,483
Byron: HANNA.

629
00:29:12,478 --> 00:29:13,548
BYRON.

630
00:29:13,547 --> 00:29:15,677
HEY.

631
00:29:15,682 --> 00:29:17,422
WHAT ARE YOU DOING HERE?

632
00:29:17,417 --> 00:29:19,387
IT'S A PARTY, RIGHT?

633
00:29:19,385 --> 00:29:21,245
YOU SAID YOU WEREN'T
GONNA BE ABLE TO MAKE IT.

634
00:29:21,254 --> 00:29:24,794
YEAH, NAH, I FREED UP.

635
00:29:24,791 --> 00:29:27,561
YEAH, WELL,
WE WINDING DOWN.

636
00:29:27,561 --> 00:29:30,331
OH, I COULD...HANG OUT
FOR A LITTLE BIT.

637
00:29:30,330 --> 00:29:31,400
NO.

638
00:29:32,766 --> 00:29:34,296
LET ME AT LEAST SAY HI
TO BENNY.

639
00:29:34,300 --> 00:29:36,040
DON'T NEED TO DO
ALL THAT.

640
00:29:36,036 --> 00:29:37,196
HE DON'T KNOW YOU.

641
00:29:37,203 --> 00:29:38,403
YOU DON'T KNOW HIM.

642
00:29:38,404 --> 00:29:39,874
NOW I NEED YOU TO LEAVE.

643
00:29:42,743 --> 00:29:44,853
SO YOU HEARD HIM IN
THE BACKGROUND ON THE TELEPHONE.

644
00:29:46,179 --> 00:29:49,279
WHY ARE YOU HERE, BYRON?

645
00:29:49,282 --> 00:29:50,822
SO YOU CAN RUN
AND TELL JIM CRYER

646
00:29:50,817 --> 00:29:52,417
EVERYTHING THAT'S GOING ON
WITH ME?

647
00:29:52,418 --> 00:29:53,418
NO.

648
00:29:53,419 --> 00:29:55,719
THEN WHAT?

649
00:29:56,823 --> 00:29:58,293
HANNA, IT'S NOT LIKE THAT.

650
00:29:59,926 --> 00:30:02,736
DID HE HIRE YOU
TO GET CLOSE TO ME?

651
00:30:05,171 --> 00:30:06,511
IT'S NOT THAT SIMPLE,
HANNA.

652
00:30:06,507 --> 00:30:07,707
YES, IT IS.

653
00:30:07,708 --> 00:30:10,508
DID HE HIRE YOU?

654
00:30:13,479 --> 00:30:14,519
YES, HE DID.

655
00:30:15,782 --> 00:30:17,222
WHY?

656
00:30:17,217 --> 00:30:21,957
HE WAS AFRAID THAT YOU WERE
GONNA TURN IN HIS SON.

657
00:30:21,955 --> 00:30:25,755
WHY WAS HE AFRAID
IF HIS SON DIDN'T HIT MY SON

658
00:30:25,759 --> 00:30:27,089
AND KILL
THAT LITTLE GIRL?

659
00:30:27,093 --> 00:30:28,333
BECAUSE HE KNEW

660
00:30:28,328 --> 00:30:29,958
THAT YOU HEARD WYATT
IN THE KITCHEN THAT NIGHT,

661
00:30:29,963 --> 00:30:31,003
AND HE WAS AFRAID

662
00:30:30,997 --> 00:30:33,167
THAT YOU WERE GONNA PUT IT
ALL TOGETHER

663
00:30:33,166 --> 00:30:34,836
AND DO EXACTLY
WHAT YOU DID.

664
00:30:34,835 --> 00:30:36,365
BUT I WAS WRONG.

665
00:30:36,369 --> 00:30:37,739
YES.

666
00:30:37,738 --> 00:30:39,508
YOU WERE.

667
00:30:39,506 --> 00:30:42,406
AND HE WAS JUST TRYING
TO PROTECT HIS SON.

668
00:30:42,408 --> 00:30:43,738
MM‐HMM.

669
00:30:43,744 --> 00:30:46,754
SO YOU JUST COME ON IN THERE,
AND YOU'RE JUST A LYING SNAKE.

670
00:30:50,350 --> 00:30:53,390
HANNA,
I WAS DOING MY JOB.

671
00:30:53,386 --> 00:30:55,056
MM‐HMM.
BUT THEN ‐‐

672
00:30:55,055 --> 00:30:57,515
AND ALL THAT HOLDING
AND HUGGING

673
00:30:57,524 --> 00:31:00,164
AND TELLING ME
ABOUT YOUR WIFE WAS A LIE.

674
00:31:00,160 --> 00:31:01,770
YOU DIDN'T LET ME FINISH.

675
00:31:04,004 --> 00:31:05,774
THEN I GOT TO KNOW YOU.
[ SCOFFS ]

676
00:31:07,307 --> 00:31:11,407
I GOT TO SEE WHAT
A BEAUTIFUL PERSON YOU ARE ‐‐

677
00:31:11,411 --> 00:31:14,781
A WONDERFUL WOMAN.

678
00:31:14,781 --> 00:31:15,781
AND I WAS ‐‐

679
00:31:15,782 --> 00:31:17,152
LYING.

680
00:31:18,752 --> 00:31:20,022
IT WASN'T ALL A LIE.

681
00:31:20,020 --> 00:31:22,020
NO, YOU'RE A LIAR,

682
00:31:22,022 --> 00:31:23,122
AND I DON'T TRUST YOU,

683
00:31:23,123 --> 00:31:25,293
AND I DON'T WANT YOUR ASS
AROUND HERE ANYMORE.

684
00:31:25,291 --> 00:31:26,391
PLEASE GO.

685
00:31:26,392 --> 00:31:28,902
HANNA, PLEASE LET ME TRY
TO EXPLAIN MYSELF.

686
00:31:30,196 --> 00:31:32,426
SURE.

687
00:31:36,803 --> 00:31:39,673
WHEN I FIRST MET JIM CRYER,
I WAS AT ONE OF ‐‐

688
00:31:39,673 --> 00:31:40,713
EXCUSE ME,

689
00:31:40,707 --> 00:31:43,237
AFTER ALL THOSE WORDS
YOU USED TO EXPLAIN,

690
00:31:43,243 --> 00:31:45,813
PLEASE ADD,
"AND I STILL LIED TO HER."

691
00:31:45,812 --> 00:31:47,182
HANNA.

692
00:31:47,180 --> 00:31:50,450
AND THEN SAY,
"SHE TRUSTED ME."

693
00:31:50,450 --> 00:31:52,290
AND THEN SAY ‐‐

694
00:31:52,285 --> 00:31:53,385
OKAY.

695
00:31:53,386 --> 00:31:54,486
I GET IT.

696
00:31:54,487 --> 00:31:55,687
NO, YOU DON'T.

697
00:31:55,689 --> 00:31:56,689
'CAUSE IF YOU DID,

698
00:31:56,690 --> 00:31:58,420
YOUR ASS WOULDN'T BE
STILL STANDING HERE.

699
00:31:58,424 --> 00:32:00,704
YOU'D BE LONG GONE.

700
00:32:02,068 --> 00:32:04,438
GOOD EVENING, BYRON.

701
00:32:32,465 --> 00:32:34,195
[ CELLPHONE BEEPS ]

702
00:32:34,200 --> 00:32:36,770
[ Ringing ]

703
00:32:38,705 --> 00:32:40,735
[ CELLPHONE BEEPS ]

704
00:33:05,338 --> 00:33:09,538
[ SNIFFING ]

705
00:33:09,543 --> 00:33:11,983
THAT SON OF A BITCH.

706
00:33:18,084 --> 00:33:21,124
QUINCY. QUINCY!

707
00:33:21,121 --> 00:33:22,161
WHAT'S UP, MA?

708
00:33:25,959 --> 00:33:27,129
DIDN'T I TELL YOU

709
00:33:27,127 --> 00:33:28,597
NOT TO BRING YOUR ASS
BACK INTO MY HOUSE?

710
00:33:28,595 --> 00:33:30,825
I WAS HUNGRY.

711
00:33:30,831 --> 00:33:32,931
GET OUT OF HERE.

712
00:33:32,933 --> 00:33:34,373
YOU COOK THIS?

713
00:33:34,367 --> 00:33:37,437
NOW, QUINCY.

714
00:33:37,437 --> 00:33:38,437
WHAT ARE YOU MAD AT?

715
00:33:38,438 --> 00:33:40,138
[ SIGHS ] GET OUT.

716
00:33:41,775 --> 00:33:43,805
NOW.

717
00:33:43,810 --> 00:33:45,780
WHERE YOU GOING
AT 2:00 IN THE MORNING?

718
00:33:45,779 --> 00:33:47,149
DID YOU HEAR ME, BOY?

719
00:33:48,949 --> 00:33:50,749
FOOD'S GOOD.

720
00:33:51,417 --> 00:33:53,587
OKAY.

721
00:33:53,587 --> 00:33:56,387
OKAY.

722
00:33:56,389 --> 00:33:58,359
OKAY.
[ DIALING ]

723
00:34:00,260 --> 00:34:02,170
HOW'D YOU KNOW
I WAS HERE?

724
00:34:02,168 --> 00:34:03,398
I COULD SMELL YOU.

725
00:34:03,403 --> 00:34:06,143
YOU'RE STINKING UP
MY HOUSE AGAIN.

726
00:34:06,139 --> 00:34:09,339
NAH,
IT'S CALLED "HORNY."

727
00:34:11,111 --> 00:34:13,411
IT'S CALLED "GUTTER,"

728
00:34:13,413 --> 00:34:15,783
AND IT'S ALL OVER YOU.

729
00:34:15,782 --> 00:34:17,752
AND I CAN PUT IT
ALL OVER YOU.

730
00:34:17,751 --> 00:34:20,151
STOP, QUINCY.
LET ME GO NOW.

731
00:34:20,153 --> 00:34:21,663
STOP IT.

732
00:34:21,655 --> 00:34:23,755
LET ME GO.
LET ME GET THEM DRAWERS.

733
00:34:23,757 --> 00:34:25,027
NO. GET OUT.

734
00:34:25,025 --> 00:34:26,625
KISS ME.
NO!

735
00:34:26,627 --> 00:34:28,597
I'M NOT GONNA TELL YOU AGAIN,
QUINCY.

736
00:34:28,595 --> 00:34:30,395
AND I'M NOT
GONNA TELL YOU AGAIN.

737
00:34:30,396 --> 00:34:32,896
AAH! AAH! LET ME GO!

738
00:34:32,899 --> 00:34:33,969
KISS ME.
OH!

739
00:34:33,967 --> 00:34:35,897
I'M NOT GONNA
TELL YOU AGAIN.

740
00:34:35,902 --> 00:34:37,702
[ GRUNTING ]

741
00:34:41,107 --> 00:34:43,407
OH, I LIKE THAT.

742
00:34:43,409 --> 00:34:44,849
YEAH! YEAH.

743
00:34:44,845 --> 00:34:47,945
STOP IT.
OKAY. OKAY. OKAY.

744
00:34:47,948 --> 00:34:49,148
BITE ME AGAIN.

745
00:34:49,149 --> 00:34:51,519
I LIVE
FOR THIS STUFF, BABY.

746
00:34:51,518 --> 00:34:52,688
LIVE. I LOVE IT.

747
00:34:54,287 --> 00:34:56,957
DIANA MAXWELL,

748
00:34:56,957 --> 00:34:58,257
KENDRA,

749
00:34:58,258 --> 00:34:59,688
DAVID,

750
00:34:59,693 --> 00:35:01,373
ANGELA,

751
00:35:01,367 --> 00:35:03,097
CRYSTAL.

752
00:35:04,204 --> 00:35:08,244
THAT'S YOUR WHOLE FAMILY.

753
00:35:08,241 --> 00:35:11,111
IF YOU DON'T LET ME GO,

754
00:35:11,111 --> 00:35:13,751
I WILL KILL THEM ALL.

755
00:35:13,747 --> 00:35:18,417
NOW LET ME GO.

756
00:35:18,418 --> 00:35:21,618
YOU THINK YOU CAN
LET AN ANIMAL OUT THE CAGE

757
00:35:21,622 --> 00:35:24,832
AND THINK
HE WON'T BITE YOU?

758
00:35:24,825 --> 00:35:26,785
YOU MUST BE CRAZY.

759
00:35:26,793 --> 00:35:28,293
OH...

760
00:35:28,294 --> 00:35:30,734
YOU FORGET.

761
00:35:30,731 --> 00:35:33,401
I HAVE THE KEYS
TO THE CAGE.

762
00:35:33,399 --> 00:35:35,999
BUT YOU AIN'T STRONG ENOUGH
TO PUT ME BACK THERE.

763
00:35:36,002 --> 00:35:38,442
[ CHUCKLES LIGHTLY ]

764
00:35:38,438 --> 00:35:41,238
YOU WANT TO BET?

765
00:35:41,241 --> 00:35:44,111
NOW GET OUT
OF MY DAMN HOUSE,

766
00:35:44,110 --> 00:35:46,450
OR YOUR WHOLE FAMILY DIES.

767
00:35:51,084 --> 00:35:53,294
OKAY.

768
00:35:53,286 --> 00:35:54,856
[ EXHALES DEEPLY ]

769
00:35:54,855 --> 00:35:56,985
YOU'LL COME AROUND.

770
00:35:56,990 --> 00:36:00,360
YOU GOT MY NUMBER.

771
00:36:00,360 --> 00:36:02,770
JUST CALL ME
WHEN YOU'RE READY.

772
00:36:02,769 --> 00:36:06,969
OH, AND YOU GOT MINE.

773
00:36:06,973 --> 00:36:08,613
CALL ME
WHEN YOU'RE READY.

774
00:36:08,609 --> 00:36:10,309
I'M READY NOW.

775
00:36:12,513 --> 00:36:15,283
QUINCY. QUINCY.

776
00:36:15,281 --> 00:36:18,151
I'M TALKING ABOUT
FOR YOUR FUNERAL.

777
00:36:20,353 --> 00:36:22,123
NOW GET OUT OF MY HOUSE.

778
00:36:25,291 --> 00:36:27,691
THAT'S HOW YOU LIKE THAT.

779
00:36:46,212 --> 00:36:47,352
HAVING FUN YET?

780
00:36:47,347 --> 00:36:49,117
I'M TIRED
AND I WANT TO GO LAY DOWN.

781
00:36:49,115 --> 00:36:50,715
GO IN THE HOUSE
AND GO TO SLEEP.

782
00:36:50,717 --> 00:36:51,847
BENNY.

783
00:36:51,852 --> 00:36:52,852
YOU HEARD ME.

784
00:36:52,853 --> 00:36:53,853
LISTEN, I DON'T ‐‐

785
00:36:53,854 --> 00:36:55,594
I'M STAYING
AT JEFFERY'S.

786
00:36:55,589 --> 00:36:57,689
I CAN'T SEE YOU
AT JEFFERY'S.

787
00:36:57,691 --> 00:36:59,161
BENNY, PLEASE.

788
00:36:59,159 --> 00:37:00,659
I DON'T CARE NOTHING
ABOUT YOUR EXHALING.

789
00:37:00,661 --> 00:37:01,671
TAKE YOURSELF
IN THE HOUSE.

790
00:37:01,668 --> 00:37:03,468
SHE DOESN'T
WANT ME HERE.

791
00:37:03,469 --> 00:37:04,839
LISTEN.
YOU AIN'T LEAVING HERE.

792
00:37:06,072 --> 00:37:08,072
BENNY.
I DON'T WANT TO HEAR IT.

793
00:37:08,074 --> 00:37:09,884
YOU DO REALIZE

794
00:37:09,876 --> 00:37:12,506
THAT THERE ARE ONLY TWO BEDROOMS
IN THAT HOUSE, RIGHT?

795
00:37:12,512 --> 00:37:14,312
ALL RIGHT,
SO SLEEP IN MY ROOM.

796
00:37:14,313 --> 00:37:15,583
I'LL SLEEP ON THE SOFA.

797
00:37:17,316 --> 00:37:19,886
[ SIGHS ] OKAY.

798
00:37:19,886 --> 00:37:21,286
OKAY.
GOODNIGHT.

799
00:37:21,287 --> 00:37:22,917
FOR YOU.

800
00:37:22,923 --> 00:37:24,023
ALL RIGHT.

801
00:37:24,024 --> 00:37:25,334
LOOK, TOMORROW,
WE'RE GONNA FIGURE THIS OUT.

802
00:37:25,325 --> 00:37:26,325
ALL RIGHT?
UH‐HUH.

803
00:37:26,326 --> 00:37:27,326
ALL RIGHT.
ALL RIGHT.

804
00:37:27,327 --> 00:37:28,387
ALL RIGHT.
LOVE YOU.

805
00:37:28,394 --> 00:37:29,464
OVER HERE.
GIVE ME SOME SUGAR, GIRL.

806
00:37:29,462 --> 00:37:30,862
MM.
HEY, MAMA.

807
00:37:30,864 --> 00:37:31,874
WHAT?

808
00:37:31,865 --> 00:37:32,965
COME OVER HERE
AND HUG YOUR DAUGHTER.

809
00:37:32,966 --> 00:37:34,166
MNH‐MNH.
I'M GOOD. I'M GOOD.

810
00:37:34,167 --> 00:37:35,197
COME ON.

811
00:37:35,201 --> 00:37:36,441
REALLY, I AM.
I LOVE YOU.

812
00:37:36,436 --> 00:37:39,666
I LOVE YOU MORE.
YOU BETTER.

813
00:37:39,673 --> 00:37:41,243
[ DOOR CLOSES ]

814
00:37:54,120 --> 00:37:56,220
SORRY, BENNY.

815
00:38:22,956 --> 00:38:25,326
[ MOANING ]

816
00:38:35,268 --> 00:38:38,338
OH, DAVID. OH.

817
00:38:38,338 --> 00:38:40,338
DAVID.

818
00:38:45,946 --> 00:38:48,916
OH.

819
00:38:48,915 --> 00:38:49,945
[ SIGHS ]

820
00:38:49,950 --> 00:38:52,690
I KNOW.

821
00:38:53,787 --> 00:38:55,487
YOU KNOW WHAT?

822
00:38:57,357 --> 00:38:59,027
I KNOW
YOU CAN'T DO THIS.

823
00:39:01,001 --> 00:39:03,171
[ SIGHS ]

824
00:39:06,439 --> 00:39:08,639
YOU'RE RIGHT.

825
00:39:08,642 --> 00:39:11,112
I LOVE MY WIFE.

826
00:39:11,111 --> 00:39:12,651
I KNOW.

827
00:39:14,981 --> 00:39:17,321
AM I A FOOL
TO LOVE HER THIS MUCH?

828
00:39:17,317 --> 00:39:20,087
NO.

829
00:39:20,086 --> 00:39:21,446
YOU'RE HUMAN.

830
00:39:24,758 --> 00:39:26,928
SOMETIMES...

831
00:39:26,927 --> 00:39:30,527
SHE MAKES ME SO ANGRY,

832
00:39:30,531 --> 00:39:32,071
AND AT THE SAME TIME,

833
00:39:32,065 --> 00:39:33,725
I‐I LOVE HER FROM A PLACE

834
00:39:33,734 --> 00:39:38,174
THAT DOESN'T EVEN FEEL
LIKE REALITY.

835
00:39:38,171 --> 00:39:44,211
I LOVE HER FROM SOMEWHERE...
BEYOND WHAT MY SOUL IS,

836
00:39:44,210 --> 00:39:48,580
IF THAT MAKES ANY SENSE.

837
00:39:48,582 --> 00:39:50,882
[ SIGHS ]

838
00:39:50,884 --> 00:39:53,294
IT'S BEAUTIFUL.

839
00:39:53,286 --> 00:39:56,716
MY WIFE IS BEAUTIFUL
IN SO MANY WAYS.

840
00:39:58,058 --> 00:39:59,088
[ SIGHS ]

841
00:39:59,092 --> 00:40:00,802
I'M SORRY, DAVID.

842
00:40:38,539 --> 00:40:40,469
[ CELLPHONE BEEPS ]

843
00:40:42,876 --> 00:40:44,406
[ Ringing ]

844
00:40:44,410 --> 00:40:46,710
[ CELLPHONE RINGING ]

845
00:40:50,984 --> 00:40:53,024
[ RINGING CONTINUES ]

846
00:40:55,455 --> 00:40:57,585
[ CELLPHONE BEEPS,
RINGING STOPS ]

847
00:41:08,308 --> 00:41:09,738
UH, HI.
UH, YES.

848
00:41:09,743 --> 00:41:11,883
THIS IS
VERONICA HARRINGTON.

849
00:41:11,878 --> 00:41:15,348
I SEEM TO HAVE LOCKED MY KEY
IN MY ROOM.

850
00:41:15,348 --> 00:41:19,018
YES, UH, CAN YOU SEND SOMEONE UP
TO LET ME IN?

851
00:41:20,453 --> 00:41:22,093
I KNOW. IT'S LATE.

852
00:41:22,088 --> 00:41:25,458
UH, CAN YOU PLEASE HURRY?

853
00:41:27,193 --> 00:41:28,663
THANK YOU.

854
00:41:29,663 --> 00:41:32,773
<i>NEXT ON "THE HAVES</i>
<i>AND THE HAVE NOTS"...</i>

855
00:41:32,766 --> 00:41:34,636
THIS CHICK IS RUTHLESS.

856
00:41:34,635 --> 00:41:36,335
LISTEN TO ME, SON.
SHUT UP.

857
00:41:36,336 --> 00:41:37,366
NO. I NEED YOU
TO LISTEN TO ME ‐‐

858
00:41:37,370 --> 00:41:39,510
I SAID SHUT UP!

859
00:41:39,506 --> 00:41:41,136
CANDACE.
YES?

860
00:41:41,141 --> 00:41:43,411
ARE YOU ESCORTING AGAIN?
NO!

861
00:41:43,409 --> 00:41:45,609
I AM NOT ABOUT TO LET
YOUR SISTER GET YOU KILLED!

862
00:41:45,612 --> 00:41:46,912
I'M NOT HAVING IT!
I'M GONNA BE FINE.

863
00:41:46,913 --> 00:41:48,153
I'LL BE FINE!

864
00:41:48,148 --> 00:41:49,978
IT'LL BE YOU AND ME.

865
00:41:49,983 --> 00:41:51,123
CANDACE, NO.

866
00:41:51,117 --> 00:41:55,457
AND THEN I WILL BREAK OUT
THE TOYS

867
00:41:55,455 --> 00:41:58,415
AND THE BONDAGE SCENES.

868
00:41:58,424 --> 00:41:59,734
DON'T YOU ‐‐
[ BOTH SHOUT INDISTINCTLY ]