1 00:00:15,146 --> 00:00:18,149 >> ♫ MAKE ME 2 00:00:18,149 --> 00:00:24,095 BEAUTIFUL ♫ 3 00:00:24,095 --> 00:00:28,299 ♫ MAKE ME 4 00:00:28,299 --> 00:00:31,432 THE PERFECT SOUL, 5 00:00:31,502 --> 00:00:34,465 A PERFECT MIND, 6 00:00:34,465 --> 00:00:38,639 A PERFECT FACE, 7 00:00:38,639 --> 00:00:43,514 A PERFECT 8 00:00:43,574 --> 00:00:47,218 LIE ♫ 9 00:00:50,050 --> 00:00:52,453 [LIGHTS BUZZING] 10 00:01:13,204 --> 00:01:15,546 >> ♫ THE BEST IS YET TO COME, 11 00:01:15,546 --> 00:01:20,781 AND, BABE, WON´T IT BE FINE? 12 00:01:20,781 --> 00:01:23,254 YOU THINK YOU´VE SEEN THE SUN, 13 00:01:23,254 --> 00:01:28,789 BUT YOU AIN´T SEEN IT SHINE, 14 00:01:28,789 --> 00:01:31,122 WAIT TILL THE WARM-UP´S 15 00:01:31,122 --> 00:01:32,763 UNDER WAY, 16 00:01:32,763 --> 00:01:36,727 WAIT TILL OUR LIPS HAVE MET, 17 00:01:36,727 --> 00:01:40,771 WAIT TO SEE THAT SUNSHINE DAY, 18 00:01:40,771 --> 00:01:45,706 YOU AIN´T SEEN NOTHIN´ YET ♫ 19 00:01:45,706 --> 00:01:47,508 >> DOWN BY 5, PARTNER. THINK YOU 20 00:01:47,508 --> 00:01:48,509 CAN GET INSIDE OF ME NOW? 21 00:01:48,509 --> 00:01:49,580 >> HEH HEH HEH. 22 00:01:49,580 --> 00:01:51,882 [SHOES SQUEAK] 23 00:01:51,882 --> 00:01:53,314 HEY, THAT´S A FOUL. 24 00:01:53,314 --> 00:01:53,784 >> OH! 25 00:01:53,784 --> 00:01:55,316 >> NOW, LOOK, REAL MEN 26 00:01:55,316 --> 00:01:56,187 DON´T CHEAT. 27 00:01:56,187 --> 00:01:57,618 >> THEY DO IF THEY WANNA WIN. 28 00:01:57,618 --> 00:01:59,119 FACE IT, PARTNER. YOU CAN´T 29 00:01:59,119 --> 00:02:01,652 DOMINATE ME. NEVER HAVE. 30 00:02:01,652 --> 00:02:04,755 NEVER WILL. 31 00:02:04,755 --> 00:02:07,498 OHH! 32 00:02:07,498 --> 00:02:08,859 COME ON. YOU´RE JUST GONNA SCUFF 33 00:02:08,859 --> 00:02:09,760 THE NEW FLOOR. 34 00:02:09,760 --> 00:02:10,731 >> WHO CARES? IT´S NOT LIKE 35 00:02:10,731 --> 00:02:11,732 WE GOT PATIENTS IN HERE 36 00:02:11,732 --> 00:02:15,236 TO COMPLAIN. 37 00:02:15,236 --> 00:02:21,542 [SHOES SQUEAKING] 38 00:02:21,542 --> 00:02:23,174 >> YES! 39 00:02:23,174 --> 00:02:24,775 >> IT´S BEEN 2 MONTHS WITHOUT 40 00:02:24,775 --> 00:02:27,147 EVEN A BOTOX SHOT, CHRISTIAN. 41 00:02:27,147 --> 00:02:28,148 SO FAR, THE ONLY THING I HAVE 42 00:02:28,148 --> 00:02:28,849 TO SHOW FOR OPENING A NEW 43 00:02:28,849 --> 00:02:30,181 PRACTICE IN LOS ANGELES IS 44 00:02:30,181 --> 00:02:31,252 A BETTER HOOK SHOT. 45 00:02:31,252 --> 00:02:33,254 >> I WOULDN´T GO THAT FAR. 46 00:02:33,254 --> 00:02:36,587 HA HA HA HA. LOOK, WE BOTH KNEW 47 00:02:36,587 --> 00:02:37,928 IT WASN´T GONNA BE EASY, RIGHT? 48 00:02:37,928 --> 00:02:38,929 >> YEAH. 49 00:02:38,929 --> 00:02:40,191 >> BUT IT´S NOT LIKE WE CAN 50 00:02:40,191 --> 00:02:41,192 START UP IN A STRIP MALL, 51 00:02:41,192 --> 00:02:42,293 HAND OUT FLIERS HOPING PEOPLE 52 00:02:42,293 --> 00:02:43,234 WILL COME THROUGH THE DOOR. 53 00:02:43,234 --> 00:02:44,164 >> WORKED THE FIRST TIME 54 00:02:44,164 --> 00:02:45,165 WE STARTED A BUSINESS TOGETHER. 55 00:02:45,165 --> 00:02:47,298 >> AT 25, BABY. AT 40, 56 00:02:47,298 --> 00:02:50,301 YOU GOTTA GO ALL OUT. 57 00:02:50,301 --> 00:02:51,872 OWW! 58 00:02:57,878 --> 00:02:59,910 WE OWNED MIAMI, RIGHT? 59 00:02:59,910 --> 00:03:00,851 >> YEAH. 60 00:03:00,851 --> 00:03:02,553 >> RIGHT? SO SOONER OR LATER, 61 00:03:02,553 --> 00:03:03,514 WE´RE GONNA MAKE THIS TOWN 62 00:03:03,514 --> 00:03:05,716 OUR BITCH, TOO. 63 00:03:05,716 --> 00:03:09,690 SPEAK O´ THE DEVIL. 64 00:03:09,690 --> 00:03:11,862 >> REPO MAN. HE´S IN 65 00:03:11,862 --> 00:03:13,794 YOUR OFFICE. 66 00:03:13,794 --> 00:03:19,270 >> REPO MAN? 67 00:03:19,270 --> 00:03:21,201 >> SORRY, DOC. YOU HAVEN´T PAID 68 00:03:21,201 --> 00:03:21,872 YOUR BILL. 69 00:03:21,872 --> 00:03:22,803 >> BUT I JUST SENT A CHECK 70 00:03:22,803 --> 00:03:23,604 LAST WEEK. 71 00:03:23,604 --> 00:03:24,575 >> AND IT BOUNCED HIGHER THAN 72 00:03:24,575 --> 00:03:25,806 HENDRIX WAS AT WOODSTOCK. 73 00:03:25,806 --> 00:03:26,737 [CHUCKLES] 74 00:03:26,737 --> 00:03:28,208 >> YOU CAN´T KIDNAP OUR FISH. 75 00:03:28,208 --> 00:03:29,740 >> CAN´T WORK FOR FREE EITHER. 76 00:03:29,740 --> 00:03:30,881 IF I STOP COMIN´ TO CLEAN 77 00:03:30,881 --> 00:03:32,313 THE TANKS, THE LITTLE GUYS 78 00:03:32,313 --> 00:03:35,986 GO BELLY UP. OH, I´LL TELL YOU 79 00:03:35,986 --> 00:03:38,749 WHAT. I DON´T WANNA TERRORIZE 80 00:03:38,749 --> 00:03:41,492 THE LITTLE AQUA DUDES HERE, 81 00:03:41,492 --> 00:03:43,624 AND THEY´RE JUST SETTLIN´ IN. 82 00:03:43,624 --> 00:03:45,626 I´LL GIVE YOU A WEEK. COOL? 83 00:03:45,626 --> 00:03:46,226 >> COOL. 84 00:03:46,226 --> 00:03:48,228 >> I KNEW THIS WAS A MISTAKE. 85 00:03:48,228 --> 00:03:49,760 I KNEW INVESTING ALL OUR 86 00:03:49,760 --> 00:03:50,901 SETTLEMENT MONEY FROM MICHELLE 87 00:03:50,901 --> 00:03:53,304 INTO A RODEO DRIVE SINKHOLE WAS 88 00:03:53,304 --> 00:03:54,935 GONNA BITE US RIGHT IN THE ASS. 89 00:03:54,935 --> 00:03:55,866 >> PERHAPS YOU COULD 90 00:03:55,866 --> 00:03:56,837 SAVE YOUR ASS BY SELLING OFF 91 00:03:56,837 --> 00:03:58,769 THAT DISGUSTINGLY EXTRAVAGANT 92 00:03:58,769 --> 00:04:00,010 MALIBU BEACH PAD. 93 00:04:00,010 --> 00:04:01,312 >> NO WAY. IMAGE IS EVERYTHING 94 00:04:01,312 --> 00:04:02,773 IN THIS TOWN. BESIDES, IF I SELL 95 00:04:02,773 --> 00:04:04,475 THE MALIBU COMPOUND, WHERE´S MY 96 00:04:04,475 --> 00:04:05,646 PARTNER GONNA STAY, HUH, IN YOUR 97 00:04:05,646 --> 00:04:06,847 HIDEOUS SILVER LAKE ONE BEDROOM? 98 00:04:06,847 --> 00:04:07,848 >> I´M ONLY BUNKING WITH YOU 99 00:04:07,848 --> 00:04:08,779 BECAUSE I´M UP TO MY ASS 100 00:04:08,779 --> 00:04:11,522 IN ALIMONY AND CHILD SUPPORT. 101 00:04:11,522 --> 00:04:12,252 >> YOU´RE GONNA NEED 102 00:04:12,252 --> 00:04:13,684 A BIGGER BOAT. 103 00:04:13,684 --> 00:04:14,725 >> WHAT? 104 00:04:14,725 --> 00:04:15,986 >> JAWS, FIRST TIME BRODY SEES 105 00:04:15,986 --> 00:04:19,660 THE SHARK. YOU GUYS ARE IN OVER 106 00:04:19,660 --> 00:04:23,634 YOUR HEADS. YOU´RE CHUM BEING 107 00:04:23,634 --> 00:04:25,536 DEVOURED BY ALL THE RODEO DRIVE 108 00:04:25,536 --> 00:04:26,597 GREAT WHITES. 109 00:04:26,597 --> 00:04:27,968 >> YOU GOTTA HAVE FAITH, LIZZIE. 110 00:04:27,968 --> 00:04:29,770 THE PATIENTS WILL COME. 111 00:04:29,770 --> 00:04:30,771 >> FAITH AIN´T GONNA CUT IT 112 00:04:30,771 --> 00:04:31,872 OUT HERE, CHRISTIAN. YOU WANT 113 00:04:31,872 --> 00:04:33,043 THE HOLLYWOOD DREAM, YOU GOTTA 114 00:04:33,043 --> 00:04:35,676 GO OUT AND GET IT, NOT WAIT 115 00:04:35,676 --> 00:04:38,749 TO BE DISCOVERED, SO GET UP OFF 116 00:04:38,749 --> 00:04:40,551 YOUR ASSES AND GO GET SOME. 117 00:04:40,551 --> 00:04:41,952 GET SOME TITS WHILE YOU´RE 118 00:04:41,952 --> 00:04:43,814 AT IT, TOO. NECKS, CHINS, 119 00:04:43,814 --> 00:04:46,817 SAGGING VAGINAS. THIS IS 120 00:04:46,817 --> 00:04:51,562 LOS ANGELES, FOR GOD´S SAKE. 121 00:04:51,562 --> 00:04:53,724 >> I THINK LIZZIE´S RIGHT. 122 00:04:53,724 --> 00:04:54,765 WE NEED TO GO ON A FISHING 123 00:04:54,765 --> 00:04:57,328 EXPEDITION OF OUR OWN. 124 00:04:57,328 --> 00:04:58,298 >> WHAT ARE WE GONNA USE 125 00:04:58,298 --> 00:05:02,703 AS BAIT? 126 00:05:02,703 --> 00:05:05,936 >> [SIGHS] US. HEH HEH. 127 00:05:05,936 --> 00:05:06,837 >> ♫ ALL THE HOMIES, 128 00:05:06,837 --> 00:05:07,808 THEY KNOW WHAT I MEAN, 129 00:05:07,808 --> 00:05:09,039 BABY, LET ME SHOW HOW I LEAN ♫ 130 00:05:09,039 --> 00:05:09,940 >> ♫ LIKE A CHOLO ♫ 131 00:05:09,940 --> 00:05:10,741 >> ♫ LAID-BACK, 132 00:05:10,741 --> 00:05:11,712 BOUNCE TO THE CUT, 133 00:05:11,712 --> 00:05:12,743 WHEN WE DO A DANCE, 134 00:05:12,743 --> 00:05:13,714 THEN WE DO IT LIKE WHAT? ♫ 135 00:05:13,714 --> 00:05:14,885 >> ♫ LIKE A--LIKE A CHOLO ♫ 136 00:05:14,885 --> 00:05:16,046 >> ♫ SIDE TO SIDE, 137 00:05:16,046 --> 00:05:18,589 ELBOWS U-UP, SIDE TO SIDE, 138 00:05:18,589 --> 00:05:20,621 ELBOWS UP, SIDE TO SIDE, 139 00:05:20,621 --> 00:05:22,653 E-E-ELBOWS U-UP, SIDE TO SIDE ♫ 140 00:05:22,653 --> 00:05:23,624 >> ♫ LIKE A CHOLO ♫ 141 00:05:23,624 --> 00:05:24,855 >> ♫ ALL UP IN THE CLUB, 142 00:05:24,855 --> 00:05:25,726 10 DEEP, 143 00:05:25,726 --> 00:05:26,827 LOOKIN´ FOR SOME HEINAS, 144 00:05:26,827 --> 00:05:28,028 WE ON THE CREEP, 145 00:05:28,028 --> 00:05:30,000 I NEED A BAD ONE, A REAL FREAK, 146 00:05:30,000 --> 00:05:31,101 FIND ´EM ON THE DANCE FLOOR, 147 00:05:31,101 --> 00:05:32,403 SO DON´T SLEEP, 148 00:05:32,403 --> 00:05:34,805 DAMN, I LIKE YOU, I LIKE YOU, 149 00:05:34,805 --> 00:05:36,106 BUT I REALLY WANT HER, 150 00:05:36,106 --> 00:05:38,669 SHE´S THAT TYPE, I CAN TELL, 151 00:05:38,669 --> 00:05:40,110 LET ME GET IN TO DEEP, 152 00:05:40,110 --> 00:05:41,812 TAKE HER BACK TO THE HOTEL, 153 00:05:41,812 --> 00:05:43,644 BUT RIGHT NOW I´M ON THE MOVE, 154 00:05:43,644 --> 00:05:44,575 SHOW THIS LITTLE MAMA 155 00:05:44,575 --> 00:05:46,016 HOW A GANGSTER GROOVE, 156 00:05:46,016 --> 00:05:47,448 I DON´T DO A WHOLE LOT, 157 00:05:47,448 --> 00:05:48,449 JUST ENOUGH, 158 00:05:48,449 --> 00:05:49,450 LEAN SIDE TO SIDE, 159 00:05:49,450 --> 00:05:50,981 KEEP MY ELBOWS UP LIKE THIS 160 00:05:50,981 --> 00:05:52,122 AND LIKE THAT, 161 00:05:52,122 --> 00:05:53,083 ALL THE GIRLS KNOW 162 00:05:53,083 --> 00:05:54,084 WHERE THE REAL G´s AT, 163 00:05:54,084 --> 00:05:55,386 YOU CAN FIND US 164 00:05:55,386 --> 00:05:56,487 WAY UP IN THE BACK, 165 00:05:56,487 --> 00:05:57,588 WATCHIN´ THAT A-ASS 166 00:05:57,588 --> 00:05:58,829 BOUNCE LIKE A LOW-LOW, 167 00:05:58,829 --> 00:05:59,960 LEAN LIKE A CHOLO ♫ 168 00:05:59,960 --> 00:06:01,061 >> ♫ SIDE TO SIDE, 169 00:06:01,061 --> 00:06:02,993 ELBOWS U-UP, SIDE TO SIDE ♫ 170 00:06:02,993 --> 00:06:03,764 >> ♫ HEY ♫ 171 00:06:03,764 --> 00:06:05,396 >> ♫ ELBOWS UP, SIDE TO SIDE, 172 00:06:05,396 --> 00:06:07,498 E-E-ELBOWS U-UP, SIDE TO SIDE ♫ 173 00:06:07,498 --> 00:06:08,799 >> ♫ I LEAN LIKE A CHOLO ♫ 174 00:06:08,799 --> 00:06:09,940 >> ♫ SIDE TO SIDE, 175 00:06:09,940 --> 00:06:11,972 ELBOWS U-UP, SIDE TO SIDE ♫ 176 00:06:11,972 --> 00:06:12,743 >> ♫ HEY ♫ 177 00:06:12,743 --> 00:06:14,104 >> ♫ ELBOWS UP, SIDE TO SIDE, 178 00:06:14,104 --> 00:06:16,376 E-E-ELBOWS U-UP, SIDE TO SIDE ♫ 179 00:06:16,376 --> 00:06:17,508 >> ♫ I LEAN LIKE A CHOLO ♫ 180 00:06:17,508 --> 00:06:18,909 >> ♫ SIDE TO SIDE, 181 00:06:18,909 --> 00:06:20,511 ELBOWS UP, SIDE TO SIDE, 182 00:06:20,511 --> 00:06:22,152 E-E-ELBOWS U-UP, SIDE TO SIDE ♫ 183 00:06:22,152 --> 00:06:23,754 >> ♫ LIKE A CHOLO... ♫ 184 00:06:23,754 --> 00:06:24,515 >> WHAT´S THE PLAN? 185 00:06:24,515 --> 00:06:25,556 >> DIVIDE AND CONQUER. 186 00:06:25,556 --> 00:06:26,687 >> ♫ BABY, LET ME SHOW YOU 187 00:06:26,687 --> 00:06:27,418 HOW I LEAN ♫ 188 00:06:27,418 --> 00:06:28,158 >> ♫ LIKE A CHOLO ♫ 189 00:06:28,158 --> 00:06:28,959 >> ♫ LAID-BACK, 190 00:06:28,959 --> 00:06:29,890 BOUNCE TO THE CUT, 191 00:06:29,890 --> 00:06:30,891 WHEN WE DO A DANCE, 192 00:06:30,891 --> 00:06:31,822 THEN WE DO IT LIKE WHAT? ♫ 193 00:06:31,822 --> 00:06:32,763 >> DR. CHRISTIAN TROY, 194 00:06:32,763 --> 00:06:33,824 PLASTIC SURGEON. 195 00:06:33,824 --> 00:06:35,025 >> ACTORS ARE JUDGED BY THEIR 196 00:06:35,025 --> 00:06:35,996 APPEARANCE. MAYBE WE COULD 197 00:06:35,996 --> 00:06:36,967 FRESHEN YOU UP A BIT FOR 198 00:06:36,967 --> 00:06:38,028 YOUR NEXT AUDITION. 199 00:06:38,028 --> 00:06:40,471 >> THAT IS SO SWEET, BUT I GET 200 00:06:40,471 --> 00:06:41,131 ALL MY WORK DONE WITH 201 00:06:41,131 --> 00:06:42,102 DR. ESKANDARIAN. 202 00:06:42,102 --> 00:06:43,033 >> ♫ SIDE TO SIDE, 203 00:06:43,033 --> 00:06:43,804 ELBOWS UP... ♫ 204 00:06:43,804 --> 00:06:44,575 >> DR. THAYER DID 205 00:06:44,575 --> 00:06:45,405 MY CHIN IMPLANT. 206 00:06:45,405 --> 00:06:46,437 >> ♫ ELBOWS UP... ♫ 207 00:06:46,437 --> 00:06:47,578 >> MY LIPS. 208 00:06:47,578 --> 00:06:49,009 >> MY VAGINA. 209 00:06:49,009 --> 00:06:50,010 >> MY TITS. 210 00:06:50,010 --> 00:06:51,512 >> HE DOES ALL THE BIG STARS. 211 00:06:51,512 --> 00:06:52,983 HE ACTUALLY SHAVED DOWN THE BUMP 212 00:06:52,983 --> 00:06:54,985 ON MY NOSE A FEW MONTHS AGO. 213 00:06:55,045 --> 00:06:56,517 >> YOU EVER DONE ANYONE FAMOUS? 214 00:06:56,517 --> 00:06:57,948 >> UH, WE ALMOST WORKED ON 215 00:06:57,948 --> 00:06:58,789 JOAN RIVERS. 216 00:06:58,789 --> 00:06:59,550 Sean: SOMETHING WRONG? 217 00:06:59,550 --> 00:07:01,021 >> IT´S JUST THAT MOST GUYS YOUR 218 00:07:01,021 --> 00:07:01,922 AGE WHO COME IN WEARING SUITS 219 00:07:01,922 --> 00:07:03,423 LIKE THAT ARE AGENTS. MINE JUST 220 00:07:03,423 --> 00:07:04,154 DROPPED ME, SO I WAS HOPING 221 00:07:04,154 --> 00:07:05,496 YOU WERE ONE. 222 00:07:05,496 --> 00:07:06,527 >> I´M THE WEST COAST EDITOR 223 00:07:06,527 --> 00:07:08,759 OF US WEEKLY. IF YOU EVER DO 224 00:07:08,759 --> 00:07:10,060 SOMEONE IMPORTANT, GIVE ME 225 00:07:10,060 --> 00:07:12,062 A CALL. IT´S ANONYMOUS. 226 00:07:12,062 --> 00:07:13,934 >> ♫ ELBOWS UP, SIDE TO SIDE ♫ 227 00:07:13,934 --> 00:07:15,435 >> ♫ FIN-FIN-FIN-FINGAZZ 228 00:07:15,435 --> 00:07:18,008 ON THE TRACK ♫ 229 00:07:18,008 --> 00:07:19,470 >> JESUS. HAS ANYONE IN THIS 230 00:07:19,470 --> 00:07:20,911 TOWN NOT HAD PLASTIC SURGERY? 231 00:07:20,911 --> 00:07:21,942 >> I FEEL LIKE I´M TRYIN´ TO 232 00:07:21,942 --> 00:07:24,745 SELL SEMEN AT A WHOREHOUSE. 233 00:07:24,745 --> 00:07:26,817 OOH. UNCUT FLESH 11:00. 234 00:07:35,786 --> 00:07:37,127 [TAPS A BEAT ON THE TABLE] 235 00:07:37,127 --> 00:07:39,890 >> HI. I´M DR. CHRISTIAN TROY. 236 00:07:39,890 --> 00:07:40,931 THIS IS MY PARTNER. 237 00:07:40,931 --> 00:07:41,792 >> DR. SEAN McNAMARA. 238 00:07:41,792 --> 00:07:44,865 WE´RE PLASTIC SURGEONS. 239 00:07:44,865 --> 00:07:46,837 >> I-I´VE ALWAYS RESISTED 240 00:07:46,837 --> 00:07:48,098 GETTING ANYTHING DONE. 241 00:07:48,098 --> 00:07:49,069 >> WELL, MAYBE YOU HAVEN´T 242 00:07:49,069 --> 00:07:50,801 MET THE RIGHT SURGEONS YET. 243 00:07:50,801 --> 00:07:52,643 WE´RE NEW IN TOWN, FROM MIAMI. 244 00:07:52,643 --> 00:07:53,203 >> MIAMI, YEAH. 245 00:07:53,203 --> 00:07:54,174 >> WE´D LOVE YOU TO COME IN 246 00:07:54,174 --> 00:07:55,045 FOR A CONSULT. 247 00:07:55,045 --> 00:07:55,946 >> FREE CONSULT. 248 00:07:55,946 --> 00:07:56,677 >> FREE CONSULT. 249 00:07:56,677 --> 00:07:58,949 >> AND THEN WILL I BE HAPPY? 250 00:07:58,949 --> 00:08:01,011 >> WELL... 251 00:08:01,011 --> 00:08:02,753 >> YOU´RE BOTH CUTE AS CLAMS, 252 00:08:02,753 --> 00:08:03,914 AND I DON´T KNOW HOW THEY 253 00:08:03,914 --> 00:08:06,617 DO BUSINESS IN MIAMI, BUT IN 254 00:08:06,617 --> 00:08:07,958 HOLLYWOOD, TROLLING FOR BUSINESS 255 00:08:07,958 --> 00:08:09,590 AT A NIGHTCLUB ISN´T 256 00:08:09,590 --> 00:08:10,961 A SAVVY MARKETING TECHNIQUE. 257 00:08:10,961 --> 00:08:12,963 IT´S PATHETIC. AND IF YOU 258 00:08:12,963 --> 00:08:13,994 WANNA MAKE IT IN THIS TOWN, 259 00:08:13,994 --> 00:08:15,025 YOU´RE GONNA HAVE TO DO A BETTER 260 00:08:15,025 --> 00:08:16,767 JOB OF SELLING YOURSELVES. 261 00:08:16,767 --> 00:08:17,698 >> WHAT MAKES YOU THE EXPERT, 262 00:08:17,698 --> 00:08:18,629 HUH? 263 00:08:18,629 --> 00:08:20,170 >> SEE THOSE BLONDES OVER THERE? 264 00:08:20,170 --> 00:08:21,171 THE ONE ON THE RIGHT IS A CLIENT 265 00:08:21,171 --> 00:08:22,703 OF MINE. SHE´S GOT AS MANY 266 00:08:22,703 --> 00:08:23,934 GOLD RECORDS AS SHE HAS TRIPS 267 00:08:23,934 --> 00:08:25,706 TO REHAB. THAT´S HER MOTHER 268 00:08:25,706 --> 00:08:27,578 BUYING HER SHOTS. I´M HERE 269 00:08:27,578 --> 00:08:28,779 TO KEEP AN EYE ON HER, MAKE SURE 270 00:08:28,779 --> 00:08:29,910 SHE DOESN´T COMPLETELY DESTROY 271 00:08:29,910 --> 00:08:32,813 THE IMAGE I WORKED MY ASS OFF 272 00:08:32,813 --> 00:08:37,648 CREATING FOR HER. FIONA McNEIL, 273 00:08:37,648 --> 00:08:40,821 PUBLICIST. 274 00:08:40,821 --> 00:08:42,623 >> I THINK OUR CREDENTIALS SPEAK 275 00:08:42,623 --> 00:08:44,254 FOR THEMSELVES. BEEN WRITTEN UP 276 00:08:44,254 --> 00:08:45,195 IN THE NEW ENGLAND JOURNAL 277 00:08:45,195 --> 00:08:46,557 OF MEDICINE 3 TIMES, 278 00:08:46,557 --> 00:08:47,628 PLASTIC RECONSTRUCTIVE SURGERY 279 00:08:47,628 --> 00:08:48,298 JOURNAL TWICE. 280 00:08:48,298 --> 00:08:49,299 >> AND HOW MANY TIMES HAVE YOU 281 00:08:49,299 --> 00:08:50,631 BEEN WRITTEN UP IN PEOPLE 282 00:08:50,631 --> 00:08:52,302 MAGAZINE, HOTSHOT? YOU CAN´T 283 00:08:52,302 --> 00:08:53,634 SPIT IN THIS TOWN WITHOUT 284 00:08:53,634 --> 00:08:54,765 HITTING A PLASTIC SURGEON FROM 285 00:08:54,765 --> 00:08:56,306 HARVARD. IT´S NOT WHAT 286 00:08:56,306 --> 00:08:58,238 YOU´VE DONE. IT´S WHOM. 287 00:08:58,238 --> 00:08:59,870 CELEBRITY IS POWER. 288 00:08:59,870 --> 00:09:01,712 >> WELL, WE´RE SCREWED. WE CAN´T 289 00:09:01,712 --> 00:09:02,713 GET A CELEBRITY UNTIL WE´VE 290 00:09:02,713 --> 00:09:04,544 OPERATED ON A CELEBRITY. 291 00:09:04,544 --> 00:09:06,216 >> OR BECOME CELEBRITIES 292 00:09:06,216 --> 00:09:07,317 YOURSELF. 293 00:09:07,317 --> 00:09:08,248 >> YOU MEAN ADVERTISE? 294 00:09:08,248 --> 00:09:09,650 >> ANYONE CAN ADVERTISE, BUT NOT 295 00:09:09,650 --> 00:09:12,152 EVERYONE CAN GET EXPOSURE. 296 00:09:12,152 --> 00:09:13,624 >> WHAT´S THE DIFFERENCE? 297 00:09:13,624 --> 00:09:14,725 >> DIFFERENCE IS YOU DON´T LOOK 298 00:09:14,725 --> 00:09:17,187 LIKE THE ONE PLACING THE AD. 299 00:09:17,187 --> 00:09:19,159 THAT´S PUBLICITY. THAT´S WHAT 300 00:09:19,159 --> 00:09:20,731 I DO BETTER THAN ANYONE IN THIS 301 00:09:20,731 --> 00:09:22,693 TOWN FOR 5,000 A MONTH. 302 00:09:22,693 --> 00:09:24,595 >> WE DON´T HAVE IT. 303 00:09:24,595 --> 00:09:26,336 >> TOO BAD, PUPPY, ´CAUSE I HAVE 304 00:09:26,336 --> 00:09:27,868 A UNIQUE OPPORTUNITY THAT WOULD 305 00:09:27,868 --> 00:09:29,670 FIT YOU GUYS LIKE A SURGEON´S 306 00:09:29,670 --> 00:09:30,941 GLOVE. TCCH. 307 00:09:30,941 --> 00:09:34,645 >> WE´VE GOT IT. WHAT IS IT? 308 00:09:34,645 --> 00:09:39,680 >> HEARTS ´N SCALPELS. HEH HEH. 309 00:09:39,680 --> 00:09:41,952 YOU GUYS DON´T WATCH TELEVISION? 310 00:09:41,952 --> 00:09:42,953 HEARTS ´N SCALPELS IS 311 00:09:42,953 --> 00:09:45,716 A FANTASTIC NEW SERIES ABOUT 312 00:09:45,716 --> 00:09:47,688 PLASTIC SURGERY. THE SHOW RUNNER 313 00:09:47,688 --> 00:09:49,219 HAPPENS TO BE A CLIENT OF MINE, 314 00:09:49,219 --> 00:09:50,961 AND HE´S LOOKING FOR A MEDICAL 315 00:09:50,961 --> 00:09:52,793 ADVISER TO HELP HIM WITH 316 00:09:52,793 --> 00:09:53,764 THE TECHNICAL STUFF. 317 00:09:53,764 --> 00:09:54,765 >> ARE YOU SAYING THAT BEING 318 00:09:54,765 --> 00:09:55,696 ON A TV SHOW WOULD GIVE US 319 00:09:55,696 --> 00:09:56,596 CREDIBILITY? 320 00:09:56,596 --> 00:09:59,129 >> BINGO. I THINK HE´S GOT IT. 321 00:10:04,975 --> 00:10:06,306 >> BET YOU NEVER SEEN A VIEW 322 00:10:06,306 --> 00:10:10,711 LIKE THIS, HAVE YOU, BABY? 323 00:10:10,711 --> 00:10:12,843 >> IT´S SO BEAUTIFUL. I THINK 324 00:10:12,843 --> 00:10:15,686 I CAN SEE ALL THE WAY TO CANADA. 325 00:10:15,686 --> 00:10:17,718 >> WHEW. THAT´S NOT THE VIEW 326 00:10:17,718 --> 00:10:20,751 I´M TALKIN´ ABOUT. 327 00:10:20,751 --> 00:10:22,693 >> OH, DR. CLIFT. I DON´T 328 00:10:22,693 --> 00:10:24,695 KNOW ABOUT THIS. I´M JUST 329 00:10:24,695 --> 00:10:25,926 A FIRST-YEAR PLASTIC SURGERY 330 00:10:25,926 --> 00:10:26,827 RESIDENT. 331 00:10:26,827 --> 00:10:27,858 >> OH, AND I´M JUST SHOWIN´ YOU 332 00:10:27,858 --> 00:10:29,229 HOW I OPERATE. 333 00:10:29,229 --> 00:10:30,400 >> OH. 334 00:10:30,400 --> 00:10:32,002 >> THINK OF ME AS YOUR 335 00:10:32,002 --> 00:10:34,264 FIRST LESSON. 336 00:10:34,264 --> 00:10:35,265 >> THEY SHOULD JUST BE HONEST 337 00:10:35,265 --> 00:10:37,007 AND RENAME THIS SHOW SHIT. 338 00:10:37,007 --> 00:10:38,368 >> SHIT. 339 00:10:38,368 --> 00:10:41,011 [WOMAN SIGHING] 340 00:10:41,011 --> 00:10:43,814 >> YOU´RE SO HOT. 341 00:10:43,814 --> 00:10:44,675 Sean: HEH. 342 00:10:44,675 --> 00:10:45,946 >> WHO IS THIS AIDAN STONE 343 00:10:45,946 --> 00:10:46,717 DOUCHE? 344 00:10:46,717 --> 00:10:47,347 >> HE´S HILARIOUS. 345 00:10:47,347 --> 00:10:48,318 >> HE´S RIDICULOUS. HE THINKS 346 00:10:48,318 --> 00:10:50,050 HE´S JAMES BOND OR SOMETHING. 347 00:10:50,050 --> 00:10:51,321 HE´S NOT EVEN THAT GOOD-LOOKING. 348 00:10:51,321 --> 00:10:52,422 I´M HOTTER THAN HE IS. 349 00:10:52,422 --> 00:10:53,824 Woman: OH, YEAH. 350 00:10:53,824 --> 00:10:54,785 >> WE´RE SAILIN´ ON THE WATER, 351 00:10:54,785 --> 00:10:55,355 BABY. 352 00:10:55,355 --> 00:10:57,387 >> OH, YEAH. OH, YEAH. 353 00:10:57,387 --> 00:10:59,389 >> YOU´RE SAILIN´ 354 00:10:59,389 --> 00:11:00,861 WITH THE DOCTOR. 355 00:11:00,861 --> 00:11:02,192 >> THIS IS REALLY BAD. 356 00:11:02,192 --> 00:11:02,933 >> HEH HEH HEH. 357 00:11:02,933 --> 00:11:03,764 IT´S PRETTY GOOD. 358 00:11:03,764 --> 00:11:04,765 >> REAL BAD. I DON´T EVEN KNOW 359 00:11:04,765 --> 00:11:05,665 WHAT YOU´RE LOOKIN´-- 360 00:11:05,665 --> 00:11:06,336 >> IT´S ENTERTAINING. 361 00:11:06,336 --> 00:11:07,938 [CELLPHONE RINGS] 362 00:11:07,938 --> 00:11:09,900 [RING] 363 00:11:09,900 --> 00:11:14,004 >> YEAH? CAR ACCIDENT? 364 00:11:14,004 --> 00:11:17,247 I´LL BE THERE IN 10. 365 00:11:17,247 --> 00:11:19,049 10 ORGASMS. 366 00:11:19,049 --> 00:11:21,952 >> [CHUCKLES] IT IS PRETTY FUN. 367 00:11:21,952 --> 00:11:24,184 [DRAMATIC THEME MUSIC PLAYING] 368 00:11:37,968 --> 00:11:39,800 YOU THINK THEY KNOW IT´S FUNNY? 369 00:11:39,800 --> 00:11:41,331 SUPPOSED TO BE LIKE A DRAMA, 370 00:11:41,331 --> 00:11:41,972 RIGHT? 371 00:11:41,972 --> 00:11:42,933 >> ...REMOVED HER CHEEK IMPLANTS 372 00:11:42,933 --> 00:11:44,074 FROM HER ESOPHAGUS. SHE´S STILL 373 00:11:44,074 --> 00:11:45,035 GONNA NEED A COMPLETE FACIAL 374 00:11:45,035 --> 00:11:46,336 RECONSTRUCTION HERE. WHERE´S THE 375 00:11:46,336 --> 00:11:47,237 DOCTOR? WHERE IS THE DOCTOR? 376 00:11:47,237 --> 00:11:48,038 >> SOMEONE CALL FOR 377 00:11:48,038 --> 00:11:49,379 A PLASTIC SURGEON? 378 00:11:49,379 --> 00:11:50,240 >> WHAT THE HELL IS THIS? 379 00:11:50,240 --> 00:11:51,441 THEY DON´T WEAR MASKS OR HATS? 380 00:11:51,441 --> 00:11:52,412 >> YOU´RE GONNA BE FINE. 381 00:11:52,412 --> 00:11:53,483 10 BLADE. 382 00:11:53,483 --> 00:11:54,284 [MONITOR FLAT-LINES] 383 00:11:54,284 --> 00:11:55,185 >> SHE´S CRASHING! OH, GOD! 384 00:11:55,185 --> 00:11:56,046 GET THE CRASH CART! STAT! 385 00:11:56,046 --> 00:11:56,887 >> GIVE ME THE PADDLES. 386 00:11:56,887 --> 00:11:59,449 GIVE ME PADDLES. STAT. 387 00:11:59,449 --> 00:12:00,050 PADDLES! 388 00:12:00,050 --> 00:12:02,823 >> LET´S GO. PADDLES. 389 00:12:02,823 --> 00:12:03,954 >> ALL RIGHT, PUT IT UP TO 380. 390 00:12:03,954 --> 00:12:05,025 >> 380. 380. 391 00:12:05,025 --> 00:12:05,996 >> CLEAR. HUNH! 392 00:12:05,996 --> 00:12:07,327 Sean: LOOK AT THOSE TITS. 393 00:12:07,327 --> 00:12:08,999 >> ALL RIGHT, ALL RIGHT, 360. 394 00:12:08,999 --> 00:12:09,930 >> 360. 360! 395 00:12:09,930 --> 00:12:10,831 >> NO, NO, NO. 460. 460. 396 00:12:10,831 --> 00:12:11,361 >> FOUR. 460! 397 00:12:11,361 --> 00:12:12,162 >> CLEAR! CLEAR! 398 00:12:12,162 --> 00:12:13,733 >> CLEAR! 399 00:12:13,733 --> 00:12:17,908 >> HUNH. NOTHING! 580, NOW! 400 00:12:17,908 --> 00:12:18,508 >> MAN, COME ON. 401 00:12:18,508 --> 00:12:20,811 >> HA HA HA! LOOK. LOOK AT THAT. 402 00:12:20,811 --> 00:12:21,741 >> GET RID OF THESE. GET RID OF 403 00:12:21,741 --> 00:12:24,975 THESE. [HARD BREATHING] I WANT 404 00:12:24,975 --> 00:12:26,146 ONE MILLIGRAM OF EPI RIGHT NOW. 405 00:12:26,146 --> 00:12:26,947 >> EPI. GRAM. 406 00:12:26,947 --> 00:12:27,778 >> DOCTOR. STAT. 407 00:12:27,778 --> 00:12:28,378 >> ALL RIGHT. STAT. 408 00:12:28,378 --> 00:12:29,149 >> I SAID YOU, DOCTOR. 409 00:12:29,149 --> 00:12:29,880 >> I-I´M DOING IT. 410 00:12:29,880 --> 00:12:30,520 >> NOT ON MY WATCH. 411 00:12:30,520 --> 00:12:31,251 >> OK. 412 00:12:31,251 --> 00:12:32,252 >> I´M NOT LOSING ANOTHER ONE. 413 00:12:32,252 --> 00:12:33,283 I AM NOT LOSING ANOTHER ONE. 414 00:12:33,283 --> 00:12:34,184 >> I SURE HOPE SHE CAN SING 415 00:12:34,184 --> 00:12:35,055 IN HER DAUGHTER´S WEDDING 416 00:12:35,055 --> 00:12:36,356 ON SATURDAY. 417 00:12:36,356 --> 00:12:37,988 >> DOCTOR, I WANT YOU TO 418 00:12:37,988 --> 00:12:39,129 GO OUTSIDE TO THE WAITING ROOM. 419 00:12:39,129 --> 00:12:40,060 I WANT YOU TO TELL HER DAUGHTER 420 00:12:40,060 --> 00:12:40,991 THAT I AM NOT GONNA RUIN HER 421 00:12:40,991 --> 00:12:42,362 WEDDING. DO YOU UNDERSTAND ME? 422 00:12:42,362 --> 00:12:43,333 >> I UNDERSTAND. 423 00:12:43,333 --> 00:12:44,394 >> NOW! AND I WANNA SEE A LITTLE 424 00:12:44,394 --> 00:12:46,997 BETTER BEDSIDE MANNER NEXT TIME! 425 00:12:46,997 --> 00:12:48,338 WE´RE SAVIN´ A LIFE TODAY, GUYS. 426 00:12:48,338 --> 00:12:49,439 WE´RE ALL HERE FOR IT. WE ARE 427 00:12:49,439 --> 00:12:51,401 SAVING A LIFE TODAY, PEOPLE. 428 00:12:51,401 --> 00:12:52,372 Christian: HER FACE COMPLETELY 429 00:12:52,372 --> 00:12:54,004 HEALED IN 3 DAYS. I MEAN, 430 00:12:54,004 --> 00:12:54,805 THE WHOLE THING WAS 431 00:12:54,805 --> 00:12:55,876 WILDLY UNREALISTIC. 432 00:12:55,876 --> 00:12:56,776 >> BEING LINKED TO THAT SHOW 433 00:12:56,776 --> 00:12:57,878 COULD DESTROY OUR PROFESSIONAL 434 00:12:57,878 --> 00:12:59,309 REPUTATIONS. WE´LL GET 435 00:12:59,309 --> 00:13:01,982 REFERRALS. WE´LL FIND PATIENTS. 436 00:13:01,982 --> 00:13:02,883 WE´RE NOT THAT DESPERATE, 437 00:13:02,883 --> 00:13:03,553 ARE WE? 438 00:13:03,553 --> 00:13:05,385 >> MAYBE NOT, BOYS. OUR FIRST 439 00:13:05,385 --> 00:13:11,992 CONSULT´S IN SEAN´S OFFICE. 440 00:13:11,992 --> 00:13:13,293 >> TELL US WHAT YOU DON´T LIKE 441 00:13:13,293 --> 00:13:14,564 ABOUT YOURSELF, MR. GORCHEK. 442 00:13:14,564 --> 00:13:15,565 >> OH, THAT´S OK. YOU CAN USE 443 00:13:15,565 --> 00:13:17,027 MY REAL NAME. I JUST--I SAID 444 00:13:17,027 --> 00:13:18,028 THAT SO YOUR SECRETARY WOULDN´T 445 00:13:18,028 --> 00:13:22,372 POST ME ON DEFAMER. 446 00:13:22,372 --> 00:13:23,473 THAT JUST PROVES MY INSTINCTS 447 00:13:23,473 --> 00:13:24,975 WERE--PTT--DEAD ON. THAT´S WHY 448 00:13:24,975 --> 00:13:26,276 I CAME TO YOU GUYS AND NOT ONE 449 00:13:26,276 --> 00:13:28,909 OF THE BIG SURGEONS. BOB EASTON 450 00:13:28,909 --> 00:13:32,042 RING A BELL? CHAIRMAN, 451 00:13:32,042 --> 00:13:33,313 CHIEF EXECUTIVE OFFICER OF 452 00:13:33,313 --> 00:13:35,916 THE BIGGEST STUDIO IN TOWN. 453 00:13:35,916 --> 00:13:37,017 QUARTERLY PROFITS NEVER BEEN 454 00:13:37,017 --> 00:13:38,048 HIGHER. MY MOVIES ARE SMART 455 00:13:38,048 --> 00:13:39,319 AND ENTERTAINING. 456 00:13:39,319 --> 00:13:40,390 >> WELL, WE´RE DELIGHTED 457 00:13:40,390 --> 00:13:41,922 YOU CHOSE US, MR. EASTON. 458 00:13:41,922 --> 00:13:43,393 WHAT CAN WE DO FOR YOU? 459 00:13:43,393 --> 00:13:44,554 >> I´M GONNA BE SPENDING THE 460 00:13:44,554 --> 00:13:46,056 HOLIDAYS AT THE FOUR SEASONS 461 00:13:46,056 --> 00:13:47,597 IN KONA. THE ENTIRE TOWN´S GONNA 462 00:13:47,597 --> 00:13:52,332 BE THERE. NEED YOU GUYS TO MAKE 463 00:13:52,332 --> 00:13:54,604 THESE INVISIBLE BY THE TIME 464 00:13:54,604 --> 00:13:56,036 I´M POOLSIDE. IT´S WHERE I DO 465 00:13:56,036 --> 00:13:57,407 THE BULK OF MY BUSINESS 466 00:13:57,407 --> 00:13:58,869 FOR THE NEXT FISCAL YEAR. 467 00:13:58,869 --> 00:13:59,569 >> DID YOU HAVE A RUN-IN 468 00:13:59,569 --> 00:14:00,310 WITH A DOG? 469 00:14:00,310 --> 00:14:01,271 >> WHEN MY MISTRESS PUTS 470 00:14:01,271 --> 00:14:02,472 MY COLLAR AND LEASH ON, 471 00:14:02,472 --> 00:14:05,375 I´M THE DOG. 472 00:14:05,375 --> 00:14:06,516 >> YOUR DOMINATRIX 473 00:14:06,516 --> 00:14:07,377 INFLICTED THESE? 474 00:14:07,377 --> 00:14:08,478 >> YEAH, AND SHE´S NOT CHEAP 475 00:14:08,478 --> 00:14:11,251 EITHER. STILL, NO SCOTCH, 476 00:14:11,251 --> 00:14:12,883 NO YOGA CLASS, NO HOT ROCK 477 00:14:12,883 --> 00:14:14,284 THERAPY EVER HELPED ME 478 00:14:14,284 --> 00:14:16,486 LIKE MISTRESS DARK PAIN DOES. 479 00:14:16,486 --> 00:14:17,988 >> SOUNDS LIKE LIVING THE DREAM 480 00:14:17,988 --> 00:14:19,229 HAS ITS PRICE. 481 00:14:19,229 --> 00:14:22,262 >> OF COURSE IT DOES. 482 00:14:22,262 --> 00:14:23,493 EAT YOUR YOUNG ON A REGULAR 483 00:14:23,493 --> 00:14:27,237 BASIS, WHAT DO YOU EXPECT? ALL 484 00:14:27,237 --> 00:14:28,268 DAY LONG, I´M THE ONE WITH THE 485 00:14:28,268 --> 00:14:31,271 CONTROL, THE POWER. WHEN SWEET 486 00:14:31,271 --> 00:14:33,273 MISTRESS DARK PAIN TAKES IT ALL 487 00:14:33,273 --> 00:14:36,346 AWAY FROM ME, SOMETIMES TWICE 488 00:14:36,346 --> 00:14:38,909 DURING OSCAR SEASON, EVERY BITE 489 00:14:38,909 --> 00:14:40,480 SOMEHOW RESTORES THE BALANCE, 490 00:14:40,480 --> 00:14:43,053 KEEPS ME REAL, YOU KNOW? 491 00:14:43,053 --> 00:14:44,384 >> YEAH. 492 00:14:44,384 --> 00:14:45,455 >> ANYWAY, HOW SOON CAN WE 493 00:14:45,455 --> 00:14:47,517 GET IT TAKEN CARE OF? 494 00:14:47,517 --> 00:14:48,518 >> WE´RE, UH, PRETTY BOOKED UP 495 00:14:48,518 --> 00:14:49,359 THIS WEEK. HOW ´BOUT 496 00:14:49,359 --> 00:14:50,660 NEXT TUESDAY? 497 00:14:50,660 --> 00:14:51,891 >> PLEASE, THIS PLACE IS DEADER 498 00:14:51,891 --> 00:14:53,323 THAN MY NANA. TODAY. 499 00:14:53,323 --> 00:14:57,427 MAKE IT HAPPEN. 500 00:14:57,427 --> 00:15:00,630 >> ♫ LOVE HURTS, 501 00:15:00,630 --> 00:15:03,533 LOVE SCARS, 502 00:15:03,533 --> 00:15:04,604 LOVE WOUNDS... ♫ 503 00:15:04,604 --> 00:15:05,505 >> THOUGHT WE LEFT MIAMI 504 00:15:05,505 --> 00:15:06,406 SO WE DIDN´T HAVE TO DEAL 505 00:15:06,406 --> 00:15:07,407 WITH FREAKS LIKE THIS GUY. 506 00:15:07,407 --> 00:15:08,508 >> ONE CLIENT AT A TIME, CHRI-- 507 00:15:08,508 --> 00:15:09,940 >> BULLSHIT, SEAN. I´M A 508 00:15:09,940 --> 00:15:11,281 JACKRABBIT. I DON´T DO SLOW AND 509 00:15:11,281 --> 00:15:12,542 STEADY. I PAID MY DUES, AND I 510 00:15:12,542 --> 00:15:13,683 WANT SOME OVERNIGHT SUCCESS. 511 00:15:13,683 --> 00:15:17,687 >> ♫ OOH, LOVE HURTS ♫ 512 00:15:17,687 --> 00:15:19,349 >> OUT OF THE WAY, WIGGY. YOU´LL 513 00:15:19,349 --> 00:15:21,451 LOSE A LOT MORE THAN YOUR HEAD. 514 00:15:21,451 --> 00:15:23,293 JESUS. YOU HAVE NO IDEA HOW 515 00:15:23,293 --> 00:15:24,294 STRESSFUL IT CAN BE RUNNING 516 00:15:24,294 --> 00:15:25,425 A TELEVISION SHOW. EVERYBODY 517 00:15:25,425 --> 00:15:27,027 WANTS YOU. EVERYBODY´S RELYING 518 00:15:27,027 --> 00:15:28,428 ON YOU, YOU KNOW, THE STUDIO, 519 00:15:28,428 --> 00:15:30,300 THE NETWORK. ROSE BOWL PARADE, 520 00:15:30,300 --> 00:15:32,032 THEY WANT ME ON A FLOAT. 521 00:15:32,032 --> 00:15:33,263 GOD, THE STEERING ON THIS THING 522 00:15:33,263 --> 00:15:34,564 IS SO TIGHT. IT´S GERMANIC 523 00:15:34,564 --> 00:15:36,066 OR SOMETHING. IT´S BRAND-NEW. 524 00:15:36,066 --> 00:15:37,637 ANYWAY, FIONA RECOMMENDS 525 00:15:37,637 --> 00:15:39,039 YOU GUYS VERY, VERY HIGHLY. 526 00:15:39,039 --> 00:15:40,070 >> SHE´S BEEN VERY HELPFUL TO US 527 00:15:40,070 --> 00:15:40,971 SINCE OUR MOVE OUT HERE 528 00:15:40,971 --> 00:15:41,541 FROM MIAMI. 529 00:15:41,541 --> 00:15:42,442 >> I THINK SHE HEARD ABOUT 530 00:15:42,442 --> 00:15:43,573 OUR MORE PRESTIGIOUS CASES AND 531 00:15:43,573 --> 00:15:44,714 THOUGHT THAT US WORKING TOGETHER 532 00:15:44,714 --> 00:15:46,046 MIGHT BE MUTUALLY BENEFICIAL. 533 00:15:46,046 --> 00:15:47,317 >> WATCH IT, SPARTACUS! 534 00:15:47,317 --> 00:15:49,449 IT´S NOT A SOCCER FIELD. LOOK, 535 00:15:49,449 --> 00:15:51,321 THERE´S ACHILLES, TOO. GET IT? 536 00:15:51,321 --> 00:15:53,053 HA HA. SO, LISTEN. I HAVE 537 00:15:53,053 --> 00:15:53,984 A VERY IMPORTANT QUESTION 538 00:15:53,984 --> 00:15:54,554 I NEED TO ASK YOU. 539 00:15:54,554 --> 00:15:55,325 >> YEAH. 540 00:15:55,325 --> 00:15:57,357 >> SCALE OF 1 TO 10, WHAT DO 541 00:15:57,357 --> 00:15:58,288 YOU THINK OF MY SHOW? 542 00:15:58,288 --> 00:15:58,688 Sean: 5. 543 00:15:58,688 --> 00:15:59,629 Christian: 10. 544 00:15:59,629 --> 00:16:00,590 >> SORRY. IT´S JUST FROM 545 00:16:00,590 --> 00:16:01,591 A MEDICAL STANDPOINT, THE 546 00:16:01,591 --> 00:16:03,233 PROCEDURES LOOK REALLY PHONY. 547 00:16:03,233 --> 00:16:04,294 >> WHO´S THE LEAD GUY? I MEAN, 548 00:16:04,294 --> 00:16:05,965 HE´S TOTALLY UNREALISTIC. 549 00:16:05,965 --> 00:16:06,997 >> WOMEN 18 TO 49, THEY LOVE 550 00:16:06,997 --> 00:16:09,699 AIDAN STONE. AND HE HAS A HUGE 551 00:16:09,699 --> 00:16:11,441 FOLLOWING AMONGST THE GAYS. 552 00:16:11,441 --> 00:16:12,972 BUT I DON´T KNOW, YOU KNOW. 553 00:16:12,972 --> 00:16:14,074 SOUNDS LIKE MAYBE THIS ISN´T 554 00:16:14,074 --> 00:16:16,076 THE RIGHT SHOW FOR YOU GUYS. 555 00:16:16,076 --> 00:16:17,577 [BACKING UP BEEPS] 556 00:16:17,577 --> 00:16:18,608 >> NOT ONLY COULD WE MAKE YOUR 557 00:16:18,608 --> 00:16:20,480 MEDICAL STUFF MORE REALISTIC. WE 558 00:16:20,480 --> 00:16:22,552 COULD GIVE YOU EXAMPLES OF CASES 559 00:16:22,552 --> 00:16:24,014 WE´VE WORKED ON FOR 15 YEARS. 560 00:16:24,014 --> 00:16:25,615 >> IT´D GIVE YOU CREDIBILITY. 561 00:16:25,615 --> 00:16:26,616 >> WHAT THE HELL IS THIS SHIT, 562 00:16:26,616 --> 00:16:28,518 FREDDIE? A MUSICAL EPISODE? 563 00:16:28,518 --> 00:16:30,490 HOW GAY IS THAT? COME ON. 564 00:16:30,490 --> 00:16:31,491 THIS IS THE KIND OF DESPERATE 565 00:16:31,491 --> 00:16:32,362 SCHLOCK YOU DON´T DO 566 00:16:32,362 --> 00:16:33,323 UNTIL YOUR FIFTH SEASON. 567 00:16:33,323 --> 00:16:34,264 >> I THOUGHT--I THOUGHT-- 568 00:16:34,264 --> 00:16:35,265 >> WHAT? WHAT´D YOU THINK? NO. 569 00:16:35,265 --> 00:16:36,326 NO, NO, YOU DIDN´T. NO, YOU 570 00:16:36,326 --> 00:16:37,427 DIDN´T THINK, ´CAUSE YOU´RE TOO 571 00:16:37,427 --> 00:16:38,368 BUSY PARADING AROUND IN THAT 572 00:16:38,368 --> 00:16:39,369 GOD-UGLY JUMPSUIT LIKE SOME 573 00:16:39,369 --> 00:16:42,632 FAGGY FAT-ASS CHORUS GIRL. 574 00:16:42,632 --> 00:16:44,474 WHY DON´T YOU JUST FIRE THOSE 575 00:16:44,474 --> 00:16:45,505 HACKITY-HACK WRITERS BEFORE 576 00:16:45,505 --> 00:16:47,006 I QUIT AND YOU´RE FORCED TO 577 00:16:47,006 --> 00:16:49,339 START RUNNING CRAFT SERVICE. 578 00:16:49,339 --> 00:16:51,411 I MEAN, LOOK AT YOUR BODY. WHAT 579 00:16:51,411 --> 00:16:53,083 HAPPENED TO THE PROGRAM I SET UP 580 00:16:53,083 --> 00:16:56,246 FOR YOU? IT IS SO DEPRESSING. 581 00:17:00,650 --> 00:17:02,792 >> UH, SO WHERE WERE WE? 582 00:17:02,792 --> 00:17:03,693 >> YOU GONNA LET THAT SON OF 583 00:17:03,693 --> 00:17:04,754 A BITCH TALK TO YOU THAT WAY? 584 00:17:04,754 --> 00:17:07,757 >> WHO? OH, AIDAN? PFFT. HE´S 585 00:17:07,757 --> 00:17:10,760 A SWEETIE. YOU KNOW, HE´S, UM... 586 00:17:10,760 --> 00:17:13,763 SENSITIVE, AND HE´S DAMAGED, 587 00:17:13,763 --> 00:17:16,406 AND, UM, YOU KNOW, HE´S A-- 588 00:17:16,406 --> 00:17:19,539 HE´S FRUSTRATED. 589 00:17:19,539 --> 00:17:21,641 >> ARE YOU ALL RIGHT? 590 00:17:21,641 --> 00:17:22,812 >> JUST GOT LOW BLOOD SUGAR, 591 00:17:22,812 --> 00:17:23,713 AND I NEED TO EAT SOMETHING 592 00:17:23,713 --> 00:17:24,674 RIGHT NOW. 593 00:17:24,674 --> 00:17:27,547 [BACKING UP BEEPING] 594 00:17:27,547 --> 00:17:29,779 >> OK, WHEAT, SUGAR, POO, POO, 595 00:17:29,779 --> 00:17:32,622 CRAP. PACO, WHY IS EVERYTHING 596 00:17:32,622 --> 00:17:35,555 STILL FRIED?! STILL? [SIGHS] 597 00:17:35,555 --> 00:17:37,557 I´M GETTING TITS LIKE A GIRL. 598 00:17:37,557 --> 00:17:39,429 TRUTH IS AIDAN´S RIGHT. I´M IN 599 00:17:39,429 --> 00:17:41,561 OVER MY HEAD, WAY OVER MY HEAD. 600 00:17:41,561 --> 00:17:43,293 START PRODUCTION ON EPISODE 6 601 00:17:43,293 --> 00:17:44,834 ON TUESDAY, AND I HAVE NO CASE, 602 00:17:44,834 --> 00:17:46,436 AND I CAN´T KEEP RIPPING OFF 603 00:17:46,436 --> 00:17:47,567 EPISODES OF CHICAGO HOPE. 604 00:17:47,567 --> 00:17:48,698 THEY´LL START SUING ME. I NEED 605 00:17:48,698 --> 00:17:49,799 SOMETHING SEXY. I NEED A RATINGS 606 00:17:49,799 --> 00:17:52,672 GRABBER. JESUS CHRIST. 607 00:17:52,672 --> 00:17:54,574 CHICKEN FINGERS. GODDAMN IT. 608 00:17:54,574 --> 00:17:56,376 >> WELL, WE HAD A CASE A COUPLE 609 00:17:56,376 --> 00:17:58,648 OF YEARS AGO. REMEMBER, SEAN? 610 00:17:58,648 --> 00:18:00,110 THIS, UH, WOMAN CAME INTO OUR 611 00:18:00,110 --> 00:18:01,351 OFFICE. SHE´D BURNED HER LIPS 612 00:18:01,351 --> 00:18:02,652 OFF IN A COOKING ACCIDENT. 613 00:18:02,652 --> 00:18:04,314 >> RIGHT. WE HAD TO DO A GRAFT 614 00:18:04,314 --> 00:18:06,586 USING SKIN FROM HER VAGINA. 615 00:18:06,586 --> 00:18:08,788 THE ONLY TROUBLE WAS HER HUSBAND 616 00:18:08,788 --> 00:18:09,719 DIDN´T LIKE ORAL SEX, 617 00:18:09,719 --> 00:18:10,660 SO SHE COULDN´T LET HIM KNOW 618 00:18:10,660 --> 00:18:12,462 WHERE THE SKIN CAME FROM. 619 00:18:12,462 --> 00:18:14,664 >> WE CALLED HER PUSSY LIPS. 620 00:18:14,664 --> 00:18:16,566 I´D WATCH A SHOW WITH PUSSY LIPS 621 00:18:16,566 --> 00:18:22,502 ON IT. 622 00:18:22,502 --> 00:18:23,833 >> HOW SOON CAN YOU START? 623 00:18:23,833 --> 00:18:25,405 [THE BEST IS YET TO COME 624 00:18:25,405 --> 00:18:26,876 STARTS PLAYING] 625 00:18:26,876 --> 00:18:28,308 >> WE´RE NOT INTERESTED IN JUST 626 00:18:28,308 --> 00:18:29,609 BEING CONSULTANTS, MR. PRUNE. 627 00:18:29,609 --> 00:18:30,380 >> WE´RE NOT? 628 00:18:30,380 --> 00:18:31,641 >> WE WANT PRODUCER CREDITS 629 00:18:31,641 --> 00:18:34,614 AND THE OCCASIONAL LINE. 630 00:18:34,614 --> 00:18:35,885 >> ♫ THE BEST IS YET 631 00:18:35,885 --> 00:18:37,747 TO COME... ♫ 632 00:18:37,747 --> 00:18:41,421 >> PUSSY LIPS. GOD, I LOVE IT. 633 00:18:41,421 --> 00:18:42,452 LET´S GET TO WORK. 634 00:18:42,452 --> 00:18:43,453 >> ♫ AND, BABY, 635 00:18:43,453 --> 00:18:45,825 YOU´RE GONNA FLY ♫ 636 00:18:57,507 --> 00:18:58,508 >> LET ME START OFF BY SAYING 637 00:18:58,508 --> 00:19:00,370 I´M A HUGE FAN. OF ALL 638 00:19:00,370 --> 00:19:01,371 THE ROMANTIC COMEDIES I´VE BEEN 639 00:19:01,371 --> 00:19:02,412 DRAGGED TO BY MY GIRLFRIENDS 640 00:19:02,412 --> 00:19:03,743 OVER THE YEARS, YOURS ARE 641 00:19:03,743 --> 00:19:05,645 THE ONES I HATED THE LEAST. 642 00:19:05,645 --> 00:19:07,377 SO, TELL ME WHAT YOU DON´T LIKE 643 00:19:07,377 --> 00:19:08,748 ABOUT YOURSELF, MS. SUMMERS. 644 00:19:08,748 --> 00:19:13,423 >> HEH. UM, THAT I WAS STUPID 645 00:19:13,423 --> 00:19:14,524 ENOUGH TO LET FIONA DRAG ME 646 00:19:14,524 --> 00:19:17,327 HERE. LOOK, DOCTOR, I AM SURE 647 00:19:17,327 --> 00:19:19,259 YOU ARE A GENIUS AT WHAT YOU DO, 648 00:19:19,259 --> 00:19:20,530 BUT PLASTIC SURGERY IS 649 00:19:20,530 --> 00:19:22,632 AN ACTOR´S WORST NIGHTMARE. 650 00:19:22,632 --> 00:19:24,294 YOU STRETCH ACTORS´ FACES 651 00:19:24,294 --> 00:19:24,864 SO THEY DON´T HAVE TO 652 00:19:24,864 --> 00:19:25,795 STRETCH THEMSELVES. 653 00:19:25,795 --> 00:19:26,796 >> SAYS THE WOMAN WHO HASN´T 654 00:19:26,796 --> 00:19:28,398 LANDED A PART DEEPER THAN A 655 00:19:28,398 --> 00:19:30,600 SHOT GLASS IN 3 YEARS. FACE IT, 656 00:19:30,600 --> 00:19:32,802 CARLY. NO ONE WANTS TO SEE 657 00:19:32,802 --> 00:19:34,604 A 40-YEAR-OLD WOMAN IN ROMANTIC 658 00:19:34,604 --> 00:19:37,447 COMEDIES. IF SHE LOOKS 35, 659 00:19:37,447 --> 00:19:40,650 MAYBE. 660 00:19:40,650 --> 00:19:41,551 >> SHOW BUSINESS IS ROUGH 661 00:19:41,551 --> 00:19:43,413 ON YOU. 662 00:19:43,413 --> 00:19:44,384 >> IT´S HARD TO FIND SOMEONE 663 00:19:44,384 --> 00:19:45,355 IN THIS TOWN WHO´LL BE HONEST 664 00:19:45,355 --> 00:19:46,316 WITH YOU. 665 00:19:46,316 --> 00:19:47,357 >> WHICH IS WHY WE CAME TO YOU, 666 00:19:47,357 --> 00:19:48,558 DR. TROY. YOU´RE A FELLOW 667 00:19:48,558 --> 00:19:51,691 CLIENT. WE CAN TRUST YOU. 668 00:19:51,691 --> 00:19:53,393 TELL US HOW YOU CAN REFRESH 669 00:19:53,393 --> 00:19:54,724 CARLY´S FACE SO WE CAN REFRESH 670 00:19:54,724 --> 00:19:59,299 HER CAREER. 671 00:19:59,299 --> 00:20:00,970 [TAPS DESK] 672 00:20:00,970 --> 00:20:02,672 >> WELL, LET´S START OUT ON 673 00:20:02,672 --> 00:20:04,804 THE RIGHT FOOT, SHALL WE? AHEM. 674 00:20:04,804 --> 00:20:06,506 TELL ME, DO YOU WANT 675 00:20:06,506 --> 00:20:07,907 COSMETIC SURGERY? 676 00:20:07,907 --> 00:20:09,809 >> LOOK, I´M UP FOR THIS REALLY 677 00:20:09,809 --> 00:20:12,211 GREAT PART--SINGLE MOTHER, 678 00:20:12,211 --> 00:20:13,683 COAL MINER, WITH AN AUTISTIC 679 00:20:13,683 --> 00:20:15,245 CHILD--AND EVEN IF I DON´T 680 00:20:15,245 --> 00:20:16,986 GET IT, A PART OF ME WANTS 681 00:20:16,986 --> 00:20:18,818 TO TAKE A STAND. I WANT TO SHOW 682 00:20:18,818 --> 00:20:20,520 EVERYONE THAT A WOMAN MY AGE 683 00:20:20,520 --> 00:20:21,991 CAN BE DESIRABLE WITHOUT 684 00:20:21,991 --> 00:20:23,493 THE HELP OF SCIENCE. 685 00:20:23,493 --> 00:20:25,695 >> SWEETHEART, YOU HAVE A LOVELY 686 00:20:25,695 --> 00:20:26,826 LITTLE TALENT, AND YOU MAKE 687 00:20:26,826 --> 00:20:28,928 THE MOST OF IT, BUT YOU´VE 688 00:20:28,928 --> 00:20:31,701 GOT 5 YEARS LEFT, AND THAT´S 689 00:20:31,701 --> 00:20:34,334 ONLY IF YOU LET DR. TROY WORK 690 00:20:34,334 --> 00:20:35,805 HIS MEDICAL MAGIC. 691 00:20:35,805 --> 00:20:37,307 >> WELL, MAYBE I CAN START OUT 692 00:20:37,307 --> 00:20:39,339 WITH THAT RESTYLANE OR BOTOX, 693 00:20:39,339 --> 00:20:43,343 YOU KNOW, EASE ME INTO IT. 694 00:20:43,343 --> 00:20:49,549 WHAT DO YOU THINK, DR. TROY? 695 00:20:49,549 --> 00:20:50,480 >> HONESTLY... 696 00:20:50,480 --> 00:20:51,451 >> YES. 697 00:20:51,451 --> 00:20:52,382 >> I DON´T THINK YOU NEED 698 00:20:52,382 --> 00:20:54,524 ANYTHING DONE. MAYBE A NICE 699 00:20:54,524 --> 00:20:55,855 DINNER BY THE BEACH, A GREAT 700 00:20:55,855 --> 00:20:56,856 BOTTLE OF BURGUNDY, AND SOME 701 00:20:56,856 --> 00:20:59,729 DECENT CONVERSATION. 702 00:21:09,469 --> 00:21:11,741 AW, LOOK AT YOU, BEAUTIFUL BOY. 703 00:21:11,741 --> 00:21:13,303 [KISSES] 704 00:21:13,303 --> 00:21:14,844 >> WHERE ARE YOU GOIN´? 705 00:21:14,844 --> 00:21:17,547 >> I´M TAKING CARLY TO THE IVY. 706 00:21:17,547 --> 00:21:18,478 >> DID YOU CALL A SITTER? 707 00:21:18,478 --> 00:21:19,949 >> NO, BUT YOU´RE NOT DOING 708 00:21:19,949 --> 00:21:23,753 ANYTHING. COME ON. 709 00:21:23,753 --> 00:21:24,384 IT´S BUSINESS. 710 00:21:24,384 --> 00:21:25,515 >> I THOUGHT YOU TURNED DOWN 711 00:21:25,515 --> 00:21:26,516 HER SURGERY. 712 00:21:26,516 --> 00:21:28,287 >> I DID TURN DOWN HER SURGERY. 713 00:21:28,287 --> 00:21:29,789 NOW I NEED TO TURN HER ON. WE´RE 714 00:21:29,789 --> 00:21:30,720 NOT GONNA GET ANYWHERE IN THIS 715 00:21:30,720 --> 00:21:32,422 TOWN BY GIVING CARLY SUMMERS 716 00:21:32,422 --> 00:21:33,763 A LITTLE BOTOX. SHE NEEDS 717 00:21:33,763 --> 00:21:35,365 A FACE-LIFT, A TIT JOB, AND 718 00:21:35,365 --> 00:21:36,366 WHATEVER ELSE I CAN SEDUCE HER 719 00:21:36,366 --> 00:21:38,768 INTO GETTING. GOOD PLAN, HUH? 720 00:21:38,768 --> 00:21:39,769 >> HOW ´BOUT I TAKE 721 00:21:39,769 --> 00:21:41,371 THE HOLLYWOOD STAR OUT TO DINNER 722 00:21:41,371 --> 00:21:43,473 AND YOU STAY HOME WITH YOUR SON? 723 00:21:43,473 --> 00:21:44,374 I´LL DO THE CONVINCING. 724 00:21:44,374 --> 00:21:45,475 >> BECAUSE I´M THE CHARISMATIC 725 00:21:45,475 --> 00:21:47,337 SALESMAN, AND YOU´RE THE TALENT. 726 00:21:47,337 --> 00:21:48,438 THAT´S THE WAY IT´S ALWAYS BEEN. 727 00:21:48,438 --> 00:21:52,782 >> EXACTLY WHY I LEFT MIAMI. 728 00:21:52,782 --> 00:21:53,883 >> AHH. 729 00:21:53,883 --> 00:21:55,785 >> WHAT ARE YOU, A CAMEL? 730 00:21:55,785 --> 00:21:57,517 >> PINEAPPLE JUICE, BABY. 731 00:21:57,517 --> 00:21:58,548 MAKES A MAN´S SHOOTY-SHOOT 732 00:21:58,548 --> 00:22:00,920 TASTE INFINITELY SWEETER. IT´S 733 00:22:00,920 --> 00:22:02,321 NATURE´S GUARANTEE OF A SECOND 734 00:22:02,321 --> 00:22:05,725 DATE. NOW, IF YOU WERE ANY KIND 735 00:22:05,725 --> 00:22:06,796 OF SALESMAN, YOU WOULD HAVE 736 00:22:06,796 --> 00:22:08,398 KNOWN THAT. COME ON, THE NEXT 737 00:22:08,398 --> 00:22:09,399 AMERICA´S SWEETHEART WHO COMES 738 00:22:09,399 --> 00:22:10,400 INTO OUR OFFICE IS ALL YOURS. 739 00:22:10,400 --> 00:22:11,861 >> WHY DIDN´T YOU HIRE A LIVE-IN 740 00:22:11,861 --> 00:22:12,932 NANNY LIKE YOU SAID YOU WOULD? 741 00:22:12,932 --> 00:22:13,903 >> I CAN´T AFFORD IT NOW THAT 742 00:22:13,903 --> 00:22:16,065 WE´RE PAYING FIONA 5 GRAND 743 00:22:16,065 --> 00:22:19,108 A MONTH. GOOD NIGHT. I LOVE YOU. 744 00:22:19,108 --> 00:22:22,412 >> CHRISTIAN. 745 00:22:22,412 --> 00:22:25,515 [WAVES CRASHING] 746 00:22:25,515 --> 00:22:28,418 [TELEPHONE RINGS] 747 00:22:28,418 --> 00:22:30,520 [RING] 748 00:22:30,520 --> 00:22:32,782 [RING] 749 00:22:32,782 --> 00:22:36,856 HELLO. LIZ, SLOW DOWN. 750 00:22:36,856 --> 00:22:38,488 I CAN´T UNDERSTAND YOU. 751 00:22:38,488 --> 00:22:39,358 >> [SCREAMING] 752 00:22:39,358 --> 00:22:40,359 >> YOU THINK YOU´RE A GREAT BIG 753 00:22:40,359 --> 00:22:43,993 BARRACUDA, DON´T YOU? WELL, 754 00:22:43,993 --> 00:22:44,994 I CAN JERK YOU LIKE YOU´RE 755 00:22:44,994 --> 00:22:48,838 A GUPPY. GET OUT OF HERE! 756 00:22:48,838 --> 00:22:50,840 >> WHAT THE HELL ARE YOU DOING? 757 00:22:50,840 --> 00:22:54,444 STOP IT. I WANT YOU TO PACK UP 758 00:22:54,444 --> 00:22:55,405 AND GET OUT. 759 00:22:55,405 --> 00:22:55,975 >> OR WHAT? 760 00:22:55,975 --> 00:22:58,077 >> OR I´M CALLING THE POLICE. 761 00:23:05,985 --> 00:23:07,487 >> COURSE I STERILIZE. 762 00:23:07,487 --> 00:23:11,861 I´M A PROFESSIONAL. 763 00:23:11,861 --> 00:23:13,392 >> WHAT´S GOING ON WITH YOU? 764 00:23:13,392 --> 00:23:14,494 THIS IS OUT OF CONTROL. 765 00:23:14,494 --> 00:23:16,165 >> [MUFFLED RESPONSE] 766 00:23:16,165 --> 00:23:17,527 >> YOU NEED THERAPY. 767 00:23:17,527 --> 00:23:19,429 >> I HAD TO CALL HER, OK? AHH. 768 00:23:19,429 --> 00:23:21,471 I HAD TO FIRE 5 PEOPLE TODAY 769 00:23:21,471 --> 00:23:22,532 BY E-MAIL. 770 00:23:22,532 --> 00:23:23,533 >> THIS IS A MEDICAL FACILITY, 771 00:23:23,533 --> 00:23:25,475 MR. EASTON, NOT A BEDROOM... 772 00:23:25,475 --> 00:23:26,005 >> AHH. 773 00:23:26,005 --> 00:23:27,006 >> OR A DUNGEON. 774 00:23:27,006 --> 00:23:27,937 >> ONE OF THEM WAS MY OLDEST 775 00:23:27,937 --> 00:23:29,479 FRIEND OUT HERE. YOU KNOW 776 00:23:29,479 --> 00:23:30,940 I´M GODFATHER TO HIS DAUGHTER? 777 00:23:30,940 --> 00:23:32,041 THERE´S THIS WHOLE CORPORATE 778 00:23:32,041 --> 00:23:33,412 MERGER IN THE WIND. 779 00:23:33,412 --> 00:23:34,784 EVERYTHING´S SHIFTING. 780 00:23:34,784 --> 00:23:37,447 >> YOU ARE NOT IN CHARGE HERE. 781 00:23:37,447 --> 00:23:39,148 YOU TALK WHEN I SAY YOU CAN 782 00:23:39,148 --> 00:23:43,192 TALK. LET ME TELL YOU SOMETHING, 783 00:23:43,192 --> 00:23:45,054 DOCTOR. IT´S NOT EASY BEING 784 00:23:45,054 --> 00:23:48,027 ROBERT EASTON. HE ISN´T STUPID. 785 00:23:48,027 --> 00:23:49,028 HE KNOWS THAT UNDERNEATH HIS 786 00:23:49,028 --> 00:23:51,160 "LOOK HOW BIG MY DICK IS" ACT 787 00:23:51,160 --> 00:23:52,502 THAT HE´S JUST A SCARED LITTLE 788 00:23:52,502 --> 00:23:54,504 BOY WHO FEEDS OFF EVERYONE 789 00:23:54,504 --> 00:23:57,166 ELSE´S TALENT AND DREAMS. 790 00:23:57,166 --> 00:24:02,011 HE´S NOTHING. I HAVE A GIFT. 791 00:24:02,011 --> 00:24:04,814 I HELP KEEP MEN LIKE BOB FROM 792 00:24:04,814 --> 00:24:06,516 IMPLODING WITH TOO MUCH POWER. 793 00:24:06,516 --> 00:24:07,477 >> LET ME TELL YOU SOMETHING, 794 00:24:07,477 --> 00:24:09,078 MISTRESS WHOMEVER. YOU AND 795 00:24:09,078 --> 00:24:10,720 YOUR GIFT ARE NOT WELCOME HERE. 796 00:24:10,720 --> 00:24:13,182 THIS IS A PLACE OF HEALING. 797 00:24:13,182 --> 00:24:17,527 >> YOU´D BE FUN TO WORK WITH. 798 00:24:17,527 --> 00:24:20,129 SEE YOU LATER, BOBBY. 799 00:24:34,073 --> 00:24:37,076 >> [SIGHS] 800 00:24:37,076 --> 00:24:38,908 SO NEXT TIME, MAYBE WE SHOULD 801 00:24:38,908 --> 00:24:41,511 MEET AT THE RESTAURANT FIRST. 802 00:24:41,511 --> 00:24:44,253 >> REALLY? HOW COME? YOU DIDN´T 803 00:24:44,253 --> 00:24:45,955 LIKE OUR FIRST DATE? 804 00:24:45,955 --> 00:24:47,857 >> I DID. TRUST ME. 805 00:24:47,857 --> 00:24:49,218 >> TRUST YOU? AREN´T YOU 806 00:24:49,218 --> 00:24:53,192 AN ACTRESS? HUH? HOW COULD 807 00:24:53,192 --> 00:24:56,225 I TRUST AN ACTRESS? 808 00:24:56,225 --> 00:24:57,867 >> YEAH. 809 00:24:57,867 --> 00:25:00,269 >> I NEED TO SEE FOR MYSELF. 810 00:25:00,269 --> 00:25:01,831 >> NO, YOU DON´T. 811 00:25:01,831 --> 00:25:02,702 >> OH, COME ON. 812 00:25:02,702 --> 00:25:03,102 >> NO. 813 00:25:03,102 --> 00:25:04,704 >> WHAT ARE YOU DOING? 814 00:25:04,704 --> 00:25:10,179 >> OH, MY GOD. 815 00:25:10,179 --> 00:25:11,981 [LAUGHS] 816 00:25:11,981 --> 00:25:13,943 >> WHY ARE YOU BEING SO SHY 817 00:25:13,943 --> 00:25:14,844 ALL OF A SUDDEN? 818 00:25:14,844 --> 00:25:15,845 >> LOOK, I TOOK OVER AN HOUR 819 00:25:15,845 --> 00:25:17,146 GETTING READY FOR YOU, AND, YOU 820 00:25:17,146 --> 00:25:19,218 KNOW, YOU BARELY SAW IT, AND NOW 821 00:25:19,218 --> 00:25:21,250 MY HAIR IS A WRECK, AND MY 822 00:25:21,250 --> 00:25:22,922 MAKEUP IS ALL SMEARED, AND-- 823 00:25:22,922 --> 00:25:25,224 >> MAKEUP? AFTER THE FIRST TIME 824 00:25:25,224 --> 00:25:27,296 WE MET, I, UH--I GOT THE 825 00:25:27,296 --> 00:25:29,559 IMPRESSION THAT YOU WERE VERY 826 00:25:29,559 --> 00:25:31,260 CONFIDENT WITH YOUR APPEARANCE. 827 00:25:31,260 --> 00:25:37,036 >> I AM. I JUST... 828 00:25:37,036 --> 00:25:39,268 I´VE JUST NEVER SLEPT WITH 829 00:25:39,268 --> 00:25:43,272 A PLASTIC SURGEON BEFORE. 830 00:25:43,272 --> 00:25:45,775 OH, GOD. IMAGINE IT´S WORSE 831 00:25:45,775 --> 00:25:47,276 THAN A CASTING DIRECTOR. 832 00:25:47,276 --> 00:25:50,820 >> PLEASE. YOU THINK I´M JUDGING 833 00:25:50,820 --> 00:25:54,984 THE WAY THAT YOU LOOK NOW? 834 00:25:54,984 --> 00:25:57,827 YOU´RE BEAUTIFUL. 835 00:26:04,734 --> 00:26:05,264 WHAT? 836 00:26:05,264 --> 00:26:08,037 >> GOD, YOU AND THE LIGHT. 837 00:26:08,037 --> 00:26:10,269 [SIGHS] 838 00:26:10,269 --> 00:26:11,901 >> WOW. 839 00:26:11,901 --> 00:26:13,773 >> WHAT? 840 00:26:13,773 --> 00:26:18,147 >> I´VE NEVER SEEN THAT BEFORE. 841 00:26:18,147 --> 00:26:22,752 >> OH. YEAH. 842 00:26:22,752 --> 00:26:23,282 >> IT´S AN ORIGINAL 843 00:26:23,282 --> 00:26:25,084 ANDREW MACPHERSON. 844 00:26:25,084 --> 00:26:26,055 >> YOU KNOW HIS WORK? 845 00:26:26,055 --> 00:26:29,118 >> I HAVE HIS BOOK. 846 00:26:29,118 --> 00:26:31,320 >> WOW. CAN YOU BELIEVE THAT WAS 847 00:26:31,320 --> 00:26:32,321 TAKEN ALMOST-- 848 00:26:32,321 --> 00:26:34,063 >> 18 YEARS AGO, GIVE OR TAKE 849 00:26:34,063 --> 00:26:35,324 6 MONTHS. 850 00:26:35,324 --> 00:26:36,295 >> HOW DO YOU KNOW THAT? 851 00:26:36,295 --> 00:26:37,226 >> THEY DIDN´T AIRBRUSH 852 00:26:37,226 --> 00:26:39,929 BACK THEN LIKE THEY DO TODAY. 853 00:26:39,929 --> 00:26:41,070 >> I DON´T THINK I LOOK 854 00:26:41,070 --> 00:26:46,836 THAT DIFFERENT. DO YOU? 855 00:26:46,836 --> 00:26:50,940 >> NOT AT ALL. 856 00:26:50,940 --> 00:26:52,241 >> WELL, SAY I WAS GONNA DO THAT 857 00:26:52,241 --> 00:26:56,115 EXACT SAME PICTURE TODAY. LIKE, 858 00:26:56,115 --> 00:26:57,817 WOULD YOU HAVE TO FIX ANYTHING 859 00:26:57,817 --> 00:27:01,921 TO MAKE ME LOOK LIKE THAT AGAIN? 860 00:27:01,921 --> 00:27:06,325 >> DO YOU HAVE A LIPSTICK? 861 00:27:06,325 --> 00:27:09,699 >> YEAH. 862 00:27:18,307 --> 00:27:21,270 >> STARTING AT THE BOTTOM. 863 00:27:21,270 --> 00:27:23,773 THE MUSCLES IN YOUR CALVES 864 00:27:23,773 --> 00:27:26,175 AND THIGHS, THEY SOFTEN AFTER 865 00:27:26,175 --> 00:27:27,917 A WOMAN TURNS 40, SO I´D GIVE 866 00:27:27,917 --> 00:27:30,249 YOU CALF IMPLANTS AND, UH, 867 00:27:30,249 --> 00:27:32,381 LIPOSUCTION THROUGH HERE AND 868 00:27:32,381 --> 00:27:34,754 THROUGH HERE. OF COURSE SOME 869 00:27:34,754 --> 00:27:36,185 LIPOSUCTION RIGHT HERE. NOW YOUR 870 00:27:36,185 --> 00:27:38,758 BOOBS ARE STILL REALLY PERKY, SO 871 00:27:38,758 --> 00:27:40,760 I´D JUST MAYBE TAKE ´EM TO A-- 872 00:27:40,760 --> 00:27:42,792 A HIGH "B" AND LIFT THEM JUST 873 00:27:42,792 --> 00:27:44,133 A LITTLE BIT. NOW HERE THE HARD 874 00:27:44,133 --> 00:27:47,066 PART. A FEATHER-LIFT WOULD TAKE 875 00:27:47,066 --> 00:27:49,038 6 YEARS OFF THE WAY YOU LOOK 876 00:27:49,038 --> 00:27:55,845 NOW. THROUGH HERE, HERE. 877 00:27:55,845 --> 00:27:57,076 THE GOOD NEWS IS IF YOU 878 00:27:57,076 --> 00:27:58,407 GET THAT COAL MINER ROLE, 879 00:27:58,407 --> 00:28:00,079 NOBODY´LL NOTICE YOUR ASS 880 00:28:00,079 --> 00:28:02,752 IN OVERALLS, RIGHT? 881 00:28:18,327 --> 00:28:19,198 [BELL RINGS] 882 00:28:19,198 --> 00:28:21,170 >> LET´S FOCUS, PEOPLE. I NEED A 883 00:28:21,170 --> 00:28:23,132 BRUSCHETTA, STAT, EXTRA CHEESE. 884 00:28:23,132 --> 00:28:24,173 >> OK, WHAT THE HECK? 885 00:28:24,173 --> 00:28:25,134 WHERE ARE YOUR PUSSY LIPS? 886 00:28:25,134 --> 00:28:26,035 I THOUGHT WE WERE SHOOTING. 887 00:28:26,035 --> 00:28:27,076 WHERE ARE HER PUSSY LIPS? 888 00:28:27,076 --> 00:28:28,037 >> NO, YOU SAID WE WERE 889 00:28:28,037 --> 00:28:29,238 JUST REHEARSING. 890 00:28:29,238 --> 00:28:30,079 >> OH, GOD, OF COURSE. 891 00:28:30,079 --> 00:28:31,210 I´M SORRY. I´M AN ASSHOLE. 892 00:28:31,210 --> 00:28:32,982 WHAT´S THIS? WHY´S--WHAT IS 893 00:28:32,982 --> 00:28:34,213 THIS BUCK ROGERS BULLSHIT, OK? 894 00:28:34,213 --> 00:28:35,184 I KNOW IT´S REAL AND EVERYTHING, 895 00:28:35,184 --> 00:28:35,985 BUT CAN WE SPRAY IT? 896 00:28:35,985 --> 00:28:36,385 >> FREDDIE? 897 00:28:36,385 --> 00:28:37,246 >> YES, DEAR. 898 00:28:37,246 --> 00:28:38,217 >> I JUST NEED TO KNOW, SHOULD I 899 00:28:38,217 --> 00:28:40,850 SCREAM AND BREAK DOWN AND BE 900 00:28:40,850 --> 00:28:42,291 TERRIFIED THAT I´M GONNA DIE? 901 00:28:42,291 --> 00:28:45,324 LIKE THIS. WATCH. 902 00:28:45,324 --> 00:28:49,829 [SOBBING] I´M SO TERRIFIED 903 00:28:49,829 --> 00:28:54,133 I´M GONNA DIE. 904 00:28:54,133 --> 00:28:55,935 DON´T LOOK AT ME LIKE YOU JUST 905 00:28:55,935 --> 00:28:57,066 STEPPED IN DOG SHIT, FREDDIE. 906 00:28:57,066 --> 00:28:57,937 I´M JUST TRYING TO GIVE 907 00:28:57,937 --> 00:28:59,068 THIS THING SOME COLOR. 908 00:28:59,068 --> 00:29:00,169 >> OH, HONEY, I´M PROCESSING. 909 00:29:00,169 --> 00:29:01,270 >> ALL RIGHT. I MEAN, DON´T YOU 910 00:29:01,270 --> 00:29:02,241 THINK WE SHOULD JUST SEE HER, 911 00:29:02,241 --> 00:29:04,173 YOU KNOW, RESIST AND RESIST, AND 912 00:29:04,173 --> 00:29:06,215 THEN SHE SHOULD SLOWLY REVEAL 913 00:29:06,215 --> 00:29:08,177 THAT WHEN SHE WAS A LITTLE GIRL, 914 00:29:08,177 --> 00:29:09,348 SHE WAS SEXUALLY ABUSED. 915 00:29:09,348 --> 00:29:11,080 >> ALL RIGHT, LET´S DO IT. LET´S 916 00:29:11,080 --> 00:29:13,082 GET IT DONE. OHH! I FEEL GOOD. 917 00:29:13,082 --> 00:29:14,023 >> GREAT. GREAT. 918 00:29:14,023 --> 00:29:15,224 >> CLAUDE, SIDES STAT, PLEASE. 919 00:29:15,224 --> 00:29:16,786 >> OVER HERE. NOW, YOU TAKE 920 00:29:16,786 --> 00:29:17,226 A 15 BLADE. 921 00:29:17,226 --> 00:29:17,987 >> ALL RIGHT. 922 00:29:17,987 --> 00:29:18,928 >> WE´LL JUST PANTOMIME THIS 923 00:29:18,928 --> 00:29:19,758 FOR NOW. 924 00:29:19,758 --> 00:29:20,329 Aidan: OK. 925 00:29:20,329 --> 00:29:21,290 >> BUT YOU HOLD IT LIKE THIS, 926 00:29:21,290 --> 00:29:22,261 AND YOU START BY EXCISING 927 00:29:22,261 --> 00:29:22,962 THE BURNT SKIN-- 928 00:29:22,962 --> 00:29:24,063 >> FREDDIE, WE HAVE TO DO THIS 929 00:29:24,063 --> 00:29:24,763 REAL-LIFE SHIT? 930 00:29:24,763 --> 00:29:25,234 >> UM... 931 00:29:25,234 --> 00:29:26,095 >> I DON´T WANNA DO ALL THIS 932 00:29:26,095 --> 00:29:26,996 REAL-LIFE SHIT. I MEAN, 933 00:29:26,996 --> 00:29:28,037 THEY´RE NOT TUNING IN TO SEE 934 00:29:28,037 --> 00:29:29,038 MY HANDS. IT´S MORE--NEW IDEA. 935 00:29:29,038 --> 00:29:30,369 NEW IDEA. NEW IDEA. NEW IDEA. 936 00:29:30,369 --> 00:29:33,102 >> MWAH. 937 00:29:33,102 --> 00:29:34,303 >> I ACTUALLY THINK IT´S 938 00:29:34,303 --> 00:29:35,474 A MISTAKE TO UNDERESTIMATE 939 00:29:35,474 --> 00:29:36,345 THE INTELLIGENCE OF YOUR 940 00:29:36,345 --> 00:29:37,476 AUDIENCE. I THINK ADDING 941 00:29:37,476 --> 00:29:39,248 A LITTLE AUTHENTICITY COULD 942 00:29:39,248 --> 00:29:40,109 MAKE A HUGE DIFFERENCE. 943 00:29:40,109 --> 00:29:41,080 >> YOU KNOW WHAT? I COMPLETELY 944 00:29:41,080 --> 00:29:42,211 AGREE WITH YOU. I MEAN, THAT´S 945 00:29:42,211 --> 00:29:43,212 WHY I DON´T THINK SHE SHOULD 946 00:29:43,212 --> 00:29:44,513 GIVE IN SO EASILY, YOU KNOW. 947 00:29:44,513 --> 00:29:46,085 I MEAN, I--I THINK I SHOULD BE 948 00:29:46,085 --> 00:29:48,057 FLAILING AROUND, LIKE... 949 00:29:48,057 --> 00:29:52,391 [SOBBING] 950 00:29:52,391 --> 00:29:54,163 AND THEN YOU SHOULD TIE ME DOWN. 951 00:29:54,163 --> 00:29:55,394 Aidan: WITH WHAT? 952 00:29:55,394 --> 00:29:56,795 >> WITH SOME ROPES. 953 00:29:56,795 --> 00:29:58,027 >> DO YOU KNOW WHAT´S SO MAGIC 954 00:29:58,027 --> 00:29:58,427 FOR ME? 955 00:29:58,427 --> 00:29:59,198 >> WHAT? 956 00:29:59,198 --> 00:30:00,269 >> IS WHEN I GET TO WATCH YOU 957 00:30:00,269 --> 00:30:01,100 LISTEN. 958 00:30:01,100 --> 00:30:01,831 >> I CAN DO THAT. 959 00:30:01,831 --> 00:30:03,202 [BELL RINGS] 960 00:30:03,202 --> 00:30:04,233 >> YOU KNOW, YOU´LL NEED A CAP 961 00:30:04,233 --> 00:30:05,234 ON WHEN WE´RE DOING THE SURGERY 962 00:30:05,234 --> 00:30:06,235 SCENES. YOU COULD LOOK 963 00:30:06,235 --> 00:30:07,206 RIDICULOUS WHEN YOU DON´T WEAR 964 00:30:07,206 --> 00:30:12,511 A CAP. 965 00:30:12,511 --> 00:30:13,843 >> CLAUDE, CAPS, STAT. 966 00:30:13,843 --> 00:30:15,514 >> NO, NO. 86 THAT. DO YOU SEE 967 00:30:15,514 --> 00:30:18,848 THIS? SEE THIS HAIR? YEAH? THIS 968 00:30:18,848 --> 00:30:20,850 IS WHY PEOPLE TUNE IN. OK, IF I 969 00:30:20,850 --> 00:30:21,851 WAS BALDING IN THE TEMPLES LIKE 970 00:30:21,851 --> 00:30:23,822 YOU, IT´D BE A DIFFERENT STORY. 971 00:30:23,822 --> 00:30:24,553 >> EXCUSE ME? 972 00:30:24,553 --> 00:30:26,125 >> WHY DON´T WE JUST REHEARSE 973 00:30:26,125 --> 00:30:27,296 THE BASIC MOVES SO IT LOOKS 974 00:30:27,296 --> 00:30:29,428 MORE REAL, OK? JUST-- 975 00:30:29,428 --> 00:30:30,399 JUST IF YOU COULD SEE THE-- 976 00:30:30,399 --> 00:30:31,400 YOU MAKE THE CUT HERE. 977 00:30:31,400 --> 00:30:32,401 >> HEY, DOC, YOU´RE A TECHNICAL 978 00:30:32,401 --> 00:30:33,532 ADVISOR, OK? YOU ARE NOT 979 00:30:33,532 --> 00:30:35,234 THE DIRECTOR. FREDDIE, WHY IS IT 980 00:30:35,234 --> 00:30:36,135 THAT WE´RE IN THE PLASTIC 981 00:30:36,135 --> 00:30:37,206 SURGERY CAPITAL OF THE WORLD, 982 00:30:37,206 --> 00:30:38,207 AND WE´RE FORCED TO WORK 983 00:30:38,207 --> 00:30:39,268 WITH THESE MIAMI WANNABES? 984 00:30:39,268 --> 00:30:40,209 CAN YOU TELL ME THAT? 985 00:30:40,209 --> 00:30:43,142 >> YOU ARE NOT IN CHARGE HERE. 986 00:30:48,147 --> 00:30:50,219 I HAVE SEEN KIDS PLAYING DOCTOR 987 00:30:50,219 --> 00:30:51,280 WHO HAVE BETTER SURGICAL 988 00:30:51,280 --> 00:30:52,381 TECHNIQUE THAN YOU DO. 989 00:30:52,381 --> 00:30:53,852 I´M GIVING YOU AN OPPORTUNITY 990 00:30:53,852 --> 00:30:55,284 TO BE MORE AUTHENTIC. 991 00:30:55,284 --> 00:30:58,087 I WOULD TAKE IT IF I WERE YOU. 992 00:31:16,645 --> 00:31:18,377 HOLDING IT JUST LIKE THAT. 993 00:31:18,377 --> 00:31:19,248 >> OK. 994 00:31:19,248 --> 00:31:20,309 >> IT´S JUST SOME SKIN THAT´S 995 00:31:20,309 --> 00:31:21,310 RIGHT ON THE EDGE OF THE LIP. 996 00:31:21,310 --> 00:31:22,251 >> SO I JUST COME IN GENTLY. 997 00:31:22,251 --> 00:31:23,152 >> EASY, EASY. 998 00:31:23,152 --> 00:31:24,313 Actress: BUT DON´T REALLY DO IT. 999 00:31:24,313 --> 00:31:25,314 >> SHH. DON´T--DON´T. 1000 00:31:25,314 --> 00:31:26,385 JUST BREATHE. JUST LIKE 1001 00:31:26,385 --> 00:31:31,560 A LITTLE CRESCENT MOON? 1002 00:31:31,560 --> 00:31:33,192 >> GAME OVER, PALLY PAL. 1003 00:31:33,192 --> 00:31:34,293 WE FINALLY HAVE A REAL-LIFE 1004 00:31:34,293 --> 00:31:36,265 PATIENT. AH, AT LEAST YOU DO, 1005 00:31:36,265 --> 00:31:38,227 ANYWAY. 1006 00:31:38,227 --> 00:31:39,168 >> THEY SPECIFICALLY 1007 00:31:39,168 --> 00:31:39,898 REQUESTED ME? 1008 00:31:39,898 --> 00:31:40,599 >> WELL, APPARENTLY YOU´RE 1009 00:31:40,599 --> 00:31:41,570 THE ONLY ONE HE TRUSTS TO KEEP 1010 00:31:41,570 --> 00:31:44,203 HIS PEEKABOO SCALP A SECRET. 1011 00:31:44,203 --> 00:31:44,633 >> HEH. 1012 00:31:44,633 --> 00:31:45,904 >> I CAN´T BELIEVE YOU´LL LET ME 1013 00:31:45,904 --> 00:31:46,575 GO IN FRONT OF MILLIONS 1014 00:31:46,575 --> 00:31:47,376 OF VIEWERS SHOWING OFF 1015 00:31:47,376 --> 00:31:48,277 MY SHINY HEAD. 1016 00:31:48,277 --> 00:31:49,208 >> THE ONLY TIME I SEE THE TOP 1017 00:31:49,208 --> 00:31:50,079 OF YOUR HEAD IS WHEN 1018 00:31:50,079 --> 00:31:50,909 IT´S COVERED. 1019 00:31:50,909 --> 00:31:52,541 >> WELL, IF THAT ASSHOLE´S 1020 00:31:52,541 --> 00:31:53,442 NOT WEARING A CAP, 1021 00:31:53,442 --> 00:31:54,383 THAN NEITHER AM I. 1022 00:31:54,383 --> 00:31:55,414 >> ASSHOLE´S A VAIN NARCISSIST 1023 00:31:55,414 --> 00:31:56,545 WITHOUT A SHRED OF INTEGRITY. 1024 00:31:56,545 --> 00:31:58,547 >> I KNOW. HE´S A TV STAR. 1025 00:31:58,547 --> 00:31:59,488 WHAT´S ON TOP OF HIS HEAD 1026 00:31:59,488 --> 00:32:00,389 IS MORE IMPORTANT THAN 1027 00:32:00,389 --> 00:32:01,350 WHAT´S IN IT. I GET IT. 1028 00:32:01,350 --> 00:32:04,493 IT´S HOLLYWOOD, BABY. 1029 00:32:04,493 --> 00:32:07,456 PLUG ME. 1030 00:32:17,666 --> 00:32:19,068 >> I´M SORRY YOU DIDN´T GET 1031 00:32:19,068 --> 00:32:21,240 THE PART. 1032 00:32:21,240 --> 00:32:24,443 >> CAMERON DIAZ IS 35. 1033 00:32:24,443 --> 00:32:25,374 SHE THINKS BEING AUTISTIC 1034 00:32:25,374 --> 00:32:27,276 MEANS YOU CAN PAINT. 1035 00:32:27,276 --> 00:32:28,177 >> [CHUCKLES] 1036 00:32:28,177 --> 00:32:29,118 >> BUT I GUESS SHE´S EASIER 1037 00:32:29,118 --> 00:32:31,080 TO LIGHT IN A COAL MINE. 1038 00:32:31,080 --> 00:32:34,353 >> WHICH IS WHY WE´RE HERE. 1039 00:32:34,353 --> 00:32:35,254 >> WHAT´S THIS? 1040 00:32:35,254 --> 00:32:37,226 >> A CONFIDENTIALITY AGREEMENT. 1041 00:32:37,226 --> 00:32:38,627 NO ONE CAN FIND ABOUT 1042 00:32:38,627 --> 00:32:41,660 CARLY´S SURGERY. 1043 00:32:41,660 --> 00:32:42,661 >> [SIGHS] 1044 00:32:42,661 --> 00:32:43,562 >> IT´S STRAIGHT. 1045 00:32:43,562 --> 00:32:46,235 YOU CAN SIGN IT. 1046 00:32:58,177 --> 00:33:01,410 >> SO WHAT DO WE DO FIRST? 1047 00:33:01,410 --> 00:33:04,153 >> UH, FEATHER-LIFT, WHICH ONLY 1048 00:33:04,153 --> 00:33:05,514 TAKES A FEW HOURS, SO WE CAN DO 1049 00:33:05,514 --> 00:33:06,655 YOUR BREAST AUGMENTATION AT 1050 00:33:06,655 --> 00:33:11,490 THE SAME TIME. ARE YOU SURE THIS 1051 00:33:11,490 --> 00:33:12,561 IS SOMETHING YOU´D WANNA DO? 1052 00:33:12,561 --> 00:33:13,562 I´D HATE TO SEE YOU BOWING 1053 00:33:13,562 --> 00:33:14,563 TO THE SUPERFICIAL PRESSURES 1054 00:33:14,563 --> 00:33:19,198 OF YOUR INDUSTRY. 1055 00:33:19,198 --> 00:33:20,529 [GROANS] 1056 00:33:20,529 --> 00:33:21,670 >> IS IT GOING TO HURT? 1057 00:33:21,670 --> 00:33:22,501 >> NO MORE THAN HAVING 1058 00:33:22,501 --> 00:33:28,577 YOUR TEETH CLEANED. 1059 00:33:28,577 --> 00:33:30,179 >> HOW EXACTLY DOES 1060 00:33:30,179 --> 00:33:31,580 THE LIFT WORK? 1061 00:33:31,580 --> 00:33:32,581 >> WE BEGIN BY MAKING 1062 00:33:32,581 --> 00:33:35,184 A TINY INCISION IN YOUR SCALP. 1063 00:33:45,154 --> 00:33:46,395 >> THEN WE SLIDE IN SILICONE 1064 00:33:46,395 --> 00:33:50,129 CHEEK ENHANCERS... 1065 00:33:50,129 --> 00:33:51,530 AND THEN INSERT TINY THREADS 1066 00:33:51,530 --> 00:33:52,561 INTO THE CHEEKS AND PULL 1067 00:33:52,561 --> 00:33:53,702 THE FACIAL MUSCLE TIGHT. 1068 00:33:53,702 --> 00:33:57,366 [PANTING IN PAIN] 1069 00:33:57,366 --> 00:33:59,268 >> FOR THE RECORD, I CONTINUE 1070 00:33:59,268 --> 00:34:01,170 TO FIND YOUR VANITY RIDICULOUS. 1071 00:34:01,170 --> 00:34:01,740 >> [SIGHS] 1072 00:34:01,740 --> 00:34:02,611 >> WHAT ARE YOU GONNA DO 1073 00:34:02,611 --> 00:34:03,572 IF THIS READS ON CAMERA? 1074 00:34:03,572 --> 00:34:05,274 >> COME ON. YOU´RE THE ONE 1075 00:34:05,274 --> 00:34:07,276 WHO IN THE MIAMI DAYS TOLD 1076 00:34:07,276 --> 00:34:08,177 OUR CLIENTS THAT MICROPLUGS 1077 00:34:08,177 --> 00:34:09,148 ARE SO REALISTIC YOU CAN 1078 00:34:09,148 --> 00:34:10,649 GO BACK TO WORK THE NEXT DAY. 1079 00:34:10,649 --> 00:34:13,082 WHAT, I GOT--I GOT 3 DAYS 1080 00:34:13,082 --> 00:34:17,626 BEFORE WE SHOOT? SHOULD BE FINE. 1081 00:34:17,626 --> 00:34:19,828 I NEED THIS. 1082 00:34:26,635 --> 00:34:29,438 Matt: DEAR DAD, ENCLOSED, FIND 1083 00:34:29,438 --> 00:34:31,600 A PICTURE OF THE NEW BAMBINO. 1084 00:34:31,600 --> 00:34:33,342 HER NAME IS JENNA. KIMBER NAMED 1085 00:34:33,342 --> 00:34:35,304 HER AFTER SOME SITCOM ACTRESS IN 1086 00:34:35,304 --> 00:34:37,546 THE CHURCH I´VE NEVER HEARD OF. 1087 00:34:37,546 --> 00:34:38,647 I KNOW YOU WANTED TO BE THERE 1088 00:34:38,647 --> 00:34:40,509 TO DELIVER MY FIRSTBORN, DAD. 1089 00:34:40,509 --> 00:34:42,581 I WANTED THAT, TOO, BUT JENNA 1090 00:34:42,581 --> 00:34:43,612 CAME SO QUICKLY, THERE WOULDN´T 1091 00:34:43,612 --> 00:34:44,583 HAVE BEEN ENOUGH TIME FOR YOU 1092 00:34:44,583 --> 00:34:47,116 TO GET HERE ANYWAY. I´M SORRY 1093 00:34:47,116 --> 00:34:48,457 I HAVEN´T RETURNED YOUR CALLS. 1094 00:34:48,457 --> 00:34:50,519 YOU KNOW HOW BUSY FATHERHOOD IS. 1095 00:34:50,519 --> 00:34:52,191 AND KIMBER´S GOOD. SHE LOVES 1096 00:34:52,191 --> 00:34:55,364 BEIN´ A MOM. I MISS YOU, DAD. 1097 00:34:55,364 --> 00:34:56,495 SHOW CHRISTIAN THE PICTURE AND 1098 00:34:56,495 --> 00:34:58,267 TELL HIM I MISS HIM, TOO. 1099 00:34:58,267 --> 00:35:00,599 I LOVE YOU GUYS. MATT. 1100 00:35:00,599 --> 00:35:02,401 >> JESUS CHRIST! 1101 00:35:02,401 --> 00:35:03,602 >> WHAT IS IT? WHAT´S WRONG? 1102 00:35:03,602 --> 00:35:04,533 >> LOOK AT THIS. 1103 00:35:04,533 --> 00:35:06,135 >> WHAT? LET ME SEE. LET ME SEE. 1104 00:35:06,135 --> 00:35:06,675 >> WHAT IS IT? 1105 00:35:06,675 --> 00:35:08,407 >> AH. FOLLICULITIS. INFECTION 1106 00:35:08,407 --> 00:35:09,408 OCCURS IN A SMALL PERCENTAGE 1107 00:35:09,408 --> 00:35:10,239 OF HAIR TRANSPLANTS-- 1108 00:35:10,239 --> 00:35:11,140 >> WEREN´T THE INSTRUMENTS 1109 00:35:11,140 --> 00:35:11,680 PROPERLY, UH-- 1110 00:35:11,680 --> 00:35:12,641 >> THIS WAS PROBABLY CAUSED BY 1111 00:35:12,641 --> 00:35:13,612 ALL THAT SWEATING YOU DID IN 1112 00:35:13,612 --> 00:35:14,683 THE TANNING SALON YESTERDAY. 1113 00:35:14,683 --> 00:35:15,584 >> 2--2 DAYS, MAN. 1114 00:35:15,584 --> 00:35:16,545 >> I TOLD YOU TO STAY AWAY FROM 1115 00:35:16,545 --> 00:35:17,546 THAT UNTIL YOU´RE FULLY HEALED. 1116 00:35:17,546 --> 00:35:18,447 >> WE NEED TO LOOK OUR BEST, 1117 00:35:18,447 --> 00:35:19,548 RIGHT? IT´S OUR BIG BREAK. 1118 00:35:19,548 --> 00:35:21,220 >> WHY DON´T YOU JUST 1119 00:35:21,220 --> 00:35:21,890 STAY STILL? COME HERE. 1120 00:35:21,890 --> 00:35:22,651 >> ANTISEPTIC CREAM OR 1121 00:35:22,651 --> 00:35:23,522 SOMETHING? BUT I´M GONNA BE 1122 00:35:23,522 --> 00:35:24,293 ALL RIGHT, RIGHT? 1123 00:35:24,293 --> 00:35:25,154 >> IT´S GONNA BE FINE. 1124 00:35:25,154 --> 00:35:25,554 >> RIGHT? 1125 00:35:25,554 --> 00:35:31,530 >> IT´S FINE. 1126 00:35:31,530 --> 00:35:33,402 THIS WAS A MISTAKE. 1127 00:35:33,402 --> 00:35:34,433 >> IT´S JUST A MINOR INFECTION. 1128 00:35:34,433 --> 00:35:36,235 >> NO, NOT YOUR PLUGS. LOOK AT 1129 00:35:36,235 --> 00:35:39,308 US, MUTILATING OUR BODIES, 1130 00:35:39,308 --> 00:35:40,609 SELLING OUT TO SOME HACK 1131 00:35:40,609 --> 00:35:44,813 TV SHOW. WE´RE GOOD SURGEONS. 1132 00:35:44,813 --> 00:35:46,215 WHY LIVE IN A PLACE THAT DOESN´T 1133 00:35:46,215 --> 00:35:49,548 APPRECIATE US, YOU KNOW? 1134 00:35:49,548 --> 00:35:50,649 MAYBE WE SHOULD´VE MOVED 1135 00:35:50,649 --> 00:35:53,182 SOMEWHERE WHERE SUBSTANCE REIGNS 1136 00:35:53,182 --> 00:35:57,556 OVER STYLE, LIKE NEW YORK. EH? 1137 00:35:57,556 --> 00:35:59,288 >> JULIA´S GONE. LIVING A COUPLE 1138 00:35:59,288 --> 00:36:00,359 OF SUBWAY STOPS AWAY AIN´T GONNA 1139 00:36:00,359 --> 00:36:07,236 CHANGE THAT. 1140 00:36:07,236 --> 00:36:11,940 >> I MISS MY KIDS. I MISS ANNIE 1141 00:36:11,940 --> 00:36:13,202 LAUGHING AT ME WHEN I TRY TO PUT 1142 00:36:13,202 --> 00:36:16,675 HER HAIR IN A PONYTAIL, CONOR´S 1143 00:36:16,675 --> 00:36:20,609 FIRST SMILE IN THE MORNING. 1144 00:36:20,609 --> 00:36:21,580 I MISS SEEING MATT WITH HIS 1145 00:36:21,580 --> 00:36:25,914 CHILD, OUR GRANDCHILD. YOU CAN´T 1146 00:36:25,914 --> 00:36:27,956 GET THOSE MOMENTS BACK. 1147 00:36:27,956 --> 00:36:32,961 >> LOOK, YOU MADE A BOLD MOVE 1148 00:36:32,961 --> 00:36:35,764 COMIN´ OUT HERE, PARTNER, MAYBE 1149 00:36:35,764 --> 00:36:40,699 THE FIRST ONE OF YOUR LIFE. HUH? 1150 00:36:40,699 --> 00:36:42,631 COME ON. I MEAN, HOW MANY GUYS 1151 00:36:42,631 --> 00:36:44,333 OUR AGE FINALLY GET THE 1152 00:36:44,333 --> 00:36:45,374 OPPORTUNITY TO GET THE 1153 00:36:45,374 --> 00:36:48,677 RECOGNITION THEY DESERVE? HUH? 1154 00:36:48,677 --> 00:36:51,680 THIS IS JUST THE BEGINNING. 1155 00:36:51,680 --> 00:36:52,941 >> FAME ISN´T LOVE, CHRISTIAN. 1156 00:36:52,941 --> 00:36:54,843 GETTING IT ISN´T GONNA FILL UP 1157 00:36:54,843 --> 00:36:55,984 SOME HOLE YOU´VE HAD INSIDE YOU 1158 00:36:55,984 --> 00:36:58,987 SINCE YOU WERE A KID. 1159 00:37:09,898 --> 00:37:12,301 >> SHE´S BEAUTIFUL. 1160 00:37:12,301 --> 00:37:16,234 SHE LOOKS JUST LIKE ME. 1161 00:37:16,234 --> 00:37:18,967 >> [CHUCKLES] 1162 00:37:24,913 --> 00:37:29,017 >> I WANNA BE HERE, MAN. I MEAN, 1163 00:37:29,017 --> 00:37:32,721 LOOK AT THIS PLACE. I CAN´T DO 1164 00:37:32,721 --> 00:37:39,328 IT WITHOUT YOU. SO, YOU´RE GONNA 1165 00:37:39,328 --> 00:37:42,761 HAVE TO JUMP ONBOARD, 1166 00:37:42,761 --> 00:37:48,337 ´CAUSE I AIN´T LEAVIN´. 1167 00:37:48,337 --> 00:37:52,941 COME ON. LET´S RUN SOME LINES. 1168 00:37:52,941 --> 00:37:54,373 [BELL RINGS] 1169 00:37:54,373 --> 00:37:55,744 >> NOT TOO MUCH. 1170 00:37:55,744 --> 00:37:59,007 >> FREDDIE, I GOT THE REWRITE. 1171 00:37:59,007 --> 00:38:00,879 BUT I DON´T UNDERSTAND. IF YOU 1172 00:38:00,879 --> 00:38:02,351 DIDN´T LIKE THE WAY I WAS SAYING 1173 00:38:02,351 --> 00:38:03,312 THE LINE, WHY DIDN´T YOU 1174 00:38:03,312 --> 00:38:05,554 JUST TELL ME TO MY FACE? 1175 00:38:05,554 --> 00:38:06,785 >> NO, DARLING, IT´S NOT YOU. 1176 00:38:06,785 --> 00:38:07,916 YOU´RE GOLD. I-IT´S THE 1177 00:38:07,916 --> 00:38:08,757 STANDARDS AND PRACTICES 1178 00:38:08,757 --> 00:38:10,619 DEPARTMENT. YOU KNOW, IT´S OK, 1179 00:38:10,619 --> 00:38:11,760 YOU KNOW, FOR TONY SOPRANO´S 1180 00:38:11,760 --> 00:38:12,821 BEST FRIEND TO BE NAMED PUSSY, 1181 00:38:12,821 --> 00:38:14,763 BUT WE´RE TELEVISION, NOT HBO, 1182 00:38:14,763 --> 00:38:15,794 SO WE CAN´T USE THE P-WORD 1183 00:38:15,794 --> 00:38:16,765 ON THE NETWORK. THAT´S ALL. 1184 00:38:16,765 --> 00:38:19,668 >> BUT I CAN´T SAY THAT. I MEAN, 1185 00:38:19,668 --> 00:38:20,699 IT DOESN´T SOUND NATURAL. 1186 00:38:20,699 --> 00:38:22,571 ALLEGRA´S A GROWN WOMAN. 1187 00:38:22,571 --> 00:38:26,074 I MEAN, ONLY A CHILD WOULD REFER 1188 00:38:26,074 --> 00:38:28,076 TO HER LABIA AS A-- 1189 00:38:28,076 --> 00:38:29,037 >> CANDY, CANDY, CANDY, CANDY, 1190 00:38:29,037 --> 00:38:30,779 SHE´S A VICTIM OF ABUSE, OK? 1191 00:38:30,779 --> 00:38:31,910 ANY REFERENCE TO HER FEMALE 1192 00:38:31,910 --> 00:38:33,782 PARTS INFANTILIZES HER, OK? 1193 00:38:33,782 --> 00:38:36,345 END OF STORY. NOW, I WANT YOU 1194 00:38:36,345 --> 00:38:37,315 TO PLAY AGAINST THE SOUND-- 1195 00:38:37,315 --> 00:38:38,847 >> YOU WANNA HEAR SOMETHIN´, 1196 00:38:38,847 --> 00:38:42,891 FREDDIE? YOU ARE RIGHT. 1197 00:38:42,891 --> 00:38:45,854 OH, MY GOD. YOU ARE A GENIUS. 1198 00:38:45,854 --> 00:38:49,758 I´M INFANTILIZED. MAYBE I 1199 00:38:49,758 --> 00:38:51,700 COULD GURGLE LIKE A BABY, 1200 00:38:51,700 --> 00:38:54,933 LIKE... 1201 00:38:54,933 --> 00:39:01,710 [GURGLING] 1202 00:39:01,710 --> 00:39:04,773 NANA! 1203 00:39:04,773 --> 00:39:05,914 >> ARE YOU READY FOR YOUR 1204 00:39:05,914 --> 00:39:08,046 CLOSE-UP, DR. McNAMARA? HUH? 1205 00:39:08,046 --> 00:39:10,749 HUH? EH? EH? HEH? I DON´T KNOW 1206 00:39:10,749 --> 00:39:11,820 ABOUT YOU, BUT I FEEL LIKE MY 1207 00:39:11,820 --> 00:39:12,921 WHOLE LIFE HAS BUILT UP FOR THIS 1208 00:39:12,921 --> 00:39:14,753 MOMENT IN TIME RIGHT NOW. 1209 00:39:14,753 --> 00:39:15,784 HEH HEH HEH. DO YOU REALIZE 1210 00:39:15,784 --> 00:39:16,755 THAT IN ONE NIGHT, MORE PEOPLE 1211 00:39:16,755 --> 00:39:17,756 WILL SEE US THAN WE´LL MEET 1212 00:39:17,756 --> 00:39:19,788 IN A WHOLE LIFETIME. 1213 00:39:19,788 --> 00:39:20,689 WHAT ARE YOU LOOKIN´ AT? 1214 00:39:20,689 --> 00:39:22,461 >> NOTHING. JUST--I THINK 1215 00:39:22,461 --> 00:39:23,392 YOU NEED A LITTLE SOMETHIN´ 1216 00:39:23,392 --> 00:39:24,463 AROUND THE PLUGS. 1217 00:39:24,463 --> 00:39:26,034 >> SHIT. SERIOUSLY? PRACTICALLY 1218 00:39:26,034 --> 00:39:27,095 SPRAYED A WHOLE CAN OF 1219 00:39:27,095 --> 00:39:28,066 SPRAY-PAINT ON MY HEAD. THEY 1220 00:39:28,066 --> 00:39:29,067 SAID IT WOULDN´T SHOW ON CAMERA. 1221 00:39:29,067 --> 00:39:29,938 >> WELL, THEY´RE PROS. 1222 00:39:29,938 --> 00:39:30,839 I´M SURE THEY KNOW WHAT 1223 00:39:30,839 --> 00:39:31,800 THEY´RE TALKIN´ ABOUT. 1224 00:39:31,800 --> 00:39:33,001 >> TELL ME. YOU TELL ME. HUH? 1225 00:39:33,001 --> 00:39:33,802 >> NO, IT´S OK. 1226 00:39:33,802 --> 00:39:34,473 >> IT´S OK? 1227 00:39:34,473 --> 00:39:35,003 >> IT´S FINE. 1228 00:39:35,003 --> 00:39:35,774 >> YOU´RE SURE? 1229 00:39:35,774 --> 00:39:36,374 >> YEAH. 1230 00:39:36,374 --> 00:39:36,875 [BELL RINGS] 1231 00:39:36,875 --> 00:39:38,847 >> WHOO. 1232 00:39:38,847 --> 00:39:40,809 >> "A" CAMERA MARKER. 1233 00:39:40,809 --> 00:39:43,682 [MONITOR BEEPING] 1234 00:39:43,682 --> 00:39:46,084 >> YOU DON´T UNDERSTAND. I CAN´T 1235 00:39:46,084 --> 00:39:49,858 WEAR MY LADY CHA-CHA ON MY LIPS. 1236 00:39:49,858 --> 00:39:51,860 I JUST CAN´T. IT´LL BE 1237 00:39:51,860 --> 00:39:53,892 A CONSTANT REMINDER OF-- 1238 00:39:53,892 --> 00:39:57,696 >> OF WHAT, ALLEGRA? YOU CAN 1239 00:39:57,696 --> 00:39:59,828 TELL ME. I´M YOUR DOCTOR. 1240 00:39:59,828 --> 00:40:03,772 >> MY FATHER TOUCHED THOSE LIPS. 1241 00:40:03,772 --> 00:40:06,134 [SOBS] HE USED TO COME INTO 1242 00:40:06,134 --> 00:40:07,836 MY ROOM AT NIGHT WHEN I WAS 1243 00:40:07,836 --> 00:40:09,708 A LITTLE GIRL AND-- 1244 00:40:09,708 --> 00:40:10,839 >> LET IT OUT. 1245 00:40:10,839 --> 00:40:14,913 >> AND ABUSE ME. [SOBS] I JUST 1246 00:40:14,913 --> 00:40:18,717 CAN´T WEAR MY SHAME ON MY FACE. 1247 00:40:18,717 --> 00:40:20,949 >> [SHUSHING] NO ONE WILL KNOW 1248 00:40:20,949 --> 00:40:21,850 I PUT YOUR LADY CHA-CHA 1249 00:40:21,850 --> 00:40:22,891 ON YOUR FACE. 1250 00:40:22,891 --> 00:40:23,852 >> I´M GONNA GET A HUMANITAS 1251 00:40:23,852 --> 00:40:24,453 FOR THIS. 1252 00:40:24,453 --> 00:40:29,458 >> YOU HAVE MY WORD. DOCTOR. 1253 00:40:29,458 --> 00:40:30,999 >> YOU WERE RIGHT, DOCTOR. 1254 00:40:30,999 --> 00:40:32,160 >> WHAT IS THAT, ANOTHER 1255 00:40:32,160 --> 00:40:33,832 SURGEON, OR IS THAT A CHIA PET? 1256 00:40:33,832 --> 00:40:36,935 THAT´S--THAT´S DISGUSTING. GET-- 1257 00:40:36,935 --> 00:40:38,106 GET OFF HIM. 1258 00:40:38,106 --> 00:40:40,469 >> ...ELASTIC FIBERS ALLOW 1259 00:40:40,469 --> 00:40:42,440 FOR LESS CONTRACTION DURING THE 1260 00:40:42,440 --> 00:40:45,143 HEALING AND RECOVERY PROCESS. 1261 00:40:53,121 --> 00:40:54,483 >> SHE´S READY WHEN YOU ARE, 1262 00:40:54,483 --> 00:40:55,884 DOCTOR. 1263 00:40:55,884 --> 00:41:01,560 >> 15 BLADE. 1264 00:41:01,560 --> 00:41:02,491 >> I´M PRETTY GOOD AT THIS. 1265 00:41:02,491 --> 00:41:03,732 COULD HEAR A PIN DROP WHEN I WAS 1266 00:41:03,732 --> 00:41:04,893 SAYING MY LINES. 1267 00:41:04,893 --> 00:41:08,236 >> WHAT ARE YOU DOING HERE? 1268 00:41:08,236 --> 00:41:09,167 >> APPARENTLY THE MERGER´S 1269 00:41:09,167 --> 00:41:11,139 OFFICIAL, AND OUR LITTLE BOBBY 1270 00:41:11,139 --> 00:41:12,100 HAS BEEN ASKED TO BE CHAIRMAN 1271 00:41:12,100 --> 00:41:13,502 AND C.E.O. OF THE PARENT 1272 00:41:13,502 --> 00:41:16,705 COMPANY. HE´S VERY EXCITED, 1273 00:41:16,705 --> 00:41:20,178 BUT UNDERSTANDABLY 1274 00:41:20,178 --> 00:41:26,084 A LITTLE STRESSED. 1275 00:41:26,084 --> 00:41:26,955 >> WHO IS THAT, MAN? 1276 00:41:26,955 --> 00:41:28,186 SHE´S KIND OF HOT. 1277 00:41:28,186 --> 00:41:29,518 >> BOB EASTON´S ONE-WOMAN 1278 00:41:29,518 --> 00:41:31,219 STRESS MANAGEMENT. 1279 00:41:36,895 --> 00:41:38,927 >> MR. EASTON, PULL DOWN 1280 00:41:38,927 --> 00:41:39,928 THE BLANKET. 1281 00:41:39,928 --> 00:41:41,530 >> I-I´M GOOD. 1282 00:41:41,530 --> 00:41:43,201 >> IN SHOCK. 1283 00:41:43,201 --> 00:41:43,972 >> I´M GOOD. 1284 00:41:43,972 --> 00:41:44,973 >> I NEED TO EXAMINE YOUR 1285 00:41:44,973 --> 00:41:49,007 SUTURES. LET GO OF THE BLANKET. 1286 00:41:49,007 --> 00:41:52,110 >> JESUS. 1287 00:41:52,110 --> 00:41:53,982 >> IT´S NOT HER FAULT. 1288 00:41:53,982 --> 00:41:55,814 SHE WANTED TO STOP, BUT I 1289 00:41:55,814 --> 00:41:59,948 BEGGED HER TO KEEP GOIN´. 1290 00:41:59,948 --> 00:42:01,920 [MONITOR BEEPING] 1291 00:42:01,920 --> 00:42:03,552 I WANNA THANK YOU GUYS. 1292 00:42:03,552 --> 00:42:04,292 LESSER MEN WOULD HAVE KICKED ME 1293 00:42:04,292 --> 00:42:05,223 TO THE CURB. 1294 00:42:05,223 --> 00:42:06,224 >> YOU KNOW, I´M HAVING A HARD 1295 00:42:06,224 --> 00:42:07,155 TIME UNDERSTANDING HOW SUCH 1296 00:42:07,155 --> 00:42:09,798 A SMART GUY COULD BE SO STUPID. 1297 00:42:09,798 --> 00:42:10,859 IN ADDITION TO COMPROMISING 1298 00:42:10,859 --> 00:42:12,931 OUR PRACTICE, YOU HAVE ANY IDEA 1299 00:42:12,931 --> 00:42:14,863 WHAT LIVES IN THE HUMAN MOUTH? 1300 00:42:14,863 --> 00:42:15,834 IT´S A CESSPOOL. YOU RISKED 1301 00:42:15,834 --> 00:42:17,766 SEPSIS, HEPATITIS B. 1302 00:42:17,766 --> 00:42:18,937 >> I KNOW. I KNOW. I HAVE 1303 00:42:18,937 --> 00:42:22,010 A PROBLEM, OK? FOR THE RECORD, 1304 00:42:22,010 --> 00:42:24,743 I DECIDED NOT TO TAKE THE JOB. 1305 00:42:24,743 --> 00:42:28,977 I´M OUT. YOU KNOW, IT´S ONLY 1306 00:42:28,977 --> 00:42:30,779 A MATTER OF TIME UNTIL THIS TOWN 1307 00:42:30,779 --> 00:42:33,021 EATS YOU GUYS ALIVE. YOU MAY 1308 00:42:33,021 --> 00:42:35,083 WANNA PACK UP YOUR SCALPELS 1309 00:42:35,083 --> 00:42:36,925 AND HEAD BACK TO MIAMI WHILE 1310 00:42:36,925 --> 00:42:38,156 YOUR SOULS ARE STILL INTACT. 1311 00:42:38,156 --> 00:42:41,189 [GAS HISSING] 1312 00:42:41,189 --> 00:42:43,892 >> COUNT BACK FROM 10 FOR ME. 1313 00:42:43,892 --> 00:42:45,994 >> 10, 9... 1314 00:42:51,800 --> 00:42:52,901 >> [SOBBING] 1315 00:42:52,901 --> 00:42:55,103 >> OH, LOOK. THAT WAS A GREAT 1316 00:42:55,103 --> 00:42:56,304 IDEA. YOU SEE THE FACE? 1317 00:42:56,304 --> 00:43:00,749 >> YOU DON´T UNDERSTAND. I CAN´T 1318 00:43:00,749 --> 00:43:03,581 WEAR MY LADY CHA-CHA ON MY LIPS. 1319 00:43:03,581 --> 00:43:04,282 >> HONEY, IF YOU CAN LIVE WITH 1320 00:43:04,282 --> 00:43:05,754 THE SHAME OF CALLING YOUR LABIA 1321 00:43:05,754 --> 00:43:07,055 MINORA A LADY CHA-CHAS, THEN YOU 1322 00:43:07,055 --> 00:43:08,787 CAN PAINT ´EM BRIGHT ORANGE AND 1323 00:43:08,787 --> 00:43:09,888 WEAR ´EM ON YOUR FOREHEAD. 1324 00:43:09,888 --> 00:43:11,760 >> SHH, SHH, SHH, SHH. 1325 00:43:11,760 --> 00:43:12,761 >> OF WHAT, ALLEGRA? 1326 00:43:12,761 --> 00:43:15,123 >> UM... 1327 00:43:15,123 --> 00:43:17,025 >> I´M YOUR DOCTOR. YOU CAN 1328 00:43:17,025 --> 00:43:18,767 TELL ME ANYTHING. 1329 00:43:18,767 --> 00:43:21,900 >> MY FATHER TOUCHED THOSE LIPS. 1330 00:43:21,900 --> 00:43:24,973 [SOBS] HE USED TO COME INTO 1331 00:43:24,973 --> 00:43:26,775 MY ROOM AT NIGHT WHEN I WAS 1332 00:43:26,775 --> 00:43:28,276 A LITTLE GIRL AND-- 1333 00:43:28,276 --> 00:43:29,337 >> LET IT OUT. 1334 00:43:29,337 --> 00:43:31,740 >> AND ABUSE ME. 1335 00:43:31,740 --> 00:43:32,741 >> LOOK, LOOK. DADDY´S GONNA BE 1336 00:43:32,741 --> 00:43:33,181 ON TV. 1337 00:43:33,181 --> 00:43:34,182 >> OH, SEAN, LOOK. 1338 00:43:34,182 --> 00:43:35,013 YOU LOOK REALLY MOVED. 1339 00:43:35,013 --> 00:43:35,884 >> HEY, WILL YOU GUYS BE-- 1340 00:43:35,884 --> 00:43:36,845 >> IT WAS WEIRD. I SORT OF WAS. 1341 00:43:36,845 --> 00:43:38,747 >> BE QUIET, PLEASE, ALL RIGHT? 1342 00:43:38,747 --> 00:43:41,049 [AIDAN SHUSHING] NO ONE WILL 1343 00:43:41,049 --> 00:43:42,290 KNOW I PUT YOUR LADY CHA-CHA 1344 00:43:42,290 --> 00:43:47,325 ON YOUR FACE. YOU HAVE MY WORD. 1345 00:43:47,325 --> 00:43:48,256 DOCTOR. 1346 00:43:48,256 --> 00:43:52,861 [GAS HISSING] 1347 00:43:52,861 --> 00:43:53,832 >> SHE´S READY WHEN YOU ARE, 1348 00:43:53,832 --> 00:43:56,004 DOCTOR. 1349 00:43:56,004 --> 00:43:57,806 >> WH-WHAT? WAIT, WAIT. WHAT 1350 00:43:57,806 --> 00:44:03,341 THE HELL HAPPENED TO MY SPEECH? 1351 00:44:03,341 --> 00:44:04,342 >> DOCTOR. 1352 00:44:04,342 --> 00:44:08,917 [GAS HISSING] 1353 00:44:08,917 --> 00:44:10,078 >> SHE´S READY WHEN YOU ARE, 1354 00:44:10,078 --> 00:44:11,820 DOCTOR. 1355 00:44:11,820 --> 00:44:13,822 >> 15 BLADE. 1356 00:44:20,188 --> 00:44:20,989 >> THEY CUT OUT 1357 00:44:20,989 --> 00:44:21,960 THE WHOLE SPEECH. 1358 00:44:21,960 --> 00:44:22,931 >> OH, NO, YOU´RE NOT, NOT 1359 00:44:22,931 --> 00:44:23,832 COMPLETELY. I MEAN, THE BACK 1360 00:44:23,832 --> 00:44:24,933 OF YOUR HEAD, VERY DISTINCTIVE. 1361 00:44:24,933 --> 00:44:25,964 >> THIS IS THAT AIDAN STONE. I´M 1362 00:44:25,964 --> 00:44:27,235 TELLIN´ YOU, HE FELT THREATENED 1363 00:44:27,235 --> 00:44:28,236 BY ME, COULDN´T HANDLE THE HEAT. 1364 00:44:28,236 --> 00:44:29,067 >> COME ON, CHRISTIAN. 1365 00:44:29,067 --> 00:44:29,998 IT´S JUST A STUPID TV SHOW. 1366 00:44:29,998 --> 00:44:31,840 >> WHAT? McNAMARA/TROY CANNOT 1367 00:44:31,840 --> 00:44:32,801 BE ASSOCIATED WITH THIS KIND 1368 00:44:32,801 --> 00:44:33,972 OF SCHLOCK, MY FRIEND. THAT´S 1369 00:44:33,972 --> 00:44:35,303 ALL THERE IS TO IT. WE HAVE 1370 00:44:35,303 --> 00:44:37,375 A REPUTATION TO PROTECT. 1371 00:44:37,375 --> 00:44:38,346 THEY CAN TAKE THIS SHITTY SHOW 1372 00:44:38,346 --> 00:44:42,350 AND SHOVE IT UP THEIR ASSES. 1373 00:44:42,350 --> 00:44:43,351 WE DON´T NEED THAT KIND OF 1374 00:44:43,351 --> 00:44:45,754 EXPOSURE, SEAN. WE GOT CARLY, 1375 00:44:45,754 --> 00:44:46,354 AND OUR WORK WILL SPEAK 1376 00:44:46,354 --> 00:44:47,115 FOR ITSELF. 1377 00:44:47,115 --> 00:44:48,116 >> YOU SIGNED A CONFIDENTIALITY 1378 00:44:48,116 --> 00:44:49,157 AGREEMENT, REMEMBER? 1379 00:44:49,157 --> 00:44:50,188 >> YEAH, YEAH. WHATEVER. 1380 00:44:50,188 --> 00:44:50,989 >> IT´S LIKE CARLY 1381 00:44:50,989 --> 00:44:51,760 NEVER HAPPENED. 1382 00:44:51,760 --> 00:44:53,061 >> EXCUSE ME. DIDN´T I SEE YOU 1383 00:44:53,061 --> 00:44:54,092 LAST NIGHT ON HEARTS ´N 1384 00:44:54,092 --> 00:44:56,324 SCALPELS? OHH! LAST NIGHT´S 1385 00:44:56,324 --> 00:44:57,866 EPISODE WAS AWESOME. 1386 00:44:57,866 --> 00:44:59,297 EVERYONE IS TALKING ABOUT IT. 1387 00:44:59,297 --> 00:45:00,869 LOOK. IT´S THE NEW CUTE DOCTOR 1388 00:45:00,869 --> 00:45:02,070 FROM HEARTS ´N SCALPELS. 1389 00:45:02,070 --> 00:45:04,232 >> OH, WOW. YOU WERE GREAT. IT 1390 00:45:04,232 --> 00:45:05,804 WAS LIKE WATCHING A REAL DOCTOR. 1391 00:45:05,804 --> 00:45:07,275 >> WELL, ACTUALLY I AM. 1392 00:45:07,275 --> 00:45:08,236 THEY HIRED ME TO CONSULT. 1393 00:45:08,236 --> 00:45:09,137 >> HEY, YOU´RE A REAL 1394 00:45:09,137 --> 00:45:10,739 PLASTIC SURGEON? 1395 00:45:10,739 --> 00:45:11,209 >> YES, I-- 1396 00:45:11,209 --> 00:45:12,981 >> DO YOU HAVE A CARD? MY WIFE´S 1397 00:45:12,981 --> 00:45:13,882 BEEN HOUNDING ME TO GET SOME 1398 00:45:13,882 --> 00:45:15,113 WORK DONE. YOU MUST BE 1399 00:45:15,113 --> 00:45:16,284 PRETTY GOOD. EVERY SURGEON 1400 00:45:16,284 --> 00:45:17,215 IN BEVERLY HILLS MUST HAVE 1401 00:45:17,215 --> 00:45:19,117 BEEN AFTER THAT JOB. 1402 00:45:19,117 --> 00:45:20,889 >> HERE. 1403 00:45:24,893 --> 00:45:25,994 >> ♫ THERE´S TALK ON THE STREET, 1404 00:45:25,994 --> 00:45:26,895 IT SOUNDS SO FAMILIAR... ♫ 1405 00:45:26,895 --> 00:45:28,026 >> THANKS. 1406 00:45:28,026 --> 00:45:30,258 >> SURE. SURE RENAULT, RIGHT? 1407 00:45:30,258 --> 00:45:33,161 OH. HI. 1408 00:45:33,161 --> 00:45:34,963 >> ♫ EVERYBODY´S WATCHIN´ YOU ♫ 1409 00:45:34,963 --> 00:45:35,363 [SUCTION] 1410 00:45:35,363 --> 00:45:36,965 >> LIPO´S A HARSH PROCEDURE. 1411 00:45:36,965 --> 00:45:38,266 THE KEY IS TO USE SHORT, 1412 00:45:38,266 --> 00:45:39,908 EVEN STROKES AND AVOID 1413 00:45:39,908 --> 00:45:41,069 EXCESSIVE BRUISING. 1414 00:45:41,069 --> 00:45:44,242 >> WOW. [SIGHS] THAT LOOKS 1415 00:45:44,242 --> 00:45:45,974 JUST SO REAL WHEN YOU DO IT. 1416 00:45:45,974 --> 00:45:49,047 >> THIS IS REAL, REMEMBER? 1417 00:45:49,047 --> 00:45:49,948 >> YEAH, THIS IS EXACTLY HOW 1418 00:45:49,948 --> 00:45:50,849 I WANT THE SHOW TO LOOK FROM 1419 00:45:50,849 --> 00:45:53,251 NOW ON. I WENT ONLINE THE OTHER 1420 00:45:53,251 --> 00:45:54,322 NIGHT AFTER WE AIRED AND GOT OUR 1421 00:45:54,322 --> 00:45:56,054 HIGHEST RATINGS EVER. YOU KNOW 1422 00:45:56,054 --> 00:45:56,955 WHAT I KEPT READING ABOUT 1423 00:45:56,955 --> 00:45:57,956 IN ALL THE HEARTS ´N SCALPEL 1424 00:45:57,956 --> 00:46:03,331 CHAT ROOMS? SURGERY. THEY LOVE 1425 00:46:03,331 --> 00:46:04,993 THE SURGERY. EVERYBODY THOUGHT 1426 00:46:04,993 --> 00:46:05,934 THAT IT BROUGHT A HEIGHTENED 1427 00:46:05,934 --> 00:46:07,796 SENSE OF REALISM AND--AND DRAMA 1428 00:46:07,796 --> 00:46:08,196 TO THE SHOW. 1429 00:46:08,196 --> 00:46:09,067 >> YOU´RE KIDDING. 1430 00:46:09,067 --> 00:46:12,300 >> NO, NO. ME DOING 1431 00:46:12,300 --> 00:46:13,101 REALISTIC SURGERY-- 1432 00:46:13,101 --> 00:46:14,342 >> YOU CAN´T--CAN´T DO THAT. 1433 00:46:14,342 --> 00:46:15,343 >> RIGHT. RIGHT. JUST WHAT 1434 00:46:15,343 --> 00:46:17,806 THE FANS WANNA SEE. AND YOU, 1435 00:46:17,806 --> 00:46:20,208 MY FRIEND, YOU ARE THE GUY 1436 00:46:20,208 --> 00:46:21,810 THAT´S GONNA MAKE THAT HAPPEN. 1437 00:46:21,810 --> 00:46:22,951 >> I´M JUST HAPPY TO DO MY PART. 1438 00:46:22,951 --> 00:46:23,882 >> SPEAKING OF WHICH, I WANT 1439 00:46:23,882 --> 00:46:24,552 TO TALK TO YOU ABOUT WHAT 1440 00:46:24,552 --> 00:46:26,254 HAPPENED ON SET THE OTHER DAY, 1441 00:46:26,254 --> 00:46:28,286 HOW YOU SPOKE TO ME. 1442 00:46:28,286 --> 00:46:29,818 >> LOOK, I DIDN´T MEAN-- 1443 00:46:29,818 --> 00:46:32,560 >> THANK YOU. I NEEDED TO 1444 00:46:32,560 --> 00:46:35,293 HEAR IT. YOU KNOW, IT--IT´S HARD 1445 00:46:35,293 --> 00:46:36,324 BEING THE SOLE CREATIVE FORCE 1446 00:46:36,324 --> 00:46:38,967 BEHIND A HIT SHOW. EVERYTHING IS 1447 00:46:38,967 --> 00:46:40,168 RIDING ON MY BROAD SHOULDERS 1448 00:46:40,168 --> 00:46:43,071 ALL THE TIME, AND THE PRESSURE 1449 00:46:43,071 --> 00:46:44,302 GETS TO ME. 1450 00:46:44,302 --> 00:46:47,305 >> [CLEARS THROAT] 1451 00:46:47,305 --> 00:46:48,907 WHAT´S HE DOING HERE? 1452 00:46:48,907 --> 00:46:51,109 >> CHRISTOPHER. 1453 00:46:51,109 --> 00:46:53,211 GOOD TO SEE YOU, MY MAN. 1454 00:46:53,211 --> 00:46:54,382 YOUR BETTER HALF´S GIVING ME 1455 00:46:54,382 --> 00:46:55,583 SOME POINTERS ON THE SHOW. IT´S 1456 00:46:55,583 --> 00:46:57,115 AWESOME STUFF. LISTEN, YOU HAVE 1457 00:46:57,115 --> 00:46:58,086 ANY NOTES IN THE NEXT SCRIPT, 1458 00:46:58,086 --> 00:46:59,347 YOU GIVE ME A CALL, OK? 1459 00:46:59,347 --> 00:47:00,588 >> YEAH. 1460 00:47:00,588 --> 00:47:02,120 >> WE SHOULD DO A MEAL SOON. 1461 00:47:02,120 --> 00:47:05,093 YOU BEEN TO THE IVY YET? YOU GOT 1462 00:47:05,093 --> 00:47:09,057 MY DIGITS, RIGHT? LOOK AT YOU. 1463 00:47:09,057 --> 00:47:11,129 LOOK AT YOU. HA HA HA! 1464 00:47:11,129 --> 00:47:15,964 >> IT´S CHRISTIAN. 1465 00:47:15,964 --> 00:47:18,136 SO WHAT´S HE TALKIN´ ABOUT? HUH? 1466 00:47:18,136 --> 00:47:19,207 I THOUGHT WE AGREED WE WEREN´T 1467 00:47:19,207 --> 00:47:21,009 DOING THE TV SHOW. 1468 00:47:21,009 --> 00:47:23,912 >> I NEVER COMMITTED TO THAT. 1469 00:47:23,912 --> 00:47:24,873 YOU´RE THE ONE WHO WANTED TO 1470 00:47:24,873 --> 00:47:26,544 QUIT BECAUSE YOU WERE CUT OUT. 1471 00:47:26,544 --> 00:47:29,147 >> ♫ THERE´S A NEW KID IN TOWN, 1472 00:47:29,147 --> 00:47:31,079 I DON´T WANNA HEAR IT... ♫ 1473 00:47:31,079 --> 00:47:32,550 >> IS THAT THE LADY FROM... 1474 00:47:32,550 --> 00:47:34,252 >> THE HOT DOG STAND. YEAH. 1475 00:47:34,252 --> 00:47:35,023 >> HMM. 1476 00:47:35,023 --> 00:47:36,084 >> AND SOME COLD CALLS CAME IN 1477 00:47:36,084 --> 00:47:36,925 THIS MORNING FROM FANS 1478 00:47:36,925 --> 00:47:40,088 OF THE SHOW. 1479 00:47:40,088 --> 00:47:43,091 >> GREAT. NOW THE BALL´S OFF 1480 00:47:43,091 --> 00:47:44,092 AND ROLLING, WE DON´T HAVE TO DO 1481 00:47:44,092 --> 00:47:45,633 THAT STUPID, SHITTY TV SHOW, 1482 00:47:45,633 --> 00:47:47,195 RIGHT? 1483 00:47:47,195 --> 00:47:48,897 >> YOU CAN DO WHAT YOU WANT, 1484 00:47:48,897 --> 00:47:50,138 BUT I´M DOIN´ THE SHOW, 1485 00:47:50,138 --> 00:47:52,400 CHRISTIAN. FIONA WAS RIGHT. 1486 00:47:52,400 --> 00:47:54,042 IT´S GOOD FOR BUSINESS. 1487 00:47:54,042 --> 00:47:55,303 >> YOU MEAN IT´S GOOD 1488 00:47:55,303 --> 00:47:57,045 FOR YOUR EGO. 1489 00:47:57,045 --> 00:48:01,109 >> ♫ THERE´S A NEW KID IN TOWN, 1490 00:48:01,109 --> 00:48:04,152 THERE´S A NEW KID IN TOWN ♫ 1491 00:48:04,152 --> 00:48:06,214 [MONITOR BEEPING] 1492 00:48:06,214 --> 00:48:07,185 >> EVERYTHING´S WHERE IT OUGHT 1493 00:48:07,185 --> 00:48:09,988 TO BE, MINIMAL BRUISING 1494 00:48:09,988 --> 00:48:12,060 AND SWELLING. 1495 00:48:12,060 --> 00:48:15,363 >> [PANTING] 1496 00:48:15,363 --> 00:48:17,125 >> WHAT IS IT? 1497 00:48:17,125 --> 00:48:18,927 >> OH, I JUST DIDN´T KNOW 1498 00:48:18,927 --> 00:48:22,900 IT WAS GONNA HURT SO MUCH. 1499 00:48:22,900 --> 00:48:24,572 >> I COULD UP YOUR MORPHINE 1500 00:48:24,572 --> 00:48:25,373 IF YOU LIKE. 1501 00:48:25,373 --> 00:48:28,036 >> NO. UH-UH. COMING DOWN 1502 00:48:28,036 --> 00:48:31,079 OFF THAT STUFF´S A... 1503 00:48:31,079 --> 00:48:35,183 EVEN BIGGER BITCH. 1504 00:48:35,183 --> 00:48:37,685 >> I´M SORRY. 1505 00:48:37,685 --> 00:48:42,020 >> I´M GLAD. 1506 00:48:42,020 --> 00:48:44,092 I NEEDED TO. RIGHT? 1507 00:49:01,069 --> 00:49:02,140 >> SEE IF WE CAN MOVE 1508 00:49:02,140 --> 00:49:03,141 MRS. SIEBERT´S BROW-LIFT TO 1509 00:49:03,141 --> 00:49:04,412 3:00. THAT WAY, WE CAN STILL FIT 1510 00:49:04,412 --> 00:49:05,974 IN MRS. KASHOGGI´S TUMMY TUCK 1511 00:49:05,974 --> 00:49:07,145 BEFORE SHE LEAVES FOR CABO. 1512 00:49:07,145 --> 00:49:08,146 DR. TROY CAN DO IT. 1513 00:49:08,146 --> 00:49:09,717 >> MRS. KASHOGGI WAS VERY CLEAR. 1514 00:49:09,717 --> 00:49:14,983 SHE WANTS YOU TO DO THE SURGERY. 1515 00:49:14,983 --> 00:49:16,124 >> SEEMS LIKE BUSINESS 1516 00:49:16,124 --> 00:49:17,255 IS FINALLY PICKING UP. 1517 00:49:17,255 --> 00:49:18,086 >> DO I NEED TO TAKE OUT 1518 00:49:18,086 --> 00:49:20,058 A RESTRAINING ORDER? LEAVE. 1519 00:49:20,058 --> 00:49:21,229 >> I WATCHED YOU ON TELEVISION 1520 00:49:21,229 --> 00:49:23,131 LAST NIGHT, DOCTOR. YOU WERE 1521 00:49:23,131 --> 00:49:24,993 VERY HANDSOME AND VERY 1522 00:49:24,993 --> 00:49:27,665 CONVINCING. I CAN ALREADY TELL 1523 00:49:27,665 --> 00:49:28,696 YOU´RE GONNA DO QUITE WELL 1524 00:49:28,696 --> 00:49:30,268 FOR YOURSELF IN THIS TOWN. 1525 00:49:30,268 --> 00:49:32,670 >> THAT´S RIGHT, WHICH MEANS 1526 00:49:32,670 --> 00:49:34,742 WE DON´T NEED TO SEE YOU OR 1527 00:49:34,742 --> 00:49:36,244 YOUR SICKO CLIENTS ANY LONGER. 1528 00:49:36,244 --> 00:49:37,275 >> HAVE YOU SEEN TODAY´S 1529 00:49:37,275 --> 00:49:39,407 VARIETY? THIS SICKO HAS 1530 00:49:39,407 --> 00:49:40,578 JUST CLIMBED UP ANOTHER RUNG 1531 00:49:40,578 --> 00:49:41,679 ON THE LADDER. 1532 00:49:41,679 --> 00:49:43,251 >> "BOB EASTON NAMED C.E.O. 1533 00:49:43,251 --> 00:49:45,053 AFTER MERGER." HE TOLD ME 1534 00:49:45,053 --> 00:49:46,714 HE WAS LEAVING TOWN. 1535 00:49:46,714 --> 00:49:48,016 >> I GUESS THE RUSH OF POWER´S 1536 00:49:48,016 --> 00:49:49,157 JUST TOO ADDICTIVE TO WALK AWAY 1537 00:49:49,157 --> 00:49:53,661 FROM. CALL ME. 1538 00:49:53,661 --> 00:49:54,662 >> I DON´T NEED YOUR KIND 1539 00:49:54,662 --> 00:49:56,324 OF HELP. 1540 00:49:56,324 --> 00:49:58,666 >> YOU WILL. 1541 00:50:11,209 --> 00:50:13,611 [DIALING] 1542 00:50:21,589 --> 00:50:22,750 >> US WEEKLY. THIS IS MIRANDA 1543 00:50:22,750 --> 00:50:23,791 SPEAKING. 1544 00:50:23,791 --> 00:50:24,722 >> GUESS WHO JUST GOT 1545 00:50:24,722 --> 00:50:28,656 A FACE-LIFT. CARLY SUMMERS. YES, 1546 00:50:28,656 --> 00:50:31,599 THAT CARLY SUMMERS. IT DOESN´T 1547 00:50:31,599 --> 00:50:33,601 MATTER WHO I AM, BUT, UH, 1548 00:50:33,601 --> 00:50:35,733 THE SURGEON WHO DID HER WORK 1549 00:50:35,733 --> 00:50:41,539 IS DR. CHRISTIAN TROY. 1550 00:50:41,539 --> 00:50:42,740 [BEEP]